Latest / Luke's English Podcast / JOTAPÊ_ APOLLO _ NEGROTE (CAMPEÕES BDA 10 ANOS) - Podpah _1082

Transcript

JOTAPÊ_ APOLLO _ NEGROTE (CAMPEÕES BDA 10 ANOS) - Podpah _1082 · Luke's English Podcast

• 0:11
  Speaker 1: Amazon's 9-9-9 is there, full of discounts and with free
• 0:13
  Speaker 1: shipping to deliver everything you want.
• 0:18
  Speaker 2: So don't deliver cash or talons, because they don't exist.
• 0:20
  Speaker 3: There are also millions in coupons and discounts of up
• 0:22
  Speaker 3: to 60%. Ah, you talk. What a big paper.
• 1:13
  Speaker 4: Oh, welcome to another Podpaw. First Podpaw of the week.
• 1:16
  Speaker 4: Enjoy the studio, it's full.
• 1:18
  Speaker 3: What are you tasting, brother? Clap your hands, man. Fuck,
• 1:21
  Speaker 3: clap your hands.
• 1:23
  Speaker 4: First of the week, despite being Wednesday, I'm eating a
• 1:25
  Speaker 4: chicken sandwich here.
• 1:26
  Speaker 3: Yeah? How are you, Igão? I'm great, brother. Thank God, right?
• 1:29
  Speaker 3: In the name of Jesus Christ, Savior of what, Mítico?
• 1:32
  Speaker 5: Of heaven and earth, my brother.
• 1:34
  Speaker 3: You know, man.
• 1:35
  Speaker 5: Welcome, man.
• 1:35
  Speaker 3: You get along with us.
• 1:36
  Speaker 6: You smell like cream when you stretch your hand. You're
• 1:38
  Speaker 6: like this, all.
• 1:39
  Speaker 5: Or chicken, right?
• 1:40
  Speaker 3: No, no. I want to make a request. Close your eyes.
• 2:13
  Speaker 6: Imagine yourself on a beach in the Northeast. Wow, I've
• 2:17
  Speaker 6: been imagining this for a long time. So, close your
• 2:20
  Speaker 6: eyes and imagine. Crystal clear water, cold, that hot sun.
• 2:24
  Speaker 3: Christmas, Christmas.
• 2:25
  Speaker 6: That soft white sand. So that's what I have to
• 2:28
  Speaker 6: tell you. The year is flying, the end of the
• 2:31
  Speaker 6: year is coming again. And you could take a good
• 2:33
  Speaker 6: weekend to enjoy in the Northeast, right? Because here, here
• 2:37
  Speaker 6: in the Southeast region, it's cold as hell.
• 2:39
  Speaker 3: So, look. Camba pra cima, que.
• 2:42
  Speaker 6: Lá tá gostoso, e o Airbnb vai te ajudar. Se
• 2:45
  Speaker 6: você escanear esse QR Code que tá na tela aí, bonitinho,
• 2:47
  Speaker 6: não tem, né? Então não tem QR Code na tela,
• 2:49
  Speaker 6: mas se você ir no aplicativo do Airbnb lá, bonitinho,
• 2:52
  Speaker 6: usar o filtro do Preferido dos Hóspedes, que é um
• 2:55
  Speaker 6: filtro bacaninha que vai mostrar só casa filé pra você,
• 2:58
  Speaker 6: você vai achar uma casinha que cabe no seu bolso,
• 3:00
  Speaker 6: que cabe no bolso dos seus amigos, e também prepara
• 3:02
  Speaker 6: uma surpresa pra namorada, pro namorado, faz uma, mano!
• 3:05
  Speaker 3: Caralho! Por favor, se mexe! Às vezes a gente se
• 3:07
  Speaker 3: programa demais, né? Às vezes só um final de semana já.
• 3:09
  Speaker 2: Entendeu?
• 3:09
  Speaker 3: Já vai, já... There's a way to pay on Pix, ok?
• 3:12
  Speaker 3: And there's a way to share it too.
• 3:14
  Speaker 5: Six times without interest.
• 3:15
  Speaker 3: Exactly.
• 3:15
  Speaker 6: And on Pix you can send the link to say,
• 3:17
  Speaker 6: send your Pix here to your friends, you know?
• 3:20
  Speaker 3: It's that way already.
• 3:21
  Speaker 4: It's like, at the end of the week, if we
• 3:23
  Speaker 4: get a house, it's half a month, you pay half
• 3:24
  Speaker 4: on Pix.
• 3:25
  Speaker 3: We did that now, at the end of the week.
• 3:27
  Speaker 6: But we ended up not going to the Northeast, we
• 3:29
  Speaker 6: went to São Paulo, but it was via Airbnb, ok?
• 3:32
  Speaker 3: So that's it, Airbnb, we're together, ok?
• 3:33
  Speaker 6: That even Airbnb could already.
• 3:35
  Speaker 3: Leave that house separate for the end of the year
• 3:38
  Speaker 3: for us. I'll give it a try, bro, to see
• 3:41
  Speaker 3: if I can, right?
• 3:42
  Speaker 5: Please, M & B.
• 3:43
  Speaker 3: Mítico Jovem, do you know what day it is today?
• 3:45
  Speaker 3: Wait a minute. Sorry.
• 3:46
  Speaker 5: We've been promoting M & B for a long time.
• 3:48
  Speaker 3: Huh, Beto?
• 3:49
  Speaker 5: At the end of the week.
• 3:50
  Speaker 3: Or at this end of.
• 3:51
  Speaker 5: The week, get us a goma and we'll promote it,
• 3:54
  Speaker 5: won't we, Engão?
• 3:54
  Speaker 3: Yes, yes.
• 3:55
  Speaker 5: We'll say, thanks to M & B, we're here in
• 3:56
  Speaker 5: this mansion. Alright. Very cool, with sand on our feet.
• 3:59
  Speaker 6: My dream is to go to a house where people
• 4:02
  Speaker 6: find out where you are and send a motorist there.
• 4:04
  Speaker 3: That's good. Ambulance, right? It's not good, no. Don't do that, bro.
• 4:08
  Speaker 6: You're hurting those who are working on the streets.
• 4:10
  Speaker 3: I'm a streamer, son of a bitch. Oh! Sorry, I
• 4:13
  Speaker 3: didn't curse at all. You made a criticism there, a criticism.
• 4:16
  Speaker 5: Oh, man, I can't.
• 4:17
  Speaker 3: What day is it today?
• 4:18
  Speaker 5: Today is the 9th of the 9th of Amazon.
• 4:21
  Speaker 3: Exactly, it's the 9th of the 9th of Amazon. It's today.
• 4:23
  Speaker 6: So, scan this QR code, go to the site or
• 4:26
  Speaker 6: the Amazon app and enjoy the conditions, because they are
• 4:29
  Speaker 6: up to 60% off. Parcel it up to 21 times
• 4:31
  Speaker 6: on the Amazon Prime card and free shipping.
• 4:33
  Speaker 3: Okay? Show the box there, pretty. I bought it there, bro.
• 4:36
  Speaker 5: What did you buy? What did you launch today?
• 4:39
  Speaker 3: Ah, the iPhone.
• 4:40
  Speaker 5: So, it's in here. I'll show it to you at
• 4:43
  Speaker 5: the end of the live.
• 4:43
  Speaker 6: Only at the end, we'll show you the iPhone that folds.
• 4:46
  Speaker 6: I bought it on Amazon and at the end I'll
• 4:48
  Speaker 6: show it to you.
• 4:49
  Speaker 3: It's already here, right? The foldable. You're crazy, it arrives
• 4:51
  Speaker 3: too fast. Let's talk about our sponsor, Master, too. As
• 4:55
  Speaker 3: well as Hellmann's. As well as Amazon, I mean, Hellmann's.
• 4:58
  Speaker 3: Good one.
• 4:59
  Speaker 6: A young legend that has been sponsoring the Battle of
• 5:01
  Speaker 6: the Village for three years and also sponsors Rock in
• 5:06
  Speaker 6: Rio today. And they are willing to do something crazy,
• 5:10
  Speaker 6: which is, during the whole Rock in Rio, there will
• 5:12
  Speaker 6: be 8 or 7 tons, there will be 7 tons
• 5:15
  Speaker 6: of sauce distributed there for the people.
• 5:18
  Speaker 3: There are 8 flavors. Why?
• 5:19
  Speaker 6: Everyone knows that at festivals, the snacks are really dry,
• 5:22
  Speaker 6: it's bad. For God's sake, it's horrible. So when you
• 5:25
  Speaker 6: go there, there's the sauce, there's barbecue, there's mustard, there's mayonnaise.
• 5:27
  Speaker 6: So we're together, Helmas. Thank you. And look, who stays
• 5:31
  Speaker 6: at home can guarantee 20% off with the Supreme 20 coupon, okay?
• 5:35
  Speaker 6: Helmas Supreme, dry snack never again.
• 5:37
  Speaker 5: Never again.
• 5:38
  Speaker 3: Glory to God, when there's a lot of brand.
• 5:40
  Speaker 5: Oh, glory to God. And Helmas, thank you. We were
• 5:43
  Speaker 5: together with Batalha da Aldeia too.
• 5:47
  Speaker 3: You won, right? Ravenna won. MC with more sauce. Lying
• 5:50
  Speaker 3: on the look. On the skit. Happy birthday, Helmas.
• 5:52
  Speaker 5: Come with us. Who knows if the award will be
• 5:54
  Speaker 5: even bigger next year.
• 5:56
  Speaker 3: I hope so. I'm glad JP is not going to
• 5:58
  Speaker 3: be there. Then it can be bigger. That's true. Or
• 6:01
  Speaker 3: who says no? I don't know.
• 6:03
  Speaker 5: The guys keep talking about Last Dance, Last Dance.
• 6:06
  Speaker 4: Everything has a rebrand, bro.
• 6:08
  Speaker 3: Throw the camera at me.
• 6:09
  Speaker 6: Receive it with a lot of affection, make a lot
• 6:11
  Speaker 6: of noise, drop this studio, because the champions of BDA
• 6:13
  Speaker 6: 10 years are here on the table with me.
• 6:15
  Speaker 3: Negrote, Apolo and JP! Let's go! Let's go! Let's go!
• 6:27
  Speaker 3: Let's go! Let's go! Let's go! Let's go! Let's go!
• 6:28
  Speaker 3: Let's go! Very good, man. How are you, Negrote? I'm good, dog.
• 6:37
  Speaker 1: First of all, a hug to my mother, a hug
• 6:39
  Speaker 1: to my sisters.
• 6:40
  Speaker 3: A hug to my partners. Make some noise, favela. Right
• 6:42
  Speaker 3: from where? Right from Osasco, you know. Osasco too, right?
• 6:45
  Speaker 3: From where?
• 6:46
  Speaker 1: From Osasco.
• 6:55
  Speaker 4: Now, translate this to the people of Outa Quebrada.
• 6:59
  Speaker 3: What is this Quebrada?
• 7:00
  Speaker 6: The guy who lives in Rochedale doesn't spit on the floor.
• 7:06
  Speaker 3: Otherwise, it's lava.
• 7:08
  Speaker 5: Really?
• 7:09
  Speaker 6: Rochedale is known for... Every house has a canoe. No,
• 7:13
  Speaker 6: I'm kidding. It's a very nice place to be. If
• 7:17
  Speaker 6: I'm not mistaken, it's close to Piratininga too, right?
• 7:20
  Speaker 3: It's close there, bro. It's close to everything.
• 7:24
  Speaker 6: I used to go to the Osasco area, which is
• 7:26
  Speaker 6: closer to Carapicuíba, which is where I live.
• 7:29
  Speaker 3: Osasco is gigantic, right? It's very big, man. It's a
• 7:31
  Speaker 3: great city. Very cool. Save Osasco. What was that, Apolo?
• 7:37
  Speaker 3: What was that, Apolo? Are you tickling me? Yeah, I'm
• 7:39
  Speaker 3: a bit upset. But are you okay? I'm fine, bro.
• 7:40
  Speaker 3: Better than ever. Fuck! I like that. Look at this hair.
• 7:42
  Speaker 3: I saw that people talk about it, right? Is it
• 7:44
  Speaker 3: for special moments? Bro, no offense, I'll tell you the truth.
• 7:47
  Speaker 3: Tell me. In 2024, when I went to BDA 8
• 7:49
  Speaker 3: years old, I launched... Delicate subject. A day before, I launched... Then,
• 7:52
  Speaker 3: at BDA 8 years old, what happened happened... Right? That way.
• 8:06
  Speaker 3: It was glorious.
• 8:08
  Speaker 7: Then, after I stopped using it, people, like this year,
• 8:11
  Speaker 7: got into it. They started to mess with it all
• 8:13
  Speaker 7: the time. Man, launch skin Mercury, I don't know what.
• 8:16
  Speaker 7: And I was like, man, stop messing with it.
• 8:17
  Speaker 3: It's that you're on your rhyme too, right? Yes, on
• 8:19
  Speaker 3: the day of the 8th.
• 8:20
  Speaker 7: But then, this year, people were disturbing me, brother. People
• 8:23
  Speaker 7: didn't even exchange an idea. Like, good morning, Apollo.
• 8:25
  Speaker 3: What's up? How's it going? And the hair. And the hair,
• 8:27
  Speaker 3: and the hair. Man, all the time. Then I did, right, dad?
• 8:29
  Speaker 3: The fan service. Do you think it helped too? Kind
• 8:31
  Speaker 3: of like... Help, help.
• 8:33
  Speaker 5: Psychologically, it should also help, right?
• 8:34
  Speaker 7: Man, I say, when I did it the first time, bro,
• 8:37
  Speaker 7: it was like Spider-Man, when he was contaminated by Venom's symbiosis,
• 8:41
  Speaker 7: you know?
• 8:41
  Speaker 3: Like, it changes... You got... Man, I started to get bad, bro.
• 8:45
  Speaker 3: You got my leg?
• 8:46
  Speaker 5: Yeah, exactly, worse than that.
• 8:47
  Speaker 7: That's why I don't like to do it straight, I
• 8:50
  Speaker 7: like to be humble, bro.
• 8:51
  Speaker 3: You can stop. You know? I like to be.
• 8:53
  Speaker 6: But JP, how is it for you to follow a
• 8:55
  Speaker 6: scene like this, where people get anxious to know the
• 8:58
  Speaker 6: color of your hair? Because I saw, during the week there,
• 9:01
  Speaker 6: that it was approaching the BDA, JP posted a black
• 9:04
  Speaker 6: and white photo.
• 9:06
  Speaker 3: Anivisky, what is the color of her hair?
• 9:07
  Speaker 6: My God, will Apollo disappoint us this year?
• 9:11
  Speaker 3: And....
• 9:12
  Speaker 6: How cool is that, man? People care about so many
• 9:15
  Speaker 6: other things too. How is it for you to look
• 9:17
  Speaker 6: at a whole scene being moved, like, wow, what clothes
• 9:20
  Speaker 6: are they going with? They don't just worry about the rhyme,
• 9:22
  Speaker 6: and I think that's cool too.
• 9:24
  Speaker 3: Lifestyle, right? Man, I like it, I like it a lot, right?
• 9:27
  Speaker 2: I fed this thing for many years in my career,
• 9:29
  Speaker 2: like this, since the dreads, like this, right? People always
• 9:32
  Speaker 2: invented some alcunha according to the clothes I was wearing,
• 9:36
  Speaker 2: the hair I was wearing. I think it's cool and
• 9:38
  Speaker 2: it's good for us, it takes a little bit of
• 9:39
  Speaker 2: the focus from the rhymes, right, man? Like, we already
• 9:42
  Speaker 2: know that it's going to be tense on the day
• 9:44
  Speaker 2: that everyone is going to be nervous, that we can't
• 9:47
  Speaker 2: miss a rhyme. But for a long time, it's not
• 9:49
  Speaker 2: just about rhymes, right, bro? This has bonuses and bonuses.
• 9:52
  Speaker 2: One of the bonuses, I think, is this, bro. It's
• 9:54
  Speaker 2: the guys wanting to see us in a specific suit,
• 9:57
  Speaker 2: in a specific hair, which usually reminds us of a sensation.
• 9:50
  Speaker 3: It's the same thing, right?
• 10:19
  Speaker 5: But in your feeling, does he have this perception that
• 10:22
  Speaker 5: something changes when you shave? I didn't know that the
• 10:25
  Speaker 5: subject was going to be this, right? They were probably
• 10:27
  Speaker 5: going to say, wow, he lost his strength and such.
• 10:35
  Speaker 2: But what also encouraged me was that I'm not my hair,
• 10:39
  Speaker 2: my hair is part of me, not the opposite of that.
• 10:42
  Speaker 3: I'm much more than my hair.
• 10:45
  Speaker 7: And I think this is true for all the identity
• 10:47
  Speaker 7: that we create, we can't be stuck in these stereotypes
• 10:49
  Speaker 7: that we ourselves create.
• 10:55
  Speaker 2: So I said, man, I'm JP, bald with hair, with
• 10:56
  Speaker 2: hair tied the way it is, you know? But I
• 10:58
  Speaker 2: need to do big, bald things too. If not, they'll say, wow, man,
• 11:01
  Speaker 2: after he cut it, it's over. You understand the weight
• 11:03
  Speaker 2: of a dread, right, man? Of course I understand. It's
• 11:05
  Speaker 2: not just hair, it's all aesthetics.
• 11:07
  Speaker 5: The dread for me was a reunion, man, ancestral.
• 11:10
  Speaker 3: At the time I did it, I was 13 years
• 11:11
  Speaker 3: old when I did it. I stayed 10 years of dread,
• 11:14
  Speaker 3: you know? Man... So, like, it was a quota and, man,
• 11:16
  Speaker 3: it brought me... Good things, a lot of good things.
• 11:25
  Speaker 2: A lot of people got inspired and said, I did
• 11:28
  Speaker 2: the hair, I had the courage to start the process
• 11:30
  Speaker 2: because of you and such.
• 11:32
  Speaker 3: Big Mike himself used to say.
• 11:32
  Speaker 2: This to me at the time, that I met Big
• 11:34
  Speaker 2: without dreadlocks, you know? So it was really cool. But
• 11:37
  Speaker 2: I got to this stage, like, damn, man, I need
• 11:39
  Speaker 2: to change.
• 11:40
  Speaker 3: You know? And you also want to wash your hair
• 11:42
  Speaker 3: more often, give it to the city, right?
• 11:44
  Speaker 2: Yeah, so, without all this allegory, you know, bro? But then,
• 11:48
  Speaker 2: of course, right? On the anniversary day, I told the guys, bro,
• 11:50
  Speaker 2: do you need to put some crazy?
• 11:51
  Speaker 3: It was a personal will, right?
• 11:52
  Speaker 2: It was, it was a personal will and I didn't
• 11:54
  Speaker 2: want this stigma to hold me, you know?
• 11:55
  Speaker 3: Then I said, bro, let's go.
• 11:56
  Speaker 1: Crazy, bro.
• 11:57
  Speaker 3: You did it right, bro, you did it right. I'm
• 11:58
  Speaker 3: going to put a smile on the anniversary day, put
• 12:00
  Speaker 3: a bloody smile here on the neck, bro. Yeah, it
• 12:02
  Speaker 3: was cool, the hair was great. I picked those hair, like...
• 12:04
  Speaker 3: from 2017, when you looked like a little boy, you said, damn,
• 12:08
  Speaker 3: I want to throw a hair like that. Man, now
• 12:11
  Speaker 3: what's cool is that I even said, bro, look what
• 12:14
  Speaker 3: a shot, bro.
• 12:15
  Speaker 7: The animal scraped the bald hair, damn, it was bald.
• 12:17
  Speaker 7: Then the animal there from the center of the battles, Davi,
• 12:21
  Speaker 7: two months before, a month before the anniversary, will JP
• 12:24
  Speaker 7: appear with the dreadlocks on fire?
• 12:26
  Speaker 3: It's what, bro? It's GTA. Between bald and trans. Oh, Apollo,
• 12:31
  Speaker 3: but take advantage of what you're talking about. I saw
• 12:34
  Speaker 3: something that I found controversial. Yesterday, I want your opinion.
• 12:41
  Speaker 3: Is JP's mouth soft?
• 12:43
  Speaker 2: Oh man, I can't believe it's already now.
• 12:46
  Speaker 3: Right from the beginning. Let's take it from the front.
• 12:48
  Speaker 3: Say what it is, Cousão. Go, don't die. Oh bro, papuete.
• 12:50
  Speaker 3: Naked lips, naked lips.
• 12:51
  Speaker 2: Oh bro, damn, Oigão, you got it from Calça Riada.
• 12:55
  Speaker 1: Oh man.
• 12:56
  Speaker 3: What do you have to say about this? You have
• 12:57
  Speaker 3: to kiss a friend, man. You want to know how
• 12:59
  Speaker 3: it is?
• 13:00
  Speaker 5: Oh, the foda is the negrote.
• 13:01
  Speaker 3: When it happened, he didn't even see, he didn't even
• 13:03
  Speaker 3: pay attention. Like that, he only saw... Did anyone see
• 13:10
  Speaker 3: it at the time? Us two. It was like, let
• 13:13
  Speaker 3: it go.
• 13:13
  Speaker 7: But it's because, think with me, we're rhyming there at
• 13:16
  Speaker 7: the event. For more than 10,000 people. And it's an
• 13:17
  Speaker 7: event that's worth our lives. There's a lot of stuff
• 13:19
  Speaker 7: in the game. Then our girls are far away. Then
• 13:22
  Speaker 7: it's your girl. I don't even have a woman.
• 13:24
  Speaker 3: It's true, it's f * * * ed. Then it
• 13:25
  Speaker 3: was like, when it happened, I finished the second round
• 13:27
  Speaker 3: for the third. I sent a pure rhyme. It was pure. Man,
• 13:37
  Speaker 3: it was pure.
• 13:39
  Speaker 7: Jesus walked in the middle of a thief's ass, never
• 13:41
  Speaker 7: sold himself, never corrupted himself. We follow the risk, the dictation.
• 13:45
  Speaker 3: Who can't make mistakes is me. Then the JP became crazy, bro.
• 13:48
  Speaker 3: But if you join the test, it happens, right? Then
• 13:49
  Speaker 3: it was like this, we were like, bro, it's us,
• 13:51
  Speaker 3: we're going to win this shit. Then it happened, right, bro?
• 13:53
  Speaker 3: But the impact came from who? Man, I think this
• 13:58
  Speaker 3: kiss was more mine, dude. Oh, but how does the
• 14:01
  Speaker 3: mind get at the time? Because you're trying to kill me.
• 14:03
  Speaker 3: .
• 14:08
  Speaker 2: .
• 14:24
  Speaker 7: But I have my clear thoughts. When it happened, I
• 14:26
  Speaker 7: was like... I said, bro, fuck, did he touch it?
• 14:28
  Speaker 7: Then I said, he touched it. Then my second thought... Man,
• 14:30
  Speaker 7: I remember the taste.
• 14:32
  Speaker 3: Of the thing. Sashimi? Yeah, a thing like that. I
• 14:33
  Speaker 3: don't remember, I don't remember. But I just remember that
• 14:37
  Speaker 3: at the time I thought, I said, bro... Because there
• 14:39
  Speaker 3: was that drone, right? That, by the way, at one
• 14:40
  Speaker 3: point I sent a rhyme to Nel and it went
• 14:42
  Speaker 3: to the forest. Then at the time I thought, bro.
• 14:47
  Speaker 3: Oh, by the way, the pilot of the drone, huh, bro?
• 14:49
  Speaker 3: The guy hits me in the ears.
• 14:50
  Speaker 7: I thought, I thought like this, I said, bro, if
• 14:52
  Speaker 7: the thing was on the drone, it passed the beat,
• 14:54
  Speaker 7: but at the time I already thought, bro, but there's
• 14:56
  Speaker 7: a lot of camera, it's impossible, it's gone, it's already viralized,
• 14:59
  Speaker 7: I already thought at the time.
• 15:00
  Speaker 6: No, there's a lot of camera, but what you were
• 15:01
  Speaker 6: unlucky is that the camera of the transmission lost.
• 15:03
  Speaker 3: It's right at the time, right?
• 15:04
  Speaker 7: And then at the time I already thought, I said, bro,
• 15:06
  Speaker 7: without malice, if it was filmed, it was already viralized,
• 15:08
  Speaker 7: then at the time I already took it and said
• 15:09
  Speaker 7: like this, man, the second round is over now, there
• 15:11
  Speaker 7: will be the third, I said, bro, I want more here,
• 15:13
  Speaker 7: fuck it, let's go back to the battle.
• 15:15
  Speaker 3: Like, all of this in a fraction of a second.
• 15:17
  Speaker 2: I was already in the third, we won, we left
• 15:18
  Speaker 2: and I didn't even remember.
• 15:19
  Speaker 7: I looked at JP and we said, what now? Third round,
• 15:22
  Speaker 7: didn't we? Then I said to JP, we already opened 2x0,
• 15:25
  Speaker 7: let's keep the strategy of the other, you're going.
• 15:28
  Speaker 3: I already went, man.
• 15:29
  Speaker 2: I already took it, I already left the octagon, I
• 15:32
  Speaker 2: didn't even remember. And after that, we didn't even touch
• 15:33
  Speaker 2: the subject, we didn't even think about it. We didn't
• 15:36
  Speaker 2: even talk about it, even because I wouldn't talk about it,
• 15:39
  Speaker 2: you know?
• 15:40
  Speaker 3: No hypothesis.
• 15:41
  Speaker 2: Then, the semifinal, well, what happened is what happened. And then,
• 15:43
  Speaker 2: after a break, it was still a day, right, brother?
• 15:45
  Speaker 2: It was, it was the next day. It was a
• 15:47
  Speaker 2: day and we were quiet, bro, let's not talk about it.
• 15:49
  Speaker 2: Then I saw a video on TikTok, like, that was
• 15:52
  Speaker 2: starting to say, wow, JP and Apolo kissed here. Then
• 15:55
  Speaker 2: I saw some comments, it's IA. I said, bro, I'm
• 15:57
  Speaker 2: going to be quiet, it's going to be IA, and that's.
• 15:59
  Speaker 3: It, you know? Only Caio Mamina commented like this. I saw.
• 16:02
  Speaker 3: I saw it on time.
• 16:02
  Speaker 2: Yeah, I saw it on time and I thought the
• 16:04
  Speaker 2: camera hadn't caught it.
• 16:05
  Speaker 3: This is true. Then they started posting. Then I called Apolo, bro.
• 16:08
  Speaker 2: I said, man, I'm going to tell you something here.
• 16:10
  Speaker 2: Then he said, what? I said, and us kissing, bro.
• 16:15
  Speaker 2: Then he said, damn JP, you're already ashamed of being
• 16:17
  Speaker 2: on my side like this, man, recording us talking to him. Brother,
• 16:19
  Speaker 2: this really happened, man, it was already now. I said,
• 16:22
  Speaker 2: now we're going to have to hold it and think
• 16:23
  Speaker 2: about it.
• 16:24
  Speaker 3: But I doubt it, the guys said, you know what
• 16:25
  Speaker 3: the guys said?
• 16:26
  Speaker 7: That once in Juventus, Cristiano Ronaldo and Dybala made the
• 16:29
  Speaker 7: same tape.
• 16:30
  Speaker 3: Smooth. And I say more, I still say more. If
• 16:34
  Speaker 3: I played with Cristiano Ronaldo, I would try everything. Not
• 16:36
  Speaker 3: only kissing, you would do other things too.
• 16:37
  Speaker 5: Hey, don't take my hand. Where's the camera?
• 16:40
  Speaker 7: If Naruto and Sasuke gave a sign and won the
• 16:43
  Speaker 7: ninja war, what can I do to support JP and
• 16:46
  Speaker 7: win the kiss? Is it true that Naruto did that?
• 16:49
  Speaker 7: It's one of the most exploded scenes.
• 16:51
  Speaker 3: And it was the same, because it happens unintentionally. Unintentionally.
• 16:59
  Speaker 2: The guy falls on top of the other and kisses,
• 17:01
  Speaker 2: and then there's a picture there in the anime.
• 17:03
  Speaker 3: Man, I didn't know about that. We need to see Naruto, man,
• 17:06
  Speaker 3: I swear. You guys already want to get involved. If
• 17:08
  Speaker 3: you see Sasuke and Naruto, fuck it.
• 17:10
  Speaker 5: Every episode of Naruto we give a kiss.
• 17:12
  Speaker 4: Ah, but it's cool, the guys got into the mess
• 17:14
  Speaker 4: and didn't keep weighing you.
• 17:16
  Speaker 3: It's funny. It looks like a movie script, this shit. Negrote,
• 17:20
  Speaker 3: how does it rhyme?
• 17:26
  Speaker 6: Kill the trio there, the first phase killed the trio,
• 17:28
  Speaker 6: the second phase killed the trio, and everyone goes back
• 17:33
  Speaker 6: to the same place.
• 17:34
  Speaker 3: How is that? Is there a mood? Damn!
• 17:36
  Speaker 6: Because when I looked there, I said, damn, they kill
• 17:38
  Speaker 6: each other there in the octagon, but then they go
• 17:41
  Speaker 6: back to watch the battles of the other people together.
• 17:44
  Speaker 3: And then I said, man, how is that?
• 17:46
  Speaker 1: Man, it's like a fucking feeling, because there's a moment
• 17:49
  Speaker 1: of concentration, you know? There's going to be a bunch
• 17:51
  Speaker 1: of MCs there, concentrated. Then you start looking at the guy,
• 17:54
  Speaker 1: the guy already looks at you, he already knows that
• 17:56
  Speaker 1: he's going to.
• 17:56
  Speaker 3: Get you in the next phase. He's already getting you.
• 17:58
  Speaker 3: He's already getting you. He's already getting you. He's already
• 18:01
  Speaker 3: getting you. He's already getting you.
• 18:02
  Speaker 5: He's already getting you. Relaxed.
• 18:21
  Speaker 1: Then the guy sent a message to another guy from
• 18:24
  Speaker 1: the Northeast, where I was.
• 18:26
  Speaker 3: He sent a message like this.
• 18:28
  Speaker 1: Hey, tell Puguinho to stick here in Bahia. for him
• 18:31
  Speaker 1: to stick here in Bahia, to take his self-esteem away,
• 18:33
  Speaker 1: for him to rhyme.
• 18:34
  Speaker 3: Here with me, he didn't even want to go up
• 18:36
  Speaker 3: on that stage on that anniversary. Holy shit! The man
• 18:38
  Speaker 3: who's on his anniversary. You know? The man who's on
• 18:40
  Speaker 3: his anniversary. I said, fuck, he's lying. Yeah, on the
• 18:43
  Speaker 3: anniversary of Bahia there weren't many. Yeah, you know? I said, fuck,
• 18:46
  Speaker 3: when I hit this man there, man, he's going to
• 18:48
  Speaker 3: take his candy. It's already like that, it's already a drama, right?
• 18:50
  Speaker 6: But he knew that the message came to you there
• 18:52
  Speaker 6: on the beach? Of course, he sent, he knew that
• 18:55
  Speaker 6: I was on the side.
• 18:56
  Speaker 3: Of the man, you know? He's already made a proposal.
• 18:59
  Speaker 3: He's crazy, so... To destabilize... But you already told the
• 19:02
  Speaker 3: whole story, bro. What part? Then we already, how? We
• 19:04
  Speaker 3: slept for a year, 3 a.m. dry, and then?
• 19:06
  Speaker 2: And then I went there and sent him a message.
• 19:09
  Speaker 2: He said, hey, that audio.
• 19:11
  Speaker 1: You had there, you don't want to send it to us, brother?
• 19:14
  Speaker 1: I'm going to do something here.
• 19:15
  Speaker 3: But in the day? After we won. Ah, man, fuck.
• 19:17
  Speaker 3: Make a sound. Yeah, bro. Do something, do something, bro.
• 19:25
  Speaker 2: It's a way to mess with the ego of the guy, right?
• 19:27
  Speaker 2: That's not wrong either. It's not wrong, but it's an all-in, right?
• 19:30
  Speaker 2: You can leave the guy very motivated to break you.
• 19:32
  Speaker 3: And that's what happened. You have to win, you have
• 19:34
  Speaker 3: to be Romário. You have to talk and do it.
• 19:36
  Speaker 6: But what's cool is that, for example, the backstage this
• 19:38
  Speaker 6: year was very full, man.
• 19:39
  Speaker 7: So, in addition to the MCs, there were a lot
• 19:41
  Speaker 7: of people there. So, I think it even doubles the hostility.
• 19:44
  Speaker 7: For fuck's sake, man.
• 19:45
  Speaker 3: Why? there were friends of the MCs. No, because there
• 19:51
  Speaker 3: were a lot of people. A lot of people there.
• 19:53
  Speaker 3: A lot of people there.
• 19:54
  Speaker 2: Especially when you're in the position of being one of
• 19:56
  Speaker 2: the three favorites, you know, Cusão? The hostility comes from
• 20:00
  Speaker 2: all sides. The climate is already hostile to anyone, you know?
• 20:03
  Speaker 2: When you know that they want your head, bro, it's
• 20:05
  Speaker 2: another thing. Like, the thing is three times more. And
• 20:08
  Speaker 2: I've already been in both positions, right, bro? I've already
• 20:10
  Speaker 2: been in the position of being an MC. Man, I'm
• 20:12
  Speaker 2: not known, I'm smooth, I'm running through the borders here.
• 20:15
  Speaker 2: When Apollo won a BDA 5 years ago, it was
• 20:16
  Speaker 2: like this. Dudu and Krauk fighting like hell. There was
• 20:19
  Speaker 2: someone with a premium head. Yeah, and I and Apollo
• 20:21
  Speaker 2: and Big Mike there, look. We're here in ours, good,
• 20:23
  Speaker 2: we're going to win this event from the outside, you know?
• 20:26
  Speaker 2: And I've been in the position several times on the
• 20:28
  Speaker 2: anniversary of the village.
• 20:28
  Speaker 3: Of the trio being beaten. Which one is the hardest?
• 20:32
  Speaker 2: I think it's this one of your trio being beaten,
• 20:33
  Speaker 2: for sure it's the hardest, bro. Because you try to
• 20:37
  Speaker 2: tell yourself that you don't.
• 20:38
  Speaker 3: Care what the others are saying, but you are. And besides,
• 20:41
  Speaker 3: the expectation is huge, right? The expectation is.
• 20:42
  Speaker 2: Very big, so you keep fooling yourself all the time.
• 20:44
  Speaker 2: I'm not even there, I'm going to make my quota
• 20:46
  Speaker 2: and that's it. But it's a lie, several times you
• 20:48
  Speaker 2: end up bringing something to yourself. Each one of us
• 20:51
  Speaker 2: had something to prove. Apollo was the MVP with the
• 20:54
  Speaker 2: best performance. From then on, he can't have a bad
• 20:56
  Speaker 2: performance anymore, in quotes. Guinho, after 9 years, is on
• 20:58
  Speaker 2: his anniversary. Everyone is waiting for him. The opportunity of
• 21:01
  Speaker 2: the guy's life. The guy has to do something else.
• 21:03
  Speaker 2: Your plot was very cool.
• 21:04
  Speaker 3: It was very cool.
• 21:04
  Speaker 5: A thing that I was bringing to me, that I
• 21:06
  Speaker 5: didn't want to.
• 21:07
  Speaker 3: Think about, but I thought about it all the time, was....
• 21:13
  Speaker 2: I participated in four anniversaries and reached four finals.
• 21:15
  Speaker 3: What if I don't make it? Wow, man. If I
• 21:16
  Speaker 3: don't make it, I'm a shit. I'm a shit.
• 21:17
  Speaker 2: I'm going to ramble with my trio. I'm going to
• 21:19
  Speaker 2: end up with my statistics.
• 21:20
  Speaker 3: Oh, what a breeze. Man, no. And Gui... It's hard
• 21:22
  Speaker 3: to deal with ego, right, man? I think his is
• 21:25
  Speaker 3: even more responsibility.
• 21:28
  Speaker 7: Because he kind of lives both spheres in one. He's
• 21:31
  Speaker 7: in the favorite trio. At the same time that he's
• 21:33
  Speaker 7: in the position... It's true, man.
• 21:34
  Speaker 5: To prove something, you know?
• 21:35
  Speaker 3: To say, I'm the guy who... That came here doing
• 21:39
  Speaker 3: the underdog journey. Came from below, you know? And also
• 21:42
  Speaker 3: know that he's the guy that....
• 21:46
  Speaker 6: I understand, your head was the prize, but I feel
• 21:48
  Speaker 6: like his was more.
• 21:49
  Speaker 3: Of course it was. Of course it was. I don't
• 21:53
  Speaker 3: think so, bro. You don't think so? You don't think so?
• 21:55
  Speaker 3: I think you were more.
• 21:56
  Speaker 6: No, I think yours was more in the context that I.
