Latest / Mooney's Mythic Podcast / Carolyn Hillyer and the hag road
Transcript
- 0:04SPEAKER_01: Welcome to Mooney's Mythic Podcast,
- 0:07SPEAKER_01: a rootle about in the handbag of your host Sarah Mooney's mythic,
- 0:12SPEAKER_01: soulful,
- 0:13SPEAKER_01: wild,
- 0:14SPEAKER_01: dull life.
- 0:16SPEAKER_01: Thanks for being here guys.
- 0:20SPEAKER_01: It's just me and you and my fire and a candle and a drum and a memory of the
- 0:25SPEAKER_01: weekend and I'm really happy to be here.
- 0:28SPEAKER_01: I'm so, so happy.
- 0:31SPEAKER_01: I mean I love having guests on, don't get me wrong, the winter rain was
- 0:35SPEAKER_01: And it was fascinating listening to and watching Eloise in her process of
- 0:41SPEAKER_01: connecting with spirit through song.
- 0:44SPEAKER_01: And if you don't know what I'm talking about,
- 0:46SPEAKER_01: then head back to some of the previous podcasts and have a listen.
- 0:50SPEAKER_01: They are a real treat.
- 0:53SPEAKER_01: but i love it when i've got you all to myself and i'm here staring into the heart
- 1:00SPEAKER_01: of my fire and really feeling very very grateful to be able to connect in this way
- 1:09SPEAKER_01: to be able to share my heart and my dreaming in this way so i really appreciate you
- 1:17SPEAKER_01: being there and um yeah reach out send a message let me know um
- 1:24SPEAKER_01: what's moving you, what you're enjoying.
- 1:25SPEAKER_01: I loved,
- 1:26SPEAKER_01: I had a message from my friend Tess the other day and she said that she was
- 1:30SPEAKER_01: listening to the podcast in her car and it was the winter rain one,
- 1:35SPEAKER_01: I think,
- 1:37SPEAKER_01: and a fox was crossing the road but it stopped and it looked at her and then so she
- 1:42SPEAKER_01: wound down her window and let it listen to the podcast for a bit and then she saw a
- 1:49SPEAKER_01: police car so she drove off but then the police car stopped her and
- 1:53SPEAKER_01: and asked her what she was doing.
- 1:56SPEAKER_01: And she had to tell the policeman that she was letting the fox listen to her podcast.
- 2:03SPEAKER_01: But she didn't get into any trouble.
- 2:06SPEAKER_01: So,
- 2:08SPEAKER_01: yeah,
- 2:08SPEAKER_01: just widening my field of vision,
- 2:12SPEAKER_01: widening my field of listening to all the unseen who may also be tuning in.
- 2:23SPEAKER_01: That feels really good.
- 2:26SPEAKER_01: So I've got a great weekend.
- 2:27SPEAKER_01: I think I have to take my bra off, guys.
- 2:30SPEAKER_00: It's just like... Oh, yeah, there we go.
- 2:34SPEAKER_01: Just loosening it up.
- 2:36SPEAKER_01: There we go.
- 2:36SPEAKER_01: Oh, now I've landed.
- 2:39SPEAKER_01: I knew there was something that wasn't quite right.
- 2:42SPEAKER_01: Did you like the little tinkle at the beginning of the podcast?
- 2:45SPEAKER_01: I have listened to hundreds and hundreds of intros and outros and little bits of music.
- 2:52SPEAKER_01: um online and um yeah they just all you know when you put colors together and they
- 2:58SPEAKER_01: sort of all go gray it's a bit like that so right now I'm just going for a bell but
- 3:02SPEAKER_01: I am trying to pro up so if you've got any ideas about how I can pro up a bit let
- 3:08SPEAKER_01: me know but I've heard that a bit of intro music and a bit of outro music um is a
- 3:13SPEAKER_01: good start so I've been I have spent the weekend with Carolyn Ilya's
- 3:20SPEAKER_01: New paintings and they are just so juicy and have touched me so deeply.
- 3:27SPEAKER_01: So I want to just talk about Carolyn Hillier and some of her work.
- 3:31SPEAKER_01: She's an artist.
- 3:32SPEAKER_01: I'll tell you a bit more about her in a minute.
- 3:34SPEAKER_01: She's an artist and she...
- 3:39SPEAKER_01: lives on the moors and she's dedicated I just feel this uncompromising dedication
- 3:45SPEAKER_01: to bringing through what the unseen places that are being asked to bring through to
- 3:53SPEAKER_01: come through her she's a painter and a
- 3:57SPEAKER_01: singer and a weaver and a traveller really bringing if the good company that I have
- 4:05SPEAKER_01: felt and experienced through Carolyn's work if any of my work can come close to
- 4:11SPEAKER_01: offering that to to people to anyone I really it's something that deeply inspires
- 4:18SPEAKER_01: me around how creativity can
- 4:22SPEAKER_01: really accompany us we can use our creativity to reach out to people and and wrap
- 4:27SPEAKER_01: around and accompany them so carolyn wrote a book i read it six or seven years ago
- 4:38SPEAKER_01: called pete and it was called the hag oh no that one's not pete is it well anyway
- 4:44SPEAKER_01: it's called book of hag book one i can't see it but it's around somewhere
- 4:51SPEAKER_01: And it was such a delight,
- 4:55SPEAKER_01: such a beautiful expression of experience of a woman sharing her experience through story,
- 5:04SPEAKER_01: through magic journal extracts,
- 5:06SPEAKER_01: short stories,
- 5:08SPEAKER_01: really about stepping into becoming an older woman.
