Latest / DISGRACELAND / Bonus Episode: Turnstile and Why Hardcore Music is Now Pop Music plus Our Greatest Live Music Childhood Memories

Transcript

Bonus Episode: Turnstile and Why Hardcore Music is Now Pop Music plus Our Greatest Live Music Childhood Memories · DISGRACELAND

• 0:01
  Speaker 1: Hey discos, need a little more Disgraceland in your life,
• 0:05
  Speaker 1: just to touch, to get you through. Yeah me too.
• 0:08
  Speaker 1: This is the podcast. It comes after the podcast. Welcome
• 0:12
  Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,
• 0:30
  Speaker 1: a little thing we like to call the after party.
• 0:32
  Speaker 1: This is the show after the show, the party after
• 0:35
  Speaker 1: the party, the bridge to get you from one full
• 0:36
  Speaker 1: episode of Disgraceland to the other. The backyard, to dig
• 0:39
  Speaker 1: into the dirt, our mission to uncover the truth, to
• 0:42
  Speaker 1: confront the myth, to reclaim the story. On this bonus episode,
• 0:44
  Speaker 1: we are discussing Turnstiles, Grammy Wins, and why hardcore music
• 0:48
  Speaker 1: is now pop music, Jane's addiction, and our greatest live
• 0:52
  Speaker 1: music experiences as kids, long suffering New England Patriots fans
• 0:55
  Speaker 1: finally get to experience the postseason and we get into
• 0:58
  Speaker 1: your emails, comments, and as always, a whole lot of rosie.
• 1:03
  Speaker 1: This is the podcast for the musically obsessed, the outsiders
• 1:05
  Speaker 1: of the independent thinkers who know that the best history
• 1:07
  Speaker 1: is the history that gets buried. Disgrace Land is where
• 1:10
  Speaker 1: I tell the stories they didn't want told, the kind
• 1:12
  Speaker 1: you'll end up telling someone else. All right discos. Let's
• 1:15
  Speaker 1: get into it all right, here's something interesting. Turnstile is
• 1:32
  Speaker 1: the first hardcore band to win a Grammy award. The
• 1:36
  Speaker 1: Baltimore quintet now two Grammys, one each in the Best
• 1:40
  Speaker 1: Rock Album and Best Metal Performance categories. You guys know
• 1:44
  Speaker 1: I'm a Turnstyle fan. You know I've been paying attention
• 1:46
  Speaker 1: to this. I've been following along. I come from the
• 1:48
  Speaker 1: hardcore scene, so this is of particular interest to me. Again,
• 1:52
  Speaker 1: Turnstyle two Grammys, one for Best Rock Album and another
• 1:56
  Speaker 1: for Best Metal Performance. Make no mistake about it. Turnstile
• 2:00
  Speaker 1: is a hardcore band. In the Best Rock Album category Turnstile,
• 2:05
  Speaker 1: Beat Out, New Metal Journeyman, Lincoln Park, Perpetual Hollywood Scene,
• 2:09
  Speaker 1: Darling's Time, Crossover Vets, Deftones, and Rock's Latest Hope Young Blood,
• 2:14
  Speaker 1: And in the Best Performance category Turnstiles, Song Birds, one Over,
• 2:18
  Speaker 1: Masked metal Heads, Sleep Token, Canadian progressive metal heads Spirit Box,
• 2:23
  Speaker 1: and two theater rock groups Ghost and Dream Theater. Now
• 2:27
  Speaker 1: Make no mistake. Turnstyle is neither a rock band or
• 2:29
  Speaker 1: a metal band. In the group's acceptance speech, frontman Brandon
• 2:34
  Speaker 1: Yeates said that the community we found through punk in
• 2:38
  Speaker 1: hardcore music has given us a safe place to swing
• 2:41
  Speaker 1: in the dark and land somewhere beautiful. Community. That word,
• 2:46
  Speaker 1: in particular, community is what separates the hardcore scene from
• 2:51
  Speaker 1: the metal scene, from the rock scene, even from the
• 2:54
  Speaker 1: punk scene. Even though Yates categorized the scene that Turnstile
• 2:58
  Speaker 1: came from as being punk and hardcore, He's from the
• 3:00
  Speaker 1: hardcore scene, trust me. And the hardcore scene is different,
• 3:05
  Speaker 1: much different. It's built on a different set of values. Now,
• 3:09
  Speaker 1: long before these concepts became mainstream, the hardcore scene embraced
• 3:14
  Speaker 1: the concepts of inclusiveness, of do it yourself, grit, and independence.
• 3:18
  Speaker 1: Decades before these ideas were embraced and promoted by other
• 3:23
  Speaker 1: music subcultures. The hardcore scene, the Turnstiles Brendan Yates is
• 3:27
  Speaker 1: talking about cultivated and open mindedness that still champions esoteric
• 3:31
  Speaker 1: lifestyles and religions, everything from straight edge to vegetarianism and veganism,
• 3:36
  Speaker 1: Harry Krishna, even rastafarianism. Other music scenes, particularly metal and rock,
• 3:42
  Speaker 1: openly mocked and ridiculed the hardcore scene for its openness. Now,
• 3:47
  Speaker 1: Turnstiles Brendan Yates took the stage at the sixty eighth
• 3:50
  Speaker 1: Grammy Awards the other night, and again he said, the
• 3:53
  Speaker 1: community we found through punk in hardcore again, that's the
• 3:57
  Speaker 1: key word community. The hardcore community is completely different than
• 4:01
  Speaker 1: other musical communities. It's hard to explain unless you've lived
• 4:06
  Speaker 1: in it, as I have. In a lot of ways,
• 4:08
  Speaker 1: it's like being part of a club, a club of outsiders,
• 4:13
  Speaker 1: and that's what drew me and many others to the
• 4:15
  Speaker 1: hardcore scene to begin with. And once you've been accepted
• 4:19
  Speaker 1: into this club, you never really leave in that way.
• 4:22
  Speaker 1: I guess it's kind of like the Mafia or the
• 4:24
  Speaker 1: CIA when you're traveling. I'm joking, but when you're traveling
• 4:27
  Speaker 1: in all seriousness, when you're traveling, you're traveling abroad. It's
• 4:30
  Speaker 1: happening me so many times. You're traveling abroad, you're somewhere else,
• 4:33
  Speaker 1: far from home. You're walking down a foreign street. Perhaps
• 4:37
  Speaker 1: you pass a dude wearing a Gorilla Biscuits T shirt
• 4:39
  Speaker 1: or a Baine hoodie or yeah, maybe some turnstile swag.
