Latest / The Teamup Play Show Podcast / S1-Ep.29: Kisses

Transcript

S1-Ep.29: Kisses · The Teamup Play Show Podcast

• 0:00
  Speaker 1: You're listening to a lily Pad production.
• 0:04
  Speaker 2: This is the Team Up Play Show podcast.
• 0:29
  Speaker 3: Previously in the City of Bones.
• 0:37
  Speaker 2: You are at a match with your older sister Leah
• 0:42
  Speaker 2: to watch your younger sister Lilah play shoot ball. Your
• 0:47
  Speaker 2: sister Lilah is on the shoot serpents. I don't even
• 0:51
  Speaker 2: tell them I play for the serpents. They would freak.
• 0:54
  Speaker 4: Okay, fine, you want to make a deal. Let's make
• 0:57
  Speaker 4: a deal. I still want to fight against bad people.
• 1:00
  Speaker 4: Is that okay? Is that allowed? I guess maybe it depends.
• 1:06
  Speaker 4: It seems risky, dangerous. No killing Jason. Okay, we can
• 1:12
  Speaker 4: we can deal with that. Okay, what else do you want?
• 1:14
  Speaker 4: If you're gonna take risks, you need to be calculated,
• 1:17
  Speaker 4: You need to think. Okay, no rushing headfirst into danger.
• 1:20
  Speaker 4: One more thing you can't.
• 1:22
  Speaker 2: Tell Page Well, this isn't how I hope that I
• 1:27
  Speaker 2: would see you again. Quantum.
• 1:30
  Speaker 4: Oh, either a big paper eyebrow of raises on paper
• 1:35
  Speaker 4: and Phantom's blank face.
• 1:36
  Speaker 5: Shut up.
• 1:37
  Speaker 4: I'm not saying anything.
• 1:39
  Speaker 1: Your eyebrows are saying loud things.
• 1:41
  Speaker 4: What it's like floating above my head.
• 1:44
  Speaker 6: Your eyebrows are so loud.
• 1:45
  Speaker 2: Right now, he looks over to your quantum, just if
• 1:48
  Speaker 2: you promise not to talk shop and not to bring
• 1:52
  Speaker 2: him what mister crinkles, No you phantom? Oh yeah, well
• 1:58
  Speaker 2: you don't ever want to do like a a dinner
• 2:00
  Speaker 2: or a lunch or I don't know you wear a mask.
• 2:04
  Speaker 6: Oh yeah, yeah we can.
• 2:07
  Speaker 1: We could do it a dinner or a lunch.
• 2:10
  Speaker 2: There's a knock on your door. There's a man here,
• 2:13
  Speaker 2: A day man is hello. I'm Gabe. Now I'm your footbridge.
• 2:21
  Speaker 2: So I'm like assigned to you. So anything you need
• 2:25
  Speaker 2: or want, you just let me know. As your head
• 2:28
  Speaker 2: is going back and forward looking for people around criminals,
• 2:35
  Speaker 2: she grabs it while it's facing her and she kisses you.
• 2:53
  Speaker 2: Because we are human, love is always undeserve. None of
• 3:02
  Speaker 2: us have really done enough to gain the unconditional love
• 3:07
  Speaker 2: of another. That is what gives love its magic. We
• 3:13
  Speaker 2: can't earn it. It has to be given to us.
• 3:18
  Speaker 2: This truth is especially profound in the kiss at page
• 3:22
  Speaker 2: right now plants upon your lips, Jason. In his eyes,
• 3:29
  Speaker 2: Jason Turner has only really missed cues, acted jealously, and
• 3:35
  Speaker 2: gifted page a gun.
• 3:38
  Speaker 4: Mm hmmm, it worked, It worked, guys.
• 3:42
  Speaker 2: It and yet page gives you here the gift of
• 3:47
  Speaker 2: her love.
• 3:49
  Speaker 7: To her.
• 3:50
  Speaker 2: You've been kind, you've been present, you've been understanding and patient,
• 3:56
  Speaker 2: you've been a friend. Yes, we cannot earn love, but
• 3:59
  Speaker 2: tru trust we must earn in this moment, does the
• 4:06
  Speaker 2: Phantom come out at all as you're being kissed or
• 4:10
  Speaker 2: what are you thinking?
• 4:12
  Speaker 4: Yeah? Absolutely, Like there's maybe a moment where this kiss
• 4:17
  Speaker 4: is just perfect, beautiful and the two of them connect,
• 4:22
  Speaker 4: And then Jason is ripped into the paper dimension and
• 4:29
  Speaker 4: can only look up at himself in this perfect moment
• 4:32
  Speaker 4: through the page as he is surrounded by Arthur Original
• 4:37
  Speaker 4: Flavor Paper Phantom and mister Crinkles.
• 4:43
  Speaker 2: Fun.
• 4:46
  Speaker 4: Oh hey, gang, Now it's actually not like a great
• 4:49
  Speaker 4: time for me. I'm kind of in the middle of something.
• 4:53
  Speaker 8: Oh, Jason, this is great, this is this is perfect.
• 4:58
  Speaker 7: Oh it's great. You hey, shut the fuck up, old man.
• 5:01
  Speaker 8: No, no, you shut up, you shut up.
• 5:03
  Speaker 4: I'm the one now, I'm in here. Now, Now what
• 5:06
  Speaker 4: is going on?
• 5:07
  Speaker 7: Guys?
• 5:08
  Speaker 4: Why you fucked up? You made a bargain with this
• 5:12
  Speaker 4: old idiot.
• 5:14
  Speaker 9: Yeah that you didn't tell her. We didn't tell her yet.
• 5:18
  Speaker 9: Oh so you're you're just as stupid as him. Then
• 5:21
  Speaker 9: what you think You think he can keep this a secret?
• 5:25
  Speaker 7: Now maybe I don't know. He's gonna try.
• 5:28
  Speaker 4: Yeah, I can just lie to her forever. It's gonna
• 5:31
  Speaker 4: be fine now, Oh it's okay. At least mister Crinkles
• 5:35
  Speaker 4: agrees with me.
• 5:37
  Speaker 8: The cat is a deeper being than you know.
• 5:40
  Speaker 4: Think about it. You're gonna spend the rest of your
• 5:43
  Speaker 4: life never taking your shirt off in front of this woman.
• 5:50
  Speaker 7: Jason, Jason, are you in there?
• 5:52
  Speaker 4: Hey? Jason? Uh, excuse me?
• 5:58
  Speaker 7: Excuse you?
• 5:59
  Speaker 4: What? Excuse me? Just go back into the paper room. Well,
• 6:06
  Speaker 4: what do I do? What the fuck do I do? Arthur?
• 6:07
  Speaker 4: What do I do? Out there? Good?
• 6:09
  Speaker 7: Out there?
• 6:09
  Speaker 8: And tell her, you you know, hang out?
• 6:12
  Speaker 4: No, no, don't tell her to hang out. You have
• 6:15
  Speaker 4: to push her away if you want to keep your powers.
• 6:17
  Speaker 8: Oh no, you need to stay close to her to
• 6:19
  Speaker 8: keep her safe.
• 6:21
  Speaker 4: What the fuck is your What is your game? Old man?
• 6:24
  Speaker 4: You want him to get close to her. You know
• 6:27
  Speaker 4: he's bad at social situations. You think he can continue
• 6:30
  Speaker 4: to lie to her while they touch mouths?
• 6:33
  Speaker 8: It's a dangerous city. She needs to be kept safe.
• 6:37
  Speaker 4: Sure, close is good, but this close, she's gonna find
• 6:42
  Speaker 4: out and he's gonna get fucked and guess what if
• 6:45
  Speaker 4: she finds out, not only does he lose his powers,
• 6:48
  Speaker 4: he loses her she hates me. KINI is a point there.
• 6:55
  Speaker 4: I don't like the words he's saying, but it is
• 6:59
  Speaker 4: maybe right.
• 7:04
  Speaker 8: It's up to you.
• 7:06
  Speaker 4: Oh yeah, thank you for your vote of confidence, mister crinkles.
• 7:11
  Speaker 7: Wow.
• 7:14
  Speaker 4: Look, I'm if you can't do it, kid, if you
• 7:17
  Speaker 4: can't push her away, I'll do it.
• 7:19
  Speaker 7: No, No, I don't.
• 7:22
  Speaker 8: No, No, you know you stay in here. You fucking
• 7:25
  Speaker 8: staying here?
• 7:26
  Speaker 4: Okay, yeah you will, you will too, all right.
• 7:29
  Speaker 8: Yeah, we'll both stay in here and then it'll be fine.
• 7:34
  Speaker 4: I feel like you're carrying over a lot of our
• 7:36
  Speaker 4: we have a lot of roommate baggage. Okay, okay, interesting.
• 7:43
  Speaker 2: Jason, Jason, are you hey, Hi? Are you okay? Is
• 7:48
  Speaker 2: there something wrong? I didn't sorry if that was too much,
• 7:51
  Speaker 2: too forward, that's okay, it doesn't seem okay, Jason, not,
• 7:57
  Speaker 2: I'm sorry.
• 7:59
  Speaker 4: Yeah, I'm just not. I don't know if I'm I
• 8:05
  Speaker 4: don't know if I'm ready for that. Oh, it's not you,
• 8:13
  Speaker 4: it's really truly, genuinely, it's me.
• 8:17
  Speaker 7: I'm just not.
• 8:18
  Speaker 4: That was the first time I've had a kiss.
• 8:25
  Speaker 2: Well we don't. I'm sorry. We can save kissing like
• 8:28
  Speaker 2: for down the line. We can just do, you know,
• 8:32
  Speaker 2: normal stuff and not kiss until I'm great.
• 8:35
  Speaker 4: I would love to do normal stuff. Yeah a few months. Yeah, okay,
• 8:40
  Speaker 4: a great rain huge rain check on.
• 8:43
  Speaker 2: This love this rain check on the kissing.
• 8:46
  Speaker 4: But we'll you will circle back to it.
• 8:50
  Speaker 2: Yeah, but let's go on a date. I wanted to
• 8:54
  Speaker 2: take you to my work. I wanted to show you.
• 8:58
  Speaker 4: Yeah, I can can, I can go to can go
• 9:02
  Speaker 4: on thing.
• 9:03
  Speaker 2: But yeah, of course, just tread carefully.
• 9:08
  Speaker 4: Fuck you guy, Fuck you guy. Go back to your portal.
• 9:12
  Speaker 8: Oh yeah, you go back to whatever the fun?
• 9:15
  Speaker 7: Where do you even live? You live in that paper house?
• 9:18
  Speaker 8: Yeah it's beautiful.
• 9:20
  Speaker 4: Yeah, thank you. Uh yeah, I'd love to take a
• 9:29
  Speaker 4: tour of your work and and go on maybe like
• 9:32
  Speaker 4: a uh like a hang out as friends.
• 9:36
  Speaker 2: Wait out. I'm confused. I thought kissing was the thing.
• 9:40
  Speaker 7: You wanted to wait on.
• 9:41
  Speaker 2: You want to wait on like this?
• 9:45
  Speaker 4: Yeah, I'm sorry, I just have had a lot of
• 9:52
  Speaker 4: stuff going on, and I'm not I don't want to
• 9:56
  Speaker 4: hurt you, but maybe no it was not a good time.
• 10:04
  Speaker 2: All right, fine? Sorry, Sorry for being forward. Listen, show
• 10:15
  Speaker 2: up though at the station on Thursday, because I told
• 10:21
  Speaker 2: somebody you were. You know, they have a bad set
• 10:24
  Speaker 2: aside for you and stuff. It'd be weird if you
• 10:26
  Speaker 2: didn't show up, and I told him my boyfriend was coming.
• 10:30
  Speaker 2: But I guess that's on me. I thought I was
• 10:38
  Speaker 2: reading the signals okay, but I wasn't.
• 10:42
  Speaker 4: I'm sorry.
• 10:44
  Speaker 2: We moved to Unmasked with Jimmy.
• 10:50
  Speaker 4: Everyone else is turned on as me.
• 10:56
  Speaker 6: Oh yeah, the paper Phantom of the Arthur.
• 10:58
  Speaker 4: Were the chemistry in there for sure?
• 11:04
  Speaker 7: Jimi?
• 11:04
  Speaker 2: Or you wanted to hang out with your parents, I
• 11:07
  Speaker 2: did I need to. When you let your parents know
• 11:09
  Speaker 2: that you want to hang out, they invite you to
• 11:12
  Speaker 2: go see your sister's shoot ball game, your sister Lilah.
• 11:17
  Speaker 2: They know, no, they didn't know before. So you find
• 11:21
  Speaker 2: them in the stands.
• 11:24
  Speaker 7: Love dad, Hey, it's me.
• 11:28
  Speaker 2: Your mom waves for you to come sit over. You
• 11:30
  Speaker 2: sit right in between them. Your dad is like, he's
• 11:35
  Speaker 2: got like shoot he got all the like shoot ball.