- 5:13SPEAKER_01: In this life and what we can remember from our ancestors,
- 5:18SPEAKER_01: because we we're having to remember and we're having to make it up,
- 5:21SPEAKER_01: guys,
- 5:22SPEAKER_01: because the way that old women are represented around us.
- 5:27SPEAKER_01: there's no sucker in it for us you know I was thinking that old women they're
- 5:33SPEAKER_01: represented like kind of um bitter and arguing or napping and farting and I was
- 5:39SPEAKER_01: thinking that really the real experiences I've seen of that the last time I saw
- 5:44SPEAKER_01: that was in the houses of parliament you know there's those old men and some women
- 5:49SPEAKER_01: but kind of locked in and fighting against each other and
- 5:52SPEAKER_01: And that's not what Carolyn's bringing.
- 5:54SPEAKER_01: She's bringing images, young and old, of wildness and freedom and power and naturalness.
- 6:05SPEAKER_01: And she has this
- 6:07SPEAKER_01: oracle deck an oracle deck is like a kind of like you know like a tarot deck with
- 6:12SPEAKER_01: lots of different pictures so you might pick a card with a picture on it and that
- 6:16SPEAKER_01: picture might inspire you or or you might journey with it sometimes i i pick a card
- 6:21SPEAKER_01: before a storytelling i've got a few different sets but this one is is really deep
- 6:26SPEAKER_01: and really good company and i've picked a card
- 6:30SPEAKER_01: for us, for this pod today.
- 6:32SPEAKER_01: And I'm going to read a little bit about what this card says.
- 6:36SPEAKER_01: But first of all, I'm going to describe to you the woman that is with us now.
- 6:43SPEAKER_01: Solitude, the dissolving woman.
- 6:47SPEAKER_01: And she has a sickle moon, a very thin moon to the left of her.
- 6:52SPEAKER_01: And she's haunting, haunting her eyes and
- 6:58SPEAKER_01: looking out at me with such grace and such sadness and her chest is bare and she
- 7:05SPEAKER_01: has one breast her left breast and where her right breast would be there's a long
- 7:11SPEAKER_01: scar and in the hand which is next to the long scar she's got a a bright red she's
- 7:18SPEAKER_01: got a spindle like a wooden stick with bright red wool wrapped around it and around
- 7:23SPEAKER_01: her waist she has a a black spiral
- 7:29SPEAKER_01: And this is what I'm going to read some of the words that Carolyn's written to accompany her.
- 7:39SPEAKER_01: Solitude, the dissolving woman.
- 7:42SPEAKER_01: She honours the burden of wounds.
- 7:47SPEAKER_01: Just as I say that, she honours the burden of wounds.
- 7:52SPEAKER_01: Let's feel our scars, whether they're mental or emotional or physical.
- 7:59SPEAKER_01: Let them come to the surface as I read this.
- 8:04SPEAKER_01: Let them listen as I read this.
- 8:06SPEAKER_01: And each of the cards is broken down into three sections.
- 8:12SPEAKER_01: Her yarn, her braid and her cloth.
- 8:15SPEAKER_01: And her yarn is a description of who she is.
- 8:20SPEAKER_01: Her braid is
- 8:22SPEAKER_01: the way that she um the way that her medicine weaves together and her cloth is is
- 8:32SPEAKER_01: like at the end of a tarot you may have like the meaning of the card and her cloth
- 8:36SPEAKER_01: is that that's very simple i'm sure that um carolyn would put it differently i feel
- 8:44SPEAKER_01: i feel um
- 8:49SPEAKER_01: Yeah, honoured to be able to read these words, but also I feel my uncertain places of getting it right.
- 8:59SPEAKER_01: She had been wandering for a very long time across the bleak moors with the matted woman at her side.
- 9:06SPEAKER_01: She craved solitude, but of course the matted woman always came too.
- 9:11SPEAKER_01: How endlessly those grey days unfolded.
- 9:14SPEAKER_01: walking with the tenacious matted woman,
- 9:17SPEAKER_01: following so close behind,
- 9:18SPEAKER_01: treading on her heels,
- 9:20SPEAKER_01: breathing down her neck,
- 9:21SPEAKER_01: plucking at her shoulders,
- 9:22SPEAKER_01: pressing so near.
- 9:24SPEAKER_01: She hated that hand-trembling, jaw-clenching creature she had made.
- 9:29SPEAKER_01: She loathed its persistent keening and its droning voice that dulled her senses.
- 9:35SPEAKER_01: She was trapped by the wounds and weaknesses of the matted woman, and she despaired of ever being free.
