Latest / The Bald Brothers Podcast / 87: Top 10 Black Units of Measurement / Top 10 Spike Lee Moivies

Transcript

87: Top 10 Black Units of Measurement / Top 10 Spike Lee Moivies · The Bald Brothers Podcast

• 0:00
  Speaker 1: Yo, before we start the ball Brother's show, want to
• 0:02
  Speaker 1: let you know that we're gonna be in Tacoma no
• 0:04
  Speaker 1: Ober twenty second and twenty third.
• 0:05
  Speaker 2: Get your tickets now.
• 0:06
  Speaker 1: Cameo stage dot com and they Jackson's for a funny
• 0:08
  Speaker 1: comedy show Me and Tony into come and buy your tickets.
• 0:11
  Speaker 2: Show starts now.
• 0:12
  Speaker 3: So right now, I've been fasting for eighteen hours.
• 0:17
  Speaker 4: I'm eighteen in.
• 0:19
  Speaker 3: I turned my clock on last night at eight twenty
• 0:21
  Speaker 3: nine pm.
• 0:22
  Speaker 4: That's what I was doing.
• 0:27
  Speaker 2: What a fool?
• 0:28
  Speaker 1: He better not don't really will sit here for the
• 0:31
  Speaker 1: full six hours. I gotta oh, I'll be I'm pissing somebody.
• 0:37
  Speaker 4: I'll be paying.
• 0:41
  Speaker 2: I only had. This is all I had, though, Do
• 0:44
  Speaker 2: you have to be right now?
• 0:46
  Speaker 3: No?
• 0:47
  Speaker 4: I mean I could pee, but it's not like I
• 0:48
  Speaker 4: got to go peece.
• 0:49
  Speaker 2: That's what happened.
• 0:52
  Speaker 1: Man, I feeling on a plane. I don't even I would.
• 0:55
  Speaker 1: I wish I never had to get up. I wish
• 0:57
  Speaker 1: I never had to go to the that's me, Melissa,
• 1:00
  Speaker 1: be hour and a half, two hours left, having a hold.
• 1:04
  Speaker 4: I'll be good, I'll be hold.
• 1:06
  Speaker 1: I can't relax knowing I have to pee. I need
• 1:10
  Speaker 1: to get it out and she'd be like, that's the
• 1:13
  Speaker 1: whole thing.
• 1:14
  Speaker 4: You do. Be getting up a lot.
• 1:16
  Speaker 3: Every flight I've ever taken with you, I'll be seeing you, Moses.
• 1:21
  Speaker 4: Short.
• 1:22
  Speaker 2: The flight is we.
• 1:23
  Speaker 3: Can go from Indianapolis to Uh. I'll go to Indianapolis
• 1:30
  Speaker 3: to Detroit. He gonna go, he's gonna go to that
• 1:35
  Speaker 3: bathroom shuffled.
• 1:36
  Speaker 4: We could go.
• 1:37
  Speaker 3: From l A X to Birdbank. He gonna go to
• 1:40
  Speaker 3: the bad I'm gonna see him walk past, listen and
• 1:43
  Speaker 3: go up in that bathroom.
• 1:44
  Speaker 1: When I went to Dubai, we started drinking at the airport. Huh.
• 1:52
  Speaker 2: They bought you drinks.
• 1:54
  Speaker 4: I was drunk that flight.
• 1:56
  Speaker 1: No, I don't do drunk because I don't know what
• 2:00
  Speaker 1: would happen. I don't want to have to throw up,
• 2:02
  Speaker 1: throw up into an airport bathroom. I mean a plain bathroom.
• 2:05
  Speaker 1: I would die. But I was drinking champagne, so not
• 2:08
  Speaker 1: even tipsy. But you know, you drink, you're gonna pee. Yeah,
• 2:11
  Speaker 1: And they just kept bringing champagne. Champagne had soda is
• 2:14
  Speaker 1: in my thing on drinking me drink and said, I
• 2:17
  Speaker 1: peed thirty eight times thirty eight times. From here, it's
• 2:22
  Speaker 1: like a fifteen hour flight.
• 2:23
  Speaker 2: I just.
• 2:25
  Speaker 1: Pe all up and through that new bar. Took me
• 2:28
  Speaker 1: a shower and everything beat in there. You bet in
• 2:31
  Speaker 1: the shower, man, I was in the shower.
• 2:35
  Speaker 2: I wonder where this water is going.
• 2:40
  Speaker 4: I imagine the rest of the passagers.
• 2:44
  Speaker 3: They'd be serving the rest of the passangers the water
• 2:47
  Speaker 3: from your shower, would you like?
• 2:49
  Speaker 2: I was the only person who took a shower both times.
• 2:52
  Speaker 2: Nobody took a shower.
• 2:53
  Speaker 4: As pricey as that flight was. I'm taking a shower.
• 2:56
  Speaker 2: It's a really small shower, but it was super cool.
• 2:58
  Speaker 2: All right, what up, y'all? We to the bar b man.
• 3:00
  Speaker 2: My name is Tevin, his name is Tony. The Ball
• 3:06
  Speaker 2: Brothers Podcast.
• 3:07
  Speaker 1: By then you if now, if you don't know what
• 3:09
  Speaker 1: it is, too bad, watch the early episodes.
• 3:11
  Speaker 2: I'm not gonna give you a background check on us. Today.
• 3:16
  Speaker 1: We're starting off with top ten black units of measurement.
• 3:21
  Speaker 4: I struggle with this one. Did Yeah? I was like
• 3:24
  Speaker 4: you just a mession, oh man.
• 3:26
  Speaker 2: Because you you thinking too specific? Tone.
• 3:28
  Speaker 1: He could be a measurement of something of time. All
• 3:32
  Speaker 1: you got plenty. Okay, I'm gonna start off. You can't
• 3:36
  Speaker 1: tell you a swallow?
• 3:38
  Speaker 3: Okay, yeah, a swallow is nothing, Harlem not that's a tables.
• 3:44
  Speaker 1: You left the tables food of orange juice. Why you
• 3:46
  Speaker 1: didn't just finish it up? He ain't nothing but a swallow?
• 3:49
  Speaker 4: Swallow left?
• 3:50
  Speaker 2: How much is this a swallow? That's a sip.
• 3:53
  Speaker 3: Yeah, that's a sip. That's a swallow. Yeah, that's a table.
• 3:58
  Speaker 2: That's the table.
• 4:00
  Speaker 1: You can't We was kids. I don't know how y'all
• 4:02
  Speaker 1: grew over in our in our house. Whoever drank the
• 4:05
  Speaker 1: last of the kool aid.
• 4:06
  Speaker 4: Had to make it together, make the new badge.
