Latest / Flail to the Face: A "Compatible with Mörk Borg" Actual Play Podcast / Season One, Episode 3: Trapped Within Part 3: Goblin Mode

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Season One, Episode 3: Trapped Within Part 3: Goblin Mode · Flail to the Face: A "Compatible with Mörk Borg" Actual Play Podcast

0:01
Greeting Scum and Welcome to Flail to the Face, My name is
0:04
Cannibal. Chris and I will be our GM as we
0:06
continue to play Trapped Within. Hello, I am Levi.
0:10
I am currently playing Fish Baskins.
0:13
Hi, I'm Thomas. I'm currently playing We Met.
0:16
I'm Kevin and I'm currently playing Scoots.
0:19
And I'm Paul Corbs. I'm Nathan.
0:23
I'm General Cedric Balthazar. At least the flail.
0:53
So last we left you guys. You guys were pressed up against
0:56
the walls in the ballroom. They're balls to the walls or
0:59
something. In amongst this, Paul is crushed
1:02
under one of these balls. The rest of you are alive,
1:06
although Scoots is a nice arrow sticking out of his chest.
1:10
Anook is here and so is this golden skeleton who just sitting
1:14
on one of the balls. So.
1:16
No. Go ahead, Scoots.
1:20
No, that's all right. I was actually going to cuz I
1:23
have this arrow stuck in my chest.
1:25
I'm gonna. Break the shaft off at the skin
1:29
level, leaving whatever Arrowhead in there, and I'm just
1:33
gonna cauterize it with my hand. Okay, I like.
1:36
That I'm sure walking around with an arrow in my chest is not
1:38
gonna be good. So okay.
1:40
So breaking that off, cauterizing it.
1:41
That's not gonna require a role to do, necessarily, but you do
1:45
have an Arrowhead stuck in your chest.
1:48
Why didn't you remove it? I would have broke it by the
1:51
feathers. Well, if I were to pull it out,
1:53
I probably would have bled out. I'm not feeling too good.
1:55
I could use a timeout or not death if that's all possible.
2:02
Sorry RIP Paul. I was looking forward some more
2:06
meat for my cart, I want to say. Some meat for you that that will
2:10
has a 2% chance of reaching your heart.
2:13
Every fucking knew it. I knew it.
2:16
I read your mind in a very Arthur Higgins kind of way.
2:19
You know, we won't do the escalating percentage.
2:22
It's just a flat 2% every day. So every dawn in amongst all
2:26
this stuff, you have to roll. Give me a D100 every dawn and if
2:29
you roll a one or two he's going to get it kills you.
2:31
You never know. I hope not cuz that's that would
2:33
be funny. But I mean, I mean, you know,
2:37
but for him it'll be. I really do hope it, apparently.
2:40
For him, it'll be loud and painful, very like.
2:42
Well, silent. Well, who knows?
2:43
The Arrowhead explodes. Yeah, what is loud about it?
2:47
Why is it beeping over there screaming?
2:49
Yeah. Oh, the screaming, glowing beep
2:54
so we can tracer. Everyone get out.
2:57
What about what about Paul? What about him?
3:00
There's no there's not much we can do about him.
3:03
He's, he's pancaked. He's barely even that.
3:06
Sounds like a bag of potato chips being crushed when he
3:09
died. Extra crisp.
3:12
I'm gonna the very I'm. Gonna check his prison pocket.
3:15
It's what he would have wanted. Oh my God.
3:21
Yeah. Son of a bitch.
3:24
Grabby sheep too. Get about that off fucking
3:25
video, man. That's so good, He definitely
3:28
would have wanted damn sure it. Seemed all right when it was
3:31
goblins, but this is. That's, yeah, whatever.
3:34
It's fine. It wasn't.
3:35
That's the. Only thing that's intact.
3:38
Yeah, in my prison pocket. Your rectum is just a solid.
3:40
It's still but everything else. It wasn't squeezed out like
3:43
toothpaste. Oh, that's Fairpoint.
3:45
That'd be really hard to get to, I imagine, because he's I.
3:48
Was actually thinking like that, that that big ball just went
3:51
right down the center, so it just squished him.
3:53
So it's like arms in it. Oh, OK, yeah, yeah, that makes
3:56
sense. And he's probably not under the
3:57
ball because the ball rolled past him.
4:00
I really over. He's stuck under it like that.
4:02
That guard was stuck in the lava thing.
4:04
Oh yeah, no, he's probably like plastic side of it, you know
4:07
what I mean? Like it rolled and picked him
4:09
up. And then so as it settled, yeah.
4:12
Well, God, that's all you're going to get.
4:14
Ceremonious death. To be fair, we just met you, so
4:18
you're lucky we're going to loot your body and check your rectum.
4:21
You just met. Whatever you do, don't don't
4:23
take that. Damn Wig.
4:25
Grab that shit, toupee. Anybody want the daggers?
4:30
He had? No.
4:31
Cool. Fuck it.
4:33
All right, I'm going to go for the door.
4:34
OK. You're not going to check it for
4:36
the pocket? No, I thought you were going to.
4:39
I was ready for it. If.
4:41
You're not going to do it, I'm. Going to do it.
4:43
You know that 5th? Well, my hands are on fire.
4:45
I'm just going to sear it closed.
4:47
If I get in there, my hand is stuck.
4:50
OK, so. OK.
4:53
Actually, We Met is going to go pick up one of the daggers, OK?
4:57
Smart. Thank you, Paul.
4:59
I'll be sure to stab a rich person for you.
5:01
Nice. If they're not going to check
5:05
his prison pocket, I will. I know you will.
5:07
I will. So you're going to actually?
5:09
Yeah, 100%. What does he find Jake?
5:12
What does he? Find I get to roll on the table.
5:14
Well, come on, Jake wants you to.
5:17
I think he's the well worn he. Didn't get him in, He just
5:19
couldn't get him in. No, you can find it far.
5:25
In. The boots.
5:26
There you go. They're actual boots.
5:28
Yeah, the fuck. Do they look nice?
5:31
Probably not anymore. They're well worn in.
5:35
A quick rinse maybe? I can take a piss.
5:39
I've stepped in worse shit eating worse.
5:42
Well, I'm surprised he he actually did get those in.
5:45
How did he forget? You didn't seem like you reached
5:48
very far. Oh no, they're probably just
5:50
under the surface. Alright, it's minus D2.
5:54
Incoming damage can move through mud, muck, and other lawful
5:58
ground, unchallenged lawful cool.
5:59
So it's light armor with some some foot qualities.
6:03
And it's for muck. And you couldn't get him out of
6:05
your rectum. That's a great point you gotta
6:11
wear them from. That so it's tier one armor with
6:13
like a bonus for fucking terrain shit.
6:17
Does that also get a stinky repellent?
6:21
No one's taking the wig, I imagine.
6:22
So it's not a goblin. We can No, it's not a goblin.
6:25
That's true. It's just human shit.
6:26
That's pretty commonplace. Especially we're all littered
6:29
with it, Human shit and blood. So yeah, that's.
6:31
That's just another Monday. Yeah.
6:33
Yep. Yeah, that's actually true.
6:34
It's just another. Tuesday.
6:37
The only downfall is these things are covering up my
6:39
puppies. You were.
6:42
You were walking barefoot before?
6:43
Oh yeah. Oh God, see his toes.
6:45
Yeah, of course. Always.
6:47
Oh, if anything, it's seasoning your toe bits there too.
6:50
I gotta go. I can't do this.
6:51
It's a. Safer flavor?
6:53
OK. What about you, Goldie?
6:56
Oh yeah, no, this fucking weird you guys and insistence on.
7:03
What are you talking about? Sodomy.
7:05
Not quite that, but it's adjacent on it.
7:08
It's definitely adjacent. Yeah, it's very close.
7:11
Yes. What's your plans?
7:12
Well, why were we? Where did you come from?
7:15
Oh, that's a great question. I wish I had an answer.
7:17
You just. What are you doing with your
7:19
toes? Existed behind the door.
7:21
I I was walking and then I opened the door and here I was.
7:26
The parts before that are a bit foggy, like why am I gold?
7:29
Am I an actual skeleton or am I made of gold?
7:31
Why am I sentient? Who the fuck knows?
7:33
Those toes would look good on my charm.
7:35
Bracelet not no, no. It look good.
7:37
I'm just blowing anyone's charm Bracelet.
7:40
You don't want those? No, I'm still walking.
7:42
Well. Do I look familiar to you?
7:46
I mean, I don't want to sound like we're just classifying
7:50
people, but I mean, we all look the same, don't we?
7:52
Whoa, whoa. Except for me.
7:53
I mean, I'm gold. He's bone.
7:55
You're very gold. Yeah, But yeah.
7:56
No, I don't think I know you. I've looked at your facial
7:58
structure, large, high cheekbones.
8:01
But I don't think I know you. Almost like a feminine pelvis,
8:07
in a way. Just a little bit.
8:10
I guess I don't like them, you know that, I mean.
8:14
As a butcher, I've seen a lot of crotch.
8:17
Well, I'm not sure if you are this is a better place than the
8:21
one you came from, but I honestly don't know either.
8:24
We just we just lost a sad little boy we could use.
8:28
Just a desperate farhand, poor guy.
8:32
Oh yeah, he loved talking about carrots.
8:34
Cabbage and. Whatever.
8:37
Just like potatoes. Anybody else done being squished
8:39
in this room of balls? I was just curious about how
8:42
eager he is to kill rich people. Oh, I mean, you know, the usual
8:47
amount. All right.
8:49
I was just curious about whether or not you considered yourself
8:51
to be rich in that scenario. No, probably.
8:55
I mean, he looks at himself like trying to hide the most obvious
8:59
quality. Yeah, not.