- 9:43SPEAKER_01: She tried to walk but the matted woman grabbed her legs and she struggled to drag
- 9:47SPEAKER_01: the heavy weight over the ground.
- 9:49SPEAKER_01: She needed to rest but the matted woman lay across her body, plucking, clutching, claiming her.
- 9:57SPEAKER_01: Oh, I'm really feeling that.
- 9:58SPEAKER_01: I'm really feeling my own lack of attendance to places in myself that then become
- 10:07SPEAKER_01: entities in their own right.
- 10:09SPEAKER_01: And I can't move for them.
- 10:11SPEAKER_01: The sound of my voice, the whining of my voice or the complaining or the blocked places.
- 10:18SPEAKER_01: I'm really, really feeling them.
- 10:24SPEAKER_01: I'm not going to read all of it.
- 10:25SPEAKER_01: I'm going to read a little bit of her braid.
- 10:29SPEAKER_01: Here is the midwife of everything that ends and breaks.
- 10:33SPEAKER_01: The last fibres of life are laid across her hands as fragile threads and she is
- 10:39SPEAKER_01: turning them onto her winding spool,
- 10:41SPEAKER_01: measuring out the passing time.
- 10:45SPEAKER_01: She spins the endless fibres of human lives towards their endings,
- 10:49SPEAKER_01: marked with black feathers hanging from the spool.
- 10:53SPEAKER_01: She is dissolved, dismembered and dismantled by her wounds.
- 11:00SPEAKER_01: A mourning skirt is patched with the tattered fragments of women's sad stories.
- 11:05SPEAKER_01: Into this compassionate cloth are caught words that describe hard journeys, shadows and tears.
- 11:15SPEAKER_01: Really thinking of all your hard journeys, sisters.
- 11:19SPEAKER_01: Really thinking of all the stories that you hold in your hearts and your bodies.
- 11:30SPEAKER_01: Yeah,
- 11:30SPEAKER_01: I'm feeling like,
- 11:32SPEAKER_01: let's bring our stories to the fire,
- 11:34SPEAKER_01: let's bring our stories to the light,
- 11:36SPEAKER_01: let's share our stories.
- 11:41SPEAKER_01: Those ragged shreds are saved from disintegrating completely as women's lives are
- 11:47SPEAKER_01: sewn onto the cloth and the memories of them made stronger.
- 11:51SPEAKER_01: Because their sorrows are not forgotten, the mother lines of women become healed.
- 11:56SPEAKER_01: The black moon presides over scarred wounds and mourning skirts.
- 12:00SPEAKER_01: A woman may travel inside the waning light and the darkening night and be revealed
- 12:05SPEAKER_01: only inside of shadows as her circle road moves on.
- 12:12SPEAKER_01: I think it's really a cultural thing that we hide our scars and if we can bear to
- 12:23SPEAKER_01: reveal them and share them and if there are more and more places where those
- 12:28SPEAKER_01: those scars can be seen and keened over and loved I think it's really good for us
- 12:38SPEAKER_01: her cloth loneliness is our precious gift solitude can give us back time we have
- 12:44SPEAKER_01: lost and a wide empty space in which to wander without purpose or constraint in
- 12:50SPEAKER_01: this place all life slows and becomes suspended
- 12:56SPEAKER_01: That's what we miss when we switch on our screens,
- 13:02SPEAKER_01: when we distract for 10 minutes,
- 13:03SPEAKER_01: for half an hour,
- 13:04SPEAKER_01: for 12 hours,
- 13:05SPEAKER_01: whatever with a screen.
- 13:07SPEAKER_01: We're missing that dropping into solitude.
- 13:12SPEAKER_01: Like the fear of loneliness and the desire for distraction keeps us up.
- 13:20SPEAKER_01: of year because Christmas is coming with all of its razzmatazz and it's going to
- 13:25SPEAKER_01: try and do that but we're going to hold on tight to our connection with the fire
- 13:31SPEAKER_01: and to our solitude and our tending our sadnesses.
- 13:42SPEAKER_01: We may be thinned out by the work of letting go.
- 13:45SPEAKER_01: There is so much scraped away from us, more than we could have imagined and in ways we never anticipated.
- 13:52SPEAKER_01: We've been left only with these gaping, hungry wounds.
- 13:57SPEAKER_01: but there is release in the diamond clarity of being stripped to the core.
- 14:02SPEAKER_01: Perhaps only in this moment,
- 14:03SPEAKER_01: with nearly everything peeled away,
- 14:05SPEAKER_01: do we truly understand the value of what remains.
- 14:09SPEAKER_01: And grief will pursue us if we try to avoid the sorrow of our wounds.
- 14:14SPEAKER_01: It will sit quietly, working its roots down into our souls.
- 14:19SPEAKER_01: But when we are wrapped in quiet isolation, we may walk more closely to our sorrows
- 14:24SPEAKER_01: and come to understand the nature of the journey that we share.
- 14:28SPEAKER_01: We know that in the end our wounds have the power to change us and we will find
- 14:33SPEAKER_01: relief in this haven of wept tears.
- 14:36SPEAKER_01: True isolation may take us to liberation, a liberation we did not even know was there.
