Latest / Notable Nostalgia / Ep. 137 Icon Worship - Joan Rivers!
Transcript
- 0:02Speaker 1: I remember when I wrote that, I was like, this
- 0:07Speaker 1: is good. You could be a star. I was sixteen
- 0:11Speaker 1: at the time or fifteen and uh and then hook
- 0:14Speaker 1: it up with a witch episode a smile. Apparently, did
- 0:22Speaker 1: she tell you what she's doing?
- 0:23Speaker 2: But it doesn't always mean that she receives a call
- 0:27Speaker 2: from what I can only assume is the future winner
- 0:29Speaker 2: of every acting award ever.
- 0:31Speaker 1: Yeah, Jennyman is a star. Her look looks weren't a
- 0:35Speaker 1: part of the issue.
- 0:37Speaker 2: He's like, I had to sell my last top.
- 0:39Speaker 1: Hat for Jennas. Maybe this is not appropriate either, but
- 0:43Speaker 1: let's see. It's like that kind of thing. Can we
- 0:49Speaker 1: talk listeners, The answer is yes, and this week we
- 0:52Speaker 1: are bringing you another installment of icon worship. This icon
- 0:56Speaker 1: Worship we will be celebrating the life of the comedian
- 1:00Speaker 1: trailblazer dot dot dot Joan Rivers. Yeah, I am super
- 1:05Speaker 1: I we did our first oh I mean I'm Jeff
- 1:07Speaker 1: by the way, hey, and we did our first icon
- 1:12Speaker 1: worship of Irene White, So go back and listen to that.
- 1:14Speaker 1: She played Carol from one of my favorite shows of
- 1:17Speaker 1: all time, Superstore. So we wanted to bring back icon
- 1:20Speaker 1: worship and that's not limited to people that are alive. Like,
- 1:24Speaker 1: there's a lot of icons out there. So John Rivers
- 1:27Speaker 1: is one of mine. Another icon who's still alive, but
- 1:29Speaker 1: like barely. Uh, I need to think before I talked.
- 1:35Speaker 1: Tim Curry is definitely an icon.
- 1:37Speaker 3: Sure.
- 1:38Speaker 1: Who are some icons that you'd want to do in.
- 1:39Speaker 2: The future, John Candy, John Candy's great one. Mel Brooks,
- 1:43Speaker 2: I think icon mel Brooks gangster.
- 1:50Speaker 3: No.
- 1:50Speaker 1: I was like, I was really excited about that because
- 1:52Speaker 1: Ali mcfel was like my jam growing up.
- 1:54Speaker 2: Oh yeah, I never I just first in the top
- 1:56Speaker 2: of my head or kill.
- 1:57Speaker 1: Bill uh, Charlie's Angels. Charlie's Angels full throttle.
- 2:03Speaker 2: I think she was in the Lieutenant if I remember
- 2:06Speaker 2: correctly with Harvey Kayitel and you see harveytail's wiener and
- 2:09Speaker 2: I think you see her moves.
- 2:10Speaker 1: I like that. Okay, so we should do an episode
- 2:15Speaker 1: where like we rate our top five like penises and
- 2:19Speaker 1: movies and titties. Yeah, and I don't know if they
- 2:22Speaker 1: show U vaginas very often alarming, like that's just a lot.
- 2:29Speaker 2: Like in Back Door Slut's three.
- 2:32Speaker 1: The cinematography was amazing, the lighting, you know what, shout
- 2:37Speaker 1: out to cinematography of pornos because there is like there's
- 2:41Speaker 1: probably discussions about the right lighting to like for buttholes.
- 2:45Speaker 2: Oh yeah, probably for sure. Yeah, there has to be
- 2:47Speaker 2: I mean guaranteed.
- 2:49Speaker 1: Okay, So speaking of buttholes, so joan reverse For listeners
- 2:55Speaker 1: that are a little bit younger, you might not understand
- 2:58Speaker 1: fully like the impact that this person has had on
- 3:01Speaker 1: pop culture and particularly like female comics. And I know
- 3:06Speaker 1: that there's like I'm not trying not to get too
- 3:09Speaker 1: off track with this, but as like a gay guy
- 3:12Speaker 1: like growing up in like the nineties and stuff like
- 3:14Speaker 1: watching any type of like hero woman, like either like
- 3:19Speaker 1: a powerful woman with on the stage for comedy or
- 3:22Speaker 1: hero like in like movies like I always talk about
- 3:27Speaker 1: Nev Campbell because there wasn't representation of really that much
- 3:31Speaker 1: of gay men that weren't stereotyped. A lot of gay
- 3:34Speaker 1: men do kind of attach themselves to divas or iconic
- 3:40Speaker 1: women because they are just badass, they're glamorous, they're unabashedfuly themselves.
- 3:45Speaker 1: Oh sure, So I think that's how where that connection
- 3:47Speaker 1: might come from of like gay men to like superstar women.
- 3:51Speaker 1: And I just remember, I don't know what channel it
- 3:54Speaker 1: was because back in the nineties. We were very limited
- 3:56Speaker 1: on cable, but I remember watching clips or like retro episodes.
- 4:01Speaker 1: I'm sure it was like at night time on like
- 4:02Speaker 1: the Weekend of like old episodes of The Tonight Show
- 4:07Speaker 1: when she hosted exists before internet days and the Tonight
- 4:11Speaker 1: Show right now is Jimmy Fallon, and then before that
- 4:15Speaker 1: was Jay Leno Barf and then before that was Johnny Carson,
- 4:18Speaker 1: who I did. I do appreciate him what he brought
- 4:22Speaker 1: to pop culture, and he was he has the reputation
- 4:27Speaker 1: of being besides a woman abuser, he was also like
- 4:31Speaker 1: the most I think the one of the best straight
- 4:34Speaker 1: men of all time.
- 4:35Speaker 3: Yeah.
- 4:36Speaker 2: I feel like if you go back and watch this
- 4:37Speaker 2: old stuff, he knew when to make a joke and
- 4:40Speaker 2: when to like go back and just let the other person,
- 4:43Speaker 2: you know, Like he was really good at reading people
- 4:44Speaker 2: and like reading the room and knew what was going
- 4:46Speaker 2: to be funny. But I do have to correct you
- 4:48Speaker 2: a little bit. Okay, it was Jimmy Fallon, Oh yes,
- 4:50Speaker 2: and Miss Conan for yeah, not very many, like one
- 4:54Speaker 2: hundred and forty episodes or not even that. I think
- 4:56Speaker 2: it was like sixty episodes or something like that. And
- 4:57Speaker 2: he got fucked over by Jay Leno.
- 5:00Speaker 1: J Leno is the least funny person of all time.
- 5:03Speaker 1: Like I've had, I've I've I've seen, uh if I
- 5:09Speaker 1: shouldn't say that, I've seen documentaries interviewing Auschwitz survivors that
- 5:13Speaker 1: are funnier than him, Like, he's not funny with you,
- 5:17Speaker 1: But I like, I think like stand up comedians, like
- 5:21Speaker 1: the hit the kind of the career trajectory is kind
- 5:25Speaker 1: of seems to be getting into like having your own
- 5:28Speaker 1: talk show, or being a feature guest, or being a guest,
- 5:31Speaker 1: like a guest the guest host of the of the
- 5:34Speaker 1: Tonight Show, where you know, that's kind of like the goal.
- 5:36Speaker 1: And still to this day there's not been a late
- 5:40Speaker 1: night host on on network television. I know that there's
- 5:43Speaker 1: a lot of controversy with like, you know, Trump administration,
- 5:45Speaker 1: with the current landscape of like the Late Show and
- 5:49Speaker 1: Jimmy Kimmelive and stuff, But in the night in the
- 5:52Speaker 1: seventies and eighties, she was the permanent guest host of
- 5:57Speaker 1: The Tonight Show. That was super important for feminism and
- 6:02Speaker 1: for our pop our culture in general. It was amazing
- 6:05Speaker 1: and she got better ratings than he did, which I
- 6:08Speaker 1: thought was so great.
- 6:09Speaker 2: Yeah, she did I think twenty four episodes.
- 6:13Speaker 1: That's that's a lot.
- 6:14Speaker 2: That's a lot. That's a lot of episodes.
- 6:16Speaker 1: Yeah, and then she got I know, so this episode
- 6:21Speaker 1: is icon of Worship. We're gonna kind of be all
- 6:22Speaker 1: over the place a little bit because that's our brand.
- 6:25Speaker 1: But the backdrop of this episode is one of my
- 6:28Speaker 1: favorite documentaries of all time, and I've seen so many times.
- 6:31Speaker 1: It's called a piece of work. It's free on YouTube.
- 6:35Speaker 1: You can find out another streaming platforms if you don't
- 6:36Speaker 1: want to be interrupted with you know, commercials here and there,
- 6:39Speaker 1: but free on YouTube. A piece of work. It's kind
- 6:42Speaker 1: of framed in the like a year in the life
- 6:46Speaker 1: of and it is the director I forget her name,
- 6:52Speaker 1: but she also did a documentary on like DAR four.
- 6:55Speaker 1: Oh so then she then she got hired on to
- 6:58Speaker 1: do this. So I don't know which one sad her.
- 7:01Speaker 2: But the way they did this because they bring in
- 7:03Speaker 2: her background, like her history of growing up and stuff.
- 7:06Speaker 2: While she's like during this documentary, she's there's a part
- 7:11Speaker 2: it's not the entire part of it, but there's a
- 7:12Speaker 2: part where she's doing like a play about her life. Yeah,
- 7:15Speaker 2: and they're incorporating her on stage, like and then it'll
- 7:19Speaker 2: like shoot right back to her being like a child
- 7:21Speaker 2: and everything. I thought it was really cool, Like, what
- 7:23Speaker 2: a great time to do a documentary about her life
- 7:27Speaker 2: while she's kind of doing a play about her life,
- 7:29Speaker 2: and that's really cool.
- 7:30Speaker 1: Yeah, they really wind up really well for her, for
- 7:32Speaker 1: the for the producers of it. So another kind of
- 7:38Speaker 1: milestone in my relationship with her was I was a
- 7:42Speaker 1: big fan of red carpet stuff when I was a kid.
- 7:45Speaker 1: I love like the tensil town kind of vibe, and
- 7:47Speaker 1: she brought because she was a part of Hollywood but
- 7:51Speaker 1: also was the outsider as well. So her and her
- 7:54Speaker 1: daughter Melissa would like kind of made the red carpet
- 7:58Speaker 1: appointment television like who are you Wearing? Like that was
- 8:02Speaker 1: a like coined by them. Let's give credit where credits due.
- 8:06Speaker 1: It was really like, you know the data of Leatherface,
- 8:10Speaker 1: who are you wearing? Oh? I thought about that earlier
- 8:13Speaker 1: today and I was like, that's kind of funny and
- 8:17Speaker 1: just kind of like the inappropriate. Like a lot of
- 8:20Speaker 1: her material has not super aged very well because not
- 8:25Speaker 1: very politically correct, but her type of humor was very
- 8:28Speaker 1: topical on the pop culture of the time, so that
- 8:31Speaker 1: the pop culture of the time was not politically and
- 8:33Speaker 1: I'm not you know, given you know, excuses, but if
- 8:36Speaker 1: the pop culture and society was not politically correct in
- 8:39Speaker 1: her commentary, her comedy is commentary on the pop culture.
- 8:43Speaker 1: Obviously it's not gonna be politically correct as well.
- 8:46Speaker 2: But I do feel like a lot of the stuff
- 8:47Speaker 2: that she said it wasn't with intent to be mean.
- 8:50Speaker 2: It was you could like, there's different like some people
- 8:53Speaker 2: like I fucking I've hated this kill Tony shit in years.
- 8:56Speaker 2: I can't it's not I don't know, they're just being
- 8:58Speaker 2: mean and going, oh, it's just a joke. Know, you're
- 9:00Speaker 2: you're masking being mean as a joke to like be
- 9:03Speaker 2: oh it's cool, it's just a joke. But like she
- 9:05Speaker 2: would say, inappropriate shit, but it was you could tell
- 9:08Speaker 2: it was a joke. It's different, like it wasn't intentionally
- 9:11Speaker 2: it wasn't. So I think a perfect example, yeah, is
- 9:14Speaker 2: on this one when she does the Michelle Obama thing,
- 9:16Speaker 2: oh instead of Jackie O black yo, and she goes, okay,
- 9:20Speaker 2: I'm just seeing just seeing if anybody be offunded by that.
