Latest / What More Can I Say? / Druski Going to SNL, Diddy Hospitalized In Jail, The Jacksons New Documentary, Are You Hangry & More
Transcript
- 0:00Speaker 1: All right, y'all.
- 0:01Speaker 2: Welcome to the What More Can I Say podcast. This
- 0:03Speaker 2: is episode right. What number we on?
- 0:04Speaker 1: 396. 396 of these.
- 0:06Speaker 3: I'm one of your hosts, Uncle Pong.
- 0:08Speaker 2: Woo-woo.
- 0:09Speaker 1: Woo-woo. All right.
- 0:10Speaker 2: The fluffy and fine lady fixing her makeup at the
- 0:13Speaker 2: very last minute at the buzzer.
- 0:15Speaker 3: It is Kiki.
- 0:16Speaker 1: Woo-woo. Woo-woo. Hello, everyone. Hello. Hope you can hear me. Kiki,
- 0:21Speaker 1: you did good with that. What? Fixing your makeup really fast. Oh,
- 0:24Speaker 1: thank you. Thank you. Thank you. Tyra Male. Thank you.
- 0:27Speaker 2: All right, Zach Boog, who has since brushed his waves.
- 0:29Speaker 2: What's happening, Zach Boog? The funny man in show.
- 0:31Speaker 1: What's up? What's up? What's up?
- 0:33Speaker 3: All right, if y'all need to go fishing.
- 0:35Speaker 1: Come on. Oh, my God. I got you. You can
- 0:38Speaker 1: catch one in all these waves. I see you got
- 0:40Speaker 1: a new track suit. Got that little set. Forming meals.
- 0:51Speaker 2: Okay.
- 0:51Speaker 1: What about my little track suit? You don't like my
- 0:56Speaker 1: little track suit? It look nice. It look nice. You
- 0:59Speaker 1: know I love a set. So that's why I do it.
- 1:01Speaker 1: I do too. Go to work. You know.
- 1:03Speaker 2: Yes.
- 1:03Speaker 1: I got my little track suit on too. I see
- 1:05Speaker 1: your little track suit.
- 1:06Speaker 4: You can't have nothing around Kiki.
- 1:10Speaker 1: See your new little track suit. It's funny. Shout out
- 1:14Speaker 1: to track suits.
- 1:16Speaker 3: Do you wear track suits?
- 1:18Speaker 1: I never seen you in one.
- 1:19Speaker 2: I do, every once in a while. Every once in
- 1:22Speaker 2: a while. I'm not a set guy. I'll buy it
- 1:25Speaker 2: and bust it up. I don't like to do his separating.
- 1:27Speaker 2: He be thinking he putting.
- 1:29Speaker 3: His pieces together.
- 1:30Speaker 5: He put his outfit on the bed before he get dressed.
- 1:32Speaker 3: Yes.
- 1:33Speaker 1: Every day. Not really. And I'm going to do something different.
- 1:36Speaker 1: One day he came up here, y'all, with four hats.
- 1:38Speaker 1: I said, why you got so many hats? He said,
- 1:40Speaker 1: I ain't know which one I want to wear. The
- 1:41Speaker 1: one on your head! He did do that. Yeah, he
- 1:45Speaker 1: had like four hats. He was like, I don't know
- 1:46Speaker 1: which one.
- 1:47Speaker 6: I thought he was going to shoot some different videos
- 1:48Speaker 6: or something. I said, oh, he about to do like
- 1:50Speaker 6: four or five different videos.
- 1:51Speaker 3: That nigga had nowhere to go either. It was just Tuesday.
- 1:56Speaker 1: Berdine, they gave him too many hats now. Berdine, slow
- 1:59Speaker 1: down the hat. He weighing two a day. He taking them,
- 2:04Speaker 1: switching them during the pod. New topic, new hat. See
- 2:10Speaker 1: what I'm saying? We just hating Bernie.
- 2:12Speaker 3: I'm really hating because I can't wear hats. That's really
- 2:16Speaker 3: insecurity of mine.
- 2:18Speaker 1: You got a little head.
- 2:19Speaker 4: So my head is too small to wear hats. And
- 2:23Speaker 4: they swallow my head and I look funny.
- 2:24Speaker 1: Yeah, nobody want no loose hat.
- 2:26Speaker 4: Man, a loose hat is probably one of the worst
- 2:28Speaker 4: looking things. It'll kill your outfit.
- 2:30Speaker 3: Or the ones that, because the people that got the
- 2:32Speaker 3: little heads.
- 2:33Speaker 2: And they be narrow and they be skinny.
- 2:36Speaker 1: They popped up in the tiger tail. It's all the
- 2:38Speaker 1: way to the top. With the loot.
- 2:40Speaker 3: That's why I can't do it. I ain't mad at you.
- 2:43Speaker 3: God gave you waves, big dog.
- 2:45Speaker 1: Thank God. There you go. All right, man.
- 2:47Speaker 2: Let's go ahead and jump to the pod. Diddy's back
- 2:49Speaker 2: in prison after reporting. Did he ever leave? Well, I
- 2:53Speaker 2: guess he did leave for medical attention.
- 2:55Speaker 5: Oh, God.
- 2:56Speaker 2: He left for medical attention. He had that medical emergency.
- 2:59Speaker 2: Something happened to his head. Nobody has told us what
- 3:01Speaker 2: has happened to his head, why he had a head injury.
- 3:04Speaker 1: But he's back.
- 3:06Speaker 3: And why does this continue to be news?
- 3:09Speaker 1: I don't know. At all.
- 3:12Speaker 6: Because Diddy just do your time. You need to sit
- 3:14Speaker 6: down somewhere. He just in there doing stuff.
- 3:18Speaker 1: They bothering him. He just trying to be rich and present.
- 3:20Speaker 1: I don't know if they bothering him. I don't know.
- 3:24Speaker 1: Who getting bothered? But he just always in something. When
- 3:27Speaker 1: you always in something, it's you. No. Yep.
- 3:30Speaker 4: That's usually how it go. When you always, somebody always
- 3:33Speaker 4: trying you. Somebody always getting on your nerves. Somebody always, oh,
- 3:37Speaker 4: this job don't like me. Oh, then in this job,
- 3:40Speaker 4: they told me this. Then they go to the next job.
- 3:42Speaker 3: Oh, this job, it's you.
- 3:44Speaker 1: I'm finna move to Texas. You the problem. That's what
- 3:46Speaker 1: they be saying. I'm moving to Texas.
- 3:48Speaker 3: They gonna fire your ass in Texas too.
- 3:49Speaker 1: I'm moving to Atlanta. Girl, bye. Go on down there.
- 3:53Speaker 1: You are the same problem. That is funny.
- 3:55Speaker 2: Everybody move to the black promised lands when things go wrong.
- 3:59Speaker 4: Yes.
- 4:00Speaker 3: Yeah, I'm about to get out of here and go
- 4:01Speaker 3: to Houston.
- 4:02Speaker 1: I'm finna move. You just need to clean up your house.
- 4:04Speaker 1: That's all you need to do. I'm finna move.
- 4:06Speaker 3: No, you need to budget.
- 4:07Speaker 1: Yeah.
- 4:08Speaker 2: All that.
- 4:09Speaker 1: It's too expensive here.
- 4:10Speaker 2: I'm going to go to Atlanta.
- 4:12Speaker 3: Meanwhile, they got the number one eviction rate in the world.
- 4:15Speaker 1: They do? Yes, 142,000 evictions. Dang. Atlanta.
- 4:19Speaker 3: That's a random number for you to just know off
- 4:21Speaker 3: the dome? I did a radio show this morning. Talked
- 4:23Speaker 3: about it.
- 4:24Speaker 1: Okay. He enlightening the people. Come on. I just still
- 4:28Speaker 1: got it firsthand. I was just like, that's just a random.
- 4:30Speaker 3: That's a random fact to know too.
- 4:32Speaker 4: But it ain't random. We talked about it on the
- 4:34Speaker 4: show earlier. And that's the worst. 142,000 evictions.
- 4:40Speaker 2: So how long do you have before you get evicted?
- 4:42Speaker 2: How long do you have not to pay? Well, it
- 4:45Speaker 2: goes state by state. See, in Illinois, it's a harder,
- 4:47Speaker 2: it's a more renter friendly In Illinois. So it takes
- 4:51Speaker 2: you a long time, you know, three, four months. Then
- 4:53Speaker 2: you got to get the share and all that.
- 4:55Speaker 3: It takes a while.
- 4:56Speaker 5: But in Georgia, it's more landlord friendly. So they get
- 4:59Speaker 5: your ass.
- 4:59Speaker 1: Up out of there.
- 5:00Speaker 3: About two months? Yeah, you up out of there quick.
- 5:03Speaker 1: Two months, three months, that probably get you 90 days.
- 5:04Speaker 1: They probably get you 90 days. You up out of there.
- 5:07Speaker 1: You ain't paying it all up.
- 5:07Speaker 6: And I just want you to know, if you always
- 5:09Speaker 6: moving on Instagram, you always got a new set of keys,
- 5:13Speaker 6: I just think you don't pay your bills.
- 5:14Speaker 1: Man, I thought I was the only one that thought that. Nope.
- 5:17Speaker 6: I be like, okay, girl, you did this the sixth
- 5:19Speaker 6: time this year. Like, you steady moving around the same city,
- 5:23Speaker 6: and then you want to post your keys, you want
- 5:24Speaker 6: to sit on the counter with your keys.
- 5:27Speaker 1: You don't pay your rent. That's immediately what I think.
- 5:29Speaker 1: What they do is keep sitting on the counter. They
- 5:30Speaker 1: sit on the counter and put the keys on the counter.
- 5:32Speaker 6: New crib, new address, new girl. Pay that people that
- 5:36Speaker 6: rent money.
- 5:38Speaker 3: Man, I always say, I'm like, nobody likes to move.
- 5:42Speaker 1: That much. Exactly.
- 5:43Speaker 2: Nobody likes to move. People will be like, man, I'm
- 5:46Speaker 2: thinking about moving. But when they think about it, they
- 5:49Speaker 2: think about moving.
- 5:50Speaker 1: I don't want to pick up all my shit and
- 5:53Speaker 1: move it. All the time? No.
- 5:55Speaker 3: I think about it the other way, though.
- 5:56Speaker 1: What?
- 5:56Speaker 4: I think you got good credit and stuff, because how
- 5:58Speaker 4: you keep getting approved to all these apartments? That mean
- 6:01Speaker 4: you make three times the rent all these times, and
- 6:04Speaker 4: you got a good enough.
- 6:06Speaker 1: You don't know nobody that make the paperwork. Zach, get
- 6:10Speaker 1: some finessing. Lots of friends. It's a lot.
- 6:13Speaker 6: They take that rent. They ain't paid the one landlord.
- 6:16Speaker 6: Go over there and pay a deposit at the new place.
- 6:18Speaker 6: This is how you really know they don't pay their bills.
- 6:20Speaker 6: When they be on the Instagram like, I need a
- 6:22Speaker 6: private owner. Anybody know that?