9:01
Not particularly, no. Well, it's all right.
9:03
You probably lost the guy who was most likely to try and
9:06
murder you. Regardless, you can come with us
9:08
if you don't want to hang out with all these balls.
9:10
Yeah, I know, that sounds fine. Is this old guy part of your
9:13
thing too? Unfortunately, yeah,
9:16
unfortunately. Just be our ticket out.
9:18
Oh, gosh. Oh, yeah.
9:19
No, that ticket's expired. Do you think?
9:24
Oh, you OK? I know that you guys.
9:26
And he puts his hand on scootch shoulder.
9:29
It is kind of stinky. He smells, He says he smells
9:31
like death, just like he's a corpse, that he's been
9:35
underwater for a while. That's just hand that's on my
9:37
shoulder. Oh yeah, that's that's pretty
9:39
fucking hot. No.
9:41
And he doesn't move, he doesn't resist and his like sleeve
9:45
catches a little and eventually probably a lot, but.
9:50
No, I know that you guys think I know the way out of here.
9:52
And let me tell you, if I did, what wouldn't be here telling
9:55
you about it? No, but I'm literally relying on
9:58
you guys to Get Me Out of here. Now I know that's.
10:01
I felt like that was stated immediately.
10:03
I don't know. No, I'm not.
10:06
And I'm going to help. I mean I can give you a little
10:08
snippets of the. Listen, I, I, I agree with the
10:13
Human Torch here. We should probably not spend
10:15
this entire time hanging out in here.
10:18
You mean me And he's like 1/2 on fire.
10:23
Sorry, take my hand off. I'm in.
10:25
Somebody piss him out. He just rolls around on the
10:27
ground, kind of feebly. Like it's kind of working stop.
10:31
We we meant we'll kick some dirt on him.
10:34
Oh, thank you kindly. I'll try to put him out with my
10:36
Wellingtons. Yeah, no, keep eating you.
10:38
Stop. Stop.
10:40
Yeah, this is a sort of gang beating at this point.
10:45
I don't know about you guys, but a I want to get out of this room
10:48
and BI I'm not feeling too good if we can get somewhere to.
10:52
I don't know. Rest or take a break or I don't
10:55
know. I I feel like one more hit from
10:58
anything. I'm gonna be right there with
11:00
Paul. RIP buddy.
11:02
As you say, all that the door that you guys came into this
11:05
room from swings open. Oh no.
11:07
And there's a person standing in the doorway.
11:09
Oh no, it's not a person. What?
11:12
What? What?
11:13
What is it? Jay.
11:14
Oh God, OK. So what you see before you is a
11:19
mutated goblin. Oh no.
11:21
What? This goblin curse has twisted my
11:23
body and racked my mind. Food.
11:26
Eat. Bite.
11:27
There's yet a glimmer of The Shining in your beady little
11:30
eyes, though. Sure, you're a feral killing
11:32
machine who's motivated by the most debased and cruel
11:35
intentions, but have you met the other members of your party?
11:38
So I'm. I'm not too worried.
11:39
Yeah, yeah. Why on earth are you such an odd
11:43
goblin prick? From a mutated goblin rose that
11:46
sits dried next to a love letter.
11:47
Addresses somewhere in the Wasteland Sea Murder Blues and
11:51
her on my mind. Selfish and over imaginative
11:54
spit blood scab collector. There's just some of my traits,
11:59
I guess just a real just stand up.
12:01
We're just waxing poetically. Yeah I'm also illiterate but I
12:05
can eat scrolls for my for my rations cuz I have ropey skin so
12:09
I gotta eat like twice as much food.
12:11
I'm not sure how that works. I have a tablet.
12:13
Yeah, and my shooter don't work. I'm impotent.
12:18
I was like, yeah, broken crossbow.
12:23
Nope. His penis.
12:24
He's got a broken crossbow. I can't pass.
12:27
I can't pass along a goblin curse, but people still despise
12:30
me, so my reaction tests are reduced by two.
12:33
That's actually. Pretty nice, yeah.
12:35
I have terrible, I have terrible stats.
12:39
So, so that'll be fun. It will be.
12:41
It'll be fine. So yeah, this person isn't
12:43
standing there in the doorway. Kill it.
12:45
Kill it now. Yeah, we've been just like it
12:48
throws the bar that I was still carrying.
12:51
You're throwing it at him? Yep.
12:52
OK, What strength? I guess we'll go.
12:57
It's range. So presence, yeah, that's fine.
13:01
Go presence versus agility and I guess it's just the.
13:04
What the fuck? Who hits wins.
13:05
You're a fucking who survives that or whatever.
13:08
But I'm a cute boy, sure. Oh fuck would you get for your
13:14
presence, Thomas? I I got an 8, would you get?
13:17
I got a, I got an 8. You got an 8 as.
13:19
Well, well, seven on the dice, but my fucking agility goes up,
13:23
so yeah, yeah. So 8 versus.
13:24
I I I would lean towards defender wins the tie.
13:27
So I would too. Yeah, Dodge is out of the way.
13:31
Yeah. Clean bar behind him.
13:37
What? That is terrible.
13:39
What? What the?
13:42
Come, come again? What?
13:45
Oh. Kill it now.
13:47
Do you need a liar? Do you need a laws?
13:49
I was going to say you need a drink of water.
13:51
Because you will by the end of this episode with.
13:56
That I'm, I mean, I can. I've said it before, I can piss.
14:00
I'll eat you. What's he saying?
14:02
I. Think, he said.
14:03
He'll eat you. Scoots is just standing there in
14:07
complete terror cuz he's already had to deal with two different
14:10
goblins and this one's actually trying to communicate, so he
14:13
doesn't know what to do with it. He heard somebody burn it with
14:15
fire and he's holding his hands up like.
14:17
Hold on there. I'm gonna shuffle over to Paul's
14:20
corpse and grab some rectum and start chewing on it.
14:23
Oh, wow. Maybe we just leave it to eve
14:27
him. I know it's not.
14:28
Brothels what? Are you?
14:31
I can't name is brothels. I hate this.
14:35
His name is Muscles. Yeah.
14:38
Are you as interpreter now there, Annick?
14:40
No, I can kind of. I can kind of get a little
14:41
something. You guys are all pretty confused
14:44
when he speaks. Like I'm kind of getting
14:45
something. I don't know.
14:46
How about let's keep on communication to Yes and no?
14:53
Great. Like are you going to attack us?
14:59
Yes. No.
15:04
All right, that's it. I'm out and I'm going out the
15:06
door. Agree.
15:07
I'm. Going to follow them.
15:09
Yeah. Come on, little man.
15:10
Yeah. Get over here, twinkle toes, and
15:12
I grabbed the skeleton by his. Maybe.
15:14
Which one? The golden one.
15:17
Twinkle toes, twinkle, twinkle. Well, actually, I don't have to
15:23
walk this way, so you might ask me.
15:25
Just put his arms behind his head and let you drag him.
15:29
I'm going to pop. I'm going to try to pop off a
15:30
couple toes with. Sorry, and they're just so
15:34
shiny. Yeah, it's probably not good to
15:37
eat though. Yeah, I honestly, you're gonna
15:38
break some tea. Speaking of my stomach.
15:41
Doesn't feel right. Mine does neither, but I don't
15:44
care. Do they have Taco Bell in the
15:47
dying? I was just thinking that dude.
15:50
Well, when all you do is eat human flesh, I think I always
15:53
got the shits you got. You have like E coli
15:55
perpetually. Ulcers in his throat, somehow
15:58
still not dying from it. We leave the doorway.
16:02
OK, you guys head back out into the hallway that you know that
16:05
looking from your current position, if you were to take
16:08
this down and take a left, you would end up back at the cells
16:11
on the lower floor. If you were to continue on down
16:13
that hall, you would go to the door that you looked in earlier
16:17
with the screaming and darkness. It's more like a distant scream,
16:22
like something's going on down in there.
16:24
That twisting, winding hallway or whatever, yes.
16:27
OK. Is there a spot to pull off to
16:29
take a break or whatever? Like, is there like, is there
16:33
like barrels of water or anything?
16:35
Give me a presence test. Just gonna call it standard
16:37
test. Yeah, I realized like a good way
16:39
for me to do things when you guys ask me if there are things
16:41
around is to make you try to find it.
16:43
You know what I mean? This is what I do. 17 on the
16:46
diet +2 So that's a 19. Yeah.
16:48
So you're kind of looking around as you guys are meandering out
16:51
of this room and you see back at the concourse, we'll call it the
16:56
cells on this floor that there is like a water bucket that's
16:59
probably there to just keep the prisoners of water.
17:02
It might be it is a barrel, not a bucket, that's a bucket and a
17:04
barrel mostly water. Yeah, you do find that.
17:07
Okay. I would like to take a break and
17:12
try to regain some hit points and drink some water.
17:14
Okay doing the kind of in this concourse here where the and now
17:17
keep in mind that that that that lava ooze thing that was eating
17:20
that guard is at this point completely devoured him and it's
17:23
just kind of sitting there in the spot like he's that you
17:26
can't even see the guards remains anymore because it's
17:28
just so engulfed by this thing and it just kind of sit there
17:30
pulsating. That's fine.
17:32
I will make it a quick break. Just keeping eye contact on that
17:36
thing like it was a bee in the room.
17:40
Maybe you should wet your whistle while we're here all.
17:43
Right. So I'm going to go up to this
17:44
barrel. I'm going to look at both of my
17:46
hands knowing that I can't pick up any sort of cup and I'm just
17:48
going to face plant right into the barrel and start drinking
17:51
some water I. Drink the same way.
17:54
You got ice seasonal too. Sometimes most of them just
17:57
staring at the sun, which doesn't exist.
