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Bonus Episode: The Murder Mystery Hinted At in the New Elvis Concert Film · DISGRACELAND

• 0:01
  Speaker 1: Hey, discos, need a little more Disgraceland in your life,
• 0:05
  Speaker 1: just to touch to get you through. Yeah me too.
• 0:08
  Speaker 1: This is the podcast. It comes after the podcast. Welcome
• 0:12
  Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,
• 0:31
  Speaker 1: a little thing we like to call the after party.
• 0:33
  Speaker 1: This is the show after the show, the party after
• 0:35
  Speaker 1: the party. The bridge to get you from one full
• 0:37
  Speaker 1: episode of Disgraceland to the other. The back yard, to
• 0:41
  Speaker 1: dig into the dirt, our mission to uncover the truth,
• 0:45
  Speaker 1: to confront the myth, to reclaim the story. On this
• 0:47
  Speaker 1: bonus episode, we're giving you our thoughts on the new
• 0:50
  Speaker 1: epic Elvis concert film, digging into your thoughts related to
• 0:54
  Speaker 1: this week's new episode, Part two on in Excess, previewing
• 0:57
  Speaker 1: next week's story on Towns Fans. At the exclusive section,
• 1:01
  Speaker 1: we dive into the murder mystery at the center of
• 1:03
  Speaker 1: Elvis's manager's past. Plus we get into your emails, comments, dms,
• 1:08
  Speaker 1: and as always a whole lot of rosie. This is
• 1:11
  Speaker 1: the podcast for the musically obsessed, the outsiders, the independent
• 1:14
  Speaker 1: thinkers who know that the best history is the history
• 1:17
  Speaker 1: that gets buried. Disgrace Lands where I tell the stories
• 1:20
  Speaker 1: they didn't want told the kind you'll end up telling
• 1:22
  Speaker 1: someone else. All right, disc goes, Let's get into it,
• 1:33
  Speaker 1: all right, Welcome into the after party, guys. I'm feeling
• 1:35
  Speaker 1: pretty good today, and I shouldn't be. I've got a
• 1:38
  Speaker 1: cold second day of a pretty crappy thing going around
• 1:42
  Speaker 1: here that I've managed to get, probably from my kids,
• 1:44
  Speaker 1: and knocks me out pretty hard. Yesterday and last night
• 1:48
  Speaker 1: woke up feeling like crap. But I don't know. I'm
• 1:49
  Speaker 1: behind the mic, and you know what it is. It's
• 1:51
  Speaker 1: a new mic. I got a new microphone. That's what's happening.
• 1:55
  Speaker 1: And I feel like those of you who are actually,
• 1:58
  Speaker 1: I don't know, podcasters maybe, and you listen to this show,
• 2:01
  Speaker 1: you probably know what I'm getting at here. When you
• 2:04
  Speaker 1: have a new mic, I don't know, it kind of
• 2:06
  Speaker 1: changes everything. It's just it's changed my body posture. I
• 2:10
  Speaker 1: just feel good. I feel good. I always feel good
• 2:12
  Speaker 1: talking to you, guys, but I feel really good right now.
• 2:15
  Speaker 1: And despite being sick this week, I've been feeling good
• 2:17
  Speaker 1: ever since the weekend, at least sort of, you know,
• 2:20
  Speaker 1: up upstairs in my noggin, I saw the Elvis movie
• 2:25
  Speaker 1: over the weekend. I saw it on Saturday Night Epic
• 2:28
  Speaker 1: Elvis Presley in Concert by Boz Lherman. Now, I don't
• 2:34
  Speaker 1: know what reviews, if any, that all you guys have
• 2:37
  Speaker 1: seen regarding this movie, but every review that came up
• 2:42
  Speaker 1: my feed praised the film. And I mean, like some
• 2:46
  Speaker 1: incredible reviews. I'm not just talking about like official reviews.
• 2:49
  Speaker 1: I'm talking about like listener fans of Elvis, fans of music, history,
• 2:52
  Speaker 1: music fans, et cetera, just like literally being like like
• 2:56
  Speaker 1: people whose opinions I really treasure and value being I'm
• 3:01
  Speaker 1: not even watching movies anymore like that those types of reviews.
• 3:05
  Speaker 1: People are freaking out over this film, and that includes
• 3:10
  Speaker 1: the crew here at Double Elvis. After Matt saw it,
• 3:13
  Speaker 1: he basically demanded that Zeth and I go, so we
• 3:15
  Speaker 1: did separately. Zeth finished watching it just as I was
• 3:20
  Speaker 1: sitting down in the theater to watch it, and we
• 3:22
  Speaker 1: were texting each other about it. He was blown away.
• 3:25
  Speaker 1: I was blown away. I took my family on Saturday
• 3:29
  Speaker 1: night to in Imax, and I knew when I was
• 3:33
  Speaker 1: watching this movie it was a type of movie where
• 3:35
  Speaker 1: you know when you're watching it that words are not
• 3:37
  Speaker 1: going to be able to do justice to what you're seeing,
• 3:41
  Speaker 1: Like I knew that in real time. But I'm not
• 3:44
  Speaker 1: going to try to explain the movie and sell you
• 3:45
  Speaker 1: on the movie. I'm just going to give you a
• 3:47
  Speaker 1: couple thoughts on it. I get a little context and
• 3:51
  Speaker 1: how it kind of relates to what we do here
• 3:53
  Speaker 1: true crime in the music history. So, for those who
• 3:56
  Speaker 1: don't know, the New Elvis movie is a concert film.
• 3:58
  Speaker 1: It's by filmmaker boz Lherman, and now boz Lherman unearthed
• 4:04
  Speaker 1: a trove apparently of previously unseen and unheard film and
• 4:11
  Speaker 1: audio footage and he used it to create this film.
• 4:14
  Speaker 1: Now he came upon this footage, I believe, I think
• 4:19
  Speaker 1: this is accurate when he was researching the biopic that
• 4:24
  Speaker 1: he produced and directed on Elvis Presley that came out
• 4:28
  Speaker 1: about three or four years ago, just simply titled Elvis.
• 4:31
  Speaker 1: So that sort of previously never, never before seen or
• 4:35
  Speaker 1: heard footage is what is what makes up this film.
• 4:39
  Speaker 1: Now we've all seen Elvis onstage in Vegas. It's, you know,
• 4:44
  Speaker 1: oftentimes that portion of his career as a subject of ridicule,
• 4:48
  Speaker 1: and certainly some of that career, some of the Vegas efforts.
