Latest / Murder Files Unsealed / The Suitcase Murders: The Hunt for Yustin Moscara
Transcript
- 0:00Speaker 1: Picture this, and I want you to really put yourself
- 0:04in this exact environment. Okay, it's just after eleven PM
- 0:08on a deeply dark, really cold night in Bristol, and
- 0:12we are standing right on the edge of the city's
- 0:16most famous, most imposing architectural landmark, the Clifton Suspension Bridge.
- 0:21Speaker 2: Oh wow, Yeah, that's a dramatic spot.
- 0:24Speaker 1: It really is. It is late, the wind is likely
- 0:27just whipping off the Avon gorge below, and the security
- 0:31CCTV cameras that line the structure are just quietly.
- 0:34Speaker 2: Rolling, which is standard for a bridge like that.
- 0:36Speaker 1: Exactly, and they are capturing what, at first casual glance
- 0:39just looks like, in unlikely maybe a lost tourist. There
- 0:43is a man dressed entirely in dark clothing, wearing a
- 0:46hat pulled down tight to like deliberately obscure.
- 0:49Speaker 2: His face suspicious right off the bat right.
- 0:51Speaker 1: And he is visibly, like physically struggling. He is dragging
- 0:55this exceptionally large, super heavy, red plastic suitcase along the pavement. Jeez,
- 1:00you could almost hear the agonizing scrape of it. I mean,
- 1:02it looks completely.
- 1:03Speaker 2: Exhausting, and that's not exactly typical luggage for a midnight stroll,
- 1:08not at.
- 1:08Speaker 1: All, and just a few meters away, carelessly abandoned in
- 1:12a small layby on the coroach to the bridge, sits
- 1:15a second piece of luggage, a large silver trunk.
- 1:18Speaker 2: It is an incredibly jarring, almost cinematic visual, isn't it.
- 1:22It really is, because when you're out that late at
- 1:25night on a massive suspension bridge, the acoustics are unique.
- 1:29Oh true, every single sound carries and echoes off the
- 1:33stone work and you know, the metal cables. The scraping
- 1:37of those cheap plastic wheels against the haartch concrete would
- 1:40have been echoing into the night.
- 1:41Speaker 1: Yeah, like nails on a chalkboard.
- 1:43Speaker 2: Exactly. It is the kind of scene that immediately signals
- 1:46to your brain that something is fundamentally out of place.
- 1:49Speaker 1: Exactly. The human brain is just wired to detect anomalies,
- 1:53and this is a massive red flags for sure. And
- 1:55the brig staff, you know, whose actual job it is
- 1:58to monitor these exact anomals, they actually notice him.
- 2:01Speaker 2: Well, thank goodness for that, right.
- 2:03Speaker 1: They don't just watch on the cameras. They physically walk over.
- 2:06They stop him, and they engage, They confront him. Yeah,
- 2:10they question him directly. They ask the most basic question
- 2:13you would ask in that scenario, which is, what are
- 2:17you doing? What on earth is in the case?
- 2:20Speaker 2: And what does he say?
- 2:21Speaker 1: This man casually claims that the red suitcase is just
- 2:24full of car parts. He says he's trying.
- 2:26Speaker 2: To sell them, which I mean, if you pause and analyze,
- 2:29it is a fascinating psychological defense. How so well, it
- 2:33is a perfectly mundane, if slightly odd excuse. It relies
- 2:37on the inherent awkwardness of social confrontation.
- 2:40Speaker 1: Oh like, people don't want to push back, right.
- 2:42Speaker 2: He is betting that the bridge staff will just accept
- 2:45this weird, slightly implausible story about car parts, because you know,
- 2:49confronting a stranger at midnight is uncomfortable.
- 2:52Speaker 1: Right. But I'm thinking, if you are carrying heavy car
- 2:54parts to sell, why are you dragging them across a
- 2:57pedestrian walkway on a suspension bridge midnight?
- 3:00Speaker 2: Yeah, the logistics don't pan out.
- 3:02Speaker 1: Who are you selling them to? Like the trolls under
- 3:04the bridge? It makes absolutely zero logical sense.
- 3:07Speaker 2: It makes no sense at all, But in his highly
- 3:09elevated state of panic, it was literally the only lie
- 3:12his brain could generate, and ironically it almost works for
- 3:17a fleeting second until the physical reality of what he
- 3:21is doing starts to completely betray him.
- 3:23Speaker 1: Because things escalate so quickly from that interaction. Just minutes later,
- 3:28he starts to try and move the red case again.
- 3:30Speaker 2: He's still trying to get away.
- 3:31Speaker 1: Yeah, he's straining, and a passing cyclist, just a regular
- 3:34person out for a late night ride, sees him struggling
- 3:37and kindly stops to offer help. Yeah, but as the
- 3:41cyclist gets close, he notices something horrifying. You know how
- 3:46those hard shell suitcases have four little spinner.
- 3:48Speaker 2: Wheels, Yeah, standard luggage.
- 3:50Speaker 1: Well, two of the four wheels on this red suitcase
- 3:53are completely broken off from the sheer crushing weight of
- 3:56what is inside.
- 3:57Speaker 2: That's incredibly heavy, and.
- 3:59Speaker 1: There's a range thick, dark red fluid actively leaking out
- 4:04of the bottom, just pooling on.
- 4:05Speaker 2: The concrete, which completely and violently shifts the atmosphere of
- 4:08this encounter rightly goes from slightly strange guy with a
- 4:11heavy bag to an immediately alarming, high threat situation. You
- 4:16can't ignore that, No, the visual of the leaking fluid
- 4:19is impossible to explain away with a comment about car parts.
- 4:23Speaker 1: Right, and here is where it gets incredibly tense. The cyclist,
- 4:27who happens to be multilingual, actually speaks to the man
- 4:31in Spanish, asking him to open the case.
- 4:33Speaker 2: Oh wow.
- 4:34Speaker 1: Yeah. The man completely refuses, starts to aggressively walk away,
- 4:38and then, realizing the gig is up, suddenly breaks into
- 4:41a sprint.
- 4:42Speaker 2: He just runs.
- 4:43Speaker 1: He runs. The cyclist, who, by the way, I think
- 4:46we have to acknowledge, is incredibly brave, actually chases him.
- 4:49Speaker 2: That is brave, right.
- 4:50Speaker 1: He pulls out his phone to record the encounter while
- 4:53he's running. Yea. As he's chasing him, yelling in Spanish,
- 4:56the stranger turns back and replies with this absolute chilling,
- 4:59non sen sequitor line.
- 5:01Speaker 2: What did he say?
- 5:01Speaker 1: He says, quote, my boss is really bad.
- 5:04Speaker 2: That is so bizarre.
- 5:06Speaker 1: Then the man lunges yeah, tries to snatch the cyclist
- 5:09phone to destroy the evidence, fails, and just vanishes into
- 5:13the pitch black darkness.
- 5:14Speaker 2: Of the night, leaving the bags behind.
- 5:16Speaker 1: Yes, leaving both the leaking red suitcase and the abandoned
- 5:19silver trunk behind on the bridge.
- 5:21Speaker 2: The phrase my boss is really bad is something we're
- 5:24gonna need to dissect later, definitely, because it offers a
- 5:27very bizarre window into a fracturing mine. But in that
- 5:30immediate moment on the bridge, the cyclists and the staff
- 5:33do exactly what they should.
- 5:35Speaker 1: They call the cops.
- 5:36Speaker 2: Exactly, they call the police. The authorities arrive at the
- 5:39bridge within ten minutes of that emergency call, fast response.
- 5:42The bridge is locked down, the yellow caution tape goes up,
- 5:46the floodlights are turned on, and the officers cautiously approach
- 5:50these abandoned cases.
- 5:51Speaker 1: I can't even imagine being those cops, right.
