Latest / Club 520 Podcast / Club 520 - Cyhi The Prynce on working with Kanye West, Travis Scott, NBA Finals picks

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Club 520 - Cyhi The Prynce on working with Kanye West, Travis Scott, NBA Finals picks · Club 520 Podcast

• 0:01
  Speaker 1: The volume.
• 0:05
  Speaker 2: Shout out to Boost Mobile, official sponsor of Club five
• 0:08
  Speaker 2: to twenty, and they back again and let y'all know
• 0:10
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  Speaker 1: Wireless It's a permanent price with no contracts or no
• 0:19
  Speaker 1: price hikes.
• 0:20
  Speaker 2: Listen, ed, you can keep your phone and your own
• 0:22
  Speaker 2: phone number that you had previously and saved up to
• 0:25
  Speaker 2: six hundred dollars a year by switching over to Boostsmobile.
• 0:28
  Speaker 3: Stop overpaying and pay a fair price at boosmobile dot com.
• 0:31
  Speaker 2: Based on average single line payment of AT and T,
• 0:34
  Speaker 2: Verizon NT mobile customers, compares to twelve months on the
• 0:37
  Speaker 2: boost Mobile Unlimited plan as of January twenty twenty six.
• 0:40
  Speaker 2: For full offer to tell us, visit boosmobile dot com.
• 0:43
  Speaker 2: All right, man, we backed another episode of Club five
• 0:46
  Speaker 2: to twenty podcasts. I'm your host Minamy is DJ W Wells
• 0:48
  Speaker 2: brought you by a boost Mobile. Hey, listen, man in
• 0:50
  Speaker 2: May is going up boost Mobile five twenty. You gotta
• 0:53
  Speaker 2: collapse aside. Hi, You've been around a long time, brother,
• 0:55
  Speaker 2: I know you had a next deal.
• 0:56
  Speaker 4: Chirp back in the day for Showskiwoski had them on
• 0:59
  Speaker 4: fucker jump who thank god.
• 1:04
  Speaker 1: Off phone calls by the way, either. But you know
• 1:06
  Speaker 1: I had Boost. Don't get mad at me.
• 1:09
  Speaker 5: I had my rigged up through a company.
• 1:12
  Speaker 4: Never paid the bill five years. Because what you need, buddy,
• 1:18
  Speaker 4: I'm on the way. Wait wait, thank you boost mobile.
• 1:21
  Speaker 4: That like a forrestick in the first jail break, first jailer,
• 1:27
  Speaker 4: get people's undergger.
• 1:29
  Speaker 5: For five year.
• 1:30
  Speaker 1: Cle I got the hook up for shore shout we need,
• 1:35
  Speaker 1: by the ways, give us the recipe for show.
• 1:37
  Speaker 2: Oh yeah, for sure, I got you shouts of hard rock.
• 1:40
  Speaker 2: Bet Man be here playoff time? Last get you paid?
• 1:42
  Speaker 2: I hire you a bet man. You tapped in the
• 1:43
  Speaker 2: sports bet.
• 1:44
  Speaker 5: Man, I ain't really on I bet it on Charlotte
• 1:48
  Speaker 5: this year.
• 1:49
  Speaker 4: Brother, we're supposed to go to the finals.
• 1:52
  Speaker 5: Are you that nigga? That eleven?
• 1:55
  Speaker 4: I mean, I ain't gonna bet. I ain't gonna bet
• 1:58
  Speaker 4: on Boston or nothing. I'm gonna go with something that's
• 2:01
  Speaker 4: gonna give me some paper a million. Yes, we got
• 2:12
  Speaker 4: sabotaged by the coach. We'll talk about that.
• 2:15
  Speaker 1: We're gonna talk about But listen, if you're making the
• 2:17
  Speaker 1: futures on the hornets, please call the hot line below.
• 2:20
  Speaker 2: Value yourself and your money. Man, shout toast, keep us
• 2:22
  Speaker 2: fresh and it set as well. We got a special
• 2:25
  Speaker 2: guest in the building as usually you know, introduced him
• 2:27
  Speaker 2: last my far left. We got my dog Bishop be
• 2:30
  Speaker 2: hearing out the prail least. How you what nasty, Let's
• 2:32
  Speaker 2: get to it.
• 2:33
  Speaker 5: My guy is your sir? Yes, sir, the whole.
• 2:35
  Speaker 2: Lot to talk about for sure. Long time coming to
• 2:37
  Speaker 2: my right. We got my dog young natch your young tig.
• 2:39
  Speaker 2: How you what, chilling, bro We already had some debass
• 2:42
  Speaker 2: for the pile game. I can't hear those debase, but
• 2:44
  Speaker 2: about to be a fun pile.
• 2:45
  Speaker 1: Yeah, for sure we might snitch on air man. We
• 2:48
  Speaker 1: ain't gon to that, you know to heal legend and
• 2:51
  Speaker 1: the gonna keep it that way.
• 2:52
  Speaker 2: Appreciate speaking legend of a man we in the ass
• 2:55
  Speaker 2: only right. We got our dog in the building man,
• 2:57
  Speaker 2: the man behind some of your favorite songs and the
• 2:59
  Speaker 2: man who made one of my favorite albums of all time,
• 3:01
  Speaker 2: dope on. Come on Sunday, ye sure the real right now? Man,
• 3:06
  Speaker 2: it's how to press in the building, big dollar. Appreciate
• 3:08
  Speaker 2: you yourself. I appreciate y'all for having me. Man, I
• 3:11
  Speaker 2: appreciate y'all for having Yeah, we got a whole I talk.
• 3:15
  Speaker 2: I got crack it off though, Kick it off. What
• 3:17
  Speaker 2: we're doing for your money?
• 3:18
  Speaker 5: Bro?
• 3:18
  Speaker 1: That's one of my favorite songs. That first verse. Bro,
• 3:21
  Speaker 1: oh man, that's one of the most epic verses. Boy
• 3:24
  Speaker 1: shot my boy feel that show back to back to
• 3:28
  Speaker 1: back that versus fucking crazy?
• 3:30
  Speaker 5: What was going through your mom when you did that? One? Man?
• 3:33
  Speaker 4: That album was like, Man, you know, I tried to
• 3:36
  Speaker 4: like do something to kind of sum up my childhood, like, well,
• 3:40
  Speaker 4: like my teenage is is just being on some I
• 3:44
  Speaker 4: was a part of some ship I was supposed to
• 3:46
  Speaker 4: be a part of, and I was just like, how
• 3:48
  Speaker 4: can I like make a capsule of it and kind
• 3:51
  Speaker 4: of make it an experience but also have some lessons
• 3:55
  Speaker 4: in it.
• 3:55
  Speaker 5: So I guess that whole album I was just in
• 3:59
  Speaker 5: that mind frame.
• 4:00
  Speaker 4: I had to kind of like take myself back to
• 4:01
  Speaker 4: that time and all the lessons I learned and things
• 4:05
  Speaker 4: that I went through during that time.
• 4:06
  Speaker 2: I just put it in, put it in lyrics. You
• 4:09
  Speaker 2: say that to you because my favorite song on the album,
• 4:11
  Speaker 2: it's on my own boys too. It's closer. Oh yeah,
• 4:14
  Speaker 2: example crazy like you were really wrapping your life on
• 4:17
  Speaker 2: that bit. You feel that shit?
• 4:19
  Speaker 4: Yeah yeah, I mean that's kind of like been my
• 4:22
  Speaker 4: whole thing. Like I can't even write it if it
• 4:25
  Speaker 4: ain't about me or like it's close to me, you
• 4:29
  Speaker 4: know what I'm saying, No pun attendance. So I think, yeah,
• 4:33
  Speaker 4: that whole project was just a reflection of right before I,
• 4:38
  Speaker 4: you know, got in the music industry. It was just
• 4:40
  Speaker 4: like how I just kind of just you know, went
• 4:43
  Speaker 4: cold turkey in the street and just kind of fully
• 4:46
  Speaker 4: focused on my career and you know what I mean,
• 4:49
  Speaker 4: and my blessings and my talent that I had.
• 4:52
  Speaker 1: People say that a lot of times they pursue their
• 4:54
  Speaker 1: dreams leave alone, but like, how did you make that
• 4:56
  Speaker 1: type of a transition, because obviously, know what I'm saying,
• 4:58
  Speaker 1: it was a littleuccessful to feel at first, and then
• 4:59
  Speaker 1: you just like, fuck, I got to chance some music.
• 5:01
  Speaker 5: It's up. I mean, because I always wanted to do
• 5:04
  Speaker 5: music before anything.
• 5:05
  Speaker 4: I just thought, to me, I've always thought the streets
• 5:08
  Speaker 4: was like I was disappointed.
• 5:09
  Speaker 5: I was in the streets, Like how the fuck did
• 5:11
  Speaker 5: I get here?
• 5:12
  Speaker 4: You know what nigga be like excited to be there.
• 5:16
  Speaker 4: I'd be like I had man I was. I was
• 5:20
  Speaker 4: really an athlete growing up, so if varsity and two small,
• 5:24
  Speaker 4: I was a varsity in track in football, so I
• 5:27
  Speaker 4: was on that and then I got kid out of school,
• 5:29
  Speaker 4: kind of dropped out after that, and then it was
• 5:32
  Speaker 4: just a shit pick up a pack and then after
• 5:34
  Speaker 4: that my life just you know, whirld win, jail shootouts,
• 5:38
  Speaker 4: all types of foolishness. So I was just like, man,
• 5:41
  Speaker 4: what can I do? And then my buddy had a
• 5:43
  Speaker 4: studio in this in his garage. Yeah, so I just
• 5:48
  Speaker 4: went in there and just kind of was like really
• 5:50
  Speaker 4: just wrapping my frustration as a I was only fifteen sixteen,
• 5:54
  Speaker 4: so yeah.
• 5:55
  Speaker 3: When year did you start like taking it rap SERI
• 5:58
  Speaker 3: stuff like, oh I really got some my can.
• 6:00
  Speaker 5: Do something with this?
• 6:01
  Speaker 4: Oh I think I had to be like almost like
• 6:07
  Speaker 4: I always took well, I started rapping when I was young,
• 6:11
  Speaker 4: so I had to be like ninth grade kind of vibe.
• 6:14
  Speaker 4: But then like three years after that, four years after that,
• 6:18
  Speaker 4: I was like on five just like throughout the industry.
• 6:21
  Speaker 4: So I just started when they started putting them numbers
• 6:23
  Speaker 4: on the table with them zeros, I was like hold
• 6:25
  Speaker 4: up now, and I was just like, shit, okay, I
• 6:28
  Speaker 4: could take this serious now.
• 6:30
  Speaker 2: Hell yeah, they say, you know what I'm saying. He
• 6:31
  Speaker 2: was on the field where the position you play. I
• 6:33
  Speaker 2: played tailback and receiver. You know what I'm saying with him?
• 6:38
  Speaker 5: I was him.
• 6:39
  Speaker 4: I always tell people that my where I grew up at,
• 6:43
  Speaker 4: I had a my Before I went to high school.
• 6:46
  Speaker 4: I played my little league team seventeen win d one
• 6:49
  Speaker 4: like a leon. Went to the league and I was
• 6:52
  Speaker 4: the countain. So I played with Reggie Ball, Craig Lunk
• 6:56
  Speaker 4: and all them. So yeah, yeah, yeah, we was we was.
• 7:01
  Speaker 4: We were cold. So shout out to talland from the East
• 7:04
  Speaker 4: side of Atlanta. Yeah, you have some offers. I mean,
• 7:07
  Speaker 4: I was supposed to go to Georgia. Georgia was crew
• 7:10
  Speaker 4: me in the ninth grade.
• 7:13
  Speaker 5: With him.
• 7:13
  Speaker 1: Yeah.
• 7:13
  Speaker 5: I went to Junior Olympics twice. I'm I with him,
• 7:16
  Speaker 5: bro respect So you know what I'm saying.
• 7:18
  Speaker 4: I know the sports sh I'm here here like from
• 7:23
  Speaker 4: here to like.
• 7:24
  Speaker 5: Let y'all you know what was in the Olympics. Ain't
• 7:31
  Speaker 5: got no bars about there yet. Man, you ain't flexed out.
• 7:34
  Speaker 4: I mean, you know what I'm saying. Varsity of two sports.
• 7:36
  Speaker 4: My representation receded me. You know what I mean, it
• 7:39
  Speaker 4: was real. I was I was him on that for sure.
• 7:43
  Speaker 5: Man now about around a little bit.
• 7:45
  Speaker 2: But like your sound being from Atlanta, it's totally different
• 7:47
  Speaker 2: than what you would expect from somebody to quote unquote
• 7:49
  Speaker 2: be from Atlanta.
• 7:50
  Speaker 5: How did you get your sound of? What did you
• 7:51
  Speaker 5: grow up listen to? Well?
• 7:53
  Speaker 4: I couldn't really grow up listening around. So like I
• 7:56
  Speaker 4: heard rapped, like in like the club already seen, you know,
• 8:00
  Speaker 4: trips like ball we were just party to that.
• 8:03
  Speaker 5: But I ain't. I couldn't listen to rap in the house.
• 8:06
  Speaker 4: So I was just I ain't had no music with
• 8:09
  Speaker 4: my parents listened to gospel or jazz or whatever. That's
• 8:12
  Speaker 4: why I could listen to But I didn't get my
• 8:15
  Speaker 4: first CD.
• 8:17
  Speaker 5: I had a.
• 8:20
  Speaker 4: I had to do to my neighborhood. He loved rap
• 8:22
  Speaker 4: and he was like from New I think he might
• 8:24
  Speaker 4: have been from New York, New Jersey or something. And
• 8:27
  Speaker 4: the first CD he gave me was reasonable doubt, and
• 8:31
  Speaker 4: I was like, God, who is it? Then I started
• 8:34
  Speaker 4: getting into nas and I started I just he just
• 8:37
  Speaker 4: put me on a bunch of East Coast niggas.
• 8:38
  Speaker 5: And then what happened. Let me tell you what really happened.
