Latest / Movie Meltdown / 240: RoboRewatchability

Transcript

240: RoboRewatchability · Movie Meltdown

• 0:05
  Speaker 1: This is Fred Decker, director of the Monster Squad, and
• 0:08
  Speaker 1: you're listening to Movie Meltdown.
• 0:29
  Speaker 2: It's showtime.
• 0:30
  Speaker 3: The following feature has been rated R by the Motion
• 0:33
  Speaker 3: Picture Association of America.
• 0:35
  Speaker 4: It is intended for mature audiences and parental discretion is advised.
• 0:39
  Speaker 4: Our nuclear reactor pumping out one million kilowatts of power.
• 1:09
  Speaker 4: provide more cooling in the containment chamber.
• 1:11
  Speaker 5: To your stations, we have Movie Meltdown.
• 1:14
  Speaker 1: You now have 20 seconds to comply.
• 1:27
  Speaker 2: What's up, and welcome to Movie Meltdown. I'm Brian. I'm Beau.
• 1:30
  Speaker 2: And I'm Greg.
• 1:31
  Speaker 1: We're coming to you live via digital recording from Baxter
• 1:33
  Speaker 1: Avenue Theaters. And, um, this week we've got several new
• 1:38
  Speaker 1: people sitting in. Um, first we'll go with jen say
• 1:42
  Speaker 1: hello hello uh i have known you for years and
• 1:45
  Speaker 1: have been trying to rope you into this and i
• 1:48
  Speaker 1: found a good way to black man i mean convince
• 1:50
  Speaker 1: you this week so we've got you know we finally.
• 1:53
  Speaker 2: Made this happen so we will it's yeah.
• 1:56
  Speaker 1: It'll be exciting and uh you two i'll let you
• 1:59
  Speaker 1: introduce yourselves and and go into um what what has
• 2:02
  Speaker 1: brought you here i suppose because you've we usually start
• 2:05
  Speaker 1: off the show with, with a geek activity. And I
• 2:08
  Speaker 1: think your project is sort of, um, above and beyond
• 2:12
  Speaker 1: most people's geek activities. So I guess just introduce yourselves
• 2:16
  Speaker 1: and then you can go into what it is you're
• 2:19
  Speaker 1: putting together.
• 2:20
  Speaker 6: I'm Andrew. I do vocals for the three piece electronic
• 2:24
  Speaker 6: musical outfit with outfits, ultra pulverized based here in Louisville, Kentucky.
• 2:29
  Speaker 7: I'm Chris Vito, this man's brother, uh, AKA Tony robot, uh,
• 2:35
  Speaker 7: I played the beat machine and synthesizers and stuff in.
• 2:39
  Speaker 2: The same band. Instead of Robot Robot? It's a choice. Yeah.
• 2:43
  Speaker 2: It's how you want to go. Tomato, tomato. And technically,
• 2:47
  Speaker 2: we've sort of worked with you before because.
• 2:49
  Speaker 1: We've roped you into projects many years ago before this
• 2:52
  Speaker 1: was even a show in our little weird group.
• 2:54
  Speaker 2: So it's been a long time. Welcome back.
• 2:56
  Speaker 1: I don't remember this rope. Are you talking about.
• 2:58
  Speaker 2: Oh, the Moody Geek. Yeah. Okay.
• 3:01
  Speaker 1: It's a good rope.
• 3:02
  Speaker 8: I didn't remember.
• 3:02
  Speaker 1: That was there when we were doing the print magazine.
• 3:05
  Speaker 1: I believe you wrote something and threw it in the
• 3:07
  Speaker 1: mix there.
• 3:08
  Speaker 2: So it was a while.
• 3:09
  Speaker 1: I just, like, I knew the name clicked, and I
• 3:11
  Speaker 1: was like, I know he's done stuff with us in
• 3:13
  Speaker 1: the past.
• 3:14
  Speaker 2: It's just been a long, long time. It's good to
• 3:16
  Speaker 2: be back. Welcome back, yes.
• 3:18
  Speaker 9: So.
• 3:19
  Speaker 2: Geek activity?
• 3:21
  Speaker 1: What is it that you guys have taken upon yourselves?
• 3:23
  Speaker 2: You've done many with your band.
• 3:25
  Speaker 1: I'm at least familiar with you from your other projects
• 3:28
  Speaker 1: in the past, but this one seems very specific. We
• 3:32
  Speaker 1: re-scored Robocop. We made a whole new.
• 3:36
  Speaker 7: Score to the movie. It's a whole different experience from
• 3:40
  Speaker 7: start to finish. So I guess that's pretty doggone nerdy.
• 3:46
  Speaker 2: What prompted this is my question.
• 3:49
  Speaker 1: Well, Andrew had the idea.
• 3:50
  Speaker 7: He wanted us to score a movie a long time ago,
• 3:52
  Speaker 7: and Robocop was the first movie that came to our heads.
• 3:55
  Speaker 7: It's probably a movie we're most familiar with. It fulfills
• 4:00
  Speaker 7: a boyhood dream of dying horribly and then turning into
• 4:03
  Speaker 7: a broken robot.
• 4:05
  Speaker 2: I'm working on my own cyborg body, as I mentioned
• 4:08
  Speaker 2: on a recent episode. Soon I hope to be jammed
• 4:11
  Speaker 2: into it. Live long after I should be gone and
• 4:16
  Speaker 2: Do you.
• 4:16
  Speaker 10: Have to die a horrible death before you get gendered?
• 4:18
  Speaker 2: That's going to happen anyway.
• 4:20
  Speaker 1: I mean, I'm just being realistic there.
• 4:22
  Speaker 2: I'm trying to remember, though. I mean, you and I
• 4:24
  Speaker 2: had been kind of bouncing that idea back and forth
• 4:27
  Speaker 2: because I remember I approached you, I guess it was
• 4:29
  Speaker 2: like two, three years ago. It was a while back
• 4:32
  Speaker 2: when I'd said, hey, would you maybe want to do
• 4:35
  Speaker 2: a show at the theater one time? I think I
• 4:36
  Speaker 2: remember I was saying maybe it might be a silent
• 4:39
  Speaker 2: film or something. And you'd said that you all had
• 4:42
  Speaker 2: kind of come up with the idea of maybe wanting
• 4:43
  Speaker 2: to do Robocop. Yeah. It's been in the works for
• 4:47
  Speaker 2: a while, hasn't it?
• 4:48
  Speaker 6: Yeah, it took about a year figuring out what we
• 4:51
  Speaker 6: were going to do and how we were going to
• 4:52
  Speaker 6: pay ultimate tribute to the movie because we're all so
• 4:55
  Speaker 6: obsessed with that movie, we didn't want to half-step. So
• 4:59
  Speaker 6: it took like a year once we started working on it.
• 5:01
  Speaker 6: We were able to incorporate a lot of the sound
• 5:05
  Speaker 6: effects and dialogue and quotes. There's so many good quotes
• 5:10
  Speaker 6: in that movie, and there's so many that I'm obsessed with,
• 5:12
  Speaker 6: even not name quotes, which is... little things that are
• 5:15
  Speaker 6: said during the movie I really like. So we incorporate
• 5:17
  Speaker 6: a lot of that with electronic score and some of
• 5:20
  Speaker 6: that dialogue stuff sampled and stuff like that. Cause I
• 5:25
  Speaker 6: think it's cooler to hear Robocop rap or like Dick Jones,
• 5:29
  Speaker 6: just sampling Dick Jones to a beat and making him rap.
• 5:32
  Speaker 6: It seems more fun than like rapping about Dick Jones,
• 5:34
  Speaker 6: you know?
• 5:35
  Speaker 1: So do you, and again, I, I kind of have
• 5:38
  Speaker 1: to ask this cause I think the only, you've only
• 5:40
  Speaker 1: done it one other time, right?
• 5:41
  Speaker 4: Right.
• 5:42
  Speaker 2: I was outside.
• 5:43
  Speaker 1: I was working the door because Ryan had to go, like,
• 5:46
  Speaker 1: do something with you guys, I'm assuming. He had something
• 5:49
  Speaker 1: to do with the movie, and he was like, um,
• 5:51
  Speaker 1: can you watch this?
• 5:52
  Speaker 2: So, and there were tons of, like, everybody kept showing
• 5:54
  Speaker 2: up late, by the way. I felt like I needed
• 5:56
  Speaker 2: to start kicking them out after a while. I'm like, no, no,
• 5:58
  Speaker 2: you missed it. It's already started. Get lost.
• 6:00
  Speaker 1: But, seriously, it was like a good half hour in.
• 6:03
  Speaker 1: I'm still standing there taking people's tickets. Like, I'd see
• 6:05
  Speaker 1: some straggler come up. I'm like, well, I guess I'm
• 6:07
  Speaker 1: still on.
• 6:08
  Speaker 2: The clock here, so... So I missed the majority of it.
• 6:11
  Speaker 1: I could hear some bleeding out every once in a while.
• 6:14
  Speaker 1: So I do want to ask, how do you time
• 6:17
  Speaker 1: it out? Do you play over top of a lot
• 6:20
  Speaker 1: of it and then time out what you want to
• 6:22
  Speaker 1: come in as far as dialogue and sound effects?
• 6:25
  Speaker 6: We play over... The only thing that is baked into
• 6:29
  Speaker 6: the DVD really is dialogue that is untouched from the movie.
• 6:33
  Speaker 6: There's some stretches of dialogue that didn't have any score
• 6:36
  Speaker 6: underneath it. so that's the only thing that kind of
• 6:38
  Speaker 6: plays that's baked into the movie, but everything else we've
• 6:41
  Speaker 6: just rehearsed it. And I mean, Chris will, I mean,
• 6:45
  Speaker 6: Chris and Jared will both like, it'll just change on dime,
• 6:48
  Speaker 6: you know, like when the cut happens, like the beat
• 6:50
  Speaker 6: will change. And it's really cool to, cause I always liked,
• 6:53
  Speaker 6: I think another part too is wanting to do something
• 6:55
  Speaker 6: like that. Cause I always liked when you synced up,
• 6:58
  Speaker 6: when you played some random album with some random movie
• 7:00
  Speaker 6: and those things kind of sync, like that's always really cool.
• 7:03
  Speaker 6: And so to kind of purposefully, like, customize a soundtrack
• 7:06
  Speaker 6: to the movie, kind of get that same experience, you know?
• 7:10
  Speaker 1: I've had that in mind as an offshoot episode anyway, actually.
• 7:14
  Speaker 1: So start planning ahead for that. I kind of want
• 7:16
  Speaker 1: to just start picking two. I want to pick, like,
• 7:18
  Speaker 1: a classic film and a classic album and see if
• 7:21
  Speaker 1: they have, like, the whole Wizard of Oz, Dark Side
• 7:24
  Speaker 1: of the Moon effect.
• 7:25
  Speaker 6: There's a website called Synchronicity Archive. And there's like thousands
• 7:30
  Speaker 6: of combinations of stuff.
• 7:32
  Speaker 2: That people just post that they discover.
• 7:34
  Speaker 1: See, that's the thing. I don't think I wanted you there.
• 7:36
  Speaker 1: I want to pick random.
• 7:37
  Speaker 11: Yeah, it works.
• 7:38
  Speaker 6: You'd be surprised the random stuff.
• 7:40
  Speaker 7: We had great success by picking frogs with a mustache-less
• 7:44
  Speaker 7: Sam Elliott with Autobahn.
• 7:48
  Speaker 2: Interesting.
• 7:50
  Speaker 1: It's the only way to watch frogs.
• 7:52
  Speaker 6: It was pretty awesome.
• 7:54
  Speaker 2: They're going to put that on the box now. It's
• 7:56
  Speaker 2: the only way to watch frogs.
• 7:58
  Speaker 6: But anyway, so maybe subconsciously that was kind of, you know,
• 8:00
  Speaker 6: because there is some of that, like, it seems, I mean,
• 8:04
  Speaker 6: obviously it's purposeful, but it's still, it's cool to see it, like,
• 8:07
  Speaker 6: just cut right to the movie a lot of times
• 8:08
  Speaker 6: and stuff. Because I would be disappointed if I went
• 8:11
  Speaker 6: to see Robocop and I didn't hear certain lines. You
• 8:14
  Speaker 6: know what I mean? Like, I'd be like, yeah, it
• 8:15
  Speaker 6: was cool, but I really wish I would have heard
• 8:18
  Speaker 6: Ed 209's walk sound or, like, you know. bitches leave
• 8:23
  Speaker 6: you know can you fly bobby and shit like that
• 8:26
  Speaker 6: like you gotta hear that when i watch the movies
• 8:28
  Speaker 6: that movie.
• 8:28
  Speaker 7: Really lends itself to being scored re-scored obviously it got
• 8:32
  Speaker 7: scored at one point but just because there's so many
• 8:35
  Speaker 7: there are so many grand entrances that when we were
• 8:38
  Speaker 7: watching it with the sound down and trying to think
• 8:40
  Speaker 7: of what we were going to do to it i
• 8:41
  Speaker 7: was like oh i can't wait to put something over
• 8:43
  Speaker 7: ed to and i'm walking in the boardroom and ruin
• 8:45
  Speaker 7: everybody's day and and when robocop walks in the convenience
• 8:48
  Speaker 7: store and all that kind of stuff so i don't
• 8:50
  Speaker 7: know it just it begged to be for us to
• 8:52
  Speaker 7: put stuff on it.
• 8:54
  Speaker 6: And he was able to sample a lot of the
• 8:56
  Speaker 6: sound effects and, like, make a beat out of it. So, like,
• 8:58
  Speaker 6: make a beat out of Ed 209's, like, mechanical sounds
• 9:02
  Speaker 6: and stuff. So it really is, it's like Robocop 2. It's, like,
• 9:05
  Speaker 6: the ultimate audio tribute to the movie. And not that
• 9:09
  Speaker 6: I didn't think the original score was cool. It's not
• 9:11
  Speaker 6: like we're trying to improve it. It's just a totally
• 9:12
  Speaker 6: different thing, you know. It's like, you know.
• 9:15
  Speaker 1: That's kind of what I was wondering at the door
• 9:18
  Speaker 1: there watching it because that brought in a whole lot
• 9:21
  Speaker 1: of people that were quite a bit younger.
• 9:23
  Speaker 2: And I was wondering if there were kids there that
• 9:25
  Speaker 2: hadn't seen it regular before. I don't know.
• 9:28
  Speaker 1: What do you think the experience would be like if
• 9:30
  Speaker 1: you just went in cold having not even been familiar
• 9:33
  Speaker 1: with the movie?
• 9:35
  Speaker 2: I wonder.
• 9:35
  Speaker 1: I know that there are a couple of people that
• 9:37
  Speaker 1: that was their first time seeing Robocop. Yeah.
• 9:40
  Speaker 4: I don't know.
• 9:40
  Speaker 1: I feel like that's kind of wrong.
• 9:42
  Speaker 2: I mean, that's just sad. Their life in general is
• 9:45
  Speaker 2: really sad. Exactly.
• 9:47
  Speaker 6: You have a much bigger problem on your hands. This
• 9:51
  Speaker 6: is the first time you've seen Robocop. You can't heal
• 9:54
  Speaker 6: that wound.
• 9:55
  Speaker 2: That's true.
• 9:56
  Speaker 7: I mean, this war is so recognizable that it is
• 9:58
  Speaker 7: intimidating to approach it, but it it's just it was
• 10:01
  Speaker 7: fun to do something different with it and now i
• 10:03
  Speaker 7: haven't seen the movie without our stuff on in so
• 10:05
  Speaker 7: long i've i'm like oh that's what the robocop theme.
• 10:08
  Speaker 6: Sounds that's how obsessed we are with the movie because
• 10:10
  Speaker 6: i've I've seen this movie now more times than I
• 10:13
  Speaker 6: ever thought I would, even when I watch it all
• 10:15
  Speaker 6: the time anyway. And it's like, you know what we
• 10:17
  Speaker 6: should do? We should really get together and watch Robocop sometime.
• 10:19
  Speaker 6: I mean, with the original audio, you know, because we
• 10:21
  Speaker 6: haven't heard it in so long.
• 10:22
  Speaker 2: That's all we do.
• 10:23
  Speaker 1: It's like, oh my God.
• 10:24
  Speaker 6: We still want to see this movie. Like, that's how
• 10:27
  Speaker 6: awesome of a movie it is and how obsessed we
• 10:28
  Speaker 6: are with it. But before I forget, I think that's
• 10:31
  Speaker 6: one reason why we included some of the original audio
• 10:35
  Speaker 6: from the movie is so that if it was your
• 10:37
  Speaker 6: first time seeing it, that.
• 10:40
  Speaker 4: You at least.
• 10:41
  Speaker 6: kind of pick up our little plot points here and
• 10:44
  Speaker 6: there and at least know some of it. We didn't
• 10:46
  Speaker 6: want to totally lose people if it was the first
• 10:47
  Speaker 6: time seeing it.
• 10:50
  Speaker 2: But there's never any point to where the score just
• 10:52
  Speaker 2: drops out completely and it's just dialogue. It's pretty much constant.
• 10:57
  Speaker 6: Maybe just a few seconds here and there.
• 11:00
  Speaker 2: Yeah, but I didn't think anything would be like a
• 11:01
  Speaker 2: minute or two or anything along that line.
• 11:04
  Speaker 10: I've been trying to think just sitting here. I don't
• 11:07
  Speaker 10: think story-wise, even if The original score and even dialogue
• 11:13
  Speaker 10: wasn't in it. I think you could pretty much flesh
• 11:16
  Speaker 10: out the storyline pretty well with completely silent. I think
• 11:20
  Speaker 10: it's one of those movies that, you know, it's pretty
• 11:23
  Speaker 10: basic enough that you could figure out on your own.
• 11:25
  Speaker 2: And it's very visual. Yeah. Oh, yeah.
• 11:27
  Speaker 1: I mean, you can make out a lot of the
• 11:29
  Speaker 1: basics just based on the way that he shoots it.
• 11:32
  Speaker 2: I mean, you really, yeah. The dialogue's fun, but you
• 11:36
  Speaker 2: can kind of piece it together. And it's also cool.
• 11:38
  Speaker 6: It makes what we're doing kind of seem more of
• 11:40
  Speaker 6: a part of the movie when you hear our music
• 11:42
  Speaker 6: underneath somebody talking. It kind of makes it seem like
• 11:48
  Speaker 6: it's part of it more, too.
• 11:50
  Speaker 2: So is the original score totally wiped out of your version?
• 11:54
  Speaker 7: There's one part where Robocop's busting up the Coke factory
• 12:01
  Speaker 7: that we sample some of the score from the movie.
• 12:04
  Speaker 1: But how hard was it to get a clear copy,
• 12:08
  Speaker 1: to just get it without the score? Oh, you mean
• 12:11
  Speaker 1: the sections with just the dialogue? Or just the movie
• 12:14
  Speaker 1: that you've got running without the score going on? Isn't
• 12:18
  Speaker 1: most of it embedded so far into the movie?
• 12:20
  Speaker 2: I was going to say, that's actually, I guess when
• 12:21
  Speaker 2: we play it, is most of the time, is the
• 12:23
  Speaker 2: audio just like down? Or I'm assuming it's just basically,
• 12:27
  Speaker 2: it's completely silent.
• 12:28
  Speaker 6: Yeah, there's like, long stretches of silence as part of
• 12:32
  Speaker 6: that DVD track. There's only like, you know, the parts
• 12:34
  Speaker 6: here and there that, that are in, you know, that
• 12:37
  Speaker 6: are needed or whatever.
• 12:37
  Speaker 7: And you're talking about like movies, easy to follow as
• 12:41
  Speaker 7: it is.
• 12:41
  Speaker 1: I just thought of somebody, thought of somebody being lost
• 12:43
  Speaker 1: in Robocop. Like, I don't get it.
• 12:45
  Speaker 7: Like there's this guy and it's his first day at
• 12:47
  Speaker 7: work and they show him getting murdered.
• 12:49
  Speaker 1: And then his story's over.
• 12:53
  Speaker 2: Where's that other guy? I haven't seen him in like
• 12:56
  Speaker 2: an hour.
• 12:58
  Speaker 6: He's going to his house?
• 13:00
  Speaker 2: What's this? I'm not stuck.
• 13:02
  Speaker 6: In this family.
• 13:04
  Speaker 2: It's actually a Kirtwood Smith movie. Well, I mean, it
• 13:07
  Speaker 2: kind of is.
• 13:10
  Speaker 6: It's funny about Kirtwood Smith because younger kids know him
• 13:13
  Speaker 6: as the dad from that silly show. And to me,
• 13:16
  Speaker 6: it was the opposite when I was like, Clarence Boddicker
• 13:19
  Speaker 6: is the dad on some sitcom. He will always be
• 13:22
  Speaker 6: Clarence Boddicker to me. And so it's weird. Younger kids
• 13:26
  Speaker 6: have kind of laughed at Clarence Boddicker like, the dad
• 13:29
  Speaker 6: from that Sunday show, I'm like, boy, don't you laugh
• 13:31
  Speaker 6: at Clarence.
• 13:33
  Speaker 2: You were learned.
• 13:34
  Speaker 6: Are you insane? He's like the baddest.
• 13:36
  Speaker 10: He was intimidating.
• 13:40
  Speaker 1: Luckily, even as a sitcom dad, he's kind of a jackass.
• 13:43
  Speaker 1: It's not too far off. It's like, you know, if
• 13:46
  Speaker 1: he'd given a few years, he settled down, you know.
• 13:49
  Speaker 2: He's one of those fun villains like, you know, Frank
• 13:51
  Speaker 2: Booth in Blue Velvet where it's like, you can laugh
• 13:54
  Speaker 2: at him at the same time. It's like, he's terrifying too.
• 13:56
  Speaker 2: He's frightening. And I like the fact that, you know,
• 13:59
  Speaker 2: I don't know whether it was like, you know, Verhoeven
• 14:02
  Speaker 2: came up with the idea, it was written in the script,
• 14:04
  Speaker 2: or Kirtwood Smith came up with it, but, like, the
• 14:06
  Speaker 2: fact that he's this major villain that has, like, glasses,
• 14:09
  Speaker 2: you know, adding, like, that weird little nerdy touch to it,
• 14:12
  Speaker 2: because you typically don't see that, you know, with a villain,
• 14:14
  Speaker 2: you know, especially in 80s films and stuff like that.
• 14:17
  Speaker 2: I just like that little touch that they gave the character.
• 14:20
  Speaker 2: Don't know if it was intentional or it was just incidental,
• 14:23
  Speaker 2: but I always appreciate it.
• 14:26
  Speaker 7: I like when they give villains vulnerabilities because it's like,
• 14:28
  Speaker 7: If I was hanging out with this guy, and he had, like,
• 14:31
  Speaker 7: a quaddo coming out of his stomach, I'd always be
• 14:33
  Speaker 7: wanting to look.