- 6:24Speaker 1: Private owners. Private owners. That's what your credit band.
- 6:32Speaker 6: Deposit ready. Private only.
- 6:35Speaker 1: Deposit ready. I be like, no. No, baby. You can't
- 6:38Speaker 1: come over to my property. No.
- 6:39Speaker 3: That deposit is all you get.
- 6:41Speaker 1: That's it.
- 6:42Speaker 3: That one deposit is it. You got to be like, oh,
- 6:45Speaker 3: hell no. The deposit is it. Stop.
- 6:48Speaker 1: Go home.
- 6:49Speaker 2: Go back to your mama house. Go back to your
- 6:53Speaker 2: mama's house. She was not ready to leave.
- 6:55Speaker 1: Paid the bills. They be having the money's home. Oh, man.
- 6:58Speaker 6: They driving for us. And they'll have a whole new
- 7:01Speaker 6: body done, new teeth, everything, and don't be paying their bills.
- 7:05Speaker 3: That's really what it is, huh?
- 7:06Speaker 1: Yes.
- 7:07Speaker 3: Well, he's able to pay his bills. Jay-Z, again, we'll
- 7:10Speaker 3: talk about it.
- 7:11Speaker 2: The Yankee Stadium reportedly generated that little run, generated.
- 7:16Speaker 3: $ 42 million.
- 7:17Speaker 2: That is why I called Jay-Z yesterday an A-tier artist.
- 7:22Speaker 1: He absolutely is an A-tier artist. Nobody's arguing that. We
- 7:25Speaker 1: never said he wasn't. Now, don't do that. We never
- 7:28Speaker 1: said he wasn't. I tried to change the whole argument.
- 7:30Speaker 1: We never said he wasn't.
- 7:31Speaker 2: I didn't say that Jay-Z wasn't. I said that's why
- 7:33Speaker 2: I call him an A-tier artist. He is. And you
- 7:36Speaker 2: have to generate those type of numbers to be considered
- 7:39Speaker 2: an A-tier artist.
- 7:40Speaker 3: You got to have real hits to do what he does.
- 7:43Speaker 1: Okay.
- 7:43Speaker 3: A real fan base.
- 7:44Speaker 1: Right.
- 7:46Speaker 2: Okay, everybody, let's say you got real hits and a
- 7:49Speaker 2: real fan base. Can you generate $ 42 million over three days?
- 7:54Speaker 1: Yes, especially if you haven't performed in years.
- 7:58Speaker 2: Okay.
- 7:58Speaker 5: And it's the way it's marketed, the way its ticket
- 8:00Speaker 5: prices are set up.
- 8:01Speaker 1: You know, he do his thing. This is Jay-Z. What
- 8:02Speaker 1: are we talking about? I know.
- 8:04Speaker 3: I just was trying to explain that there are levels
- 8:06Speaker 3: to artistry.
- 8:08Speaker 6: Well, what you was trying to do was downplay Ja Rule,
- 8:10Speaker 6: and we wasn't letting that fly.
- 8:11Speaker 1: Never.
- 8:12Speaker 6: Because Jay-Z don't perform for six years, seven years, and then,
- 8:17Speaker 6: of course, we're going to sell out in three nights.
- 8:19Speaker 1: Ja Rule's on stage every weekend, so.
- 8:22Speaker 3: Ja Rule is an amazing artist.
- 8:24Speaker 1: Incredible.
- 8:26Speaker 2: But there are levels to it. Just like there's amazing everybody.
- 8:30Speaker 2: It's levels to everything.
- 8:31Speaker 3: It's levels.
- 8:32Speaker 1: It's levels.
- 8:33Speaker 2: And just because you're not on a level of another
- 8:36Speaker 2: person doesn't mean.
- 8:37Speaker 4: That you're not talented. Some people sell out stadiums. Some
- 8:39Speaker 4: people sell out stadiums in their hometown, like New York.
- 8:43Speaker 4: And some people sell out stadiums around the world.
- 8:45Speaker 3: It's levels.
- 8:47Speaker 1: Yeah, he does it around the world.
- 8:48Speaker 3: 70,000 people in one stadium.
- 8:50Speaker 1: I mean he did do Paris.
- 8:51Speaker 4: Only headliner he did Paris only headliner just him just
- 8:55Speaker 4: him Paris I'm talking about it'd be other countries too
- 8:58Speaker 4: Ye can do that too it's levels.
- 8:59Speaker 2: I didn't say Ye couldn't it's levels so wait a
- 9:02Speaker 2: minute are you saying that you think Ye is more
- 9:04Speaker 2: popular than Jay Z a better artist than Jay.
- 9:07Speaker 4: Z honestly hold on now what those are two different
- 9:10Speaker 4: questions we about to fight again those are two different
- 9:13Speaker 4: questions more popular or better which one both Do I
- 9:21Speaker 4: think that Kanye West is a better artist than Jay-Z?
- 9:26Speaker 1: Oh, boy.
- 9:27Speaker 5: He's not a better rapper than Jay-Z. He's a better
- 9:30Speaker 5: overall artist than Jay-Z, though.
- 9:33Speaker 1: What do you include in this overall artist?
- 9:35Speaker 4: When I say overall artist, I mean being able to
- 9:37Speaker 4: create hits, being able to create hit records, being able
- 9:40Speaker 4: to create classic moments, being able to create classic albums.
- 9:44Speaker 1: Write and produce. Yeah.
- 9:47Speaker 3: But only think Jay-Z does much better than Kanye West.
- 9:50Speaker 1: It's rap. And make big moments. Business. Albums. Yeah, big moments. Albums.
- 9:57Speaker 2: Big albums.
- 10:00Speaker 1: If you ask me, and it's just me. Is my
- 10:02Speaker 1: phone ringing? No, it's not. It's working. Okay.
- 10:06Speaker 4: I'm just saying, all I'm saying is this. If you
- 10:08Speaker 4: ask me, okay, if you ask me, albums. Who would I,
- 10:13Speaker 4: whose albums would I rather listen to?
- 10:17Speaker 1: Top to bottom.
- 10:18Speaker 4: Based off there, with the work that they've put out,
- 10:21Speaker 4: I'm going Kanye West over Jay-Z.
- 10:24Speaker 3: Every day, all day. That may be different for you.
- 10:27Speaker 1: It is. Okay.
- 10:29Speaker 3: I would rather listen to College Dropout than Reasonable Doubt.
- 10:32Speaker 4: There's only two artists that I really listen to. Aren't
- 10:34Speaker 4: they both intro albums? You said Reasonable Doubt? That was
- 10:39Speaker 4: Jay-Z's first album.
- 10:40Speaker 2: Yeah.
- 10:41Speaker 4: And Kanye's first album, College Dropout. I'd rather listen to
- 10:44Speaker 4: College Dropout. Because you're not from that era.
- 10:48Speaker 1: That's fine. You're not from that. That's fine. I wouldn't be.
- 10:50Speaker 3: That's a different era.
- 10:51Speaker 1: That's fine. I grew up on Ye. You grew up
- 10:54Speaker 1: on Jay. Right.
- 10:56Speaker 3: That's the difference. Okay.
- 10:57Speaker 4: Okay.
- 10:59Speaker 3: Like I said, we're doing stadiums, too, in other countries, though.
- 11:01Speaker 3: Not in my hometown. Jay-Z does it, too, in other countries.
- 11:05Speaker 2: Why are you acting like he's just his homer that
- 11:07Speaker 2: can only do New York City?
- 11:08Speaker 1: Are you crazy?
- 11:09Speaker 5: I'm not saying he can only do New York City.
- 11:10Speaker 5: I'm just saying that's what he did.
- 11:11Speaker 1: He did Paris. He did Paris. So did Jay. So
- 11:13Speaker 1: did Ye. I didn't say he did. I'm just saying.
- 11:17Speaker 1: With no promotion. Kiki, what are you talking about? Kiki. Kiki.
- 11:20Speaker 1: I'm done. Kiki. Kiki, that man put it out for
- 11:22Speaker 1: three months. Let everybody know it's in New York. Ye
- 11:25Speaker 1: came up here on Thursday, said the concert's Saturday. Now,
- 11:29Speaker 1: he did do that. He did that. He said his
- 11:30Speaker 1: concert's two days. He did do that. No, he did not.
- 11:33Speaker 1: Kanye did. Nobody knew. I'm just. We all knew. He
- 11:37Speaker 1: did about six days before it was out.
- 11:39Speaker 3: We knew because we were in the industry, but he
- 11:42Speaker 3: did about six days out.
- 11:43Speaker 1: Sold it out.
- 11:44Speaker 5: Jay-Z got to do a whole now. Do commercials, all
- 11:46Speaker 5: types of stuff.
- 11:46Speaker 1: But it's cool.
- 11:47Speaker 2: No, I.
- 11:48Speaker 1: Hey, no Jay-Z slander in this house.
- 11:50Speaker 3: Yay over Jay.
- 11:52Speaker 1: Oh, my God. Oh, he choosing violence. I'm not even going...
- 11:58Speaker 1: I'm not... I'm tired, man. I'm not.
- 12:00Speaker 2: Do you have anything to say on this topic before
- 12:03Speaker 2: we move on?
- 12:05Speaker 3: Some of his best songs produced by Ye. Nothing?
- 12:11Speaker 1: He really got in his bag when Ye make the beats.
- 12:14Speaker 1: Are you crazy? Beyonce better than them both. How about that?
- 12:17Speaker 1: That's a whole new fight, y'all know. Right, right. Just
- 12:20Speaker 1: Blaze produced some of his best records.
- 12:24Speaker 3: So did Kanye. Yeah, but I mean, some of his
- 12:26Speaker 3: most powerful, Just Blaze. Who did H.D.
- 12:29Speaker 2: Izzo?
- 12:31Speaker 1: I think Just Blaze.
- 12:32Speaker 3: Public service announcement is.
- 12:33Speaker 1: Better than his, Just Blaze.
- 12:35Speaker 3: Look it up, Kiki.
- 12:36Speaker 4: Look up Ye, Just Blaze. Kanye's biggest records with Ye.
- 12:42Speaker 4: Like that Kanye produced.
- 12:43Speaker 1: Oh my God. I love when y'all fight over this.
- 12:49Speaker 1: It's not a fight.
- 12:49Speaker 4: It's just Ye is a better artist overall.
- 12:51Speaker 3: Jay-Z raps better. Not even close on that.
- 12:53Speaker 1: He did Izzo. Kanye. Who did Izzo? Kanye.
- 12:57Speaker 3: Who did he just tell me did it?
- 12:58Speaker 1: He said just. No, I didn't say just.
- 13:00Speaker 3: You said the public service announcement or whatever.
- 13:02Speaker 1: No. He did Izzo. Ye did that. Ye did not
- 13:04Speaker 1: do public service announcements. He did H to the Izzo.
- 13:07Speaker 3: H to the Izzo is not public service now.
- 13:09Speaker 1: I asked about H to the Izzo. I said, who
- 13:10Speaker 1: did H to the Izzo?