- 14:42SPEAKER_01: The protection given to us by solitude is without measure.
- 14:45SPEAKER_01: Let us be unafraid to be alone.
- 14:48SPEAKER_01: Loneliness will still be holding us with tender care when all other arms have dropped away.
- 14:57SPEAKER_01: You know,
- 14:57SPEAKER_01: just before I was recording this podcast,
- 15:01SPEAKER_01: my son rang and wants to stay with his girlfriend tonight.
- 15:04SPEAKER_01: And I could feel the joy of being alone and also the... of being alone.
- 15:10SPEAKER_01: And I'm remembering my friend Emma saying about putting...
- 15:17SPEAKER_01: You can put your hands on your heart and it will give you the same feedback loop if
- 15:22SPEAKER_01: you put your hands across your chest.
- 15:24SPEAKER_01: For a couple of minutes, it'll give you the same feedback loop as a hug.
- 15:32SPEAKER_01: So if you just put your hands across your chest and know that we can give ourselves
- 15:39SPEAKER_01: everything that we need with our own hands on our own bodies.
- 15:49SPEAKER_01: Indeed,
- 15:50SPEAKER_01: these are the places that we need to practice with and hold so that we can be in
- 15:55SPEAKER_01: good relationship with all and everything.
- 15:59SPEAKER_01: And I'm remembering that Carolyn shared at the weekend that she,
- 16:05SPEAKER_01: when she'd finished the paintings,
- 16:06SPEAKER_01: she went to the remotest part of these islands that she could,
- 16:10SPEAKER_01: very far north,
- 16:12SPEAKER_01: up to the highlands and a ferry to an island and to give thanks to
- 16:18SPEAKER_01: the women who had come through and manifested in these paintings?
- 16:28SPEAKER_01: Where's the most isolated place that we could go to so that we could really,
- 16:35SPEAKER_01: we can really deeply listen and give thanks?
- 16:44SPEAKER_01: So this,
- 16:45SPEAKER_01: these new books,
- 16:46SPEAKER_01: she actually had two books,
- 16:47SPEAKER_01: but I just bought one because,
- 16:49SPEAKER_01: um,
- 16:50SPEAKER_01: you know,
- 16:51SPEAKER_01: you know how it is.
- 16:53SPEAKER_01: Um, but I'm very much looking forward to, uh, getting the other one as well.
- 16:57SPEAKER_01: But this book, Book of Hag, it's, it's Pete and Pete's spelled P-E-A-T.
- 17:04SPEAKER_01: And it's, uh,
- 17:06SPEAKER_01: It's threaded through with many other stories.
- 17:10SPEAKER_01: It's got a story of a woman called Pete threaded through it and I haven't read it properly yet.
- 17:19SPEAKER_01: But I've got it in my hands and it feels good in my hands.
- 17:23SPEAKER_01: I'm going to read a little bit to you and I want to thank you Carolyn for saying
- 17:28SPEAKER_01: yes to me reading some of your work in this way and I hope I
- 17:35SPEAKER_01: do it justice.
- 17:38SPEAKER_01: But before I read from the book,
- 17:39SPEAKER_01: I want to share with you how it was to walk into that room and to see these 14
- 17:47SPEAKER_01: women painted in a semicircle in this huge room.
- 17:52SPEAKER_01: They were so bright and so alive, all hags, all older.
- 17:59SPEAKER_01: And I was breathless with the
- 18:06SPEAKER_01: reflection of older women filled with life and magic and majesty.
- 18:14SPEAKER_01: And it wasn't really until that moment that I had given much thought to that fact
- 18:20SPEAKER_01: that I hadn't seen that,
- 18:22SPEAKER_01: that that's not in our culture,
- 18:27SPEAKER_01: in our way.
- 18:29SPEAKER_01: And she's birthed this whole
- 18:31SPEAKER_01: this whole new mythology for us to live into of 14 magical spirit women who we can
- 18:43SPEAKER_01: connect with,
- 18:44SPEAKER_01: who can hold us,
- 18:45SPEAKER_01: who...
- 18:46SPEAKER_01: We can listen to and sing for and worship and leave offerings to and enjoy walking our hag road.
- 18:55SPEAKER_01: Enjoy walking forward, getting older and older and older and older and really enjoy it.
- 19:08SPEAKER_01: So this book, I'm just going to open it.
- 19:10SPEAKER_01: It's black.
- 19:11SPEAKER_01: It's as black as peat, my friends.
- 19:14SPEAKER_01: Oh, the first bit.
- 19:15SPEAKER_01: It says a note about the proto-Celtic language.
- 19:18SPEAKER_01: Now, Carolyn's got a dictionary I've got here called Her Bone Bundle.
- 19:24SPEAKER_01: being a lyrical exploration into the mythic spirit of the 4,000-year-old
- 19:30SPEAKER_01: proto-Celtic ancestral mother tongue and her imaginative reawakening for song,
- 19:36SPEAKER_01: celebration and ceremony of the wild earth.
- 19:41SPEAKER_01: It's a book of words.
- 19:43SPEAKER_01: It's so precious.