• 21:58
  Speaker 3: Want to say, Negrotti. I say you want to prove me.
• 21:59
  Speaker 3: You know what I think, Negrotti?
• 22:00
  Speaker 6: Yeah, because I think the guys would be able to
• 22:04
  Speaker 6: play dirty with you in other aspects.
• 22:05
  Speaker 3: With them it would be more rhyme. For sure. They
• 22:07
  Speaker 3: could steal with you. I feel that too, bro.
• 22:08
  Speaker 2: I feel that, like, with you, it was a thing of, like,
• 22:12
  Speaker 2: I don't want to see this guy get it, you know?
• 22:14
  Speaker 2: Jota and Apolo haven't seen him get it. I don't
• 22:16
  Speaker 2: want to see this kid succeed.
• 22:18
  Speaker 3: I felt it all the time. I felt it all
• 22:20
  Speaker 3: the time about Negrotti. We respect each other, but if
• 22:24
  Speaker 3: it depends on us, the kid won't win the thing.
• 22:37
  Speaker 3: You know?
• 22:37
  Speaker 2: So, like, it was a pressure on both sides, because
• 22:40
  Speaker 2: he had to prove himself, and so did we, right, Cusão?
• 22:43
  Speaker 2: We had to be there like, dude, we'll be with you, Cusão,
• 22:46
  Speaker 2: until the end of this shit, man.
• 22:47
  Speaker 3: You know?
• 22:47
  Speaker 2: That's what I said a few days ago, when I
• 22:49
  Speaker 2: was here, right?
• 22:50
  Speaker 3: Before the anniversary. Like, we have to find.
• 22:52
  Speaker 2: One on the other, this strength, like, because at the
• 22:55
  Speaker 2: same time, someone goes there and says, man, I feel
• 22:57
  Speaker 2: like you two were thinking more about the prize. If
• 22:59
  Speaker 2: he was thinking that, he was already thinking about protecting us.
• 23:01
  Speaker 3: Yes, for sure. And then it became a fucking guerrilla, man. But, man,
• 23:04
  Speaker 3: I wanted to know....
• 23:07
  Speaker 4: I don't know what day it was, but the trio
• 23:09
  Speaker 4: was really cool. Their story of how they built this trio.
• 23:11
  Speaker 4: I wanted to know about you, bro.
• 23:13
  Speaker 5: Who called who? Where did this idea come from? And
• 23:14
  Speaker 5: how was it?
• 23:15
  Speaker 3: Tell us.
• 23:16
  Speaker 5: The thing was crazy that day.
• 23:17
  Speaker 3: I was there in the West Battle, you know?
• 23:18
  Speaker 5: I didn't even go to rhyme.
• 23:20
  Speaker 3: I just touched there.
• 23:21
  Speaker 1: Then a partner of mine rang. Then this partner said, bro,
• 23:23
  Speaker 1: it's BDA 10 years. I said, bro, there's a big
• 23:26
  Speaker 1: quota missing, man.
• 23:27
  Speaker 3: I don't even know if I'm going to rhyme.
• 23:28
  Speaker 1: These guys are not even going to call me for
• 23:31
  Speaker 1: the thing. Fuck BDA 10 years, I'm sweaty. I swear
• 23:36
  Speaker 1: to God.
• 23:37
  Speaker 3: I don't even know what I'm saying.
• 23:39
  Speaker 1: Then Brenos came and said, I wanted to talk to you, man.
• 23:42
  Speaker 3: I haven't played for 10 years. Let's go, man. And you?
• 23:45
  Speaker 3: Brenos and Zica. I said, damn, man. It's cool, man.
• 23:48
  Speaker 3: He's already here, man.
• 23:49
  Speaker 1: He's already here. I was thinking about you, man.
• 23:51
  Speaker 3: We're going there. You're crazy. All the time, the guys
• 23:54
  Speaker 3: throw me a half-bomb. I want to go with you, man.
• 23:58
  Speaker 3: He's laughing at you, man. Calm down. He's laughing at Brenos.
• 24:01
  Speaker 3: Calm down, calm down.
• 24:03
  Speaker 1: I said, bro, let's think, why don't we call Jota
• 24:05
  Speaker 1: for this walk too? He said, will he go to
• 24:08
  Speaker 1: the bagui? I said, bro, I don't know, but it
• 24:10
  Speaker 1: doesn't cost anything to try, let's try. Then the other day,
• 24:13
  Speaker 1: I think it was Christmas, right, bro?
• 24:15
  Speaker 3: Christmas? It was, in fact, Christmas, not Easter. It was Easter,
• 24:19
  Speaker 3: it was Easter. It was a good date. It was Easter,
• 24:21
  Speaker 3: that's right. It was Easter, then I.
• 24:22
  Speaker 1: Gave him a hug and he said, damn, dude, you
• 24:24
  Speaker 1: gave him a hug on such a symbolic day, you know, bro?
• 24:27
  Speaker 3: Let's see this walk there.
• 24:28
  Speaker 1: He went there and said he would close it with us,
• 24:31
  Speaker 1: you know?
• 24:32
  Speaker 3: I said, fuck, it's over.
• 24:33
  Speaker 1: I said, I'm going to be Brenos. He said, fuck, man,
• 24:36
  Speaker 1: I don't feel like it's Brenos on the trio.
• 24:38
  Speaker 3: I said, it's respect. I said, respect. I passed it
• 24:40
  Speaker 3: to Brenos, you know, the walk.
• 24:41
  Speaker 2: And Brenos talked to me too, like this. You guys
• 24:44
  Speaker 2: are very close, right? Yeah, I'm very close to Brenos, right, man?
• 24:47
  Speaker 2: And then Negrote called me and then, it's fucked, I
• 24:50
  Speaker 2: interpret everything like a divine sign, right, cousin?
• 24:52
  Speaker 3: So he called me.
• 24:53
  Speaker 6: I'm just sending you a message now when it's Christmas, Christmas,
• 24:56
  Speaker 6: because he's not going to deny it. I know it's
• 24:59
  Speaker 6: not his birthday, but I'm going to do it.
• 25:00
  Speaker 2: He sent something on Easter, and I said, bro, the
• 25:02
  Speaker 2: thing is Resurrection, it already has everything to do with
• 25:04
  Speaker 2: the story of Negrote, bro, that's right.
• 25:06
  Speaker 3: And I was already thinking about how. It was planned.
• 25:09
  Speaker 2: I was already thinking about doing the trio with him,
• 25:12
  Speaker 2: but I didn't give a damn about him, because we
• 25:14
  Speaker 2: did the one from Planalto at the beginning of the year,
• 25:16
  Speaker 2: it's important to highlight that, right? For me, you would
• 25:18
  Speaker 2: have left from Dalí with Yeah, but we didn't even
• 25:20
  Speaker 2: talk about anything else, you know? But in that edition
• 25:23
  Speaker 2: we had already connected, but we had never exchanged any
• 25:25
  Speaker 2: ideas about it. Only ideas about Aloprano, man. And then
• 25:28
  Speaker 2: he said... At first he said, it was his trio,
• 25:31
  Speaker 2: I said, cool. Then he said, bro, the third guy
• 25:32
  Speaker 2: is Brenos, man. I said, bro, Brenos is my brother,
• 25:35
  Speaker 2: Brenos was killing it. But I still don't feel like
• 25:38
  Speaker 2: it's him, you know? And I also don't think it's
• 25:40
  Speaker 2: fair to put the guy in a position of, like,
• 25:42
  Speaker 2: prove to me that it's you, you know? So I
• 25:44
  Speaker 2: said to Brenos, bro, I don't think it's cool to
• 25:46
  Speaker 2: put you in that position and I don't want to
• 25:47
  Speaker 2: break you either. in case you don't want to do
• 25:49
  Speaker 2: other trios, but I'm studying the possibility, you know? And Negrotti,
• 25:53
  Speaker 2: I know that the third guy has to hold the
• 25:55
  Speaker 2: chorus like this, for me and Negrotti to feel that, like, okay,
• 25:59
  Speaker 2: this guy will both protect us and put the others
• 26:01
  Speaker 2: in trouble, you know? And then, look at the guy there,
• 26:05
  Speaker 2: look at his face. And then, man, we were in
• 26:07
  Speaker 2: this thesis, I also didn't know if I was going
• 26:09
  Speaker 2: to participate or not, right, Negrotti? I didn't know if
• 26:12
  Speaker 2: I wanted to participate and everything else, And then some
• 26:15
  Speaker 2: names came up, right, bro? Was there anything, if you
• 26:16
  Speaker 2: could say here, you said, ah, okay, now I'm going. Bro,
• 26:18
  Speaker 2: I don't want to.
• 26:20
  Speaker 3: Know why you wouldn't go. I want to know why
• 26:21
  Speaker 3: you went. I told you that one day, right? I
• 26:23
  Speaker 3: said like this, bro.
• 26:25
  Speaker 1: I was walking there with Prado, I shot, I shot
• 26:27
  Speaker 1: the crazy guy there.
• 26:28
  Speaker 3: Fuck, it was, it was in Aldeia Cup, right? Yeah, bro.
• 26:30
  Speaker 2: I rhymed in Aldeia Cup, it was that same. It's
• 26:32
  Speaker 2: always a day that a man suffers a shot, right, bro?
• 26:34
  Speaker 3: When something comes and it hurts.
• 26:35
  Speaker 2: Man, I rhymed in Aldeia Cup, bro. I went to
• 26:38
  Speaker 2: rhyme as a crazy guy there. What do you mean
• 26:42
  Speaker 2: by rhyming like a madman? Rhyming like a madman is like,
• 26:44
  Speaker 2: I'm not rhyming, I'm not even rhyming, then I go
• 26:46
  Speaker 2: there and I'm going to rhyme in a fucking difficult event,
• 26:49
  Speaker 2: you know? It was like this, God knows the guys,
• 26:50
  Speaker 2: let's rhyme, let's go. I touched it and I rhymed,
• 26:53
  Speaker 2: everyone in the activity and I was already a quota
• 26:55
  Speaker 2: without battling, I was battling sporadically. And then on that
• 26:58
  Speaker 2: day Prado said some walks that I didn't like, he
• 26:59
  Speaker 2: won me twice on the same day, right? Hey, Prado
• 27:02
  Speaker 2: had called me to be in the trio, you know?
• 27:03
  Speaker 2: I think there's this thing, right? A lot of people
• 27:05
  Speaker 2: are calling you and everything else, so Prado had called
• 27:07
  Speaker 2: me to be in his trio at Ates, if I'm
• 27:09
  Speaker 2: not mistaken.
• 27:09
  Speaker 3: Or I told him, we got into.
• 27:11
  Speaker 2: A trio thing, and I said, man, I'll do the
• 27:12
  Speaker 2: thing with you, but I said, I'm just trying to
• 27:14
  Speaker 2: do the thing with Negrote.
• 27:16
  Speaker 3: And then he said that they had had.
• 27:18
  Speaker 2: A walk in the past, but he was willing to
• 27:20
  Speaker 2: change some ideas. I said, wow, you can go, then
• 27:24
  Speaker 2: it will be this trio. Prado was killing it, you know?
• 27:27
  Speaker 2: And then we battled, bro. When I said the name
• 27:29
  Speaker 2: of Negrote, Prado was already saying, wow, a walk more
• 27:32
  Speaker 2: in the battle.
• 27:33
  Speaker 3: I already said, wow, we were not going to change
• 27:34
  Speaker 3: the idea, man.
• 27:35
  Speaker 2: And what is the tape? And then I already understood that, like,
• 27:38
  Speaker 2: he already closed the door, you know? He already closed
• 27:40
  Speaker 2: the door. He said, bro, I'm not going to stick
• 27:42
  Speaker 2: with you if you're with Negrote. And then I said,
• 27:44
  Speaker 2: so I'm not going to put you too, man. And
• 27:46
  Speaker 2: then I got home and I was talking to Negrote.
• 27:48
  Speaker 2: And then I got crazy. Then it's already forming a plot.
• 27:51
  Speaker 2: Then that day I already said, man, straight talk. It's
• 27:53
  Speaker 2: now that I'm going to rhyme in this shit, right, Negrote?
• 27:55
  Speaker 2: So now it's you, man. I don't know who's the third.
• 27:57
  Speaker 5: But who won this one?
• 27:58
  Speaker 2: Prado won both, you know? He rhymed twice in the
• 28:01
  Speaker 2: same night and he won me twice.
• 28:01
  Speaker 3: You know? And talking about some.
• 28:03
  Speaker 2: Camels that I didn't agree with. Then I said, man, Negrote,
• 28:06
  Speaker 2: straight talk. We're going to kill this guy in the day, cousin.
• 28:09
  Speaker 2: Straight talk.
• 28:09
  Speaker 3: Now it's me, you and one more. Isn't it, man?
• 28:11
  Speaker 3: I think this ethic of.
• 28:13
  Speaker 6: And Negrote... The thing is, the son of a bitch
• 28:15
  Speaker 6: said the things. I catch him on the edge, bro.
• 28:18
  Speaker 3: That's it. Leave it with me, next time he'll come.
• 28:20
  Speaker 3: And Negrote too, bro. So that's it, Jota. So it's
• 28:23
  Speaker 3: the two of us.
• 28:23
  Speaker 2: And that's why we need someone who will jump on
• 28:26
  Speaker 2: our bullet. Because we're going to be open-faced, you know?
• 28:29
  Speaker 2: Because we're already creating a narrative.
• 28:31
  Speaker 1: It was at that time that we considered several MCs, right?
• 28:33
  Speaker 3: Several, bro. We put on the table who?
• 28:34
  Speaker 1: The very Naya that rhymed in the event.
• 28:36
  Speaker 3: Naya, Levinsky, Barreto. That's right. Cesar himself, bro. Cesar too.
• 28:41
  Speaker 2: I told Negrote, I said, bro, I'm thinking of calling Cesar, bro.
• 28:44
  Speaker 3: I said, bro, I don't think so, bro.
• 28:46
  Speaker 6: And you, Paulo, how were you at this time of
• 28:50
  Speaker 6: the championship?
• 28:50
  Speaker 3: That's what I'm going to say.
• 28:51
  Speaker 7: While these episodes of the JP and Negrote series were happening, bro,
• 28:56
  Speaker 7: I was without evil, I was living a quiet life.
• 28:58
  Speaker 3: You were letting the guy work, right?
• 29:00
  Speaker 7: Yeah, I was like Zeca Pagodinho, bro, letting life take
• 29:02
  Speaker 7: me away. I wasn't thinking about an anniversary in the
• 29:05
  Speaker 7: sense of, damn, I need to set up my logo trio.
• 29:07
  Speaker 3: You weren't in that agony.
• 29:08
  Speaker 7: Because I started the year, I even posted a video
• 29:10
  Speaker 7: on my Instagram, which is like January 6th, the first
• 29:12
  Speaker 7: day I went to do a media day there with MIBR.
• 29:14
  Speaker 7: And then I say, I say like this, January 6th,
• 29:17
  Speaker 7: it's the time, and this year here, I'm going to
• 29:19
  Speaker 7: win BDA10, I say.
• 29:20
  Speaker 3: And at that time, like this, I... And you posted this?
• 29:23
  Speaker 3: I posted it now. Ah. It's the architect of obra pronta. No, no. BDA9, BDA7,
• 29:28
  Speaker 3: all the anniversaries. I'm going to win. If you don't win,
• 29:30
  Speaker 3: you can't play. You can only save. But it was
• 29:33
  Speaker 3: a punctual thing. But anyway, I was thinking about the
• 29:34
  Speaker 3: 10th anniversary since the beginning. of the year.
• 29:38
  Speaker 7: It was an event that I really wanted to win.
• 29:41
  Speaker 7: It was my main goal and my only goal with
• 29:44
  Speaker 7: Battle this year in terms of competition.
• 29:47
  Speaker 3: But I wasn't in a hurry, man. I skipped a step.
• 29:49
  Speaker 3: Can I cut you? You can. We got to talk. I,
• 29:50
  Speaker 3: you and Big Mike at his house. Exactly.
• 29:52
  Speaker 7: But, for example, I'm talking about the beginning of the year.
• 29:55
  Speaker 7: I started with an empty mind. But from the beginning,
• 29:58
  Speaker 7: this was the trio that I really wanted to happen.
• 30:00
  Speaker 7: And it was the only trio that I had as
• 30:02
  Speaker 7: an idealization. I didn't have like, I don't know, if
• 30:04
  Speaker 7: this one doesn't work out, my second option is this one.
• 30:08
  Speaker 7: I wanted to rhyme with Big Mike and JP, because
• 30:10
  Speaker 7: of the story we.
• 30:10
  Speaker 3: Made in 5 and such. It's been 5 years since
• 30:12
  Speaker 3: our first title.
• 30:12
  Speaker 6: Man, I rewatched all 5, because of the story of 10,
• 30:16
  Speaker 6: it appeared to me very compiled, I said, man, these
• 30:19
  Speaker 6: 5 there, wow, the boys weren't the boys, in quotes, right?
• 30:22
  Speaker 6: So it was really cool to rewatch those 5 there.
• 30:26
  Speaker 6: Seeing the battle between Dudu and Kralk, too. Anyway, I'll
• 30:29
  Speaker 6: continue your story.
• 30:30
  Speaker 7: So, man, me, Big Mike and JP, we met at
• 30:33
  Speaker 7: Big Mike's house, so we could exchange some ideas.
• 30:36
  Speaker 3: Because, like, we've always been very friends, right, man?
• 30:39
  Speaker 7: We've always had a very strong, very beautiful friendship. But
• 30:42
  Speaker 7: from a time to now, whether you like it or not, life,
• 30:45
  Speaker 7: you know? Each one in their own singular career. We
• 30:47
  Speaker 7: weren't in the same connection as before.
• 30:50
  Speaker 3: And then we... Mainly me and Apollo. Yeah. Like, Big
• 30:52
  Speaker 3: Mike always.
• 30:53
  Speaker 2: We used to do this in the middle of the field.
• 30:55
  Speaker 3: Was he close to me? Was he close to Apolo?
• 30:57
  Speaker 3: Bigão is this guy, right? Yes.
• 30:58
  Speaker 7: But even so, the link between the three of us,
• 31:00
  Speaker 7: being directly together, didn't happen as.
• 31:02
  Speaker 3: Much as before. We were a trio in the past, like,
• 31:04
  Speaker 3: all the time. And it's normal.
• 31:05
  Speaker 7: Then we sat down to talk, each one opened their hearts, saying, man,
• 31:08
  Speaker 7: in relation to both our personal friendship and our professional moment,
• 31:11
  Speaker 7: even because if we were to repeat this trio, we
• 31:14
  Speaker 7: didn't want to repeat it as a simple opportunity convenient
• 31:20
  Speaker 7: for everyone. For example, I have two titles, Jota has two,
• 31:22
  Speaker 7: Big Mike has two. We won the first together, and now,
• 31:25
  Speaker 7: after five years, at ten, we'll get together and go back.
• 31:29
  Speaker 3: It would have to be in tune, right, bro? It
• 31:31
  Speaker 3: would have to be in tune. Not just the numbers, right?
• 31:33
  Speaker 2: We had a lot of external reasons and numbers, right, bro? Like,
• 31:36
  Speaker 2: Big Mike didn't have MVP, and Apollo did, so we're
• 31:38
  Speaker 2: going to win by the big one. When everyone has
• 31:40
  Speaker 2: two titles, we can tie the NEO. So we're going
• 31:42
  Speaker 2: to win and tie together.
• 31:43
  Speaker 7: And then, the reality, when we had this idea, for example,
• 31:46
  Speaker 7: JP even said that he was more inclined not to participate,
• 31:49
  Speaker 7: than to participate, and that maybe even participating in this
• 31:52
  Speaker 7: trio would not be.
• 31:54
  Speaker 3: What he wanted.
• 31:54
  Speaker 7: What he wanted for the event, he said, he said, bro,
• 31:56
  Speaker 7: I'm already changing ideas with Negrotti, I'm already like that,
• 31:59
  Speaker 7: and then after that day I decided to say happy birthday, bro,
• 32:01
  Speaker 7: in the sense of, ah, I'm going to chase after
• 32:03
  Speaker 7: my trio, I said, bro, I'm going to follow the game,
• 32:06
  Speaker 7: I'm going to let things happen, at the right time too,
• 32:08
  Speaker 7: when I'm getting close, I know that my mind is
• 32:11
  Speaker 7: going to turn the key, where I'm going to direct
• 32:14
  Speaker 7: my energy, my focus to the event, And then the
• 32:17
  Speaker 7: game went on, right?
• 32:17
  Speaker 2: The game went on and I said to Negrotti, bro,
• 32:20
  Speaker 2: the time is running, you know? And then I remember
• 32:24
  Speaker 2: that I said to him, bro, we have to have
• 32:26
  Speaker 2: an MC who is the back of this.
• 32:28
  Speaker 3: Event, you know?
• 32:29
  Speaker 2: And then I think I even said the name of
• 32:31
  Speaker 2: Apolo and Levinsky, if I'm not mistaken, didn't I?
• 32:33
  Speaker 3: On Instagram.
• 32:34
  Speaker 8: You said Levinsky.
• 32:35
  Speaker 3: Didn't I? Yeah, right? I said Apolo. You said like this,
• 32:37
  Speaker 3: what are the options? Then we sent it.
• 32:39
  Speaker 2: Then Negrotti said to me like this, Bro, it's up
• 32:42
  Speaker 2: to you now. It's up to you, you know? Then
• 32:45
  Speaker 2: I started saying the names. I said Levinsky, he said
• 32:47
  Speaker 2: Apollo and I said another one.
• 32:49
  Speaker 3: You said Cesar. Yeah, and I said Cesar, right?
• 32:52
  Speaker 2: And then I had a trip to Porto Seguro, there
• 32:53
  Speaker 2: with Farma Turismo, Carioca Central, along with Apollo. And then
• 32:57
  Speaker 2: I said, bro, I'll understand. Apollo and Levinsky are already
• 32:58
  Speaker 2: kind of there, you know? I said, bro, I'll understand
• 33:00
  Speaker 2: what the tape is, of the two.
• 33:02
  Speaker 3: You know?
• 33:02
  Speaker 2: Then I already saw Pique and Levinsky exchanging several ideas
• 33:05
  Speaker 2: with Neo, I was already Pique together, together like hell,
• 33:08
  Speaker 2: you know, bro? And Apollo laughing, bro, he was the
• 33:10
  Speaker 2: champion of the thing, you know? I said, bro, you
• 33:12
  Speaker 2: can go, bro, I'm going to say hi to Apollo.
• 33:14
  Speaker 2: On that, Big Mac had already told me that he
• 33:16
  Speaker 2: was talking to Cesar, so I already said, bro, I'm
• 33:18
  Speaker 2: not going to mess with Big, because Big called me
• 33:20
  Speaker 2: and Apollo to his house.
• 33:20
  Speaker 3: There were already duplas formed. The stones were like this.
• 33:22
  Speaker 3: The stones were like this, bro. Yeah, you know?
• 33:24
  Speaker 2: Pa, and on that, look what a breeze. First of all,
• 33:26
  Speaker 2: of any person, bro, me and Negrote, we wanted to
• 33:29
  Speaker 2: mess with Barreto. He was the guy we wanted him
• 33:31
  Speaker 2: to be. Now you confused me all day. He didn't
• 33:34
  Speaker 2: want to rhyme. He said, I'm not going to rhyme, Jota.
• 33:38
  Speaker 2: I'm already decided. It was supposed to be the way
• 33:42
  Speaker 2: it was.
• 33:42
  Speaker 3: Exactly, man.
• 33:43
  Speaker 2: And then Big Mike, when he told me, Jota, I'm
• 33:44
  Speaker 2: with Cesar and I wanted the third guy to be Barreto.
• 33:48
  Speaker 3: I said, Big Mike, I already went, there's a quota.
• 33:50
  Speaker 2: But man, I can help you, I told him. I
• 33:52
  Speaker 2: can change some ideas with Barreto too, let's go up,
• 33:54
  Speaker 2: let's go. And then we started to exchange ideas with Barreto.
• 33:57
  Speaker 6: So you helped to agonize Barreto?
• 33:58
  Speaker 2: I helped a lot, bro, I helped a lot to
• 33:59
  Speaker 2: agonize him.
• 34:00
  Speaker 3: What did you say to Barreto at that moment?
• 34:02
  Speaker 2: Man, we called, I called him on video, because Big
• 34:05
  Speaker 2: Mac had told me, bro, Barreto said no at once,
• 34:07
  Speaker 2: you know? He woke up and said no at once.
• 34:09
  Speaker 2: And me and Barreto, as we travel together to do shows,
• 34:12
  Speaker 2: we are always together, all the time. And I said, yeah, bro,
• 34:14
  Speaker 2: I'll call him. I called him, pa, bro. He would
• 34:17
  Speaker 2: go to my house the next day. We exchanged ideas,
• 34:20
  Speaker 2: I understood. He would tell me what the tape was,
• 34:22
  Speaker 2: because the last one I had participated in was also
• 34:24
  Speaker 2: his last one, which was 8 years ago, which was
• 34:25
  Speaker 2: a BAC for us. I said, man, tomorrow you will
• 34:27
  Speaker 2: come here and we will exchange ideas.
• 34:29
  Speaker 3: And then, friends have a way to exchange ideas, right, man?
• 34:31
  Speaker 3: Like that, even to expose. with the walks, right?
• 34:33
  Speaker 2: Like, bro, I know this can be hurting you, because
• 34:35
  Speaker 2: it hurts me too, because I know that being on
• 34:36
  Speaker 2: the street for you... No, being on the street is hard,
• 34:40
  Speaker 2: and I know that for you it's very hard too,
• 34:42
  Speaker 2: you know?
• 34:42
  Speaker 3: So we can.
• 34:43
  Speaker 2: Kind of go through these things together and everything, and
• 34:46
  Speaker 2: then I thought like this, bro, Big Mike called Barreto,
• 34:49
  Speaker 2: who was the other one I was going to call,
• 34:51
  Speaker 2: and I'm wanting to call Apollo, because Big Mike got together,
• 34:54
  Speaker 2: you know?
• 34:55
  Speaker 3: So, like, there's no one crossing each other. It's the game, bro.
• 34:57
  Speaker 2: Like, we have duplas set up and we don't know
• 34:59
  Speaker 2: who to talk to. And then I got to Apollo
• 35:01
  Speaker 2: in Bahia and said, Hey, Apollo, I wanted to exchange
• 35:04
  Speaker 2: the car with you, bro, but it had to be
• 35:05
  Speaker 2: in São Paulo, right? We couldn't because of the race,
• 35:08
  Speaker 2: I wanted you to go home.
• 35:10
  Speaker 3: You don't do this to me ever, bro.
• 35:11
  Speaker 6: Dude, you told him in Bahia that you wanted to
• 35:14
  Speaker 6: talk to him in São.
• 35:15
  Speaker 3: Paulo, go fuck yourself. He already knew what it was about, right?
• 35:17
  Speaker 3: I need to talk to you in another state.
• 35:19
  Speaker 7: I already knew what the subject was at that time
• 35:22
  Speaker 7: of the championship, because there was already a month left
• 35:24
  Speaker 7: for the event. And at that time, I already had...
• 35:27
  Speaker 7: I talked to several MCs who came to talk to me.
• 35:30
  Speaker 7: And I always gave the same chat. I said, man, interesting,
• 35:32
  Speaker 7: but I'm still not breaking down in my trio. I
• 35:36
  Speaker 7: still haven't seen what it's going to be. I'm waiting
• 35:38
  Speaker 7: for something.
• 35:38
  Speaker 2: And everyone is in that one of, like, not wanting
• 35:40
  Speaker 2: to show the cards, you know? I don't want to
• 35:43
  Speaker 2: tell anyone what the sound I'm receiving is, Botafé. And
• 35:45
  Speaker 2: we never even saw this tape, man. Like, I made
• 35:48
  Speaker 2: it very clear to Big and Apollo that I wasn't
• 35:49
  Speaker 2: going to participate or that I was going to go
• 35:52
  Speaker 2: with Negrote.
• 35:53
  Speaker 3: Then we didn't talk again.
• 35:55
  Speaker 2: And I started to make it clear that I was
• 35:56
  Speaker 2: going with Negrotti. And then I thought, bro, I need
• 35:59
  Speaker 2: to expose this to everyone, so the people understand that
• 36:02
  Speaker 2: we are behind the third knight, you know? This is
• 36:04
  Speaker 2: the breeze, right? And then Apolo was there at home,
• 36:06
  Speaker 2: there was me, him, my girl, Pa. And then we
• 36:08
  Speaker 2: did what? He played ball in the day, he did
• 36:10
  Speaker 2: a lot of things, didn't he? The last thing we
• 36:12
  Speaker 2: did was talk about the village, right, bro?
• 36:13
  Speaker 7: But it's because it was a ball that was already sung,
• 36:15
  Speaker 7: that's what I said. When he said he needed to
• 36:17
  Speaker 7: talk to me, even more so when we met in Porto,
• 36:19
  Speaker 7: we kind of went to the hotel for an hour,
• 36:21
  Speaker 7: everyone was sitting like this, near the pool, and it
• 36:23
  Speaker 7: was just about that. It was about ten heads, and
• 36:26
  Speaker 7: ten heads were going to be at the event, and
• 36:28
  Speaker 7: everyone was talking about the anniversary, talking about their vision,
• 36:32
  Speaker 7: their expectations for the event, everyone was thinking about that.
• 36:35
  Speaker 3: In those ideas I was already seeing... There was who? Devilzinha, Levinsk, Basque....
• 36:39
  Speaker 2: Alan Freestyle, Big Mike, there.
• 36:41
  Speaker 3: Was a bunch. You were already seeing the trio forming. Yeah,
• 36:43
  Speaker 3: I was already winning the bad guys.
• 36:45
  Speaker 7: When he called me, I already knew. I already told him,
• 36:47
  Speaker 7: I said, I need you to go home so we
• 36:49
  Speaker 7: can talk about the anniversary. It's already like this, I'll
• 36:53
  Speaker 7: invite you. And at that time I had already thought
• 36:55
  Speaker 7: with me, I said, bro, that's what I was waiting for,
• 36:57
  Speaker 7: you know? That's what I was going to be this year.
• 36:59
  Speaker 7: So when we went there, we lived a nice day,
• 37:02
  Speaker 7: we played ball, we took a good review.
• 37:03
  Speaker 3: We needed it too.
• 37:04
  Speaker 2: Then at night it came, then the subject came in.
• 37:07
  Speaker 7: Take the elephant out of the room. I said exactly that,
• 37:10
  Speaker 7: take the elephant out of.
• 37:11
  Speaker 3: The room, go man. Yeah, that's it, but he already said, oh,
• 37:13
  Speaker 3: birthday of trio, bro. I'm with Negrote, we want to
• 37:15
  Speaker 3: know if you want to touch, right? We were rivaled
• 37:22
  Speaker 3: by Mocota, you know?
• 37:23
  Speaker 2: I think it's cool that we're here, but I'm also
• 37:25
  Speaker 2: on purpose for the kid. And he said, man, I
• 37:27
  Speaker 2: like Negrote a lot too. That's it, man. I'm going
• 37:30
  Speaker 2: to change some ideas with him. And Apolo already closed, man,
• 37:34
  Speaker 2: like that, without too much, without stupefying.
• 37:36
  Speaker 3: It's us. And then we were like, we're going to win.
• 37:38
  Speaker 3: A month, I think. A month, a month. A month,
• 37:40
  Speaker 3: a month. I think that's it. It was like, man,
• 37:42
  Speaker 3: so we're going to win.
• 37:47
  Speaker 2: I think it was about three weeks. But then, bro, that's.
• 37:50
  Speaker 3: What I said.
• 37:51
  Speaker 7: Then JP, for example, he said, bro, I'm already with Negrote,
• 37:54
  Speaker 7: pa pa pa. Then I told him, I was very clear,
• 37:56
  Speaker 7: I said, bro, I would like to set up a
• 38:01
  Speaker 7: trio and be able to move all the pieces, but
• 38:05
  Speaker 7: I'm aware that you and he are already aligned with
• 38:08
  Speaker 7: a quota, I was also aware that they had thought
• 38:10
  Speaker 7: of other options too. And I said, bro, I'm In
• 38:13
  Speaker 7: this trio, the way it's set up, and according to
• 38:16
  Speaker 7: other competition trios, I said, bro, it's awesome, bro. Because
• 38:18
  Speaker 7: I'm sure that if I get in this trio, I'll
• 38:20
  Speaker 7: be able to do exactly the function that I would
• 38:23
  Speaker 7: have to do, you know?
• 38:24
  Speaker 2: It's like, I was describing an MC to Apollo, which
• 38:26
  Speaker 2: is the MC he is, you know? Like, bro, we
• 38:28
  Speaker 2: need this, this, someone like that. But what you can say,
• 38:32
  Speaker 2: what do you need?
• 38:36
  Speaker 6: If it was a formula to win a BDA 3 years,
• 38:39
  Speaker 6: 10 years.
• 38:39
  Speaker 2: I'll come in Portuguese, of course, for you. Without titubing
• 38:43
  Speaker 2: you like Negrote. This year a lot happened in the
• 38:47
  Speaker 2: freestyle scene, you know? So I knew that I had
• 38:49
  Speaker 2: a target on my back very big. And Negrote, for
• 38:51
  Speaker 2: all his walk, had a target on his back very big.
• 38:53
  Speaker 3: You know?
• 38:54
  Speaker 2: We knew that, worth without count, if it was a
• 38:55
  Speaker 2: BDA 10 years, MC would play dirty, man. The truth
• 38:58
  Speaker 2: is this. So I was waiting to talk about everything
• 39:03
  Speaker 2: that is worse.
• 39:04
  Speaker 4: I was.
• 39:04
  Speaker 3: You know? I was ready. And... I've already fought with Apollo,
• 39:07
  Speaker 3: you know? I've already fought with Apollo. And I know that.
• 39:10
  Speaker 2: He is an excellent protector, man. Like, to protect the
• 39:13
  Speaker 2: back even.
• 39:13
  Speaker 3: To get.
• 39:13
  Speaker 2: So much that I'm going to get to this part
• 39:15
  Speaker 2: of the position that.
• 39:16
  Speaker 3: Apollo stayed in the rounds. For you to understand... Yes.
• 39:18
  Speaker 3: Why everything is strategic, right? And then I.
• 39:20
  Speaker 2: And then I said this little bit. I said that
• 39:23
  Speaker 2: I was feeling a little insecure.
• 39:24
  Speaker 3: Because... Man, I'm also a carnivore.
• 39:26
  Speaker 2: I was afraid of what I could hear.
• 39:28
  Speaker 3: And the black guy was like... Jota, I.
• 39:30
  Speaker 2: other hand, I'm already very used to hearing a lot
• 39:32
  Speaker 2: of jokes. So, like, if the guys come to talk,
• 39:35
  Speaker 2: that's it, man. And at the same time, playing me
• 39:37
  Speaker 2: up too.
• 39:38
  Speaker 3: Go up, man. You know?
• 39:38
  Speaker 2: You have two birthdays, you're the MC that... that people
• 39:41
  Speaker 2: want to see, and I said, so that's it, bro.
• 39:43
  Speaker 2: And then, when I got to Apollo, I described everything,
• 39:44
  Speaker 2: and Apollo, pô, is wise, Apollo knows how things work.
• 39:47
  Speaker 2: We read Twitch, we see Instagram, we see Stories, we
• 39:49
  Speaker 2: see YouTube, how things move, we're on the street all
• 39:52
  Speaker 2: year round. So, for Apollo, I didn't need to make
• 39:54
  Speaker 2: a very big description about the situation I was in.
• 39:57
  Speaker 3: He already knew, bro, the boy is wise, you know?
• 39:58
  Speaker 2: I said, look, my situation is this, Duguin is this,
• 40:02
  Speaker 2: you know, you want to be, like.
• 40:04
  Speaker 3: That's it, bro. You're going to jump on this boat,
• 40:06
  Speaker 3: not a broken boat. But that's it, you want... That's right.
• 40:10
  Speaker 7: Before I joined this trio, for example, when JP said
• 40:13
  Speaker 7: that he and Negrotti were already set, at the time
• 40:16
  Speaker 7: I was still without a trio and I wasn't even
• 40:19
  Speaker 7: considering joining the trio, I was already thinking to myself,
• 40:21
  Speaker 7: talking to the guys, talking straight. JP and Negrotti are monsters,
• 40:24
  Speaker 7: but man, if you get.
• 40:26
  Speaker 3: In the middle of the path, man. I'll come with
• 40:28
  Speaker 3: a lot of evil. There's a lot of evil to
• 40:30
  Speaker 3: talk about, man.
• 40:31
  Speaker 2: And then, like, I prefer to have Apolo on my
• 40:33
  Speaker 2: side than against me in this situation.
• 40:35
  Speaker 3: That's the truth, man.