- 5:54Speaker 2: And what they found inside is the kind of grim
- 5:56world tilting discovery that haunts a seasoned investigator the rest
- 6:00of their natural life. When they carefully unzipped the red
- 6:03suitcase and pried open the silver trunk, they did not
- 6:06find car parts. No, they found the dismembered torsos of
- 6:10two adult men. Oh my god, but just the torsos,
- 6:14no heads, no hands, no feet.
- 6:16Speaker 1: Okay, let's unpack this because today, in this deep dive,
- 6:19you and I are going to explore one of the
- 6:22most harrowing, brutal, and frankly psychologically baffling double murders in
- 6:27modern history.
- 6:28Speaker 2: It really is an unbelievable case.
- 6:29Speaker 1: Yeah, our mission here is to look at how a
- 6:32cold blooded highly calculated financial motive which was totally masked
- 6:37by a very unusual, very specific domestic relationship, led to
- 6:42a horrific crime. And we're going to examine how a
- 6:46series of utterly bizarre, completely illogical decisions by the killer
- 6:51ultimately brought him to justice.
- 6:52Speaker 2: Mistakes he made are just staggers.
- 6:54Speaker 1: We are going to track every digital footprint, we're going
- 6:57to analyze every chaotic post crime movement, and we're going
- 7:00to try to understand how what was supposed to be
- 7:02the perfect crime completely unraveled into an absolute circus of absurdity.
- 7:06Speaker 2: It is a profound tragedy that requires a very careful,
- 7:10methodical examination. Absolutely to truly understand how those two suitcases
- 7:14ended up on a bridge in Bristol, we have to
- 7:17start by completely leaving that midnight scene.
- 7:19Speaker 1: We have to go back.
- 7:20Speaker 2: We need to travel over one hundred miles east back
- 7:23to West London to look at the lives of the
- 7:25two victims. Okay, we have to understand who they were,
- 7:28because their lives, their immense, open hearted generosity, and their
- 7:33profound trust in the completely wrong person are the foundational
- 7:38elements of this entire devastating sequence of events.
- 7:41Speaker 1: So let's introduce you to the victims. Imagine a nice
- 7:45comfortable home at nine Scotts Road in Shepherd's Bush, which
- 7:48is a bustling, vibrant area of West London.
- 7:52Speaker 2: Very lively area.
- 7:53Speaker 1: Yeah, this is where Paul Longworth and Albert Alonzo lived.
- 7:56Let's start with Paul. He was seventy one years old
- 7:59and he had recently retired. Okay, by all accounts from
- 8:02the local community, from the source material we have, he
- 8:05was an absolute gentleman.
- 8:06Speaker 2: Everyone loved him.
- 8:07Speaker 1: Yeah. Neighbors described him as this gentle, bubbly, incredibly friendly
- 8:11guy who was a total fixture at his local pubs.
- 8:14Speaker 2: Oh that's sweet.
- 8:14Speaker 1: He actually had his own personal poolque kept behind the bar.
- 8:17Speaker 2: You know you're a regular when you have your own queue.
- 8:20Speaker 1: Right. He got on with everyone. He bought people drinks
- 8:22and people just universally liked them. He was the kind
- 8:25of guy you'd see smiling and waving out the window
- 8:27on a sunny afternoon.
- 8:28Speaker 2: He was a real pillar of his little community.
- 8:31Speaker 1: Yeah.
- 8:31Speaker 2: And then you have his partner, Albert Alonso, who was
- 8:34a bit younger. At sixty two. Albert worked as a
- 8:37lifeguard at a local health club. He was described as
- 8:40being a bit more outgoing than Paul, perhaps a bit
- 8:43more energetic, right. But the crucial thing for you to
- 8:45understand is that they were deeply intricately intertwined. They had
- 8:49known each other since they were very young.
- 8:51Speaker 1: Men, decades together.
- 8:53Speaker 2: Exactly. What's fascinating here is their shared background. Both of
- 8:57them had grown up in the foster care system.
- 8:59Speaker 1: Oh wow, I didn't realize that. Yeah, that changes the
- 9:02whole dynamic of how they might view chosen family.
- 9:05Speaker 2: Exactly, when you don't have that large, traditional biological family
- 9:10circle to fall back on, the bonds you create with
- 9:14the people you choose become your entire universe.
- 9:17Speaker 1: They relied entirely on each other.
- 9:18Speaker 2: That shared experience of navigating the world without a safety
- 9:22net really bonded them. They eventually formed a civil partnership,
- 9:26committing to each other legally and emotionally.
- 9:29Speaker 1: Wow.
- 9:29Speaker 2: Friends simply described them as soulmates. They were best friends.
- 9:33They were quite literally each other's rocks in the world.
- 9:37Their entire lives were built around supporting one another.
- 9:40Speaker 1: But as with any relationship that spans decades, things evolve,
- 9:44of course. Inside that incredibly solid, loving, foundational partnership, it
- 9:49was a hidden dynamic This is key, and this is
- 9:51where we have to treade carefully but honestly, because it
- 9:54is the absolute crucial catalyst for everything that follows. Albert
- 9:59had a secret life.
- 10:00Speaker 2: Well secret to the public maybe right.
- 10:02Speaker 1: Maybe not secret from Paul, but the secret passion. Albert
- 10:05was heavily involved in the world of extreme sex right.
- 10:08He had very specific desires where he liked to be dominated,
- 10:11he liked to be degraded, and he specifically liked to
- 10:14film these highly intimate, aggressive encounters and post them online
- 10:19on specialized niche websites.
- 10:22Speaker 2: Which to the outside observer might seem like a massive
- 10:24red flag, right, yeah, definitely, or a point of critical
- 10:27conflict in a marriage or a civil partnership. Most people
- 10:31would assume that would tear a couple apart.
- 10:33Speaker 1: Yeah, that sounds like a deal breaker for.
- 10:35Speaker 2: Most, But if we connect this to the bigger picture
- 10:38of their relationship, we see an incredible, almost radical pragmatism.
- 10:42Speaker 1: Pragmatism how so because honestly, to a lot of people listening,
- 10:48that sounds like a recipe for jealousy or a complete
- 10:50breakdown of trust.
- 10:52Speaker 2: It does, but you have to look at the specifics.
- 10:54Paul was seventy one years old.
- 10:56Speaker 1: Right.
- 10:56Speaker 2: He was in this relationship for the deep companionship, the
- 10:59shared history, the safety of knowing someone entirely Okay, The
- 11:03investigative sources make it very clear that Paul knew absolutely
- 11:07everything about Albert's dark desires.
- 11:09Speaker 1: He wasn't hiding it from him, not at all.
- 11:11Speaker 2: But Paul just didn't want anything to do with them.
- 11:13He wasn't interested in extreme sex. He just wanted to
- 11:15play pool and enjoy his retirement. Good for him, and
- 11:18remarkably he completely unconditionally accepted Albert seeking that extreme sexual
- 11:23activity elsewhere. It was mutually agreed upon, stable accommodation. It
- 11:28was a foundation of love that was secure enough to
- 11:30accommodate these very dark, specific desires.
- 11:35Speaker 1: So what does this all mean for our timeline. It
- 11:37means Albert is out there, actively navigating the digital world,
- 11:41engaging with creators and providers who specifically cater to this
- 11:46extreme niche right, And that is exactly how, in the
- 11:49vast expanse of the Internet, he crosses paths with a
- 11:53man named Yustin Moscara.
- 11:54Speaker 2: The Killer.
- 11:55Speaker 1: Let me introduce you to the Killer. Moscara is a
- 11:58thirty four year old ex military construt production worker from Columbia. Okay, Now,
- 12:02on paper, if you look at a snapshot of his
- 12:05life in Columbia, he appears to have a very traditional
- 12:08stable setup. He is married, he has a wife, and
- 12:10he has two young children.
- 12:11Speaker 2: A family man, right.
- 12:13Speaker 1: But apparently construction work in Columbia doesn't pay all the
- 12:15bills because Mouscarra has a lucrative side hustle. He supplements
- 12:20his income by making and posting highly graphic, extreme pornographic
- 12:24videos online.
- 12:25Speaker 2: And he doesn't just post them for free. I mean
- 12:27he charges people to view them. It's a business exactly.
