Latest / My First Dungeon / Perils & Princesses | Ep. 5 - The Claws of the Rat King

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Perils & Princesses | Ep. 5 - The Claws of the Rat King · My First Dungeon

0:15
[UNKNOWN]: Thank you.
0:48
[SPEAKER_06]: With that revelation about Matt or should I say Prince Matt, uh, who will learn more about soon?
0:55
[SPEAKER_03]: Dentant, uh, I'm gonna have to come Prince Matt.
1:00
[SPEAKER_13]: I'm sure you say on that.
1:05
[SPEAKER_06]: The the spark and simmering of a history is buzzing almost as loud as the bees down this right hand.
1:14
[SPEAKER_06]: You all begin to make your way down this right hand path and that cacophony of buzzing begins to get louder and louder.
1:21
[SPEAKER_06]: Building the torch in front of you can see like shapes coalescing into a store room in front of you that appears to have been at one point a weapon store.
1:33
[SPEAKER_06]: This is where a very brook with store shields and swords and various armaments all pixie-sized and very ornate, but
1:42
[SPEAKER_06]: That is no longer the case because now the entirety of the shelving and the catacombs that would have housed this stuff is now a helix of honeycomb all filled in with nectar or like some kind of viscous fluid of some sort.
2:00
[SPEAKER_06]: And as you get a little bit closer, I think Winnie, you're the first one to recognize what this is.
2:05
[SPEAKER_06]: You see inside the helixes of each of these are often like swords and shields and things, and what were armaments and like cubby holes for things, but also inside is a small wriggling larva of some kind of like baby bee.
2:22
[SPEAKER_03]: Baby, baby, baby.
2:25
[SPEAKER_06]: You see, coming in and out of this room, particular every now and then is like a worker be.
2:30
[SPEAKER_06]: At your size, the bees are the size of small dogs.
2:35
[SPEAKER_12]: Yeah.
2:36
[SPEAKER_06]: Not to be tried for with.
2:37
[SPEAKER_06]: And the stingers are things that you are all of a sudden very aware of.
2:40
[SPEAKER_12]: I just didn't even think about that.
2:42
[SPEAKER_12]: My head, they were still small.
2:43
[SPEAKER_06]: Oh, no.
2:44
[SPEAKER_12]: And also, really cute, because not as a baby.
2:48
[SPEAKER_05]: Remember, baby.
2:48
[SPEAKER_06]: There doesn't seem to be a swarm in this room, rather there is a swarm in the making in this room.
2:54
[SPEAKER_06]: Often, in this instance, you see another much larger room open up.
2:56
[SPEAKER_06]: You can hear just the sound of the room, like the echoing and the vibe of it.
3:02
[SPEAKER_06]: A very easily the largest room you've encountered just beyond the next passageway.
3:12
[SPEAKER_02]: I would like to push us through this room as quickly as possible because at my core there are just certain things you don't mess with and people's kids is one of them.
3:20
[SPEAKER_13]: It sounds, they do, in fact.
3:23
[SPEAKER_13]: Yeah.
3:24
[SPEAKER_06]: You quickly push through the like larval room seeing like a bunch of weapons and things all like hidden with, it's weird to see like larva also right next to like a pixie sword.
3:37
[SPEAKER_02]: Just got like curled at it.
3:38
[SPEAKER_02]: That'll wax with a worm's gourmet beneath it, yeah.
3:42
[SPEAKER_06]: As you move closer to this entrance, this cacophony of buzzing becomes a swarm of activity and a swarm of bees.
3:51
[SPEAKER_06]: The worst kind, the worst kind of swarm.
3:54
[SPEAKER_06]: The torch light moves a little bit closer.
3:55
[SPEAKER_06]: I think Matt's glowness comes into the forefront as well, and you see...
4:01
[SPEAKER_04]: Yes, Blueberry's on Matt, right?
4:03
[SPEAKER_06]: Blueberry's on Matt also glowing now.
4:06
[SPEAKER_06]: Blueberry's green glow and I assume you guys are keeping the torches lit, but please stay out of the way.
4:12
[SPEAKER_12]: Yeah.
4:13
[SPEAKER_06]: And you see what was once a very large central chamber that was clearly used as like an emergency shelter or something that's a large room into house all of very brook.
4:25
[SPEAKER_06]: and it is filled to the brim.
4:28
[SPEAKER_06]: All along the outside are honeycombs and everywhere within here bees are working and moving quickly and you see honey is dripping from the ceilings all over the floor.
4:39
[SPEAKER_06]: This place is sticky, sticky, sticky and the honey seems to be almost like pulling on the floor in various ways.
4:48
[SPEAKER_06]: Honestly, Winnie, as you're kind of imagining you at the
4:54
[SPEAKER_02]: Yeah, for me.
4:55
[SPEAKER_02]: This could get comical.
4:56
[SPEAKER_02]: I mean, rollin' well all day.
4:57
[SPEAKER_02]: Hey, that's an eight under nine.
4:59
[SPEAKER_02]: Good for it.
5:00
[SPEAKER_02]: Way into the right king combat happens.
5:03
[SPEAKER_06]: Yeah.
5:04
[SPEAKER_06]: That's not something.
5:04
[SPEAKER_02]: Just wait for it.
5:05
[SPEAKER_06]: Y'all know how dice do a... You see in this room two things.
5:09
[SPEAKER_06]: The first thing I think Winnie is looking for is this queen.
5:12
[SPEAKER_06]: Absolutely.
5:13
[SPEAKER_06]: Because you are listening to the sounds of the worker bees.
5:16
[SPEAKER_06]: It is this very high pitched.
5:18
[SPEAKER_06]: Even without translation.
5:20
[SPEAKER_06]: That's right.
5:20
[SPEAKER_06]: You're hearing like,
5:26
[SPEAKER_06]: And then you hear, hey, you really got to beat to it somehow.
5:31
[SPEAKER_02]: Oh, while I'm listening to that, can I grab Adeline's hand and start tapping out that beat so she can catch that rhythm?
5:36
[SPEAKER_02]: Because I get here but she can't, but that is she's aware of whatever the rhythm is that I'm catching.
5:42
[SPEAKER_02]: So is that again beat?
5:43
[SPEAKER_02]: Was it, was it, was it?
5:45
[SPEAKER_06]: Honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey, honey,
5:57
[SPEAKER_06]: Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch, Triple itch
6:23
[SPEAKER_04]: Where?
6:25
[SPEAKER_04]: Oh, math rock.
6:28
[SPEAKER_13]: Woo!
6:28
[SPEAKER_13]: The second season where we've had math rock, Brian.
6:32
[SPEAKER_01]: We literally just didn't give you the name of his bed and breakfast.
6:35
[SPEAKER_01]: Where math rock played a huge fart.
6:38
[SPEAKER_01]: It was like fun to meddle into the story.
6:41
[SPEAKER_04]: Fucking co-heat cam, we are all right.
6:49
[SPEAKER_06]: Winnie and Adelaide both view.
6:50
[SPEAKER_06]: Off at the far end of this chamber, you see a massive bee that is immediately apparent to you is the queen settled down in a single spot is being weighted on wing and wing hand and foot.
7:03
[SPEAKER_06]: Yeah, we go by a number of worker bees and the entire time giving out slow and steady cadence of directions as the bees are swarming around you.
7:13
[SPEAKER_06]: Winnie, the second thing that you see.
7:16
[SPEAKER_06]: The honey in this room is the coating the walls and dripping down.
7:20
[SPEAKER_06]: And as it is dripping down, you recognize that it is pulling on the ground, but in a way that it is not deep enough to have made.
7:29
[SPEAKER_06]: Like, you kind of do the bathroom like this has been happening for a while.
7:32
[SPEAKER_06]: Why isn't there more honey on the ground?
7:35
[SPEAKER_06]: You see near the center of the room, relatively close to where the queen B is nestled and sitting, directing the worker B's.
7:42
[SPEAKER_06]: a fairly large crack in the ground, where a bunch of the honey is flowing into.
7:50
[SPEAKER_02]: Oh, interesting.
7:51
[SPEAKER_02]: So I just want to make sure I have clarity on this one, Brian.