• 4:43
  Speaker 1: You don't necessarily stop and talk to that dude, but
• 4:45
  Speaker 1: for sure the both of you exchange knowing nods. Now,
• 4:50
  Speaker 1: you and the girl wearing the Joy Division T shirt,
• 4:52
  Speaker 1: you're not necessarily going to do that, nor would you
• 4:55
  Speaker 1: with the guy wearing the Matleykousher. It's different, it's a
• 4:59
  Speaker 1: different experience, it's different lived in experience being in the
• 5:02
  Speaker 1: hardcore scene. So Turnstile, though they won in both the
• 5:06
  Speaker 1: rock and metal categories, is the first hardcore band to
• 5:10
  Speaker 1: win a Grammy Award. This is never done before.
• 5:14
  Speaker 2: Now.
• 5:14
  Speaker 1: The interesting thing here is, even though Turnstile is a
• 5:18
  Speaker 1: hardcore band, what I want to ask is, this is
• 5:22
  Speaker 1: the music from their latest album, Never Enough hardcore music?
• 5:28
  Speaker 1: And the answer is no, it's not. It's something more,
• 5:32
  Speaker 1: it's something different. The music on Never Enough transcends hardcore music.
• 5:37
  Speaker 1: It of course has trademark hardcore elements, mash parts, big
• 5:42
  Speaker 1: chug a chugger, riffs, sing along choruses, breakdowns, but it
• 5:45
  Speaker 1: also includes elements that no hardcore band has ever included
• 5:49
  Speaker 1: and succeeded with, namely, synth parts that are not just atmospheric,
• 5:55
  Speaker 1: they're singular. I heard that record, I was like, God,
• 5:58
  Speaker 1: they're making like Smith's guitar riffs with synthesizers. Okay, these
• 6:05
  Speaker 1: elements they add this originality that I think I believe anyways,
• 6:10
  Speaker 1: is gonna long be imitated by other bands, not just
• 6:13
  Speaker 1: hardcore bands. And in a way we'll contribute in no
• 6:17
  Speaker 1: small manner to the future of not just heavy music,
• 6:20
  Speaker 1: not just hardcore music, but to the future of pop music.
• 6:23
  Speaker 1: Now hear me out. Like Metallica and Nirvana before them,
• 6:27
  Speaker 1: Turnstile created a new sound that transcended the niche scene
• 6:31
  Speaker 1: that first embraced them. After Metallica released the Black Album,
• 6:35
  Speaker 1: they no longer sounded like a metal band. They no
• 6:38
  Speaker 1: longer sounded like anything but Metallica in a new version
• 6:42
  Speaker 1: of Metallica, not like the Metallica from the album's previous
• 6:46
  Speaker 1: not like Injustice for All, not like Master of Puppets,
• 6:48
  Speaker 1: not like Ride. The Lightning Black album sounded like Metallica
• 6:53
  Speaker 1: in that moment, something different. Same for Nirvana, nothing was
• 6:56
  Speaker 1: the same after Nevermind. The band on that album didn't
• 7:00
  Speaker 1: sound like an alternative band. They didn't sound like a
• 7:03
  Speaker 1: Seattle band. They didn't sound like a college band or
• 7:05
  Speaker 1: even a grunge band, whatever that was. They sounded like Nirvana.
• 7:09
  Speaker 1: Nirvana after Nevermind no longer sounds like the Melvins or
• 7:13
  Speaker 1: mud Honey, as they kind of do on Bleach. I mean, yeah,
• 7:16
  Speaker 1: they're their own thing on Bleach, but you put Bleach
• 7:19
  Speaker 1: up without never Mind, right, in nineteen eighty nine, or
• 7:22
  Speaker 1: whenever Bleach comes out, Yeah, nineteen eighty nine. I think
• 7:25
  Speaker 1: you put that album up there next to a Melvin's
• 7:29
  Speaker 1: record from the era or a mud Honey record from
• 7:31
  Speaker 1: the era, and they're all in conversation with each other.
• 7:33
  Speaker 1: They all speak sonically to one another. They sound similar,
• 7:37
  Speaker 1: same thing with Metallica previous to the Black album, Okay
• 7:41
  Speaker 1: and Justice for All, with Slayers, Rain and Blood, or
• 7:44
  Speaker 1: with a Megadeth or Anthrax record, they're all kind of
• 7:46
  Speaker 1: in conversation together, right, All those the big thrash bands,
• 7:50
  Speaker 1: they're all kind of they're all kind of there. They're
• 7:52
  Speaker 1: all kind of on the track, neck and neck, nose
• 7:55
  Speaker 1: to nose. What happens when the Black album comes out?
• 7:59
  Speaker 1: Metallica can no longer be compared to Slayer or Megadeth
• 8:02
  Speaker 1: or Anthrax. Both Metallica and Nirvana evolved into something beyond
• 8:09
  Speaker 1: their respective thrash and grunge scenes and into a new
• 8:13
  Speaker 1: kind of popular music because those albums not only did
• 8:18
  Speaker 1: they sound different, they had a commercial breakthrough. They had
• 8:22
  Speaker 1: a commercial impact. They impacted popular culture in the way
• 8:26
  Speaker 1: that their records previously did not, and they impacted popular
• 8:29
  Speaker 1: culture with a new evolution of the band's sound that
• 8:33
  Speaker 1: turned them into something new, something different, something that had
• 8:37
  Speaker 1: never been heard before, something known as pop music, a
• 8:41
  Speaker 1: new kind of pop music. And what happens when a
• 8:44
  Speaker 1: band becomes pop their influence grows exponentially. After Nevermind by
• 8:50
  Speaker 1: Nirvana and after The Black Album by Metallica, new crops
• 8:53
  Speaker 1: of musicians took to their instruments inspired by Nirvana and
• 8:57
  Speaker 1: Metallica without being inspired by other grunge or thrash bands. Now,
• 9:02
  Speaker 1: I'm not saying that's a good thing necessary, I'm just
• 9:05
  Speaker 1: saying that it's a thing. Trust me, In nineteen ninety
• 9:09
  Speaker 1: one nineteen ninety two, when those records were out there,
• 9:12
  Speaker 1: there were kids buying guitars learning Nirvana songs who had
• 9:16
  Speaker 1: never heard mud Honey, had never heard the Melvins before.
