Latest / Suspense | Old Time Radio / Statement of Mary Blake [episode 383], Broadcast 5/4/1950
Transcript
- 0:11Speaker 1: Suspence auto light and it's ninety six thousand dealers present
- 0:19Speaker 1: Miss Joan Bennett in statement of Mary Blake, a suspense
- 0:23Speaker 1: play produced and edited by William Spear.
- 0:30Speaker 2: Harlow. Where did you get those suspenders?
- 0:33Speaker 1: Half? My envious end man? Those are auto lights stay
- 0:36Speaker 1: full battery suspenders.
- 0:38Speaker 2: What queer animals on them? Is that a camel?
- 0:40Speaker 1: That half is a contented camel with a smile from
- 0:43Speaker 1: hump to hump. He knows that auto light stay full
- 0:45Speaker 1: batteries are the batteries that need water only three times
- 0:48Speaker 1: a year in normal car use, and that's because they
- 0:50Speaker 1: have over three times more liquid reserves than batteries without
- 0:53Speaker 1: stay full features.
- 0:54Speaker 2: WHOA what's this dancing derby's doing.
- 0:56Speaker 1: He's celebrating his release from camel watering. Just gotten used
- 0:59Speaker 1: to battery.
- 1:00Speaker 2: This is gonna kill me. Do auto light stainful batteries
- 1:04Speaker 2: do handstands too?
- 1:05Speaker 1: No, on my suspenders, they do because auto light stay
- 1:08Speaker 1: full batteries give seventy percent longer average life than batteries
- 1:11Speaker 1: without stay full features, according to recent tests based on
- 1:14Speaker 1: SAE life cycle standards. And remember too, auto light stay
- 1:18Speaker 1: full batteries need water only three times a year in
- 1:20Speaker 1: normal car use. Anything else will come, just one more thing.
- 1:24Speaker 1: You're always right with auto Light. And now, with statement
- 1:28Speaker 1: of Mary Blake and the performance of miss Joan Bennett,
- 1:31Speaker 1: Auto Light hopes once again to keep you in suspense.
- 1:40Speaker 3: I found myself at the far end of a long corridor,
- 1:43Speaker 3: the length of its stretching before me in a winding pattern.
- 1:47Speaker 3: The walls of that a thick and pregnable salt. There
- 1:50Speaker 3: were no windows, only a small opening high in the
- 1:53Speaker 3: world am I right through this? A single shaft of
- 1:56Speaker 3: light fell into a pattern which told me there were
- 1:58Speaker 3: iron bars on the in the small window. At first,
- 2:02Speaker 3: it seemed that I was alone in this place. I
- 2:05Speaker 3: stood huddled and frayed, unable to move. Somehow I had
- 2:10Speaker 3: the feeling that soon I would not be alone. Then, faintly,
- 2:14Speaker 3: from out of the darkness ahead of me, I heard
- 2:17Speaker 3: him coming, with slow, shuffling footsteps, the walk of a
- 2:23Speaker 3: man who has not long been without his eyes. I
- 2:28Speaker 3: saw his cane first, a slim thread of white in
- 2:32Speaker 3: the blackness before me. I watched it tapping up and
- 2:37Speaker 3: down in a nervous rhythm, tapping coming closer closer. I
- 2:45Speaker 3: felt the muscles in my throat tighten on an effort
- 2:48Speaker 3: to scream, But I made no sound at all, nor
- 2:52Speaker 3: did I move. I just stood there and waited and
- 2:57Speaker 3: watched him come toward me. Then, in the next instant,
- 3:02Speaker 3: his face was caught in a shaft of light, and
- 3:05Speaker 3: I saw him very clearly. The steering marks of pain
- 3:11Speaker 3: were there, and with them the lines born of brooding
- 3:14Speaker 3: and evil. And I looked for a long time at
- 3:17Speaker 3: that face, and I found myself wondering, if I could
- 3:21Speaker 3: see behind those dark glasses, would I find in her
- 3:24Speaker 3: sightless eyes any sign of repentance.
- 3:33Speaker 4: I remembered suddenly how Gregory Martin had.
- 3:35Speaker 3: Looked the first time I saw him, his tall form
- 3:38Speaker 3: standing with a casual poise in the doorway, that handsome
- 3:41Speaker 3: face creased.
- 3:42Speaker 4: By the broad smile that bid me welcome into his home.
- 3:50Speaker 1: Hello, miss Blake, coming, won't you?
- 3:51Speaker 4: Thank you?
- 3:53Speaker 1: Yeah, let me take your bags. Missus Martin isn't here
- 3:57Speaker 1: just now, so I'll show you your room.