• 4:55
  Speaker 1: You know, it's fair to ridicule it. It's it's not
• 4:57
  Speaker 1: very good. But you really got to think about Elvis
• 4:59
  Speaker 1: in Las Vegas in sort of two time periods. There's
• 5:04
  Speaker 1: the early seventies and then there's the mid to late
• 5:07
  Speaker 1: seventies when things go off the rails. Not all of
• 5:09
  Speaker 1: Elvis in Las Vegas. The residency I'm talking about was bad,
• 5:13
  Speaker 1: was cheesy. I already knew that, but still I kind
• 5:18
  Speaker 1: of write off Elvis Vegas anyway. That's not what this is.
• 5:21
  Speaker 1: This is something completely different. This is Elvis Presley on fire, okay,
• 5:27
  Speaker 1: in Las Vegas. All of the megawatt star power, charisma, talent,
• 5:32
  Speaker 1: stage presence, the passion, everything, everything that is the best
• 5:38
  Speaker 1: of Elvis that you could imagine. Take that and multiply
• 5:41
  Speaker 1: it by ten, and that's the Elvis that is living
• 5:44
  Speaker 1: in this film and living in this film like I've
• 5:47
  Speaker 1: never seen him before, both on and off stage. The
• 5:49
  Speaker 1: off stage scenes when the King is rehearsing the band,
• 5:53
  Speaker 1: they're getting ready for their first residency. This is some
• 5:55
  Speaker 1: of the most interesting footage of Elvis that I've ever seen.
• 5:59
  Speaker 1: I've seen some of this before, but not as in
• 6:01
  Speaker 1: depth as this. Watching him be this goofball you know,
• 6:06
  Speaker 1: you feel like he's being himself in a way that
• 6:09
  Speaker 1: you know, he's such a huge star, always kind of
• 6:12
  Speaker 1: guarded with a camera in front of him, but it
• 6:14
  Speaker 1: really feels like the guard gets let down here. You
• 6:16
  Speaker 1: feel when you're watching this like you've been let into
• 6:18
  Speaker 1: some sort of secret club. It's it's truly revelatory. And
• 6:23
  Speaker 1: the film's narrative, okay, to the extent that there is one,
• 6:26
  Speaker 1: it's it isn't heavy handed. For the most part, Elvis
• 6:31
  Speaker 1: and his excellent band guys, James Burton, the guitar player,
• 6:35
  Speaker 1: James Burton is just playing out of his mind, out
• 6:38
  Speaker 1: of his mind. So good, so good. We have thought
• 6:44
  Speaker 1: Seth and I are going to talk more about this.
• 6:45
  Speaker 1: Perhaps Matt will chime in as well on the rest
• 6:47
  Speaker 1: of the band later on. But you can just tell
• 6:51
  Speaker 1: you you can just tell, as a pertains to the
• 6:54
  Speaker 1: narrative of this film, that that Luhrman, buzz Lerman, went
• 6:57
  Speaker 1: out of his way to try not to repeat himself
• 6:59
  Speaker 1: as a storyteller, because, like I said, he just I
• 7:02
  Speaker 1: think he just finished he rapped doing the Elvis biopick
• 7:05
  Speaker 1: and then kind of this is his next project. So
• 7:07
  Speaker 1: you can understand why you don't want to tell the
• 7:08
  Speaker 1: same story twice, even though it's a different style of storytelling.
• 7:12
  Speaker 1: This is a concert film. Elvis was a biopick that said.
• 7:16
  Speaker 1: All of that said, Colonel Tom Parker, Elvis's manager, is
• 7:20
  Speaker 1: subtly positioned in this concert film as the story's villain.
• 7:25
  Speaker 1: And for those of us who know Elvis's history, the
• 7:28
  Speaker 1: director here, Boz Luhrmann, draws some pretty bold lines for
• 7:32
  Speaker 1: us to read between as it pertains to Colonel Tom Parker. Now,
• 7:37
  Speaker 1: what I'm talking about is this at the time, Elvis
• 7:41
  Speaker 1: was one of the biggest stars on the planet when
• 7:44
  Speaker 1: this footage for Epic was filmed. That's the name of
• 7:47
  Speaker 1: the movie, Epic, Elvis Presley in concert. We're talking nineteen
• 7:53
  Speaker 1: seventy and nineteen seventy two. Elvis one of the biggest
• 7:57
  Speaker 1: stars on the planet and certainly one of the biggest
• 7:58
  Speaker 1: musical attractions. Yet Elvis never performed outside of the United States.
• 8:08
  Speaker 1: This point comes up in the film. Elvis makes it himself,
• 8:11
  Speaker 1: but the question of why he never did this, of
• 8:15
  Speaker 1: why he never performed outside the States, it's never really
• 8:18
  Speaker 1: asked forget about being answered, especially because it's clear that
• 8:22
  Speaker 1: Elvis wanted to perform internationally. Now, in the way of
• 8:26
  Speaker 1: an answer, all we're given is a long, semi slow
• 8:30
  Speaker 1: motion glance at the villainous Colonel Tom Parker. Sort of
• 8:34
  Speaker 1: in the context of this question of why hasn't Elvis
• 8:38
  Speaker 1: performed internationally? We're made to suspect that the reason Elvis
• 8:43
  Speaker 1: didn't tour outside of the United States is because of
• 8:47
  Speaker 1: the colonel. But why why wouldn't the colonel whose commission
• 8:53
  Speaker 1: his pay on Elvis's earnings. The colonel was getting fifty
• 8:58
  Speaker 1: percent of elvis earnings fifty five zero, not fifteen, which
• 9:04
  Speaker 1: is typical, but it's actually pretty high. Ten is the standard.
• 9:09
  Speaker 1: So why wouldn't Colonel Parker want his star attraction to
• 9:17
  Speaker 1: perform in different markets, untapped markets and create more revenue.
• 9:22
  Speaker 1: It doesn't make any sense. It's alluded to in this movie,
• 9:29
  Speaker 1: but it's not directly asked. It's definitely not answered. This again,
• 9:34
  Speaker 1: this makes no sense unless you know a little bit
• 9:38
  Speaker 1: about who Colonel Tom Parker was and what kind of
• 9:42
  Speaker 1: trouble he may have gotten himself into and escaped from,
• 9:46
  Speaker 1: allegedly in his home country of the Netherlands before immigrating
• 9:51
  Speaker 1: to the United States. Now I touch upon this in
• 9:54
  Speaker 1: my book, and there have been other writers who have
• 9:58
  Speaker 1: explored this theory more, but the fact that boz Lherman
• 10:03
  Speaker 1: hints at this in his new concert film is super
• 10:07
  Speaker 1: intriguing to me. It makes me think that this Colonel
• 10:11
  Speaker 1: Tom Parker conspiracy has more legs than some may think. Actually,
• 10:16
  Speaker 1: it's less of a conspiracy theory and more of a
• 10:18
  Speaker 1: murder mystery. Zeth and I are going to share with
• 10:20
  Speaker 1: you the dark true crime story at the heart of
• 10:22
  Speaker 1: Colonel Tom Parker's past in today's Disgraceland All Access bonus episode.