- 19:46SPEAKER_01: This language that was spoken on this land,
- 19:51SPEAKER_01: And it was they emerged from the early Bronze Age.
- 19:54SPEAKER_01: I'm reading from Pete now.
- 19:56SPEAKER_01: They emerged from the early Bronze Age of Central Europe,
- 19:59SPEAKER_01: then travelled northwest to reach the islands of Britain,
- 20:03SPEAKER_01: where they were later re-spun into the Celtic languages.
- 20:06SPEAKER_01: So this is before proto-Celtic, before Celtic languages.
- 20:11SPEAKER_01: It ceased to be a living language,
- 20:13SPEAKER_01: but has been partly reconstructed by academic linguists,
- 20:16SPEAKER_01: resulting in a series of detailed but dry lexicons.
- 20:20SPEAKER_01: Not this one.
- 20:22SPEAKER_01: Not this little book of Carolin's.
- 20:24SPEAKER_01: Since I slipped into the lap of this language,
- 20:28SPEAKER_01: I have been working to reawaken these bone words,
- 20:31SPEAKER_01: to kindle the life inside their marrow and to burnish their meanings.
- 20:35SPEAKER_01: So we might use them to anchor the ancestral resonances of the land,
- 20:40SPEAKER_01: to communicate with the spirits of wild nature and to honour the sacred earth.
- 20:46SPEAKER_01: So I'm just going to open this book of words at random and pick a word for you.
- 20:53SPEAKER_01: Ludo, hindrance, obstacle on the trail.
- 20:57SPEAKER_01: Ludo.
- 20:58SPEAKER_01: Hmm.
- 21:05SPEAKER_00: Walna, lead, guide.
- 21:11SPEAKER_00: Wallow, wall.
- 21:14SPEAKER_00: Wamba, womb.
- 21:17SPEAKER_00: Wanda, tears.
- 21:23SPEAKER_01: And I could go on and on.
- 21:26SPEAKER_01: But I think if you can get hold of one of these books,
- 21:29SPEAKER_01: Her Bone Bundle,
- 21:30SPEAKER_01: and just use these words out loud.
- 21:32SPEAKER_01: Sometimes I put them in my stories.
- 21:33SPEAKER_01: Sometimes I just say them out loud by the fire.
- 21:37SPEAKER_01: So it's an offering, a remembering.
- 21:45SPEAKER_01: I want to read some things from this book before you go.
- 21:54SPEAKER_01: And I want to find something.
- 21:56SPEAKER_01: Here we go.
- 21:57SPEAKER_01: What should I read?
- 22:02SPEAKER_01: There's in here, I'm not going to read it out to you, but but in here she talks about the rules of hag.
- 22:07SPEAKER_01: And in the first book, there were more rules of hag.
- 22:10SPEAKER_01: And she read this this extract and she talked about losing a fanny hair.
- 22:16SPEAKER_01: that it's something that your armpit and your funny hair falls out when you're older.
- 22:19SPEAKER_01: I remember that looking after my gran,
- 22:23SPEAKER_01: which reminded me that my gran's party trick when we were younger,
- 22:29SPEAKER_01: when we had parties,
- 22:32SPEAKER_01: she would,
- 22:32SPEAKER_01: if we were having a family party and someone might be playing the piano or,
- 22:38SPEAKER_01: you know,
- 22:38SPEAKER_01: things going on,
- 22:39SPEAKER_01: everyone had their little thing that they would do,
- 22:41SPEAKER_01: she would disappear for a while and she would come back dressed in a nappy.
- 22:45SPEAKER_01: she would come back like totally naked except for a nappy and a dummy and she'd
- 22:50SPEAKER_01: kind of sit on people's laps and um and as weird or wonderful as that sounds I
- 22:57SPEAKER_01: think we should bring back all bringing something to a party or whether it's a few
- 23:02SPEAKER_01: words my my friend Billy the Celt was telling me that he used to play in Scotland
- 23:07SPEAKER_01: when they were younger it would be like spin the bottle and when the bottle landed
- 23:10SPEAKER_01: on you you did your turn whatever it was it could be a
- 23:13SPEAKER_01: a tap dance or a recipe or a piece of advice or something like that and that feels
- 23:18SPEAKER_01: good to me so yeah and i sat down for this i'm going to read this um hymn of the 14
- 23:28SPEAKER_01: to honor these um these 14 paintings that is in this book but when i i sat down um
- 23:35SPEAKER_01: in the evening to once again be in the presence of these amazing paintings and
- 23:40SPEAKER_01: caroline was singing
- 23:43SPEAKER_01: I'd wanted to look impressive,
- 23:46SPEAKER_01: so I'd worn some boots that I hadn't worn for ages,
- 23:49SPEAKER_01: and they'd given me a right old blister.
- 23:51SPEAKER_01: I could barely walk by the time I got there.
- 23:54SPEAKER_01: And I sat down next to a woman, Fiona, and I was saying, oh, I've got blister.