• 14:33
  Speaker 1: At it, and that would be an intimidation, like, point
• 14:36
  Speaker 1: for him. Like, you looking at my quad? I'm like, never.
• 14:38
  Speaker 12: I was, no.
• 14:39
  Speaker 1: He'd be like, uh, excuse me, my eyes are up here. Well,
• 14:43
  Speaker 1: you got some down there, too, technically.
• 14:44
  Speaker 2: But anyway, sorry.
• 14:46
  Speaker 6: He's kind of got those, like, Raiders of the Lost Ark,
• 14:49
  Speaker 6: bad guy Nazi glasses, you know?
• 14:52
  Speaker 2: He was also a badass. There's some nice, dirty villains.
• 14:55
  Speaker 1: Yeah. Well, is there anything else you need to tell
• 14:59
  Speaker 1: people about it or where to find you on the
• 15:03
  Speaker 1: Internet or any of that fun stuff?
• 15:06
  Speaker 6: Well, the World Cup show is at Baxter Theater Friday,
• 15:09
  Speaker 6: August 23rd. It's at Struggle Midnight. It's $ 10. It's probably
• 15:14
  Speaker 6: the last time we're going to be doing it in
• 15:15
  Speaker 6: Louisville because we want to just tease it and make
• 15:18
  Speaker 6: people have to come out and see it. And we're
• 15:20
  Speaker 6: going to try to do it in some other cities
• 15:22
  Speaker 6: and kind of go to just, you know, theaters and
• 15:25
  Speaker 6: just kind of go on the road book hop with
• 15:27
  Speaker 6: it so you can be here for that did you
• 15:29
  Speaker 6: just casually say road book hop take.
• 15:31
  Speaker 10: It on the road book hop are you going to
• 15:33
  Speaker 10: attempt to play it in Detroit that's the one that
• 15:36
  Speaker 10: I would.
• 15:36
  Speaker 6: Yes Detroit Institute of Art I'd really like to play
• 15:39
  Speaker 6: it well.
• 15:39
  Speaker 1: Actually there's a lot of abandoned buildings to choose from
• 15:41
  Speaker 1: so just pick one and start playing and.
• 15:44
  Speaker 2: If you make enough money with the show in Detroit
• 15:46
  Speaker 2: you can buy the city while you're at it throw
• 15:47
  Speaker 2: a rock and.
• 15:48
  Speaker 6: Hit a steel mill in that place yeah an abandoned
• 15:50
  Speaker 6: steel mill but then we got we also got an
• 15:52
  Speaker 6: EP coming out In September, so we find Zanzibar, September 20th. And,
• 15:57
  Speaker 6: of course, we're on the Internet, ultrapulverize.com.
• 16:02
  Speaker 2: And after you've done the tour, are you planning to
• 16:04
  Speaker 2: release the CD of the score, too? Or is it
• 16:07
  Speaker 2: something where it's always just going to be a live event?
• 16:09
  Speaker 6: I think we're just going to make it a live
• 16:11
  Speaker 6: thing that you have to be in whatever place we're
• 16:15
  Speaker 6: performing to see it, you know?
• 16:17
  Speaker 1: You can't have everything you want.
• 16:18
  Speaker 6: You can't. We won't let you.
• 16:20
  Speaker 1: That's our lesson. RoboCop taught me, that's what I'll teach you.
• 16:26
  Speaker 2: I mean, is it something where you've genuinely had fun
• 16:28
  Speaker 2: doing it? I'm assuming so. How many times have you
• 16:30
  Speaker 2: watched RoboCop on average per week? I'm not going to
• 16:34
  Speaker 2: say in total, but just in a given average week,
• 16:37
  Speaker 2: like in this past year.
• 16:38
  Speaker 7: I haven't eaten it as a full loaf in one
• 16:42
  Speaker 7: sitting unless we perform it in the basement. If I've
• 16:45
  Speaker 7: eaten it in bite-sized cereal form, I've had probably the
• 16:49
  Speaker 7: equivalent of 50 RoboCop loafs.
• 16:52
  Speaker 1: This is a confusing way to.
• 16:54
  Speaker 6: Yeah, how many slices are in a loaf?
• 16:55
  Speaker 2: It's like when you convert metric to standard. It's like, wait, wait.
• 16:58
  Speaker 1: Well, then we had cereal mixed in, so I'm really
• 17:00
  Speaker 1: confused now.
• 17:02
  Speaker 10: Whatever.
• 17:03
  Speaker 1: You know, you get me.
• 17:04
  Speaker 4: A lot.
• 17:05
  Speaker 2: You make a cereal sandwich. I get it. Cinnamon Toast
• 17:07
  Speaker 2: Crunch is the only loaf cereal, I think, isn't it? Perfect, yeah.
• 17:11
  Speaker 2: They cut them in slices off. Well, there was the
• 17:13
  Speaker 2: French Toast Crunch for a while. Yeah, that snuck in there,
• 17:17
  Speaker 2: but it wasn't, you know... You can't always find it anymore.
• 17:22
  Speaker 6: But I will say the thing about Robocop, even as
• 17:24
  Speaker 6: a kid, I always wondered, why doesn't anybody shoot him
• 17:27
  Speaker 6: in the mouth?
• 17:30
  Speaker 1: That definitely occurred to me, but I think that in
• 17:33
  Speaker 1: a lot of movies, when everybody gets shot in the shoulder,
• 17:36
  Speaker 1: I'm like, or the head, just aim for the head.
• 17:38
  Speaker 2: Superheroes have the vulnerability of the mouth when you get
• 17:41
  Speaker 2: right down to it.
• 17:41
  Speaker 6: Right, right.
• 17:43
  Speaker 1: I've had this argument with Andrew a million times.
• 17:45
  Speaker 6: So I guess we can assume that everybody, every bullet
• 17:48
  Speaker 6: that hits his chest was aimed for his mouth.
• 17:52
  Speaker 13: Really bad shots.
• 17:53
  Speaker 6: Just bad shots.
• 17:54
  Speaker 4: Magnets.
• 17:55
  Speaker 2: Well, that's what I was thinking.
• 17:56
  Speaker 1: Maybe his chest is magnetized and it just sucks all
• 17:58
  Speaker 1: the bullets.
• 17:59
  Speaker 6: I mean, really, I'm joking because, you know.
• 18:01
  Speaker 2: I hate to tear apart.
• 18:03
  Speaker 10: You know, like.
• 18:04
  Speaker 2: Well, why did this?
• 18:05
  Speaker 10: Well, that wasn't realistic.
• 18:06
  Speaker 6: And I was tearing apart movies like that. You just
• 18:07
  Speaker 6: can't enjoy movies anymore. So I really don't want to
• 18:10
  Speaker 6: do that.
• 18:11
  Speaker 2: Oh, well, this show's over.
• 18:12
  Speaker 6: But growing up, I was always just like, why didn't
• 18:14
  Speaker 6: anybody just shoot him in the grill, yo?
• 18:18
  Speaker 2: I think that's it.
• 18:19
  Speaker 1: There's some sort of, that cool mask puts out a
• 18:21
  Speaker 1: little force field over his mouth.
• 18:23
  Speaker 2: So was the bug already popped in your head about
• 18:26
  Speaker 2: a second movie that y'all might do this with?
• 18:29
  Speaker 6: We've kind of thrown around some ideas, but we always
• 18:32
  Speaker 6: bat them down. They don't really seem to be as...
• 18:34
  Speaker 6: We just don't love anything as much as RoboCop.
• 18:37
  Speaker 2: It's not RoboCop 2?
• 18:38
  Speaker 3: Oh, God.
• 18:38
  Speaker 2: But they loved RoboCop 2.
• 18:40
  Speaker 6: Yeah, I don't think I can... I don't think... I
• 18:42
  Speaker 6: definitely don't think I can endure seeing RoboCop 2 as
• 18:44
  Speaker 6: many times as we've watched RoboCop 1 to work through this.
• 18:46
  Speaker 1: No, I probably won't watch that more than twice before
• 18:48
  Speaker 1: I die. Two more times. Well, having just talked to
• 18:52
  Speaker 1: the director of RoboCop 3, I'm sure he'd be pleased.
• 18:56
  Speaker 2: If you wanted to do that. Even he wasn't thrilled
• 18:59
  Speaker 2: with that movie.
• 19:01
  Speaker 6: I re-watched RoboCop 3 recently because I remember there being
• 19:04
  Speaker 6: a cyborg ninja in there, and I was like, all right,
• 19:06
  Speaker 6: all right, you know, rocket pack or something. But the
• 19:09
  Speaker 6: thing that was weird to me about the movie is
• 19:11
  Speaker 6: how much lip gloss RoboCop has on. If you watch
• 19:13
  Speaker 6: it again, just seriously.
• 19:16
  Speaker 1: That's just that Peter didn't need any, but that guy,
• 19:20
  Speaker 1: I mean. He was a pretty thing.
• 19:21
  Speaker 7: RoboCop's a pretty thing in RoboCop 3.
• 19:25
  Speaker 6: They're like, yeah, it'll work, but we're going to have
• 19:27
  Speaker 6: to really slather up those lips.
• 19:30
  Speaker 2: It made sense, though. Once he started talking about it,
• 19:32
  Speaker 2: it's like, well, I mean, hell, who wouldn't make RoboCop 3?
• 19:36
  Speaker 1: They threw it at him, and I'm just like, hell,
• 19:38
  Speaker 1: I'd make RoboCop 3. Even if it goes down in flames,
• 19:42
  Speaker 1: you've got to make a RoboCop movie for millions of dollars.
• 19:46
  Speaker 2: Who wouldn't do that?
• 19:47
  Speaker 1: I'll do it, but I will not have him having
• 19:48
  Speaker 1: some dry lips. He will have it. He will have
• 19:51
  Speaker 1: some supple lips you can imagine.
• 19:56
  Speaker 2: All right.
• 19:56
  Speaker 1: Well, you ask a good lead-in question, Beau. So I
• 20:00
  Speaker 1: think we'll take our break here. And when we come back,
• 20:02
  Speaker 1: we will return.
• 20:02
  Speaker 2: I don't remember what the question was. That's okay. Everybody
• 20:05
  Speaker 2: probably forgot it by now.
• 20:06
  Speaker 1: When we come back, though, I'll throw it back out
• 20:08
  Speaker 1: there and we'll get.
• 20:09
  Speaker 2: Into this week's topic.
• 20:11
  Speaker 11: I appreciate that.
• 20:27
  Speaker 8: Welcome to the age of push-button murder. A brave new
• 20:30
  Speaker 8: world of death machines.
• 20:33
  Speaker 2: Three of the deadliest men in the world. programmed to
• 20:37
  Speaker 2: kill on my command. Death Machines. Death Machines.
• 20:44
  Speaker 8: A motion picture odyssey into a terrifying world.
• 20:47
  Speaker 4: Men without minds. Women without hope.
• 20:51
  Speaker 8: Death without reason.
• 20:54
  Speaker 2: Death Machines.
• 21:00
  Speaker 8: More than just a unique film experience. More horrifying than
• 21:04
  Speaker 8: science fiction. Because it's real. Death machines. Tomorrow is here.
• 21:11
  Speaker 8: And the killers of the future are ready now.
• 21:14
  Speaker 14: A Crown International Picture.
• 21:17
  Speaker 4: Rated R.
• 21:24
  Speaker 1: RoboCop.
• 21:26
  Speaker 3: Part man, part robot.
• 21:27
  Speaker 4: All cop.
• 21:28
  Speaker 3: The ultimate in law enforcement. RoboCop and the Ultra Police.
• 21:32
  Speaker 3: The only cops with rapid repeat cap firing.
• 21:35
  Speaker 1: He's unstoppable.
• 21:36
  Speaker 3: Battling the worst criminals. Headhunter and Nitro. The Ultra Police
• 21:42
  Speaker 3: protected by Robo Armor. Bring RoboCop even more firepower. In
• 21:47
  Speaker 3: the fight for justice, nothing can stop RoboCop. RoboCop and
• 21:51
  Speaker 3: the Ultra Police, each sold separately with RoboCat.
• 22:27
  Speaker 1: So I brought a cool thing to show everybody. There's
• 22:31
  Speaker 1: a whole cool new thing we're going to get into here.
• 22:33
  Speaker 1: And you're all invited to join in. I think you
• 22:37
  Speaker 1: guys know I'm a geek. And it's been going on
• 22:40
  Speaker 1: for quite a while. So in moving things around, I
• 22:44
  Speaker 1: also have moved many times in the last several years,
• 22:47
  Speaker 1: and I have most of my stuff still in boxes.
• 22:50
  Speaker 1: And I went over and picked some up. They were
• 22:53
  Speaker 1: still stored away at someone else's house. And I went
• 22:56
  Speaker 1: over and was, like, digging through stuff and found, like,
• 22:58
  Speaker 1: three or four boxes of these old T-shirts. And I had, like,
• 23:03
  Speaker 1: so many I started going through. And I'm like, wow,
• 23:06
  Speaker 1: this just shows how far back my, like, movie geekdom
• 23:09
  Speaker 1: goes are they have suncoast tags on them some might
• 23:14
  Speaker 1: have yeah and some go well before that too so
• 23:18
  Speaker 1: that's the thing like as i went into this i
• 23:20
  Speaker 1: was like okay this i mean most of them are
• 23:22
  Speaker 1: way like they're i mean half of them are like
• 23:24
  Speaker 1: little kid sizes and like there's others that still are
• 23:27
  Speaker 1: like way too long gone that i can't wear anymore
• 23:29
  Speaker 1: or worn out or like you name it like they're
• 23:32
  Speaker 1: falling apart but being the movie geek that i am
• 23:34
  Speaker 1: god forbid i throw them away So then I was like, well, okay,
• 23:38
  Speaker 1: here's what I'm going to do.
• 23:39
  Speaker 2: So you're going to offer up us to each pick
• 23:41
  Speaker 2: our own falling apart kid-sized T-shirts? No, you don't get that.
• 23:45
  Speaker 7: They're mine, damn it.
• 23:47
  Speaker 2: I said I was a geek. Geeks don't give their
• 23:48
  Speaker 2: stuff away.
• 23:49
  Speaker 13: They just show off.
• 23:50
  Speaker 2: They show off. I feel.
• 23:52
  Speaker 1: Just gloat about your broken clothes. Yeah, I'm pretty proud
• 23:56
  Speaker 1: of them, too. And you'll understand why in a moment.
• 24:00
  Speaker 1: I feel like, okay, what we need is the T-shirt project.
• 24:04
  Speaker 1: Where we go through and document these ridiculous shirts that I.
• 24:08
  Speaker 2: Certainly have a good collection to kick things off.
• 24:11
  Speaker 1: But I encourage everyone else, if you're an old school
• 24:14
  Speaker 1: geek and you have your own t-shirts, maybe you don't
• 24:17
  Speaker 1: still have them laying around like some sort of hoarding weirdo.
• 24:20
  Speaker 1: But if you have pictures of you wearing one when
• 24:24
  Speaker 1: you're four, that's cool. I'm going to cap it off
• 24:27
  Speaker 1: about ten years. I think it needs to be something
• 24:29
  Speaker 1: that's at least ten years old, so.
• 24:31
  Speaker 2: I was going to say, all I got is about
• 24:32
  Speaker 2: 20 Dick Tracy t-shirts.
• 24:35
  Speaker 1: I might have a few of those in there, too.
• 24:37
  Speaker 1: So I'm assuming you probably have all the ones I have. But,
• 24:41
  Speaker 1: you know, I thought this time it would be fitting.
• 24:43
  Speaker 1: Here's the one I brought that I just kind of
• 24:46
  Speaker 1: came across today. It's a good tie-in.
• 24:49
  Speaker 2: Oh, wow.
• 24:50
  Speaker 1: This is a nice original issue RoboCop.
• 24:55
  Speaker 11: Yeah.
• 24:56
  Speaker 1: That's why they need to go to the website and
• 24:59
  Speaker 1: go to the link right at the top that says
• 25:02
  Speaker 1: the t-shirt project.
• 25:03
  Speaker 2: And they can see this one where you featured it.
• 25:05
  Speaker 2: Are you modeling them in the photos? I'm going to find.
• 25:09
  Speaker 1: I think the first one that's going to go up
• 25:10
  Speaker 1: is going to be modeled by a skeleton. And then
• 25:13
  Speaker 1: I might have to find some other random.
• 25:15
  Speaker 2: We could get Paul Brokaw to wear all your t-shirts.
• 25:18
  Speaker 2: I don't think that's the thing.
• 25:20
  Speaker 1: I can't wear most of them. So I'm going to
• 25:21
  Speaker 1: have to find some poor soul. But yeah, this one actually,
• 25:24
  Speaker 1: it's a few years after RoboCop came out because it's
• 25:27
  Speaker 1: the copyright on it is Orion Pictures and it's 1990.
• 25:31
  Speaker 1: So within a few years, they put this weird RoboCop
• 25:35
  Speaker 1: shirt out that obviously I had to have.
• 25:37
  Speaker 2: I don't know what's with the 32105 at the top there.
• 25:41
  Speaker 4: Yeah.
• 25:42
  Speaker 2: Don't you know that?
• 25:43
  Speaker 1: You call yourself a RoboCop fan.
• 25:45
  Speaker 2: What is it? Somebody Google that and we'll find it.
• 25:50
  Speaker 6: It's probably his ammo count.
• 25:51
  Speaker 7: Looks like he's in VTAC constantly looking at his EKG
• 25:54
  Speaker 7: up there in the right corner.
• 25:57
  Speaker 1: He stays pretty calm for staying in such crazy arrhythmia.
• 26:01
  Speaker 2: Anyway, I thought that was entertaining. I don't care if
• 26:04
  Speaker 2: anybody else does.
• 26:06
  Speaker 1: That's the teaser there. And then from here on out,
• 26:10
  Speaker 1: we're going to start posting them. It's a teaser shirt.
• 26:14
  Speaker 2: No, I see.
• 26:15
  Speaker 1: I didn't say that because that's going down the Robocop road,
• 26:18
  Speaker 1: and I'm not going to do that.
• 26:19
  Speaker 2: I'm not going to use it any chance.
• 26:22
  Speaker 4: Robocop.
• 26:24
  Speaker 2: Every road in Detroit.
• 26:26
  Speaker 1: But if you want to do something cheesy, all right,
• 26:27
  Speaker 1: we'll go T-shirt Tuesday is when we'll post the new shirts.
• 26:31
  Speaker 2: As cheesy as if I were to dress like that
• 26:33
  Speaker 2: for Halloween, I'd be Robocop.
• 26:36
  Speaker 1: So anyway, I don't know. I'm entertained by that. So
• 26:39
  Speaker 1: go to MovieMeltdown.com. Look for the t-shirt project. We're going
• 26:42
  Speaker 1: to be posting them every week. You guys are invited
• 26:45
  Speaker 1: to take part.
• 26:46
  Speaker 2: As is everyone listening.
• 26:47
  Speaker 1: We're going to throw it out there. Find some fun
• 26:50
  Speaker 1: old photos of you being a geek back in the
• 26:53
  Speaker 1: day and.
• 26:53
  Speaker 2: Send them in. I think that's how you proclaimed.
• 26:56
  Speaker 1: Your geekdom when you were a kid.
• 26:59
  Speaker 2: You bought a dorky t-shirt and Guess what? It hasn't
• 27:02
  Speaker 2: really gone away, actually. Does Herbie the Love Bug t-shirt count?
• 27:06
  Speaker 2: If you've got it, let's see. It's not a t-shirt,
• 27:09
  Speaker 2: but there's a vivid memory of me in a picture
• 27:13
  Speaker 2: wearing a Thundercats sweatsuit. It's a sweatshirt with matching sweatpants.
• 27:19
  Speaker 2: It's utterly garish. I want an adult extra double X size.
• 27:24
  Speaker 2: And I'm going to wear it all the time.
• 27:29
  Speaker 1: We can have a separate spinoff page of just dorky attire.
• 27:32
  Speaker 1: I mean, because that's not movie related until they get
• 27:35
  Speaker 1: that Thundercats movie. And even then, like, it's not officially,
• 27:38
  Speaker 1: but we could work it in if we had a
• 27:41
  Speaker 1: movie to work off of. But yeah, that's just, you
• 27:44
  Speaker 1: need to talk to your parents about. So to be clear,
• 27:47
  Speaker 1: you're looking for a movie geekdom.
• 27:48
  Speaker 7: If I have a picture of me when I'm five
• 27:50
  Speaker 7: years old wearing a Virginia Slim shirt, that's pretty geeky.
• 27:53
  Speaker 2: Again, you might want to talk to your parents.
• 27:58
  Speaker 1: Great t-shirt, man.
• 27:58
  Speaker 2: Could be child abuse. I'm not sure. So it's not
• 28:02
  Speaker 2: going to make you feel old if I have pictures
• 28:05
  Speaker 2: of me as a youth wearing t-shirts that you sold me.
• 28:09
  Speaker 2: Not really.
• 28:09
  Speaker 1: Again, I kind of assume most people out there are
• 28:12
  Speaker 1: going to. That's why I capped it at 10, because
• 28:14
  Speaker 1: if I go really old, nobody listening. They're like, I
• 28:17
  Speaker 1: was four then.
• 28:18
  Speaker 2: What do you want from me? Because I think most
• 28:19
  Speaker 2: of my old school stuff, apart from the Dick Tracy stuff,
• 28:21
  Speaker 2: is Mystery Science Theater stuff. I have one of those.
• 28:25
  Speaker 2: There's a little of everything mixed in. Because I was
• 28:27
  Speaker 2: wearing the MST3K ball cap the other day, and someone
• 28:31
  Speaker 2: saw it, and they're like, where'd you get that? And
• 28:32
  Speaker 2: I was like, Suncoast. They're like, man.
• 28:33
  Speaker 4: I was like.
• 28:33
  Speaker 10: 1994?
• 28:34
  Speaker 2: I had this thing like, yeah, for like 15 years
• 28:38
  Speaker 2: or something. Remember when the show was on?
• 28:40
  Speaker 4: Yeah.
• 28:40
  Speaker 2: Take off your day shirt.
• 28:41
  Speaker 10: Take off your day shirt.
• 28:43
  Speaker 11: Take off your day shirt.
• 28:46
  Speaker 15: Can't name a song but the band that's on it.
• 28:48
  Speaker 1: Take off your day shirt.
• 28:50
  Speaker 2: Take off your day shirt.
• 28:52
  Speaker 11: Take off your day shirt.
• 28:53
  Speaker 2: Can't name a song but the band that's on it.
• 28:55
  Speaker 16: Post size tag and faded. Decal disintegrated. How I suffer.