• 8:41
  Speaker 4: I was in high school and we had an influx
• 8:44
  Speaker 4: of uh, you know, East Coast New York dudes moving
• 8:47
  Speaker 4: to Atlanta. So they would have these little ciphers at
• 8:50
  Speaker 4: the end of the hallway and they used to embarrass
• 8:53
  Speaker 4: all my buddies that was from Atlanta. And like one
• 8:56
  Speaker 4: summer I was just upset with them. Then I think
• 8:58
  Speaker 4: at the end of the school I just one of
• 9:00
  Speaker 4: them just destroyed one of my potlots. I'm like, you
• 9:02
  Speaker 4: know what, Nixy, I'm gonna come back. I'm gonna get
• 9:05
  Speaker 4: this nigga the business. So after that, I just went
• 9:08
  Speaker 4: home that summer just you know, start working on some shit.
• 9:11
  Speaker 4: Right I came to school, I'm flaming. So I just
• 9:15
  Speaker 4: say after that, when I destroyed all the New York
• 9:17
  Speaker 4: dudes in my school, I knew I had.
• 9:19
  Speaker 5: So damn that's crazy. You go for your first say
• 9:21
  Speaker 5: you listen to a reasonable doubt.
• 9:22
  Speaker 2: To being on the song with him and low Key Washington,
• 9:25
  Speaker 2: Yeah Wash, And I freestyled that like a lot of
• 9:28
  Speaker 2: people don't know.
• 9:29
  Speaker 5: I ain't. I wanted to expect to be on that song.
• 9:31
  Speaker 5: Oh he was just in the studio. I was just
• 9:33
  Speaker 5: in the studio. I was bored.
• 9:35
  Speaker 4: He asked me to write the hook on saw Paul,
• 9:37
  Speaker 4: so I was just like, I'm just give him a
• 9:40
  Speaker 4: little hook. And then after that, I was telling the engineer, like,
• 9:42
  Speaker 4: move me to the eight minute mark because the song
• 9:45
  Speaker 4: was only like the lyrics stopped at like a minute
• 9:48
  Speaker 4: and a half. So I told him to put me
• 9:50
  Speaker 4: at the eight minute mark so I could just get
• 9:52
  Speaker 4: my little freestyle off. And he heard it like two
• 9:56
  Speaker 4: months later because he was playing for jay Z and
• 10:00
  Speaker 4: Beyonce and he didn't press stop on the beat so
• 10:03
  Speaker 4: that the.
• 10:04
  Speaker 5: Song still playing in pro toue.
• 10:05
  Speaker 4: Then my verse just come in and then Ship Beyonce
• 10:08
  Speaker 4: was like, whoever that is, you need to sign them.
• 10:10
  Speaker 4: So that's how that's how it started. That was your
• 10:14
  Speaker 4: first shot that was not not into the industry, but
• 10:18
  Speaker 4: working with ya you know, it was my first thing.
• 10:20
  Speaker 4: But I had deals with I used to work with.
• 10:24
  Speaker 4: I was signed by Jazzy Faye back in the day
• 10:26
  Speaker 4: when I was in the group. Then I worked with
• 10:28
  Speaker 4: A Coon for a second. Then after that, that's when
• 10:30
  Speaker 4: I linked up with A Yeah.
• 10:33
  Speaker 1: You telling me you freesed out that verse bro, God
• 10:35
  Speaker 1: had power on the playlist. That was just on your spirit.
• 10:39
  Speaker 5: It might have took me about yeah, it might have
• 10:41
  Speaker 5: just took me five minutes. Kind of that's crazy, damn
• 10:45
  Speaker 5: bro getting up.
• 10:46
  Speaker 4: That's why I was kind of like I wanted him
• 10:48
  Speaker 4: to let me go in and really, but I was like, if.
• 10:50
  Speaker 5: You already like you it, just go with it. So
• 10:53
  Speaker 5: sh it was that dude? That was it?
• 10:55
  Speaker 4: I don't care how good? Yeah, yeah for sure. Show
• 11:00
  Speaker 4: that's my burgo sister. So you know what it is.
• 11:06
  Speaker 5: I looked at I look at the clean what time?
• 11:10
  Speaker 4: I mean, I mean, we know, you know the Knicks
• 11:12
  Speaker 4: in the hair, you know the Nicks and the Hawks
• 11:15
  Speaker 4: when nisk okay he fucking wrestled. Okay, oh he wrestled. Okay, okay, cool,
• 11:23
  Speaker 4: all right, what you got. But we need you need
• 11:25
  Speaker 4: people like you and the crew, So we appreciate you.
• 11:28
  Speaker 4: We appreciate that.
• 11:29
  Speaker 3: How is that being part of that good music group?
• 11:31
  Speaker 5: Bro? Like at first I was like that first year, No,
• 11:36
  Speaker 5: it was the first. It was. It was cool when
• 11:38
  Speaker 5: we first it was camaraderie.
• 11:40
  Speaker 4: Man was the to me, that was the craziest moment
• 11:44
  Speaker 4: in hip hop kind of vibe because It's like it
• 11:46
  Speaker 4: was almost like we was the Power Rangers of like
• 11:49
  Speaker 4: Captain Planet. So you know what I'm saying, we all
• 11:55
  Speaker 4: just came together and then I mean it was really
• 11:58
  Speaker 4: a learning to me. I always tell people like, I
• 12:03
  Speaker 4: don't like to say this, why I gotta say this,
• 12:05
  Speaker 4: because it's just like my truth. By the time I
• 12:07
  Speaker 4: met Holmes, I kind of gave up on WRAP. I
• 12:12
  Speaker 4: was just happy to be out the street at that
• 12:13
  Speaker 4: point because it was just like I had, you know,
• 12:17
  Speaker 4: growing up, I was signed to like some street dudes,
• 12:19
  Speaker 4: So a lot of my early opportunities I wanted to have,
• 12:23
  Speaker 4: I couldn't really get it all the way done because
• 12:27
  Speaker 4: people that was affiliated. It was kind of like making
• 12:30
  Speaker 4: the record labels nervous and shit like that. So by
• 12:33
  Speaker 4: time I kind of just got all that out the
• 12:35
  Speaker 4: way and you know, got through the Akon situation, the
• 12:39
  Speaker 4: cap situations. It was just like by the time me
• 12:42
  Speaker 4: the genuine nigga, it was just like, bro, what you
• 12:44
  Speaker 4: need me to bring in coffee?
• 12:45
  Speaker 5: Character bags? I'm like, you know on that and this point,
• 12:48
  Speaker 5: you know what I mean. So everything after that was
• 12:51
  Speaker 5: just like I was just some service man.
• 12:55
  Speaker 2: You was around for so much, even that situation, like
• 12:57
  Speaker 2: RB the Brgil Like you was around for that, Yere
• 13:00
  Speaker 2: tell people that don c Era.
• 13:01
  Speaker 5: It was such a creative area.
• 13:02
  Speaker 2: You got to witness all of that and what was
• 13:04
  Speaker 2: that like even not even thought about music.
• 13:06
  Speaker 4: Man, all of them was just super creative, bro, I
• 13:09
  Speaker 4: mean it was, it was. It was amazing to see.
• 13:12
  Speaker 4: Like I was there when they created the Nike. Uh,
• 13:15
  Speaker 4: I forget which one that one, the one with the
• 13:17
  Speaker 4: glowing the gray woman and the black one. Yeah, yeah,
• 13:22
  Speaker 4: both of them, the first Fault, the first Adidas, all
• 13:27
  Speaker 4: that I was there for. But I always tell people,
• 13:30
  Speaker 4: man like that was really yay.
• 13:33
  Speaker 5: Bro.
• 13:34
  Speaker 4: His his his taste level and his style and just
• 13:38
  Speaker 4: he just you know, radiates that kind of energy throughout
• 13:42
  Speaker 4: the room. It's just and you know he he bringing
• 13:44
  Speaker 4: in the most swagged out shit ever. Like for him
• 13:48
  Speaker 4: to make one shoe, he might go thrifting around the
• 13:52
  Speaker 4: world twice and bring in I would say, three thousand
• 13:56
  Speaker 4: pair of shoes to make one shoe, Damn, Like, don't
• 14:00
  Speaker 4: go to get every shoe from Japan to Australia.
• 14:03
  Speaker 5: Bring that in the room. Like Okay.
• 14:05
  Speaker 4: I like the soul of that, I like the shoe
• 14:07
  Speaker 4: strings on that I don't like the tongue on that,
• 14:09
  Speaker 4: but I like the fabric on that tongue cut that,
• 14:12
  Speaker 4: you know what I mean. Like he was on that
• 14:14
  Speaker 4: that level of thinking. So just to be able to
• 14:16
  Speaker 4: see that process throughout all that with all them guys,
• 14:19
  Speaker 4: it was it was just it was cool.
• 14:21
  Speaker 5: Yeah, that lineup was crazy. Man, You shine, changes.
• 14:24
  Speaker 2: Around, pushes around like y'all really was a rap Superheroes too,
• 14:29
  Speaker 2: and is it not won't shine the spher at all?
• 14:30
  Speaker 4: Absolutely not, especially not me, you know what I mean,
• 14:34
  Speaker 4: especially not me fact fire.
• 14:37
  Speaker 5: Yeah, have my dog on there in the world.
• 14:43
  Speaker 4: Yeah, oh yeah, yeah, No, I mean here llegit man, Robert.
• 15:00
  Speaker 5: The show for the show.
• 15:04
  Speaker 4: That's a classics all whatever. It was a crazy is
• 15:08
  Speaker 4: super work hard? Make you to the studio to see
• 15:16
  Speaker 4: the sound?
• 15:18
  Speaker 5: No, it don't sound. They got no sound too, their
• 15:22
  Speaker 5: motherfucker music, mother fucking not. It's not there for sure,
• 15:30
  Speaker 5: you know, stupid.
• 15:32
  Speaker 1: Is it easier working on music for yourself or is
• 15:34
  Speaker 1: it easier working on helping the team project?
• 15:40
  Speaker 4: I would say myself, but to me, it's to me,
• 15:43
  Speaker 4: it's just creativity. So I'm cool with it either way,
• 15:45
  Speaker 4: you know what I'm saying. Maybe when I work on
• 15:48
  Speaker 4: stuff with other people.
• 15:49
  Speaker 5: They they ain't.
• 15:50
  Speaker 4: They they don't like to take as many risks as
• 15:53
  Speaker 4: I would like some artists to take.
• 15:55
  Speaker 5: You know what I'm saying.
• 15:55
  Speaker 4: So you know, people kind of just go with will work.
• 15:59
  Speaker 4: But me, I'm for myself. I feel like I can
• 16:02
  Speaker 4: just be you know, creative as possible.
• 16:05
  Speaker 5: Yeah, do you.
• 16:06
  Speaker 3: Pick those people like yourself or like the industry bring
• 16:10
  Speaker 3: them to you song for this person?
• 16:12
  Speaker 4: Yeah, they come to me, but I don't. I don't
• 16:14
  Speaker 4: work with all of them. If you ain't. If you ain't,
• 16:18
  Speaker 4: I'm an a list kind of guy, and as somebody
• 16:20
  Speaker 4: who like really want to be you know, want to
• 16:23
  Speaker 4: have somebody to kind of bounce ideas off of. But
• 16:26
  Speaker 4: you know what I mean, if you ain't that I
• 16:27
  Speaker 4: really ain't. I ain't really ain't doing nothing with you
• 16:30
  Speaker 4: for sure?
• 16:31
  Speaker 5: So you didn't wrote whole songs for people, like the
• 16:33
  Speaker 5: whole songs half a song, you know what I'm saying.
• 16:35
  Speaker 5: They didn't. They didn't they do bar for bar.
• 16:40
  Speaker 1: Yeah, that ship like when you hear it and like
• 16:44
  Speaker 1: somebody like fucking with the song like, yeah, that ship cold.
• 16:46
  Speaker 1: Do you ever feel like, come on, bro, that ain't you.
• 16:53
  Speaker 4: Because it's a process I learned from Yay that I
• 16:56
  Speaker 4: do whereas I make myself have to you know, I
• 17:00
  Speaker 4: need to be around the artists for at least two
• 17:02
  Speaker 4: to two weeks two a month, you know what I'm saying,
• 17:06
  Speaker 4: just to be able to like know what you own,
• 17:08
  Speaker 4: kind of know your vibe, what's your process, how you
• 17:12
  Speaker 4: I want to meet your parents, your girlfriend, Like, I
• 17:14
  Speaker 4: need to know what you own. So when I write it,
• 17:17
  Speaker 4: it don't sound like it's my verse. It sounds like
• 17:20
  Speaker 4: something you over. You know what I'm saying. So I
• 17:23
  Speaker 4: like to try to, like, you know, gather that information
• 17:26
  Speaker 4: prior to going into the studio and working on something
• 17:29
  Speaker 4: for artists.
• 17:30
  Speaker 1: What's the song that you were in the studio that
• 17:32
  Speaker 1: came about? Is you was like, oh this is the one?
• 17:34
  Speaker 1: All this is crazy? Uh?
• 17:39
  Speaker 4: Two was Father Stretch and Sick on Mold hey man,
• 17:44
  Speaker 4: We shout out to Metro. We were just in Vegas
• 17:47
  Speaker 4: and Metro play that as an opening song in his
• 17:49
  Speaker 4: set and everybody in the club lost they fucking mind.
• 17:52
  Speaker 2: And I you know what I'm saying, I'm gonna say
• 17:54
  Speaker 2: it for you. The person who had the hardest vers
• 17:56
  Speaker 2: in this song should have been on that song and
• 17:58
  Speaker 2: it's just human because my hands its fucking praise.
• 18:02
  Speaker 5: It's not that.
• 18:04
  Speaker 4: Noah, oh for real, Yeah, damn I did that in
• 18:08
  Speaker 4: the car. I mean, I know somebody stripped off the internet.
