Latest / Who Did What Now With Katie Charlwood / 49 - Lady Jane Grey - The Nine Days Queen
Transcript
- 0:00Speaker 1: You're listening to an airwave media podcast. Hi everybody, and
- 0:17Speaker 1: welcome to her What Now the history podcast That's not
- 0:20Speaker 1: your History Class with me? Your host Kerry Charlwood, History
- 0:24Speaker 1: harlot and reader of books. It's been a week. It
- 0:28Speaker 1: has been a week everyone, I know, everyone have crossed.
- 0:32Speaker 1: In Scotland and England. The Netherlands, they're dealing with baking, hot,
- 0:38Speaker 1: roasting heat waves. In Ireland for the most part where
- 0:42Speaker 1: I live, we've had rain. We had one day of
- 0:46Speaker 1: heat right and I was supposed to take my way
- 0:48Speaker 1: year all to this Disney soccer thing with the UA
- 0:51Speaker 1: FuG something or other, but it got canceled because they
- 0:54Speaker 1: were like, ah, it's supposed to be twenty nine degrees celsius,
- 0:58Speaker 1: so we feel like the frying up bunch of four
- 1:00Speaker 1: to seven year olds. It's probably not a good idea.
- 1:04Speaker 1: So obviously it gets canceled. And then I was off,
- 1:08Speaker 1: you know, a good few days during the week. I
- 1:09Speaker 1: was like, yeay, I'll get to enjoy some of this
- 1:11Speaker 1: beautiful heat wave and sunshine and stuff. And it rained.
- 1:17Speaker 1: It rained, so it's actually really hot today and I
- 1:21Speaker 1: can't put the fan on. I have a big standalone
- 1:24Speaker 1: fan I'm fairly certain it was made in the nineties,
- 1:28Speaker 1: maybe the eighties. It's very old, but it works very well.
- 1:32Speaker 1: So I haven't been able to turn it on because
- 1:35Speaker 1: when you really hear it, So if I had it on,
- 1:38Speaker 1: it would just be through the whole process and you're
- 1:45Speaker 1: welcome for that impression of a fan. But yeah, there's
- 1:48Speaker 1: been like a massive heat wave. But also what I've
- 1:52Speaker 1: noticed a lot, because obviously I live on the internet,
- 1:55Speaker 1: is that a lot of people who live in sort
- 1:57Speaker 1: of warmer climates and you know, hotter countries that they're
- 2:00Speaker 1: just like, well, it's so hot all the time here,
- 2:05Speaker 1: we don't know how you can't handle it. We deal
- 2:07Speaker 1: with it all the time. And it's like, yeah, because
- 2:10Speaker 1: your infrastructure was built to deal with heat. Whereas if
- 2:16Speaker 1: you're in somewhere like London, all of the homes are
- 2:19Speaker 1: designed to trap heat, like that's it. Like my house
- 2:22Speaker 1: where I live in the middle of nowhere, our walls
- 2:25Speaker 1: are insulated and they're double layered and everything is designed
- 2:29Speaker 1: to stop you freezing to death. So like in loads
- 2:32Speaker 1: of major cities, because of the way everything's designed, and
- 2:34Speaker 1: a lot of it was built by the fucking Victorians
- 2:37Speaker 1: that they just don't have the capacity to deal with
- 2:41Speaker 1: this level of heat. So lots of people are either
- 2:44Speaker 1: just working from home, either by necessity or by choice.
- 2:48Speaker 1: I mean, that's really only the two options you have
- 2:51Speaker 1: in it. But that's not the point. So, yeah, today
- 2:54Speaker 1: is hot, I'm sitting in it a night shirt. Yeah,
- 2:59Speaker 1: I'm currently sitting at a Chippendale's night shirt recording this because
- 3:02Speaker 1: it's too hot to wear anything else. Oh one more thing. Actually,
- 3:07Speaker 1: I decided to google myself, as one does. I couldn't
- 3:11Speaker 1: sleep one night. It was one of the nights where
- 3:13Speaker 1: it was hot, so I was like, I'll have away,
- 3:15Speaker 1: have away, nosey. And so there's a few Kerry Charlewoods
- 3:19Speaker 1: out there. There's a couple of us, right, And I
- 3:21Speaker 1: was scrolling down and then I saw that I was
- 3:24Speaker 1: on Comedy Dot Core at UK. I was like, what
- 3:27Speaker 1: is this. It's like I'm officially listed from when I
- 3:31Speaker 1: did Louis at o'mealan's show. There's no photo or anthing.
- 3:34Speaker 1: It's just a sweet thing. And and it's like Kerry Charlwood
- 3:37Speaker 1: is an academic. And I was like, this thing, I'll
- 3:40Speaker 1: take it. That's nice. But like seeing it there and
- 3:44Speaker 1: writing there's something incredibly validating about it, especially when it's
- 3:48Speaker 1: on something so official. But anyway, I know what you're thinking.
- 3:51Speaker 1: You're thinking, quit your jibber jabber in fact me, In
- 3:54Speaker 1: fact you I will. But first we've got to get
- 3:57Speaker 1: our source on. Our sources are Lady Jane Gray, A
- 4:01Speaker 1: Tudor Mystery by Eric Ives, Crown of Blood, The Deadly
- 4:05Speaker 1: Inheritance of Lady Jane Gray by Nikola Talis, Monarchs of
- 4:10Speaker 1: the Renaissance by Philip J. Potter, and of course we
- 4:13Speaker 1: have our favorites, History dot com, Historyextra dot co dot UK,
- 4:18Speaker 1: and The Smithsonian dot com. So are you sitting comfortably good?
- 4:25Speaker 1: Then let's begin. So today's episode, I'm sure you have
- 4:28Speaker 1: guessed by the title, is about Lady Jane Gray, the
- 4:31Speaker 1: Nine Days Queen. Now. I was first introduced to the
- 4:35Speaker 1: concept of Lady Jane Gray, not via the history books,
- 4:38Speaker 1: as one might assume, but through a video game called
- 4:42Speaker 1: Fable two. I'm fairly certain it was Fable too. I
- 4:45Speaker 1: think it was the Ghost, the Gray Ghost, or something
- 4:49Speaker 1: to that effect. But in this game she was seen
- 4:52Speaker 1: as this absolute bitch. I just I remember having that
- 4:56Speaker 1: sort of vibe off of it. It's been a while
- 4:58Speaker 1: since I played it, I actually might play again just
- 5:00Speaker 1: to just for that. But you know me and my
- 5:04Speaker 1: opinion of women in video games, especially historical women in
- 5:09Speaker 1: video games, because they tend to be displayed poorly. So
- 5:15Speaker 1: because I think I was looking up something about it,
- 5:17Speaker 1: and as such I learned about Lady Jane Gray, the
- 5:20Speaker 1: Nine Days Queen. But the way she's portrayed in sort
- 5:23Speaker 1: of modern media is she's either like an absolute bit
- 5:29Speaker 1: or she's this meek little martyr, and the truth is, like,
- 5:35Speaker 1: you know, as per usual, somewhere in the middle. So,
- 5:39Speaker 1: without further ado, let's talk about lady. Lady Jane Gray
- 5:43Speaker 1: was born somewhere between May fifteen thirty six in February
- 5:48Speaker 1: fifteen thirty seven, possibly in London, possibly at Bradgate Park
- 5:53Speaker 1: in Leicestershire. Because she's a woman from the past, so
- 5:59Speaker 1: why the fuck could we have that information? Where was
- 6:02Speaker 1: she born? Pierre kind of right? When was she born?