• 9:20
  Speaker 1: Same goes for Metallica, kids learning Metallica songs who had
• 9:23
  Speaker 1: no idea who Megadeth was. And again, I'm not saying
• 9:26
  Speaker 1: that's a good thing. I'm just saying that it's a thing,
• 9:29
  Speaker 1: and that the hardcore sound through Turnstyle alone, will now
• 9:35
  Speaker 1: be singed into the future of pop music. Because, put simply,
• 9:39
  Speaker 1: Turnstyle has become something other than a hardcore band. They've
• 9:43
  Speaker 1: become Turnstyle and now they have two Grammy Awards to
• 9:48
  Speaker 1: prove it. Turnstyle. Love them, hate them, never heard of them,
• 9:54
  Speaker 1: kind of interested in them. Whatever. You can no longer
• 9:57
  Speaker 1: escape the fact that they are more consequential today than
• 10:01
  Speaker 1: they were a week ago, and I kind of love it.
• 10:05
  Speaker 1: I didn't see it coming. I did not see this coming,
• 10:08
  Speaker 1: and I'm kind of stoked about it. Anyways, speaking of
• 10:12
  Speaker 1: influence and consequence, this week's new episode on one of
• 10:16
  Speaker 1: the most consequential bands in the nineteen nineties, Jane's Addiction,
• 10:19
  Speaker 1: is currently available for you to listen to. This is
• 10:21
  Speaker 1: part two of the Jains Addiction story. We dropped episode
• 10:25
  Speaker 1: one in the feed for you guys. Give you a
• 10:27
  Speaker 1: refresh before diving into the continuation of the Jaine saga.
• 10:30
  Speaker 1: Jane says she's done with Sergio. He treats me like
• 10:33
  Speaker 1: a rag doll. I love that line. I love this band.
• 10:35
  Speaker 1: Jane's Addiction blew my mind when I first heard them.
• 10:39
  Speaker 1: I was lucky enough to see him in a smallish
• 10:41
  Speaker 1: venue when I was in high school, an auditorium in Fitchburg, Massachusetts,
• 10:45
  Speaker 1: and they were fucking incredible, incredible, probably the greatest live
• 10:51
  Speaker 1: band i'd seen up until that point, until I saw
• 10:54
  Speaker 1: Fugazi a couple of years later in the same venue,
• 10:56
  Speaker 1: mind you, in Fitchburg Wallas Civic Center. And then again
• 11:00
  Speaker 1: and I saw Fugazi and Clinton Mass My band got
• 11:03
  Speaker 1: to open up for them. Take that turnstyle. I'm kidding. Anyways,
• 11:06
  Speaker 1: Zeth and I are going to be talking about our
• 11:08
  Speaker 1: favorite live music experiences as kids from in the exclusive
• 11:13
  Speaker 1: section of this some after party. Some some real nineties
• 11:16
  Speaker 1: early aughts live music stories, huge bands we've seen in
• 11:19
  Speaker 1: small clubs, bizarre experiences with rock stars on the corners
• 11:22
  Speaker 1: of the street, all kinds of stuff, all in the
• 11:25
  Speaker 1: exclusive all access section of this after party. Go to
• 11:28
  Speaker 1: Disgrace sampod dot com to sign up. And as I'm
• 11:30
  Speaker 1: saying this, maybe we'll make this a two part all
• 11:33
  Speaker 1: access section because I think it'd be cool to hear
• 11:35
  Speaker 1: your wildest live music experiences from childhood as well. Now
• 11:40
  Speaker 1: I'm thinking about this out loud as I say it.
• 11:42
  Speaker 1: Maybe what we'll do is have you guys call in
• 11:45
  Speaker 1: or tex six one seven nine oh six, six six
• 11:47
  Speaker 1: three eight call us this week, give us your stories
• 11:50
  Speaker 1: about your most memorable live music experiences, and we'll play
• 11:53
  Speaker 1: them in next week's all access section of the After Party.
• 11:57
  Speaker 1: As we continue this conversation so again, check out today's
• 12:01
  Speaker 1: convo me and Zeth talking wild live music experiences as
• 12:04
  Speaker 1: kids them. Call six one seven nine oh six six
• 12:07
  Speaker 1: six three eight, leave a voicemail, send a text, give
• 12:10
  Speaker 1: us your wild live music experiences as children, children of
• 12:14
  Speaker 1: the nineties, children of whenever. You don't have to have
• 12:16
  Speaker 1: been coming up in the nineties. They don't know. These
• 12:18
  Speaker 1: don't have to be nineties experiences, and you can hear
• 12:21
  Speaker 1: your answers in the all access section of next week's
• 12:24
  Speaker 1: after Party. We'll keep this convo going all right after
• 12:26
  Speaker 1: Jane's Part two this week, and after this bonus episode
• 12:29
  Speaker 1: in our feed, we've got Beatles Part one and Part two,
• 12:32
  Speaker 1: speaking of consequential artists. You can't get more consequential than
• 12:35
  Speaker 1: the Beatles. And then next week we've got our new,
• 12:38
  Speaker 1: long awaited, long requested episode on me as a Pada
• 12:42
  Speaker 1: of the Gits. Miaz A Pada, of course, was murdered
• 12:46
  Speaker 1: and died way too young, prompting next week's question of
• 12:50
  Speaker 1: the week, Which musicians do you love that died before
• 12:53
  Speaker 1: they got their due? Be thinking of this when you're
• 12:56
  Speaker 1: listening to the miyaz A Poda episode and then again,
• 12:58
  Speaker 1: give me a call six one seven nine oh six
• 13:00
  Speaker 1: six six three eight and let me know. The phone
• 13:02
  Speaker 1: lines are open, as they say, let me know which
• 13:04
  Speaker 1: musicians that you love who died before they got their
• 13:07
  Speaker 1: due six one seven nine oh six six six three
• 13:10
  Speaker 1: eight voicemail and text. I'll be back after this with
• 13:12
  Speaker 1: your answers to last week's question of the week. All right, guys,
• 13:31
  Speaker 1: we're back, and I wanted to just point something out
• 13:33
  Speaker 1: here real quick to you. A lot of you might know,
• 13:35
  Speaker 1: this lot of you might not. We've got a new podcast.