- 9:22Speaker 2: It was kind of funny and it is kind of funny,
- 9:24Speaker 2: you know what I mean, And it's nothing super I
- 9:26Speaker 2: don't think it was like mean or anything. I think
- 9:28Speaker 2: it's just a funny play on words, you know.
- 9:30Speaker 1: So yeah, and like so you don't think so she
- 9:32Speaker 1: shot up to superstardom in the eighties nineties when she
- 9:37Speaker 1: probably the eighties when she really targeted Elizabeth Taylor, who
- 9:41Speaker 1: was the you know, most beautiful woman at like back
- 9:45Speaker 1: in the day, like superstar you know, blah blah blah.
- 9:48Speaker 1: Also homewrecker and I've talked about that before because she
- 9:51Speaker 1: like fucked around with Debbie Reynolds, uh husband anyways, so
- 9:57Speaker 1: she had so you don't I want to way One
- 9:59Speaker 1: of John Rivers jokes is, uh, Elizabeth Taylor was walking
- 10:06Speaker 1: down the street wearing a I'm butchering this but walking
- 10:09Speaker 1: down the street wearing a yellow sweater and like school
- 10:12Speaker 1: kids tried to board her. Damn like a joke, like
- 10:17Speaker 1: what is Elizabeth Taylor? Like she takes her ivy profen
- 10:22Speaker 1: with mayonnaise like that kind of like she targeted. And
- 10:25Speaker 1: then she was interviewed because I loved listening to like
- 10:28Speaker 1: the in depth interviews on Howard Stern with celebrities and
- 10:32Speaker 1: he was talking to her about Elizabeth Taylor and that
- 10:35Speaker 1: fame and like of the you know, putting Elizabeth Taylor down,
- 10:40Speaker 1: which I'll circle back to that, Okay, So because Joan
- 10:44Speaker 1: Rivers did a lot of like the early AIDS work,
- 10:47Speaker 1: Like her hairdresser was a gay man obviously, and he
- 10:52Speaker 1: died of AIDS, and like she was with him when
- 10:54Speaker 1: he died. So she did a lot of like the
- 10:56Speaker 1: early AIDS work. And then Elizabeth Taylor she made a
- 10:59Speaker 1: joke like kind of swooped in and took that away
- 11:01Speaker 1: from her, and she made a joke about giving Elizabeth
- 11:07Speaker 1: Beth Taylor AIDS. I thought that was funny.
- 11:12Speaker 2: Yeah, I don't know the joke.
- 11:13Speaker 1: Ye yeah, I butchered it. But anyways, but I guess, uh,
- 11:18Speaker 1: she talked to who's that guy that's like kind of
- 11:21Speaker 1: gruff comedian that hey man, it is all respect. Yeah,
- 11:26Speaker 1: So she asked him did I go too far? Blah
- 11:30Speaker 1: blah blah, and apparently he was. He asked Elizabeth Taylor
- 11:33Speaker 1: and she said she never got me where I live.
- 11:35Speaker 1: So like when she was like at her fattest and
- 11:40Speaker 1: super depressed, she still could take a joke. And I
- 11:43Speaker 1: think that's like you know, it's.
- 11:47Speaker 2: Also the whole thing about like punching up and punching down.
- 11:50Speaker 2: So she's punching up to one of the you know,
- 11:53Speaker 2: Elizabeth Taylor for hundreds of years is going to be
- 11:56Speaker 2: known as one of the queens of Cinnamon, you know
- 11:58Speaker 2: what I mean?
- 11:58Speaker 1: Yeah, yeah, she's It's not like Joan Rivers was making
- 12:01Speaker 1: fun of like the the butler to Elizabeth Taylor that
- 12:06Speaker 1: had to change her diaper, like you know what I
- 12:08Speaker 1: mean after she like ate a bunch of sloppy jokes.
- 12:11Speaker 1: So so I think a lot of my ye, she's
- 12:16Speaker 1: like more she doesn't anyways, So I think I got
- 12:20Speaker 1: a lot of a lot of my type of humor
- 12:24Speaker 1: is kind of more insult humor. I don't know if
- 12:26Speaker 1: it's like really humor what I'm just saying, Like I
- 12:28Speaker 1: think Anna Kendricks a dumb slut. But but a lot
- 12:32Speaker 1: of my humor comes from that punching up. Like I'm
- 12:35Speaker 1: not gonna I'm not gonna diss Anna Kendrick's mom because
- 12:38Speaker 1: she already has to deal with that ship.
- 12:42Speaker 2: That sells like sense and ship.
- 12:46Speaker 1: Is that punching down. I mean they're a business, business owner,
- 12:54Speaker 1: but no, for listeners, that don't understand. I think that
- 12:58Speaker 1: the most disgusting thing you could do is be a
- 13:00Speaker 1: sincy salesperson. Okay, So I want to talk about a
- 13:06Speaker 1: little bit about her history and a couple of anecdotes
- 13:08Speaker 1: that I'm sure I've shared with this on the podcast.
- 13:11Speaker 1: But so I find it so interesting by watching this
- 13:15Speaker 1: when they started talking about the play, that her dream
- 13:18Speaker 1: was always to be an actress. Yeah for sure, and
- 13:22Speaker 1: be like a serious one. And I know that there's
- 13:23Speaker 1: like a story she would take a picture of her
- 13:26Speaker 1: as a kid in the frame and like mail the
- 13:29Speaker 1: framed picture of herself, like she take off the piano
- 13:32Speaker 1: to like major like movie studios, and how like endearing
- 13:35Speaker 1: that was. But she just wasn't never caught her break
- 13:39Speaker 1: with that kind of serious acting. But she knew that
- 13:42Speaker 1: she could always rely on comedy to make a living.
- 13:46Speaker 1: And I think that's so cool that her fallback career
- 13:48Speaker 1: was being a comedian. That's awesome, Like that's badass.
- 13:51Speaker 2: Yeah, that's the dad from Boyman's World. I don't know,
- 13:53Speaker 2: I with so much names, Rusty something I can't remember,
- 13:57Speaker 2: but you played the dad and Boyman anyways said the
- 14:00Speaker 2: one reason he took he goes because you know, when
- 14:02Speaker 2: you're an actor and you're really you know, I want
- 14:04Speaker 2: to be in these big movies and you know, the
- 14:06Speaker 2: door keeps shutting on you, and he goes. You just
- 14:08Speaker 2: have to kind of accept doors that are open. Yeah,
- 14:11Speaker 2: And there's nothing wrong with that, you know, he was
- 14:13Speaker 2: on a show for seven years, just that he needed
- 14:15Speaker 2: other stuff too, but yeah, I mean, if the door
- 14:17Speaker 2: is open, go through it.
- 14:18Speaker 1: Yeah, And I really appreciate that. And then she was
- 14:22Speaker 1: a writer, and she also appeared several times on fuck
- 14:27Speaker 1: what was that variety show? Like the I can't think
- 14:33Speaker 1: of it at the moment.
- 14:34Speaker 2: Had her own variety show for a while too.
- 14:36Speaker 1: Well sorry, no, wait, hold on, what was the I'll
- 14:39Speaker 1: circle back to it. But she was a writer, and
- 14:41Speaker 1: she the comedy writer. And that's how she got on
- 14:43Speaker 1: Tonight's show. Was Bill Cosby Crazy Crazy was like, hey, like,
- 14:50Speaker 1: try out this female writer because they always haid writer
- 14:53Speaker 1: not comedian. She can't be any worse than these other
- 14:55Speaker 1: people you got. And that's how she got her spot
- 14:58Speaker 1: on the Tonight Show. And and it still it gives
- 15:01Speaker 1: me a little chills when she says in the in
- 15:03Speaker 1: the documentary that the first time because if Johnny Carson
- 15:07Speaker 1: liked you as a comedian or whatever. He'd invite you
- 15:09Speaker 1: over to the to the couch and he like looked
- 15:12Speaker 1: at her and was like, you're going to be a star.
- 15:14Speaker 1: And I just thought that was so cool that like
- 15:16Speaker 1: that was one good thing that Johnny Carson did. Well.
- 15:19Speaker 2: I mean think a like David David Spade, Dana Carvey,
- 15:25Speaker 2: any stand up comedian from the eighties, probably to like,
- 15:28Speaker 2: you know, a seventies, eighties any sandum comedian, and if
- 15:32Speaker 2: you got, if you got called over all of them
- 15:34Speaker 2: at Johnny Carson, every single one of them said your
- 15:36Speaker 2: life is going to change the next day. Because back
- 15:39Speaker 2: then there were only three main stations. So let's say
- 15:42Speaker 2: a hundred million people are watching TV that night, even
- 15:45Speaker 2: and let's say just for Stitts and Gigs all it's
- 15:48Speaker 2: all separated perfectly between the three stations. That's thirty three
- 15:51Speaker 2: million people watching you. But Johnny Carson was so big
- 15:54Speaker 2: it is probably like I don't know the number of people.
- 15:56Speaker 2: I'm just yea the numbers fifty million people watching a night.
- 16:00Speaker 2: So if Jarney's like, hey, you're gonna be funny, and
- 16:03Speaker 2: you're funny, then the next day I bet your phone's
- 16:05Speaker 2: blowing up. Yeah, that's fucking crazy.
- 16:08Speaker 3: It was.
- 16:08Speaker 1: It was bugging me. It was the Ed Sullivan Show.
- 16:10Speaker 1: Oh okay, so Ed Sullivan. I think she says in
- 16:12Speaker 1: the documentary, like Johnny Carson gave you the coast, Ed
- 16:15Speaker 1: Sullivan gave you the country. So Massip like, you know,
- 16:19Speaker 1: one one moment, there's like a puppet one moment, there's
- 16:22Speaker 1: it's kind of like America's got talent, Like it's just
- 16:24Speaker 1: like that kind of variety show. So she was right
- 16:27Speaker 1: around there. She performed I think it was like twenty
- 16:29Speaker 1: seven times or something like that. The way that Ed
- 16:31Speaker 1: Sullivan would do this was like he would put you
- 16:35Speaker 1: in these like gorgeous gowns or dresses, and if he
- 16:38Speaker 1: thought you did good, his assistant would come up after
- 16:40Speaker 1: when she would be like changing, put up her dress
- 16:43Speaker 1: on the on the coat rack, and the system would say,
- 16:47Speaker 1: Mistress Sullivan wants you to keep the gown.
- 16:49Speaker 2: Oh wow.
- 16:49Speaker 1: And she always kept every gown. But even like I
- 16:52Speaker 1: think they talk about this in the documentary as well,
- 16:54Speaker 1: like back when she was on The Ed Sullivan Show,
- 16:56Speaker 1: she couldn't even say that she was pregnant because of
- 16:59Speaker 1: the time. That time you couldn't say it pregnancy. She
- 17:03Speaker 1: also made jokes about abortion and you like it was
- 17:07Speaker 1: so taboo. And she says in the documentary that, like
- 17:10Speaker 1: she was edgy for the time. I think she was
- 17:12Speaker 1: edging until she died, But she was very, very edgy
- 17:15Speaker 1: because before her was Phyllis Diller and then Mom's Maybeley,
- 17:19Speaker 1: who was kind of like a character, like a young
- 17:21Speaker 1: African American woman who almost like golden girls like Sophia
- 17:25Speaker 1: like made herself look older, and then as like the
- 17:27Speaker 1: decades went on, she kind of became herself. So she
- 17:30Speaker 1: was playing an old woman for most of her life. Yeah, yeah, ageless.
- 17:37Speaker 1: So then she, like we talked about she guest co
- 17:40Speaker 1: hosted for so long, had some controversy on that show
- 17:45Speaker 1: when she guest co hosts guest hosted, particularly with Oprah.
- 17:51Speaker 1: She made a lot of jokes about Oprah, Like she
- 17:53Speaker 1: was very focused on Oprah's weight, and this has been
- 17:57Speaker 1: Oprah before, long before Oprah's like syndicated talk show Obra
- 18:00Speaker 1: came on and she's kind of going on the circuit
- 18:04Speaker 1: right now and she's talking about her experience on there. Yes,
- 18:08Speaker 1: Joan Rivers was very critical about weight and like women's weight,
- 18:11Speaker 1: but that not again. I feel like I'm an apologetic
- 18:14Speaker 1: person for John Rivers. But at the time, like she
- 18:18Speaker 1: was scrutinized herself and she had like has in her
- 18:21Speaker 1: books and everything has gone over, like her battle with
- 18:24Speaker 1: Bolimia and her exia and that kind of thing, And
- 18:27Speaker 1: I think she took that pain of eating disc like
- 18:31Speaker 1: when she found out what skipped before when she found
- 18:34Speaker 1: out that her husband killed himself. She was getting liposeection.