18:00
You don't actually drink from that barrel, do you?
18:03
No, there's one upstairs too. Or upstairs.
18:06
Whatever. I I just don't want Scoots to
18:08
accidentally drink part of you. No, I get that.
18:11
Yeah, that would be gross. I wouldn't wish that.
18:14
I don't know. Lift my head out of the barrel.
18:15
I don't want that either. And the water here is like, it
18:20
doesn't, it doesn't taste fresh, but it doesn't taste bad.
18:23
You know, like it's just stagnant.
18:25
It's, yeah, It's not like particularly, like vetted.
18:28
Is that gonna be like a like a hindrance on the restoring hit
18:31
points? No.
18:32
I would say that it it pretty much just does enough for you to
18:35
successfully do that. OK, I'm gonna roll the D4 then
18:37
for the restoring a hit points go for it.
18:40
Anybody else wanting to take a rest here, do what you got to do
18:42
it as well. Kind of want to open my box of
18:44
Locust Three. Do what you want, man.
18:46
It's not gonna be as detrimental right now.
18:48
I'll wait. I'll wait till it's gonna be
18:51
there. I'll.
18:52
I'll wait till it really hinders them.
18:54
Yeah. That was a three on the die, so
18:56
I'm at 4 out of five now. Wonderful.
18:58
That's not enough 80 percent. Anybody else need to heal?
19:01
I don't think so. No.
19:02
I'm gay. All right, mussels.
19:05
Is that actually your name? It's.
19:06
Brussels, Brussels. Oh, I call them mussels.
19:08
Brussels. How would you know?
19:11
Yeah, fair enough. I tried.
19:13
I literally thought you said that.
19:14
OK, what's his hit points 6/6? That's too many.
19:18
That's a beefy boy he is. Beef.
19:19
Pretty beef. Well really only one of you is
19:22
under 6 and that scoots so he's just the anti beast.
19:26
So you guys take a little rest. Where you guys headed?
19:28
At this point? You do know that if you go back
19:30
into the hallway that you came from and take a left, you'd end
19:32
the back of the room with the doors.
19:34
If you take a right you'll end up at the screaming hall.
19:36
We will call it that. You also know that in this room
19:39
on the West wall there are three cells, two which are empty.
19:41
All furniture is burned out. You see that in the central
19:44
central cell of those three there is a guy sitting on his
19:48
bunk and just his cell is like charred black.
19:53
Just anyone that was mumbling earlier.
19:55
Yes, same guy. Yep, he's just he doesn't really
19:57
pay you guys any mind as you guys are in here, but he is
20:00
there. Again, on the east wall there is
20:03
3 cells as well. The central one is where you've
20:05
seen bass fly out and you saw in that back wall of that cell
20:09
there was a hole. And then of course, to the South
20:11
there are three cells as well. The second one looks like it
20:14
isn't necessarily a cell, but a hallway.
20:16
Just looks like it's in the same place as one, and it does lead
20:19
to some kind of room with a glow faint distant light from beyond
20:23
it. Right.
20:24
We meant it's going to go ahead and walk towards that central
20:28
cell with the guy sitting there, OK and.
20:30
Sad and lonely. What's the best way out of here?
20:35
Through death. That trick.
20:37
So yeah, it's not wrong probably.
20:39
About, I mean that's how Paul got out, I guess so.
20:42
That's. An actual winner here.
20:44
He gets up off of his bunk and walks over to the cell, and he
20:47
kind of see him a little more in the lightning.
20:49
He looks like he's a burn victim.
20:51
A heavy, heavy burn victim that's untreated.
20:55
How close is he to the bars? He's right at the bars.
20:57
They're gonna hold in the bars. I'm gonna grab his hand and try
21:00
to eat it. You, like, pulled it back?
21:03
You're gonna you're gonna pull? Yeah.
21:05
Alright. Give me a strength test.
21:07
It's not great. Ohh boy 1818 ohh fuck yeah you
21:11
pulled him to the point where he.
21:12
Yeah, you pull him to the bars and he's like, he's he's to the
21:15
shoulder. His shoulder is up against the
21:17
bars in his entire torch. I'm gonna put both feet up onto
21:19
the bars and then yank off on the shoulder.
21:22
You're gonna yank off his shoulder.
21:23
You're gonna try to rip his arm off.
21:24
Yeah. Oh my.
21:25
Gosh, that 18 strengths. That's, I mean, probably enough,
21:30
yeah. Yeah.
21:31
So you, yeah, you put your feet up on the you put your feet up
21:34
on the bars and they pretty much have them in an arm bar.
21:37
And you just feel the shoulders separate and just the charred
21:41
flesh rip and you fall back onto the ground with this arm and
21:45
he's just screaming bloody. Murder, right?
21:47
I drag that off into the corner, into the dark, and I eat.
21:50
What is wrong with? This guy, he's a, I don't know,
21:53
goblin. The fact that you don't allow
21:55
them to follow us in the 1st place is actually fucking
21:58
insane. Why do you think I?
21:59
Didn't allow him to do it. He just fucking did it.
22:02
Why do you think? He's going to get the guard to.
22:04
Be To be fair, he kind of fits in to say it.
22:08
See, you guys pretty much do the same thing.
22:10
I mean, it's not the cruelest way I've seen someone get old,
22:13
but I mean, it just kind of sat there and watched.
22:16
I mean, it wasn't going to. I mean, who's the real monster?
22:19
Yeah. And he needed to.
22:22
Die. Can't we get a muzzle for him or
22:24
something? Or a leash.
22:26
Just see some bee red eyes flash from the dark.
22:31
It's pretty good. Are you done eating that?
22:33
Burnt. Whatever.
22:35
And he's going to keep screaming.
22:37
Ours are going to come. We're going to be proper fucked.
22:39
We need to get out. Of here we need to we need to
22:41
go. Yeah, well, I guess we only have
22:44
real one option in the world where we don't want to walk
22:47
into. What did you say?
22:48
Screaming door. I mean, we already went the
22:51
other way. The other way, the hallway, this
22:54
hallway here, but will you shut up the other screaming the the
22:59
door with the light there? Russell's is going to walk up to
23:02
We Met and hold out his hand like a small child.
23:06
Yeah, but you want to hold your hand, Yeah.
23:08
While I'm very. Apprehensively, like put my hand
23:11
down. Don't touch you and.
23:13
Then I reach my hand out and put it in his and then hold on and I
23:17
keep eating with the other with the.
23:20
Other hand. This is kind of adorable in a
23:22
weird, sick way. Oh.
23:26
My all right, you little murder monster.
23:30
Let's go this way. We agreed on yes and no.
23:41
He points at you with the arm. I hate that.
23:45
Shit. Shit.
23:46
Ass. I guess.
23:49
I guess we've imprinted on him now.
23:50
He's he's ours. Yeah, yeah, yeah.
23:52
That's. True, and I'm the weird one you
23:55
are. No, you are.
23:56
Absolutely. We take a boat.
23:58
It's you first. You are the athlete, the weird
24:01
uncle in this. No, no does.
24:04
That make me cripple. While I have the skeleton's legs
24:08
over my shoulders. Yep, weird uncle.
24:11
Holy fuck. So you said that there was a
24:13
place where a cell would have been that is instead a hall with
24:16
light coming out of the far end of it.
24:18
Yep. It is not the screaming door.
24:20
It is not. That is the one I was talking.
24:22
About that is where we would go the screaming door or the
24:26
central S thing. Screaming everywhere now.
24:29
I mean, that is actually kind of true.
24:30
That guy's still screaming in the cell a little bit quieter
24:33
after you told him to shut up, though.
24:36
So are we going towards the light or are we going towards
24:38
the screaming? Either way, we gotta go
24:40
somewhere because. Let's go, Yeah, we're gonna go
24:42
towards the light. Let's go, Mama Weemit.
24:47
Mama weemit. Mama weemit.
24:52
Mama weemit. Okay.
24:54
So you guys head South through this, what would be a cell but
24:58
isn't, And screams kind of happen or emit from this floor
25:03
as well. You can't escape it.
25:05
And that fake disin light as you enter this little hallway,
25:08
scoots. Your hands burn out as always as
25:11
this weird darkness that you're familiar with.
25:14
This the technotronic darkness. I just think if we met, you
25:17
know, doing his beat box in the hall that same way.
25:21
Yeah, exactly. How do you do that without
25:25
limps? That's a great question.
25:27
That's all you. Do without vocal cords.
25:29
That's an even better question. Anyways.
25:31
Or tone. How is the skeleton sentient
25:35
anyway? Well, now you're just looking
25:37
too far into it. That's what I do.
25:40
OK, so And this hallway eventually opens up to a large
25:42
room, and you notice small ooblets everywhere in the floor,
25:46
this little bottomless shaft also in standing over one of
25:52
them with a fishing rod dangling down into it.
25:55
A skeleton fishing man. Why are there so many skeletons
26:00
here? You see that?
26:01
He's got a an imprisoned goblin. He's got a piece of meat
26:04
attached to his fishing rod. You this fisherman points at
26:10
Brussels. Oh no, you.
26:14
It was you. You killed me.
26:16
What did I Oh, did you? Is he right?
26:19
He probably killed a lot of people.
26:20
He might be right. Who knows?
26:22
It's up to you. Yeah.
26:24
Yeah. I throw my Bola.
26:25
You. You throw your ball at it?
26:27
Yes. OK, give me your presence test.
26:30
Oh fuck. It's presence.
26:31
Yeah, we're throwing, yeah, yeah, but we're for range in
26:33
general. Remember when we got that wrong?
26:37
OK, well then I got a 15 cuz I have -, 3 to press.