• 11:39
  Speaker 2: Your dad has full has As soon as they learned
• 11:43
  Speaker 2: that your sister played for the shooters, your dad went
• 11:48
  Speaker 2: full on like sports dad. He bought all the gear.
• 11:52
  Speaker 2: He has a giant paper foam. It's just like a fist,
• 11:57
  Speaker 2: and on top of the fist is like a tube.
• 11:59
  Speaker 2: Like you're just like, your dad's very excited. You sit
• 12:05
  Speaker 2: down and your mom looks stern and a little worried,
• 12:09
  Speaker 2: and she says, Jamir, your sister told us that she
• 12:15
  Speaker 2: is the star of the shooters team, and I we
• 12:20
  Speaker 2: are we are worried about it. Your Dad's like, well,
• 12:24
  Speaker 2: that's right, we're worried about it.
• 12:29
  Speaker 10: Yeah. I I did know about this full disclosure. But
• 12:35
  Speaker 10: you know, sibling loyalty. You guys get it right.
• 12:42
  Speaker 2: Your Dad's like, oh, yeah, we get it. Je's like,
• 12:46
  Speaker 2: I understand, Jamir, but you should have told us.
• 12:49
  Speaker 7: It was her thing to tell.
• 12:52
  Speaker 2: Yeah, yeah, it was her thing to tell.
• 12:54
  Speaker 3: Yeah.
• 12:54
  Speaker 2: It wasn't Jamir's father or Laylis's father. It was her
• 12:58
  Speaker 2: thing to let us know about. Okay, Jamir, But we
• 13:03
  Speaker 2: figured we'd come and watch a game. See what this
• 13:06
  Speaker 2: is all about. Apparently she's really good.
• 13:09
  Speaker 10: Yeah, I mean, I mean, you know, she's got improve
• 13:13
  Speaker 10: its to making her game.
• 13:14
  Speaker 4: Uh, you know, maybe I should give her some pointers.
• 13:16
  Speaker 2: But what kind of point is Jamir? I'm trying to
• 13:19
  Speaker 2: get into the rules, Like what you know I think
• 13:22
  Speaker 2: she's not using the gravity pads to her best advantage.
• 13:28
  Speaker 2: I think I think she's sometimes afraid of context. Oh yeah, interesting,
• 13:34
  Speaker 2: your mom's a contact.
• 13:37
  Speaker 10: It's a contact sport, you know, like they're wearing that
• 13:40
  Speaker 10: gear for a reason.
• 13:41
  Speaker 2: Oh my goodness, shoot dogs.
• 13:43
  Speaker 4: Get to shoot dogs.
• 13:45
  Speaker 2: You guys are here early enough this time for the
• 13:50
  Speaker 2: shooter anthem.
• 13:51
  Speaker 7: Wow.
• 13:52
  Speaker 2: The other teams do not get an anthem because they're
• 13:57
  Speaker 2: all in the shoot. It's all happens in the shoot.
• 14:01
  Speaker 2: But the shooters have their own anthem.
• 14:03
  Speaker 7: Were stands up?
• 14:04
  Speaker 2: Yeah, your dad and your mom both stand up with you.
• 14:07
  Speaker 2: All the shooters stand up, even the other team, like
• 14:10
  Speaker 2: the the the crowd from the other side, like they
• 14:14
  Speaker 2: stand up respectfully because they're in the shoe.
• 14:16
  Speaker 7: They know where they are.
• 14:19
  Speaker 11: Shoulders of the spaceless track.
• 14:26
  Speaker 12: They saw little horredcence.
• 14:32
  Speaker 2: Who needs the stars?
• 14:35
  Speaker 4: Who needs the street?
• 14:40
  Speaker 2: It's the shoe we called the beast.
• 14:47
  Speaker 4: Oh tunnel.
• 14:51
  Speaker 3: Tunnel far and wide, well lit.
• 14:57
  Speaker 11: Well with shooters your side, Oh time.
• 15:07
  Speaker 4: Of horrid wide.
• 15:10
  Speaker 11: Fight, Well it is well wish well your side.
• 15:27
  Speaker 4: Get you shoot dogs.
• 15:33
  Speaker 2: There's that last line in that third verse where everyone
• 15:38
  Speaker 2: says who needs the stars? Who needs the streets. It's
• 15:42
  Speaker 2: the shoot we call the best. Most of this crowd says,
• 15:46
  Speaker 2: fuck the stars and fuck the streets. It's the shoot
• 15:50
  Speaker 2: we call the best. It's very riled up. You look
• 15:53
  Speaker 2: over and as you all sit back down, your dad
• 15:57
  Speaker 2: wipes a couple tears away with big phone.
• 16:01
  Speaker 10: Man also got pretty emotional. I haven't sung it in
• 16:06
  Speaker 10: a minute, and just with everything going on, was in
• 16:10
  Speaker 10: his fields.
• 16:11
  Speaker 4: There.
• 16:12
  Speaker 2: Your sister comes out and she, as always, puts on
• 16:16
  Speaker 2: a show. She's one of the fastest rollerbladers in the shoot.
• 16:21
  Speaker 2: She's whipping around trying to use some of your tips,
• 16:24
  Speaker 2: using the grab pads more to her advantage. But between play,
• 16:29
  Speaker 2: what do you want to go over with your parents?
• 16:33
  Speaker 10: I just I'm just gonna say, like, hey, guys, I'm sorry.
• 16:36
  Speaker 10: I haven't been around a tud. Things have been a
• 16:39
  Speaker 10: little crazy with work and life.
• 16:43
  Speaker 7: It's just renuts. So sorry about that, Jamir.
• 16:49
  Speaker 2: Your mom says, when I was your age, honey, I
• 16:54
  Speaker 2: wasn't at home much either. I think I I think
• 17:00
  Speaker 2: I had left. I think I was working too much
• 17:03
  Speaker 2: in the city. So the fact that you come around
• 17:06
  Speaker 2: at all means means a lot to us.
• 17:09
  Speaker 7: Well, thanks for being so cool. About it all.
• 17:13
  Speaker 10: I mean, yeah, ever since Taylor died, things are just
• 17:20
  Speaker 10: real crazy.
• 17:21
  Speaker 2: Well yeah, yeah, your mom gasps as your sister dodges
• 17:28
  Speaker 2: a big hit from the other team. H scary. Yeah, Jimmy,
• 17:33
  Speaker 2: we wanted to talk to you about that. Next time
• 17:35
  Speaker 2: we saw you, your dad pauses after shoving a hot
• 17:40
  Speaker 2: dog in his mouth and brings his shoot fist down. Yeah, Jimi,
• 17:48
  Speaker 2: we saw the news, Bud. We saw the news. We
• 17:51
  Speaker 2: saw that it wasn't what they said. It was initially
• 17:56
  Speaker 2: that those superheroes and that one police officer showed. They
• 18:00
  Speaker 2: played the recording that you were there. We heard your voice.
• 18:06
  Speaker 10: I'm sorry I didn't have to. I'm sorry I didn't
• 18:10
  Speaker 10: tell you sooner. I just didn't want them to hurt you. Guys.
• 18:14
  Speaker 10: It's just it's just so messed up.
• 18:18
  Speaker 2: It's your mom's turn to cry, and she looks over
• 18:21
  Speaker 2: at you, puts two arms around you and brings you
• 18:24
  Speaker 2: in and just cries on top of your head for
• 18:28
  Speaker 2: a split second as long as you let her, and
• 18:30
  Speaker 2: she just says, Jimmy, there's nobody should be put in
• 18:37
  Speaker 2: that situation. I don't know what I would have done,
• 18:42
  Speaker 2: but it wouldn't have been as brave as what you did.
• 18:48
  Speaker 7: I don't believe that for a second.
• 18:52
  Speaker 2: Well, hopefully we'll never have to know. Huh, hopefully your
• 18:59
  Speaker 2: dad shake some some tears out of his own eyes,
• 19:02
  Speaker 2: just kind of shakes it off this time and looks
• 19:04
  Speaker 2: back at the game. So jamir, when they are they
• 19:09
  Speaker 2: allowed to grab the ball like that? I thought that
• 19:12
  Speaker 2: was not allowed?
• 19:13
  Speaker 7: Oh yeah, oh yeah they're allowed.
• 19:17
  Speaker 4: Yep.
• 19:17
  Speaker 2: Well, but like when when can't because normally they have
• 19:20
  Speaker 2: to use those poles as like the really long ones.
• 19:24
  Speaker 10: You know, as long as it's not a carry, you
• 19:26
  Speaker 10: can you're allowed to use your hands.
• 19:29
  Speaker 7: You just got carries? Does that make sense?
• 19:32
  Speaker 8: Cool?
• 19:33
  Speaker 7: Yeah?
• 19:34
  Speaker 4: Shooters, use another shoot dog? You want a third shoot dog?
• 19:41
  Speaker 2: You've been hanging out right here, man.
• 19:44
  Speaker 4: It's you guys been crying a lot over here. You
• 19:46
  Speaker 4: guys need another shoot dogy, this one's on the house.
• 19:50
  Speaker 6: Hey, I got shoot fruit.
• 19:51
  Speaker 1: That's always on the house.
• 19:52
  Speaker 7: Shoot Foo fruit.
• 19:54
  Speaker 2: The whole seession shoot starts.
• 19:58
  Speaker 7: To delicious big fa to shoot for.
• 20:03
  Speaker 4: I imagine shoot dougs are like a pig in a
• 20:05
  Speaker 4: blanket situation.
• 20:06
  Speaker 2: That's kind of what I.
• 20:07
  Speaker 8: Was thinking of.
• 20:10
  Speaker 1: Corn dog without a stick.
• 20:11
  Speaker 7: Yeah and open on the ends.
• 20:14
  Speaker 2: Yes, Jamir, you guys catch Lila as she comes out
• 20:20
  Speaker 2: of the locker room, so sweaty with her big bag
• 20:24
  Speaker 2: of gear and her roller blades.
• 20:25
  Speaker 7: On her other should.
• 20:28
  Speaker 2: Hey, Jamir, she runs up to you, gives you a
• 20:31
  Speaker 2: huge hug. She steps back kind of grabs your face. Jamir,
• 20:36
  Speaker 2: I saw the news. I'm so sorry. Hey, I'm okay,
• 20:41
  Speaker 2: I'm here, and you kicked ass today.
• 20:44
  Speaker 7: All right, thanks?
• 20:45
  Speaker 2: Thanks, I love.
• 20:46
  Speaker 7: You, I love you.
• 20:48
  Speaker 8: I love you, brother.
• 20:49
  Speaker 2: I'm I'm so sorry. We can move on. It was
• 20:53
  Speaker 2: a good night you kicked.
• 20:55
  Speaker 7: I'm proud of you.
• 20:58
  Speaker 2: Two goals almost got the hat trick their dad.
• 21:01
  Speaker 7: Your dad takes.
• 21:02
  Speaker 2: Off his shooter hat and tries to do that thing
• 21:04
  Speaker 2: where he rolls it down his arms to the other arm,
• 21:08
  Speaker 2: but it drops immediately.
• 21:09
  Speaker 4: Is hat trick?
• 21:10
  Speaker 7: Who almost?
• 21:13
  Speaker 2: Almost? Not quite, sweetie, but you'll get one next time. Hey,
• 21:17
  Speaker 2: we loved coming. Thank you for telling me about this.
• 21:20
  Speaker 2: This was one of the best, most proudest nights of
• 21:24
  Speaker 2: my life as a father. Yeah, this is awesome. I mean, Jimmy,
• 21:30
  Speaker 2: you're amazing. You do all kinds of cool stuff, but
• 21:34
  Speaker 2: this this is freaking cool. You were never you know,
• 21:39
  Speaker 2: I mean, come on, JIMMYR.
• 21:42
  Speaker 7: I mean okay, okay, no, no, no, no, it's good
• 21:45
  Speaker 7: to know. You know we're learning.
• 21:47
  Speaker 10: We're all learning tonight, right, just like you're learning how
• 21:50
  Speaker 10: to lead into that contact.
• 21:51
  Speaker 7: Right, that's right.
• 21:53
  Speaker 2: Your mom says, we are equally proud of all of
• 21:57
  Speaker 2: our children.
• 21:57
  Speaker 7: You have the lies.
• 21:59
  Speaker 12: Of course, no, no, no, of course we are start.
• 22:02
  Speaker 12: What was this saying?
• 22:03
  Speaker 2: I was just saying it was a good night, big night,
• 22:06
  Speaker 2: exciting night.
• 22:07
  Speaker 7: Your dad.
• 22:08
  Speaker 6: Wait, Jamiir's dad and his brother are.
• 22:10
  Speaker 3: Jason's best friend, wore.
• 22:18
  Speaker 2: Amazing anything else you want to do with your family.
• 22:21
  Speaker 2: As the three of you walk home, I will bring
• 22:24
  Speaker 2: up the election as we walk home.