- 12:30He operates as a business. He provides a specific, tailored
- 12:34service for a specific clientele, and Albert was one of
- 12:38his most dedicated customers.
- 12:40Speaker 1: Wow.
- 12:41Speaker 2: Over the course of several years, this wasn't a brief fling.
- 12:44Albert continuously messaged Moscera and sent him thousands of pounds
- 12:49just for the videos. He paid to view these films,
- 12:52and he set money to help pay Muscarra's household bills
- 12:55in Columbia.
- 12:56Speaker 1: Oh wow.
- 12:56Speaker 2: Because Albert's ultimate fantasy was to be videoed have this
- 13:00extreme sex, Moscaro was essentially auditioning through his digital content
- 13:05as the ultimate dominant provider for Albert's specific needs. Okay,
- 13:10I see, for years it was a purely digital, purely
- 13:13transactional relationship.
- 13:15Speaker 1: I have to push back here, or at least offer
- 13:16an analogy to try and make sense of this for
- 13:18you listening, Sure, this feels exactly like intentionally inviting a
- 13:22trojan horse right into your living room. Yeah, you have
- 13:24this digital, completely compartmentalized relationship. It's behind a screen. You
- 13:29turn the computer off and the person is gone. Right,
- 13:32How on earth does that boundary get crossed? How do
- 13:35you go from paying a guy's electric bill on the
- 13:37internet to flying him across the world to physically live
- 13:41in your house with your tired partner.
- 13:43Speaker 2: It's a great question, and it speaks to the classic
- 13:46escalation of perceived intimacy that happens online.
- 13:49Speaker 1: Perceived intimacy.
- 13:51Speaker 2: Yeah, when you interact with someone digitally over a span
- 13:54of years, especially in a context that involves highly intimate,
- 13:57taboo or vulnerable subjects, a massive false sense of trust develops.
- 14:02Speaker 1: You feel like they're a real.
- 14:02Speaker 2: Friend, You feel like you know them because you share secrets.
- 14:05So in March of twenty twenty four, this purely digital
- 14:08relationship crossed over into the physical world. Okay, Albert, Paul
- 14:12and Moscara went on a luxury trio holiday together in Colombia.
- 14:16Speaker 1: Wait, all three of them. Paul went to.
- 14:18Speaker 2: Yes, all three of them wow, which again speaks to
- 14:21Paul's incredible acceptance of Albert's life. And apparently that trip
- 14:25went well enough that they felt entirely comfortable with Moscerra.
- 14:28I guess so, because just three months later, in June
- 14:31twenty twenty four, Albert brings Mouscara over to the UK.
- 14:34Speaker 1: To live with them at nine Scott's Road.
- 14:37Speaker 2: Exactly, they opened their home to him. The sources show
- 14:41they were playing the ultimate tour guides.
- 14:42Speaker 1: Like showing him around London.
- 14:44Speaker 2: Yeah. They took him on day trips to Brighton, walking
- 14:47along the pier, showing him the sites.
- 14:49Speaker 1: Yeah.
- 14:50Speaker 2: Albert even went out of his way to enroll Moscera
- 14:53in a local college course to learn English.
- 14:56Speaker 1: That's incredibly generous.
- 14:57Speaker 2: They weren't treating him like a hired sex worker. That
- 15:00were treating him like an extended family member. They were
- 15:03actively investing in his future, trying to give him a
- 15:06wonderful experience in the.
- 15:07Speaker 1: UK, which just breaks my heart knowing what's coming. It
- 15:10really does because while Paul and Albert are busy playing
- 15:13the gracious, welcoming hosts, Moscara is quietly methodically laying the
- 15:20groundwork for something incredibly sinister under their roof. Right, and
- 15:24the digital breadcrumbs he leaves behind while he is living
- 15:27under their roof are staggering. What was he doing while
- 15:31they're taking him out for ice cream and brighton and
- 15:33buying him English textbooks. Mouscara is sitting on his phone
- 15:37and his laptop doing some very specific research. And what
- 15:41is he researching? He is looking up the exact property
- 15:46value of nine Scott's Road on UK real estate websites
- 15:50oh Man, and simultaneously he is searching for high end
- 15:54property values back in Medellan, Columbia.
- 15:58Speaker 2: And this, right here is the pivot point of the
- 16:00entire case that has to be This raises the most
- 16:03important question about motive. This wasn't a sudden crime of passion.
- 16:08This wasn't a sexual encounter that accidentally went too far,
- 16:11which happens in the extreme sex world.
- 16:14Speaker 1: Yeah, that happens.
- 16:15Speaker 2: The digital forensics paint a picture of cold, calculating predatory premeditation, absolutely,
- 16:21because the most shilling detail is this weeks before the
- 16:24murders even occurred, Moscara managed to obtain a highly sensitive
- 16:28hidden file directly from Albert's hard drive.
- 16:31Speaker 1: But how does he even do that? Is this some
- 16:33sort of master hacker.
- 16:34Speaker 2: He didn't need to be a hacker. He was an
- 16:36insider threat. Oh he lived in the house. When you
- 16:39live with someone, especially someone who trusts you completely, they
- 16:43leave their laptop open on the kitchen counter when they
- 16:45go to make a cup of tea, or they don't
- 16:47lock their phone exactly. They might ask you to look
- 16:50something up for them. They might have their passwords auto saved,
- 16:53so easy. Moscarra used that proximity and that manufactured trust
- 16:57to rummage through Albert's digital life, and he found a jackpot.
- 17:03Speaker 1: What was in the file?
- 17:04Speaker 2: He found a file containing all of Albert's personal banking IDs,
- 17:08account numbers, and log in details.
- 17:10Speaker 1: Oh no, he was.
- 17:11Speaker 2: Quietly setting up the infrastructure to completely drain their accounts
- 17:15and steal their entire lives.
- 17:17Speaker 1: It's just so chilling to think about that dynamic in
- 17:20a house. Yeah, you know, you think you're safe.
- 17:23Speaker 2: You're sleeping right down the hall from him.
- 17:24Speaker 1: And there's this one anecdote from the source material that
- 17:27really stopped me in my tracks when I read it.
- 17:28Speaker 2: Which one.
- 17:29Speaker 1: A neighbor of Paul and Alberts was interviewed by the police,
- 17:33and they vividly recalled a specific moment they saw the
- 17:37three men, Paul, Albert, and mos Scerra walking together down
- 17:42the street outside the home, just shortly before the murders. Okay,
- 17:45the neighbor didn't know who Moscaro was. They just noted
- 17:48him as a tall, quiet gentleman walking between the two partners. Paul,
- 17:53being his usual bubbly extroverted self, smiled and said a
- 17:56bright hello to the neighbor. It was an entirely mundane,
- 18:00sunny afternoon interaction.
- 18:01Speaker 2: Normal day.
- 18:02Speaker 1: But then in the interview, the neighbor expresses this haunting realization.
- 18:07They state how profoundly sad it makes them feel, knowing
- 18:11that they were quite possibly the last person on earth
- 18:13to see Paul and Albert alive, happy, and completely oblivious
- 18:18to the monster walking between them.
- 18:19Speaker 2: That anecdote perfectly encapsulates the absolute terrifying deception at play here,
- 18:24collly to the outside world, to the neighbor on the street,
- 18:27and most tragically, to Paul and Albert themselves. Everything seemed
- 18:31entirely normal, But underneath that pleasant veneer of a friendly
- 18:35visit and a shared walk, Mosquerra was actively executing a financial.
- 18:39Speaker 1: Extraction plot, just biding his time.
- 18:41Speaker 2: He had identified a couple with significant assets, he had
- 18:44gained their absolute, unconditional trust over years, he had surreptitiously
- 18:48accessed their deepest financial secrets, and he was now simply
- 18:52waiting for the optimal moment.
- 18:53Speaker 1: To strike, which brings us to the execution of that plot.