• 18:12
  Speaker 4: Damn nah that Yeah, you know it's crazy, bro. It's
• 18:16
  Speaker 4: like I tell people this all the time, Like I've
• 18:21
  Speaker 4: been to ship for so long. When my verse get
• 18:26
  Speaker 4: ticking off a song, I don't even trip, Damn, I
• 18:30
  Speaker 4: got a I got a problem.
• 18:32
  Speaker 5: Bro.
• 18:33
  Speaker 4: It's like when you've been that niggas in kindergarten. It'd
• 18:35
  Speaker 4: be like, Bro, I'm gonna put big Sean on the
• 18:38
  Speaker 4: little bit rap on it, man, you know what I mean.
• 18:45
  Speaker 4: Like I've been nah, literally been famous for twenty years.
• 18:49
  Speaker 4: I've been famous for twenty years too, you know what
• 18:53
  Speaker 4: I mean. So I just never had.
• 18:54
  Speaker 5: That, you know what I mean?
• 18:57
  Speaker 4: Right here for show. I'm want tone fans too, nas.
• 19:01
  Speaker 4: I meant I tell you a non story. I tell
• 19:03
  Speaker 4: the story. I was in a cipher and a dude came,
• 19:09
  Speaker 4: you know, I was I was rapping and I was
• 19:12
  Speaker 4: this dude was teaching me how to rap.
• 19:14
  Speaker 5: And he's the first person I ever heard.
• 19:17
  Speaker 4: You know, back then, it wasn't no end of that
• 19:20
  Speaker 4: or that, So we learned how to rap learning other
• 19:23
  Speaker 4: people raps.
• 19:24
  Speaker 5: You get what I'm saying.
• 19:25
  Speaker 4: We couldn't go to the studio and wrap our own.
• 19:27
  Speaker 4: R ain't no freaking studio. So he wrapped me. I
• 19:31
  Speaker 4: gave you power. I meane you wow. When when he
• 19:35
  Speaker 4: told me that NAS wrote that and turned itself to
• 19:38
  Speaker 4: a gun, that shit made me instantly lock in on
• 19:41
  Speaker 4: like how creative I could be with music? So that
• 19:44
  Speaker 4: that Illmatic album that was that was groundbreaking everything.
• 19:50
  Speaker 5: Yeah, you said, sick, old old man, that's a How
• 19:54
  Speaker 5: was that? Like? How did that come about? Well?
• 19:58
  Speaker 4: I think the beauty of it was I was around
• 20:01
  Speaker 4: trying for a minute and we were just locking in
• 20:04
  Speaker 4: and the grace of God, he had to go to
• 20:08
  Speaker 4: Dennist that day, so his mouth was fucked that he
• 20:12
  Speaker 4: couldn't wrap. But he told me about this beat that
• 20:15
  Speaker 4: he got from hip Boy or something and was like, Bro,
• 20:18
  Speaker 4: this shit hard. I need some some lines on this.
• 20:20
  Speaker 4: This is what I kind of want to come on
• 20:21
  Speaker 4: this vibe, you know what I mean? I want to
• 20:23
  Speaker 4: do this, this this, And then you know that was
• 20:26
  Speaker 4: down the time. I think Kylie was there with him,
• 20:29
  Speaker 4: and then I think brother It's so funny, Like every
• 20:32
  Speaker 4: time I do some of my most amazing shit. The
• 20:34
  Speaker 4: artist I'm working with got his girl, and his girl
• 20:36
  Speaker 4: want to go do something. So they either want to
• 20:39
  Speaker 4: go to the movies. I have to eat or something,
• 20:40
  Speaker 4: so they went out to eat or something. And then
• 20:43
  Speaker 4: I just was just vibing to the record. I just
• 20:47
  Speaker 4: you know, came up with some lyrics for him and
• 20:49
  Speaker 4: asked him what you think about this?
• 20:50
  Speaker 5: I had a lot.
• 20:51
  Speaker 4: He just kind of like, oh, I like this part
• 20:53
  Speaker 4: o this verse hard like you know, doing what producer
• 20:57
  Speaker 4: artists extraordinaries do so and then just you know, I
• 21:01
  Speaker 4: didn't know he's gone for Drake on them.
• 21:03
  Speaker 5: Once Drake got on, it was up.
• 21:04
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• 22:50
  Speaker 4: Gonna be hall Yeah, because it was the only thing
• 22:53
  Speaker 4: like that on his album. And then I think Sylvia
• 22:56
  Speaker 4: Rone and Big John came into the studio one day,
• 23:00
  Speaker 4: I think they was with like six seven people, and
• 23:03
  Speaker 4: he played his whole album and they just kept saying,
• 23:04
  Speaker 4: play that scape mold again, play that sycame mold again.
• 23:07
  Speaker 4: It was just like, Oh, that's the one that's a
• 23:10
  Speaker 4: crazy feeling for show for the sure look nice.
• 23:16
  Speaker 5: Man.
• 23:16
  Speaker 4: They supposed to be bigger. But you know what I mean,
• 23:18
  Speaker 4: we're gonna we're gonna take our blessings.
• 23:21
  Speaker 5: How they go. It's like what Royal teas or you don't, yeah, royalty. Yeah.
• 23:25
  Speaker 3: We were just speaking to camp about that shit. Like
• 23:28
  Speaker 3: if you write a song that you ask like this,
• 23:30
  Speaker 3: this motherfuck cost one hundred and fifty thousands like that.
• 23:33
  Speaker 3: Like do y'all go about doing some stuff like that
• 23:36
  Speaker 3: or is it straight on the back again?
• 23:38
  Speaker 4: Well, now that I mean, I kind of conduct my
• 23:40
  Speaker 4: business like that because I got, you know, enough cache
• 23:43
  Speaker 4: in the game. But you know, early on, they mistreated songwriters,
• 23:50
  Speaker 4: you know what I use. It's like, you know, most
• 23:53
  Speaker 4: especially in urban or like especially in hip hop, the artists.
• 23:56
  Speaker 5: Don't be wanting you to know a nigga helped them
• 23:58
  Speaker 5: with the song.
• 23:59
  Speaker 4: I'll be like he like, bro, every artist got helped
• 24:02
  Speaker 4: with a song, even either their partners was there or
• 24:06
  Speaker 4: wasn't there. It's like, that's what we get our inspiration from.
• 24:10
  Speaker 4: I used a lot of lines and I heard my
• 24:12
  Speaker 4: og say back in the day, or my buddy smoking
• 24:15
  Speaker 4: we he just saying some funny shit. I might just
• 24:17
  Speaker 4: throw it in the round, you know. But in the
• 24:20
  Speaker 4: Black community. We don't look at that as as contributed.
• 24:23
  Speaker 4: We look at that as just niggas just here because
• 24:26
  Speaker 4: you know, we don't professional lines nothing, so it's like
• 24:30
  Speaker 4: we're just kidding it.
• 24:31
  Speaker 5: But now it's like.
• 24:32
  Speaker 4: Nah, songwriters need more, you know, input, And I would
• 24:36
  Speaker 4: give a lot of credit to Yay for that too.
• 24:38
  Speaker 4: It's like by him being a producer, he was the
• 24:40
  Speaker 4: first one that actually gave rock co writers credit.
• 24:47
  Speaker 5: Like a lot of artists, they.
• 24:49
  Speaker 4: Ain't gonna tell you you gonna beat this little check
• 24:51
  Speaker 4: on the table and then shut up right. Yeah, that
• 24:53
  Speaker 4: was that was Quinn Miller thing. It was like they
• 24:56
  Speaker 4: was telling quin Miller he couldn't say nothing. They were
• 24:58
  Speaker 4: saying that to me too. But I just this ain't
• 25:00
  Speaker 4: even been that type of nigga to even tank the
• 25:02
  Speaker 4: art anywhere. I want the fans that they because a
• 25:05
  Speaker 4: lot of the inspiration that songwriters do give to artists
• 25:08
  Speaker 4: come from the artist. That's why we can you know
• 25:11
  Speaker 4: what I mean, yeah type end of that. So yeah,
• 25:15
  Speaker 4: put all forty niggas names on them. So yeah, for
• 25:17
  Speaker 4: sure they give everybody credit. The niggah bringing the coffee
• 25:22
  Speaker 4: if you stay up long enough at three in the morning,
• 25:25
  Speaker 4: you in there.
• 25:26
  Speaker 5: He's gonna give you credit like.
• 25:27
  Speaker 4: He gives the most miscellaneous credit out God damn yeah, bro,
• 25:35
  Speaker 4: But he feels like the girl with the short hair
• 25:38
  Speaker 4: came with the vibe she dances to the song he
• 25:41
  Speaker 4: need up publishing for she don't publish.
• 25:44
  Speaker 3: I have just seen a few. The only one that
• 25:47
  Speaker 3: got forty people. Yeah, it's no way they had to
• 25:50
  Speaker 3: get one word a piece. Bro, Yeah for this to be.
• 25:53
  Speaker 4: But that's yay, yayyy. Respect everything in the room. That's
• 25:57
  Speaker 4: everything in the room.
• 26:00
  Speaker 5: I have seen.
• 26:00
  Speaker 4: Maids get get percentages on shoes, you know what I mean.
• 26:05
  Speaker 5: Like anything he do.
• 26:06
  Speaker 4: If anything inspire him, he gonna give you something for it.
• 26:11
  Speaker 5: That's only the first one that I ever seen do that.
• 26:13
  Speaker 5: I'm like, damn home cold, that's crazy.
• 26:17
  Speaker 2: Not to nerd out too much about it, but I
• 26:19
  Speaker 2: want to ask because my Beautiful Dark Twins Fancy is
• 26:21
  Speaker 2: my favorite rap album Baal Time mines two understandably so
• 26:25
  Speaker 2: some of them sessions like that Charlie Wilson shit like
• 26:27
  Speaker 2: what was that?
• 26:28
  Speaker 5: Like what something? Stuff? It didn't make it. It just
• 26:29
  Speaker 5: seemed like the vibes around the time all together was
• 26:31
  Speaker 5: just immaculate. Man, there's ultra light beaming bro for show Bro.
• 26:37
  Speaker 4: I mean all those sessions, Alicia Keys, I mean I've
• 26:40
  Speaker 4: seen Lisia Keys seing all of the lights, pregnant Swiss beats,
• 26:46
  Speaker 4: Nicki Minaj coming to the studio like it was just
• 26:49
  Speaker 4: it was. It was the linus of black music and
• 26:52
  Speaker 4: culture all in one. Yeah, you know, conundrum or whatever,
• 26:57
  Speaker 4: you you know what I mean.
• 26:58
  Speaker 1: So I think that right there was just that was
• 27:00
  Speaker 1: the time to be alive. Is that something that could
• 27:03
  Speaker 1: happen again? Or has streaming kind of ruined stuff like that?
• 27:07
  Speaker 5: Ah?
• 27:08
  Speaker 4: Yeah, but it just takes the powers that be that, Like,
• 27:12
  Speaker 4: I think it just takes us to kind of come together.
• 27:15
  Speaker 4: I think I think media kind of ruined it a
• 27:18
  Speaker 4: little bit because it's media kind of like took away
• 27:22
  Speaker 4: the mystique of artists, and you know, sometimes they get
• 27:26
  Speaker 4: a little messy and kind of like tarnished artists when
• 27:31
  Speaker 4: artists should still be kind of.
• 27:32
  Speaker 5: Vague with their and let the art speak.
• 27:35
  Speaker 4: But you know, when these when music is blowing up,
• 27:38
  Speaker 4: you got more publications, like people want to speak with you,
• 27:41
  Speaker 4: and then you know, you get to start seeing the
• 27:45
  Speaker 4: flaws of these human beings that we so called looked
• 27:48
  Speaker 4: up to and then it kind of like tanks the music.
• 27:51
  Speaker 1: I think like kept that kind of like Jay right right,
• 27:56
  Speaker 1: kind of kept that mystiqu about them, Like even though
• 27:58
  Speaker 1: people try to pull him into the media spacey don't
• 28:00
  Speaker 1: never like he don't give you shit, Like he might
• 28:03
  Speaker 1: talk to one person one time every five years, but.
• 28:06
  Speaker 5: He show a little personality.
• 28:08
  Speaker 4: But you're right, but you know, the media start not
• 28:12
  Speaker 4: playing your records and not supporting you too, So it's
• 28:15
  Speaker 4: like it just takes a balance. Like I think as journalists,
• 28:20
  Speaker 4: you know, we got to kind of protect the artists
• 28:22
  Speaker 4: sometimes two versus you know, a lot of times they
• 28:26
  Speaker 4: want to get a story, you know what I'm saying,
• 28:28
  Speaker 4: They want to get something about you. But I think
• 28:30
  Speaker 4: it's a tasteful way of doing it. And I think,
• 28:33
  Speaker 4: you know, it's still early on in two hip hop.
• 28:35
  Speaker 4: Like I tell people, hip hop ain't number what fifty
• 28:38
  Speaker 4: years old. Yeah, so I think we're still doing against
• 28:41
  Speaker 4: some learning. But I think, you know, it'll come back
• 28:43
  Speaker 4: around today. I think we'll get those times again. I
• 28:45
  Speaker 4: think Drake about the drop, so yeah, yeah, just dropped
• 28:49
  Speaker 4: Drake about the drive. I think the energy gonna be back,
• 28:51
  Speaker 4: So it's a good time. In music, Miss Drake for sure?
• 28:56
  Speaker 2: Yeah, yeah, I mean to be real, I mean, we
• 28:58
  Speaker 2: feel how you feel about the battle, but always good.
• 29:00
  Speaker 2: We got good music all around the play, especially Drake
• 29:04
  Speaker 2: for sure.
• 29:04
  Speaker 5: No, I don't know if or not, but you see
• 29:06
  Speaker 5: the picture of Yah and Drake.
• 29:08
  Speaker 4: I did it looked like yay, But I don't know
• 29:11
  Speaker 4: if that's you know what I'm saying. I ain't spoke
• 29:14
  Speaker 4: to him, but I think I think, I think yeah,
• 29:18
  Speaker 4: to me, Drake is great for the culture. I think
• 29:21
  Speaker 4: to me, I just think he took the battle a
• 29:23
  Speaker 4: little too serious as you too.