• 13:37
  Speaker 1: It's called This Film Should be Played Loud, and it's
• 13:41
  Speaker 1: all about the greatest music from our favorite movies. Now
• 13:44
  Speaker 1: you have to be an All Access member to watch
• 13:47
  Speaker 1: this podcast. It's a video podcast. We have two tiers
• 13:50
  Speaker 1: of All Access membership. We have video and audio. Ten
• 13:53
  Speaker 1: bucks a month gets you a bunch of new video content,
• 13:55
  Speaker 1: plus AD for you listening that we've been offering forever
• 13:58
  Speaker 1: and exclusive content, and the five ninety nine monthly level
• 14:02
  Speaker 1: gets you the audio version of All Access Okay again,
• 14:07
  Speaker 1: ad free listening our exclusive mini episodes. Both the audio
• 14:10
  Speaker 1: and video level, they're going to get you into the
• 14:12
  Speaker 1: community chat on Patreon. You can become a member at
• 14:16
  Speaker 1: the five ninety nine level in Apple Podcasts and Patreon.
• 14:19
  Speaker 1: Video is available through Patreon. Go to Disgrace sampod dot
• 14:23
  Speaker 1: com to sign up. I'm super stoked about this video.
• 14:27
  Speaker 1: Should be played loud. I love I think that my
• 14:30
  Speaker 1: two favorite things in the world are my favorite thing
• 14:32
  Speaker 1: in the world besides my kids and my family. And
• 14:35
  Speaker 1: you know, the big sort of tent pole stuff is
• 14:39
  Speaker 1: when you're watching a great movie and this incredible song
• 14:42
  Speaker 1: comes on and it just it changes everything. It changes
• 14:45
  Speaker 1: the film, It changes the story, it changes the emotional
• 14:48
  Speaker 1: connection you're having to the characters, and it even changes
• 14:52
  Speaker 1: the way you think about that music when you see
• 14:54
  Speaker 1: it in the context with the movie. And that can
• 14:56
  Speaker 1: come from a Neil drop, something on the soundtrack, it
• 15:00
  Speaker 1: can be scoring, whatever it is. The combination of music
• 15:04
  Speaker 1: and images on screen just unbelievable. I love it. That's
• 15:09
  Speaker 1: at the heart of this film. Should be played loud.
• 15:11
  Speaker 1: We've done two episodes so far. We did an episode.
• 15:14
  Speaker 1: Our first episode is on Goodfellas. Our second episode is
• 15:18
  Speaker 1: on train Spotting. The next episode, I believe we're going
• 15:22
  Speaker 1: to cover Marty Supreme, the new film, the new Timothy
• 15:25
  Speaker 1: shallow May movie that's out there right now. It's gonna
• 15:27
  Speaker 1: be Episode three of this film should be played loud.
• 15:30
  Speaker 1: Train Spotting, like I said, is the most recent one. Matt,
• 15:34
  Speaker 1: why don't you play the folks here? A little taste
• 15:37
  Speaker 1: of this film should be played loud.
• 15:40
  Speaker 2: The opening scene of this movie is it's the two Ewins.
• 15:42
  Speaker 2: It's Ewan McGregor and you and Bremner. They're halling ass
• 15:45
  Speaker 2: down the street with a cop and a store clerk
• 15:47
  Speaker 2: in a hot pursuit behind them, and Iggy Pop's Lust
• 15:49
  Speaker 2: for Life is playing, and it literally the first shot
• 15:52
  Speaker 2: is of a foot hitting the pavement rate as the
• 15:55
  Speaker 2: opening drum beat of Lust for Life plays, and You're
• 15:58
  Speaker 2: just like you are just yanked end of this world
• 16:00
  Speaker 2: so hard? Were you andto Iggy at the time, or
• 16:03
  Speaker 2: did you have the same for me. I don't know
• 16:05
  Speaker 2: that I've ever heard this song before I saw this movie,
• 16:08
  Speaker 2: and I vividly remember the song coming on and being like,
• 16:12
  Speaker 2: holy shit, what is this song?
• 16:14
  Speaker 1: Well, before I answer the question, I just for those
• 16:16
  Speaker 1: in the audience who are younger, it's important to remember
• 16:18
  Speaker 1: that in nineteen ninety six, when Trainspotting comes out. Lust
• 16:22
  Speaker 1: for Life by Iggy Pop, as hard as it is
• 16:24
  Speaker 1: now to imagine, was not a ubiquitous sort of classic tune.
• 16:29
  Speaker 1: It just was not. I mean, I'm sure I had
• 16:32
  Speaker 1: heard it, but I wasn't an iggy a fan of
• 16:35
  Speaker 1: Iggy Pop's music. I knew who he was, and I
• 16:37
  Speaker 1: thought he was an interesting guy because you got to remember,
• 16:39
  Speaker 1: he's doing like cry Baby around this time and dead
• 16:42
  Speaker 1: Man this day with Lord delivered thee into mind him.
• 16:46
  Speaker 2: For me, he had just had the reputation of the
• 16:47
  Speaker 2: guy who like cut himself on stage, and I was like, oh,
• 16:49
  Speaker 2: that's a little too transgressive for me, maybe, you know, yeah, that.
• 16:52
  Speaker 1: Was definitely part of the lore, and he was just
• 16:54
  Speaker 1: something that, you know, Johnny Depp was very enthralled with
• 16:56
  Speaker 1: him at the time, and we all knew Whojohnny Depp was, obviously,
• 16:59
  Speaker 1: and he was just kind of this it's like elder
• 17:01
  Speaker 1: statesman in the alternative world. But I wasn't listening to
• 17:05
  Speaker 1: Iggy Pop on purpose at that time. I wasn't. I
• 17:08
  Speaker 1: had friends, so I should say who probably thought that
• 17:10
  Speaker 1: I was lame because I didn't have the Stooges album.
• 17:12
  Speaker 1: You know what, I mean, it took a while. It
• 17:14
  Speaker 1: took a while for me to get into that and
• 17:16
  Speaker 1: and this movie kind of did it for the song,
• 17:19
  Speaker 1: but it that's not what iggy pop isn't what this
• 17:21
  Speaker 1: movie turned me on to. Musically. We can get into
• 17:24
  Speaker 1: what this what the movie did turn me onto, but no,
• 17:26
  Speaker 1: Iggy wasn't really on my radar. And now when you
• 17:30
  Speaker 1: go back and you're just it's not just it's not
• 17:33
  Speaker 1: just the lust for Life scene in the beginning, which
• 17:35
  Speaker 1: is absolutely, like instantly iconic. It's that night clubbing scene
• 17:41
  Speaker 1: in The Menace Nightclubbing yea, which Bowie Bowie produced, right, that.
• 17:51
  Speaker 2: One's not the idiot, Yeah, yeah, yeah, it's just it
• 17:53
  Speaker 2: sounds like a hangover that song, you know, yeah, it.