• 10:27
  Speaker 1: This story, this mystery, this theory about the Colonel. If
• 10:30
  Speaker 1: it's true, it explains why Elvis, the biggest musical attraction
• 10:34
  Speaker 1: on the planet, never performed outside of the United States. Okay,
• 10:37
  Speaker 1: go to Disgrace slandpod dot com design out to become
• 10:39
  Speaker 1: a disgraceand All Access member today and unlock more exclusive
• 10:42
  Speaker 1: content like this plus ad free listening. Speaking of performing
• 10:46
  Speaker 1: outside of the United States, this week's new episode a
• 10:49
  Speaker 1: Disgraceland is on in Excess, Part two in our Inexcess Story.
• 10:55
  Speaker 1: One of the reasons I wanted to tell this continuation
• 10:58
  Speaker 1: of the Inaxcess saga is because of the dichotomy between
• 11:03
  Speaker 1: the image of in Excess pretty pretty boy band, pop,
• 11:09
  Speaker 1: super poppy. You know, dudes like them, but of course,
• 11:13
  Speaker 1: you know more when I was growing up, more more
• 11:14
  Speaker 1: girls liked In Excess. I love In Excess, but I'm
• 11:17
  Speaker 1: just saying they weren't. It wasn't like Black Sabbath, you
• 11:19
  Speaker 1: get it. So there's the image and then there's the
• 11:23
  Speaker 1: reality of where they come from, which is in stark
• 11:26
  Speaker 1: contrast to how the band portrayed themselves, how the record
• 11:30
  Speaker 1: they will portrayed them, how they were promoted. They came
• 11:34
  Speaker 1: from just total Australian violence and mayhem, and that was
• 11:41
  Speaker 1: really interesting to me. We didn't really get into it
• 11:43
  Speaker 1: in part one, and I wanted to get into it
• 11:45
  Speaker 1: in part two and you can hear all about that
• 11:47
  Speaker 1: in this week's Disgrace An episode on In Excess Now,
• 11:52
  Speaker 1: we asked the question, given that in excesses from Australia,
• 11:56
  Speaker 1: you know, in Excess is a hugely successful band, super
• 12:00
  Speaker 1: influential band. When we think of rock and roll bands
• 12:04
  Speaker 1: that have had the most influence on culture, we think
• 12:07
  Speaker 1: of rock and roll bands from the United States, uh
• 12:10
  Speaker 1: and from the UK, from England mainly, and I just
• 12:14
  Speaker 1: it just occurred to me, like all these bands from Australia,
• 12:18
  Speaker 1: New zealand other parts of the world. So we asked
• 12:20
  Speaker 1: this question on the heels of the un Excess episode,
• 12:24
  Speaker 1: which international band has had the most influence culturally? Okay?
• 12:30
  Speaker 1: Is it in Excess? Is it somebody else? Is it?
• 12:33
  Speaker 1: Is it an Irish band, is it a is it
• 12:35
  Speaker 1: a band? Is it a French artist?
• 12:37
  Speaker 2: Who is it?
• 12:37
  Speaker 1: We're going to unpack that that question. We're going to
• 12:40
  Speaker 1: get to your answers, your voicemails and texts and the
• 12:44
  Speaker 1: later part of this episode. But first before we do that,
• 12:46
  Speaker 1: I want to tell you about the what we got,
• 12:47
  Speaker 1: what we got cooking here In the coming days, right
• 12:49
  Speaker 1: after this after party, we're gonna rewind episode on Public
• 12:52
  Speaker 1: Enemy and then next week, new episode, new story on
• 12:56
  Speaker 1: Towns van Zant. When you're listening to the townsman Zen episode,
• 13:01
  Speaker 1: you know Towns van Zand was one of the most
• 13:03
  Speaker 1: authentic songwriters to ever live. Okay, so be thinking about
• 13:07
  Speaker 1: which musical artists gave up the most for their art.
• 13:11
  Speaker 1: Towns van Zant lived just with so much authenticity. He
• 13:16
  Speaker 1: personified the characters in his songs. He sang of broken men,
• 13:22
  Speaker 1: he lived a broken life, and he died broke and
• 13:26
  Speaker 1: broken and busted. He wrote beautiful songs. My point is
• 13:32
  Speaker 1: at what cost? So when you're listening to the Towns
• 13:35
  Speaker 1: van zan episode, be thinking about which musical artist gave
• 13:38
  Speaker 1: up the most for their art? Okay, was it Towns
• 13:43
  Speaker 1: van Zant or was it somebody else? Let me know?
• 13:46
  Speaker 1: Six one seven nine oh six six six three eight
• 13:48
  Speaker 1: voicemail and text. Get at me. You might hear your
• 13:52
  Speaker 1: answer on next week's after party. We'll be back right
• 13:56
  Speaker 1: after this with your voicemails and texts and emails from
• 13:59
  Speaker 1: last week. Question of the Week. I've seen a bit.
• 14:20
  Speaker 1: All right, guys, we are back. Thanks for hanging with
• 14:22
  Speaker 1: us on today's after party. Six one seven nine oh
• 14:25
  Speaker 1: six six six three eight voicemail and text. You can
• 14:28
  Speaker 1: hit me up about anything related to music, music history,
• 14:31
  Speaker 1: true crime, any of the recommendations we talk about here
• 14:34
  Speaker 1: are questions of the week. Whatever you want to talk about.
• 14:36
  Speaker 1: Let's check out. Appears to be from a new caller.
• 14:39
  Speaker 1: This is John in the two oh three.
• 14:42
  Speaker 3: Hey, this is John from the two oh three. I
• 14:46
  Speaker 3: would love to have an episode on Willie Deaville from
• 14:51
  Speaker 3: Mint Deville.
• 14:52
  Speaker 1: I know very.
• 14:53
  Speaker 3: Little about him except that he had a drug problem.