- 13:12Speaker 6: Yeah, Izzo is produced by Kanye West. Poppin' Tags produced
- 13:16Speaker 6: by Kanye West. O3, Bonnie and Clyde produced by Kanye West.
- 13:19Speaker 1: I didn't know that.
- 13:20Speaker 3: I didn't know that either.
- 13:20Speaker 1: Lucifer, Encore.
- 13:22Speaker 6: Yeah.
- 13:23Speaker 1: Run This Town, Young Forever, A Star Is Born.
- 13:26Speaker 6: Oof.
- 13:27Speaker 1: Hate. Mm-hmm. Yeah. Otis produced by Kanye West. Okay, Hater. Mm-mm-mm.
- 13:32Speaker 1: Y'all did Otis? Yeah. Okay. Wow, that's great.
- 13:35Speaker 2: Public service announcement on a black album from the Blueprint.
- 13:40Speaker 1: You don't know. This is a good debate, though. Blueprint 2001.
- 13:44Speaker 3: Girls, girls, girls, girls, girls.
- 13:48Speaker 1: Who is that? That's Just Blaze. Okay. I'm naming the
- 13:50Speaker 1: Just Blaze records. How did Just Blaze be here?
- 13:53Speaker 5: Just Blaze is not in this. We talking about Ye
- 13:55Speaker 5: and Ho.
- 13:56Speaker 2: I'm saying that he had Just Blaze produce just as
- 14:00Speaker 2: many big records for Jay-Z as Ye did.
- 14:02Speaker 1: May have.
- 14:03Speaker 3: That's cool. Show me what you got, little mama.
- 14:07Speaker 2: Show me what you got, little lady.
- 14:10Speaker 1: That's beautiful.
- 14:11Speaker 3: They're not playing that that many places.
- 14:13Speaker 1: Oh, my God. Song cry.
- 14:15Speaker 6: But, guys, the argument is Kanye better.
- 14:19Speaker 1: Is Kanye better? Yes. As an artist, yes. As an
- 14:23Speaker 1: artist than Hov. No.
- 14:25Speaker 3: Who stream better?
- 14:27Speaker 1: Not that I don't know. And that don't matter. Who
- 14:29Speaker 1: stream better? That don't matter. Why it don't matter? That's phony.
- 14:32Speaker 1: They has been blackballed. That's phony. They stream better.
- 14:36Speaker 3: We can talk about they both come from a physical
- 14:38Speaker 3: cell era.
- 14:38Speaker 1: Right. So who sold more records? Jay.
- 14:41Speaker 3: I don't know about that.
- 14:43Speaker 1: I don't know. I don't know about that. We can
- 14:45Speaker 1: always look it up. It's Google-able.
- 14:47Speaker 6: Jay, I feel like it has always been known throughout
- 14:49Speaker 6: hip-hop and the industry that Jay has never been known
- 14:52Speaker 6: for it.
- 14:53Speaker 1: Selling so many records. Yes, he has. He's always been
- 14:56Speaker 1: known for, like... Everything with platinum. He just goes... He's
- 15:00Speaker 1: in control. He's just the best. He's great. He's great
- 15:02Speaker 1: at rapping. He's the best rapper. What are y'all talking about? But, like, number...
- 15:05Speaker 1: I hate when you bring up his numbers because I think, like...
- 15:07Speaker 1: He went platinum.
- 15:09Speaker 6: Tone, but some people went platinum out the gate. Some
- 15:12Speaker 6: people went platinum without Beyoncé and Kanye.
- 15:16Speaker 1: No, wait a minute.
- 15:17Speaker 6: So, I think when you bring up his numbers, you
- 15:18Speaker 6: do him a disservice is all I'm trying to say.
- 15:21Speaker 1: He went platinum. All right.
- 15:23Speaker 3: All right.
- 15:24Speaker 1: Platinum. I understand. All right. Physical sales. Jay-Z is a GOAT.
- 15:30Speaker 1: It's no question. It's no question.
- 15:32Speaker 3: Can we move on?
- 15:33Speaker 1: But Ye might be a better artist.
- 15:36Speaker 2: All right.
- 15:36Speaker 1: All right. I'm done. Y'all not going to give me
- 15:38Speaker 1: my eyes twitching.
- 15:39Speaker 3: His eyes twitch. He can't take it.
- 15:41Speaker 2: Michael Jackson's brothers are getting a documentary featuring Tito's final interview.
- 15:46Speaker 2: Jackie Germaine Tito and Marlon Jackson will tell the Jackson
- 15:50Speaker 2: 5 story. From their perspective in a new documentary featuring
- 15:54Speaker 2: Tito's final interview. Hey, Tito.
- 15:57Speaker 6: Tito.
- 15:58Speaker 1: Who else on there?
- 16:00Speaker 2: Tito.
- 16:00Speaker 1: Who else? Nigga, don't do this. No, no. Tito, Jackie, Jermaine, Marlon.
- 16:06Speaker 4: Yes.
- 16:06Speaker 1: Hey, y'all gonna run the Tito, Jackie, Jermaine. We care.
- 16:10Speaker 3: We care.
- 16:13Speaker 1: We can.
- 16:14Speaker 2: They have to be able to tell their story.
- 16:16Speaker 1: They did already. In the Michael movie. That was their story. Tone. No,
- 16:21Speaker 1: that wasn't.
- 16:21Speaker 2: Tone.
- 16:21Speaker 1: That was their story. How many times have we seen.
- 16:25Speaker 1: Here we go with this. And I love the Jacksons.
- 16:27Speaker 3: They from Gary. But how many times have we told
- 16:30Speaker 3: the Jacks.
- 16:30Speaker 1: We can.
- 16:32Speaker 3: They milking it.
- 16:33Speaker 4: Is all I'm trying to say. Is that they're milking it.
- 16:35Speaker 4: Not saying that the story doesn't matter. The story is
- 16:38Speaker 4: very relevant to music. We understand that. We understand what
- 16:41Speaker 4: the Jackson 5 mean. And what Michael Jackson mean to music.
- 16:43Speaker 4: I'm not taking that away. But just keep telling. Oh,
- 16:47Speaker 4: now we got it from Tito's perspective. Oh, Jermaine said it.
- 16:49Speaker 4: We didn't even hear him talk in the movie.
- 16:52Speaker 1: We know what happened.
- 16:55Speaker 2: We didn't hear them say nothing. They made one line
- 16:58Speaker 2: that Jackie said.
- 16:59Speaker 6: They told Michael's story. All I'm saying is their perspective.
- 17:03Speaker 3: All I'm doing is saying they running up this mic.
- 17:05Speaker 4: They found another way to package up the same dope
- 17:09Speaker 4: and sell it to you again.
- 17:10Speaker 1: Yep.
- 17:10Speaker 3: That's all this is.
- 17:11Speaker 6: And they going to do it each time one of
- 17:13Speaker 6: the brothers pass away. So Tito died. Rest in peace.
- 17:16Speaker 6: Now we're getting his final interview. You know, Tito's side
- 17:19Speaker 6: of the story.
- 17:20Speaker 1: Damn Marlon. Go.
- 17:22Speaker 6: It's going to be Marlon. I just want to hear
- 17:23Speaker 6: from Janet. I feel like Janet the only one going
- 17:25Speaker 6: to give us the truth.
- 17:27Speaker 1: How? What you mean how? Janet was six. Don't matter.
- 17:32Speaker 1: I was six. I could tell you what my brother
- 17:35Speaker 1: was up to. Not really. Yeah. Really. Six. Stop it. Yes.
- 17:41Speaker 3: From a person that lived and was on tour.
- 17:43Speaker 1: You got to stop this ageism stuff.
- 17:45Speaker 6: You think if a person was a child or wasn't
- 17:48Speaker 6: born and they don't know nothing, they ain't got nothing.
- 17:51Speaker 1: That ain't how life works.
- 17:52Speaker 2: Imagine your five-year-old nephew trying to tell you something, Kiki.
- 17:55Speaker 6: Yes, and he could tell me his experience and what
- 17:58Speaker 6: he saw from his perspective of my life.
- 18:00Speaker 1: And he wouldn't watch cartoons.
- 18:02Speaker 4: Yes.
- 18:03Speaker 1: He would not pay that. Yes.
- 18:05Speaker 2: No, I'm not saying that you don't have an experience,
- 18:07Speaker 2: but Janet... has a perspective from a child's perspective. It's
- 18:12Speaker 2: a lot different from an adult's perspective. And being, these
- 18:15Speaker 2: are the people that were on the road with Mike.
- 18:17Speaker 2: These are the people that was in the recording studio
- 18:20Speaker 2: with Mike. These are the people that heard the conversations
- 18:22Speaker 2: about business. They had brother, I'm sure they had the,
- 18:26Speaker 2: all of them, they had the brother congregation where they
- 18:29Speaker 2: all had and talked about stuff.
- 18:31Speaker 1: Yes, they did. So I want to hear it. Okay,
- 18:34Speaker 1: well watch it. They ain't say you can't watch it.
- 18:37Speaker 3: Y'all think they milking it.
- 18:39Speaker 1: They not milking it. They are. Oh, they milking it.
- 18:41Speaker 1: They are.
- 18:42Speaker 2: Why wouldn't you if your brother was Michael Jackson?
- 18:45Speaker 4: They squeezing every piece of this Jackson tree.
- 18:49Speaker 3: I still be trying to sell penny loafers and members
- 18:51Speaker 3: only jackets.
- 18:52Speaker 5: Maybe I feel like, you know, they ain't even going
- 18:53Speaker 5: to tell it from Jesse Jackson point of view.
- 18:55Speaker 1: He wasn't even one of them. He wasn't even one
- 18:58Speaker 1: of them. Jesse Jackson thought about it. Freddie Jackson. What
- 19:01Speaker 1: Freddie Jackson think? These pirates y'all sold, brother. They have no...
- 19:06Speaker 1: Eddie Jackson. You talking about from the best? Yeah. What
- 19:08Speaker 1: do you think? What are we talking about? Oh, my God. Yes.
- 19:13Speaker 2: Like, we using every Jackson got experience. Okay.
- 19:17Speaker 1: Did y'all watch this show, The Game? Yes. You watched it?
- 19:21Speaker 1: Melanie and Derwin? Yes.
- 19:22Speaker 2: The Game reunited to celebrate the show's 20th anniversary.
- 19:28Speaker 1: Yes. I would love to see them come back on Netflix. Well,
- 19:33Speaker 1: I don't know what you're breathing hard for. It was
- 19:34Speaker 1: a great show.
- 19:35Speaker 3: Everything ain't got to come back.
- 19:36Speaker 6: They would be great to come back. It was a
- 19:38Speaker 6: lot of unfinished storylines there with Tasha.
- 19:40Speaker 1: Remember Tasha? Yeah, that was a great show. It was
- 19:42Speaker 1: a great show. I tried to get on that show.
- 19:45Speaker 1: I could see you on there. You definitely could be
- 19:47Speaker 1: on there. I definitely tried. You trying to be there?