- 6:08Speaker 1: Roughly between this year and that year? Cool? I mean
- 6:14Speaker 1: that being said, we do actually have more information on
- 6:16Speaker 1: her birthday than we do about Anne Boleyn, So I
- 6:18Speaker 1: mean that's that's something, right. Lady jen Gray was the
- 6:23Speaker 1: daughter of Henry Gray, the first Joke of Suffolk and
- 6:26Speaker 1: Lady Francis Brandon, whose mother Mary was Henry the eighth sister,
- 6:31Speaker 1: So Larry jen Gray she's the eldest daughter. So Jene,
- 6:34Speaker 1: like Mary, Queen of scott is a direct descendant from
- 6:38Speaker 1: Henry the seventh, so she's still got you know, proper lineage,
- 6:42Speaker 1: you know what I mean. It's really funny, like when
- 6:44Speaker 1: you think about the names of the Grays. So, so
- 6:47Speaker 1: Jene is the oldest Gray, and then you've got Catherine,
- 6:50Speaker 1: and then you have Mary. So Jane was probably named
- 6:54Speaker 1: after Jane Seymour because of when she was born, and
- 6:58Speaker 1: Katherine one of those respect the crown sort of things.
- 7:01Speaker 1: It was probably either a Katherine Howard or Katherine Parr scenario.
- 7:05Speaker 1: And then Mary was probably a Lady Mary scenario, you know,
- 7:11Speaker 1: one of those. Naturally, the Grays they wanted a son
- 7:14Speaker 1: and heir. But because Jane was a descendant of Henry
- 7:18Speaker 1: the seventh, she had tuor blood, which did make her
- 7:22Speaker 1: incredibly important, especially as their oldest child, because if you
- 7:28Speaker 1: can't carry the name, you'd better be fucking useful. But
- 7:32Speaker 1: don't worry, just because she didn't have all the wiggly
- 7:34Speaker 1: boy parts doesn't mean that she couldn't still be useful
- 7:37Speaker 1: to them, because of course Jane is a good turor stock.
- 7:42Speaker 1: Luckily for them, Prince Edward was born and they thought, wow,
- 7:48Speaker 1: he's a boy, she's a girl. Can we make it
- 7:51Speaker 1: any more obvious? And as such they're like, okay, let's
- 7:54Speaker 1: get these two hitched, and in a move that surprises
- 7:57Speaker 1: absolutely no one, they start for Edward to marry Jane
- 8:04Speaker 1: in fairness because her dad went from the Marquess of
- 8:06Speaker 1: Dorset to the Duke of Suffolk, and he's thinking, wow,
- 8:10Speaker 1: I could really deal with having more power. In medieval England.
- 8:14Speaker 1: You're a good tutor stock. We're good tutor stock, eh eh.
- 8:20Speaker 1: As was the way at the time. It was very
- 8:21Speaker 1: popular for the noble children to have a humanist education,
- 8:26Speaker 1: and from the age of four years old, Jane had
- 8:28Speaker 1: a tutor because of course her parents wanted to ensure
- 8:32Speaker 1: that she had an education that made her a fit
- 8:35Speaker 1: wife for a king. So Jane was speaking Latin, Greek, Hebrew, Italian,
- 8:42Speaker 1: and she was clever right. She was also very very Protestant,
- 8:46Speaker 1: like they were all raised in the Protestant faith. That
- 8:50Speaker 1: was very much drilled into her from a young age,
- 8:52Speaker 1: Like staunch Protestantism. Because King's Protestant, You're gonna be fucking
- 8:57Speaker 1: Protestant as well, Right, That's just how it is. We've
- 9:00Speaker 1: seen what happens on the other side of this. So,
- 9:04Speaker 1: along with all of the academics, which is what she
- 9:06Speaker 1: preferred to do, sow in dancing music, she was also
- 9:11Speaker 1: trained in hunting, you know, going on hunting parties because
- 9:15Speaker 1: it was one of the pursuits of the era. And
- 9:18Speaker 1: her upbringing, which you know is fairly typical all the time,
- 9:21Speaker 1: was really fucking strict, like she couldn't do anything unless
- 9:27Speaker 1: it was perfect, Like everything she does has to be perfect.
- 9:31Speaker 1: She has to walk perfectly, she has to play perfectly,
- 9:35Speaker 1: dance perfectly, sit perfectly, speak perfectly, and if she doesn't,
- 9:40Speaker 1: then she is emotionally and physically abused. Like yeah, there's
- 9:45Speaker 1: like taunting and then calling and berating, and then there's
- 9:49Speaker 1: like pinching and nipping and of course beatings, which again
- 9:56Speaker 1: are very typical of the time. Her parents treated her
- 10:02Speaker 1: like shit, like they really did, and that's like one
- 10:06Speaker 1: of the quotes I read about her was that they
- 10:07Speaker 1: would dress her in rich silks but informed her that
- 10:11Speaker 1: she would not go far on looks alone, So Jane.
- 10:14Speaker 1: She's fair, but she's also so Jane. She's relatively pale,
- 10:19Speaker 1: but she's also got freckles, probably from going out in
- 10:23Speaker 1: all those hunting parties. But she's also got the Tudor hair,
- 10:26Speaker 1: which is sandy red. Like there's red. There's loads of
- 10:30Speaker 1: red heads. You look at the Tudors, there's just fucking
- 10:33Speaker 1: red heads everywhere. Ginger, ginger, ginger, like, loads of fucking
- 10:37Speaker 1: gingers all over the shop. And she's got sandy red hair.