- 3:59Speaker 4: Oh.
- 3:59Speaker 1: I think you'll find it very comfortable. In fact, I
- 4:03Speaker 1: hope you'll enjoy your life here and you'll work with me.
- 4:05Speaker 4: Oh, I'm sure I will.
- 4:07Speaker 3: I'm a little overwhelmed to find myself actually about to
- 4:10Speaker 3: work with the doctor Gregory Martin.
- 4:12Speaker 1: When you've gotten your things unpacked, and I had the
- 4:14Speaker 1: chance to catch your breath a bit, perhaps you'll join
- 4:17Speaker 1: me for coffee.
- 4:17Speaker 4: Wonderful.
- 4:18Speaker 1: Then I'll show you through my laboratory.
- 4:27Speaker 4: I felt no fear at all that Thursday.
- 4:30Speaker 3: My room was luxurious and beautiful, and the laboratory is
- 4:32Speaker 3: beyond anything I'd ever imagined in its completeness.
- 4:36Speaker 4: I didn't meet.
- 4:36Speaker 3: Lorna Martin during that Thursday as a member of the household,
- 4:40Speaker 3: but in the evening her husband invited me to join
- 4:41Speaker 3: the intimate group of friends that were gathered in front
- 4:43Speaker 3: of a glowing fire in their living room.
- 4:47Speaker 1: And how about your professor, let me fill your glass.
- 4:50Speaker 1: I have my customary toast to me, he's my boy.
- 4:53Speaker 4: Indeed, ah, I want to join you on.
- 4:55Speaker 1: Network Attention everyone, A toast the toe to the lovely Lorna,
- 5:02Speaker 1: a woman of such abundant charm that it's unfair really
- 5:07Speaker 1: for one man only to call her his. But three
- 5:11Speaker 1: years ago she made her choice, and I found that
- 5:13Speaker 1: it was such a commendable one that I, for one
- 5:17Speaker 1: think we.
- 5:18Speaker 2: Should forgive her.
- 5:20Speaker 1: And so.
- 5:22Speaker 5: He is to the lovely Lorna, my wife.
- 5:32Speaker 3: I joined in doctor Martin's toast to his wife, and
- 5:35Speaker 3: at the same time study the faces of the people
- 5:37Speaker 3: who were gathered in a semicircle around the room. There
- 5:40Speaker 3: was a glint on the glass of one man's pasne
- 5:42Speaker 3: that gave his face so.
- 5:43Speaker 4: And weird, somewhat supernatural look.
- 5:46Speaker 3: He was smiling broadly in the direction of missus Martin,
- 5:50Speaker 3: and his teeth and the light of the fire seemed
- 5:51Speaker 3: to be made entirely of gold. I looked down at Lawna.
- 5:55Speaker 3: She was looking past the others at her husband, and
- 5:58Speaker 3: although she was smiling, I I saw that there were
- 6:00Speaker 3: tears in her brown arrays. Beneath her polish and exquisite breeding.
- 6:05Speaker 3: She was insecure and afraid. Late that night, after the party,
- 6:17Speaker 3: I was thirsty, so I put on my robe and
- 6:19Speaker 3: went quietly down the carpeted stairs. The big double door
- 6:22Speaker 3: that led into the living room was closed, but I
- 6:25Speaker 3: could see that a lamp was lit inside the room.
- 6:28Speaker 3: And then as I passed by, I heard her. She
- 6:31Speaker 3: was sobbing softly. I turned quickly to go back to
- 6:34Speaker 3: my room. I didn't want to be placed in the
- 6:35Speaker 3: embarrassing position of hearing something I shouldn't but before I'd
- 6:39Speaker 3: gotten out of earshot, I heard her sobbing stop suddenly
- 6:42Speaker 3: with a noise that sounded like the flat of her
- 6:43Speaker 3: palm hand hitting hard against her cheek. Next morning, I
- 6:54Speaker 3: was working with doctor Martin and loving every minute of it.
- 6:56Speaker 3: We worked silently, swiftly, with no regard for anything outside
- 6:59Speaker 3: of the task immediately at hand, that is, save for
- 7:03Speaker 3: one little thing. Doctor Martin seemed fascinated with a little
- 7:07Speaker 3: vial of amble liquid, which he kept on a desk.
- 7:10Speaker 3: Price He abandoned his work to walk over to the again,
- 7:13Speaker 3: lift the glass container up to the window and study
- 7:16Speaker 3: its contents, his lips forming a strange half smile.
- 7:20Speaker 1: Why, yes, yes, that's it, of course.
- 7:24Speaker 4: What I beg your pardon, Doctor Martin? Were you you
- 7:26Speaker 4: speaking to me?