- 19:50Speaker 1: just tried. There's no need to talk about it. Darwin Davis? No,
- 19:53Speaker 1: I tried. It was just a good ass show.
- 19:55Speaker 2: That was one of them ones, again, another one to whatever,
- 19:59Speaker 2: what's my man name from BMF?
- 20:02Speaker 1: Da Vinci. Yeah.
- 20:03Speaker 3: But what didn't finish though?
- 20:04Speaker 6: Listen, Like, they ended early because of something. I don't
- 20:07Speaker 6: know if the network just canceled them or somebody on
- 20:10Speaker 6: the show tweaked.
- 20:11Speaker 1: It ended before. Like, it was not finished. I think
- 20:14Speaker 1: they got canceled out of the blue.
- 20:16Speaker 6: Yeah, it was like, and everybody was still very much
- 20:18Speaker 6: engaged in the story.
- 20:19Speaker 1: Like, it wasn't, you know.
- 20:20Speaker 5: Okay, so that was back.
- 20:21Speaker 1: Shout out to Drew Sedora. Yeah, we were probably in
- 20:25Speaker 1: high school.
- 20:26Speaker 3: Yeah, that was back when they was canceling black shows.
- 20:28Speaker 1: Yes.
- 20:29Speaker 3: But don't make me go into them.
- 20:30Speaker 1: Just pulling it off.
- 20:31Speaker 5: Yeah, just for no reason. Don't matter if it's successful
- 20:33Speaker 5: because we need y'all to get off.
- 20:34Speaker 1: Exactly.
- 20:36Speaker 2: All right, according to TMZ, Chris Brown's ex-housekeeper asked Judge
- 20:39Speaker 2: to issue an arrest warrant over the unpaid $ 9 million
- 20:42Speaker 2: dog attack judgment.
- 20:43Speaker 1: Now, hold on, girl.
- 20:46Speaker 6: Now, you doing it. You got too much dip on
- 20:48Speaker 6: your chip. Why are we trying to arrest Chris Brown?
- 20:51Speaker 6: Your money going to get— you going to get your money?
- 20:55Speaker 1: Arrest.
- 20:57Speaker 6: They just finished the settlement. They just signed the paperwork.
- 21:00Speaker 1: She didn't eat that.
- 21:01Speaker 6: She got to slow down. You done got too much
- 21:04Speaker 6: dip on your chip. That's why your money done got
- 21:05Speaker 6: reduced because you're doing too much. Your intentions ain't right.
- 21:09Speaker 6: You trying to put them in jail.
- 21:11Speaker 2: She just started spending that money then and she took
- 21:13Speaker 2: some loans out. They want that started payments is coming back.
- 21:16Speaker 1: Like, look, I got the judgment. It's 13 million.
- 21:19Speaker 3: She done went to the bank.
- 21:20Speaker 1: I got the judgment. Right. That's crazy.
- 21:23Speaker 2: Nah, you know what I'm saying?
- 21:25Speaker 1: Has any one of y'all family members ever had a
- 21:27Speaker 1: settlement on the way? Oh, yeah. It is a beautiful experience. Oh, yeah. Oh, yeah.
- 21:33Speaker 1: How do they act, Kiki?
- 21:36Speaker 6: Who do they act? It's a whole new person when
- 21:39Speaker 6: they got, niece, you know I got. Because the bus
- 21:42Speaker 6: ran over me. And see, they thought, you know what
- 21:45Speaker 6: I'm saying, that I was going to get up and
- 21:46Speaker 6: go back to work. Yeah, niece, I got money. I
- 21:49Speaker 6: love talking to my family members who done got their settlements, baby.
- 21:53Speaker 1: They just so happy. It's a different vibe. But don't you.
- 21:57Speaker 1: But don't you. It's also another side of that.
- 21:59Speaker 4: It'd be real funny when they get real humble when
- 22:02Speaker 4: it didn't come through like they.
- 22:03Speaker 1: Thought it would. Oh, they may be tore up. Yes. Bitch,
- 22:07Speaker 1: I actually took my goddamn money. Now they mad. Yep.
- 22:10Speaker 1: They going off. The attorney took half.
- 22:13Speaker 3: And it ain't going to turn out like you think sometimes.
- 22:15Speaker 4: Yes.
- 22:16Speaker 3: Yeah, them settlements. Have you guys ever got a settlement?
- 22:20Speaker 1: I ain't never sued nobody. Nah, I do sign up
- 22:22Speaker 1: for the class action lawsuits, though. Y'all never gonna look
- 22:25Speaker 1: for those.
- 22:26Speaker 3: You gotta find something else to do.
- 22:27Speaker 1: When I get real broke, I start searching. Pull me money.
- 22:32Speaker 6: I be like, what class action lawsuits out there? Oh,
- 22:35Speaker 6: they suing for yoga pants.
- 22:37Speaker 1: I sure do own some of them pants. They said
- 22:41Speaker 1: Apple giving everybody $ 11. Shout out to the.
- 22:44Speaker 6: People on Facebook. They be on their status like, go ahead,
- 22:46Speaker 6: hit that settlement, y'all. They sending $ 75 checks.
- 22:50Speaker 1: Yes. I got a settlement. For what?
- 22:54Speaker 3: A car dealership did me dirty, forged my name.
- 22:56Speaker 1: Forged your name?
- 22:57Speaker 4: Mm-hmm.
- 22:58Speaker 1: What? They switched me on the car and everything.
- 23:01Speaker 2: Wow. And then I was like, they said I had
- 23:03Speaker 2: to keep it. And I was like, man, I didn't
- 23:06Speaker 2: sign nothing. I didn't want the car. You know, they
- 23:08Speaker 2: let you take the car home.
- 23:09Speaker 6: Mm-hmm.
- 23:10Speaker 2: And they was like, well, your credit is good, so
- 23:12Speaker 2: we're going to have you get this. We already got
- 23:14Speaker 2: you in this. I was like, and that was a
- 23:17Speaker 2: Nissan Altima.
- 23:18Speaker 1: I was like. Not your credit good, and they put
- 23:20Speaker 1: you in an Altima.
- 23:21Speaker 3: I said, no, I don't want. No, they said my
- 23:24Speaker 3: credit was good enough to have the car that I had.
- 23:26Speaker 2: So they downgraded me into the Altima.
- 23:28Speaker 3: But you didn't.
- 23:30Speaker 2: I was like, I ain't never picked this car. I
- 23:33Speaker 2: ain't know why. He's like, yeah, this is the one
- 23:35Speaker 2: you got. So, all right, go ahead. Your paperwork's already done.
- 23:39Speaker 2: They're going to send you the car payment.
- 23:40Speaker 1: Hold up.
- 23:41Speaker 6: Right.
- 23:41Speaker 1: I ain't signed nothing. I didn't even pick this car.
- 23:46Speaker 3: Well, yeah, that's the one you got.
- 23:48Speaker 1: Get out of here.
- 23:48Speaker 2: You know how that did. That's probably why I didn't
- 23:52Speaker 2: get all my settlement. Because that caused an issue between
- 23:56Speaker 2: me and the salesman.
- 23:57Speaker 1: You started fighting him? Yeah, I beat him up in
- 23:59Speaker 1: the front line. In the front line? On the front line.
- 24:01Speaker 1: It was in Oak Lawn. I beat him up.
- 24:02Speaker 4: What?
- 24:03Speaker 1: He got in my face. Was you on the radio then?
- 24:05Speaker 2: Yes.
- 24:05Speaker 1: Yes.
- 24:07Speaker 3: I was on the weekend, so nobody knew about that.
- 24:09Speaker 3: Nobody knew about it. So he told you that you're
- 24:12Speaker 3: going to keep this car no matter what, basically. Basically,
- 24:15Speaker 3: he did that. He said, man, now go. He, like,
- 24:17Speaker 3: told me, go. And they'll send you a payment. I
- 24:19Speaker 3: got all your stuff. And said, go. Like, did like that.
- 24:22Speaker 3: Police came and everything.
- 24:23Speaker 1: It was crazy.
- 24:24Speaker 3: Now, luckily, the customer saw the dude push me.
- 24:27Speaker 2: So the customer saw the dude push me because the
- 24:30Speaker 2: Oakland police came.
- 24:31Speaker 3: Dude pushed me. Once he put his hands on me,
- 24:33Speaker 3: I beat the brakes off of him.
- 24:35Speaker 1: And then.
- 24:36Speaker 2: And then we, then that, that, that guy, and then, uh,
- 24:40Speaker 2: actually the police officers, the one that is no charges
- 24:43Speaker 2: on either side. The police officer said, you need to
- 24:46Speaker 2: go take this to a lawyer. He actually gave me
- 24:48Speaker 2: the lawyer to go do it.
- 24:49Speaker 1: You break him off some? No, that was a civic duty.
- 24:52Speaker 1: Thank you.
- 24:52Speaker 2: I ain't make, I ain't make no money. I still
- 24:54Speaker 2: had to keep the car. But what they did was
- 24:57Speaker 2: they gave me like, gave me like half the cars
- 24:59Speaker 2: worked like five grand.
- 25:00Speaker 1: What?
- 25:01Speaker 2: But they had to, I had to, I had to
- 25:03Speaker 2: get an attorney probably like two grand of that, so
- 25:06Speaker 2: I walked away with three.
- 25:08Speaker 1: Oh, no. And a car that I had.
- 25:09Speaker 4: But see, how did they make you pay for signing
- 25:11Speaker 4: if you didn't sign? I never signed it. I never
- 25:13Speaker 4: signed for it. So they forged your signature.
- 25:15Speaker 3: They forged the loan papers, everything.
- 25:19Speaker 1: Everything.
- 25:20Speaker 4: So what they did was they took the car you
- 25:22Speaker 4: probably signed for and then redid the paperwork.
- 25:24Speaker 1: Mm-hmm. That is some crazy stuff. Yeah, it was crazy. Yeah.
- 25:27Speaker 1: It was crazy.
- 25:29Speaker 3: That magazine stuff with a car that you didn't even want.
- 25:31Speaker 1: Right.
- 25:32Speaker 3: So if it said.
- 25:33Speaker 5: Whatever, let's just say you had Chevy Impala or something.
- 25:35Speaker 5: And they was like, do, do, do, do.
- 25:37Speaker 1: Right.
- 25:37Speaker 4: And then they probably put in whatever.
- 25:40Speaker 1: Car they wanted. It was the craziest thing that ever
- 25:42Speaker 1: happened to me. So how long did you keep the car?
- 25:45Speaker 3: I had to keep it for the duration of the thing.
- 25:48Speaker 1: I was like, I mean.
- 25:50Speaker 2: Quite honestly, to keep it a buck with you, I
- 25:51Speaker 2: love that little thing. I was mad for about two
- 25:58Speaker 2: weeks until I was driving it.
- 26:00Speaker 3: I was like, oh, this thing don't take no gas.
- 26:03Speaker 1: Yeah. I was like, man.
- 26:05Speaker 2: Yes.
- 26:05Speaker 1: I used to own an Altima. I was in that boy.
- 26:08Speaker 1: I was riding all over the city. I was like,
- 26:11Speaker 1: move a little bit. I was like, oh, yeah. That's crazy.