• 40:36
  Speaker 4: So if you were to classify each one of you
• 40:38
  Speaker 4: in this trio, what would be the role of each one?
• 40:41
  Speaker 2: Man, Apollo is a very well-kept guy, you know? Like,
• 40:46
  Speaker 2: the people like him, and if I could scale Apollo
• 40:49
  Speaker 2: as something, it would be like a movie hero, man.
• 40:52
  Speaker 3: Like, the people like the guy, you know?
• 40:55
  Speaker 2: He will listen and the people will scream. I believe
• 40:57
  Speaker 2: that people like him more than they dislike him.
• 40:59
  Speaker 3: Yes. You know? Yes. I already see my moment....
• 41:03
  Speaker 2: A little more balanced, like, people want to see me
• 41:06
  Speaker 2: win and want to see me fuck. Maybe not 50-50,
• 41:08
  Speaker 2: but maybe 60-40. I think it's the taste of... It's
• 41:09
  Speaker 2: the risk. It's the protagonist, it's.
• 41:12
  Speaker 3: In your hand, let's say.
• 41:13
  Speaker 6: Okay, you won, okay, it was expected. You lost, ah,
• 41:16
  Speaker 6: he's not from... He's meat and bone too. He has
• 41:19
  Speaker 6: a bigger appeal, bro. I think he has a bigger.
• 41:20
  Speaker 3: Appeal, both for good and for evil, you know? I
• 41:29
  Speaker 3: think it's the rhyme style too.
• 41:51
  Speaker 2: As pessoas querem ver se fuder, mas ainda tem as
• 41:53
  Speaker 2: que querem ver dar certo, tá ligado, mano?
• 41:55
  Speaker 3: Tem o cara que todo mundo.
• 41:56
  Speaker 2: Quer ver dar certo e tem o cara que a
• 41:57
  Speaker 2: galera tá tipo assim, e aí, mano?
• 41:59
  Speaker 3: Eu não sei o que eu quero.
• 41:59
  Speaker 6: Ah, mas eu acho que, principalmente hoje em dia, tá
• 42:01
  Speaker 6: numa subversão muito grande. Eu acho que a galera quer
• 42:03
  Speaker 6: mais ver o vilão ganhar do que o herói. Também acho,
• 42:07
  Speaker 6: também acho.
• 42:07
  Speaker 5: Você acha que você é um vilão?
• 42:08
  Speaker 3: Ah, eu acho que na hora H não é isso aí, não.
• 42:10
  Speaker 3: Eu também acho que não. Você acha que não?
• 42:11
  Speaker 2: Eu acho que na prática, não. Também acho que na prática, não.
• 42:13
  Speaker 6: Eu acho que, tá, acho que eu posso reformular. Eu
• 42:16
  Speaker 6: acho que quem sabe o que o vilão passa na pele...
• 42:20
  Speaker 6: He wants the villain to win.
• 42:21
  Speaker 3: Yes. Because usually the story of the villain is good.
• 42:25
  Speaker 3: I think that whoever identifies with you... It's Quente. He's
• 42:27
  Speaker 3: rooting for you. Regardless of.
• 42:28
  Speaker 2: I like the other one more, but I'm rooting for you.
• 42:30
  Speaker 2: And there are people.
• 42:31
  Speaker 3: Who think like this. It was this on the live.
• 42:33
  Speaker 3: You're crazy. Many messages from several partners of Quebrada. He said, man,
• 42:36
  Speaker 3: I root for you. And the guys are fans of
• 42:38
  Speaker 3: the guys too. For sure.
• 42:39
  Speaker 1: This guy said, I was happy for the guys, but
• 42:41
  Speaker 1: I was happier for you, you know?
• 42:43
  Speaker 3: So you understand the point. This is the point.
• 42:46
  Speaker 2: And our trio is less unanimous than, for example, the
• 42:49
  Speaker 2: case of Big Mike, Cesar and Barreto, you know? The
• 42:51
  Speaker 2: trio of the guys, everyone wants to see them win,
• 42:53
  Speaker 2: wants to wish the best things always.
• 42:55
  Speaker 3: Like, the trio of the guys is unanimous. Man, when
• 42:57
  Speaker 3: they entered, we got goosebumps.
• 42:58
  Speaker 2: I said, we were together, seeing the stuff, and everyone
• 42:59
  Speaker 2: started to applaud the entrance of the guys. It's very symbolic,
• 43:02
  Speaker 2: it's very beautiful. They are the right MCs to be there. Like,
• 43:06
  Speaker 2: who doesn't like Big Mike doesn't pay, man. Who doesn't
• 43:09
  Speaker 2: like Barreto doesn't pay.
• 43:10
  Speaker 3: And who doesn't like Cesar is a son of a bitch.
• 43:11
  Speaker 3: He doesn't pay either. It's true, man. You know?
• 43:13
  Speaker 2: Who doesn't like me, you can understand. Who doesn't like Negroni,
• 43:16
  Speaker 2: you can understand.
• 43:17
  Speaker 3: You know, man? It's because I understand. I'm not saying
• 43:19
  Speaker 3: that Bigão is demagogic or Barreto.
• 43:22
  Speaker 6: It's not that. But I see that you go more
• 43:24
  Speaker 6: to the shock... They also go, but they go with.
• 43:26
  Speaker 1: Maybe.
• 43:27
  Speaker 6: I'm not saying you don't have ethics, okay? But if
• 43:30
  Speaker 6: you have to put your finger in the wound, you will.
• 43:31
  Speaker 3: Yeah, that's it. The big guy, he's going to break
• 43:33
  Speaker 3: you with an intelligence that makes you go... Son of
• 43:37
  Speaker 3: a bitch, I can't even curse this son of a bitch. Exactly.
• 43:39
  Speaker 3: Give me a hug.
• 43:40
  Speaker 2: So, like, of the two favorite trios, the scenario was this,
• 43:43
  Speaker 2: you know? That's why I see this function. And then,
• 43:44
  Speaker 2: why did I say the order of the rounds? Like,
• 43:47
  Speaker 2: each one was in the position they had to be, man,
• 43:49
  Speaker 2: you know? If you notice, I think we did this
• 43:50
  Speaker 2: in all the rounds, right? I think I or Negrote attacked...
• 43:55
  Speaker 2: Only me and Negrotti would switch.
• 43:55
  Speaker 3: Positions, you know?
• 43:57
  Speaker 2: Or I would attack and Negrotti would stay in the
• 43:58
  Speaker 2: middle and Apollo would close, or the opposite, but Apollo
• 44:01
  Speaker 2: would always close.
• 44:01
  Speaker 3: Always. Like this, the law of our trio. Apollo is
• 44:05
  Speaker 3: the last to rhyme.
• 44:06
  Speaker 7: Man, I'm going to say, the worst thing is that
• 44:07
  Speaker 7: I rhymed like this for several years in a row.
• 44:09
  Speaker 7: For example, I think that from BDA 5, from BDA
• 44:13
  Speaker 7: 5 to 10, I always rhymed in the last. I
• 44:15
  Speaker 7: always rhymed in the last answer and in the last
• 44:18
  Speaker 7: attack too.
• 44:18
  Speaker 3: And I have.
• 44:19
  Speaker 7: 36 rounds disputed and 32 rounds won.
• 44:24
  Speaker 3: Fuck. In like 8 years of anniversary.
• 44:26
  Speaker 7: So I think it's a position that is kind of
• 44:29
  Speaker 7: like this, it's my position of.
• 44:31
  Speaker 3: More favorable, right? Of comfort, bro. Fuck, it's not where
• 44:34
  Speaker 3: it works, you know?
• 44:35
  Speaker 2: The guy came to us and said, guys, that's it.
• 44:36
  Speaker 2: You can say that you were calmer, you know?
• 44:38
  Speaker 3: And that's what I say, for example, JP, he's a very,
• 44:41
  Speaker 3: very strong MC.
• 44:42
  Speaker 7: He carries with him, like, an energy that he can
• 44:46
  Speaker 7: contagion the public easily. And him in the position that
• 44:50
  Speaker 7: I would be there, it would be a good one too,
• 44:52
  Speaker 7: because he would always bring a closed monster, you know?
• 44:57
  Speaker 7: But the way our trio was architected, it was more
• 45:00
  Speaker 7: beneficial to have JP in the middle of the way
• 45:02
  Speaker 7: or at the beginning, to already put the opponent in
• 45:04
  Speaker 7: a complicated position of face, than to have him closing,
• 45:08
  Speaker 7: because then, like, Negrotti rhymed Jota, the opponent was already
• 45:12
  Speaker 7: in a fair way, you know? And I, when it's
• 45:14
  Speaker 7: time to close, man, I just looked at what was happening,
• 45:16
  Speaker 7: I said like this, ah... This hasn't been said yet,
• 45:18
  Speaker 7: and I know it's going to happen at the right moment.
• 45:21
  Speaker 3: Just close the game, leave it like that.
• 45:24
  Speaker 2: My thing with Negrotti was like this, since our story
• 45:27
  Speaker 2: is exposed, then we're going to expose ourselves.
• 45:28
  Speaker 3: They put their face first, I just come closing.
• 45:30
  Speaker 2: We're going to attack, we're going to expose ourselves.
• 45:32
  Speaker 6: I'm not going to run from what the guys are
• 45:33
  Speaker 6: going to say, right? And Apollo closes the reasoning. Okay,
• 45:35
  Speaker 6: that's very cool, because watching the anniversaries, there's a lot
• 45:40
  Speaker 6: of fanservice, right? Like, okay, do you want to see
• 45:42
  Speaker 6: the minor and Cesar? I swore it was going to
• 45:45
  Speaker 6: be Barreto and JP, but when I saw that it
• 45:46
  Speaker 6: wasn't going to be Barreto, I was like, the guys
• 45:48
  Speaker 6: want to win. I'm not saying you would lose to Barreto.
• 45:52
  Speaker 6: I would lose to Barreto. I don't know, I think
• 45:54
  Speaker 6: it's too open. But to conclude, I think it would
• 45:56
  Speaker 6: be too visceral.
• 46:08
  Speaker 3: Maybe it would be a high position. Maybe you would
• 46:10
  Speaker 3: rhyme with the emotion, you know? I don't know. But
• 46:11
  Speaker 3: I swore you would go against Barreto, you know?
• 46:14
  Speaker 2: Like, I think if I were against Barreto, it would
• 46:17
  Speaker 2: be a fanservice for a lot of people. And going
• 46:19
  Speaker 2: against Cesar was a fanservice for me, you know, Cusão? Like,
• 46:22
  Speaker 2: I've been a big fan of the guy for many years.
• 46:25
  Speaker 2: And we had already agreed, man, if you want to
• 46:27
  Speaker 2: go against Cesar, you go, Jota.
• 46:28
  Speaker 3: Apollo told me. I've already drawn this battle several times.
• 46:31
  Speaker 2: So, regardless of Jill and Barreto swearing all night, we're there,
• 46:34
  Speaker 2: you know, fighting. Even in the hall, we were, man,
• 46:37
  Speaker 2: discussing in the middle of the battle and everything.
• 46:40
  Speaker 3: Man, I saw you from up close. I thought you
• 46:42
  Speaker 3: were crazy.
• 46:42
  Speaker 2: You created this energy of, like, damn, man, JP and
• 46:44
  Speaker 2: Barreto will decide, they will pay the bills. Above all,
• 46:48
  Speaker 2: like you said, we wanted to win, you know, man?
• 46:50
  Speaker 3: And I also don't think that....
• 46:53
  Speaker 2: Me going against Cesar is a smaller show than going against.
• 46:56
  Speaker 3: Barreto, you know? I don't think so either. Like, I
• 46:58
  Speaker 3: think that.
• 46:59
  Speaker 2: Man, I've been with Barreto so many times in these
• 47:02
  Speaker 2: years that it was also a golden opportunity to go
• 47:05
  Speaker 2: against Cesar. Taking the competition aside, man, damn, I really
• 47:07
  Speaker 2: wanted to go against Cesar. And mainly, respect Cesar, man.
• 47:11
  Speaker 2: Respect that moment there, you know?
• 47:12
  Speaker 3: It was perceptive. Yeah, I felt like.
• 47:14
  Speaker 2: Ready for that, because we had already talked a lot before.
• 47:17
  Speaker 2: We had looked at all the trios and said, okay, man,
• 47:20
  Speaker 2: if it's Cid, go with JP.
• 47:22
  Speaker 3: If it's Salvador, Magrão.
• 47:24
  Speaker 2: And Prado, JP goes with Salvador.
• 47:28
  Speaker 3: I was going to get these medals, you know?
• 47:30
  Speaker 2: So there, at the time, regardless of the context of
• 47:33
  Speaker 2: the night, we already knew. At the time it was 2x0,
• 47:34
  Speaker 2: we got together like this, right, bro? We said, bro,
• 47:37
  Speaker 2: let's do what we had said we were going to do.
• 47:39
  Speaker 3: And I'm going to talk now about this final there, bro.
• 47:42
  Speaker 7: Because, like, talking about the strategy, right, of what we
• 47:46
  Speaker 7: were building at night.
• 47:47
  Speaker 3: We always talked, before we said, bro, look, it's a
• 47:49
  Speaker 3: trio battle.
• 47:51
  Speaker 7: The perfect scenario is the 2-0 in the Trio rounds.
• 47:54
  Speaker 7: Perfect scenario, where we will have almost 90% of the
• 47:58
  Speaker 7: margin to win a battle.
• 47:59
  Speaker 2: It's very difficult to take a turn.
• 48:01
  Speaker 7: Normal situation, 1-1. Now, what could not happen at all,
• 48:05
  Speaker 7: take 2-0.
• 48:05
  Speaker 3: Impossible. Someone opened 2x0 on us, it was out of
• 48:11
  Speaker 3: the question.
• 48:12
  Speaker 2: It was unacceptable. Like, if it happened, we weren't even ready, man.
• 48:15
  Speaker 3: I told him, bro, 2x0, we can't take it, bro,
• 48:17
  Speaker 3: we can't.
• 48:18
  Speaker 7: Because it's half a walk, half a walk, no.
• 48:20
  Speaker 3: A lot of walk for you to go to the cemetery.
• 48:22
  Speaker 3: Almost two hands on the step. Yeah. Then, based on that,
• 48:25
  Speaker 3: we went. First phase, 3x0. Second phase, 3x0.
• 48:28
  Speaker 7: Then, in the semifinal, there was a big fire test,
• 48:31
  Speaker 7: you know? A nice fire test, which was Neo Levinsky-Japa,
• 48:34
  Speaker 7: where we entered more... It was very energetic, and we
• 48:38
  Speaker 7: got a 3-0 in a 3-0 trio, which was the
• 48:40
  Speaker 7: third favorite of the event. It was among the three favorites.
• 48:44
  Speaker 2: And they ran through the edges too.
• 48:46
  Speaker 3: You know?
• 48:47
  Speaker 7: And then in the end I told the guys, we
• 48:49
  Speaker 7: followed the trajectory of Cesar, Big Mike and Barreto at night,
• 48:52
  Speaker 7: and I told them, I said, man, this trio is complicated,
• 48:55
  Speaker 7: but I think the trio we got now was the
• 48:57
  Speaker 7: most difficult trio of the night, in the sense of
• 48:59
  Speaker 7: having three MCs in activity at the same pace, and
• 49:01
  Speaker 7: I told the guys, I said, man, Now is the
• 49:03
  Speaker 7: moment that we can't let the magic overshadow what is
• 49:08
  Speaker 7: being done to iron and fire, you know? I said, man, Barreto,
• 49:11
  Speaker 7: Big Mike are rhyming a lot, they are in an
• 49:14
  Speaker 7: inspired night, but they won't be able to stand out
• 49:17
  Speaker 7: on our trio, on what we are building.
• 49:18
  Speaker 3: I said, man, this battle here is the 2x0.
• 49:21
  Speaker 7: Because then, from the 2x0 that we opened in the
• 49:24
  Speaker 7: trio rounds, kind of in the X1, it would already
• 49:27
  Speaker 7: have more tranquility for us to elaborate. Because, for example,
• 49:31
  Speaker 7: the final was the only battle that didn't have 3x0.
• 49:35
  Speaker 7: But for me, the semifinal was more difficult than it
• 49:37
  Speaker 7: was in terms of competitiveness.
• 49:40
  Speaker 3: And even more than what we.
• 49:41
  Speaker 2: Were emotionally dealing with before the battle.
• 49:42
  Speaker 3: Exactly.
• 49:43
  Speaker 6: Okay, but Ali, you opened 2x0 in the final, tied 2x2. JP,
• 49:47
  Speaker 6: don't let your head go, Negrotti and Apollo too. I'll say, fuck,
• 49:51
  Speaker 6: Cesar is not at the same pace as before, but.
• 50:00
  Speaker 3: What if it's now that he wakes up? You know? Like,
• 50:04
  Speaker 3: what if it's now, this comeback? We were like, it's
• 50:06
  Speaker 3: going to be now.
• 50:07
  Speaker 6: Yeah, because we start to believe just like the soccer game.
• 50:10
  Speaker 3: I'm a Corinthians fan. Until the last minute. What if
• 50:12
  Speaker 3: it's now? Ocássio is going to score a goal from
• 50:14
  Speaker 3: the middle of the field. I don't believe it.
• 50:15
  Speaker 7: There's the unpredictability of freestyle, right, man?
• 50:18
  Speaker 3: A thing like.
• 50:19
  Speaker 7: That, that you can't count on the mistake of the
• 50:22
  Speaker 7: next one or the lack of rhythm. that César was
• 50:24
  Speaker 7: having because he was almost 10 years without Rima.
• 50:26
  Speaker 6: Yeah, to be honest, when JP was going against César,
• 50:27
  Speaker 6: I looked and said, okay, JP is going to win.
• 50:34
  Speaker 6: But there's this feeling of, like, man, it's Cesar.
• 50:36
  Speaker 3: And then, how did this final rhyme? Man, for me,
• 50:39
  Speaker 3: this feeling stayed with me all the time.
• 50:41
  Speaker 2: Because, like, before rhyming against Cesar in the final, we
• 50:44
  Speaker 2: were watching them, right? They were always a battle before us, man.
• 50:47
  Speaker 2: So we were hoping for Cesar to also hit the
• 50:49
  Speaker 2: same line on the other guys, you know?
• 50:51
  Speaker 3: And, like....
• 50:54
  Speaker 2: I don't want to sound sad, but I really wanted
• 50:56
  Speaker 2: him to get it right, you know? Because, like Paulo said,
• 51:01
  Speaker 2: there was magic, there was the.
• 51:03
  Speaker 3: Epic of the thing. So, we wanted.
• 51:05
  Speaker 2: Barreto and Big Mike were rhyming a lot at night,
• 51:08
  Speaker 2: you know? We also wanted to see Cesar get it right,
• 51:11
  Speaker 2: you know? And rhyming against the guy is leaving this
• 51:13
  Speaker 2: thing aside a little bit and deciding to look at
• 51:16
  Speaker 2: our trio, you know?
• 51:17
  Speaker 3: What I did in the end was that, man.
• 51:18
  Speaker 2: É muito bonito o que tá acontecendo. Pô, sou muito
• 51:20
  Speaker 2: amigo do Barreto.
• 51:21
  Speaker 3: Já viu o Barreto? Já trombou o Barreto? Acho que.
• 51:23
  Speaker 2: Agora foi a terceira final que eu ganho dele.
• 51:26
  Speaker 3: Não.
• 51:27
  Speaker 2: Terceira final que a gente faz. Ou quarta final. Uma
• 51:29
  Speaker 2: foi do meu lado.
• 51:30
  Speaker 3: Tá ligado?
• 51:31
  Speaker 2: Uma parada assim, mano. A gente já se trombou muitas vezes.
• 51:33
  Speaker 2: A gente se trombou na 6. É, eu tirei ele
• 51:34
  Speaker 2: na 6. Aí tirei ele na 7. Aí nós perdemos
• 51:36
  Speaker 2: junto na 8. E eu tirei ele na 10 agora.
• 51:38
  Speaker 3: Tá ligado? E tipo assim, nós viaja juntos. Nós é truta.
• 51:41
  Speaker 3: E eu, caralho, mano.
• 51:41
  Speaker 2: O Barreto merece muito. O Big Mike dispensa apresentação, mano.
• 51:44
  Speaker 2: Tipo assim, se tem um cara que merece um MVP,
• 51:46
  Speaker 2: é o Big Mike. Se tem um cara que merece...
• 51:48
  Speaker 2: I don't know, bro, winning 20 villages is this guy,
• 51:51
  Speaker 2: you know? But we needed to look at our group
• 51:54
  Speaker 2: before anything, bro, which is what Apolo said. So, like,
• 51:57
  Speaker 2: Cesar was there, then he asked to start, you know?
• 52:00
  Speaker 2: And I always ask to start. I said, fuck, he's
• 52:02
  Speaker 2: already gone crazy, the thing was already fucked, you know?
• 52:05
  Speaker 2: But before that, when Apolo loses to Barreto, Apolo already
• 52:08
  Speaker 2: sticks to me like that, he already makes a pre-election.
• 52:11
  Speaker 3: Pick of football trainer, dude. He already holds my globe
• 52:13
  Speaker 3: like that, I.
• 52:14
  Speaker 2: Thought he was going to come and kiss me again.
• 52:15
  Speaker 3: Jota, straight talk. What did you say? I don't even remember.
• 52:20
  Speaker 3: You were on the board, you had to be emotional
• 52:22
  Speaker 3: as fuck. He said, bro, it's the round of your life.
• 52:24
  Speaker 2: There's no way you can lose and leave, bro. Like,
• 52:27
  Speaker 2: rhyme as if it were... You said this sentence. Rhyme
• 52:29
  Speaker 2: as if it were the last round of your life.
• 52:31
  Speaker 3: You know?
• 52:31
  Speaker 2: Then I already looked at Cesar like this, bro, I
• 52:33
  Speaker 2: can't lose. Then I went to Cesar furious.
• 52:36
  Speaker 3: But Cesar was like... Normal, calm. Yeah, bro, very serene.
• 52:39
  Speaker 3: Then he already broke me too. Like, man, I'm going
• 52:41
  Speaker 3: to be soft, bro. Like, I'm not going to.
• 52:44
  Speaker 2: I'm just going to do a freestyle against Cesar, what
• 52:46
  Speaker 2: he says I'm going to try to answer.
• 52:48
  Speaker 3: A little more. Just to cover him, right? I saw,
• 52:51
  Speaker 3: it was awesome.
• 52:51
  Speaker 2: And I'm very happy to be living that moment there, bro.
• 52:54
  Speaker 2: Because in my head, now in a completely individual perspective,
• 53:00
  Speaker 2: as I tend to see things as a movie, everything
• 53:02
  Speaker 2: that was happening that night was exactly the.
• 53:05
  Speaker 3: Way I asked, bro. You know?
• 53:06
  Speaker 2: Exactly the way I wanted, exactly without changing anything, bro.
• 53:08
  Speaker 2: All the threes I wanted to face, I faced. You know?
• 53:12
  Speaker 3: All the rounds that could happen, happened, bro.
• 53:15
  Speaker 2: The ideal for me was to get from 3 to
• 53:17
  Speaker 2: 0 and kick the ass of all the trios, and
• 53:18
  Speaker 2: that's what we did. And if it was a battle
• 53:21
  Speaker 2: to have the 5th round, it had to be against Cesar,
• 53:22
  Speaker 2: and I really wanted to rhyme with Cesar, you know?
• 53:24
  Speaker 3: Wow, absurd.
• 53:25
  Speaker 2: So, like, everything happened that I wanted, at that moment
• 53:27
  Speaker 2: I was at the peak of.
• 53:28
  Speaker 3: That day was a giant crown, like, for rap, for
• 53:30
  Speaker 3: you guys, bro. And what I said, I.
• 53:32
  Speaker 7: Think, like, at the end of the day, it ended
• 53:34
  Speaker 7: up happening in a different way. For example, I asked you, bro,
• 53:37
  Speaker 7: rhyme as if it was the last round of your life,
• 53:38
  Speaker 7: and you rhymed as if it was the first battle,
• 53:40
  Speaker 7: that battle we do.
• 53:43
  Speaker 3: Me and you said, let's make a rhyme here, you know?
• 53:45
  Speaker 3: It was on OkTogo, there were 10,000 people watching, but
• 53:46
  Speaker 3: they rhymed as if they were rhyming in the living room,
• 53:48
  Speaker 3: you know?
• 53:48
  Speaker 7: And for you, it was beautiful, bro. Man, how was
• 53:50
  Speaker 7: it for you before? Was it all you ever imagined?
• 53:52
  Speaker 7: I wanted to know your expectations and how it was for.
• 53:54
  Speaker 3: You, bro. Did I win? Did I win the thing?
• 54:06
  Speaker 4: No, the whole process, man. Before you started, how did
• 54:09
  Speaker 4: you feel? The day of the event. Did you already
• 54:11
  Speaker 4: feel that you were going to win?
• 54:12
  Speaker 5: How was it? To be honest, it's awesome, man.
• 54:13
  Speaker 1: I had a little bit of confidence, but when you
• 54:17
  Speaker 1: get there, you feel the event. I don't think there's
• 54:19
  Speaker 1: a son of a bitch who was there and didn't
• 54:22
  Speaker 1: feel it. There are some guys who.
• 54:23
  Speaker 3: Are here too, you know? They're awesome, but you feel it.
• 54:26
  Speaker 3: You get there, there's a lot of people, you know?
• 54:28
  Speaker 1: So, I think it's more about you and yourself, you know?
• 54:36
  Speaker 1: I was like, man, I deserve it too, I'll make
• 54:39
  Speaker 1: it happen. It's hard, but I was with the guys
• 54:42
  Speaker 1: who gave me a lot of security, you know?
• 54:44
  Speaker 6: And how was it, Negrote, your resilience during all these years, bro?
• 54:49
  Speaker 6: After having a battle that everyone remembers, after another episode
• 54:55
  Speaker 6: that everyone remembers, you were a little far from the battles.
• 54:59
  Speaker 6: How was this moment of you staying away from the battles,
• 55:03
  Speaker 6: deciding to come back, and having this arc of your
• 55:06
  Speaker 6: story going around and showing your value, showing that you
• 55:09
  Speaker 6: rhyme like hell?
• 55:10
  Speaker 3: The thing was small, you know?
• 55:12
  Speaker 1: It was small at the time when the walk happened.
• 55:15
  Speaker 3: I think I was about 16. Man, how do you
• 55:17
  Speaker 3: have a head to hold all this? I didn't know
• 55:19
  Speaker 3: you were 16. I was about 16 when it happened.
• 55:20
  Speaker 3: It's not that I stopped, man.
• 55:21
  Speaker 1: It's that I wasn't being raffled anymore. I didn't have
• 55:29
  Speaker 1: access to it anymore.
• 55:30
  Speaker 3: They didn't let you access it either. I couldn't participate.
• 55:32
  Speaker 3: I don't know what the tape was. I stuck it
• 55:33
  Speaker 3: and it didn't rhyme. It wasn't raffled. Then I said,
• 55:36
  Speaker 3: now I'm going to have to do an ant race.
• 55:37
  Speaker 3: But for years?
• 55:39
  Speaker 1: No, for a few months. You realized that they.
• 55:40
  Speaker 3: Were avoiding you. Months that last a year. Then I said,
• 55:42
  Speaker 3: now I'm going to have to do the ant race.
• 55:44
  Speaker 3: Because it's like this. Either I stop, I try to
• 55:46
  Speaker 3: do something else in my life.
• 55:47
  Speaker 1: Or I'm going to have to do the ant race.
• 55:49
  Speaker 1: From broken to broken, you know? In the south, in
• 55:58
  Speaker 1: the east, in the north, in the west, in the coast,
• 56:00
  Speaker 1: in the interior, in the center. And I was making
• 56:02
  Speaker 1: this run, you know? I was able to build something
• 56:04
  Speaker 1: on the street, you know? Something solid on the street.
• 56:06
  Speaker 3: At that moment, you had already changed the VUGO? No.
• 56:08
  Speaker 3: It took a while, right? But my VUGO was always Negrote,
• 56:11
  Speaker 3: you know? In the break. Then I just put it
• 56:12
  Speaker 3: in the battle.
• 56:13
  Speaker 6: In the battle, you just adapted it, right?
• 56:15
  Speaker 3: You know?
• 56:15
  Speaker 1: Then I managed to get over the thing, you know?
• 56:17
  Speaker 1: It took a while, you know? The girl there who
• 56:20
  Speaker 1: was dating me also helped me a lot, bro.
• 56:21
  Speaker 3: That's cool. Then it passed together, you know? When you
• 56:24
  Speaker 3: finished the cycle, each one to your side, but like.
• 56:27
  Speaker 1: I was able to get over it and it's gratifying,
• 56:29
  Speaker 1: you know? Like, the symbol that we're representing today, right, bro? Like,
• 56:33
  Speaker 1: it's from an irresistible kid, you know? There's no such
• 56:36
  Speaker 1: thing as a poor man's role.
• 56:37
  Speaker 3: A poor man's role is if I had stopped, man. Yes.
• 56:40
  Speaker 5: But you didn't think about.
• 56:41
  Speaker 1: Stopping at any point?
• 56:42
  Speaker 9: You think, right, bro?
• 56:43
  Speaker 3: But that's what I said. If I stopped, what would
• 56:45
  Speaker 3: I do?
• 56:45
  Speaker 1: The only thing I know how to do, the only
• 56:46
  Speaker 1: thing I like to do is this shit.
• 56:47
  Speaker 3: You know? Cool. It's rap, you know?
• 56:48
  Speaker 6: No, but it's very crazy because I understand what you're saying,
• 56:51
  Speaker 6: but it was a filmed thing, right?
• 56:53
  Speaker 3: For everyone, for the whole of Brazil. And everyone commented.
• 56:56
  Speaker 3: For sure. So having this resilience, I think it's very difficult, bro.
• 56:59
  Speaker 7: For example, you went over this, you overcame the episode,
• 57:03
  Speaker 7: you kept rhyming, right? But it was a thing that
• 57:06
  Speaker 7: directly revisited you, right?
• 57:07
  Speaker 3: In other ways, right? For example, you overcome a thing
• 57:09
  Speaker 3: is one thing, now the others, when they.
• 57:10
  Speaker 7: Don't overcome something that you've already passed over, it's uncomfortable too, right, bro?
• 57:14
  Speaker 3: Like that, a thing like that. And when you think
• 57:16
  Speaker 3: you've overcome it too, right, bro?
• 57:17
  Speaker 6: And I'm a hypocrite, right? Because I think, obviously, right?
• 57:22
  Speaker 6: No one is here to pass their hand on the
• 57:24
  Speaker 6: head of mistakes, but.
• 57:25
  Speaker 3: For sure. Everyone makes mistakes. For sure. You know?
• 57:27
  Speaker 6: And everyone is susceptible to mistakes. So I think that
• 57:29
  Speaker 6: if the person has already demonstrated that... that failure doesn't
• 57:34
  Speaker 6: repeat itself anymore, bro, we have to stop this cancellation
• 57:40
  Speaker 6: thing from becoming materialized, you know?
• 57:42
  Speaker 1: It's crazy, man, this is crazy, the guy who canceled
• 57:44
  Speaker 1: it because I defended it is my ex-wife, bro, you know?
• 57:47
  Speaker 3: It starts there, the cancellation was that, you know? So, like,
• 57:51
  Speaker 3: it started that way, you know, bro?
• 57:52
  Speaker 1: But, like, the thing did me good, bro, I told you,
• 57:54
  Speaker 1: it did me bad for a point, But it did
• 57:57
  Speaker 1: me good, you know?
• 57:58
  Speaker 3: I think there are.
• 57:59
  Speaker 1: Bad things that you have to try to find something good,
• 58:02
  Speaker 1: even in those bad things, in the moment you're going
• 58:04
  Speaker 1: through there.
• 58:05
  Speaker 3: Some learning that you're taking, you know?
• 58:07
  Speaker 4: Man, so in any battle you go, everything that happened
• 58:10
  Speaker 4: was around it, and how did you get.
• 58:12
  Speaker 3: Out of it, man?
• 58:12
  Speaker 1: Like, not all of them, you know? Like, on the
• 58:14
  Speaker 1: street it's different, you know, man? Not everyone on the
• 58:16
  Speaker 1: street is an idiot to tell you.
• 58:18
  Speaker 3: Something like that. And if you say it, you know
• 58:20
  Speaker 3: how it works.
• 58:21
  Speaker 1: Now, on the net, it's another tape. For example, another
• 58:22
  Speaker 1: state is another tape. Sometimes you go to another state,
• 58:24
  Speaker 1: it's another discipline. The guy there sees the thing on
• 58:26
  Speaker 1: the internet, thinks it's appropriate to talk there, the audience
• 58:29
  Speaker 1: will scream, you know? But it got to the point
• 58:31
  Speaker 1: where the thing happened and I punched him, bro, because
• 58:33
  Speaker 1: I was already overloaded, you know?
• 58:35
  Speaker 3: I was loaded, bro, and the thing said, damn it,
• 58:37
  Speaker 3: fuck it. Then I fucked my life, bro. But it's
• 58:39
  Speaker 3: an isolated attitude, right? That's what I said. I was
• 58:42
  Speaker 3: a boy, man, I was younger, you know?
• 58:43
  Speaker 1: Today I'm 25, you know? 10 years later, 9 years later.
• 58:45
  Speaker 3: Maybe I could have.
• 58:46
  Speaker 6: Solved it in another way, you know?
• 58:48
  Speaker 3: But it did me good, bro, in some moments, in
• 58:49
  Speaker 3: some aspects.
• 58:49
  Speaker 1: I went through a lot of bad things. Because, like,
• 58:56
  Speaker 1: my first contact with fame was negative, you know? So
• 58:59
  Speaker 1: now I'm a son of a bitch, paying a lot,
• 59:01
  Speaker 1: you know? Forcing, trying to make me shine, but my
• 59:04
  Speaker 1: eyes don't shine, you know?
• 59:06
  Speaker 3: You're already chained.
• 59:07
  Speaker 1: Right, bro? I'm seeing it in other ways, you know?
• 59:09
  Speaker 1: The first contact with fame. at me with different eyes.
• 59:11
  Speaker 3: Man, it's so cool, bro. You know?
• 59:12
  Speaker 1: People come and say, damn, dude, it was great, you
• 59:15
  Speaker 1: were the champion. Your partner from Quebrados missed the shot
• 59:18
  Speaker 1: to the top, damn.
• 59:20
  Speaker 6: Man, I don't remember which battle it was, but it
• 59:21
  Speaker 6: was recent. I don't know if it was with Jota,
• 59:23
  Speaker 6: I think it was. That rhyme of coming to pick
• 59:27
  Speaker 6: up the whole ball, I was.
• 59:29
  Speaker 3: Like, damn it! This freestyle of the champion is sinister.
• 59:31
  Speaker 2: Man, this day was very crazy, because there's a thing
• 59:34
  Speaker 2: in Negrote, like that, which was one of the things
• 59:36
  Speaker 2: that made me admire him a lot in this whole process.
• 59:38
  Speaker 2: It was when you gave me the salve to be
• 59:40
  Speaker 2: a duo first, right, man? Like that, we've known each
• 59:42
  Speaker 2: other for many.
• 59:43
  Speaker 3: Years, man. I think since 2017, around there, right? I
• 59:45
  Speaker 3: think 2019, 2018. 18, right? You used to stick to
• 59:46
  Speaker 3: São João, Pa, I remember. Yeah, that's right.
• 59:48
  Speaker 2: 2018, around there, man. And I was a kid, like,
• 59:54
  Speaker 2: if he was 16, I should have been around 13,
• 59:55
  Speaker 2: around there, around 14. We've known each other for a
• 59:57
  Speaker 2: long time. But we were never friends, you know? But
• 59:59
  Speaker 2: we exchanged ideas, like, we respected each other. In some times, not, too,
• 1:00:02
  Speaker 2: you know? Yeah, you know, you know, battle there.
• 1:00:04
  Speaker 3: No, man, the thing was crazy. Like, turn and move, we.
• 1:00:08
  Speaker 2: It was smooth, we spent two months and we weren't
• 1:00:11
  Speaker 2: following each other on Instagram anymore, fuck it.
• 1:00:13
  Speaker 3: It was Facebook, dude. Yeah, Facebook. After a while we
• 1:00:15
  Speaker 3: weren't friends anymore, the thing was fucked up.
• 1:00:17
  Speaker 2: Then we fought in the battle and I got hurt
• 1:00:18
  Speaker 2: by Negrote, man. Like, my in-hate is that you're winning
• 1:00:21
  Speaker 2: over me, if you're in the X1, right, man?
• 1:00:22
  Speaker 3: I'm winning. You know? But what did he do that
• 1:00:28
  Speaker 3: he always won against you? You said, man, he's a bastard. No,
• 1:00:31
  Speaker 3: because the guy... Man, the guy rhymes a lot, right, Cusão?