• 22:26
  Speaker 10: Like, hmmm, so I know you guys are going to
• 22:30
  Speaker 10: be voting for the vote, but what's the word on
• 22:34
  Speaker 10: on the shoot? How are people feeling about this thing?
• 22:37
  Speaker 10: With all the stuff the superheroes are exposing, Like the
• 22:42
  Speaker 10: corruption is so crazy? Do you guys think this election
• 22:46
  Speaker 10: is going to go forward to the people believe in
• 22:50
  Speaker 10: eddy semblance of the system anymore?
• 22:53
  Speaker 2: You're Your mom takes a deep breath. Jamiir, it's tough.
• 22:59
  Speaker 2: The uh. I think people are of two minds, like
• 23:03
  Speaker 2: one It would be cool to have a shooter in office.
• 23:07
  Speaker 2: Your dad's it m M through like some popcorn. Yeah,
• 23:13
  Speaker 2: but other people are worried about what it will do
• 23:16
  Speaker 2: to the lifestyle of the shoot like, is it bringing
• 23:19
  Speaker 2: us into the city in a way that we don't
• 23:22
  Speaker 2: want to be brought in. We've got it, she says
• 23:27
  Speaker 2: a little bit. She says a little reluctantly. We've got
• 23:31
  Speaker 2: life pretty good right now. The cores payments have gone
• 23:35
  Speaker 2: way down, so we've got more dough for the home.
• 23:39
  Speaker 7: Glad to hear that.
• 23:40
  Speaker 2: And they're still supplying a lot of amazing fruits and vegetables.
• 23:46
  Speaker 1: Does somebody say, shoot fruit?
• 23:48
  Speaker 2: These vendors are following us home. Watch me juggle, Jason,
• 23:53
  Speaker 2: What did you tell them? I just told them where
• 23:55
  Speaker 2: we live and if they ever had extras, they could
• 23:58
  Speaker 2: drop them off us.
• 24:00
  Speaker 4: Your name is Jason too, I'm I'm also with Jason.
• 24:03
  Speaker 4: I'm also that's Jason.
• 24:08
  Speaker 7: Both of you are named.
• 24:09
  Speaker 6: Jason, Jason the shoot fruit guy.
• 24:12
  Speaker 4: Jason, the shoot dog guy.
• 24:15
  Speaker 6: Look, we could pass our stuff while we juggle.
• 24:20
  Speaker 7: Lia looks at looks at you. Guys.
• 24:23
  Speaker 2: I'm number twenty four on the Shooters. Both of you
• 24:25
  Speaker 2: please go home and don't come to our house.
• 24:29
  Speaker 6: Suit yourself, no promise to yourself.
• 24:31
  Speaker 4: Oh got him? Jason's out.
• 24:34
  Speaker 7: Oh did you think you got us?
• 24:36
  Speaker 4: Got him?
• 24:37
  Speaker 7: That's got for you?
• 24:39
  Speaker 2: Hi fa Yeah, your dad says no. I'm excited.
• 24:45
  Speaker 4: You know.
• 24:45
  Speaker 2: I think that it can only be good for the shoot,
• 24:48
  Speaker 2: more resources, more connectivity to the city outside, as long
• 24:52
  Speaker 2: as they don't make us leave, you know, as long
• 24:54
  Speaker 2: as we can stay. Yeah, Lilah shrugs. I definitely know
• 24:59
  Speaker 2: we need an mayor.
• 25:01
  Speaker 7: Good.
• 25:01
  Speaker 2: Well, I don't know who's the right one.
• 25:03
  Speaker 4: I'm not.
• 25:04
  Speaker 2: I'm not like you're you're you have a good mind
• 25:07
  Speaker 2: for politics.
• 25:08
  Speaker 10: I don't know about that, but I try to care
• 25:13
  Speaker 10: keep up with what's going on.
• 25:15
  Speaker 2: Yeah, that's what I mean, And I don't. I don't
• 25:18
  Speaker 2: get into it as much. I just doing my job,
• 25:20
  Speaker 2: playing my game.
• 25:21
  Speaker 10: And you're young, you got you got time for that
• 25:25
  Speaker 10: stuff later. But just make sure you and your friends
• 25:28
  Speaker 10: are freaking voted, right.
• 25:29
  Speaker 2: Oh yeah, we're voting, for sure, we're voting to vote
• 25:32
  Speaker 2: at least. And then we're talking. We talk about a
• 25:35
  Speaker 2: little bit, like.
• 25:36
  Speaker 7: Who do we want.
• 25:36
  Speaker 2: Some of the girls I hang out with think that
• 25:38
  Speaker 2: Henry's pretty cute and that's dumb. That's dumb as hell.
• 25:45
  Speaker 4: Yeah, sorry, no, yeah, sorry? Do you guys still want
• 25:49
  Speaker 4: us to leave?
• 25:50
  Speaker 5: Yeah?
• 25:51
  Speaker 4: Go on, get the shoot itself says guys.
• 25:55
  Speaker 7: We're gone like five minutes.
• 25:56
  Speaker 4: Yeah, yeah, you're echoing and to shoot you.
• 26:01
  Speaker 2: He's old and Ngamier has a nice time catching up
• 26:04
  Speaker 2: with his parents and little sister Quanta. Yes, Ronnie, you
• 26:10
  Speaker 2: wanted to hang out with your family.
• 26:12
  Speaker 3: Yes, Uh, I think I have changed my mind though,
• 26:17
  Speaker 3: so I think maybe quantas with Jillian.
• 26:21
  Speaker 1: Ronnie's with Jillian.
• 26:22
  Speaker 13: Getting ready to maybe go to family dinner at their
• 26:25
  Speaker 13: apartment and changing out of her Quanta outfit or Quanta
• 26:30
  Speaker 13: gear into like some jeans and a shirt kind of stops.
• 26:37
  Speaker 2: What you have that face? You're not You're not going
• 26:40
  Speaker 2: back out, are you?
• 26:41
  Speaker 1: Yeah? I think I will, but.
• 26:43
  Speaker 3: But yeah what Uh, let's not pass the Bechdel test
• 26:49
  Speaker 3: again to see a boy.
• 26:51
  Speaker 2: Maybe we've passed the bachel test so many times already.
• 26:55
  Speaker 7: You don't have to keep passing.
• 26:58
  Speaker 4: I think you've done.
• 26:59
  Speaker 7: We've done so we had.
• 27:02
  Speaker 3: To keep passing it, and I'm not today, I'm not
• 27:05
  Speaker 3: passing it.
• 27:05
  Speaker 2: That's fine. We can talk about boy.
• 27:08
  Speaker 1: Yeah yeah, yeah, yeah.
• 27:09
  Speaker 6: Yeah yeah yeah yeah yeah.
• 27:11
  Speaker 2: Oh what wait, what gives spill?
• 27:15
  Speaker 3: There's there's a fireman. Oh and he only knows me
• 27:20
  Speaker 3: as Quanta though.
• 27:22
  Speaker 2: Oh I know interesting, I know. So what are you
• 27:26
  Speaker 2: gonna do?
• 27:27
  Speaker 4: Like?
• 27:27
  Speaker 2: How could that even work?
• 27:28
  Speaker 7: Would you like?
• 27:29
  Speaker 2: Would you go on a date as Quanta? That seems
• 27:31
  Speaker 2: pretty impersonal? What are you supposed to talk about when
• 27:34
  Speaker 2: all he can know is Quanti can't really know the
• 27:35
  Speaker 2: real you? How is this gonna work?
• 27:37
  Speaker 1: Yeah? Yep, that's what my brain is saying.
• 27:40
  Speaker 2: Okay, good, I just like to be sometimes what your
• 27:43
  Speaker 2: brain is saying out loud.
• 27:44
  Speaker 1: I really appreciate that about you, Jill.
• 27:46
  Speaker 7: Yeah.
• 27:47
  Speaker 2: Am I just gonna go to your family dinner by myself?
• 27:52
  Speaker 3: I mean, if you wanted to. I think I think
• 27:55
  Speaker 3: moms would love to see you.
• 27:56
  Speaker 1: But I think I'll go.
• 27:59
  Speaker 3: You know what, I'll go with you there. Yeah, I'll
• 28:03
  Speaker 3: call him from here. And because you know Mommy, she
• 28:05
  Speaker 3: makes real good, real good picnic baskets.
• 28:08
  Speaker 7: That's true.
• 28:08
  Speaker 3: Maybe she could whip something up for me to take
• 28:13
  Speaker 3: and I'll just go see if he's around.
• 28:16
  Speaker 2: Keep you do whatever you want to do.
• 28:19
  Speaker 3: That's crazy, right, Just like I mean, I have already
• 28:22
  Speaker 3: shown up at his apartment.
• 28:24
  Speaker 2: He knows you know where he is. Did you did
• 28:27
  Speaker 2: you set up a date before?
• 28:29
  Speaker 3: No?
• 28:30
  Speaker 2: Well no, I mean like, did did he did? Does
• 28:33
  Speaker 2: he want that?
• 28:34
  Speaker 4: Did you?
• 28:34
  Speaker 2: Yeah?
• 28:35
  Speaker 12: Yeah?
• 28:35
  Speaker 14: Yeah?
• 28:35
  Speaker 6: Yeah yeah.
• 28:35
  Speaker 3: He was like, I want to hang out with you,
• 28:38
  Speaker 3: but we can't talk shop.
• 28:39
  Speaker 1: Oh shit.
• 28:41
  Speaker 2: Oh yeah, good luck now, good luck. Yeah, you're gonna
• 28:45
  Speaker 2: have to talk about something. You're gonna have to give
• 28:48
  Speaker 2: a little bit of your real self somehow.
• 28:50
  Speaker 1: Ah fun, fun fun.
• 28:51
  Speaker 2: But maybe he meant you don't have to talk shop
• 28:53
  Speaker 2: for him, but you could talk shop for you by shop.
• 28:56
  Speaker 2: I'm assuming he meant your superhero life.
• 28:58
  Speaker 1: He did he?
• 29:00
  Speaker 4: Uh he's got powers too.
• 29:05
  Speaker 6: Oh I said it?
• 29:05
  Speaker 1: Okay, yeah, I said it.
• 29:06
  Speaker 6: I shared his secret. Oh that's shitty of me.
• 29:09
  Speaker 1: Is really this is really bad.
• 29:11
  Speaker 7: It's good.
• 29:11
  Speaker 2: I like it.
• 29:12
  Speaker 7: Go you should? You should go?
• 29:14
  Speaker 2: Yeah, get a picnic and I'll go to dinner and
• 29:17
  Speaker 2: I'll be sarrogate Ronnie. I really need to check on
• 29:22
  Speaker 2: your dad, but but.
• 29:25
  Speaker 4: You should go.
• 29:26
  Speaker 6: Yeah, let me know how they're doing.
• 29:28
  Speaker 3: And of course, I mean I'll go with you there,
• 29:31
  Speaker 3: so I'll call him from here.
• 29:33
  Speaker 1: Because do you have a cube. I don't have a cube.
• 29:34
  Speaker 1: Do you have a cube?
• 29:35
  Speaker 2: I have a cube?
• 29:36
  Speaker 3: Cube?
• 29:37
  Speaker 6: Yeah, thank you.
• 29:38
  Speaker 2: You use Jillian's cube to call your mom Mama. She Hey, sweetie, I'm.
• 29:46
  Speaker 3: Mommy, I'm gonna I'm I'm coming with Jillian tonight.
• 29:50
  Speaker 2: But wonderful I am.
• 29:52
  Speaker 1: I'm wondering if I could not stay? What I know?
• 29:59
  Speaker 1: I think I want to go, Oh, meet somebody?
• 30:01
  Speaker 2: Oh I think that your mom and your dad?
• 30:07
  Speaker 8: What'd see that as.
• 30:07
  Speaker 2: An okay, reason not to come to family dinner?
• 30:09
  Speaker 1: Okay? What about my mommy?
• 30:11
  Speaker 3: Me?
• 30:11
  Speaker 2: Yeah, I always miss you and I will never not
• 30:15
  Speaker 2: miss you.
• 30:16
  Speaker 1: Oh sucks.
• 30:18
  Speaker 2: But if you can find someone who loves you and
• 30:21
  Speaker 2: you can have a nice relationship, then it's worth it
• 30:24
  Speaker 2: every now and again.
• 30:25
  Speaker 3: Well, it's just the first date, mommy, okay.
• 30:30
  Speaker 2: Well, first dates lead to second dates lead to third
• 30:34
  Speaker 2: You can't go anywhere without a first date.
• 30:37
  Speaker 6: Yeah, yeah, you're right, you're.
• 30:39
  Speaker 2: Right, you're right. So you need me to make you
• 30:41
  Speaker 2: a picnic?
• 30:42
  Speaker 1: Yes, you read my mind. A lot of that going around.
• 30:45
  Speaker 2: I'll get it done.