• 29:26
  Speaker 3: How you feelt about like when artists, since you are artist,
• 29:30
  Speaker 3: when artists beef like, do you think sometimes it can
• 29:33
  Speaker 3: kind of go too far? Or do you funk with
• 29:35
  Speaker 3: the sport of the little rap battle as long as
• 29:38
  Speaker 3: don't nobody die?
• 29:39
  Speaker 5: Well, it's a two part of the question, I feel
• 29:42
  Speaker 5: like one.
• 29:44
  Speaker 4: To me, I feel like we got to professionalized music
• 29:47
  Speaker 4: and especially rap. If you don't have a major record deal,
• 29:50
  Speaker 4: you can't be called a rapper or artists. To me,
• 29:54
  Speaker 4: you gotta be an inspiring like even if you any
• 30:00
  Speaker 4: I like YouTube basketball.
• 30:01
  Speaker 5: I like the dudes on YouTube, but they don't worry
• 30:05
  Speaker 5: he gonna he want to depute right now, I'm been
• 30:09
  Speaker 5: saying the next a little. I'm just somebody policy goddamn truth.
• 30:14
  Speaker 4: And I'm just like if if if a YouTube small
• 30:18
  Speaker 4: player got caught selling bricks, they be like, man, the
• 30:21
  Speaker 4: NBA basketball player got caught selling bricks like that, like I.
• 30:28
  Speaker 5: Think, what about it? But indie artist is like on
• 30:31
  Speaker 5: this ship though good.
• 30:32
  Speaker 4: I know a lot of on them that tea would
• 30:34
  Speaker 4: be like, man, home got some games, he ain't make
• 30:37
  Speaker 4: it to the league. Because this is what I'm trying
• 30:41
  Speaker 4: to say, it taints the sport. You you know what
• 30:44
  Speaker 4: I'm saying if you're an Indian artium because because you
• 30:47
  Speaker 4: got to think, you're saying, what if they got beef
• 30:49
  Speaker 4: right they killing and smacking each other? Now they think
• 30:54
  Speaker 4: those same kind of artists is the equivalent of what
• 30:58
  Speaker 4: Drake and Tindrick going through his level to them niggas
• 31:05
  Speaker 4: is they make music on the side to kind of
• 31:10
  Speaker 4: just let pass the day by. So that's what I'm saying,
• 31:15
  Speaker 4: Like to me, the Draken Kendrick thing was more professional.
• 31:19
  Speaker 5: It should have stayed professionally.
• 31:20
  Speaker 4: I think the lines get blur or when we start
• 31:24
  Speaker 4: artists start trying to behave like the inspiring, aspiring artists.
• 31:29
  Speaker 4: That's what I'm saying. Like, like I tell people, excuse me.
• 31:32
  Speaker 4: If Dray would have been like, man, you know, that's
• 31:34
  Speaker 4: one of the greatest rappers of America. In America, he's good,
• 31:38
  Speaker 4: you know, woo woo woo woo woom, I got something
• 31:40
  Speaker 4: else coming out boom, we would have took it as
• 31:43
  Speaker 4: like oh, I feel like we would have got more
• 31:46
  Speaker 4: records from Drizzy, But we didn't get that because.
• 31:50
  Speaker 5: Me was over there like, man, what we gonna do
• 31:52
  Speaker 5: to this nigga? So rap?
• 31:58
  Speaker 1: You know what I'm saying, it's walked up at the
• 32:00
  Speaker 1: time period about it was a different level of excitement
• 32:03
  Speaker 1: because we were looking forward to them drops.
• 32:04
  Speaker 5: Bro.
• 32:05
  Speaker 1: That's what about the drops on it'll be kind of
• 32:08
  Speaker 1: detrimental because we didn't have music and nigga didn't want
• 32:10
  Speaker 1: to drop music.
• 32:10
  Speaker 5: With the year year and a half after that exactly exactly,
• 32:14
  Speaker 5: Oh Ship Cold one of my favor rappers. Man, Canon,
• 32:17
  Speaker 5: It's like, damn, I don't nobody want rap no more.
• 32:19
  Speaker 5: I'm like, what'll going Niggas is good? Kids?
• 32:24
  Speaker 4: Literally, y'all ain't from y'all ain't grow up, Like stop
• 32:28
  Speaker 4: it man, this th ain't poking big, ain't no Like, yeah,
• 32:33
  Speaker 4: you might have recruited some real street niggas around you,
• 32:35
  Speaker 4: but it's been real street niggas around us since we've
• 32:39
  Speaker 4: been kids.
• 32:41
  Speaker 5: And we've been dealing with that type of Yeah. So
• 32:45
  Speaker 5: not saying you.
• 32:46
  Speaker 4: Guys ain't stand up me in, but like, let's not
• 32:48
  Speaker 4: take it to the point where we're gonna lower.
• 32:51
  Speaker 5: Ourselves to an indie status like the indie artist. All right, now,
• 32:54
  Speaker 5: hold on, so drive, let's let's just go right here.
• 32:59
  Speaker 5: What's up? What's up?
• 33:01
  Speaker 3: So you say you're saying take the high major record
• 33:05
  Speaker 3: label over doing it the independent roup.
• 33:08
  Speaker 5: Yeah, it's never ever gone.
• 33:10
  Speaker 3: You're never gonna be that big of an artist if
• 33:13
  Speaker 3: you keep doing in the end, you know what I mean.
• 33:15
  Speaker 4: I mean, what I'm saying is you can make money.
• 33:17
  Speaker 4: But what I'm saying is we have to professionalize it
• 33:21
  Speaker 4: to the point where it's like it's like this Spotify
• 33:25
  Speaker 4: payout like I think four hundred and fifty million a year,
• 33:30
  Speaker 4: and it has to disperse to every artist that's on Spotify.
• 33:34
  Speaker 4: So your sister could make ten songs tomorrow, she can
• 33:38
  Speaker 4: go to Guitar Center get a twenty five five thousands
• 33:41
  Speaker 4: setup sing ten songs. Now her album next to Beyonce's
• 33:49
  Speaker 4: Fiance been running in heels and singing on trad meals
• 33:52
  Speaker 4: all shit for twenty five years to get this spot
• 33:55
  Speaker 4: on Spotify or whatever.
• 33:57
  Speaker 5: Nigga, what if I'm better than that?
• 33:59
  Speaker 4: But that's what you're saying. You gotta prove it multiple times,
• 34:02
  Speaker 4: like she had to prove it. Like I can say, yeah,
• 34:05
  Speaker 4: I'm better than tea, right, but you gotta prove it
• 34:09
  Speaker 4: in the eighth grade.
• 34:10
  Speaker 5: Make a grades and you're gonna make it. JB, you
• 34:12
  Speaker 5: gotta make your bars. You gotta go to school, red shirt.
• 34:15
  Speaker 4: Yeah, you gotta go through the steps to be able
• 34:18
  Speaker 4: to say because you gotta think this.
• 34:19
  Speaker 5: Four hundred and fifty million is being.
• 34:21
  Speaker 4: Split up between seven hundred and fifty thousand artists. I
• 34:27
  Speaker 4: understand you can't pay Kevin Durant twenty million a year
• 34:31
  Speaker 4: if it's three thousand niggas on the bench like when
• 34:35
  Speaker 4: we getting in the game. The only reason you can
• 34:37
  Speaker 4: say him that much is because it's only three hundred
• 34:39
  Speaker 4: and fifty of y'all.
• 34:41
  Speaker 3: So what about the rold of Russell too? What about
• 34:43
  Speaker 3: the rould of Russell?
• 34:44
  Speaker 5: Toob?
• 34:45
  Speaker 4: Yeah, I mean that I would call that like he
• 34:47
  Speaker 4: playing in China.
• 34:49
  Speaker 5: Got Nigga stef. I'm all berry, he in China, playing
• 34:52
  Speaker 5: in China. He getting paid.
• 34:54
  Speaker 4: I mean, but you're still any You still getting paid.
• 34:56
  Speaker 4: But you ain't in the NBA.
• 34:59
  Speaker 5: You know what I mean. You ain't no Sony Universal careful.
• 35:03
  Speaker 4: In the store them the fold if you ain't on them.
• 35:09
  Speaker 5: Nice dribbling hot sauce. But I'm just saying they have
• 35:13
  Speaker 5: to run up shoe.
• 35:19
  Speaker 4: Lovely niggas Lebron playing the heat the night Nigga into
• 35:25
  Speaker 4: the game.
• 35:29
  Speaker 5: You're saying what Heaven said, man, give well so of Lrussell.
• 35:32
  Speaker 4: Man, I'm just telling you all God love.
• 35:38
  Speaker 5: I want to talk about your freestyles. Man.
• 35:40
  Speaker 1: You go to radio stations, man, you murder ship everywhere.
• 35:44
  Speaker 1: You shut ship down. Like every time you do a freestyle,
• 35:47
  Speaker 1: I get on Instagram or wherever I go, and the
• 35:49
  Speaker 1: automatically pop up shout to my boy Brandon Beasley. Every
• 35:52
  Speaker 1: time you do a freestyle, he posted, immediately appreciate that
• 35:56
  Speaker 1: that they be unbelievable every time. Bro, Like, do you
• 35:59
  Speaker 1: go there like I'm about to fuck this. I'm about
• 36:01
  Speaker 1: to suck the internet up real quick.
• 36:03
  Speaker 5: Yeah.
• 36:03
  Speaker 4: So before I like, I mean, I do like I
• 36:07
  Speaker 4: write for like practice and rituals. So it's almost like
• 36:12
  Speaker 4: it's like a pickup game, you know what I mean.
• 36:14
  Speaker 4: I like to refer to like this, like me going
• 36:16
  Speaker 4: to a you know what I mean, a little pickup
• 36:18
  Speaker 4: game in the gym over the sometime dropping seventy. You
• 36:22
  Speaker 4: know what I'm saying.
• 36:23
  Speaker 7: Be honest, I'm proemned sold, you know what I mean.
• 36:30
  Speaker 7: You know I'm Drew Leie Shalley, so working, you can't,
• 36:33
  Speaker 7: you know what I mean.
• 36:34
  Speaker 5: So that's just me, just little bars that didn't make
• 36:37
  Speaker 5: my eybum.
• 36:37
  Speaker 4: I'd be like, you know what, I'm going to write
• 36:39
  Speaker 4: a couple of warm up wraps and then I just
• 36:43
  Speaker 4: you know, I can remember them fast because the way
• 36:44
  Speaker 4: I write them, and I just you know, remember.
• 36:47
  Speaker 5: And then when people want something like this, you know
• 36:50
  Speaker 5: what I'm.
• 36:51
  Speaker 1: Saying about your call, I would have asked, what's your
• 36:55
  Speaker 1: favorite body of work or some of your favorybody's working.
• 36:57
  Speaker 1: It's a lot to ask for me, I would say,
• 36:58
  Speaker 1: for me, the first time I heard you shot my
• 37:00
  Speaker 1: boy West, he put me on to the first Ivy
• 37:02
  Speaker 1: League drop.
• 37:03
  Speaker 5: And when I heard that ship.
• 37:04
  Speaker 2: With Mike Well, I was like take a call on rap,
• 37:08
  Speaker 2: you still go back in that catalog.
• 37:10
  Speaker 5: I mean, I.
• 37:11
  Speaker 4: Don't you know, it's so crazy about that time shout
• 37:14
  Speaker 4: out to live mixtapes and that pill. Come on man, me,
• 37:18
  Speaker 4: I would say me Kendrick Currency Wiz, Krick Shine, Oh
• 37:26
  Speaker 4: the whole blogerer. We invented streaming.
• 37:29
  Speaker 1: Lo.
• 37:30
  Speaker 4: What it was was we wasn't streak hot rap to
• 37:35
  Speaker 4: the labels, so we was all on major labels. They
• 37:39
  Speaker 4: wouldn't just put us out because they focusing on the
• 37:41
  Speaker 4: A list acts. So what we did was, Okay, we're
• 37:46
  Speaker 4: gonna go to that pif we're gonna go to live
• 37:48
  Speaker 4: mixtape and and let them put it on their site
• 37:51
  Speaker 4: and you can stream it from their site. Yeah spin, yes,
• 37:54
  Speaker 4: spin realer, you know what I mean. So we start
• 37:56
  Speaker 4: getting so much notoriety on them sites. Apple Music and
• 38:01
  Speaker 4: Spotify and Title came up with streaming, and the record
• 38:04
  Speaker 4: labels came up with streaming because they seen that they
• 38:08
  Speaker 4: major artists was losing steam to the artist that they
• 38:11
  Speaker 4: was had on the shelf. So that's how the blog
• 38:15
  Speaker 4: ever kind of came up.
• 38:16
  Speaker 5: And I was the first.
• 38:18
  Speaker 4: Yeah we we Yeah, I'm just saying we weren't no
• 38:21
  Speaker 4: streaming before that.
• 38:22
  Speaker 5: Pivo in live mixedtatione sp.
• 38:24
  Speaker 3: Just thinking about Soldier Boy line Wire.
• 38:28
  Speaker 4: He was the first, No, but I mean he got discovered,
• 38:31
  Speaker 4: but I don't feel like he put out projects like
• 38:34
  Speaker 4: multiple projects. He just had that one song that caught
• 38:37
  Speaker 4: fire and then you know.
• 38:39
  Speaker 1: What I'm saying, ok.
• 38:42
  Speaker 5: The Soldier Boy, but he did he got.
• 38:52
  Speaker 3: What Soldier Boy is the first streamer.
• 38:54
  Speaker 5: Wo okay, we'll take that. Take. We'll take that.
• 38:59
  Speaker 4: You know what I'm saying, first or everything. The Soldier
• 39:01
  Speaker 4: Boy put that song out and he was fifty cent.
• 39:04
  Speaker 4: He wasn't even Soldier Boy when he did that.