- 7:27Speaker 1: No, no, Miss Blake, talking to myself. I expect my
- 7:31Speaker 1: scientists frequently, do I understand?
- 7:33Speaker 4: Yes, I've heard, sir, my.
- 7:34Speaker 1: Formula, Miss Blake. I just realized it's almost the color
- 7:38Speaker 1: of her hair, isn't it, Lorna's. I mean, my wife
- 7:42Speaker 1: is very pretty hair, don't you think?
- 7:43Speaker 3: I think missus Martin is a beautiful woman in many ways?
- 7:47Speaker 1: That's a rather generous opinion of forem in so short
- 7:49Speaker 1: a time, isn't it? Do you always analyze people so
- 7:53Speaker 1: quickly and so flatteringly?
- 7:55Speaker 5: How about me?
- 7:56Speaker 4: For instance?
- 7:57Speaker 3: I don't think you're being fair, doctor, But since you are,
- 8:00Speaker 3: i'd say you're a man of great charm, and certainly
- 8:02Speaker 3: a scientist of remarkable ability.
- 8:05Speaker 1: I should be pleased, I suppose. However, it sounds like generalities.
- 8:11Speaker 1: I think I'll have to see what I can do
- 8:13Speaker 1: towards creating a more specific impression. Yes, a truly beautiful color,
- 8:22Speaker 1: isn't it.
- 8:22Speaker 4: I've never seen anything quite that shade of amber? What
- 8:25Speaker 4: is it?
- 8:25Speaker 1: Doctor, It's a mixture of my own. I'll let you
- 8:28Speaker 1: in on it some day soon, But meanwhile, i'd advise
- 8:31Speaker 1: you to keep clear of it. I think I could
- 8:33Speaker 1: safely claim it to be the fastest acting poison in existence.
- 8:37Speaker 1: A new experiment, doctor, the most exciting experiment to which
- 8:40Speaker 1: a scientific mind can apply itself, and I have every
- 8:43Speaker 1: confidence that I'll be able to work it out to
- 8:45Speaker 1: a successful conclusion.
- 8:46Speaker 4: Sounds challenging, challenging, doctor, I hope I'll be allowed to
- 8:49Speaker 4: work on it too.
- 8:50Speaker 1: I assure you, my dear miss Blake, I wouldn't attempt
- 8:54Speaker 1: this particular experiment.
- 8:56Speaker 3: Without you, Neither of us made mention of his poison again,
- 9:05Speaker 3: and indeed it seemed that the doctor had quite forgotten it.
- 9:08Speaker 3: We were both working hard on the completion of his
- 9:10Speaker 3: current project. Lorna Martin worked with us part of the time.
- 9:13Speaker 3: It was only then that I learned she had previously
- 9:15Speaker 3: always assisted her husband with his work. It was in
- 9:18Speaker 3: fact Lorna who suggested the final step that led him
- 9:21Speaker 3: quickly to the result he had.
- 9:22Speaker 4: Been striving for.
- 9:24Speaker 3: We worked from early morning until late at night, and
- 9:26Speaker 3: on the third day, towards midnight, the project was completed.
- 9:29Speaker 3: We had a late supper, and after agassive liqueur, I
- 9:32Speaker 3: left the doctor and his wife and went to my room.
- 9:37Speaker 1: Yes, I'm sorry, were you asleep?
- 9:41Speaker 3: Oh no, Now, I was just sitting here relaxing. Doctor,
- 9:43Speaker 3: I'm still too excited to do any sleeping.
- 9:45Speaker 1: Well, that's exactly how Lona and I found ourselves feeling.
- 9:49Speaker 1: So we decided to sit up and talk a bit
- 9:51Speaker 1: over another glass of liqueur. We wonted if you join us.
- 9:54Speaker 1: After all, this has been a free way victory, Miss Blake.
- 9:57Speaker 1: We want you in on our triumphal toe.
- 10:00Speaker 4: Now that's a generous thought.
- 10:01Speaker 3: I'm afraid I wasn't much more than a spectator, and
- 10:03Speaker 3: this no, it's come along well. I am certainly eager
- 10:06Speaker 3: to talk with missus Martin. I had no idea she
- 10:08Speaker 3: was an active colleague of yours and the laboratary.
- 10:10Speaker 1: Oh. Yes, Lorna has been a tremendous hope to me
- 10:14Speaker 1: in the past. I would say she's been quite indispensable.