• 4:08
  Speaker 1: My mam would be pissed off if you leave a
• 4:10
  Speaker 1: swallow in there. Yeah you ain't even nothing but ain't
• 4:13
  Speaker 1: enough for full coming, but swallow.
• 4:15
  Speaker 4: You setting the person for the fail. Now she knew it.
• 4:18
  Speaker 1: The benefit of last kool aid. You get a full cut, right,
• 4:21
  Speaker 1: then you gotta make a new cut.
• 4:23
  Speaker 3: Right.
• 4:23
  Speaker 1: I don't want to have to make it if I
• 4:24
  Speaker 1: can't get a fool because I didn't eat the refreshment.
• 4:27
  Speaker 1: Right now, that kool ain't been sitting there with a
• 4:29
  Speaker 1: swallow in it for six days. Because don't nobody want
• 4:31
  Speaker 1: to drink the last little bit? Because they gotta make it.
• 4:34
  Speaker 1: Get in there and make that my birth to like
• 4:38
  Speaker 1: seventeen years old. There was never not a kool Aid
• 4:41
  Speaker 1: picture in my refrigerator.
• 4:42
  Speaker 4: Man, kool Aid was life back in the eighties.
• 4:44
  Speaker 2: My kids have never made it.
• 4:46
  Speaker 4: Yeah, ain't kool ain't really just faded all.
• 4:48
  Speaker 3: What happened though, I don't know, but it was. It
• 4:51
  Speaker 3: was a It was a it was a part of
• 4:53
  Speaker 3: our lifestyle.
• 4:54
  Speaker 2: It was in house party, Yes, peanut was.
• 4:58
  Speaker 4: It was a sugarhracked who making the kool aid? Make
• 5:01
  Speaker 4: some kool aid?
• 5:02
  Speaker 3: Kool Aid was it was eternal. It was just like, yo,
• 5:07
  Speaker 3: we haven't dinner, where's the kool aid at?
• 5:09
  Speaker 1: Yes, it was in commercials. Kool Aid man was knocking
• 5:12
  Speaker 1: stuff down the kool Aid points was thing.
• 5:13
  Speaker 3: That's why we diabetic, All right, that's what That's where
• 5:24
  Speaker 3: we're out here.
• 5:24
  Speaker 4: Fight if I goddamn lives now.
• 5:27
  Speaker 1: So I'm going to Jersey. Mike's all right?
• 5:31
  Speaker 3: What you got told around the corner or like this
• 5:35
  Speaker 3: was around the corner could mean so many different things.
• 5:38
  Speaker 3: All it is is close, it's around the corner, but
• 5:42
  Speaker 3: in actuality it might be two corners.
• 5:44
  Speaker 4: It might be down the street. It might be around the.
• 5:47
  Speaker 1: Corner, around the corner, down the street. Their partners in crime.
• 5:52
  Speaker 1: Down the street could mean I'm in Louisville right now,
• 5:55
  Speaker 1: I'll be in La su Oh yeah, how close are
• 5:58
  Speaker 1: you up?
• 5:58
  Speaker 2: Right down there?
• 5:59
  Speaker 4: I'm right down this street.
• 6:00
  Speaker 2: Just ain't number down.
• 6:01
  Speaker 4: I live in San Francisco. They're down in l a
• 6:03
  Speaker 4: all you down the street?
• 6:04
  Speaker 2: Literally?
• 6:06
  Speaker 1: When I was talking to Toby about I was at
• 6:08
  Speaker 1: dream Con in Austin and Toby pulled up yeah, and
• 6:12
  Speaker 1: I was like, did you fly? It's like, no, man,
• 6:14
  Speaker 1: I'm just in Houston. This ain't number down the street.
• 6:17
  Speaker 4: This is a two and a half hour drive that's
• 6:19
  Speaker 4: down the street for this.
• 6:20
  Speaker 2: How long is the street? The street cannot include an
• 6:24
  Speaker 2: interstate streetway.
• 6:28
  Speaker 1: It shouldn't even be a freeway. It should be a
• 6:31
  Speaker 1: residential right, maybe some commercial on the way.
• 6:34
  Speaker 4: That's it.
• 6:34
  Speaker 1: But you go that if that street can take you
• 6:36
  Speaker 1: to another state, that's then you down the road.
• 6:39
  Speaker 3: Now you're playing. Now you're playing because it'd be like,
• 6:42
  Speaker 3: you know, how close are you? What's your et I'm
• 6:43
  Speaker 3: around the corner. That means you super.
• 6:46
  Speaker 2: Close or you just got in the shower, right, I'm
• 6:49
  Speaker 2: around the corner. It could be around a corner. I
• 6:57
  Speaker 2: could be shaving. I'm round the corner.
• 6:59
  Speaker 4: Right now.
• 7:00
  Speaker 2: Go look at your with you go see me.
• 7:02
  Speaker 4: Go look at you nothing.
• 7:04
  Speaker 2: I shaved my head.
• 7:05
  Speaker 4: You don't see me. I'm right there. Zoom in. Zoom in. Wait,
• 7:10
  Speaker 4: pull your phone out. Take a picture of what you're
• 7:12
  Speaker 4: looking at. Zoom in.
• 7:13
  Speaker 2: You'll see me.
• 7:14
  Speaker 3: Every time they hit you, I do not see you.
• 7:17
  Speaker 3: I'm around, I'm outside, I'm right there. I'm at the
• 7:20
  Speaker 3: door man.
• 7:20
  Speaker 1: Yeah, all right, I'm gonna go a tense okay, tints.
• 7:26
  Speaker 2: I remember my ground.
• 7:28
  Speaker 1: Grandma was trying to teach me how to mix something
• 7:30
  Speaker 1: on the phone when I have my first apartment, and
• 7:34
  Speaker 1: I was like, how much is this just a teens?
• 7:36
  Speaker 2: And I was like I had the thing with all
• 7:38
  Speaker 2: this stuff. I was like, how much is that? Boy?
• 7:40
  Speaker 1: It's a teen? Like not too much, but not not
• 7:42
  Speaker 1: a little. I was like, man, this is this is
• 7:45
  Speaker 1: not gonna not gonna take because the teen is not
• 7:49
  Speaker 1: nothing right, That's like, what what is a teens? It's
• 7:53
  Speaker 1: just you got to feel it now. She told me
• 7:56
  Speaker 1: she'd make me grits, put some salt on there.
• 7:58
  Speaker 2: How much?
• 7:58
  Speaker 1: Just just just when she said that, like, that's not
• 8:02
  Speaker 1: that's all you know?
• 8:03
  Speaker 2: Feel if you're learning how to cook, you don't feel it.
• 8:05
  Speaker 4: I feel you.
• 8:06
  Speaker 2: You know what I'm saying.