• 29:03
  Speaker 5: Tweaked Audio, your source for high-performance, noise-reducing earbuds. Available in
• 29:08
  Speaker 5: three styles and seven colors, durable and designed to sound
• 29:12
  Speaker 5: great for both music and those chatty podcasts, like the
• 29:15
  Speaker 5: one you're listening to now. Tweaked Audio earbuds come with
• 29:18
  Speaker 5: a one-year warranty, and now there's a special deal for
• 29:21
  Speaker 5: Movie Meltdown listeners. Just go to tweakedaudio.com, and when you
• 29:24
  Speaker 5: check out, enter the discount code MELTDOWN. Then you'll get
• 29:27
  Speaker 5: 33% off and free shipping. Tweaked Audio. Sounds better.
• 29:37
  Speaker 2: This is Zach Galligan, and you're listening to Movie Meltdown.
• 29:39
  Speaker 11: Movie Meltdown.
• 29:59
  Speaker 5: It's part of your problem, you know.
• 30:01
  Speaker 4: You haven't seen enough movies. All of life's riddles.
• 30:04
  Speaker 2: Are answered in the movies.
• 30:06
  Speaker 4: And now, on with the show.
• 30:40
  Speaker 6: Yeah, it's funny how Robocop turned into be, like, a
• 30:43
  Speaker 6: kid's thing. Because I remember it had Robocop figures and,
• 30:46
  Speaker 6: you know, T-shirts and all that.
• 30:47
  Speaker 2: And then the TV show, too.
• 30:49
  Speaker 6: Yeah, the cartoon.
• 30:50
  Speaker 2: Well, that's what he was talking about. That's why they
• 30:53
  Speaker 2: gave him that third one.
• 30:54
  Speaker 1: They were like, kids are watching this. Like, they're not
• 30:57
  Speaker 1: made for kids. But it's like, maybe it's time to
• 31:00
  Speaker 1: try to rebrand this thing and make it a semi-family-friendly thing.
• 31:04
  Speaker 2: You know, it didn't work. But, like, again, it made sense.
• 31:07
  Speaker 9: Yeah.
• 31:08
  Speaker 2: Listening to him tell, I was like, okay. I remember
• 31:10
  Speaker 2: wanting to see the movies as a kid, and my
• 31:12
  Speaker 2: parents wouldn't let us because they're like, no, it's too
• 31:15
  Speaker 2: violent and stuff. In the kid mentality, it's like, yeah,
• 31:18
  Speaker 2: I figure he shoots, but it can't be any worse
• 31:20
  Speaker 2: than Indiana Jones or something. Not realizing that you're totally
• 31:25
  Speaker 2: just mocking violence in movies within it that way.
• 31:29
  Speaker 10: I was right at that age where it still wasn't okay.
• 31:35
  Speaker 10: But every single kid in my junior high had seen it. Somehow, someway,
• 31:40
  Speaker 10: we'd all seen it. Well, at least the boys, because
• 31:43
  Speaker 10: it's all we talked about. I mean, it was it
• 31:46
  Speaker 10: for a good six, eight months. RoboCop was it.
• 31:51
  Speaker 2: Infecting the youth. That's what we did.
• 31:53
  Speaker 10: And, you know, obviously we didn't get the whole thing
• 31:57
  Speaker 10: about the violence. We just thought it was cool.
• 32:00
  Speaker 1: There's no satire when you're in grade school.
• 32:03
  Speaker 2: Which makes me wonder, and I'm going to say something
• 32:05
  Speaker 2: really nasty, but it makes me wonder how they're going
• 32:08
  Speaker 2: to be marketing this remake. Yeah, the nasty thing is
• 32:11
  Speaker 2: saying the remake, but I don't know how they're going to, like,
• 32:15
  Speaker 2: who it's aimed at.
• 32:16
  Speaker 1: I've heard decent things now, but I don't know.
• 32:21
  Speaker 2: I don't know.
• 32:22
  Speaker 1: Like, again, they're still, from what I hear, capping it
• 32:25
  Speaker 1: at a PG-13. And I'm not sure how to do
• 32:27
  Speaker 1: that story right.
• 32:30
  Speaker 2: I mean, that was my main problem with World War Z.
• 32:34
  Speaker 2: I felt the PG-13. Like, I felt them backing off. Like,
• 32:38
  Speaker 2: I should be... Like, it's a zombie movie. That's the point.
• 32:40
  Speaker 1: There's supposed to be horror around you. And when they
• 32:44
  Speaker 1: cut away every time, I'm like... you're kind of cheapening
• 32:46
  Speaker 1: the whole damn thing. And that's like RoboCop in general.
• 32:51
  Speaker 1: He wouldn't be a robot of any sort if he
• 32:54
  Speaker 1: wasn't violently killed. You can't really have the story without
• 32:58
  Speaker 1: the violence.
• 32:59
  Speaker 2: So I don't know. I kind of see.
• 33:01
  Speaker 7: Them making it just like an Iron Man movie, only
• 33:03
  Speaker 7: Tony Stark dies in the cave.
• 33:05
  Speaker 16: Yeah.
• 33:05
  Speaker 1: Instead of walking out triumphantly, he just died a pretty
• 33:08
  Speaker 1: horrible death in the cave.
• 33:09
  Speaker 2: Yeah.
• 33:10
  Speaker 1: Instead of making the suit himself, they put him in
• 33:12
  Speaker 1: the suit against his will.
• 33:13
  Speaker 2: Like, maybe you just see him go in a building,
• 33:15
  Speaker 2: and the building blows up or something, and then they
• 33:17
  Speaker 2: cut instead of showing anything.
• 33:19
  Speaker 4: I don't know.
• 33:22
  Speaker 2: I mean, it was... Wasn't it supposed to have been released, like,
• 33:25
  Speaker 2: this summer or something? I know they've moved it back
• 33:28
  Speaker 2: from what it used to be. It's been working a while.
• 33:30
  Speaker 2: When is it even.
• 33:31
  Speaker 1: Supposed to be released now? Early 2014.
• 33:34
  Speaker 2: Is it? Yeah. Like, early, like, in the spring? No,
• 33:37
  Speaker 2: I think, like, February or March or something. Oh, that's bad.
• 33:40
  Speaker 2: The dumping ground? That's not good. Yeah, that's the theatrical
• 33:43
  Speaker 2: dumping ground. If you have no confidence in a movie
• 33:45
  Speaker 2: as a studio, you put it anywhere.
• 33:47
  Speaker 1: They really should do it in December and push for Oscar.
• 33:52
  Speaker 1: And RoboCop could actually go up there and accept his Oscar.
• 33:55
  Speaker 6: Maybe Murphy, like, puts him in the tub and dies.
• 33:58
  Speaker 1: He'd clean death. That actually makes a better corpse to
• 34:00
  Speaker 1: make a robot out of.
• 34:03
  Speaker 2: Then they don't have to cover everything up if he's
• 34:04
  Speaker 2: still pretty.
• 34:06
  Speaker 1: He dies with his lips glossed on.
• 34:07
  Speaker 2: He'd be all set.
• 34:11
  Speaker 1: So, you asked earlier how many times have you watched
• 34:13
  Speaker 1: Robocop in general this week, you know, in your life. So,
• 34:17
  Speaker 1: obviously that is a good candidate for this week.
• 34:22
  Speaker 2: It is time for The Grind.
• 34:24
  Speaker 11: The Grind.
• 34:34
  Speaker 1: Got you where I want you.
• 34:35
  Speaker 2: Girl, I think it's.
• 34:36
  Speaker 11: Gonna feel so good.
• 34:39
  Speaker 1: And this segment we discuss a specific topic or question
• 34:42
  Speaker 1: related to movies. And we'd like the topics to come
• 34:45
  Speaker 1: from you, but you never bother to email.
• 34:47
  Speaker 2: In, so screw you guys.
• 34:48
  Speaker 1: This week's Grind topic comes from Fred, who also couldn't.
• 34:53
  Speaker 2: Be here this week. He couldn't bother to be here. No,
• 34:56
  Speaker 2: we love Fred, but he has scheduling issues. Well, Fred's
• 34:59
  Speaker 2: favorite movie is Space Cowboys. Is that why we came
• 35:02
  Speaker 2: up with that one episode?
• 35:03
  Speaker 5: Space Cowboys.
• 35:05
  Speaker 2: Space Cowboys.
• 35:05
  Speaker 1: That's somebody's favorite movie.
• 35:06
  Speaker 2: Which I regret we didn't come up with like Curly
• 35:09
  Speaker 2: Sue or something.
• 35:10
  Speaker 1: That's his second favorite movie. But I'm sure he finds
• 35:14
  Speaker 1: it rewatchable. Which is what he wanted us to discuss.
• 35:17
  Speaker 1: He said we should discuss movies that are rewatchable or
• 35:21
  Speaker 1: basically you can watch them over and over again and
• 35:23
  Speaker 1: never really tire of them. They still kind of always
• 35:27
  Speaker 1: just kind of work with you.
• 35:28
  Speaker 2: So... That's our topic.
• 35:30
  Speaker 1: Where would you like to go with it? Do you
• 35:32
  Speaker 1: want to start with RoboCop, or have we already covered
• 35:34
  Speaker 1: the basics of your RoboCop love? I think we've milked
• 35:37
  Speaker 1: the RoboCop tea pretty well. My pail is full of
• 35:40
  Speaker 1: RoboCop milk.
• 35:42
  Speaker 2: You might not have been on the... Never mind. I mean,
• 35:44
  Speaker 2: I guess the question is, where did the fandom start
• 35:46
  Speaker 2: with RoboCop for you guys? Because I think everyone, when
• 35:49
  Speaker 2: it comes to their obsessive favorite movies, usually there's some
• 35:52
  Speaker 2: anecdote that started the passion for it.
• 35:56
  Speaker 8: I don't know.
• 35:58
  Speaker 1: I don't know.
• 35:59
  Speaker 7: It was a movie I really liked when we were
• 36:01
  Speaker 7: little kids and everything, but it didn't change my life
• 36:03
  Speaker 7: when I saw it or anything. I remember it was
• 36:05
  Speaker 7: the first violent movie we were allowed to see, and
• 36:07
  Speaker 7: it was by accident. It was like our dad let
• 36:10
  Speaker 7: us rent it, seeing a robot in front, thinking, eh.
• 36:15
  Speaker 2: Those video boxes. Parents, yeah. The kids have to think.
• 36:19
  Speaker 6: We saw it in the store and wanted to rent it,
• 36:21
  Speaker 6: and my dad was like, that's trash. You don't need
• 36:23
  Speaker 6: to see that.
• 36:23
  Speaker 2: It's like, ah. That looks awesome.
• 36:26
  Speaker 6: And my uncle saw it. And I was like, damn,
• 36:28
  Speaker 6: Robocop's a shit. And then my dad was like, all right,
• 36:31
  Speaker 6: we're in it. And ever since we saw it, I
• 36:34
  Speaker 6: just really liked it. You didn't know it changed your
• 36:36
  Speaker 6: life is what Chris meant to say. He wasn't aware.
• 36:40
  Speaker 6: Of course it did.
• 36:42
  Speaker 10: There was everything before that moment and everything after.
• 36:45
  Speaker 1: So I suppressed the memory of Robocop touching me as
• 36:47
  Speaker 1: a child. Is that what you're saying? I buried that
• 36:49
  Speaker 1: deep down?
• 36:52
  Speaker 2: Anyway. Then.
• 36:56
  Speaker 1: Did your dad watch it with you? Yeah, my dad
• 36:59
  Speaker 1: watched it. Was he horrified?
• 37:01
  Speaker 6: Yeah, it was, you know, it's like we were able
• 37:03
  Speaker 6: to watch, I felt like we were able to watch Violence,
• 37:07
  Speaker 6: you know, after that, I guess. We were just like, well.
• 37:09
  Speaker 2: You're fine, kids.
• 37:10
  Speaker 6: You've just seen about everything now, so, you know.
• 37:12
  Speaker 1: We only had to cover our eyes during the steamy scenes,
• 37:15
  Speaker 1: which there are none in RoboCop. When RoboCop was making
• 37:17
  Speaker 1: out with the female RoboCop. That was a different movie
• 37:21
  Speaker 1: I rented.
• 37:21
  Speaker 2: Wait a minute. I can just imagine your dad sitting
• 37:23
  Speaker 2: there watching and, you know, when his hand gets blown
• 37:25
  Speaker 2: off and all that stuff, just sitting there, it's like,
• 37:28
  Speaker 2: you know, a trickle of sweat coming down like, okay,
• 37:30
  Speaker 2: is that the most, is that why it's rated R?
• 37:33
  Speaker 2: Is there something worse? Is there something worse that I'm
• 37:35
  Speaker 2: going to have to like stop this? Like, what are
• 37:37
  Speaker 2: they going to see? And just, you know, it keeps
• 37:40
  Speaker 2: going and going. But really, that's like, that's pretty much
• 37:42
  Speaker 2: the worst thing in it is like when he's killed.
• 37:45
  Speaker 2: The car. When the guy gets hit by the car. Oh,
• 37:47
  Speaker 2: when he gets hit by the car at the Toxic Waste.
• 37:49
  Speaker 2: That's just funny to me. It's funny, but I'm like,
• 37:52
  Speaker 2: that's above and beyond normal gore.
• 37:54
  Speaker 1: They turned a man into stew.
• 37:56
  Speaker 2: Yeah.
• 37:57
  Speaker 6: And the other really gory part, when he gets clearance
• 38:01
  Speaker 6: at the end with his middle finger.
• 38:02
  Speaker 1: Oh, yeah.
• 38:02
  Speaker 6: And the jugular just splats on him.
• 38:05
  Speaker 2: Well, I guess when Ed 209... um yeah kills the
• 38:09
  Speaker 2: executive the guy in the boardroom that's pretty bloody hardcore.
• 38:13
  Speaker 6: So what i mean there's okay there's five extremely gory scenes.
• 38:15
  Speaker 10: I mean that's yeah i mean and then there was
• 38:17
  Speaker 10: my first um introduction to what rape was when they
• 38:23
  Speaker 10: were chasing the woman down and then that that that
• 38:26
  Speaker 10: was like oh they do that you know it was
• 38:29
  Speaker 10: like oh they're So that was a little disturbing, too.
• 38:32
  Speaker 2: So you're going to say six, I think. It's a
• 38:34
  Speaker 2: strange phrase, too, for you to say. It's like, that
• 38:36
  Speaker 2: was my introduction to rape. It's like, here's some rape.
• 38:40
  Speaker 2: We need more RoboCops, is what we learned from this book.
• 38:43
  Speaker 7: It truly fits that description of just a movie that
• 38:46
  Speaker 7: I can watch all the time and not get tired of.
• 38:48
  Speaker 7: And when we were going to score something, it was like, oh,
• 38:50
  Speaker 7: it's the first thing that popped out of my mouth.
• 38:53
  Speaker 10: RoboCop.
• 38:53
  Speaker 1: I didn't know I had allegiance to him, but I did.
• 38:56
  Speaker 7: You watch these movies as a kid, and then you
• 38:57
  Speaker 7: revisit them as an adult, and you're like, oh man,
• 38:59
  Speaker 7: that movie sucks.
• 39:00
  Speaker 1: I thought that was great. And it's not one of them.
• 39:02
  Speaker 1: Some movies just hold up. Like Robocop, Ghostbusters. These movies
• 39:05
  Speaker 1: are just solid. Always. Nobody's done Ghostbusters.
• 39:09
  Speaker 6: I was going to say Ghostbusters is like other movies.
• 39:11
  Speaker 6: That's one that I can just watch sometimes.
• 39:13
  Speaker 1: That's one I was trying to list off a few
• 39:16
  Speaker 1: in my head before today. I was just like, yeah,
• 39:20
  Speaker 1: that's another good one.
• 39:21
  Speaker 2: I don't know.
• 39:22
  Speaker 1: We can bounce around and do some different ones, but See,
• 39:25
  Speaker 1: I found mine like it wasn't it wasn't necessarily like the,
• 39:29
  Speaker 1: the stuff that I was even like hardcore into sometimes.
• 39:32
  Speaker 1: Cause the ones that like were the more culty kind
• 39:34
  Speaker 1: of movies that I really love still weren't necessarily ones
• 39:37
  Speaker 1: that I like.
• 39:38
  Speaker 2: Watched over and over and over again. Like, I don't know.
• 39:40
  Speaker 1: I mean, there's plenty of those that like, You know,
• 39:43
  Speaker 1: there were those, like, oh, my God, this is, like,
• 39:45
  Speaker 1: the coolest movie ever. Like, I mean, I can go
• 39:47
  Speaker 1: back to my Death Race 2000s and my Faster Pussycat
• 39:51
  Speaker 1: Kill Kill. Like, I had those moments of, this is
• 39:54
  Speaker 1: the best movie I've ever seen. But even those, like,
• 39:57
  Speaker 1: as time went on, there were other ones that sort.
• 39:59
  Speaker 2: Of just replaced it.
• 40:00
  Speaker 1: And a lot of them were relatively mainstream stuff.
• 40:03
  Speaker 2: But I don't care.
• 40:05
  Speaker 1: Like, I mean, people just like to, like, talk smack
• 40:07
  Speaker 1: about stuff because it becomes popular.
• 40:09
  Speaker 2: I'm like, I don't care.
• 40:10
  Speaker 1: It doesn't change it. I can watch Back to the
• 40:13
  Speaker 1: Future forever. I don't care that it's totally overblown at
• 40:19
  Speaker 1: this point and everybody talks about it. Everybody's seen it.
• 40:22
  Speaker 1: I'm just like, I don't care. It's still one of
• 40:25
  Speaker 1: the most entertaining movies ever. If it's on now, I
• 40:29
  Speaker 1: will get sucked in. An hour and a half will
• 40:32
  Speaker 1: go by and I'm like, damn, I've seen this movie again.
• 40:34
  Speaker 10: I think there's categories for me because I was thinking
• 40:39
  Speaker 10: a lot about this one and there's You know, like
• 40:42
  Speaker 10: your comfort food movie that you'll just put on and
• 40:45
  Speaker 10: maybe you'll clean the house or you find it on
• 40:50
  Speaker 10: TV and you're sucked in and you're still watching it.
• 40:53
  Speaker 2: That's what happens to me, yeah.
• 40:54
  Speaker 10: You know, that's the comfy pair of pants movies. And
• 40:57
  Speaker 10: then there's the.
• 41:01
  Speaker 1: Comfy Pair of Pants, Peter Travers.
• 41:05
  Speaker 2: Do they have Thundercats on it? Yes, they do. And
• 41:08
  Speaker 2: then there are the other movies that are... But I'm
• 41:10
  Speaker 2: a Comfy Pair of Pants movie and I had a
• 41:12
  Speaker 2: few Robocop loafs. That was tough for the day. Kicking back.
• 41:16
  Speaker 10: I have your nostalgia movies that it touched a spot.
• 41:22
  Speaker 10: in you or with your family or something like that.
• 41:25
  Speaker 2: Now Greg's trying to figure out how to describe his
• 41:26
  Speaker 2: categorizations without us making fun of them. That's fine. Too late.
• 41:30
  Speaker 2: We already thought one.
• 41:31
  Speaker 10: And then I think the other one... Well, now I've
• 41:35
  Speaker 10: completely lost track.
• 41:37
  Speaker 2: That's okay. Yeah, lost track of where I was going
• 41:40
  Speaker 2: with that. That's completely fine. Because you were touched by
• 41:42
  Speaker 2: that movie and you're scarred a little bit. Oh, the
• 41:44
  Speaker 2: other one was... Scarring films?
• 41:47
  Speaker 10: Yes.
• 41:47
  Speaker 2: We already did that.
• 41:48
  Speaker 4: No, uh.
• 41:49
  Speaker 10: where it becomes kind of an event where people watch
• 41:53
  Speaker 10: them together.
• 41:53
  Speaker 2: Because I wrote that one down, too.
• 41:56
  Speaker 1: I know which one you're probably discussing.
• 41:58
  Speaker 2: Which one's that? Wizard of Oz. No, but that one was.
• 42:02
  Speaker 2: You know, a completely different route.
• 42:04
  Speaker 10: It was Friday.
• 42:06
  Speaker 2: My roommate.
• 42:06
  Speaker 10: That's a very different movie. It was like, he's having
• 42:09
  Speaker 10: a drink, he's putting Friday on. And everybody that had
• 42:13
  Speaker 10: not seen it or had seen it or was in
• 42:15
  Speaker 10: the room had to sit down and watch it. And
• 42:17
  Speaker 10: it had become one of those things where it's just,
• 42:20
  Speaker 10: I was going to.
• 42:20
  Speaker 2: Say, in the way of a vent, as well as drinking,
• 42:23
  Speaker 2: as well as Verhoeven having a total recall.
• 42:26
  Speaker 4: Oh, yeah.
• 42:26
  Speaker 2: Because anybody who's a fan of total recall has played
• 42:29
  Speaker 2: the total recall drinking game. It's like you take a
• 42:32
  Speaker 2: swig of beer every time Arnold kills someone, and you
• 42:36
  Speaker 2: take a shot of whatever hard liquor you want every
• 42:39
  Speaker 2: time you see the girl with three breasts.
• 42:41
  Speaker 1: That's just once, right?
• 42:42
  Speaker 4: Yeah.
• 42:42
  Speaker 2: There's twice. She shows up once later on in the
• 42:45
  Speaker 2: fight scene. Oh, that's right. But, no, it's one of
• 42:48
  Speaker 2: those things, you play that game, and at first it's like,
• 42:52
  Speaker 2: it's been like half an hour I've had one sit,
• 42:54
  Speaker 2: and then by like the fourth act, you're gone. But,
• 42:59
  Speaker 2: I don't know, Total Recall is just, you know, Verhoeven
• 43:03
  Speaker 2: is really good. It's just like creating an entire world,
• 43:08
  Speaker 2: and I don't know, I want Ronnie Cox in charge
• 43:11
  Speaker 2: of whatever world that exists, be it Mars or Detroit
• 43:15
  Speaker 2: or whatever the case may be. but I don't know
• 43:18
  Speaker 2: it's just such a silly movie when it comes to
• 43:22
  Speaker 2: Total Recall and I never saw the remake that they
• 43:26
  Speaker 2: had last year I heard.
• 43:27
  Speaker 1: It wasn't that bad I mean it's definitely a different
• 43:31
  Speaker 1: movie I guess it does again that was right around
• 43:36
  Speaker 1: that whole remake time when we had our big discussion
• 43:38
  Speaker 1: and I was like it's one of those same ones
• 43:40
  Speaker 1: and I'm like it probably did the best thing you
• 43:42
  Speaker 1: could do because it takes a very rough idea of
• 43:45
  Speaker 1: what happens in that first one And even changes a
• 43:48
  Speaker 1: lot of stuff like that.