- 10:42Speaker 1: And she's often described as plain rather than pretty, which
- 10:47Speaker 1: is I feel it's just like a really kind of
- 10:51Speaker 1: a non compliment. Oh what is she like? Oh she's plain? Great,
- 10:58Speaker 1: So she's not ugly, but she's not pretty either. I
- 11:04Speaker 1: feel like I don't know if that's you know what,
- 11:07Speaker 1: you know what, she's probably like TV ugly, you know
- 11:11Speaker 1: what I mean. Like there's pretty and then there's TV pretty,
- 11:15Speaker 1: and then there's TV ugly. Like I think she's probably
- 11:19Speaker 1: TV ugly. So when Jane was in her teens, she
- 11:23Speaker 1: gets moved to Henry the Eighth Courts and she becomes
- 11:25Speaker 1: a lady in waiting to his final wife, Katherine Parr, who,
- 11:30Speaker 1: like Jane and her tutor and her dad and all
- 11:33Speaker 1: them is a staunch Protestant, so you know, very much
- 11:38Speaker 1: reinforcing that in her. So when Henry the Eighth dies
- 11:41Speaker 1: in fifteen forty seven, Jane then moves to Chelsea Palace
- 11:46Speaker 1: and continues being a lady in waiting for Catherine Park.
- 11:49Speaker 1: Not long after that, Catherine marries Thomas Seymour and loses
- 11:55Speaker 1: basically all the rights she had as you know, the
- 11:58Speaker 1: King's widow. So Seymour, if you don't remember, is the
- 12:02Speaker 1: brother of Jane Seymour, and he is the current king's uncle. Seymour.
- 12:08Speaker 1: He is a sneaky, sleek out wee bastard. Let me
- 12:12Speaker 1: tell you, I fucking hate the man. He's slimy and
- 12:15Speaker 1: he's creepy as fuck. And suddenly Seymour what does he do.
- 12:19Speaker 1: He pays Jane's family a fuck ton of money to
- 12:23Speaker 1: make Jane his ward and promises them she's going to
- 12:27Speaker 1: be a Queen of England. Because the man cannot keep
- 12:34Speaker 1: his grubby hands out of anything, Like the man is
- 12:37Speaker 1: power hungry to the point of stupidity, Like he's the
- 12:40Speaker 1: reason Queen Elizabeth had to fuck off. Like the funniest
- 12:44Speaker 1: part in all this is like Thomas Seymour had absolutely
- 12:47Speaker 1: no fucking power whatsoever, Like he had no cards in
- 12:50Speaker 1: his deck, because if he had just stad an adviser
- 12:53Speaker 1: to Catherine Parr, he would have had more power than
- 12:56Speaker 1: by marrying her. But of course he has to be
- 12:59Speaker 1: a creepy motherfucker. So Thomas Eymour has no fucking power.
- 13:03Speaker 1: He has no actual way of making this marriage happen.
- 13:06Speaker 1: He's got nothing. And not only that, King Edward the
- 13:10Speaker 1: sixth wasn't interested in Jane because she was, you know,
- 13:14Speaker 1: just a regular lady of the court. He wanted to
- 13:18Speaker 1: marry Mary Quina Scott's or and I quote, a French
- 13:24Speaker 1: princess well stuffed with money when you could remember as
- 13:28Speaker 1: well Edward's what nine ten at this point, Like he's
- 13:31Speaker 1: still a fucking child. And while he's you know, a kid,
- 13:35Speaker 1: like he's susceptible to all of the people around him.
- 13:38Speaker 1: And also because he has, in fact a child, he's
- 13:41Speaker 1: not actually doing the governing of England. It's being done
- 13:44Speaker 1: by the Duke of Somerset, which is Thomas's brother, like
- 13:48Speaker 1: he was the smart one, Like he was a smart one, right,
- 13:51Speaker 1: so Somerset, he discovers the thinly veiled plot to marry
- 13:55Speaker 1: Jane to Edward, and he's like, fuck this for a
- 13:58Speaker 1: game of soldiers and basically thwarts all plans for this.
- 14:02Speaker 1: Right even so he's like, right, doesn't matter, you don't
- 14:07Speaker 1: really have power anyway. So Jane is allowed to stay.
- 14:11Speaker 1: So she stays as a lady waiting to Catherine Parr
- 14:13Speaker 1: up until Katherin Parr dies in childbirth, and at ten
- 14:17Speaker 1: years old, Jane is the chief mourner for Catherine Parr
- 14:21Speaker 1: and she is genuinely, genuinely upset about her past. So
- 14:26Speaker 1: after Catherine passes, you know, she goes home, but then
- 14:29Speaker 1: Thomas wants her back. Thomas Seymour, he wanted to keep
- 14:32Speaker 1: Jane as part of his household, so she goes back
- 14:34Speaker 1: there and she's there for like two months or so
- 14:38Speaker 1: up until the point where Thomas Seymour is arrested, after
- 14:41Speaker 1: which she's sent back home. So when she returns home,
- 14:45Speaker 1: she has to be good, meek, sober, and ready to
- 14:49Speaker 1: obey her parents. In all things cool, that's a really fun,
- 14:53Speaker 1: warm homecoming, not at all disturbing whatsoever. So obviously Jane
- 14:59Speaker 1: fucking hates being home and the only time she's happy
- 15:02Speaker 1: is when she's with her turors because one, she likes learning,
- 15:07Speaker 1: like for learning sake, it's something that she enjoys, and
- 15:10Speaker 1: also it meant she didn't have to deal with her
- 15:11Speaker 1: fucking arsehole family. Jane literally states that she is in
- 15:16Speaker 1: hell right, but because you know, very strict, horrendous upbringings
- 15:22Speaker 1: were perfectly normal in the Tudor era, she was probably
- 15:25Speaker 1: just seen as like an arsehole teenager more than anything else,
- 15:29Speaker 1: you know what I mean. So yeah, Thomas Seymour is
- 15:32Speaker 1: executed and Jane's dad gets interrogated by the King's Council
- 15:38Speaker 1: four times, not good, and by the fourth one he's like, Hey,
- 15:44Speaker 1: anyone want to marry my daughter, you can have her.
- 15:47Speaker 1: You get a bride, You get a bride, you get
- 15:49Speaker 1: a bride. So he's like offering Jane up to like
- 15:52Speaker 1: the Lord Protector's son. He's like, hey, tutor blood, good match, nfoughy,
- 15:58Speaker 1: but like, no betrothals happen at that point, so he's
- 16:02Speaker 1: lucky to like stay out of trouble. Like, so no
- 16:05Speaker 1: betrothals happen anyway. Over the next two years, during Edward
- 16:09Speaker 1: the sixth, the ragin who is you know, super deeper
- 16:12Speaker 1: Protestant because he's a fucking child. And that's how things work.