- 18:37Speaker 1: Oh shit, Like that's that's the kind of like mind
- 18:41Speaker 1: space that this woman was in.
- 18:43Speaker 2: Well that's one thing I was thinking when I was
- 18:45Speaker 2: watching it, because like, I think she's pretty. She was
- 18:46Speaker 2: pretty when she was younger, but I wonder if she
- 18:49Speaker 2: was like bombshell pretty. I wonder if the people would
- 18:54Speaker 2: have given her the same amount of Like I don't know,
- 18:59Speaker 2: like I just feel like, especially back then, if someone
- 19:02Speaker 2: if you were too pretty and you're like a female comic,
- 19:05Speaker 2: they'd be like, they wouldn't pay attention to your das
- 19:07Speaker 2: you know. I wonder, but she wasn't ugly by any means.
- 19:10Speaker 2: She was pretty, but she wasn't bomb show pretty, but
- 19:14Speaker 2: she was pretty enough to her Like I think she's
- 19:15Speaker 2: really you know, she was when she was younger, So
- 19:17Speaker 2: I wonder if there was some kind of you know,
- 19:18Speaker 2: I didn't live back then side.
- 19:20Speaker 1: It's interesting, Well that makes me think of is the
- 19:23Speaker 1: similar time Barbara Walters was coming up, and before Barbara
- 19:30Speaker 1: Walters started co host to The Today Show, any type
- 19:33Speaker 1: of news person that was a woman was called the
- 19:37Speaker 1: Today Show girl. Like how demeaning that is and everything,
- 19:41Speaker 1: and but she came in she was like, I want,
- 19:44Speaker 1: you know, fifty percent of the hard hitting news stories.
- 19:46Speaker 1: I don't wanted to be doing like the cooking segment,
- 19:48Speaker 1: that kind of thing. And Barbara Walters, you know, had
- 19:50Speaker 1: a speech impediment and also wasn't conventionally like golgieous, and
- 19:54Speaker 1: so I think it's a similar thing. Like Joan Rivers
- 19:57Speaker 1: was very glamorous and over the top, but she didn't
- 20:00Speaker 1: lean into like the kind of uglifying herself like philistillar Dick,
- 20:05Speaker 1: because Philistiller was very waspy and stuff. But she kind
- 20:08Speaker 1: of put on a character a little bit more of
- 20:10Speaker 1: kind of slumpy. And then Mom's Abily obviously was more
- 20:13Speaker 1: of a character as well. So she in nineteen seventy eight,
- 20:18Speaker 1: she and they talk about this too on the obviously
- 20:21Speaker 1: on the documentary she did her directorial debut Rabbit Test,
- 20:25Speaker 1: which had Billy Crystal in that movie very the absurd
- 20:31Speaker 1: kind of movie, kind of like Airplane, and she made
- 20:34Speaker 1: kind of a reverent, slastic humor. Okay, so she has
- 20:39Speaker 1: been in interviews and stuff. If that would have came
- 20:42Speaker 1: out after Airplane, then it could have possibly been more
- 20:46Speaker 1: of not been panned. But I think Airplane was one
- 20:50Speaker 1: of the beginning of that kind of absurd you know,
- 20:53Speaker 1: modern times. Yeah, like how in our generation scary movie
- 20:58Speaker 1: of Dwayne's brothers. And yeah, because this was like what
- 21:01Speaker 1: two or three years after like SNL came on, ye,
- 21:05Speaker 1: so like the comedy scene was so different like pre SNL.
- 21:09Speaker 2: So true. Yeah, and if you think about it, yeah,
- 21:11Speaker 2: SML really kind of started that whole parody thing and
- 21:13Speaker 2: it was it was a hit, but it was still
- 21:15Speaker 2: the beginning to where it wasn't like, yeah, oh a
- 21:17Speaker 2: weird neck.
- 21:19Speaker 1: So in nineteen eighty six, she became the first woman
- 21:23Speaker 1: to host a late night talk show, The Late Show
- 21:26Speaker 1: starring Joan Rivers. So she obviously, in my opinion, was
- 21:31Speaker 1: not set up for success because, according to Joan Rivers,
- 21:34Speaker 1: her first call that she made when she was offered
- 21:36Speaker 1: the job was to Johnny Carson. He hung up the phone,
- 21:39Speaker 1: she called him back, he hung up again. But I
- 21:41Speaker 1: don't know if they talk about this at the documentary
- 21:43Speaker 1: or not, but the reason that she took the job
- 21:45Speaker 1: was number one. I think she was at the Tonight
- 21:47Speaker 1: Show for like twenty years or something like that, like
- 21:49Speaker 1: a fucked long a time, and there was a list
- 21:53Speaker 1: going around of like the top ten people that could
- 21:57Speaker 1: replace Johnny Carson when he retires, and she was not
- 22:00Speaker 1: on the list, So I mean, why, Yeah, so of
- 22:05Speaker 1: course she's gonna take her own late night show, Like
- 22:07Speaker 1: who wouldn't do that? And the first episode had share
- 22:14Speaker 1: Elton John and Pee Wee Herman, and I'm like, that's
- 22:17Speaker 1: a list right there. But I think that since he
- 22:21Speaker 1: was pitted against, like he blacklisted a lot of celebrities
- 22:24Speaker 1: from going on her show, and she was on Fox,
- 22:26Speaker 1: which was a new cable channel, she wasn't really set
- 22:30Speaker 1: up for success. And then Larry Diller, who was like
- 22:33Speaker 1: the head mancho and what's the fact, Wow, wow wow,
- 22:39Speaker 1: who's the head guy? Rupert Murdoch. They were so against
- 22:43Speaker 1: Edgar who is Joan Rivers's husband at the time that
- 22:47Speaker 1: it was like they were fighting over things like what
- 22:50Speaker 1: kind of what color of skittles? Like bullshit, shit like that,
- 22:53Speaker 1: and of ad I think one of them said to
- 22:57Speaker 1: her the doesn't wag the dog? Tell your husband?
- 23:02Speaker 2: Yeah, and they were like, yeah, I can fire him.
- 23:04Speaker 2: Yeah I'm not doing that, and they basically fired her
- 23:07Speaker 2: because of that.
- 23:08Speaker 1: Yeah, they fire that's horrible. And then and then she
- 23:11Speaker 1: talks about how she ran into hell some one of
- 23:17Speaker 1: the producers years later and they said to her, we
- 23:20Speaker 1: never lost a dollar on you, and she said, like
- 23:23Speaker 1: that made it so much worse that it was personal
- 23:25Speaker 1: because she could comprehend because she's a business woman, like, oh,
- 23:29Speaker 1: they fired me because they were losing money, but it
- 23:31Speaker 1: was all personal. And then Edgar ends up going to
- 23:35Speaker 1: like a Pennsylvania or something like that and killing himself.
- 23:38Speaker 1: In the four Seasons, well.
- 23:39Speaker 2: She even said that he was really hard to work with,
- 23:41Speaker 2: So I mean, I wonder how Yeah, that's weird, but
- 23:44Speaker 2: like I feel like just based on you just corporations
- 23:48Speaker 2: and you know, being heartless and everything, I wonder how
- 23:52Speaker 2: shitty he must have been, you know what I mean? Like, yeah,
- 23:55Speaker 2: for them, like let's say they were making you know,
- 23:57Speaker 2: fifty million a year, Like, yeah, I don't know, that's weird.
- 24:01Speaker 1: Like those producers, like I give them props for sure,
- 24:03Speaker 1: for like going against Johnny Carson, who was like pop
- 24:08Speaker 1: culture king to like give her this, this young woman
- 24:11Speaker 1: like a chance to run her do something that no
- 24:14Speaker 1: one out, no other woman has ever done like that
- 24:16Speaker 1: takes that takes the balls.
- 24:18Speaker 2: We gotta think on her and too, like I just
- 24:20Speaker 2: so he was you said eighty six when it started.
- 24:23Speaker 2: Uh yeah, so that means he ended in ninety three,
- 24:25Speaker 2: so there was only six ish years left. So she
- 24:29Speaker 2: probably knew, hey, this is coming to an end soon.
- 24:31Speaker 2: I'm not on that list to you know, to follow him.
- 24:35Speaker 2: And whoever they choose, are they gonna still have me
- 24:37Speaker 2: guest hosts? Probably yeah, that'd be weird. So she had
- 24:40Speaker 2: to look for herself to like try to keep surviving.
- 24:43Speaker 1: Yeah, yeah, and learning how horrible Johnny Carson was to
- 24:48Speaker 1: like his women, like his wives and like women that
- 24:51Speaker 1: he was with. He allegedly like hit women, so he
- 24:56Speaker 1: couldn't necessarily hit Joan Rivers, so this was like his
- 24:59Speaker 1: way of hitting her, like how dare you betray me?
- 25:03Speaker 1: But like Bill Cosby left got his own show got
- 25:06Speaker 1: to come back promoted all the time people will let
- 25:08Speaker 1: but like they say, like women don't wea like he
- 25:12Speaker 1: was so misogynistic in my opinion that he couldn't tolerate
- 25:15Speaker 1: a woman, leaving him to be better or even equal.
- 25:19Speaker 2: Well, I feel too, just like Johnny Carson, because I
- 25:21Speaker 2: think his show started in sixty four, sixty two, sixty three,
- 25:26Speaker 2: right around there. I don't know, so to be the
- 25:31Speaker 2: king for those thirty years, you probably have to be
- 25:34Speaker 2: a piece of shit, you know what I mean. So
- 25:36Speaker 2: I could definitely see him going like, oh, you're gonna
- 25:38Speaker 2: and I'm assuming the shows are probably on a right
- 25:40Speaker 2: around the same time. Do you ever take a half hour?
- 25:43Speaker 2: So I can definitely see him just being like anybody
- 25:45Speaker 2: that goes against me needs to go down, you know
- 25:47Speaker 2: what I mean, Like just fuck them, you know.
- 25:49Speaker 1: So it makes sense too that I don't know what
- 25:53Speaker 1: Johnny Carson thought. Maybe I need to look this up
- 25:56Speaker 1: thought of jay Line, But from everything I her, jay
- 26:00Speaker 1: Leno was kind of like he was like hiding closets
- 26:03Speaker 1: right well, it was like, yeah, yeah, it was supposed
- 26:06Speaker 1: to be Letterman, Yeah, but then Leno starts getting people's
- 26:10Speaker 1: ears and you know, doing shady ship and then he
- 26:12Speaker 1: got it and that's why Letterman went to CBS or whatever.
- 26:15Speaker 1: Jesus men just like piece of ship men, protect piece
- 26:18Speaker 1: of ship men. And I think a Letterman is so
- 26:21Speaker 1: much funnier than uh Jay Leno.
- 26:24Speaker 2: Every Letterman is kind of a piece of shit too,
- 26:26Speaker 2: but I think his comedy is way better than Leno
- 26:29Speaker 2: for sure.
- 26:29Speaker 1: Yeah, so she's not on the air very long.
- 26:35Speaker 2: He is one hundred and fifty episodes. Yeah, that's a
- 26:37Speaker 2: lot or something like that.
- 26:38Speaker 1: Yeah, he ends up. Edgar ends up taking his life
- 26:42Speaker 1: and I think I did share this either with you
- 26:44Speaker 1: or with the listener too. So he kills himself and
- 26:47Speaker 1: then or it takes us, you know, the suicide in
- 26:51Speaker 1: another state. And there's all of this because Joan Rivers
- 26:53Speaker 1: is super popular at this time, and then there is
- 26:56Speaker 1: like all this fanfare like, oh, we need to do
- 26:58Speaker 1: an autopsy. We can't ship his body back or like
- 27:01Speaker 1: mailis or whatever, like fly his body back, we have
- 27:04Speaker 1: to do it was getting all held up. So Joan
- 27:07Speaker 1: Rivers had a connection with Nancy Reagan at the time,
- 27:11Speaker 1: So she calls the White House in the middle of
- 27:15Speaker 1: the night because she's in California, the White House is
- 27:17Speaker 1: over on the other side of the country and somehow
- 27:20Speaker 1: gets connected to Nancy Reagan, and Nancy Reagan says, I'll
- 27:25Speaker 1: see what I can She's like, I gotta get the
- 27:27Speaker 1: body back. I have to get the body back for Melissa.
- 27:29Speaker 1: I have to get the body back, and Nancy Reagan says,
- 27:32Speaker 1: I'll see what I can do. The body was back
- 27:34Speaker 1: the next day. That's crazy.
- 27:35Speaker 2: Yeah, that's insane. I didn't know that.