7:54
[SPEAKER_02]: These catacombs, what is it the inside of a honey cone?
7:57
[SPEAKER_02]: Yeah, honey cone.
7:59
[SPEAKER_02]: It's over, it's not overproducing.
8:00
[SPEAKER_02]: It's producing enough honey where I should see a lot more now, but it looks like it's being funneled or dripped or channeled through this crack on the floor where she is.
8:07
[SPEAKER_06]: It looks like what you're seeing is there is a runoff of honey.
8:13
[SPEAKER_06]: There's a runoff honey.
8:14
[SPEAKER_06]: Okay.
8:15
[SPEAKER_02]: Okay, I am going to call out to her grace.
8:20
[SPEAKER_02]: Use my inanability, your grace, may we approach?
8:29
[SPEAKER_06]: I want to make your role a check, but I don't think I will.
8:31
[SPEAKER_06]: I'm just kidding.
8:32
[SPEAKER_02]: Don't worry, I would have a time.
8:33
[SPEAKER_02]: Have a mirror roll it.
8:34
[SPEAKER_02]: Yeah.
8:36
[SPEAKER_02]: Yeah.
8:36
[SPEAKER_02]: Yeah.
8:36
[SPEAKER_02]: I haven't got to roll anything.
8:39
[SPEAKER_06]: You hear that cadence all of a sudden, stop?
8:42
[SPEAKER_06]: That quarter note cadence of work, work, work, and instead that cadence quickly changes to.
8:48
[SPEAKER_03]: C's then.
8:51
[SPEAKER_03]: C's.
8:51
[SPEAKER_03]: Oh, damn.
8:53
[SPEAKER_03]: Got there.
8:55
[SPEAKER_06]: I'm gonna actually need everyone in this case to roll initiative.
8:59
[SPEAKER_06]: Because it's warm of these comes around you.
9:02
[SPEAKER_04]: Not the bees, it's not the bees.
9:05
[SPEAKER_11]: Brian, would you say these drugs are uppers?
9:10
[SPEAKER_12]: That would things to ask.
9:11
[SPEAKER_12]: Is the little bottles we got that are wild magic or some of the wild magic effects that you're no longer weary?
9:17
[SPEAKER_06]: So wait, are you trying to get out of rolling with this advantage because you are high on this magical supply?
9:25
[SPEAKER_01]: Yes, all right, on this, that's a plot, all right now, or do you know what, I, and that's what caffeine is I respect the hell out of the ask.
9:36
[SPEAKER_06]: So yes, I'll let you roll one more time, so roll your wits check again, just roll straight.
9:48
[SPEAKER_11]: I passed, I rolled a seven in my wits, is a seven.
9:51
[SPEAKER_05]: Woohoo!
9:52
[SPEAKER_05]: Oh my bad Scott!
9:53
[SPEAKER_05]: Hell yeah.
9:53
[SPEAKER_06]: You are all acting before the swarm, and probably even more importantly, the queen.
9:59
[SPEAKER_02]: Yes.
10:00
[SPEAKER_06]: But you guys all act on the same initiative, just anyone want to go first.
10:03
[SPEAKER_02]: I don't know what the equivalent of is of a psychology or an empathy or a sense motive.
10:08
[SPEAKER_02]: I understand the command that's going through the ecosystem.
10:11
[SPEAKER_02]: Can I get the intent from the queen?
10:13
[SPEAKER_06]: Yes, I think the intent here is very much neutralized.
10:18
[SPEAKER_06]: There's a world where you could lessen that command.
10:21
[SPEAKER_06]: But right now, this is a mortal combat.
10:25
[SPEAKER_03]: Okay.
10:26
[SPEAKER_03]: Okay.
10:27
[SPEAKER_06]: Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
10:37
[SPEAKER_06]: Yes, I think if you want to use or turn to try to like damp in the situation you totally can at this moment This is a fight for your lives Yeah, no, no, that's the clarity I want to I didn't know whether it was like sees him and bring them to me or like execute on site That's the clarity that I need it.
10:54
[SPEAKER_06]: We're gonna go back I will say just 20 it is not worthy that the order was not kill and it was sees So I think you think there is wiggle room if you want to make it, but right now if nothing changes This is bad
11:06
[SPEAKER_02]: This is that, okay?
11:08
[SPEAKER_06]: Hurt.
11:09
[SPEAKER_06]: All of you see in this one, just to give you a full view of the room.
11:12
[SPEAKER_06]: This is a massive cavern, probably like imagine in the adjusted scale.
11:17
[SPEAKER_06]: In feet, probably like 40 or 50 feet in front of you, is the Queen B.
11:20
[SPEAKER_06]: There are these swarming around you.
11:23
[SPEAKER_06]: Behind you is the exit.
11:24
[SPEAKER_06]: There are no other exits in this space, except for the large crack in the ground, which is big enough for any of you to easily get through.
11:31
[SPEAKER_06]: It's probably like two widths of a person.
11:34
[SPEAKER_11]: Okay, but it's like, it's honey.
11:37
[SPEAKER_11]: That's that's honey, right?
11:38
[SPEAKER_11]: It's going like there's honey going through that little crack.
11:40
[SPEAKER_06]: Honey is like falling into it, but it's not like completely covered by honey if that makes sense.
11:45
[SPEAKER_02]: It's like a waterfall in into it.
11:47
[SPEAKER_02]: Okay.
11:47
[SPEAKER_06]: Yeah, think waterfall not, um, drain.
11:51
[SPEAKER_02]: Okay, okay.
11:52
[SPEAKER_06]: Winnie, I'm going to say, uh, since you were asking that check, let's have you act first.
11:56
[SPEAKER_02]: Oh, there's so many options here like my very first thought was protect the babies, but I was like wait the babies aren't in danger.
12:02
[SPEAKER_02]: They're completely fine.
12:03
[SPEAKER_02]: The babies aren't.
12:05
[SPEAKER_02]: The babies aren't.
12:07
[SPEAKER_02]: We are not.
12:09
[SPEAKER_02]: We are not.
12:10
[SPEAKER_02]: So I think if I'm looking at the situation as tactically as I can escape needs to be the very first thing on my mind.
12:18
[SPEAKER_01]: Sure.
12:19
[SPEAKER_02]: and I'm just gonna move towards that drop in the floor and then I am going to attempt to barter with the queen but really I'm just gonna let my sister's handle and that handle the secret situation.
12:32
[SPEAKER_02]: So I'm gonna move towards that area so I can at least drop through an escape if I need to or bring my sister with me but I'm gonna move to that area and then I'm gonna try to talk clean down.
12:40
[SPEAKER_06]: Yeah, what do you say to the queen?
12:45
[SPEAKER_02]: So, both palms are gonna go up.
12:47
[SPEAKER_02]: I'm actually gonna drop to one knee.
12:49
[SPEAKER_02]: We're not a threat.
12:50
[SPEAKER_02]: We're not here to hurt you.
12:51
[SPEAKER_02]: We're not here to disrupt what's happening, but we know that you've been locked in down here, and we know that there's a threat down here with you.
12:58
[SPEAKER_02]: Please let us help you.
13:00
[SPEAKER_06]: For this one, I am gonna have you roll a wits check.
13:04
[SPEAKER_02]: I've been rolling so well, guys.
13:05
[SPEAKER_06]: Winnie, just you know, I think for a lot of these types of checks, I wouldn't make you roll this would be like, what you say will try to convince me.
13:12
[SPEAKER_06]: In this case, you see the queen's eyes and the eyes of all the worker bees are clearly infected with this curse because of this cursed pollen and honey.
13:21
[SPEAKER_06]: You've got to break through that, and that's going to require the check.
13:24
[SPEAKER_02]: I love it, I appreciate the clarity on that one too, but always, always make me feel free to roll.
13:28
[SPEAKER_02]: Holy shit!
13:29
[SPEAKER_02]: It's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two, it's a two
13:45
[SPEAKER_06]: And as she is speaking, between the beats of hold, hold, hold, she begins to speak to you as well.
13:53
[SPEAKER_06]: For all of you, Adelaide, I think you don't want to really hear this beat, like you can discern it.