• 1:00:34
  Speaker 3: And he's more experienced too.
• 1:00:36
  Speaker 2: He tells some walks for me that no one has
• 1:00:38
  Speaker 2: the courage to say, you know? So, like, you're going
• 1:00:40
  Speaker 2: to rhyme with the guy, you're going to say, you
• 1:00:43
  Speaker 2: can go, he's going to be a challenger, he's always
• 1:00:45
  Speaker 2: been a challenger, you know? I think the first time
• 1:00:47
  Speaker 2: we rhymed against, like, was SPA 2021, like, Guarulhos, anyway.
• 1:00:49
  Speaker 2: And I already respected, because he stuck there in my
• 1:00:51
  Speaker 2: break to rhyme, right, man? That's... There's a silent pact
• 1:00:54
  Speaker 2: between the rappers, because that's.
• 1:00:55
  Speaker 3: It, right?
• 1:00:56
  Speaker 2: Man, the man is coming here, bro. Without the passage back,
• 1:00:59
  Speaker 2: the man is coming here, because he can respect this man,
• 1:01:02
  Speaker 2: regardless if we don't talk. And then when he gave
• 1:01:04
  Speaker 2: me a salve in the village, last year we had
• 1:01:07
  Speaker 2: a battle, he hit a quentona on me, the best
• 1:01:09
  Speaker 2: in Brazil. And in that battle I sent some pure too,
• 1:01:13
  Speaker 2: and then on that day we already saw that our
• 1:01:15
  Speaker 2: name was being acclaimed as a rival. And then we
• 1:01:19
  Speaker 2: stumbled on the beach, right? And then we started over again.
• 1:01:22
  Speaker 2: Then the battle also caught fire, it was already pure.
• 1:01:25
  Speaker 2: And like that, regardless of the result, there were always
• 1:01:28
  Speaker 2: some very hot rhymes, you know? And then when Aldeia
• 1:01:30
  Speaker 2: arrived in January, he gave me a salve, which was
• 1:01:31
  Speaker 2: what I said I thought was admirable, that he called
• 1:01:33
  Speaker 2: me and said like this, Hey Jota, I'm coming here, bro,
• 1:01:36
  Speaker 2: to give you a salve, I don't even know what
• 1:01:38
  Speaker 2: the tape is either, his way.
• 1:01:39
  Speaker 3: Today he's already more smooth. He was more chukro.
• 1:01:42
  Speaker 2: Yeah, bro, I don't even know what the tape is either,
• 1:01:44
  Speaker 2: in that battle there, but the thing is, there's no
• 1:01:46
  Speaker 2: such thing as this battle, bro. And I wanted to
• 1:01:49
  Speaker 2: be on your side, because I know that on your
• 1:01:51
  Speaker 2: side my sisters will have another value. And then I said, damn,
• 1:01:55
  Speaker 2: I keep the words in my heart, cousin. Then I said,
• 1:01:57
  Speaker 2: you can go, that's it. So we won't go together
• 1:01:59
  Speaker 2: in this, we won't even get married. So we won't
• 1:02:01
  Speaker 2: go together, man, we won't win. Because I told him, like,
• 1:02:03
  Speaker 2: if for you it's an honor to be on my side,
• 1:02:05
  Speaker 2: I want you to know that it's an honor for
• 1:02:07
  Speaker 2: me to be on your side too, you know? Like,
• 1:02:09
  Speaker 2: it's not a unilateral thing. If for you it's cool
• 1:02:11
  Speaker 2: to win the village with me, for me it's cool
• 1:02:13
  Speaker 2: to fucking win the first village with you. I was like,
• 1:02:34
  Speaker 2: I'm just running out of flyers because they're cheating on us.
• 1:02:37
  Speaker 3: Then he said, so we're running out of flyers, man.
• 1:02:39
  Speaker 3: That's right. Tell Lucão that there won't be flyers.
• 1:02:41
  Speaker 2: I said, Lucão, we're running out of flyers and we're
• 1:02:43
  Speaker 2: going to find out that we're going to.
• 1:02:44
  Speaker 3: Rhyme only on the day of the thing.
• 1:02:46
  Speaker 2: I think that's cool. And then we just arrived. We
• 1:02:47
  Speaker 2: got here, JP and Negrote. And then we arrived to rhyme.
• 1:02:49
  Speaker 2: And on that day we got crazy, man. Like, we
• 1:02:51
  Speaker 2: got crazy, rhymed like hell. And we didn't have a
• 1:02:54
  Speaker 2: change of mind. And then in the champion's free, he
• 1:02:57
  Speaker 2: already started to claim the Royalty thing, you know? And
• 1:03:00
  Speaker 2: we hadn't even talked, because I was already with this
• 1:03:02
  Speaker 2: thing in mind. When he sent it, I said, wow, man,
• 1:03:04
  Speaker 2: I'm going to talk too. I've already arrived talking to
• 1:03:07
  Speaker 2: a guy on Freestyle. Then, later on Instagram, he called
• 1:03:10
  Speaker 2: me and said, hey, man, when you jumped on the
• 1:03:12
  Speaker 2: Freestyle ball, you didn't even need it. I said, man,
• 1:03:14
  Speaker 2: you didn't even talk, but I was already wanting to
• 1:03:16
  Speaker 2: do it. So it was supposed to be us as
• 1:03:18
  Speaker 2: a duo, you know? Then we did this walk, I
• 1:03:21
  Speaker 2: thought he was going to start sticking directly in the village,
• 1:03:25
  Speaker 2: he disappeared, you know, Cusão? Negrote didn't stick anymore.
• 1:03:29
  Speaker 3: I said, man, the kid.
• 1:03:29
  Speaker 6: You're famous because you don't answer your cell phone, man,
• 1:03:33
  Speaker 6: because you disappear.
• 1:03:35
  Speaker 3: It's true, guys. Now he's with Puro.
• 1:03:36
  Speaker 7: This crazy guy here, in the week of the event,
• 1:03:38
  Speaker 7: he changed his cell phone, because he was with Bomba.
• 1:03:44
  Speaker 3: I was with the phone and I was like, dude.
• 1:03:46
  Speaker 3: Bagui looked like a calculator, man. At any moment, at
• 1:03:48
  Speaker 3: any moment, the phone would explode, man, it would cause
• 1:03:50
  Speaker 3: an accident.
• 1:03:50
  Speaker 1: You know, Bagui looked like a calculator. You would send
• 1:03:53
  Speaker 1: a photo, it looked like it was under.
• 1:03:54
  Speaker 3: The water, man. Yeah, it was. Bagui, you're crazy.
• 1:03:57
  Speaker 7: No, then he took it, changed his phone, took an
• 1:03:59
  Speaker 7: iPhone 15 on the weekend.
• 1:04:00
  Speaker 3: That's right. Then now he's already changed it, bro. The
• 1:04:02
  Speaker 3: guy is the king of upgrade, man. You know what
• 1:04:04
  Speaker 3: he said? So, and we managed to talk to him
• 1:04:06
  Speaker 3: only on Insta, right?
• 1:04:07
  Speaker 2: Like, until a few weeks ago. You guys weren't on this, like,
• 1:04:10
  Speaker 2: will it show up?
• 1:04:11
  Speaker 3: No. No, I gave it to Dino.
• 1:04:14
  Speaker 1: I don't like to brag, I don't like to brag,
• 1:04:15
  Speaker 1: you know? I like social media now, but I don't
• 1:04:16
  Speaker 1: brag a lot, you know? Like, the time when I
• 1:04:18
  Speaker 1: was really good at rhyming, when I was rhyming in Fiat,
• 1:04:21
  Speaker 1: when I was gluing on his break, man, it was
• 1:04:22
  Speaker 1: a Nokia, a brick, you know?
• 1:04:24
  Speaker 3: Feet on the floor. Just a call. Just a call
• 1:04:26
  Speaker 3: to the crown, man. And nothing else. And nothing else.
• 1:04:28
  Speaker 2: When he gave me, you know, to glue on a trio,
• 1:04:30
  Speaker 2: it was cool too, because he said like this, for
• 1:04:33
  Speaker 2: Insta too, then, next, still Xucro, I'm coming here to
• 1:04:42
  Speaker 2: break my ego again, he said, didn't he, Cusão?
• 1:04:45
  Speaker 3: I didn't say that, no. He said so, he said so,
• 1:04:47
  Speaker 3: I have proof.
• 1:04:48
  Speaker 2: He said so, I'm coming here to break my ego
• 1:04:49
  Speaker 2: again to call you to be part of my trio.
• 1:04:51
  Speaker 2: I said, wow, dude, that's it, so, like, what I
• 1:04:53
  Speaker 2: thought was cool is this, you know, Cusão? Because, want
• 1:04:56
  Speaker 2: it or not, the guys get a little naughty with us, like,
• 1:05:00
  Speaker 2: even by distancing, anyway, by the numbers, by the stuff.
• 1:05:02
  Speaker 2: The black guy had all the reasons not to give
• 1:05:04
  Speaker 2: that save in me, what I want to say is this,
• 1:05:05
  Speaker 2: you know?
• 1:05:06
  Speaker 3: He had all the reasons to be like.
• 1:05:07
  Speaker 7: Yeah, because sometimes, man, like, I don't know, man, if
• 1:05:10
  Speaker 7: I say that, man, I'm already with a trio, you know?
• 1:05:12
  Speaker 2: Sometimes the guy already regrets sending me a set.
• 1:05:14
  Speaker 3: For sure. But Negrod, why were you calling him?
• 1:05:17
  Speaker 5: Why were you passing your ego, brother, to call him?
• 1:05:20
  Speaker 4: Because, you know, man, the guy is a monster too,
• 1:05:22
  Speaker 4: I recognize that when MC is a monster.
• 1:05:25
  Speaker 1: It's like he said, you know? Even if he's not next,
• 1:05:27
  Speaker 1: you don't know who's good at rhyming, who's not good
• 1:05:29
  Speaker 1: at rhyming, you know? And that's what happened there, bro.
• 1:05:34
  Speaker 1: For us to have won the first village together, the
• 1:05:36
  Speaker 1: way we won, you know? I was thinking, man, this
• 1:05:38
  Speaker 1: kid is awesome. Because I didn't have much Paco.
• 1:05:41
  Speaker 3: Jota, you know, bro?
• 1:05:42
  Speaker 1: But nothing against him either, you know?
• 1:05:44
  Speaker 3: But he wasn't that close, bro.
• 1:05:45
  Speaker 1: He wasn't that close, you know? But after that happened,
• 1:05:47
  Speaker 1: I said, man, the kid is awesome. The kid jumped
• 1:05:49
  Speaker 1: on the ball, bro.
• 1:05:50
  Speaker 3: The kid is giant.
• 1:05:51
  Speaker 1: The kid didn't need to jump on the ball of
• 1:05:52
  Speaker 1: the thing, of the Roids division. He went there, set
• 1:05:55
  Speaker 1: up a league, did the thing, you know? Then he said, man,
• 1:05:57
  Speaker 1: I'm going to start looking more to the under. He
• 1:05:58
  Speaker 1: closed the double with several undergrads too, you know? He
• 1:06:01
  Speaker 1: did his part. I said, man, the kid is.
• 1:06:02
  Speaker 3: A sponsor, bro.
• 1:06:03
  Speaker 1: He's using the power he has to do cool stuff.
• 1:06:05
  Speaker 1: So let's see if he wants to close with me.
• 1:06:07
  Speaker 1: If he wants to too, if he doesn't want to too,
• 1:06:09
  Speaker 1: it's his right, you know?
• 1:06:09
  Speaker 3: And you said that too, Nódio, right? That's right.
• 1:06:11
  Speaker 2: Look, if you don't want to too, get out of
• 1:06:13
  Speaker 2: the way.
• 1:06:13
  Speaker 3: It's a little walk. It's already f * * *
• 1:06:15
  Speaker 3: ed up. You don't want to too, get out of
• 1:06:17
  Speaker 3: the way. Man, he's getting crazy. He's getting crazy. He's
• 1:06:19
  Speaker 3: getting crazy.
• 1:06:20
  Speaker 2: But I think this is f * * * ed up, cuzão. Because, like,
• 1:06:22
  Speaker 2: it's part of his personality, you know? I told you
• 1:06:24
  Speaker 2: this on your birthday.
• 1:06:25
  Speaker 3: I said, cuzão.
• 1:06:26
  Speaker 2: It's like if Negrote had a poetic license to send
• 1:06:28
  Speaker 2: some walks that only he has, you know? And I said, bro,
• 1:06:31
  Speaker 2: that's what you have to use to your advantage, you know?
• 1:06:34
  Speaker 2: We talked about this on the day, right? Because on
• 1:06:36
  Speaker 2: the day, bro, even though we have so many years
• 1:06:38
  Speaker 2: of walking, we were like three kids, bro, three children, like,
• 1:06:41
  Speaker 2: even kind of quiet, right? Kind of far from each other,
• 1:06:44
  Speaker 2: Negrote sitting like that, broken, and I more quiet too,
• 1:06:47
  Speaker 2: you know? And then we got together, I'm going to
• 1:06:50
  Speaker 2: say hi to Plinta too, she's there, look. Plinta was
• 1:06:52
  Speaker 2: the peak.
• 1:06:52
  Speaker 3: Of our teacher, our technician, say it.
• 1:06:54
  Speaker 2: He used to join us. Let's go, man. Just give
• 1:06:56
  Speaker 2: us some motivation.
• 1:06:57
  Speaker 8: Let's go, man.
• 1:06:58
  Speaker 3: You guys are awesome. You guys are better than everyone.
• 1:07:00
  Speaker 3: The moment that Plinta saved me at night. Straight talk.
• 1:07:04
  Speaker 7: When the first phase was over, he went to the second. Then,
• 1:07:07
  Speaker 7: at that time, it was about 30, 40 minutes of interval.
• 1:07:09
  Speaker 7: And at that time, man, the backstage was really, really,
• 1:07:12
  Speaker 7: really hot. A lot of people. Then, people came and
• 1:07:15
  Speaker 7: talked to us. Then, at that time, I started to get, man, troubled.
• 1:07:18
  Speaker 7: And then, I don't know if it mixed, because... The
• 1:07:20
  Speaker 7: spiritual with the physical, bro. I started to get a
• 1:07:22
  Speaker 7: little bit of a kick, bro.
• 1:07:23
  Speaker 3: You know? Like, I got a little bit of a
• 1:07:24
  Speaker 3: kick in my... In my pressure. Then I already told
• 1:07:27
  Speaker 3: the printer, I said... It's a lot of energy, bro.
• 1:07:28
  Speaker 3: I said, bro, I'm a little... I'm a little tired, bro.
• 1:07:30
  Speaker 3: I told him. I said, get me an apple in
• 1:07:31
  Speaker 3: the mobility, please. I'm hurt. Then he said like this,
• 1:07:34
  Speaker 3: then he said like this... You don't want.
• 1:07:35
  Speaker 7: You don't want to go to the car, do you?
• 1:07:37
  Speaker 7: He said, you don't want to stay in the car,
• 1:07:38
  Speaker 7: do you?
• 1:07:39
  Speaker 3: Then at the time I already said, wow... But why
• 1:07:41
  Speaker 3: did the apple disappear? The apple disappeared, right? The apple disappeared, right?
• 1:07:45
  Speaker 3: The apple disappeared, right? The apple disappeared, right? The apple disappeared, right?
• 1:07:49
  Speaker 3: The apple disappeared, right? The apple disappeared, right? I didn't
• 1:08:11
  Speaker 3: say anything. I just relaxed.
• 1:08:12
  Speaker 7: I was calm, I didn't hear anyone talking to me anymore.
• 1:08:16
  Speaker 3: I was just relaxed, man. Then I said, man, that's it.
• 1:08:19
  Speaker 7: When it was like 30, 40 minutes, when people said,
• 1:08:21
  Speaker 7: let's go back to the second phase. I left there, man,
• 1:08:22
  Speaker 7: I came back and it looked like I had just
• 1:08:24
  Speaker 7: arrived at the event, man.
• 1:08:25
  Speaker 3: I said, fuck. You needed it.
• 1:08:26
  Speaker 7: Wow, man, it was the best thing I've ever done, man,
• 1:08:28
  Speaker 7: in my life. Because, want it or not, it was
• 1:08:31
  Speaker 7: what I said, man. It's hard for you to organize
• 1:08:32
  Speaker 7: an event of the magnitude that it had, you know?
• 1:08:36
  Speaker 7: But it's very difficult for the MC... Man, it's a
• 1:08:38
  Speaker 7: spiritual battle. Everything we know about street battle and street.
• 1:08:42
  Speaker 3: Experience on D-Day is very different, man. You know? It's
• 1:08:45
  Speaker 3: another thing, right, man? For sure.
• 1:08:46
  Speaker 7: Like, everything we're exposed to there, everything.
• 1:08:49
  Speaker 3: We're susceptible to there, very crazy. It's that everything is
• 1:09:01
  Speaker 3: potentialized there, right, bro? Too much, bro.
• 1:09:04
  Speaker 6: The audience, the event, there are more judges, anyway, it's
• 1:09:09
  Speaker 6: a lot.
• 1:09:10
  Speaker 3: It's a lot of.
• 1:09:10
  Speaker 7: External factors, and then you have to be able to
• 1:09:13
  Speaker 7: internalize more and remember why you're there. your motivations, your goals,
• 1:09:17
  Speaker 7: what you want for yourself, rather.
• 1:09:19
  Speaker 3: Than leaving these other factors, because otherwise it will swallow you,
• 1:09:23
  Speaker 3: because there are many external things happening.
• 1:09:24
  Speaker 2: One of the things we talked about that day was this,
• 1:09:26
  Speaker 2: I remember that on the way to the event, my
• 1:09:30
  Speaker 2: family made a video for me of 5 minutes, each
• 1:09:32
  Speaker 2: one of us appeared talking about something like that, my grandmother,
• 1:09:36
  Speaker 2: my niece, my godfather, my friends from Mocoto, Guinão, in short,
• 1:09:41
  Speaker 2: several trutas, Meus primos, aí eu, caralho, mano, já era.
• 1:09:44
  Speaker 3: Tipo assim, agora já era. Tá ligado? Agora eles se fuderam.
• 1:09:46
  Speaker 2: Acho que eu falei um baguio assim, chorando pra caralho
• 1:09:48
  Speaker 2: no carro.
• 1:09:49
  Speaker 3: Nossa, agora eles se fuderam, mano.
• 1:09:51
  Speaker 2: E aí quando eu trouxe os moleques no hotel, tipo,
• 1:09:53
  Speaker 2: eu tava muito carregado dessa frase que o Apolo falou,
• 1:09:56
  Speaker 2: de tipo assim, que nada deixa a gente esquecer o
• 1:09:59
  Speaker 2: porquê que nós tá aqui, tá ligado, mano? Like, everyone
• 1:10:01
  Speaker 2: has a reason to be here, we're a trio today, obviously,
• 1:10:03
  Speaker 2: but the thing has its reasons, Apollo has his, and
• 1:10:05
  Speaker 2: I have mine, bro. And we don't lose this shit, bro,
• 1:10:07
  Speaker 2: you know? Because in the middle of the event, there's
• 1:10:10
  Speaker 2: a lot of noise, bro. Like, you're going to trombone
• 1:10:12
  Speaker 2: a trio that you know is in your weakness, then
• 1:10:13
  Speaker 2: you start to make a mess, and then, like, a
• 1:10:16
  Speaker 2: lot of times I thought, bro, when I get in there,
• 1:10:18
  Speaker 2: I have to remember.
• 1:10:18
  Speaker 3: Why I'm here, bro. And not the fear of what
• 1:10:20
  Speaker 3: I'm hearing, or some tape like that, you know? Bro,
• 1:10:23
  Speaker 3: I think this.
• 1:10:23
  Speaker 6: Fits with a question I want to ask you three,
• 1:10:25
  Speaker 6: which is like this. How is it that you, being.
• 1:10:30
  Speaker 6: Inside the lives of other MCs, who are your friends,
• 1:10:32
  Speaker 6: and you know how it is inside that MC's house,
• 1:10:34
  Speaker 6: or that MC, you know the difficulties they are going through,
• 1:10:37
  Speaker 6: you know the mistakes on the streets, you know the
• 1:10:40
  Speaker 6: hits too, and how, in this moment of fragility, a
• 1:10:44
  Speaker 6: very visceral thing, you don't get out of ethics, you
• 1:10:46
  Speaker 6: don't say something like, like, fuck, I hesitated, because, I
• 1:10:53
  Speaker 6: don't know, I, when I'm very nervous, obviously today I
• 1:10:56
  Speaker 6: treat myself a lot, but Sometimes I'm like, damn, I'm
• 1:10:59
  Speaker 6: going to touch your wound.
• 1:10:59
  Speaker 3: Then I'm like, damn, I shouldn't have done that. But
• 1:11:01
  Speaker 3: it was at the moment of rationality.
• 1:11:03
  Speaker 6: How is it there in the battle, bro, that the
• 1:11:04
  Speaker 6: guy is messing with your ego with his hand, bro?
• 1:11:07
  Speaker 3: You don't do that. Because there I think there must
• 1:11:08
  Speaker 3: be several rhymes of, like, no, this one doesn't work.
• 1:11:11
  Speaker 3: This one I can't.
• 1:11:11
  Speaker 6: This one has nothing to do with it. Okay, I'm
• 1:11:15
  Speaker 6: going to do this one.
• 1:11:16
  Speaker 3: This one works. How is this thing? So, I don't
• 1:11:17
  Speaker 3: think there's this one, bro. If the guys move... No mercy.
• 1:11:23
  Speaker 3: No mercy. No mercy. There's a limit, right? There's a
• 1:11:25
  Speaker 3: limit to the walk. Hey guys, calm down, man.
• 1:11:30
  Speaker 5: No, very good.
• 1:11:31
  Speaker 3: There's a limit, right?
• 1:11:32
  Speaker 1: But like, you know, nobody has cheap blood. Sometimes the
• 1:11:34
  Speaker 1: vagabond will say a walk there for you. You know,
• 1:11:36
  Speaker 1: another walk of the vagabond. Ah, calm down, my turn
• 1:11:38
  Speaker 1: is coming. You're going to drop the thing too. Now
• 1:11:41
  Speaker 1: the problem is you start, you know?
• 1:11:43
  Speaker 9: Yeah, that's right.
• 1:11:44
  Speaker 3: I think whoever starts already... Hold the chorus. Hold the chorus.
• 1:11:46
  Speaker 3: Whoever starts already... The game is dirty, you know? Yes.
• 1:11:49
  Speaker 3: We were following this risk, right? Yeah, I understand. We
• 1:11:51
  Speaker 3: were like this, bro.
• 1:11:52
  Speaker 2: If you need it, you're going to fuck yourself, bro.
• 1:11:54
  Speaker 2: But I hope you don't need it. Because if you
• 1:11:56
  Speaker 2: don't need it, we know that it's not going to
• 1:11:58
  Speaker 2: freestyle like hell.
• 1:11:59
  Speaker 3: You know? But if we need to, we're there, man.
• 1:12:02
  Speaker 3: If it's to suck blood, we're not going to suck blood.
• 1:12:03
  Speaker 4: So you're still waiting for someone to cross the line.
• 1:12:06
  Speaker 3: Waiting for someone to cross the line. Hoping that they
• 1:12:09
  Speaker 3: don't cross it too, Cusão. But if they do, it's fine.
• 1:12:12
  Speaker 7: But if they do, it's fine. But if they do,
• 1:12:14
  Speaker 7: it's fine. But if they do, it's fine. But if
• 1:12:16
  Speaker 7: they do, it's fine. But if they do, it's fine.
• 1:12:18
  Speaker 7: But if they do, it's fine. But if they do,
• 1:12:20
  Speaker 7: it's fine. But if they do, it's fine. But if
• 1:12:23
  Speaker 7: they do, it's fine. But if they do, it's fine.
• 1:12:30
  Speaker 7: Sometimes we don't have the time to filter, and sometimes
• 1:12:32
  Speaker 7: we use something that we can regret, and sometimes we don't,
• 1:12:34
  Speaker 7: but that's what I say, I think it's very individual,
• 1:12:37
  Speaker 7: the discernment of each one, like, man, this guy, I
• 1:12:40
  Speaker 7: have a consideration for him, I'm not going to say
• 1:12:42
  Speaker 7: something here that I know can bother him, and can
• 1:12:45
  Speaker 7: be in a way, in a certain way, something negative
• 1:12:49
  Speaker 7: for him. Then I think like this, I think like this,
• 1:12:52
  Speaker 7: apart from that, a thing that you know you're going
• 1:12:54
  Speaker 7: to hurt, that you know will bother, otherwise, I believe
• 1:12:58
  Speaker 7: that it has to be separated from the professional and
• 1:13:01
  Speaker 7: the personal. Because sometimes there are things that you say
• 1:13:06
  Speaker 7: that are in the battle game and there's nothing more.
• 1:13:09
  Speaker 3: And for some reason the MC can take that to
• 1:13:11
  Speaker 3: the heart. Which is his right too. And take it
• 1:13:13
  Speaker 3: to the ego and... It's true.
• 1:13:16
  Speaker 7: And when you're a friend of an MC, you know
• 1:13:20
  Speaker 7: what's going to affect him for real, you know?
• 1:13:32
  Speaker 2: Sometimes what everyone imagines that will affect the guy is
• 1:13:37
  Speaker 2: already smooth, right, bro?
• 1:13:38
  Speaker 3: So we have this.
• 1:13:39
  Speaker 6: But it's smooth, like, it's smooth for Apollo to say that,
• 1:13:42
  Speaker 6: that I'm not so close to Apollo.
• 1:13:43
  Speaker 3: Fuck, JP, who is my partner... Yeah, there's that too,
• 1:13:45
  Speaker 3: there's that too, there's that too.
• 1:13:47
  Speaker 2: And you have to be, like, all the time balancing
• 1:13:48
  Speaker 2: the plates, I think, bro.
• 1:13:52
  Speaker 3: You know? Like, there was a little controversy. Your Trump
• 1:13:54
  Speaker 3: is a lot of bullshit, a lot of crazy. There
• 1:13:55
  Speaker 3: was a little controversy in the final involving me and Barreto,
• 1:13:58
  Speaker 3: you know?
• 1:13:59
  Speaker 2: That the guys said, wow, man, he's been saying some
• 1:14:01
  Speaker 2: things that he didn't have to say, and Paco Barreto.
• 1:14:03
  Speaker 2: And it's fucking, man, because, like, in my position, and
• 1:14:06
  Speaker 2: not trying to, like, justify anything, because at the time
• 1:14:09
  Speaker 2: it's a lot to think about. In my position, like, like, sincerely,
• 1:14:12
  Speaker 2: I went up on stage, zero willing to attack Cesar,
• 1:14:15
  Speaker 2: you know? For two reasons, man. I didn't want to,
• 1:14:18
  Speaker 2: you know? And the second, because his trio was growing
• 1:14:22
  Speaker 2: when the guys were attacking Cesar, you know? All the phases, man,
• 1:14:25
  Speaker 2: when someone attacked Cesar, Barreto and Big Mike defended very well.
• 1:14:29
  Speaker 3: You know?
• 1:14:30
  Speaker 2: And, like, they ended the battle.
• 1:14:31
  Speaker 3: Like this, right?
• 1:14:32
  Speaker 2: They were like, like, wow, smooth, you can attack Cesar then.
• 1:14:35
  Speaker 3: Big Mike is very difficult to attack, man. Like.
• 1:14:38
  Speaker 2: It's very difficult to think of something to talk to
• 1:14:40
  Speaker 2: Big Mike like that.
• 1:14:40
  Speaker 3: The guy has all the titles, the guy is very cool,
• 1:14:43
  Speaker 3: very respondent. Yeah, he's a respondent.
• 1:14:45
  Speaker 2: So, like, on X1 it's a little easier because you...
• 1:14:47
  Speaker 2: Not on X1' s anniversary. I say on a street battle,
• 1:14:48
  Speaker 2: I'm going to talk about anything, he's going to talk
• 1:14:50
  Speaker 2: about anything and that's it. Now, on the anniversary that
• 1:14:52
  Speaker 2: we kind of keep attacking some retroactive things like that,
• 1:14:55
  Speaker 2: it's very difficult to talk about Big Mike. Especially being me, because, man,
• 1:14:58
  Speaker 2: the two titles I had were with him, you know?
• 1:15:00
  Speaker 3: Wow.
• 1:15:00
  Speaker 2: And Barreto, man, I had a tendency with Barreto since
• 1:15:03
  Speaker 2: I was 8 years old, right, man?
• 1:15:04
  Speaker 3: Like, it was the subject.
• 1:15:05
  Speaker 2: Eminent, we were swearing all night, I saw that Barretto
• 1:15:07
  Speaker 2: was like, the trash was showing his finger in the
• 1:15:09
  Speaker 2: face of the video, he was already very crazy, losing
• 1:15:11
  Speaker 2: the line with the girls in the first phase, so bro,
• 1:15:14
  Speaker 2: it was bloody, I said, wow, so it's here that
• 1:15:16
  Speaker 2: we're going to get these accounts, right, bro, we were swearing,
• 1:15:17
  Speaker 2: and then I started talking, right, like, ah, you, Cedro
• 1:15:20
  Speaker 2: is doing with you what you did with me, bro, like,
• 1:15:22
  Speaker 2: you're not rhyming anything, let's freestyle him, bro, and then
• 1:15:25
  Speaker 2: it's cool, because then on the internet people already eat, bro,
• 1:15:28
  Speaker 2: is it that Barretto and JP fought, and then it's cool, bro,
• 1:15:30
  Speaker 2: because me and Barretto, I think we never knew how
• 1:15:32
  Speaker 2: to rhyme with each other, bro, Like, we've already raved
• 1:15:36
  Speaker 2: and praised each other and hated each other, you know?
• 1:15:39
  Speaker 2: Then we fight like hell and hate each other. There
• 1:15:41
  Speaker 2: are about four or five... No, there are about three
• 1:15:42
  Speaker 2: battles in the history that I did with Barreto that
• 1:15:45
  Speaker 2: there was a weird vibe like hell between.
• 1:15:46
  Speaker 3: Us, you know? Who won more than the other? It's
• 1:15:47
  Speaker 3: just that I feel that for the fans, you guys
• 1:15:49
  Speaker 3: are on the same side. Yeah, I think he won
• 1:15:50
  Speaker 3: more than me than I did. Really? Yeah.
• 1:15:51
  Speaker 2: But there's a very old battle in Guarulhos, just remembering this,
• 1:15:54
  Speaker 2: coming here. In 2019, when we raced once, he called
• 1:15:57
  Speaker 2: me famous in the things that.
• 1:15:59
  Speaker 3: I lost in Arlinha. We were kind of almost trutha.
• 1:16:01
  Speaker 3: I said, wow, this boy is a comedy, man.
• 1:16:03
  Speaker 2: Then there was a hand, man, that I raced against
• 1:16:04
  Speaker 2: Maria there in the east, gave a oppressed to Maria,
• 1:16:06
  Speaker 2: screaming like hell, talking to her to stay quiet. Anyway,
• 1:16:10
  Speaker 2: Trombeu Barreto, later, he immediately charged this tape in the.
• 1:16:12
  Speaker 3: Battle of Luana Rosa. Do you remember this battle? I remember.
• 1:16:14
  Speaker 3: You didn't shout to Maria, shout to me now, fuck!
• 1:16:17
  Speaker 7: And then he turned off the microphone and stayed like
• 1:16:19
  Speaker 7: this for JP.
• 1:16:20
  Speaker 3: I said, oh shit, bro. And then that day he
• 1:16:22
  Speaker 3: was still at my house. I said, bro, whatever, it's
• 1:16:25
  Speaker 3: because he's a bad guy.
• 1:16:27
  Speaker 2: So whenever we face each other, I feel, I had
• 1:16:30
  Speaker 2: this reflection today, that we don't know how to deal
• 1:16:32
  Speaker 2: with the situation, you know? And he really wanted to
• 1:16:35
  Speaker 2: win this anniversary, you know? But I really wanted to
• 1:16:38
  Speaker 2: win the anniversary too. And that's it, bro. I'm not
• 1:16:41
  Speaker 2: going to attack Cesar.
• 1:16:43
  Speaker 3: Big Mac is foda, mano, vou mandar o ataque pro Barreto, pá.
• 1:16:46
  Speaker 3: Que se foda, pá, tá ligado?
• 1:16:48
  Speaker 2: Até porque, mano, que nem eu falei, eu quero muito
• 1:16:50
  Speaker 2: ver os caras ganhar, mas não quero mais do que
• 1:16:52
  Speaker 2: ver o Negrote e o Apolo ganhar.
• 1:16:54
  Speaker 3: E aí você tem que tá nessa sim.
• 1:16:55
  Speaker 2: Mas é óbvio, mano, que eu jamais usaria um bagulho
• 1:16:57
  Speaker 2: contra o Barreto, que eu sei que ia.
• 1:16:59
  Speaker 5: Muito íntimo, né?
• 1:17:00
  Speaker 6: Não, eu nem falei por conta dessa batalha, não. Eu
• 1:17:02
  Speaker 6: tô falando num aspecto de, tipo assim, você é amigo
• 1:17:05
  Speaker 6: de muitas pessoas, tô imaginando eu na situação. Filha da
• 1:17:07
  Speaker 6: puta tá mexendo com o meu ego, tem, sei lá,
• 1:17:09
  Speaker 6: 200 pessoas me olhando, já, nossa, já ia mandar a
• 1:17:12
  Speaker 6: mais linchosa possível.
• 1:17:14
  Speaker 2: Eu dou exemplo dessa batalha, porque, por exemplo, o Cesar
• 1:17:16
  Speaker 2: na noite, mano, todo mundo viu o que tava rolando,
• 1:17:18
  Speaker 2: depois a gente percebeu que não se tratava de freestyle,
• 1:17:21
  Speaker 2: tá ligado? And we didn't attack Cesar, you know? The
• 1:17:24
  Speaker 2: only rhyme we have is yours, like, I was born
• 1:17:25
  Speaker 2: to see Cesar walking in front of me.
• 1:17:26
  Speaker 3: What is a normal rhyme? Did they fill your bag? No,
• 1:17:28
  Speaker 3: they didn't fill it too much, but a bunch of
• 1:17:30
  Speaker 3: people said it, but look, family, looking at you here,
• 1:17:32
  Speaker 3: talking sincerely, let's go up.
• 1:17:33
  Speaker 7: The first verse I used there, I already said, let's
• 1:17:36
  Speaker 7: think rationally, rational, brain, let's go up. I admire, I
• 1:17:47
  Speaker 7: get inspired when I see you win the national championship.
• 1:17:51
  Speaker 7: That is, when he won there, if it wasn't for that,
• 1:17:53
  Speaker 7: maybe I wouldn't even rhyme.
• 1:17:55
  Speaker 3: Most likely. But the battle is blood and I'm hot.
• 1:17:57
  Speaker 7: He became the opponent.
• 1:18:00
  Speaker 3: That is, summarizing all this. He's against me now.
• 1:18:02
  Speaker 7: The guy is against me. The battle of 10 years
• 1:18:05
  Speaker 7: of the anniversary of the village. A Trio Round, like
• 1:18:08
  Speaker 7: I said, those Trio Rounds is where we win the battle.
• 1:18:11
  Speaker 7: If I don't score, if I let it go, Barreto
• 1:18:15
  Speaker 7: or Big Mike would come like crazy and would only
• 1:18:17
  Speaker 7: talk about atrocities to me.
• 1:18:18
  Speaker 3: Then I would go there and stop attacking.
• 1:18:20
  Speaker 7: I would do a Fair Play to get a kick
• 1:18:22
  Speaker 7: in the back, I'm not crazy.
• 1:18:24
  Speaker 3: Another thing I wanted to ask you, because we.
• 1:18:26
  Speaker 4: Were in the ring at that time, And I was
• 1:18:32
  Speaker 4: looking at it, and sometimes it was too fast, what
• 1:18:35
  Speaker 4: you had thought. Maybe before the battle, before the duel starts,
• 1:18:38
  Speaker 4: you already have a kind of math, like, man, I'm
• 1:18:40
  Speaker 4: going to get that there. But then I saw it
• 1:18:42
  Speaker 4: up close, it was very crazy to have this opportunity
• 1:18:46
  Speaker 4: to see you up close, like, in your office, which
• 1:18:47
  Speaker 4: was like man, you should already be playing one thing,
• 1:18:51
  Speaker 4: but the other said one thing on top of the time,
• 1:18:53
  Speaker 4: you were going to start to rhyme, he let go
• 1:18:55
  Speaker 4: of a joke, you already rhymed on top of what
• 1:18:58
  Speaker 4: he said, and I wanted to understand what are the
• 1:18:59
  Speaker 4: worst things that can happen there in a battle, bro,
• 1:19:02
  Speaker 4: because there's also a feeling, I was listening to Kigão,
• 1:19:04
  Speaker 4: we had a laugh, It was like the last scream.