- 24:01SPEAKER_01: and um oh she said you need a compede and I thought for a minute compede I know
- 24:04SPEAKER_01: that word compede I thought I've got one in my wallet um don't know why maybe from
- 24:11SPEAKER_01: a blister years ago but I had a very old blister plaster a compede in my wallet and
- 24:17SPEAKER_01: I got it out and she said are you it's saying something isn't it when the latex in
- 24:21SPEAKER_01: your wallet is a is a blister plaster and um I thought I'd just mention that as
- 24:27SPEAKER_01: it's um uh
- 24:31SPEAKER_01: relevant to this hag road that we are walking,
- 24:34SPEAKER_01: to this older walking into the thrill and the depth and the wonder and the majesty
- 24:44SPEAKER_01: and the wisdom and the presence of becoming older.
- 24:51SPEAKER_01: Hymn of the Fourteen
- 24:54SPEAKER_01: We have no map of this dying forest until we find a fragment of bark that leads us
- 24:59SPEAKER_01: to a shred of leaves,
- 25:01SPEAKER_01: that points us towards a wither of buds,
- 25:03SPEAKER_01: that marks us for a ruin of petals,
- 25:06SPEAKER_01: that guides us to a crush of berries,
- 25:09SPEAKER_01: that shows us where a shrivel of seeds has been cast so neglectfully around.
- 25:14SPEAKER_01: We collect all these scraps into a mound.
- 25:17SPEAKER_01: Our desolate hands are strengthened by the pure touch of them, the extraordinary promise of them,
- 25:23SPEAKER_01: Our fingers understand that grace exists within this pile of broken forest.
- 25:30SPEAKER_01: We have no song to offer to the forest until we hear a murmur of light that leads
- 25:35SPEAKER_01: us to a whisper of breeze,
- 25:37SPEAKER_01: that points us towards a caress of warmth,
- 25:40SPEAKER_01: that marks for us a hint of moisture,
- 25:42SPEAKER_01: that guides us to a sigh of green,
- 25:45SPEAKER_01: that shows us where a fragile melody has fallen shattered beside our mound.
- 25:52SPEAKER_01: We gather the pieces of music into our mouths.
- 25:55SPEAKER_01: Our hungry voices are nourished by the pure taste of them, the delicate possibility of them.
- 26:01SPEAKER_01: Our bodies understand that strength exists within these scatterings of forgotten songs.
- 26:07SPEAKER_01: We have no dream to place into our song until we hear an honesty of sadness that
- 26:14SPEAKER_01: leads us to an acceptance of confusion,
- 26:17SPEAKER_01: that points us towards an empathy of fear,
- 26:19SPEAKER_01: that marks for us a resilience of kindness,
- 26:23SPEAKER_01: that guides us to a generosity of heart,
- 26:25SPEAKER_01: that shows us where the love we already carry has awakened something in the dying
- 26:31SPEAKER_01: forest mound.
- 26:33SPEAKER_01: Beautiful.
- 26:33SPEAKER_01: It's like
- 26:57SPEAKER_01: Yeah,
- 26:58SPEAKER_01: I remember reading a story of Carolyn's many years ago and there was a song and it
- 27:05SPEAKER_01: was very broken and then in the singing,
- 27:07SPEAKER_01: the song mended itself.
- 27:10SPEAKER_01: And there's a story in the first book,
- 27:14SPEAKER_01: it's called The Cosmic Lost and Found,
- 27:16SPEAKER_01: I think,
- 27:17SPEAKER_01: where a woman's lost all her songs and the woman from the Bureau of the Lost and
- 27:24SPEAKER_01: Found
- 27:25SPEAKER_01: makes a little net and says, just try, just, just try to make some sounds and maybe they'll come out.
- 27:31SPEAKER_01: Maybe I can catch them.
- 27:32SPEAKER_01: And as she starts to sing, the, um, the sounds come out and the songs come out and she does catch them.
- 27:39SPEAKER_01: Oh gosh, I'm lifting my drum up.
- 27:44SPEAKER_01: So I think I'm going to drum and I think I'm going to say, let's all, I feel shy.
- 27:50SPEAKER_01: So, um, let's make sounds together as I drum.
- 28:24SPEAKER_01: I found out this weekend I've got an irregular heartbeat,
- 28:26SPEAKER_01: which I put down to having a regular drumming pattern.
- 28:33SPEAKER_01: But I think it's so important for us to make those sounds because they're our bodies speaking.
- 28:41SPEAKER_01: They're our bodies coming right up from our root, going out onto the land, making these sounds.
- 28:50SPEAKER_01: We're coming back to life through our sound, through our creativity.
- 28:54SPEAKER_01: I really believe that.
- 28:55SPEAKER_01: I really feel that.
- 28:56SPEAKER_01: And I really feel inspired by the way that Carolyn Hillier has been producing work
- 29:03SPEAKER_01: that we can connect with so deeply.
- 29:07SPEAKER_01: And I've been inspired by the way she's been anchored by the land.
- 29:12SPEAKER_01: And I've got a stick and I'm going to intend it with my dreaming for this winter,
- 29:20SPEAKER_01: for all that I want this winter to contain,
- 29:22SPEAKER_01: for my wildest dreams.