• 30:46
  Speaker 6: Thank you, I'll see you soon.
• 30:47
  Speaker 2: You go home, You check in on your family. Your
• 30:51
  Speaker 2: dad is there still living with your mom's Dirk is there?
• 30:56
  Speaker 7: Oh?
• 30:57
  Speaker 2: Because he just kind of comes to family dinner now, Ronnie.
• 31:00
  Speaker 6: Hello, Hi, Dirk, good evening.
• 31:03
  Speaker 2: Good evening, have are you're not staying that's all right, Jillian,
• 31:09
  Speaker 2: and I will be your surrogate. Thank you, And you
• 31:13
  Speaker 2: head out to Joshua's with a picnic basket in toe.
• 31:16
  Speaker 3: Yes, electrifying my clothes back on.
• 31:27
  Speaker 6: Yeah.
• 31:28
  Speaker 3: Yeah, it's like, you know, like a magnet. A magnet
• 31:30
  Speaker 3: is very squishy. Yeah, it's a fabric magnet. And head
• 31:39
  Speaker 3: to Joshua's apartment into the window that I tapped on
• 31:43
  Speaker 3: before with Jason.
• 31:44
  Speaker 2: You come there like around the evening time, and he's
• 31:49
  Speaker 2: in there.
• 31:51
  Speaker 1: Tap tap tap.
• 31:53
  Speaker 2: He looks surprised, jolts up and comes to the window. Hi, Hey,
• 32:02
  Speaker 2: to what do I owe the honor?
• 32:06
  Speaker 1: I hold up a basket dinner.
• 32:13
  Speaker 2: He smiles. That's awesome.
• 32:16
  Speaker 7: I love it.
• 32:18
  Speaker 2: Can you get me up to my rooftop? Nobody ever
• 32:20
  Speaker 2: goes up there? Yeah, of course, how do you do?
• 32:23
  Speaker 3: So? I grab him around the waist as he allows,
• 32:27
  Speaker 3: and oh yeah, yeah, yeah, he allows enthusiastic consent, and
• 32:34
  Speaker 3: I lightning up.
• 32:36
  Speaker 6: To the top of the fire escape.
• 32:38
  Speaker 2: You zip up to the top of the fire escape
• 32:40
  Speaker 2: and you start having a nice picnic on the top
• 32:43
  Speaker 2: of Joshua's apartment building.
• 32:45
  Speaker 7: Cute.
• 32:58
  Speaker 1: Yeah. So I spread out the blanket.
• 33:01
  Speaker 14: I've got my Quanta Ninja outfit on, spread it out,
• 33:07
  Speaker 14: pull out everything that mommy she packed, and then I
• 33:09
  Speaker 14: see a little note and a condum like mommy.
• 33:17
  Speaker 6: Were day.
• 33:20
  Speaker 2: So I know, I said, I didn't really want to
• 33:24
  Speaker 2: talk shop, but I'm like, just so curious about your
• 33:30
  Speaker 2: electricity stuff. How does it work? You guys begin to eat,
• 33:36
  Speaker 2: and he is so impressed with the meal. It's like, Wow,
• 33:41
  Speaker 2: this is amazing. It's like a full picnic roast.
• 33:45
  Speaker 7: Yeah.
• 33:46
  Speaker 3: Yeah, it's amazing that someone like me has enough time
• 33:48
  Speaker 3: of the day.
• 33:51
  Speaker 7: You made this.
• 33:52
  Speaker 2: No I didn't, Okay, Okay, well I wouldn't. I guess
• 34:01
  Speaker 2: I would have been surprised just because, like you said,
• 34:03
  Speaker 2: not much time.
• 34:04
  Speaker 1: Yeah, I haven't tried cooking with electricity. Maybe maybe there's
• 34:07
  Speaker 1: something there.
• 34:10
  Speaker 4: I get.
• 34:11
  Speaker 7: I don't know.
• 34:11
  Speaker 2: Yeah, so your electricity, how do you do it?
• 34:14
  Speaker 5: Like?
• 34:14
  Speaker 2: Where does it come from?
• 34:15
  Speaker 3: Yeah? Yeah, I kind of like pull my hood more
• 34:18
  Speaker 3: over my eyes, so I can like pull my cowl
• 34:20
  Speaker 3: down but still kind of keep my face covered while
• 34:22
  Speaker 3: while I'm eating.
• 34:25
  Speaker 1: I honestly, I don't know too much.
• 34:28
  Speaker 3: I just know that my like particular ally like knock
• 34:33
  Speaker 3: on my double boy with my opposite fist is super
• 34:38
  Speaker 3: conductive somehow.
• 34:40
  Speaker 7: Huh?
• 34:41
  Speaker 2: The day people so cool? Man, there's so little we know.
• 34:48
  Speaker 2: How did you learn about your alloy.
• 34:52
  Speaker 1: From sky mommy?
• 34:54
  Speaker 7: Sky mommy?
• 34:55
  Speaker 8: Right?
• 34:55
  Speaker 1: Yeah?
• 34:56
  Speaker 7: Yes?
• 34:57
  Speaker 2: Who is my sky Mommy? Why hasn't she come talk
• 35:01
  Speaker 2: to me? I'm sorry, I didn't really want to get
• 35:04
  Speaker 2: into all that. Uh sorry, I'm probably not. I'm probably
• 35:10
  Speaker 2: not like you know, like if you're the first, I
• 35:14
  Speaker 2: don't know why I would be the next, Like choice,
• 35:18
  Speaker 2: like that doesn't make a ton of sense to me.
• 35:24
  Speaker 1: What are you talking about? You're you're already a hero.
• 35:31
  Speaker 4: You know?
• 35:31
  Speaker 2: When I when I put on my mask, you kind
• 35:35
  Speaker 2: of mime's putting on a helmet. I don't really want
• 35:39
  Speaker 2: to do it. I'm pretty scared, so.
• 35:47
  Speaker 7: I don't know. I don't know.
• 35:49
  Speaker 2: But why why do you wear the mask? Why not
• 35:51
  Speaker 2: show yourself? Not to me, I'm just to the people,
• 35:56
  Speaker 2: like you have your reasons. Yeah, I'm just curious.
• 35:59
  Speaker 3: I I mean, you're scared putting yours on. I'm I'm
• 36:05
  Speaker 3: kind of scared to take mine off, as I'm not
• 36:12
  Speaker 3: who I am before this outside of this is I'm
• 36:16
  Speaker 3: not a hero. I was I was kind of the
• 36:20
  Speaker 3: opposite for a long time. So this is a better
• 36:26
  Speaker 3: face for this city. It's a face that this city deserves.
• 36:31
  Speaker 3: The other one wasn't.
• 36:34
  Speaker 2: Wow, what changed?
• 36:38
  Speaker 1: My choice? Has got up with me and I saw
• 36:42
  Speaker 1: how much I had hurt people.
• 36:45
  Speaker 3: So if you're not sure why sky Mommy chose you second,
• 36:49
  Speaker 3: I have no fucking idea why she chose me first.
• 36:52
  Speaker 2: Maybe she doesn't choose. If it's a sky immmy, rain
• 36:56
  Speaker 2: doesn't choose where to fall, you know, Lightning doesn't choose
• 36:59
  Speaker 2: where to strike.
• 37:00
  Speaker 1: Mind us, Papa Grape.
• 37:05
  Speaker 2: He looks, fly, he looks.
• 37:07
  Speaker 7: He goes Flash with.
• 37:10
  Speaker 4: Split screen with Jason lying face down in a warehouse,
• 37:13
  Speaker 4: just weeping. Full paper, just got.
• 37:17
  Speaker 6: Back wedding paper.
• 37:25
  Speaker 2: As you guys talk and try to get past these
• 37:29
  Speaker 2: masks and find the reel in each other.
• 37:33
  Speaker 7: You style that? Sorry? Oh no, I just cop that.
• 37:38
  Speaker 2: Deep sh You hear the door. There is a door
• 37:43
  Speaker 2: up here onto the roof. Slam open, Hi.
• 37:49
  Speaker 12: Hey, you piece of ship kid, We're out of fucking beer.
• 37:54
  Speaker 2: You look back and you see this man in oath
• 37:59
  Speaker 2: and like tank top and cargo shorts.
• 38:04
  Speaker 7: The uniform of an asshole.
• 38:09
  Speaker 3: Asshole alert you want to hear the door slam.
• 38:12
  Speaker 1: I stand up quickly and turn towards the sound.
• 38:15
  Speaker 2: He doesn't look at you. He looks at Joshua points
• 38:18
  Speaker 2: his finger.
• 38:19
  Speaker 4: At a beer.
• 38:20
  Speaker 12: Fuck fucked up.
• 38:22
  Speaker 7: I don't like running.
• 38:23
  Speaker 4: Out of beer.
• 38:23
  Speaker 12: You know, I work nights.
• 38:25
  Speaker 7: I can't go to the store during the day.
• 38:29
  Speaker 2: Joshua stands up as well, with you. Sorry, dad, Sorry,
• 38:34
  Speaker 2: I forgot. Yeah, well you forget, and it's a bad
• 38:39
  Speaker 2: day for me.
• 38:40
  Speaker 12: Beers how I go to sleep.
• 38:42
  Speaker 7: In the day.
• 38:44
  Speaker 10: Sorry, you know what, I've been out hitting on this guy?
• 38:54
  Speaker 7: Wait?
• 38:55
  Speaker 4: This guy? Is this cool character?
• 38:59
  Speaker 7: Is this guy fucking dope?
• 39:01
  Speaker 6: Is his boat? They?
• 39:04
  Speaker 4: Is about whoa.
• 39:07
  Speaker 7: Character? At last?
• 39:16
  Speaker 3: Yeah?
• 39:16
  Speaker 4: Of course yeah.
• 39:20
  Speaker 2: I'm not gonna repeat that line. It's just gonna make
• 39:22
  Speaker 2: us laugh again. He then looks at you. He looks tired.
• 39:28
  Speaker 2: His eyes are bloodshot.
• 39:30
  Speaker 5: You.
• 39:31
  Speaker 2: I saw you on the news making a real stink
• 39:35
  Speaker 2: of things, huh messing stuff up for just a little
• 39:39
  Speaker 2: old guy like me.
• 39:41
  Speaker 7: He's a victim.
• 39:45
  Speaker 2: Joshua steps forward, a little dad, Dad, don't get don't
• 39:50
  Speaker 2: get political. Let's not, let's not. He works dispatch for
• 39:55
  Speaker 2: the police, and it's been crazy since all the stuff
• 39:59
  Speaker 2: that happened okay, he says.
• 40:02
  Speaker 12: What the fuck did you're lazy ass dude to get
• 40:05
  Speaker 12: on a date with her?
• 40:06
  Speaker 2: Huh, Dad, just can you drop it. I don't want
• 40:09
  Speaker 2: to have this talk right now. We could talk later.
• 40:11
  Speaker 12: We could talk if you get me beer.
• 40:13
  Speaker 2: Beer's how I talk in the day.
• 40:18
  Speaker 3: Sir, you are interrupting a nice evening that I'm having
• 40:22
  Speaker 3: with your son.
• 40:23
  Speaker 4: Oh yeah, yeah, papa's another grape.
• 40:30
  Speaker 2: I don't know what you're doing with him anyway. He
• 40:32
  Speaker 2: lows you one, and hey, what the fuck happened to
• 40:35
  Speaker 2: your room, you slob? I looked for you there first
• 40:38
  Speaker 2: and clean up you guys fucking like crazy in there
• 40:41
  Speaker 2: or some shit.
• 40:42
  Speaker 1: If we were, it's none of your business.
• 40:44
  Speaker 2: At this point, Joshua gets in between you.
• 40:47
  Speaker 7: It looks at you.
• 40:48
  Speaker 2: I'm so sorry, Dad, go downstairs. I'll talk to you later.
• 40:52
  Speaker 2: I'll grab beer as soon as we're done.
• 40:54
  Speaker 12: Yeah, we'll finish up quick then, boy and.
• 40:57
  Speaker 2: The dad trundles downstairs. God, I'm so sorry. I come
• 41:02
  Speaker 2: up here to get away from him, but he found
• 41:04
  Speaker 2: that out like a few weeks ago. He's a problem,
• 41:09
  Speaker 2: but you know he's my problem and not yours. I'm
• 41:12
  Speaker 2: so sorry you had to be here for that.
• 41:15
  Speaker 1: I'm okay, okay, are you sure?
• 41:19
  Speaker 2: Yeah, okay, I'm sorry. We should have gone to a
• 41:22
  Speaker 2: different building. I don't know why I thought this was
• 41:24
  Speaker 2: a good idea.
• 41:25
  Speaker 1: It's nice, it's nice appeared.
• 41:28
  Speaker 2: Okay, you guys finished the dinner. There's a dessert, Mama,
• 41:32
  Speaker 2: she has made you a lemon sorbet. It's very refreshing
• 41:36
  Speaker 2: for this evening. Yeah, who made this?