• 8:07
  Speaker 4: But then she told you what you needed. You just
• 8:09
  Speaker 4: want to take it in. I'm coming in with another.
• 8:12
  Speaker 3: Just splash, just a splash of hazelbut from barbershop. Just
• 8:19
  Speaker 3: a splash, my god, that's when you're dealing with the wet.
• 8:24
  Speaker 3: Just a splash, Just a splash of vanilla extract. Just
• 8:28
  Speaker 3: a splash, you know, yo, Yeah, just a.
• 8:31
  Speaker 2: Splash, slash. I'm gonna go fifty eleven.
• 8:34
  Speaker 4: No, that's the new one.
• 8:36
  Speaker 1: Fifty fifty eleven been around, Nah, I just said that
• 8:41
  Speaker 1: twenty years ago.
• 8:42
  Speaker 2: Fifty eleven times.
• 8:44
  Speaker 4: When a song that's from a song.
• 8:49
  Speaker 2: Now, I don't trust myself.
• 8:51
  Speaker 4: A little dad would do you, that's for sure. Dad,
• 8:54
  Speaker 4: what song is that?
• 8:54
  Speaker 2: What she says that? He says eleven times? Yeah, it's
• 8:58
  Speaker 2: not new, No is it? Burned? Btt John, Little John?
• 9:05
  Speaker 4: You ain't twins, net y'all are just naming people from
• 9:08
  Speaker 4: bag in the.
• 9:08
  Speaker 1: Day usher burned fifty eleven days, I'm ten hours. I'm
• 9:13
  Speaker 1: still burning til your bed. I did not know yet
• 9:17
  Speaker 1: days on eighty seven one.
• 9:19
  Speaker 4: That's on Confessions.
• 9:20
  Speaker 1: Oh so that's what two thousand and three four two
• 9:23
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• 11:07
  Speaker 1: responsoring the podcast not back to the show. Yeah so,
• 11:11
  Speaker 1: but but fifty eleven existed prior to Yes this is.
• 11:17
  Speaker 2: News to me. Get below fifty eleven. Yeah, yin yang
• 11:25
  Speaker 2: twin fifty Yes. And now the Four Confessions, wasn't it?
• 11:31
  Speaker 5: Yes?
• 11:31
  Speaker 4: That was that was before Windows to the Wall.
• 11:35
  Speaker 2: Two thousand and two. Yep. It's southern. Yeah, Tony from Chicago.
• 11:39
  Speaker 4: He know I'm not from the South.
• 11:40
  Speaker 2: That's the great migration. You are somebody.
• 11:42
  Speaker 4: I'm Southern connected, but I'm not from.
• 11:44
  Speaker 2: The sah fifty eleven, fifty eleven. What you got?
• 11:48
  Speaker 4: Okay? I got?
• 11:49
  Speaker 1: Uh?
• 11:50
  Speaker 4: Two lights?
• 11:51
  Speaker 2: Two lights? Like what is that?
• 11:54
  Speaker 4: Traffic lights that far away? Two lights down that way?
• 11:58
  Speaker 2: Hilarious.
• 11:59
  Speaker 4: They always give you the lights about two lights down.
• 12:01
  Speaker 1: I remember at the bank, I was talking to white
• 12:04
  Speaker 1: person and she said she was from town that was
• 12:08
  Speaker 1: so small. They were like, uh, when you pass my house,
• 12:13
  Speaker 1: when you pass the general store, my house is about.
• 12:16
  Speaker 2: Three songs down.
• 12:17
  Speaker 4: Oh wow. And I was like songs.
• 12:19
  Speaker 1: She was like, most songs are three to four minutes.
• 12:22
  Speaker 1: If you listen to about three three songs, you'll be.
• 12:25
  Speaker 2: At my house.
• 12:25
  Speaker 4: That's that's good.
• 12:26
  Speaker 2: I said, I don't want to, but what songs were talking?
• 12:29
  Speaker 2: That's what I said.
• 12:30
  Speaker 4: She was just like, he gonna throw off the anniversary.
• 12:37
  Speaker 2: Oh my god, that song is like eight nine minutes.
• 12:42
  Speaker 4: Then triumph.
• 12:44
  Speaker 3: Yeah, let's go get you there, all right, I'm gonna go.
• 12:50
  Speaker 3: Then a mug, okay, it's hotter than the cold.
• 12:54
  Speaker 4: In the mud.
• 12:56
  Speaker 2: She was batter than a mug.
• 12:59
  Speaker 3: I don't even know where the mug is, but it's
• 13:02
  Speaker 3: more than that. There's golden the mug out. Think what
• 13:07
  Speaker 3: mug is always on the losing end. Mug is always
• 13:11
  Speaker 3: losing in the in the mug. Then a mug is
• 13:14
  Speaker 3: so good.
• 13:15
  Speaker 4: It's boring in the mug in there?
• 13:17
  Speaker 2: Man, even was it like vandom like I'd be loving.
• 13:22
  Speaker 1: I would love a linguist and or historian the town
• 13:26
  Speaker 1: where this came from, because then the mug is one
• 13:29
  Speaker 1: word d E E N A m u g And
• 13:33
  Speaker 1: if you cuss, it's.
• 13:35
  Speaker 4: You know, hopping the mug. And then a gang of them,
• 13:39
  Speaker 4: a gang. There's a gang of A gang is good.
• 13:43
  Speaker 4: There was a gang of them in there. That's a
• 13:46
  Speaker 4: black means it was a lot boy.
• 13:49
  Speaker 3: There's a gang of them. Yes, it's a gang of
• 13:51
  Speaker 3: people in there. Man, you told me it wasn't gonna
• 13:53
  Speaker 3: be packed. There's a gang of people in there. Man,
• 13:56
  Speaker 3: wouldn't know where to say you had in the line. Oh,
• 13:57
  Speaker 3: it's a gang of people in front of me, Damn man.
• 14:00
  Speaker 3: And you know it when somebody says a gang of
• 14:03
  Speaker 3: you know that's hard hitting. Yeah, how many people from here?
• 14:07
  Speaker 3: It's a gang of people in front of.
• 14:08
  Speaker 2: Me, all messed up.
• 14:10
  Speaker 4: You don't make it. Yeah, yeah, I'm at the DMV. Man,
• 14:13
  Speaker 4: it's a gang of people from.
• 14:14
  Speaker 2: I love that. That's a good one. I'm gonna go.
• 14:17
  Speaker 2: We on the West Coast, I'm gonna go. Hella.
• 14:20
  Speaker 1: Okay, Hella is very Bay Area coded Seattle, Tacoma. We
• 14:25
  Speaker 1: took a lot of our slang from the Bay Area. Yeah,
• 14:29
  Speaker 1: we even try to call to Comba the town. It
• 14:31
  Speaker 1: was just like, that's not come on, guys, come on.