• 43:49
  Speaker 2: I mean, there is no Mars on it. But, I mean,
• 43:51
  Speaker 2: it just.
• 43:51
  Speaker 1: Really loosely takes the story and just goes its own way.
• 43:56
  Speaker 1: And I'm like, that's probably what you need to do
• 43:57
  Speaker 1: in a remake. Because there's no reason to, like, shot
• 44:00
  Speaker 1: for shot remake Total Recall.
• 44:02
  Speaker 2: Like, that just seems stupid.
• 44:05
  Speaker 10: But the Running Man.
• 44:07
  Speaker 2: The Running Man needs to be made right, really. That's
• 44:10
  Speaker 2: a good story. I'm sorry.
• 44:11
  Speaker 10: You don't have Richard Dawson anymore, though, so you can't.
• 44:14
  Speaker 2: What I was going to say, I'll add a fourth
• 44:16
  Speaker 2: category to your listings. It's movies to where I watch
• 44:19
  Speaker 2: them time and time again because you always pick up
• 44:22
  Speaker 2: something new with them. It's like movies to where they're
• 44:24
  Speaker 2: so saturated with visuals or characters interacting or something like that.
• 44:30
  Speaker 2: You always pick up something.
• 44:31
  Speaker 1: Yeah.
• 44:32
  Speaker 2: You could link that to, like, the Star Wars movies
• 44:34
  Speaker 2: because they exist in such a universe all around. It's
• 44:37
  Speaker 2: like you've got all those little and sillier characters, you know,
• 44:40
  Speaker 2: that they made figures for even back in, like, the
• 44:42
  Speaker 2: early 80s. But, you know, just the... Every scene is
• 44:48
  Speaker 2: so full of just stuff. But, I mean, it doesn't
• 44:52
  Speaker 2: necessarily even have to be movies like that, but, like,
• 44:54
  Speaker 2: Coin of Scotsy is one where I like to watch
• 44:56
  Speaker 2: it over and over because it's just... looking at just
• 45:00
  Speaker 2: the little moments that are captured on film and, you know,
• 45:03
  Speaker 2: wondering what has occurred before, what's occurred after, how is
• 45:07
  Speaker 2: he winning, why, basically, you know, he shot thousands of
• 45:10
  Speaker 2: hours of just footage for, like, these non-narratives. It's like,
• 45:13
  Speaker 2: why that one scene? It's like, do you like the
• 45:15
  Speaker 2: way this person looks and all this stuff? Criterion just
• 45:18
  Speaker 2: did the DVD, or the Blu-ray, and they had the
• 45:22
  Speaker 2: early test footage for Coin of Scotsy that they'd done,
• 45:26
  Speaker 2: and something I found really fascinating is, like, there's this
• 45:29
  Speaker 2: Near the end, there's this guy who walks into an
• 45:31
  Speaker 2: ice cream parlor, has a great 70s look. He's just
• 45:34
  Speaker 2: buying an ice cream cone, and then he walks off.
• 45:38
  Speaker 2: And that's all that they have within the film. But
• 45:42
  Speaker 2: on this extra footage, when you watch it, you actually
• 45:45
  Speaker 2: see it unedited. And before that, he was in a
• 45:49
  Speaker 2: strip club. And so he's recording across the street, and
• 45:52
  Speaker 2: you see this guy come out of a strip club,
• 45:53
  Speaker 2: and he just wanders into the place, and he gets
• 45:55
  Speaker 2: an ice cream cone, and he walks out, and he
• 45:57
  Speaker 2: goes into a different strip club on the same street.
• 45:59
  Speaker 2: I'm like, that's so funny. I never would have pictured
• 46:01
  Speaker 2: that's what happened before or after that scene. It's just like,
• 46:04
  Speaker 2: I'm done with one. I'm going to get myself an
• 46:06
  Speaker 2: ice cream before the other one. It's just like little
• 46:08
  Speaker 2: stuff like that. The more you watch it, the more
• 46:12
  Speaker 2: you really pick up on it.
• 46:14
  Speaker 1: Live the dream.
• 46:16
  Speaker 2: Ice cream and strip.
• 46:17
  Speaker 10: Yeah, you're in a strip club and go, Man, I
• 46:20
  Speaker 10: could use some ice cream.
• 46:21
  Speaker 2: That's probably not a good sign for that strip club.
• 46:24
  Speaker 1: Get some sweet, sweet dairy.
• 46:26
  Speaker 2: But you say Back to the Future. Back to the
• 46:27
  Speaker 2: Future 2, for me, has more rewatchability. Because I just
• 46:31
  Speaker 2: love all the inside jokes they've thrown in everywhere. Especially
• 46:34
  Speaker 2: in the whole beginning sequence when they're in 2015. Just
• 46:38
  Speaker 2: all the mockery that they make of the 80s.
• 46:41
  Speaker 1: I like that one more than most people. That's the one,
• 46:43
  Speaker 1: for years, everybody hated.
• 46:45
  Speaker 9: Which.
• 46:46
  Speaker 2: I don't know. I mean, to me, that one's just so...
• 46:48
  Speaker 2: I can watch that more frequently than I can the
• 46:50
  Speaker 2: first one.
• 46:51
  Speaker 1: The first one just works all on its own. To me,
• 46:54
  Speaker 1: the second one is definitely.
• 46:56
  Speaker 2: That bridge movie.
• 46:58
  Speaker 1: It cannot exist on its own, especially because it goes
• 47:01
  Speaker 1: into the first movie. So it has to be part
• 47:03
  Speaker 1: of at least these two movies, if not the trilogy.
• 47:07
  Speaker 2: But... Like, I don't know.
• 47:08
  Speaker 1: To me, it's like that first one is so self-contained
• 47:11
  Speaker 1: and is still, like, so smartly put together, even on
• 47:14
  Speaker 1: its own. Like, the fact that he was still putting
• 47:16
  Speaker 1: in his own inside jokes within the first movie. Like,
• 47:19
  Speaker 1: it hadn't even become a thing yet, and he was
• 47:21
  Speaker 1: still working in tiny little references along the way.
• 47:24
  Speaker 2: I mean, that's when I gave credit to Zemeckis.
• 47:28
  Speaker 1: Like, he was just really skilled at doing that kind
• 47:30
  Speaker 1: of stuff pretty early on. I wish he would have
• 47:33
  Speaker 1: kept shooting live action movies. At least this year he
• 47:35
  Speaker 1: came back and did a live action movie, which I.
• 47:37
  Speaker 2: I don't know.
• 47:38
  Speaker 1: He just left it behind for so long there.
• 47:40
  Speaker 2: I don't know.
• 47:42
  Speaker 1: I wish he would just start doing those again because
• 47:45
  Speaker 1: I don't like the weird motion capture creepy animation stuff.
• 47:49
  Speaker 2: No offense to him.
• 47:50
  Speaker 10: I think they could make a horror movie with that
• 47:52
  Speaker 10: motion capture because it's scary.
• 47:54
  Speaker 2: It's horrific. Polar Express was his, correct?
• 47:57
  Speaker 10: Yeah.
• 47:58
  Speaker 2: I remember I just had my wisdom teeth cut out
• 48:01
  Speaker 2: and we went to go see that. So I was
• 48:03
  Speaker 2: just like on a lot of medicine and my mom
• 48:06
  Speaker 2: just drugged me and I was just like.
• 48:10
  Speaker 7: Did you whisper that like that?
• 48:15
  Speaker 2: I think I might have, but I don't know. Because
• 48:18
  Speaker 2: my mom at the end of the movie asked me,
• 48:19
  Speaker 2: she said, did you take too much medicine? And I said, why?
• 48:23
  Speaker 2: And she goes, just wondering. I remember that conversation. So
• 48:25
  Speaker 2: I wondered, just talking the whole time on the screen.
• 48:28
  Speaker 2: Because I remember the whole scene at the end, just
• 48:30
  Speaker 2: to where you have this weird, it's like this communist
• 48:34
  Speaker 2: regime to where the elves are all singing to Samson.
• 48:39
  Speaker 4: Fuck.
• 48:40
  Speaker 2: Honey, you're creeping me out. Stop it. Settle down over there.
• 48:44
  Speaker 2: So I just imagine like, you know, all these kids
• 48:46
  Speaker 2: are just in this theater just enamored with Santa and
• 48:49
  Speaker 2: just quietly in the back there. Holy fuck.
• 48:53
  Speaker 1: Adult voice. Completely freaked out.
• 48:57
  Speaker 10: They changed the title to Get Your Wisdom Teeth Out First.
• 49:01
  Speaker 2: It's like all my fond memories of movies have happened
• 49:03
  Speaker 2: when I've been on too much pain medicine after surgery.
• 49:06
  Speaker 1: That's true.
• 49:06
  Speaker 2: You know, I like... Because remember I told you last summer, actually,
• 49:10
  Speaker 2: I cried happiness, like tears of joy when I was
• 49:13
  Speaker 2: watching Saturday Night Fever.
• 49:15
  Speaker 17: Such a beautiful film it just like hit me because
• 49:20
  Speaker 17: like it was like during one of the dance scenes
• 49:22
  Speaker 17: i'm like why why doesn't why isn't this anymore why
• 49:26
  Speaker 17: what happened to disco.
• 49:27
  Speaker 2: Why why don't i just i always made fun of
• 49:30
  Speaker 2: it until i saw this it was like my eyes
• 49:33
  Speaker 2: were opened you know it's just like It was a
• 49:35
  Speaker 2: beautiful art. It was a beautiful way of expressing yourself.
• 49:38
  Speaker 2: Why is it dead? Why did it have to die?
• 49:42
  Speaker 2: Just say no is the message we've learned. And then,
• 49:45
  Speaker 2: you know, I went back and re-watched it, and I
• 49:47
  Speaker 2: was like, this is a fun movie, but, man, I was, like, gone.
• 49:50
  Speaker 1: This could have took you on a journey.
• 49:54
  Speaker 2: It did.
• 49:57
  Speaker 10: You, like, called up Travolta and, like, this Scientology stuff.
• 50:01
  Speaker 9: Yes.
• 50:03
  Speaker 2: You know you've won me over with your dancing, so
• 50:05
  Speaker 2: go ahead. Give me the details here.
• 50:07
  Speaker 13: Sign me up.
• 50:08
  Speaker 6: The ancient art of disco dancing.
• 50:11
  Speaker 2: Which I'd like to think even better. Probably if somebody
• 50:13
  Speaker 2: had walked in at that point in time, I was
• 50:15
  Speaker 2: just sitting there like, oh, this is great. Like, the
• 50:17
  Speaker 2: DVD's just on the menu.
• 50:18
  Speaker 4: The whole time.
• 50:19
  Speaker 2: I never watched the movie. It just sat on the
• 50:21
  Speaker 2: menu for like three hours. The TV's off. It's like,
• 50:24
  Speaker 2: it's so beautiful. We're at Disco Go. Oh, are you okay? Beautiful.
• 50:30
  Speaker 2: I think one that.
• 50:32
  Speaker 10: has to be on included for me, for probably most
• 50:37
  Speaker 10: people is a Christmas story.
• 50:38
  Speaker 1: Oh yeah.
• 50:40
  Speaker 2: It, um, I can come into that movie at any
• 50:43
  Speaker 2: point and do every year now.
• 50:44
  Speaker 10: Well, yeah, you know, we had, it was on a
• 50:49
  Speaker 10: showtime as a kid. Um, and it had actually been
• 50:54
  Speaker 10: on the end of a movie that we had taped
• 50:56
  Speaker 10: and we saw the first 45 minutes of it. I
• 50:59
  Speaker 10: didn't know what it was. And, We loved it, so
• 51:02
  Speaker 10: we kept trying to catch it. And we ended up
• 51:05
  Speaker 10: on the same tape taping it right afterwards, the movie.
• 51:11
  Speaker 10: And whenever I would watch it, I would watch the
• 51:14
  Speaker 10: first part that I already knew and the whole second
• 51:19
  Speaker 10: recording of it. And then it was gone. Our tape
• 51:22
  Speaker 10: was gone. You couldn't find it. It was out of print.
• 51:25
  Speaker 10: It was out of print for a long time.
• 51:26
  Speaker 2: Why didn't you just stream it off the internet?
• 51:28
  Speaker 4: Yeah.
• 51:29
  Speaker 10: And then TBS picked it up and, you.
• 51:32
  Speaker 2: Know, you didn't have to stream it. They streamed it
• 51:34
  Speaker 2: for you. For me growing up, it was always Christmas
• 51:36
  Speaker 2: Vacation just because we had, I mean, that was my family.
• 51:40
  Speaker 2: It was just the odd old relatives to where there
• 51:44
  Speaker 2: was one member in our family where they always had
• 51:46
  Speaker 2: to have everybody over and, you know, my dad is
• 51:49
  Speaker 2: one of seven and I'm one of 18 cousins. So
• 51:52
  Speaker 2: it's like these huge family gatherings and I'm just like,
• 51:55
  Speaker 2: that's so damn accurate. It's ridiculous. Like, all these people
• 51:59
  Speaker 2: that they have in, you know, the little, like, you know,
• 52:01
  Speaker 2: aunt Bethany, it's like the old Alzheimer's, you know, relatives,
• 52:06
  Speaker 2: like that's always there. And just the relatives to where
• 52:09
  Speaker 2: they just wrap shit up and give it to you. Because,
• 52:12
  Speaker 2: you know, it's like I had an uncle or a
• 52:15
  Speaker 2: great uncle who, um, was a dentist. And he would
• 52:19
  Speaker 2: actually just give everyone, like, wrapped up bags of, like,
• 52:21
  Speaker 2: dental stuff. Like, when you go to the dentist and
• 52:23
  Speaker 2: they give you, like, a little, like, toothpaste and a
• 52:25
  Speaker 2: little toothbrush, he'd give you, like, a wrapping of, like...
• 52:27
  Speaker 2: It would be, like, four or five toothbrushes, a bunch of, like,
• 52:30
  Speaker 2: toothpaste and floss. You cheap bastard. You got these for free.
• 52:34
  Speaker 2: But he would usually... Like, the weird thing was there
• 52:36
  Speaker 2: was always candy in with it. Like, I kid you not.
• 52:38
  Speaker 2: It's like, you'd have... toothbrushes and toothpaste but always be
• 52:41
  Speaker 2: like odd candy like not the stuff you find on
• 52:44
  Speaker 2: shelves be like lemon heads and stuff to where you
• 52:46
  Speaker 2: don't typically see that at Walgreens you find it maybe
• 52:48
  Speaker 2: like you know ball games when you're going to tee
• 52:50
  Speaker 2: ball games as a kid or something but you don't
• 52:52
  Speaker 2: see lemon heads on the shelves.
• 52:54
  Speaker 1: Normally I would think he was just like planning ahead
• 52:56
  Speaker 1: and just giving kids candy so he can make money
• 52:58
  Speaker 1: off of them later but I'm assuming you guys got
• 53:00
  Speaker 1: a deal anyway so I mean that doesn't even make
• 53:02
  Speaker 1: sense for me to.
• 53:03
  Speaker 2: Still make money off the insurance anyway I suppose I
• 53:06
  Speaker 2: mean that's just weird though that's like giving somebody like
• 53:08
  Speaker 2: I don't know just a packet of antibiotics and like
• 53:12
  Speaker 2: some feces. If you're a doctor or something, that's just odd.
• 53:16
  Speaker 2: I think the next Christmas. Yeah. I wouldn't even bother.
• 53:20
  Speaker 2: You know what? I'm good. Uncle Jimmy. I'm fine. I'm
• 53:23
  Speaker 2: talking about that too.
• 53:24
  Speaker 7: I think that's just the dentist token of peace that
• 53:27
  Speaker 7: he's used to giving all children.
• 53:28
  Speaker 2: Like, I'm sorry.
• 53:28
  Speaker 1: I traumatized you. You have some candy.
• 53:31
  Speaker 2: Here's a toothbrush.
• 53:32
  Speaker 1: He just gives it to you. Your dreams have come true.
• 53:35
  Speaker 2: Toothpaste. Have fun.
• 53:37
  Speaker 1: Well, while we're on the, the, vacation thing that was
• 53:41
  Speaker 1: uh one of mine was the original national lampoon's vacation
• 53:44
  Speaker 1: was and that one that one sort of stems from
• 53:47
  Speaker 1: there was again like now i i bitch about comedies
• 53:50
  Speaker 1: because i think most of them now are dumb and
• 53:52
  Speaker 1: i just wrote a whole big piece about dumb modern
• 53:54
  Speaker 1: comedies but like the those there was that run in
• 53:59
  Speaker 1: like you know late 70s through the 80s that like
• 54:02
  Speaker 1: i don't know again i don't know that they were
• 54:03
  Speaker 1: better or if they just hit me at the right
• 54:05
  Speaker 1: time Or I was just at a place where I
• 54:08
  Speaker 1: didn't care.
• 54:08
  Speaker 2: How dumb they were.
• 54:09
  Speaker 1: But that one I don't think. That one is well written. And, like,
• 54:12
  Speaker 1: that's one of those that they started playing on cable
• 54:15
  Speaker 1: right around that time. And, like, we watched it at
• 54:18
  Speaker 1: our house all the time. And it's another one of
• 54:20
  Speaker 1: the few that, like, again, like I've said before, there's
• 54:25
  Speaker 1: times when, like, my dad has no idea why I
• 54:27
  Speaker 1: am the way I am. But every once in a
• 54:29
  Speaker 1: while there would be a weird connect.
• 54:31
  Speaker 2: And, like, that was one of those.
• 54:32
  Speaker 1: And, like, that was on so much that we would
• 54:34
  Speaker 1: start doing lines from it. Like, we would just, like,
• 54:37
  Speaker 1: to this day, we'll be at some sort of stupid
• 54:39
  Speaker 1: family gathering. And I will say, real tomato ketchup. And
• 54:43
  Speaker 1: I can hear from the other side of the room,
• 54:44
  Speaker 1: nothing but the best.
• 54:46
  Speaker 2: Yeah, that's the same way with my family at Christmas. Because, like,
• 54:49
  Speaker 2: you know, my great aunt Olima will sit down. And,
• 54:51
  Speaker 2: you know, it's just, Olima, what would you like?
• 54:54
  Speaker 4: Oh, what?
• 54:54
  Speaker 2: Oh, and then my brother will just lean over and go. Grace,
• 54:57
  Speaker 2: she passed away 30 years ago. It's just.
• 55:02
  Speaker 2: The constant... Yeah, just referencing it. I mean, I'll give
• 55:06
  Speaker 2: it to the National Lampoon's vacation movies. They pretty much
• 55:09
  Speaker 2: hit it accurate. I mean, Vegas is... Those two are...
• 55:12
  Speaker 2: And Europe.
• 55:13
  Speaker 10: Those two are the peaks right there. Europe for me
• 55:15
  Speaker 10: was the one I saw the most, I think.
• 55:16
  Speaker 1: It's one in three. And Vegas, I've only seen like once.
• 55:21
  Speaker 2: It's... All right. Again.
• 55:23
  Speaker 1: I knew people that liked that one that like came
• 55:25
  Speaker 1: in later and was like, that one's hilarious. And I'm like,
• 55:28
  Speaker 1: it's funny, but it pales in comparison to like the
• 55:31
  Speaker 1: other two are classic, you know, one in three is.
• 55:34
  Speaker 2: The way to go. And I don't know, Europe, Europe
• 55:36
  Speaker 2: has problem. I don't have a VHS tape. I still have.
• 55:41
  Speaker 2: And this isn't really like a movie that was released
• 55:43
  Speaker 2: in theaters, but you said vacation, um, growing up. I mean,
• 55:47
  Speaker 2: we could watch that cause it's an R rated film
• 55:50
  Speaker 2: and we didn't have much cable, but, um, Tiny Toons,
• 55:54
  Speaker 2: How I Spent My Summer Vacation. I remember that. It
• 55:57
  Speaker 2: is a VHS I've seen so many times. I still
• 56:00
  Speaker 2: have the tradition or superstition, whatever you call it, watching
• 56:03
  Speaker 2: it every single summer. I still have the same tape
• 56:06
  Speaker 2: I had from when I was like 11 or whenever
• 56:08
  Speaker 2: I got it. And that's something I can still quote it.
• 56:10
  Speaker 2: Just because the older you get, I like it whenever
• 56:13
  Speaker 2: you can watch cartoons and as a kid you don't
• 56:18
  Speaker 2: pick up on all the jokes, the way they're like
• 56:19
  Speaker 2: winking at adults. But that one, Not all of them
• 56:22
  Speaker 2: have that, but the Warner Brothers stuff always had that.
• 56:25
  Speaker 1: Even the old ones had so many jokes that weren't
• 56:28
  Speaker 1: for kids, and they continued on with Tiny Toons, and
• 56:31
  Speaker 1: I think it got even better with Animania.
• 56:33
  Speaker 2: Yeah, I think just the reason it clicked with me
• 56:35
  Speaker 2: is the whole sequence of Plucky going with Hampton's family
• 56:38
  Speaker 2: to Happy World Land. I had a friend to where
• 56:41
  Speaker 2: we would go on road trips together, and there's this
• 56:43
  Speaker 2: little moment to where Plucky's sitting in the back just
• 56:48
  Speaker 2: like drenched in sweat. And he's like, hey, pops, do
• 56:50
  Speaker 2: you think you could turn on the air conditioning? He's like,
• 56:52
  Speaker 2: air conditioning? Waste gas. I'll just crack a window. And
• 56:54
  Speaker 2: she's like, don't you dare, Wade. People think we can't
• 56:56
  Speaker 2: afford air conditioning. He's like, that was my friend's family.
• 56:59
  Speaker 2: Get on. And just, you know, enjoying these trips, but
• 57:03
  Speaker 2: at the same time, it's like, you know, I'm going
• 57:05
  Speaker 2: because I wanted to go with my friend. It was like, cool,
• 57:07
  Speaker 2: I'm going on a road trip with a friend. But
• 57:09
  Speaker 2: it's like, they're insane. I'm miserable. I can't say anything
• 57:12
  Speaker 2: because I'm a guest.
• 57:13
  Speaker 4: Yeah.
• 57:15
  Speaker 2: I was totally there every single summer, and it just
• 57:18
  Speaker 2: clicked with me.
• 57:19
  Speaker 1: It's the kind of trip you'd never take as an adult.
• 57:21
  Speaker 7: You'd never choose a group where you liked one person
• 57:23
  Speaker 7: and everyone else drove you crazy. The majority of people
• 57:26
  Speaker 7: were just maniacs. Only when you're a kid when you're
• 57:29
  Speaker 7: trapped and you have a vehicle where you find yourself
• 57:31
  Speaker 7: in that kind of horrible nightmare.
• 57:33
  Speaker 1: That's true.