• 1:19:09
  Speaker 5: Without air.
• 1:19:10
  Speaker 3: Without air. You'll see, I'll kill you. And waiting for
• 1:19:13
  Speaker 3: the guys. If the guys come or not. Like, man,
• 1:19:16
  Speaker 3: I'm going to finish with this. The guys are going
• 1:19:18
  Speaker 3: to come. Who does the compilations?
• 1:19:20
  Speaker 6: Me and Mítico have a request for those who do
• 1:19:21
  Speaker 6: the compilations. Just rhyme without air of the anniversaries.
• 1:19:25
  Speaker 3: Look at the cover of the compilation here. I'm treating
• 1:19:30
  Speaker 3: myself already, family. I'm treating myself, I'm doing a little project.
• 1:19:35
  Speaker 3: Because it's like this, bro, it's.
• 1:19:37
  Speaker 8: F * * * * *, we're smokers.
• 1:19:38
  Speaker 3: You got into a very f * * * *
• 1:19:39
  Speaker 3: * theme, bro. F * * * * *, Zica.
• 1:19:40
  Speaker 3: Because it's like this, I've been a smoker since I
• 1:19:43
  Speaker 3: was 15, bro. You know? It's a lot of smoke, bro. Yeah,
• 1:19:45
  Speaker 3: since I was 15, you know? So put it there, bro.
• 1:19:47
  Speaker 3: A boy smokes since he was 15. Wait a minute,
• 1:19:50
  Speaker 3: wait a minute. And it's not little that he smokes, man.
• 1:19:53
  Speaker 3: It's even a good topic.
• 1:19:54
  Speaker 1: To get into, because like, how are we going to
• 1:19:58
  Speaker 1: compete with a guy who normally is a dickhead, the
• 1:20:01
  Speaker 1: guy doesn't smoke, the guy doesn't drink, the guy doesn't
• 1:20:04
  Speaker 1: have sex.
• 1:20:05
  Speaker 3: No, calm down, there's more.
• 1:20:06
  Speaker 1: The guy doesn't work, the guy wakes up at noon,
• 1:20:11
  Speaker 1: the guy trains four hours of freestyle.
• 1:20:14
  Speaker 3: You know? And at 7 o'clock at night... What is
• 1:20:17
  Speaker 3: this guy? What is this guy? There are several guys
• 1:20:20
  Speaker 3: like this. And at 7 o'clock at night, this guy...
• 1:20:22
  Speaker 3: He's in a good mood to fight.
• 1:20:24
  Speaker 1: He takes a shower, passes the perfume, assad, puts on
• 1:20:27
  Speaker 1: his clothes, goes to the thing.
• 1:20:29
  Speaker 3: Then we... Caralho.
• 1:20:48
  Speaker 1: You know, sometimes you don't eat all the time and
• 1:20:50
  Speaker 1: you're going to compete with a guy like that.
• 1:20:52
  Speaker 5: Dude, I don't understand anything. I understood everything, brother.
• 1:20:55
  Speaker 3: There's no way. It's like going up the mountain, right, father?
• 1:20:58
  Speaker 5: It's awesome, man.
• 1:20:58
  Speaker 3: It's awesome, man.
• 1:20:59
  Speaker 5: But pulling that scream at the end and not coming.
• 1:21:02
  Speaker 3: Wow, man. I'm a specialist in this, brother. Man, it's
• 1:21:05
  Speaker 3: the worst thing. Because the rhyme is good, man. But
• 1:21:07
  Speaker 3: it was already sent.
• 1:21:08
  Speaker 2: It's already in the air and no one came, right?
• 1:21:10
  Speaker 2: You can't send it again with the breath after, right, Jack?
• 1:21:13
  Speaker 3: What are the worst things that happen in the battle? Man,
• 1:21:15
  Speaker 3: I think this thing... This thing of staying in the
• 1:21:17
  Speaker 3: vacuum when you're sure it's very good... No, man, this
• 1:21:19
  Speaker 3: is funny for us. No, no, no.
• 1:21:25
  Speaker 7: This is one of the reasons why I don't like
• 1:21:27
  Speaker 7: to put too much emphasis on the beat.
• 1:21:28
  Speaker 3: I swear to God. You're good at it.
• 1:21:29
  Speaker 7: I prefer to be calm, because if the beat goes on,
• 1:21:31
  Speaker 7: people will say, look, they didn't even get this one.
• 1:21:33
  Speaker 7: Now if I get too excited, I'll hit the beat.
• 1:21:35
  Speaker 7: But has it ever happened to you? For sure, for
• 1:21:37
  Speaker 7: sure it's happened.
• 1:21:38
  Speaker 3: But I avoid it. But I think the worst thing
• 1:21:40
  Speaker 3: for me, the worst thing that can happen in a battle,
• 1:21:41
  Speaker 3: is to lock it, bro. There's no way. If I
• 1:21:43
  Speaker 3: lock it, bro, if I lock it, I'll already be thinking, damn.
• 1:21:53
  Speaker 3: I already lost my confidence for the next rounds.
• 1:21:56
  Speaker 5: And the guy can always go back to that lock.
• 1:21:58
  Speaker 3: Locking is awesome. You know something that happens in battle?
• 1:22:01
  Speaker 2: It seems that, religiously, Truta locks when Truta says that the.
• 1:22:05
  Speaker 3: Guy locked and the guy locks. It's like, you locked,
• 1:22:08
  Speaker 3: then the guy will point at you and lock too.
• 1:22:10
  Speaker 3: The guy even starts well, he's locking, he's in shock.
• 1:22:13
  Speaker 3: At the end, when he finishes, he will lock. He
• 1:22:14
  Speaker 3: will send his punchline and he will choke on a word.
• 1:22:15
  Speaker 3: Then you say, ah, bro, several MCs.
• 1:22:17
  Speaker 2: Have won the battle like this, right? He talked about me.
• 1:22:21
  Speaker 3: I'm a freestyler, you see? It's the fetish going against
• 1:22:25
  Speaker 3: the fetishist. Only Big Mike won trawling, man.
• 1:22:27
  Speaker 5: And what's the best thing?
• 1:22:28
  Speaker 3: What's the best thing when it happens in a battle? Ah,
• 1:22:31
  Speaker 3: I need to say? Scream, right? There's evil, there's evil.
• 1:22:33
  Speaker 3: In the papo reto. In the papo reto, say it.
• 1:22:35
  Speaker 3: What's the best thing? The best thing that happens in
• 1:22:37
  Speaker 3: a battle is you being the champion of the battle, right, boss? No, but... Fatality. Fatality. Fatality. Fatality. Fatality. Fatality. Fatality.
• 1:22:54
  Speaker 6: MC's return started, you gave Fatality, his return started and
• 1:22:56
  Speaker 6: the crowd still didn't let his voice stand out over
• 1:22:59
  Speaker 6: the scream.
• 1:23:00
  Speaker 3: It's true that the MC has to stop.
• 1:23:01
  Speaker 6: The crowd is like... You can't hear the first turn
• 1:23:03
  Speaker 6: of the guy, man. Then the guy already fucked up, man.
• 1:23:05
  Speaker 7: And still you look at the face of the guy,
• 1:23:07
  Speaker 7: like the audience is screaming and then he tries to
• 1:23:09
  Speaker 7: rhyme with you.
• 1:23:10
  Speaker 3: No, man, let them scream, damn it. This is crazy.
• 1:23:14
  Speaker 3: There's one that I think is bad. There's one from Barreto,
• 1:23:16
  Speaker 3: very crazy, about this theme.
• 1:23:18
  Speaker 2: He sends Fatality to Fortress in the stadium, and Fortress
• 1:23:21
  Speaker 2: tries to rhyme on top, and no one listens. Then
• 1:23:23
  Speaker 2: Barreto says, you should have expected them to stop screaming.
• 1:23:27
  Speaker 3: And then he sends, na, na, na, na, na, na, na, na.
• 1:23:28
  Speaker 2: Then he sends like this, because I'm going to explain
• 1:23:31
  Speaker 2: a thing. When the angels are singing, the devil doesn't
• 1:23:33
  Speaker 2: say anything.
• 1:23:34
  Speaker 3: But it's over. It's over, the guy took the wave.
• 1:23:37
  Speaker 3: He took the wave. It's bad when you guys.
• 1:23:39
  Speaker 6: Like, the guy rhymed, then you'll come, you'll rhyme, then
• 1:23:44
  Speaker 6: you lose the beat, you wait for another one.
• 1:23:46
  Speaker 3: Is that bad, bro? Like, when you give a... Lose
• 1:23:47
  Speaker 3: the beat? Like, the time to enter the beat? Lose
• 1:23:49
  Speaker 3: the beat time.
• 1:23:49
  Speaker 6: I went in, calm, think about another one, then enter
• 1:23:51
  Speaker 6: the other, you know? It's bad, it's bad. But that
• 1:23:55
  Speaker 6: doesn't happen very often, right?
• 1:23:56
  Speaker 3: No, but sometimes it happens. Not because you're smarter, you know?
• 1:23:59
  Speaker 3: But it's bad, it's bad. Man, it's boring as hell, bro. Mano....
• 1:24:06
  Speaker 6: A lot of people talk about judges and stuff, but
• 1:24:08
  Speaker 6: I don't want to get into that. What I want
• 1:24:09
  Speaker 6: to get into is a battle of rhymes. For us
• 1:24:12
  Speaker 6: to understand, for us who are a little more lay,
• 1:24:14
  Speaker 6: it's public. Your Apollo attacked me, he said like this, Igão,
• 1:24:17
  Speaker 6: your cap is ugly. Do I necessarily have to go
• 1:24:20
  Speaker 6: back and say, my cap is ugly, answering.
• 1:24:22
  Speaker 3: What you attacked? Or can I attack anything else?
• 1:24:25
  Speaker 2: Because sometimes I... You don't need to quote what was
• 1:24:29
  Speaker 2: said necessarily.
• 1:24:29
  Speaker 3: But you have to answer it. You have to answer it.
• 1:24:31
  Speaker 6: Okay, but I have to answer what was attacked or
• 1:24:33
  Speaker 6: I can attack anything else?
• 1:24:35
  Speaker 3: You have to answer what was attacked.
• 1:24:37
  Speaker 10: That's it.
• 1:24:37
  Speaker 7: Or you create a new idea, but from a response. Yeah,
• 1:24:39
  Speaker 7: there has to be a context of the answer, right?
• 1:24:41
  Speaker 7: Especially when it's 30 seconds to... You could have said,
• 1:24:44
  Speaker 7: you're crazy, my cap is ugly, but I bought it
• 1:24:46
  Speaker 7: for a discount. The thing is very crazy, it was
• 1:24:48
  Speaker 7: 500 contas. More than what you're winning today, my partner.
• 1:24:51
  Speaker 2: The thing is very crazy, I'm running out of money.
• 1:24:53
  Speaker 3: You already came to talk about money. No, I understand.
• 1:24:56
  Speaker 3: My cap is ugly, at least I have it. Because
• 1:24:58
  Speaker 3: when I'm watching the battles... Then I say, so is
• 1:25:01
  Speaker 3: that why?
• 1:25:02
  Speaker 6: The guy didn't answer that he was attacked, but his
• 1:25:04
  Speaker 6: answer was even better than the attack, but it didn't matter.
• 1:25:07
  Speaker 2: So, I don't know if the judges appreciate the context
• 1:25:10
  Speaker 2: so much. Sometimes I watch some battles and what I
• 1:25:15
  Speaker 2: value the most is that too, you know? Obviously, there
• 1:25:17
  Speaker 2: are a lot of fucking rhymes, but you need to
• 1:25:18
  Speaker 2: be in the discussion, man. Because what happens in battles.
• 1:25:21
  Speaker 3: A lot, man.
• 1:25:23
  Speaker 6: Can you do a fatality loose in Apollo?
• 1:25:25
  Speaker 2: I can, or sometimes not necessarily so loose, but like,
• 1:25:27
  Speaker 2: I'm going to talk about your cap.
• 1:25:30
  Speaker 3: Okay. Okay. Okay. He will do it.
• 1:25:49
  Speaker 6: But if I don't touch any of the three subjects
• 1:25:52
  Speaker 6: you brought.
• 1:25:53
  Speaker 3: Pyramid, Barnabé... Then it's wrong. It's wrong. It's out of
• 1:25:56
  Speaker 3: the box.
• 1:25:57
  Speaker 2: But I also think that if you answer the pyramid,
• 1:26:00
  Speaker 2: being that I didn't... Like, man... It wasn't the attack.
• 1:26:03
  Speaker 2: In my view, if I were a jury, I wouldn't tell. No,
• 1:26:05
  Speaker 2: it's what I think.
• 1:26:06
  Speaker 7: For me, it has to be like a... Like, for example, man,
• 1:26:10
  Speaker 7: in mathematics you will solve the problems. There's, like, solve
• 1:26:12
  Speaker 7: first what's inside the parenthesis, then what's on your side, etc.
• 1:26:15
  Speaker 3: There's a rule, yes.
• 1:26:16
  Speaker 7: Man, I think that o cara falou quatro assuntos na construção,
• 1:26:19
  Speaker 7: mas a punchline final e o que deu mais impacto,
• 1:26:21
  Speaker 7: que arrancou grito, foi o assunto final.
• 1:26:23
  Speaker 3: O argumento.
• 1:26:24
  Speaker 7: Se arrancou grito o assunto final, a obrigação do MC
• 1:26:27
  Speaker 7: é responder onde ele tomou a porrada forte, mano.
• 1:26:29
  Speaker 2: Nem que ele construa falando de outras.
• 1:26:31
  Speaker 3: Ó, eu vou dar um exemplo.
• 1:26:32
  Speaker 7: Eu vou dar dois exemplos perfeitos que eu tô fazendo
• 1:26:34
  Speaker 7: as reações do... Very good, by the way.
• 1:26:36
  Speaker 3: Good react. I think good react. Few people do good reacts.
• 1:26:39
  Speaker 3: For example, a thing I was seeing in this edition
• 1:26:41
  Speaker 3: of Aldeia.
• 1:26:41
  Speaker 6: JP, in our semi-final, has a time when he gives
• 1:26:43
  Speaker 6: two answers within one answer only.
• 1:26:44
  Speaker 7: The Japa sends that rhyme, Brazil, I'm ready to be hated.
• 1:26:59
  Speaker 7: And then, in the sequence, Neo sends that one. I
• 1:27:00
  Speaker 7: don't want the love of a whore or the friendship
• 1:27:02
  Speaker 7: of a bastard.
• 1:27:03
  Speaker 3: JP does what?
• 1:27:04
  Speaker 7: When he takes the hook, which is Neo's rhyme, he
• 1:27:06
  Speaker 7: already takes the impact of Neo's rhyme. In the construction,
• 1:27:09
  Speaker 7: without shouting, he says, first, I'm not a whore. Second,
• 1:27:11
  Speaker 7: I'm not a bastard.
• 1:27:13
  Speaker 3: Third, I'm a rhymer. And today I arrived heavy.
• 1:27:15
  Speaker 7: The third one already kind of links the answer of
• 1:27:19
  Speaker 7: Neo with the answer of Japa. He says, that's why
• 1:27:21
  Speaker 7: I'm the team of the people. So Brazil, I'm ready
• 1:27:24
  Speaker 7: to be loved again. He answered both.
• 1:27:25
  Speaker 3: In a rhyme, you know?
• 1:27:27
  Speaker 7: Like, the impact of his rhyme was responding mainly to Japa,
• 1:27:30
  Speaker 7: but the rhyme impacted.
• 1:27:31
  Speaker 6: But there will be people who will think that a
• 1:27:33
  Speaker 6: rhyme more heavy is that rhyme that.
• 1:27:36
  Speaker 3: Talvez o público gritou mais porque foi um ataque. Só
• 1:27:39
  Speaker 3: que essa rima é foda porque fechou duas pontas numa só.
• 1:27:41
  Speaker 3: Eu concordo. Aí, um outro exemplo. Como que a gente
• 1:27:43
  Speaker 3: faz o parâmetro disso?
• 1:27:44
  Speaker 8: Aí, mano, é muito do feeling.
• 1:27:45
  Speaker 3: Porque, por exemplo, agora é uma opinião sua que eu
• 1:27:47
  Speaker 3: não sei.
• 1:27:47
  Speaker 2: Aí, digamos que o cara responde essa do Brasil, tô
• 1:27:50
  Speaker 2: pronto pra ser amado de novo, fazendo uma construção... Like,
• 1:27:54
  Speaker 2: a first old rhyme, a second old rhyme, and in
• 1:27:56
  Speaker 2: the other two he can answer. It's impossible for the
• 1:27:58
  Speaker 2: point to be the same as mine, right?
• 1:28:01
  Speaker 3: There's no way, there's no way.
• 1:28:02
  Speaker 2: And I don't know if this is put in the balance.
• 1:28:04
  Speaker 3: That's what I wanted to know. This kind of contextualization, right?
• 1:28:07
  Speaker 3: Because for me it has to be. Because it's very
• 1:28:08
  Speaker 3: difficult to do this.
• 1:28:09
  Speaker 7: It's very difficult for you to link things and put
• 1:28:11
  Speaker 7: coherence in everything. Then, for example, like he was talking
• 1:28:14
  Speaker 7: about answering the construction. Neo rhymes with me and he
• 1:28:17
  Speaker 7: sends the rhyme to me. He says like this, ah.
• 1:28:21
  Speaker 7: Today is the day that the Coliseum warrior will kill
• 1:28:23
  Speaker 7: the samurai of the village. He sends this rhyme. Then
• 1:28:26
  Speaker 7: I say in my first verse, I say, guys, did
• 1:28:27
  Speaker 7: you pay attention that he couldn't answer what I said
• 1:28:31
  Speaker 7: and then he appealed to Bordão? In that, I already
• 1:28:34
  Speaker 7: answered the samurai of.
• 1:28:35
  Speaker 3: The warrior village of Coliseu.
• 1:28:35
  Speaker 7: And then I said, so you didn't understand that now
• 1:28:38
  Speaker 7: I'm going to be champion.
• 1:28:39
  Speaker 3: Then I answer his construction.
• 1:28:41
  Speaker 7: He says, your rhyme is ugly, you are 666, I
• 1:28:42
  Speaker 7: am 777, the number of perfection. Like, as I answered
• 1:28:45
  Speaker 7: him before, he gave me the opportunity to give my
• 1:28:48
  Speaker 7: final punchline, answer his construction, precisely because it was what
• 1:28:51
  Speaker 7: I said, the priority of you killing something there, it
• 1:28:54
  Speaker 7: gives you the freedom to create later without having.
• 1:28:56
  Speaker 2: The weight of, like, wow, I need to respond. If
• 1:28:58
  Speaker 2: your punch wasn't that strong, I don't necessarily need to
• 1:29:01
  Speaker 2: answer it. So, like, Apollo chose to answer with the hook,
• 1:29:03
  Speaker 2: and I'm going to kill him by answering with his construction.
• 1:29:06
  Speaker 2: It's because I'm going to look here, normally, a good
• 1:29:08
  Speaker 2: part of the audience, if I'm not even generalizing, like,
• 1:29:12
  Speaker 2: maybe the whole audience, will think that the punchline, even
• 1:29:16
  Speaker 2: if it's three old rhymes, the punchline is awesome, But
• 1:29:19
  Speaker 2: I think this is going to change because I feel that.
• 1:29:22
  Speaker 7: People unconsciously see the coherence in the situation, even if
• 1:29:24
  Speaker 7: it's layman. If the MC knows how to communicate in
• 1:29:27
  Speaker 7: the right way, it will always be possible to explain
• 1:29:29
  Speaker 7: and talk to the guys. There had to be some
• 1:29:31
  Speaker 7: workshops with the judges, you guys exchanging these ideas, and
• 1:29:34
  Speaker 7: I wanted to bring these questions, obviously they.
• 1:29:36
  Speaker 3: Are my doubts.
• 1:29:43
  Speaker 6: But it's to show people that it's not clear for everyone,
• 1:29:47
  Speaker 6: you know?
• 1:29:48
  Speaker 3: So, like... Perfect.
• 1:29:49
  Speaker 2: I think the more we bring examples of battles that
• 1:29:54
  Speaker 2: are in people's imaginations, they can understand better, you know?
• 1:29:57
  Speaker 2: Like this example you gave, it happened to me too
• 1:30:00
  Speaker 2: on my birthday, when Devilzinha said that I.
• 1:30:03
  Speaker 3: Was objectifying her body, you know? Exactly, exactly.
• 1:30:05
  Speaker 2: And then, like, at the time, I was already indignant, right?
• 1:30:08
  Speaker 2: I was like, damn, but I need to answer this
• 1:30:10
  Speaker 2: with rhyme. And then she said, what's the problem with
• 1:30:12
  Speaker 2: my body?
• 1:30:12
  Speaker 3: It's a travesti's body.
• 1:30:13
  Speaker 2: And then I said, there's no problem at all. The
• 1:30:15
  Speaker 2: problem is not your body, it's your rhyme that's common.
• 1:30:18
  Speaker 2: In this construction, I'm kind of like, I'm already leaving
• 1:30:20
  Speaker 2: a face for everyone that it's not about this.
• 1:30:22
  Speaker 3: You know?
• 1:30:23
  Speaker 2: And then comes the punch, which is from trying to
• 1:30:25
  Speaker 2: forge me in my The Last Dance, you want to
• 1:30:27
  Speaker 2: throw a cross on my back that doesn't belong to me. Like,
• 1:30:29
  Speaker 2: at no time, she said she was forging me, but
• 1:30:31
  Speaker 2: I made it very clear.
• 1:30:32
  Speaker 3: To everyone what was happening, you know?
• 1:30:34
  Speaker 7: He imputed a narrative and the audience... através da persuasão dele,
• 1:30:39
  Speaker 7: abraçou como fato, tá ligado?
• 1:30:40
  Speaker 2: Exatamente, porque você precisa ser muito... Você controlou a narrativa,
• 1:30:42
  Speaker 2: no caso.
• 1:30:43
  Speaker 3: Isso, isso. Tipo assim, ó, ela tá tentando jogar pra cá, peraí.
• 1:30:45
  Speaker 6: Não, eu acho isso muito foda e tem que ser
• 1:30:48
  Speaker 6: levado muito em consideração. Acho, concordo com o que o
• 1:30:51
  Speaker 6: Apolo falou, que conforme o tempo vai passando, o público
• 1:30:54
  Speaker 6: vai pegando mais a visão, mas eu sinto também que
• 1:30:56
  Speaker 6: o público.
• 1:30:58
  Speaker 6: I don't know if it's a criticism, but the audience
• 1:31:00
  Speaker 6: gets the vision, maybe, of the MCs that they like
• 1:31:02
  Speaker 6: the most, for example.
• 1:31:03
  Speaker 3: It can be too. It can be too. Man, the
• 1:31:05
  Speaker 3: rhymes of the rap, bro. Yeah, don't even say it, bro.
• 1:31:08
  Speaker 6: It was all this here that you explained. And I
• 1:31:10
  Speaker 6: don't remember if he won the round, you know? And
• 1:31:13
  Speaker 6: I don't even remember the whole round to say that
• 1:31:16
  Speaker 6: he deserved to have won or not. But what I
• 1:31:18
  Speaker 6: want to say is that, like, man, it didn't have...
• 1:31:20
  Speaker 6: I know it had an impact, but there, at the time...
• 1:31:23
  Speaker 6: This rhyme of the boy is like if he had
• 1:31:25
  Speaker 6: spoken of Groselha.
• 1:31:26
  Speaker 5: There was a beat.
• 1:31:27
  Speaker 3: There was a beat. There was a beat. There was
• 1:31:28
  Speaker 3: a beat. There was a beat. There was a beat.
• 1:31:30
  Speaker 3: There was a beat. There was a beat. There was
• 1:31:32
  Speaker 3: a beat. There was a beat.
• 1:31:51
  Speaker 2: I think this is the main point. Like, the people,
• 1:31:54
  Speaker 2: maybe if it was Cesar talking, would like it. When
• 1:31:57
  Speaker 2: Negrotti sent that rhyme there, it was on BDA1, there
• 1:31:59
  Speaker 2: was no Levinsky, JP, Apollo or BTC. These hands built
• 1:32:02
  Speaker 2: the privilege for you. The people know that Negrotti was
• 1:32:05
  Speaker 2: in the past, for the whole story, regardless of controversy
• 1:32:08
  Speaker 2: or not, he is an old face.
• 1:32:09
  Speaker 3: And not that Raps is not. I understand. But Negrotti's
• 1:32:12
  Speaker 3: maybe has more people. I also think that was it.
• 1:32:14
  Speaker 2: So, like, the rhyme is very good, but maybe for
• 1:32:16
  Speaker 2: a good part of that audience, it's like.
• 1:32:18
  Speaker 3: Man, why is he saying that? Public law, sometimes they
• 1:32:21
  Speaker 3: don't even know a man, you know?
• 1:32:21
  Speaker 2: Does he have so much time to walk, you know?
• 1:32:25
  Speaker 3: And then, it's the gift.
• 1:32:26
  Speaker 2: Of the MC, not that Raps doesn't have, but to
• 1:32:28
  Speaker 2: be able to contextualize this in rhyme.
• 1:32:30
  Speaker 6: Yeah, but I'm curious to know if at least the
• 1:32:33
  Speaker 6: judges consider that rhyme an absurd.
• 1:32:35
  Speaker 2: But then I'll ask you another question, do the judges
• 1:32:37
  Speaker 2: agree with the argument put in?
• 1:32:41
  Speaker 6: Then I want to ask you, can this come to
• 1:32:44
  Speaker 6: the jurors' table? Or do they have to judge themselves
• 1:32:47
  Speaker 6: only by rhyme?
• 1:32:48
  Speaker 3: I don't know, good question.
• 1:32:49
  Speaker 6: Because they will say that JP is telling the truth
• 1:32:51
  Speaker 6: or a lie.
• 1:32:52
  Speaker 3: I'm looking at him and he's rhyming well. I'm not
• 1:32:55
  Speaker 3: a juror of anything.
• 1:32:55
  Speaker 2: For example, Johnny's rhyme there, I'm bigger than all the
• 1:32:58
  Speaker 2: national champions. This is a debate, because I don't know,
• 1:33:02
  Speaker 2: I'm playing for you.
• 1:33:03
  Speaker 3: You don't know. Johnny is clearly not bigger than all
• 1:33:05
  Speaker 3: the national champions, you know?
• 1:33:07
  Speaker 2: He can be bigger than some national champions, but he's
• 1:33:09
  Speaker 2: not bigger than Cesar, than Cid, than Billy Mike, than M. Charles,
• 1:33:12
  Speaker 2: than Douglas Dean. He's not bigger than some, you know?
• 1:33:16
  Speaker 2: This rhyme is fallacious, but within the context, it made
• 1:33:21
  Speaker 2: all sense at the time.
• 1:33:22
  Speaker 3: Yeah, I'm going to think it's cool, it's like the
• 1:33:24
  Speaker 3: soccer team, I'm the best. I don't know if.
• 1:33:26
  Speaker 2: The judges, like, I don't know, I'm here in the
• 1:33:28
  Speaker 2: locker room.
• 1:33:29
  Speaker 3: Nada a ver. Ou se o jurado fala, puta, eu
• 1:33:34
  Speaker 3: concordo com isso.
• 1:33:35
  Speaker 6: Se me pedir a opinião, eu vou, eu não vou,
• 1:33:38
  Speaker 6: a minha opinião é, não deve nem concordar nem discordar.
• 1:33:40
  Speaker 3: Foi uma rima foda? Pontua. Pontua. Porque, tipo assim, senão
• 1:33:44
  Speaker 3: começa a ficar muito, muito, muito, muito, muito subjetivo.
• 1:33:47
  Speaker 2: Porque daqui a pouco eu vou votar... E aí a
• 1:33:48
  Speaker 2: obrigação é do adversário de falar que ele.
• 1:33:50
  Speaker 3: Não é, né? É, porque aí eu vou votar, tipo assim.
• 1:33:53
  Speaker 6: You will be absolutely sure that if a person who
• 1:33:55
  Speaker 6: is a judge doesn't like you, she will vote against you.
• 1:33:57
  Speaker 3: It's true.
• 1:33:58
  Speaker 5: We have to do a podcast with the judges, man,
• 1:33:59
  Speaker 5: to understand.
• 1:34:00
  Speaker 3: And that's cool. That's cool. That's the karma of the
• 1:34:01
  Speaker 3: rhyme battles, man.
• 1:34:02
  Speaker 7: Like, I think there's a thing that you can see
• 1:34:05
  Speaker 7: that will haunt, like, the battle scenario forever.
• 1:34:07
  Speaker 3: That's it, man.
• 1:34:08
  Speaker 7: I don't see, I don't know about you, man, but
• 1:34:10
  Speaker 7: I don't see, like, at some point that we're going
• 1:34:12
  Speaker 7: to spend a whole year.
• 1:34:13
  Speaker 3: Unanimous. And you're going to say, fuck, look, it's all... Man,
• 1:34:16
  Speaker 3: there's no way. Oh, but there have been battles that...
• 1:34:18
  Speaker 3: There's no way you can remedy... But, for example, guys.
• 1:34:23
  Speaker 2: It's that in this case, it's subjective because we're talking
• 1:34:26
  Speaker 2: about a rhyme battle. We're talking about Johnny being bigger
• 1:34:29
  Speaker 2: than some national champions, and that could be true.
• 1:34:32
  Speaker 3: But what if.
• 1:34:33
  Speaker 2: It's something criminal, that goes into our ethics, into our morals?
• 1:34:38
  Speaker 2: Just because it's criminal, it's already exposed.
• 1:34:41
  Speaker 3: No, not criminal, literally.
• 1:34:42
  Speaker 2: No, it's not literally a crime. I'd rather say criminal,
• 1:34:44
  Speaker 2: like saying that, I don't know, the.
• 1:34:50
  Speaker 3: Let me think of someone here. It's hard, isn't it?
• 1:34:52
  Speaker 3: Kaleri plays more than Cristiano Ronaldo, for example.
• 1:34:55
  Speaker 6: If it's within the context of the match, I understand.
• 1:34:58
  Speaker 6: But in my head, if it's within the context, and
• 1:35:02
  Speaker 6: the guy who's defending Cristiano Ronaldo let Caleri be bigger
• 1:35:06
  Speaker 6: than Cristiano Ronaldo, he lost in my head twice, because
• 1:35:09
  Speaker 6: the guy can rhyme something that's not true.
• 1:35:11
  Speaker 2: Better than you, bro. And then in my head, I
• 1:35:13
  Speaker 2: hate Caleri, I would say, go fuck yourself, bro, look
• 1:35:16
  Speaker 2: what this man is talking about.
• 1:35:17
  Speaker 3: That's why Capolo said, bro, you'll never have.
• 1:35:20
  Speaker 6: Nunca, mas eu acho que nunca vai ter.
• 1:35:21
  Speaker 3: Se ninguém fizer tipo um sindicato... Eu não sei se
• 1:35:24
  Speaker 3: esses são os nomes, tá? Um sindicato, um workshop... Mano.
• 1:35:27
  Speaker 6: As coisas estão ficando muito grandiosas. Eu queria que daqui
• 1:35:30
  Speaker 6: a pouco, nas próximas, na 11, na 12, na 13, enfim,
• 1:35:32
  Speaker 6: na 50 também.
• 1:35:35
  Speaker 6: I think it will take some time. It has evolved
• 1:35:37
  Speaker 6: in a way, but the criteria are very subjective. The
• 1:35:40
  Speaker 6: criteria are sometimes explained in a way.
• 1:35:54
  Speaker 3: And at the time of execution, other things happen. And
• 1:35:56
  Speaker 3: then this year, for.
• 1:35:57
  Speaker 7: Example, usually there is a meeting before you join the
• 1:35:59
  Speaker 7: MCs and the judges. This year, I don't know, I
• 1:36:02
  Speaker 7: may be talking nonsense, but as far as I know,
• 1:36:05
  Speaker 7: there wasn't. Like, the judges went straight to the octagon,
• 1:36:08
  Speaker 7: the MCs went straight to the octagon, so they were.
• 1:36:09
  Speaker 3: Going to rhyme.
• 1:36:10
  Speaker 7: So there wasn't something palpable of you saying, man, I
• 1:36:12
  Speaker 7: think today I'm going to rhyme more like this to
• 1:36:15
  Speaker 7: try to win the judges' vote.
• 1:36:16
  Speaker 3: And they said.
• 1:36:18
  Speaker 7: In the other years that, for example, on the anniversary
• 1:36:20
  Speaker 7: of the D & C, it's not just the rhyme
• 1:36:21
  Speaker 7: that will count. It's not just the best rhyme, it
• 1:36:23
  Speaker 7: will tell the show, the way the MC can reach
• 1:36:26
  Speaker 7: the audience too, because as it is a show battle,
• 1:36:30
  Speaker 7: the MC has the duty to communicate with the audience
• 1:36:32
  Speaker 7: in a way that he can involve, you know?
• 1:36:35
  Speaker 2: It's not possible to be just a technician for each one.
• 1:36:37
  Speaker 3: No, it's not possible, I agree. It's still very subjective, bro.
• 1:36:39
  Speaker 4: Man, but let me ask you a question like this,
• 1:36:41
  Speaker 4: and there are also judges who take a lot to
• 1:36:44
  Speaker 4: the staff, for example, you are in these judges, So
• 1:36:47
  Speaker 4: this judge here, he likes to attack more, be more malignant.
• 1:36:51
  Speaker 4: So I'll be, because I'll get points with this one.
• 1:36:54
  Speaker 4: Is there a kind of thing like that too?
• 1:36:55
  Speaker 2: So, people usually have this meeting and the judges always
• 1:36:58
  Speaker 2: have the voice to say.
• 1:36:59
  Speaker 3: What each one there... He's looking more.
• 1:37:02
  Speaker 2: Yeah, but I don't think the MCs are worried about that.
• 1:37:05
  Speaker 3: Not all of them, right? I think the minority, yes.
• 1:37:06
  Speaker 2: We're not worried about pleasing the jury.
• 1:37:09
  Speaker 6: I think it will never be unanimity, you know? But
• 1:37:11
  Speaker 6: I wanted everyone to respect themselves more and more. The
• 1:37:14
  Speaker 6: jury of the MCs, the MCs are the jury's opinion,
• 1:37:17
  Speaker 6: the public is the opinion of all.
• 1:37:18
  Speaker 3: And that the criteria is clear, right?
• 1:37:19
  Speaker 2: I think the criteria is a little blurred, it's the
• 1:37:21
  Speaker 2: main problem.
• 1:37:23
  Speaker 3: Like, because we.
• 1:37:24
  Speaker 2: Get into that discussion that we even talked about last time,
• 1:37:26
  Speaker 2: which is, maybe, to robotize freestyle, you know? But I
• 1:37:29
  Speaker 2: believe that for the big competitions, man, it won't be
• 1:37:32
  Speaker 2: the way to robotize, but it will be the way
• 1:37:34
  Speaker 2: to have some more pre-established criteria for us to know
• 1:37:36
  Speaker 2: what is being analyzed. Because otherwise it gets very subjective.
• 1:37:40
  Speaker 2: It happens a lot in the North now. That I
• 1:37:42
  Speaker 2: laughed at the first round with a very good kid,
• 1:37:43
  Speaker 2: by the way. What's the name of the kid's name?
• 1:37:45
  Speaker 3: CZP. CZP? It's a kid that's laughing at you. He
• 1:37:48
  Speaker 3: doesn't shake, man. He stays like this. Yeah, yeah. He's
• 1:37:50
  Speaker 3: the same. He's the same. A very good kid to
• 1:37:51
  Speaker 3: laugh at, man. JPE, this kid is fucked, man. Good kid,
• 1:37:54
  Speaker 3: good kid. And then, pay attention. In the third round,
• 1:37:56
  Speaker 3: I get the first four and send... heavy.
• 1:38:00
  Speaker 2: And then, he goes there and answers, more or less. Then,
• 1:38:04
  Speaker 2: on the second lap, I already give a destroyed. And
• 1:38:06
  Speaker 2: on his second lap, he gives a retreat. And on
• 1:38:08
  Speaker 2: the third lap, I give another destroyed. And he can answer, pa.
• 1:38:11
  Speaker 3: And on my last, I lock. You know? And he destroys.
• 1:38:15
  Speaker 3: And then, like, in my head, I already knew that
• 1:38:17
  Speaker 3: I had won the battle. You know?
• 1:38:18
  Speaker 2: But there was a time, in a moment there, one
• 1:38:21
  Speaker 2: of the guys voted for him, like, bro. And I never, bro,
• 1:38:24
  Speaker 2: never in my life, I had contested, like, you know?