• 39:06
  Speaker 1: If you get ed up Slize Boy, it was whatever
• 39:08
  Speaker 1: song yeah yeah, the first the first captives yeah, true.
• 39:16
  Speaker 5: Played on everything.
• 39:18
  Speaker 4: So that was the virus that Yeah, that was That
• 39:21
  Speaker 4: was Gens.
• 39:23
  Speaker 5: I ain't gonna say that. That's one thing I can
• 39:25
  Speaker 5: say that was Genians.
• 39:26
  Speaker 1: But be here remember them time period, like especially when
• 39:28
  Speaker 1: when Mikle dropping the dream change was changed. Bro, they
• 39:30
  Speaker 1: was everywhere bus those major places and they was crashing slights.
• 39:33
  Speaker 4: Meet Me was like yeah he was on the Freshman
• 39:35
  Speaker 4: cover with me. Yeah yeah, yeah, So that's what I mean.
• 39:38
  Speaker 4: We all was that's what brought streaming to the forefront.
• 39:42
  Speaker 4: I think Drake kind of was the first major artist
• 39:45
  Speaker 4: that took it serious though, Like I think Apple gave
• 39:48
  Speaker 4: him a deal. Yeah, and then he was the first
• 39:51
  Speaker 4: to kind of that's what right yea?
• 39:54
  Speaker 5: Not the title?
• 39:55
  Speaker 3: Yeah, m what's that studio process like for you?
• 39:59
  Speaker 5: Though?
• 40:00
  Speaker 3: You got like a certain thing you gotta have in
• 40:02
  Speaker 3: the studio.
• 40:03
  Speaker 4: I used to, but now I can just go in
• 40:05
  Speaker 4: there and just yeah, it used to be you know
• 40:08
  Speaker 4: what I mean? I do like flowers and candles and
• 40:11
  Speaker 4: ship like that. I don't northodox ship holosanto and just look,
• 40:16
  Speaker 4: you know, work.
• 40:18
  Speaker 1: Younger artists now, yeah, say that to get candles something
• 40:23
  Speaker 1: about the candles.
• 40:24
  Speaker 5: Man said you shouldn't have kendles in your house. Man.
• 40:26
  Speaker 5: I ain't say you shouldn't have candles in your house. Man,
• 40:28
  Speaker 5: I don't know what what I said about candles. Already
• 40:30
  Speaker 5: remember the studio. In the studio, that's the vibe, that's
• 40:33
  Speaker 5: the vibe.
• 40:33
  Speaker 4: Don't want to get on that, bro, Damn man, Okay
• 40:36
  Speaker 4: what I say about candles?
• 40:38
  Speaker 5: What do you saying about? Get you?
• 40:43
  Speaker 3: It was kind of for niggas have candles for real?
• 40:47
  Speaker 5: Yeah, DJ say like candles.
• 40:51
  Speaker 4: I don't know what you're talking about, Like my candles
• 40:53
  Speaker 4: is real candy ain't no, he ain't no family dollar then.
• 40:58
  Speaker 5: You know what I mean? Feel me serious?
• 41:02
  Speaker 4: Halligan ship walking my crib smell that Louay baby like yeah,
• 41:07
  Speaker 4: come on baby, going to go up stairs now.
• 41:12
  Speaker 5: Works stand I'd be having flowers all around.
• 41:17
  Speaker 4: The crib bo. It's a vibe, bro. I mean you
• 41:21
  Speaker 4: might be you far removed from that. Probably I love it.
• 41:25
  Speaker 5: I don't live around my house. You know what I'm saying.
• 41:29
  Speaker 4: Using the league, you you ain't gonna have nothing.
• 41:37
  Speaker 5: All right now, Jersey, I better go a game.
• 41:43
  Speaker 4: You know what I want to say this the t
• 41:45
  Speaker 4: I was in, I was in I don't know who
• 41:48
  Speaker 4: who ladies.
• 41:49
  Speaker 5: This lady just just fellas we was in. I was
• 41:52
  Speaker 5: in Miami, I mean.
• 41:53
  Speaker 4: Houston with trial and I think Houston played the timblewo
• 41:58
  Speaker 4: was and I'm like, man, damn, it's three niggas on
• 42:01
  Speaker 4: the court that hit my main three bitches nail.
• 42:08
  Speaker 5: It was.
• 42:08
  Speaker 4: It was, it was like, you know what, I love
• 42:12
  Speaker 4: these niggas, right my nigga, bro we on the same thing.
• 42:20
  Speaker 4: I knew I could have made it to the leave.
• 42:22
  Speaker 5: Bro, Yo. They gonna be out that man.
• 42:31
  Speaker 4: I was like, no, niggas, Bro, I ain't know who
• 42:33
  Speaker 4: to root for that Like he's a man. Yeah, bro,
• 42:38
  Speaker 4: nigga didn't know what side of the gym I was
• 42:40
  Speaker 4: on both.
• 42:43
  Speaker 5: We all with jail team. I love that. I thought
• 42:53
  Speaker 5: I was a big player, like fucking bitches that you
• 42:58
  Speaker 5: know what I mean.
• 43:01
  Speaker 1: I went on that team. Bro, you gonna be funny
• 43:04
  Speaker 1: in the Jersey swamp back in the game. Why Ke
• 43:10
  Speaker 1: Trump put me on that team?
• 43:12
  Speaker 5: I remember one t it won't be I can't remember,
• 43:16
  Speaker 5: but I knew it was all three of y'all. She
• 43:21
  Speaker 5: got blurring.
• 43:22
  Speaker 4: Man, it was Joe hardened people the things like my
• 43:28
  Speaker 4: game and show the real people, real big.
• 43:41
  Speaker 5: Playing.
• 43:42
  Speaker 4: Bro.
• 43:42
  Speaker 1: Were talking about basketball, thinking though you was talking about Lamello. Man,
• 43:45
  Speaker 1: you're talking about best PG in the easy.
• 43:47
  Speaker 5: Oh yeah, he's the best. Man. Don't do that though,
• 43:50
  Speaker 5: mellow the golf and they're no bigger fans. Bro.
• 43:56
  Speaker 4: This is what they messed up this year at the
• 43:59
  Speaker 4: trade Dad line, we got Kobe.
• 44:00
  Speaker 5: We appreciate coach. You supposed to go get lines no
• 44:08
  Speaker 5: lines on over Kobe White, No, I said, you get you.
• 44:11
  Speaker 5: You ain't get long on fro me.
• 44:13
  Speaker 3: He coming off the what's ain't two mil?
• 44:19
  Speaker 5: Yeah, he's probably on the team next year. The wall
• 44:21
  Speaker 5: don't move.
• 44:22
  Speaker 4: Well, that's why Canipple started missing all on shot because
• 44:26
  Speaker 4: the coach he playing caniple without LaMelo. He sit LaMelo
• 44:30
  Speaker 4: on lead Canipple out there. Canipple can't get off, get
• 44:34
  Speaker 4: no shot off. He can't get this run, no offense.
• 44:36
  Speaker 4: You need lones on out there to Yeah. I ain't man,
• 44:42
  Speaker 4: I ain't man. Come on, bro, wait till my Chino
• 44:45
  Speaker 4: Hill Boys getting the league.
• 44:48
  Speaker 2: Yeah, all right, man, it's Club five to we back
• 44:51
  Speaker 2: with our family over there at g l D hit
• 44:54
  Speaker 2: as our resident jury expert.
• 44:55
  Speaker 5: I know you tapped in brother.
• 44:57
  Speaker 4: Yeah, man, every day night with the lady, Man, I
• 44:59
  Speaker 4: rocked my gold piece shout outs to GLD.
• 45:01
  Speaker 2: Come on, man, listen, they got something for everybody. Man,
• 45:03
  Speaker 2: every guy has to go to pieces. Man good got
• 45:05
  Speaker 2: something for you and t it ain't gotta be for you.
• 45:07
  Speaker 2: It could be for your family or anybody else. It'll
• 45:10
  Speaker 2: be for anybody. And the crazy thing you can get
• 45:11
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• 45:14
  Speaker 2: c WA, NBA, all the major sports teams and brands.
• 45:18
  Speaker 5: So shout out to gold.
• 45:20
  Speaker 2: Man Quality Gifts Man Quality to keep you fresh and listen.
• 45:23
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  Speaker 2: go crazy and make something special for that special day
• 45:29
  Speaker 2: or your loved one as well, and be here. Like
• 45:31
  Speaker 2: you said, Man, once you get into rotation, you never
• 45:32
  Speaker 2: want to stop.
• 45:33
  Speaker 5: Man for sure.
• 45:34
  Speaker 3: Man shout out to GLD.
• 45:35
  Speaker 6: Some of your favorite celebrities is tapped in with GLD,
• 45:38
  Speaker 6: Justin Bieber's Eleague, neighbors, Michael Parsons, even the brook Man.
• 45:42
  Speaker 2: The best part about it is it's guaranteed for life
• 45:44
  Speaker 2: as well. To tap in with gold today.
• 45:46
  Speaker 1: If you want to look or feel your best, make
• 45:48
  Speaker 1: sure you tap into gold Man.
• 45:49
  Speaker 5: They get you right in.
• 45:50
  Speaker 2: The outfit Man, missus pieces you've been sleeping on, they
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  Speaker 2: got you covered for sure.
• 45:54
  Speaker 5: Man, work hard and change the game. That's right.
• 45:56
  Speaker 2: For a limited time only, new customers are getting a
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• 46:00
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• 46:05
  Speaker 2: at g l D dot com. After you make that purchase,
• 46:08
  Speaker 2: they gonna ask you where he came from. Man, tell
• 46:09
  Speaker 2: him club five twenty cent. You now, where'd you want
• 46:12
  Speaker 2: the rappers? It was mad when Jello had to slap
• 46:14
  Speaker 2: and they were just like he playing with the game.
• 46:15
  Speaker 2: You talk about it was he one of the people
• 46:16
  Speaker 2: who you know what I'm saying, Jello, the real brother.
• 46:19
  Speaker 5: You say he was playing with the game. What you
• 46:21
  Speaker 5: mean been a rapperhanded major? No?
• 46:24
  Speaker 4: I mean, I mean they gave a major deal. He
• 46:26
  Speaker 4: like he like flow rider, like pit bull like he and.
• 46:31
  Speaker 5: That like shout out to Celsius. You know what I'm saying.
• 46:34
  Speaker 5: You know what I mean? He he a lower level
• 46:37
  Speaker 5: pit bull right in that like lane. You know what
• 46:42
  Speaker 5: I'm saying. But they made club like, Man, we need
• 46:45
  Speaker 5: Jelo in the league too.
• 46:46
  Speaker 4: Man, he want you put my Chino heel on and man,
• 46:49
  Speaker 4: what squad would get my We gotta go to Sacramento?
• 46:52
  Speaker 5: Is that where we gotta go to?
• 46:53
  Speaker 1: You listen, boy, y'all a been Jimmy Sacramento. We can
• 46:57
  Speaker 1: go to Sacramento, Bro.
• 46:58
  Speaker 3: They can't go to Jello. Gotta go somewhere that they
• 47:01
  Speaker 3: already polished.
• 47:04
  Speaker 5: If you get Lonzo and if you if you are
• 47:07
  Speaker 5: about thirty, put Jello in it.
• 47:08
  Speaker 4: Bro Let me tell y'all something I've seen that you
• 47:11
  Speaker 4: canna take something. And I think from four to five
• 47:14
  Speaker 4: years when Lamellos in the ninth grade and Lonzo was
• 47:18
  Speaker 4: a senior. All them players that's in the league when
• 47:21
  Speaker 4: they play right now.
• 47:22
  Speaker 5: We're whooping them by forty and they all want the
• 47:25
  Speaker 5: same squad. You gotta be.
• 47:29
  Speaker 4: The it's all five star. We're doing them a bout forty.
• 47:34
  Speaker 4: Why we can't do them about forty nine? What changed
• 47:36
  Speaker 4: in three years then.
• 47:37
  Speaker 1: Y'all have y'all had big O two that from the Hawks,
• 47:40
  Speaker 1: a big old give us a big old second trade
• 47:44
  Speaker 1: for big old man, y'all gonna get beat by sixty.
• 47:46
  Speaker 5: Man, I'm trying to something else. You cold, but they're
• 47:52
  Speaker 5: gonna be the worst team now. I'm gonna tell you
• 47:54
  Speaker 5: what we got.
• 47:55
  Speaker 4: All we gotta do is figure out how to get
• 47:56
  Speaker 4: Lonzo on the squad and trade zion.
• 47:59
  Speaker 1: Ooh you want LaMelo and sign the same we're talking
• 48:03
  Speaker 1: about that lies over there.
• 48:06
  Speaker 5: We ain't doing that to night. She got to stay
• 48:10
  Speaker 5: at the room. We're going up to Milwaukee.
• 48:13
  Speaker 4: We're playing Milwaukee, right They ain't got no ain't nobody
• 48:19
  Speaker 4: got no big bro on the squad. I'm saying this
• 48:24
  Speaker 4: last thing I want to say about the coat. Bro.
• 48:27
  Speaker 4: I just watched Tyree maxon play seventy six minutes the
• 48:30
  Speaker 4: other night. This nigga still got LaMelo and his team
• 48:35
  Speaker 4: on minutes restriction. I, Bro, don't think about the game.
• 48:40
  Speaker 4: If we lose, we going fishing.
• 48:42
  Speaker 5: Yeah that's true, though I hain't.
• 48:48
  Speaker 4: He on the sideline is all folded trying to do
• 48:52
  Speaker 4: his little one.
• 48:53
  Speaker 5: Two like niggas to let us. Yeah he should have.
• 48:57
  Speaker 5: He sucked it up with up like the hordes like that.
• 49:01
  Speaker 4: I love the hard, but I love Bro. I'm I'm
• 49:04
  Speaker 4: a ball fan till the depth. Bro, my boys need
• 49:07
  Speaker 4: to be on the same un messed up my Laker run,
• 49:10
  Speaker 4: but we ain't.