- 16:17Speaker 1: Jane Gray and Mary Mary Tudor, they don't quite get along,
- 16:23Speaker 1: Like there's this like rift between the two of them,
- 16:25Speaker 1: and it gets worse. So because Mary is so Catholic
- 16:30Speaker 1: and Jane is so Protestant, it's like a sticking point
- 16:32Speaker 1: for both of them. So like in fifteen fifty one,
- 16:35Speaker 1: Jane visits Mary. I feel like this is just a
- 16:38Speaker 1: salty teenager thing, you know what I mean. So she says,
- 16:41Speaker 1: they're in the chapel and Mary is bowing to like
- 16:45Speaker 1: the host, which is if you're not Catholic, it's like
- 16:48Speaker 1: a round piece of pressed bread, kind of like a wafer,
- 16:54Speaker 1: and it's represented as the body of Christ right and
- 16:59Speaker 1: you take and communion, eat it and swallow and stuff.
- 17:03Speaker 1: And because you consume Jesus for some reason, you think
- 17:08Speaker 1: i'd remember. I don't anyway, So they're in the chapel
- 17:12Speaker 1: and Mary bows to, you know, the host, and she's like,
- 17:15Speaker 1: what are you doing that for? And Mary is like, well,
- 17:18Speaker 1: I bow to him who made us all, you know,
- 17:20Speaker 1: a bow to God. And in Jane and Jane says,
- 17:26Speaker 1: and I quote, how can he that made us all
- 17:29Speaker 1: be there? When the baker made him, and Mary's like,
- 17:32Speaker 1: what the actual fuck, because she's like, it's a symbolic
- 17:39Speaker 1: representation of God, it's not a literal thing. And she's like,
- 17:45Speaker 1: but that's not God because that's a baked bread good.
- 17:48Speaker 1: Like she doesn't. So you can either take it as
- 17:51Speaker 1: she doesn't quite grasp the concept or that she's just
- 17:54Speaker 1: been a dick. Either way, I'm kind of okay with it,
- 17:58Speaker 1: like whatever. So Mary, she doesn't feel like Mary. That
- 18:05Speaker 1: being said, Mary doesn't really take it to heart because
- 18:07Speaker 1: she thinks Jane's just been She's been in the game
- 18:09Speaker 1: a long time, and she sees that Jane is being
- 18:12Speaker 1: pushed from pillar to post and that she's been raised
- 18:14Speaker 1: a certain way, and so she thinks that she's more
- 18:16Speaker 1: misguided than anything else, as opposed to being venomous, you know.
- 18:21Speaker 1: So she, you know, she wants to keep it civil,
- 18:22Speaker 1: keep it friendly, and so she sends you know, Jane,
- 18:25Speaker 1: some gifts. She sends her gowns and jewels and stuff,
- 18:28Speaker 1: and Jane gets them and straight up fucking refuses to
- 18:31Speaker 1: wear them because she thinks they're just a bit too much,
- 18:34Speaker 1: that they're a little bit extra for her. Like she
- 18:36Speaker 1: prefers to be dressed more plainly as a good Protestant
- 18:41Speaker 1: woman should, so like quite a lot of that upbringing
- 18:45Speaker 1: dead rub off on her. But still it's not until
- 18:50Speaker 1: fifteen fifty three, So like what five years later where
- 18:54Speaker 1: she's actually engaged to somebody. So in May fifteen fifty
- 18:58Speaker 1: three she is betrothed to Lord Guildford Dudley, one of
- 19:03Speaker 1: the sons of John Dudley, the first Duke of Northumberland.
- 19:06Speaker 1: So John Dudley is the Lord President of the King's Council,
- 19:12Speaker 1: making him the most powerful man in the country. So
- 19:15Speaker 1: by aligning themselves with that, they've put themselves in a
- 19:18Speaker 1: prime position because Jane is but a useful pawn in
- 19:22Speaker 1: a negotiating process for power. Fuck off. So in fifteen
- 19:29Speaker 1: fifty three there's a triple wedding. You get a breid,
- 19:32Speaker 1: you get a breid, you get a bride. So Jane
- 19:36Speaker 1: marries Lord Gildford Dudley, Her sister Catherine marries Lord Herbert,
- 19:43Speaker 1: heir to the Earl of Pembroke, and Catherine Dudley Goldford's
- 19:48Speaker 1: sister marries Henry Hastings, the heir to the Earl of Huntingdon.
- 19:54Speaker 1: Seems like a lot of a political play in this
- 19:57Speaker 1: one wedding. I'm just cool. C google cuckock, cuckoo cool.
- 20:01Speaker 1: I mean, this is the era where marriages were arrangements.
- 20:04Speaker 1: You know. What you know juxtapos is the concept of
- 20:08Speaker 1: the courtly love, which is something that Henry the eighth
- 20:13Speaker 1: was like super into. But what efs But like, it's
- 20:17Speaker 1: so funny that she married Lord Dudley because we don't
- 20:21Speaker 1: ever refer to her like it is so rare to
- 20:23Speaker 1: have her refer to as Lady Dudley. Like now she
- 20:26Speaker 1: probably was like back then, but we're just like now
- 20:29Speaker 1: you're Jane Gray. Fuck him. Nah. So Edward the sixth
- 20:34Speaker 1: he's ruling England and he's like super extra Protestant, right,
- 20:37Speaker 1: He's like Protestant Protestant Protestant because he's a fucking child
- 20:42Speaker 1: and everything is extreme to children. So so that same year,
- 20:47Speaker 1: it is very clear that Edward is dying. So Lord
- 20:51Speaker 1: Dudley he is ruling the country and is stead Oh
- 20:55Speaker 1: actually yeah. So this is where things come to a
- 20:59Speaker 1: sort of difficult moment because Edward clearly dying. He's very sick.
- 21:06Speaker 1: The last thing that Edward wanted was for England to
- 21:09Speaker 1: end up in Catholic hands, right, So this is all
- 21:13Speaker 1: because of the Third Succession Act. So it was in
- 21:16Speaker 1: fifteen forty four, and it basically restored Henry the eighth
- 21:21Speaker 1: daughters into the line of succession because they had been removed.