- 27:37Speaker 1: Wow, I thought that was so interesting and neat.
- 27:40Speaker 2: I do want to watch that movie that they do, though,
- 27:43Speaker 2: like and during the Oh my god, I don't know, like,
- 27:46Speaker 2: so is it like bad?
- 27:48Speaker 1: So no, okay, not bad, but okay so out uh.
- 27:51Speaker 1: Pretty much within a year or so after Edgar Edgar's
- 27:55Speaker 1: suicide the way that Joan and Melissa rivers, Melissa is
- 27:59Speaker 1: like a a late teenager at this time. Probably they
- 28:02Speaker 1: do like a made for TV movie where they play
- 28:06Speaker 1: themselves dealing with edgar suicide.
- 28:09Speaker 2: I want to watch it.
- 28:10Speaker 1: Yeah, I've never I've never seen it because it's always
- 28:12Speaker 1: been so cringe to think about. But I need to.
- 28:15Speaker 2: I wonder if it's like because it's it's a made
- 28:17Speaker 2: for TV movie so automatically I feel like the production
- 28:20Speaker 2: isn't gonna be the best, and she's really funny, so
- 28:23Speaker 2: I wonder if I don't know, I like, in my head,
- 28:24Speaker 2: I'm like, are they gonna try? I know that it's
- 28:26Speaker 2: not gonna be like a full on like comedy, yeah,
- 28:28Speaker 2: but I wonder if there's gonna be like comedic elements
- 28:30Speaker 2: in it or if it's gonna be just more of
- 28:31Speaker 2: a drama. But I was thinking we should do that movie,
- 28:34Speaker 2: so yeah, I.
- 28:35Speaker 1: Would be so yeah, I'm really surprised. I've never I've
- 28:38Speaker 1: never seen it, but but I appreciate how they do
- 28:41Speaker 1: talk about Edgar suicide and they do like the work
- 28:45Speaker 1: that Melissa and Joan did to help survive her, like
- 28:49Speaker 1: family of people that have died of suicide was so beautiful.
- 28:53Speaker 1: And then the way that they talk about it too,
- 28:57Speaker 1: I know, in every situation so different. But like in
- 29:00Speaker 1: the documentary, Joan is like I'm still angry, Like you're
- 29:04Speaker 1: like pretty much like you're a piece of shit. Like
- 29:05Speaker 1: I looked by his picture and I'm like, you left
- 29:07Speaker 1: me in this like he was a bad businessman, left
- 29:10Speaker 1: her with nothing. Yeah, just her life was going bananas
- 29:16Speaker 1: at this point.
- 29:17Speaker 2: The little thing she says too. I think is really
- 29:18Speaker 2: important because when they talk about it, she goes, like,
- 29:21Speaker 2: the next week or the next day we started, probably
- 29:23Speaker 2: not the next day, but yeah, the next week we
- 29:25Speaker 2: started therapy and we went and then we did a
- 29:27Speaker 2: couple or not couples, but we went therapy together and
- 29:30Speaker 2: we did it. And that's really important, especially back then.
- 29:33Speaker 2: You know, even twenty ten when the documentary came out,
- 29:36Speaker 2: I feel like therapy was still it's getting better now,
- 29:40Speaker 2: like a lot better now than it was, but even
- 29:42Speaker 2: fifteen years ago, people were still like, oh, therapy. So
- 29:44Speaker 2: for her just say like, hey, we went to therapy.
- 29:46Speaker 2: It helped us out a lot. I think it's really important.
- 29:48Speaker 1: Yeah, she was not just like with her humor, but
- 29:51Speaker 1: like with yeah, how she conducted herself personally was very progressive.
- 29:56Speaker 1: She does talk about how she was blacklisted definitely after
- 30:02Speaker 1: the Fox show was over, like she was back to
- 30:05Speaker 1: going to like the village and getting like a number
- 30:07Speaker 1: for like open mics kind of things. Like she was
- 30:09Speaker 1: down to like nothing, but like that's all she could
- 30:12Speaker 1: do is her When people have a passion like I'm
- 30:15Speaker 1: going to be a comedian or I'm gonna be a whatever,
- 30:17Speaker 1: I'm going to be a into people that are really
- 30:19Speaker 1: into sports. You can't function. It's like it's like air
- 30:22Speaker 1: to you. Yeah, like how you like if you couldn't
- 30:24Speaker 1: play an instrument or even like playing the drums a
- 30:27Speaker 1: little bit, and you you probably go stir crazy.
- 30:30Speaker 2: Yeah, And that's like one thing Conan says, well that
- 30:34Speaker 2: John John Candy said to Conan when Conan met him
- 30:37Speaker 2: when he was young. He was like, you know a
- 30:39Speaker 2: thing about kind of trying this comedy thing, and John
- 30:42Speaker 2: Candy's like, you don't try comedy. You do comedy. And
- 30:45Speaker 2: that's like, you know, if you want to do it,
- 30:47Speaker 2: that's you. You do comedy, and so that's what you
- 30:51Speaker 2: and that's what she did. Like what else she gonna do?
- 30:53Speaker 2: You know?
- 30:53Speaker 1: Like if I couldn't, like I'm definitely no level of comedian,
- 30:57Speaker 1: but like if I couldn't make a joke or space
- 31:00Speaker 1: like a horrible situation into something good, if I couldn't say,
- 31:03Speaker 1: like what a piece of shit Anna Kendrick is, I
- 31:05Speaker 1: would go crazy. Like That's like that's how I kind
- 31:08Speaker 1: of compartmentalize trauma. And I probably should talk my shrink
- 31:11Speaker 1: about this. But like, if you can make something funny,
- 31:15Speaker 1: then you can get.
- 31:16Speaker 2: Through it, Yeah, for sure.
- 31:18Speaker 1: So I love that. So she stumbled, you know, climbed,
- 31:23Speaker 1: not stumbled, stumbled a lot, and then climbed back and
- 31:26Speaker 1: she got offered a daytime talk show. And I think
- 31:29Speaker 1: that was like at the time. I think that was
- 31:30Speaker 1: the sometime in like the mid nineties. It went from
- 31:33Speaker 1: ninety or eighty nine. So she was down for about
- 31:36Speaker 1: three years.
- 31:37Speaker 2: Especially the way she lived those three years of not
- 31:39Speaker 2: making the money she's used to, I mean that was
- 31:42Speaker 2: fucking hard.
- 31:43Speaker 1: Oh my god. Because in the documentary there's that scene
- 31:45Speaker 1: where the guy brings in like my persisses brings into
- 31:48Speaker 1: the check. She's just like yeah, She's like, if if
- 31:52Speaker 1: you work for me, your your kids are going to
- 31:54Speaker 1: private school, like she pays for everything like that. It's
- 31:56Speaker 1: all about the next generation for her.
- 31:58Speaker 2: She's like when you see, somebody told her when she's
- 32:00Speaker 2: younger that when you make it big, you're like an industry. Yeah,
- 32:02Speaker 2: She's like, I'm like an industry. I have all these
- 32:04Speaker 2: people working for me that like, if I don't make money,
- 32:06Speaker 2: they're not gonna make money. And let's say it's fifteen people.
- 32:10Speaker 2: Those fifteen people have families, so then those fifteen people.
- 32:12Speaker 2: Let's say each person has I don't know three people,
- 32:15Speaker 2: that's forty five people that you're that if you don't
- 32:18Speaker 2: make money, forty five people are gonna be How that's
- 32:20Speaker 2: that's crazy. That's so much fucking stress.
- 32:22Speaker 1: Like you remember Behind the Music on VH one, there
- 32:27Speaker 1: was such a powerful episode, the TLC episode, and they
- 32:30Speaker 1: break down, like Left Eye breaks down, like how the
- 32:33Speaker 1: most popular girl group at the time goes bankrupt and
- 32:36Speaker 1: it's so short. Like Taraji Pansen recently came out and
- 32:39Speaker 1: told about that, Like, yeah, if you get ten million
- 32:41Speaker 1: dollars immediately, like a lot of that's going to Uncle Sam,
- 32:45Speaker 1: and then you have to pay your publicist, your agent,
- 32:47Speaker 1: your stilist, your manager, all these people that work for you.
- 32:53Speaker 1: You're that ten million dollars is very limited and that
- 32:56Speaker 1: ten million dollars Also, what you're left with has to
- 32:58Speaker 1: last to you until hopefully there's something next.
- 33:01Speaker 2: For you, especially with the music industry, because then they
- 33:04Speaker 2: would be like, uh, okay, you know you're gonna record
- 33:06Speaker 2: a CD, but out of that ten million, we'll just
- 33:09Speaker 2: say you have to pay for that recording session, you
- 33:11Speaker 2: have to pay for the instruments, you have to pay
- 33:13Speaker 2: for like everything, so just such that music and issue
- 33:16Speaker 2: was such a fucking scam. It's getting a little bit
- 33:18Speaker 2: better now because people can do themselves, but god damn.
- 33:20Speaker 1: And then like the difference between like then because she
- 33:23Speaker 1: came up with and I talk about him all the time,
- 33:25Speaker 1: but Woody Allen barf. She came up with Barbara streisand
- 33:31Speaker 1: they did a play together where they played lesbians. It
- 33:33Speaker 1: was like off off off Broadway. But I guess they
- 33:36Speaker 1: liked a had a kiss on stage. It was like
- 33:38Speaker 1: in the sixties or seven or before she popped off.
- 33:42Speaker 1: But I was gonna say so. She around the nineties
- 33:45Speaker 1: when she had the Jones Rivers she won her first
- 33:48Speaker 1: and only Emmy off for the daytime talk show. And
- 33:51Speaker 1: that speech is so amazing. She's in tears, she's, you know,
- 33:54Speaker 1: just talking about it. It was a triumphant moment, like
- 33:56Speaker 1: it was the most important thing to her to like
- 33:59Speaker 1: come back, like be reaccepted to an extent by the industry.
- 34:03Speaker 1: It was amazing.
- 34:04Speaker 3: Here two years ago, I couldn't get a job in
- 34:06Speaker 3: this business. I could not get a job. My income
- 34:09Speaker 3: dropped to one sixteenth of what it was before I
- 34:13Speaker 3: was fired. And people said I wouldn't work again, and
- 34:15Speaker 3: my husband, as you know, had to break down. It's
- 34:18Speaker 3: so sad that he's not here because it was my husband,
- 34:20Speaker 3: Edgar Rosenberg. What we said, you can turn things around.
- 34:24Speaker 3: And except for one terrible moment in a hotel of
- 34:27Speaker 3: Philadelphia when he forgot that this is really him because
- 34:31Speaker 3: he was with me from the beginning. And I'm so sorry.
- 34:40Speaker 1: Yeah, it's so amazing. And I think there was fires,
- 34:44Speaker 1: you know, last year, and Melissa was like their house
- 34:47Speaker 1: didn't burn down or anything, but she was like, what's
- 34:49Speaker 1: the one thing? Like she would save the Emmy like
- 34:51Speaker 1: Melissa would because that means everything to her family. Also,
- 34:56Speaker 1: in the nineties, she got the partnership that really helped her,
- 35:01Speaker 1: and that was with QVC. Also like completely she revolutionized
- 35:07Speaker 1: home shopping and that was so amazing like that because
- 35:11Speaker 1: now we just everything is Amazon and blah blah blah.
- 35:14Speaker 1: But back then, listeners that are a little younger you
- 35:17Speaker 1: watch live TV and they would be.
- 35:19Speaker 2: Like, yeah, somebody, it's wild.
- 35:23Speaker 1: Like if there's like a like a vacuum cleaner, there
- 35:26Speaker 1: would be somebody talking like me and Andy talking. Andy
- 35:28Speaker 1: would like, oh, this one's going to pick up and
- 35:31Speaker 1: he like dump grape juice all over and then I
- 35:33Speaker 1: would show him with the vacuum how he I can
- 35:35Speaker 1: clean up.
- 35:35Speaker 2: It's so quiet. I can't even hear that it's on
- 35:38Speaker 2: right now.
- 35:40Speaker 1: It was so and she liked that.
- 35:42Speaker 2: But then you would call in and then you'd give
- 35:43Speaker 2: them your credit card number or send the check and
- 35:46Speaker 2: then six to eight weeks later you would get it.
- 35:51Speaker 1: But it was like but at the time, that was like, uh,
- 35:56Speaker 1: like that was revolutionary and that was like amazing. Oh,
- 35:59Speaker 1: I could order back in the day two magazines and
- 36:01Speaker 1: people don't know that. That's like websites, which people don't
- 36:04Speaker 1: know what that is. So instagram posts used to come
- 36:08Speaker 1: and book like like little books that were sold at
- 36:11Speaker 1: the grocery store, which you don't know what that is
- 36:12Speaker 1: because there's like door dash for food.