• 41:41
  Speaker 1: Really great lady?
• 41:42
  Speaker 2: Oh awesome, this is awesome. I I haven't had a
• 41:46
  Speaker 2: home cooked meal for made for me for for a
• 41:51
  Speaker 2: long time.
• 41:52
  Speaker 1: I'll I'll have to bring one again.
• 41:55
  Speaker 7: I'd like that.
• 42:02
  Speaker 10: I'm just imagining Bones cooking up some good yummies in
• 42:06
  Speaker 10: the kitchen.
• 42:11
  Speaker 4: Yeah, I gotta cook all the time. Don't just love
• 42:18
  Speaker 4: that open beer in his cargo short pocket. Fuck, I
• 42:23
  Speaker 4: gotta make a fucking roof for you, piece of ship.
• 42:30
  Speaker 4: Love that. That's why I got cargo Short one of the.
• 42:33
  Speaker 2: Best guys, Bones, Bones, Joshua. As you guys are leaving,
• 42:40
  Speaker 2: sorry again about my dad. His name is bum.
• 42:46
  Speaker 7: Just a little random tidbit.
• 42:49
  Speaker 1: Please don't apologize for his bad behavior.
• 42:54
  Speaker 6: That's on him.
• 42:58
  Speaker 1: It's so my place. But is there anything I can do?
• 43:04
  Speaker 7: Oh?
• 43:05
  Speaker 2: No, he he stopped hitting me when when I got
• 43:08
  Speaker 2: big enough to not let him anymore.
• 43:13
  Speaker 7: So I'm good.
• 43:15
  Speaker 2: That's so fucked up, Yeah for sure. When after yeah, yeah,
• 43:23
  Speaker 2: yeah he yeah, he couldn't keep it together after mom
• 43:30
  Speaker 2: so but hey, this was this really was a lovely night.
• 43:36
  Speaker 2: And I'm sorry he ruined a little bit of it.
• 43:39
  Speaker 2: But but yeah, let's do this again. And if you
• 43:42
  Speaker 2: can get me onto a different roof.
• 43:45
  Speaker 1: Easy, okay, pop another grape?
• 43:48
  Speaker 2: He goes, flash, I gotta run and grab beer apparently okay.
• 43:56
  Speaker 2: He leans forward to kiss your cheek if you allow him, yeah,
• 44:00
  Speaker 2: and kisses you on the cheek.
• 44:04
  Speaker 6: Oh, see you around, see.
• 44:06
  Speaker 2: You around, Quanta, Joshua, yep, and you blast off Jason.
• 44:24
  Speaker 7: Yeah, you have a sad week. Oh yeah, big old
• 44:29
  Speaker 7: sad week.
• 44:30
  Speaker 6: Big old soggy week.
• 44:34
  Speaker 4: Just like wandering around in a paper bathrobe, bumping into
• 44:38
  Speaker 4: rolls of paper at the at the Prince of Prince Yeah,
• 44:45
  Speaker 4: tissues piled up.
• 44:48
  Speaker 3: You've run out of tissues, You've moved onto the toilet
• 44:49
  Speaker 3: paper roll. Who hasn't been there?
• 44:53
  Speaker 4: Am I right?
• 44:54
  Speaker 2: Instead of walking to the station with page, you meet
• 44:58
  Speaker 2: her there m hmm. You enter through a tube wor
• 45:05
  Speaker 2: excuse me. The pneumatic soup time.
• 45:08
  Speaker 4: The main character of the story bones, No, he's got
• 45:21
  Speaker 4: a tragic backstory. He's the main character.
• 45:25
  Speaker 7: Guys, there's real people like.
• 45:27
  Speaker 4: That tank top and cargo shorts. Where's my bed? Just
• 45:36
  Speaker 4: the caricature of a man's so funny. He makes me
• 45:41
  Speaker 4: in the days.
• 45:45
  Speaker 7: Oh god, honestly vibes.
• 45:49
  Speaker 2: Yeah, the pneumatic tube science used to get missives across
• 45:54
  Speaker 2: to each other throughout the city. That technology was expanded
• 45:58
  Speaker 2: for traversial through these giant space barges. You never really
• 46:03
  Speaker 2: believed the stories of how many people they sent to space.
• 46:07
  Speaker 2: Like sure you knew it and you believed it, but
• 46:09
  Speaker 2: it was it's hard to like put your mind around.
• 46:12
  Speaker 2: But as Page walks you through the halls of the
• 46:15
  Speaker 2: space barge, you start to understand. It is so vast
• 46:18
  Speaker 2: and such amaze. There are little maps everywhere that say
• 46:22
  Speaker 2: like you are here, and show you which tube to
• 46:26
  Speaker 2: enter into to get where you need to be.
• 46:28
  Speaker 7: There are people tubes.
• 46:30
  Speaker 2: That's right, we all put we autumn fixed up.
• 46:37
  Speaker 7: I've always wanted to go into the tubes.
• 46:39
  Speaker 2: Well, here you can. Page is pretty terse with you
• 46:43
  Speaker 2: as you walk through the halls.
• 46:51
  Speaker 4: No, you go ahead.
• 46:53
  Speaker 2: So we're here. She points to a map. We only
• 46:56
  Speaker 2: have access to a few places because we didn't fix
• 46:58
  Speaker 2: all the tubes. Takes too much energy. But here's our
• 47:04
  Speaker 2: entry point. We'll wait here for the next one. And
• 47:06
  Speaker 2: we're going here and she points to the very center
• 47:11
  Speaker 2: of this map is a dome. It's just a two
• 47:15
  Speaker 2: D circle on the map. But it's whoa, it's fade.
• 47:18
  Speaker 2: It's a faded blue.
• 47:19
  Speaker 7: Two D faded blue circle.
• 47:22
  Speaker 2: I mean that's like that's I touch it. Least depressive part.
• 47:27
  Speaker 4: The signage in here is crazy.
• 47:32
  Speaker 2: While you wait, someone comes up behind you, guys to
• 47:35
  Speaker 2: wait for the same tube, and Page turns around. Oh
• 47:40
  Speaker 2: my god, this is so cool. What are you doing here, Jason.
• 47:45
  Speaker 2: This is doctor Jill. Jillian. I tell your Jill who
• 47:51
  Speaker 2: I don't think you have met no paper phantom smiles,
• 47:55
  Speaker 2: puts out her hand to shake doctor Jill.
• 47:58
  Speaker 7: This is my.
• 48:01
  Speaker 2: This is Jason.
• 48:03
  Speaker 7: Oh hello, push.
• 48:05
  Speaker 4: Up my glasses, sweaty limp, bad handshake.
• 48:09
  Speaker 2: Hi Jason. My name's Jillian. And to answer your question, Paige,
• 48:14
  Speaker 2: I'm going up to the biodome to check on I'm
• 48:19
  Speaker 2: going to check on the workers that are in proximity
• 48:21
  Speaker 2: to the morphogenetic field generator to see if there's any
• 48:26
  Speaker 2: effect of that on their minds. Page says, oh boy, yeah,
• 48:33
  Speaker 2: I've spent so much time around that thing. I hope
• 48:35
  Speaker 2: nothing's wrong. Jillian says, yeah, me too. That's why Cordula
• 48:40
  Speaker 2: wanted me.
• 48:40
  Speaker 4: To check in morphogenetic page.
• 48:44
  Speaker 2: The morphogenetic field generator, it's what makes the biodome work.
• 48:50
  Speaker 2: I'm excited. I'm excited to show you. Yeah, I'd love
• 48:57
  Speaker 2: to see it. The three of you get in a
• 48:59
  Speaker 2: new They aren't as wide or as big as an elevator,
• 49:04
  Speaker 2: so you're a little closer than normal. But the maximum
• 49:07
  Speaker 2: people is four that you can fit in one. So
• 49:10
  Speaker 2: you guys are we have a little bit of space.
• 49:12
  Speaker 2: You guys stand there. There's little elevator music as Gillian
• 49:17
  Speaker 2: nods along and cool.
• 49:20
  Speaker 4: Anybody ever get trapped in one of these, Page has
• 49:24
  Speaker 4: not to our knowledge.
• 49:26
  Speaker 2: We fix them up and they've been running pretty well.
• 49:28
  Speaker 2: So you guys get to the access point outside of
• 49:36
  Speaker 2: the dome and Jason, you see it.
• 49:38
  Speaker 4: The morphogenetic field generator, the biodome signage, bathrooms.
• 49:43
  Speaker 2: You get to the biodome and you see it. It's
• 49:45
  Speaker 2: so large that it takes your breath away right now.
• 49:49
  Speaker 2: It's a glass. It's not a sphere, but it is.
• 49:53
  Speaker 2: It is just a half sphere, and it is beautiful.
• 49:58
  Speaker 2: There are four quadrants, and in each quadrants different somehow,
• 50:03
  Speaker 2: different weather seasons are happening and different things are growing.
• 50:08
  Speaker 2: In one quadrant you see more tropical food. In another
• 50:12
  Speaker 2: you see more more root vegetables and normal normal kind
• 50:16
  Speaker 2: of farm like vegetables. It's amazing. You enter in. There's
• 50:22
  Speaker 2: the thing where you have to enter in and be sanitized.
• 50:26
  Speaker 2: You get sprayed with a little bit of liquid and
• 50:28
  Speaker 2: then the air sucks out while fresh air is being
• 50:32
  Speaker 2: pumped in and you enter the biodome. Whoa popa rit
• 50:40
  Speaker 2: What is that sanitizer? Oh yeah, that just makes sure
• 50:44
  Speaker 2: we're clean and don't ruin anything. But she points in
• 50:49
  Speaker 2: the very middle, and that's the way she starts walking
• 50:53
  Speaker 2: to a large round or but in the center of
• 50:57
  Speaker 2: the ceiling of the dome. It pulses with white waves
• 51:04
  Speaker 2: of energy that move down around the dome and then
• 51:10
  Speaker 2: move as they hit the ground, move in towards the
• 51:13
  Speaker 2: center of the dome, and then shoot up in a
• 51:16
  Speaker 2: small stream of white light back into the orb and
• 51:21
  Speaker 2: as the wave floods against you. You even feel the
• 51:26
  Speaker 2: little bits of paper that have been ripped or that
• 51:29
  Speaker 2: have been wet from your tears knitting back together, and
• 51:33
  Speaker 2: parts of your skin that have been bruised healing a
• 51:36
  Speaker 2: little bit. Whoa huh, Yeah, that's so again. MFG. It's
• 51:43
  Speaker 2: from the Venus mission. They were going to use them
• 51:46
  Speaker 2: when they landed on Venus to promote growth because food
• 51:49
  Speaker 2: on the New World, right, who knows?
• 51:51
  Speaker 4: Sure? Is it some kind of radiation?
• 51:55
  Speaker 2: Yes it is, but it's radiating even acceleration.
• 52:02
  Speaker 4: And that's safe for people.
• 52:05
  Speaker 2: Well, I hope, so, I guess that's what doctor Jill's
• 52:08
  Speaker 2: here to find out. At this point, doctor Jill goes
• 52:10
  Speaker 2: to the center, and as she goes to the center,
• 52:14
  Speaker 2: you look up and you do see workers that are
• 52:16
  Speaker 2: working on this sphere. And there's like a lift, one
• 52:19
  Speaker 2: of the scissor lifts that Jill gets in and starts
• 52:22
  Speaker 2: moving up.
• 52:24
  Speaker 4: Wow, this is amazing, page. I heard stories about this place,
• 52:28
  Speaker 4: but yeah, it's it's impressive.
• 52:32
  Speaker 7: Yeah.
• 52:32
  Speaker 2: Thanks. The trick was to regulate each biome separately, simulating sunlight,
• 52:38
  Speaker 2: shade moisture where it was needed, where we were able
• 52:42
  Speaker 2: to accelerate pollination and growth because of the MFG. And man,
• 52:49
  Speaker 2: I'm so proud of I'm so proud of this.
• 52:52
  Speaker 4: You should be. This is amazing. You're this is where
• 52:56
  Speaker 4: all that that food is coming from. Right, Yeah, I'm
• 53:00
  Speaker 4: I mean, you're saving the city. You're a hero.
• 53:05
  Speaker 2: Through the desire that her face wants to stay scowled
• 53:08
  Speaker 2: at you, she still smiles and nods. Yeah, it's really
• 53:13
  Speaker 2: cool and I'm really proud of it.
• 53:16
  Speaker 4: Took a long time, sure, I bet generations.
• 53:22
  Speaker 2: As you ask that question, you hear a voice.
• 53:26
  Speaker 8: Shout, Oh no, heads up.
• 53:28
  Speaker 1: Down below.