- 10:18Speaker 1: Lorna's brilliant mind amazed me from the first moment I
- 10:21Speaker 1: met her. Here we are, Lona, my dear, Miss Blake
- 10:26Speaker 1: and I were just having a most engrossing conversation wholly
- 10:29Speaker 1: about you. It seems Miss Blake has been greatly impressed
- 10:33Speaker 1: by the work you've done on this idea of mine.
- 10:35Speaker 3: Oh, doctor Martin, you're making it sound as if I
- 10:37Speaker 3: had minimized your own work.
- 10:38Speaker 1: I didn't mean, of course you didn't. I do understand,
- 10:42Speaker 1: and you needn't make apologies in my direction for your
- 10:44Speaker 1: appreciation of my wife's talents. Here now it occurred for you,
- 10:48Speaker 1: Miss Blake, same as earlier. Please, hey, you are thank you,
- 10:53Speaker 1: Lona dear. How about you? Your glass can stand a
- 10:56Speaker 1: little replenishing, I should imagine, and let me see, No,
- 11:03Speaker 1: why you still have something that you haven't even touched.
- 11:06Speaker 3: In a few seconds that had passed since doctor Martin
- 11:08Speaker 3: and I had entered the room, three distinctly sharp and
- 11:11Speaker 3: clear thoughts had crossed my mind in sudden, quick succession,
- 11:14Speaker 3: and each of them struck at my inside as like
- 11:16Speaker 3: the painful puncture of a.
- 11:18Speaker 4: Thin, sharp blind.
- 11:19Speaker 3: One that doctor Martin professionally was insanely jealous of his wife.
- 11:23Speaker 4: Two that it was totally unlike Lorna Martin not to
- 11:26Speaker 4: speak to us as we entered the room.
- 11:28Speaker 3: And three that doctor Martin had just gone over to
- 11:31Speaker 3: his wife to make absolutely certain that she was dead.
- 11:45Speaker 1: Auto Ida is bringing you, miss John Bennett, in statement
- 11:48Speaker 1: of Mary Blake Tonight's production in Radio's outstanding Theater of
- 11:52Speaker 1: Thrills Suspense, Say.
- 12:01Speaker 2: Harlow, can I get a pair of those auto light
- 12:03Speaker 2: stay full battery suspenders?
- 12:05Speaker 1: Ah, there's a catch to these suspenders. Of course, wouldn't
- 12:09Speaker 1: be suspenders without a catch. Well, to get a pair
- 12:12Speaker 1: of these, you'll have to rave about that special feature
- 12:15Speaker 1: of the auto light stay full battery, the fiberglass retaining
- 12:18Speaker 1: math that protects every positive plate to keep the power
- 12:20Speaker 1: producing material in place for longer life. Seventy percent longer
- 12:24Speaker 1: life in fact than batteries without stay full features, and
- 12:27Speaker 1: this is proven in recent tests based on SAE life
- 12:30Speaker 1: cycle standards.
- 12:31Speaker 2: Doesn't anyone but you have a pair of those wonderful,
- 12:33Speaker 2: wonderful suspenders.
- 12:35Speaker 1: No, No, these suspenders were made for me by a
- 12:38Speaker 1: happy car owner who recently bought an auto light stay
- 12:40Speaker 1: full battery, the battery that needs water only three times
- 12:43Speaker 1: a year in normal car use. Said he couldn't thank
- 12:46Speaker 1: me enough for telling him about it. So friends, see
- 12:48Speaker 1: your auto light battery dearer tomorrow, and remember you're always
- 12:51Speaker 1: right with auto light. And now auto light brings back
- 12:55Speaker 1: to our Hollywood downstage, our star, Miss Joan Bennett in
- 12:59Speaker 1: state of Mary Blake, a tale well calculated to keep
- 13:03Speaker 1: you in suspend.
- 13:09Speaker 4: I stood there, unable to speak. Doctor Martin looked at me.
- 13:12Speaker 3: He was amused, amused at my reaction to his wife's murder.
- 13:18Speaker 1: I rather think I could read your mind quite accurately
- 13:21Speaker 1: at this moment, Miss Blake. Why why, why? Why does
- 13:26Speaker 1: one do anything? What motivates any action of man? There
- 13:30Speaker 1: is a need, a desire I want behind every action.
- 13:35Speaker 1: I wanted to kill my wife. It's as simple as that.
- 13:40Speaker 4: The poise.
- 13:42Speaker 1: Yes, come into the laboratory. The poison. We'll look for it.
- 13:52Speaker 3: It isn't on your desk. You did kill her with it,
- 13:54Speaker 3: but I don't see it. And why have you made
- 13:57Speaker 3: it a point to have a witness? I remember now
- 14:00Speaker 3: you talked of this as an experiment. You told me
- 14:02Speaker 3: I would work with you on it.