• 14:57
  Speaker 1: What a voice. Thanks John, How correct you are. My
• 15:02
  Speaker 1: friend Willie Deville from minke Deeville just I know very
• 15:06
  Speaker 1: little about him as well, but I love him. Cadillac
• 15:09
  Speaker 1: Walk Baby. I kind of used that song Cadillac Walks
• 15:14
  Speaker 1: like a low key theme in our Elvis Presley Johnny
• 15:16
  Speaker 1: Ace story that we did. I don't know a lot
• 15:20
  Speaker 1: about Willidville either, and I like it that way. I'm
• 15:23
  Speaker 1: gonna put him on the list, though, and I'm gonna
• 15:25
  Speaker 1: look into it, because there's got to be something there, criminal,
• 15:29
  Speaker 1: something there away into Willie Deville's story. And as much
• 15:33
  Speaker 1: as I love his music, I've actually used I use
• 15:35
  Speaker 1: Willid Deville's music as my intro music when I brought
• 15:39
  Speaker 1: Disgrace into the stage a bunch of years ago. That's
• 15:41
  Speaker 1: how badass I think Willidville is. And uh yeah, i'mna
• 15:45
  Speaker 1: put him on the list. I'm gonna look into it.
• 15:46
  Speaker 1: Thanks John. All right, let's check out this voicemail from
• 15:49
  Speaker 1: the three oh three.
• 15:51
  Speaker 3: Hi, my name is Jay Ratruder. I'm from the Denver
• 15:54
  Speaker 3: area three zero three and I was listening how you
• 15:59
  Speaker 3: were talking soundtracks and I had to call in and
• 16:01
  Speaker 3: tell you about my favorite soundtrack from the eighties. It's
• 16:06
  Speaker 3: from To Live and Die in La by Wang Chung.
• 16:10
  Speaker 3: I'm such a fan of the soundtrack of the movie
• 16:12
  Speaker 3: that actually had to go and track down the locations.
• 16:17
  Speaker 3: Especially there's a big scene to the San Pedro Bridge
• 16:21
  Speaker 3: and there were some apartments there and kind of in
• 16:23
  Speaker 3: a good way, the apartments were turned down and turned
• 16:27
  Speaker 3: into a baseball field, a football field, and so I
• 16:30
  Speaker 3: got to go stand in and get a big picture
• 16:32
  Speaker 3: with that bridge in the background, and also track down
• 16:35
  Speaker 3: a couple of locations Sixth Street Bridge in La And
• 16:38
  Speaker 3: I did this about, I don't know five years ago,
• 16:42
  Speaker 3: and it was just a great time. My family was
• 16:44
  Speaker 3: really bored and tired of looking at bridges and locations sets,
• 16:48
  Speaker 3: but that's all right. I had a great time and
• 16:52
  Speaker 3: just a huge fan of the movie. Hope you hear
• 16:55
  Speaker 3: this and maybe do an episode about it.
• 16:58
  Speaker 1: Jay from the three h three Thanks to the oh Man.
• 17:00
  Speaker 1: To Live in de La that's Willem Dafoe, right, and
• 17:04
  Speaker 1: that's the movie that looks incredible, like in a very
• 17:09
  Speaker 1: kind of neon eighties way. I think I saw this
• 17:13
  Speaker 1: movie kind of had a half on in the background,
• 17:18
  Speaker 1: but didn't really get a chance to dig into it,
• 17:20
  Speaker 1: so I can't speak to the soundtrack. But now I
• 17:23
  Speaker 1: am super intrigued. And for you disco listeners to disgrace
• 17:29
  Speaker 1: some listeners out there, the discos who are hearing this
• 17:31
  Speaker 1: and going, what do you mean? Do an episode on this?
• 17:33
  Speaker 1: What the heck is Jay talking about? Jay's referencing our
• 17:38
  Speaker 1: new show. This film should be played loud. He's not
• 17:41
  Speaker 1: referencing Disgraceland. This film should be played loud is an
• 17:43
  Speaker 1: all access only exclusive video show, which you can check
• 17:47
  Speaker 1: out by becoming a Patreon member. And Jay, maybe we
• 17:51
  Speaker 1: will get into to Live and Die La. I have
• 17:54
  Speaker 1: to rewatch it. I'm looking forward to doing so. Thank
• 17:56
  Speaker 1: you for prompting me. Three ho three texts and hey,
• 17:59
  Speaker 1: I know you're a Stones, But the Beatles are gonna
• 18:01
  Speaker 1: be known like Beethoven centuries from now. Yeah maybe, I
• 18:07
  Speaker 1: don't know. I don't know that in the centuries centuries
• 18:10
  Speaker 1: from now, we'll be looking at at music through the
• 18:13
  Speaker 1: same lens that we now look back centuries to view
• 18:19
  Speaker 1: people like Beethoven. I don't know. I feel like I
• 18:23
  Speaker 1: have no idea. I just know it's gonna be different.
• 18:25
  Speaker 1: I don't know how we're gonna look at things, but
• 18:27
  Speaker 1: I know it's gonna be different. We were talking about
• 18:29
  Speaker 1: Bourbon last week. Eight O three Rights saying, hey, Bourbon,
• 18:31
  Speaker 1: if you haven't already, give Statesmen by Old Forester a try,
• 18:35
  Speaker 1: as well as Toasted by Penelope. Thank you for your
• 18:39
  Speaker 1: excellent recommendations here. I haven't tried either of these. I've
• 18:43
  Speaker 1: seen Old Forester around before. I always think of Robert Forrester.
• 18:47
  Speaker 1: Is that his name? The guy from Jackie Brown. I
• 18:49
  Speaker 1: will check that out. Thank you. Four one six Rights
• 18:51
  Speaker 1: saying hey, I listened to the Bob Marley episode again.
• 18:54
  Speaker 1: If you love the music in the myth, I highly
• 18:57
  Speaker 1: recommend going to Montego Bay and looking a tour with
• 19:00
  Speaker 1: a rasta guide to take you to the Marley estate
• 19:03
  Speaker 1: in the jungled mountains of Saint Anne. It's a two
• 19:06
  Speaker 1: hour trip and you see the real Jamaica. The estate
• 19:10
  Speaker 1: was his mausoleum, the museum in the house in his
• 19:12
  Speaker 1: bedroom where he wrote music is an epic experience. Is
• 19:16
  Speaker 1: a ganja tour, and they even make Ganja tea. All
• 19:19
  Speaker 1: the guides are a rasta. When you're back at the
• 19:22
  Speaker 1: resort at Montico Bay, do what I did and book
• 19:24
  Speaker 1: a private visit to Johnny Cash's private estate on Cinnamon Hill.
• 19:28
  Speaker 1: That's right, Johnny and June lived there. The Cash Museum
• 19:31
  Speaker 1: in Nashville is great, but the estate is truly remarkable.