13:58
[SPEAKER_06]: You are hearing a steady beat.
14:00
[SPEAKER_06]: And then almost like a, almost like circular breathing for like a jazz trumpet player, you are hearing a continuous flow of conversation in time with this beat.
14:09
[SPEAKER_06]: So there are essentially two conversations happening coming from one entity.
14:13
[SPEAKER_04]: down.
14:14
[SPEAKER_04]: Good.
14:14
[SPEAKER_04]: Griffiths or singers that can do the note.
14:16
[SPEAKER_04]: Yeah.
14:16
[SPEAKER_04]: Yeah.
14:17
[SPEAKER_06]: The nose and the yeah, it's crazy.
14:19
[SPEAKER_06]: It's the most amazing thing I've ever seen.
14:21
[SPEAKER_06]: She looks English.
14:22
[SPEAKER_10]: You are a threat to my children.
14:25
[SPEAKER_10]: You are a threat to my workers.
14:28
[SPEAKER_10]: You are a threat to me.
14:31
[SPEAKER_10]: We must produce more honey.
14:35
[SPEAKER_02]: Hands are up.
14:35
[SPEAKER_02]: I'm going to stay on one knee.
14:36
[SPEAKER_02]: I'm going to make sure Adeline is in time with whatever is still happening with rhythm.
14:41
[SPEAKER_02]: Yeah, you can keep me up for my fingers.
14:43
[SPEAKER_02]: I'm keeping her, but I'm going to open this up to the table because I can speak to animals, but I'm not the diplomatic one here.
14:50
[SPEAKER_02]: So open conversation.
14:52
[SPEAKER_02]: I will translate whatever happens.
14:53
[SPEAKER_02]: So it's just free for all unless I say differently.
14:56
[SPEAKER_04]: Since you've already got that and we want to be able to reach the queen, I think if I start to like join this cacophony of like all of the different like sounds of you know because she's changed it so if I am able to kind of also take over and infiltrate some of that with like a like you know like chill chill chill chill bico bico bico bico bico bico bico bico bico bico bico bico bico
15:23
[SPEAKER_04]: Be cool, be cool, chill chill chill chill be cool be cool.
15:29
[SPEAKER_06]: I sound like a car alarm You start adding this additional cacophony and the bees react to it and even the the queen be kind of like You've never seen a queen be kind of like Raise her eyebrows before.
15:43
[SPEAKER_06]: You've never seen a bee raise its eyebrows Here we are.
15:46
[SPEAKER_06]: You're hearing someone be like pretty fluent in a language very quickly.
15:49
[SPEAKER_06]: It's just like oh
15:51
[SPEAKER_03]: Wow, that's a great deal, that's not bad.
15:54
[SPEAKER_06]: The cadence that you hear from the Queen Bee is rather than to you, but to the workers.
15:59
[SPEAKER_10]: Check on the children, check on the children, check on the children.
16:02
[SPEAKER_06]: And a bunch of bees swarm around you, all of you kind of like, but essentially having you at swordpoint with their stingers and a large portion of them go over to the larva that you did not touch and quickly report back.
16:15
[SPEAKER_00]: Roger's eight, Roger's eight, Roger's eight, Roger's eight, Roger's eight.
16:17
[SPEAKER_06]: And buzzing all around.
16:24
[SPEAKER_11]: Dude, do these bees abide by like a bee-law, like the bee?
16:28
[SPEAKER_13]: It's brand familiar, you with bee-law.
16:31
[SPEAKER_06]: Yeah, I didn't pass the B-sat, but I did.
16:36
[SPEAKER_11]: I did use B-sat.
16:38
[SPEAKER_11]: I understand B's a little bit.
16:40
[SPEAKER_11]: So let me just educate you for a second.
16:42
[SPEAKER_11]: I don't know how you used smoke when you're working with B's to like make them chill and short.
16:49
[SPEAKER_06]: Yeah, you know.
16:50
[SPEAKER_06]: Classic B key for stuff.
16:52
[SPEAKER_11]: Classic B key for stuff.
16:54
[SPEAKER_11]: Yeah, like is that law kind of apply here?
16:56
[SPEAKER_11]: Would you say, baby, perhaps?
16:58
[SPEAKER_06]: I think you would have to consider kind of the transitive property of a quality as well, that the amount of smoke needed for a normal size B would have to be significantly increased for a B at this time.
17:09
[SPEAKER_04]: So we'd have to hotbox if we wanted to smoke a map.
17:11
[SPEAKER_06]: You would have to hotbox the fuck out of this.
17:13
[SPEAKER_06]: And what is a very large chamber?
17:15
[SPEAKER_06]: This is like 20 foot high ceilings at this scale and like 60 feet long probably like 30 feet wide.
17:25
[SPEAKER_11]: Okay, so Mira takes out her Mira top cocktails and it's like, well, Mira don't Mara don't Mara don't please don't don't you guys never let me do this in spookoosh We're in their house We're in your house.
17:39
[SPEAKER_02]: We respect your kin.
17:40
[SPEAKER_02]: We honor your house We respect your kin.
17:42
[SPEAKER_02]: We honor your house.
17:43
[SPEAKER_02]: We respect your kin.
17:44
[SPEAKER_04]: As I'm glaring at a Mira We love babies Clap, clap, we love babies
17:53
[SPEAKER_06]: The bees begin to swarm around and as they do, the queen's gaze quickly shifts as she's like trying to keep this pulse and like contain all of the bees around her, her gaze shifts over to another side and you see what was a whole other section of the cave had been like destroyed by the rat king.
18:10
[SPEAKER_06]: It's like a whole section of honey coming from the destroyed.
18:13
[SPEAKER_06]: The queen looks to you when he goes.
18:16
[SPEAKER_09]: Protection, protection, protection from my kin, protection,
18:21
[SPEAKER_06]: and the bees begin to swarm around the crack in the ground and she looks to you goes offering offering offering only an offering will suffice only an offering will suffice only an offering will suffice and you see this river of honey that is getting tossed down this
18:44
[SPEAKER_11]: Oh, she's paying.
18:47
[SPEAKER_03]: But you like don't, you like don't need the rat.
18:50
[SPEAKER_03]: We'll protect you.
18:51
[SPEAKER_03]: You don't need, you don't need the rat kidding.
18:54
[SPEAKER_03]: Like we got you.
18:55
[SPEAKER_10]: You're pretty sweet.
18:56
[SPEAKER_10]: We, uh, modify, modify, modify, modify.
19:01
[SPEAKER_11]: Do you want to, I'm your top cocktail?
19:04
[SPEAKER_13]: Oh, leave him one for the rat cake, slow him.
19:08
[SPEAKER_13]: We could get there, could be enough for him, or we want to get rid of the rat key all together, not just by the fact that Evan offering get rid of rat key.
19:22
[SPEAKER_06]: As Winnie translates to the Queen B looks at you and goes,
19:25
[SPEAKER_10]: can offer can offer safe passage safe passage can offer can offer safe passage safe passage passage protect protect my team like that let's just stand to the beach stand stand stand stand stand stand stand to the beach your viewers deserve to see Danielle dancing yeah we're all kind of like buffing at this point where like you can help but move your hip we're on bbop mad is off beat that is why
19:54
[SPEAKER_06]: Glowworm is doing the worm.
19:56
[SPEAKER_02]: Yeah, yeah, I'm sorry.
19:58
[SPEAKER_06]: Glowworm is actually doing the robot.
20:01
[SPEAKER_06]: Yes, yes, what the bad thing.
20:03
[SPEAKER_06]: Very impressive.
20:04
[SPEAKER_06]: Winnie, what is coming into Stark really for you is the cadence at which the queen is speaking.
20:10
[SPEAKER_06]: You recognize that she is more in control of her faculties than the worker bees are.
20:17
[SPEAKER_06]: They are very much drones in the classic bee sense, but also the cursive honey sense.
20:23
[SPEAKER_06]: Yeah, she is controlling the entirety of this hive by sheer force of will.
20:29
[SPEAKER_06]: Okay, the reason that she's keeping in this cadence because she absolutely has to like she's holding a knife to your throat, trying to hold it back.