- 18:58It happens on a single or ordinary Monday, July eighth,
- 19:03twenty twenty four. Okay, this is the day the meticulous
- 19:06planning culminates into an absolute nightmare. And we're going to
- 19:09walk you through the precise timeline of this day because
- 19:12it plays out like a split screen in a psychological thriller.
- 19:15Speaker 2: It really does.
- 19:16Speaker 1: Let's start in the early morning. Albert leaves the flat early,
- 19:20heading off for his scheduled shift at the health.
- 19:22Speaker 2: Club to go lifeguard.
- 19:24Speaker 1: Right, Paul, who is retired, is left at home, just
- 19:27enjoying a relaxed, quiet Monday morning. In fact, street facing
- 19:32CCTV captures Paul happily chatting out of his front window
- 19:35with a neighbor who is standing down on the pavement below.
- 19:38Speaker 2: Just a normal morning.
- 19:39Speaker 1: It's a gorgeous, innocuous, everyday interaction between friends.
- 19:42Speaker 2: But if we look at what the digital forensics tell
- 19:44us is happening simultaneously on the other side of that
- 19:47split screen, the contrast is horrifying.
- 19:50Speaker 1: What's he doing?
- 19:51Speaker 2: While Paul is having that friendly, warm chat at the window,
- 19:54just one room away inside the flat, Mosquera is on
- 19:57his devices actively plotting the logistics of death. Oh my god,
- 20:02the digital timestamps from his Internet router from that exact
- 20:05morning show moscera browsing Facebook marketplace looking for what he
- 20:09is searching specifically for a large chest freezer, a freezer,
- 20:13and even more disturbingly, he opens up YouTube and types
- 20:17a search query in Spanish. He searches quote where on
- 20:21the head is a knock fatal?
- 20:23Speaker 1: I mean, stop and think about that for a second.
- 20:24He is literally crowdsourcing murder techniques on YouTube, looking for
- 20:28the most efficient way to cave a man's skull in,
- 20:31while his intended victim is happily chatting with a neighbor
- 20:34on the other side of the wall. Yeah, it is
- 20:36sociopathic efficiency. And then about an hour later, that same
- 20:41external street CCTV camera catches Moscarra standing at the very
- 20:45same window Paul was just looking out of.
- 20:46Speaker 2: OHK.
- 20:47Speaker 1: Moscire reaches up and he deliberately draws the heavy curtains shut,
- 20:51and the camera shows they stay shut for thirty minutes.
- 20:54Speaker 2: Wow.
- 20:55Speaker 1: The investigation notes tell us that during those thirty minutes,
- 20:57Paul Longworth would take his last breaths, never see the
- 21:00light of day.
- 21:01Speaker 2: Again inside that darkened room. The attack is sudden, unprovoked,
- 21:05and brutally violent. Moscera attacks seventy one year old Paul
- 21:09with a hammer and he aims specifically for the head,
- 21:13executing exactly what his morbid YouTube search had instructed him
- 21:17to do. Jesus, But here is something crucial. Paul didn't
- 21:21just submit to this. The pathologists report at the trial
- 21:23showed severe, deep defensive injuries on Paul's hands and.
- 21:27Speaker 1: Forearms, meaning he fought back.
- 21:29Speaker 2: He fought desperately for his life. He saw the hammer coming,
- 21:32he put his hands up. He tried to fend off
- 21:34the blows of a man half his age with military training,
- 21:38but ultimately the sheer force was too much. His skull
- 21:42was repeatedly smashed and he was killed right there in his.
- 21:45Speaker 1: Own home, and what Moscare does next is just so
- 21:49incredibly clinical. You would think someone who just committed a frantic,
- 21:52bloody hammer attack would be in shock, right, do you hope?
- 21:55So panting, pacing, panicking. No, he takes Paul's lifeless body
- 22:00and simply shoves it under the bed to hide it well,
- 22:02like an object. Yeah, he doesn't panic. He sits down
- 22:05at his laptop, wiping the blood off his hands, and
- 22:08he casually googles how long it takes for a human
- 22:10corpse to decompose. Unbelievable, And then he opens another tab
- 22:15and checks the status of his return flight ticket to Columbia.
- 22:18It is literally business as usual for him.
- 22:20Speaker 2: A checklist.
- 22:21Speaker 1: It's a to do list. Yeah, kill Paul, check decomposition, check.
- 22:25Speaker 2: Flight, which highlights the absolute chilling depatchment of a true sociopath. Seriously,
- 22:31he has just bludgeoned an innocent elderly man to death,
- 22:34a man who gave him a place to stay, who
- 22:37bought him meals. He's shoved him under a bed like
- 22:39an old suitcase, and he's now calmly dealing with the
- 22:42mundane logistics of his travel itinerary.
- 22:44Speaker 1: It's terrified, but his work wasn't.
- 22:46Speaker 2: Done because remember the motive, he needed Albert's money, right,
- 22:49and for that he needed Albert out of the way too.
- 22:51Speaker 1: Right, So we moved to the evening of that exact
- 22:54same day, sometime between four and eight pm, Albert comes
- 22:58home from his long shift at the Okay and what
- 23:01happens next is mind boggling. They actually leave the flat
- 23:04and go out to a local pub to get beers together.
- 23:06Wait what, yes, imagine the sheer icy nerve of Moscerra.
- 23:12He is sitting there in a crowded pub, clinking glasses
- 23:16and drinking a beer with Albert, making small.
- 23:17Speaker 2: Talk, knowing Paul is dead under the bed.
- 23:21Speaker 1: Knowing with absolute certainty that Albert's partner of decades is
- 23:24currently lying dead, covered in blood under the bed back
- 23:28at their flat.
- 23:29Speaker 2: That is just sick.
- 23:29Speaker 1: They finish their drinks and they head back home and
- 23:32remember Albert's specific passion the extreme sex and filming end. Yeah,
- 23:38Albert decides to set up a video camera in the
- 23:41bedroom for an erotic session with Moscera. Albert is completely
- 23:45unaware that Paul's lifeless body is hidden just feet away
- 23:49from where he is placing the tripod.
- 23:50Speaker 2: This is where the case transitions from a calculated murder
- 23:53plot into something almost unimaginably dark and surreal. Right because
- 23:57that camera, which was meticulously set up by Albert to
- 24:00record sexual pleasure and fulfillment, ends up capturing high definition
- 24:04footage of his own brutal murder.
- 24:06Speaker 1: It's horrific.
- 24:07Speaker 2: During their intimate, intense sexual encounter, Muscerra breaks the script.
- 24:11He secretly brings a lethal knife into the camera frame nowhere.
- 24:15In one moment, they are engaging in the consensual, extreme
- 24:18acts that Albert had paid for, and in the next
- 24:20fraction of a second, the dynamic violently flips. He attacks him,
- 24:24muscare turns on him. He stabs Albert repeatedly with extreme
- 24:29force in the chest and torso, and then blutally slits
- 24:33his throat.
- 24:33Speaker 1: The source material is very clear and very clinical about
- 24:36the sheer brutality of this video. We obviously aren't going
- 24:40to describe every frame, but Albert fought back incredibly hard
- 24:44licks Paul. Just like Paul, his hands had multiple deep
- 24:47defensive lacerations as he desperately tried to grab the blade
- 24:51and save himself. Wow, you can actually hear him on
- 24:54his own recording fighting for his life. Gasping and eventually
- 24:58taking his last breath.
- 25:00Speaker 2: Is heavy.
- 25:01Speaker 1: But the thing that truly made my blood run cold
- 25:03when I read the case files, the thing I just
- 25:05cannot wrap my normal human brain around, is the psychological
- 25:09break that Musca exhibits next the reaction. Albert is lying
- 25:12there on the bedroom floor, actively bleeding out, taking his
- 25:15final gurgling breaths, and Muscarra stands over him and does
- 25:18a song and a dance.