• 14:35
  Speaker 1: You know Oakland is yeah, you know, no t tag man,
• 14:39
  Speaker 1: no man.
• 14:40
  Speaker 2: Stop. But she got hella bread, hella bad.
• 14:45
  Speaker 1: I think my son said hello one time and I
• 14:46
  Speaker 1: couldn't decide that he was customer and he was just
• 14:48
  Speaker 1: from California.
• 14:49
  Speaker 4: It was hellas Helen. I was like, Hella man, hell
• 14:53
  Speaker 4: coat hello people down there.
• 14:55
  Speaker 2: Hell, I'm gonna letter. I'm letting go all right, what
• 14:57
  Speaker 2: you got.
• 14:58
  Speaker 4: Off the top?
• 14:59
  Speaker 3: Off the Yeah, off the top that means early quick
• 15:05
  Speaker 3: and you're gonna hit this one street off the top,
• 15:07
  Speaker 3: and then you can you go back fast off the top.
• 15:12
  Speaker 4: Man. They came in fussing off the top.
• 15:14
  Speaker 2: My god, that's funny. All right.
• 15:17
  Speaker 1: I'm gonna go a minute or a hot minute, okay,
• 15:22
  Speaker 1: because I ain't seen to in a hot minute.
• 15:24
  Speaker 4: In a hot minute, yeah, that means it's been a minute,
• 15:29
  Speaker 4: a hot minute.
• 15:30
  Speaker 2: Who it could be ten years.
• 15:32
  Speaker 4: That's when you really had.
• 15:33
  Speaker 3: I ain't seen you in a minute. It's been not
• 15:35
  Speaker 3: a fact, it's been a hot minute since I seen you.
• 15:39
  Speaker 2: Oh it has been.
• 15:43
  Speaker 3: Just that one little that one little timperature. It's been
• 15:46
  Speaker 3: a hot, hot minute. Don yeah, hazard yes, hot minute.
• 15:54
  Speaker 4: That's all I got, man, that's all you got. I
• 15:55
  Speaker 4: didn't have much.
• 15:56
  Speaker 1: What is another? Good Sundays for black as a brick
• 16:04
  Speaker 1: is good, real quick, real quick is good. Grip Oh,
• 16:10
  Speaker 1: this that and the third, this that and the third.
• 16:13
  Speaker 1: I said to Melissa yesterday, she said, where a third
• 16:15
  Speaker 1: coming in? I said, you know, we like literation, we're
• 16:17
  Speaker 1: big fans of that.
• 16:19
  Speaker 3: And the third just in case because we're doing this
• 16:22
  Speaker 3: that and the third because you know it's always a third.
• 16:25
  Speaker 4: It's three.
• 16:32
  Speaker 2: That's good all right man? Yeah, all right? Next up?
• 16:38
  Speaker 2: Top ten Spike lead movies. This is tough. I think
• 16:44
  Speaker 2: you're first on this one. Oh where are you?
• 16:48
  Speaker 4: Yeah, because I didn't do the measurement first, top ten
• 16:52
  Speaker 4: Spike lead first.
• 16:53
  Speaker 2: So just go ahead, and I might not Okay, go ahead,
• 16:56
  Speaker 2: I might not.
• 16:57
  Speaker 4: All right, do the right thing you did. I know
• 17:01
  Speaker 4: what you're going with.
• 17:03
  Speaker 3: Do the right thing, because I feel like do the
• 17:05
  Speaker 3: right thing was he had arrived before then, but I
• 17:09
  Speaker 3: feel like do the right thing is the one that
• 17:12
  Speaker 3: really shifted things for his career in terms of impact effect.
• 17:19
  Speaker 3: It was just like it was just a movement, and
• 17:22
  Speaker 3: you know, it resonated so hard outside of the black
• 17:26
  Speaker 3: community because it was looking racism square in the face. Yeah,
• 17:30
  Speaker 3: because as before, he had school days and we talked
• 17:32
  Speaker 3: about the conflict between light skinned dark skin, talking about that,
• 17:37
  Speaker 3: but that's still very like yeah, yeah in the white side,
• 17:40
  Speaker 3: they're still not looking over there and watch out and
• 17:43
  Speaker 3: she's got to have It was about you.
• 17:45
  Speaker 4: Know, female empowerment, owning her sexuality. But do the right thing.
• 17:49
  Speaker 4: That's when it's like, look, you can argue that.
• 17:52
  Speaker 1: I think you can make a good argument that that's
• 17:54
  Speaker 1: his magnum opus, because it is. It's probably to me
• 17:57
  Speaker 1: the most quintessential Spike Lee movies. Yeah, Like if I
• 18:00
  Speaker 1: was like, somebody's like, who's Spike Lee? That that is
• 18:05
  Speaker 1: Spike Lee. That is I mean everything else is obviously
• 18:09
  Speaker 1: Spike Lee. But like this is like he was a
• 18:12
  Speaker 1: not a rivet but uh, going away from it. But
• 18:15
  Speaker 1: do the Right Thing is the most it's original.
• 18:18
  Speaker 3: It's like you know what I'm saying, Malcolm, Yeah, for sure,
• 18:22
  Speaker 3: exactly has to be because Malcolm X was based on
• 18:24
  Speaker 3: somebody else's life, based on the book about somebody.
• 18:28
  Speaker 4: But do the right thing. That is.
• 18:32
  Speaker 1: Almost an tours approach to filmmaking, Like no other director
• 18:36
  Speaker 1: can make do the right things. Only somebody else could
• 18:39
  Speaker 1: make Malcolm X. Yeah, right, but nobody can make do
• 18:43
  Speaker 1: the right thing. People's got Malcolm X. Probably still a
• 18:46
  Speaker 1: good movie, but he do do the right thing. You be, like,
• 18:49
  Speaker 1: I don't know why he might not.
• 18:52
  Speaker 2: I'm saying so yeah, speaking of Malcolm X, it was
• 18:56
  Speaker 2: gonna be one of those two pig.
• 18:59
  Speaker 4: Is fine.
• 19:00
  Speaker 1: I go back and forth with Malcolm X and ray
• 19:03
  Speaker 1: as the best biopick I've ever seen. Uh, And I
• 19:10
  Speaker 1: read with Malcolm X's biography out of Biography, and it
• 19:16
  Speaker 1: was amazing how much of it is in the movie,
• 19:19
  Speaker 1: you know, but it's also so culturally like get your
• 19:21
  Speaker 1: hand out of my pocket.
• 19:22
  Speaker 2: We still say that.
• 19:24
  Speaker 4: To me.