- 36:14Speaker 2: Sears start by they were the first one to do
- 36:17Speaker 2: the magazine order. You could order stuff on the magazine
- 36:19Speaker 2: in like the thirties or forties, but that's what started seis.
- 36:22Speaker 2: But seers are not of business. Yeah, so even just
- 36:24Speaker 2: saying seriers, the younger people like what that's crazy.
- 36:27Speaker 1: Yeah. She then she got into like jewelry designing and
- 36:29Speaker 1: to stay on brand of her over like ompion. I'm
- 36:34Speaker 1: trying to use word like bigger words, so it's not
- 36:36Speaker 1: my brand over the top glamour. She would do like
- 36:38Speaker 1: these very elaborate costume jewelry that really just like sustained
- 36:44Speaker 1: her over these career highs and lows. But the part, again,
- 36:47Speaker 1: like I talked about the beginning, that I really like
- 36:50Speaker 1: fucked around with her was the Red Carpets. It was
- 36:52Speaker 1: so amazing, Like I loved like knowing the deep because
- 36:56Speaker 1: back then the stars would not be you know, paid
- 37:01Speaker 1: to wear jewelry or paid to wear They'd be just
- 37:03Speaker 1: styling themselves pretty much because nobody gave a fuck. So
- 37:06Speaker 1: like we had b York with her, you know, Goose
- 37:10Speaker 1: thing or whatever, and we had like just fashion, like
- 37:14Speaker 1: Gwyneth Paltrow that dump truck she wore that like Ballerina
- 37:17Speaker 1: dress when Harvey Weinstein bought her an oscar.
- 37:19Speaker 2: Oh shit, I uh well the thing too. That's why
- 37:25Speaker 2: it's so important because just I know we're sounding old here,
- 37:28Speaker 2: but now, like celebrities are on Instagram, so you get
- 37:30Speaker 2: you get to see what they're doing every day. But
- 37:33Speaker 2: you know, in the seventies, eighties, and nineties, you'd only
- 37:35Speaker 2: see them in a magazine or on TV. So for
- 37:39Speaker 2: her to show the you know, viewer, what this person's wearing,
- 37:44Speaker 2: people are like really in there is a huge fucking
- 37:46Speaker 2: thing Like yeah.
- 37:47Speaker 1: So much of my childhood was like getting magazines and
- 37:51Speaker 1: like looking at their outfits, looking at the celebrity gossip
- 37:55Speaker 1: and like, remember, this is gonna date us for sure.
- 37:58Speaker 1: Remember when Angelina Jolie went to I Love Oh my gosh,
- 38:01Speaker 1: she's so messy in the nineties when she Billy Bob
- 38:04Speaker 1: they're wearing each other's blood. They said that they just
- 38:07Speaker 1: fucked in the limo. But then also when in Julie
- 38:10Speaker 1: went with her brother and they had that.
- 38:11Speaker 2: Kiss weird, Yeah you.
- 38:13Speaker 1: So, and then Joan Rivers is us being like what
- 38:16Speaker 1: the fuck is going on over here? Like that's what
- 38:18Speaker 1: we were doing. Like she was the voice for the voiceless,
- 38:21Speaker 1: like yeah, she got if someone looked like a hot
- 38:24Speaker 1: like hot mess, she was the one to be like,
- 38:27Speaker 1: you look like a dump truck.
- 38:28Speaker 2: Well, like the thing with Joan Rivers for me is
- 38:31Speaker 2: she was just someone that was always there. Yeah, from
- 38:34Speaker 2: like I don't remember a time in my life when
- 38:36Speaker 2: she well I guess you know, recently, but yeah, you
- 38:39Speaker 2: know because she passed away. But yeah, growing up, you
- 38:42Speaker 2: would just see her like in cartoons like uh, you
- 38:45Speaker 2: know she Simpsons would make a joke, you know, or
- 38:49Speaker 2: Looney Tunes or whatever. But she was always in like
- 38:54Speaker 2: in the in the entertainment, but also like you said earlier,
- 38:58Speaker 2: like but also on the outside.
- 38:59Speaker 1: She was like the periphial version of it, always there,
- 39:03Speaker 1: and she did I'm gonna mess up the name, but
- 39:05Speaker 1: she played in Spaceballs John Candy. Oh no, that's a connection,
- 39:10Speaker 1: John Canden, and she played the C three po thing.
- 39:13Speaker 1: And then but back to the kind of the documentary,
- 39:17Speaker 1: I a few parts that just really was like fuck,
- 39:20Speaker 1: when I first watched it and when I rewatch it,
- 39:22Speaker 1: when Melissa's talking about like comedians have this innate like
- 39:27Speaker 1: insecurity because you're going on stage pretty much, like just
- 39:30Speaker 1: laugh with me, laugh at me, just laugh, I need
- 39:33Speaker 1: you to laugh. And then the other really astute point
- 39:36Speaker 1: that she said was because she was the only child,
- 39:38Speaker 1: but there was another sibling, and that was the industry,
- 39:41Speaker 1: because her parents were so career driven and like, yeah,
- 39:45Speaker 1: I'm the daughter, but I also had a sibling and
- 39:47Speaker 1: it was the industry.
- 39:48Speaker 2: Yeah, for sure.
- 39:49Speaker 1: I thought that was amazing and then another part of
- 39:54Speaker 1: the kind of storyline was her relationship with that manager
- 39:58Speaker 1: of hers.
- 39:59Speaker 2: Yeah, it made me a little bit sad. But then
- 40:01Speaker 2: when the second time I watched it, I guess this
- 40:03Speaker 2: happened a few years ago too, So the first time
- 40:06Speaker 2: I watched it, I almost wanted to start crying. The
- 40:07Speaker 2: second time I watched it, it was still sad, but
- 40:11Speaker 2: but then I kind of focused more on him because
- 40:13Speaker 2: it affected me so much the first time. And at
- 40:15Speaker 2: one point he goes, they keep asking me to like
- 40:17Speaker 2: pull rabbits out of my hat. I only have so
- 40:19Speaker 2: many rabbits, like you know, And so the second time
- 40:22Speaker 2: didn't make me as sad, but it's still really sad,
- 40:26Speaker 2: just as a friend, not like as of like a
- 40:28Speaker 2: business thing. But just like when she was like talking
- 40:30Speaker 2: about like I don't have anybody to say, like, hey,
- 40:32Speaker 2: do you remember this?
- 40:33Speaker 1: I was like, fuck, yeah, that hit. That's so relatable,
- 40:37Speaker 1: especially when you're a person of a particular age or
- 40:41Speaker 1: whatever your situation is like some pointless thing like hey
- 40:45Speaker 1: do you remember when so and so had that hair?
- 40:47Speaker 1: You know, people aren't gonna know that, And I thought
- 40:49Speaker 1: that was so interesting. Another thing which I see a
- 40:55Speaker 1: lot of myself in her in the sense of like
- 40:57Speaker 1: the insecurities, because I definitely use humor as a like
- 41:01Speaker 1: defense mechanism. But also, and I saw this today because
- 41:04Speaker 1: I always I'm somebody that has like a physical day planner.
- 41:08Speaker 1: I have to even though I have my phone to
- 41:10Speaker 1: put reminders on, I have my computer artwork to put
- 41:12Speaker 1: reminders on. I'm somebody that needs to write it down
- 41:15Speaker 1: and like that kind of thing. So when she's like
- 41:17Speaker 1: looking through her day planner and she says like, this
- 41:21Speaker 1: is my biggest fear, she goes forward a little bit
- 41:23Speaker 1: and it's all blank or like the manager's like, hey,
- 41:26Speaker 1: get out the planner and she's like, I'll get my
- 41:27Speaker 1: sunglasses because all the white and then like, I know, listener,
- 41:30Speaker 1: I can't see it. Look at my day planner. Yeah,
- 41:33Speaker 1: Like I have this, Uh it's probably overshare, but I
- 41:37Speaker 1: have this like and like feeling where I need to
- 41:40Speaker 1: be busy. Maybe the listener, you're my shrink right now
- 41:43Speaker 1: that I need to be busy to feel like I'm somebody. Fuck,
- 41:47Speaker 1: I really need to my listener, my shrink to listen
- 41:48Speaker 1: to this episode.
- 41:49Speaker 2: Well, the reason I started volunteering for the Elsinor is
- 41:52Speaker 2: because I was talking to my therapist last year and
- 41:54Speaker 2: I saw him how the winner always actually upset and
- 41:56Speaker 2: I get depressed really bad. And uh, I was like, well,
- 41:59Speaker 2: you know, there's nothing to look forward to, and he goes, well,
- 42:01Speaker 2: you know, maybe try to start looking forward to something.
- 42:03Speaker 2: So I was like, yeah, you know what, let me
- 42:05Speaker 2: start doing a little extra things. And I feel like
- 42:07Speaker 2: that helps a lot with mental you know.
- 42:09Speaker 1: Yeah.
- 42:10Speaker 2: But one thing I was gonna say about Joan Rivers
- 42:12Speaker 2: and it made me really sad the second time after
- 42:14Speaker 2: I watched it the second time because the first time,
- 42:17Speaker 2: I don't think she's trying to mask well I okay,
- 42:20Speaker 2: so I don't know how if I'm gonna say this correctly.
- 42:22Speaker 2: So she's talking about the whole industry thing and making money,
- 42:24Speaker 2: she needs to keep working and stuff right, And I
- 42:27Speaker 2: feel like subconsciously she and I don't know, I never
- 42:30Speaker 2: met her, but I feel like she's using that basically
- 42:34Speaker 2: as a way because she won't admit to herself that
- 42:38Speaker 2: she's not she needs to keep doing this to prove
- 42:43Speaker 2: to herself that she's worthy.
- 42:46Speaker 1: You know.
- 42:46Speaker 2: Like, I don't know how to say it, but it
- 42:48Speaker 2: made me feel so sad because she's been around for like,
- 42:50Speaker 2: you know, forty something years in the business and being
- 42:53Speaker 2: one of the biggest stars, and I feel like she
- 42:55Speaker 2: never gave herself any like flowers, no I am, even
- 42:59Speaker 2: though she does say like I'm an icon and she
- 43:02Speaker 2: makes jokes like that. I think she's doing that because
- 43:04Speaker 2: other people do that and it's expected of her. But
- 43:06Speaker 2: I feel like, just based on what I watched, I
- 43:08Speaker 2: feel like she never once gave herself like, hey, good job.
- 43:13Speaker 2: And that's why I'm getting sad thinking about it. But
- 43:15Speaker 2: that's and it made me really sad, like just because
- 43:17Speaker 2: she's like, I need to keep doing this just to
- 43:19Speaker 2: prove that I'm worthy of just whatever.
- 43:21Speaker 1: I get, Like, it's just so fucked up, and like
- 43:25Speaker 1: thinking about it, she had no contemporaries. She had nobody.
- 43:29Speaker 1: She had her daughter, and she definitely had a very
- 43:31Speaker 1: codependent relationship with her daughter and very toxic at some points,
- 43:36Speaker 1: but she had no There was no other female comedians
- 43:39Speaker 1: at that time. A couple came before, a lot came,
- 43:41Speaker 1: a lot more came after, but really there was nobody
- 43:44Speaker 1: on her level. And she was so blacklisted. Her partner
- 43:47Speaker 1: in crime died, so what who did she have? And
- 43:51Speaker 1: she I don't think she ever got. She got her
- 43:53Speaker 1: flowers a little bit after she passed, because she did
- 43:56Speaker 1: win a Grammy for Best Recording a Book or whatever
- 44:00Speaker 1: the titles called called for her last book, Diary of
- 44:04Speaker 1: a Mad Diva, which is amazing. Sidebar some of her
- 44:08Speaker 1: other books men are stupid and love big boobs, so
- 44:11Speaker 1: it's like a a Z guide of plastic surgery, and
- 44:14Speaker 1: like the covers her with like a fake chest with
- 44:16Speaker 1: like big old titties. And then my favorite book of
- 44:19Speaker 1: hers is I Hate everyone starting with me, And I
- 44:22Speaker 1: think that's the thing that kind of saved her with
- 44:23Speaker 1: her comedy a little bit is yeah, she punched up,
- 44:26Speaker 1: she punched down, but she also punched inWORD. Every joke
- 44:30Speaker 1: she made about her husband, people were like, oh, you're
- 44:33Speaker 1: dogging on him too much. It was it was at
- 44:36Speaker 1: her expense, Like he's like trying to unbiteen her blouse,
- 44:39Speaker 1: but like she's like those are my nipples, like like
- 44:42Speaker 1: those kinds of things. And I think the comedian's job
- 44:50Speaker 1: back then, back the was she he called out, there's
- 44:56Speaker 1: a joke he called out his secretary's name in bed
- 44:59Speaker 1: was bad. What's worse is she called from underneath the bed.