- 21:26Speaker 1: They were still deemed illegitimate, mind you, but they had
- 21:30Speaker 1: been added into the line of succession thanks to Catherine
- 21:33Speaker 1: part So this act didn't just do that. It also
- 21:36Speaker 1: meant that Henry the eighth could alter the succession by
- 21:40Speaker 1: his written will and testament. And so in his will
- 21:44Speaker 1: it basically stated that you know, his three children, Edward,
- 21:47Speaker 1: then Mary, then Elizabeth would be the direct line of
- 21:52Speaker 1: succession to the throne. But not only that, but it
- 21:55Speaker 1: also stated that if none of them had kids, if
- 21:57Speaker 1: they had no descendants, that the throat would pass to
- 22:01Speaker 1: the heirs of his younger sister Mary so and who
- 22:05Speaker 1: was in that direct line of succession Jane. So Jane
- 22:09Speaker 1: was basically added into the line of succession, but her
- 22:12Speaker 1: mother wasn't like she was just bypassed completely. They were like, nope,
- 22:16Speaker 1: not her. Jane's next in line after the three child
- 22:19Speaker 1: of royals. But he'd also like scrubbed out the possibility
- 22:23Speaker 1: of his older sister Margaret's kids from claiming the English
- 22:27Speaker 1: throne because they'd married Scottish nobility. He was like, NA,
- 22:30Speaker 1: you stay over there, that's fine. So Edward the sixth
- 22:34Speaker 1: he is fucking dying and he drafts a will because
- 22:39Speaker 1: he knows fine well that the next person in line
- 22:42Speaker 1: for the throne is his Catholic sister Mary, and that
- 22:45Speaker 1: is the last fucking thing he wants. So initially, like
- 22:50Speaker 1: the draft of the will had been stated as the
- 22:54Speaker 1: male descendants of Francis Brandon and her daughters and has
- 23:00Speaker 1: had no male descendants, so that's kind of ait point,
- 23:03Speaker 1: and he changes it to his Protestant cousin, Lady Jane
- 23:08Speaker 1: and her heirs male. So June fifteen fifty three, he
- 23:13Speaker 1: has fucking nailed down his Protestant legacy. He's bypassed. He
- 23:18Speaker 1: was Catholic half sister Mary and Jane Gray is the
- 23:23Speaker 1: next in line to the fucking throwne bitsbash bosh. So
- 23:26Speaker 1: he personally supervises the copy of his will and it's
- 23:30Speaker 1: signed by like one hundred and two people like from
- 23:32Speaker 1: the Privy Council, peers, bishops, judges, the whole chapang. It's
- 23:38Speaker 1: passed in parliament and like. The whole plan is to
- 23:41Speaker 1: have it announced officially in Parliament in like like September.
- 23:45Speaker 1: But Edward dies on the sixth of July, but his
- 23:50Speaker 1: death isn't like officially announced for four days later, so
- 23:55Speaker 1: the tenth of July is when his death is officially announced. However,
- 23:59Speaker 1: on the night of July, Jane has brought to Sion
- 24:02Speaker 1: House is forced to accept the crown of England. So
- 24:07Speaker 1: she arrives in this court. There's a whole fucking court
- 24:10Speaker 1: waiting for her, and she's like fucking not like, nope, nope,
- 24:17Speaker 1: don't want any of this. She starts literally shaking with
- 24:21Speaker 1: fright because she is becoming very aware of what the
- 24:24Speaker 1: fuck is happening. Dudley leads her to the throne and
- 24:28Speaker 1: informs her that Edward the Sex named her his heir
- 24:32Speaker 1: and she is now going to be Queen of England.
- 24:35Speaker 1: The entire room kneels in front of her and she
- 24:39Speaker 1: is so like overwhelmed she faints and no one thinks, oh,
- 24:45Speaker 1: maybe we should help up this fainting woman who is
- 24:47Speaker 1: now a fucking monarch. No, they just let her collapse
- 24:51Speaker 1: in front of them. So she gets She manages to
- 24:53Speaker 1: come to and she stands up and she's like shit
- 24:58Speaker 1: and very very reluctantly accepts the crown. So she's standing there,
- 25:05Speaker 1: she's what seventeen, sixteen, seventeen years old, standing in front
- 25:10Speaker 1: of an entire court and tells them straight up that
- 25:16Speaker 1: she has no right to the crown. The crown belongs
- 25:18Speaker 1: to Mary. She is the rightful heir. This should not
- 25:22Speaker 1: be coming to me. But again, she's a seventeen year
- 25:27Speaker 1: old girl. But again, she's a sixteen seventeen year old
- 25:34Speaker 1: girl in a male dominated world being bullied and pushed
- 25:42Speaker 1: and fucked around, and she reluctantly has to accept it
- 25:47Speaker 1: because she just fucking has to. That's just how it is.
- 25:50Speaker 1: And she is mad. She did not fucking want it.
- 25:57Speaker 1: So she's coerced into this situation, right, She's taken to
- 26:01Speaker 1: the Tower of London to await her crowning, because here's
- 26:05Speaker 1: the thing. And so she is in the Tower of
- 26:07Speaker 1: London waiting. She's just but for the most part, but
- 26:13Speaker 1: Larry Jane Gray is just or Queen Jane Gray suppose
- 26:16Speaker 1: at this point. So over the next couple of days,
- 26:19Speaker 1: so on the tenth of July, when it was like
- 26:22Speaker 1: public knowledge that the king had passed, Jane is officially
- 26:28Speaker 1: proclaimed Queen of England, France and Ireland. Well, she's chilling
- 26:32Speaker 1: out in the Tower of London. So the way the
- 26:35Speaker 1: custom goes is that between you know, ascension and coronation,
- 26:41Speaker 1: you're supposed to reside in the Tower of London, Between
- 26:44Speaker 1: being announced the new monarch and having the official crown
- 26:48Speaker 1: on your head anointing all that jazz like, you're supposed
- 26:52Speaker 1: to stay in the Tower of London, which I think
- 26:53Speaker 1: for a good while was the official residence, the royal
- 26:57Speaker 1: residence of the queen up until it became you know,
- 27:01Speaker 1: before it became like a week prison all in its
- 27:03Speaker 1: own and it all the while remember as well that
- 27:06Speaker 1: Jane is married to Guildford Dudley. And this is where
- 27:11Speaker 1: I love this little bit of spite and petty, because
- 27:13Speaker 1: she's so indifferent to him. She doesn't give a fuck
- 27:15Speaker 1: about him whatsoever. She's just not interested in his existence whatsoever.
- 27:20Speaker 1: She does not name him king like prince king nothing.
- 27:24Speaker 1: She's like, right, not even gonna deal with this, doesn't
- 27:28Speaker 1: acknowledge it or anything. And it's that part to me
- 27:33Speaker 1: is pretty funny. So so she's chilling out in the
- 27:36Speaker 1: towror London and Mary straight away soon as she learns
- 27:41Speaker 1: of Edward's death is like, I gotta go rally my troops.
- 27:44Speaker 1: So Northumberland was out. He's trying to like fucking capture
- 27:48Speaker 1: Mary and stop this. She's out rallying her troops, and
- 27:52Speaker 1: so he heads out to try and get her. So
- 27:54Speaker 1: the letter comes and Mary declares herself queen, and the
- 27:57Speaker 1: Privy Council they actually switch from Lady Jane Gray to
- 28:03Speaker 1: Mary Tudor to Lady Mary. So while the Cumberland's away,
- 28:07Speaker 1: his absence is very well noted in the Privy Council
- 28:10Speaker 1: and there's a coups de'ta and hence they switch asides.
- 28:15Speaker 1: But here's the thing. For Mary, it was pretty easy
- 28:18Speaker 1: to rally support because the country knew who she was.