• 19:25
  Speaker 1: It's one of Denzel's top five performances. As he was,
• 19:30
  Speaker 1: he was the introduction of Malcolm X to a lot
• 19:33
  Speaker 1: of us, for sure. That's the first thing I knew
• 19:36
  Speaker 1: about him, actually, I believe, not even for sure.
• 19:40
  Speaker 4: And he made Malcolm X so relevant again to like
• 19:44
  Speaker 4: people that might not have known.
• 19:45
  Speaker 3: It was just like it was it was a wave.
• 19:47
  Speaker 3: Everybody had the X hats all of this and like,
• 19:50
  Speaker 3: this is a real person. Was going crazy crazy looking
• 19:55
  Speaker 3: out the window with the assault rifle and Malcolm Malcolm
• 19:59
  Speaker 3: is one of my people to yeah, the actual Malcolm X,
• 20:04
  Speaker 3: because I feel like he just represented a human being
• 20:09
  Speaker 3: that stood, that stood for something much larger than himself.
• 20:13
  Speaker 3: But he was he was flawed, he had he had
• 20:15
  Speaker 3: to shaky pass. He reformed himself Detroit read he reformed himself.
• 20:21
  Speaker 3: And then even on the you know, reformation, and then
• 20:24
  Speaker 3: he's in the Nation of Islam and then you know,
• 20:27
  Speaker 3: even within that he has another transformation and it was
• 20:30
  Speaker 3: just like to see all of that human being, it
• 20:33
  Speaker 3: was just like, Yo, this dude is human like changing,
• 20:36
  Speaker 3: changing his way of thinking, changing his philosophy, not not
• 20:39
  Speaker 3: once but numerous times, growing, evolving, and it was just
• 20:43
  Speaker 3: like that man right there.
• 20:46
  Speaker 4: He was only thirty nine years man, young man.
• 20:49
  Speaker 2: Like sometimes when you look at Malcolm X and Martin, Martin.
• 20:52
  Speaker 4: Laurs, Martin Steve Harvey, dal Hughley, you look.
• 20:58
  Speaker 1: At Malcolm X, Martin King and how young they were
• 21:02
  Speaker 1: when they died, I'd be like, I didn't.
• 21:03
  Speaker 2: I haven't done.
• 21:04
  Speaker 1: No, I ain't done ship many they have done stuff.
• 21:08
  Speaker 1: They are relevant today, will always be relevant always.
• 21:11
  Speaker 2: And I'm going to Jersey Mikes. You going to Jersey Mikes.
• 21:14
  Speaker 2: That's it, man.
• 21:15
  Speaker 1: We never we never gonna measure up to I made
• 21:17
  Speaker 1: some videos and some stuff and these people are like
• 21:21
  Speaker 1: they are ingrave. No, but everybody has their part of
• 21:23
  Speaker 1: the story. But you know what I'm saying, Martin Llowynce,
• 21:25
  Speaker 1: he made a great show.
• 21:27
  Speaker 3: And you feel you feel Malcolm because you know, as
• 21:30
  Speaker 3: much as we honor Martin Luther King and his approach
• 21:33
  Speaker 3: to civil rights and you know the movement. And I
• 21:36
  Speaker 3: never considered Martin Luther King solved by any means, but
• 21:41
  Speaker 3: Malcolm X was that side of the coin.
• 21:43
  Speaker 4: That's in a lot of us like now, man, fuck.
• 21:45
  Speaker 2: That, yeah, fuck you, fuck that. He also to think
• 21:51
  Speaker 2: about Malcolm X that I like in other stuff. I
• 21:56
  Speaker 2: love him, like the movie One Night in Miami.
• 22:01
  Speaker 3: He was so good for the Harlem get out of
• 22:04
  Speaker 3: my mind every time, every time, fantastic.
• 22:08
  Speaker 2: God Father Harlem.
• 22:09
  Speaker 3: I love the dude that play. He's great there, he
• 22:12
  Speaker 3: is amazing and d When Mario van Peebles was Malcolm
• 22:18
  Speaker 3: that little relationship right there, I was. I was fully
• 22:21
  Speaker 3: invested every Timelcolm every time. I love Malcolm and his
• 22:26
  Speaker 3: memory and his legacy.
• 22:27
  Speaker 2: Absolutely, yeah, hell yeah, all right, you're up.
• 22:33
  Speaker 4: All right.
• 22:37
  Speaker 2: This is my personal pick, and that's what this podcast
• 22:40
  Speaker 2: is for.
• 22:41
  Speaker 1: You ain't got a piece of people watching. They got
• 22:43
  Speaker 1: their own movies.
• 22:43
  Speaker 4: They like Clockers is one of my favorite.
• 22:47
  Speaker 1: I wanna take a quick break from the show to
• 22:49
  Speaker 1: talk about one of our sponsors, kick Off Ink. When
• 22:51
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• 24:48
  Speaker 1: the show.
• 24:48
  Speaker 3: Fike Lee Movies hands down, if not my favorite, I
• 24:51
  Speaker 3: haven't seen that. Clockers is is based on the novel
• 24:55
  Speaker 3: by Richard Price, but it's about a murder and the
• 24:59
  Speaker 3: suspect is is this drug dealing kid and the cops
• 25:03
  Speaker 3: is on his neck and so everything unravels from there.
• 25:08
  Speaker 3: They're in the projects in Brooklyn and Clockers to me
• 25:12
  Speaker 3: is just a fire movie topped the bottom. It's stressful,
• 25:15
  Speaker 3: it's a lot going on, it's colorful. I like the
• 25:17
  Speaker 3: way it looks. I like the cinematography on it, and
• 25:22
  Speaker 3: I was just compelled all the way throughout the movie.
• 25:24
  Speaker 3: He's got a nice little twist on it. And that
• 25:27
  Speaker 3: was my introduction to Makai Pfeiffer. Isaiah Washington was fantastica
• 25:31
  Speaker 3: and Keith David is in it, John Taturo and Harvey
• 25:35
  Speaker 3: cottail delivered. They gonna deliver, and it was just like,
• 25:40
  Speaker 3: I don't know, it just felt real and it just
• 25:42
  Speaker 3: felt like, Yo, this is this is dope. And that
• 25:44
  Speaker 3: was that was really when Delroy Lindo registered for me,
• 25:49
  Speaker 3: even though he was in he was in Crookland, but
• 25:52
  Speaker 3: his role and uh in Clockers, it was just like
• 25:57
  Speaker 3: he was scary but he was warm at the same Yeah. Yeah,
• 26:00
  Speaker 3: lay So clack Is is definitely one of my favorite
• 26:03
  Speaker 3: Spike Lee joints.
• 26:04
  Speaker 4: Got it.
• 26:04
  Speaker 2: I'm gonna go now. Let me qualify this with saying
• 26:07
  Speaker 2: one of the performances is the worst performance and I
• 26:09
  Speaker 2: hate it. He got game. Oh, I love the movie.