• 57:34
  Speaker 13: One for me was so I married an ax murderer,
• 57:36
  Speaker 13: and that was a nice one.
• 57:38
  Speaker 4: Oh, gosh.
• 57:39
  Speaker 2: What led you to that group?
• 57:42
  Speaker 13: Don't even remember anymore.
• 57:44
  Speaker 18: It became so ingrained. But then it was just, you know,
• 57:47
  Speaker 18: constant quoting. He pans now. And it's just, it's hilarious.
• 57:54
  Speaker 18: You know, the moment when he's playing with the Thighmaster,
• 57:56
  Speaker 18: he goes shooting across the room.
• 57:58
  Speaker 1: It's fantastic. That, again, was probably him at his peak.
• 58:03
  Speaker 1: Because the more he made movies, the worse he got.
• 58:06
  Speaker 11: Yeah.
• 58:07
  Speaker 5: Really, yeah.
• 58:08
  Speaker 1: I never got tired of those scenes with his dad, though.
• 58:10
  Speaker 1: Those are the best.
• 58:11
  Speaker 2: Yeah, exactly. I think that's the ones everybody likes.
• 58:13
  Speaker 10: Well, what's good about it is you got enough that
• 58:15
  Speaker 10: you wanted more, but they didn't give you more.
• 58:17
  Speaker 2: If they would have given you more, it would have
• 58:18
  Speaker 2: gotten old.
• 58:18
  Speaker 1: See, and if he made it now, it would just
• 58:21
  Speaker 1: be nothing but that. Again, he doesn't understand pulling back
• 58:25
  Speaker 1: off of anything comedically. And then, I mean, now I
• 58:28
  Speaker 1: feel like that's all he does is just like take
• 58:30
  Speaker 1: a joke and beat it to death for an hour
• 58:32
  Speaker 1: and a half.
• 58:33
  Speaker 2: And he hadn't gotten to that point yet. So yeah,
• 58:35
  Speaker 2: that was, that was early in his movie run. So that's,
• 58:38
  Speaker 2: that's for the best real. Yeah. And the way of
• 58:41
  Speaker 2: like this group thinking about that and the way of
• 58:44
  Speaker 2: group movies, it's really common for a group of my
• 58:47
  Speaker 2: friends and I to get together and watch beyond the
• 58:49
  Speaker 2: valley of the dolls.
• 58:50
  Speaker 4: Yeah.
• 58:50
  Speaker 2: I don't know why. It's just, I think because there's
• 58:52
  Speaker 2: just so much going on in that film. Um, And just,
• 58:58
  Speaker 2: Roger Ebert's just so damned clever. Both him and just
• 59:01
  Speaker 2: Russ Meyer's direction. There's just a lot about that movie
• 59:05
  Speaker 2: that just like clicks and then that's the whole thing
• 59:09
  Speaker 2: is if you haven't seen that before it's like you
• 59:11
  Speaker 2: have no idea how much Austin Powers is referencing that
• 59:15
  Speaker 2: film throughout the course of it so I always.
• 59:19
  Speaker 1: Get that mixed up with Beyond the Valley of the
• 59:21
  Speaker 1: Ultra Vixens.
• 59:22
  Speaker 2: What's that's another Russ Meyer but that's one I haven't
• 59:26
  Speaker 2: seen that was like later in his career.
• 59:27
  Speaker 1: That one doesn't have a e-bird so okay He had
• 59:31
  Speaker 1: weird periods, like his early stuff and then his later stuff.
• 59:34
  Speaker 1: Like he was like golden in that middle era there where,
• 59:37
  Speaker 1: I mean, again, the stuff gets lumped in for the
• 59:40
  Speaker 1: women that are in it. But I'm like, if you
• 59:42
  Speaker 1: watch it, like he made some really good movies and
• 59:45
  Speaker 1: he actually shot some really good footage that he never
• 59:47
  Speaker 1: gets credit.
• 59:47
  Speaker 2: For because they close that they're barely wearing.
• 59:50
  Speaker 1: But like he, I still think he had a run
• 59:53
  Speaker 1: where he put out some really good stuff, but don't.
• 59:55
  Speaker 2: Start with the early stuff because the early stuff is just, boring.
• 59:58
  Speaker 2: I was going to say, Faster Pussycat Kill Bill is
• 1:00:00
  Speaker 2: about as early as you want to start. I don't remember.
• 1:00:02
  Speaker 1: It was back-to-back like that and Lorna. Lorna's really good.
• 1:00:06
  Speaker 1: Nobody's seen Lorna, but again, that run, he was making
• 1:00:09
  Speaker 1: us right in the middle where he was making good movies.
• 1:00:13
  Speaker 1: By the end, they just become lightweight porn. In the beginning,
• 1:00:17
  Speaker 1: he started so early that he couldn't show anything. Those
• 1:00:20
  Speaker 1: early ones are almost like the old, it's almost like
• 1:00:24
  Speaker 1: those weird old.
• 1:00:25
  Speaker 2: Supposedly racy movies. Well, even older than that.
• 1:00:28
  Speaker 1: Like, the old, like, Nickelodeon kind of movies where it's like, oh,
• 1:00:32
  Speaker 1: she's wearing a nightie.
• 1:00:34
  Speaker 17: I mean, you know.
• 1:00:35
  Speaker 2: Show me your gams. Yeah, it's like they couldn't show anything.
• 1:00:37
  Speaker 1: But, like, he would still set it up like it
• 1:00:39
  Speaker 1: was almost like a porn setup. Like, something was going
• 1:00:43
  Speaker 1: to happen enough they never does. So, it's like, he
• 1:00:45
  Speaker 1: was still trying to make that movie and they wouldn't
• 1:00:47
  Speaker 1: let him yet.
• 1:00:48
  Speaker 2: And then later, he did make that movie.
• 1:00:49
  Speaker 1: So, it's that middle run where he sort of got
• 1:00:51
  Speaker 1: over that and just started actually, like, telling the story that, like, yeah, he...
• 1:00:56
  Speaker 1: He doesn't get credit for the good ones, but you've
• 1:00:57
  Speaker 1: got to know how to pick his movies. Yeah, it's just,
• 1:01:01
  Speaker 1: there's so.
• 1:01:01
  Speaker 2: Much in Dolls. I mean, just with the music and everything,
• 1:01:05
  Speaker 2: and Z-Man alone makes that movie. Because, God, every time
• 1:01:09
  Speaker 2: I see Z-Man, I always think back. I got drugged
• 1:01:13
  Speaker 2: to a production of Troyes and Cressida at the UofL Playhouse. And,
• 1:01:19
  Speaker 2: I mean, Shakespeare can be really tedious if people don't
• 1:01:23
  Speaker 2: know what they're doing. And Collegiate is just... bad and
• 1:01:27
  Speaker 2: I don't know why but for some reason in this
• 1:01:29
  Speaker 2: production they were having guys play even the female characters
• 1:01:35
  Speaker 2: they were old school and I could appreciate that but
• 1:01:40
  Speaker 2: they were wearing like these plastic novelty breasts like you
• 1:01:44
  Speaker 2: pick up at Caulfields or something and they were wearing
• 1:01:46
  Speaker 2: like this see through cloth to where it was just
• 1:01:49
  Speaker 2: like I can't take this serious and there was just
• 1:01:54
  Speaker 2: A whole scene where I can't remember which character it
• 1:01:57
  Speaker 2: is in the play, but they're talking to Helen of Troy.
• 1:01:59
  Speaker 2: And just my friend leaned over and just goes, I
• 1:02:03
  Speaker 2: am Superwoman. And just as soon as that clicked in
• 1:02:06
  Speaker 2: my mind, I had to excuse myself and go out
• 1:02:09
  Speaker 2: to the lobby. I'm sure they heard me laughing in
• 1:02:11
  Speaker 2: the lobby all the way into the theater. And I
• 1:02:14
  Speaker 2: just feel bad. But, you know, it's just... There are
• 1:02:18
  Speaker 2: just some movies to where you have those anecdotes associated with,
• 1:02:22
  Speaker 2: not so much the movie, but like a movie reference
• 1:02:24
  Speaker 2: that a friend made at just the right point in
• 1:02:26
  Speaker 2: time in life, where it's like, I'll always remember that
• 1:02:28
  Speaker 2: anecdote with that movie, and it just sort of makes it, too.
• 1:02:32
  Speaker 2: So what you said is your most rewatchable movie is Supergirl.
• 1:02:35
  Speaker 2: All right, that's what I heard. Yeah, sure. You love Supergirl.
• 1:02:39
  Speaker 2: And Space Cowboys, me and Fred get together. And Curly Sue.
• 1:02:43
  Speaker 4: Yeah.
• 1:02:47
  Speaker 10: One that I just watched the other night. It's a
• 1:02:49
  Speaker 10: comfort one for me. And because comedy-wise, it's got everything from, well,
• 1:02:57
  Speaker 10: every form of comedy I think is in it is
• 1:02:59
  Speaker 10: in Clue. It's really one of the best written and
• 1:03:03
  Speaker 10: best performed comedies I.
• 1:03:05
  Speaker 2: Think I've ever seen.
• 1:03:06
  Speaker 10: And everybody is on top of their game, I think,
• 1:03:09
  Speaker 10: throughout the whole movie.
• 1:03:11
  Speaker 2: That's one of those that I think it took.
• 1:03:12
  Speaker 1: 20 years for people to start coming to that conclusion.
• 1:03:16
  Speaker 1: Cause nobody liked it when he came out, it did terrible.
• 1:03:19
  Speaker 2: And like, even people who saw it were just like,
• 1:03:21
  Speaker 2: what the hell is this?
• 1:03:23
  Speaker 1: And like, and why do I only get one ending
• 1:03:25
  Speaker 1: in which you didn't get the three until you get
• 1:03:27
  Speaker 1: the video.
• 1:03:28
  Speaker 2: So, I mean, it was like, I don't know. It
• 1:03:30
  Speaker 2: didn't like, there are some great performances. I'll watch Madeline
• 1:03:34
  Speaker 2: common anything, but like there and.
• 1:03:36
  Speaker 1: Tim Curry, like, I mean, there's some great performances in there,
• 1:03:38
  Speaker 1: but like, it just did not click with the public
• 1:03:41
  Speaker 1: at the time. Um, But it's funny, now I will
• 1:03:44
  Speaker 1: hear a whole new generation of people, and I think
• 1:03:46
  Speaker 1: it's like those kids that caught it really early on
• 1:03:48
  Speaker 1: cable and kind of grew up with it, too. And
• 1:03:51
  Speaker 1: I think now they're just like, they reference it as
• 1:03:53
  Speaker 1: this great comedy from.
• 1:03:55
  Speaker 2: When they were a kid, but it took that long.
• 1:03:58
  Speaker 1: Before people came around and started going, well, you know, actually,
• 1:04:01
  Speaker 1: it's pretty.
• 1:04:02
  Speaker 2: Well put together. In New York and L.A. and some theaters,
• 1:04:03
  Speaker 2: they actually do the stage show like they do with
• 1:04:06
  Speaker 2: Rocky Horror.
• 1:04:07
  Speaker 4: Yeah.
• 1:04:08
  Speaker 2: Which, I mean, again, I can see that. It lends
• 1:04:10
  Speaker 2: itself to that.
• 1:04:11
  Speaker 10: You know, there were, that was, I noticed this past time,
• 1:04:15
  Speaker 10: there are a lot of parallels between Rocky Horror and
• 1:04:18
  Speaker 10: Clue anyways. If you watch them, I'm not going to
• 1:04:21
  Speaker 10: get into it, maybe.
• 1:04:22
  Speaker 2: A different episode. It was a big dark house and
• 1:04:24
  Speaker 2: there were people in there.
• 1:04:25
  Speaker 1: Right.
• 1:04:26
  Speaker 10: And a broken down car and people are dying and
• 1:04:28
  Speaker 10: Tim Curry. But, yeah, it's, yeah, I was kind of
• 1:04:32
  Speaker 10: taking mental notes. I was like, what, what, you know,
• 1:04:34
  Speaker 10: you can almost see a lot of parallels in the
• 1:04:36
  Speaker 10: two of them.
• 1:04:37
  Speaker 6: But, Maybe people didn't know what to do with it
• 1:04:40
  Speaker 6: because you never thought when you're playing the game Clue, like,
• 1:04:44
  Speaker 6: this is so funny.
• 1:04:46
  Speaker 2: This is so funny.
• 1:04:47
  Speaker 6: I'm going to murder you in the library with a rope.
• 1:04:49
  Speaker 6: This is hilarious.
• 1:04:49
  Speaker 1: Well, I mean, it is weird if you think about
• 1:04:52
  Speaker 1: it that they went comedy with it. Like, you could
• 1:04:55
  Speaker 1: almost see them doing, like, a movie of the week
• 1:04:57
  Speaker 1: kind of thing, you know? Like, a really self-serious, like,
• 1:05:00
  Speaker 1: you know, a bad, like, knockoff Agatha Christie kind of.
• 1:05:04
  Speaker 2: made-for-TV movie almost.
• 1:05:05
  Speaker 1: But, like, Taking it comedy and then bringing in Tim
• 1:05:10
  Speaker 1: Curry and the whole run there.
• 1:05:12
  Speaker 2: You see how well it goes over when they do
• 1:05:14
  Speaker 2: serious battleships. That was a classic.
• 1:05:19
  Speaker 1: In 20 years, they're going to come around.
• 1:05:22
  Speaker 2: You just wait.
• 1:05:23
  Speaker 10: If people are watching that in 20 years, I'm going
• 1:05:25
  Speaker 10: to stop watching movies.
• 1:05:27
  Speaker 1: I'm waiting for them to make a Don't Wake Daddy film.
• 1:05:31
  Speaker 2: That could be a horror film. I can't wait until
• 1:05:35
  Speaker 2: the new.
• 1:05:38
  Speaker 2: IMAX 3D Guess Who. I'm waiting until that happens.
• 1:05:44
  Speaker 6: Do you ever see people out in the real world
• 1:05:46
  Speaker 6: that you swear straight from a Guess Who?
• 1:05:48
  Speaker 2: Yeah. I flipped you down the other night.
• 1:05:51
  Speaker 6: They still perfectly represent a person with a mustache.
• 1:05:54
  Speaker 4: It's new.
• 1:05:55
  Speaker 6: I swear.
• 1:05:58
  Speaker 2: Because you can slide the cards in and out, and
• 1:06:00
  Speaker 2: I've always thought a dozen times over it would be
• 1:06:02
  Speaker 2: really fun to have some movie geek friends come over
• 1:06:05
  Speaker 2: and have character actors on there. You've got Jeffrey Jones
• 1:06:08
  Speaker 2: and Dan Hedaya and Madeline Kahn. Everybody's in there.
• 1:06:11
  Speaker 1: Can we put this together and start marketing? I'm sure
• 1:06:14
  Speaker 1: we'll get sued, but when does that stop us? I
• 1:06:17
  Speaker 1: say we do that.
• 1:06:18
  Speaker 2: Sounds good. We can hold down exclusive.
• 1:06:20
  Speaker 6: We can call it You Know Who.
• 1:06:23
  Speaker 2: That one guy. There we go, that one guy. You
• 1:06:25
  Speaker 2: know the one guy. Yeah, I think that's the way
• 1:06:29
  Speaker 2: to go. Or what a character or something like that.
• 1:06:33
  Speaker 2: That would be fun.
• 1:06:34
  Speaker 1: Yeah.
• 1:06:35
  Speaker 2: But yeah, I'm trying to think. Everybody pretty much had
• 1:06:39
  Speaker 2: a great deal of work before and after Clue, save
• 1:06:42
  Speaker 2: whoever plays Miss White. Because, I mean, Martin Mull, I mean,
• 1:06:50
  Speaker 2: he's had a lot of goofiness. I mean, my favorite
• 1:06:53
  Speaker 2: Martin Mull is still Gene Parmesan from Arrested Development. But,
• 1:06:56
  Speaker 2: you know, Madeline Kahn and Eileen Brennan, of course, Christopher Lloyd,
• 1:07:00
  Speaker 2: you know, really everybody, save... And we're all going to
• 1:07:04
  Speaker 2: blank on whoever the actress is that even played. Eileen Brennan?
• 1:07:09
  Speaker 2: Is that her name? No, that was... No, that's Peacock.
• 1:07:11
  Speaker 2: It was Peacock. Why was that the game?
• 1:07:13
  Speaker 4: Mrs.
• 1:07:13
  Speaker 2: White is... Yeah, no. Leslie Ann Warren?
• 1:07:17
  Speaker 1: Sorry, IMDB didn't look it up.
• 1:07:18
  Speaker 2: Yeah, that's... Mrs. White is Madeline Kahn. No, Madeline Kahn is.
• 1:07:25
  Speaker 1: Ms.
• 1:07:25
  Speaker 2: Scarlet isn't... No, no, no.
• 1:07:26
  Speaker 4: I'm sorry.
• 1:07:26
  Speaker 2: No, it's Leslie Ann Warren. Never mind.
• 1:07:28
  Speaker 7: I was.
• 1:07:28
  Speaker 2: You're right. Because, yeah.
• 1:07:31
  Speaker 11: Okay.
• 1:07:32
  Speaker 2: Never mind, then. The maid wasn't anybody.
• 1:07:33
  Speaker 10: No, you're right.
• 1:07:34
  Speaker 2: That was Colleen Camp, wasn't it? I don't know.
• 1:07:37
  Speaker 1: It's sad that I can tell you who the maid is.
• 1:07:39
  Speaker 2: But, yeah, it was Leslie Ann Warren was Ms... Ms. Scarlet.
• 1:07:43
  Speaker 4: Ms. Scarlet.
• 1:07:44
  Speaker 2: Okay, not to be... Okay, I almost wanted to go
• 1:07:46
  Speaker 2: say Leslie Ann Down. Welcome back to ClueCast. Yeah, okay.
• 1:07:51
  Speaker 2: Take a snack, Rick.
• 1:07:51
  Speaker 4: What?
• 1:07:54
  Speaker 2: Well, I suppose I'm obligated to say I've seen Dick
• 1:07:57
  Speaker 2: Tracy a couple times. Oh, yeah, I forgot about that.
• 1:08:01
  Speaker 1: If you guys have missed the previous episode, he's got
• 1:08:04
  Speaker 1: an obsessive problem.
• 1:08:06
  Speaker 2: It's called Dick Tracy. Which episode was that that I
• 1:08:10
  Speaker 2: admit to?
• 1:08:11
  Speaker 1: Probably at the Oscar party because we're sitting very close
• 1:08:16
  Speaker 1: to the shrine that is the.
• 1:08:18
  Speaker 2: Did we go into the Dick Tracy room?
• 1:08:19
  Speaker 1: You showed it off to some of the other people,
• 1:08:21
  Speaker 1: but we didn't do... I told you we were going
• 1:08:22
  Speaker 1: to do a Dick Tracy episode, and we need to
• 1:08:24
  Speaker 1: just do it from in the middle of the Dick
• 1:08:26
  Speaker 1: Tracy room. We can just set up a card table.
• 1:08:28
  Speaker 2: They have no idea. Andrew walked in and just said,
• 1:08:31
  Speaker 2: Jesus fuck, this is creepy. Yeah.
• 1:08:34
  Speaker 6: No, it was... You gave me a heads up. Just
• 1:08:36
  Speaker 6: tell me how obsessed you were.
• 1:08:37
  Speaker 2: Yeah, I always prep people.
• 1:08:40
  Speaker 1: They need it, really.
• 1:08:41
  Speaker 2: Just so you know. It's like, you know, the three
• 1:08:44
  Speaker 2: things about my house. It's like, I don't let people
• 1:08:46
  Speaker 2: wear shoes in there just because, you know, you're getting
• 1:08:48
  Speaker 2: the same pee that's on, like, bathroom floors and the
• 1:08:50
  Speaker 2: carpet and that. That's weird, too. But feel free. And,
• 1:08:53
  Speaker 2: you know, I got cats in case you're allergic, and
• 1:08:55
  Speaker 2: I kind of like Dick Tracy. So those are the
• 1:08:57
  Speaker 2: three heads up. Kind of like Dick Tracy.
• 1:09:00
  Speaker 9: Bit.
• 1:09:00
  Speaker 2: Just so you know.
• 1:09:00
  Speaker 9: Oh, man.
• 1:09:01
  Speaker 2: There is not a room in the world that has
• 1:09:04
  Speaker 2: more Dick Tracy in it.
• 1:09:05
  Speaker 5: Is there?
• 1:09:05
  Speaker 10: I mean, I don't know.
• 1:09:06
  Speaker 2: I can't imagine. Is there a Dick Tracy museum somewhere?
• 1:09:08
  Speaker 2: There used to be, but it's sadly closed.
• 1:09:11
  Speaker 9: Yeah.
• 1:09:11
  Speaker 2: So. They relocated it to your house.
• 1:09:13
  Speaker 1: Oh. You have the best ratio of most Dick Tracy
• 1:09:17
  Speaker 1: and least pee.
• 1:09:19
  Speaker 4: It does.
• 1:09:20
  Speaker 1: There seems something wrong with that.
• 1:09:24
  Speaker 2: Seems like you need to see a doctor about that.
• 1:09:26
  Speaker 10: But, you know, cats walk around in their own excrement,
• 1:09:31
  Speaker 10: but you won't let people that have walked around in
• 1:09:33
  Speaker 10: people excrement.
• 1:09:34
  Speaker 2: No, but they lick their paws. So if I licked
• 1:09:37
  Speaker 2: my shoes, you'd let me walk around your house? Yes. Okay.
• 1:09:39
  Speaker 5: Yes.
• 1:09:40
  Speaker 2: Sounds like a challenge. Future episode right there. I'm never
• 1:09:45
  Speaker 2: going to. All right. Well, there's plenty of others. I'm
• 1:09:51
  Speaker 2: just going to throw some out. We'll see.
• 1:09:53
  Speaker 1: I mean, there was one that the more I thought
• 1:09:54
  Speaker 1: about it, I was like, oh, my God. It became
• 1:09:57
  Speaker 1: so ingrained with my childhood, and it's another one of
• 1:10:00
  Speaker 1: those that as I got older, I not only liked
• 1:10:02
  Speaker 1: it more, I came to appreciate it so much more.
• 1:10:06
  Speaker 2: Willy Wonka and the Chocolate Factory.
• 1:10:07
  Speaker 8: I understand.
• 1:10:08
  Speaker 2: I watched that.
• 1:10:09
  Speaker 1: Tons as a kid, but it was years later, I went,
• 1:10:12
  Speaker 1: oh my god, this is genius.
• 1:10:15
  Speaker 2: The stuff that's going on that are.
• 1:10:17
  Speaker 1: Just sort of laid right under the surface. It's right
• 1:10:21
  Speaker 1: there for you to see if you're paying attention.