• 17:55
  Speaker 1: Really it sounds like you're you're you're hanging out with
• 17:58
  Speaker 1: the wrong fucking people. That's what And that's what what's happened.
• 18:00
  Speaker 1: Bowie was hanging out Bowie and NIGGI, we're both hanging
• 18:03
  Speaker 1: out with the wrong people at the time. Just so
• 18:04
  Speaker 1: happened that it was each other. All right, guys, that's
• 18:09
  Speaker 1: this film should be played loud. Myself and Zeth Lundy
• 18:12
  Speaker 1: getting down with our favorite music in movies. Go to
• 18:15
  Speaker 1: Disgrace sampod dot com to sign up, become an all
• 18:17
  Speaker 1: Access member and cop that exclusive content six one seven
• 18:21
  Speaker 1: nine oh six six six three eight, voicemail and text
• 18:24
  Speaker 1: to get in touch like we do every week. Like
• 18:27
  Speaker 1: I said, with the Jans Addiction episode, we prompted the
• 18:30
  Speaker 1: question who was the most consequential artist of the nineties?
• 18:34
  Speaker 1: Let's check in with the eight one eight.
• 18:37
  Speaker 3: Hey, Jake, it's King in one eight uh calling about
• 18:41
  Speaker 3: your question about which band best embodies the nineties? Thank
• 18:45
  Speaker 3: you by the way for not saying which band is
• 18:47
  Speaker 3: the most iconic? That we're just getting seriously overused, and
• 18:50
  Speaker 3: it's annoying that I digress who's the most important, Scottie Nirvana,
• 18:55
  Speaker 3: who's probably the longest lasting, still going important, and probably
• 19:00
  Speaker 3: Pearl Jam Beust hard rock album from that era, Sound
• 19:05
  Speaker 3: Garden super Unknown. For me, I can't even get into
• 19:09
  Speaker 3: nineties hip hop and R and B because that's like,
• 19:11
  Speaker 3: that's like a whole separate podcast, and you might be
• 19:14
  Speaker 3: having that already in the works, who knows. But in
• 19:18
  Speaker 3: terms of like which band embodies for me the nineties,
• 19:22
  Speaker 3: it was kind of a left field one because I
• 19:24
  Speaker 3: never even listened to them until the two thousands. Uncle Tupelo.
• 19:29
  Speaker 3: They created a whole genre, Old Country. They gave birth
• 19:33
  Speaker 3: to two bands after they split up, Sunbolt and my
• 19:35
  Speaker 3: favorite band, will Go. I didn't even know about them
• 19:39
  Speaker 3: until the look A movie I'm Trying to Break Your
• 19:42
  Speaker 3: Heart came up, and then I kind of started going
• 19:44
  Speaker 3: back and like, little did I know that was a
• 19:48
  Speaker 3: huge part of a lot of people's lives in the nineties.
• 19:51
  Speaker 3: I know they started late eighties only went in the
• 19:54
  Speaker 3: ninety four, but I think just the fact that they
• 19:56
  Speaker 3: kind of created a whole new genre and gave birth
• 20:00
  Speaker 3: to some bands out of that. For me, that's my answer.
• 20:04
  Speaker 3: Thanks Charling, you doing you don't have an Uncle Tupelo episode.
• 20:07
  Speaker 3: I would suggest it, but you know what you just
• 20:09
  Speaker 3: talked about, how people don't even know these things. I'm
• 20:12
  Speaker 3: fairly new here. You probably have like two Uncle Tupel episodes. Broa,
• 20:16
  Speaker 3: I know. Thanks a bunch man rock rolla.
• 20:19
  Speaker 1: Yeo, okay, great, great, great, great call so much here
• 20:23
  Speaker 1: to unpack. First of all, I hear you on the
• 20:27
  Speaker 1: iconic thing. It drives me nuts. It absolutely drives me nuts.
• 20:30
  Speaker 1: Not everybody can be iconic. Part of what makes somebody
• 20:33
  Speaker 1: a nikon is they are separate and apart from everybody else,
• 20:36
  Speaker 1: and there's a time component to it as well. So yeah,
• 20:40
  Speaker 1: I could go on and on about that. I agree
• 20:42
  Speaker 1: with you on Nirvana, agree with you on what you
• 20:44
  Speaker 1: said about Pearl Jam and Sound Garden. I do think though,
• 20:47
  Speaker 1: that I don't really know how I haven't quite figured
• 20:50
  Speaker 1: out how to how to position Jane' addiction in this thinking,
• 20:54
  Speaker 1: because I do firmly believe that if it weren't for
• 20:56
  Speaker 1: their efforts, the Nirvana thing wouldn't have happened. And I
• 21:00
  Speaker 1: suppose you could probably even trace it back further. You know,
• 21:03
  Speaker 1: you can go from Jan's addiction back perhaps to Ram
• 21:06
  Speaker 1: and Pixies and the work they sort of did with
• 21:09
  Speaker 1: college radio and and sort of creating the runway for
• 21:12
  Speaker 1: the nineties explosion that was supercharged by Jane's addiction, and
• 21:17
  Speaker 1: then Nirvana, and on nineties hip hop. You're right, that's
• 21:20
  Speaker 1: a whole other separate conversation. I love nineties hip hop
• 21:23
  Speaker 1: and R and B, by the way, and it's funny
• 21:25
  Speaker 1: that you should bring up Uncle Tupelo. Uncle Tupeloh, we
• 21:29
  Speaker 1: just we started talking about them in the excub already
• 21:31
  Speaker 1: taped the exclusive section. The conversation here between Zeth and I.
• 21:35
  Speaker 1: You'll hear Zeth's experience with Uncle Tupelo as a young kid,
• 21:40
  Speaker 1: and that album No Depression was produced by good friend
• 21:44
  Speaker 1: of ours, Paul Coldery, who I've done a lot of
• 21:46
  Speaker 1: work with in the past. Just a great, great record.
• 21:50
  Speaker 1: I'm definitely more of a tweety guy than I am
• 21:54
  Speaker 1: J Ferrar, But you know, I had Spotify on randomly
• 21:58
  Speaker 1: playing random stuff the other day and this song came on.