- 25:19Speaker 2: Yes, a literal physical dance. I can't even The lead
- 25:22investigator who was forced to review that tape in evidence
- 25:26described it as one of the most harrowing, disturbing things
- 25:28he had ever witnessed in his entire career. I bet
- 25:31Moscara literally revels in the kill, doing a little dance
- 25:35while a man you just butchered dies at your feet
- 25:38is a demonstration of complete, unadulterated absence of human empathy.
- 25:43Speaker 1: It's not human.
- 25:44Speaker 2: He isn't acting out of a crime of passion or
- 25:46sudden rage. He's acting out of predatory triumph. He is
- 25:50celebrating his perceived victory.
- 25:52Speaker 1: But the triumph is so short lived because it is
- 25:54immediately replaced by cold, hard greed.
- 25:57Speaker 2: Right back to the plan.
- 25:58Speaker 1: The bizarre victory dance ends, and Mosquera's demeanor snaps back
- 26:02to business. He walks straight over to Albert's computer, casually
- 26:06stepping over Albert's bluing body, and he starts frantically typing,
- 26:10going for the money. He is trying to log into
- 26:11those bank accounts he stole the ideas four weeks ago.
- 26:14He's trying to initiate the massive, life changing financial transfers
- 26:17he planned. This is the payoff. This is what the
- 26:20two murders were for.
- 26:21Speaker 2: But this is exactly where the grand sociopathic master plan
- 26:24hits its first major catastrophic snag. What happens the transfers fail?
- 26:29Speaker 1: Wait? Why if he has the passwords and the account numbers,
- 26:33shouldn't the money just move? How does the bank know
- 26:36it's not Albert?
- 26:37Speaker 2: It is a great question, and it comes down to
- 26:40modern banking security protocols, specifically behavioral biometrics and velocity limits biometrics.
- 26:45Banks don't just look at passwords anymore. They look at
- 26:48the IP address, the time of day, the speed of typing,
- 26:51and most importantly, the sudden request to move massive amounts
- 26:55of wealth to offshore or unusual accounts in a single attempt.
- 26:59Speaker 1: Oh, like a giant red flag for the algorithm, it.
- 27:01Speaker 2: Triggers an automatic fraud lock. The system essentially says, this
- 27:05is completely out of character for Albert Alonzo, and it
- 27:08freezes the transaction.
- 27:09Speaker 1: Wow.
- 27:10Speaker 2: Security protocols or perhaps just muscera fat fingering. The incorrect
- 27:14inputs in his adrenaline state completely stop the money from moving.
- 27:17Speaker 1: So what does this supposedly calculating master planner killer do
- 27:21he realizes he's locked out, Yeah, he simply leaves the
- 27:24bloodsiak flat, walks down the street to a local ATM
- 27:28and withdraws a paltry few hundred pounds in cash.
- 27:31Speaker 2: Which is such a microscopic, almost insulting, fraction of the
- 27:34life savings he was aiming for.
- 27:36Speaker 1: Exactly and this moment, this failed transfer, is exactly where
- 27:41the narrative pivots.
- 27:42Speaker 2: Everything changes here.
- 27:43Speaker 1: Moscara has successfully committed the murders, but the payoff failed. Yeah,
- 27:47and because the core objective failed, his post crime behavior
- 27:51begins to spiral into absolute chaotic absurdity.
- 27:55Speaker 2: He loses it.
- 27:56Speaker 1: He starts making choices that make zero logical sense. Look
- 28:00at the morning after, remember that Facebook marketplace search or
- 28:03the freezer he actually takes delivery of that chess freezer
- 28:06he ordered. He wheels this massive appliance into the narrow
- 28:10hallway of the flat, and then he never plugs it in.
- 28:13Speaker 2: It completely defies all rational logic. Let's analyze the steps here.
- 28:17He purchases a freezer specifically to preserve human remains and
- 28:21to mitigate the inevitable smell of decomposition, which remember, he
- 28:25had just logically googled the day before. He then takes
- 28:28the incredibly gruesome, physically demanding step of dismembering his victims.
- 28:34He meticulously places the heads, hands and feet of both
- 28:37Paul and Albert inside this freezer to hide the evidence,
- 28:41but he fails to take the one second required to
- 28:43plug the cord into the wall socket, rendering the entire horrifying,
- 28:47time consuming exercise completely and utterly pointless.
- 28:50Speaker 1: Why I mean, is he just stupid yep? Or is
- 28:53there something else happening to his brain.
- 28:55Speaker 2: It's not necessarily stupidity, It is severe cognitive overload.
- 29:00Speaker 1: Okay.
- 29:00Speaker 2: Explain that what we're seeing is the psychological mechanism of
- 29:03a planner completely crashing when a human being, even a sociopath,
- 29:08commits a highly stressful act like double murder. Their body
- 29:12is flooded with adrenaline and cortisol. Right, if their plan succeeds,
- 29:15they might regulate. But his plan failed. He didn't get
- 29:18the money. Now he is stuck in a house with
- 29:21two bodies, and the reality of his situation is crushing
- 29:24his executive function.
- 29:25Speaker 1: He's freaking out.
- 29:26Speaker 2: His brain's logic circuits are literally frying under the stress.
- 29:30He is engaging in magical thinking, the idea that simply
- 29:34putting the parts in a box labeled freezer solves the
- 29:37problem forgetting the actual physics of needing electricity.
- 29:41Speaker 1: And his magical thinking gets so much weirder. How So,
- 29:45he now has two heavy, decomposing torsos that he has
- 29:49packed into a red plastic suitcase and a large silver trunk.
- 29:53The silver trunk, by the way, is literally just a
- 29:55standard piece of travel.
- 29:56Speaker 2: Luggage, very conspicuous.
- 29:57Speaker 1: He gets on his phone and he mess sages Anne,
- 30:00who advertises locally with a red van negotiating a lift
- 30:04a man with a van. He's utilizing the informal gig
- 30:07economy to avoid a paper trail. He asked the van
- 30:10driver to take him and his heavy luggage down south
- 30:12of Brighton.
- 30:12Speaker 2: Okay, Brighton.
- 30:13Speaker 1: They agree on a cash price of two hundred pounds.
- 30:16But later that night, while Moscerra is sitting in a
- 30:18bar drinking and stewing on a situation, he abruptly changes
- 30:21the destination right. He messages the driver and says, actually,
- 30:24I don't want to go to Brighton. I want to
- 30:26go to Clifton in Bristol.
- 30:28Speaker 2: And here is the profound question that absolutely plagued the
- 30:32lead investigator on this case. Yeah, why why do this?
- 30:37If we look at the objective facts of his situation,
- 30:40Moscara is sitting in a locked flat with two dead bodies.
- 30:44No one is coming home, No one else lives there,
- 30:46no one is coming home from work to discover them.
- 30:48He has a pre booked flight to Columbia.
- 30:51Speaker 1: Exactly.
- 30:51Speaker 2: He could have just wiped his fingerprints off the doorknobs,
- 30:54locked the front door, taken a quiet cab. Did he
- 30:57throw airport and flown home. That's what I'm saying, have
- 31:00been safely back in South America before anyone even realized
- 31:03Paul and Albert were missing from the pub or the gym. Yes,
- 31:06it would have been, from an investigative standpoint, an incredibly
- 31:09difficult cold case to resolve quickly, because the prime suspect
- 31:14would be in a non extradition scenario before the bodies
- 31:17were even found.
- 31:17Speaker 1: Exactly that is what drives me crazy about this. Why
- 31:21take the immense risk of dismembering them, Why pack them
- 31:24in incredibly heavy, unwieldy suitcases that you can barely lift
- 31:28and drag them around? And most importantly, why pay a
- 31:31guy in a van two hundred pounds to drive you
- 31:34completely across the country to a city of absolutely no
- 31:37connection to.
- 31:38Speaker 2: The police looked deeply into this, They found zero links
- 31:42between Moscara and Bristol. He had never visited there, He
- 31:46didn't know a single soul there.
- 31:47Speaker 1: Wow.
- 31:48Speaker 2: So, when he was eventually caught and he was asked
- 31:50on the stand in court why he chose Bristol over Brighton,
- 31:53what was his reason?