- 28:23Speaker 1: Nobody had a fucking clue who Lady Jane Gray was. Like,
- 28:28Speaker 1: there was just this random check taking the throne and
- 28:31Speaker 1: they were all like no, and by law Mary was
- 28:37Speaker 1: the rightful heir, so they were like, okay, not into this.
- 28:41Speaker 1: So so when the Privy Council changed their allegiance and
- 28:44Speaker 1: Mary's proclaimed queen, Jane's just sitting having her supper and
- 28:48Speaker 1: her dad fucking runs in like she's she's effectively alone.
- 28:53Speaker 1: At this point, She's like, like, the counselors aren't there,
- 28:57Speaker 1: there's barely any servants. She's effectively alone, and her father
- 29:01Speaker 1: fucking bounds in the door. Her father fucking legs it
- 29:05Speaker 1: in the door, poo tears down the royal canopy of estate,
- 29:09Speaker 1: which is like hanging a but her chair, and he's like,
- 29:12Speaker 1: you are no longer queen, and she's like a cool
- 29:16Speaker 1: So when he tells her that she's like not queen anymore,
- 29:21Speaker 1: this teenage girl looks up at him and just asks,
- 29:26Speaker 1: may I go home now? She doesn't want to be queen.
- 29:29Speaker 1: She never wants to be queen. She just wants to go.
- 29:32Speaker 1: Her dad doesn't answer her, he doesn't give a response.
- 29:36Speaker 1: He fucks off. Does he try and save her, Does
- 29:39Speaker 1: he try and help her? No, he legs it and
- 29:44Speaker 1: leaves her, lays her to her fate. Really so, not
- 29:48Speaker 1: long after her dad buggers off, the guards come for her.
- 29:51Speaker 1: So she gets moved from the palace, which obviously she's
- 29:53Speaker 1: moved from the palace, and they put her in the
- 29:56Speaker 1: house of Master Partridge, the gentleman jailor. Like as imprisonment
- 30:02Speaker 1: goes it wasn't too bad. Like she was relatively comfortable.
- 30:05Speaker 1: She was allowed like books to read and shit, she
- 30:07Speaker 1: had all her mules with, like the jailer and his family.
- 30:10Speaker 1: Like it was pretty it was all right. She was
- 30:12Speaker 1: actually pretty content there. I mean, considering the situation she
- 30:16Speaker 1: was in, she was quite all right. You know. So
- 30:20Speaker 1: Mary at this point she's wary of like Protestant plots
- 30:22Speaker 1: against her, you know, because she's you know, the Catholic queen,
- 30:26Speaker 1: and because Jane, although reluctantly, had taken the throne, she
- 30:33Speaker 1: was effectively guilty of treason, like and her whole plan
- 30:36Speaker 1: was so the plan for Jane was to keep her
- 30:40Speaker 1: in the tower and keep her sort of locked up
- 30:42Speaker 1: and away up until the point that Mary had an air,
- 30:45Speaker 1: because at that point it'd be like it's like, ye okay,
- 30:47Speaker 1: once I've got a Catholic air, you can just scurry off.
- 30:50Speaker 1: We'll just let you. We won't announce it, We'll just
- 30:53Speaker 1: you can just go. It'll be fine, bish bash bosh. So,
- 30:57Speaker 1: but for public appearances, Jane and Guildford they're put on
- 31:01Speaker 1: trial for treason and they're sentenced where they're sentenced to
- 31:05Speaker 1: death because the punishment for treason is death, but like
- 31:09Speaker 1: it's supposed to be a formality where it's like, oh,
- 31:11Speaker 1: we have to wait till the right day, and they
- 31:13Speaker 1: would just be held indefinitely up until it was time
- 31:16Speaker 1: to just be free. And like the general consensus of
- 31:18Speaker 1: the court of the time was that Jane was not
- 31:20Speaker 1: going to meet the executioner's acts, Like it wasn't gonna happen.
- 31:24Speaker 1: So Mary, she's Queen of England, She's restored the Catholic faith,
- 31:28Speaker 1: she's got the heresy laws coming, or she like burns
- 31:32Speaker 1: people for not accepting it. Like there's there's this there's
- 31:34Speaker 1: a weird freedom of religion thing happening, but it's which
- 31:38Speaker 1: honestly is no harsher than any ruler before her from Jane,
- 31:42Speaker 1: I suppose. But Jane wasn't really there long enough to
- 31:45Speaker 1: miss the point. So so Mary, she wants to marry
- 31:48Speaker 1: Prince Philip of Spain. But you know, this is a
- 31:51Speaker 1: time where it was more important to be English. They
- 31:54Speaker 1: didn't want a foreign prince ruling over them, but the
- 31:57Speaker 1: country as a general rule was super keen on having
- 32:01Speaker 1: a foreign prince rule over them. Enter Thomas White the Younger,
- 32:07Speaker 1: which basically stilled Jane's fate. So the fifteen fifty four
- 32:10Speaker 1: rebellion of Thomas White the Younger against the against Queen
- 32:15Speaker 1: Mary's marriage plan with Philip of Spain. Uh well, it
- 32:20Speaker 1: was a close call at one point, but you know,
- 32:23Speaker 1: as we know, they were crushed. And unfortunately for Jane,
- 32:27Speaker 1: her father and both his brothers were in so because
- 32:31Speaker 1: her dad and her uncles were in the rebellion, so,
- 32:34Speaker 1: which was bad enough because you know, it's a threat
- 32:38Speaker 1: to her. So the council they're in this massive panic
- 32:42Speaker 1: wicket and so, but the council was in this massive
- 32:45Speaker 1: panic at this point because Jane's dad and her uncles
- 32:51Speaker 1: were part of the rebellion, and her dad specifically was
- 32:54Speaker 1: one of the rebel leaders.
- 32:56Speaker 2: And yet again because he just cannot stop fucking things
- 33:01Speaker 2: up for everybody, because he's so desperate to get his grubby,
- 33:05Speaker 2: fucking hands on power which does not belong to him.
- 33:10Speaker 1: Deep breath, he proclaims his daughter queen again. He's like,
- 33:17Speaker 1: she's queen, She's queen. He gets crushed. Jane knows absolutely
- 33:22Speaker 1: nothing about this, she's not involved in it. She's got
- 33:25Speaker 1: nothing to do with it. The counselors are in a
- 33:28Speaker 1: whole fucking tizzy. Not only that, it is made incredibly
- 33:33Speaker 1: clear that Prince Philip of Spain is not going to
- 33:37Speaker 1: return to England unless Lady Jane is removed. So Jane
- 33:44Speaker 1: is sentenced to death because they have no other choice
- 33:47Speaker 1: at this point, because if the men in her life
- 33:50Speaker 1: had just stopped fucking things up for her, she probably
- 33:53Speaker 1: would have done all right. She would have been free,
- 33:55Speaker 1: like just like all they have to do was wait out.