• 22:00
  Speaker 1: It was kind of a later or it wasn't from
• 22:03
  Speaker 1: No Depression. It was some some Uncle Tupelo thing and
• 22:06
  Speaker 1: it rocked so hard and it was a j J
• 22:09
  Speaker 1: for our song. But I'm not really a Sunbolt guy,
• 22:13
  Speaker 1: but I get it. I get why people are anyhow,
• 22:15
  Speaker 1: great great call loss unpacked there. Check out the all
• 22:18
  Speaker 1: access section of this too if you want to hear
• 22:20
  Speaker 1: more about that Uncle Tupelo experience that Zeth had, and
• 22:22
  Speaker 1: some Ryan Adams stuff too. If you're in the whole
• 22:24
  Speaker 1: all country thing. All right, let's check out this voicemail
• 22:27
  Speaker 1: from the six one.
• 22:28
  Speaker 4: Seven Jake Neil from Brighton, mass I just wanted to
• 22:34
  Speaker 4: say you're doing a great job. Love the episode. The
• 22:37
  Speaker 4: newer ones and keep up the great work. If you're
• 22:42
  Speaker 4: not around town, you're not missing a damn thing.
• 22:46
  Speaker 1: Thank you for all you doo Neil, thank you for
• 22:49
  Speaker 1: your call. I saw the six one sevens IF good
• 22:51
  Speaker 1: and I was like, oh, I got to check out
• 22:52
  Speaker 1: this Boston call. You did not disappoint my friend, And yes,
• 22:55
  Speaker 1: I am not in Boston and not around I'll be
• 22:57
  Speaker 1: there this weekend though. I'm going back and I'm excited
• 22:59
  Speaker 1: about it. You can watch the Patriots in New England
• 23:02
  Speaker 1: in the Super Bowl as it should be done right right.
• 23:06
  Speaker 1: More on that later eight four to three tech cent Hey.
• 23:08
  Speaker 1: Jane's addiction was indeed the complete embodiment of the nineteen
• 23:11
  Speaker 1: nineties to me at the time. I pierced my septum
• 23:14
  Speaker 1: at thirteen and my senior quote in ninety three was
• 23:17
  Speaker 1: from ocean size. There you go, three six oh text,
• 23:21
  Speaker 1: sen Hey. I met Perry Farrell one night on the
• 23:24
  Speaker 1: way to an after hours club in Venice Beach nineteen
• 23:27
  Speaker 1: ninety eight. My friend Karen had her Hebrew name tattooed
• 23:30
  Speaker 1: on the back of her calf, and he, being Jewish,
• 23:32
  Speaker 1: could read it. Came up behind us and chatted us
• 23:35
  Speaker 1: up a minute it turns out we're all going to
• 23:37
  Speaker 1: the same club. Later on, I saw my brain pack
• 23:39
  Speaker 1: up a suitcase and roll off down the sidewalk on
• 23:41
  Speaker 1: a skateboard. But that's another story. I don't know what
• 23:44
  Speaker 1: that's in reference to three six oh, but I'm happy
• 23:47
  Speaker 1: you got to hang out with Perry Farrell. That sounds amazing.
• 23:50
  Speaker 1: Nine seven eight Hell Tone Mark, he of the epic
• 23:53
  Speaker 1: Disgraceland playlist checking in here. Mark says, hey, Jake, playlist
• 23:58
  Speaker 1: is now up to an including little peep. You said
• 24:02
  Speaker 1: for me to get in touch, take advantage of your
• 24:04
  Speaker 1: very generous Patreon offer. How can I get that going?
• 24:07
  Speaker 1: That's a good question, helltal Mark. We're gonna figure that out.
• 24:10
  Speaker 1: This is my very public note to figure that out.
• 24:13
  Speaker 1: All right. Thanks for your patients, and thanks for all
• 24:16
  Speaker 1: you do. If anyone's like, what the hell is Jake
• 24:19
  Speaker 1: and helltal Mark talking about, well, Mark has been going
• 24:23
  Speaker 1: through every episode of Disgraceland from the beginning, and as
• 24:26
  Speaker 1: you know, there are probably about two hundred and sixty
• 24:28
  Speaker 1: episodes right now, not exactly sure, m and Mark is
• 24:33
  Speaker 1: making a playlist with every piece of music mentioned from
• 24:38
  Speaker 1: every single episode of Disgraceland, and so far he's up
• 24:41
  Speaker 1: to little peep, which is I don't know, gotta be
• 24:44
  Speaker 1: around like episode seventy year or something like that, the
• 24:48
  Speaker 1: eighty something along those signes keep going, Mark, We'll get
• 24:51
  Speaker 1: you that. Patreon member All Access membership nine to two zero.
• 24:55
  Speaker 1: Text in episode suggestion Ministry New World Order. I like that.
• 25:00
  Speaker 1: Gotta definitely do a ministry episode at some point. Six
• 25:04
  Speaker 1: one seven, nine oh six, six six three eight. Guys
• 25:07
  Speaker 1: get in touch. Interested to know from y'all which of
• 25:12
  Speaker 1: your favorite rock stars died before they got their due.
• 25:15
  Speaker 1: That's what we're gonna be talking about next week. Six
• 25:17
  Speaker 1: one seven, nine oh six, six six three eight voicemail
• 25:19
  Speaker 1: and text to let me know. If you want to
• 25:21
  Speaker 1: email me, you can do so at Disgrace sampod at
• 25:24
  Speaker 1: gmail dot com. Rob Hervey Wright saying, Hey, I enjoy
• 25:28
  Speaker 1: your podcast. Thought of a couple of episode ideas. One
• 25:30
  Speaker 1: is about Felix Popularti, bass player from Mountain, who is
• 25:33
  Speaker 1: murdered by his wife Gail, and the other story is
• 25:36
  Speaker 1: about Mike Gordon, bassist for Fish. Around the tour of
• 25:40
  Speaker 1: the Millennium, he got into some trouble with some Hell's
• 25:42
  Speaker 1: Angels and wound up getting his ball stomped for taking
• 25:45
  Speaker 1: pictures of an underaged girl whose father was a club member.
• 25:48
  Speaker 1: Have a great year. You know, we did a Fish episode.
• 25:50
  Speaker 1: We did not get into this story, and there's uh
• 25:53
  Speaker 1: we had we had our reasons.
• 25:55
  Speaker 4: Uh.