- 14:03Speaker 1: Just what what shance, my dear girl, patience?
- 14:07Speaker 4: What is the next step? Doctor? To call whom the
- 14:09Speaker 4: police and tell them?
- 14:10Speaker 1: What? When one discovers that one's wife has been murdered,
- 14:13Speaker 1: one naturally calls in the authorities. Oh, yes, Surjon, I
- 14:17Speaker 1: listened carefully. Please, this is doctor Gregory Martin. My address
- 14:22Speaker 1: is one two four four eight Pilgrim Drive. Would you
- 14:25Speaker 1: send some men over immediately, please? My wife has just
- 14:28Speaker 1: been murdered.
- 14:34Speaker 3: The complete realization of what he had done seemed to
- 14:36Speaker 3: count upon me all at once. A sudden, delayed shock
- 14:39Speaker 3: had hit me with the impact of a hammer blow.
- 14:42Speaker 3: I looked at him, and he seemed a total stranger,
- 14:44Speaker 3: hermeniac whose next move I could not predict him?
- 14:47Speaker 4: Who was laughing?
- 14:48Speaker 3: And while he laughed, I reached desperately behind me, disposing
- 14:51Speaker 3: my things.
- 14:51Speaker 4: Up tightly round the glass container.
- 14:53Speaker 3: I felt them, and I prayed that it contained something
- 14:55Speaker 3: that would serve as an effective weapon against the murderers.
- 14:58Speaker 4: With one quick movement, I shall the coil in his
- 15:00Speaker 4: laughing faces, and.
- 15:04Speaker 3: I watched it eat away his skin like a sheet
- 15:07Speaker 3: of tissue paper and a soaring place. When the police arrived,
- 15:21Speaker 3: they found Lorna Martin, see her direct and beautiful in
- 15:24Speaker 3: the chair in the sitting room, while her husband writhed
- 15:26Speaker 3: in pain on the floor of his laboratory. I was
- 15:29Speaker 3: at doctor Martin's desk, they said. I remember lifting my
- 15:33Speaker 3: eyes to follow mutely the movements of the men who
- 15:35Speaker 3: streamed into the room through the door. I could see
- 15:38Speaker 3: them bending over the body of Lorna Martins, and I
- 15:41Speaker 3: washed with a strange, detached curiosity as two in turns
- 15:45Speaker 3: administered temporary treatment to doctor Martin's injuries. Then they took
- 15:49Speaker 3: us away, the three of us. I don't remember much
- 15:53Speaker 3: about it.
- 16:02Speaker 6: Do you want to talk now? Come now, miss Blake.
- 16:06Speaker 6: We realize that you've been under a great strain. We
- 16:09Speaker 6: want to find out exactly what happened, and we must
- 16:11Speaker 6: know exactly what part you played.
- 16:14Speaker 2: You know, in view of what has.
- 16:15Speaker 6: Happened to doctor Martin and his wife, a man so
- 16:17Speaker 6: revered and well known. We will be subjected to a
- 16:20Speaker 6: great deal of pressure to bring someone to justice for
- 16:22Speaker 6: this thing.
- 16:23Speaker 4: Justice, hearken, Lorna Martin, never know justice.
- 16:26Speaker 1: Let's hear your story, miss Blake.
- 16:28Speaker 2: From the beginning.
- 16:29Speaker 6: There were three people alone in that house when this happened,
- 16:31Speaker 6: and of them only you were able to speak.
- 16:33Speaker 1: Now, let's hear what you have to say. How about it?
- 16:41Speaker 6: All right?
- 16:42Speaker 2: You'll talk on the stand.
- 16:53Speaker 1: Well, the witness, Please take the time just where to
- 16:55Speaker 1: tell the truth, the whole truth.
- 16:56Speaker 4: Nothing about the.
- 16:57Speaker 1: Truth awk to God was like a dreams too.
- 17:00Speaker 4: The setting now is a court of justice.
- 17:02Speaker 3: And I sat numbly among strange faces and gesturing hands
- 17:05Speaker 3: and questions. I can hear where it's tumbling, Friez.
- 17:13Speaker 7: Doctor Martin has been my close friend and associate for
- 17:16Speaker 7: over a dozen years. His fine character cannot be questioned.
- 17:20Speaker 7: He and his wife were an unusually devoted couple. This
- 17:23Speaker 7: thing that has happened is shocking.
- 17:26Speaker 1: You're a visitor in the Martin home for many years,
- 17:29Speaker 1: Doctor lee is, can you relate to the court an
- 17:31Speaker 1: he seens you witness in the Martin household, which might
- 17:34Speaker 1: have an important bearing on this case.