• 19:34
  Speaker 1: Nothing is off limits. His clothes, his shoes, all the
• 19:38
  Speaker 1: art and memorabilia, and all of the rooms are open.
• 19:42
  Speaker 1: Nothing is off limits. The whole ground smells wonderful because
• 19:45
  Speaker 1: the scent of all spice is released every time you
• 19:47
  Speaker 1: crush one of the ubiquitous curled brown leaves from the trees.
• 19:50
  Speaker 1: They carpet the yard, and if you like music history,
• 19:52
  Speaker 1: Jamaica is a must go. Also they have great food.
• 19:56
  Speaker 1: Everything is spotlessly clean, and people are wonderful. Nothing like
• 20:00
  Speaker 1: getting your first album model. When you think of Jamaican
• 20:03
  Speaker 1: for their hospitality, rock a rolla. That's from the four
• 20:06
  Speaker 1: to one six four one six. Thank you. This sounds amazing.
• 20:10
  Speaker 1: I've never been to Jamaica and this sounds like a
• 20:12
  Speaker 1: reason to go. It really does. I didn't know this
• 20:14
  Speaker 1: was possible, especially the Johnny Cash part. We covered the
• 20:17
  Speaker 1: Johnny Cash place in Cinnamon Hill in our Johnny Cash
• 20:19
  Speaker 1: episode and the home invasion that happened there and how
• 20:23
  Speaker 1: Johnny wiggled his way out of that, and of course,
• 20:25
  Speaker 1: as you mentioned in the Bob Marley episode, we talk
• 20:27
  Speaker 1: about his place and what went down. There had no
• 20:32
  Speaker 1: idea you could visit either of these spaces. This is incredible.
• 20:35
  Speaker 1: Can you go to Keith Richards's place as well? That's
• 20:37
  Speaker 1: the question four one six. Appreciate you great message two
• 20:41
  Speaker 1: seven six where I said, hey, Eric, from the two
• 20:44
  Speaker 1: seven to six, there's a lot of meat on the
• 20:45
  Speaker 1: bone on the subject of Arthur Lee in Love and
• 20:49
  Speaker 1: the musical connections of Bobby Boucelet. I listened to weird
• 20:53
  Speaker 1: scenes inside the Canyon, and for anyone on the conspiracy,
• 20:56
  Speaker 1: it's a perfect mortar for the whole of disgraceland. We
• 21:00
  Speaker 1: were just talking about, as Eric mentions here later in
• 21:02
  Speaker 1: his text, weird scenes from the Canyon. In last week's
• 21:06
  Speaker 1: exclusive section of The After Party, I knew of the
• 21:09
  Speaker 1: Manson family member Bobby Bouselet's connection to Arthur Lee and Love.
• 21:14
  Speaker 1: I did not know that they turned up in this book.
• 21:18
  Speaker 1: More reason to read this book. Thank you. Appreciate the text.
• 21:22
  Speaker 1: Now to our question of the week on which artists
• 21:25
  Speaker 1: outside of America and England were most influential culturally Dave
• 21:30
  Speaker 1: writes in from the two four eight In terms of
• 21:32
  Speaker 1: artists from outside the US and the British Isles who
• 21:35
  Speaker 1: have influenced modern music the most, there's an obvious answer,
• 21:38
  Speaker 1: and I don't think anyone else is even close. It's
• 21:41
  Speaker 1: got to be craft Work. As far as influence on
• 21:44
  Speaker 1: the modern music world. I think possibly only the Beatles
• 21:48
  Speaker 1: are more of a pervasive influence. This is a really
• 21:51
  Speaker 1: good take. I don't know enough about craft Work to
• 21:57
  Speaker 1: speak to this take, except the fact craft Work obviously
• 22:00
  Speaker 1: started I think in like nineteen sixty nine or something
• 22:03
  Speaker 1: like that, nineteen seventy first electronic music. And yeah, the
• 22:08
  Speaker 1: influence is pretty incredible, although I don't I don't think
• 22:11
  Speaker 1: they would be cited by many for that influence. Great
• 22:15
  Speaker 1: great answer too for it. Appreciate you. Five four to
• 22:18
  Speaker 1: Roh rights in Hey got the package yesterday, amazing you rock.
• 22:21
  Speaker 1: The autograph was a nice touch. Thank you so much.
• 22:24
  Speaker 1: What is five four to zero talking about five four
• 22:26
  Speaker 1: to Zho is talking about the T shirt in a
• 22:29
  Speaker 1: little note that I sent the five to four to
• 22:31
  Speaker 1: Roh because the five four to Roh is nice enough
• 22:33
  Speaker 1: to leave us a review on Apple Podcasts or Spotify
• 22:36
  Speaker 1: I can't remember where exactly. Guys, I get asked all
• 22:39
  Speaker 1: the time, how can we support you? How can we
• 22:40
  Speaker 1: support the show? That's a very easy way. Just leave
• 22:42
  Speaker 1: a review. Oftentimes, if you leave a review, you will
• 22:45
  Speaker 1: hear your review read back to you here in the
• 22:49
  Speaker 1: after party. And if you do, that is a signal
• 22:52
  Speaker 1: to text me six one seven nine oh six six
• 22:54
  Speaker 1: six three eight and let me know that you heard
• 22:57
  Speaker 1: your review. Cite your handle so I can make sure
• 23:00
  Speaker 1: you're telling me the truth. And then I will send
• 23:03
  Speaker 1: you some merch. I don't know what it'll be. Not
• 23:06
  Speaker 1: everybody gets T shirts. Some people get T shirts. It's
• 23:08
  Speaker 1: kind of whatever I got lying around on the garage.
• 23:10
  Speaker 1: You know what I'm sorrying about. Aley Banie eighty eight
• 23:12
  Speaker 1: writes in on Apple Podcasts. Hey, I originally clicked on
• 23:16
  Speaker 1: this podcast because of the zombie Elvis icon. I listened
• 23:19
  Speaker 1: to one episode and I was hooked. I even listen
• 23:21
  Speaker 1: to artists I know nothing about. Great storyteller, Ali Beanie,
• 23:24
  Speaker 1: thank you, welcome, Welcome to the club. You are now
• 23:26
  Speaker 1: a disco. If you're listening to this six one seven
• 23:29
  Speaker 1: nine oh six six six three eight, hit me up
• 23:31
  Speaker 1: and I will hit you with some merch. All right, guys,
• 23:33
  Speaker 1: we'll be back right after this. Got a TV recommendation
• 23:37
  Speaker 1: for you also, gon gonna dig into some of your
• 23:39
  Speaker 1: emails and uh get back into the swing right after this.