• 53:30
  Speaker 2: The scissor lift is halfway up. Jillian is in it,
• 53:35
  Speaker 2: going to check on these people. Oh no, the sphere
• 53:39
  Speaker 2: cracks off the ceiling. Page oh no, starts running immediately
• 53:45
  Speaker 2: to the workers of the field that might be smashed
• 53:49
  Speaker 2: underneath it.
• 53:50
  Speaker 4: Oh my god, my one weakness scissors.
• 53:54
  Speaker 2: Jillian is directly under it and in its field of destruction.
• 53:59
  Speaker 2: Page is running towards it. What's the phantom doing?
• 54:03
  Speaker 4: I think I'm gonna do my best to try and
• 54:05
  Speaker 4: do it sneakily, but I've gotta try and try and
• 54:10
  Speaker 4: pull Jillian. I think does she have like a badge
• 54:13
  Speaker 4: or something, or like a clipboard.
• 54:15
  Speaker 2: I'll say she has a bag, like a like a
• 54:17
  Speaker 2: full bag with paper in it. Yeah, I'll say she
• 54:20
  Speaker 2: has a bag with paper in it. Let's roll for that.
• 54:23
  Speaker 2: That's pretty sure.
• 54:25
  Speaker 4: Yeah, that's important.
• 54:26
  Speaker 7: Let's roll for bag with paper.
• 54:27
  Speaker 4: Yeah. Yeah, yeah.
• 54:30
  Speaker 2: She is a doctor and is a scientist, and we
• 54:33
  Speaker 2: don't live in like a tablet era, right, so this
• 54:36
  Speaker 2: is certainly something she could have, just like an overthrow
• 54:40
  Speaker 2: bag with paper in it. So I'm rolling a twenty
• 54:43
  Speaker 2: sided die. If I roll below a seven, she does
• 54:47
  Speaker 2: not have a bag. If I roll a seven or above,
• 54:50
  Speaker 2: she does paper roll sixteen okayyy, tons.
• 54:55
  Speaker 4: Of paper noise. Nice. Yeah, I'm going to again a
• 54:59
  Speaker 4: surreptus as possible. I want to try and pull Jillian
• 55:04
  Speaker 4: into her backpack and out of like a cloak into
• 55:07
  Speaker 4: a bush, just like warp Burger to me, to me
• 55:12
  Speaker 4: through the paper.
• 55:13
  Speaker 7: Wow, Okay, this is difficult.
• 55:16
  Speaker 4: Ship.
• 55:17
  Speaker 2: This is a relatively new power for the phantom. And
• 55:21
  Speaker 2: and you have done it with friends touching you. You
• 55:24
  Speaker 2: have not moved another person. This is a godly check, Jason.
• 55:28
  Speaker 2: Oh boy, this is also godly because you're trying to
• 55:33
  Speaker 2: hide it. Super fair And I'm going to make you roll,
• 55:41
  Speaker 2: you roll either ready for you like your speed and
• 55:44
  Speaker 2: your ability to do this, or a cox to control
• 55:48
  Speaker 2: the paper and the like.
• 55:51
  Speaker 4: That's useless for me. I will go with ready, ready
• 55:55
  Speaker 4: plus paper.
• 55:58
  Speaker 1: What a die here, what's.
• 56:00
  Speaker 4: It's gonna be? Two D eights, that's all I got.
• 56:03
  Speaker 2: I'm rolling a D twenty and a D four. This
• 56:05
  Speaker 2: costs an energy.
• 56:06
  Speaker 4: Oh yeah, I got it.
• 56:09
  Speaker 2: I rolled sixteen.
• 56:10
  Speaker 4: That's the I'd have to roll max on both dies.
• 56:13
  Speaker 4: All right, I cry, so I don't think it is possible.
• 56:17
  Speaker 4: Tie you cry, cry, but.
• 56:19
  Speaker 1: Roll sometimes if it's close.
• 56:20
  Speaker 4: He's nice, all right. I did get an eight on
• 56:23
  Speaker 4: one of them, and then I got a six on
• 56:25
  Speaker 4: the other, So it's four fourteen as close as I
• 56:28
  Speaker 4: can get. No permanent bonus for these, so that's it.
• 56:31
  Speaker 2: That's a close fail. Jillian pops into her own paper.
• 56:35
  Speaker 2: I'll say, you get her out of the way of
• 56:37
  Speaker 2: the falling MFG. But she doesn't pop up. Oh no,
• 56:41
  Speaker 2: she's got to hang out with Arthur and the Phantom
• 56:43
  Speaker 2: for a while.
• 56:44
  Speaker 7: She doesn't pop up out of your paper, but you just.
• 56:46
  Speaker 2: Kind of instead of she pops out of her own
• 56:49
  Speaker 2: paper about halfway in between you. So it's a less
• 56:53
  Speaker 2: of a grade, but she falls a good ten fifteen
• 56:58
  Speaker 2: feet rolls. She's okay, but she kind of twists an ankle.
• 57:02
  Speaker 2: Page gets to where it's going to hit and shoulders
• 57:07
  Speaker 2: someone out of the way. You did an action for Jill,
• 57:10
  Speaker 2: but not Page. The sphere smashes onto Page and onto
• 57:17
  Speaker 2: the ground. You can't watch one because it's dreadful. Two
• 57:22
  Speaker 2: because there's a bright, enormous, bright white light that fills
• 57:29
  Speaker 2: your vision as particles and dust clear. Gillian looks up,
• 57:36
  Speaker 2: what happened to me? How did that happen? She starts
• 57:39
  Speaker 2: freaking out Page. She starts running herself towards Page.
• 57:44
  Speaker 4: I mean to do the same thing. I'm just running,
• 57:46
  Speaker 4: running right there with her. I'm gonna try and catch
• 57:48
  Speaker 4: up to them, get close as I can.
• 57:50
  Speaker 2: You come upon Page. What's your deepest fear?
• 57:53
  Speaker 7: Here?
• 57:54
  Speaker 4: She's dead and I'm alone.
• 58:00
  Speaker 7: Oof.
• 58:01
  Speaker 2: We talk about in superhero media, I think a lot
• 58:04
  Speaker 2: of people getting smashed by stuff, and that's like, I
• 58:08
  Speaker 2: think it's a way for us to cover a little
• 58:11
  Speaker 2: bit of brutality and gruesomeness because once they're smashed by
• 58:15
  Speaker 2: the thing, usually you can't see them. You imagine Page's
• 58:19
  Speaker 2: crushed body here, and it's a horrible thing to imagine
• 58:22
  Speaker 2: as you run. As the dust clears, you come and
• 58:31
  Speaker 2: you find Page on the ground, not smashed. Her hair
• 58:39
  Speaker 2: has gone stark white, and she is unconscious.
• 58:45
  Speaker 4: I'm gonna pick her up, Page Page.
• 58:51
  Speaker 2: There's no response as Arthur say.
• 58:56
  Speaker 8: Save her.
• 58:59
  Speaker 4: Whatever takes I look around, I close my eyes. I
• 59:05
  Speaker 4: just I put my hand on her chest. Paper. It's
• 59:08
  Speaker 4: just gonna start blanketing her. Come on, come on, can't
• 59:16
  Speaker 4: lose you too.
• 59:17
  Speaker 2: As the papers around her, the thing you can feel
• 59:20
  Speaker 2: the most in this world is paper and movement in it,
• 59:25
  Speaker 2: and you feel her heart beating. She's alive. She's in
• 59:30
  Speaker 2: a coma. And because of the blast of this morphogenetic
• 59:38
  Speaker 2: field generator, the paper phantom can level up.
• 59:43
  Speaker 7: Woo Twain.
• 59:48
  Speaker 4: I barely complained at this level about leveling up.
• 59:51
  Speaker 6: Okay, your girls safe, and you get a level.
• 59:54
  Speaker 4: I won't look a gift level in the mouth.
• 59:56
  Speaker 2: And there is a hospital in this place that you
• 1:00:07
  Speaker 2: can take Page two in the It's like an infirmary bay,
• 1:00:11
  Speaker 2: but it's so big and so complex that it counts
• 1:00:14
  Speaker 2: as hospital that the core gang runs here for the
• 1:00:18
  Speaker 2: people of the shoot. You take her, you take her
• 1:00:21
  Speaker 2: there and the doctor tells you this isn't good. Her
• 1:00:28
  Speaker 2: mind has it's a traumatic brain injury, and I don't
• 1:00:33
  Speaker 2: know what she'll be like if and when she wakes,
• 1:00:37
  Speaker 2: but she's going.
• 1:00:37
  Speaker 4: To be out for quite some time, and she'll do
• 1:00:41
  Speaker 4: was she have her memories?
• 1:00:43
  Speaker 2: Like I said, I don't know. With this kind of injury,
• 1:00:49
  Speaker 2: there's no telling who will wake up.
• 1:00:54
  Speaker 4: Can I stay here with her?
• 1:00:58
  Speaker 7: Yes?
• 1:00:59
  Speaker 4: Thanks, We don't have any other family.
• 1:01:05
  Speaker 7: I'm sorry.
• 1:01:06
  Speaker 2: You can come as often as you like, but this
• 1:01:09
  Speaker 2: is a long stay. Well that's all right, you nuts, jamire.
• 1:01:23
  Speaker 2: You wanted to spend some time with Maria, I did.
• 1:01:29
  Speaker 2: I think sometime sometime at the house.
• 1:01:34
  Speaker 10: We're enjoying a quiet, a quiet lunch near each other,
• 1:01:38
  Speaker 10: and I just kind of give her a little smile
• 1:01:42
  Speaker 10: while I'm eating my sandwich.
• 1:01:44
  Speaker 1: What sandwich are you eating?
• 1:01:46
  Speaker 10: I mean the turkey tomato avocado sandwich, some crack pepper,
• 1:01:53
  Speaker 10: some flaky salt, some sharp chatter, some avocado mayo.
• 1:02:00
  Speaker 4: Hey, Johnny cutting all this part out, Cut it out,
• 1:02:03
  Speaker 4: you cowered. Cut cut mirror cut Ben cut describing food
• 1:02:08
  Speaker 4: out of the episode, fucking.
• 1:02:13
  Speaker 2: It's the thing that our listeners love the This sandwich
• 1:02:17
  Speaker 2: is the main character of the show.
• 1:02:19
  Speaker 6: It's bones and sandwiches. Bones and sandwiches.
• 1:02:27
  Speaker 2: Makes bones a sandwich.
• 1:02:31
  Speaker 12: Like this is a great fucking sandwich.
• 1:02:34
  Speaker 4: A super hero and a shitty gosh are an apartment?
• 1:02:38
  Speaker 4: What a life up? It's bones and sandwich.
• 1:02:44
  Speaker 2: Uh, jimmyr. You give Maria a little smile through your
• 1:02:48
  Speaker 2: lovely sandwich, and as you look up at her, you
• 1:02:56
  Speaker 2: noticed something different. She's dressed very nicely. She has a
• 1:03:06
  Speaker 2: summer dress that's a touch shorter than her normal attire
• 1:03:12
  Speaker 2: side that.
• 1:03:13
  Speaker 7: I'm used to see around.
• 1:03:14
  Speaker 2: Yeah, but but nothing scandalous.
• 1:03:17
  Speaker 10: It's scandalous, definitely perceptible.
• 1:03:19
  Speaker 6: It's not a quiver of ribbons.
• 1:03:24
  Speaker 2: And the neck swoops a little lower than usual.
• 1:03:27
  Speaker 7: That deck lat seems to be growing.
• 1:03:31
  Speaker 2: She has like bright red lipstick on that somehow doesn't
• 1:03:36
  Speaker 2: clash with her auburn hair.
• 1:03:38
  Speaker 7: How does she find that shade's beautiful?
• 1:03:45
  Speaker 10: Mind? Hey, so you got something going on today, friend? No, respectfully, respectfully,
• 1:03:58
  Speaker 10: you're just you're looking nice. Oh this uh, this old thing.
• 1:04:03
  Speaker 10: This was addressed my mother maid.
• 1:04:07
  Speaker 2: Wow, and I I wanted to try it. Jackie walks
• 1:04:13
  Speaker 2: In makes herself a really quick dumb Bloney's sandwich looks
• 1:04:18
  Speaker 2: at you guys as she walks out, looks at you,
• 1:04:20
  Speaker 2: JIMR And like raises an eyebrow.
• 1:04:23
  Speaker 7: On the other side of Maria.
• 1:04:25
  Speaker 4: Looks at your sandwich.
• 1:04:26
  Speaker 2: What she looks? Yeah, yeah, yeah, having her around is great.
• 1:04:45
  Speaker 7: Yeah, sure, she's great.
• 1:04:51
  Speaker 6: It's such a best bad thing to say.
• 1:04:53
  Speaker 10: Yeah, but uh yeah, how are you doing? And know
• 1:05:00
  Speaker 10: we've drawn a lot of attention to ourselves recently.
• 1:05:04
  Speaker 2: I'm happy to be a part of it. It's what
• 1:05:07
  Speaker 2: my my mom wanted. And I love the cast of
• 1:05:12
  Speaker 2: characters you've brought around. The phantom makes more cleaning for me.