• 49:11
  Speaker 5: Don't getting into that. How Bro mess up the Laker? Bro?
• 49:14
  Speaker 4: We had longso randw.
• 49:21
  Speaker 5: Y'all, b I what's my CARUSO? Were out here throwing love.
• 49:28
  Speaker 3: You're not taking ano account that them niggas got injured
• 49:30
  Speaker 3: this ship bro, No bro, Bro, we was only twenty one,
• 49:34
  Speaker 3: niggas was young and herd bro No no, Heven Cosmo
• 49:38
  Speaker 3: is the only really nigga that stayed healthy on the.
• 49:39
  Speaker 5: Sad she was good. What you mean be out? I
• 49:43
  Speaker 5: love Jr. But I'm telling y'all them niggas wasn't durable.
• 49:46
  Speaker 4: Bro.
• 49:47
  Speaker 1: I can't even want to chip though, man got you
• 49:49
  Speaker 1: and saying hold on, hold on, we got you.
• 49:52
  Speaker 4: We don't count that one. That's that's the asterisk one. No,
• 49:56
  Speaker 4: that's that's like the lockout chip.
• 49:59
  Speaker 5: They don't care. I mean count, But it's funny under
• 50:01
  Speaker 5: the same sentence though.
• 50:03
  Speaker 4: No, it's like nah, It's like if I'm a four
• 50:06
  Speaker 4: hundred runner and you a hunted runner, right, and they
• 50:09
  Speaker 4: make you run the four hundred, but you get to
• 50:11
  Speaker 4: stop at We gotta stop at the two hundred and
• 50:14
  Speaker 4: let you get your breath and recouper rate, then we
• 50:17
  Speaker 4: run the next two hundred.
• 50:18
  Speaker 3: You ain't eat me, that's true, But me in a
• 50:21
  Speaker 3: basketball game ain't none of that.
• 50:23
  Speaker 5: You know what I'm saying. You know what I'm saying.
• 50:24
  Speaker 5: We play a fool.
• 50:26
  Speaker 4: When you took a break that helped the veteran player,
• 50:29
  Speaker 4: that ain't help the young niggas who got who need rhythm,
• 50:32
  Speaker 4: who got to stay in the in the thickest ship.
• 50:35
  Speaker 5: Never take shit.
• 50:37
  Speaker 4: We can't get no podsy like we Got's the part
• 50:40
  Speaker 4: of we gotta eat long jump silvering. It's like they
• 50:45
  Speaker 4: won't let her bring no business. Then it's like you
• 50:46
  Speaker 4: can't have no place there. It's like it's in the cup.
• 50:50
  Speaker 4: We can't smoke no dope. It's like, man, you got it,
• 50:56
  Speaker 4: nigga trying to see that lady man Bron.
• 50:59
  Speaker 3: Bron kept l a alive. Bro, y'all was mid as
• 51:03
  Speaker 3: fun and you kept that team. I don't do that,
• 51:05
  Speaker 3: Oh god, y'all.
• 51:06
  Speaker 5: Was the New Orleans Pelicans, Nick, are you did't trade
• 51:09
  Speaker 5: have some niggas to hear? That was the New Orleans No, no, no, no,
• 51:12
  Speaker 5: you don't let Josh hard go. Would have been okay, c.
• 51:17
  Speaker 4: We would have been okay if we would have lost
• 51:22
  Speaker 4: for two to three years. Who would have had what three.
• 51:25
  Speaker 5: Top five picks?
• 51:28
  Speaker 4: Saying that's what we would have ended up having a
• 51:30
  Speaker 4: lot of young pieces, a lot of top five picks
• 51:34
  Speaker 4: because we would have been in the bottom.
• 51:35
  Speaker 3: Y'all, y'all, I don't even fuck what draft what pick?
• 51:38
  Speaker 3: Y'all would have never had a shake Lakers.
• 51:41
  Speaker 4: Last shame is something him do it?
• 51:48
  Speaker 5: Why are you doing all this foreigners? Last thing?
• 51:55
  Speaker 4: I grew up in the neighborhood, Bro, we played basketball
• 51:58
  Speaker 4: every day you like a hell twice a year.
• 52:04
  Speaker 5: Ye never failed that much yoke saying the like for
• 52:12
  Speaker 5: the floor, Yeah, I'm in d wait til it's a whole.
• 52:18
  Speaker 4: He's trying to punch it on the then d Wade
• 52:20
  Speaker 4: tail fifth he's trying to punch it on the the
• 52:22
  Speaker 4: He ain't falling because.
• 52:23
  Speaker 5: He screening, just slid on the wheel.
• 52:30
  Speaker 4: So that's why I only watched highlights on you to
• 52:33
  Speaker 4: watch the game, bro, your support Lucas to finish, that's
• 52:36
  Speaker 4: how you.
• 52:37
  Speaker 5: Get a hold. Think be falling everywhere.
• 52:43
  Speaker 4: I can't do the foreigners in the league.
• 52:45
  Speaker 5: I ain't won another championship, bro, he gotta. It's talk
• 52:49
  Speaker 5: for some Coultale conversations all time. The who, the third who?
• 52:57
  Speaker 5: The first two.
• 53:00
  Speaker 1: Magic It's gonna be him and Isaiah Thomas. The third
• 53:03
  Speaker 1: spot is to man because isa got one VP back
• 53:08
  Speaker 1: as well.
• 53:09
  Speaker 5: Yeah, I mean yeah, show love yeah.
• 53:14
  Speaker 3: And that Lacacy would have never had no nigga like that,
• 53:17
  Speaker 3: I promise you, BRO.
• 53:18
  Speaker 5: I think owner ship the way you're thinking.
• 53:21
  Speaker 4: Okay, see whooping ships over the lock hill up?
• 53:24
  Speaker 6: Bro?
• 53:25
  Speaker 1: You know what's crazy, y'all shouldn't even have got lines
• 53:26
  Speaker 1: over y'all should have had dear Fox. Yes, y'all should
• 53:30
  Speaker 1: have had Jason Tatum.
• 53:31
  Speaker 5: I should have had your Jason. Yeah, y'all should have
• 53:34
  Speaker 5: Jason Tatum. What you're saying.
• 53:36
  Speaker 4: In high school, we bleue Fox Entitatum out. In college,
• 53:39
  Speaker 4: we blue Fox and Tatum.
• 53:40
  Speaker 5: Out that what happened? When what happened? When y'all wing
• 53:43
  Speaker 5: U c l against playing with don't do that. Ain't
• 53:50
  Speaker 5: nobody from his squad make the lead TJ lea face legend.
• 53:56
  Speaker 4: Fro we beat this nigga with over there, all them
• 53:59
  Speaker 4: niggas is all the American Donald.
• 54:04
  Speaker 5: Americans to the court.
• 54:06
  Speaker 3: I'm gonna beat you with the white boy you bullshit,
• 54:09
  Speaker 3: ain't no wheying fuck you think Liz is fucking They
• 54:13
  Speaker 3: ain't even close.
• 54:14
  Speaker 4: Y'all, No, no, no, What it is is there's no
• 54:17
  Speaker 4: team that will let them play their style of ball.
• 54:20
  Speaker 5: Bro We full court pressing.
• 54:23
  Speaker 4: Get me them three, Get me who game my father
• 54:28
  Speaker 4: my ball brothers.
• 54:30
  Speaker 5: Okay, give me a signer who could play my Draymond Greens.
• 54:33
  Speaker 4: But I need a power for who can pass. That's
• 54:36
  Speaker 4: why I tell Bridges. I love Bridges, but Bridges.
• 54:38
  Speaker 5: Don't know how to do the dribble handoff.
• 54:41
  Speaker 4: He don't know how to run the action off the
• 54:43
  Speaker 4: the Draymond mother for that's why we need to trade
• 54:45
  Speaker 4: for Draymond. That's on the low loaf because Steph coming
• 54:48
  Speaker 4: in two years when he is up and he got
• 54:49
  Speaker 4: a retired okay, but we need to go get a
• 54:53
  Speaker 4: dray Man who can play that fool who know how
• 54:55
  Speaker 4: to pass that like Eli Scott did it.
• 54:58
  Speaker 5: And you know here, poor man Draymond, I ain't no nigga.
• 55:04
  Speaker 5: You tapped in. That's when I'm trying.
• 55:06
  Speaker 4: Now you're talking a bunch of bullshit, but you tapped in.
• 55:08
  Speaker 4: They give me something like, what's my boys from Phoenix? Dylan,
• 55:11
  Speaker 4: what's the light skin? Give me some Dylan Brooks. I
• 55:14
  Speaker 4: need seven other Dylan Brooks.
• 55:16
  Speaker 5: So what team play basketball? Text? So what team are
• 55:19
  Speaker 5: y'all beating? Though?
• 55:22
  Speaker 3: Put them niggas out east on the East on the East.
• 55:25
  Speaker 3: Give me don't make the playoffs.
• 55:26
  Speaker 4: And get put me on any for you know who
• 55:28
  Speaker 4: played like us. That's why they went on this twenty
• 55:32
  Speaker 4: this last part of the year, we went on the run.
• 55:36
  Speaker 4: Holler Berg and them did it last year. They kind
• 55:39
  Speaker 4: of tried to play our game. See it's gonna come
• 55:42
  Speaker 4: into our game, but it's gonna be too late.
• 55:45
  Speaker 5: They was they was pressing and stuff. Yeah that's what.
• 55:47
  Speaker 5: But I'm talking about all game, were pressing all games.
• 55:50
  Speaker 5: They don't get you no press stuff. You don't have
• 55:52
  Speaker 5: a free agency, They say, get me off. This team
• 55:54
  Speaker 5: play like college. No, no, no, we're gonna we're gonna be
• 55:57
  Speaker 5: forcing up. What is it called the ain't gonna be crying?
• 56:02
  Speaker 5: It's high nigga.
• 56:05
  Speaker 3: If you think the NBA team is gonna press for
• 56:07
  Speaker 3: forty eight minutes, nigga, that's what you're gonna Nobody off.
• 56:13
  Speaker 5: The backboard off bro, telling what niggas in a two
• 56:18
  Speaker 5: one B. I'm trying to tell you, Bro.
• 56:20
  Speaker 4: That why I say you gotta get certain players. We
• 56:22
  Speaker 4: need some G League niggas.
• 56:25
  Speaker 5: You just.
• 56:27
  Speaker 1: Talking about rap. Were just talking about rap niggas went
• 56:30
  Speaker 1: on the majors, But the G League is still in
• 56:32
  Speaker 1: the NBA. They like the niggas that's on the shelf
• 56:36
  Speaker 1: at a major label.
• 56:38
  Speaker 5: They like. They like still trying to get their album together.
• 56:42
  Speaker 5: La local coaching. That's your niggas that don't play.
• 56:47
  Speaker 4: That's the third all right, bro, I'm just telling you
• 56:50
  Speaker 4: what God love we get we get, we get our ball,
• 56:53
  Speaker 4: we get to play our ball.
• 56:54
  Speaker 5: We just put LaMelo and lawnso together.
• 56:57
  Speaker 4: I promise you, bro, they gonna run through the do
• 57:01
  Speaker 4: it next year.
• 57:01
  Speaker 5: I promise that if Lonzo was healthy.
• 57:03
  Speaker 3: I sure of God I'm wrong because Linzo healthy.
• 57:07
  Speaker 4: Brother, It's just this Lonzo bro is the old point guard.
• 57:11
  Speaker 4: See the new point guard want to do this.
• 57:14
  Speaker 5: All they want to do is score, you know the
• 57:16
  Speaker 5: Jane Hard motherfucker.
• 57:18
  Speaker 4: My boy Lonzo is here here here here, here he
• 57:25
  Speaker 4: here he and then on the and on the defense again.
• 57:29
  Speaker 4: I'm locking down, lock down.
• 57:31
  Speaker 5: Now. Saw how we had that conversation on the Morning show.
• 57:33
  Speaker 5: What's up? Who would you rather have? Between Lonzo Ball
• 57:36
  Speaker 5: and Alx Caruso? Lonzo? We picked Caruso.
• 57:42
  Speaker 4: Man, I'm going Lonzo Ball, man, I mean yeah, he's
• 57:48
  Speaker 4: a tag along. It's a tag along brom Okay, bro,
• 57:53
  Speaker 4: wait wait, I got a feeling somebody, because you know
• 57:57
  Speaker 4: my boy already got his bag. Yeah, LaMelo. The next
• 58:01
  Speaker 4: one is we're doing the Yanni.
• 58:03
  Speaker 5: O w wee aen't playing. We're getting to bring my
• 58:06
  Speaker 5: whole family, my aunt, tie, uncle, everybody got to be
• 58:10
  Speaker 5: on the star.
• 58:10
  Speaker 2: Oween't playing now, Charles Lee benshamin Midderseasey, you feel like
• 58:13
  Speaker 2: he got that type of leverage.
• 58:14
  Speaker 5: Now you're gonna make them calls? Might name be with Charlotte?
• 58:19
  Speaker 5: Keep playing with us? It ain't you ain't We ain't
• 58:21
  Speaker 5: ain't be.
• 58:21
  Speaker 4: Playing with John There gonna be in Sacramento. We're gonna
• 58:24
  Speaker 4: be in Sacramento. Bro, we're gonna be with who another
• 58:26
  Speaker 4: team need us? Brooklyn, Sacramento.
• 58:31
  Speaker 5: I don't. I don't wish to Brooklyn. That's on nobody. Man.
• 58:33
  Speaker 4: If you give them to the ball boys, we we
• 58:36
  Speaker 4: they're gonna they're gonna be in the chip.
• 58:37
  Speaker 5: You need a star we need We don't need another week?
• 58:40
  Speaker 1: Bro?
• 58:41
  Speaker 4: Who the fact that with Michael Porter, look looks like
• 58:43
  Speaker 4: that was Michael Warter LaMelo and Lawnso okay, but see
• 58:46
  Speaker 4: if we don't run the league.
• 58:47
  Speaker 5: Listen, man, listen to you. Listen to your beat? Michael Porter.