- 26:15Speaker 1: I had my hatchbacks. I was hooping. But gym bag? Yeah,
- 26:18Speaker 1: I ain't going to lie. I messed with it. Don't
- 26:20Speaker 1: get no ideas. After a while. After a while. I
- 26:23Speaker 1: kind of like this guy. Some little snow ties on.
- 26:25Speaker 3: The little ties. The little ties wasn't nothing.
- 26:28Speaker 1: That's crazy. That's hilarious. Oh, yeah. All right. How about this, though?
- 26:33Speaker 2: Michael Jordan's NBA final jersey sells for a record number
- 26:37Speaker 2: $ 14 million. Now, the question is, would you ever pay
- 26:42Speaker 2: if you had, let's say you're a millionaire, Not this
- 26:45Speaker 2: type of millionaire, but you're a millionaire. Is this something
- 26:47Speaker 2: that you would pay a lot for from an artist?
- 26:52Speaker 1: Nah. Couldn't see me doing it. I'm just not a collector, girl.
- 26:58Speaker 3: What is a wig that Beyonce wore?
- 27:01Speaker 2: A wig?
- 27:02Speaker 1: No.
- 27:03Speaker 6: I love my girl, but some of them wigs be. Like,
- 27:11Speaker 6: I don't... I wouldn't... I don't know, guys. There's nothing
- 27:14Speaker 6: that I would want like that because I don't like stuff.
- 27:17Speaker 6: I got so much of my own stuff. I wouldn't
- 27:19Speaker 6: want nobody else's stuff in my house.
- 27:21Speaker 3: What's one thing that you like? There's nothing that you collect?
- 27:24Speaker 5: Somebody got me a cool gift before.
- 27:25Speaker 1: What? And I didn't even know to like it.
- 27:27Speaker 5: They got me a signed copy of Coming to America.
- 27:31Speaker 1: By Eddie Murphy? The script. The script? Mm-hmm. Where'd they
- 27:36Speaker 1: get it from?
- 27:36Speaker 2: Mm-hmm.
- 27:38Speaker 1: No. They got it from the swamp. Where'd they get
- 27:42Speaker 1: that from?
- 27:43Speaker 4: Because that seems, that's something too random to fake.
- 27:46Speaker 3: Because why are you going to fake it? Who's looking
- 27:48Speaker 3: for that?
- 27:49Speaker 1: I don't want to crush his dream. She is on
- 27:59Speaker 1: her way to crush my dream. Y'all not going to
- 28:01Speaker 1: crush my dream.
- 28:03Speaker 3: It's the script.
- 28:03Speaker 1: Where is it now?
- 28:04Speaker 3: It's the script.
- 28:05Speaker 1: Where you at? I got it at home. Is it
- 28:08Speaker 1: like a bag or something? It's in the plastic.
- 28:10Speaker 3: I promise you, I'll bring it up here one day
- 28:12Speaker 3: for sure and tell.
- 28:14Speaker 1: Wait a minute.
- 28:15Speaker 3: It's got the.
- 28:16Speaker 1: Who.
- 28:16Speaker 2: Okay, so this is how I got judged. Who gave
- 28:20Speaker 2: it to you? And which Coming to America was it?
- 28:23Speaker 2: The first one or the remake? The first Coming to America.
- 28:29Speaker 1: You know what? F y'all. F all y'all.
- 28:33Speaker 4: I like that and I think it's mine and I
- 28:35Speaker 4: believe it.
- 28:36Speaker 1: Wait, hold on. Wait a minute. I got to see.
- 28:39Speaker 6: Hold on.
- 28:39Speaker 1: Wait a minute. Hold on. Hold on. What's that? Did
- 28:43Speaker 1: you cry when you opened it? I opened it.
- 28:48Speaker 6: He started crying when he opened it.
- 28:52Speaker 1: You know Zach Love, Eddie Murphy. That is so funny.
- 28:55Speaker 1: It was made June 29th, 1988. So the script was
- 28:57Speaker 1: out in 1987. Yes. At least.
- 28:58Speaker 6: Yes.
- 28:58Speaker 1: He got a signed script.
- 29:09Speaker 2: They got a signed copy that's still in mint condition
- 29:12Speaker 2: from 1987.
- 29:13Speaker 3: I'm not saying this.
- 29:15Speaker 2: Nigga, if you don't get that, I'm around.
- 29:19Speaker 1: Man, Eddie Murphy. Nigga, Eddie Murphy. It's a reprint. Oh,
- 29:23Speaker 1: my God. That's so funny, bro. It's a reprint. Eddie Murphy.
- 29:28Speaker 1: I believe his name. You know what? You know what?
- 29:30Speaker 3: Y'all not going to crush my dreams right here.
- 29:33Speaker 1: You got that. Now I'm sad. Eddie Jeffrey signed that. No.
- 29:40Speaker 1: Eddie Cain Jr. Eddie Cain. Freddie Murphy. Eddie Long. You
- 29:46Speaker 1: don't want it from Eddie Long.
- 29:48Speaker 3: Shout out Eddie Long.
- 29:50Speaker 2: That's my friend's husband's father.
- 29:53Speaker 1: Father-in-law. So I respect Eddie Long.
- 29:55Speaker 3: He was a wild dude.
- 29:57Speaker 1: I'm not going to say nothing. Your respect run long, man.
- 30:01Speaker 1: I'll be trying not to joke.
- 30:02Speaker 3: Once he know you, he love you forever.
- 30:04Speaker 1: You do. You do. No matter what they do.
- 30:07Speaker 4: You saw that man in them tights. Sitting in them
- 30:10Speaker 4: pitches like we did.
- 30:12Speaker 6: No matter what they do.
- 30:15Speaker 1: Why you had your tights on?
- 30:18Speaker 3: Come on. You know you wild for that.
- 30:19Speaker 1: That's crazy. You wild, bro. I ain't saying you ain't
- 30:23Speaker 1: a good dude, but you wild. It was wild. Salute
- 30:26Speaker 1: going out to Drewski.
- 30:27Speaker 2: He said to become the first creator, digital creator, to
- 30:31Speaker 2: host SNL. And I told Zach, right when this Drewski
- 30:37Speaker 2: stuff started coming to pass, and I was like.
- 30:40Speaker 1: I think he got it, bro. Drewski?
- 30:42Speaker 2: Mm-hmm.
- 30:42Speaker 1: Yeah. Drewski got it, bro. Yeah.
- 30:44Speaker 6: He's putting in the work for it, and he's building
- 30:47Speaker 6: an incredible career. I would love to see him host SNL.
- 30:51Speaker 6: I think he would do a phenomenal job.
- 30:53Speaker 2: SNL is perfect for him, actually. You got to let
- 30:55Speaker 2: Kevin help him write his monologue.
- 30:58Speaker 1: Yeah.
- 30:58Speaker 4: I mean, everybody gets help on their monologue, though, except
- 31:01Speaker 4: like Chappelle or something.
- 31:02Speaker 1: Right. Oh, he met Keenan? No, he met Kevin Hart
- 31:05Speaker 1: do his monologue. Help him. That's his boy. Okay.
- 31:09Speaker 4: So he got the opening monologue that he has to do. Okay,
- 31:12Speaker 4: that's going to be it. But the highlights is going
- 31:14Speaker 4: to be when.
- 31:14Speaker 3: He gets to do the skits.
- 31:15Speaker 1: Oh, the skits. He's going to kill it.
- 31:17Speaker 4: When he gets into the skits and if they let
- 31:19Speaker 4: him be him on the skits, he's going to kill that.
- 31:23Speaker 3: That's going to be kill.
- 31:24Speaker 1: Yeah.
- 31:25Speaker 3: I wonder, do they get to help with the skits
- 31:27Speaker 3: or no?
- 31:28Speaker 5: No, everybody gets help everywhere. It's a writer's room.
- 31:30Speaker 3: I mean, like the host, does he get to have input? Yes.
- 31:33Speaker 1: Yeah, yeah, yeah, yeah.
- 31:34Speaker 4: You definitely do. If I'm Drewski, I ain't going if
- 31:37Speaker 4: I can't do my skits that I want to do.
- 31:39Speaker 4: Because it don't make no sense. Y'all not finna make
- 31:41Speaker 4: me do SNL skits.
- 31:43Speaker 1: Right.
- 31:44Speaker 4: Now, the monologue, okay, that's up in there, right? But
- 31:47Speaker 4: the skits, they got to be right. He got to
- 31:50Speaker 4: do the Tide character. He got to bring the preacher back.
- 31:53Speaker 4: He got to do the characters that we know from
- 31:55Speaker 4: him that we like. He can do a version of
- 31:57Speaker 4: that in his skits. The Tide of it. No, no,
- 32:00Speaker 4: but the goddamn Tide. When he play that dude from Alabama.
- 32:03Speaker 1: Yeah.
- 32:04Speaker 3: Yeah, he got to do his skits.
- 32:06Speaker 1: I think he should have control in his skits. I'm
- 32:08Speaker 1: happy for him. Me too. I think this is great. Like,
- 32:10Speaker 1: this is perfect for him. Yeah. Mm-hmm. Yeah, he's a superstar.
- 32:15Speaker 1: I rock with you.
- 32:16Speaker 4: If he became, like, a real weekly character on SNL,
- 32:20Speaker 4: I think he could bring it back.
- 32:21Speaker 1: He might be too big for SNL.
- 32:24Speaker 3: Think he's too big for SNL?
- 32:25Speaker 1: Like, on his own. I don't know. I just feel like.
- 32:29Speaker 2: I think this is the thing that he does before
- 32:31Speaker 2: he becomes a star.
- 32:32Speaker 3: Like, I mean, he's a star now. I think this
- 32:35Speaker 3: is like, hey.
- 32:37Speaker 3: White America, in case you don't know about this guy.
- 32:40Speaker 1: Check him out.
- 32:42Speaker 2: And this is where he's going to, I think he
- 32:45Speaker 2: might have a movie deal coming, something like that.
- 32:47Speaker 5: He said he got something with Mike Epps coming.
- 32:50Speaker 1: He does?
- 32:51Speaker 5: He said he got something with Mike Epps coming on Netflix.
- 32:53Speaker 1: For real? Yeah.
- 32:54Speaker 2: Drewski is, nah, he's not a Mojo Brooks. Mojo Brooks
- 32:59Speaker 2: is a comic.
- 33:00Speaker 3: That can act.
- 33:01Speaker 1: That's who I want to see in some movies. He
- 33:03Speaker 1: going to kill it.
- 33:03Speaker 6: Yeah, I want to see him in some movies. I
- 33:05Speaker 6: don't know if I want Drewski. I want Drew, cause
- 33:07Speaker 6: I feel like Drewski is not your average comic. So like,
- 33:10Speaker 6: I don't want him to try to paint his career
- 33:13Speaker 6: on what the average comic does. Like, okay, you go
- 33:16Speaker 6: do SNL and then you go do movies. And then
- 33:19Speaker 6: you go, like, I think he's just, he has the freedom.