26:42
Yeah. So yeah, you throw that and it
26:43
wraps around his throat and it just like with the weight of it,
26:47
it pulls him down and he just tumbles.
26:49
What do you what the sequin flip for?
26:50
D2 Damage. Don't worry about that man.
26:54
He's dead. You hit him and yeah, with the
26:56
weight of the Bola, he just gets throat taken down into one of
26:58
the obliquets and you're. Well, if you didn't kill him
27:03
before, like your short spot killed him now.
27:07
I hope you didn't want that back.
27:09
We said yes and no. No.
27:12
Exactly. The goblin in the little little
27:16
box that he's that he was in, that the fisherman was fucking
27:20
with tilts over the side of this of one of these Oubli.
27:24
It's not the one he fell in, but it just starts tipping and you
27:26
see him like, panicked up against the bars of this thing
27:28
I'm. Gonna grab it?
27:30
You are? Yeah.
27:31
Give me agility test. Okay.
27:32
See how quickly you are. Please kill me now, Natural 20.
27:37
So this thing is like, you see that this thing has released
27:40
from the ground and it is airborne at this point.
27:42
It's going down right at the moment that Brussels grabs it
27:45
and just whips it back onto the onto the ground.
27:47
Can I open it? Yeah, it just you see, like
27:49
there's a latch that he couldn't get from inside, apparently.
27:52
I unleash my brother. No.
27:54
No, no, no, no. No.
27:56
Like try and slap his hands away from it.
27:59
Kaka no. Kaka women, are you actively
28:04
trying to do that? Yeah, we'll give you a Jilly to
28:06
test for that as well. Keep it quick enough, OK?
28:08
Oh my God, you. Listen to your mother.
28:12
That's a nine at the nine, yeah, you're not quite quick enough.
28:15
And then the goblin manages to leave his cage, and he wraps his
28:18
arms around Brussels and. I suppose he whispers some
28:22
really creepy stuff in your ear. What did it sound like, Chris?
28:27
Oh yeah, some weird something. Something, if you really want
28:29
it. Anything really did.
28:30
Just, you know, just no, no. No backdoor stuff?
28:34
No. No prison pocket stuff.
28:38
We got enough of it. I heard some weird shit about
28:42
what happened to my other brothers.
28:44
May I approach the bench? Yeah.
28:45
Well, yeah, go ahead. I would like to make a companion
28:48
today. You want him to be a follower?
28:50
Yeah, I also have a goat, by the way.
28:52
I forgot I had a goat or. You just wandering on this
28:56
place. The goat is nowhere to be found
28:59
at the moment. I don't have my Ox either, so
29:01
that's very long as I forgot to mention that too.
29:03
I also don't have a tenfold. You're also a prisoner down
29:05
here, so you don't have probably a lot of the stuff that you
29:08
generated to having, but the Bola you did have, you no longer
29:12
have because the bullets have just gotten down the hole.
29:14
So that was probably the last thing you had besides that arm
29:18
about that dude. Being a goblin myself, I'm gonna
29:22
try to befriend this one and have him come with me okay.
29:25
And as we talk, we sound normal to each other.
29:29
I like that. That's really good.
29:30
That sounds actually pretty good.
29:31
That sounds easier for us to do. Yeah, absolutely.
29:34
Give me okay. So determine how successful you
29:36
are at this. Give me a reaction role, which
29:39
is a 2D6, but we're gonna give it a plus or because of how much
29:43
you've done for him, right? You're you're a goblin as well.
29:46
That's a +2. You know, you save freedom from
29:48
the cage. That's another +2.
29:49
I don't know. It makes sense to me.
29:52
As they are speaking to each other, we it's going to kind of
29:55
look over, etc. I don't know what they're
29:57
talking about, but if they start having sex, I'm out.
30:04
Put it on the table. My initial reaction was to
30:07
agree, but that's part of me that's curious shit.
30:12
I'm gonna. Cover my eyes.
30:15
No. Yeah, don't do that.
30:16
That that probably hurts. Oh God he.
30:19
Used to wait, they're on fire Anyways, he has big big third
30:22
degree burns on. His face.
30:24
They've been there the whole. Time thought that was just
30:26
makeup. Yeah, it just burns on burns on
30:28
burns. What did you get my guy?
30:30
2D6 Adam together? Yep, 5 5 + 4 nine.
30:34
So he's almost friendly. Can I omen anything here?
30:39
Is this worth spending an omen on?
30:40
Yes it is for him. Probably.
30:42
I will allow you to just spend an omen to make that help reroll
30:45
one. You don't even have to reroll
30:47
it. You could just make it the Max
30:48
result then cuz you're one under it, which is just helpful.
30:50
So I would call that yeah, you successfully recruited this
30:54
goblin. How does the fucking?
30:56
Homeboy, how does it sound with your normal goblin voice
30:59
already, partner? Oh yeah, you already have the
31:01
voice. What was it again?
31:04
They sound normal when they're talking to each other, remember?
31:05
Something you already? Oh, yeah, yeah, yeah.
31:08
Yeah. OK.
31:09
Hey, I really appreciate what you've done.
31:11
Yeah, no problem, partner. I think I've already offered.
31:14
I didn't mention that. I'll pick up some cabbage later.
31:16
They don't call me Brussels for nothing.
31:18
All right, Brussels. And there are little cabbages I.
31:21
Suppose. Yeah.
31:22
Yeah. I'll tell you what, You come
31:24
with me. I'll keep you safe.
31:25
I've been following these idiots around for like 5 minutes.
31:28
They got him as fuck. Really.
31:30
Oh yeah, they got, they got, they got the good, they got the
31:32
good stuff. Flesh.
31:34
Yeah, I just hold that guy's arm off.
31:36
They make it so easy. Nice.
31:38
Call that fucker. Call him mom.
31:41
He'll do anything for it. That's it.
31:49
That guy right there, he's like a walking BBQ.
31:51
This is the best setup I got. Partner, you stay with me.
31:55
We ain't going to have no more problems, you see?
31:57
Yeah, yeah, yeah. Yeah.
31:58
Is anyone else uncomfortable with this jitter?
32:02
Oh my God, we got to put that thing down one day.
32:06
Say the word, I'll burn him to crisp.
32:08
Not yet. We might need him.
32:11
Fair enough. What else is in this room aside
32:14
from? Goblins chittering and everyone
32:16
else being really awkwardly standing around.
32:18
Well, there was a guy in here and now he's in the hole.
32:21
Yeah, it's mostly just like about a dozen of these holes.
32:24
Is there doors? Is there a There was the door
32:27
that you came in from, but no others.
32:29
So we turn around and go to the other doorway.
32:32
Before that, what's your What's this goblins name?
32:35
I don't know. What's his name?
32:36
Jake. Brian All right.
32:39
Brian, that's my go to right. I think we have a go to well
32:44
it's Paul. But then there's also don't say
32:46
the fucking we don't. All right, people, all right.
32:49
There was a Paul already. I'm.
32:51
I forget him already. So easily fucking forget it was
32:55
2 weeks ago. Oh shit, someone's fucking
33:00
screamed or then? At least this guy's dead.
33:03
Dude, you have a chance. Yeah.
33:05
Yeah, he's dead now. Yeah, he has bled out from the
33:10
missing arm. Yeah, come on little guy
33:12
grabbing the the gob Brussels hand and just break your
33:16
boyfriend to. Brian grabs my other free hand
33:22
and we we just like two kids chain after we met and then
33:26
Brian offers his other hand to Cedric.
33:30
Yeah. That dad, right?
33:31
Yes, sure is. Call him Dad.
33:33
I don't know about that one. Then he's a little, he's a
33:35
little off kilter, but he acts like a dad.
33:37
Not me. Don't touch me.
33:39
The oldest hands up to you. No.
33:42
No, don't let him touch. You know you might get
33:45
affection. I ain't letting either of them
33:47
touch me. Twinkle toes.
33:48
Keep an eye on these two. He's just doing the the grabby
33:51
hand like you're getting impatient.
33:52
But. That's gross yoke.
33:54
Stick that in your fucking pants or something and leave me the
33:57
fuck alone, you little weirdo. What's the likelihood that you
34:00
think you're gonna light this scream tunnel up?
34:04
Are his hands out? Am I reignited?
34:07
You guys leave this hallway or this Ubiette room?
34:09
Yeah, we're making our way to the screen.
34:10
As you get back out into the concourse with the cells, they
34:15
do ignite again and you guys head down to the screaming door.
34:18
You open it, you don't hear any screaming, but the deafening
34:21
silence, It feels like previous screens don't really leave it,
34:25
you know what I mean? There's just this constant echo,
34:28
but as you enter this room, you're expecting your hands to
34:30
go out, but they don't. And that you, if you look around
34:33
to those geodes, it's darned in here.
34:35
You do see, though, in this hallway, and it's you guys turn
34:38
around this left corner and you see that the hallway goes on
34:40
quite a ways. It's dark in here, except for
34:42
the light that you're emitting, of course, which is torch light,
34:44
essentially. So that's pretty much light.
34:46
You see 8 fat moose statues standing in the hallway, 4 on
34:49
each side, one of which has its head on backwards.
34:52
But before those, you see that there are about 3 cells on each
34:55
wall. And you notice on the right, on
34:58
the right side of this, as you're looking down it, the
35:00
first of those three cells is a lot bigger.
35:02
And if the door for it is, it's not a bar door like the other
35:05
two, it's more like an iron door.
35:08
Whereas on the other side, across from those two bar door
35:11
cells, 2 identical cells with the same identical doors.
35:14
But down further past that one, on the left another cell with a
35:18
a wider bar door, there's like a weird candlelight flickering
35:22
from from within it. You can see beyond that.
35:26
It's a little hard to tell due to the the light, but you can
35:29
see that there are two doors, one on the left wall and one on
35:32
the right wall. All right, pick your poison.