- 34:02Speaker 1: A little bit would have been grand, but no, power
- 34:07Speaker 1: hungry men are power hungry. Won a surprise, Jane is
- 34:12Speaker 1: informed that she's gonna die, right, and she accepts it.
- 34:16Speaker 1: She's seventeen, seventeen years old. She's been put through hell.
- 34:22Speaker 1: And Mary is actually really upset about this because she
- 34:27Speaker 1: recognizes the situation again. She's been about the bush. She
- 34:31Speaker 1: knows what it's like, and she's like, okay, oh, you know,
- 34:36Speaker 1: one last sort of grasp of a straw, you know,
- 34:40Speaker 1: in order to thwart the Protestant rebellion. And so Mary's like, okay,
- 34:46Speaker 1: if Jane converts to Catholicism, that removes the Protestant threat,
- 34:50Speaker 1: and it also means she doesn't have to get executed.
- 34:54Speaker 1: So the Abbat of Westminster goes to visit Jane and
- 34:57Speaker 1: informs her that, you know, if she can't her Protestant
- 35:00Speaker 1: faith and conversed Catholicism, she might, you know, like this
- 35:05Speaker 1: is her chance to live. But Jane has been brought
- 35:10Speaker 1: up to be staunchly Protestant. It is very important to her.
- 35:14Speaker 3: Her faith means as much to her as as Mary's does,
- 35:17Speaker 3: you know. Jane denies this, instincts that she has no reason,
- 35:23Speaker 3: and she tells the abbot that she has no desire
- 35:25Speaker 3: to prolong her life and that she's not.
- 35:27Speaker 1: Going to give up her God. And he is like
- 35:29Speaker 1: really moved by this sort of like sincerity in her,
- 35:33Speaker 1: the fact that she is so the fact that she
- 35:36Speaker 1: has faith and that she is that connected to it.
- 35:40Speaker 1: He is moved by this, and he asks her if
- 35:42Speaker 1: he can accompany her well to her death, really and
- 35:47Speaker 1: and she's like, okay, that's fine. On the eleventh of
- 35:51Speaker 1: February fifteen fifty four, Jane is ready to die. On
- 35:55Speaker 1: the morning of the eleventh of February fifteen fifty four,
- 35:58Speaker 1: it is de day for Jane. A panel of matrons
- 36:03Speaker 1: come to it, so you know, she's due for the
- 36:06Speaker 1: chopping block and Guildford her husband. He wanted to mirr
- 36:09Speaker 1: her and for her to like watch his death and stuff,
- 36:12Speaker 1: and she was like, no, thanks, I'm good. And so
- 36:17Speaker 1: that morning, a panel of matrons they come and they
- 36:21Speaker 1: check her out, they examine her to make sure she's
- 36:23Speaker 1: not pregnant, like they're they're so at the time, it
- 36:26Speaker 1: would have been like the quickening they're looking for, like
- 36:28Speaker 1: the bump, and this is kind of I mean, it's
- 36:31Speaker 1: just one more thing, which is like like it's one
- 36:34Speaker 1: last attempt at a get out of jail free card,
- 36:37Speaker 1: and unfortunately, there she is. She has a completely vacant woman,
- 36:43Speaker 1: I mean that we know of, because they deemed it
- 36:47Speaker 1: like from the quickening, which is like four months. I
- 36:50Speaker 1: think it's the quickening. Was it quickening? They called it
- 36:53Speaker 1: basically when you start to see the bump, you know,
- 36:56Speaker 1: when there's a definite sort of indication of something rowing
- 37:00Speaker 1: within the womb. So I mean like technically she could
- 37:03Speaker 1: have been pregnant, like very early on, like pre morning sickness,
- 37:08Speaker 1: pregnant depending on when the last time she actually spent
- 37:11Speaker 1: the night with her husband anyway, not important, but you know,
- 37:16Speaker 1: for all of becks and purposes, not pregnant. So Jene
- 37:18Speaker 1: She puts on the black dress that she had worn
- 37:21Speaker 1: to her trial, and she waits at the window and
- 37:24Speaker 1: watches as her husband walks towards his death. She watches
- 37:28Speaker 1: him surrounded by guards, sobbing as he walks towards the plinth,
- 37:34Speaker 1: and not long after, she watches the cart carry his bloody,
- 37:39Speaker 1: decapitated corpse backwards. Then it's time, so Jane walks to
- 37:45Speaker 1: the scaffold, arm in arm with her jailer, and she
- 37:48Speaker 1: is her like nurse and ladies and waiting like they're
- 37:54Speaker 1: in tears. There. They are crying behind her. They are
- 37:59Speaker 1: just greef stricken already, like they're just really massively upset
- 38:04Speaker 1: and they cannot contain and they cannot contain it right
- 38:08Speaker 1: waiting there is the abbot who promised to be there
- 38:10Speaker 1: with her, which is nice. So Jane stands in front
- 38:14Speaker 1: of the crowd and tells them that by law she
- 38:18Speaker 1: has come to die, and that she was guilty because
- 38:21Speaker 1: she took the throne, but that she was innocent because
- 38:25Speaker 1: she didn't want it. She asks the abbot to join
- 38:28Speaker 1: her in prayers, but he's too upset. He's so upset
- 38:33Speaker 1: he cannot actually pray with her. So she recites her
- 38:37Speaker 1: own prayers, and so the executioner he tries to help her,
- 38:41Speaker 1: like under her gown, and she's like, nope, I'll do
- 38:45Speaker 1: it myself. Thanks, So gets herself ready, disrobes as much
- 38:51Speaker 1: as the executioner kneels before her and apologizes and asks
- 38:56Speaker 1: for her forgiveness. She forgives him obviously, just Jane. So
- 39:01Speaker 1: she sees the block and he gets sort of standing
- 39:04Speaker 1: in front of it, and she's like, please tell me
- 39:07Speaker 1: it's going to be quick, and so she's worried that
- 39:10Speaker 1: it's not going to be fast, and she's worried that
- 39:12Speaker 1: she's not going to be knelt down in time before
- 39:16Speaker 1: the axe comes down. So, as per custom, Jane's eyes
- 39:20Speaker 1: have to be covered, so she blindfolds herself, but then
- 39:24Speaker 1: can't actually find the block with her hands, and she
- 39:28Speaker 1: just starts panicking because she's grasping the air. She's desperate
- 39:31Speaker 1: to find this block. She's trying to find, you know,
- 39:34Speaker 1: and she knows now that death is coming, Like she
- 39:38Speaker 1: can't see. She does know what's happening, she doesn't know
- 39:41Speaker 1: what it's going to feel, like all of those things
- 39:44Speaker 1: going through your head. It's just it's a fucking lot really,
- 39:48Speaker 1: so she's grabbing the air, she can't grab the block,
- 39:52Speaker 1: and she like cries and panic like what should I do?