- 33:21Speaker 6: And I think he's the only person right now who
- 33:23Speaker 6: has the freedom to truly craft his career to be
- 33:26Speaker 6: whatever he wanted to be. And online, he excels online.
- 33:32Speaker 6: And I think that should always be a part of
- 33:33Speaker 6: whatever he got going on. He should, Because his freedom
- 33:37Speaker 6: there is just so different. I don't want him to
- 33:38Speaker 6: get in movies and get typecast or get, you know,
- 33:41Speaker 6: I don't know. He's not on the same route as
- 33:45Speaker 6: other comedians, in my opinion. I think he is something
- 33:47Speaker 6: we've never seen.
- 33:48Speaker 1: Before, digitally. I was just having the same conversation. I
- 33:51Speaker 1: agree with you 100%.
- 33:51Speaker 4: Because somebody was like, do you think he needs to
- 33:54Speaker 4: have his own show and do his skits there?
- 33:56Speaker 1: And I was like, no.
- 33:57Speaker 4: The beauty of his skits is the way he puts
- 33:58Speaker 4: them out, the freedom he has. And he has, as
- 34:01Speaker 4: you see now, he got the production of as far
- 34:04Speaker 4: as quality-wise, as a television show. Why go to TV
- 34:09Speaker 4: and then let them put you in a box or
- 34:12Speaker 4: make it corny or make it lame? Like, I agree
- 34:15Speaker 4: with you 100%. I think that he got it. TV,
- 34:19Speaker 4: he getting more views than TV shows.
- 34:22Speaker 2: Exactly.
- 34:23Speaker 1: So he don't necessarily need TV. That's what I'm saying.
- 34:27Speaker 6: He is in a position that I don't think anyone
- 34:29Speaker 6: else has ever been in. And he has the freedom
- 34:33Speaker 6: to craft this new era of what an internet star
- 34:36Speaker 6: can be or become. And I just think it should
- 34:38Speaker 6: be different than your average comedian route, which there's nothing
- 34:42Speaker 6: wrong with that route. That's where all our superstars are.
- 34:44Speaker 6: But I think he's something different that we've never seen before.
- 34:47Speaker 3: I think we've seen him before.
- 34:48Speaker 1: With who?
- 34:49Speaker 2: I think we've seen him before, just a different way.
- 34:52Speaker 2: I think the internet replaces television, right? I think the
- 34:56Speaker 2: internet is what TV used to be. It's a big difference, though.
- 35:01Speaker 2: I just think it is a difference because of how
- 35:04Speaker 2: the structure, right?
- 35:05Speaker 3: The structure for it. But I think the internet is
- 35:07Speaker 3: still what it is.
- 35:08Speaker 2: I think a person gets big and they go do
- 35:11Speaker 2: Saturday Night Live and then they go do movies.
- 35:13Speaker 1: I just like that.
- 35:14Speaker 2: I think for him, in my opinion, I think the
- 35:18Speaker 2: movie part of it, because he's a comedic actor. I
- 35:23Speaker 2: never want him to lose the digital space that he
- 35:25Speaker 2: has and try to create a television show. Or maybe
- 35:28Speaker 2: he does create a television show like a person, like
- 35:32Speaker 2: a sitcom, like a Martin, he's capable of doing a
- 35:35Speaker 2: show like a Martin because he can do multiple characters.
- 35:39Speaker 1: But Martin, we.
- 35:40Speaker 6: Never going to have that type of, it's never going
- 35:43Speaker 6: to be appreciated is what I'm saying. Like Martin was
- 35:45Speaker 6: appreciated on TV. A TV is just not because we're
- 35:49Speaker 6: not watching TV. So he already is this huge superstar.
- 35:52Speaker 6: He signs a deal to do this TV show. The
- 35:54Speaker 6: next report is nobody's watching the TV show or it
- 35:56Speaker 6: fails or something. And then it's like, I think he
- 36:00Speaker 6: got something special in the streaming and digital pocket that
- 36:04Speaker 6: I think he can really maximize and show us a
- 36:06Speaker 6: new height to that lane versus trying to go the
- 36:09Speaker 6: Kevin Hart route or the Martin route.
- 36:11Speaker 1: Or something like that.
- 36:12Speaker 4: I don't want them to put him in a trick
- 36:13Speaker 4: bag where they try to, because they build you up
- 36:15Speaker 4: to take you down.
- 36:15Speaker 1: That's literally what they do. And then they give you
- 36:17Speaker 1: all these opportunities.
- 36:18Speaker 4: And then once you get on TV, you start comparing
- 36:21Speaker 4: people to what you used to see on TV. So
- 36:23Speaker 4: like you said, the first thing you said was a
- 36:25Speaker 4: show like Martin.
- 36:26Speaker 2: Right?
- 36:27Speaker 4: Or a stand-up like Eddie's or this, because Mojo's going through.
- 36:31Speaker 1: It right now.
- 36:32Speaker 2: But all comedians, all comedians are.
- 36:34Speaker 1: Man, my ear was clogged.
- 36:36Speaker 5: I had to undo that mug.
- 36:39Speaker 1: You got to warn me. I threw you off it.
- 36:42Speaker 1: I thought he was giving me a sign. I'm about
- 36:43Speaker 1: to duck. I'm like, what does this mean? No.
- 36:47Speaker 4: Because, like, I think they trying to do Mojo like that,
- 36:50Speaker 4: built him up, and then, like, these think pieces on
- 36:53Speaker 4: his special right now that they doing.
- 36:55Speaker 3: They have to do that.
- 36:55Speaker 2: Like, We in the era again where everybody got a voice, right? Before,
- 37:03Speaker 2: it was the source. It was BET. It was credible
- 37:06Speaker 2: people that could say, all right, Mojo Brooks just dropped
- 37:09Speaker 2: this special. Let's go look at it. And this is
- 37:11Speaker 2: what we think. Everybody go look. And we all went
- 37:14Speaker 2: to those people. Now, you're just in your algorithm where
- 37:17Speaker 2: people are busting it down. That, to me, is just
- 37:21Speaker 2: a part of where we at. But again, nobody's doing anything,
- 37:26Speaker 2: in a sense, different in a way. It's a different time.
- 37:29Speaker 4: But when you blow up from social media and then
- 37:32Speaker 4: you jump over to traditional media, for some reason, just
- 37:36Speaker 4: because of this time that we in right now, the
- 37:38Speaker 4: scrutiny has been elevated. Especially if you're a social media
- 37:42Speaker 4: where somebody loved you on social and then when they
- 37:44Speaker 4: try to put you on traditional media, the Netflix, the TV,
- 37:48Speaker 4: everybody got something to say. But if you stayed, I
- 37:51Speaker 4: think what Kiki's saying, if you stay right here, we've
- 37:53Speaker 4: never seen what it looks like if you stay dominating
- 37:56Speaker 4: just The internet lane.
- 37:58Speaker 3: We haven't seen that.
- 37:59Speaker 6: Because he on streaming. I was on a girl's trip.
- 38:02Speaker 6: They streamed his show the whole weekend. Like, was glued
- 38:06Speaker 6: to the TV watching. So, it's no question, though, if
- 38:09Speaker 6: he can succeed in the different areas. I just think
- 38:11Speaker 6: he has such a sweet spot that we've never seen
- 38:14Speaker 6: somebody totally maximize. And I think he could be the
- 38:17Speaker 6: first to, like, take it to the moon.
- 38:19Speaker 1: Stay free.
- 38:22Speaker 2: I'm just saying it's still the same. Because you think about,
- 38:25Speaker 2: just real quick for Martins. Martin went from cable television
- 38:29Speaker 2: to network television. Cable and network television weren't the seamless
- 38:33Speaker 2: thing like it is now. There was a real divide
- 38:36Speaker 2: from cable to television because network television was fighting cable
- 38:40Speaker 2: because they were stealing viewers. They were stealing viewers. So
- 38:45Speaker 2: everybody was worried about, can Martin go.
- 38:48Speaker 1: With the freedom.
- 38:49Speaker 2: of cable television being able to swear, say what you
- 38:53Speaker 2: want to say during HBO Deaf Comedy Jam to now
- 38:56Speaker 2: going on Fox 32. You said, because he go from
- 39:00Speaker 2: whatever that was, HBO.
- 39:01Speaker 1: To- HBO, Deaf Comedy Jam. To UPN. To UPN. Well,
- 39:04Speaker 1: he went to Fox. I mean, yeah. He went to Fox.
- 39:06Speaker 3: That was a big thing because he's swearing. That was
- 39:08Speaker 3: a big part of Mark cursing.
- 39:10Speaker 2: Saying what he want to say, do what he want
- 39:12Speaker 2: to do in this space of Deaf Comedy Jam. is
- 39:16Speaker 2: he going to be successful with the constraints of a
- 39:19Speaker 2: network television like Bill Cosby, who is a comic, like
- 39:24Speaker 2: other comics, like Hanging with Mr.
- 39:26Speaker 1: Cooper. Steve Harvey Show. More button-up comics that was... saying.
- 39:30Speaker 1: That's what I'm saying.
- 39:31Speaker 3: Because he was more straight.
- 39:32Speaker 2: I always want to be these things, and I just
- 39:35Speaker 2: think that cream rises to the top. I think Drewski
- 39:40Speaker 2: just has that ability. And I just don't think that
- 39:44Speaker 2: you— and maybe I'm wrong. Because, you know, maybe it's my
- 39:47Speaker 2: old school mentality.
- 39:48Speaker 1: I'm wrong. I could be wrong.
- 39:50Speaker 2: It's the fact that I think that you have to
- 39:52Speaker 2: get yourself to the masses. To the masses. And the
- 39:55Speaker 2: masses is what I mean about white folks.
- 39:58Speaker 1: For sure.
- 39:59Speaker 6: You know, I 100% agree with that. Like I said,
- 40:02Speaker 6: I think he can do all the things. Just don't
- 40:04Speaker 6: give up your freedom of your digital space. Because he
- 40:07Speaker 6: has a certain sweet spot to it that we've never
- 40:09Speaker 6: seen done before.
- 40:11Speaker 1: I mean, we had the same.
- 40:13Speaker 6: DC Youngfly was a comic that we were all excited
- 40:15Speaker 6: about in the digital space as well, too. And I
- 40:17Speaker 6: think he has that potential. But it's just like, Drewski
- 40:21Speaker 6: got something special that I think he shouldn't let go
- 40:23Speaker 6: in the digital space. I just don't want to see
- 40:25Speaker 6: him Tiffany Haddish.
- 40:26Speaker 1: I get it.
- 40:27Speaker 4: I think DC was a little different. DC was a
- 40:29Speaker 4: little more street. He looks a little more street.
- 40:32Speaker 5: Drewski has a more commercial look.
- 40:36Speaker 1: You know what I'm saying? Light skin, dark skin.
- 40:38Speaker 4: Do you remember back in the day? DC was the man,
- 40:41Speaker 4: and they was moving DC... At DC got mad because
- 40:44Speaker 4: they had him in a suit. They had airbrushed him.