• 1:05:17
  Speaker 2: If it was just you, it wouldn't be so much.
• 1:05:19
  Speaker 10: Yeah, the phantom is really not always thoughtful, but I'm
• 1:05:25
  Speaker 10: glad that you're putting a positive spin on it.
• 1:05:27
  Speaker 2: Maria. Well, he killed my dad, he did do I
• 1:05:40
  Speaker 2: still have to deal with that. But but it's been
• 1:05:45
  Speaker 2: it's been.
• 1:05:47
  Speaker 4: Real.
• 1:05:50
  Speaker 2: And I don't mean that in like the you know,
• 1:05:53
  Speaker 2: euphemistic way. I mean like it's real life. It's exciting
• 1:05:59
  Speaker 2: something I didn't even know. Oh, we're true that my
• 1:06:00
  Speaker 2: mom would tell me stories about, and and yet here
• 1:06:04
  Speaker 2: it is, here, it is and you You're you're stunning.
• 1:06:11
  Speaker 2: You go out yeah, you look, you look so nightly
• 1:06:16
  Speaker 2: and and beautiful glint glinting on the sun, and that
• 1:06:22
  Speaker 2: you go out and I only feel maybe not only,
• 1:06:26
  Speaker 2: but but I feel so proud, so proud to give
• 1:06:33
  Speaker 2: you a place to rest. IM proud of you, Jamr.
• 1:06:38
  Speaker 2: I'm proud of you, Maria. This is this has been
• 1:06:42
  Speaker 2: a lot, and you've.
• 1:06:44
  Speaker 7: Stuck with us and keeping this crazy madhouse of Coop's running.
• 1:06:52
  Speaker 7: So thank you.
• 1:06:55
  Speaker 2: It's really nothing what I was, what I was taught
• 1:06:58
  Speaker 2: to do when I was born to do.
• 1:07:00
  Speaker 10: You were born to do whatever you want, and you're
• 1:07:03
  Speaker 10: choosing to do this, and you're doing a damn good
• 1:07:05
  Speaker 10: job of it. But you let me know as soon
• 1:07:08
  Speaker 10: as you're done. You know this, You know you can
• 1:07:11
  Speaker 10: do this as much or as not much as you want.
• 1:07:14
  Speaker 2: As you say that, she reaches across the table, puts
• 1:07:17
  Speaker 2: her hand on yours and catches your eye contact. Well,
• 1:07:21
  Speaker 2: that's not going to be the case, jamiir I want this.
• 1:07:27
  Speaker 2: She moves her hand back to her cracked pepper turkey
• 1:07:30
  Speaker 2: sandwich or whatever it was, and blushes a little.
• 1:07:37
  Speaker 10: Well, I am very glad to hear that, very glad, and.
• 1:07:44
  Speaker 2: The smile that you gave her before you started talking,
• 1:07:47
  Speaker 2: comes upon her lips and she smiles at you.
• 1:07:54
  Speaker 4: Is everyone gonna get a kiss?
• 1:07:55
  Speaker 7: This episode?
• 1:07:56
  Speaker 6: Kisses everyone's getting blushes.
• 1:08:00
  Speaker 7: He was afraid, He's.
• 1:08:00
  Speaker 4: Not He's not going to do it. Yeah, live in
• 1:08:07
  Speaker 4: the Sorry, sorry, Yeah, ride the wave go ahead.
• 1:08:10
  Speaker 10: So, you know, apropos of nothing, you know, once uh,
• 1:08:15
  Speaker 10: once the city calms down and you know, shit stabilizes
• 1:08:21
  Speaker 10: a little bit.
• 1:08:22
  Speaker 4: What do you think?
• 1:08:23
  Speaker 7: What do you think you want to do?
• 1:08:26
  Speaker 10: You know, if there was no you know, existential threat
• 1:08:31
  Speaker 10: going on, Like, how would you spend the next few days?
• 1:08:37
  Speaker 2: I I don't know. I have the best job I
• 1:08:42
  Speaker 2: could imagine in the city, like my my boss is
• 1:08:45
  Speaker 2: great and I don't have to work insane hours.
• 1:08:50
  Speaker 7: Hopefully it's not boring.
• 1:08:51
  Speaker 2: Right, No, that's the most exciting job. I don't know,
• 1:08:55
  Speaker 2: Jimmy or I don't. I don't know how to answer that.
• 1:08:57
  Speaker 2: Maybe maybe we'll get lucky in the you will never
• 1:09:00
  Speaker 2: calm down. Maybe no, I mean I don't want people
• 1:09:07
  Speaker 2: to be hurt. I just think what we do is exciting.
• 1:09:11
  Speaker 7: What we do is exciting, and.
• 1:09:16
  Speaker 10: Yeah, I hope we get a chance though when things
• 1:09:20
  Speaker 10: calm down. You know, maybe I don't know, catch a
• 1:09:25
  Speaker 10: show or see a band or do normal people stuff sometimes.
• 1:09:30
  Speaker 7: Do you mean like a like a date? Yeah, yeah,
• 1:09:37
  Speaker 7: maybe like a date.
• 1:09:38
  Speaker 2: You know, maybe she's makes like a koy face and
• 1:09:44
  Speaker 2: pulls a shoulder in with my boss.
• 1:09:48
  Speaker 7: That we'd have to, you know, explore. You know, we
• 1:09:51
  Speaker 7: need to get some kind of HR involved. We need
• 1:09:54
  Speaker 7: to do this above the books.
• 1:09:57
  Speaker 3: Quanta walks in, you can make a sandwich, just puts
• 1:10:01
  Speaker 3: her hands up and backs out in the room.
• 1:10:03
  Speaker 4: Yeah, you just stand next to Jackie's sharing her sandwich watching.
• 1:10:07
  Speaker 7: Nope, she must have clocked the expanding.
• 1:10:12
  Speaker 1: The increased circulation of both of them.
• 1:10:15
  Speaker 2: She laughs as you joke about HR department, and she
• 1:10:19
  Speaker 2: just says, I would love I would love that.
• 1:10:23
  Speaker 7: I think it could be a lot of fun.
• 1:10:24
  Speaker 2: So do I. And the two of you share a
• 1:10:27
  Speaker 2: nice lunch to get you eating, Quanta, Ronnie, you wanted
• 1:10:36
  Speaker 2: to touch in with Gabe and open up your shark
• 1:10:40
  Speaker 2: go to work, to work. We'll say that over this
• 1:10:43
  Speaker 2: the last week or so, you and Gabe been able
• 1:10:46
  Speaker 2: to get back open and start doing the marketing and
• 1:10:50
  Speaker 2: new babble.
• 1:10:51
  Speaker 7: You put an ad in the paper.
• 1:10:53
  Speaker 2: You find that you have a lot of clientele because
• 1:10:58
  Speaker 2: you were famous, Yeah, and you were. You know, they
• 1:11:04
  Speaker 2: declared you a murderer and a heretic and all. There's
• 1:11:07
  Speaker 2: drama surrounding Ronnie's readings. But you open up shop. You
• 1:11:14
  Speaker 2: have removed You've removed the sign that says that you're
• 1:11:19
  Speaker 2: sponsored by the Church of the New Babbel Day, and
• 1:11:23
  Speaker 2: you have clients. Ronnie in like the main campaign here,
• 1:11:28
  Speaker 2: tell us what your sessions look like.
• 1:11:31
  Speaker 5: Now Ronnie is definitely not as self assured like she's
• 1:11:37
  Speaker 5: She's more aware now of what she's doing and how
• 1:11:41
  Speaker 5: she was helping people by changing their brain chemistry.
• 1:11:45
  Speaker 3: Accidentally permanently sometimes, but now she is using that to
• 1:11:52
  Speaker 3: like see where like the sticking points are for people,
• 1:11:55
  Speaker 3: so she welcomes people in. She's still wearing like her
• 1:11:59
  Speaker 3: fancy rowebes to create like an air of like authority
• 1:12:03
  Speaker 3: and mystery, and still has like the dance floor set up,
• 1:12:08
  Speaker 3: but uses like talking and then movement to create like
• 1:12:13
  Speaker 3: more circulation in people's bodies so she can like see
• 1:12:17
  Speaker 3: where the sticking points are and then like help people
• 1:12:20
  Speaker 3: identify it rather than physically her doing something about it
• 1:12:24
  Speaker 3: because she doesn't want to do that right now, that's scary.
• 1:12:29
  Speaker 2: You read people's electrical signals, finding sticking points in their pathways,
• 1:12:38
  Speaker 2: and instead of altering them, you just make them aware. Beautiful.
• 1:12:44
  Speaker 2: What do the dances look like? I know you've explained
• 1:12:47
  Speaker 2: it before, but but what does the dance floor look like?
• 1:12:50
  Speaker 2: And what are the You still use the sand and
• 1:12:53
  Speaker 2: how's it going?
• 1:12:54
  Speaker 3: Yeah?
• 1:12:54
  Speaker 6: Yeah, I think she's still because she still has.
• 1:12:57
  Speaker 1: Fun like kind of having like a secret, even though.
• 1:13:02
  Speaker 6: She's got a really big one.
• 1:13:03
  Speaker 3: Now that the floor is covered in like dust and sand,
• 1:13:08
  Speaker 3: so it's a little slippery. But as she dances with
• 1:13:11
  Speaker 3: people and kind of like lets them lead and but
• 1:13:14
  Speaker 3: then like mimics and exaggerates their movements. After they dance,
• 1:13:18
  Speaker 3: she reads pretends to read the patterns in the floor
• 1:13:22
  Speaker 3: to explain to them like what maybe their problem is
• 1:13:25
  Speaker 3: or what their future could hold.
• 1:13:27
  Speaker 2: And Ronnie, do you do this? I'm I'm asking you,
• 1:13:32
  Speaker 2: like your thoughts is this Do you feel as though
• 1:13:34
  Speaker 2: does Ronnie feel in this moment this is penance for
• 1:13:37
  Speaker 2: what she's done or do you feel like you're just
• 1:13:39
  Speaker 2: actually trying to help people in your unmasked life as
• 1:13:42
  Speaker 2: well as your masked life.
• 1:13:45
  Speaker 6: Yeah?
• 1:13:45
  Speaker 3: I think yeah, that Like conversation with Joshua and like
• 1:13:49
  Speaker 3: the many conversations she's had with Jillian in.
• 1:13:52
  Speaker 15: The Origin stories if you want to hear them on
• 1:13:55
  Speaker 15: our Patreon, what that it is? Penance like that this
• 1:14:00
  Speaker 15: Ronnie was not good for the city and did harm
• 1:14:05
  Speaker 15: to people, and now Quanta is doing good, but Ronnie
• 1:14:09
  Speaker 15: needs to do good too, So she's trying to do
• 1:14:13
  Speaker 15: what she knows how to do, but do it better
• 1:14:17
  Speaker 15: this time. And like maybe the yeah, and that that's
• 1:14:22
  Speaker 15: like a lack I think of self awareness on her part.
• 1:14:26
  Speaker 7: Yeah, for sure.
• 1:14:27
  Speaker 3: That it's like, oh, I'll just I'll do this thing,
• 1:14:29
  Speaker 3: but do it do it better this type rather than
• 1:14:31
  Speaker 3: maybe just stopping.
• 1:14:33
  Speaker 7: Yeah, yeah, there is. Most of your clients are cono folks.
• 1:14:39
  Speaker 2: A lot of them come in very worried about the
• 1:14:42
  Speaker 2: election and how that will change their way of life.
• 1:14:46
  Speaker 2: And so for them, you're you're allowed. You're you're able
• 1:14:48
  Speaker 2: to pinpoint attachment to material things a lot of them
• 1:14:54
  Speaker 2: come in with. Even though they come in from a
• 1:14:58
  Speaker 2: place of wealth, it's never enough, right, So there's there's
• 1:15:00
  Speaker 2: always covetousness and jealousy. So you're able to pinpoint some
• 1:15:05
  Speaker 2: of those things around either lovers or material things, et cetera.
• 1:15:09
  Speaker 2: You have a good time putting this back up. One day,
• 1:15:13
  Speaker 2: it's your closing time. Gabe is there. He is your
• 1:15:17
  Speaker 2: front door kind of like he kind of wears not
• 1:15:22
  Speaker 2: as fancy as you, but similar kind of robes and
• 1:15:26
  Speaker 2: is your squire type, like, yes.
• 1:15:29
  Speaker 7: What's it good?
• 1:15:30
  Speaker 2: Like the person who meets you at the witch's door
• 1:15:32
  Speaker 2: kind of like like my familiar. Yes, yes, he's like
• 1:15:36
  Speaker 2: you're familiar. He collects payment and ushers people out. When
• 1:15:40
  Speaker 2: people come in without a reservation and you have a customer,
• 1:15:43
  Speaker 2: he says, you know, Ronnie cannot see you now, you
• 1:15:48
  Speaker 2: know the reader. He probably calls you the reader cannot
• 1:15:51
  Speaker 2: see you right now, that kind of thing. You guys
• 1:15:53
  Speaker 2: are closing up one.