• 26:14
  Speaker 1: Ray Allen Godo dog man God, that's what makes it
• 26:19
  Speaker 1: even better. He is, but Spike that in the movie
• 26:25
  Speaker 1: for ray Allen to miss a shot, he would have
• 26:27
  Speaker 1: to tell him to miss.
• 26:27
  Speaker 2: Yeah.
• 26:28
  Speaker 1: He was like, if he shot, it's going in. But
• 26:31
  Speaker 1: Denzel big big state. Yeah great you but Na Denzel,
• 26:41
  Speaker 1: he hit that dude.
• 26:43
  Speaker 3: He hit him in the throat with the first Yeah,
• 26:47
  Speaker 3: why he choked down and then he finished them off.
• 26:50
  Speaker 2: I loved him. But Denzel was so good in that movie.
• 26:53
  Speaker 1: And I just I was playing a lot of basketball
• 26:55
  Speaker 1: at that time, and I wanted to get recruited, and
• 26:57
  Speaker 1: I wanted some of the things that happened to me
• 26:58
  Speaker 1: that happened to Ray Allen. But that didn't happen at
• 27:02
  Speaker 1: you know, Pine Valley College.
• 27:04
  Speaker 2: Division four.
• 27:06
  Speaker 1: That's when I was getting cooked by that white dude.
• 27:08
  Speaker 1: He crossed me so bad. Told I remember on time
• 27:10
  Speaker 1: of Williams, I got dunked on. Big white dude dunked
• 27:15
  Speaker 1: on me over and over. I said, let me guard
• 27:17
  Speaker 1: the guard. This white boy was cooked.
• 27:22
  Speaker 2: I'm over here, he I said, man and missus Division three.
• 27:28
  Speaker 1: The band came out of the bed. Was like, this
• 27:32
  Speaker 1: came out and the boys was going to town. I
• 27:34
  Speaker 1: said this same for me.
• 27:36
  Speaker 4: You realize this other avenue, you.
• 27:38
  Speaker 2: Know what I am funny, I should do that.
• 27:43
  Speaker 1: And then I went to college and Nate Robinson and
• 27:45
  Speaker 1: Will Conroy and Brandon Royan played for the team.
• 27:48
  Speaker 2: I would have tried out for Oh wow, nigga, that's
• 27:51
  Speaker 2: not me.
• 27:52
  Speaker 5: Brandon Roy, Nate Robinson, Real Conroy, Trey Simmons, and regular
• 27:59
  Speaker 5: white dude cooks me at Pine Valley College Community.
• 28:03
  Speaker 2: Nate Robinson would have broke my arm. Don't ball with
• 28:07
  Speaker 2: it and broke my arm. Brandon roy might have be
• 28:11
  Speaker 2: in a Hall of Famer if he didn't get hurt.
• 28:12
  Speaker 2: For sure, he was that good.
• 28:14
  Speaker 4: Had the intention for sure.
• 28:16
  Speaker 2: Bro Kobe and playing he played against Kobe Bryant. What
• 28:19
  Speaker 2: you want me to do? Trying to play center? Move boy.
• 28:25
  Speaker 2: There's levels to it, Chris.
• 28:28
  Speaker 4: Levels, for sure.
• 28:30
  Speaker 3: I'm gonna go school days, school days. When I first saw,
• 28:35
  Speaker 3: you know, I was a kids.
• 28:36
  Speaker 4: College. What are they talking about?
• 28:39
  Speaker 3: As I got older and you know, went to college
• 28:42
  Speaker 3: and stuff like that, and you know, dealt more in
• 28:44
  Speaker 3: depth with you know, did that kind of be within
• 28:47
  Speaker 3: the black community?
• 28:48
  Speaker 4: Light skinned? Dark Skin?
• 28:50
  Speaker 3: I was just like, this movie is tremendous and they
• 28:52
  Speaker 3: had great songs, great great cast. That movie is fantastic, man,
• 28:57
  Speaker 3: And I feel like the movie is it's still relevant,
• 29:01
  Speaker 3: It's still dope, great message, great delivery.
• 29:05
  Speaker 4: It's fantastic.
• 29:08
  Speaker 1: I'm gonna go inside Man. This is the most right
• 29:14
  Speaker 1: movie to me, but it's still I mean, he did
• 29:17
  Speaker 1: you give you the shot, He gives you the visuals
• 29:19
  Speaker 1: of Spiken, give you the visuals, the story material, and
• 29:23
  Speaker 1: the approach was like, yeah, I feel like Spike, Spike.
• 29:28
  Speaker 2: Was doing over here.
• 29:29
  Speaker 3: Here's what I noticed that was very Spike within the movie.
• 29:32
  Speaker 3: His visual his usual tracking shot. He gonna give you that.
• 29:37
  Speaker 3: He used the same cinematographer that he had been using
• 29:40
  Speaker 3: in previous films, and he I could tell Spike Lee
• 29:46
  Speaker 3: made sure this film felt very New York.
• 29:50
  Speaker 2: Yeah.
• 29:50
  Speaker 3: Yeah, from how the people were talking, like when they
• 29:53
  Speaker 3: were interrogating people, I was like, Yo, this feels mad
• 29:56
  Speaker 3: New York. And so Spike Lee has always had the
• 29:59
  Speaker 3: gift of making New York feel like a character in
• 30:02
  Speaker 3: his movies. So those are the elements where you you
• 30:06
  Speaker 3: could be you could watch that going in not knowing
• 30:08
  Speaker 3: who directed it and be like, is this a Spike
• 30:12
  Speaker 3: Lee Joe? Once you see that shot, that shot don't
• 30:14
  Speaker 3: come in until later on. Once you see the shot, that's.
• 30:22
  Speaker 5: Yeah.
• 30:22
  Speaker 4: Inside Man is dope, dope. I love it. I'm gonna
• 30:26
  Speaker 4: go crookling.
• 30:27
  Speaker 3: Yeah, Crookland was a good time, shows us a family
• 30:31
  Speaker 3: in Brooklyn, New York. I'm invested in the whole dynamics.
• 30:34
  Speaker 3: I be liking like family dynamics like that when that
• 30:37
  Speaker 3: dog popped about that and god damn couch bed situation
• 30:43
  Speaker 3: when Queeny was dead, My god, and that lady carried
• 30:48
  Speaker 3: on like that.
• 30:50
  Speaker 2: I saw that one way late, but I liked it.
• 30:52
  Speaker 2: Alfred Wood, yeah.
• 30:54
  Speaker 4: Delroy Lindo. Yeah, and that movie Man Brooklyn is a
• 31:00
  Speaker 4: good time.