35:38
OK, that thing's creepy. Do we see anything in these
35:43
cells? So as you walk down this hall
35:45
past these cells that first door on the right, the big one, the
35:49
metal one you can't see into pass it obviously.
35:52
But the two cells that you see past that each of them has a
35:55
prisoner in it, and the ones on the left side, you see that one
36:01
of them has a dead body in it and it's as you walk past it you
36:05
double take at it cuz you see using corpses obviously.
36:07
You look at it, you're like, oh it's corpse, no big deal, but
36:09
you double take at it as you know it doesn't have a fucking
36:11
face, just faceless. The other is empty.
36:15
Little little boy, hungry and like patting Brussels on the
36:19
head. I lick my entire face.
36:21
It's just one big tongue, yes. I just like shove them towards
36:28
the. The body is.
36:29
You do that to you, you're pretty small, right?
36:33
So I gotta imagine. I'm gonna knuckle drag my way
36:35
over there. OK, so you you clang up against
36:37
the bars of that cell with the the faceless corpse in it and
36:40
the one next to it, that one that is empty.
36:43
The door swings open from like the impact of you doing that.
36:46
Does it now? It does Also.
36:48
Beyond that, you do see that that the wider door with the
36:51
candlelight. You guys probably aren't quite
36:53
to that yet, but it is very close.
36:55
Go check out that that their door that just opened up.
36:58
I'm gonna, I'm gonna see what kind of grits I got going on
37:01
over here. You're gonna you come in
37:03
afterwards, right? Yeah, I'll be right there.
37:05
We do that thing here, yeah. Just go fucking.
37:09
No. Check it out.
37:09
Alrighty I will. And he wanders into that open
37:12
cell door, and the door slams shut behind him.
37:14
God, nobody for like 3-3 fucking Mans making shit all weird.
37:17
You see him turn around, he's freaking out like I was monkey.
37:22
Totally. No one else got to go for.
37:25
But whatever took him out and you see that he's like, yeah,
37:28
that door closed behind him and he's stuck.
37:29
He's in that cage. What'd you do?
37:32
It's locked. It closed behind me.
37:34
Can I open? Do you do it?
37:35
You try. You like?
37:37
Yeah. This thing looks like it's
37:38
locked again. Well, you're useless now, and I
37:40
reach out and strangle them. Oh man, get a strength test.
37:47
And I'm not gonna call it a 14, I'm gonna call it a 12.
37:51
Because where he is and what you didn't expect it, it's always
37:53
about when I click against him. I use a Norman.
37:56
You gotta be kidding me. How?
37:57
Yummy, you have. So this is my last Oman.
37:59
I'll bring it up to 12 so I can fucking murder this.
38:02
You got it? Yeah.
38:02
Yeah. So you do you like your hands
38:04
around his throat? You tell me about it.
38:07
Oh, as I'm strangling them, yeah, I feel like.
38:09
I feel like he's still able to breathe and just just died.
38:12
God you can't be fucking around. You just steal all my grits and
38:16
God damn it, I feel like we're even after this.
38:18
Yeah, yeah, OK. But there we go.
38:22
Any silent. All right, Come with my own.
38:24
Brother. All right.
38:25
Let me do. I want to check his keys to real
38:27
quick. Oh my God.
38:32
I go to DAP up a nook for that and then I'm like no, no, no.
38:35
Let's do it. He's an asshole.
38:37
All right, fine. OK, I I think we need to
38:40
continue to find stuff for this little thing to murder.
38:43
Otherwise, he's gonna start targeting us.
38:45
That's not a bad idea. That makes sense.
38:47
The the room with the candlelight, Yes.
38:49
Can I walk towards that and see what's going on with that one
38:52
while he's strangling Brian? So Scoots, taking the candle
38:57
torchlight with him, walks up to this, the cell.
39:00
And you see on the inside the walls are filled with bloody
39:03
scrawlings, like it's been written on with blood.
39:07
You see this candle which is constantly burning.
39:09
But you also see a man in a in a robe in a long red robes, long
39:14
correctly black and white hair that hangs down to his waist.
39:17
You see what was his bed and in the in his cell has been made
39:22
into some kind of makeshift altar and he's got some.
39:25
Remember that little, what do we call them?
39:27
The little put, you know, from the, the one that turned into
39:30
the goblin that you guys saw. Remind.
39:36
A little Murloch creature, Yeah, that thing you see one of those,
39:39
like recently sacrificed on this altar, and you see blood kind of
39:42
still running down from the body, and he turns to you
39:46
little. Bright one.
39:48
A little creepy one. What brings you here?
39:50
What did he say? He he said.
39:53
Hello, bright one. I'm I'm assuming that's me I
39:56
probably the smartest one around here, so that makes sense.
40:00
Remains to be seen. I squinted.
40:04
We all squint out. Yeah, I.
40:05
Don't know what you guys are talking about.
40:07
You all squint? Yeah, yeah.
40:10
I I don't know how we met Squints.
40:12
Yeah. That's a very.
40:13
Point squint to me so. I think half of these reactions
40:17
are just like misinterpreted 'cause you can't fully do it.
40:21
Like how far as eyes bulge out. Yeah, yeah, It's like, are you
40:24
what do you? I'm trying to get out of here.
40:27
Do you know how to get out of here?
40:29
No, of course not. If I did, would I still be here?
40:33
I don't. That's a good question.
40:34
There's quite a few people we've seen in here that just that have
40:36
been in here forever and either know how to get out and don't
40:39
care, or don't know how to get out and don't care.
40:43
We're talking about a nuke flagger.
40:45
Yeah, that's weirdo. Yeah, he's right here.
40:48
Hey, 2 Volt. What?
40:49
Yeah, it's 2 Volt. The red.
40:50
You haven't heard of this guy or?
40:51
No. No.
40:52
No, he was a former priest of the letter.
40:56
What of? But he murdered about a dozen
41:00
people one night. That's fucking weak numbers.
41:03
Yep, Yep. No, I agree.
41:04
He claims to have been possessed by a devil.
41:07
Which he then nods. Not a claim.
41:10
No, I guess he he can he can lift curses something.
41:13
You think I'm the only one here with a complex back story?
41:17
Oh. No, just what you hear say,
41:19
really. Could he make me potent?
41:21
Could make you a fucking person. Maybe I.
41:23
Was gonna say like isn't the the mutated goblin like a goblin
41:27
curse? Yeah.
41:27
That is true. That is true.
41:30
All right, so. You don't know how to get out of
41:32
here. You look at, you get out of
41:34
here. I mean, I could.
41:38
I want him so. Separate personal question.
41:42
Bright one and bright Lord aren't interchangeable, are
41:45
they? I don't know what you're
41:47
talking. About beautiful.
41:48
That's all I needed to know. You mean the sun?
41:50
No, no, no, yes but no. Didn't clarify thing.
41:55
It's not for you. I don't give a shit about your
41:58
opinion of it. That was for me.
42:00
Nod so, like like we've. Killed a bunch of ones that kind
42:02
of look like this one, but this one's, I don't know, He's a
42:05
little more coherent than the ones we did, which means he
42:08
might be savable. Is there any way that you could
42:12
release this curse on him? And maybe we can strike a deal
42:16
to get you out of here so you can murder more people or
42:18
whatever. I don't know.
42:19
Yeah, you need to get your numbers.
42:21
I agree with that. Yes, 12 and one night.
42:24
Jeez. No.
42:26
This one's already at 2:00 today.
42:29
I mean today, today. Yeah, in like, the last five
42:33
minutes. Honestly, Yeah, that's.
42:35
And then I'm gonna, I'm gonna look back at Brussels and it was
42:38
like, do you want to become a real person again?
42:42
Oh God, put it down. God, I have.
42:45
I don't know what you said, so I'm gonna assume yes, because.
42:50
Never, actually. Showed up.
42:51
I gotta make you a real boy and, like, start petting his head.
42:55
I hate him too now. Yeah, I hate him both.
42:58
Please please, if this is a role, make sure that it
43:01
succeeds. Oh, let it be detrimental as
43:03
fuck if it doesn't. Like that, Yeah.
43:07
I want to be crippled at the most.
43:09
I love this character. He can befriend all the goblins.
43:15
Honestly. It doesn't.
43:16
And then betray him. Yeah, that was that was that was
43:18
dark. The club brother will make it
43:21
through this like I'm cute. That was a quick I love quicker
43:27
kisses on the forward as he falls.
43:28
Oh, that. What?
43:29
Ah, damn it, I missed it. Fuck.
43:32
And keep that in your mental pocket.
43:35
Your brain. Your head pocket, not your
43:37
prison pocket. I'm gonna.
43:39
I'll scuttle up to this. Weird fake profit dude.
43:42
And. Don't say fake.
43:44
You lay my forehead across his palms.
43:46
He needs. He backs up from the bars
43:48
because he's he's again, he's behind bars.
43:52
I just stumbled my face into the bars.
43:57
Yuck. I'm gonna slowly reach out with
44:00
my fucking handicapped looking weird ass arms.
44:03
They're all mutated and that's like it's a mutated genes.
44:07
That's why I want to get better as this too.
44:11
Why am I looking at that thing? I'm gonna look at these toes
44:13
over here. You don't like my toes?
44:16
Just no. God no.
44:17
Look at those idiots. I don't know what I can do to
44:23
help you, but I guarantee you that I can't do it here.
44:26
And put them down that you'll help him a lot.
44:32
Man, that was probably true though.
44:34
Damn it. You helped me.
44:37
Can I rip this door off? With a strength test trying to
44:42
rip the door off, I'm calling that an 18, almost 2 feet tall.
44:48
What could go wrong? He rolls a natural one.