• 23:55
  Speaker 1: All right. We haven't done recommendations in a while, so
• 23:57
  Speaker 1: we're gonna do one right now. I talked about this
• 24:00
  Speaker 1: in one of the exclusive sections of The After Party recently,
• 24:04
  Speaker 1: So if you've heard this already, forgive me, but I'm
• 24:06
  Speaker 1: going to tell I'm going to tell everybody else. For
• 24:10
  Speaker 1: reasons that I can't quite articulate, I, like much of America,
• 24:16
  Speaker 1: am currently obsessed with. Well, it's a soap opera. Really,
• 24:22
  Speaker 1: it's love story, the JFK JR. Carolyn Bissett Story, produced
• 24:29
  Speaker 1: by Ryan Murphy. I like Ryan Murphy. I'm not ashamed
• 24:32
  Speaker 1: to admitute I do. He just he does things differently.
• 24:37
  Speaker 1: He does them well. Yeah, they're sensational at times, sentimental,
• 24:43
  Speaker 1: overly dramatic. Sure, all those things, but all those things
• 24:47
  Speaker 1: at the highest possible level. Now, I started watching this
• 24:51
  Speaker 1: show about a week and a half ago, and I
• 24:54
  Speaker 1: started watching it. It had nothing to do with the fact,
• 24:59
  Speaker 1: I swear to God, had nothing to do with the
• 25:00
  Speaker 1: fact that FX bought ad Space to promote the series.
• 25:05
  Speaker 1: I just started watching it. I really don't know why
• 25:08
  Speaker 1: I started why. I mean that the cover of the thumbnail,
• 25:10
  Speaker 1: it just does not It's not for me. It's clearly
• 25:14
  Speaker 1: not built for me. But it has sucked me in.
• 25:17
  Speaker 1: I like the show more than my wife likes this show.
• 25:20
  Speaker 1: What's that tell you? I talked about this in the
• 25:24
  Speaker 1: exclusive section. I think the reason I'm so drawn into
• 25:28
  Speaker 1: this show is the music. The score is fantastic. It's incredible.
• 25:35
  Speaker 1: It really is great. I made a comparison to the
• 25:40
  Speaker 1: True Romance score. It doesn't sound like that, but it's
• 25:44
  Speaker 1: utilized in the same way. It's done really well. In
• 25:47
  Speaker 1: the time period it is just incredible. It's the nineteen nineties,
• 25:50
  Speaker 1: it's the early to mid and then it's a whole
• 25:52
  Speaker 1: it's a whole of the decade pretty much from ninety
• 25:54
  Speaker 1: two to ninety nine in Manhattan, a period in time
• 25:58
  Speaker 1: and history when I was in and a ton for
• 26:01
  Speaker 1: the first time, for my first time as a young man,
• 26:04
  Speaker 1: and yikes, it just nails it. And the nostalgia vibes
• 26:09
  Speaker 1: are intense. Score is great. Soundtrack is great as well.
• 26:13
  Speaker 1: Lo and Behold. I didn't know this until about three
• 26:15
  Speaker 1: days ago. I'm actually good friends with the music supervisor.
• 26:18
  Speaker 1: I didn't know my friend Jen had done the music
• 26:21
  Speaker 1: supervision for this series until I'd watched five episodes of it.
• 26:25
  Speaker 1: We talked about that. I blew all the smoke as
• 26:28
  Speaker 1: was necessary because she did a great job. Anyhow, fan
• 26:33
  Speaker 1: of the Kennedy's not a fan of the Kennedys, just
• 26:36
  Speaker 1: fan of American history, fan of fan of Manhattan in
• 26:39
  Speaker 1: the nineties, fan of the nineties, any of these things.
• 26:42
  Speaker 1: Fan of sensational storytelling done at the highest level. Fans
• 26:45
  Speaker 1: of Ryan Murphy, Haters of Ryan Murphy check out Love
• 26:49
  Speaker 1: Story on FX. I think you're gonna dig it, and
• 26:51
  Speaker 1: if you don't, I get it. Hit me up, tell
• 26:53
  Speaker 1: me what you think. Six one seven nine oh sixty
• 26:55
  Speaker 1: six sixty three eight voicemail on text. As it pertains
• 26:57
  Speaker 1: to the you know, scoring and music supervision and soundtrack
• 27:01
  Speaker 1: conversation that we've been having because of our new podcast,
• 27:04
  Speaker 1: this film should be played loud. I feel like, given
• 27:07
  Speaker 1: how this the music in this show is moving me,
• 27:10
  Speaker 1: I have to recommend it. So there you go now.
• 27:13
  Speaker 1: Six one seven nine oh six six six three eight
• 27:15
  Speaker 1: voicemail text not the only way to get in touch
• 27:16
  Speaker 1: with me. You can DM me at disgracelin pod and
• 27:19
  Speaker 1: you can send me an email. But if you want
• 27:21
  Speaker 1: to hit me up on X on Instagram, on TikTok,
• 27:24
  Speaker 1: on Facebook, you know, I just just heads up. I
• 27:27
  Speaker 1: You know, I'm probably on Instagram more than I am
• 27:31
  Speaker 1: any other social platform these days. But I kind of
• 27:38
  Speaker 1: go through phases where, Okay, I'm on Instagram this week,
• 27:41
  Speaker 1: I'm on X next week, I'm on Facebook for a
• 27:45
  Speaker 1: week this year. Whatever it is I try, I should
• 27:47
  Speaker 1: do it more balanced. I can't. I just cannot. It's
• 27:51
  Speaker 1: too much. It's too my one set of eyes. So
• 27:54
  Speaker 1: if I don't get back to you, don't hate me.
• 27:56
  Speaker 1: I will eventually. I try to. Anyways. On Instagram, Buck Blake,
• 28:00
  Speaker 1: and he writes saying, hey hate Maplethorpe. Buck is referring
• 28:06
  Speaker 1: referencing a photo I posted in my stories Just Kids.