20:39
[SPEAKER_04]: Got it.
20:40
[SPEAKER_04]: Does she need help?
20:42
[SPEAKER_04]: I can keep helping with her.
20:43
[SPEAKER_04]: I can help her.
20:44
[SPEAKER_04]: I can take over this part of the G. Oh, that's dope.
20:47
[SPEAKER_06]: Sure.
20:47
[SPEAKER_06]: You can not actually have the beat of this thing.
20:51
[SPEAKER_06]: You start to take over for the command elements of the B and the queen all of a sudden recognizes this and you see her misest step and allow you to continue on and see that the B's are modified and so it can continue in this round.
21:08
[SPEAKER_06]: It is difficult to describe what it looks like for a bee to sigh.
21:15
[SPEAKER_06]: Heart and tire body language goes limp.
21:19
[SPEAKER_06]: And everything was just so tense before you see your slink back into what is kind of a throne for this queen bee.
21:25
[SPEAKER_05]: And just goes
21:33
[SPEAKER_10]: Oh, fuck, that was, oh, thank you.
21:39
[SPEAKER_02]: I can't believe you've been holding this all together by yourself for this long.
21:42
[SPEAKER_10]: I can't do it for much longer there.
21:46
[SPEAKER_10]: They ate some bad pollen and we've made some bad honey and the rat, all the rats eat the honey and then the rat king in it.
21:56
[SPEAKER_06]: You see a queen that is exhausted on the border of collapse.
22:04
[SPEAKER_08]: If you can protect my family, then I can at least rest and not worry about the structure while I sleep.
22:26
[SPEAKER_10]: Please.
22:28
[SPEAKER_02]: Then I'm going to look over at my sisters because this is either all of us or none of us.
22:33
[SPEAKER_04]: Adelaide is doing that thing where you teach a bunch of kids how to do a course in the round.
22:43
[SPEAKER_04]: We call it the bees as she's like making all of the doing that kind of polyphonic meat that we have before.
22:51
[SPEAKER_06]: And like you are actually like slightly lightening your workload by having other bees take on the rhythm themselves.
22:57
[SPEAKER_06]: And like it's almost like you're teaching people to it's teach a manifest.
23:02
[SPEAKER_04]: Yeah, okay now the passion you go out to bring in.
23:05
[SPEAKER_02]: I'm conducting these bees.
23:07
[SPEAKER_02]: So I look at Geraldine and Amira.
23:10
[SPEAKER_02]: We have to help them please.
23:12
[SPEAKER_11]: This green looks super weary.
23:15
[SPEAKER_11]: Does she want him?
23:16
[SPEAKER_02]: Takes up the liquid, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing, glowing glowing, glowing glowing, glowing glowing, glowing glowing, glowing glowing, glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing glowing
23:41
[SPEAKER_06]: So there's like a 1 in 6 chance this is great and like a 3 in 6 chance it's okay I like a 2 in 6 chance it's bad So you're cool It's I don't know if it's safe for me.
23:57
[SPEAKER_13]: We haven't tested that's fair.
24:00
[SPEAKER_11]: I'm here still off
24:02
[SPEAKER_06]: You look at the Queen B and you pass over this vial of things.
24:06
[SPEAKER_06]: And the Queen B looks at it.
24:07
[SPEAKER_06]: One of the drones comes over on course it puts it in like a fooded glass and hands it to the Queen B and Queen B just...
24:14
[SPEAKER_11]: Wait, wait, wait, wait, wait.
24:16
[SPEAKER_10]: Yes?
24:18
[SPEAKER_11]: Just, I mean, we found this in the other room.
24:21
[SPEAKER_10]: Oh, it's in the kind of thick and cockish of all the just dried potions that is all on them.
24:26
[SPEAKER_11]: Yeah, I just kind of inhaled some of it.
24:28
[SPEAKER_10]: Honestly, it's kind of all uphill from here.
24:31
[SPEAKER_10]: I'm kind of at the bottom, so I'm gonna roll the dice on this one, okay?
24:35
[SPEAKER_06]: I hate that phrase.
24:37
[SPEAKER_10]: Bottom song.
24:37
[SPEAKER_10]: No, no, no.
24:38
[SPEAKER_06]: And she shoots it back.
24:40
[SPEAKER_13]: Um, you're aware of what you're doing.
24:41
[SPEAKER_13]: Can you roll the lyrics for it?
24:43
[SPEAKER_13]: Yeah.
24:43
[SPEAKER_13]: Amir, you better roll the lyrics.
24:45
[SPEAKER_11]: What's the good numbers?
24:46
[SPEAKER_11]: What's the bad numbers?
24:47
[SPEAKER_01]: The best number is six.
24:49
[SPEAKER_11]: Okay.
24:49
[SPEAKER_11]: And the worst numbers are, uh, two.
24:52
[SPEAKER_01]: All other numbers?
24:53
[SPEAKER_01]: Oh, God is the worst.
24:55
[SPEAKER_11]: Oh, okay.
24:57
[SPEAKER_11]: Well, I'm just only rolling threes today.
25:01
[SPEAKER_11]: The Queen Bee made it look seen, guys.
25:03
[SPEAKER_10]: I don't know if I told you this, but...
25:07
[SPEAKER_10]: I've had sex with all of these guys.
25:12
[SPEAKER_10]: If they're a same true sunny level, it is so many.
25:17
[SPEAKER_10]: I wonder she's tired.
25:18
[SPEAKER_10]: It's kind of my job.
25:20
[SPEAKER_10]: You can't.
25:21
[SPEAKER_10]: It's hard work, but someone's gotta do it.
25:27
[SPEAKER_11]: Listen, I haven't told you this.
25:29
[SPEAKER_11]: Do you see that horse?
25:30
[SPEAKER_04]: Yeah.
25:31
[SPEAKER_11]: I'm banged that horse.
25:32
[SPEAKER_04]: You can't have put this thing.
25:34
[SPEAKER_04]: And ladies, it's conducting these bees like the old performances of Stomp.
25:39
[SPEAKER_04]: And you've got to be more specific.
25:40
[SPEAKER_04]: You've got to be more specific.
25:42
[SPEAKER_11]: I mean, there was a human form of the horse.
25:44
[SPEAKER_11]: The human form of the horse.
25:45
[SPEAKER_11]: Yeah, pre-horses.
25:46
[SPEAKER_11]: I didn't.
25:47
[SPEAKER_10]: Classic praise transformation.
25:49
[SPEAKER_11]: Yeah, yeah, yeah, yeah.
25:51
[SPEAKER_11]: Yeah, yeah, yeah, yeah.
25:52
[SPEAKER_10]: I am tired, and I don't
25:55
[SPEAKER_10]: particularly like that we moved here.
25:57
[SPEAKER_10]: All of these fees said this would be a better location, but there's not a lot of natural light.
26:03
[SPEAKER_10]: Nah.
26:04
[SPEAKER_13]: Well, if we get rid of that wrecking, maybe you could sort of fight some other spots?
26:10
[SPEAKER_10]: Yeah, we'll probably venture out a little bit.
26:13
[SPEAKER_10]: This is getting a little dire, so it's big though.
26:17
[SPEAKER_10]: But, okay, I feel good.
26:20
[SPEAKER_10]: I'm gonna, I'll take that over if you can,
26:25
[SPEAKER_10]: Kill this rat king, or dispatch of this rat king in any way.
26:29
[SPEAKER_10]: I'd love to be able to get out of here with the rest of my family.
26:34
[SPEAKER_10]: This place was a great idea when we started when we could come and go, and now it is a bomber.
26:42
[SPEAKER_10]: All right, I feel you, girl.
26:45
[SPEAKER_10]: It's a bomber.
26:47
[SPEAKER_10]: Honestly, it's a bit spicy.
26:49
[SPEAKER_10]: They used to all bring me flowers, and then the flowers were cursed, and then we were sealed inside,
26:55
[SPEAKER_11]: That's tough.
26:57
[SPEAKER_13]: They're stepping in your flowers, they're just at the best time of the end of it.
27:01
[SPEAKER_02]: Yeah.