44:51
He breaks his. Race.
44:52
Yeah, for real. He like, grabs these bars and
44:55
you see him straining so hard and like, you're like shitting
44:58
himself a little. And he he just pops both
45:00
shoulders on the plays and bulls like, like disconnected almost.
45:05
They're just laying limp on his body like he.
45:08
Completely. Disconnected the shoulders.
45:12
That one I recognized. What did you say?
45:16
He said he wanted to be put down.
45:21
Well, this has been fun. You can't help him in here.
45:24
I don't know about letting you out.
45:26
He's fucking. Done.
45:30
All clear. Points I'm going to walk away.
45:31
My stomach's upset. What is it you actually need to
45:34
remove? Curses.
45:35
A lot of things depending on the curse, and foremost I need my
45:40
books. From where?
45:41
Way up there. Points, you know, up Like
45:45
heaven. Not that far.
45:47
Either way, I think it's time for a break.
46:14
Welcome back to Flail to the Face.
46:17
You guys were just talking to Toad?
46:19
How about I got calmed down? Hold on.
46:22
This has happened so many times. Yeah, I know.
46:24
I was like, bumpassing. So you guys are face to face
46:28
with 2 Volt the red, not entirely sure if you're going to
46:31
be releasing him or not, and that's kind of where we're at.
46:34
What's on the other side of this hallway?
46:35
In the other cells? Anything.
46:37
The other cells, you saw again that there was those two cells
46:40
with a people in them, correct? Yes.
46:43
A prisoner in each of those two cells.
46:44
And then there was that iron door that hid something.
46:46
You're not too sure what's behind it.
46:47
It looks like it could be another cell.
46:49
Maybe it's a Max security cell. Judging by its location and the
46:51
door, you're not too sure what it is.
46:53
So it's a big solid iron door. Yeah, Yep, Yep.
46:56
Yeah, so, so we've it's going to point back and like ask the the
47:01
red guy. So what happened to their faces?
47:04
I no idea. Nothing great though if it's not
47:07
there. So it happened before they were
47:09
put in here. Oh, I.
47:10
I have a question. I got kind of an upset stomach
47:14
ever since this thing came along.
47:15
You got any antacids or something roll aids around here?
47:20
Yeah. I got to use some of those two,
47:24
some of those two actually. So would you guys need a
47:27
bathroom something? When was the last time you seen
47:30
the guard come through here? What day of the week is it?
47:33
I don't know earlier today and that's.
47:37
Concept of time. Asking a question and it's like
47:40
not for the part of the answer. I think it's any relevant
47:43
question. I know you said that these these
47:46
guards came by like twice a day. Sometimes, yeah, I think.
47:50
I don't know why. Alright, well.
47:52
Right, the. Reason I'm asked is I don't want
47:54
to catch out for many of these guards.
47:56
I want to get the fuck out of here.
47:58
Well, that was useful. What about them tomes?
48:02
All I thought was this Pepto Bismol.
48:05
Oh, thank you. That might be nice, actually.
48:07
You see it? It's just a dried bottle of
48:09
blood. Oh, I'll spit in it.
48:13
Just shaking around so you guys letting me out or what?
48:18
No, I don't think so. We got enough of your MPC's
48:21
around here. We got fair enough.
48:22
He's still, he's still gotta put his numbers up though.
48:24
He doesn't really get a chance in due time.
48:27
Fuck. Alright then.
48:28
Hang out in here. Our fucking lobby.
48:29
Done. And I.
48:30
Start heading up the fucking. Stick up the rest of the way.
48:33
OK, Yeah. So again, yeah, there is that
48:35
iron door. There is also again at the end
48:38
of this hallway, there were two doors, one on the east and one
48:40
on the West wall, both wooden doors.
48:42
And that's that is it. Either side of the iron doors,
48:45
is it like the stone walls or whatever.
48:47
Yep, Yep. Hey, hey, Cedric Balthazar, you
48:53
want to poke your head in there, see what's going on?
48:55
I see what you're saying. Firstly, that's general to you.
48:58
Lieutenant, Corporal, whatever. I don't care.
49:01
Poke your goofy head in there, see what's going on.
49:03
What the fuck? OK, fine.
49:05
Please and thank you, sorry me without my manners.
49:08
I mean you over Ghost. I mean look at this.
49:10
I put my hand right through it sometimes.
49:12
And you? Just slap me around.
49:14
I can't move through flesh today.
49:15
Yeah. Yeah, just slap it in the.
49:20
I'm sorry about that. Those bleeds a little.
49:22
I forgot you got blowed. Is that I just?
49:25
Keep my eyes on them while I walk into the wall and then I'll
49:29
poke my head. You see the?
49:31
Video style through the fucking wall.
49:33
This room is dark, and it's filled with bones and neatly the
49:36
smell of death and decay, invades or nostrils.
49:41
You see just bodies in various stages of decomposition.
49:44
It looks like they were dropped here.
49:46
Then you see in the ceiling that is the case.
49:49
There's a hole in the ceiling. And yeah, his clear bodies have
49:52
been drops in here. Hello you.
49:54
See a rustling amongst the corpses as you speak, you see a
49:59
dog head pop up. Then you see another dog's head
50:01
pop up. And another one.
50:03
And another one. Name's DJ Khaled.
50:08
And then you see that those heads, they rise up out of the
50:12
body pit. And you notice that they are not
50:15
for individual dogs. It just starts barking.
50:17
It's one terrible corpse hound thing.
50:20
As you see, it's got eight legs and 12 human arms.
50:23
What the fuck? Just like almost like a
50:25
centipede with dog head. Back back up.
50:30
And the rest of you out in the hall, you hear this like.
50:34
This cacophony of barks just through the door.
50:37
I think he pissed them off. I don't know what it was, but I
50:40
don't. Doesn't sound like I want to be
50:41
in there, so. I come up the wall.
50:43
I really think I pissed them off.
50:48
I'm assuming you don't want to be in there let's and there was
50:51
another iron door on the other side you.
50:53
Said. There's two wooden doors on the
50:55
North End of this hallway. So we should go in that door, No
51:00
with the barks. Be my guest.
51:02
You know what? After you don't.
51:04
Don't let me stop you. I mean, I opened up and send the
51:07
thing with broken arms through there.
51:08
I'm gonna can't my head at him. I hate the way he looks at me.
51:13
We should, we should probably do something about that.
51:15
I'm gonna try and like, get his arms back in the socket.
51:18
Oh no, don't, don't, don't leave it the way it is.
51:21
Lethal weapons. It'll be easier to put it down.
51:23
Later. Yeah, it's not that hard.
51:25
Give me a strength test DR8. It's not that.
51:31
I'm going to tell you now. It's not going to feel good, the
51:33
little one. That's a 15.
51:35
Oh yeah, you popped it right back into place and it it hurt,
51:38
but like you, you feel you got your movement back in it again.
51:44
That's adorable. No.
51:45
It's good. Mama's always make it better.
51:47
I wonder what he's saying inside his head.
51:49
You want to make Mama proud? Go on through that door.
51:52
Did. You show me what you got.
51:53
Did you do to both of them or just the one?
51:56
I could do both. I do again, Yeah.
51:58
Just. Leave him with one.
51:59
Sloppy arm. You're half better.
52:02
That's a pore. Oh yeah.
52:05
That's great. That's why I wanted you to roll
52:06
it separately, just in case it gets.
52:09
Bad. It's like, yeah.
52:10
So you try to pop it into place and you managed to like,
52:13
fracture the humorous. Wait, I have Stony skin.
52:15
Does this help me? You have ropey ropey.
52:17
No. I have Stony skin.
52:19
I have Ropey and Stony skin Ropey.
52:21
And Stony wow, what does it do? What's a rope Stone?
52:24
The Stony skin is like the next tier up.
52:27
Oh yeah, so I have D4 armor with with no.
52:31
OK, I will say that like then, yeah the the bone broke but it
52:35
didn't cause any HP dam a fair. Or do you want the opposite?
52:39
Oh yeah, you can have the opposite where like you have no
52:41
real functional. Have a floppy arms.
52:43
OK, Yeah. It's a bit the humorous is
52:44
broken, right. So that's your upper arm,
52:46
that's. So this it's not an easy one to
52:48
begs. That weird angles.
52:49
OK, it probably hurts like crazy too as it like as it does.
52:52
I mean, to be fair, the shoulder is is re socketed, so that's
52:55
nice, but the bone broke in the process.
52:58
We have two elbows to begin with.
53:01
Sure thing, I'll do. Oh my God.
53:03
The goblin thing. From our example here, and I
53:06
point at Weemit, you can see that you have shoulder in the
53:10
elbow, the wrist. And the spare.
53:12
Elbow Knock his hand away. Ankle blows connected to the
53:15
knee bone, right? Wait, I don't think so.
53:18
Well, I mean, but you know, except 6 degrees of Kevin Bacon,
53:21
you know, directly. I'll open the door.
53:28
Let's go. Who was that?
53:30
While they're talking about the Bacons.
53:33
You opening what door? Mom sent me through a door.
53:36
Which did you send through the iron door where the barking was?
53:39
No, the no, no, I was one of the ones up north back, yeah, one of
53:43
the up north ones. Are you going to the West one or
53:46
the E 1 W 1 W one? Okay.
53:49
Nice, I mean. Who knows you, Brussels?
53:54
Make Mama proud. You pop open into this room and
53:57
you see this room is small and square.
53:59
There's a magical buzz in the air, like the fluorescent lights
54:03
are going out. Not that there are any, but
54:04
that's sound. And in the middle of the room
54:06
you see a capstan, which is one of those.
54:09
It's like a pedestal with handles that you guys can turn
54:12
like. Everything in the anchor on a
54:15
ship. One of those things, I don't
54:16
know if they're called that on a ship.