- 17:36Speaker 8: I tended a gathering at the Martin home on the
- 17:39Speaker 8: very night that miss Blake first came there. She sat
- 17:42Speaker 8: with us in the living room, and throughout the evening
- 17:44Speaker 8: I was aware of her studying doctor Martin with a
- 17:47Speaker 8: peculiar intensity.
- 17:49Speaker 4: It was extremely.
- 17:52Speaker 1: Medical examiner on this case, Will you please tell the
- 17:54Speaker 1: court your findings which revealed the cause of Lorna Martin's death.
- 17:58Speaker 9: Missus Martin was poisoned. The poison was in liquid form,
- 18:01Speaker 9: taken internally. It was obviously expertly prepared by someone well
- 18:06Speaker 9: acquainted with scientific formulas, someone who had access to an
- 18:09Speaker 9: excellently equipped letter.
- 18:13Speaker 1: Tell the court whose fingerprints were found on the liqueur
- 18:15Speaker 1: glass from which Lorna Martin drank the poison that killed up.
- 18:18Speaker 6: We found on the glass the prince of Missus Martin
- 18:22Speaker 6: and those of Mary Blake, and no.
- 18:25Speaker 1: Others, I said, no others. Did you discover any more
- 18:28Speaker 1: the poison like that which was used to kill Missus Martin?
- 18:32Speaker 6: There were several drops of it left in the glass
- 18:34Speaker 6: from which Missus Martin drank. Later, during our investigational search
- 18:40Speaker 6: of the entire house, more of the poison was found.
- 18:43Speaker 6: And will you please tell the court where the remainder
- 18:45Speaker 6: of that poison was found, Yes, sir, in a perfume
- 18:49Speaker 6: bottle on the dressing table in the room of Mary Blake.
- 18:56Speaker 3: The voices floated in an out and around the room.
- 18:59Speaker 3: In Some of the words hit against the walls and
- 19:01Speaker 3: echoed back of me. Then I rode on them to
- 19:03Speaker 3: the front of the rum, and the voices were loud
- 19:05Speaker 3: and strange, and my senses seemed blocked by them, and
- 19:07Speaker 3: by a hand that pointed towards me in a face
- 19:10Speaker 3: that swung down at me like an inflated comic balloon.
- 19:12Speaker 4: I almost laughed, Perhaps I did.
- 19:15Speaker 1: Can you, Mary Blake, in any way account for the
- 19:18Speaker 1: fact that only missus Martins and your own fingerprints were
- 19:21Speaker 1: found on the glasses of poison? Can you give the
- 19:24Speaker 1: court any explanation for the perfume bottle containing the remainder
- 19:28Speaker 1: of the poison being found in your role, Mary Blake,
- 19:33Speaker 1: Can you in any way explain the testimony we have
- 19:36Speaker 1: heard repeatedly during this trial of your unusually strong personal
- 19:40Speaker 1: interest in doctor Martin.
- 19:44Speaker 3: The words were strung like beads on a string, and
- 19:46Speaker 3: wound round and round me until I help them. So
- 19:48Speaker 3: tired it seemed couldn't breath. Then suddenly the voice that
- 19:51Speaker 3: was strangling me with the words came through to me,
- 19:53Speaker 3: clearer and louder than ever performed. And this time the
- 19:56Speaker 3: words were built in a big stick, and it.
- 19:58Speaker 1: Was carefully aimed and swung st The prosecution at this
- 20:02Speaker 1: time is able to bring forth its most important witness.
- 20:05Speaker 1: We ask, however, that you consideration be given him by
- 20:08Speaker 1: all those present in this courtroom, as his condition is
- 20:11Speaker 1: still very serious. He has suffered from extreme shock, and
- 20:15Speaker 1: as a result of the injuries he recently sustained, he
- 20:18Speaker 1: is and will forever remain totally blind. How clerk, will
- 20:22Speaker 1: you please inform the nurse outside that you may now
- 20:24Speaker 1: bring the doctor into the courtroom. The prosecution course to
- 20:27Speaker 1: the stand doctor Gregory Martin.
- 20:31Speaker 3: He came in seated in a wheelchair, his hands and
- 20:34Speaker 3: almost all his face save an open slit across his mouth,
- 20:37Speaker 3: squads in.
- 20:38Speaker 4: Thick white bandages.
- 20:40Speaker 3: There was something about seeing so handsome and powerful figure.
- 20:43Speaker 4: So completely incapacitated.