27:03
[SPEAKER_02]: But you've rested?
27:05
[SPEAKER_02]: You feel better.
27:07
[SPEAKER_02]: We're going to kill the wreck here.
27:08
[SPEAKER_02]: That promise you someone will bring you flowers.
27:11
[SPEAKER_02]: We're also going to lift the curse.
27:12
[SPEAKER_02]: I know it's a really long list of all that we're going to do.
27:14
[SPEAKER_13]: We're actually here.
27:15
[SPEAKER_13]: Workers can show us three.
27:17
[SPEAKER_13]: Eh.
27:20
[SPEAKER_13]: I think that baby will go try and try to do that.
27:26
[SPEAKER_10]: Anything you can do to help us will be so appreciative.
27:29
[SPEAKER_10]: I'm just so tired of being down here.
27:31
[SPEAKER_10]: And I can't hold it, everyone back, much longer.
27:36
[SPEAKER_10]: Their minds are almost completely gone.
27:39
[SPEAKER_10]: And it's just the fact that this is repetition that's keeping them from going crazy.
27:46
[SPEAKER_10]: But if you can just pass the racking, and if you can destroy the doors that are keeping us down here,
27:56
[SPEAKER_10]: More than I would love to move.
27:58
[SPEAKER_10]: I would love some more natural lights.
28:01
[SPEAKER_10]: I would like a place with view.
28:03
[SPEAKER_10]: I was told that this was expansive and this would just kind of be a summer home.
28:08
[SPEAKER_10]: And that has not been the case.
28:10
[SPEAKER_02]: We will destroy the wrecking.
28:12
[SPEAKER_02]: The doors will be open.
28:14
[SPEAKER_02]: You'll be able to rest.
28:16
[SPEAKER_02]: And you'll get a better view.
28:17
[SPEAKER_10]: From your lips to God's ears.
28:19
[SPEAKER_10]: Let's just make this happen.
28:21
[SPEAKER_06]: she looks over to Adelaide and sort of directing you like a conductor and begins to take back over the cadence of work, work, work, work, work, work, work, work, as that fades back into this cacophony.
28:40
[SPEAKER_06]: All of you see this large chasm in the center with this honey that is running
28:52
[SPEAKER_06]: do you enter.
28:54
[SPEAKER_13]: Hell yeah.
28:55
[SPEAKER_13]: Think we have to go.
28:56
[SPEAKER_13]: I have another thing I only learned today.
29:02
[SPEAKER_13]: I have a grappling hook with a rope.
29:06
[SPEAKER_06]: Hell yeah you do yeah if we want to fix that and sort of slink our way down are we walking sideways are we walking sideways we can you are walking all the out of less that man that also I'll say Abby do me a favor roll a grace check because you have a rope everyone can do this for free if you succeed in your grace check Matt can also do this
29:37
[SPEAKER_13]: Oh, sorry, Matt, you've got to stay behind in the room for a minute.
29:43
[SPEAKER_11]: What do you roll?
29:44
[SPEAKER_11]: What do you roll?
29:45
[SPEAKER_13]: I rolled a night tea, which is way over my nine greatest.
29:50
[SPEAKER_13]: And a heart diet isn't going to close again.
29:53
[SPEAKER_06]: So, Mira, if you want Matt to go down, Matt can certainly make the jump.
29:56
[SPEAKER_06]: It's just going to be a great stretch to do it.
29:57
[SPEAKER_06]: Like, can't be aided by the rope.
29:59
[SPEAKER_11]: It's a My Grace Checker Matt's Grace Checker.
30:02
[SPEAKER_06]: I'll see you on Grace Checker.
30:04
[SPEAKER_13]: Matt have a grace check.
30:06
[SPEAKER_13]: I think it's a mess.
30:07
[SPEAKER_13]: It does Matt have a grace check.
30:09
[SPEAKER_13]: I'll do it.
30:10
[SPEAKER_13]: I'll do it.
30:12
[SPEAKER_11]: I'll do a grace check.
30:14
[SPEAKER_06]: Great.
30:14
[SPEAKER_06]: Go ahead and make a grace check.
30:15
[SPEAKER_06]: Oh, God, Matt.
30:16
[SPEAKER_06]: As all of you begin to go down, Amira, you, get on the back of Matt and gallop into the hole.
30:23
[SPEAKER_06]: I rolled a five, if it might grace to it.
30:26
[SPEAKER_13]: Oh, goodness.
30:27
[SPEAKER_13]: Woo!
30:27
[SPEAKER_13]: Okay.
30:28
[SPEAKER_13]: Let's go.
30:29
[SPEAKER_06]: Winnie, Adelaide and Jordan.
30:31
[SPEAKER_06]: As you guys are Adam West, Matt Manning down this.
30:34
[SPEAKER_06]: Oh, yeah.
30:34
[SPEAKER_06]: All the some on sides of this chasm.
30:38
[SPEAKER_06]: You see Matt.
30:42
[SPEAKER_06]: Going back and forth galloping down this chasm it is a steepness like when the when the writers of Rohan enter in Deepest chill.
30:57
[SPEAKER_13]: It does not logically make sense that a Lord of horses would be running down it and I imagine the sick those goats that can like go up Full mountain go in
31:09
[SPEAKER_06]: Matt is full mountain-goating, and as Julien goes all four hooves on the ground, flicks the hair, and the hair goes back to that perfect cloth.
31:18
[SPEAKER_13]: How did I not see it?
31:20
[SPEAKER_06]: You love hiking.
31:22
[SPEAKER_06]: Oh god.
31:23
[SPEAKER_04]: I remember.
31:25
[SPEAKER_04]: Ooh.
31:27
[SPEAKER_04]: I just like looks away as something really interesting.
31:31
[SPEAKER_04]: I love it.
31:31
[SPEAKER_05]: Give my nails.
31:38
[SPEAKER_06]: As you guys land in these tunnels, for a moment the torchlight flickers as you land and there's a heavy cold dank air that almost blasts you in the face
31:51
[SPEAKER_06]: You see, in front of you, a menagerie, a maze of different tunnels going off, but when you listen, you can hear very clearly down here, the sound of chittering and breathing of a number of rats.
32:07
[SPEAKER_06]: And I think it's even easier for you to simply follow the stream of honey.
32:17
[SPEAKER_06]: As you move through these tunnels you can see the claw marks of things that it is very clear these tunnels were not made by the pixies these tunnels are entirely made by the rat king you are fully in the rat king's domain now These horses are gross.
32:34
[SPEAKER_02]: You're so grossamir you don't even know yet Hey Brian just if I'm walking along the tunnel walls and I run my finger through one of the grooves of this claw marks how big do I think this rat king actually is
32:50
[SPEAKER_06]: Down here I think you have a very clear idea of like this is current.
32:54
[SPEAKER_06]: This is recent, you run your hands in the grooves and your finger disappears fully into the groove of what a clock is.
33:03
[SPEAKER_06]: You get a sense that A rat is likely close to the size of you.
33:09
[SPEAKER_06]: what you understand the racking to be.
33:11
[SPEAKER_06]: A number of rats tied together, conjoined by the tail.
33:15
[SPEAKER_06]: You see this more the size of a hydra than you do of a single individual.
33:21
[SPEAKER_02]: I know.
33:23
[SPEAKER_02]: Oh gosh.
33:24
[SPEAKER_02]: Yeah, I think that's my finger disappears in.
33:26
[SPEAKER_02]: I'm gonna look at a mirror, Adelaide and Geraldine.
33:28
[SPEAKER_02]: And I'm gonna look up at the ceiling at just like the capacity of what this thing has created or or wedged itself through.
33:40
[SPEAKER_06]: of something gorging itself on honey as you enter a massive chamber carved out roughly hewn all around by the rat king and you finally lay eyes for a moment on the
33:56
[SPEAKER_06]: You see, much like a hydra indeed.
33:59
[SPEAKER_06]: Seven, feral, crazed, and cursed rats, gorging themselves on this honey, and somewhere in the mess of this thing, as the rats are jumping over top of each other, trying to get to this honey.