• 25:56
  Speaker 1: I didn't know this Hell's Angels. I didn't write that
• 25:59
  Speaker 1: episode some movies. That's I didn't know this Hell's Angels angle. However,
• 26:02
  Speaker 1: I wonder if this is true. We'll check this out,
• 26:05
  Speaker 1: Rob and report back. In the meantime, Rob, check out
• 26:08
  Speaker 1: our Fish episode as it stands and let us know
• 26:10
  Speaker 1: what you think. Six one seven nine oh six six
• 26:13
  Speaker 1: six three eight voicemail, text at Disgrace Lampod on thesocials
• 26:18
  Speaker 1: Disgrace Lampod at gmail dot com. You want to get
• 26:20
  Speaker 1: in touch, that's how you do it. Back and flash
• 26:23
  Speaker 1: after this. All right, Matt, it is Super Bowl Week,
• 26:45
  Speaker 1: my friend. It's back baby. This is the sixty second
• 26:47
  Speaker 1: sports rant and the under thirty second sponsored by five
• 26:49
  Speaker 1: Hour Energy in the return of their Confetti Craze flavor
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• 26:56
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• 27:01
  Speaker 1: or Amazon available now. Matt, give me the buzzer beater.
• 27:04
  Speaker 1: All right, listen, it's not easy being a New England
• 27:07
  Speaker 1: Patriots fan. Some of you fans of, say the Vikings
• 27:10
  Speaker 1: or the Bills, or the Bengals of the Jets, are
• 27:12
  Speaker 1: other fans of long suffering football franchises. You may look
• 27:15
  Speaker 1: upon us, blanketed in our red way and blue, gearing
• 27:18
  Speaker 1: up for our twelfth Super Bowl appearance, gearing up for
• 27:21
  Speaker 1: our franchise leading seventh Super Bowl title. You may look
• 27:25
  Speaker 1: upon our postseason dominance with envy. But let me tell you,
• 27:29
  Speaker 1: it is not easy being a Patriots fan. It is
• 27:32
  Speaker 1: not easy being this hated, this despised by the entire country.
• 27:37
  Speaker 1: How bad do football fans hate the New England Patriots
• 27:41
  Speaker 1: and their fans? Well, as you probably heard, the winningest,
• 27:44
  Speaker 1: most dominant coach in NFL history, Bill Belichick, with six
• 27:48
  Speaker 1: Super Bowl titles as a head coach with the Pats,
• 27:52
  Speaker 1: was denied entry into the Pro Football Hall of Fame
• 27:54
  Speaker 1: last week. This week, Pat's owner Robert Kraft, also with
• 27:59
  Speaker 1: six titles, denied for the fourteenth time. Now, it's having
• 28:03
  Speaker 1: the most titles as a coach and owner does not
• 28:07
  Speaker 1: get you into the Hall of Fame? Then what does
• 28:09
  Speaker 1: and how do you explain this Patriots hate? That's how
• 28:14
  Speaker 1: all right? But that's okay, that's cool. We'll take it.
• 28:18
  Speaker 1: Pats of players have long made league hate fuel for
• 28:21
  Speaker 1: postseason victory, and I, of course and hoping that they
• 28:25
  Speaker 1: do so again this weekend. We shall see, all right, Matt,
• 28:29
  Speaker 1: how to do one twenty eight today? Jake? You know,
• 28:32
  Speaker 1: I think that's pretty good. You've been on the shelf
• 28:35
  Speaker 1: for quite a while. You had a lot to say,
• 28:37
  Speaker 1: you know. All right, Well, that's okay. I'll take the
• 28:40
  Speaker 1: l in hopes that the Pats get the w this weekend.
• 28:43
  Speaker 1: That was the sports ran sponsored by Five Hour Energies
• 28:46
  Speaker 1: Confetti Craze Flavor back by popular demand, Confetti Craz's tastes
• 28:49
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• 28:59
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• 29:03
  Speaker 1: com or Amazon available now. All right, guys, got some
• 29:06
  Speaker 1: merch coming to the merch winners. Keep an eye on
• 29:09
  Speaker 1: that mailbox. For those who don't know. Disgraceland fans audience
• 29:13
  Speaker 1: members who review the show on Spotify or on Apple Podcasts,
• 29:20
  Speaker 1: will if they hear their review reread back here and
• 29:24
  Speaker 1: the show receive some free merch might be a T shirt,
• 29:27
  Speaker 1: might be pins, might be some stickers. I'm looking at
• 29:30
  Speaker 1: some Disgrace Sland stickers right now on my desk. It's
• 29:33
  Speaker 1: very easy to leave a review, and reviews help power
• 29:35
  Speaker 1: discovery of the show, help bring this show to new listeners,
• 29:38
  Speaker 1: and we appreciate that. Chris Hilman over on Spotify rights, Hey, Jay, great,
• 29:41
  Speaker 1: listen on this Disgraceland episode of Jane's addiction. The things
• 29:45
  Speaker 1: Dave Navarro endured in his early life, like the brutal
• 29:47
  Speaker 1: death of his mother, explains why he took so many risks.
• 29:51
  Speaker 1: Couldn't imagine dealing with that just alone. Yeah, you're absolutely right, Chris.
• 29:55
  Speaker 1: I'm feeling generous today. So here's another review on Spotify,
• 29:57
  Speaker 1: this one by Sam Hunt, who writes, Hey, that Runaway EPISO,
• 30:00
  Speaker 1: so it gave me chills. Dude, I know so much
• 30:02
  Speaker 1: about the Runaways, but the way you tell these stories,
• 30:04
  Speaker 1: especially the last bit, I needed to hear that right now,
• 30:08
  Speaker 1: Sam Hunt, get in touch six one, seven, nine oh six,
• 30:10
  Speaker 1: six sixty three eight guys hit me up on tech
• 30:14
  Speaker 1: semi text semi voicemail Edward Joseph just shout out to you.
• 30:18
  Speaker 1: Looks like I pronounced Bergine wrong the brigame laud from
• 30:21
  Speaker 1: the Gaga episodes. You know, I actually did my homework
• 30:24
  Speaker 1: on this. I looked it up. Damn it. I don't know, Edward.
• 30:29
  Speaker 1: I don't know if I'm taking your word for it.
• 30:31
  Speaker 1: Tiffany Williams writes, hear me out, I'm playing Devil's advocate
• 30:35
  Speaker 1: here on the Lady Gaga episode. Maybe it's a stretch,
• 30:37
  Speaker 1: but what if Gaga spent her career paying homage to
• 30:40
  Speaker 1: her friend by embodying her persona. I don't know, but
• 30:43
  Speaker 1: damn Jake, this was good. Bravo. That's an interesting idea, Tiffany.
• 30:47
  Speaker 1: You know the idea that the conspiracy theory is that
• 30:50
  Speaker 1: Lady Gaga stole Lena Morgana's whole vibe, her style, her music.