• 58:53
  Speaker 5: Oh God, we beat beat Bam. What's my other? Nigga?
• 58:58
  Speaker 5: Won the knick?
• 58:59
  Speaker 1: He about get Deonta von Knuckles. He beat Greg Oden
• 59:02
  Speaker 1: high school? Who dude knuckles?
• 59:06
  Speaker 5: What Greg? He was? He was better than every b bro.
• 59:15
  Speaker 5: Greg Olden, he's smoking with dope?
• 59:19
  Speaker 8: What Greg but he was the first tall nigga. He
• 59:27
  Speaker 8: went to the Natty Chip with the.
• 59:30
  Speaker 5: Number number one pick over Kevin Durant. Injuries got him.
• 59:33
  Speaker 5: That's what I was about to get.
• 59:35
  Speaker 4: But I'm just saying a big man, that's a generational
• 59:37
  Speaker 4: big man.
• 59:38
  Speaker 5: Don't dominate little.
• 59:40
  Speaker 1: But when you get to the big league dominated college
• 59:43
  Speaker 1: he played against alf Horford, Joe K Noah inspect Florida.
• 59:49
  Speaker 4: Uh, you one of the best post defenders, every day defender.
• 59:53
  Speaker 5: Yeah, but you ain't making me work on the who
• 59:55
  Speaker 5: I ain't defending nothing. I'm just chilling the pole.
• 59:59
  Speaker 4: When you on offense, watching that, you gotta know you
• 1:00:04
  Speaker 4: gotta play if you're on the best going this one.
• 1:00:07
  Speaker 5: My top five is Kobe.
• 1:00:09
  Speaker 4: Jordan's, Steph, Tim Duncan, Lebron in that order, in that order?
• 1:00:16
  Speaker 5: What the fuck? And that a horrible order? Why why
• 1:00:20
  Speaker 5: don't do that? Why the fun Lebron? Because because damn
• 1:00:26
  Speaker 5: so he barely made that five. What I'm saying you
• 1:00:30
  Speaker 5: because everybody else home Brown? What the fuck that means?
• 1:00:35
  Speaker 5: I won my chips with the team I was drafted with.
• 1:00:38
  Speaker 5: Lebron did too. That's like a no, I'm back, bro,
• 1:00:44
  Speaker 5: Don't do that. Boris and I made it right. I
• 1:00:48
  Speaker 5: made it right. No, that ain't his team no more.
• 1:00:50
  Speaker 5: He fixed it.
• 1:00:50
  Speaker 4: No, no, no, no, no no, went to the lady no.
• 1:00:59
  Speaker 5: Wing with the team.
• 1:01:00
  Speaker 4: He was drafted to Jordan's Warner with the team. He
• 1:01:03
  Speaker 4: was drafted to Steph Wanner with the team. He was
• 1:01:07
  Speaker 4: drafted to Tim Duncan Warner with the team. He was
• 1:01:10
  Speaker 4: drafted that that that's it. No are you saying is
• 1:01:15
  Speaker 4: the best player or what are you doing it?
• 1:01:18
  Speaker 3: The best players from championship just because they want.
• 1:01:22
  Speaker 4: Ween in the league to get it weeen Finnish. Huh,
• 1:01:27
  Speaker 4: call my boy, come play with me the tape. You're
• 1:01:31
  Speaker 4: not doing that, bro?
• 1:01:36
  Speaker 5: What you mean? They wouldn't They wouldn't trade for people
• 1:01:40
  Speaker 5: want to go to Cleveland, bro.
• 1:01:43
  Speaker 3: Eric with gasol came to the Lakers. Shift of the
• 1:01:49
  Speaker 3: whole organization.
• 1:01:51
  Speaker 5: Stop the Lakers before.
• 1:01:55
  Speaker 4: What happens when you stay on the same team your
• 1:01:58
  Speaker 4: whole career.
• 1:01:59
  Speaker 5: You gotta reload and unloaded, reloaded, unload.
• 1:02:03
  Speaker 3: That's what you know. But they got the best. They
• 1:02:05
  Speaker 3: wanted to get his best friend and changed Pakasov's best
• 1:02:08
  Speaker 3: friend and he changed the game.
• 1:02:11
  Speaker 5: So you gotta keep it real, take it.
• 1:02:14
  Speaker 1: They got who they got for real? Your favorite player,
• 1:02:19
  Speaker 1: the difference maker, man man of the year. Nigga, what
• 1:02:26
  Speaker 1: you talking about?
• 1:02:27
  Speaker 5: You ain't nurse? It was not that, Bro.
• 1:02:30
  Speaker 4: Yes, yeah, Bro, he had a nice for next game.
• 1:02:34
  Speaker 4: He had a nice for next game. But he had
• 1:02:36
  Speaker 4: it because Kobe was teaching him about spots. He was
• 1:02:39
  Speaker 4: teaching him how to be a winner. He wouldn't have
• 1:02:41
  Speaker 4: been that without Kobe. He would have been stuck in Memphis.
• 1:02:44
  Speaker 4: Nobody won the championship without him. He was the most
• 1:02:47
  Speaker 4: important player.
• 1:02:47
  Speaker 5: After We're gonna we was gonna get somebody.
• 1:02:51
  Speaker 3: I'm Kobe, and you had to get somebody that fits
• 1:02:53
  Speaker 3: Kobe's program. Everybody couldn't play with coach. Okay, well I
• 1:02:56
  Speaker 3: found one that could play with me. But I'm still
• 1:03:00
  Speaker 3: go play with him. He came to play with me.
• 1:03:02
  Speaker 3: But I'm saying you discredited the pieces of around niggas.
• 1:03:04
  Speaker 4: No, I'm not saying that they all NBA player Nah
• 1:03:07
  Speaker 4: fuck all that. I'm saying Pale Power was cool. Power
• 1:03:11
  Speaker 4: is an all star, deservingly, Bro. He was Pale used
• 1:03:15
  Speaker 4: to cook niggas. Bro, Like how Chris Bosh was important
• 1:03:17
  Speaker 4: to that motherfucking Miami hit team. Listen this is important
• 1:03:21
  Speaker 4: that Gasas was to that Laker team. Who, like you said,
• 1:03:24
  Speaker 4: who was important Chris Boss? Okay that yeah, they get
• 1:03:27
  Speaker 4: that change. Chris Boston was like top fifteen player when
• 1:03:32
  Speaker 4: he went to that team. He will pason was not
• 1:03:35
  Speaker 4: no top fifteen player, Yeah he would.
• 1:03:40
  Speaker 5: Chris Boss was a nine time All Star. Yeah he was. No,
• 1:03:45
  Speaker 5: he was old.
• 1:03:46
  Speaker 3: I'm just telling the same type of impact that they
• 1:03:48
  Speaker 3: hadn't the team.
• 1:03:49
  Speaker 5: But I'm just saying that come from collect like Gasol
• 1:03:52
  Speaker 5: was not. But no, no, no, I say it was Garb.
• 1:03:55
  Speaker 5: You know, you're not saying his garbage. You're saying like
• 1:03:57
  Speaker 5: he was super mid and then when Kobe got him,
• 1:04:00
  Speaker 5: he was. I mean he was a B minus.
• 1:04:08
  Speaker 1: In Memphis and the erapire forwards he was like he
• 1:04:11
  Speaker 1: was like Kevin Love before Kevin Love.
• 1:04:13
  Speaker 4: Okay, I'm glad you said that he went to the Yeah,
• 1:04:17
  Speaker 4: I mean.
• 1:04:20
  Speaker 5: That's crazy. Kevin Love to the league too.
• 1:04:21
  Speaker 3: Niggas had the sacrifice state numbers to play with these
• 1:04:23
  Speaker 3: star players, bro, and you're taking away from them.
• 1:04:28
  Speaker 5: I'm trying to tell you he got whatever in Memphis.
• 1:04:34
  Speaker 5: That's because he don't know what I'm saying. But you
• 1:04:36
  Speaker 5: got more shots and mythis, you're the man.
• 1:04:38
  Speaker 4: Kobe got you better shots and more efficient shots because
• 1:04:41
  Speaker 4: everybody doubling me.
• 1:04:43
  Speaker 3: Is reading the numbers, bro, everybody doubling me with Kobe,
• 1:04:47
  Speaker 3: he was over there and did the same thing he
• 1:04:48
  Speaker 3: again doing.
• 1:04:49
  Speaker 5: Kobe didn't do nothing saying he got it more efficiently.
• 1:04:54
  Speaker 5: Kobe was over there.
• 1:04:56
  Speaker 4: He took more shots when he was in Memphis because
• 1:04:58
  Speaker 4: he was the man. What I'm trying to tell me,
• 1:05:03
  Speaker 4: he was the man.
• 1:05:04
  Speaker 5: We gotta move off from this subject. Just let us
• 1:05:06
  Speaker 5: know for sure, all right.
• 1:05:09
  Speaker 1: Rookie of the Year obviously a fan conkle he got
• 1:05:12
  Speaker 1: share who was sharing it?
• 1:05:14
  Speaker 5: We're not shaying Yeah, he's a group of flag Gotta
• 1:05:17
  Speaker 5: get that. Rookie of the Year. I love death. No, bro,
• 1:05:21
  Speaker 5: his use is rate too high.
• 1:05:24
  Speaker 4: Y'all be having a lot of usages rate players to
• 1:05:27
  Speaker 4: be acting like they really don't.
• 1:05:28
  Speaker 5: We had a hot usage, right, No no, no, no no
• 1:05:30
  Speaker 5: no no no no.
• 1:05:32
  Speaker 4: He had a high shooting rate uses for me, No no, no,
• 1:05:36
  Speaker 4: no no. Lebron had a high uses right because he
• 1:05:40
  Speaker 4: Restbrook had a high uses break.
• 1:05:42
  Speaker 5: They dominate the ball, but they the average ten eleven.
• 1:05:45
  Speaker 4: Yeah, that's what I'm saying, Kobe job, my guys put
• 1:05:48
  Speaker 4: the ball in the bucket. Derek Fisher job is to
• 1:05:50
  Speaker 4: bring it up in the court. You want to know
• 1:05:52
  Speaker 4: why Derrick Fisher always hit game winning shots because he
• 1:05:55
  Speaker 4: had sweat equity. You know what sweat equity is. I
• 1:05:59
  Speaker 4: mean you get the touch the ball throughout the game.
• 1:06:02
  Speaker 4: That's true. You know what I'm saying. See it the
• 1:06:04
  Speaker 4: like Lebron and Westbood Right, I'm just I put Lebron
• 1:06:07
  Speaker 4: at five.
• 1:06:08
  Speaker 5: It is because.
• 1:06:11
  Speaker 4: If I'm on your team and I get paid twenty
• 1:06:13
  Speaker 4: million a year to get ten rebounds and now I
• 1:06:15
  Speaker 4: play with you on to get six because you come
• 1:06:17
  Speaker 4: and snatch him off the board every time I'm trying
• 1:06:19
  Speaker 4: to get my family paid. I can't be the point guard,
• 1:06:23
  Speaker 4: whereas can't be My players can't develop because you do everything.
• 1:06:31
  Speaker 5: I know I'm saying.
• 1:06:32
  Speaker 4: When people say Lebron didn't play with nobody, it's like, no,
• 1:06:35
  Speaker 4: you wouldn't let nobody develop.
• 1:06:37
  Speaker 5: Because you do everything. You shoot the.
• 1:06:39
  Speaker 4: Ball, you pass the ball, you prebound your defens I'm like, damn, nigga,
• 1:06:43
  Speaker 4: what we mann? What nigga playing by yourself?
• 1:06:47
  Speaker 1: So what you say you're a better player, then huh
• 1:06:49
  Speaker 1: would you say he an overall better player.
• 1:06:51
  Speaker 4: I would say he wanted to be a better player.
• 1:06:55
  Speaker 4: He wanted to be an overall better player. Well, most
• 1:06:58
  Speaker 4: niggas want to play with them when you want to wait,
• 1:07:02
  Speaker 4: we want you to do your job, Kobe, do my job.
• 1:07:05
  Speaker 5: There, Fish, you do your job, or do your job.
• 1:07:08
  Speaker 5: It's like big shot Derek Fisher average like three sis. No, no, no, no,
• 1:07:13
  Speaker 5: he didn't. Don't do that. Don't do in the highest guy.
• 1:07:16
  Speaker 5: I mean, I'm not saying he has probably the work.
• 1:07:19
  Speaker 5: He gotta leave average, gotta least.
• 1:07:23
  Speaker 1: Bro Let's look and we and we and we played
• 1:07:26
  Speaker 1: the triangle.
• 1:07:27
  Speaker 5: So a lot never average was in the triangle. It's
• 1:07:30
  Speaker 5: a lot of hockey. It's a lot of hockeys, you
• 1:07:31
  Speaker 5: know what I'm saying. It's a lot of isolation.
• 1:07:33
  Speaker 4: That's why I think niggas should get a half of
• 1:07:35
  Speaker 4: assists for scrab.
• 1:07:39
  Speaker 5: Yeah.
• 1:07:39
  Speaker 4: I feel like, if I'm in the nigga store, you
• 1:07:41
  Speaker 4: should get a half of assist. You ain't about five
• 1:07:48
  Speaker 4: round up for his career?
• 1:07:51
  Speaker 5: Oh yeah, could we run? I told him, gets up.
• 1:07:54
  Speaker 5: He's just started one guard and could have pai not time. No, no, no, no,
• 1:08:02
  Speaker 5: don't do that. Don't do that. They skew they now
• 1:08:05
  Speaker 5: you know now you are now you know the assist.
• 1:08:08
  Speaker 4: Back when Kobe and the play, you had to pass
• 1:08:11
  Speaker 4: it and you had to go with it.
• 1:08:13
  Speaker 1: I looked at John Starking stats. You know you didn't
• 1:08:17
  Speaker 1: have to run it down.
• 1:08:20
  Speaker 4: Now, niggas get a nigga hit the nigga with the.
• 1:08:24
  Speaker 5: Nigga double Pa spree. Pain't away get that.