• 1:10:23
  Speaker 2: But there's some creepy stuff going on.
• 1:10:25
  Speaker 1: Some really weird dialogue that gets worked in very casually
• 1:10:29
  Speaker 1: that you're like, wait, did he just say that?
• 1:10:32
  Speaker 4: Okay.
• 1:10:32
  Speaker 11: Okay.
• 1:10:33
  Speaker 2: And see, that's something I didn't like about the Tim
• 1:10:35
  Speaker 2: Burton one is, I mean, that's one of the things, but,
• 1:10:39
  Speaker 2: you know, when you watch the old Gene Wilder Willy
• 1:10:42
  Speaker 2: Wonka and the Chocolate Factory, it's like, it's not until
• 1:10:45
  Speaker 2: you're an adult that you realize, okay, this is kind
• 1:10:47
  Speaker 2: of clever. They put some really creepy stuff almost sort
• 1:10:49
  Speaker 2: of under the carpet here. It's very, very subtle, whereas
• 1:10:52
  Speaker 2: in the Johnny Depp one, it's just blatant. It's just
• 1:10:55
  Speaker 2: blatantly trying to be creepy and trying to be eccentric
• 1:10:58
  Speaker 2: and I mean, that was one of the things. The
• 1:11:00
  Speaker 2: other thing is it just becomes the Johnny Depp show
• 1:11:03
  Speaker 2: after a while. Every movie with Johnny Depp in it.
• 1:11:05
  Speaker 5: Yeah.
• 1:11:06
  Speaker 1: Enough that he has to retire.
• 1:11:10
  Speaker 10: Edward Scissorhands, it's not. There's so much of.
• 1:11:12
  Speaker 2: That that's not about him. That was before he had
• 1:11:14
  Speaker 2: the turn.
• 1:11:14
  Speaker 10: Right, right.
• 1:11:15
  Speaker 2: That was pre-E. Ed Wood was probably the turning point. No, no.
• 1:11:19
  Speaker 2: Helena Bonham Carter was the turning point.
• 1:11:23
  Speaker 1: I've on many an episode pinned it on her. That's
• 1:11:26
  Speaker 1: where it all changes. Hell in a bottom scapegoat.
• 1:11:29
  Speaker 2: Homewrecker is how I refer to it. Anyway, just saying.
• 1:11:33
  Speaker 5: Just done it twice.
• 1:11:34
  Speaker 11: All right.
• 1:11:37
  Speaker 1: But, I mean, while we're on that, if we go
• 1:11:39
  Speaker 1: back further, like a lot of his stuff early on,
• 1:11:42
  Speaker 1: Beetlejuice was another one of mine.
• 1:11:44
  Speaker 2: Beetlejuice and Pee-wee's Big Adventure. I can watch any of those.
• 1:11:48
  Speaker 1: Like, yeah, without even thinking about it, I will just
• 1:11:51
  Speaker 1: be engrossed in it.
• 1:11:54
  Speaker 2: Because, again, Pee Wee's Big Adventure, it's one of those movies,
• 1:11:56
  Speaker 2: like I was talking about earlier, to where the screen
• 1:11:58
  Speaker 2: is saturated with just silliness, especially when you're in his house.
• 1:12:03
  Speaker 2: And it's just, you pick up so many more things.
• 1:12:07
  Speaker 2: You could put it on mute, and it's funny, just
• 1:12:10
  Speaker 2: looking at the odd expressions. Like when he's in the
• 1:12:13
  Speaker 2: car with Mickey, and he's talking about cutting the mattress
• 1:12:17
  Speaker 2: tag off, and just he's, Reaching back. That or his
• 1:12:20
  Speaker 2: expression was with large march, too. The whole time he's
• 1:12:22
  Speaker 2: like inching away and just this terror is growing on
• 1:12:25
  Speaker 2: his face. And you watch as an adult, it's like,
• 1:12:28
  Speaker 2: how silly is it that he just gets in the car?
• 1:12:30
  Speaker 2: He's like, thanks for the ride. And she's like, 10
• 1:12:32
  Speaker 2: years ago. She just goes right into it without any, like,
• 1:12:35
  Speaker 2: prompting or transition. That's the best scene ever.
• 1:12:40
  Speaker 4: Yeah.
• 1:12:41
  Speaker 10: Do you know how much, because my kids were watching it,
• 1:12:44
  Speaker 10: and they loved it. They fell in love with Pee
• 1:12:47
  Speaker 10: Wee's Big Adventure right away.
• 1:12:49
  Speaker 2: They weren't terrified by Large Marge.
• 1:12:51
  Speaker 10: They were, but I prepped them for that part. I
• 1:12:54
  Speaker 10: said there's going to be an extremely scary part.
• 1:12:55
  Speaker 2: And they knew ahead of time.
• 1:12:59
  Speaker 10: But they thought it was a lot like a Bugs
• 1:13:04
  Speaker 10: Bunny cartoon. And the more I thought about it, he
• 1:13:09
  Speaker 10: was innocent but wise, very physical about himself. Not necessarily
• 1:13:16
  Speaker 10: that the comedy was slapstick, fall around, but just his
• 1:13:21
  Speaker 10: motions and reactions to things. And some of those scenes, especially,
• 1:13:25
  Speaker 10: you could picture... like you say, with Mickey and driving
• 1:13:28
  Speaker 10: in the car, you could just picture him riding along
• 1:13:31
  Speaker 10: in that, Bugs Bunny riding along in that car in
• 1:13:33
  Speaker 10: that same scene happening.
• 1:13:34
  Speaker 2: And it's a series of, like, miniature episodes or cartoons, too.
• 1:13:37
  Speaker 2: It's like, this is him with Mickey, this is the
• 1:13:40
  Speaker 2: episode with him, and, you know, the big fellow who
• 1:13:43
  Speaker 2: chases him out of the dinosaur. I can't think of that.
• 1:13:45
  Speaker 9: Andy.
• 1:13:46
  Speaker 2: Andy, thank you, Andy.
• 1:13:47
  Speaker 4: Andy!
• 1:13:48
  Speaker 3: Yeah.
• 1:13:50
  Speaker 10: And then at the end you get the curtain call
• 1:13:52
  Speaker 10: of everybody. It's just, yeah, like it's set up like
• 1:13:54
  Speaker 10: a Looney Tunes. And I thought that was very good.
• 1:13:56
  Speaker 2: And it is.
• 1:13:57
  Speaker 10: It's a kid's, it's an adult movie, but it's also
• 1:14:01
  Speaker 10: a kid's movie.
• 1:14:02
  Speaker 2: Which actually in the way of Stuff to Worry, I could.
• 1:14:05
  Speaker 2: I could watch this so many times, and it is
• 1:14:08
  Speaker 2: very Looney Tunes inspired. It's Gremlins 2, the new batch.
• 1:14:11
  Speaker 2: I can't remember the last time I saw Gremlins. It's
• 1:14:15
  Speaker 2: probably been years since I saw Gremlins. Gremlins 2, the
• 1:14:17
  Speaker 2: new batch, I love it.
• 1:14:18
  Speaker 1: It's time for a revisit. I need to spend some
• 1:14:20
  Speaker 1: time with the new batch.
• 1:14:21
  Speaker 2: Just because they've got all the fake television networks going
• 1:14:24
  Speaker 2: on and the clamp and all the different businesses. I mean,
• 1:14:26
  Speaker 2: there is so much within the clamp building that's just,
• 1:14:30
  Speaker 2: It's like if anybody with Joe Dante's team had any
• 1:14:33
  Speaker 2: kind of idea, it's like, yeah, let's just go with it.
• 1:14:35
  Speaker 2: Let's just throw it in there. You know, a split-second
• 1:14:37
  Speaker 2: shot of Christopher Lee walking out with a pod, like,
• 1:14:40
  Speaker 2: you know, from Invasion of the Body Snatchers, and he
• 1:14:42
  Speaker 2: just sits it down. It's just so many subtle, subtle
• 1:14:45
  Speaker 2: things that are just going on. You know, it's just...
• 1:14:49
  Speaker 2: Your love for Gremlins 2. I love Gremlins 2, the
• 1:14:51
  Speaker 2: new hatch.
• 1:14:53
  Speaker 1: Having, again, just sat there with Zach Gilligan, who really
• 1:14:55
  Speaker 1: is sick to death of Gremlins, so... It's funny that
• 1:14:58
  Speaker 1: you still love it.
• 1:15:01
  Speaker 2: But Gremlins, I kind of watch and I feel like it's,
• 1:15:05
  Speaker 2: to me, like watching Gremlins and then Gremlins 2 is
• 1:15:07
  Speaker 2: like watching Evil Dead and then Evil Dead 2. It's
• 1:15:10
  Speaker 2: pretty close, yeah. To where the second film, it's so
• 1:15:14
  Speaker 2: self-realized as to what it is. The first one didn't
• 1:15:16
  Speaker 2: quite know. It changes its mood completely, yeah. It's like,
• 1:15:19
  Speaker 2: do I want to be more horror? Do I want
• 1:15:21
  Speaker 2: to be comedy? Whereas the second one, it becomes a
• 1:15:24
  Speaker 2: parody of the first one and it's just so much
• 1:15:26
  Speaker 2: more fun.
• 1:15:28
  Speaker 1: And more Gremlin variety.
• 1:15:30
  Speaker 4: Yeah.
• 1:15:30
  Speaker 2: That's what they want. And I think the Gremlins look better, too,
• 1:15:34
  Speaker 2: in it. I mean, Rick Baker's doing them instead of
• 1:15:35
  Speaker 2: Chris Whaless.
• 1:15:36
  Speaker 1: They had like six years to improve the effect.
• 1:15:39
  Speaker 2: Rick Baker's doing them instead of Chris Whaless because Chris
• 1:15:41
  Speaker 2: Whaless vied not to do it so he could direct
• 1:15:43
  Speaker 2: the fly, too. And that went really well. Yeah. If
• 1:15:48
  Speaker 2: we want to hit some of the horror stuff, I
• 1:15:50
  Speaker 2: was trying to think of good tie-in. Halloween doesn't ever. Yeah.
• 1:15:54
  Speaker 2: The first.
• 1:15:55
  Speaker 1: The only one of the run that I can just endlessly.
• 1:15:59
  Speaker 2: I never.
• 1:16:00
  Speaker 1: Like, it's still amazing to me how, like, interesting and
• 1:16:03
  Speaker 1: enthralling that movie is.
• 1:16:06
  Speaker 10: I can watch The Shining.
• 1:16:08
  Speaker 5: Every day, probably.
• 1:16:09
  Speaker 10: I don't know if I want to watch that one.
• 1:16:11
  Speaker 2: That one would creep me out. It still does. It
• 1:16:15
  Speaker 2: still works.
• 1:16:16
  Speaker 1: I mean, Halloween kind of does, but I don't know.
• 1:16:18
  Speaker 1: Shining just kind of pushes you over the edge.
• 1:16:20
  Speaker 10: But there's so much in it, especially after watching.
• 1:16:25
  Speaker 2: Documentaries. Room 237. Did you see that documentary?
• 1:16:29
  Speaker 10: I didn't, but I watched. The guys that did it,
• 1:16:31
  Speaker 10: they had kind of like.
• 1:16:35
  Speaker 10: Build-up documentaries. There's several of them online that you can watch.
• 1:16:39
  Speaker 10: All the different conspiracy theories, they'll spend 35-40 minutes on
• 1:16:44
  Speaker 10: each one. It really makes you... Even if none of
• 1:16:48
  Speaker 10: them are true, it really makes you appreciate because you
• 1:16:51
  Speaker 10: know there's something going on. He definitely poured a lot
• 1:16:55
  Speaker 10: into The Shining, and it's not just by accident.
• 1:17:00
  Speaker 2: How many documentaries does anybody here have one that's a
• 1:17:02
  Speaker 2: rewatchable documentary?
• 1:17:07
  Speaker 6: I really like King of Kong.
• 1:17:08
  Speaker 2: Yeah, I was going to say, that's the only one
• 1:17:10
  Speaker 2: that pops in my mind that I watch a lot,
• 1:17:11
  Speaker 2: but I don't know if it's something I can just
• 1:17:13
  Speaker 2: pop it in and watch at any time.
• 1:17:15
  Speaker 1: Yeah, there's one or two that I think are amazing and, like,
• 1:17:18
  Speaker 1: are right up there with any movie.
• 1:17:19
  Speaker 2: Like, I could watch it through the gift shop a lot.
• 1:17:22
  Speaker 1: Yeah.
• 1:17:23
  Speaker 2: I mean, I love Chrome. I mean, I think it's
• 1:17:26
  Speaker 2: one of the best shot movies, period, regardless of documentary.
• 1:17:30
  Speaker 2: It's just amazing, but.
• 1:17:31
  Speaker 1: Again, I don't know that I want to watch it
• 1:17:33
  Speaker 1: every day.
• 1:17:34
  Speaker 2: It's a creepy story.
• 1:17:37
  Speaker 6: Yeah, Chris, off the charts, have you guys seen that?
• 1:17:40
  Speaker 2: It's worth seeing.
• 1:17:41
  Speaker 6: It's got some really catchy tunes. There's a lot of
• 1:17:46
  Speaker 6: really funny characters in it. It's about people that call
• 1:17:51
  Speaker 6: it song poems or something. They send their lyrics out
• 1:17:53
  Speaker 6: to Nashville. I know what that one is.
• 1:17:55
  Speaker 7: Some professional studio will spend like five minutes turning your
• 1:18:00
  Speaker 7: piece of lyric art into a little shiny little turd.
• 1:18:03
  Speaker 7: And it's one of those documentaries that there's going to
• 1:18:05
  Speaker 7: be at least three scenes. You're not going to watch
• 1:18:07
  Speaker 7: the whole thing all the time, but you'll put on
• 1:18:09
  Speaker 7: just these scenes.
• 1:18:09
  Speaker 2: And be like, oh, I just got to get my fix.
• 1:18:11
  Speaker 13: Well, if that's... Okay, Computer Tour.
• 1:18:16
  Speaker 2: Yeah.
• 1:18:16
  Speaker 13: I forget the name of it, but it's beautiful to watch.
• 1:18:20
  Speaker 18: You just kind of watch it and I suddenly want
• 1:18:21
  Speaker 18: to make art all the time.
• 1:18:23
  Speaker 2: So, it's cool. In a way, it's beautiful. Both Baraka
• 1:18:27
  Speaker 2: and Samsara, I can just put on and just like,
• 1:18:30
  Speaker 2: Greg was saying earlier, just have it on in the background.
• 1:18:32
  Speaker 2: And the problem with that is I'll just stop and
• 1:18:35
  Speaker 2: just become transfixed again. But either one of those, you know,
• 1:18:41
  Speaker 2: it's just they're utterly beautiful, so I never tire of
• 1:18:43
  Speaker 2: watching either one. I was just thinking, I mean, there
• 1:18:46
  Speaker 2: was just so many big ones.
• 1:18:50
  Speaker 1: And i guess it's one of those do you if
• 1:18:52
  Speaker 1: it if it gets to that point that it's so
• 1:18:54
  Speaker 1: huge do you throw that one out like i don't
• 1:18:56
  Speaker 1: know because i mean to me isn't everybody gonna say
• 1:18:59
  Speaker 1: jaws like there's so many people.
• 1:19:01
  Speaker 2: That still reference jaws as like you know the best
• 1:19:04
  Speaker 2: dark yeah say you know.
• 1:19:07
  Speaker 1: Well, see, I would definitely go with that one, too. But, like,
• 1:19:09
  Speaker 1: I mean, Jaws has, like, worked itself so into the
• 1:19:12
  Speaker 1: pop culture at this point that, like, so many movies
• 1:19:16
  Speaker 1: steal the plot. Like, the plot itself, the whole framework
• 1:19:20
  Speaker 1: from it. I mean, everybody references lines from it. Like,
• 1:19:24
  Speaker 1: it's just so ingrained in pop culture now.
• 1:19:26
  Speaker 2: Well, it's ingrained in, like, our generation.
• 1:19:29
  Speaker 10: But, you know, that's what I was kind of thinking.
• 1:19:32
  Speaker 2: I wonder, you give, you know, another ten years or so,
• 1:19:35
  Speaker 2: and You take teenagers now, and then once they're our age,
• 1:19:40
  Speaker 2: what are they going to be re-watching? It'll be interesting
• 1:19:44
  Speaker 2: to see how much of it drops off and the
• 1:19:46
  Speaker 2: stuff that are the classics of that era that we
• 1:19:50
  Speaker 2: started making classics. We grew up with movies like Goonies
• 1:19:53
  Speaker 2: and that, and we've watched them to death. But it's like,
• 1:19:56
  Speaker 2: what will prevail? You hear that somebody hasn't seen Empire
• 1:20:01
  Speaker 2: Strikes Back. You're like, really?
• 1:20:02
  Speaker 9: Really?
• 1:20:02
  Speaker 2: But, you know, you give it like 10, 15 years,
• 1:20:05
  Speaker 2: what are going to become those really movies at that point?
• 1:20:10
  Speaker 7: I feel like District 9 has that kind of potential.
• 1:20:12
  Speaker 7: I'll watch that again the other night, and it's like, man,
• 1:20:14
  Speaker 7: this is something I could watch all the time. It
• 1:20:16
  Speaker 7: has a lot of really value, and there's something to it.
• 1:20:20
  Speaker 7: I can see that being kind of a classic.
• 1:20:22
  Speaker 2: It's just smartly put together. Or any of the Edgar
• 1:20:25
  Speaker 2: Wright stuff, you know, Hot Fuzz or Sean Vitter. Even like,
• 1:20:29
  Speaker 2: I know it's not... I can't remember who directed it.
• 1:20:32
  Speaker 2: He didn't do Attack the Block. Who was that? He
• 1:20:35
  Speaker 2: produced it, I think, didn't he? Yeah, well, or it's got.
• 1:20:41
  Speaker 2: It's got somebody's name on it that's associated with it.
• 1:20:42
  Speaker 1: Yeah, it's associated with them, and it's got one crossover
• 1:20:46
  Speaker 1: actor out of the bunch. But yeah, it's not exactly
• 1:20:49
  Speaker 1: like that, but it's definitely pretty great. And I would
• 1:20:52
  Speaker 1: say that one would be... I need to go back
• 1:20:55
  Speaker 1: and re-watch it now that I'm thinking about it, because
• 1:20:58
  Speaker 1: I was really.
• 1:20:58
  Speaker 2: Really happy with that one.
• 1:21:00
  Speaker 6: I heard they were going to remake Jaws. Have you
• 1:21:02
  Speaker 6: guys heard that?
• 1:21:03
  Speaker 2: They're always remaking everything, and some stuff drops off the map.
• 1:21:09
  Speaker 2: I thought the old boy remake had dropped off the
• 1:21:12
  Speaker 2: map until I was like, oh, there's a trailer now.
• 1:21:14
  Speaker 2: It's real now, yeah. But at least early talks were
• 1:21:19
  Speaker 2: having Will Smith, so at least I think it can
• 1:21:21
  Speaker 2: be a little bit more tolerable with Josh Brolin. And
• 1:21:27
  Speaker 2: who's the antagonist against Josh Brolin? Do we know, or
• 1:21:30
  Speaker 2: is that... I'm sure I don't remember. Which I can't imagine,
• 1:21:34
  Speaker 2: just because Park Chan-wook's stuff is so stylized. I can't
• 1:21:39
  Speaker 2: imagine trying to remake something of his. There's some directors
• 1:21:43
  Speaker 2: I feel like it's really tough to remake their movies
• 1:21:45
  Speaker 2: because there's so much of their personality and style in it.
• 1:21:49
  Speaker 2: It would be like remaking City of Lost Children or something.
• 1:21:52
  Speaker 2: It wouldn't feel right.
• 1:21:55
  Speaker 7: I just thought popped in my head, I just wonder
• 1:21:57
  Speaker 7: if anybody would be bold enough to take the trouble
• 1:21:59
  Speaker 7: to remake an entire movie. But, so it's like, oh,
• 1:22:03
  Speaker 7: who's playing, Josh Brolin's playing this part.
• 1:22:04
  Speaker 1: Who's the antagonist? Oh, it's a talking piece of beef jerky.
• 1:22:07
  Speaker 7: Like, they actually had just somebody in costume and just
• 1:22:10
  Speaker 7: a talking piece of beef jerky. He's playing the same
• 1:22:12
  Speaker 7: role that they did in the original, but he's beef
• 1:22:14
  Speaker 7: jerky this time. Like, and if they really followed through,
• 1:22:17
  Speaker 7: then he was in the trailer and everything.
• 1:22:18
  Speaker 2: Yeah.
• 1:22:19
  Speaker 1: That would be crazy, right?
• 1:22:21
  Speaker 6: Yeah, I think it would.
• 1:22:23
  Speaker 10: Is that your next project?
• 1:22:24
  Speaker 7: That would be crazy. That would just be like, this
• 1:22:27
  Speaker 7: is a sign that this person needs to go to meds.
• 1:22:28
  Speaker 2: Andrew, do you always look this confused when your brother's talking?
• 1:22:31
  Speaker 6: I was trying to remember what movie. I was trying
• 1:22:33
  Speaker 6: to picture the beef jerky in the roll, but I
• 1:22:36
  Speaker 6: couldn't remember what movie we were talking about.
• 1:22:37
  Speaker 7: Let's say they remade Raiders of the Lost Ark, and
• 1:22:41
  Speaker 7: the French guy is played by a big jerky.
• 1:22:44
  Speaker 2: So you're saying that like an old boy... the beef
• 1:22:47
  Speaker 2: jerky would be, like, copping a feel off of its sister? Like,
• 1:22:53
  Speaker 2: what would its sister be?
• 1:22:54
  Speaker 1: Yeah, he plays it straight.
• 1:22:55
  Speaker 7: He plays it just like the actor would play it,
• 1:22:57
  Speaker 7: only he's jerky. Wearing the same clothes that the guy
• 1:23:00
  Speaker 7: would be wearing. And if that director actually followed through
• 1:23:02
  Speaker 7: with that and got people to make that movie, people,
• 1:23:06
  Speaker 7: I feel like everybody would think they were in a
• 1:23:07
  Speaker 7: dream or something.
• 1:23:08
  Speaker 2: That would be crazy. I mean, there's equally as weird
• 1:23:12
  Speaker 2: stuff out there, truthfully.
• 1:23:13
  Speaker 1: You just have to go find it. I mean, That one,
• 1:23:16
  Speaker 1: it's just that there's that one element. But, I mean,
• 1:23:18
  Speaker 1: there's plenty of stuff that's equally as ridiculous that it
• 1:23:22
  Speaker 1: got made.
• 1:23:23
  Speaker 2: With beef jerky. Whether or not it has beef jerky
• 1:23:26
  Speaker 2: is a whole different thing.