• 28:10
  Speaker 1: I read Just Kids yesterday, the Patty Smith book about
• 28:12
  Speaker 1: her time coming up in Manhattan in the late sixties
• 28:16
  Speaker 1: early seventies and her friendship and her romance as well
• 28:19
  Speaker 1: with Robert Maplethorpe, who went on or Mapplethorpe. I'm hearing
• 28:23
  Speaker 1: a pronounce like that, now, Mapplethorpe. That sounds a little
• 28:25
  Speaker 1: weird to me. I've always pronounced it as Maplethorpe and
• 28:27
  Speaker 1: heard it that way. Anyhow, about her time in New
• 28:32
  Speaker 1: York Patty Smith, because we're doing a Patty Smith episode,
• 28:35
  Speaker 1: of course, when she's involved in friends and starts her
• 28:39
  Speaker 1: friendship with Maplethorpe. This is before she's famous, and it's
• 28:42
  Speaker 1: way before he's famous as well. She actually gets famous
• 28:45
  Speaker 1: before him. It's a fantastic book. And I would say
• 28:49
  Speaker 1: to Buck or anyone else if you're not a fan
• 28:52
  Speaker 1: of Mablethorpe. And I have a lot of problems with Maplethorpe,
• 28:54
  Speaker 1: I really do, but as an artist, as an actual artist,
• 28:58
  Speaker 1: the guy did something that nobody had ever done before
• 29:00
  Speaker 1: with photography. And despite what you think of the subject matter,
• 29:04
  Speaker 1: which can be challenging, it was even challenging for Patty Smith,
• 29:07
  Speaker 1: who I'm sure is thought of by many to be
• 29:10
  Speaker 1: one of the most open minded, freethinking artists in the
• 29:12
  Speaker 1: history of art. She still had a lot of problems
• 29:16
  Speaker 1: with maple Thorpe's output, and for good reason. It's very
• 29:19
  Speaker 1: challenging stuff, regardless if you're a fan or not. I'm
• 29:24
  Speaker 1: not even a big I'm not a big maple throw fan.
• 29:26
  Speaker 1: This book is incredible. It's great. I read it in
• 29:29
  Speaker 1: one day. I sat down yesterday, I got up early.
• 29:32
  Speaker 1: I wasn't feeling well. I woke up and I just
• 29:34
  Speaker 1: cracked the book and I just I was done by like,
• 29:38
  Speaker 1: I don't know, three o'clock, four o'clock, something like that,
• 29:41
  Speaker 1: maybe earlier. I haven't done that in a while. I
• 29:43
  Speaker 1: love when that happens. We can just tear through something. Anyhow,
• 29:47
  Speaker 1: am I recommending just kids? I guess I am. That's
• 29:50
  Speaker 1: nothing novel. It was like a National Book Award winner.
• 29:53
  Speaker 1: It's a very popular book, and it will serve as
• 29:57
  Speaker 1: one of the sources for the Patti Smith story, be
• 30:00
  Speaker 1: very true crimey story that's gonna be coming up in
• 30:03
  Speaker 1: a couple of weeks. Can't wait for you to hear that.
• 30:05
  Speaker 1: William Strobe on email rights to us, Hey, I immediately
• 30:08
  Speaker 1: went to Germany. When you pose the question about influential
• 30:10
  Speaker 1: bands outside the USA in Great Britain, I went to
• 30:14
  Speaker 1: kraft Work another craft work. I love this. It's mind
• 30:17
  Speaker 1: blowing to think that seventies experimental German electronica is important
• 30:22
  Speaker 1: for the foundation of early rap and hip hop. Africa, Bambada, Soul,
• 30:26
  Speaker 1: Sonic Force and others had the genius to tap into
• 30:30
  Speaker 1: such an unlikely musical vein. They were the complete game
• 30:33
  Speaker 1: changers and became part of the DNA of a new culture.
• 30:36
  Speaker 1: Keep up the great work. Rock a Rolla from the
• 30:38
  Speaker 1: two one five two one five William, thank you so much, man,
• 30:41
  Speaker 1: this is awesome. I love this answer. It was unexpected
• 30:45
  Speaker 1: and that's that's why I love it. Also, Africa Manbada
• 30:48
  Speaker 1: is an episode. There some dark shit there, I believe.
• 30:52
  Speaker 3: Hold.
• 30:52
  Speaker 1: I'm gonna write that down. Joshua Blevin sends me a
• 30:57
  Speaker 1: link here Smiley Faced Killers music link. In the interview,
• 31:01
  Speaker 1: starting sometime after the twenty five minute mark, he mentions
• 31:04
  Speaker 1: the Smiley Face Killer is an acid house symbol and
• 31:08
  Speaker 1: ties to the seventies music industry. Have you heard this
• 31:10
  Speaker 1: and please look into it. I have not heard of this,
• 31:13
  Speaker 1: and I have no idea what you're talking about, but
• 31:16
  Speaker 1: I am super intrigued Smiley Face Killers writing this one
• 31:21
  Speaker 1: down to If anyone knows anything about this, Smiley Face
• 31:27
  Speaker 1: Killer Killers Crime wants to give me a little more contact,
• 31:32
  Speaker 1: hit me up to Gray sand at Disgraceandpod six one
• 31:35
  Speaker 1: seven nine oh six six six three eight email as
• 31:37
  Speaker 1: Gracelandpod at gmail dot com. Now you heard me talking
• 31:41
  Speaker 1: about it earlier. This film should be played loud. Our
• 31:44
  Speaker 1: new episode is available for you to watch. What are
• 31:47
  Speaker 1: you waiting for? Watch? Go ahead, watch watch it. It's
• 31:50
  Speaker 1: on Boogie Nights. It's on the music of Boogie Knights.
• 31:52
  Speaker 1: I should say you are not going to be disappointed.
• 31:54
  Speaker 1: We played a clip from it in last week's episode
• 31:57
  Speaker 1: of the After Party. We dropped our first episode of
• 32:01
  Speaker 1: this film should be played loud in the feed. You
• 32:03
  Speaker 1: have no excuse, guys, you know what this is. People
• 32:07
  Speaker 1: are digging it. Go to disgrayslampod dot com to become
• 32:10
  Speaker 1: an all access members. Sign up. You'll receive awesome exclusive
• 32:14
  Speaker 1: content like our new podcast and of course ad free listening,
• 32:18
  Speaker 1: and you can become a member for you can literally
• 32:20
  Speaker 1: become a free member if you want, if that's your thing,
• 32:22
  Speaker 1: but you can become a member for as little as
• 32:24
  Speaker 1: a dollar. All right. We have other levels as well
• 32:26
  Speaker 1: that are going to unlock different types of content and
• 32:28
  Speaker 1: different types of value for you. Disgraysampod dot com get
• 32:33
  Speaker 1: all the info you need, all right. Listen, Now it's
• 32:36
  Speaker 1: time for the sports rant, Okay, the sixty second sports
• 32:39
  Speaker 1: rant and under thirty seconds sponsored by our friends at
• 32:43
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• 32:45
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• 32:57
  Speaker 1: energy dot com or Amazon. Listen, guys, I don't have
• 33:02
  Speaker 1: a lot to rant about right now. Someone emailed me
• 33:04
  Speaker 1: and said, I don't think you understand the concept of
• 33:06
  Speaker 1: a long suffering sports fan being from New England, and
• 33:09
  Speaker 1: you know you're right, You're right. I was being a
• 33:11
  Speaker 1: little facetious. There was being a little bit of a
• 33:12
  Speaker 1: smart guy. You know. I guess what my gripe is
• 33:15
  Speaker 1: right now is we're in the dead zone. I can't
• 33:17
  Speaker 1: get into basketball until the playoffs. You know this. I've
• 33:19
  Speaker 1: talked about this before. I'm a fly by night Celtics fan.