• 31:01
  Speaker 2: Yeah, I like that joint. All right, I'm gonna go
• 31:03
  Speaker 2: Jungle Fever okay, Yeah, good movie and also like kind
• 31:10
  Speaker 2: of like do the right thing.
• 31:11
  Speaker 1: I don't remember, I'm not a matter of fact, almost certain,
• 31:13
  Speaker 1: but no movie I had watched had touched on that
• 31:17
  Speaker 1: subject before like that like that, like because it was raw,
• 31:22
  Speaker 1: big raw, It.
• 31:23
  Speaker 2: Was raw, And I feel like people still say Jungle
• 31:26
  Speaker 2: Fever to this day.
• 31:27
  Speaker 4: We hear did that come out two ninety one one? Oh? Yeah?
• 31:31
  Speaker 2: See I was eight. Yeah that really should probably should
• 31:33
  Speaker 2: have been watching, you know what I'm saying.
• 31:36
  Speaker 3: Yeah, it was ninety one, summer ninety one that came
• 31:39
  Speaker 3: out and it did well at the box office.
• 31:42
  Speaker 2: Is one of his more successful killing Sam Jackson in there.
• 31:47
  Speaker 4: Sam Jackson, halle Berry's intro Asie Davis and Ruby d
• 31:52
  Speaker 4: You know he always gonna use them.
• 31:53
  Speaker 1: He's gonna put him in. Yeah, man, he gonna put
• 31:55
  Speaker 1: him in. But no, I really enjoyed that movie. I
• 31:59
  Speaker 1: feel like, yeah, that was to me, Spikes. I don't
• 32:02
  Speaker 1: want to say, heyday, but he's made up. He's made
• 32:06
  Speaker 1: a good movie every decade, Like the nineties was he
• 32:09
  Speaker 1: like stamped that forty acres and the mule was.
• 32:12
  Speaker 2: Oh man, because it was cement here.
• 32:14
  Speaker 4: Because he did school days in eighty eight do the
• 32:17
  Speaker 4: right thing.
• 32:18
  Speaker 3: In eighty nine he comes around the corner, he does uh,
• 32:22
  Speaker 3: he does Mobeta Blues and ninety Jungle Fever, next one
• 32:27
  Speaker 3: Jungle Fever.
• 32:27
  Speaker 4: Yeah, Malcolm X. Yeah, I mean bruh. He was.
• 32:33
  Speaker 1: That's why he can go to all the Knicks games now. Yeah,
• 32:35
  Speaker 1: because he did his homework.
• 32:36
  Speaker 3: He was killing though that little that little run right there,
• 32:41
  Speaker 3: Jungle Fever. Jungle Fever was so unsettling on the interracial
• 32:47
  Speaker 3: dating front and the family drug addiction front.
• 32:49
  Speaker 2: Yeah, it was unserd like you this is raw. Yeah.
• 32:53
  Speaker 3: You got the racist Italians in New York and then
• 32:56
  Speaker 3: the black folks are racist as well. Yeah, it was
• 33:00
  Speaker 3: just everything that was going on. It was just like damn,
• 33:03
  Speaker 3: and then you got a father killing his own son.
• 33:07
  Speaker 2: It was very heavy.
• 33:08
  Speaker 4: It was heavy.
• 33:09
  Speaker 1: Dog.
• 33:10
  Speaker 4: I was like, God, damn, man, very heavy. Give us
• 33:13
  Speaker 4: a chance.
• 33:17
  Speaker 2: You're up.
• 33:18
  Speaker 4: I should steal your next pick.
• 33:19
  Speaker 2: Don't you dare do it? Don't you dare? Let you
• 33:23
  Speaker 2: have it because you gotta I know, you gotta listen.
• 33:25
  Speaker 4: I'm gonna go twenty fifth hour with Edward Norton.
• 33:28
  Speaker 2: That's I don't think I saw that one. That's departure
• 33:32
  Speaker 2: that clocks.
• 33:34
  Speaker 4: It's it came out like I want to say, two
• 33:36
  Speaker 4: thousand and three or four.
• 33:39
  Speaker 2: I didn't see that one.
• 33:40
  Speaker 3: Sorry.
• 33:41
  Speaker 4: It's a good, well made film about uh.
• 33:44
  Speaker 3: Edward Norton's like, you know, he's in the life of crime,
• 33:46
  Speaker 3: but he's trying to get out and this is his final.
• 33:48
  Speaker 4: Day or whatever.
• 33:49
  Speaker 3: But it's a good story. It's a kind of departure
• 33:52
  Speaker 3: from the usual Spikey vibe.
• 33:55
  Speaker 4: But it's dope though.
• 33:56
  Speaker 1: Yeah, No Better Blues is the one Tony was trying
• 33:59
  Speaker 1: to steal. Part of this for me, first of all,
• 34:02
  Speaker 1: was seven when this came out. This is one of
• 34:04
  Speaker 1: the movies my aunt had in her collection and I
• 34:07
  Speaker 1: just watched it all the time, and I remember that
• 34:10
  Speaker 1: probably is my first Nzel movie, yeah, because it was
• 34:14
  Speaker 1: what ninety that was ninety ninety.
• 34:17
  Speaker 2: So when did Glory come out?
• 34:19
  Speaker 4: Eighty nine?
• 34:20
  Speaker 1: Okay, I definitely saw My Better Blues first, I know,
• 34:22
  Speaker 1: I saw Glory later. Saw Glory in school actually, which I.
• 34:26
  Speaker 4: Think we watched in school.
• 34:28
  Speaker 2: Yeah, uncut, Like I didn't see it in theaters.
• 34:32
  Speaker 4: I saw it in school.
• 34:32
  Speaker 2: Yeah, I saw it in school. I remember being like, dang,
• 34:35
  Speaker 2: this is crazy. Yeah, they were showing that to children.
• 34:39
  Speaker 3: Man.
• 34:40
  Speaker 2: But My Better Blues I remember, I just thought it
• 34:42
  Speaker 2: was so cool and live. He dntel gots lit busted
• 34:44
  Speaker 2: and I was like, he can't play that, he can't
• 34:46
  Speaker 2: play the Wong with that. He couldn't do it.
• 34:51
  Speaker 4: You just realized, damn.
• 34:52
  Speaker 3: And it introduced you into a world that you wasn't
• 34:55
  Speaker 3: privy to, like jazz musicians be doing it.
• 34:58
  Speaker 1: And the movie had the blue hughey a lot of times,
• 35:01
  Speaker 1: you know what I'm saying. I ain't know about no
• 35:03
  Speaker 1: color correction at that time, but I remember thinking like, oh,
• 35:05
  Speaker 1: this is no Better and Blue.
• 35:08
  Speaker 2: I can see it. But no, I love that movie.