- 45:02Speaker 1: She was like hello, So yeah.
- 45:07Speaker 2: That's one of the things I loved, all the jokes
- 45:09Speaker 2: she had, the way she and you told my god
- 45:12Speaker 2: until I could visualize it. Yeah, listener, you should go
- 45:16Speaker 2: watch the documentary because another thing that makes you sound old.
- 45:19Speaker 2: Libraries used to have this like system. This is crazy.
- 45:24Speaker 1: It's so wild that how times have changed.
- 45:26Speaker 2: They had these little cards and you could find books
- 45:29Speaker 2: based anyways. I don't know how to explain. It's weird,
- 45:31Speaker 2: but there's these. She has a ton of jokes.
- 45:34Speaker 1: Even further, a library is a place where book you
- 45:39Speaker 1: can get them for free because you pay taxes. And
- 45:41Speaker 1: what a book is is like instagram post turned into
- 45:44Speaker 1: like a physical like hard copy. Yeah, they murdered her
- 45:49Speaker 1: and then the books or something that is about environmental stuff.
- 45:52Speaker 1: So yeah, she had this like file, like little fat
- 45:55Speaker 1: file cabinets with with she would write down every joke.
- 46:00Speaker 1: If she thought of a joke, she'd write down on
- 46:01Speaker 1: a little cue card, a little card, index card, and
- 46:03Speaker 1: put it and file it away. I think the one
- 46:05Speaker 1: they read on there is like why should why should
- 46:08Speaker 1: a woman learn how to bake so she so her
- 46:10Speaker 1: husband could tell some hooker my wife's a good cook,
- 46:13Speaker 1: or whatever, you know what I mean, like that kind
- 46:15Speaker 1: of thing.
- 46:15Speaker 2: And it wasn't like it wasn't there was a ship
- 46:18Speaker 2: ton of these filing cats and they were like organized
- 46:21Speaker 2: like one I think, said Phyllis Diller, Like she must
- 46:23Speaker 2: have just had a shit ton of jokes about or.
- 46:25Speaker 1: See the one that said Tony Danza.
- 46:27Speaker 2: Yeah exactly. I love that. I was like, that's so
- 46:30Speaker 2: fucking good. Yeah, that's great.
- 46:31Speaker 1: So then she just like pull those and like when
- 46:34Speaker 1: she wrote, uh, Diary of a Mad Diva, it's set
- 46:38Speaker 1: up like she's writing every day in like a diary
- 46:41Speaker 1: and and but she really, you know, just pulled cards
- 46:45Speaker 1: and I kind of used as inspiration. But I thought
- 46:47Speaker 1: that was so greatly because her jokes are like her
- 46:49Speaker 1: other child like they like, Wellsta talks about the documentary
- 46:52Speaker 1: and to be able to hold that joke in her hand.
- 46:55Speaker 1: What she just loved that really.
- 46:58Speaker 2: Quock about the jokes too. She always talks about how
- 47:00Speaker 2: it's a lot of hard work to make funny jokes,
- 47:02Speaker 2: like and you know, when you watch a stand up comedian,
- 47:06Speaker 2: it just seems so fluid. But you know, I'm kind
- 47:09Speaker 2: of like a I'm not like a stand up snob,
- 47:11Speaker 2: but like a historian, like I've done a lot of
- 47:13Speaker 2: you know, readings about you know, sant comedy and anyways,
- 47:16Speaker 2: they always do the same thing to where they talk
- 47:19Speaker 2: about how they'll do the same joke for like a
- 47:21Speaker 2: year and then they'll say, oh, you know what, maybe
- 47:24Speaker 2: I'll say, I don't know, Uh, I'm trying to think
- 47:28Speaker 2: of something, uh beheaded instead of killed, you know, or whatever,
- 47:33Speaker 2: and they'll just do these little tweaks and then they'll
- 47:35Speaker 2: go in front of people and Okay, it didn't get it,
- 47:37Speaker 2: you know. So it is a lot of hard work.
- 47:39Speaker 2: And I love that she says that because I feel
- 47:40Speaker 2: like people don't realize how hard it is to be
- 47:42Speaker 2: a stand up comedian.
- 47:43Speaker 1: Because saying like cut someone, it's the head off, beheaded,
- 47:46Speaker 1: you can make a joke about getting head.
- 47:48Speaker 2: Yeah, yeah, there's all these little nuances that people don't
- 47:51Speaker 2: realize being a stand up comedian. She was one of
- 47:53Speaker 2: the best. So yeah, she worked really hard for it.
- 47:55Speaker 1: And I think that, uh, for listeners that might not remember,
- 47:58Speaker 1: like weren't around this time late night talk shows where
- 48:03Speaker 1: she got a lot of her notoriety from was like
- 48:05Speaker 1: appointment television, Like oh, Joan Riversus is hosting the Tonight Show.
- 48:09Speaker 1: Tonight we have to watch it, blah blah blah, or
- 48:11Speaker 1: like parents send their kids to bed and then they
- 48:13Speaker 1: watch the Tonight Show or Late Night or whatever it is,
- 48:15Speaker 1: and the kids kind of sneak out or if they're
- 48:17Speaker 1: like bath their eye. Okay, Jeff, you can come out
- 48:19Speaker 1: watch this. It was so and person it was so personal,
- 48:23Speaker 1: and it was aired at the same time. It was
- 48:26Speaker 1: a lot of times h taped live, so everybody in
- 48:29Speaker 1: America is watching it at the same time. But like nowadays,
- 48:32Speaker 1: if I don't think I've watched Late I've watched a
- 48:34Speaker 1: lot of Late Night, but I watch it on YouTube
- 48:36Speaker 1: or on TikTok or little short clips. But that was
- 48:40Speaker 1: like appointment television.
- 48:41Speaker 2: Yeah, Like when I watch SNL now most of the
- 48:43Speaker 2: time it's like the day or two after and I
- 48:45Speaker 2: watch them all on YouTube.
- 48:46Speaker 1: Yeah, And like right now, for example, if this was
- 48:50Speaker 1: thirty years ago, you and I wouldn't we would be
- 48:53Speaker 1: watching tgif probably like think good as you know on ABC,
- 48:56Speaker 1: we've been watching Boy Meet's World full House because it's
- 48:58Speaker 1: Friday evening. So now we can like if now that
- 49:02Speaker 1: that's the case, you just watch your little programs on
- 49:04Speaker 1: your phone. But another and I hate, I hate that
- 49:08Speaker 1: this asshole makes a cameo in this in this movie.
- 49:10Speaker 1: But when she wins a celebrity Apprentice, that was like
- 49:16Speaker 1: her big like third or fourth or fifth comeback and
- 49:20Speaker 1: even though fuck Donald Trump, but that got her also
- 49:24Speaker 1: back on network TV get her Yeah. And also it
- 49:29Speaker 1: had to be emotional because it was on NBC.
- 49:31Speaker 2: Yeah.
- 49:32Speaker 1: So and then that immediately she wins that and she's like,
- 49:36Speaker 1: I have this going on and this going on and
- 49:38Speaker 1: this going on, and then the other her resurgence. Right
- 49:42Speaker 1: before she passed, she had Joan and Melissa Joe Knows Best,
- 49:47Speaker 1: which was like kind of tongue in cheek reality show
- 49:50Speaker 1: because they hosted Fashion Police. So Joan was a New Yorker,
- 49:57Speaker 1: but Melissa lived in La so every week she Joan
- 50:00Speaker 1: would fly over and stay with Melissa. So they just
- 50:02Speaker 1: started recording it. And then on top of that, Joan
- 50:06Speaker 1: had a talk show on the Internet called in Bed
- 50:08Speaker 1: with Joan and she yeah remember that. Yeah, So she
- 50:12Speaker 1: had like you know, Christ Janner, like FLEs celebrity know,
- 50:14Speaker 1: Chris Jenner, ru, Paul Kathy Griffin, Aubrey Plaza like all
- 50:19Speaker 1: those people, and they just like lay in bed with
- 50:21Speaker 1: her and like chit chat, which was like so fun
- 50:24Speaker 1: and campy. And then what was her other Do she
- 50:26Speaker 1: have another show?
- 50:28Speaker 2: Jackass?
- 50:29Speaker 1: You're right, but like you know, Fashion Police was like
- 50:32Speaker 1: the biggest because back in the day, entertainment television you know,
- 50:36Speaker 1: was super popular. And she just did such a great
- 50:39Speaker 1: job on that show too, just like raking these people
- 50:41Speaker 1: that are getting millions of dollars to wear a fucking
- 50:44Speaker 1: dress through the coals. But I just and then unfortunately,
- 50:49Speaker 1: like this obviously is not covering the documentary happened later
- 50:52Speaker 1: she died. I feel bad saying that she died doing
- 50:56Speaker 1: what she loves best, getting medical work time she died
- 51:01Speaker 1: getting she had such a raspy voice, probably from talking
- 51:05Speaker 1: so much, and also like unfortunately blame me and stuff.
- 51:08Speaker 1: So she was getting like a procedure done not in
- 51:12Speaker 1: a hospital, which really confuses me because she was so
- 51:15Speaker 1: rich and stuff, and they didn't There's a lot I
- 51:18Speaker 1: think they sued the Melissa sued them, but she died,
- 51:22Speaker 1: but on a not positive note. But the night before
- 51:26Speaker 1: she did like an hour or something of stand up,
- 51:29Speaker 1: so she like that's yeah, if you're gonna, I would
- 51:32Speaker 1: love to go like doing what I love the best.
- 51:34Speaker 2: If you think about the last like probably twelve hours
- 51:37Speaker 2: of her life, she did stand up, she got work done.
- 51:40Speaker 1: Yeah, I mean yeah, but uh, but that one, definitely
- 51:43Speaker 1: that was a celebrity death that like really hit. There's
- 51:46Speaker 1: been a few of them, like Robin Williams of course,
- 51:48Speaker 1: died around the same time. I think that's a good
- 51:51Speaker 1: time to mention as mentioned Robin Williams and we talked
- 51:54Speaker 1: about Edgar. If you're listening and you need help or
- 51:57Speaker 1: you want to chat with somebody, you can text or
- 51:59Speaker 1: call nine and you could do like anonymously too. So
- 52:02Speaker 1: if you're going through a hard time or if you
- 52:03Speaker 1: know somebody, dial or text nine eight eight for help.
- 52:07Speaker 2: So and if you have a friend that reaches out
- 52:09Speaker 2: to you and you know you don't you know, don't
- 52:11Speaker 2: feel comfortable to talk to them, but then also let
- 52:13Speaker 2: them know, like you know, if if it's ever a
- 52:16Speaker 2: film like too Much, you know, give them the info too,
- 52:19Speaker 2: not just you know.
- 52:20Speaker 1: So yeah, I love that. What how do you feel
- 52:28Speaker 1: like the comedy in pop uh, like in our society
- 52:31Speaker 1: right now, like in the current landscape, has it? Do
- 52:34Speaker 1: you see like traces of Joan Rivers? Or like, do
- 52:37Speaker 1: you think that we're in a slump? So I feel
- 52:40Speaker 1: like with every kind of fad or every part of
- 52:43Speaker 1: pop culture, there's like ups and downs, like, oh, like
- 52:46Speaker 1: SNL's booming right now, SML's going through a slump. How
- 52:49Speaker 1: do you feel about the current landscape of comedians and
- 52:51Speaker 1: like how they're presented to us?
- 52:54Speaker 2: Well, I've never been a huge fan of like, uh,
- 52:57Speaker 2: crowd work, and just I know that so many comedians
- 53:01Speaker 2: are like just posting things a CrowdWork on there, and
- 53:03Speaker 2: I get why because they'll get some views from it,
- 53:07Speaker 2: and you can't really put up your what your your
- 53:10Speaker 2: actual written stuff because then people are gonna say on
- 53:13Speaker 2: Instagram and they're not gonna see you live. So I
- 53:15Speaker 2: get why they're doing it, but I fucking hate it.
- 53:18Speaker 2: So I don't like the crowd work aspect of it.