• 1:15:54
  Speaker 1: Day and he how's your take today?
• 1:15:57
  Speaker 7: Oh?
• 1:15:58
  Speaker 2: Really good? Hey we never talked about payment for me.
• 1:16:03
  Speaker 6: Oh my god, I'm so sorry.
• 1:16:05
  Speaker 2: I mean we've only been open for four or five days.
• 1:16:07
  Speaker 3: Yeah, but I you know, when I offered you a job,
• 1:16:09
  Speaker 3: I offered you a job, like really.
• 1:16:13
  Speaker 2: It's totally fine. Yeah, I feel like you I owe
• 1:16:15
  Speaker 2: you a little Like do you remember that one time
• 1:16:18
  Speaker 2: when I was like your servant and they told me
• 1:16:21
  Speaker 2: to provide for all your needs and like if you
• 1:16:23
  Speaker 2: wanted sexual comforts. I was supposed to like provide that,
• 1:16:26
  Speaker 2: like I could go either find someone they said, or
• 1:16:29
  Speaker 2: like it could just be me. Oh man, Yeah, that
• 1:16:33
  Speaker 2: made me nervous as hell.
• 1:16:35
  Speaker 12: You gotta buy you.
• 1:16:35
  Speaker 10: Gotta buy those sessions listeners, those teeny wild eighty minute sessions.
• 1:16:44
  Speaker 6: That was crazy, okabe?
• 1:16:48
  Speaker 2: Yeah, hey, unrelated, I was thinking about asking out this
• 1:16:54
  Speaker 2: girl on a date. Yeah, we met at the coffee
• 1:16:58
  Speaker 2: shop and it's no big deal. But she's like like
• 1:17:02
  Speaker 2: a really strong independent type, like kind of like you are.
• 1:17:05
  Speaker 2: So I don't know if like do you want do
• 1:17:08
  Speaker 2: you think I mean, do you think she wants like
• 1:17:11
  Speaker 2: me to do that like old fashion like me to
• 1:17:14
  Speaker 2: ask her out? Or do you think like like what
• 1:17:16
  Speaker 2: I'm asking you, like what what a girl's like? You like?
• 1:17:21
  Speaker 2: Would you want to ask him out?
• 1:17:23
  Speaker 16: Like?
• 1:17:23
  Speaker 7: Should he just wait?
• 1:17:25
  Speaker 2: Are you getting should I just wait around?
• 1:17:27
  Speaker 1: Are you getting like a vibe? Do you think she
• 1:17:29
  Speaker 1: likes you too?
• 1:17:30
  Speaker 7: Whoa boy? I couldn't tell you.
• 1:17:33
  Speaker 6: Well, I think that's your answer.
• 1:17:34
  Speaker 3: Then if you don't know, then you had to be
• 1:17:36
  Speaker 3: the one to ask or break the ice.
• 1:17:38
  Speaker 2: Right Yeah, uh, let me think about that. Let me think,
• 1:17:44
  Speaker 2: Let me think about that. Thank you for the advice.
• 1:17:47
  Speaker 3: I'm trying. I'm being I want you to know. I
• 1:17:50
  Speaker 3: want you to know, my friend. I'm being so good,
• 1:17:52
  Speaker 3: and I'm not peeking inside your brain right now.
• 1:17:54
  Speaker 2: Oh thank you. Wait, you can just heek inside my brain. Yes,
• 1:17:59
  Speaker 2: as you guys this conversation. You see a shape come
• 1:18:03
  Speaker 2: to your door, uh, raise their hand about to knock,
• 1:18:09
  Speaker 2: and then see that they kind of notice your that
• 1:18:13
  Speaker 2: they notice your clothes and they split.
• 1:18:16
  Speaker 3: Okay, I'm peeking inside that brain, though, I reach out
• 1:18:19
  Speaker 3: my senses to see who that was, if it's a
• 1:18:22
  Speaker 3: client I know, or.
• 1:18:23
  Speaker 2: Roll a sense check with your power die. All right,
• 1:18:28
  Speaker 2: this is a challenging check. I'm rolling at T ten
• 1:18:31
  Speaker 2: ooh three world one, showing it to Ethan that is
• 1:18:39
  Speaker 2: on the dice.
• 1:18:40
  Speaker 6: It's true, nobody picks it up.
• 1:18:45
  Speaker 3: One would believe that's the one that's a one on
• 1:18:47
  Speaker 3: the die that you picked up off the table and
• 1:18:49
  Speaker 3: could have rotated in.
• 1:18:50
  Speaker 7: Your but he didn't because that would be crazy.
• 1:18:55
  Speaker 2: I'd be insane. You are familiar with this mind and
• 1:18:58
  Speaker 2: this person. And Manny Ellington walks away what embarrassed, nervous
• 1:19:06
  Speaker 2: but relieved that he doesn't have to go in.
• 1:19:09
  Speaker 6: I open the door and call traim. Mister Ellington.
• 1:19:14
  Speaker 2: Oh oh no, no, he pulls down his cap.
• 1:19:19
  Speaker 3: Well, then, stranger, I'd be happy to stay open a
• 1:19:24
  Speaker 3: few extra minutes if you are in need.
• 1:19:26
  Speaker 2: I appreciate your willingness, but I would never ask a
• 1:19:29
  Speaker 2: member of this city to stay past hours. Even my
• 1:19:33
  Speaker 2: own employees get to go home at a decent hour. Please,
• 1:19:38
  Speaker 2: I'll come back another day.
• 1:19:39
  Speaker 1: Very well, And he walks, that was Mandy Ellington.
• 1:19:44
  Speaker 7: What that's crazy?
• 1:19:46
  Speaker 1: Yeah, ooh, so interesting.
• 1:19:51
  Speaker 3: There's not a lot of people that know my two
• 1:19:54
  Speaker 3: sides but don't know them together.
• 1:19:57
  Speaker 2: You know, Well, he doesn't know Wait, he knows you
• 1:20:01
  Speaker 2: as Quanta you mean yeah, but he doesn't know you
• 1:20:03
  Speaker 2: as Ronnie.
• 1:20:04
  Speaker 1: I mean, everybody knows me as Ronnie.
• 1:20:07
  Speaker 2: Well, I mean he doesn't know that the two are
• 1:20:08
  Speaker 2: the same.
• 1:20:08
  Speaker 6: Exactly, That's what I'm saying.
• 1:20:10
  Speaker 1: Oh sorry, right, Yeah, I wonder what he wanted. I
• 1:20:16
  Speaker 1: couldn't quite see.
• 1:20:17
  Speaker 6: I just knew it was him.
• 1:20:19
  Speaker 2: And that's where we'll end this episode of the Team
• 1:20:22
  Speaker 2: Up Play Show podcast.
• 1:20:25
  Speaker 3: Manny Ellington is having a material possessions be too big
• 1:20:29
  Speaker 3: in his life.
• 1:20:31
  Speaker 4: Maybe he came by it to see if anyone wanted
• 1:20:34
  Speaker 4: a cure. Anyone who can ship Manny Ellington and Quanta, we'll.
• 1:20:40
  Speaker 2: Talk about maybe what Manny wanted in the light be
• 1:20:46
  Speaker 2: possibly in the chat cave. We'll talk all about this
• 1:20:50
  Speaker 2: episode on the chat cave. The chat caves on our Patreon, Patreon,
• 1:20:54
  Speaker 2: dot com slash Team Up RPG, as was referenced tonight.
• 1:20:58
  Speaker 2: You can get the origin stories there. There's the ad
• 1:21:02
  Speaker 2: free episodes, and there's the chat Cave, which is our
• 1:21:06
  Speaker 2: super silly bonus post show.
• 1:21:09
  Speaker 7: So we'll see you over there.
• 1:21:10
  Speaker 4: Really no, yeah, we barely talk about the episode. It's
• 1:21:14
  Speaker 4: mostly just been describing more foods. That's not true. We
• 1:21:17
  Speaker 4: talk a lot about the episode.
• 1:21:19
  Speaker 6: I feel like the last chick Game, we.
• 1:21:20
  Speaker 1: Were very good.
• 1:21:21
  Speaker 4: We were so good.
• 1:21:22
  Speaker 7: Did we get a treat?
• 1:21:24
  Speaker 2: We'll see you over there, and we'll see you next
• 1:21:26
  Speaker 2: week with another episode.
• 1:21:28
  Speaker 7: Come bye bye.
• 1:21:43
  Speaker 16: That was Ethan Goldman as the Paper Phantom, Stephanie Facla
• 1:21:47
  Speaker 16: as Quanta, Ben as Risael, and Johnny Wilson as your
• 1:21:52
  Speaker 16: game director and the creator of Team Up. If you
• 1:21:56
  Speaker 16: enjoyed this play show podcast, please share it with friends
• 1:21:59
  Speaker 16: and family. That is what helps us out the most.
• 1:22:03
  Speaker 16: Check out at free episodes and our unhinged post show
• 1:22:07
  Speaker 16: the chatcave over at patreon dot com.
• 1:22:10
  Speaker 7: Slash Team up RPG.
• 1:22:12
  Speaker 16: And if you'd like to have these kinds of superhero
• 1:22:15
  Speaker 16: adventures at your own table, you can find the rules
• 1:22:18
  Speaker 16: to team up and a character builder for free on
• 1:22:22
  Speaker 16: our website Team uparpg dot com.
• 1:22:25
  Speaker 7: Thank you so much for listening. Heroes.
• 1:22:31
  Speaker 2: Hey, it's little Johnny dumps.
• 1:22:34
  Speaker 15: Uh.
• 1:22:35
  Speaker 2: It's it's so sad that this week's episode is over,
• 1:22:39
  Speaker 2: but we're really really glad that we get to shout
• 1:22:41
  Speaker 2: out you, our superhero. Shout out to Crank, Bill Rith
• 1:22:47
  Speaker 2: and Mada Amava to Tub.
• 1:22:53
  Speaker 7: Good job.
• 1:22:54
  Speaker 2: Shout out to Corn she hates onions, which is wild
• 1:22:57
  Speaker 2: because I feel like onions is the basis of like
• 1:23:00
  Speaker 2: most savory food. Hey, it's you and Brandy.
• 1:23:04
  Speaker 7: We love the podcast.
• 1:23:06
  Speaker 2: And de mop me how me? How his his Keep
• 1:23:09
  Speaker 2: it up? Please? Shout out to Troy Davidson. Shout out
• 1:23:14
  Speaker 2: to Matt, who's really trying to become an American this
• 1:23:17
  Speaker 2: year and we don't know why. Shout out to Odra,
• 1:23:19
  Speaker 2: who just demolished yet another bowl of mashed potatoes.
• 1:23:23
  Speaker 4: Give it up.
• 1:23:24
  Speaker 2: Shout out to Jin who prefers the Star Wars prequels
• 1:23:27
  Speaker 2: to the original trilogy. Shout out to Chris, who is
• 1:23:31
  Speaker 2: currently on the Merding Birding the Merling Birding app The
• 1:23:35
  Speaker 2: Merlin Birding App Lead.
• 1:23:40
  Speaker 8: Howard.
• 1:23:40
  Speaker 2: Shout out to pac Man, Pigey, Norm, and Stettna Mkringle
• 1:23:44
  Speaker 2: for saving Christmas in twenty twenty.
• 1:23:46
  Speaker 12: Four from the ule Ads and Senta's evil twin brother.
• 1:23:49
  Speaker 2: Shout out to Farmer Bob and Mama Robin, hummingbirds and seahorses.
• 1:23:54
  Speaker 2: Shout out to Brian, the Colorado home hero working with
• 1:23:57
  Speaker 2: him is rolling on Empowered twenty in a clutch moment.
• 1:24:00
  Speaker 2: Shut up to Kevin Feldman, I don't know why I.
• 1:24:03
  Speaker 4: Decided to do that. Trust it.
• 1:24:08
  Speaker 2: Trust to Christina. Shout out to the illucinator he lost
• 1:24:12
  Speaker 2: for our winds. Shout out to Cam who's currently pro
• 1:24:16
  Speaker 2: Pineapple on Pizza.
• 1:24:18
  Speaker 7: Fight him about it.
• 1:24:20
  Speaker 2: You are our superheroes. We can't do this without you.
• 1:24:24
  Speaker 2: We'll say thank you a bunch and it just won't
• 1:24:26
  Speaker 2: be enough. Thank you for helping our dreams come true.
• 1:24:29
  Speaker 2: If you'd like to join this courageous group of superheroes,
• 1:24:31
  Speaker 2: you can do so by joining our superhero tear on Patreon.
• 1:24:36
  Speaker 12: Bye bye for now.
• 1:24:59
  Speaker 1: This has been a Lily production