• 30:57
  Speaker 1: I like your take, Tiffany, the maybe she's just paying
• 30:59
  Speaker 1: my sure a dead friend. I like that girl Kai
• 31:03
  Speaker 1: from Chai dot xx on Apple podcast. Whets Hey, I've
• 31:07
  Speaker 1: known Disgrace Sland forever, but for whatever reason, never actually
• 31:10
  Speaker 1: pressed play until the most recent Lady Gaga Part one episode.
• 31:14
  Speaker 1: And yeah, hooked is the word ten of ten stars.
• 31:18
  Speaker 1: Jake does a really amazing job but setting the dark
• 31:20
  Speaker 1: and cinematic vibes without feeling exploitative and gossipy. It's nice
• 31:24
  Speaker 1: to find a podcaster who respects nuance. Girl Kai from Chai,
• 31:29
  Speaker 1: get in touch will get you some merch, And I
• 31:31
  Speaker 1: appreciate you saying that about the nuance. It's an interesting
• 31:34
  Speaker 1: balance because if I'm being totally honest, as you know,
• 31:38
  Speaker 1: I like the more dramatic portions of the story, as
• 31:42
  Speaker 1: I think we all do. That's the type of storytelling
• 31:44
  Speaker 1: that I'm drawn to. But if you do that without nuance,
• 31:47
  Speaker 1: it just becomes sensational. So finding that nuance and finding
• 31:51
  Speaker 1: enough of it and not using too much of it
• 31:54
  Speaker 1: is an interesting challenge when it comes to storytelling, and
• 31:57
  Speaker 1: we take it very seriously over here at Double Elvis,
• 31:59
  Speaker 1: and I got to say, I'm very happy that you
• 32:02
  Speaker 1: called that out. So get in touch six one seven
• 32:05
  Speaker 1: nine six six six three eight and we will get
• 32:07
  Speaker 1: you some merch. Okay, Now, if you need just a
• 32:11
  Speaker 1: little more double all the storytelling in your life, like
• 32:14
  Speaker 1: I said over on Patreon, you guys can check out
• 32:17
  Speaker 1: our new show. This film should be played loud. We've
• 32:20
  Speaker 1: also got many episodes that correspond with our full episodes,
• 32:24
  Speaker 1: and all of it is ad free. In addition, we
• 32:27
  Speaker 1: have another podcast called Hollywood Land that we produce, and
• 32:30
  Speaker 1: that show is helmed by my colleague, doctor Zeth Lundy,
• 32:34
  Speaker 1: who brings you all the Hollywood and true crime vibes.
• 32:37
  Speaker 1: Subscribe to Hollywood Land in your podcast feed if you
• 32:41
  Speaker 1: are not subscribed already. I'll be back after this. All right, guys.
• 32:59
  Speaker 1: In this episode we mentioned a ton of artists, but
• 33:02
  Speaker 1: I remember specifically talking about Nirvana and Metallica and the
• 33:05
  Speaker 1: B Block. And for new listeners, if you're not aware,
• 33:08
  Speaker 1: we have episodes on of course, we have two episodes
• 33:11
  Speaker 1: on Nirvana and we have an episode on Metallica, and
• 33:14
  Speaker 1: those are in our archive. Matt will have the episode
• 33:18
  Speaker 1: information for both of those in the show notes section
• 33:21
  Speaker 1: of this bonus episode, so you'll be able to easily
• 33:26
  Speaker 1: navigate your way to Metallica and Nirvana and also Motley Crue.
• 33:29
  Speaker 1: We mentioned Motley Crue as well. All right, let's recap
• 33:31
  Speaker 1: shat we number one this week, Our new episode on
• 33:33
  Speaker 1: Jane's Addiction is available for you right now. Number two.
• 33:35
  Speaker 1: Rewind episodes on the Beatles Parts one and Part two
• 33:38
  Speaker 1: coming up this end of this week and number three.
• 33:40
  Speaker 1: Next week we get a brand new episode on me
• 33:42
  Speaker 1: as a Pata of the gets Zeth as always is
• 33:45
  Speaker 1: bringing you those Hollywood and true crime vibes and Hollywood land.
• 33:48
  Speaker 1: Make sure you are subscribed number five. This film should
• 33:51
  Speaker 1: be played loud. Our new video podcast with our new
• 33:54
  Speaker 1: episode on Trainspotting is available. You gotta be a Patreon
• 33:57
  Speaker 1: member to cop that, so go to Disgray sampod dot
• 33:59
  Speaker 1: com to sign up. Number six six one seven nine
• 34:01
  Speaker 1: oh six six six three eight year voice keeps us
• 34:04
  Speaker 1: digging into the dark corners of music history, So keep
• 34:06
  Speaker 1: calling and texting with your answers to this week's question
• 34:09
  Speaker 1: of the week or with whatever else you guys want
• 34:11
  Speaker 1: to talk about. Number seven. Don't forget disc goes. This
• 34:13
  Speaker 1: isn't just content. It's a community, a community of the obsessed.
• 34:16
  Speaker 1: And no one cares about music, books, records and the
• 34:18
  Speaker 1: true crime and crime that ties them all together like
• 34:20
  Speaker 1: you do. And well that's a disgrace, all right. Back
• 34:24
  Speaker 1: on July eighteenth, nineteen ninety one, Ice Teas body Count,
• 34:27
  Speaker 1: the Rawlins Band, Butthole Surfers, Living Color nine inch Nails,
• 34:31
  Speaker 1: Susie and the Banjeez and Jane's Addiction performed for the
• 34:35
  Speaker 1: first ever show at the first ever lallapalousatur And here's
• 34:39
  Speaker 1: what America was listening to on that day according to
• 34:42
  Speaker 1: the Billboard Charts. Number one Everything I Do, I Do
• 34:47
  Speaker 1: It for You. Brian Adams last week for Pea position
• 34:53
  Speaker 1: one weeks on chart five, number two, Right here, Right Now.
• 34:58
  Speaker 1: Jesus Jones last week number three, peak position two, five
• 35:03
  Speaker 1: weeks on chart last sixteen, number three, unbelievable weeks. MF
• 35:09
  Speaker 1: last week peak position, peak position weeks on chart six
• 35:14
  Speaker 1: umber last number four, Passionate Sember last week five peak
• 35:20
  Speaker 1: position number four weeks on chart nine, number number five,
• 35:24
  Speaker 1: Pieces Summertimes, DJ Jazz and Jeff has a Fresh Press
• 35:28
  Speaker 1: last past Quit talking and start mixing.