34:14
[SPEAKER_06]: you see all of them combined in a single point, a tail that has been calcified and entombed by honey, and it's almost become like the ends of it have been so cut off from any kind of circulation, it is now in a crowding
34:29
[SPEAKER_02]: That's delicious.
34:32
[SPEAKER_04]: Yeah.
34:32
[SPEAKER_04]: Do we have a sense that they would like to get the hell out of here, but they can't because all of them are in this rocking tide to each other?
34:42
[SPEAKER_06]: Adelaide, even you can see this.
34:44
[SPEAKER_06]: These things have consumed so much of this cursed honey.
34:47
[SPEAKER_06]: They are fully feral.
34:50
[SPEAKER_06]: I think when you're hearing this, you are not hearing language.
34:53
[SPEAKER_06]: You are hearing sounds.
34:56
[SPEAKER_06]: I think when you're immediately realizing like talking with this thing will be very difficult in its current state just because it is consumed so much of this.
35:07
[SPEAKER_02]: So I kind of love the idea that I'm getting ready to do, what I always do when I encounter an animal, I'm getting the language ready, I'm going through the roll of decks of oinks, no, this is no, I get to the squeak.
35:17
[SPEAKER_02]: And I go to make the first one, and then just this quiet falls over me from the top of my head all the way down to my soul and my feet.
35:24
[SPEAKER_02]: And I look at my sisters, and I just say this one's too far gone.
35:28
[SPEAKER_04]: So I guess the kind of thing that we could do is youth a nice.
35:32
[SPEAKER_04]: And Adelaide like takes out her slingshot and that nice.
35:35
[SPEAKER_04]: Yeah.
35:36
[SPEAKER_04]: I guess this is the kind of thing that we can do in like aims in one of their throats.
35:41
[SPEAKER_13]: I'm Mira, I think now it's the time.
35:44
[SPEAKER_11]: Yeah, Mira takes out a little mirror to have cocktail, then Matt has like the match ready to ready to go.
35:51
[SPEAKER_06]: As you put the match into Max Mouth, he reaches over strikes the match on the side of the cave and as that strikes down happens, all seven of the Rads heads look up towards the entrance and snorle in your direction.
36:06
[SPEAKER_06]: I'm gonna need everyone here to roll in the shape.
36:09
[SPEAKER_03]: Hey, get out of here.
36:13
[SPEAKER_03]: You can sneak it out.
36:14
[SPEAKER_06]: Starting with Geraldine success.
36:17
[SPEAKER_03]: Adelaide success.
36:18
[SPEAKER_06]: Winnie success.
36:21
[SPEAKER_06]: Oh, damn.
36:22
[SPEAKER_06]: Amira success because of the drugs Success because the drive that's the way drugs work.
36:29
[SPEAKER_06]: I won't just remind it.
36:29
[SPEAKER_06]: That's gonna wear off after an hour And you'll still be weird for the rest of the day just to keep you honest.
36:34
[SPEAKER_06]: Yeah Yeah, you gotta leave it on for 15 minutes left
36:40
[SPEAKER_06]: Amirat Matt strikes that match.
36:43
[SPEAKER_06]: You see all of the Ratt King's Sevent heads look towards you.
36:46
[SPEAKER_06]: And then this entire monster has to be in its two lumber and move in your guys' direction.
36:51
[SPEAKER_06]: You are currently all in the entrance way.
36:54
[SPEAKER_06]: There's a large cabin around that you're able to spread out, but right now you're in one central area.
36:58
[SPEAKER_06]: Uh-oh.
36:59
[SPEAKER_06]: Amirat, it is your turn when you do.
37:01
[SPEAKER_11]: Yeah, um, Amelia has the Ratt King looks up.
37:04
[SPEAKER_11]: Amirat goes, ah!
37:05
[SPEAKER_11]: And then throws the...
37:06
[SPEAKER_11]: It's a factor.
37:08
[SPEAKER_11]: It's a factor.
37:08
[SPEAKER_11]: It's a factor.
37:09
[SPEAKER_03]: Yeah.
37:10
[SPEAKER_03]: Right.
37:10
[SPEAKER_13]: Yo.
37:11
[SPEAKER_11]: Bad horse.
37:13
[SPEAKER_13]: Bad horse.
37:15
[SPEAKER_13]: Okay.
37:15
[SPEAKER_13]: She gets it.
37:17
[SPEAKER_06]: You chucked this Miratolf cocktail.
37:18
[SPEAKER_06]: What I'm going to do for this because you have it on fire.
37:20
[SPEAKER_06]: I'm going to treat this as lamp oil, which does D6 damage if it hits.
37:27
[SPEAKER_06]: In addition, it will have that D6 magical effect as well.
37:32
[SPEAKER_06]: Don't.
37:37
[SPEAKER_11]: Thank God, let's go.
37:39
[SPEAKER_11]: No.
37:41
[SPEAKER_03]: No!
37:43
[SPEAKER_03]: No, don't you ever do what?
37:46
[SPEAKER_03]: Throw the bet to us.
37:47
[SPEAKER_13]: Why would you do that?
37:49
[SPEAKER_13]: I don't know.
37:50
[SPEAKER_02]: I don't know.
37:51
[SPEAKER_02]: I don't know.
37:52
[SPEAKER_13]: I don't know.
37:54
[SPEAKER_11]: I don't know.
37:55
[SPEAKER_11]: I scream.
37:55
[SPEAKER_11]: I like throw, but there's nothing in my hand.
37:57
[SPEAKER_11]: The cocktail drops right behind me.
38:00
[SPEAKER_11]: I can't hear my actual scream from the bottle.
38:02
[UNKNOWN]: Oh no.
38:04
[SPEAKER_11]: The entrances on fire behind us.
38:06
[SPEAKER_11]: We can't leave.
38:09
[SPEAKER_02]: Yes, that's true now No, that's what a 20 would do Yeah, that's right now There is no one to go What a 20 gets you When a 20 gets you Oh no
38:24
[SPEAKER_06]: Behind you, you now feel the fire of a mirror's rage blocking your way from an exit.
38:32
[SPEAKER_06]: You guys are now trapped in here.
38:33
[SPEAKER_06]: There is no egress for the rest of this fight.
38:35
[SPEAKER_06]: You are in it for the long haul.
38:38
[SPEAKER_11]: Okay, the fire, the fire like screams are there, like it's not like crackling.
38:42
[SPEAKER_11]: It's like...
38:43
[SPEAKER_06]: As the flames flicker, you hear various bits of a mirror's rage, you can hear screams and shouts and like small curses and things.
38:52
[SPEAKER_06]: And not only is this a physical fire like there is heat, there is a magical element that's that is buffeting you back and preventing you from crossing it.
38:59
[SPEAKER_06]: Damn.
39:00
[SPEAKER_06]: This is the clearest way you could say you do not want to cross a mirror.
39:05
[SPEAKER_03]: Yeah.
39:06
[SPEAKER_03]: Yeah.
39:06
[SPEAKER_03]: That's true.
39:07
[SPEAKER_03]: Could it be if you see you just a threat?
39:09
[SPEAKER_06]: I do think that the recommendation the racking does react to it and like moves back just a touch But it's still moving towards you guys Amir, is there any movement or anything you want to do with your turn?
39:20
[SPEAKER_11]: I'm just gonna stay like I was in front of the group or like no, I was in the back of the group So I'm just gonna like kind of hide behind Just like it.
39:29
[SPEAKER_11]: Sorry.
39:29
[SPEAKER_11]: I'm just not gonna I'm gonna be in the back if you need me to heal you.
39:31
[SPEAKER_06]: I'll be be back here So you're staying kind of like in the tunnel that is the entrance to this chamber and
39:37
[SPEAKER_11]: away from the flames, but yes.
39:38
[SPEAKER_06]: Yeah, but like essentially you're back as to the flames.
39:41
[SPEAKER_06]: Yeah, okay, Adelaide Winnie or Jody.
39:44
[SPEAKER_06]: Let's go next.
39:45
[SPEAKER_04]: I'll go next, Adelaide is gonna put her hands up, like there's a flute there, and I'm gonna make the sounds of a flute and pipe-piper them.
39:53
[SPEAKER_04]: Nice.