• 1:08:30
  Speaker 1: There was a lot of isolation Kobe and don't get
• 1:08:32
  Speaker 1: they just brought the ball up through it to Kobe
• 1:08:34
  Speaker 1: and cut.
• 1:08:35
  Speaker 4: To the I know it was it was, but I
• 1:08:36
  Speaker 4: feel like when you're playing in the triangle, it's a
• 1:08:38
  Speaker 4: lot of hockey assists, so it's like you got to
• 1:08:41
  Speaker 4: read the defense is different. But I just like, I
• 1:08:45
  Speaker 4: just feel like he brought I'm just saying he was
• 1:08:47
  Speaker 4: involved in the game sweat.
• 1:08:49
  Speaker 5: You know he definitely got to bring the ball to
• 1:08:52
  Speaker 5: the court.
• 1:08:52
  Speaker 4: Yeah, yeah, you gotta have that sweat equity, bro, because
• 1:08:56
  Speaker 4: but you're getting ball off the rim like Jr. And
• 1:08:59
  Speaker 4: runs the wrong way because you ain't got the ball.
• 1:09:02
  Speaker 4: This nigga's been dunkey on niggas three sixty. Now I
• 1:09:07
  Speaker 4: get the ball off the rim, running the wrong way.
• 1:09:10
  Speaker 5: I'm like with the holes at the night, need to
• 1:09:13
  Speaker 5: check down out of the game.
• 1:09:15
  Speaker 4: He ain't got no sweat after me.
• 1:09:19
  Speaker 5: You know what I'm I got with that before I
• 1:09:26
  Speaker 5: got a fuck with that. I fuck with it. Hey man,
• 1:09:29
  Speaker 5: I'm just I do this sports ship. Man, I fuck
• 1:09:32
  Speaker 5: with that. But Brod, I fuck with that. People think
• 1:09:36
  Speaker 5: I be disrespecting them. Can I say he's five, that's
• 1:09:40
  Speaker 5: your fine name, that's that's always seen Brian. You know
• 1:09:43
  Speaker 5: what I'm saying, oop to his son in.
• 1:09:45
  Speaker 1: The playoffs, he gotta be top three off that the low.
• 1:09:48
  Speaker 5: He made his own teammates, so he's forty one. Bro
• 1:09:50
  Speaker 5: the best player you know Lukenard plays with on Lebron's
• 1:09:53
  Speaker 5: he you team?
• 1:09:54
  Speaker 4: Yeah nothing, No, what I will say Lebron is the greatest.
• 1:09:59
  Speaker 4: I feel like he's the greatest and the best athlete
• 1:10:01
  Speaker 4: to ever live.
• 1:10:02
  Speaker 5: Though. I will say that.
• 1:10:04
  Speaker 4: Like if you had to tell every athlete to swim,
• 1:10:07
  Speaker 4: play golf, football, baseball, he gonna average out the best
• 1:10:12
  Speaker 4: just off of z he gonna do that.
• 1:10:15
  Speaker 5: But basketball he number five because you got reasons make
• 1:10:25
  Speaker 5: you think about it a little bit.
• 1:10:27
  Speaker 4: I appreciate my last one before I don't want to
• 1:10:30
  Speaker 4: talk to y'all to death about Kobe. Rest of Kobe
• 1:10:34
  Speaker 4: is the best out of all of them. And I'm
• 1:10:35
  Speaker 4: gonna tell you why. When Jordan came in the league,
• 1:10:39
  Speaker 4: niggas was playing the Congos when they dribble, Jordan was.
• 1:10:46
  Speaker 5: The first nigga hit a nigga with did him that motherfucker?
• 1:10:49
  Speaker 5: You know right now?
• 1:10:52
  Speaker 4: The dream chin go all the way around the world.
• 1:10:55
  Speaker 4: Eric Kidd want to be like Mike. I want to
• 1:10:57
  Speaker 4: be like Mike Kobe.
• 1:10:59
  Speaker 5: Bet every nigga wanted to be like mind.
• 1:11:04
  Speaker 4: Tracey mcgreg Vince Carter's your Penny Hardaway.
• 1:11:09
  Speaker 5: I'm talking about your six five to six eight two guards,
• 1:11:13
  Speaker 5: Eddie Jones.
• 1:11:14
  Speaker 4: Yeah, Jordan was playing like John Stars Horner said.
• 1:11:21
  Speaker 5: Du Mars.
• 1:11:22
  Speaker 4: The nigga six one six two Joorde six five six six.
• 1:11:28
  Speaker 4: Kobe beat all the niggas that wanted to be like
• 1:11:31
  Speaker 4: Mike and they were still six six sixth selm Kobe
• 1:11:35
  Speaker 4: giving a nigga forties.
• 1:11:38
  Speaker 5: That's a good point, a man, what's you think, Lebron?
• 1:11:40
  Speaker 5: Say what you think Bron did? Lebron playing out of position?
• 1:11:47
  Speaker 5: Brother power forward Bruh.
• 1:11:50
  Speaker 4: A power forward is the least athletic player on the tip.
• 1:11:54
  Speaker 4: Everybody know that Lebron freezing niggas got a switch.
• 1:12:00
  Speaker 5: Switching brought us ball for it, bro.
• 1:12:03
  Speaker 4: No, he a power for if you lined up everybody,
• 1:12:06
  Speaker 4: if we went to the street and played street basketball,
• 1:12:09
  Speaker 4: Lebron would be our power for he done brought Horse
• 1:12:12
  Speaker 4: Grant out to the topic key to the three point
• 1:12:15
  Speaker 4: line and driving the.
• 1:12:17
  Speaker 5: Ball on him. Thorst ain't got no fee for then
• 1:12:19
  Speaker 5: you got.
• 1:12:20
  Speaker 4: The five all the way in the corner. Like when
• 1:12:23
  Speaker 4: you when you see Jordan Duncan on niggas, it used
• 1:12:25
  Speaker 4: to be male purpet Tom bowl. He sell one niggas.
• 1:12:30
  Speaker 4: What niggas.
• 1:12:31
  Speaker 5: Lebron don't need niggas six six six three under the
• 1:12:36
  Speaker 5: under the basket, like I ain't gonna sell. He ain'dunk
• 1:12:42
  Speaker 5: go to the duggie.
• 1:12:44
  Speaker 3: Funcht on that nigga once in the yeah, and I
• 1:12:46
  Speaker 3: got ten dunkeys. You can get on YouTube right now.
• 1:12:51
  Speaker 3: Rings though, he said, but you switching, we're.
• 1:12:54
  Speaker 5: Gonna let you punch. That's the point. We're gonna let
• 1:12:57
  Speaker 5: you get a couple off. But we're gonna win this chip.
• 1:12:59
  Speaker 4: Thought grown players niggas we drafted.
• 1:13:05
  Speaker 5: When he traded for these niggas, we developed these niggas.
• 1:13:09
  Speaker 5: You didn't develop Paul Gassoon. Know what I'm saying. I
• 1:13:12
  Speaker 5: developed and bio Andrew.
• 1:13:15
  Speaker 4: We developed genob We didn't developed parts. We developed vinyl.
• 1:13:21
  Speaker 4: You didn't develop Hyah was drafted spur. That's what I'm
• 1:13:25
  Speaker 4: gonna say that he does.
• 1:13:25
  Speaker 5: They they did. They definitely squad all developed. They got
• 1:13:30
  Speaker 5: ked Kevin. That's a health of blessing. But they didn't
• 1:13:35
  Speaker 5: let me tell you. Let me tell you Clay Steph Okay,
• 1:13:41
  Speaker 5: Steph was a.
• 1:13:41
  Speaker 1: Lottery Yeah, Clay was what was clay?
• 1:13:49
  Speaker 5: Then? He was high?
• 1:13:52
  Speaker 4: You sure?
• 1:13:53
  Speaker 5: Yeah, I swear he was a lot of Yeah, fact
• 1:13:56
  Speaker 5: checked that, bro. He was three? Yeah he dra Mud
• 1:14:02
  Speaker 5: what was Dramney taking around her? You know what I'm saying.
• 1:14:06
  Speaker 5: We won't say the.
• 1:14:07
  Speaker 4: Two could we we with the church together? Bro, it'll
• 1:14:12
  Speaker 4: take him, We'll take him. But Lebron he got Hall
• 1:14:17
  Speaker 4: of famers on the court.
• 1:14:18
  Speaker 5: They all got hall of famers. No, no, I'm talking
• 1:14:21
  Speaker 5: about hall of famers.
• 1:14:22
  Speaker 4: Before you met him, Lebron, Chris Bosh was on the
• 1:14:25
  Speaker 4: Hall of Fame trajectory. D Wade Hall of Fame trajectory,
• 1:14:29
  Speaker 4: a d Hall of Fame.
• 1:14:30
  Speaker 5: Talk about when he took that seven Irie.
• 1:14:32
  Speaker 4: Hall of Fame trajectory, Kevin Love Hall of Fame trajectory.
• 1:14:37
  Speaker 3: What about when bron took that O seventeen like like
• 1:14:40
  Speaker 3: Kyrie I O seven remember, Yeah, I mean I renewable.
• 1:14:46
  Speaker 5: I mean, you know, very huge.
• 1:14:48
  Speaker 4: Listen, outside of the top three teams in the East,
• 1:14:51
  Speaker 4: outside of the three teams in the E everybody on
• 1:14:54
  Speaker 4: the five hundred, everybody on the fire UND thirty nine.
• 1:15:01
  Speaker 5: And I don't even fuck with the East Side in
• 1:15:05
  Speaker 5: my life. Lady twenty five.
• 1:15:11
  Speaker 8: Ninety at the seventieed no playing.
• 1:15:19
  Speaker 5: For real, No bro, I'm the team with God Love.
• 1:15:25
  Speaker 5: But this was bad.
• 1:15:26
  Speaker 1: But put me down here side. I gotta see how
• 1:15:29
  Speaker 1: you feel about some of these things. But all right,
• 1:15:30
  Speaker 1: who you got winning the chip this year? Who's taking it?
• 1:15:32
  Speaker 5: Okay?
• 1:15:33
  Speaker 4: So who I want or who I got both? Who
• 1:15:36
  Speaker 4: I want is Cleveland?
• 1:15:38
  Speaker 5: Yeah? Who I who I think gonna win it? I'm
• 1:15:43
  Speaker 5: going Boston.
• 1:15:45
  Speaker 4: I want Boston to beat Okay, see because y'all talking
• 1:15:48
  Speaker 4: all this s g A.
• 1:15:53
  Speaker 5: Who you're looking at me?
• 1:15:54
  Speaker 4: I'm going Boston, going Boston, respect, But I want Cleveland, though,
• 1:15:58
  Speaker 4: come on, James, get us one to.
• 1:16:00
  Speaker 5: See James me too. Yeah, for sure, are you a
• 1:16:04
  Speaker 5: Falcons fan. Mm hmm. Everybody do that to the Falcon
• 1:16:10
  Speaker 5: That is crazy.
• 1:16:11
  Speaker 4: I mean we fan could we just from Atlanta so
• 1:16:15
  Speaker 4: it's like, you know what I mean, it's like we're here.
• 1:16:19
  Speaker 5: Though.
• 1:16:20
  Speaker 4: Yeah, yeah, we need to we need a real quarterback
• 1:16:23
  Speaker 4: though who they'replegic too.
• 1:16:29
  Speaker 5: Don't do that, bro.
• 1:16:32
  Speaker 3: To Bro, he might not make it.
• 1:16:34
  Speaker 5: He is a sack away.
• 1:16:36
  Speaker 4: That's that that nigga might fall on, Nigga might jog
• 1:16:40
  Speaker 4: onto the field.
• 1:16:41
  Speaker 5: Or something happen to him. Come out to tell.
• 1:16:44
  Speaker 4: Yeah, y'all, Bro, crazy not paraplegia.
• 1:16:52
  Speaker 5: Man, We appreciate you for show Man, y'all. Man, long
• 1:16:56
  Speaker 5: time coming man fan of y'all show Man. Yes, Bro,
• 1:17:00
  Speaker 5: I'm a teg fan this person. Yeah, Bro, you know
• 1:17:03
  Speaker 5: what I mean.
• 1:17:04
  Speaker 4: Like I'm an Atlanta house family. You know, my favorite
• 1:17:07
  Speaker 4: basketball player with Mookie blaylock Cod. You know what I'm saying.
• 1:17:10
  Speaker 4: He was the original Tea you know what I mean.
• 1:17:13
  Speaker 4: So I'm I go back that far from Atlanta. So
• 1:17:16
  Speaker 4: I appreciate that.
• 1:17:17
  Speaker 5: Bro.
• 1:17:17
  Speaker 4: I watch You'll show all the time, y'all hilarious and
• 1:17:20
  Speaker 4: y'all got good taste. And your brother not here, man, Yeah,
• 1:17:23
  Speaker 4: he's somewhere yeah, oh man, you gotta tell man.
• 1:17:27
  Speaker 1: I'm looking for him. Brot for show Man. Listen man happy,
• 1:17:31
  Speaker 1: we can make this finally having a show man.
• 1:17:33
  Speaker 2: So I how to press one of our favorite rappers,
• 1:17:35
  Speaker 2: one of your favorite rappers.
• 1:17:37
  Speaker 5: Tap In New projects on the way, the.
• 1:17:40
  Speaker 4: Story of mster e got two months, were rolling it out,
• 1:17:43
  Speaker 4: Let get.
• 1:17:44
  Speaker 2: It tap In Club five, twenty shots, sponsors, one much
• 1:17:46
  Speaker 2: time boost my old family taping.
• 1:17:48
  Speaker 1: How he told you I spend the block. I have
• 1:17:51
  Speaker 1: to pay for this one. You know what I'm saying.
• 1:17:52
  Speaker 1: But you know what I'm saying. We don't make it
• 1:17:53
  Speaker 1: back for show shouts to stock extra shots of hard
• 1:17:55
  Speaker 1: rock back until next time we out Peace