• 1:38:25
  Speaker 2: In front of everyone, or anything. And then, I hugged
• 1:38:27
  Speaker 2: the guy, that, you know? It was a mess. Then
• 1:38:33
  Speaker 2: he got mad at me and I said, was it
• 1:38:36
  Speaker 2: because I got stuck? Then he said, you didn't complete
• 1:38:39
  Speaker 2: the rhyme. I said, and that's why I lost the round?
• 1:38:42
  Speaker 3: You know? Then he said, yeah, like, then I left like.
• 1:38:51
  Speaker 2: That, then we changed the idea, I said, man, sorry,
• 1:38:53
  Speaker 2: it wasn't time to do this, stop, we could talk later.
• 1:38:55
  Speaker 2: But that's it, like, if for some reason another jury
• 1:38:59
  Speaker 2: found the same thing, found my lock... It was a
• 1:39:01
  Speaker 2: curve for JP. Man, it was a curve in a
• 1:39:03
  Speaker 2: battle that I clearly won, man, you know? Like, there's
• 1:39:07
  Speaker 2: no way to say no.
• 1:39:08
  Speaker 6: Yeah, because I think he, maybe this jury has been
• 1:39:10
  Speaker 6: attached to the last one, like, because I've also seen
• 1:39:13
  Speaker 6: MC win the battle like this. Fuck, I'm losing, I'm losing,
• 1:39:16
  Speaker 6: I'm losing everything. When it comes to the last one,
• 1:39:18
  Speaker 6: I send a fuck. And you send a more or less,
• 1:39:20
  Speaker 6: the memory of the last one is very heavy.
• 1:39:22
  Speaker 2: And there's another thing too, that after I changed ideas
• 1:39:24
  Speaker 2: with him, he said like this, bro, I can also
• 1:39:27
  Speaker 2: have been slapped. Which is something that no one ever
• 1:39:32
  Speaker 2: puts on the table, right?
• 1:39:34
  Speaker 3: Like, I can also have been wrong. And I said, man,
• 1:39:36
  Speaker 3: it's true.
• 1:39:36
  Speaker 6: Like, he can be wrong, just like I did with Zão.
• 1:39:38
  Speaker 6: I think it's more comforting for you to hear what
• 1:39:41
  Speaker 6: he said, a reality like, bro, maybe I slapped, than
• 1:39:43
  Speaker 6: a guy who... I think it's great that we changed
• 1:39:48
  Speaker 6: these ideas because you are three MCs of evidence as fuck.
• 1:40:03
  Speaker 6: It's a subject that always comes up when there's a
• 1:40:05
  Speaker 6: big competition. I think it's cool to change this idea,
• 1:40:07
  Speaker 6: because whenever I change this idea with you guys, it's
• 1:40:09
  Speaker 6: something I'm getting to know today, but it was always something.
• 1:40:12
  Speaker 3: Really cool, propositional, like, no, we really wanted to understand.
• 1:40:16
  Speaker 3: It's cool, a jury school, a walk like that. And
• 1:40:19
  Speaker 3: you guys think that if there was a VAR too?
• 1:40:20
  Speaker 3: I think VAR won't work. VAR is horrible, right?
• 1:40:24
  Speaker 4: No, like, at the time, it rhymed, the result came out,
• 1:40:27
  Speaker 4: but if someone raised their.
• 1:40:29
  Speaker 3: Hand, VARzinho... I thought about it, man. I thought about it.
• 1:40:33
  Speaker 3: I think it's going to end up.
• 1:40:35
  Speaker 6: Falling into what JP was talking about. It's going to
• 1:40:37
  Speaker 6: be kind of robotized.
• 1:40:40
  Speaker 1: Robotize the thing.
• 1:40:42
  Speaker 2: I think the judges could also have a little more time.
• 1:40:45
  Speaker 2: Sometimes it would help, man. Because it's all very fast.
• 1:40:49
  Speaker 2: I think the judges think too much. It's going to
• 1:40:51
  Speaker 2: get worse.
• 1:40:51
  Speaker 3: But it's mathematics. It's going to start to cut the head. Man,
• 1:40:55
  Speaker 3: being a judge is a bad response. Nowadays, everyone wants
• 1:40:58
  Speaker 3: to be MC.
• 1:41:00
  Speaker 1: Everyone wants to be a presenter, everyone wants to be
• 1:41:02
  Speaker 1: an organizer. Man, no son of a bitch wants to
• 1:41:04
  Speaker 1: be a judge.
• 1:41:04
  Speaker 3: You don't even have the courage to volunteer. You have
• 1:41:06
  Speaker 3: to volunteer. It sucks to say that so you can
• 1:41:08
  Speaker 3: play responsibly, right?
• 1:41:08
  Speaker 2: It sucks, man, because why would the person become a judge, cousin?
• 1:41:11
  Speaker 3: Let's go in Portuguese, of course. To get stoned.
• 1:41:13
  Speaker 2: To get hate, not to make money. It's to like
• 1:41:15
  Speaker 2: what you're doing. You have to love the thing a lot, man.
• 1:41:17
  Speaker 2: I agree.
• 1:41:18
  Speaker 3: The tendency seems to be that the judges say more
• 1:41:19
  Speaker 3: and more, I don't want it anymore, man. That's why
• 1:41:21
  Speaker 3: I'm saying, you have to talk and hug everyone as
• 1:41:23
  Speaker 3: the same class there.
• 1:41:27
  Speaker 6: I even said something, but I said it in my thoughts,
• 1:41:30
  Speaker 6: I said it out loud, I said, man, it's cool
• 1:41:32
  Speaker 6: to play this response for you, but it would be cool,
• 1:41:34
  Speaker 6: you as MCs, not you, literally you, but the MCs themselves,
• 1:41:38
  Speaker 6: say like this, but you want to be a judge,
• 1:41:40
  Speaker 6: today it's us three who are going to be judges.
• 1:41:42
  Speaker 3: I'm going to be a judge of BDA11, Paetão. BDA11
• 1:41:45
  Speaker 3: I'm going to become a judge. I saw Alva, I
• 1:41:47
  Speaker 3: saw Alva's symbol pouring like this.
• 1:41:50
  Speaker 2: I have this plan with Liga Central, you know?
• 1:41:52
  Speaker 3: To be able to do... Are you going to be
• 1:41:54
  Speaker 3: a jury?
• 1:41:54
  Speaker 2: No, God is more.
• 1:41:54
  Speaker 3: I'm not going to be a jury. If you were,
• 1:41:57
  Speaker 3: you wouldn't have participated. I say to try to do
• 1:41:59
  Speaker 3: something about it.
• 1:42:00
  Speaker 2: Because making stories is not doing anything about it, you know?
• 1:42:04
  Speaker 3: Tweeting, anyway, I never believed. It's a meeting, where are
• 1:42:06
  Speaker 3: we going to improve this?
• 1:42:07
  Speaker 2: I always followed this line because of the.
• 1:42:10
  Speaker 3: Guys I saw on the scene.
• 1:42:11
  Speaker 2: I gave the example of Neo and Big Mike, the
• 1:42:13
  Speaker 2: guys lost a lot of stuff stolen and the guys
• 1:42:15
  Speaker 2: were always like, I'm going to count seven days, I'm
• 1:42:17
  Speaker 2: going to come back and I'm going to win this shit.
• 1:42:19
  Speaker 3: And that's not why they are so respected? For fuck's sake,
• 1:42:21
  Speaker 3: you know?
• 1:42:22
  Speaker 2: So I think we can't spend it, but I also
• 1:42:24
  Speaker 2: don't think the MC can internalize everything, right? Like this
• 1:42:27
  Speaker 2: time I said the thing and I regretted it.
• 1:42:29
  Speaker 3: But sometimes we'll have to talk. It happens, right? Ask
• 1:42:31
  Speaker 3: and talk, you know? But I think that's it.
• 1:42:33
  Speaker 2: The first step, Igor, that you talked about the association,
• 1:42:35
  Speaker 2: these things, the syndicate, I don't know very well, is
• 1:42:38
  Speaker 2: for us to join. We changed this idea, including in
• 1:42:40
  Speaker 2: the MC's house, with the village, to do.
• 1:42:42
  Speaker 3: This, bro. Get the names that, in general, respect, you know?
• 1:42:46
  Speaker 2: Instead of making a pot, bro, get the names that
• 1:42:48
  Speaker 2: we know are respected, bro. Both Mano, Mina and Mona,
• 1:42:52
  Speaker 2: you know? From many generations, even if it's, I don't know,
• 1:42:54
  Speaker 2: 50 people, like a congress like this, you know? And
• 1:42:57
  Speaker 2: we establish, like I did that day for you, what
• 1:42:58
  Speaker 2: do you appreciate the most in freestyle? What do you
• 1:43:01
  Speaker 2: appreciate the most in freestyle? Man, if 18 people talk
• 1:43:03
  Speaker 2: about Punchline, we already know that Punchline is there.
• 1:43:05
  Speaker 3: You know? And it's there, right? And it's there.
• 1:43:07
  Speaker 2: If 10 says context and 8 says flow, the context
• 1:43:09
  Speaker 2: is already in front of flow. And then, whether you
• 1:43:11
  Speaker 2: want it or not, for some competitions you will have
• 1:43:14
  Speaker 2: to follow this cart. Look, the cart of the syndicates
• 1:43:16
  Speaker 2: of the MCs, I don't.
• 1:43:17
  Speaker 3: Know what there.
• 1:43:18
  Speaker 7: For me, bro, for me, punchline along with context, for me, bro,
• 1:43:20
  Speaker 7: it's already the two that are unbeatable, bro. The MC
• 1:43:23
  Speaker 7: can make an inverted metric.
• 1:43:24
  Speaker 3: With I don't know what.
• 1:43:25
  Speaker 2: The flow is still.
• 1:43:26
  Speaker 3: The flow is still... No, the flow is still.
• 1:43:27
  Speaker 7: But if the MC is with context and with punchline,
• 1:43:29
  Speaker 7: he will have to flow, bro.
• 1:43:30
  Speaker 3: He won't have to, like.
• 1:43:32
  Speaker 6: For me, construction counts a lot. If the guy gets
• 1:43:35
  Speaker 6: the four rhymes right.
• 1:43:36
  Speaker 4: For me, I'm like, you're the guy.
• 1:43:39
  Speaker 3: Starting from the price-post, bugger, rhythm and poetry. Fuck, say
• 1:43:42
  Speaker 3: it again. Starting from the price-post, bugger, rhythm and poetry.
• 1:43:44
  Speaker 7: JP is fucked today, man. He said it was fallacious.
• 1:43:47
  Speaker 7: He's working well with the words.
• 1:43:49
  Speaker 3: It was bad, man. No, no, no. This was great. Okay, okay.
• 1:43:51
  Speaker 3: Starting from.
• 1:43:52
  Speaker 5: You're the face of the 90s, huh?
• 1:43:54
  Speaker 3: Right? What do you think is the coolest part of
• 1:44:03
  Speaker 3: the battle? Man, the punchline. Calm down, man. I think
• 1:44:06
  Speaker 3: the punchline is the coolest part, man. When the rhyme hits,
• 1:44:09
  Speaker 3: you know?
• 1:44:10
  Speaker 5: It's the impact punch.
• 1:44:21
  Speaker 3: And... What's that? Impact juice. Impact juice. Impact juice, right? Yeah, man. Uppercut, man.
• 1:44:26
  Speaker 3: You're a punchliner, right, Cusão? Like, if you were a...
• 1:44:28
  Speaker 3: It's like that. It's like that, man. I play more
• 1:44:31
  Speaker 3: on the technique, you know, than on the punchline itself.
• 1:44:34
  Speaker 9: Like, get a round of 40 seconds.
• 1:44:35
  Speaker 3: But you hit a lot of punchlines. Yeah, I like
• 1:44:37
  Speaker 3: to play on the punchlines too. Here it's monster. But
• 1:44:39
  Speaker 3: you are context and punch. But I think that what
• 1:44:41
  Speaker 3: is strong about him, bro, is the set of punchline
• 1:44:43
  Speaker 3: with the demoralization, bro. Which is where he is good, demoralizing. Debochado.
• 1:44:47
  Speaker 3: It's not even debauch, bro. It's devastating. Demoralization, really. It's heavy.
• 1:44:51
  Speaker 7: He likes demoralization, like, to say some things that, for example, if.
• 1:44:55
  Speaker 3: I say, I think people wouldn't even scream, bro.
• 1:44:57
  Speaker 5: I think people would be like, vish.
• 1:45:05
  Speaker 3: Yeah, there's a rhyme there. And he says the things
• 1:45:07
  Speaker 3: and people are like, my God.
• 1:45:08
  Speaker 2: There's a rhyme there for Bigão. Man, this rhyme is Quentona,
• 1:45:11
  Speaker 2: because it's a take-off, which is what you send. I'll
• 1:45:13
  Speaker 2: be back with the 30 mil reais. Then he goes
• 1:45:16
  Speaker 2: to Barreto and you with 30 mil reasons to never
• 1:45:18
  Speaker 2: come back.
• 1:45:19
  Speaker 3: Man, this rhyme aggrieves the guy, man, you know?
• 1:45:21
  Speaker 2: And I think that being without the A gets even
• 1:45:23
  Speaker 2: more cool.
• 1:45:23
  Speaker 3: What was your best rhyme there?
• 1:45:24
  Speaker 5: The one of each one.
• 1:45:26
  Speaker 3: My best rhyme that I think I sent? Let me see, man,
• 1:45:28
  Speaker 3: without evil. A pure A. Ah, I know, a better
• 1:45:30
  Speaker 3: one of yours. Speak, speak.
• 1:45:33
  Speaker 5: I know, I know.
• 1:45:33
  Speaker 3: About the attack, right? No, it was that one I
• 1:45:37
  Speaker 3: sent to Ravenna. I think that one was awesome. Which one?
• 1:45:40
  Speaker 9: That one there.
• 1:45:40
  Speaker 3: Man, it's awesome. Ah, of the three fears? It's that one.
• 1:45:44
  Speaker 2: I said Amílio, maximum respect to.
• 1:45:48
  Speaker 1: Amílio, because it didn't fit Emicida in the.
• 1:45:51
  Speaker 3: Sentence, you know? I wanted to say Emicida, you know?
• 1:46:03
  Speaker 3: Os Pilares, né?
• 1:46:05
  Speaker 2: Quem pavimentou a Miri, Rashid e Projota e os próximos
• 1:46:08
  Speaker 2: três temores.
• 1:46:09
  Speaker 3: Apolo, Negrotti... Ele.
• 1:46:10
  Speaker 5: Ainda faz um contexto, os caras falam do Marechal, tá ligado?
• 1:46:13
  Speaker 3: Falando que rap não era só São Paulo.
• 1:46:14
  Speaker 7: Mas na verdade eu rachubi com a performance de linguagem
• 1:46:19
  Speaker 7: corporal do Guinho, bicho é muito engraçado, né? Bicho é
• 1:46:21
  Speaker 7: muito bom, viado. In this one, he gives Pique a
• 1:46:24
  Speaker 7: punch in the air like Pelé celebrating.
• 1:46:25
  Speaker 3: Pique is us. Like Pelé. There's one that he sends
• 1:46:28
  Speaker 3: in the village, which is this one, Racharia. In the village,
• 1:46:30
  Speaker 3: in Semanal? The thing is very crazy, they kicked us
• 1:46:32
  Speaker 3: to the corner. If they throw the bomb, I dominate
• 1:46:35
  Speaker 3: and take it from the volley. But he makes a movement,
• 1:46:37
  Speaker 3: which looks like he's doing a volley. It looks like
• 1:46:39
  Speaker 3: he's doing it with his hand. How do you do
• 1:46:41
  Speaker 3: it with your hand, man? Your answer was awesome. But
• 1:47:09
  Speaker 3: her saying who asked you was also Zica. It was.
• 1:47:11
  Speaker 3: It was full of context. It came out now, the
• 1:47:13
  Speaker 3: react I did, I contextualized this thing too. I said, bro,
• 1:47:15
  Speaker 3: I think we did it together, you know?
• 1:47:16
  Speaker 7: We said, bro, a lot of people didn't understand because
• 1:47:19
  Speaker 7: they thought she was trying to snitch on titles, but
• 1:47:21
  Speaker 7: it wasn't that.
• 1:47:22
  Speaker 3: It was....
• 1:47:25
  Speaker 7: Who's asking what you guys won? You're talking too much.
• 1:47:29
  Speaker 3: I don't care.
• 1:47:30
  Speaker 4: And for you, what was your best rhyme of the night?
• 1:47:34
  Speaker 3: Man, I'll tell you, let me think. You also think
• 1:47:36
  Speaker 3: it was his. The female debilzinha. I mean, the... Johnny Feminina.
• 1:47:39
  Speaker 3: Johnny Feminina. No, man, you know.
• 1:47:41
  Speaker 1: Ronca na coletiva, something like that. E ainda é carioca,
• 1:47:44
  Speaker 1: é a Johnny Feminina.
• 1:47:45
  Speaker 3: Man, I always... You already fell, man. I always have
• 1:47:47
  Speaker 3: a rhyme that comes to my heart, like, I look
• 1:47:48
  Speaker 3: and say, man, this one here, I killed it, my favorite... Damn, man.
• 1:47:55
  Speaker 3: The one from 777. Man, no, in the semifinal I
• 1:47:57
  Speaker 3: rhymed a lot.
• 1:47:57
  Speaker 7: The one from 777 is monster, the one from 157
• 1:47:59
  Speaker 7: I'm taking in the assault scene is monster. But there
• 1:48:02
  Speaker 7: I was already in a state of flow, so my
• 1:48:03
  Speaker 7: favorite rhyme was the one I send the first of
• 1:48:05
  Speaker 7: this semifinal. I say, guys, are you noticing that here
• 1:48:08
  Speaker 7: is the national champion, the biggest champion of the anniversary,
• 1:48:12
  Speaker 7: one of the best MCs of the year, and even
• 1:48:14
  Speaker 7: so the favorite is still the Japanese?
• 1:48:16
  Speaker 3: Okay, so I carry this answer for you. This one.
• 1:48:19
  Speaker 7: this one was, it's that rhyme that you know you
• 1:48:22
  Speaker 7: broke the leg of three at once, in a trio round,
• 1:48:24
  Speaker 7: because it's something that is mentioned twice, like, ah, you
• 1:48:28
  Speaker 7: are the favorites, and then you get a dry answer,
• 1:48:30
  Speaker 7: which is like, man, don't touch this subject anymore, you know?
• 1:48:33
  Speaker 3: Don't touch anymore. It's not you, it's us. Like, you're
• 1:48:35
  Speaker 3: not going to get into.
• 1:48:36
  Speaker 7: This subject anymore and say anything, since we are the favorites,
• 1:48:38
  Speaker 7: we are the favorites, You are monsters and you want
• 1:48:40
  Speaker 7: to play responsa for us.
• 1:48:41
  Speaker 3: So it's us and let's go up, you know? The
• 1:48:43
  Speaker 3: vision broke the game. Yeah, it broke the game, bro.
• 1:48:47
  Speaker 3: This event was surreal, bro.
• 1:48:49
  Speaker 6: Every time I stop to remember the event, I remember a,
• 1:48:53
  Speaker 6: I don't know, a new plot, a thing. I was
• 1:48:56
  Speaker 6: here with the kids, right? The trio that lost to you, César,
• 1:49:00
  Speaker 6: Bigão and Barreto... And this event for me was so
• 1:49:04
  Speaker 6: great to the point of, like, you are champions, obviously,
• 1:49:08
  Speaker 6: but they also didn't go out, I swear they didn't go.
• 1:49:10
  Speaker 3: Out losers, bro. Man, it was like... They didn't go
• 1:49:12
  Speaker 3: out losers, you know? They went out, I swear they
• 1:49:15
  Speaker 3: went out in the same status as you.
• 1:49:16
  Speaker 7: No, they were the steel giants, right, bro? They were
• 1:49:18
  Speaker 7: the Atom, the little robot there, the people's champion, you know?
• 1:49:21
  Speaker 3: Man, they were the sinister, bro.
• 1:49:22
  Speaker 7: It's a trio that, like, that's what I said, bro,
• 1:49:25
  Speaker 7: when I was recording the video there. This trio is
• 1:49:28
  Speaker 7: a very symbolic trio, very beyond winning, right, bro? That's
• 1:49:32
  Speaker 7: what I said, Cesar and Barreto, they had a lot
• 1:49:35
  Speaker 7: of fun, they had a campaign worthy of being MVP,
• 1:49:38
  Speaker 7: but they only had fun like that, bro, with a magic.
• 1:49:42
  Speaker 3: Air, because they were on Cesar's side, bro.
• 1:49:44
  Speaker 7: If they formed a trio, Big Mike, Barreto and another
• 1:49:47
  Speaker 7: MC competitor, they would compete, it would be a lot
• 1:49:50
  Speaker 7: of work, but they wouldn't carry this magic that they carried.
• 1:49:54
  Speaker 3: As this trio. And look at the size of Cesar, right, bro? Exactly, bro.
• 1:49:57
  Speaker 3: Until the time of losing... He lost winning. He lost
• 1:50:02
  Speaker 3: in a beautiful way.
• 1:50:04
  Speaker 7: Because, like, what was highlighted and what will be remembered
• 1:50:08
  Speaker 7: is not Cesar lost the end of the anniversary, Cesar
• 1:50:11
  Speaker 7: came back and didn't.
• 1:50:13
  Speaker 3: Rhyme well because he was 9 years without rhyme.
• 1:50:15
  Speaker 7: But, man, what will be remembered is exactly the way
• 1:50:17
  Speaker 7: he ended the octagon there, you know?
• 1:50:19
  Speaker 3: But, without a doubt, I feel that he didn't end it. No,
• 1:50:24
  Speaker 3: he said it to rhyme, he wants to rhyme. I
• 1:50:26
  Speaker 3: feel that, man, the thing was what he needed.
• 1:50:28
  Speaker 6: What I feel was from the heart is that, okay,
• 1:50:31
  Speaker 6: there's the competition there and such, but I feel that Cesar,
• 1:50:35
  Speaker 6: I don't think I had the courage to say this
• 1:50:37
  Speaker 6: here with him in front of me, but I think
• 1:50:39
  Speaker 6: he went there to BDA to save.
• 1:50:42
  Speaker 3: Himself, bro. Yes. You know?
• 1:50:44
  Speaker 5: This BDA was his, bro.
• 1:50:45
  Speaker 6: Hip hop saves many people and that day Cesar was
• 1:50:49
  Speaker 6: being saved there, you know?
• 1:50:50
  Speaker 3: Because... When he sat here again, he was already lighter,
• 1:50:54
  Speaker 3: with another semblance. And he said, man, I want to rhyme.
• 1:50:58
  Speaker 3: It doesn't matter if I rhyme badly or well.
• 1:50:59
  Speaker 6: I want to rhyme because this thing gives me the
• 1:51:01
  Speaker 6: feeling that nothing brings me this feeling.
• 1:51:04
  Speaker 3: Just rhyme.
• 1:51:04
  Speaker 2: And he already faced the biggest monster, right, bro? The
• 1:51:07
  Speaker 2: biggest event with the biggest visibility. And, like, he exposed
• 1:51:10
  Speaker 2: himself that way. Because what we do is expose ourselves,
• 1:51:12
  Speaker 2: you know, bro? Cesar is like a sacred symbol for us.
• 1:51:16
  Speaker 3: Man, Cesar there, even if he was rhyming an absurd....
• 1:51:21
  Speaker 6: He's only going to lose, because it's very hard to
• 1:51:24
  Speaker 6: match what was.
• 1:51:25
  Speaker 3: Done in 2017. It's impossible.
• 1:51:26
  Speaker 6: And I think the most poetic way for him to
• 1:51:29
  Speaker 6: overcome himself is by doing what he did.
• 1:51:31
  Speaker 3: Exactly. That's why, being the way he was, I told this.
• 1:51:33
  Speaker 6: To the kids, I know that Barreto was really upset
• 1:51:36
  Speaker 6: about losing the normal competition, but.
• 1:51:42
  Speaker 3: The way it was, it was the way it had
• 1:51:44
  Speaker 3: to be. It was a lesson of humanity. It was
• 1:51:46
  Speaker 3: a lesson of humanity.
• 1:51:47
  Speaker 7: When I saw him talking and then I saw the
• 1:51:50
  Speaker 7: way people were absorbing it, it was that.
• 1:51:52
  Speaker 3: It was a teaching.
• 1:52:00
  Speaker 4: I was like, man, will the audience treat César like
• 1:52:03
  Speaker 4: after this? And after I saw that the audience hugged me,
• 1:52:05
  Speaker 4: I was like, damn, that's cool. And before that, I
• 1:52:08
  Speaker 4: also want to congratulate, man, the Battle of the Village,
• 1:52:10
  Speaker 4: on the moral, man.
• 1:52:11
  Speaker 5: The Trump, congratulations, 10 years.
• 1:52:13
  Speaker 4: There is that expectation for the 11 years, but I
• 1:52:15
  Speaker 4: want to ask you, Fifi, for the last dance, how
• 1:52:19
  Speaker 4: is this chat?
• 1:52:20
  Speaker 3: Delicate subject.
• 1:52:23
  Speaker 4: Because it's a Last Dance and you look and say,
• 1:52:25
  Speaker 4: now that the game is getting really fucked up.
• 1:52:27
  Speaker 5: I've been flirting with this Last Dance for a long time.
• 1:52:29
  Speaker 2: Whenever I tried to stop, something crazy happened. I think
• 1:52:34
  Speaker 2: in 2022, when I didn't want to participate anymore, because
• 1:52:36
  Speaker 2: my head was already giving signs that I wasn't well,
• 1:52:38
  Speaker 2: I saw Big Mac National and said, man, I need to.
• 1:52:40
  Speaker 3: Run again, I need to go to the street again.
• 1:52:52
  Speaker 2: And then, in 2023, things changed, so it taught me
• 1:52:55
  Speaker 2: a lesson too.
• 1:52:55
  Speaker 3: Like, oh, you wanted to stop.
• 1:52:57
  Speaker 2: And in the year you were saying goodbye, things happened.
• 1:53:01
  Speaker 2: And then, in 2023, like, everything had happened and I said, man,
• 1:53:04
  Speaker 2: now I'm going to stop, man.
• 1:53:06
  Speaker 3: You know?
• 1:53:06
  Speaker 2: Now I can't take it anymore. And then, in 2024,
• 1:53:08
  Speaker 2: the FMS came to Brazil.
• 1:53:10
  Speaker 3: And then, once a month. How come it doesn't rhyme?
• 1:53:12
  Speaker 3: How come it doesn't rhyme?
• 1:53:12
  Speaker 2: I had already won the spot. And then, are you
• 1:53:15
  Speaker 2: going to give up your spot? The guys said, I said, wow, man,
• 1:53:17
  Speaker 2: I don't have the courage to do this, no.
• 1:53:19
  Speaker 3: I'm going to participate. I won FMS, I said to myself,
• 1:53:22
  Speaker 3: now I stop, and then I signed.
• 1:53:23
  Speaker 2: A contract with Corinthians Azulá, with Magrão, with Big Mike,
• 1:53:25
  Speaker 2: with Basque, and I said, damn, man, something doesn't want
• 1:53:29
  Speaker 2: to stop me from doing freestyle, man, from battling, because
• 1:53:31
  Speaker 2: in some way, I don't know, there was something to
• 1:53:35
  Speaker 2: prove to myself, I was already very satisfied with my career,
• 1:53:40
  Speaker 2: but I needed to be there still. And in 2026,
• 1:53:43
  Speaker 2: this year, I had a meeting with the team and
• 1:53:46
  Speaker 2: they said, man, either you stop now, or it's your
• 1:53:47
  Speaker 2: last year, because it's the last year you're going.
• 1:53:51
  Speaker 3: To have to really try what you want, right, man?
• 1:53:52
  Speaker 2: Which is not only winning the national, not only having
• 1:53:57
  Speaker 2: won the anniversary, but being on the street and finishing
• 1:53:59
  Speaker 2: it in a beautiful way, like Guil said, man. Collaborate
• 1:54:01
  Speaker 2: with new MCs that are emerging, with emerging MCs, with
• 1:54:04
  Speaker 2: people that I never could make a duo, you know?
• 1:54:06
  Speaker 3: This year I did several unpublished duos.
• 1:54:08
  Speaker 2: Like Negrote himself, we've known each other for years and
• 1:54:11
  Speaker 2: we made the first duo in the village. So, I'm
• 1:54:12
  Speaker 2: Tavim's partner, for example, we've never made a duo, we
• 1:54:15
  Speaker 2: were talking these days. And besides several other MCs that
• 1:54:19
  Speaker 2: I'm friends with, you know? And those that I'm not
• 1:54:22
  Speaker 2: friends with either, right, bro? Because it's never been about
• 1:54:24
  Speaker 2: that either. It's about you believing in the person's freestyle
• 1:54:26
  Speaker 2: and going there and closing together. So, I'm very happy
• 1:54:29
  Speaker 2: with what I've done so.
• 1:54:30
  Speaker 3: Far, so far.
• 1:54:30
  Speaker 2: I believe that in the octagon it was the last time, yeah, Mítico,
• 1:54:34
  Speaker 2: you know? I don't... As I said, I see things
• 1:54:38
  Speaker 2: as a movie and for me this arc is finished
• 1:54:41
  Speaker 2: in the most beautiful way possible. If I mess with
• 1:54:42
  Speaker 2: this story, only if it's in 10 years, I don't know,
• 1:54:45
  Speaker 2: look 10 years later and say it's beautiful. But as
• 1:54:48
  Speaker 2: I like to finish things at the top, I don't
• 1:54:50
  Speaker 2: think there's a better way to finish it that way.
• 1:54:56
  Speaker 2: Being champion, along with Negrotti, along with Apollo, I think
• 1:54:59
  Speaker 2: all the points are aligned. And if I mess with
• 1:55:01
  Speaker 2: this story, it's because I'm being, I don't know, too
• 1:55:04
  Speaker 2: generous about the anniversary itself. And in the battles, bro,
• 1:55:08
  Speaker 2: I can't imagine, like, without doing freestyle, you know? I
• 1:55:11
  Speaker 2: can't imagine without battling. It's my last year competing, bro.
• 1:55:14
  Speaker 2: Competing in high performance demands a lot, bro, from our head.
• 1:55:17
  Speaker 3: Like that.
• 1:55:17
  Speaker 2: And I need to take care of it, you know?
• 1:55:20
  Speaker 2: I always had to take care of it, balancing the
• 1:55:22
  Speaker 2: dishes like everyone else. Take care and rhyme at the
• 1:55:24
  Speaker 2: same time. And you can't do it. You can't take
• 1:55:25
  Speaker 2: care of it.
• 1:55:26
  Speaker 3: It's crazy, right?
• 1:55:26
  Speaker 2: Some of the things you're going to have to give up.
• 1:55:28
  Speaker 2: And I gave up on my head and my self
• 1:55:29
  Speaker 2: all this time, bro. Like, I think I've lost a
• 1:55:32
  Speaker 2: lot of times when I've talked about this with Igão.
• 1:55:35
  Speaker 2: Not only here, but in the off, like, man, it's
• 1:55:36
  Speaker 2: awesome to deal with all this. Deal with my name
• 1:55:40
  Speaker 2: being commented.
• 1:55:41
  Speaker 3: Truth about me, lies about me.
• 1:55:44
  Speaker 2: And having seen Cesar, who for me is still one
• 1:55:49
  Speaker 2: of the greatest symbols of resilience, of strength and of
• 1:55:51
  Speaker 2: what an MC wishes, having done what he did, in
• 1:55:54
  Speaker 2: addition to everything, gives us a message, you.
• 1:55:56
  Speaker 3: Know, bro?
• 1:55:57
  Speaker 2: For us who are contemporaries to him, you know, bro?
• 1:55:59
  Speaker 2: That is like, oh, if you don't take care.
• 1:56:02
  Speaker 3: Of yourself, bro. It's you and it's going to happen
• 1:56:05
  Speaker 3: to all of you. It didn't happen to anyone.
• 1:56:06
  Speaker 2: It happened to the biggest of.
• 1:56:07
  Speaker 3: All of us. Yes. Do you think it's not going
• 1:56:09
  Speaker 3: to happen to all of you? Why? Because you guys
• 1:56:11
  Speaker 3: are strong? Because you guys are Zika? What's the deal? No,
• 1:56:13
  Speaker 3: you have to be careful with that.
• 1:56:14
  Speaker 2: So this sign also passed me, bro. So I really
• 1:56:16
  Speaker 2: want to finish this arc this year. I'm in the regional,
• 1:56:18
  Speaker 2: I qualified last Friday. So I want to take care
• 1:56:20
  Speaker 2: of myself. I'm reading a lot because I want to
• 1:56:22
  Speaker 2: do it in.
• 1:56:23
  Speaker 3: A beautiful way.
• 1:56:23
  Speaker 2: Regardless of what happens, if I'm going to be able
• 1:56:25
  Speaker 2: to get to the state, if I'm going to be
• 1:56:27
  Speaker 2: able to get to the national, I don't know what it's.
• 1:56:30
  Speaker 3: Going to be.
• 1:56:31
  Speaker 2: But I really feel that this is the end of
• 1:56:33
  Speaker 2: this cycle, man. I say like this, okay, now I'm
• 1:56:35
  Speaker 2: going to rhyme just because I like it. Like this,
• 1:56:38
  Speaker 2: if on a Tuesday I have to break the language,
• 1:56:39
  Speaker 2: if I have to linear, I'm going to rhyme because
• 1:56:41
  Speaker 2: I don't have anything to prove, neither for anyone nor
• 1:56:43
  Speaker 2: for myself, you know?
• 1:56:44
  Speaker 3: Fuck. It's just going to be fun.
• 1:56:46
  Speaker 5: And you two, how is the moment after this victory?
• 1:56:49
  Speaker 3: About wanting to continue or stop? Yeah, what are the pretensions? Ah, man,
• 1:56:52
  Speaker 3: I think the thing is the following, I was wanting
• 1:56:54
  Speaker 3: to stop, you know?
• 1:56:55
  Speaker 1: I had made a thing there that I said was
• 1:56:57
  Speaker 1: going to zero Brazil, you know? I wanted to know
• 1:57:00
  Speaker 1: every state in Brazil and be able to stop and say, man,
• 1:57:04
  Speaker 1: everything I had to do for the thing I did.
• 1:57:06
  Speaker 3: I met all the cultures, all the possible MCs in Brazil.
• 1:57:08
  Speaker 3: Did you want to battle in all these states? Yeah,
• 1:57:10
  Speaker 3: I was in 18, man. Man, what is that, man?
• 1:57:12
  Speaker 3: Then I went to more states.
• 1:57:13
  Speaker 1: Only then the guys said, no, man, you have to
• 1:57:16
  Speaker 1: come back here a week before the event.
• 1:57:18
  Speaker 3: I said, no, family, I'll come back in the day, man,
• 1:57:20
  Speaker 3: I'll come back in the day.
• 1:57:21
  Speaker 1: They said, no, you crazy, come back to the thing,
• 1:57:23
  Speaker 1: let's play the strategy of the thing, man, you have
• 1:57:26
  Speaker 1: to come back.
• 1:57:26
  Speaker 3: I said, it took a while. Then I gave up
• 1:57:28
  Speaker 3: on the dream, I'm thinking of coming back.
• 1:57:29
  Speaker 5: Which was the craziest state you've been to?
• 1:57:31
  Speaker 3: Ah, the Northeast, man. No words, the Northeast. For sure.
• 1:57:34
  Speaker 1: All the states in the Northeast, it's a region, the
• 1:57:35
  Speaker 1: guys are very lyrical. But going back to the subject
• 1:57:37
  Speaker 1: you had talked about, then I thought like this, man,
• 1:57:40
  Speaker 1: after this event, I said, damn, man, now I can't stop,
• 1:57:43
  Speaker 1: now that everything is clearing up, man, when it was
• 1:57:46
  Speaker 1: to stop, I didn't stop, I'm going to stop now.
• 1:57:48
  Speaker 3: I'm thinking of focusing on this year, you know? It
• 1:57:51
  Speaker 3: has to be, man. Get this coin there, like, now
• 1:57:52
  Speaker 3: do it more calmly, you know? Now I have, like....
• 1:57:56
  Speaker 1: A thing that allows me to breathe, you know? I
• 1:57:58
  Speaker 1: can't be like a crazy.
• 1:57:59
  Speaker 3: Person running after a train, a plane mode, you know?
• 1:58:02
  Speaker 7: You can zero Brazil in a more peaceful way too.
• 1:58:03
  Speaker 7: We don't need to go from here to there, from
• 1:58:05
  Speaker 7: there to there.
• 1:58:06
  Speaker 3: And another thing, now the asshole... and say, open agenda, man. Remember,
• 1:58:11
  Speaker 3: my family, this month we only have two states to stick.