• 1:23:27
  Speaker 7: There's many a movie that... What is as weird as
• 1:23:32
  Speaker 7: remaking Raise the Lost Ark with beef jerky as the
• 1:23:34
  Speaker 7: French guy?
• 1:23:35
  Speaker 2: Anything by Harmony Corrine, I would guess. Yeah.
• 1:23:39
  Speaker 1: That seems easy. I mean, he's trying to do that,
• 1:23:42
  Speaker 1: but I'm trying to think. I mean, there's stuff that
• 1:23:44
  Speaker 1: I've watched lately that I'm just like, who let this happen?
• 1:23:49
  Speaker 2: I mean, who let this happen in a good way
• 1:23:51
  Speaker 2: or in a bad way? Kind of both. It depends.
• 1:23:54
  Speaker 2: Go back and watch House 2 or House. I mean,
• 1:23:56
  Speaker 2: that's a wonder. That one's genius. This is so damn surreal. Yeah.
• 1:24:00
  Speaker 2: I love it.
• 1:24:01
  Speaker 1: But yeah, I mean, that is one that like, there
• 1:24:04
  Speaker 1: is talking food and, like, food that comes to life.
• 1:24:08
  Speaker 2: A man turns into a man. Yeah, I mean, he gets.
• 1:24:10
  Speaker 1: Away with that kind of stuff. So, I mean, there's
• 1:24:12
  Speaker 1: weird stuff like that out there. You've got to get
• 1:24:15
  Speaker 1: your project financed.
• 1:24:16
  Speaker 2: Because I remember trying to explain House to someone. They're like, well,
• 1:24:18
  Speaker 2: what's it about? And I said, well, there's a group
• 1:24:21
  Speaker 2: of girls that go to the house and this... aunt
• 1:24:25
  Speaker 2: is a vampire but rather than drinking their blood directly
• 1:24:28
  Speaker 2: the house consumes them and she gets the blood and
• 1:24:31
  Speaker 2: you're like well how does the house kill them I
• 1:24:33
  Speaker 2: said well there's this one girl that looks into the
• 1:24:36
  Speaker 2: mirror and when she's looking into the mirror she then
• 1:24:40
  Speaker 2: turns into like fragments of glass that catch on fire
• 1:24:44
  Speaker 2: and she catches on fire and she goes into the.
• 1:24:46
  Speaker 1: Mirror and that's the more normal that's one of the
• 1:24:49
  Speaker 1: more normal deaths it's oh the piano Goldman machine for
• 1:24:53
  Speaker 1: blood yeah I don't know. That's again, there's weird stuff
• 1:24:57
  Speaker 1: out there. That one's just kind of genius though. It
• 1:25:00
  Speaker 1: took me a while to come to terms with it.
• 1:25:02
  Speaker 1: I was just confused that first time, but the more
• 1:25:05
  Speaker 1: I think about it now, I'm like, wow, it's an
• 1:25:08
  Speaker 1: amazing movie.
• 1:25:09
  Speaker 2: And there's like a, there's almost like the Alice in
• 1:25:12
  Speaker 2: Wonderland version of, um, house. Uh, it's, um, Lamora, like
• 1:25:19
  Speaker 2: Lamora child's tale and Lamora girl's tale. I can't remember
• 1:25:22
  Speaker 2: the name of it, but it's just this girl who, um,
• 1:25:25
  Speaker 2: She's going to visit her relatives in the woods. And
• 1:25:28
  Speaker 2: as she's riding on this bus, it's extremely stylized, the
• 1:25:32
  Speaker 2: way that they've shot, like almost Suspiria-esque lighting. And she's
• 1:25:36
  Speaker 2: just riding through the woods, and you hear these weird
• 1:25:38
  Speaker 2: barking and stuff, but it's like these half-human, half-wolf creatures
• 1:25:41
  Speaker 2: that are just running up to the bus. Like she
• 1:25:42
  Speaker 2: goes from being in a very normal world to just
• 1:25:45
  Speaker 2: something very nightmarish, fairytale-like, and just it never really seems
• 1:25:49
  Speaker 2: to affect her. And there's witches, but yet there's, like, mixed.
• 1:25:55
  Speaker 2: It's like you have witches, and then the next scene
• 1:25:57
  Speaker 2: you'll have, like, you know, hellfire Baptist preachers. It's very
• 1:26:01
  Speaker 2: dreamlike as well.
• 1:26:02
  Speaker 1: Where there's smoke, there's fire.
• 1:26:05
  Speaker 6: I think Silver Bullet was a horror movie I've probably
• 1:26:08
  Speaker 6: seen a lot in my life, too, partly because of B.C.
• 1:26:11
  Speaker 6: 's laugh in that movie as Uncle Red. But that's
• 1:26:14
  Speaker 6: got a lot of replay value, I think.
• 1:26:16
  Speaker 1: I haven't seen it in a while, but it is
• 1:26:18
  Speaker 1: one of those I loved and saw a lot on cable,
• 1:26:21
  Speaker 1: and now I need to go back.
• 1:26:22
  Speaker 2: Again, this just makes you, you know, I do need
• 1:26:24
  Speaker 2: to watch that again, but this is like the reminder
• 1:26:27
  Speaker 2: of this.
• 1:26:28
  Speaker 10: I'll tell you what, even if it's the TV-edited version
• 1:26:33
  Speaker 10: of Volume 1 of Kill Bill... It's almost like you
• 1:26:39
  Speaker 10: get on, you know, when you're strapped into a rollercoaster,
• 1:26:42
  Speaker 10: not that it's a rollercoaster of a movie, but when
• 1:26:44
  Speaker 10: you're strapped in parts of it, you have to go
• 1:26:47
  Speaker 10: like you can't, you can't, you can't not complete it
• 1:26:50
  Speaker 10: once you've started. And because everything is just one right
• 1:26:53
  Speaker 10: after the other, right after the other, it's nonstop action.
• 1:26:56
  Speaker 10: And there's no, you know, like where, where, where do
• 1:26:58
  Speaker 10: they even put commercials in this? If it's on TV,
• 1:27:01
  Speaker 10: because there's no stop and you have to just, Like
• 1:27:04
  Speaker 10: I said, stay strapped in and finish it out, and
• 1:27:06
  Speaker 10: you're like, okay, I can breathe now. I think two
• 1:27:08
  Speaker 10: is a better movie, but one, I think... One is
• 1:27:12
  Speaker 10: entertaining to no end. You can't not watch it once
• 1:27:15
  Speaker 10: it's on, I think.
• 1:27:17
  Speaker 1: Well, I mean, that's one of the ones I threw
• 1:27:19
  Speaker 1: out in my list there. I was like, just Tarantino
• 1:27:22
  Speaker 1: in general. And like, Pulp Fiction, again, is one that's
• 1:27:25
  Speaker 1: like so overblown at this point, but at the same time,
• 1:27:28
  Speaker 1: you turn it on for a minute, you're.
• 1:27:30
  Speaker 2: Going to finish it. Like, you can't not.
• 1:27:32
  Speaker 1: Like, it's one of those you think is, like, you know,
• 1:27:35
  Speaker 1: oversold at this point, and then you go back and
• 1:27:37
  Speaker 1: watch it, and you're.
• 1:27:37
  Speaker 2: Like, damn. It's like, it's a well-written movie. It depends,
• 1:27:41
  Speaker 2: because Jackie Brown, I think, is a great movie, but
• 1:27:44
  Speaker 2: it's not something I can watch over and over. That's
• 1:27:46
  Speaker 2: the thing.
• 1:27:47
  Speaker 1: I think that, and that may even be a better movie,
• 1:27:49
  Speaker 1: but it, like, I could watch Pulp Fiction again, and
• 1:27:53
  Speaker 1: I've done it, like, recently. I saw it on cable,
• 1:27:56
  Speaker 1: and it was, like, two minutes in, and I was like,
• 1:27:59
  Speaker 1: I've already seen it. oh and like two and a
• 1:28:03
  Speaker 1: half hours later i was like holy shit i just
• 1:28:05
  Speaker 1: watched this movie again and i've got a copy of
• 1:28:07
  Speaker 1: it over there and like just like get sucked into
• 1:28:10
  Speaker 1: that and like his and again it's hit and miss
• 1:28:13
  Speaker 1: because i wouldn't have necessarily thought it but i just
• 1:28:16
  Speaker 1: re-watched reservoir dogs and that's how i did it i
• 1:28:19
  Speaker 1: something else ended and it was coming on and i
• 1:28:22
  Speaker 1: thought i was gonna leave the room and do something
• 1:28:23
  Speaker 1: else and the whole movie and i was just like damn,
• 1:28:27
  Speaker 1: this thing is well put together. So maybe it was
• 1:28:30
  Speaker 1: his hit and miss kind of stuff, because you can't
• 1:28:32
  Speaker 1: say that about all of his, but definitely those three
• 1:28:36
  Speaker 1: that we've thrown out there.
• 1:28:37
  Speaker 2: Are ones that I will get sucked in every time.
• 1:28:40
  Speaker 2: Reservoir Dogs never clicked with me. I can say objectively,
• 1:28:43
  Speaker 2: it's like a solid film, but it just never really
• 1:28:46
  Speaker 2: appealed to me.
• 1:28:47
  Speaker 1: It's one I liked a lot the first time around,
• 1:28:50
  Speaker 1: and again, it's over the years now, I go back
• 1:28:52
  Speaker 1: and look at how it's structured and how well those
• 1:28:55
  Speaker 1: performances just kind of work, and he hit the right
• 1:28:59
  Speaker 1: people at the right place in their career.
• 1:29:01
  Speaker 2: And it just, yeah, I don't know. I think it,
• 1:29:03
  Speaker 2: it took me a while to realize how like perfectly
• 1:29:05
  Speaker 2: all that stuff came together.
• 1:29:07
  Speaker 13: It was usual suspects. That was a great one.
• 1:29:10
  Speaker 4: Yeah. Yeah.
• 1:29:11
  Speaker 1: Which actually leads me to a question I wanted to
• 1:29:14
  Speaker 1: ask with the, because they're so popular now.
• 1:29:18
  Speaker 2: You were a plant and we didn't even know this.
• 1:29:20
  Speaker 6: And now who knew?
• 1:29:21
  Speaker 2: Twist movies.
• 1:29:22
  Speaker 1: Are they normally something you come back to? Something with
• 1:29:25
  Speaker 1: a major plot twist. Like dancing movies?
• 1:29:28
  Speaker 2: I like Twister.
• 1:29:30
  Speaker 1: You just like Jimmy Kirk.
• 1:29:32
  Speaker 2: It's like Bill Paxton. Bill Paxton and Philip Seymour Hoffman.
• 1:29:39
  Speaker 1: I'm ignoring all this bullshit. This last 20 years, there's
• 1:29:43
  Speaker 1: been this huge run.
• 1:29:43
  Speaker 2: I still have my Twister I got from Suncoast. The
• 1:29:46
  Speaker 2: little water one? I have one of those too. Let's
• 1:29:49
  Speaker 2: just keep talking about Twister until he forgets what he
• 1:29:51
  Speaker 2: brought up.
• 1:29:52
  Speaker 3: Look out!
• 1:29:54
  Speaker 2: That's my favorite quote.
• 1:29:55
  Speaker 14: Look out!
• 1:29:58
  Speaker 2: See no evil here. Anyway.
• 1:30:00
  Speaker 1: Do you want to throw up in the drain?
• 1:30:05
  Speaker 2: No, is the rewatchability there, though?
• 1:30:07
  Speaker 1: Because that is so, like, everything hinges on that.
• 1:30:10
  Speaker 2: I think so, because Twister is just a lot of fun.
• 1:30:12
  Speaker 2: It's like one of those good movies to put on, like,
• 1:30:15
  Speaker 2: if there's storm warnings out, severe weather, it's a fun
• 1:30:18
  Speaker 2: one to put on. Isn't that Fred's favorite movie, Twister?
• 1:30:20
  Speaker 2: It might be. It's up there with Space Cowboys and
• 1:30:23
  Speaker 2: Curly Sue. If only the viewers could see the look
• 1:30:25
  Speaker 2: on Brian's face right now. I'm just ignoring you.
• 1:30:28
  Speaker 1: Good to bend over.
• 1:30:31
  Speaker 10: It depends on what kind of, to answer your question,
• 1:30:33
  Speaker 10: what kind of movie with a twist it is. Because
• 1:30:37
  Speaker 10: if it's a great movie, like Usual Suspects, the twist
• 1:30:40
  Speaker 10: is really not, it doesn't matter.
• 1:30:42
  Speaker 2: It depends on whether it banks on the twist or not.
• 1:30:44
  Speaker 2: Like Sixth Sense banks on the twist, and I think it's...
• 1:30:48
  Speaker 2: Once you know it, it's almost unwatchable because it's just
• 1:30:50
  Speaker 2: damn boring leading up to that. I mean, that was
• 1:30:53
  Speaker 2: the one I originally thought of. And I think the
• 1:30:55
  Speaker 2: first time through, I was fine with that movie.
• 1:30:57
  Speaker 1: And it is like that moment of, you know, you really,
• 1:31:01
  Speaker 1: if you didn't have it ruined for you, didn't necessarily
• 1:31:03
  Speaker 1: see it coming. Going back, trying to enter it again,
• 1:31:06
  Speaker 1: and knowing that throws everything off.
• 1:31:08
  Speaker 2: I mean, that's almost valid. You could say the same
• 1:31:11
  Speaker 2: with horror films, whether horror films would be rewatchable or not,
• 1:31:14
  Speaker 2: because if it's a horror film where it relies on
• 1:31:16
  Speaker 2: the surprises and scares, if you know they're coming, it
• 1:31:18
  Speaker 2: takes away that anxiety, and it's just you aren't as
• 1:31:24
  Speaker 2: into the film. I think it depends on the movie.
• 1:31:27
  Speaker 10: Psycho is one to me where you know the scene is.
• 1:31:32
  Speaker 10: In the shower is coming. You've seen it. You know
• 1:31:36
  Speaker 10: every cut of it. You know how the blood goes
• 1:31:39
  Speaker 10: down the drain. But it's still scary as hell. And
• 1:31:41
  Speaker 10: you're actually building up to it. It still works.
• 1:31:46
  Speaker 2: All these years later, it still works.
• 1:31:49
  Speaker 10: And I think, to me, the scariest horror movies are
• 1:31:53
  Speaker 10: the mentally horror.
• 1:31:55
  Speaker 2: Yeah, The Tenant still creeps me out every time I
• 1:31:57
  Speaker 2: see it. Because the whole scene where he finally goes
• 1:31:59
  Speaker 2: to the bathroom in his apartment building after he's been
• 1:32:03
  Speaker 2: watching everyone through binoculars is they'll just walk in and
• 1:32:06
  Speaker 2: stare at the wall for hours unmoving and he's just
• 1:32:09
  Speaker 2: like what the hell are these people doing in the
• 1:32:10
  Speaker 2: bathroom and when he finally goes in there and he
• 1:32:12
  Speaker 2: sees all the weird hieroglyphics have just been carved etched
• 1:32:16
  Speaker 2: into the wall and then he looks out the window
• 1:32:18
  Speaker 2: and he sees himself like with binoculars look at himself
• 1:32:22
  Speaker 2: it's like that's just terrifying And that's when suddenly the
• 1:32:27
  Speaker 2: movie's at the tipping point in the next hour or so.
• 1:32:30
  Speaker 2: It just gets more surreal and more nightmarish. I think
• 1:32:35
  Speaker 2: it's the ones where it relies more on psychological horror.
• 1:32:37
  Speaker 2: Because if it just relies on shocks, you can't watch
• 1:32:41
  Speaker 2: them over and over. I mean, slasher films, unless they're
• 1:32:43
  Speaker 2: self-aware and tongue-in-cheek slasher films, I don't think they work.
• 1:32:47
  Speaker 2: When I had written down of the horror, I still
• 1:32:49
  Speaker 2: can watch the first Scream movie. And I think it's
• 1:32:52
  Speaker 2: very self-aware.
• 1:32:53
  Speaker 1: I think it's self-aware, and it's got fun dialogue, and
• 1:32:56
  Speaker 1: it works little things along the way. But, yeah, I mean,
• 1:33:00
  Speaker 1: it's even kind of gotten cheesier over the years when
• 1:33:02
  Speaker 1: I go back and watch it now. But it's still, like, again,
• 1:33:04
  Speaker 1: it's almost more the way that it's structured and how, like,
• 1:33:08
  Speaker 1: pieced together everything is, knowing how all horror movies before
• 1:33:12
  Speaker 1: it have worked, really.
• 1:33:14
  Speaker 2: That's always had trouble getting into the Twilight Zone. You know,
• 1:33:17
  Speaker 2: I loved The Outer Limits growing up to death. The
• 1:33:20
  Speaker 2: Twilight Zone's always relied on that twist, and it's like,
• 1:33:22
  Speaker 2: once you know the twist, that's kind of it. Same
• 1:33:25
  Speaker 2: with most M. Night Shyamalan films. It's like, the only
• 1:33:27
  Speaker 2: one of his that I feel like has good rewatchability
• 1:33:30
  Speaker 2: is Unbreakable. That's, yeah. That's a good movie.
• 1:33:32
  Speaker 11: It's definitely a good movie.
• 1:33:34
  Speaker 19: That's my favorite superhero movie oh that's what i was
• 1:33:39
  Speaker 19: gonna say i think they expected a superhero movie like
• 1:33:42
  Speaker 19: spider-man or something like that it's like no you're not
• 1:33:44
  Speaker 19: going to get something it's more clever than the audience
• 1:33:47
  Speaker 19: that was appealing to the broadest.
• 1:33:49
  Speaker 16: Sense so it definitely didn't work at the theater and
• 1:33:55
  Speaker 16: again it's another one of those that i think it
• 1:33:56
  Speaker 16: took this long like it's just recently in the last
• 1:33:59
  Speaker 16: five or six years i've Now I hear people going, oh,
• 1:34:02
  Speaker 16: that's his best movie.
• 1:34:03
  Speaker 1: At the time, everybody hated it, and nobody wanted anything
• 1:34:05
  Speaker 1: to do with it. But it's like everybody goes looking
• 1:34:08
  Speaker 1: at his other stuff, and I'm like, no, actually he
• 1:34:10
  Speaker 1: was on to something here. He should have stuck with
• 1:34:12
  Speaker 1: this idea.
• 1:34:13
  Speaker 7: I have a personal connection with that movie because his weakness,
• 1:34:16
  Speaker 7: his superhero weakness, is when he gets in water, he
• 1:34:18
  Speaker 7: always seems to breathe it in. And people make fun
• 1:34:20
  Speaker 7: of that movie because they're like, that's not anyone's actual weakness.
• 1:34:23
  Speaker 1: I'm like, no, that happens to me. I've had so
• 1:34:26
  Speaker 1: many shameful, embarrassing swimming stories in my life. You have
• 1:34:29
  Speaker 1: no idea. I totally get how this could be someone's weakness.
• 1:34:33
  Speaker 1: I won't even go there.
• 1:34:34
  Speaker 2: Do you get sick? No, man.
• 1:34:38
  Speaker 1: I guess I don't.
• 1:34:39
  Speaker 4: I dance.
• 1:34:39
  Speaker 2: I do a twist. Now a question for your brother.
• 1:34:42
  Speaker 2: Are your bones made of glass? Are you Samuel L. Jackson?
• 1:34:48
  Speaker 2: That's just a normal question. Are you Samuel L.
• 1:34:51
  Speaker 4: Jackson?
• 1:34:51
  Speaker 2: He just kind of went right for it. But anyway, I.
• 1:34:53
  Speaker 1: Next time I.
• 1:34:54
  Speaker 2: Interview somebody for the theater here, it's just, you know,
• 1:34:56
  Speaker 2: in between, it's like, what hours are you available for? And,
• 1:34:59
  Speaker 2: you know, it's just, is this a good starting point?
• 1:35:01
  Speaker 2: It's like, are you Samuel L.
• 1:35:02
  Speaker 1: Jackson?
• 1:35:04
  Speaker 2: If I was, I wouldn't tell you. I wouldn't tell you.
• 1:35:06
  Speaker 2: And they're like, no. Okay, just keep going.
• 1:35:09
  Speaker 1: Would you hire someone who was able to hide the
• 1:35:10
  Speaker 1: fact that they were Samuel L.
• 1:35:11
  Speaker 4: Jackson?
• 1:35:12
  Speaker 1: Would you be impressed with that, or would you want
• 1:35:13
  Speaker 1: to keep distance from that person?
• 1:35:15
  Speaker 2: I don't know. It's like, would I want to hire
• 1:35:17
  Speaker 2: them because they were Samuel L. Jackson but hiding it,
• 1:35:19
  Speaker 2: or because they just said yes to the question when
• 1:35:22
  Speaker 2: I asked?
• 1:35:22
  Speaker 1: I think it would just be impressive if they just
• 1:35:24
  Speaker 1: went right through it, like the rest of the questions.
• 1:35:26
  Speaker 1: They were like, no, no, and just kept going.
• 1:35:29
  Speaker 2: It's like, are you Samuel L. Jackson? Samuel L. Jackson
• 1:35:33
  Speaker 2: from Changing Lanes, but that's the only one.
• 1:35:37
  Speaker 1: I had nothing to do with that Snakes on a
• 1:35:38
  Speaker 1: Plane bullshit, so I'll have you know now, I will
• 1:35:41
  Speaker 1: not get hired if you think that's who I am.
• 1:35:43
  Speaker 2: I will walk right out of here. I can be
• 1:35:45
  Speaker 2: Samuel L. Jackson. That's later after hours.
• 1:35:51
  Speaker 1: If there's a steady paycheck in it, I'll be Samuel L.
• 1:35:53
  Speaker 4: Jackson.
• 1:35:55
  Speaker 1: So now, what I want to know is, if you've
• 1:35:57
  Speaker 1: got all these movies, how many of them have we
• 1:36:01
  Speaker 1: pulled from recently?
• 1:36:04
  Speaker 2: Everything.
• 1:36:05
  Speaker 1: I started going through, and it's like everything I was.
• 1:36:08
  Speaker 2: I mean, have any of yours that.
• 1:36:10
  Speaker 1: You can think of that you would think of as
• 1:36:11
  Speaker 1: rewatchable been from in the last five years or so?
• 1:36:15
  Speaker 13: There's a movie I like to rewatch.
• 1:36:17
  Speaker 1: It's Easy A.
• 1:36:19
  Speaker 2: Okay.
• 1:36:19
  Speaker 13: It's kind of cheesy.
• 1:36:20
  Speaker 2: That's at least reason.
• 1:36:20
  Speaker 13: At the same time, it's really funny and intelligent.
• 1:36:24
  Speaker 9: So.
• 1:36:26
  Speaker 13: I do like her. Some dudes might like her.