- 53:20Speaker 2: But overall, I think there's some great comedians out there,
- 53:23Speaker 2: and I think it's and I feel like it's finally
- 53:26Speaker 2: stopping and not completely of course, but growing up is
- 53:30Speaker 2: always like and here's a female comedian that's just I
- 53:33Speaker 2: feel like now it's finally becoming more like and here
- 53:36Speaker 2: is Amy Miller, and I think she's hilarious, and I
- 53:38Speaker 2: don't say female comedian Amy Miller. Now it's just like, hey,
- 53:41Speaker 2: guess what, she's funny too, you know. So that's good.
- 53:44Speaker 2: And if it wasn't for Joan, you know probably you.
- 53:46Speaker 1: Know, should we to to like show solidarity for that
- 53:51Speaker 1: we're male comedian, male podcasters. Hell yeah, I think that
- 53:54Speaker 1: we are in the like we're any more marginalized group.
- 54:00Speaker 1: But I think it's so interesting because there was only
- 54:04Speaker 1: so like we talked about, like, only so many channels
- 54:06Speaker 1: back in the day. Now we have internet on our
- 54:09Speaker 1: phones and everything, and TV on our phones that I
- 54:12Speaker 1: love the accessibility of new comedians or new talent. If
- 54:15Speaker 1: you're a musician, that kind of thing. You can get
- 54:17Speaker 1: your music out there. You can upload it yourself for
- 54:19Speaker 1: our podcast. Back in the day, this would not have
- 54:22Speaker 1: been a thinge for us. But we can like bullshit together,
- 54:25Speaker 1: record it and then send it out to the universe
- 54:27Speaker 1: for it to be yours.
- 54:29Speaker 2: I could we could put this like we can have
- 54:32Speaker 2: this uploaded I'll say, five minutes after gune recording. Yeah,
- 54:36Speaker 2: if we wanted to do, which is wild.
- 54:38Speaker 1: I appreciate the heck out of that technology. But what
- 54:41Speaker 1: I I don't I don't think I'm up to date
- 54:45Speaker 1: yet to feel like if it's a complete net positive
- 54:48Speaker 1: or a net negative yet. So I guess it's just
- 54:51Speaker 1: kind of is what it is. Almost.
- 54:53Speaker 2: Yeah, I just I've always I've said this a bunch
- 54:54Speaker 2: of my life, but there's nothing inherently good or bad,
- 54:57Speaker 2: you know, And so I don't know something that might
- 55:00Speaker 2: seem bad it can turn out good and vice versa.
- 55:02Speaker 2: So it's hard to say. And there's a whole pendulum thing.
- 55:06Speaker 2: So like with AI, you know, you know, every it's like, oh,
- 55:09Speaker 2: it's gonna be really bad, and maybe it does get
- 55:11Speaker 2: really bad, but it'll probably come back a little bit
- 55:13Speaker 2: then it'll probably eventually even out. Yeah, So I think,
- 55:15Speaker 2: like I don't know, everything's so everything is everything on it.
- 55:21Speaker 1: I think it's like with everything being so intense right now,
- 55:25Speaker 1: like I try to stay up to date, like on
- 55:26Speaker 1: the news and what's going on, and I probably invest
- 55:29Speaker 1: way too much on my work, my waking and sleeping
- 55:32Speaker 1: time invested in what's going on in the in the world.
- 55:35Speaker 1: But I think the most important job, or one of
- 55:37Speaker 1: the most important jobs right now is if you do
- 55:39Speaker 1: have a sense of humor, if you are a comedian,
- 55:41Speaker 1: even if you don't feel like you are, then the
- 55:44Speaker 1: the comedian is the gesture. We're the ones that need
- 55:47Speaker 1: to be out there and obviously no level of this.
- 55:50Speaker 1: I'm definitely better than Jerry Seinfeld in my opinion. Not
- 55:53Speaker 1: Larry David though, so do that. I love him so much.
- 55:57Speaker 1: We need to be we're the ones that are holding
- 56:00Speaker 1: the the ones running to account. And and I hate
- 56:04Speaker 1: right now that like, and I know we don't get
- 56:06Speaker 1: too political, but when the fascists go after the comedians,
- 56:12Speaker 1: they're scared. It's it's it's a time where we need
- 56:16Speaker 1: to laugh to everything's so serious.
- 56:18Speaker 2: And that's the thing is, like a lot of people
- 56:19Speaker 2: are going like, well, you know, ten years ago people
- 56:21Speaker 2: were getting canceled. It's a difference between like the public
- 56:24Speaker 2: going like, hey, we don't want to back somebody that
- 56:27Speaker 2: says the N word. We think that's disgusting, and it's
- 56:30Speaker 2: different to where like the administration is going like, hey
- 56:33Speaker 2: we don't like this comedian, We're going to take them
- 56:35Speaker 2: off the air. And if you can't see the difference
- 56:37Speaker 2: between public opinion and the government telling you what you
- 56:40Speaker 2: can and can't say, it's called fucking fascism.
- 56:42Speaker 1: Yeah.
- 56:43Speaker 2: I don't understand why people are confused by that. It
- 56:45Speaker 2: blows my It makes me so fucking mad. But anyways,
- 56:47Speaker 2: I don't want to get too political.
- 56:48Speaker 1: But yeah, or do we need to? I think we
- 56:51Speaker 1: need to almost get I don't yeah, yeah, oh yeah,
- 56:58Speaker 1: because we are a mega mega podcast. Because we don't.
- 57:01Speaker 1: We just want listeners.
- 57:02Speaker 4: Yeah, An, Yeah, we'll pityfuck all our listeners if you
- 57:07Speaker 4: want to, if you want to support us, we'll give
- 57:09Speaker 4: you hand jobs or blow jobs or finger jobs anyway.
- 57:12Speaker 4: But until the robots, until I replace those that, we'll
- 57:16Speaker 4: horror out our sex robots to have sex with you.
- 57:18Speaker 1: There we go. That's called management, uh delegation. There, there
- 57:24Speaker 1: we go. Look at those big words I'm trying to
- 57:26Speaker 1: whip out. I really hope that people will. I know
- 57:32Speaker 1: everything not to go on about technology is at our fingertips.
- 57:36Speaker 1: But I appreciate about you, Andy, is that you are
- 57:38Speaker 1: such interested in You crave learning about things. And I
- 57:42Speaker 1: think if you are a comedian or like comedic humor,
- 57:46Speaker 1: do yourself a favoring go back or comedic history, go
- 57:50Speaker 1: back and like revisit some of Joan rivers and appreciate
- 57:53Speaker 1: like who paved the way, a little bit, you know,
- 57:56Speaker 1: for for you.
- 57:57Speaker 2: Well in this this documentary, I don't know, I didn't
- 58:01Speaker 2: know that much about Joan Rivers before he did this.
- 58:03Speaker 2: That documentary was a really easy watch. Yeah, hour forty,
- 58:07Speaker 2: but it went by really quick. Even if you just
- 58:10Speaker 2: like documentaries, it's a really well done documentary. It's really
- 58:13Speaker 2: the pacing's wonderful, the jokes running, She's great to listen to,
- 58:16Speaker 2: your interested the entire time. Overall, even if it wasn't
- 58:19Speaker 2: about Joan Rivers, I would still give that documentary like
- 58:22Speaker 2: an eight out of ten. It was a really good
- 58:23Speaker 2: documentary just just being documentary.
- 58:25Speaker 1: So I think the only flaw that I have with it,
- 58:28Speaker 1: and this is so not obviously controllable, is it? I Like,
- 58:32Speaker 1: I love that it was perfectly time with the play,
- 58:34Speaker 1: but oh my gosh, like how great of a documentary
- 58:37Speaker 1: would have been like when her first week doing the
- 58:39Speaker 1: Tonight Show like guest co hosts or like later in life,
- 58:44Speaker 1: Like I don't know, I.
- 58:45Speaker 2: Just but I wonder if they couldn't because NBC owns
- 58:47Speaker 2: all that, and if oh yeah, yeah, she was probably
- 58:50Speaker 2: still i mean not fully black listed. But I think
- 58:53Speaker 2: Conan once said that he wasn't supposed to have her
- 58:56Speaker 2: on the show either when he did late and then
- 58:58Speaker 2: that's why when he left, Networks only had her on.
- 59:00Speaker 2: But so I mean even up until like the ten
- 59:04Speaker 2: he wasn't supposed to.
- 59:05Speaker 1: He even though I do not think I'm not the
- 59:08Speaker 1: biggest fan of Jimmy Fallon the first night that he
- 59:11Speaker 1: was the host of the Tonight Show, he did this
- 59:13Speaker 1: like gag about all these celebrities, like betting him that
- 59:16Speaker 1: he wouldn't get the job or something like that. Joan
- 59:18Speaker 1: Rivers was the first one to break character in this
- 59:21Speaker 1: little skit they were doing. And then I think a
- 59:23Speaker 1: couple months later he had her on as a guest.
- 59:27Speaker 1: Of course, she like had to like, you know, I
- 59:30Speaker 1: want to say one of the jokes that she said,
- 59:32Speaker 1: but she was like, oh, my vagina is so dry,
- 59:35Speaker 1: and he was like, how how dry is it? And
- 59:39Speaker 1: like I went into bathtub and the water went whoosh.
- 59:42Speaker 1: But then she makes another joke about her drive vagina
- 59:44Speaker 1: and she said like, if you know what happened to
- 59:47Speaker 1: Whitney happened to me Whitney Houston, I wouldn't have drowned
- 59:51Speaker 1: because she drowned in a bathtub. Yeah, so that this
- 59:57Speaker 1: little little iffy on some of her jokes. Yeah, I
- 1:00:00Speaker 1: mean yeah, yeah, oh sorry. I just remember the Aige
- 1:00:04Speaker 1: one to see if it was funny or not. So
- 1:00:06Speaker 1: Howard Stern asked her, so you did a lot of
- 1:00:09Speaker 1: early AIDS work with with Elizabeth Taylor, Like what do
- 1:00:13Speaker 1: you mean? And then John Rivers says, I gave her aids,
- 1:00:16Speaker 1: So that's what it was like.
- 1:00:17Speaker 2: It was.
- 1:00:19Speaker 1: I only like him because of the interviews that he
- 1:00:24Speaker 1: has been able to get because he's like that pop
- 1:00:26Speaker 1: culture kind of person. So I do appreciate that. And
- 1:00:32Speaker 1: I am a big fan of the whack Pack. Eric
- 1:00:37Speaker 1: the actor the you know, we won't say the N word.
- 1:00:40Speaker 2: I never watched it enough, but I know Beetlejuice just
- 1:00:43Speaker 2: from Instagram.
- 1:00:43Speaker 1: So he was like, he's a scary movie too. When
- 1:00:47Speaker 1: they are parodying Hannibal and they take off shot no
- 1:00:52Speaker 1: Marlon Wayne's head and beatle Juice. Yeah, so so, and
- 1:00:56Speaker 1: they're coming out with a new one. It's so exciting.
- 1:00:59Speaker 2: So there's starting it. They I just saw this today.
- 1:01:02Speaker 2: They're starting it. They're starting like recording it. They're starting
- 1:01:07Speaker 2: it now. They already wrote it, but now they're actually
- 1:01:09Speaker 2: in production.
- 1:01:10Speaker 1: Then the trailers out.
- 1:01:12Speaker 2: Okay, it's coming out in June.
- 1:01:13Speaker 1: That's Regina the Trailers out. Yeah, it has the Waynes Brothers,
- 1:01:21Speaker 1: it has the guy like the hand guy. Yeah, amazing
- 1:01:25Speaker 1: from Ship's Creek, it has it's it just looks fucking amazing,
- 1:01:30Speaker 1: Like I cannot wait for them to be a return.
- 1:01:32Speaker 2: Yeah, I'm gonna go say in theaters.
- 1:01:33Speaker 1: Yeah, it's gonna be so good.
- 1:01:34Speaker 2: All right, listener, Well before we go, I actually have
- 1:01:37Speaker 2: some uh ready, I'm pretty pumped. So since this is
- 1:01:41Speaker 2: Joan Rivers, I thought, you know, I thought of some
- 1:01:43Speaker 2: good questions about well, I guess.
- 1:01:47Speaker 1: We'll just start, yeah, yeah, start some trivia.
- 1:01:50Speaker 2: So Rivers Cuomo is the lead singer of what band?
- 1:01:55Speaker 2: Green Day Weezer? Who Fighters? Or Marcy's Playground Wheezer? Yeah, alright, alright,
- 1:02:04Speaker 2: one point because.