• 1:58:13
  Speaker 3: Everyone from the Midwest, everyone from the North, if you
• 1:58:15
  Speaker 3: want to hire us, say hi there, right? And let's
• 1:58:27
  Speaker 3: go up. He's the 10-year-old BDA champion, Cardalho.
• 1:58:29
  Speaker 5: We have to respect him.
• 1:58:30
  Speaker 3: And you? Oh, man. Are you going to enter the
• 1:58:33
  Speaker 3: national team? No, I'm from Westinense. From what? I'm kidding.
• 1:58:37
  Speaker 3: Let me be serious now. Oh my God, that's crazy.
• 1:58:43
  Speaker 7: No, but it's because this thing was... JP, Nel, Nel
• 1:58:45
  Speaker 7: also came saying that he's a left-hander, but JP, that's
• 1:58:47
  Speaker 7: what I said, I firmly believe that in the octagon...
• 1:58:50
  Speaker 7: That's it, bro, I think he's one of the greatest
• 1:58:53
  Speaker 7: MCs in the history of the event, in context, you know? Damn,
• 1:58:55
  Speaker 7: five participations, five finals, individual round record, I don't know what.
• 1:59:00
  Speaker 3: Man, that's it, like that, he made a beautiful walk, there.
• 1:59:03
  Speaker 7: Are other projects. Yeah, and it's beautiful like that. Nel,
• 1:59:09
  Speaker 7: I doubt it's his last dance.
• 1:59:11
  Speaker 3: Do you think so? I doubt it. Oh, he's going
• 1:59:12
  Speaker 3: to want to be the biggest, right? I doubt it. No,
• 1:59:14
  Speaker 3: he's already the biggest, right, bro?
• 1:59:15
  Speaker 7: Because, like, before he was isolated, now we're together with him, right?
• 1:59:18
  Speaker 7: It's a good trinity there to be among the biggest, okay?
• 1:59:21
  Speaker 7: But he's not going to stop, no, I'm not going
• 1:59:22
  Speaker 7: to let it go, bro.
• 1:59:23
  Speaker 3: Wow, without malice, I'm going to rent Nel, bro. I
• 1:59:24
  Speaker 3: rent Nel, I love this guy, bro.
• 1:59:25
  Speaker 5: And Nel has that, right?
• 1:59:27
  Speaker 2: Like, I didn't feel like it was going to be
• 1:59:29
  Speaker 2: my last time at BDA8, because I ended up losing,
• 1:59:31
  Speaker 2: you know? So, MC has this ego, right, bro? I'll
• 1:59:36
  Speaker 2: stop if I stop winning. So, Nel, please, have this.
• 1:59:38
  Speaker 3: Ego there, bro.
• 1:59:39
  Speaker 7: And I doubt it is, I doubt it is Nel's
• 1:59:41
  Speaker 7: last dance. And I, bro, I want to continue, you know?
• 1:59:44
  Speaker 7: I want to continue, I also want to see how
• 1:59:46
  Speaker 7: my next steps will be, like, in relation to this year,
• 1:59:48
  Speaker 7: I already have well defined what I want to do.
• 1:59:52
  Speaker 7: And next year depends a lot on how things will
• 1:59:54
  Speaker 7: be renewed for next year, you know? I want to continue,
• 1:59:57
  Speaker 7: I'm competing in big events, but I have other projects
• 1:59:59
  Speaker 7: to reconcile and I want to be able to do
• 2:00:02
  Speaker 7: it in a healthy way, which is different... of 2024,
• 2:00:04
  Speaker 7: which was a year that I gave a lot of
• 2:00:07
  Speaker 7: life to the Rhyme Battles and ended up harming myself
• 2:00:11
  Speaker 7: in my personal life, in my psychological life, and wearing
• 2:00:14
  Speaker 7: me out a lot. This year of 2027, which is coming,
• 2:00:16
  Speaker 7: I want to do things in a healthy and different.
• 2:00:18
  Speaker 3: Way, you know? Are you going to try the National? Man,
• 2:00:21
  Speaker 3: of course not, bro. Of course not. Of course not. Here, look. Here, look. Nacional.
• 2:00:26
  Speaker 3: He's with a man. Leave it in the guy's chest,
• 2:00:28
  Speaker 3: the answer.
• 2:00:29
  Speaker 7: Because it's that. The process of the national state is a.
• 2:00:32
  Speaker 3: Man, it's a pica, bro. It's very exhausting, right? It's
• 2:00:35
  Speaker 3: very exhausting.
• 2:00:35
  Speaker 5: Can you explain to us what this process is like?
• 2:00:38
  Speaker 3: Brother, it's like you.
• 2:00:39
  Speaker 2: It's like Kratos, dad, when he goes to hell. It's
• 2:00:40
  Speaker 2: a selective process.
• 2:00:41
  Speaker 3: It's a mythical process. In São Paulo, I don't know
• 2:00:44
  Speaker 3: how to explain it.
• 2:00:45
  Speaker 5: In short, how is the frequency, the routine?
• 2:00:48
  Speaker 2: Man, Apollo is twice state champion. The season is current.
• 2:00:52
  Speaker 2: The guy has the ability to speak, the guy is awesome.
• 2:00:55
  Speaker 2: The thing, bro, is a selection process behind the other, man.
• 2:00:59
  Speaker 2: You have to win a street selection. And it's filtering.
• 2:01:02
  Speaker 3: Right, bro? It's getting worse.
• 2:01:04
  Speaker 2: Then you have to win the regional, which is already
• 2:01:06
  Speaker 2: 16 good MCs.
• 2:01:08
  Speaker 3: They're all with blood in their eyes.
• 2:01:10
  Speaker 2: If you win the regional, you have to go to
• 2:01:13
  Speaker 2: the state, because then it's just.
• 2:01:16
  Speaker 7: Man, and the problem is the stage of each phase
• 2:01:18
  Speaker 7: versus your own mind in the moments too. So when
• 2:01:19
  Speaker 7: you go to the national, when you want to win
• 2:01:21
  Speaker 7: the state, you have.
• 2:01:21
  Speaker 3: To think a lot, man.
• 2:01:27
  Speaker 7: It's no use going crazy. Like, ah, I'm going to
• 2:01:30
  Speaker 7: try and see how it's going to be. No, you
• 2:01:31
  Speaker 7: have to, bro, mentalize and say, I want it.
• 2:01:33
  Speaker 3: Bigão said that. Tell him, bro. You have to look
• 2:01:34
  Speaker 3: and say, I want it, I want it a lot.
• 2:01:36
  Speaker 3: Bigão said what helped him was that he rhymed state
• 2:01:38
  Speaker 3: as if he were already the national champion. Exactly. There's
• 2:01:40
  Speaker 3: no way, bro. And then, for example, street selection. You're
• 2:01:42
  Speaker 3: going to participate in a street selection.
• 2:01:43
  Speaker 7: Even more being an MC who already has a recognition.
• 2:01:46
  Speaker 7: You're going to win your spot. You have to win
• 2:01:48
  Speaker 7: your spot with unanimity. You have to win your spot with.
• 2:01:56
  Speaker 3: You know?
• 2:01:56
  Speaker 7: The property of people looking and saying.
• 2:01:58
  Speaker 3: Bro, you can go, he's going to the National.
• 2:02:00
  Speaker 7: Like JP, the campaign he did in the North edition there. Bro,
• 2:02:03
  Speaker 7: he screamed sinister, he screamed too much, he won like that,
• 2:02:06
  Speaker 7: with 100% of confidence and certainty, and now he's going
• 2:02:09
  Speaker 7: to the Regional, because then he's going to get to
• 2:02:10
  Speaker 7: the Regional how?
• 2:02:11
  Speaker 3: When is the Regional?
• 2:02:12
  Speaker 2: I don't know yet, I don't think there's a date yet.
• 2:02:15
  Speaker 3: It's because the National is still.
• 2:02:16
  Speaker 2: There are people still getting there, you know?
• 2:02:17
  Speaker 3: It's going to be.
• 2:02:18
  Speaker 7: The Regional of the North, but it's going to be big,
• 2:02:20
  Speaker 7: it's going to be like, fuck, champion of the North,
• 2:02:21
  Speaker 7: and it's the Regional of the North, it's going to be.
• 2:02:23
  Speaker 3: with the fucking campaign.
• 2:02:24
  Speaker 7: It's in the North Zone, because, whether you like it
• 2:02:26
  Speaker 7: or not, Guarulhos is the North Zone.
• 2:02:28
  Speaker 3: It's going to be playing kind of... At home. At home,
• 2:02:30
  Speaker 3: you know? Inside your zone. Then, regional is fucking, bro.
• 2:02:32
  Speaker 3: Say it. Regional, I think... I think that, from the stages,
• 2:02:34
  Speaker 3: the regional... I think the regional is the most difficult, bro.
• 2:02:36
  Speaker 3: It's the most annoying.
• 2:02:36
  Speaker 7: Because the regional doesn't have the magnitude of the state...
• 2:02:40
  Speaker 7: But it's a competition that has more difficulty, bro. You
• 2:02:43
  Speaker 7: have to be very surgical.
• 2:02:44
  Speaker 3: And the level in São Paulo is very high, right, bro?
• 2:02:47
  Speaker 7: You have to be very careful with any opponent you.
• 2:02:49
  Speaker 3: Find, bro. You can't be... You can't be disrespected by
• 2:02:51
  Speaker 3: the name, right? Everyone who's there is a champion, right?
• 2:02:53
  Speaker 9: In the regional, bro.
• 2:02:54
  Speaker 3: I think the state is more... More performance, more delivery. Exactly.
• 2:02:58
  Speaker 3: Now in the regional, the guys are more lyrical, you know?
• 2:03:01
  Speaker 3: It's true.
• 2:03:01
  Speaker 1: It's a boy who, maybe in the state, wouldn't develop
• 2:03:04
  Speaker 1: so much, but in the regional.
• 2:03:06
  Speaker 3: He's going to get you. He's going to get you.
• 2:03:08
  Speaker 3: That's right. That's right. That's right. That's right. That's right.
• 2:03:11
  Speaker 3: That's right. That's right. That's right. That's right. That's right.
• 2:03:26
  Speaker 3: I started the year with the goal of the anniversary,
• 2:03:27
  Speaker 3: I already fulfilled it. Then I will not put now...
• 2:03:29
  Speaker 3: You don't want to get frustrated, right?
• 2:03:30
  Speaker 7: Then I will not put in the excitement something that
• 2:03:33
  Speaker 7: I always treat with affection. Like, I don't say that
• 2:03:35
  Speaker 7: I will never try the national. I can try, I still.
• 2:03:38
  Speaker 3: Like, I can leave this door open, I don't know
• 2:03:40
  Speaker 3: if I will or not. But this year, bro, for sure.
• 2:03:42
  Speaker 3: It's smooth. Jota, take it. It's yours, brother. Take it.
• 2:03:47
  Speaker 1: Amen.
• 2:03:47
  Speaker 3: Best rhyme from BDA 10 years. Fuck, huh, bro? Let
• 2:03:55
  Speaker 3: me think, the best rhyme? Wow, man, it's hard.
• 2:04:00
  Speaker 2: Fuck, this one is a monster, this one is a monster.
• 2:04:05
  Speaker 3: I saw, son of a bitch. But I think it.
• 2:04:07
  Speaker 6: Was in the perfect context, Levin's hair that was from
• 2:04:09
  Speaker 6: Senhorita Poça.
• 2:04:10
  Speaker 3: And he rhymed in the bass. And I rhymed in
• 2:04:12
  Speaker 3: the groove. And then the fuck was the voice, man.
• 2:04:15
  Speaker 3: Where's Bob Esposa? Senhorita Poça. What a mess, man. Fuck,
• 2:04:21
  Speaker 3: it's too hard, man. You know, man. I saw the
• 2:04:23
  Speaker 3: videos only once.
• 2:04:24
  Speaker 1: Man, I found one of the best ones, I don't
• 2:04:26
  Speaker 1: know if it's the best one, but one of the
• 2:04:27
  Speaker 1: best ones was the one that Vitor sent to Jay, bro.
• 2:04:29
  Speaker 3: Which one? Pipoqueiro do Caralho.
• 2:04:32
  Speaker 4: Pipoqueiro do Caralho, that one was hot.
• 2:04:34
  Speaker 3: He responded to a hot thing too, you know? I'll
• 2:04:36
  Speaker 3: say it then. Ah, the hip... I liked it when
• 2:04:37
  Speaker 3: it was hip hop. Yeah, that one too. I'll say it,
• 2:04:40
  Speaker 3: I think... I'll say it, I think... I'll say it,
• 2:04:42
  Speaker 3: I think... I'll say it, I think... I'll say it,
• 2:04:43
  Speaker 3: I think... This one is hot too. This one is
• 2:04:49
  Speaker 3: hot because you can see that... But you have to
• 2:04:51
  Speaker 3: have the courage to send this one in the state
• 2:04:52
  Speaker 3: of the human. And the money of who fucked you,
• 2:04:54
  Speaker 3: did you give it back? No, you put it in
• 2:04:56
  Speaker 3: the bank.
• 2:04:57
  Speaker 7: And it seems, for example, when he says this thing,
• 2:04:59
  Speaker 7: and the money of who fucked you, did you give
• 2:05:00
  Speaker 7: it back?
• 2:05:00
  Speaker 3: At the time you even think....
• 2:05:03
  Speaker 7: Damn, but he already spent the punchline before. Because it
• 2:05:06
  Speaker 7: would be the perfect ending.
• 2:05:07
  Speaker 3: To get a lot of screams. Then he says, I'll
• 2:05:09
  Speaker 3: tell you, man. He's out of the box, man. He's
• 2:05:10
  Speaker 3: very good. Fuck, but I liked Prado's. Fuck, Rafael, what
• 2:05:13
  Speaker 3: is this? This one was really hot. This one was
• 2:05:15
  Speaker 3: really hot. And the one from the minister of the
• 2:05:17
  Speaker 3: farm too, Pradão. It was hot, it was hot. This
• 2:05:19
  Speaker 3: one was hot. I'm with you, Igor.
• 2:05:20
  Speaker 2: I'm with these rhymes there. I can't think of a
• 2:05:22
  Speaker 2: hotter one.
• 2:05:30
  Speaker 3: Go with these, right? I'm with you. I'm with you.
• 2:05:32
  Speaker 3: I'm with you. I'm with you. I'm with you. I'm
• 2:05:34
  Speaker 3: with you. I'm with you. I'm with you. I'm with you. Yeah,
• 2:06:00
  Speaker 3: I think so. It's hot. Right? I'm going to... Man,
• 2:06:04
  Speaker 3: I'm going to do something different. I liked ours too,
• 2:06:06
  Speaker 3: but I'm going to the final for what it means,
• 2:06:08
  Speaker 3: you know? You can go. Three good options. You can go.
• 2:06:10
  Speaker 3: You can go. This is hot too. The final is epic.
• 2:06:14
  Speaker 3: Would you participate in an organized fan fight? Not even fucking.
• 2:06:20
  Speaker 3: Everyone thought, huh? I can say.
• 2:06:21
  Speaker 7: In the old ones, I would participate. when I was
• 2:06:23
  Speaker 7: like 15 years old, but I was going to die, right?
• 2:06:26
  Speaker 3: Yeah. Ah, not that today I wouldn't either, right? But
• 2:06:29
  Speaker 3: I'm going to.
• 2:06:30
  Speaker 7: Say, in the old days I was crazy, in the
• 2:06:31
  Speaker 7: old days my Facebook cover was just Torcida Independente, I
• 2:06:35
  Speaker 7: only went to the game in orange, it was red,
• 2:06:36
  Speaker 7: it was a sign.
• 2:06:37
  Speaker 3: I don't know, my first email was igaogaviões, arroba, roti, um, poti, poti.
• 2:06:41
  Speaker 7: You know, a lot of kids without a head, maybe
• 2:06:43
  Speaker 7: it would be my dream, my realization would be this,
• 2:06:45
  Speaker 7: to enter the.
• 2:06:47
  Speaker 3: Barra de Fé. Mano, participar uma vez só ia ser
• 2:06:49
  Speaker 3: da hora. Só pra ver de colar. De longe. E você, Negrote, entraria, pai?
• 2:06:54
  Speaker 3: Ele já participei. Jogo de videogame que se garante? Se garante?
• 2:06:57
  Speaker 9: Não aguenta.
• 2:07:05
  Speaker 3: I don't know. Do you think you can handle it? No,
• 2:07:09
  Speaker 3: I don't. It's FIFA, man.
• 2:07:10
  Speaker 2: But a game that I guarantee myself is Overcooked.
• 2:07:14
  Speaker 3: I play with my girlfriend. This one is to play
• 2:07:16
  Speaker 3: with two, right? This one is to cook. But, like,
• 2:07:19
  Speaker 3: while you do one function, your partner has to do
• 2:07:22
  Speaker 3: the other. And if she doesn't do it here, screw you.
• 2:07:24
  Speaker 3: If you don't do it there, screw here. I do
• 2:07:26
  Speaker 3: sushi really fast in this game. Really? Really fast.
• 2:07:31
  Speaker 5: What other specialty do you do?
• 2:07:33
  Speaker 2: Sushi, pasta, whatever.
• 2:07:36
  Speaker 3: You want, bro. Best school snack? Pasta with sausage. Pasta
• 2:07:39
  Speaker 3: with sausage. Pasta with sausage. It's legendary, right? Pasta with sausage, bro.
• 2:07:44
  Speaker 3: Was it blue silver with the yellow spoon? In your school?
• 2:07:47
  Speaker 3: Mine was yellow silver. Did you repeat?
• 2:07:49
  Speaker 5: Did you repeat?
• 2:07:50
  Speaker 3: Ah, I couldn't in mine, no. Oh, crazy. And you
• 2:07:52
  Speaker 3: didn't put on these glasses, no? Just to... Guys, how, right?
• 2:07:55
  Speaker 3: With the dreads all your life, how do you put
• 2:07:56
  Speaker 3: the glasses on? I don't know how. A movie that
• 2:07:59
  Speaker 3: you would watch forever? Man, forever? Forever. All my life? Man,
• 2:08:04
  Speaker 3: it's worse than all my life, watching the same movie
• 2:08:06
  Speaker 3: is good, right? Yeah, but remember, you can only have one. Ah,
• 2:08:09
  Speaker 3: I would watch Creed. Very crazy. My favorite movie, Suave.
• 2:08:16
  Speaker 6: Man, Netflix, throw the money in César' s hands, see? Because
• 2:08:19
  Speaker 6: the Franguelho thing blew up. This movie is crazy.
• 2:08:21
  Speaker 2: It was on the media, I've never heard of it.
• 2:08:23
  Speaker 2: You've never heard of it?
• 2:08:24
  Speaker 3: This movie is crazy.
• 2:08:25
  Speaker 6: I went to see the guy, he played it on Google,
• 2:08:28
  Speaker 6: it grew 5,000% in research, the Franguelho.
• 2:08:30
  Speaker 3: Have you seen the Franguelho yet? I put it and
• 2:08:32
  Speaker 3: slept twice. I didn't see. Yeah, man, you had spoken. Really?
• 2:08:35
  Speaker 3: Have you seen the Franguelho?
• 2:08:38
  Speaker 2: I'm a big fan of animation, I've seen it.
• 2:08:40
  Speaker 3: I'm crazy to watch Franguelho. It's cool, man. He's a
• 2:08:43
  Speaker 3: weird animal, right? Because it's a chicken and a rabbit.
• 2:08:46
  Speaker 3: I think I would watch Shrek 2 forever, bro. Wow.
• 2:08:48
  Speaker 3: Just to rip off. This is a movie, bro. A
• 2:08:51
  Speaker 3: story of love and fury.
• 2:08:52
  Speaker 5: This movie is crazy.
• 2:08:53
  Speaker 3: A story of love and fury? It's a Brazilian animation. Fuck,
• 2:08:56
  Speaker 3: I'll see. Fuck. Send it to me, Javier. Like an Indian,
• 2:08:58
  Speaker 3: you know? Then he reincarnates in every decade, for example.
• 2:09:00
  Speaker 1: He reincarnates as an Indian, then he reincarnates as a slave.
• 2:09:05
  Speaker 3: Then he reincarnates....
• 2:09:09
  Speaker 1: Activist, then he reincarnates as a smuggler, then he reincarnates
• 2:09:12
  Speaker 1: as a futurist.
• 2:09:13
  Speaker 3: Fuck, I didn't hear you say that. He's going to
• 2:09:15
  Speaker 3: go forward. He's a bird, you know? He's crazy. He
• 2:09:17
  Speaker 3: blew up another movie now. He blew up another movie.
• 2:09:22
  Speaker 3: What is this movie? Netflix had to get there, right?
• 2:09:25
  Speaker 3: It had to get there. A lot of cultural repertoire.
• 2:09:27
  Speaker 3: Where is this movie, Euginho? It's on YouTube, bro. Take it.
• 2:09:29
  Speaker 3: Don't let it be noticed. It's a love and anger story.
• 2:09:33
  Speaker 3: This is crazy. Let's go. A pose to send nude. Man,
• 2:09:40
  Speaker 3: it's disgusting. Okay. If you want to answer, don't answer.
• 2:09:45
  Speaker 3: Look at Jota's pose. A football player that you hate.
• 2:09:50
  Speaker 7: A football player that I hate? Juninho Mané. A football
• 2:09:55
  Speaker 7: player that I hate? Can I say it in a
• 2:09:57
  Speaker 7: straight talk?
• 2:09:57
  Speaker 10: No, no, no.
• 2:09:58
  Speaker 7: I have to say it in a straight talk. I've
• 2:09:59
  Speaker 7: even seen it here, but without malediction. It's because it's
• 2:10:02
  Speaker 7: the opposition of my team.
• 2:10:03
  Speaker 3: There's no way. Mateuzinho, bro. You hate him? Mateuzinho from Corinthians? No,
• 2:10:08
  Speaker 3: but we're not talking about that guy. No, I get it.
• 2:10:10
  Speaker 3: Football player, bro. Stop it. But he's good, bro. Yeah,
• 2:10:13
  Speaker 3: for those who play on the team, you love him, right?
• 2:10:16
  Speaker 7: It's like the devil, Valdívia. Yeah, like Luciano in São Paulo. Luciano,
• 2:10:19
  Speaker 7: everyone hates Luciano. We like him because he runs for us.
• 2:10:23
  Speaker 3: But, bro, you're crazy. Mateuzinho.
• 2:10:24
  Speaker 2: Today, one that I don't like, bro, is Caio Jorge, man.
• 2:10:28
  Speaker 2: acho muito perna.
• 2:10:29
  Speaker 7: Ele é perna ele é maior eu gosto eu gosto
• 2:10:31
  Speaker 7: eu acho ele fica aí cara Jorge.
• 2:10:32
  Speaker 6: Você é bigode aí quase matou o cara hein mano
• 2:10:34
  Speaker 6: é mano isso aí foi mó zoado viado não isso
• 2:10:36
  Speaker 6: aí foi mó zoado e a outra que eu vi
• 2:10:37
  Speaker 6: dele o cara com a mão quebrada ele pegou aqui
• 2:10:39
  Speaker 6: ó apertou a mão do cara.
• 2:10:41
  Speaker 2: Você é louco viado eu me identifico com essa cara
• 2:10:44
  Speaker 2: então aí eu vi um baguncinho dele do Matheus Pereira
• 2:10:45
  Speaker 2: lá brigando pra bater o pênalti tá ele saiu dessa
• 2:10:47
  Speaker 2: vista vi vi é aí eu achei da hora mas.
• 2:10:49
  Speaker 3: Você viu o Matheus Pereira falando pra ele só pensa
• 2:10:50
  Speaker 3: em você eu vi egoísta filho da puta eu vi
• 2:10:53
  Speaker 3: eu vi Man, now... Man, now the lip-reading is too much, man.
• 2:10:56
  Speaker 3: Gustavo Machado, right? And Veloso with two L's. Veloso with
• 2:10:58
  Speaker 3: two L's. Take care of him, Veloso. The worst thing
• 2:11:03
  Speaker 3: is that I don't have, you know?
• 2:11:06
  Speaker 1: I'm going to say I hate this guy that I
• 2:11:08
  Speaker 1: don't have, man.
• 2:11:09
  Speaker 3: I'm going to pass this one, I don't have it.
• 2:11:11
  Speaker 5: So which one do you love the most?
• 2:11:12
  Speaker 1: I'm not going to compromise with any.
• 2:11:15
  Speaker 3: Player, no. That's the most intelligent answer. So who do
• 2:11:17
  Speaker 3: you like? Pedro Raul. Um jogador que eu mais curto mesmo. É.
• 2:11:24
  Speaker 5: Pode ser até atual.
• 2:11:25
  Speaker 3: No futebol, tá ligado? Dentro de campo. É isso aí.
• 2:11:28
  Speaker 3: Das antigas ou de agora? Calma aí, Padrinho. Calma aí, Padrinho.
• 2:11:34
  Speaker 3: Pode ser os dois, então. Um atual e um das antigas, vai.
• 2:11:37
  Speaker 3: O cara me matou. Das antigas. Romário, right, man? He
• 2:11:40
  Speaker 3: plays a lot of doubles.
• 2:11:42
  Speaker 1: He plays a lot, you know? From now on, Memphis, right, man?
• 2:11:45
  Speaker 3: It's a team. It's a team. It's a team. It's
• 2:11:48
  Speaker 3: a team. It's a team. It's a team. It's a team.
• 2:11:50
  Speaker 3: It's a team. It's a team. I was a big
• 2:12:00
  Speaker 3: fan of his, bro.
• 2:12:01
  Speaker 7: When he played in Europe, in Lyon, bro. When he
• 2:12:04
  Speaker 7: was at that height, bro, I was a big fan. Like,
• 2:12:07
  Speaker 7: that tattoo on his back that he has with.
• 2:12:08
  Speaker 3: The lion on his side.
• 2:12:10
  Speaker 8: Stop.
• 2:12:11
  Speaker 7: He has the lion on his side and the lion
• 2:12:13
  Speaker 7: on his back. I was 15 years old at the time,
• 2:12:15
  Speaker 7: I looked and said.
• 2:12:16
  Speaker 3: Bro, what is this? What would it be like, bro?
• 2:12:18
  Speaker 3: A poet with a lion, man. Dude, I was wearing
• 2:12:21
  Speaker 3: his shirt two days before the event. Yeah, that's true.
• 2:12:23
  Speaker 3: I was wearing his shirt. Kill the guys, bro. Kill
• 2:12:26
  Speaker 3: the guys. I was like.
• 2:12:28
  Speaker 5: He's cool, right?
• 2:12:29
  Speaker 3: Then he called me one day before the event. Are
• 2:12:31
  Speaker 3: you ready? I was like, Eva, Eva. I'm going to
• 2:12:35
  Speaker 3: kill the guys. Eva and Adão, let's go up.
• 2:12:37
  Speaker 2: Because he's British, he's going to have to say Eva, right?
• 2:12:40
  Speaker 3: Always, bro. Then he said, man, good luck. Then he
• 2:12:41
  Speaker 3: sent me a bad message. He sent me, like....
• 2:12:44
  Speaker 2: You smoked the guys. Smoked the guys. You know what
• 2:12:47
  Speaker 2: I mean?
• 2:12:48
  Speaker 3: He likes us. He likes our culture.
• 2:12:57
  Speaker 6: Hey, would you like to call the French DJ Alva
• 2:13:00
  Speaker 6: Flex to come here?
• 2:13:02
  Speaker 3: Clap your hands! Come here! Come here! Alva Flex! Come here!
• 2:13:07
  Speaker 3: This guy is hot!
• 2:13:08
  Speaker 2: Look at the pincers of the men!
• 2:13:10
  Speaker 3: From France! You're a liar! How are you guys? You
• 2:13:12
  Speaker 3: were a monster! My brothers, what I want to know is,
• 2:13:14
  Speaker 3: I want an opinion from you about.
• 2:13:16
  Speaker 6: What was this event, enjoy your presence here, what was
• 2:13:18
  Speaker 6: the BDA event 10 years ago, What can we expect
• 2:13:26
  Speaker 6: for 11 years?
• 2:13:27
  Speaker 3: How are you?
• 2:13:28
  Speaker 6: Anyway, tell us a little about the organizers of this
• 2:13:32
  Speaker 6: wonderful event here.
• 2:13:33
  Speaker 3: Take the Apollo, if not, take mine here. Let's go. Damn, Alva,
• 2:13:39
  Speaker 3: I've never seen you badly dressed, man. Hello, guys. Hello, Negrote, Apollo, Jota.
• 2:13:44
  Speaker 3: Thank you. Thank you, Apollo.
• 2:13:46
  Speaker 9: What's up, my brother?
• 2:13:49
  Speaker 3: How are you? So good. Let's go. Ah, you went
• 2:13:52
  Speaker 3: to the bathroom. Stay at home. Here he rests. How
• 2:13:55
  Speaker 3: are you? I'm from France. New cell phone, man. I'm
• 2:13:57
  Speaker 3: going to buy you a new one. New cell phone.
• 2:14:00
  Speaker 3: You're going to have to get another cell phone, man.
• 2:14:03
  Speaker 9: Guys, the card hasn't even fallen yet. This one is real,
• 2:14:05
  Speaker 9: you know? After the birthday, I went to Salvador, to Bahia,
• 2:14:12
  Speaker 9: to take a rest with the family, you know?
• 2:14:13
  Speaker 3: It deserves, right?
• 2:14:15
  Speaker 9: The birthday sucks like hell, my brother.
• 2:14:18
  Speaker 3: You know? The birthday process. I imagine.
• 2:14:22
  Speaker 9: It's not like, I don't know, a week, a month.
• 2:14:24
  Speaker 3: It's like, man... It's the year. It's the year. One ends,
• 2:14:26
  Speaker 3: another starts. But Alva, how is it for you to
• 2:14:28
  Speaker 3: be there, bro? Because, like.
• 2:14:30
  Speaker 6: I've seen your vlog, boy. Boy, on the BDA, I
• 2:14:33
  Speaker 6: think there wasn't even.
• 2:14:39
  Speaker 6: There weren't even two numbers yet, the BDAs. It was
• 2:14:42
  Speaker 6: BDA 6, BDA 8, you know? So, how is it
• 2:14:44
  Speaker 6: for you to look 10 years later, and I want
• 2:14:46
  Speaker 6: to know about Dudu too, and look at the magnitude
• 2:14:50
  Speaker 6: of all that, you know? And know that you have
• 2:14:52
  Speaker 6: some bricks there, you know?
• 2:14:54
  Speaker 3: Man, it's awesome.
• 2:14:55
  Speaker 9: I think the Battle of the Village, man, it came
• 2:15:00
  Speaker 9: from a very nice energy, man, of family, you know?
• 2:15:05
  Speaker 9: I've always seen, like, that.
• 2:15:09
  Speaker 9: Every Tuesday at the square, we wanted to make a rhyme.
• 2:15:12
  Speaker 9: And then I felt that this thing had to be recorded,
• 2:15:14
  Speaker 9: you know? I didn't even know how, but I knew
• 2:15:17
  Speaker 9: it had to be recorded, bro. And then I started
• 2:15:20
  Speaker 9: recording the battle. In the battle of the quadra, which
• 2:15:23
  Speaker 9: was in Itapevi, you know, bro? I've already done it,
• 2:15:25
  Speaker 9: you're crazy. And then, like this, I recorded the battles
• 2:15:27
  Speaker 9: there and posted them on my channel there, bro. And
• 2:15:29
  Speaker 9: every week there was the video. If you don't know,
• 2:15:31
  Speaker 9: like this, today it's archived, you know? The old ones,
• 2:15:33
  Speaker 9: because it was on my other channel. But there's a
• 2:15:35
  Speaker 9: lot of video there, save it still. Thiaguinho, Leozinho, Canti, me, Refel,
• 2:15:39
  Speaker 9: a lot of people. And I brought this to the
• 2:15:42
  Speaker 9: village too, you know?
• 2:15:43
  Speaker 3: I wanted to do this thing.
• 2:15:44
  Speaker 9: And since then, there was a lot of us living,
• 2:15:46
  Speaker 9: enjoying ourselves, having fun. There was a vlog of us
• 2:15:49
  Speaker 9: sharing a coxinha. A coxinha for, I don't know, 50 MCs.
• 2:16:05
  Speaker 9: I think it's a lie.
• 2:16:06
  Speaker 3: It's literally. It's recorded. It's recorded.
• 2:16:09
  Speaker 9: Each one gives a bite there, played here. When there
• 2:16:11
  Speaker 9: was a coxinha. When there was a coxinha.
• 2:16:14
  Speaker 3: Did the cow, like, ten, bro.
• 2:16:15
  Speaker 9: To buy a pizza for ten, you know, bro? So, like,
• 2:16:17
  Speaker 9: all this is recorded, registered. And it's a very crazy
• 2:16:20
  Speaker 9: thing to see today, because, man, it came from a dream,
• 2:16:23
  Speaker 9: it came from believing, it came from a place without perspective,
• 2:16:29
  Speaker 9: you know? but it united and formed a lot of
• 2:16:33
  Speaker 9: people too.
• 2:16:34
  Speaker 5: Bro, it's cool.
• 2:16:34
  Speaker 4: Mano, a very cliché question for you, which makes us
• 2:16:37
  Speaker 4: think a lot, you imagined that Potiphar would have this size,
• 2:16:40
  Speaker 4: but you seeing this beginning there, you already imagined, like, bro,
• 2:16:44
  Speaker 4: this here, if it has visibility, it will fill up,
• 2:16:47
  Speaker 4: this here can give money, it can give careers.
• 2:16:50
  Speaker 3: Did you imagine or not? There's no way, there's no
• 2:16:53
  Speaker 3: way to measure, bro.
• 2:16:54
  Speaker 2: I don't even say the size it is today, but
• 2:16:56
  Speaker 2: it's not going to be good, nothing.
• 2:16:59
  Speaker 3: No, what we thought was that it would be a...
• 2:17:00
  Speaker 3: It would be R $ 2, 000 for each one. Renda extra.
• 2:17:03
  Speaker 3: Straight talk. Renda extra. Renda extra. It will complement what
• 2:17:05
  Speaker 3: I already do here. I'll be the one. Because you
• 2:17:07
  Speaker 3: said that Balga was born in a very special energy. Yeah,
• 2:17:09
  Speaker 3: there's no way.
• 2:17:11
  Speaker 9: You can't imagine it, I think.
• 2:17:12
  Speaker 3: Nobody knew. No, it wouldn't be worth 10,000 people.
• 2:17:14
  Speaker 2: But here we don't have potential. Consolidating the battle is
• 2:17:17
  Speaker 2: already a great victory.
• 2:17:19
  Speaker 6: Because when the wheels come up, it's going to turn
• 2:17:21
  Speaker 6: into a battle. I think it was more of a
• 2:17:23
  Speaker 6: thing to want than to imagine. I think it would
• 2:17:25
  Speaker 6: be great if this thing happened.
• 2:17:27
  Speaker 8: Do you think this made it happen?
• 2:17:28
  Speaker 3: Man, yes. Yes, because....
• 2:17:39
  Speaker 8: It was a lot of people wanting to make it happen.
• 2:17:41
  Speaker 10: It wasn't like 2, 3 people, it was 50, 60
• 2:17:42
  Speaker 10: people on the street wanting to make it happen.
• 2:17:45
  Speaker 8: Carrying the trunk, right bro?
• 2:17:46
  Speaker 3: Carrying the fence. So there was potential, there.
• 2:17:48
  Speaker 8: Is still potential to grow as fuck. A lot.
• 2:17:50
  Speaker 3: If you want, let's always go up. I think today,
• 2:17:52
  Speaker 3: I think today, yes, there is this vision, man, you
• 2:17:54
  Speaker 3: can get there.
• 2:17:54
  Speaker 9: But I think in the beginning there was no vision
• 2:17:56
  Speaker 9: like this, man, you can get here where we are today,
• 2:17:59
  Speaker 9: you know?
• 2:17:59
  Speaker 3: It's something very distant, man, you can't imagine.
• 2:18:05
  Speaker 8: What was the deal?
• 2:18:06
  Speaker 10: In my head it was like this, if this thing
• 2:18:08
  Speaker 10: gives me money so I don't know if it's LT
• 2:18:12
  Speaker 10: and I can only play a rap, I.
• 2:18:13
  Speaker 3: My record players, paying the bills at home, it's firm.
• 2:18:16
  Speaker 10: And then, like, a few days ago, the guys put
• 2:18:18
  Speaker 10: a four-story building to walk so I could set up
• 2:18:21
  Speaker 10: my record players and play a rap, it's crazy.
• 2:18:25
  Speaker 8: I never thought this was going to happen.
• 2:18:27
  Speaker 3: I really wanted this to happen. It's true, Dudu. He
• 2:18:31
  Speaker 3: was commanding the whole thing like a spaceship. He was
• 2:18:35
  Speaker 3: like Pen in She-Ra Tensei. He was all over the place.