- 20:45Speaker 3: Involuntary gas escaped from my own lips, as well as
- 20:47Speaker 3: from those of every person in the crowded courtroom, without
- 20:50Speaker 3: a word being spoken. The prosecution had easily scored its
- 20:53Speaker 3: most effective point, And after doctor Martin had finished his
- 20:56Speaker 3: spoken testimony, the big stick of words came down upon
- 21:00Speaker 3: me with full force.
- 21:04Speaker 1: Mister foreman, ladies and gentlemen of the jury, how do
- 21:07Speaker 1: you find the defendant?
- 21:09Speaker 9: We find the defendant guilty as charge.
- 21:12Speaker 3: Much then more words words, coming at me with final
- 21:18Speaker 3: flattening blow, is.
- 21:20Speaker 10: Caught hereby sentences you to the Women's State Penitentiary for
- 21:26Speaker 10: a period of not less than ninety nine years.
- 21:42Speaker 3: I found myself at the far end of a long curl,
- 21:46Speaker 3: the length of it stretching before me in a winding pattern,
- 21:49Speaker 3: the walls of it a thick and pregnable cement. There
- 21:52Speaker 3: were no windows, save for a small opening high on
- 21:55Speaker 3: the world am I right through this? A single shaft
- 21:59Speaker 3: of light fell into a pattern which told me that
- 22:00Speaker 3: there were iron bars on that one small window.
- 22:04Speaker 4: At first, it seemed that I was alone in this place.
- 22:07Speaker 3: I stood huddled and afraid, unable to move. Somehow I
- 22:12Speaker 3: had the feeling that soon I would not be alone. Then, faintly,
- 22:16Speaker 3: from out of the darkness ahead of me, I heard
- 22:19Speaker 3: him coming, with slow, shuffling footsteps, the walk of a
- 22:26Speaker 3: man who has not long been without his eyes. I
- 22:30Speaker 3: saw his cane first, a slim thread of white in
- 22:33Speaker 3: the blackness before me. I watched it tapping up and
- 22:37Speaker 3: down in a nervous rism, tapping coming closer, closer. I
- 22:45Speaker 3: felt the muscles in my throat tighten an effort to scream.
- 22:49Speaker 4: But I made no sound at all, nor did I move.
- 22:52Speaker 3: I just stood there and waited and watched him come
- 22:56Speaker 3: towards me. Then in the next instant, his face caught
- 23:00Speaker 3: in the shaft of light, and I saw him very clearly.
- 23:06Speaker 4: Mary, Mary, and clan wake out. Come on, now, get
- 23:09Speaker 4: hold before you round the whole block. I'm on now.
- 23:13Speaker 4: We can't have this every night. How's that dream? I
- 23:17Speaker 4: can't stop dreaming? It isn't Sarah, didn't Sarah.
- 23:19Speaker 3: I don't belong here. I didn't do anything, but I'm here.
- 23:22Speaker 3: He still won't leave me alone, not even there, your tea, Warden.
- 23:27Speaker 4: That's the way it is every night. We can't fining this.
- 23:31Speaker 1: We're releasing Mary Blake.
- 23:34Speaker 4: What did you say?
- 23:36Speaker 1: You're free, Miss Blake. The nightmare is over come with me,
- 23:39Speaker 1: and I'll tell you what has happened, Miss Blake. The
- 23:58Speaker 1: state has no way of returning these weeks of freedom
- 24:01Speaker 1: it wrongly took from you, or of erasing the shock
- 24:04Speaker 1: and heartbreak you've been forced to suffer. We can only
- 24:06Speaker 1: hope that it is not too deeply embittered you hasn't
- 24:09Speaker 1: totally destroyed your faith in the justice one customarily finds
- 24:13Speaker 1: in our court rooms.
- 24:14Speaker 3: There seems to be a limit to bitterness. Warden, I
- 24:17Speaker 3: I find that what I feel now is not a
- 24:19Speaker 3: release from injustice, but a release from fear. I know
- 24:23Speaker 3: that he can never reach me again, even in my dreams.
- 24:27Speaker 4: How can I be so sure of that?
- 24:29Speaker 1: Well, it's another of the things that can't be accounted
- 24:31Speaker 1: for rationally about this case. It leads one to wonder
- 24:35Speaker 1: if some, oh some metaphysical force wasn't put to work
- 24:39Speaker 1: in place of the erring machinery of justice, Miss Blake.
- 24:43Speaker 1: When you blinded doctor Martin, you limited his vision to
- 24:45Speaker 1: mental images, and over the period of time that has
- 24:48Speaker 1: lapsed since the day received sentence, it seems the doctor's
- 24:52Speaker 1: mind would not free him from one particular visual experience.