54:17
Or calling them the. Cracking yeah, yeah.
54:20
Right. Yeah.
54:20
Yeah. And that's it.
54:24
That's safe you. Does anybody understand?
54:26
No, I don't care. And what did he say?
54:29
I. Think you said it's safe?
54:30
Yeah, I got that right. I kind of guessed.
54:34
I'm. Gonna grab this thing while I'm
54:36
in here and try to maneuver it. OK, so you start pushing on it.
54:40
One of these handles, cuz you know what, you guys get the
54:43
accurate. Yeah, yeah, that's what it is.
54:45
You're pushing this thing and you like you can start.
54:47
It starts to move a little bit, but it's like it's requiring a
54:50
little more pressure than you can give it.
54:52
You could obviously do it, but like it's gonna take you
54:54
forever. But you notice to that like the
54:56
floor in the room, it starts to like split a little bit as
55:00
you're doing this. Use your other arm.
55:02
What are you fucking like? I plot.
55:04
My one arm and then. I plot my broken arm up there
55:06
and grab on the best I can it just.
55:08
Hurts like crazy as it hits it and like you feel like your
55:11
broken bones kind of scrape against each other.
55:14
Is this made of wood or is it made of like stone or metal or
55:19
anything? Good call.
55:20
I want to say it's metal. What about the floor?
55:22
Stone. OK.
55:24
Not natural. So you can do push ups and you
55:26
can help with this thing. Oh, it has to be natural stone,
55:28
doesn't it? OK, so it's.
55:30
It's like the rough hewn brickwork that you're seeing is
55:32
all through this. Place seeing Brussels starting
55:36
to push it with this gimpy arm, I'm gonna go to one of the other
55:40
ones opposed to him. So as I'm pushing on it with my
55:43
hands, it's gonna, it's not gonna conduct all the heat down
55:46
through the thing. That's smart as well.
55:48
OK. So yeah, you with the aid of
55:50
Scoots, you 2 managed to push this thing around a few times
55:53
and you see as you're doing it, the floor is splitting on the
55:56
far end of the room. It's like half of it is going
55:58
up. Creating a staircase going up
56:00
and the rest of it is going down, Creating the staircase
56:02
going down. So as we're pushing it, do we
56:06
feel like it's locking in place or do we feel if is gonna spin?
56:11
That's a great question. As you know, as you're wondering
56:14
this, you're kind of testing that idea by letting off of it,
56:17
seeing if it kind of gives you some resistance back, and it
56:19
doesn't seem to. So you can even assume that if
56:21
you were to walk away from it, it would stay in the position
56:23
you left it in. That's a good question, though
56:26
important. You let go when it just starts
56:28
bringing back and that's what it does.
56:31
I don't know by the way, thanks for everyone's help doing this,
56:34
but uh, looks like we've got. He's got it.
56:37
You got it. You're more than welcome.
56:39
I'm just staring at these golden toes.
56:42
Why support? I mean, look at them.
56:44
They're beautiful. He's like, the Nook is right
56:47
there to like right up in there, like looking at these as well.
56:50
He's like, really? They're great.
56:51
They really are, yeah. No, that's really nice.
56:53
The craftsmanship, I think, or development.
56:55
I'm not sure how it was made. I don't know how he's just
56:58
silently taking this. I think he's sleeping.
57:00
His eyes are closed. Restless baby.
57:04
I look at the stairway cuz. I'm done with.
57:07
These guys talking about this, What about the stairway?
57:12
Yeah, I don't know. Yeah, you see that one goes up
57:14
and the other one goes down. That's about all you can really
57:16
tell by looking at it are. We doubling down on this or are
57:19
we gonna check the other door too?
57:21
I mean, I'll go with you while they pushing this.
57:23
It seems like it's gonna take a while.
57:26
They're already done. They're not even pushing it
57:30
anymore. They left it.
57:32
Go take a little. I was sitting there staring at
57:34
you guys talk about toe beans or whatever the hell you're.
57:37
Doing those are way too. Cute golden golden toe beans.
57:41
Golden toe beans, sorry. Should we go?
57:44
Well, take a little peeksy quick.
57:45
Might as well. I'm gonna go crack the other
57:49
door open, you know. It looks like we have options
57:47
now. Crack the other door open.
57:51
Yep. OK You peek into it and you see
57:54
it's stuffy. It smells of piss and bad habits
57:57
in here. With that what you will, you see
58:00
that there are mutilated mannequins spread out throughout
58:03
the room. On the far end you see a small
58:06
desk with some kind of mass on top of it with a sheet over it.
58:11
You also see in the middle of the room a red velour carpet on
58:13
the floor and a full-sized mirror.
58:16
Well, that doesn't seem like a problem.
58:17
Go check out whatever that is. Nah, I'm good.
58:20
I forget that. Yeah.
58:21
I forget that. I'll take a look around this
58:24
room. You're going in there, Yeah, OK.
58:27
You like shiny as you're walking around too.
58:29
You you catch a glimpse of yourself in the mirror and you
58:33
kind of double take at it because all you see is a
58:34
skeleton of yourself. And you do see that you're
58:37
you're arm bone because you can see it now as if it's an X-ray
58:39
and it looks fucking broken. Like it's It feels bad, but it
58:44
looks worse. Mom.
58:48
Yeah, yeah, yeah. We keep checking it out.
58:51
Go make Daddy pound. So we just close the door and go
58:55
upstairs. Yeah, I agree.
58:57
Yeah, let's go. Maybe I want to see what else is
59:00
happening. I mean, we can leave quietly.
59:02
He never has to know. He has to close the door behind
59:05
him quietly, like he doesn't hear it.
59:08
I'm gonna continue to shuffle around this room diggling
59:11
through some stuff. You can see some stuff, OK, So
59:13
you do see that on that desk there is something underneath, a
59:17
cloth of some sort. It's kind of.
59:19
I smell it. Smell it.
59:20
It smells. Smelly.
59:22
No, I was. Gonna say that.
59:23
Actually, give me a D20, OK? I'll say, Evan.
59:29
OK, you can as you smell this thing, it smells like dead
59:33
flesh. I like Flash.
59:35
Yeah, that's true. I opened up the curtain.
59:37
You pull that thing up and you see a mask.
59:40
It looks like somebody's face. It's flayed off of whatever it
59:44
will. Obviously a skull, but it
59:46
wasn't. It's not there anymore anyway.
59:49
Skin Flayed Necromancer mask, Actually by Johan nor.
59:52
So. Hey, this is third party only.
59:55
Come on. Yeah, get out of here.
59:56
The wearer can summon a skeleton to join them on their quest.
59:59
We. Don't need any more.
1:00:00
Fucking skeletons. Yeah right though, after four
1:00:03
skeletons have been controlled, you start hearing their thoughts
1:00:06
slowly growing insane. After eight, it's too late.
1:00:09
Rip the mask off your skin and suffer D8 damage.
1:00:12
Oh fuck. It's a suicide.
1:00:14
So I would say that like to summon a skeleton, spend the
1:00:16
power while wearing it. I eat the mask.
1:00:18
You can eat it. I eat the mask.
1:00:21
Give me a toughness test. We're going to call that Dr.
1:00:24
You're a goblin. DR12 Normal.
1:00:29
That's a three. That's a three.
1:00:31
You to this thing. It tastes rancid.
1:00:34
It tastes turned. It tastes like, you know, you've
1:00:37
been a lot of dead shit, a lot of stuff you probably shouldn't
1:00:39
have, and this is probably one of the sickest things you've
1:00:41
ever eaten. But you stomach it and you
1:00:45
become infected. You too, huh?
1:00:49
We're all done tomorrow. Goblins become infected.
1:00:53
You can. You're a mutated goblin.
1:00:57
The rules are different, but yeah, I think they can do.
1:00:59
Like half goblin. Yeah, the half of you that's not
1:01:02
goblin is the infected half. But you're not half infected.
1:01:07
So don't approach the branch. The branch.
1:01:09
The branch All right. I shuffle over the room,
1:01:12
vomiting every couple of steps for a while.
1:01:14
Not good. Oh wait, I got that one.
1:01:19
All right, fuck it. Let's go upstairs then.
1:01:20
You got the head upstairs? Yeah, OK.
1:01:22
Hopefully that'll kill this one. Kill this one.
1:01:27
The goblin. It might kill him.
1:01:29
I'm hoping so. Everybody get it, OK.
1:01:32
I hear you. OK, good.
1:01:36
Not armed great of. And I clench my teeth together.
1:01:40
I didn't get that one. Let's go there.
1:01:45
All right, upstairs then. I don't know what this little
1:01:47
creepy guy's saying, but let's go.
1:01:49
Yep, we'll send him first. So you guys go up the stairs,
1:01:54
you come to a door, you obviously go through the door, I
1:01:56
assume, and you end up in a long hallway and you see that there
1:02:01
are six large mirrors lining this hallway, stone flooring as
1:02:07
you guys walk through your echoes with each step.
1:02:09
You guys do. It's kind of eerie without the
1:02:11
screens. You see to that this hallway,
1:02:14
you guys, you guys are going north.
1:02:15
You guys probably wouldn't realize that, but you are going
1:02:17
north and you see that the at the end of the hallway it hooks
1:02:20
to the left going West. Are there any of those geodes in
1:02:24
this hallway? No, no, your flames are on as
1:02:27
they have been for a while. Perfect.
1:02:29
Are the mirrors, are they covered or they just they are
1:02:32
uncovered? OK.
1:02:33
Are you looking into them? I mean, I would, yeah, sure.
1:02:36
We we've been going to go ahead and look into one like, OK so.