• 2:18:39
  Speaker 3: It was a lot of gangstas.
• 2:18:41
  Speaker 5: The greatest vision of.
• 2:18:41
  Speaker 3: All was Dudu França' s. What's the intention for next year, bro?
• 2:18:44
  Speaker 6: I think it's... When it's a birthday party, people are like,
• 2:18:47
  Speaker 6: my God, what about the next one?
• 2:18:48
  Speaker 3: I have to be there because I lost this one.
• 2:18:51
  Speaker 3: Do you have any plans?
• 2:18:52
  Speaker 6: You've been planning for 11 years. Are you going to
• 2:18:55
  Speaker 6: change the octagon just for the colar JP?
• 2:19:00
  Speaker 9: Man, GZ was there, you know? He's the guy who
• 2:19:03
  Speaker 9: thinks about all these things. And the architect too. He
• 2:19:06
  Speaker 9: thinks about the canvas, he thinks about the drawing, he
• 2:19:08
  Speaker 9: thinks about the theme of the thing. And, I don't know,
• 2:19:12
  Speaker 9: from 11, I think he's already thought about 7, you know?
• 2:19:14
  Speaker 9: He's a guy who thinks a lot about time. He's
• 2:19:16
  Speaker 9: always thinking ahead. And he has a lot of fucking ideas.
• 2:19:19
  Speaker 9: That for 11, for sure, it has to be something new, right, man?
• 2:19:22
  Speaker 9: We saw the cycle, a decade closing. So, in this decade,
• 2:19:26
  Speaker 9: there was a lot of stuff that was there, and
• 2:19:30
  Speaker 9: from 11 on, new things have to come, right, man?
• 2:19:32
  Speaker 9: The theme was that, right? The root of a new land. So, man,
• 2:19:35
  Speaker 9: you have to see a new crop. Before I came
• 2:19:37
  Speaker 9: to BDA10, I talked to Marco, and this week I said, Marco,
• 2:19:40
  Speaker 9: look at this edition here, you know?
• 2:19:41
  Speaker 3: Look at these people here, man.
• 2:19:43
  Speaker 9: These people here, they have to do the process of
• 2:19:45
  Speaker 9: now running to be in 11, you know? They are
• 2:19:48
  Speaker 9: people who Several times they were left out. The process
• 2:19:51
  Speaker 9: has already started. I believe that now is a time
• 2:19:54
  Speaker 9: of renewal. That from now until November, even the weekly
• 2:19:57
  Speaker 9: cards have to change.
• 2:19:58
  Speaker 3: The MCs have to change, you know? Format, the anniversary format.
• 2:20:02
  Speaker 7: Do you think about moving in terms of free trial assembly?
• 2:20:08
  Speaker 7: Do you think about making it more selective and having
• 2:20:12
  Speaker 7: more vacancies for performance? I want to know this part
• 2:20:16
  Speaker 7: of the competition structure.
• 2:20:19
  Speaker 3: He's holding the Apollo. Man, Lucão said on a live...
• 2:20:22
  Speaker 3: He's trying, huh?
• 2:20:25
  Speaker 9: Lucão said on a live once, bro, that on the 11th,
• 2:20:28
  Speaker 9: he wanted to try to do a draft scheme, you know?
• 2:20:30
  Speaker 9: That's why he tells you guys, bro, don't stop rhyming
• 2:20:33
  Speaker 9: on the 10th, because it's the 11th.
• 2:20:34
  Speaker 3: Maybe that's it. Several captains.
• 2:20:36
  Speaker 2: Go to the basketball, you know?
• 2:20:38
  Speaker 9: There are several positions, like, there's Negrotti, Apollo, Jota, There's Bigão,
• 2:20:43
  Speaker 9: there's Barreto, and then there's a captain, that's it, there's
• 2:20:45
  Speaker 9: a captain, that's it. Then, like, live, I want the
• 2:20:48
  Speaker 9: Negrote of France on my trio.
• 2:20:49
  Speaker 3: There, boom, you know?
• 2:20:50
  Speaker 7: And there will be a time when you're going to
• 2:20:52
  Speaker 7: want an MC, someone will rapinate the MC.
• 2:20:54
  Speaker 9: Yeah, there's all this strategy, all this stuff, you know?
• 2:20:55
  Speaker 3: Very crazy, brother, this is very crazy.
• 2:20:57
  Speaker 5: What is the possibility of it happening? Pro Pro 11.
• 2:21:01
  Speaker 9: Pro próximo a aula seria da chave tem que ter
• 2:21:04
  Speaker 9: tem que ter tem que ter acho que tipo assim
• 2:21:06
  Speaker 9: depende também das balas dos capitães tem que ser uma
• 2:21:09
  Speaker 9: análise tem que ser os capitães mano que por.
• 2:21:11
  Speaker 2: Seriam 16 capitães ou vai ser hoje pra voltar a
• 2:21:14
  Speaker 2: ser hoje mano.
• 2:21:15
  Speaker 9: Eu acho que 16 é trio demais mano acho que na.
• 2:21:17
  Speaker 7: 10 foi algo já que a gente entrou nessa abordagem
• 2:21:19
  Speaker 7: já vamos falar aqui ó 16 trio.
• 2:21:22
  Speaker 3: It's crazy mixed with sanity. No, no, no. It's a
• 2:21:24
  Speaker 3: lot of trio. It's a lot of trio. Only 20 now.
• 2:21:26
  Speaker 3: Only 20. That's it. The 10th was the 10th, you know?
• 2:21:28
  Speaker 3: And another question.
• 2:21:29
  Speaker 4: All birthdays will have to be trio or can there
• 2:21:32
  Speaker 4: be a birthday that will be solo?
• 2:21:34
  Speaker 3: Or solo?
• 2:21:35
  Speaker 9: Man, I think the grace is the trio, right? The
• 2:21:37
  Speaker 9: grace is the trio.
• 2:21:38
  Speaker 3: Yeah, there's an interstate. Yeah, there's an interstate.
• 2:21:41
  Speaker 5: Good, good.
• 2:21:41
  Speaker 4: And another thing is that when I stepped there, man,
• 2:21:44
  Speaker 4: even later I felt bad. I said, man, what I
• 2:21:45
  Speaker 4: said on the microphone, what I already said. The next
• 2:21:48
  Speaker 4: one has to be in the stadium. I think we
• 2:21:49
  Speaker 4: had to take advantage of that. But we who are
• 2:21:52
  Speaker 4: used to visualizing things and imagining the future, I already
• 2:21:56
  Speaker 4: imagined a birthday in the stadium, man. What do you
• 2:21:59
  Speaker 4: think about that? I think this moment will come too,
• 2:22:01
  Speaker 4: you know?
• 2:22:02
  Speaker 3: Man, we talked about a dream.
• 2:22:03
  Speaker 9: Of the village to make a birthday... For free. And
• 2:22:09
  Speaker 9: to fight in a stadium.
• 2:22:11
  Speaker 3: I think that's the thing. For free.
• 2:22:13
  Speaker 9: But the country has to have the necessary support. It
• 2:22:15
  Speaker 9: has to have the brands there, the city hall, everything together.
• 2:22:18
  Speaker 3: Count on us to do it. To fight in a stadium, bro.
• 2:22:20
  Speaker 3: For free, bro. Anyone can stick, bro.
• 2:22:21
  Speaker 9: It would be a lot of money, bro. Who never
• 2:22:23
  Speaker 9: had money to touch the anniversary of this and will stick.
• 2:22:26
  Speaker 8: Because we want people to stick, right, bro?
• 2:22:28
  Speaker 3: But you have to make an anniversary too. If they
• 2:22:34
  Speaker 3: do it for free, they don't earn 100 thousand, you know?
• 2:22:36
  Speaker 3: It's hard. That's what people don't understand.
• 2:22:39
  Speaker 5: There was a whole organization in these 10 years. So
• 2:22:42
  Speaker 5: I think that in a few years there will be
• 2:22:44
  Speaker 5: a stadium, right?
• 2:22:45
  Speaker 3: No, for sure.
• 2:22:46
  Speaker 5: I think it's cool what Alva said.
• 2:22:48
  Speaker 9: This for hip hop would be really beautiful.
• 2:22:50
  Speaker 6: But I think it's cool for us to say that
• 2:22:52
  Speaker 6: it needs a lot of support to happen something like this.
• 2:23:01
  Speaker 6: A small part complaining about... They were asking for tickets
• 2:23:04
  Speaker 6: for the Rhyme Battle. There are the weekly rounds, the
• 2:23:10
  Speaker 6: weekly ones that are totally free.
• 2:23:12
  Speaker 3: That day is a very special day.
• 2:23:15
  Speaker 6: There are many professionals involved, artists involved, awards involved.
• 2:23:21
  Speaker 3: A lot of terceirized Trump.
• 2:23:23
  Speaker 6: I see guys spending money with a lot of tickets
• 2:23:25
  Speaker 6: and not complaining. Always when it's a thing involved with hip.
• 2:23:29
  Speaker 3: Hop, rap, the show of BK. Now they're taking it out.
• 2:23:34
  Speaker 9: But you can't do anything, right, bro?
• 2:23:35
  Speaker 3: You can't do anything. Value the stuff you consume, bro.
• 2:23:38
  Speaker 3: Value the stuff you consume, too.
• 2:23:39
  Speaker 2: It's okay, there are people who don't have... It's not
• 2:23:42
  Speaker 2: like a private party, right? There's a live there for
• 2:23:45
  Speaker 2: you to watch, too, for free on YouTube.
• 2:23:47
  Speaker 3: Totally free, man. Like, if you're not going to be.
• 2:23:49
  Speaker 2: Present, because you don't... Don't want to buy tickets? Because, man,
• 2:23:53
  Speaker 2: it's obvious that there are people who can't buy tickets either,
• 2:23:56
  Speaker 2: you know?
• 2:23:56
  Speaker 3: Yes, yes.
• 2:23:57
  Speaker 2: And I think that in this case, Aldeia can already
• 2:23:59
  Speaker 2: serve as much as possible, right, man? Like, the guys
• 2:24:01
  Speaker 2: told me that several people stick to Semanal who don't.
• 2:24:03
  Speaker 3: Have a ticket. Receive, receive, receive.
• 2:24:06
  Speaker 2: And we, KMC, can also always call someone from Quebrado
• 2:24:09
  Speaker 2: and everything, but here we can't hug everyone.
• 2:24:11
  Speaker 9: The battles also get a amount of tickets for them.
• 2:24:13
  Speaker 3: To take to their audience, you know? A lot of tickets.
• 2:24:16
  Speaker 3: It's very cool, you know? Because also.
• 2:24:19
  Speaker 2: It's like everything in life, right, bro? There are people
• 2:24:21
  Speaker 2: who don't stick to the weekly and want to be
• 2:24:23
  Speaker 2: on the anniversary, you know? And on the anniversary we
• 2:24:24
  Speaker 2: have to honor those who are sticking there. Man, I
• 2:24:26
  Speaker 2: told Jesus, I said, dude, there are a lot of editions...
• 2:24:28
  Speaker 2: If you.
• 2:24:28
  Speaker 3: Don't stick to the Paulistão, do you want to come
• 2:24:30
  Speaker 3: to the final of the Libertadores? Everyone wants to go
• 2:24:31
  Speaker 3: to Matamata, it's a classic.
• 2:24:33
  Speaker 2: And without malice, and it's the same with football, because
• 2:24:35
  Speaker 2: there are a lot of editions where the rhyme is
• 2:24:37
  Speaker 2: not coming out, it's old, man, just like the soccer game,
• 2:24:40
  Speaker 2: when it's bad, you know?
• 2:24:41
  Speaker 3: Man, these people deserve to be rewarded, you know? They
• 2:24:43
  Speaker 3: deserve it. They deserve it on a day like this, man.
• 2:24:46
  Speaker 9: You have to leave a request there for Geraldo, who
• 2:24:47
  Speaker 9: is at home, family. Get used to seeing these people here,
• 2:24:52
  Speaker 9: you know? Living in a battle of rhymes. And hope
• 2:24:56
  Speaker 9: that this happens, man. Like, buy the tickets to the
• 2:24:59
  Speaker 9: boys' show, you know?
• 2:24:59
  Speaker 3: The shirt, the songs. Go to the show.
• 2:25:05
  Speaker 9: You know, from France to France to launch a thing,
• 2:25:06
  Speaker 9: buy the thing, bro. Ah, there's going to be a
• 2:25:08
  Speaker 9: battle here that's charging tickets, bro. Go to the thing,
• 2:25:11
  Speaker 9: strengthen it.
• 2:25:11
  Speaker 2: Already taking advantage, there on the anniversary day, we made
• 2:25:15
  Speaker 2: the stand there from the Central League of MC, sold
• 2:25:17
  Speaker 2: my shirt, Apollo's, Magrão' s, Barreto's, Big Mike's, you know?
• 2:25:21
  Speaker 3: Only Big Mike gave me a gift, man, I wanted
• 2:25:22
  Speaker 3: to leave it there. Of course. And then he put
• 2:25:25
  Speaker 3: us in the mouth. I'm going to deliver it. I'm
• 2:25:27
  Speaker 3: going to deliver it too, I'm going to deliver it
• 2:25:28
  Speaker 3: there in your house, bro. Corinthians' game day.
• 2:25:30
  Speaker 9: You have to stop with this, bro, of wanting to
• 2:25:32
  Speaker 9: see the idols.
• 2:25:33
  Speaker 3: In the worst, bro, this is the strangest, you know?
• 2:25:35
  Speaker 9: Like, no one wants to.
• 2:25:37
  Speaker 3: See the idols, bro, getting rich, prospering... No, they want
• 2:25:40
  Speaker 3: to see it. They're afraid, bro. The gringos, they want
• 2:25:42
  Speaker 3: to see it. Us, they say no. The Drake is
• 2:25:43
  Speaker 3: the best. Ariana Grande, I pay. Taylor Swift is the best.
• 2:25:46
  Speaker 3: You know? Travis can have the Batman car, bro. You
• 2:25:49
  Speaker 3: can't have the Batman car. Can I talk about another
• 2:25:52
  Speaker 3: contest too?
• 2:25:53
  Speaker 9: You can.
• 2:25:53
  Speaker 3: In December... Yeah, talk about it.
• 2:25:59
  Speaker 2: We're going to Portugal together.
• 2:26:01
  Speaker 3: Portugal, damn it. MC Central League. International Rhyme Battle. But
• 2:26:06
  Speaker 3: there will be Brazilian Rhyme versus Portuguese Rhyme? Yes. Ah,
• 2:26:09
  Speaker 3: so we're very initiated. Thank you, guys. This is the event. Gajos, Gajos,
• 2:26:13
  Speaker 3: go fuck yourself. For the first time, family. Nothing cool.
• 2:26:16
  Speaker 3: Battle of the day in Portugal. For the first time,
• 2:26:18
  Speaker 3: Battle of the day in Portugal. And it's going to
• 2:26:20
  Speaker 3: be the first against... Man, so many MCs.
• 2:26:24
  Speaker 2: I'm going to say how many because we don't know yet.
• 2:26:26
  Speaker 2: So many Brazilian MCs against so.
• 2:26:27
  Speaker 3: Many Portuguese MCs.
• 2:26:28
  Speaker 5: You're going to kill them.
• 2:26:29
  Speaker 2: The guys from Portugal are going to resurrect Cesar de.
• 2:26:32
  Speaker 3: Lata, you know?
• 2:26:34
  Speaker 2: They said, man, we're going to disown, if that exists,
• 2:26:37
  Speaker 2: the best team to face you in this thing.
• 2:26:39
  Speaker 3: Who is Cesar de Lata? I don't know. Pedro Álvares Cabral.
• 2:26:42
  Speaker 3: Just kidding. But there's a truta there.
• 2:26:44
  Speaker 2: There's a truta there who's the ball.
• 2:26:46
  Speaker 3: But that was for Tilar, wasn't it? It was. It
• 2:26:48
  Speaker 3: was going to be good in the battle. We've already
• 2:26:50
  Speaker 3: sold how many tickets? Almost 1,000 tickets, huh? And another one.
• 2:26:56
  Speaker 3: Launch it. Click on... Click. You'll be there? Come with us,
• 2:27:00
  Speaker 3: come with us.
• 2:27:00
  Speaker 9: We'll launch the enigmas of the participants of Portugal, okay?
• 2:27:05
  Speaker 3: Oh, you're going to fuck yourself with these enigmas.
• 2:27:08
  Speaker 2: You talk to the enigmas, everything we post is enigma.
• 2:27:11
  Speaker 2: I said, I don't even know, man, I don't even rhyme.
• 2:27:13
  Speaker 2: Can I talk about the walk too?
• 2:27:14
  Speaker 3: You can talk. I knew that the MVP....
• 2:27:18
  Speaker 1: Yeah.
• 2:27:18
  Speaker 3: Yeah. Yeah. Is the Trio already there? Yeah, the Trio
• 2:27:32
  Speaker 3: is already there, you know?
• 2:27:34
  Speaker 2: The Trio is already there, Negrote, JP, Apollo, and since
• 2:27:36
  Speaker 2: I won the MVP, I want to do something, a selection,
• 2:27:38
  Speaker 2: I don't know, imagine.
• 2:27:39
  Speaker 3: So, cool. Go, go, go, go. You have more ideas there, Zayn,
• 2:27:42
  Speaker 3: you know, right, bro? I have more ideas, I have
• 2:27:44
  Speaker 3: more ideas. Man, you should launch these ideas there, bro,
• 2:27:46
  Speaker 3: it's a hot idea, bro. Yeah? Where are the ideas, bro?
• 2:27:48
  Speaker 9: Can you launch these hot ideas there, bro?
• 2:27:50
  Speaker 3: The selection, can I? Can I say?
• 2:27:55
  Speaker 9: Yeah, on Monday.
• 2:27:55
  Speaker 3: So, check it out. Say it, say it. Who do
• 2:27:57
  Speaker 3: you think it is? There it comes. Close. Look at
• 2:28:01
  Speaker 3: the stuff, bro. We, we, we, tapiga. We want to
• 2:28:04
  Speaker 3: take a, how many MCs? About 8 MCs? Around there, right, bro?
• 2:28:08
  Speaker 3: You know? To make a 16-key there in Portugal. You know?
• 2:28:10
  Speaker 2: And then the breeze is, we already have JP confirmed,
• 2:28:16
  Speaker 2: Apollo confirmed, and Negrote confirmed.
• 2:28:19
  Speaker 1: Right.
• 2:28:19
  Speaker 3: There are five left. The champions. The champions. There are
• 2:28:21
  Speaker 3: five left. You know? I don't count, right? So it's
• 2:28:26
  Speaker 3: JP plus 8?
• 2:28:26
  Speaker 2: No, so it's Negrote and Apollo plus 6. You said
• 2:28:27
  Speaker 2: a name that he didn't mention here.
• 2:28:28
  Speaker 3: I won't say it. Say it, Amazonain. Say it. I
• 2:28:30
  Speaker 3: think it will. Anyway. And then we have the three
• 2:28:32
  Speaker 3: slots there, which are open, you know? Open for the selective,
• 2:28:34
  Speaker 3: you know?
• 2:28:35
  Speaker 2: And I really wanted to organize three selectives together with
• 2:28:38
  Speaker 2: the village battle. One in the Venenosas edition.
• 2:28:40
  Speaker 1: Fuck.
• 2:28:40
  Speaker 3: One....
• 2:28:52
  Speaker 2: Underground, dude, like, sometimes, I don't know, you don't leave
• 2:28:56
  Speaker 2: São Paulo, you can leave Brazil, we really.
• 2:28:57
  Speaker 3: Want to do this.
• 2:28:58
  Speaker 2: And not only from São Paulo too, because I want
• 2:29:00
  Speaker 2: to include other battles in the league, you know? Before
• 2:29:02
  Speaker 2: starting the national.
• 2:29:08
  Speaker 3: Team.
• 2:29:08
  Speaker 1: What?
• 2:29:08
  Speaker 3: Okay, okay, I thought I was with my mouth dirty.
• 2:29:09
  Speaker 3: I already said, man, I'm right here, look.
• 2:29:13
  Speaker 2: Anyway, we want to put other battles in other places
• 2:29:16
  Speaker 2: so that the battles that are in the Central League
• 2:29:17
  Speaker 2: of the Royal System can run through this vacancy, you know?
• 2:29:21
  Speaker 2: So it can be the MC of São Paulo or not,
• 2:29:23
  Speaker 2: we want to do this underground selection. And the third
• 2:29:25
  Speaker 2: selection I really wanted to do in the clandestine, man,
• 2:29:27
  Speaker 2: just like we did this time with all the desired
• 2:29:29
  Speaker 2: appearances in the thing. Hey, call me to stick it
• 2:29:32
  Speaker 2: on one of these. I'm going without flyer. I wanted
• 2:29:35
  Speaker 2: to do it only with monsters, you know? Because we
• 2:29:38
  Speaker 2: were going to do one for the consecrated MCs, one
• 2:29:40
  Speaker 2: for the underground, one for the edition of the poisonous.
• 2:29:42
  Speaker 3: And one for the monsters. There has to be Janderson.
• 2:29:45
  Speaker 3: There has to be Janderson, there has to be Dudu, Jaya,
• 2:29:48
  Speaker 3: I'm going to call all the crazy ones. Clara Lima,
• 2:29:51
  Speaker 3: already came in Mafia. Chave. Absurd.
• 2:29:52
  Speaker 2: Jonas wants to do these three selectives there, you know?
• 2:29:54
  Speaker 3: There, get ready, huh? Which beat... That's the most fucking
• 2:30:21
  Speaker 3: cool thing to do in a rhyme battle. To see
• 2:30:22
  Speaker 3: the guys rhyme. Because you know that you dictate the rhythm, right?
• 2:30:24
  Speaker 3: Like this... It's hot.
• 2:30:25
  Speaker 6: I've seen MCs complain about beat. I've seen MCs... Man,
• 2:30:28
  Speaker 6: he likes beat a lot. And the guy who chooses
• 2:30:30
  Speaker 6: the beat.
• 2:30:30
  Speaker 3: He's seeing... Two trills, he says... Ah, I know. The
• 2:30:31
  Speaker 3: guys complain, right?
• 2:30:32
  Speaker 6: But if you put it on the tip of the pencil,
• 2:30:34
  Speaker 6: I think there's a lot more old rhyme than old beat.
• 2:30:36
  Speaker 3: Whoa! Whoa!
• 2:30:37
  Speaker 8: Whoa!
• 2:30:37
  Speaker 3: Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa!
• 2:30:39
  Speaker 1: Whoa!
• 2:30:39
  Speaker 9: Whoa!
• 2:30:39
  Speaker 1: Whoa!
• 2:30:40
  Speaker 3: Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa!
• 2:30:41
  Speaker 1: Whoa!
• 2:30:41
  Speaker 3: Whoa! Whoa! Whoa! Whoa! Whoa! Whoa!
• 2:30:42
  Speaker 8: Whoa!
• 2:30:42
  Speaker 3: Whoa! Whoa!
• 2:30:42
  Speaker 1: Whoa!
• 2:30:43
  Speaker 3: Whoa!
• 2:30:43
  Speaker 1: Whoa!
• 2:30:43
  Speaker 3: Whoa! Whoa!
• 2:30:44
  Speaker 1: Whoa!
• 2:30:44
  Speaker 3: Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! Sensational.
• 2:30:51
  Speaker 3: That was awesome. I don't even complain, man.
• 2:30:53
  Speaker 8: We listen to ones that are painful.
• 2:30:54
  Speaker 3: It's awesome.
• 2:30:55
  Speaker 8: But it's days and days. It's rare that everyone is prone,
• 2:31:00
  Speaker 8: you know?
• 2:31:00
  Speaker 3: It can happen to anyone.
• 2:31:01
  Speaker 1: And, man.
• 2:31:07
  Speaker 8: This beat is fucking awesome.
• 2:31:10
  Speaker 3: It's the style.
• 2:31:10
  Speaker 6: It can be the style, it can have a favorite beat.
• 2:31:13
  Speaker 6: When he released Nego Drama on 10. It's that side
• 2:31:15
  Speaker 6: that the MCD rhymed. And then you're fucking awesome.
• 2:31:19
  Speaker 3: Simon 6? This beat is fucking awesome. Man. For example,
• 2:31:21
  Speaker 3: a boom bap on this.
• 2:31:22
  Speaker 8: Simon 6 pick is very cool. Simon 6 is that one.
• 2:31:35
  Speaker 3: Do you know where this thing is from? Do you know? No,
• 2:31:39
  Speaker 3: where is it from? It's from the Godzilla from 1984.
• 2:31:43
  Speaker 5: Fuck.
• 2:31:43
  Speaker 3: Take it.
• 2:31:44
  Speaker 1: Fuck.
• 2:31:45
  Speaker 3: Alva! No, so.
• 2:31:46
  Speaker 10: Boom Bap is really cool to release. And, like, there's
• 2:31:50
  Speaker 10: a specific beat that I'm going to name that this beat, like.
• 2:31:53
  Speaker 8: It's really cool. It's the Muzão' s minigame. Any place you play,
• 2:31:58
  Speaker 8: the thing comes out.
• 2:31:59
  Speaker 3: Of your ass. Why did you laugh at him, man?
• 2:32:00
  Speaker 3: He's the son of a bitch. He's the son of
• 2:32:03
  Speaker 3: a bitch. This beat helped you.
• 2:32:06
  Speaker 8: And it's not even the aesthetics, it's this beat specifically.
• 2:32:10
  Speaker 6: It's that this beat, whoever used it, was successful. GW
• 2:32:12
  Speaker 6: used it, it was great. Kyan used it, it was great.
• 2:32:15
  Speaker 6: Then the battle was great.
• 2:32:18
  Speaker 10: And you know what's the funniest thing? The first time
• 2:32:20
  Speaker 10: I played this beat, I went to look, like... I
• 2:32:24
  Speaker 10: went to watch the video, the first comment with the
• 2:32:26
  Speaker 10: most liked, what an old beat, this DJ is crazy.
• 2:32:29
  Speaker 6: I'm leaving. The guys don't have anything to complain about.
• 2:32:34
  Speaker 3: Alva Flex.
• 2:32:35
  Speaker 9: Talk to me, bro.
• 2:32:36
  Speaker 6: What is the biggest scream or the best scream of
• 2:32:39
  Speaker 6: the Rhyme Battles?
• 2:32:40
  Speaker 3: Wow.
• 2:32:41
  Speaker 1: Wow.
• 2:32:41
  Speaker 9: Man, there was a time in my life. That pulls
• 2:32:44
  Speaker 9: more vibe. A time in my life that the most
• 2:32:45
  Speaker 9: cool was to make the vibe, like, general jump, scream,
• 2:32:50
  Speaker 9: you know? But nowadays I think it's the time of
• 2:32:52
  Speaker 9: my life when the thing that makes the most sense
• 2:32:53
  Speaker 9: to me is if hip-hop one day saved your life,
• 2:32:56
  Speaker 9: you know? I think that besides making the vibe, I
• 2:32:58
  Speaker 9: learned over time how to influence the good in the word,
• 2:33:02
  Speaker 9: you know? So I think it's cool to have that performance,
• 2:33:05
  Speaker 9: but the message is much cooler, man.
• 2:33:07
  Speaker 3: Yeah, my gang, my gang. It's wonderful, man.
• 2:33:10
  Speaker 9: But the message of if hip-hop saved your life, man,
• 2:33:13
  Speaker 9: is bizarre, you know?
• 2:33:14
  Speaker 3: The thing really makes a lot of sense, man. Key.
• 2:33:17
  Speaker 6: My brothers, I really wanted to know if you guys
• 2:33:19
  Speaker 6: liked to participate. Se vocês estão felizes com a participação
• 2:33:22
  Speaker 6: de vocês. E espero vocês aqui numa próxima com as
• 2:33:24
  Speaker 6: portas abertas de sempre.
• 2:33:25
  Speaker 2: Meu irmão, feliz demais de voltar aqui mais uma vez.
• 2:33:28
  Speaker 2: Vocês são sem palavras. O melhor podcast do Brasil.
• 2:33:30
  Speaker 1: Vamos junto.
• 2:33:31
  Speaker 7: No papo é, antes de acabar, posso só deixar um
• 2:33:33
  Speaker 7: último salve aí. Todo mundo pode fazer o que quiser
• 2:33:35
  Speaker 7: antes de acabar. De uma parada muito especial, mano. Queria
• 2:33:38
  Speaker 7: chamar o parceiro aqui.
• 2:33:38
  Speaker 3: Cola aqui, Ratão. Palmas para o Ratão. Muita palmas para
• 2:33:41
  Speaker 3: o Ratão. Certo? This jacket is beautiful, huh?
• 2:33:47
  Speaker 7: No, this guy here, just with the accessory here that
• 2:33:49
  Speaker 7: he has in his hand, bro, the guy does magic,
• 2:33:52
  Speaker 7: the guy does an absurd thing, bro. Since the process before,
• 2:33:56
  Speaker 7: you were here that day that we recorded, me, Kanti Levins,
• 2:33:58
  Speaker 7: that he was already with us.
• 2:34:00
  Speaker 10: Yes.
• 2:34:00
  Speaker 7: He's producing, until then it was supposed to be a vlog,
• 2:34:02
  Speaker 7: you know, bro, for my channel. But the guy, bro,
• 2:34:05
  Speaker 7: made a movie, made a documentary, like, a thing that
• 2:34:08
  Speaker 7: is bizarre, sinister.
• 2:34:10
  Speaker 3: But about? About the 10-year-old village battle, you know? Wow! And... Man...
• 2:34:14
  Speaker 3: Under the eyes of Ratão and Apolo, right? That's what
• 2:34:16
  Speaker 3: I said.
• 2:34:17
  Speaker 7: With this camera here, for several hours he was with me.
• 2:34:20
  Speaker 7: I was like, man, is he recording in the mural?
• 2:34:22
  Speaker 3: This would be a photo if he recorded. So, like this,
• 2:34:25
  Speaker 3: when you see the result, right, brother? Give me just
• 2:34:27
  Speaker 3: one word. When does it come out? When does it
• 2:34:28
  Speaker 3: come out, my brothers? What's up? Are you with him? Man,
• 2:34:31
  Speaker 3: I'll tell you, guys. So you're ready?
• 2:34:32
  Speaker 7: I can talk, I can talk. This week, this week,
• 2:34:34
  Speaker 7: if the people... Have a name? Engage together, they will
• 2:34:37
  Speaker 7: arrive together. Ah, he who took care of the script,
• 2:34:39
  Speaker 7: I just participated, man, acting.
• 2:34:41
  Speaker 3: Speak, Ratão. Man, the thing was in a rush, right?
• 2:34:44
  Speaker 1: It was a freestyle thing, I made a script well
• 2:34:47
  Speaker 1: over it, I just structured what.
• 2:34:49
  Speaker 3: I wanted to say. And it's ready now, I have
• 2:34:52
  Speaker 3: to wait for it to come out, man. I don't
• 2:34:53
  Speaker 3: know what to say, man. It doesn't have a name, no.
• 2:34:55
  Speaker 3: The name is Batalha da Aldeia 10 anos, let's choose
• 2:34:57
  Speaker 3: a name. I'll invent a name for each of you.
• 2:34:59
  Speaker 3: It took a while. This is Jordan Peele, from Guarulhos, BJP.
• 2:35:01
  Speaker 3: You have to post it.
• 2:35:03
  Speaker 6: You're always talking as if it were a movie. There's
• 2:35:06
  Speaker 6: a whole arc.
• 2:35:07
  Speaker 3: Just imagine the arc and the name.
• 2:35:08
  Speaker 7: I'll show you a little bit later in the off,
• 2:35:10
  Speaker 7: but the guys who are watching, family, wait for a
• 2:35:13
  Speaker 7: video like this.
• 2:35:14
  Speaker 3: Absurd. Cinema level. You can wait.
• 2:35:16
  Speaker 2: We have some videos to record too, because there are
• 2:35:18
  Speaker 2: some rhymes that are already making noise. We have to
• 2:35:20
  Speaker 2: record this Apollo doc too. Man, Apollo, straight talk, before
• 2:35:24
  Speaker 2: we finish. The guy is the king of being able
• 2:35:26
  Speaker 2: to keep the event alive, man. Like, with the video,
• 2:35:30
  Speaker 2: with the stuff, the guy is awesome, man.
• 2:35:32
  Speaker 3: He has the mind, you know? That can leave the
• 2:35:33
  Speaker 3: top making noise. Yeah, man, the guy is awesome. You
• 2:35:35
  Speaker 3: saw what I did there in Japa, you're in need.
• 2:35:36
  Speaker 3: With your dog? My dog? What dog? The son of Choda, man.
• 2:35:38
  Speaker 3: I recorded a video with the dog, 400,000 likes, man,
• 2:35:40
  Speaker 3: scaring the dog. You're in need, I want you to
• 2:35:41
  Speaker 3: do it. Scaring the dog.
• 2:35:42
  Speaker 7: Hey, the last save on my part. Once again, thank
• 2:35:44
  Speaker 7: you all there. This Portugal thing is going to be
• 2:35:46
  Speaker 7: really awesome.
• 2:35:47
  Speaker 3: You know? It's going to be awesome, bro. For real.
• 2:35:50
  Speaker 2: I hope you guys follow it. I have a fan center,
• 2:35:59
  Speaker 2: you know?
• 2:35:59
  Speaker 3: What a photo.
• 2:36:00
  Speaker 2: A fan center that takes care of everything. And today
• 2:36:03
  Speaker 2: is Ingrid's birthday. Ingrid, happy birthday. Wow, she's dead right now.
• 2:36:07
  Speaker 2: God bless you, okay? And that's it. A hug to
• 2:36:09
  Speaker 2: my family and to Guarulhos.
• 2:36:10
  Speaker 9: We're together. Let's say hi to my daughter, right?
• 2:36:13
  Speaker 3: What a beautiful thing, man. Congratulations to your family.
• 2:36:16
  Speaker 9: To my wife, I love you.
• 2:36:17
  Speaker 3: Dad, I love you too. I love everyone, man. Digi
• 2:36:20
  Speaker 3: from France, your words.
• 2:36:23
  Speaker 8: First of all, I'd like to say hi to Filhos
• 2:36:25
  Speaker 8: da Terra.
• 2:36:25
  Speaker 3: What's up?
• 2:36:26
  Speaker 10: It's the end of our anniversary and we're in Correio
• 2:36:33
  Speaker 10: do Estadual.
• 2:36:34
  Speaker 8: There's a crowd there.
• 2:36:35
  Speaker 3: If you can come with us, pay attention to CPBMC.
• 2:36:37
  Speaker 8: There's a link to the crowd on Instagram.
• 2:36:45
  Speaker 10: Give strength there, because different from the big events, the
• 2:36:50
  Speaker 10: state is the base work, right? And then the base
• 2:36:52
  Speaker 10: work to get sponsorship is taken and we.
• 2:36:56
  Speaker 8: Are doing it for us. Who can give attention there.
• 2:36:59
  Speaker 3: What's the name of the arroba?
• 2:37:01
  Speaker 8: Arroba CPBMC.
• 2:37:02
  Speaker 3: CPBMC, guys.
• 2:37:03
  Speaker 6: Strengthen this cow there, for the national, no, for the
• 2:37:06
  Speaker 6: state to roll beautifully.
• 2:37:08
  Speaker 3: Right? Negrote, your salvation, my brother.
• 2:37:11
  Speaker 1: A big hug in general to my Osasco partners, my
• 2:37:13
  Speaker 1: IP2 partners.
• 2:37:14
  Speaker 3: Make some noise, guys.
• 2:37:15
  Speaker 1: Big hug to Bonança' s boys, to Astro World's partners. A
• 2:37:21
  Speaker 1: big kiss to Lorena, a big kiss to Dudinha, and
• 2:37:25
  Speaker 1: a big hug to my mom, to Cássia, right?
• 2:37:27
  Speaker 3: Let's go. Chaves is in Acapulco, right? Let's go together.
• 2:37:31
  Speaker 3: Follow us on Instagram, it's Grote Odi, let's go up,
• 2:37:33
  Speaker 3: it's us. It's us, guys. Sensational, sensational.
• 2:37:36
  Speaker 6: Mítico Jovem, make the honors of the house. First EP
• 2:37:38
  Speaker 6: of the week, tomorrow there's more, Friday too. Sensational, as
• 2:37:41
  Speaker 6: I would say, from France. Guys, let's continue the battle
• 2:37:43
  Speaker 6: of the village, 11 years.
• 2:37:44
  Speaker 5: Let's get it, huh?
• 2:37:44
  Speaker 4: We're together, Igão, follow all the social networks of PodPai,
• 2:37:47
  Speaker 4: and it's us, dignity already.
• 2:37:49
  Speaker 3: Let's go. Ah!
• 2:38:02
  Speaker 1: Ah!
• 2:38:02
  Speaker 3: Ah! We'll be right back.