- 40:46Speaker 4: They had him in an Afro. He was like, hold on,
- 40:48Speaker 4: hold on. You got me looking too not like me.
- 40:51Speaker 2: Yes.
- 40:51Speaker 1: Get me out of this.
- 40:52Speaker 4: And he went back to like what he is comfortable
- 40:55Speaker 4: with in the way that he wants to be presented.
- 40:58Speaker 1: And it worked for him.
- 40:59Speaker 4: And that's why he got such a long, you know
- 41:01Speaker 4: what I'm saying, career. You can let these people shoot
- 41:02Speaker 4: you out there too quick. And then they'll start putting
- 41:05Speaker 4: you where they want to put you.
- 41:07Speaker 1: And you'd be out here looking crazy. Just do it all.
- 41:10Speaker 1: But do it, you know. Stay free where you can.
- 41:13Speaker 1: All right. How about it? Ask the Pod.
- 41:16Speaker 2: Anybody want to explain that to people that don't know already.
- 41:19Speaker 3: About Ask the Pod?
- 41:20Speaker 6: Yes, it's your chance to be a part of the pod.
- 41:23Speaker 6: It's your chance to be on the show, okay? And
- 41:26Speaker 6: we take you on the radio with us every Sunday.
- 41:28Speaker 6: We go to our folder on the iHeartRadio app, and
- 41:31Speaker 6: we answer your questions. You can ask us anything you want,
- 41:35Speaker 6: and we have to answer it. So open up the
- 41:37Speaker 6: iHeart app, tap the WGCI sign, the red microphone, and
- 41:41Speaker 6: send us a question.
- 41:43Speaker 1: Yeah, it is. And we got to answer it.
- 41:45Speaker 3: All right, Kiki, how would somebody describe your cooking?
- 41:50Speaker 1: Good and rare. I don't do it often. When I do,
- 41:55Speaker 1: it's good. Yes. Zach, what about you? Tolerable.
- 42:00Speaker 2: No.
- 42:02Speaker 3: I think my cooking is just, I can make, I
- 42:04Speaker 3: can get by.
- 42:05Speaker 4: You know what I'm saying? I don't think I make food.
- 42:07Speaker 4: I don't have a dish where I be like, you
- 42:08Speaker 4: got to try my.
- 42:11Speaker 1: You don't make no good. Oh, never mind. What?
- 42:13Speaker 6: I was going to ask you, do you make some
- 42:14Speaker 6: good noodles? But I forgot that triggered you last time
- 42:17Speaker 6: we talked about noodles. You got very upset.
- 42:22Speaker 4: I know what I've got. Like, I can get by. Like,
- 42:24Speaker 4: if we hungry and there's some food in there, I
- 42:25Speaker 4: can make it.
- 42:26Speaker 1: What do you make? When I'm hungry? You make tacos, burgers, chicken.
- 42:29Speaker 1: I do. I do a nice broccoli. No, I'm just kidding.
- 42:32Speaker 1: I do. I do. I call them my famous nachos. Okay.
- 42:37Speaker 4: Nothing famous about them. But I just like to, I
- 42:40Speaker 4: gas myself up. I got to talk myself into my cooking.
- 42:43Speaker 1: Okay.
- 42:43Speaker 4: That's why I talk so much trash about it because
- 42:45Speaker 4: it motivates me to do it. So I'll be like, yeah,
- 42:48Speaker 4: I got the best nachos. And I hype myself up.
- 42:50Speaker 4: So I'll make ground beef nachos, shredded cheese. I don't
- 42:55Speaker 4: like liquid cheese.
- 42:58Speaker 1: What's the shit? Sour cream. Sour cream. Boom, simple.
- 43:01Speaker 3: You know what I'm saying? My son.
- 43:03Speaker 1: He want chicken wings.
- 43:04Speaker 3: Guess what I'll do? I'll bake them.
- 43:06Speaker 4: I'll put some seasoning on them. Bake them some chicken wings.
- 43:08Speaker 4: Make them macaroni and cheese out the box.
- 43:11Speaker 1: Okay.
- 43:13Speaker 3: And I can open up some peas.
- 43:15Speaker 1: Warm them up. He got a meal.
- 43:17Speaker 4: He got a meal for a few days. That's pretty good.
- 43:20Speaker 4: It's only get by food. But I have to hype
- 43:24Speaker 4: myself up to believe it myself to even attempt.
- 43:29Speaker 1: That's why it's always important to me to have a
- 43:31Speaker 1: woman that can cook. Because... I know that's what I lack.
- 43:36Speaker 1: What about you? Not basic. Not as good as protein.
- 43:41Speaker 1: That's it.
- 43:41Speaker 3: I can make steak. I can make chicken. I can
- 43:45Speaker 3: make fish.
- 43:46Speaker 1: Bar food. Okay.
- 43:48Speaker 3: I can make nachos. I can make tacos.
- 43:50Speaker 1: And salmon croquettes.
- 43:51Speaker 3: Salmon croquettes is my thing.
- 43:53Speaker 1: Shout out to my granny. They're my granny's recipe. Recipe.
- 43:57Speaker 3: That's it.
- 43:58Speaker 1: I eat it. It's really protein.
- 44:00Speaker 2: And, like, women come over and be like, see, you
- 44:02Speaker 2: ain't no size, huh?
- 44:04Speaker 3: Like, the size is the extra protein.
- 44:07Speaker 1: The meats. You be like, you make the size. Yes. Yeah.
- 44:11Speaker 1: You get mad. Yeah, I get mad.
- 44:12Speaker 3: I done did this. You make the size.
- 44:15Speaker 1: I like cooking. Yeah. But you good at it, Kiki.
- 44:18Speaker 1: That's good.
- 44:19Speaker 4: Like, you should, like, if you good at something, do it.
- 44:22Speaker 1: Why more women ain't cooking? Oh, God. How did we
- 44:24Speaker 1: get here?
- 44:25Speaker 3: Get on the stove. Y'all like that skill set.
- 44:29Speaker 2: Like you said, you need more men to be learning
- 44:32Speaker 2: how to do change oil and.
- 44:34Speaker 1: Get on the grill.
- 44:35Speaker 3: Ladies, y'all got to learn how to cook something.
- 44:38Speaker 1: Something. Well, y'all used to bring food home. Y'all used
- 44:41Speaker 1: to go out and hunt. We do. I knew it
- 44:43Speaker 1: was called Mariano. It's called the groceries. Okay, y'all need
- 44:46Speaker 1: to start acting like y'all granddaddies. It's called the groceries.
- 44:49Speaker 1: It's called Mariano.
- 44:50Speaker 3: Yeah, I went straight to the grocery store.
- 44:52Speaker 1: I brought it. Matter of fact, I door dashed it
- 44:53Speaker 1: over here. Cook it. I paid for everything.
- 44:57Speaker 5: And I got the dishes after. Just cook it.
- 45:00Speaker 1: Okay. I don't mind. I like cleaning up after.
- 45:04Speaker 3: It's like therapeutic to me. I like, go ahead, knock
- 45:07Speaker 3: that out. I like seeing the mess in the end.
- 45:09Speaker 3: It's all resetting it.
- 45:11Speaker 1: I like that. Make a meal for me. That's it.
- 45:14Speaker 1: That's one of my.
- 45:15Speaker 2: Yeah. That, I like that. That is one to make
- 45:20Speaker 2: a meal.
- 45:20Speaker 1: You want to know why he outside?
- 45:22Speaker 5: Because ain't nothing to eat inside.
- 45:24Speaker 1: That's why he outside. It ain't nothing to eat inside
- 45:28Speaker 1: because he ain't brought home no bacon.
- 45:30Speaker 4: If you call your man and be like, I just
- 45:34Speaker 4: threw down on this roast beef.
- 45:37Speaker 1: He gonna be like, oh, you did?
- 45:39Speaker 3: Okay, hold on, hold on, hold on.
- 45:41Speaker 1: Here, come back. We go home. Ain't nothing over there
- 45:44Speaker 1: but them oven chicken nuggets. We don't want that. Y'all
- 45:48Speaker 1: come get a plate and go on to the next
- 45:50Speaker 1: lady house. No, we don't. No, we don't. That's love
- 45:52Speaker 1: right there. That's love. Cook for your man. Cook for
- 45:55Speaker 1: your man.
- 45:57Speaker 4: All you want to do is toot that little nasty
- 46:00Speaker 4: cat up. Every time he come over, you trying to
- 46:07Speaker 4: be freaky. You trying to out freak yourself into the ring.
- 46:09Speaker 4: It ain't going to happen.
- 46:10Speaker 1: You got to cook. He tied his neck smelling like spit.
- 46:15Speaker 1: Cook for the right man. The right man. Don't listen
- 46:20Speaker 1: to these fools.
- 46:22Speaker 3: Hey, Taco, you playing with yourself.
- 46:23Speaker 1: Get your freak ass on. Get in that kitchen. You
- 46:28Speaker 1: can't do nothing but be nasty. You ain't never telling
- 46:33Speaker 1: no lady to stop being nasty.
- 46:36Speaker 3: Some ladies are nasty all the time, Kiki.
- 46:38Speaker 1: I know. Kiki, it's a time and a place for everything.
- 46:41Speaker 1: Y'all wouldn't know. You ain't hungry? We ain't not doing nothing. Like,
- 46:47Speaker 1: you ain't hungry? Yeah, we can go. Oh, here we
- 46:49Speaker 1: got to go. Here we go. Yeah, we can go
- 46:51Speaker 1: out here and have some hot fries. I want to go.
- 46:54Speaker 1: Can't you just make us something?
- 46:56Speaker 4: Oh, you ain't had nothing but Takis all day trying
- 46:58Speaker 4: to throw that thing back.
- 47:00Speaker 1: You're staying here.
- 47:03Speaker 3: Go out here and cook.
- 47:04Speaker 1: Takis and Pepsi. Yeah, that's all he did.
- 47:07Speaker 2: All right.
- 47:08Speaker 1: All right, man.
- 47:09Speaker 3: Well, we know there's only one person on this show
- 47:11Speaker 3: that gets this way.
- 47:13Speaker 1: Who what?
- 47:14Speaker 3: Are you one to get hangry when you're hungry?
- 47:17Speaker 2: The only one of us that gets hangry is the
- 47:20Speaker 2: short man on the show.
- 47:21Speaker 1: What do you mean? What are you looking like? It's
- 47:27Speaker 1: not hangry. I really do, which I don't really understand.
- 47:30Speaker 1: He hangry right now.
- 47:30Speaker 4: I really get weak and I can't think of certain stuff.
- 47:33Speaker 4: My brain starts to shut down when I get, when
- 47:36Speaker 4: I'm not, when I'm, Hungry. That's why when we go
- 47:38Speaker 4: out of town, I always eat breakfast. And y'all just
- 47:41Speaker 4: be skipping breakfast. It's crazy how y'all will miss meals.
- 47:46Speaker 1: We got to reserve.
- 47:47Speaker 3: Y'all will miss.
- 47:49Speaker 1: They will miss some meals so quick.