- 24:56Speaker 1: He too, suffered from a recurring dream, which, due to
- 24:59Speaker 1: his pairment, was inflicted upon his waking as well as
- 25:03Speaker 1: sleeping hours.
- 25:04Speaker 4: The dream did he describe it, Oh.
- 25:06Speaker 1: He did. In the tail, it seemed that there was
- 25:09Speaker 1: a slow groping steps. I entered a narrow corridor with
- 25:20Speaker 1: my hands.
- 25:21Speaker 11: I felt that the walls were of a thick, impregnable cement,
- 25:27Speaker 11: and the tap of my cane produced an echo that
- 25:32Speaker 11: told me the.
- 25:33Speaker 1: Corridor was one of interminable winding links. I did not
- 25:38Speaker 1: want to enter or walk through it, yet it seemed
- 25:41Speaker 1: that I was forced to, and the walking walking seemed endless.
- 25:48Speaker 1: I wanted to cry out, but could find no voice.
- 25:52Speaker 1: I wanted to see a single light from a window
- 25:54Speaker 1: or an open door, to know that there was somewhere
- 25:58Speaker 1: an end of the blackness, but there was no light
- 26:04Speaker 1: and no end. I wanted to turn back, but there
- 26:08Speaker 1: was no turning back and no end to my walking.
- 26:14Speaker 1: Although I had the feeling of being alone in this place,
- 26:18Speaker 1: I knew that I was not alone, and never would be,
- 26:22Speaker 1: And it was worse than being alone, For though I
- 26:26Speaker 1: could not see her, and though she did not touch
- 26:29Speaker 1: nor speak to me, I knew she was there and
- 26:33Speaker 1: for me, she would always be there. Mary Blake, my accuser,
- 26:41Speaker 1: for she is the innocent and I am the guilty.
- 26:49Speaker 1: And for the innocent, there is always a freedom and for.
- 26:55Speaker 5: The guilty there is never an escape.
- 27:25Speaker 1: Suspense presented by Auto Light Tonight's star, Miss Joan Bennett. WELLO,
- 27:31Speaker 1: I just ran out and bought Anto Light Stay full battery.
- 27:34Speaker 1: Now do I get a pair of those wonderful suspenders?
- 27:37Speaker 2: Well?
- 27:38Speaker 1: Have you sway me?
- 27:39Speaker 4: But let me sway.
- 27:40Speaker 1: I mean say a word about the more than four
- 27:42Speaker 1: hundred products made by Auto Light for cars, trucks, planes,
- 27:45Speaker 1: and boats in twenty eight plants coast to coast. These
- 27:48Speaker 1: include complete electrical systems used as original equipment on many
- 27:51Speaker 1: makes of America's finest cars. Spark plugs, batteries, generators, coils, distributors,
- 27:56Speaker 1: electric windshield wipers, starting motors, bulls, I see beam headlights,
- 28:01Speaker 1: all engineered to fit together perfectly, work together perfectly because
- 28:05Speaker 1: they're a perfect team. So friends, don't accept electrical parts
- 28:08Speaker 1: supposed to be as good, ask for and insist on
- 28:11Speaker 1: Auto Light original factory parts at your neighborhood service station,
- 28:14Speaker 1: car dealer, garage, or repair shop. Remember, from bumper to
- 28:18Speaker 1: tail light, you're always right with Auto Light. Next Thursday,
- 28:28Speaker 1: for suspense, our star will be mister John Lund. The
- 28:31Speaker 1: play is called The Man in the Room and it is,
- 28:34Speaker 1: as we say, a tale well calculated to keep you
- 28:37Speaker 1: in a spend. Tonight's suspense play was produced and edited
- 28:43Speaker 1: by William Spear and directed by Norman MacDonald. Music for
- 28:47Speaker 1: Suspense is composed by Lucian Morowicke and conducted by Lud Bluskin.
- 28:51Speaker 1: Statement of Mary Blake is an original play written for
- 28:53Speaker 1: radio by Shirley Gordon. Miss John Bennett will soon be
- 28:57Speaker 1: seen in the MGM production Father of the Bride. In
- 29:00Speaker 1: the coming weeks, you will hear such stars as Claire
- 29:02Speaker 1: Trevor and Charles Boyer. Don't forget. Next Thursday, same time,
- 29:06Speaker 1: auto Light will present Suspense starring John Lundon.
- 29:16Speaker 3: You can buy auto Light stainful batteries, autolight resistor or
- 29:19Speaker 3: regular spark plugs, Autolite electrical parts at your neighborhood.
- 29:22Speaker 4: Autolight dealers switch to autolight goodnight.
- 29:25Speaker 1: This is CBS, the Columbia Broadcasting System