- 29:25SPEAKER_01: And I'm going to go to Brides Mound, a place that I've been visiting a lot on the edges of Glastonbury.
- 29:32SPEAKER_01: And I'm going to bury it there and I'm going to ask Bridie, who's a Celtic goddess.
- 29:37SPEAKER_01: She's a Celtic goddess of poets and bards and blacksmiths.
- 29:44SPEAKER_01: And she has this image of a swan.
- 29:47SPEAKER_01: A swan is her companion.
- 29:50SPEAKER_01: And I'm going to ask her to help me anchor my wild dreams of this winter.
- 29:56SPEAKER_01: So I'm going to read a little bit more to you.
- 30:01SPEAKER_01: Oh.
- 30:03SPEAKER_01: But touching drum, I'll read this to you.
- 30:05SPEAKER_01: Where's it going?
- 30:06SPEAKER_01: Here we go.
- 30:09SPEAKER_01: Yeah, and then I'm going to spend the winter reading this book.
- 30:11SPEAKER_01: I'm going to savour it and read it to you.
- 30:15SPEAKER_01: Ooh, that wasn't the bit.
- 30:21SPEAKER_01: I was going to read, but it's opened on that page and it seems to not want to budge from it.
- 30:26SPEAKER_01: So here we go.
- 30:27SPEAKER_01: A gift quite as precious as life.
- 30:31SPEAKER_01: The bear Shidi is stunning.
- 30:34SPEAKER_01: She has transformed since the last time I saw her and the shrine is now wildly, wildly vibrant.
- 30:41SPEAKER_01: The bear wears woven wool in beautiful colours, rich purple, sky blue and leaf green.
- 30:48SPEAKER_01: The flap of ribbons and prayer rags,
- 30:51SPEAKER_01: the flutter of silver hair flying unbound,
- 30:55SPEAKER_01: the glisten of stones on the cairn,
- 30:57SPEAKER_01: the quartz in each pebble enlivened by rain.
- 31:02SPEAKER_01: There are small, pure white skulls spinning on threads from the branches.
- 31:07SPEAKER_01: Otter, badger and fox now rest in the arms of the Shidi.
- 31:13SPEAKER_01: Their bones bob delicately in the breeze.
- 31:16SPEAKER_01: The mood at the shrine is celebratory and bright.
- 31:20SPEAKER_01: The Shidi bear is dancing and the land all around dances with her.
- 31:24SPEAKER_01: You feel your body's moving?
- 31:25SPEAKER_01: My body's starting to move.
- 31:28SPEAKER_01: The birch trees are studded with tiny buds waiting to open.
- 31:32SPEAKER_01: Winter was long and slow to arrive, but the spring, just like me, is returning with lightness and ease.
- 31:39SPEAKER_01: Tendrils of gratitude float in the air,
- 31:42SPEAKER_01: away from the awakening season,
- 31:46SPEAKER_01: from nature in her greening,
- 31:48SPEAKER_01: from my own peaceful heart.
- 31:51SPEAKER_01: I set down my bundle, unstrap the drum and take off my boots.
- 31:55SPEAKER_01: I peel away my coat, shawl and cold weather layers until I am standing there just in my old woman's skin.
- 32:03SPEAKER_01: The ink scars on my foot and hand shimmer darkly.
- 32:06SPEAKER_01: The one by my left eye is pulsing with power.
- 32:10SPEAKER_01: My hag body is exhausted, elated and chilled by this early spring day.
- 32:15SPEAKER_01: Oh, when did you last get naked outside and feel...
- 32:20SPEAKER_01: The chill of the grass on your feet and the breeze on your skin and the moon reflecting your flesh.
- 32:31SPEAKER_01: So good for us.
- 32:32SPEAKER_01: So good for us to do that.
- 32:33SPEAKER_01: Let's do it more.
- 32:37SPEAKER_01: I dance with the bear.
- 32:39SPEAKER_01: I dance with the land on the brink of the birthing of this abundant new life.
- 32:43SPEAKER_01: I dance for my journey as Pete and all that I found and was given and all that I will give in return.
- 32:50SPEAKER_01: I dance for that strange girl who shook up my journey of ageing.
- 32:53SPEAKER_01: with her untamed rebellious ways.
- 32:56SPEAKER_01: So loyal and steadfast and loving and brave,
- 32:59SPEAKER_01: my heart stretches tight as I dance,
- 33:01SPEAKER_01: brimming over with my love for her.
- 33:04SPEAKER_01: I dance for the 14 Muknawali, travelling as primordial women and roaming as ancestral wolves.
- 33:11SPEAKER_01: I dance for their prayers and their songs and their mystery.
- 33:14SPEAKER_01: I dance with the hope that I will not forget any of it.
- 33:17SPEAKER_01: I dance for the marshes and peatlands and mires, for the reeds and willows and sedges and moss,
- 33:23SPEAKER_01: for the heron wings and owl calls and deer feet that lace through my journey.
- 33:27SPEAKER_01: I dance for the trackway and platform and sitvan and tent,
- 33:31SPEAKER_01: for the coracle and kettle and needle and drum,
- 33:34SPEAKER_01: which all shaped my direction of travel and guided my way.