- 39:55Speaker 1: Where is it? And then somebody or not entirely sure
- 39:58Speaker 1: her manages to like get her to the block. So
- 40:01Speaker 1: as she lays there on her head on the block,
- 40:03Speaker 1: Jane states, lowered into thy hands, I commend my spirit,
- 40:08Speaker 1: which is like the last words Jesus supposedly said. So
- 40:12Speaker 1: she says that, and then Axe comes down loves her
- 40:16Speaker 1: head off in one sort of one clean swoop, just
- 40:20Speaker 1: right down, one slice done. So the executioner lifts her
- 40:25Speaker 1: head up proclaims, behold the head of a traitor body.
- 40:29Speaker 1: So Guildford, his body was removed pretty sharpish, because you know,
- 40:32Speaker 1: Jane was next up on the chopping block. Like this
- 40:34Speaker 1: is very much an oo and also ick. But for me,
- 40:37Speaker 1: the seventeen year old girls half naked body was left.
- 40:43Speaker 1: It was just left on the scaffold for fucking hours
- 40:47Speaker 1: before she gets buried in the chapel. So, like car
- 40:50Speaker 1: and Guildford, they're buried on the north side of Tower Queen,
- 40:54Speaker 1: and like eleven days later, her dad is oh so
- 40:57Speaker 1: beheaded on Tower Hill and almost immediately her mother gets remarried,
- 41:05Speaker 1: She's like, get not by. She receives a fill pardon
- 41:09Speaker 1: from Mary, gets remarried, and like not only like lives
- 41:13Speaker 1: through Mary's reign, but also sees Elizabeth assent, but also
- 41:16Speaker 1: sees Elizabeth assent to the throne. So yeah, that is
- 41:20Speaker 1: the story of Lady Jane Pray the Nine Days Gleen.
- 41:24Speaker 1: I mean, that's fucking tragic whatever way you look at it,
- 41:27Speaker 1: like it's just awful, and you know what, but like
- 41:31Speaker 1: what's funny as well, is it's not just not funny haha.
- 41:34Speaker 1: But you know, Lady Jane's sisters also had quite tragic lives.
- 41:41Speaker 1: It's like a whole thing. It's just one thing after another.
- 41:45Speaker 1: It's like so much tom fuckeray, Like it's ridiculous. I mean,
- 41:50Speaker 1: I think I probably cover their stories in some bitysoides
- 41:53Speaker 1: because fuck me, it's so horrible, this shit that all
- 41:58Speaker 1: these women had to go through, and we're put through
- 42:01Speaker 1: by shitty men. So therein lies the story of Lady
- 42:06Speaker 1: Jane Gray, the Nine Days Queen. So what did we
- 42:11Speaker 1: learned today? We learned that historically men are shit and
- 42:18Speaker 1: that sometimes words aren't worth the paper they're quilled on.
- 42:22Speaker 1: I don't know, it's quilled a word. I feel like
- 42:25Speaker 1: quill is the you know what I mean written down.
- 42:27Speaker 1: I was gonna say printed on, but it would signd
- 42:30Speaker 1: And that Christian dog more really has a lot to
- 42:33Speaker 1: fucking answer for. Kind of weird to me that nobody
- 42:36Speaker 1: thought to mention that children are not responsible over the
- 42:39Speaker 1: sins of their fathers. Nobody thought to throw that in
- 42:42Speaker 1: there and be like, look, this is the Catholic way.
- 42:46Speaker 1: But anyway, fuck it, fuck it just shit they'row shit ah. AnyWho.
- 42:57Speaker 4: If you liked my telling of this story, feel free
- 43:00Speaker 4: to rate and review me five stars. I've recently moved networks,
- 43:05Speaker 4: so it actually really helps me now more so if
- 43:07Speaker 4: you're rate.
- 43:08Speaker 1: And review and say good things about me on Spotify,
- 43:11Speaker 1: Apple Podcasts, Google Podcasts, Good Pods, and other such areas
- 43:17Speaker 1: where podcasts are ranked. Also, if you like share me
- 43:22Speaker 1: on like socials like Instagram, Twitter or stuff like that,
- 43:25Speaker 1: more interaction, it really really fucking helps. It does so
- 43:29Speaker 1: much to help like promote this, which is good because
- 43:33Speaker 1: I want to make more of this and I want
- 43:35Speaker 1: to tell you more stories and I want to get
- 43:37Speaker 1: more bittysodes going. There was like a wonderful review that
- 43:40Speaker 1: somebody said was like history as it should be, and
- 43:45Speaker 1: I'm like, thank you. I respect you, like I want
- 43:50Speaker 1: to keep making stuff and I want to make more stuff.
- 43:52Speaker 1: I want time to make more stuff, you know, but
- 43:57Speaker 1: don't forget. You can follow me on the socials. You
- 44:00Speaker 1: will either find me under Who Did What Now? Pod?
- 44:03Speaker 1: Except where it's who did What Now? Pd? That being said,
- 44:06Speaker 1: my personal Twitter is actually so the is at history
- 44:10Speaker 1: Harlot and I regret nothing. So yes, you can always
- 44:14Speaker 1: support me on social media if you want to send
- 44:16Speaker 1: a tip. Tips are absolutely accepted through PayPal dot com
- 44:21Speaker 1: slash Who Did What Now? Pod? And it is recommendation
- 44:25Speaker 1: time reading. I am going to recommend The Dead Duke,
- 44:37Speaker 1: the Secret Wife and the Missing Corpse. It it's it's
- 44:42Speaker 1: one of those weird historical true crime things that just
- 44:46Speaker 1: absolutely it was. It took me a while to get
- 44:49Speaker 1: my head around it. I really enjoyed it. I love that.
- 44:52Speaker 1: I love that shit though. So for listening, I'm going
- 44:55Speaker 1: to recommend Rebel Robin Surviving Hawkins, a Strange Things podcast.
- 45:02Speaker 1: It's if you like stranger things, you might like it.
- 45:06Speaker 1: And for watching, go see Love and Thunder like that's it.
- 45:12Speaker 1: Love and Thunder more Taiga, just more Taiga and everything,
- 45:17Speaker 1: lots of Tiger, very much into Taig. You deserve this.
- 45:20Speaker 1: Treat yourself too, fun always. So I heard that there's
- 45:23Speaker 1: like a four hour version of the movie, which is
- 45:26Speaker 1: just like ridiculous silly jokes and stuff, and I would
- 45:32Speaker 1: absolutely watch that, not a doubt. And with that I
- 45:37Speaker 1: shall say goodbye and I will chat to you next time.
- 45:40Speaker 1: Adios or revoir of what is my friends A bye
- 45:44Speaker 1: bye