1:02:39
I'm just dry balling toes walk. As you guys walk through here,
1:02:43
you guys look into these mirrors as you.
1:02:46
The second one, though, is the first mirror.
1:02:48
You see your reflection. It's nothing new.
1:02:49
Yeah, one across the hall, same concept.
1:02:52
You continue on down and you see into this one.
1:02:54
What you're seeing is not what's happening.
1:02:57
So like Brussels, as you look into this mirror, you see
1:03:00
yourself in pieces. Like, you know that you're
1:03:02
standing there, but what you see is you completely dismembered
1:03:06
it, laying in a pile on the floor.
1:03:07
Cool, Fisk, you you go by and you see that you're you're not
1:03:10
looking. No, God, no.
1:03:12
You're all how. Can you when you looking at
1:03:14
these? We meant look good, OK, we you
1:03:16
you see like you don't see yourself standing there.
1:03:19
We met this pile of skeleton you see, just a a pile of bone dust
1:03:22
on the ground, but it's got your eyeballs like besting on top of
1:03:25
it. Or that.
1:03:28
That's unsettling, scoots. You said you were looking.
1:03:32
Yes, I was. You see yourself charred to a
1:03:35
crisp like you look like a blackened skeleton.
1:03:38
All the burning that you've accumulated over the years
1:03:41
finally took its toll and burned you to a husk of a man.
1:03:44
Cedric, you do. You look in there, Cedric, you
1:03:46
look in the mirror and you don't even see yourself.
1:03:51
Shit, I've turned into a man like a nook locks up.
1:03:54
Here were you guys, you look that Fisk.
1:04:00
What? What?
1:04:01
What did you see there? I.
1:04:02
Don't want to talk about it. It was I'm.
1:04:04
Going to beak over. You just looked in the first
1:04:06
mirror. Oh yeah, you're right, it did.
1:04:09
It was really bad. Oh God, what's in this next one?
1:04:13
And he collapses. Just faint.
1:04:18
I want to see what he's. I kind of want to see what he's
1:04:20
looking at. Take a peek.
1:04:21
You go in there, you don't see yourself, but what you do see is
1:04:24
like this platter, this, like this grand banquet, and it's all
1:04:28
like your own body parts. You recognize your own penis.
1:04:32
Man, that looks awful. His ass cheeks are sitting up
1:04:36
there with his head planted next to it in an apple.
1:04:38
In his mouth. Yeah.
1:04:39
In the butt cheeks, Yeah. Yep.
1:04:40
Yeah, right in the butt cheeks. That's pretty.
1:04:41
Good stuff. I don't know why he was
1:04:43
screaming. Look good.
1:04:46
He sees his own death and he's like, Oh yeah, that's what's up.
1:04:48
Yeah, I can't wait. I can only hope.
1:04:50
Well, you guys continue to keep going down and you see how
1:04:53
that's keep going. The third mirror is is hazy,
1:04:56
like if you can't see a reflection in it.
1:04:58
I'm going to, I'm, I'm going to try and drag the maggot man.
1:05:01
Since he fell over, yeah, he's he's out.
1:05:03
He's out. He's he's unconscious.
1:05:05
I'll grab a leg and. Let him grab the leg his.
1:05:07
Toes are coming out. No, no, no.
1:05:09
I'm just saying as you see them too, like, you know that even
1:05:12
though you're saying that, you know, they're not like they're
1:05:14
megady. His toenails are like a good
1:05:16
footlong. Better than those.
1:05:17
The ones over there. God laid those goblin toes.
1:05:20
Yuck. That's.
1:05:23
Yeah, that's the line you draw. So that third set of mirrors,
1:05:27
cuz I don't wanna talk about Nick's toes anymore, right?
1:05:29
Is it like a film on the mirror or is it just like a haze
1:05:33
reflection in the mirror, right? It's it looks dirty.
1:05:37
It's not so much that like it's reflecting haze, it's that like
1:05:39
it's just filthy. Touch it.
1:05:41
I will wipe the haze or wipe the film off of the face of the
1:05:46
mirror quick, because I don't want to melt the glass.
1:05:51
Yeah, OK, You do that, and the glass shatters as you do that.
1:05:55
Oh, gosh. And you see that this was not a
1:05:58
mirror as much as a well, it might have been a mirror, but
1:06:01
there's a room on the other side.
1:06:03
You see, as you look through that, this hole that you've now
1:06:07
made, you see a red velour carpet on the room in on the
1:06:11
floor, covered in vomit and a bunch of mutilated mannequins
1:06:14
and the smell of, well, vomit. I've already seen this room.
1:06:20
I understand and. Then I walk away just like I
1:06:24
was. Continued down the hallway.
1:06:27
OK or. Or was the the mirror?
1:06:29
On the opposite, there is like in this room, the mirrors were
1:06:33
lining. Like, yeah, yeah, there were
1:06:34
three on each. The ones that ones that were
1:06:37
notable were the only ones notable.
1:06:39
The rest all gave normal mirrors.
1:06:41
OK. So it was just the one that
1:06:43
showed you guys the the whatever that was and the one that broke
1:06:47
and that was the only two that were different from the rest.
1:06:49
I want to smash the mirror. You want to smash a mirror?
1:06:51
Just a random one. Yeah, and bad luck.
1:06:54
You know, He smashes it and it shatters.
1:06:55
There's nothing behind it but the Stonewall and the frame that
1:06:58
it was in. You feel good?
1:06:59
About that, yeah. I feel great and honestly, yeah.
1:07:03
Can we move on now? It's worth the shot, you know.
1:07:06
Everyone was thinking it. He just acted on it.
1:07:09
That's good. I'm just the best of all of us.
1:07:11
I guess we said that, should have said that, should have said
1:07:14
that. Was there a door at the end of
1:07:18
the hallway? Yep.
1:07:19
Yep. As you guys get past these
1:07:20
mirrors, there's that quick hook to the left and you see around
1:07:23
that corner. A door.
1:07:24
Hey, before we go in there, Yeah.
1:07:27
I don't know if you guys remember what happened to my
1:07:28
hand, but I really feel like it looks infected.
1:08:16
Hey everybody, Kevin at the end of the episode to let you know
1:08:18
that this episode featured the adventure Trapped within by our
1:08:21
good friend Philip Jensen, with Levi playing this Baskin the
1:08:25
cannibal cook by the ex Liberus Morkborg archivist himself, Ian
1:08:30
Graytide Long Thomas playing Weemit, the catacomb St. created
1:08:33
by Makuti myself. Playing Scoots the Scorched
1:08:37
Bedlamite. Written by Full Frontal, Phil
1:08:38
Jensen and Ian tortured daddy Servoss, Jake playing Brussels,
1:08:43
the Mutated goblin created by Heck, and Viv and Nate playing.
1:08:48
General Cedric Balts Czar, The Betrayed Phantom by Sasha Death
1:08:53
of the Eldridge Tomb. Links to all these awesome third
1:08:55
party creations and their corresponding Ex Liberus
1:08:58
morkport entries can be found in the description accompanying
1:09:01
this episode along with a link to our flip of the face.
1:09:04
Episode 3 Companion Brian the Goblin.
1:09:08
Thanks for listening. Yeah, I hate it.
1:09:18
At least it doesn't look like it from our end.
1:09:23
It's like you're staring at Levi's shirt.
1:09:26
Yeah, you're. Real intent on this chest hair.
1:09:30
It's yeah, fuck, I don't blame him anyway.
1:09:39
Unleash the flail, I want to say every time I feel like we recall
1:09:44
my penis. The flail.
1:09:45
It's all spiking on a chain. Yeah, I've been.
1:09:47
We got a chain hanging from it and now you got.
1:09:49
Something else going on there, brother?
1:09:52
Yeah, just get that checked out. I'm sure there's a topical cream
1:09:56
at least. Yeah, Rugos ball, Ball let.
1:10:03
Me let me Yeah, I got a colon mitten.
1:10:05
Or whatever. You guys were calling their
1:10:07
gloves earlier, right? A colon chopper Colon chopper.
1:10:11
That's something else. So you call your No.
1:10:15
What do you call? What do you call it?
1:10:17
Nothing. Move on.
1:10:24
I can see we met in the background with his hand over
1:10:27
his forehead. Yeah, just like he's.
1:10:30
Like I want to go back into the cell and just serve my time.
1:10:34
Can I just sweep through this? Oh, that's a picture of the
1:10:42
lion. Or the Tiger King.
1:10:44
Like Joe Exotic. Yeah, it's obvious.
1:10:47
Who doesn't have 1000 pictures of Joe Exotic on their phone?
1:10:49
Me. I use research.
1:10:51
All right, missing out. Rude.
1:10:56
No, he was pretty prolapsed from all the fisting that Fist did.
1:11:00
Honestly so? Yeah, those boots didn't come
1:11:03
out easy. No, they definitely pulled
1:11:05
things out. That's terrified Easy.
1:11:10
Column Yeah, gobble that. Was really that was your goal
1:11:17
for it was like a Gollum, I think.
1:11:18
Oh. I wish you did.
1:11:19
I just don't know how goblins would talk.
1:11:21
We already got another guy like that.
1:11:23
Gripped. Wow.
1:11:28
Anyways carry him like C3PO. Yeah, side down.
1:11:35
I drew the Chewbacca. He's watching my back, all
1:11:39
right. So many impressions.
1:11:43
I have a lot of free time on my hands.
1:11:50
Who's that? I don't know.
1:11:51
Someone's pinging it. Wasn't me.
1:11:53
It wasn't me. So they're coming in the shower
1:11:55
wasn't me. You know Kevin Bacon, too.
1:12:03
Never doesn't everybody at least by 6 degrees, yeah.
1:12:07
Yeah, I heard the only two that aren't are the Pope and Hitler.