- 1:02:04Speaker 1: I took two of those away because I knew who
- 1:02:07Speaker 1: they were. Oh right, right, yeah, Villigio, I like that
- 1:02:11Speaker 1: you knew which ones. That's awesome, that's awesome.
- 1:02:14Speaker 2: Rivers Phoenix A river Phoenix? Start in what movie the
- 1:02:18Speaker 2: Goonies et it? Where stand by me?
- 1:02:22Speaker 3: Oh?
- 1:02:22Speaker 1: I fucking hate et you know that, right? I fucking
- 1:02:26Speaker 1: hate that monster? When Trump's like did the aliens out
- 1:02:29Speaker 1: of here. I'm like, yes, yes, but then I found
- 1:02:32Speaker 1: out Then I found that there's about humans. I'm like,
- 1:02:34Speaker 1: what the fox? What the that's so in the humane Anyways,
- 1:02:39Speaker 1: it was a stand by me, stand.
- 1:02:41Speaker 2: By me two for two.
- 1:02:43Speaker 1: Uh.
- 1:02:44Speaker 2: The Nile River is the longest river in the world.
- 1:02:47Speaker 1: Where is it located?
- 1:02:50Speaker 2: Egypt, Sudan, Rwanda or Kenda.
- 1:02:53Speaker 1: Oh that's so funny that you mentioned Mirwanda because I
- 1:02:55Speaker 1: mentioned that earlier. I mentioned dar Force. Okay, in my head,
- 1:02:59Speaker 1: I was like, twe aren't they similar? Like there was
- 1:03:02Speaker 1: a lot of batshit going on. Yeah, I watched Hotel Wanda.
- 1:03:05Speaker 1: That is sad.
- 1:03:05Speaker 2: I've never seen it.
- 1:03:07Speaker 1: No, no, well, yeah, like the movie was good.
- 1:03:11Speaker 2: I heard everything that happens in the movie is really funny.
- 1:03:13Speaker 1: Sheet is America treasure? Okay? The Egypt wrong?
- 1:03:18Speaker 2: What it's actually in all of them and more? I
- 1:03:21Speaker 2: didn't know that. I looked it up because I thought
- 1:03:23Speaker 2: Egypt too, But it's in all those countries and more. Crazy.
- 1:03:27Speaker 1: Wow.
- 1:03:27Speaker 2: So I'll give you a quarter for point. So you're
- 1:03:29Speaker 2: two point two.
- 1:03:30Speaker 1: Five Who did you leave off?
- 1:03:32Speaker 2: There's a bunch like I looked off like five Okay.
- 1:03:35Speaker 1: Those five are listening to like credit.
- 1:03:38Speaker 2: For having the River Styx, you know, the one that
- 1:03:42Speaker 2: separates the living to the dead and hell was made
- 1:03:45Speaker 2: popular in what book Dante's Inferno, Mine com The Art
- 1:03:50Speaker 2: of War or Harry Potters follows.
- 1:03:54Speaker 1: Is it that is that one?
- 1:03:55Speaker 3: Right?
- 1:03:56Speaker 2: Yeah? You gotta it's Trivia.
- 1:03:57Speaker 1: Mine calm, No, it's Dante. Oh that's mine home the
- 1:04:02Speaker 1: Oh No, I just have known that I'm wearing my
- 1:04:08Speaker 1: shri like my conquer Damn it. It was upside down though,
- 1:04:11Speaker 1: because I'm wearing it so like, oh, so you can
- 1:04:13Speaker 1: see it.
- 1:04:15Speaker 2: Good River in Oregon is known for what birthplace, birthplace
- 1:04:21Speaker 2: of legendary wrapper easy kitesurfing, home of America's third largest
- 1:04:27Speaker 2: dried food factory, or where George Bush Senior took a
- 1:04:31Speaker 2: ship in a bush.
- 1:04:33Speaker 1: I hope it's up. I really, I have no idea,
- 1:04:36Speaker 1: so I'm gonna say it's probably not the George Bush wine.
- 1:04:41Speaker 1: I hope it's not the dried fruit because that's just pathetic.
- 1:04:44Speaker 1: Is it that wine? It's the dry fruit wine? Okay,
- 1:04:51Speaker 1: I didn't think I think of the river. I think
- 1:04:53Speaker 1: of like, oh, you're a piece of ship plays so
- 1:04:55Speaker 1: like a dried fruit factory, like that's so fucking gay.
- 1:05:00Speaker 2: It's right up their alley of just because I think
- 1:05:01Speaker 2: it's only like six thousand people or something like hey,
- 1:05:04Speaker 2: river rhymes with what word fox? Shiver pop or frugal?
- 1:05:13Speaker 1: Oh shiver? Yeah, I had to, like Sam in my head.
- 1:05:20Speaker 2: You will be blame if you jump into a river cold,
- 1:05:25Speaker 2: a vengeful, stressed, or horny.
- 1:05:31Speaker 1: I'll do that. You know that was it? Because horny
- 1:05:35Speaker 1: you might be. I might be fit, like mentally horny.
- 1:05:38Speaker 1: Actually I wouldn't wait me anybody. I guess I would
- 1:05:42Speaker 1: say the first three because I know I don't think jumping.
- 1:05:45Speaker 2: In a vengeful. Oh you're gonna get me back?
- 1:05:50Speaker 1: Wait, what were the what were they? Cold?
- 1:05:53Speaker 2: Vengeful, stressed or horny?
- 1:05:55Speaker 1: Okay, so stressed makes sense like if if you're not
- 1:05:57Speaker 1: enjoying the jump. Yeah, fuckers jumped into the like jumped
- 1:06:01Speaker 1: off like a burning boat. That's true. Cold because it's
- 1:06:04Speaker 1: probably gonna be cold water, vengeful if you got like
- 1:06:07Speaker 1: you had to jump.
- 1:06:09Speaker 2: Or somebody liked a knife to you.
- 1:06:10Speaker 1: Yeah, but like horning, I don't see a situation unless
- 1:06:14Speaker 1: there was like murder people.
- 1:06:15Speaker 2: Definitely more people. There's murder people in this scenario. We
- 1:06:19Speaker 2: love that Okay, how many rivers are there in the world? One, two, three,
- 1:06:26Speaker 2: or more than four?
- 1:06:29Speaker 1: I know that this answer is gonna be textbook wrong,
- 1:06:32Speaker 1: but I'm gonna say one more than four. Okay, what
- 1:06:38Speaker 1: constitutes a river? You know?
- 1:06:41Speaker 2: I was actually gonna look that up and one of
- 1:06:42Speaker 2: my questions gonna be like, is this a lake or
- 1:06:44Speaker 2: a river and give you the stuff?
- 1:06:46Speaker 1: But I didn't because if I'm gonna draw this for
- 1:06:48Speaker 1: you really quick, this is not important at all. If
- 1:06:52Speaker 1: a river is like this and then this part of
- 1:06:55Speaker 1: the river is like dry because of like a drought,
- 1:06:59Speaker 1: is this still one river?
- 1:07:01Speaker 2: I think so?
- 1:07:02Speaker 1: Yeah? No one, Well they're not every river connects in
- 1:07:06Speaker 1: the world. Oh okay, Well that didn't where I really
- 1:07:11Speaker 1: felt like I.
- 1:07:14Speaker 2: Felt a vengeful. And last questions, all right, there's a
- 1:07:20Speaker 2: casino in kus Bay called Three Rivers. Exactly how many
- 1:07:25Speaker 2: gambling machines do they have?
- 1:07:28Speaker 1: You give me a had like you have I guess
- 1:07:30Speaker 1: exactly exact? Or shoot? Might you have a gun? A
- 1:07:34Speaker 1: gunpoint at me? Okay, I'm gonna say eleven and sixty two.
- 1:07:46Speaker 2: In a casino? Eleven thousand? Come on?
- 1:07:51Speaker 1: No, okay, how big is a casino?
- 1:07:55Speaker 2: I don't know I've never been.
- 1:07:58Speaker 1: Okay, so less okay, YEA thousand machines okay, average, Like I.
- 1:08:06Speaker 2: Don't know, like what's a slot machine. It's probably what
- 1:08:09Speaker 2: two feet that means it would like maybe twenty two
- 1:08:14Speaker 2: thousand feet. I mean, if they're that's a lot of.
- 1:08:17Speaker 1: Okay machine, but I'm thinking that it's like two or
- 1:08:20Speaker 1: three floors.
- 1:08:21Speaker 2: Oh that's true.
- 1:08:22Speaker 1: Okay, So I'm gonna guess, uh, like, I don't know,
- 1:08:28Speaker 1: like two thousand, five hundred and sixty two.
- 1:08:32Speaker 2: They said more than two fifty, so you could be correct.
- 1:08:37Speaker 2: On the website it says there's more than two hundred
- 1:08:38Speaker 2: and fifty machines. Oh wow, yeah.
- 1:08:41Speaker 1: I guess I don't understand. I've never thought about it.
- 1:08:44Speaker 1: We need to go to the casino with like a
- 1:08:46Speaker 1: measure and like start counting them too.
- 1:08:49Speaker 2: Yeah. So yeah you one, thank you, Thank you, cheers, cheers.
- 1:08:55Speaker 1: Oh that was fun. I love that. Okay, listener, we
- 1:08:58Speaker 1: have a lot for you to handle right now. Okay,
- 1:09:00Speaker 1: listen up, So go to yourself favor. Go on YouTube, Like,
- 1:09:03Speaker 1: after you're done jerking off, go on YouTube and watch
- 1:09:08Speaker 1: what because people are probably listening to us on their
- 1:09:11Speaker 1: phones and people watch porn on their phones now, which
- 1:09:13Speaker 1: I think.
- 1:09:14Speaker 2: Is oh yeah, after you're done jerking off listening to us,
- 1:09:21Speaker 2: do yourself a favor.
- 1:09:22Speaker 1: Go on YouTube, clear your clear your history. Go on YouTube.
- 1:09:28Speaker 1: Watch piece of work. It's it's a piece of work.
- 1:09:30Speaker 1: It's okay. Follow us on Instagram and social media. Click
- 1:09:36Speaker 1: that alert button in the top right corner. Follow my
- 1:09:40Speaker 1: dog on Instagram if you want. That's weird, but all right.
- 1:09:43Speaker 2: If you want us to.
- 1:09:45Speaker 1: Any of your friends, yeah, in the show notes, email
- 1:09:49Speaker 1: us or direct message us on Instagram and let us
- 1:09:51Speaker 1: know who you want us to prank and send us
- 1:09:53Speaker 1: there like you, we can send some info and talk
- 1:09:55Speaker 1: about it and then we can prank don't call them
- 1:09:58Speaker 1: and play it on the podcast. So nothing, nothing's better
- 1:10:03Speaker 1: than that kind of retro. Listen to Dad, Daughters and
- 1:10:08Speaker 1: Diplomas and until next time.
- 1:10:10Speaker 2: I'm Jeff, I'm Andy Rivers, but Melissa not Joan.
- 1:10:15Speaker 1: I like that. I am using those I love that
- 1:10:19Speaker 1: beside bart So that was like her stage name, but
- 1:10:23Speaker 1: so interesting that her daughter took her stage name. Weird,
- 1:10:28Speaker 1: that is weird. Well what was her stage what was
- 1:10:30Speaker 1: her real name? It was? Sorry, I know we were
- 1:10:33Speaker 1: signing off, but this is important or it's not whatever Malinsky. Yeah,
- 1:10:42Speaker 1: that doesn't really like Okay, Yeah, there we go, and
- 1:10:46Speaker 1: I'm Jeff I already said that I see you next Tuesday,
- 1:10:50Speaker 1: Toby Maguire.
- 1:10:51Speaker 2: And that's a rat for this episode of Notable Nostalgia.
- 1:10:55Speaker 2: We hope you enjoyed our trip down memory lane just
- 1:10:57Speaker 2: as much as we did. If you love reminiscing with us,
- 1:10:59Speaker 2: don't forget to subscribe, rate and leave a review, and
- 1:11:02Speaker 2: be sure to tune in next time for more nostalgic
- 1:11:04Speaker 2: fund Notable Nostalgia was created by alij Ward, produced by
- 1:11:09Speaker 2: Andrew Lipsey, and edited by Andrew Lipsey. You can find
- 1:11:12Speaker 2: us at Facebook dot com, slash Notable Noostalgia, Instagram dot com,
- 1:11:16Speaker 2: slash Notable Nostalgia, and shoot us an email at Notable
- 1:11:19Speaker 2: Nostalgia ninety at gmail dot com. Catch you on the
- 1:11:23Speaker 2: flip side, nostalgia nerds.