- 31:54Speaker 1: You're not going to believe this. His justification was utterly,
- 31:58laughably absurd. He storied it under oath that Bristol was
- 32:01quote simply another place that began with B.
- 32:05Speaker 2: You have got to be kidding me, another place that
- 32:07began with B, like Brighton.
- 32:09Speaker 1: Precisely, Brighton starts with B, Bristol starts with B.
- 32:12Speaker 2: Take me there, what this shows us is how a
- 32:14meticulous planner regresses into pure panic.
- 32:17Speaker 1: Right.
- 32:17Speaker 2: He researched property values, He carefully stole bank logins, he
- 32:21researched fatal head trauma. But once the murders were committed
- 32:25and the initial financial reward vanished, his logic collapsed.
- 32:29Speaker 1: It just broke down.
- 32:30Speaker 2: He thought that physically moving the bodies far away from
- 32:32the crime scene would magically disconnect him from the crime itself.
- 32:36Speaker 1: Out of sight, out of mind.
- 32:37Speaker 2: He completely failed to realize that dragging dismembered bodies across
- 32:41the country in leaking suitcases is exponentially riskier than just
- 32:45leaving them hidden in a locked private apartment.
- 32:48Speaker 1: And the dark cosmic irony of this panic decision making
- 32:51is incredible. Let's follow him on this doom journey to Bristol, Okay.
- 32:55It's the evening of July ninth. At exactly seven thirty pm.
- 33:00The red van pulls up outside nine Scott's Road in London.
- 33:03Speaker 2: The gig driver.
- 33:04Speaker 1: Moscara strains and loads this incredibly heavy silver trunk and
- 33:08the red suitcase into the back. They drive down the
- 33:10M four motorway for hours, and around ten thirty pm,
- 33:13Moscuerra is dropped off in Clifton in Bristol. Right. For
- 33:17those who don't know, Clifton is a very affluent, picturesque,
- 33:20quiet suburb of Bristol. It's the last place you'd expect
- 33:23a grizzly scene.
- 33:24Speaker 2: And almost immediately his improvised plan completely falls apart.
- 33:27Speaker 1: Yes it does.
- 33:28Speaker 2: He is physically struggling with these incredibly heavy, leaking suitcases
- 33:32on the pavement, and he happens to be spotted near
- 33:34a popular local pub called the Mall by a father
- 33:37and son, Roger and Giles Malone, who are just enjoying
- 33:40a night out.
- 33:41Speaker 1: I love this specific detail because it is just so
- 33:43profoundly British. It is the absolute mundane colliding head on
- 33:48with pure evil. Giles Malone is just standing there by
- 33:53a level crossing, looking at his phone, waiting for his
- 33:56uber to arrive, just a normal guy. He looks up
- 33:58and sees this tall guy in dark clothing, sweating profusely,
- 34:02grunting and straining with these massive bags, and Giles just
- 34:07trying to be friendly and make a bit of a
- 34:08cheeky joke to break the ice, literally looks at Moscar
- 34:11and says that looks heavy, mate, what have you gotten
- 34:13there a body.
- 34:14Speaker 2: Can you even begin to imagine the internal physiological panic
- 34:18Mouscara must have felt in that exact microsecond.
- 34:21Speaker 1: His heart must have stopped.
- 34:22Speaker 2: The sheer astronomical coincidence of a total stranger jokingly calling
- 34:27out his exact horrific, closely guarded secret to his face.
- 34:31Speaker 1: It is insane, and Moscara is so incredibly rattled by
- 34:36this joke his brain short circuits.
- 34:38Speaker 2: What does he do?
- 34:39Speaker 1: When Giles's uber finally pulls up, moscare actually tries to
- 34:43steal it.
- 34:44Speaker 2: You're joking?
- 34:45Speaker 1: No, He tries to load his bloody bags into Giles' car.
- 34:48Giles has to physically block him and say, excuse me, mate,
- 34:51that's my Uber. You'll have to get your own. So awkward,
- 34:54but Moscara is left standing on the curb, panicking. Forced
- 34:58to hail a random different taxi that happens to drive by.
- 35:02He gets a camp. He loads the leaking, broken bags
- 35:05into this new taxi and tells the driver to just drive.
- 35:08He points in toward the Clifton Suspension Bridge, which of
- 35:10course brings us full circle right back to our opening scene.
- 35:13Speaker 2: Right He's dropped off at the entrance to the bridge.
- 35:15The taxi driver actually notices the red fluid pooling in
- 35:19his trunk, which Moscara quickly lies and claims is just
- 35:22leaking car oil. And then the encounters with the bridge
- 35:25staff and the brave cyclist happens.
- 35:26Speaker 1: Yeah, the cyclist with the phone.
- 35:28Speaker 2: Moscara realizes he is surrounded, abandons the bags, and flees into.
- 35:32Speaker 1: The night, into the woods.
- 35:34Speaker 2: But here's the thing. Because of his mounting panic and
- 35:37his sheer sloppiness, he hands the police exactly what they
- 35:41need to break the case wide open in record time.
- 35:44Speaker 1: This is where we get into what investigators call the
- 35:46golden nuggets of the.
- 35:47Speaker 2: Case, the clues.
- 35:48Speaker 1: The police open the abandoned bags on the bridge, they
- 35:51find the human remains, and they are instantly in a
- 35:54race against time. They're looking for a primary crime scene
- 35:58and an identity for the victims, and Mosquerra basically left
- 36:03them a neon sign pointing to the answer.
- 36:05Speaker 2: He practically handed it to them.
- 36:07Speaker 1: The silver trunk sitting right there under the bridge floodlights
- 36:11literally still had a standard luggage address label securely attached
- 36:15to the handle.
- 36:16Speaker 2: You've got to be kidding me, what I say?
- 36:18Speaker 1: Printed clear as day nine Scott's Road in London.
- 36:21Speaker 2: It is the ultimate catastrophic amateur mistake.
- 36:24Speaker 1: It really is.
- 36:25Speaker 2: He was so focused on the heavy lifting he forgot
- 36:28to remove the tag. That one little label changes the
- 36:31entire trajectory of a murder investigation.
- 36:33Speaker 1: It skips months of work.
- 36:34Speaker 2: Instead of spending weeks trying to identify the DNA of
- 36:37two torsos, the police instantly have a specific residential address
- 36:42to target. Furthermore, the local intelligence unit in Bristol gets
- 36:46a crucial call. A resident in Clifton who had seen
- 36:50the news about the bridge calls in and reports that
- 36:52they noticed a very dusty red van dropping off a
- 36:56man matching the suspects description with two large suitcases the
- 37:00night before.
- 37:01Speaker 1: So the police don't just have an address, they have
- 37:03a vehicle. Right, They go to the traffic cameras, they
- 37:06run the ANPR, the automatic number plate recognition, and they
- 37:10track the license plate of that dusty red van.
- 37:12Speaker 2: Incredible police work.
- 37:14Speaker 1: Within hours of the discovery on the bridge, detectives are
- 37:17sitting down in an interview room with the driver of
- 37:19that van. Wow. And the driver is completely cooperative. He
- 37:22has no idea what he was transporting. He said, yeah,
- 37:25I picked up a guy from Scott's Road last night
- 37:26and he paid me two hundred pounds cash, took him
- 37:28to Bristol.
- 37:29Speaker 2: He's just trying to make a living.
- 37:30Speaker 1: And the driver goes a step further. He gives the
- 37:33police Moscerra's personal cell phone number that he used to
- 37:36book the trip, and he actually shows them a WhatsApp
- 37:39photograph of Moscerra which perfectly undeniably matches the CCTV images
- 37:45of the suspect running away from the cyclist on the bridge.
- 37:48Speaker 2: So consider how fast.
- 37:49Speaker 1: This moved, Yeah, super fast.
- 37:51Speaker 2: Within twenty four hours, the police have a suspects name,
- 37:54a crystal clear photo, an active phone number and a
- 37:57primary crime scene location, unprecedented. Armed with this, they execute
- 38:01a high risk search warrant at nine Scott's Road in London,
- 38:05and the veteran officers who breached the door and walked
- 38:08into that flat were confronted with an absolute floodbath.