• 33:22
  Speaker 1: The Bruins this year, I know they're not ultimately going anywhere.
• 33:26
  Speaker 1: Despite flashes of playing well, they're hard to get into.
• 33:29
  Speaker 3: You know.
• 33:30
  Speaker 1: My reasons for being dismayed with the Boston Red Sox
• 33:35
  Speaker 1: and we are a long way from football season, so
• 33:40
  Speaker 1: I mean, I'm like, what am I doing? What am
• 33:42
  Speaker 1: I gonna do? I watched Slapshot again the other night,
• 33:43
  Speaker 1: which I typically do around this time of year because
• 33:45
  Speaker 1: it is probably the best sports film of all time.
• 33:48
  Speaker 1: But I have to say this is gonna be less
• 33:50
  Speaker 1: of a rant and more of a rave. I went
• 33:52
  Speaker 1: on a Netflix and I broke down and I started
• 33:54
  Speaker 1: watching The Gambler in His Cowboys, America's team. The Gambler
• 33:58
  Speaker 1: in His Cowboys story Jerry Jones and the Dallas Cowboys
• 34:01
  Speaker 1: from the nineties, and it's really a history of the
• 34:04
  Speaker 1: Jerry Jones era of the Cowboys, just from what he
• 34:07
  Speaker 1: bought the team until now. Basically, well, I haven't finished it,
• 34:09
  Speaker 1: but I gotta say this is the point. This is excellent.
• 34:13
  Speaker 1: This is excellent storytelling. I love the Cowboys. I'm happy
• 34:17
  Speaker 1: they're not my team, but as a casual fan Cowboys,
• 34:20
  Speaker 1: you gotta give it to them. They're one of the
• 34:21
  Speaker 1: most entertaining franchises in all of sports, both presently and historically.
• 34:26
  Speaker 1: So less of a rant this week, more of a
• 34:29
  Speaker 1: sports rave. Check out America's Team, The Gambler and His Cowboys.
• 34:33
  Speaker 1: If you haven't already. I think you're gonna dig it
• 34:34
  Speaker 1: if you're looking for some sports vives right now in
• 34:36
  Speaker 1: this dead zone. All right, Matt, did I get that
• 34:39
  Speaker 1: in under thirty seconds? I don't believe I did. Anyways,
• 34:41
  Speaker 1: that was the sports rant disguised as a sports rave
• 34:45
  Speaker 1: sponsored by Five Hour Energies Fruity Rainbow Flavor. Treat yourself
• 34:48
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• 34:51
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  Speaker 1: dot five hour Energy dot com or Amazon today.
• 35:00
  Speaker 2: I will be back in a flash.
• 35:15
  Speaker 1: All right, we are back. Thank you for hanging out
• 35:17
  Speaker 1: with me and this after party. We mentioned Bob Marley.
• 35:19
  Speaker 1: Of course we had the rewind last week. We also
• 35:21
  Speaker 1: talked about Johnny Cash, Keith Richards, Elvis. I mentioned James
• 35:25
  Speaker 1: Burton because of Elvis Presley, but James Burton also played
• 35:28
  Speaker 1: with Graham Parsons. We have a great Grand Parsons episode,
• 35:30
  Speaker 1: got episodes on all these artists. We mentioned. Matt's going
• 35:33
  Speaker 1: to have the information on how you can find him
• 35:36
  Speaker 1: in the archive in the show notes section of this
• 35:39
  Speaker 1: here bonus episode all right, let's recap, shall we? This
• 35:41
  Speaker 1: week our new episode, part two of the in Excess Story.
• 35:44
  Speaker 1: Our Rewind episode coming up right after this is on
• 35:47
  Speaker 1: Public Enemy. Next week we are exploring the life, times,
• 35:52
  Speaker 1: and music of towns van Zandt As always Eth Lundy's
• 35:56
  Speaker 1: giving you those hollywooded true crime vibes in Hollywoodlands. Sure
• 36:00
  Speaker 1: you're subscribe to the Hollywood Lamb podcast wherever you get
• 36:02
  Speaker 1: your podcasts. This film should be played loud. Our new
• 36:06
  Speaker 1: episode our video podcast on Boogie Nights that's available right now.
• 36:10
  Speaker 1: I got to be a Patreon member to cop that.
• 36:12
  Speaker 1: Go to Disgrace lampod dot com to sign up six
• 36:14
  Speaker 1: one seven nine oh six six six three eight. Your
• 36:16
  Speaker 1: voice keeps us digging into the dark corners music history.
• 36:19
  Speaker 1: So keep calling, keep texting, keep hit me up with
• 36:21
  Speaker 1: your answers to this week's question of the week, or
• 36:23
  Speaker 1: with whatever else you want to talk about. Number seven.
• 36:26
  Speaker 1: Don't forget this goes. This isn't just content. It's a community,
• 36:29
  Speaker 1: a community of the obsessed, and no one cares about music, books,
• 36:33
  Speaker 1: records in the crime and grime that ties them all
• 36:35
  Speaker 1: together like you do. And well that's a disgrace. On
• 36:39
  Speaker 1: January twenty first, nineteen ninety seven, the kernel Tom Parker
• 36:45
  Speaker 1: passed away, and here's what America was listening to on
• 36:49
  Speaker 1: that day. Number one Unbreak My Heart Tony Braxton last
• 36:55
  Speaker 1: week one peak position one weeks on chart. Team number
• 37:01
  Speaker 1: two Don't Let Go, Love and Vote. Last week I
• 37:05
  Speaker 1: Believe peak positions two weeks on charts eleven, number three
• 37:11
  Speaker 1: FT I Believe I Can Fly Space Channel four last
• 37:16
  Speaker 1: week to peak position featuring two number five weeks on chart.
• 37:20
  Speaker 1: I Believe six Number four Nobody Keith Sweat featuring Athena
• 37:26
  Speaker 1: Cage last week for peak position three weeks on chart.
• 37:31
  Speaker 1: Last six number five. Quit talking and start mixing.