• 1:36:29
  Speaker 1: She's pretty fun.
• 1:36:30
  Speaker 2: I like her.
• 1:36:32
  Speaker 1: I don't know, because I'm thinking most of it is
• 1:36:34
  Speaker 1: so much older. I was trying to think how many
• 1:36:37
  Speaker 1: of them are more like a weird nostalgia. that we've
• 1:36:41
  Speaker 1: attached to each of these movies, that whether it's good, bad,
• 1:36:46
  Speaker 1: or otherwise, that that's almost what makes it more rewatchable.
• 1:36:49
  Speaker 2: Like if I said Joan Carpenter's a thing, you'd think, well,
• 1:36:52
  Speaker 2: the 80s, grew up watching it. No, I didn't even
• 1:36:54
  Speaker 2: see it until I was like 24 or something. That
• 1:36:57
  Speaker 2: was on my list, too. But it's one that I
• 1:36:59
  Speaker 2: kind of fell in love with. So that's why I'm
• 1:37:02
  Speaker 2: sitting here trying to think. There's been movies recently that
• 1:37:06
  Speaker 2: I fell in love with, but they're older films. I'm
• 1:37:08
  Speaker 2: trying to think of the last... new, new film. Rubber,
• 1:37:12
  Speaker 2: I would say, is probably one. I mean, there's stuff
• 1:37:15
  Speaker 2: that I really like made recently, but.
• 1:37:18
  Speaker 1: Again, it's not something I've gone back and watched over
• 1:37:20
  Speaker 1: and over and over again. I mean, the most I've
• 1:37:22
  Speaker 1: seen anything in the last several years is twice, you know?
• 1:37:25
  Speaker 1: It's like, I just don't seem to return. But again,
• 1:37:29
  Speaker 1: I mean, now I just don't get a chance to
• 1:37:30
  Speaker 1: watch a ton of movies that aren't for the show. So,
• 1:37:34
  Speaker 1: maybe it would change if I just randomly put stuff
• 1:37:37
  Speaker 1: in all day long, but now I'm just sort of
• 1:37:39
  Speaker 1: pinning down specific stuff that we talk about.
• 1:37:42
  Speaker 2: So maybe that factors in for me. I don't know. Yeah,
• 1:37:44
  Speaker 2: Brain Candy's one I've seen a couple dozen times since
• 1:37:48
  Speaker 2: I first discovered it last summer. But again, that's an
• 1:37:50
  Speaker 2: older film. That's what I was thinking.
• 1:37:53
  Speaker 1: Even everything I made the list of, like Pulp Fiction,
• 1:37:55
  Speaker 1: seems like it's recent.
• 1:37:57
  Speaker 2: No, 20 years old. It's 20 years old, yeah.
• 1:37:59
  Speaker 1: I'm like, that seems like a newer movie to me
• 1:38:01
  Speaker 1: in my brain.
• 1:38:02
  Speaker 2: But no, no, it's like 20 years old, so... I
• 1:38:06
  Speaker 2: don't know. It seems like most of this stuff is
• 1:38:09
  Speaker 2: just stuff that... At first I thought Napoleon Dynamite, because
• 1:38:11
  Speaker 2: I like that, but that's 10 years old. It's like
• 1:38:13
  Speaker 2: 10 years old. It's scary. I'm trying to be purposely
• 1:38:15
  Speaker 2: nostalgic for the 80s. That's true.
• 1:38:18
  Speaker 1: The Dark Knight's definitely a comfy pants movie for me.
• 1:38:20
  Speaker 1: I put them all in comfy pants.
• 1:38:21
  Speaker 2: Yeah.
• 1:38:22
  Speaker 1: I do too. That one's... I have watched it recently again,
• 1:38:26
  Speaker 1: but again, that's still only like the second or third
• 1:38:28
  Speaker 1: time I've seen it.
• 1:38:28
  Speaker 7: Like it's... i can't even watch it i'll put it
• 1:38:32
  Speaker 7: on and it only feels right if it's on the
• 1:38:33
  Speaker 7: background because i'll start to watch it i'm like ah
• 1:38:35
  Speaker 7: i've seen this many times i'm just back to it
• 1:38:38
  Speaker 7: it's a made-up See.
• 1:38:41
  Speaker 1: I just don't put them on in the background because
• 1:38:42
  Speaker 1: I know I won't get anything else done. Like, I
• 1:38:45
  Speaker 1: can turn on TV because TV is usually really bad,
• 1:38:48
  Speaker 1: and I don't want to see what's on TV. But
• 1:38:49
  Speaker 1: I can't put on a movie I like and expect
• 1:38:52
  Speaker 1: to do something else because I won't. I'll just get
• 1:38:54
  Speaker 1: sucked in, which is how all these movies made it
• 1:38:57
  Speaker 1: on the list.
• 1:38:57
  Speaker 10: I think, like, it's not even that new either, but, like,
• 1:39:02
  Speaker 10: Idiocracy is one that I could return to. two multiple times.
• 1:39:07
  Speaker 2: I'm just thinking hard trying to think last year. Yeah.
• 1:39:09
  Speaker 2: Like something that's been released within the year.
• 1:39:12
  Speaker 1: There's stuff that I think is good but still like
• 1:39:15
  Speaker 1: not something that I'd be like anxiously waiting for the
• 1:39:18
  Speaker 1: release date. I would just constantly put it on over
• 1:39:19
  Speaker 1: and over again.
• 1:39:20
  Speaker 2: Like I can't think of anything lately that has felt
• 1:39:23
  Speaker 2: like that. And that's why I wonder if it's more
• 1:39:25
  Speaker 2: I would say Samsara. Samsara I've watched dozens of times
• 1:39:28
  Speaker 2: since I got it back in January. So I mean
• 1:39:31
  Speaker 2: that would be one.
• 1:39:33
  Speaker 7: But Now if you go to a nursing home, you
• 1:39:35
  Speaker 7: see old episodes of The Jeffersons and Sanford and Sons shit.
• 1:39:39
  Speaker 7: But now when we're old enough to be in nursing homes,
• 1:39:41
  Speaker 7: you'll see me in a wheelchair and the dark night
• 1:39:43
  Speaker 7: is going on in my room just constantly.
• 1:39:45
  Speaker 2: Well, see, I thought about that too. 40 years from now,
• 1:39:48
  Speaker 2: are you going to go into nursing homes and hear
• 1:39:50
  Speaker 2: Eminem playing? Because that's what people grew up with. That's
• 1:39:53
  Speaker 2: going to be very weird.
• 1:39:56
  Speaker 6: It'd be cool to show your grandkids, like, Dr. Dre
• 1:39:58
  Speaker 6: the Chronic, you know? This is what we used to
• 1:40:00
  Speaker 6: listen to when I was your age.
• 1:40:02
  Speaker 2: These kids get around.
• 1:40:04
  Speaker 10: Oh, it was so juvenile, or, you know, so, yeah,
• 1:40:07
  Speaker 10: so innocent, talking about the Chronic.
• 1:40:10
  Speaker 6: Well, you know, that makes me think of, like, remakes,
• 1:40:13
  Speaker 6: and try not to hate them so much, because, like, I.
• 1:40:16
  Speaker 2: Grew up with the 80s. 80s had some solid remakes. But,
• 1:40:19
  Speaker 2: I mean, I grew up with.
• 1:40:20
  Speaker 6: The 80s Invasion of the Body Smashers with Donald Sutherland,
• 1:40:24
  Speaker 6: and I thought it was awesome, and It was years
• 1:40:26
  Speaker 6: before I even realized it was a remake, and that
• 1:40:28
  Speaker 6: was one that totally, I think, needed to be remade.
• 1:40:30
  Speaker 2: Well, it's because they did so much new with them.
• 1:40:33
  Speaker 2: I mean, you compare the 80s blob to the original,
• 1:40:36
  Speaker 2: it's like two completely different worlds.
• 1:40:37
  Speaker 1: And that's one I just watched recently. I'd seen bits
• 1:40:40
  Speaker 1: and pieces of it on cable, but I hadn't sat
• 1:40:42
  Speaker 1: down and watched it until in the past year.
• 1:40:45
  Speaker 2: And I was like, damn, this is really... They did.
• 1:40:48
  Speaker 1: So much more than I expected out of that.
• 1:40:50
  Speaker 2: And I love the concept that in that one, the blob,
• 1:40:53
  Speaker 2: in the first one, they don't explain. It's like some
• 1:40:56
  Speaker 2: alien creature. But this one, it's like, oh, no, it's
• 1:40:58
  Speaker 2: bacteria that we sent up as an experiment. Yeah, we
• 1:41:01
  Speaker 2: did it. Like all of our stuff, we did it.
• 1:41:05
  Speaker 10: You know, it just popped into my head. I think
• 1:41:08
  Speaker 10: recent multiple watches for me, probably because I have kids,
• 1:41:14
  Speaker 10: but our movie is like up.
• 1:41:17
  Speaker 2: I can watch that one.
• 1:41:18
  Speaker 10: They'll put that on, and that's one of the few
• 1:41:20
  Speaker 10: that I'll sit down and re-watch with them. It's just
• 1:41:26
  Speaker 10: a really well-made movie. Like the Toy Story movies, you
• 1:41:30
  Speaker 10: could re-watch those.
• 1:41:31
  Speaker 2: When I was in Beijing staying with my friend, he's
• 1:41:36
  Speaker 2: got a five-year-old and a two-year-old. They want to watch
• 1:41:41
  Speaker 2: movies over and over. There were two that they wanted
• 1:41:43
  Speaker 2: to watch over and over. Rio, which... It wasn't bad.
• 1:41:45
  Speaker 2: You know, I'd never seen it before. And they really
• 1:41:47
  Speaker 2: kept putting it in and watching over and over. And,
• 1:41:51
  Speaker 2: mama mia. Oh, my gosh. So I would, like, I
• 1:41:55
  Speaker 2: would be out, you know, just, like, drinking until 2
• 1:41:58
  Speaker 2: in the morning. And then I would bike home from,
• 1:42:00
  Speaker 2: you know, whatever, like, bar I found in some nook
• 1:42:03
  Speaker 2: in Beijing. And then at, like, 6.45 in the morning,
• 1:42:07
  Speaker 2: all of a sudden, you know, I'd just hear, like,
• 1:42:09
  Speaker 2: you know, mama mia, I did it. It's, like, And,
• 1:42:15
  Speaker 2: you know, I would just, like, wake up, and she's like,
• 1:42:16
  Speaker 2: Uncle Bo! Hey! It's Mamma Mia!
• 1:42:21
  Speaker 1: Yeah, it is!
• 1:42:23
  Speaker 2: They're all dead. They're silly! You know, Mira, I gotta
• 1:42:27
  Speaker 2: ask you, like, when you watch a movie like this,
• 1:42:30
  Speaker 2: look at the way the women are behaving in this.
• 1:42:32
  Speaker 2: You don't see this as a negative stereotype. It's just
• 1:42:35
  Speaker 2: completely negating all that women fought for with the women's
• 1:42:40
  Speaker 2: rights movement. I mean, here, the entire film was about
• 1:42:43
  Speaker 2: these women who were just desperately vying for you know
• 1:42:46
  Speaker 2: some male in their life and the protagonist is a
• 1:42:49
  Speaker 2: woman that's fooled around so much she doesn't know who
• 1:42:52
  Speaker 2: her daughter's father is they're silly yes i see that
• 1:42:57
  Speaker 2: exactly why don't you turn it down.
• 1:42:59
  Speaker 1: I go back to bed well that's that's why i
• 1:43:01
  Speaker 1: thought maybe it was tied more to nostalgia because that's
• 1:43:05
  Speaker 1: something that's very kid like anyway like every kid does
• 1:43:08
  Speaker 1: that like why do they just watch things on a
• 1:43:11
  Speaker 1: loop like we grow up and don't necessarily like rewind
• 1:43:14
  Speaker 1: that watch again like i don't know kid i watch
• 1:43:17
  Speaker 1: my my nieces and nephews do it and i watch
• 1:43:20
  Speaker 1: their parents complain to me about it and i'm just
• 1:43:22
  Speaker 1: like yeah but as an adult it's just like that
• 1:43:25
  Speaker 1: i don't know.
• 1:43:25
  Speaker 2: I used to watch like the jungle book and most
• 1:43:27
  Speaker 2: disney movies all the time as a kid i don't
• 1:43:30
  Speaker 2: really go back and re-watch those as an adult and
• 1:43:33
  Speaker 2: not that i have anything against them it's just you
• 1:43:35
  Speaker 2: know i I don't have that inner drive.
• 1:43:37
  Speaker 1: It's just something programmed different in your brain at that point.
• 1:43:40
  Speaker 1: And I don't know if you just get out of
• 1:43:41
  Speaker 1: it as you get older.
• 1:43:43
  Speaker 2: I don't know.
• 1:43:44
  Speaker 9: I think like now on some level, like I remember,
• 1:43:47
  Speaker 9: I know more of how much I enjoyed something the
• 1:43:49
  Speaker 9: first time. And so part of me doesn't want to
• 1:43:52
  Speaker 9: play it so much that I memorize every line because
• 1:43:54
  Speaker 9: I want to kind of go back to that scene
• 1:43:56
  Speaker 9: for the first time. It's kind of like albums. There
• 1:43:59
  Speaker 9: are some albums and I'll listen to them and think,
• 1:44:01
  Speaker 9: you know, I'm going to put this away for a
• 1:44:02
  Speaker 9: while because I want to hear it fresh again.
• 1:44:04
  Speaker 2: Yeah, I don't want to wear it out. That's almost
• 1:44:06
  Speaker 2: a grind topic for the future is children's movies that
• 1:44:09
  Speaker 2: endure and those that don't.
• 1:44:11
  Speaker 1: Well, I think you've thrown out the next topic, so
• 1:44:13
  Speaker 1: I think we should put a cap on this one. Again,
• 1:44:16
  Speaker 1: I think we could do this all day. I mean,
• 1:44:19
  Speaker 1: there are so many we didn't get to that people
• 1:44:22
  Speaker 1: are going to be like, I can't believe you didn't
• 1:44:23
  Speaker 1: talk about Princess Bride.
• 1:44:25
  Speaker 2: You know, you're right.
• 1:44:25
  Speaker 4: Yeah.
• 1:44:26
  Speaker 2: And watch it all day long. Why don't you talk
• 1:44:29
  Speaker 2: about it?
• 1:44:30
  Speaker 1: I think it's just asking for responses from you guys
• 1:44:34
  Speaker 1: and from a sequel.
• 1:44:36
  Speaker 2: So later we'll have to come back and reboot this thing.
• 1:44:40
  Speaker 5: Revisit.
• 1:44:43
  Speaker 2: Rewatch. No, I don't think that applies. Don't they need
• 1:44:47
  Speaker 2: to break out their secret decoder rings because the movie
• 1:44:49
  Speaker 2: we're watching next week is going to be... Okay, kids,
• 1:44:51
  Speaker 2: get out your decoder pins. it's a couple of weeks.
• 1:45:00
  Speaker 1: Off but if you'd like to clue them in as
• 1:45:02
  Speaker 1: a tie-in to the upcoming uh movie geek art show
• 1:45:06
  Speaker 1: you know the greatest thing ever uh we're going to
• 1:45:09
  Speaker 1: come back and watch a film called beautiful losers if
• 1:45:13
  Speaker 1: you're not familiar with it it's currently on netflix it
• 1:45:16
  Speaker 1: is a documentary about art and artists and how all
• 1:45:20
  Speaker 1: of this comes together and what it means, or none
• 1:45:23
  Speaker 1: of that possibly.
• 1:45:24
  Speaker 2: Brian's going to be an artist if he can patch
• 1:45:26
  Speaker 2: this last 20 minutes together seamlessly for the show. It's
• 1:45:29
  Speaker 2: called edit it all out.
• 1:45:30
  Speaker 1: Just put it all on top of each other so
• 1:45:31
  Speaker 1: it just sounds like.
• 1:45:32
  Speaker 2: A crowd of people. Kind of did for him.
• 1:45:35
  Speaker 1: So yes, watch it now and then that way you
• 1:45:37
  Speaker 1: won't complain because you don't know what we're talking about
• 1:45:39
  Speaker 1: because you've had fair warning.
• 1:45:40
  Speaker 2: So there you go.
• 1:45:42
  Speaker 1: Alright, anything else you need to pass along this episode?
• 1:45:45
  Speaker 1: I've been eating popcorn this whole time very silently.
• 1:45:48
  Speaker 2: We're very proud of you. He's a ninja when it
• 1:45:50
  Speaker 2: comes to popcorn eating. Just let it dissolve. You've succeeded.
• 1:45:53
  Speaker 2: It's worked pretty well. Thank you.
• 1:45:56
  Speaker 1: Alright, then I guess we should thank the Baxter for
• 1:45:58
  Speaker 1: letting us loiter around in this room and whether or
• 1:46:02
  Speaker 1: not Bo gets fired, we'll find out.
• 1:46:03
  Speaker 3: I'm not sure.
• 1:46:04
  Speaker 2: I'm looking around at all these posters trying to figure
• 1:46:05
  Speaker 2: out if any of these I would consider rewatchable. Best
• 1:46:08
  Speaker 2: in show, maybe.
• 1:46:09
  Speaker 10: Best in show, I've watched many times.
• 1:46:13
  Speaker 2: I ain't watching none of these. Tenenbaums, yeah. They're all fancy.
• 1:46:16
  Speaker 2: Isn't this your favorite movie?
• 1:46:17
  Speaker 10: My big Greek Big fat Greek wedding.
• 1:46:22
  Speaker 2: That ran for ten and a half months. It used
• 1:46:26
  Speaker 2: to be. I would not die here. We'll return next week.
• 1:46:30
  Speaker 2: Go ahead. Same geek channel, same geek feed. Is that
• 1:46:36
  Speaker 2: the sign off? Relatively close. It's not my line, so
• 1:46:40
  Speaker 2: I don't know it. You should have it memorized. Otherwise
• 1:46:43
  Speaker 2: that about does it. We will return next week. Same
• 1:46:45
  Speaker 2: geek time, same geek feed. Thanks for listening.
• 1:46:47
  Speaker 15: I'm an average man.
• 1:46:51
  Speaker 14: With an average life. I work from nine to five.
• 1:46:55
  Speaker 12: And hell, I.
• 1:46:57
  Speaker 14: Pay the price. Just want to be left alone in
• 1:47:04
  Speaker 14: my average home. But what do I always feel? Like
• 1:47:10
  Speaker 14: I'm in the twilight zone I always feel like somebody's watching.
• 1:47:18
  Speaker 1: Me And I.
• 1:47:23
  Speaker 12: Have no privacy I always feel like somebody's watching me
• 1:47:34
  Speaker 12: Tell me.
• 1:47:35
  Speaker 2: Is it just a dream?
• 1:47:39
  Speaker 14: When I come home at night I bolt the door
• 1:47:47
  Speaker 14: real tight People call me on the phone.
• 1:47:55
  Speaker 15: I'm trying to avoid But can the people on TV
• 1:48:00
  Speaker 15: see me or am I just paranoid? When I'm in
• 1:48:06
  Speaker 15: the shower, I'm afraid to wash my hair.
• 1:48:11
  Speaker 14: Cause I might open my eyes and find someone standing there.
• 1:48:18
  Speaker 2: People say I'm crazy.
• 1:48:20
  Speaker 12: I'm just a little touched.
• 1:48:23
  Speaker 14: But maybe shells remind me of psycho too much.
• 1:48:30
  Speaker 1: Cause.
• 1:48:31
  Speaker 12: I always feel like somebody's watching.
• 1:48:38
  Speaker 11: Me I always.
• 1:48:45
  Speaker 12: Feel like somebody's watching me Tell me, is it just
• 1:48:55
  Speaker 12: a dream? I always feel like somebody's watching me.
• 1:49:06
  Speaker 11: Check out your palm of your hand. I'm not a
• 1:49:09
  Speaker 11: palm reader, but let.
• 1:49:11
  Speaker 12: Me check out the palm of your hand. Let me
• 1:49:14
  Speaker 12: see the other hand.
• 1:49:34
  Speaker 10: Okay, see how your right hand has a line that
• 1:49:37
  Speaker 10: goes directly across?
• 1:49:39
  Speaker 2: Your left hand doesn't. That's true. Right? Right.
• 1:49:43
  Speaker 10: So his hands are not mirror images of one another.
• 1:49:47
  Speaker 6: Is that regular?
• 1:49:49
  Speaker 15: Yeah.
• 1:49:49
  Speaker 10: But see, because I have lines that go straight across
• 1:49:52
  Speaker 10: for us all.
• 1:49:53
  Speaker 2: Right across the hand.
• 1:49:54
  Speaker 6: There and there.
• 1:49:57
  Speaker 10: And it's not common to have a lion's throne.
• 1:50:03
  Speaker 2: Side to side of his hand. And you only have
• 1:50:05
  Speaker 2: it on the one hand.
• 1:50:06
  Speaker 1: So wait a minute, who's the weirdo?
• 1:50:09
  Speaker 2: Take your pick in this room.
• 1:50:11
  Speaker 7: That's a fresh, unworn shirt, isn't it? That is a
• 1:50:14
  Speaker 7: fresh-ass shirt from, what, 1990?
• 1:50:15
  Speaker 1: I wore it a lot back in the day.
• 1:50:18
  Speaker 2: And which fresh do you mean from the day? Because,
• 1:50:21
  Speaker 2: you know, back then there were two types of fresh
• 1:50:22
  Speaker 2: when you came in, when you were referring to a shirt, so.
• 1:50:26
  Speaker 1: All kinds of fresh, that shirt is. No, now it
• 1:50:28
  Speaker 1: just smells like it's been sitting in a box for
• 1:50:29
  Speaker 1: 15 years.
• 1:50:34
  Speaker 2: Well, first of all, that is strange, I think, that
• 1:50:36
  Speaker 2: it's not... Yeah, because it's really normal for, like, a
• 1:50:38
  Speaker 2: guest to sit down and raise, like, let me see
• 1:50:40
  Speaker 2: your pants. It is. That's going to be like one
• 1:50:46
  Speaker 2: of the little quotes that he puts at the end.
• 1:50:47
  Speaker 2: Not really. None of that was here. I'm glad to
• 1:50:51
  Speaker 2: know that you aren't going to put the pee to
• 1:50:53
  Speaker 2: carpet ratio segment.
• 1:50:57
  Speaker 5: This episode is a production of Movie Meltdown, produced and
• 1:51:00
  Speaker 5: edited by the Auditude Studios, with opening music performed by
• 1:51:03
  Speaker 5: the Empires. For more on how to sponsor or support
• 1:51:06
  Speaker 5: the show, email producer at moviemeltdown.com.
• 1:51:09
  Speaker 4: Talk hard!