- 38:11Speaker 1: The flat was destroyed, the.
- 38:12Speaker 2: Home, which was once a place of warmth and community,
- 38:15was heavily bloodstained. But the most shocking discovery wasn't in
- 38:18the bedroom. It was right there in the narrow hallway
- 38:21the freezer, the brand new, completely unplugged freezer. Officers tentatively
- 38:26open the lid and find the heads, hands and feet
- 38:28of Paul Longworth and Albert Alonzo.
- 38:31Speaker 1: God, that's horrific.
- 38:32Speaker 2: The absolute visceral horror of that moment for the responding
- 38:36officers cannot be overstated. It's the kind of thing that
- 38:39requires trauma counseling without a doubt, and the ripple effect
- 38:42on the local community when the news broke was immediate
- 38:45and profound.
- 38:47Speaker 1: People were crushed.
- 38:48Speaker 2: This was a beloved, harmless, elderly gay couple. Neighbors were
- 38:53out on the street leaving mountains of flowers. They were
- 38:55completely devastated, crying in each other's arms.
- 38:58Speaker 1: Yeah, the neighbor in the pub werecalled to reporters.
- 39:01Speaker 2: The pure sickening shock of realizing that the bubbly, friendly
- 39:04man they always saw smiling at the pub was now
- 39:07a victim of this grotesque, medieval level crime.
- 39:11Speaker 1: While London is in deep mourning, Bristol is in full lockdown.
- 39:14Speaker 2: Mode the manhunt.
- 39:16Speaker 1: We are now in the middle of a massive, heavily
- 39:19armed man hunt. It's July ninth, and Moscera has vanished
- 39:23into the landscape.
- 39:24Speaker 2: Where did he go?
- 39:25Speaker 1: The police are desperately trying to track his phone but
- 39:28for days it is completely dead. It's off the network.
- 39:31Investigators suspect he didn't get far. They analyzed the geography
- 39:34around the bridge and believe he spent those days hiding
- 39:37out in the Leewoods area, which is a very dense,
- 39:40sprawling woodland right on the North Somerset side of the
- 39:43suspension bridge.
- 39:44Speaker 2: He is effectively living like a feral animal in the woods. Yeah,
- 39:48he is cold, he is hungry, and he knows his
- 39:51face is plastered across every single news channel, newspaper, and
- 39:55social media feed in the country.
- 39:56Speaker 1: It has to be terrified.
- 39:57Speaker 2: This game of Canton mouse goes on for five of
- 40:00agonizing days. The police are flying helicopters with thermal imaging,
- 40:04but the canopy is thick, hard to spot him. But then,
- 40:07on July thirteenth, his luck and perhaps his physical ability
- 40:11to tolerate the elements in hunger finally runs out. Just
- 40:14after midnight, five days after the murders, he makes a
- 40:17fatal error. He turns his phone back on.
- 40:20Speaker 1: The moment he hits that power button, the phone simcard
- 40:23sends a handshake signal and it pings the local cell
- 40:26towers exactly.
- 40:28Speaker 2: Even if you don't make a call. Your phone connects
- 40:30to the nearest tower to establish a network presence, so
- 40:33the cops see it immediately and the police intelligence team,
- 40:37who had been staring at a silent screen for five days,
- 40:41immediately pinpoint that signal boom. Using triangulation from multiple towers,
- 40:47they see he is moving in the Hotwells area of Bristol,
- 40:50down near the water. They track his movements and see
- 40:54he is visiting a place called the Red Box Pizza
- 40:56on Hotwell Road.
- 40:58Speaker 1: You know it is almost pathetic, five five days of
- 41:00hiding in a damp forest committing the crime of the century.
- 41:03The guy just wanted a hot slice of pizza.
- 41:05Speaker 2: He was starving.
- 41:07Speaker 1: But the police are smart here. They don't just rush
- 41:09the pizza shop with sirens blaring, which you could cause
- 41:12a hostage situation.
- 41:14Speaker 2: Right dangerous.
- 41:14Speaker 1: They anticipate his next logical move. They ask themselves, Okay,
- 41:17it's midnight on a Saturday. He's hungry, but he doesn't
- 41:20know the city. He knows we are aggressively hunting him.
- 41:23Where is he ultimately trying to go.
- 41:25Speaker 2: A transport hub? They figure correctly that he's making a
- 41:28desperate break for a train to get back to London
- 41:31or trying to find a route to an airport to
- 41:32catch that flight to Columbia to escape. So instead of
- 41:36chasing his exact footsteps, they leap frog him. They flood
- 41:40the entire area around Bristol temple Meads train station with
- 41:44plane clothes and armed officers, and sure enough they find him.
- 41:48Speaker 1: And the state they find him in is just the
- 41:50absolute antithesis of a criminal mastermind.
- 41:54Speaker 2: What did he look like?
- 41:55Speaker 1: It is almost pathetic. He is apprehended simply sitting on
- 41:58a bench outside the station, staring blankly, and he's entirely
- 42:02missing one shoe.
- 42:04Speaker 2: One shoe.
- 42:05Speaker 1: Police believe he actually lost it while frantically sprinting away
- 42:07from the cyclist on the bridge five days earlier, and
- 42:10he's just been walking around with one shoe ever since.
- 42:12Speaker 2: That is sad.
- 42:13Speaker 1: Armed officers swarm him. The police bodycam footage of this
- 42:16arrest was released and it is intense. They throw him
- 42:20on the ground, secure his hands and coughs, sit him
- 42:22up against the wall, and start reading him.
- 42:25Speaker 2: His rights standard procedure.
- 42:27Speaker 1: The officer clearly says, you are under arrest on suspicion
- 42:30of double murder. Do you understand?
- 42:32Speaker 2: And Moscerra, staring at the officer simply replies.
- 42:35Speaker 1: No, right, total denial. And then the officer asks the
- 42:39most basic identifying question. He says, what's her name? Mate?
- 42:42Speaker 2: And what does he say?
- 42:44Speaker 1: And this guy who just butchered two men in cold
- 42:47blood packed them in bags and carry their parts across
- 42:49the country looks at the cop and lies with the
- 42:52absolute lamest, most low effort fake name ever recorded. What
- 42:57is it? He stammers, pauses and says, jote, jote Moscerra,
- 43:03jop Moscuerra.
- 43:04Speaker 2: It is the final pathetic attempt of a fractured mind
- 43:07to evade reality.
- 43:08Speaker 1: He couldn't even think of a fake.
- 43:10Speaker 2: Last name, he can't even invent a new surname. But
- 43:12reality catches up very quickly when the cuffs click shut absolutely.
- 43:15The physical capture sets the stage for the final reckoning
- 43:18in the courtroom, where Moscera, facing insurmountable evidence, attempts one last,
- 43:23incredibly desperate offensive manipulation of the truth.
- 43:26Speaker 1: Fast forward almost a year June thirtieth, twenty twenty five,
- 43:29we are at the highly secure Wood Crown Court in
- 43:31London for the trial. Moscerra is formally charged with the
- 43:35double mutter of Paul Longworth and Albert Alonzo, and during
- 43:38this trial, the jury is forced to watch that harrowing
- 43:42high definition video of Albert's murder.
- 43:44Speaker 2: Which is a point of profound, almost Shakespearean tragic irony.
- 43:48It really is Albert's specific niche pensant for recording his
- 43:52extreme sexual encounters, the very desire that brought Moscita into
- 43:56his life and funded him for years, provided the irrefu sutable,
- 44:00undeniable evidence of his own murder.
- 44:02Speaker 1: It's all on tape.
- 44:03Speaker 2: The prosecution didn't have to rely purely on circumstantial forensics,
- 44:07blood spatter analysis or cell tower pangs. They had a
- 44:10crystal clear video of the perpetrator committing the physical act. Yeah,
- 44:15it is a prosecutor's dream and a defense attorney's nightmare.