• 35:11
  Speaker 2: I love the performance from from Denzel.
• 35:12
  Speaker 1: And also Spike's a solid actor in those little movies,
• 35:15
  Speaker 1: that little roles.
• 35:17
  Speaker 4: He's like a quirky type of actor, but he'd be
• 35:19
  Speaker 4: pulling it off. He pulled it off. And Milcolm, he
• 35:22
  Speaker 4: pulled it off a little bit of blues. He pulled
• 35:24
  Speaker 4: it off and do the right thing.
• 35:25
  Speaker 2: And all the commercials. Michael Jordan mars Black.
• 35:28
  Speaker 3: And he's always so weird in himself, but it's just
• 35:31
  Speaker 3: like he serves the roles he's playing the character.
• 35:36
  Speaker 1: Yeah, he's just But even when you see him on
• 35:38
  Speaker 1: the side at the I mean the courtside of its games,
• 35:41
  Speaker 1: he'd be having like orange glasses.
• 35:43
  Speaker 2: So it don't seem that far from possibility that, yeah.
• 35:48
  Speaker 4: This is who he is everything. So that's ten. That
• 35:51
  Speaker 4: should be ten.
• 35:51
  Speaker 2: That is ten.
• 35:52
  Speaker 1: I'm just gonna say, girl six trash No No, I
• 35:56
  Speaker 1: mean as a film, yes, as a child.
• 35:59
  Speaker 4: Oh yeah, I was like the beginning, I know exactly
• 36:02
  Speaker 4: what you're talking about.
• 36:04
  Speaker 3: Why did my aunt have I know exactly what you're
• 36:06
  Speaker 3: talking I was like, mana ha killed it on the soundtrack,
• 36:10
  Speaker 3: but Teresa around them beginning, I was not expecting that.
• 36:17
  Speaker 4: I was not ready for that moment. In Time, The Cups,
• 36:22
  Speaker 4: The Cups.
• 36:24
  Speaker 2: I was not.
• 36:26
  Speaker 3: It, but I got the same. I hated that movie
• 36:29
  Speaker 3: as a child, I said, I hated that Moviemen. Spike
• 36:34
  Speaker 3: me got some stinkers.
• 36:35
  Speaker 1: But but you know what he absolutely does and I
• 36:40
  Speaker 1: want to do this to him on this episode. But boy,
• 36:43
  Speaker 1: I hated Red Hook Summer.
• 36:45
  Speaker 4: Oh Man.
• 36:45
  Speaker 1: I ordered something else on red Box, and Red Hook
• 36:49
  Speaker 1: Summer came. I was like, oh, this is Spike Lee movie.
• 36:53
  Speaker 2: Boy. I didn't go back to red Box for four
• 36:57
  Speaker 2: months because I was like, this happened again.
• 36:59
  Speaker 4: I'm lose my mind.
• 37:01
  Speaker 2: I want to say I like Miracle. Say that because
• 37:03
  Speaker 2: I like war movie. When the levees broke.
• 37:07
  Speaker 4: Oh, we're talking documentaries. I ain't even know. I'm not
• 37:10
  Speaker 4: I just want to saystic.
• 37:12
  Speaker 1: I cried so hard. I learned so much about Hurricane
• 37:16
  Speaker 1: Contria from that document.
• 37:18
  Speaker 3: Him is a documentary filmmaker for Little Girls When the
• 37:21
  Speaker 3: levees broke, He's fantastic.
• 37:23
  Speaker 2: I cried.
• 37:25
  Speaker 1: I didn't realize as a person who's not from New Orleans,
• 37:29
  Speaker 1: I just thought it was like a natural disaster, which
• 37:31
  Speaker 1: it was, but there was so much more to it
• 37:35
  Speaker 1: than that that could have prevented it. That made the
• 37:39
  Speaker 1: rescue efforts worse. I learned so much from that, the
• 37:42
  Speaker 1: way black people were, why they didn't leave, Like it
• 37:45
  Speaker 1: ain't just we don't want to leave, you know, if
• 37:48
  Speaker 1: he watched the news, it's just we don't want to leave.
• 37:50
  Speaker 2: And the levees broke. We don't even know what that.
• 37:53
  Speaker 2: But he was like Noah, Army Corps, engineers and all that.
• 37:57
  Speaker 2: I was like them.
• 37:58
  Speaker 1: People ain't stand no chance. I got this placed from
• 38:01
  Speaker 1: New Orleans. Rebecca was from New Orleans, born, raised.
• 38:05
  Speaker 4: The same hand with the head girls.
• 38:06
  Speaker 1: Who made no different. God that made the food. Even
• 38:11
  Speaker 1: though she lives in she lived. She moved to Houston
• 38:15
  Speaker 1: for a while, and she moved past we're.
• 38:17
  Speaker 4: Going when we're going to visit because that food.
• 38:19
  Speaker 1: Was Bob Brothers fane just so please. She been right
• 38:23
  Speaker 1: that high of you loving that food when I mean
• 38:28
  Speaker 1: and what.
• 38:28
  Speaker 4: He said, that food was so good. Everything she made good,
• 38:32
  Speaker 4: I couldn't stop. Oh.
• 38:35
  Speaker 1: She made vegan versions of all the She made a
• 38:38
  Speaker 1: vegan regular dressing, vegan dressing for toe regularness, vegan version
• 38:43
  Speaker 1: of toe.
• 38:44
  Speaker 2: Putting the puting toes. Look, this is for me. She
• 38:48
  Speaker 2: had all set to the side. For him.
• 38:50
  Speaker 4: It was dirty, right, So I was in heaven that day.
• 38:54
  Speaker 4: I was I ain't never gonna forget this.
• 38:56
  Speaker 2: You know what else? She said to go to Dressey Minx,
• 38:59
  Speaker 2: Man watch you.
• 39:00
  Speaker 3: I want to do an honorable mention on Spike Lee,
• 39:02
  Speaker 3: though I could low key replaced Twenty fifth Hour with this,
• 39:05
  Speaker 3: but since you know, he directed Original Kings of Comedy,
• 39:10
  Speaker 3: so I feel like he forgot that he did even
• 39:16
  Speaker 3: though it's not technically a Spike Lee joint. Nah, he directed,
• 39:21
  Speaker 3: I didn't need I knew that for a moment. I
• 39:23
  Speaker 3: remember seeing it be like, that's a Spike Lee joint,
• 39:27
  Speaker 3: kind of the sort. The shot ain't there, though, the
• 39:30
  Speaker 3: shot is not there, so that's why I'm leaving it
• 39:33
  Speaker 3: like in the it could very well be.
• 39:35
  Speaker 4: Up in here.
• 39:35
  Speaker 2: I remember seeing the VCR case Spike all right, man bye,