39:55
[SPEAKER_04]: See if I could like, pipe-piper, go, the racking towards now like this fire, this like, dangerous fire.
40:01
[SPEAKER_04]: So like, everybody moves out of the way.
40:02
[SPEAKER_04]: Oh, man.
40:03
[SPEAKER_04]: And so I'm like, I'm like, I'm, I'm, I'm, I'm doing the twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif twif tw
40:08
[SPEAKER_04]: Do do do do like doing some like Lizzo's working like trying to get them to like get them to like get my attention and like I go and and kind of circle around them at safe different distance trying to see if I can make eye contact with each head to that they're all kind of all paying attention to me before I start seeing if I can hide paper and lure them over to like this fire.
40:30
[SPEAKER_06]: Sure mechanically what ability are you using here.
40:33
[SPEAKER_04]: Well, we can't agree.
40:34
[SPEAKER_04]: This would still, this would still be my mimic, because I can mimic voices and sounds with uncanny, accurate, is see.
40:40
[SPEAKER_04]: Okay.
40:41
[SPEAKER_04]: And I don't know if Luring would work, because I think that has to specifically be through song of first when that would be like gaining advantage on this.
40:48
[SPEAKER_04]: But yeah, so I'm specifically using my mimic ability to sound and infusing it with like my natural, like charm or whatever, to like act as a piper and see if I can get them to like do what I want them to do and like follow me through my magical music.
41:02
[SPEAKER_06]: I'll let you do it.
41:02
[SPEAKER_06]: I'm gonna say, you've got a test with, I would say though for this because this thing is so like honey, engorge, and cursed, I'm gonna say roll with disadvantage.
41:13
[SPEAKER_04]: Disadvantaged, okay.
41:14
[SPEAKER_02]: That's fair.
41:16
[SPEAKER_04]: Okay, well, with disadvantage, that is a 20.
41:21
[SPEAKER_02]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
41:39
[SPEAKER_06]: Adelaide, as this happens, you start to Pied Piper this thing towards you.
41:43
[SPEAKER_06]: The fire of Amira's rage behind you, kind of makes you move all of a sudden.
41:47
[SPEAKER_06]: You hit a wrong note for maybe like one of the first times in recent memory.
41:53
[SPEAKER_06]: Something goes wrong and all of a sudden, all of the rats rear up and then slam down.
41:59
[SPEAKER_06]: Adelaide, can you roll me one D6, please?
42:01
[SPEAKER_06]: We're gonna roll on the potential wrinkles tape.
42:03
[SPEAKER_06]: Oh no.
42:04
[SPEAKER_04]: Oh boy.
42:05
[SPEAKER_04]: Okay.
42:05
[SPEAKER_06]: You just don't get a one.
42:06
[SPEAKER_06]: Oh no, I'm saying a wrinkle has happened because of that.
42:09
[SPEAKER_04]: Oh no, okay.
42:11
[SPEAKER_04]: And that is a four, which is like a good one.
42:14
[SPEAKER_06]: Adelaide, as you are still near the back of this fire, you see that this fire has begun to burn a bit of the honey.
42:22
[SPEAKER_06]: and you see that the honey trail is being cut off from this rat.
42:25
[SPEAKER_06]: The rat king is beginning to notice this, but more important than that, the honey itself is beginning to burn from this magic.
42:32
[SPEAKER_04]: Oh fire.
42:32
[SPEAKER_06]: Oh cool, cool.
42:33
[SPEAKER_06]: Adelaide, you feel woozy.
42:37
[SPEAKER_06]: Which means for the next 24 hours you will be a testing grace with disadvantage.
42:41
[SPEAKER_06]: Oh no.
42:45
[SPEAKER_11]: Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
43:03
[SPEAKER_04]: Um, well, I'm woozy.
43:04
[SPEAKER_04]: So I think moving actually sounds like a terrible idea.
43:07
[SPEAKER_04]: I literally just going to like go and fucking park herself and sit down.
43:10
[SPEAKER_04]: So I'm like, guys I just got to just give me, give me a second.
43:15
[SPEAKER_06]: Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
43:29
[SPEAKER_13]: Uh, Geraldine wants to, uh, she, she's like, oh, she, he's, he's not going.
43:35
[SPEAKER_13]: Good.
43:36
[SPEAKER_13]: Uh, she's going straight for the tail.
43:38
[SPEAKER_13]: I want to do some like acrobatics of like park or weird jumping around to try to do it really fast to distract all of the heads so that it's like hard to keep track of like maybe there's seven Geraldines.
43:53
[SPEAKER_13]: Hard to keep track of her and I want to go over and use my cooking knife to try to start cutting away at the tail.
44:01
[SPEAKER_06]: I will say with seven rats there, you cannot get to the tail yet.
44:05
[SPEAKER_06]: Like you have to essentially clear some of these rats to get to the tail.
44:08
[SPEAKER_11]: Oh, that's like a fucking hydra.
44:10
[SPEAKER_11]: This is a hydra.
44:11
[SPEAKER_11]: It is a hydra.
44:12
[SPEAKER_13]: Yeah.
44:13
[SPEAKER_13]: Okay.
44:14
[SPEAKER_13]: In that case, she's still going to do the same thing, but it's trying to land on top of one of the rats so that like I'm not near it's mouth.
44:25
[SPEAKER_13]: Sure.
44:25
[SPEAKER_13]: To try to use my cooking knife to attack that rat.
44:29
[SPEAKER_06]: You jump forwards towards this rat.
44:31
[SPEAKER_06]: It is only as you can close to it.
44:32
[SPEAKER_06]: You realize the fur of this rat has started to take on various hues.
44:36
[SPEAKER_06]: I hate it.
44:37
[SPEAKER_06]: And you see, they are purple and orange and lemon yellow and lime green and strawberry red.
44:46
[SPEAKER_06]: You immediately jump on the grape rat.
44:49
[SPEAKER_13]: Oh my god, they have different flavors.
44:50
[SPEAKER_13]: I love this.
44:51
[SPEAKER_06]: They have a bomb pop.
44:53
[SPEAKER_06]: I was going for a skills.
44:55
[SPEAKER_02]: Skittles because they skitter because they're red.
44:58
[SPEAKER_02]: Skittles, red skittles.
45:01
[SPEAKER_06]: Yeah, that's why I did it.
45:05
[SPEAKER_04]: Yeah, that's why you did it.
45:07
[SPEAKER_04]: That's why you did it.
45:07
[SPEAKER_13]: That's why I said it.
45:08
[SPEAKER_06]: Jodie, as you make your way onto the great bread, go ahead and make an attack.
45:11
[SPEAKER_13]: Okay, so this is just rolling the gemage for my weapon or do I have to roll grace first you will test resolve because you're using it's a physical attacks you test resolve a range to tax you test grace amazing okay so we're testing resolve And I succeed I roll Yeah, over my 13 My god hell yeah go and roll your damage
45:37
[SPEAKER_13]: Okay, so for damage, it is a D4, and critical hits are both a 1 and a 2.
45:44
[SPEAKER_06]: Critical hit, so that critical hit is based on your D20 roll.
45:49
[SPEAKER_13]: Oh, okay, sorry.
45:49
[SPEAKER_13]: Well, I roll the actual attack.
45:52
[SPEAKER_13]: Hey, hey.
45:53
[SPEAKER_06]: You damage one of these rats as you slash into it for 1 point of damage.
45:59
[SPEAKER_06]: Anything else you want to do with your turn?
46:00
[SPEAKER_13]: If you'll let me, because I've already used a bunch of movement, but I was gonna say if you'll let me, she's gonna try to jump off and run like, as much as there is a behind of this racking.
46:12
[SPEAKER_06]: This is a pretty 360 degree photo, but go ahead and test grace for me.
46:18
[SPEAKER_06]: This is too land on your feet, and I'll say you can roll with advantage because of your cat-like ability.
46:23
[SPEAKER_12]: Thank you.
46:24
[SPEAKER_12]: Nice.
46:26
[SPEAKER_12]: Grace, I fail.
46:29
[SPEAKER_06]: you jump off of this rat and land tripping on one of the pause of this rat as it's moving.