- 44:18Speaker 1: Faced with a video of himself committing the crime, you
- 44:21would think a rational defense attorney would advise him to
- 44:23just plead guilty, throw himself on the mercy of the court,
- 44:26and avoid a lengthy trial take a plea. But no,
- 44:29Moscaria takes the stand in his own defense and spins
- 44:32this wild, deeply offensive, highly elaborate narrative.
- 44:36Speaker 2: What does he claim?
- 44:37Speaker 1: He claims that he was basically a hostage in that house,
- 44:41He tells the jury with a straight face that he
- 44:44was violently raped every single day by Albert.
- 44:47Speaker 2: Oh wow.
- 44:48Speaker 1: He claims Albert threatened to send cartel members to have
- 44:51his wife and children in Columbia killed if he ever
- 44:53tried to leave.
- 44:54Speaker 2: That's a massive escalation and.
- 44:56Speaker 1: The most egregious, despicable lie of all. He claims it
- 45:00was actually Albert who brutally murdered the seventy one year
- 45:03old Paul, and that he Masquera only killed Albert in
- 45:07self defense after quote losing control upon discovering Paul's body
- 45:11under the bed.
- 45:12Speaker 2: What you were describing as a text book psychological darvaux tactic?
- 45:16Speaker 1: Darvau what's that?
- 45:17Speaker 2: Which stands for deny attack and reverse victim and offender?
- 45:21It is common in abusers.
- 45:22Speaker 1: Well, that makes sense, But, as the.
- 45:24Speaker 2: Lead investigator pointed out forcefully during testimony, there was absolutely
- 45:27zero evidence to support any of these wild claims. None,
- 45:31not a shred, not in the digital footprint, not in
- 45:34the thousands of WhatsApp communications between them, not in the
- 45:36physical forensic evidence at the scene.
- 45:38Speaker 1: It was all a lie.
- 45:39Speaker 2: The entire plot was proven to be motivated purely by money,
- 45:43driven by cold blooded calculating greed.
- 45:46Speaker 1: And thankfully the jury saw right through his lies immediately.
- 45:50It takes them just five hours and three minutes of
- 45:52deliberation to return to the courtroom.
- 45:54Speaker 2: That is very fast.
- 45:55Speaker 1: They unanimously find Yes and Moscara guilty of double murder.
- 45:59The sheer swiftness of that verdict for a double murdered
- 46:02trial with a complex defense narrative is a testament to
- 46:06how utterly transparent and pathetic his lies truly were.
- 46:09Speaker 2: Which brings us to sentencing day a Cobra twenty fourth,
- 46:12twenty twenty five.
- 46:13Speaker 1: What happened?
- 46:14Speaker 2: The judge does not hold back an ounce of severity.
- 46:17He sentences Muscara to life imprisonment. He sets the minimum term,
- 46:21the absolute minimum amount of time he must serve before
- 46:24he can even be considered for release by a parole board,
- 46:27at forty two years, to be served concurrently for both murders.
- 46:30Speaker 1: Wow forty two years.
- 46:31Speaker 2: The judge looks directly at Moscara and makes it explicitly clear,
- 46:35noting that forty two years is just the baseline minimum,
- 46:37and that due to his extreme lack of remorse, he
- 46:40may never be deemed safe enough to be set free
- 46:42into society again. He won't even be eligible for a
- 46:46preliminary parole board review until he is seventy five years old.
- 46:49Speaker 1: The justice system do its job. They took an exceptionally evil, manipulative,
- 46:54and dangerous offender off the streets, likely for the rest
- 46:57of his natural life. Right as Scare is led away
- 47:01from the dock to begin that massive sentence, he leaves
- 47:04the court, the victims' families, and the press with one final,
- 47:08deeply chilling image.
- 47:09Speaker 2: What did he do?
- 47:10Speaker 1: He's wearing a standard green prison jumper, he is heavily
- 47:13flanked by six burly prison guards, and as he turns
- 47:16to leave the room, looking at the gallery, he gives
- 47:19the court a quote huge smile.
- 47:22Speaker 2: That smile is the ultimate confirmation of his deep seated pathology.
- 47:26Speaker 1: This is disgusting.
- 47:27Speaker 2: It is a total refusal to show remorse. It is
- 47:29a final arrogant performance of defiance from a man who
- 47:33completely lacks the basic neurological capacity for human empathy. He
- 47:37smiled because in his twisted mind, he was still the
- 47:40main character of the story.
- 47:41Speaker 1: It really is sickening. It just makes your blood run
- 47:43cold to imagine looking into those smiling eyes.
- 47:46Speaker 2: I can't even imagine.
- 47:46Speaker 1: As we wrap up this incredibly heavy deep dive, we
- 47:50have to take a moment to reflect on the immense
- 47:52tragedy of this case. Definitely, you have Paul and Albert,
- 47:56two men who had overcome the significant hardships of growing
- 47:59up in the FOSS system without families, to build a beautiful, stable,
- 48:04loving life together in London.
- 48:06Speaker 2: That built a life.
- 48:07Speaker 1: They were so incredibly generous with their time in their resources.
- 48:12They literally opened their home, their wallets, and their lives
- 48:16to a stranger, genuinely hoping to help him learn English
- 48:20and experience a new country, only to become the victims
- 48:23of an unfathomable predatory betrayal.
- 48:26Speaker 2: Their beautiful generosity was completely weaponized against them.
- 48:29Speaker 1: Yeah, it was used against them.
- 48:30Speaker 2: It is the saddest part of the story. But as
- 48:32we look at the totality of this case from an
- 48:34analytical perspective, I want to leave you the listener with
- 48:38a final lingering thought to mull over.
- 48:42Speaker 1: Okay, lay it on us.
- 48:43Speaker 2: We spent a lot of time talking about how illogical
- 48:46and chaotic Moscara's cover up was. Let's play it a hypothetical, Okay,
- 48:50if he had never gone on Facebook marketplace to buy
- 48:52that freezer, he failed to plug in.
- 48:54Speaker 1: If he hadn't.
- 48:55Speaker 2: Decided to pack the heavy bodies into broken suitcases. Oh one, Yeah,
- 49:00he hadn't panicked and paid two hundred pounds to change
- 49:02his van route to quote another place that starts with
- 49:05B and had simply walked out the front door, taken
- 49:08a quiet taxi to Heathrow Airport, and boarded his pre
- 49:12booked flight to Columbia. He might have actually gotten away
- 49:15with the perfect crime.
- 49:16Speaker 1: He really might have. He would have been thousands of
- 49:18miles away before anyone even.
- 49:19Speaker 2: Checked the house exactly, And it begs a fascinating, deeply
- 49:23psychological question about the nature of criminals. What's that did
- 49:28some dark, twisted part of his subconscious actually desire the
- 49:33grand public theater of the Clifton Suspension Bridge to showcase
- 49:37his horrific act to the.
- 49:39Speaker 1: World like he wanted to be caught?
- 49:40Speaker 2: Did he want to be caught? Or does the absolute
- 49:43chaotic collapse of his logic, the unplugged freezer, the joke
- 49:47with the uber passenger, the luggage tag left on the
- 49:50trunk prove that true criminal masterminds are mostly a myth
- 49:53invented by Hollywood.
- 49:55Speaker 1: That's a great point.
- 49:56Speaker 2: That in the end, no matter how much they plan,
- 49:58they are ultimately undone by their own arrogance, their inability
- 50:02to handle physiological panic, and their sheer mundane stupidity.
- 50:07Speaker 1: That is exactly the kind of question that keeps you
- 50:09up at night staring at the ceiling. It really is,
- 50:12and it all leads back to that freezing bridge, that
- 50:15leaking red suitcase, and a random midnight encounter with a
- 50:18cyclist that cracked open a living nightmare. Thank you for
- 50:22joining us on this deep dive. Keep questioning the narratives
- 50:25behind the headlines, stay curious, lock your digital doors, and
- 50:28we'll catch you on the next one.