- 47:51Speaker 3: So I'm like, no, ain't nothing.
- 47:55Speaker 1: All day. You ain't hungry?
- 47:57Speaker 4: First thing I do is look at the itinerary. Okay,
- 48:00Speaker 4: we got to be down to the 10. I need
- 48:01Speaker 4: to be ordering my food about 730. Because I know
- 48:04Speaker 4: I'm going to get hungry and I don't want to
- 48:05Speaker 4: get mean.
- 48:06Speaker 3: When I'm out of town, I don't really get hungry.
- 48:08Speaker 1: It's so weird. It's weird.
- 48:09Speaker 3: It's because you're on them drugs.
- 48:10Speaker 1: Okay, that cocaine. Need to leave that powder alone. I
- 48:14Speaker 1: don't get hungry at all.
- 48:15Speaker 3: I ain't went to the bathroom in eight minutes.
- 48:17Speaker 1: Eyes just big and bulging. He's sweating. I'm good.
- 48:21Speaker 3: You ready for a low spot? I don't really be
- 48:26Speaker 3: like that.
- 48:27Speaker 1: It's weird. It's a weird thing.
- 48:29Speaker 3: Breakfast, though, as far as I'm cheap, breakfast at a
- 48:31Speaker 3: hotel is crazy.
- 48:33Speaker 1: It really is.
- 48:35Speaker 3: It's crazy. The fact that you ordering breakfast in a hotel.
- 48:38Speaker 1: Bro, is wild. It's like $ 80. That's $ 80.
- 48:41Speaker 3: It's not $ 80. It's $ 25, $ 30. Here's what I think.
- 48:46Speaker 1: In what hotel? You crazy.
- 48:48Speaker 3: Okay, let me give y'all the game.
- 48:50Speaker 1: Give it to us.
- 48:51Speaker 4: The game is they getting ready to hold $ 250 anyway.
- 48:55Speaker 4: They done held it. They done hold $ 200, $ 300, $ 400.
- 48:56Speaker 1: It's gone. Might as well. I just use that.
- 49:02Speaker 6: So that's how you think in your head. That's Zach math.
- 49:05Speaker 6: You think that I'll be counting.
- 49:07Speaker 4: It ain't coming back till 12 days after this. I'm
- 49:09Speaker 4: going to have some money come in by that time.
- 49:11Speaker 1: It's coming back. Three, four days.
- 49:13Speaker 2: It don't come back.
- 49:13Speaker 1: I'll be waiting on that little deposit to pop back up.
- 49:15Speaker 4: That'd be like seven days till it, well, seven days,
- 49:18Speaker 4: I'ma be done found something else.
- 49:19Speaker 1: Oh, I know.
- 49:20Speaker 5: I'ma go on here and get that little, I'ma eat.
- 49:23Speaker 1: Exactly.
- 49:23Speaker 5: I'll tell you what, go hungry then.
- 49:25Speaker 1: Nah. I ain't gonna do that now.
- 49:27Speaker 3: But y'all will do that.
- 49:27Speaker 4: See, I'll eat breakfast, but then y'all will go to
- 49:29Speaker 4: the bar and buy $ 200 worth of drinks at hotels
- 49:34Speaker 4: and stuff like that.
- 49:35Speaker 1: I don't do that. Y'all will go out and buy that.
- 49:38Speaker 1: I go to the thing. I save money on that.
- 49:40Speaker 1: I did do that.
- 49:41Speaker 2: That's a good saving.
- 49:44Speaker 1: $ 200 at the bar? No.
- 49:46Speaker 2: So I used to be a big hotel bar guy.
- 49:50Speaker 2: I'd sit down, have some cocktails, chill, people watch. And
- 49:53Speaker 2: then that hits you. You know what I'm saying?
- 49:57Speaker 3: If you're in the right hotel, some of them bars
- 49:59Speaker 3: be popping.
- 50:00Speaker 1: But you be down at the bar drinking, not eating.
- 50:05Speaker 1: I had a little snack.
- 50:06Speaker 2: Are you trying to make it seem like I got
- 50:09Speaker 2: a job?
- 50:10Speaker 1: I don't know.
- 50:11Speaker 3: You need another dress.
- 50:15Speaker 1: Tom, we in L.A., baby. Bomp, bomp, bomp. We partying, baby.
- 50:23Speaker 1: He ain't ate all weekend. That's crazy. $ 200 at the bar. Okay.
- 50:28Speaker 6: Everybody had their own idea of fun.
- 50:32Speaker 3: Y'all, wow. I done turned into a coke head on
- 50:36Speaker 3: this episode. I don't know what be going on in
- 50:38Speaker 3: this place.
- 50:39Speaker 1: What we got? Give us thoughts for the pod, lady. Oh,
- 50:42Speaker 1: my God.
- 50:42Speaker 6: We got so many thoughts from the pod. They was
- 50:44Speaker 6: so happy. The episode went up at like five this morning.
- 50:47Speaker 6: Shout out to me.
- 50:49Speaker 3: Shout out to you for you getting up, you having
- 50:52Speaker 3: the patience.
- 50:53Speaker 1: It's really Ryder.
- 50:55Speaker 6: Ryder be up all night. They have a lot to say.
- 50:59Speaker 6: My computer died, so let me just go ahead and
- 51:01Speaker 6: find it really quick.
- 51:02Speaker 1: Okay, all right.
- 51:03Speaker 2: Until then, y'all remember to ask the pod, remember to
- 51:07Speaker 2: share the pod, remember.
- 51:09Speaker 6: To make a clip or two.
- 51:14Speaker 2: Okay.
- 51:15Speaker 1: Y'all going to stress these people out this week.
- 51:17Speaker 3: Oh, what did we do?
- 51:18Speaker 1: We were talking yesterday? Yes. They was cracking up. Hold on.
- 51:21Speaker 1: What did I do?
- 51:23Speaker 6: Okay.
- 51:23Speaker 3: Why did we do the Magda Stallion clip?
- 51:25Speaker 1: I never saw that. We didn't make a clip out
- 51:28Speaker 1: of Magda Stallion. Tina G.
- 51:30Speaker 2: 300.
- 51:30Speaker 3: Yeah, let's do that.
- 51:31Speaker 1: Tina G.
- 51:33Speaker 2: 300.
- 51:33Speaker 1: Bless you.
- 51:34Speaker 6: This was one of the best episodes. I was cracking
- 51:37Speaker 6: up at work. Made my morning. Nakiva 25 said, I
- 51:43Speaker 6: don't know, Tom. I was there too. And Jay-Z, 10
- 51:48Speaker 6: summer straight is a stretch. Indie, I'm from Indie with love.
- 51:52Speaker 1: Forget you, girl. That's why you from Indiana.
- 51:57Speaker 6: Jovan Smith, 50-04 said, y'all make my day each time
- 52:01Speaker 6: y'all pod.
- 52:02Speaker 1: Thank you.
- 52:06Speaker 6: 801 Bay, y'all said, Kiki and Zach laughing at tone
- 52:09Speaker 6: had me literally laughing out loud in the gym.
- 52:11Speaker 1: I love y'all from Durham, North Carolina. Jazzy J. Good morning,
- 52:16Speaker 1: Pop Fam from Milwaukee. Yes.
- 52:21Speaker 6: Kashonda checking in from Greensboro, North Carolina. Jesus Christ of
- 52:27Speaker 6: the show.
- 52:28Speaker 1: Wait.
- 52:28Speaker 6: Jesus Christ, friend of the show, nearly took me out.
- 52:31Speaker 6: I'm talking about in his screaming laughing. I got lightheaded
- 52:34Speaker 6: because I couldn't breathe. Y'all are hilarious.
- 52:37Speaker 1: What they was laughing at? Jesus Christ, friend of the show.
- 52:41Speaker 1: Friend of the show had me crying. Let me see.
- 52:46Speaker 6: It's so many comments. Zoto, this episode was so good.
- 52:51Speaker 6: Not only did Tone get out of his chair more
- 52:53Speaker 6: than once, he even cursed and his glasses fogged up. Like,
- 52:56Speaker 6: how could you not love the What More Can I
- 52:58Speaker 6: Say podcast?
- 52:59Speaker 1: Come on, Zoto.
- 52:59Speaker 6: Hope y'all had a great weekend. I died laughing and
- 53:02Speaker 6: came back to life this whole hour.
- 53:04Speaker 1: Wow. Wow. Candy said, Usher knows me, LOL. It's me, baby.
- 53:09Speaker 1: Go ahead, Tone. That's funny. Oh, my God.
- 53:15Speaker 6: Brenda Jones, watching Zach and Tone argue over album sales
- 53:19Speaker 6: got me in tears at work.
- 53:20Speaker 1: Zach, what Michael Jackson got to do with this?
- 53:23Speaker 3: He's going to say, but Michael.
- 53:26Speaker 1: Oh, my God. Okay, we got somebody from Toronto, Canada.
- 53:29Speaker 6: TJ Coco Puff said, my blood pressure, my stomach hurting
- 53:33Speaker 6: from laughing. It's like I'm in a room and I'm
- 53:35Speaker 6: all the way in Canada. Y'all are crazy for real.
- 53:38Speaker 1: Oh, yeah. Welcome. Welcome across the border.
- 53:42Speaker 6: We got somebody from Bermuda. Shout out Don from Bermuda.
- 53:46Speaker 1: What up?
- 53:48Speaker 6: Joey B said, y'all cutting up on this episode.
- 53:51Speaker 1: I had to move from the quiet car on the Metro.
- 53:54Speaker 1: That's crazy. Oh, man.
- 53:56Speaker 6: I remember riding the Metro. I used to be in
- 53:58Speaker 6: a quiet car for the time. Yeah, we got Fort Worth,
- 54:02Speaker 6: Texas checking in.
- 54:04Speaker 1: Yeah. Shout out VBoss. Let me see. I mean, they
- 54:09Speaker 1: are going crazy in the comments of this episode. Oh, yeah.
- 54:11Speaker 1: That was a good episode. Shout out to y'all. Good episode.
- 54:13Speaker 1: We need to work on Indigenous People Day more often.
- 54:19Speaker 6: Oh somebody found Black Youngsta DDGV Media Shout out to
- 54:23Speaker 6: you friend He said Black Youngsta got a show In
- 54:25Speaker 6: Memphis on Halloween Y'all play too much Pray for him
- 54:29Speaker 6: Okay keep him covered On Halloween too.
- 54:31Speaker 4: You sure you wanna Come back out on On Halloween
- 54:34Speaker 4: On Halloween in Memphis Y'all messy Halloween is crazy Y'all
- 54:37Speaker 4: messy as hell I don't know.
- 54:38Speaker 1: That might be somebody Lying on Black Youngsta I.
- 54:40Speaker 5: Don't know I wouldn't go.
- 54:44Speaker 1: This is too funny Wow Shout out to the Pie Femme.
- 54:47Speaker 1: Love y'all. Oh, wow. Well, I love y'all, man.
- 54:51Speaker 2: We'll be back tomorrow with more craziness for what more
- 54:55Speaker 2: can I say?