- 33:37SPEAKER_01: I dance for the powerful ice and the far distant edges of everything,
- 33:41SPEAKER_01: for the loss and fear and confusion and loneliness,
- 33:44SPEAKER_01: and for the return of hope.
- 33:48SPEAKER_01: Then I dance for dying and death.
- 33:50SPEAKER_01: This extraordinary knowing that there are women in the marshes hunting our spirits
- 33:54SPEAKER_01: and dreaming our journeys because they're hunters and dreamers.
- 33:57SPEAKER_01: Just putting my finger on the page there.
- 33:59SPEAKER_01: Because these 14 women, they're marsh women, she calls them.
- 34:04SPEAKER_01: And they're in pairs.
- 34:07SPEAKER_01: One is a hunter and one is a dreamer.
- 34:08SPEAKER_01: One is a hunter and one is a dreamer.
- 34:10SPEAKER_01: One is a hunter and one is a dreamer.
- 34:12SPEAKER_01: And they're there for us.
- 34:13SPEAKER_01: They're out there for us.
- 34:14SPEAKER_01: She's felt them and she's seen them and she's danced with them and she's sang for
- 34:18SPEAKER_01: them and she's listened to them and she's painted them for us.
- 34:22SPEAKER_01: And I'm so grateful.
- 34:23SPEAKER_01: I'm so grateful in this moment that you've brought a life for us,
- 34:28SPEAKER_01: Carolyn,
- 34:28SPEAKER_01: these women who can guide us on our journey and give us hope.
- 34:34SPEAKER_01: and and and keep us moving keep us moving in the natural ways back to the book
- 34:45SPEAKER_01: There are wolves out there waiting by the bend in the river to accompany us once we
- 34:49SPEAKER_01: have walked over the bridge.
- 34:51SPEAKER_01: And maybe this knowledge is a gift quite as precious as life.
- 34:54SPEAKER_01: So I dance for the Walikun with their daughters inside them,
- 34:58SPEAKER_01: knowing that one day my trail will curve around to find them again.
- 35:03SPEAKER_01: And I dance for you,
- 35:04SPEAKER_01: word sister,
- 35:05SPEAKER_01: who have stayed with this story through spiralling path and meandering time and
- 35:10SPEAKER_01: plenty of weather.
- 35:11SPEAKER_01: Oh,
- 35:12SPEAKER_01: I see that you too are dancing,
- 35:14SPEAKER_01: naked and joyful and free,
- 35:16SPEAKER_01: with spring at your heels as you head through the birch trees,
- 35:19SPEAKER_01: away and away.
- 35:20SPEAKER_01: Thank you for accompanying Pete through the marshes.
- 35:23SPEAKER_01: Until our next meeting, travel well.
- 35:27SPEAKER_01: Isn't that gorgeous?
- 35:28SPEAKER_01: And that's two-thirds of the way through the book, so there's just still so much more.
- 35:33SPEAKER_01: So, yeah, I'm really looking forward to my winter with that book.
- 35:43SPEAKER_01: Hmm.
- 35:45SPEAKER_01: Looking at the flames once more, thinking about you, my darlings, my darling listeners.
- 35:56SPEAKER_01: I think that's all.
- 35:58SPEAKER_01: All for today.
- 35:59SPEAKER_01: And next week, I think I'm going to read Arabian Nights.
- 36:08SPEAKER_01: So that will be something.
- 36:12SPEAKER_01: I was poorly and I remembered that Steiner said that when a child is ill to give
- 36:20SPEAKER_01: them really beautifully illustrated picture books to look at.
- 36:26SPEAKER_01: So I got down,
- 36:26SPEAKER_01: I've got,
- 36:28SPEAKER_01: I think there's nine volumes,
- 36:29SPEAKER_01: I've only got two of them,
- 36:31SPEAKER_01: of Arabian Nights,
- 36:33SPEAKER_01: Clothbound,
- 36:34SPEAKER_01: and Jane Ray,
- 36:35SPEAKER_01: who's a wonderful illustrator,
- 36:38SPEAKER_01: does the illustrations.
- 36:39SPEAKER_01: So I was looking at the illustrations to begin with,
- 36:41SPEAKER_01: but I'm word,
- 36:42SPEAKER_01: so I began to read the stories and they were so rich,
- 36:45SPEAKER_01: I thought,
- 36:45SPEAKER_01: yeah,
- 36:46SPEAKER_01: I'd love to do a podcast where I just read to you from Arabian Nights.
- 36:52SPEAKER_01: So this podcast comes out on Friday and on Sunday, my journey group starts, my online journey group.
- 37:03SPEAKER_01: And right now I've got a space left.
- 37:06SPEAKER_01: So if it's yours, jump in to email me, message me.
- 37:13SPEAKER_01: yeah any um any connection or sharing of your work of your dreaming i really love
- 37:21SPEAKER_01: to hear it but for now i'm getting my new ending sound effect ready to end this
- 37:28SPEAKER_01: podcast thanks for listening
- 37:38SPEAKER_01: You were listening to Mooney's Mythic Podcast, hosted by Sarah Mooney.