46:35
[SPEAKER_06]: You land prone directly in front of this rat.
46:38
[SPEAKER_06]: You are going to be easy friends.
46:40
[SPEAKER_13]: No, no, no, no, no, I didn't stick the landing guys.
46:45
[SPEAKER_02]: We saw, oh god.
46:48
[SPEAKER_02]: Jesus.
46:49
[SPEAKER_06]: Oh, Winnie, it is your move.
46:50
[SPEAKER_02]: I was going to go stand in front of Adelaide and protect her while she grounded herself and now Geraldine is down.
46:56
[SPEAKER_02]: So, um, question of the day, I'm going to pull out my crossbow.
47:01
[SPEAKER_02]: Is there any way in one round that I could ignite the arrowhead of this crossbow and fire it at threat?
47:08
[SPEAKER_02]: Yeah, let's do that and that this liquid, this magic liquid has fire can I dip the arrow head and whatever that feels good to me.
47:14
[SPEAKER_13]: Yeah, I'll say that you could dip in a bottle of rage and then let it on fire all the screaming arrow literal screaming arrow I will also say Geraldine has one of her abilities gives her advantage when rolling against what like to dodge attacks.
47:29
[SPEAKER_13]: So you don't have to worry too much.
47:32
[SPEAKER_02]: Okay, so I'm not as worried about Geraldine right now being a pro.
47:34
[SPEAKER_04]: Yeah.
47:34
[SPEAKER_04]: Can I help with something before when he does this?
47:37
[SPEAKER_04]: I can do a happy working song, anyone who hears this, it'll count for everybody can modify a virtue test role.
47:45
[SPEAKER_04]: It just is one of my gifts that I have to roll my gift die.
47:48
[SPEAKER_06]: Yeah, you sing a happy working song and anyone who hears it can modify a virtue test role up to some.
47:54
[SPEAKER_06]: So yeah, go and roll your gift die.
47:56
[SPEAKER_04]: And that's a six.
47:58
[SPEAKER_06]: That is a D six.
47:58
[SPEAKER_06]: Yes.
47:59
[SPEAKER_04]: And what do I need to get?
48:01
[SPEAKER_06]: Whatever you get, people will be able to modify their next one.
48:03
[SPEAKER_04]: If you're telling us about that.
48:04
[SPEAKER_04]: So I got a four.
48:05
[SPEAKER_04]: Nice.
48:06
[SPEAKER_04]: OK. OK.
48:07
[SPEAKER_04]: Uh, 99 bottles of rage in your bag, 99 bottles of rage.
48:13
[SPEAKER_04]: I take one down to blow up a rat, and I do bottles of rage in your head.
48:19
[SPEAKER_06]: So Adly, just to remind you, you now have that gift ice expended.
48:23
[SPEAKER_06]: You will not be able to use again to your next long rest.
48:25
[SPEAKER_06]: But you give it every one a four modifier to their next virtue test roll.
48:30
[SPEAKER_06]: Yes, things.
48:31
[SPEAKER_02]: Just do my golf, I can get it.
48:33
[SPEAKER_02]: So I actually desperately need it that.
48:35
[SPEAKER_02]: So I rolled a 12.
48:37
[SPEAKER_02]: My grace is a 9 on a crossbow boat.
48:40
[SPEAKER_02]: So with the modification of the four that literally takes me beneath it.
48:42
[SPEAKER_02]: So I need it.
48:43
[SPEAKER_02]: That's all.
48:44
[SPEAKER_02]: Oh my God.
48:44
[SPEAKER_02]: Yeah, I'm going to dip the arrowhead and fire.
48:46
[SPEAKER_02]: And then I'm going to stand.
48:47
[SPEAKER_02]: I'm going to straddle over Adelaide's lake where the red has to come through me before I can touch her.
48:52
[SPEAKER_02]: While she's singing on the floor behind me, then I'm going to fire at it.
48:54
[SPEAKER_06]: Absolutely.
48:55
[SPEAKER_04]: Are you firing at it?
48:57
[SPEAKER_04]: One top, pass it around and it's about as great as your peg.
49:01
[SPEAKER_06]: Winnie, are you firing at the grape rat that has been damaged by Geraldine or one of the other rats?
49:07
[SPEAKER_02]: No, absolutely.
49:07
[SPEAKER_02]: So, tactically speaking, anything that's taken damage, let's stick on that one until it was of doubt.
49:12
[SPEAKER_02]: How much are you going to give me the further fire damage?
49:14
[SPEAKER_06]: That is a good question.
49:15
[SPEAKER_06]: Let's give you a why called lamp oil.
49:17
[SPEAKER_06]: A lamp oil is a D6 because it's only a little bit on your arrowhead.
49:22
[SPEAKER_06]: I'm going to say let's make it a D4 so you can add a D4 to your damage.
49:25
[SPEAKER_02]: Oh, what?
49:25
[SPEAKER_02]: Who?
49:27
[SPEAKER_02]: All right, baby, we're looking at 11 points of damage total.
49:30
[SPEAKER_02]: Damn, yeah, the crossbows are a D10 damage, which are crazy.
49:34
[SPEAKER_02]: And then the lamp oil was another two.
49:36
[SPEAKER_02]: Wow, that's amazing.
49:38
[SPEAKER_06]: Fire into this great rat and immediately see the great rat cobbin.
49:42
[SPEAKER_05]: Oh, what?
49:43
[SPEAKER_06]: I'm going to say with an 11, that's just huge.
49:47
[SPEAKER_06]: You fire through that rat, the boat goes immediately through to another rat in a second rat goes down.
49:52
[SPEAKER_02]: 99 bottles of rage on the wall.
49:56
[SPEAKER_02]: It's the best combat song and now it's fantastic.
50:00
[SPEAKER_06]: You can't pass it around this buzz and just see you guys are aware like 11 points of damage able to drop two or I guess the total of 12 points of damage able to drop two rats that gives you a sense of what each of these rats is.
50:15
[SPEAKER_02]: Okay, okay.
50:17
[SPEAKER_06]: When you position yourself in front of Adelaide to help her in her in Adelaide's Adeled State, it is now the Ratt King's turn.
50:28
[SPEAKER_02]: I'm stressed out.
50:29
[SPEAKER_06]: The Ratt King is composed of seven rats now five.
50:34
[SPEAKER_06]: I'm going to roll a D6.
50:36
[SPEAKER_06]: That is the number of rats that can attack.
50:38
[SPEAKER_02]: Oh no Or I'm here, would you like to roll as about to say?
50:43
[SPEAKER_11]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
51:01
[SPEAKER_13]: That's okay.
51:02
[SPEAKER_02]: Could have worked.
51:03
[SPEAKER_02]: That's okay.
51:04
[SPEAKER_06]: Could have been worse.
51:05
[SPEAKER_13]: Fine one.
51:05
[SPEAKER_13]: But you know, still.
51:07
[SPEAKER_06]: Let's do it.
51:08
[SPEAKER_06]: I think with that, Rat King is going to take an attack on each of you.
51:11
[SPEAKER_06]: Can all of you please test Grace for me?
51:14
[SPEAKER_06]: Actually, you know what?
51:15
[SPEAKER_06]: Winnie, you've positioned yourself in front of Emily.
51:16
[SPEAKER_02]: How about say can I take Adelaide's hit, please?
51:18
[SPEAKER_06]: Uh, Winnie, go ahead and test Grace twice.
51:20
[SPEAKER_06]: Amira and Geraldine test Grace once.
51:23
[SPEAKER_13]: Because one of my innate abilities is evasive.
51:27
[SPEAKER_13]: It says you're skilled at dodging attacks.
51:29
[SPEAKER_06]: Yes.
51:30
[SPEAKER_13]: When on armor, you treat your armor value as one.
51:34
[SPEAKER_13]: Is this saying that like, I get...
51:35
[SPEAKER_13]: It doesn't explicitly say I get advantage on dodging.
51:38
[SPEAKER_06]: But you don't get advantage.
51:39
[SPEAKER_06]: Like, go to the... Rather, you have... You are essentially good enough at dodging.
51:43
[SPEAKER_06]: It acts like armor.
51:45
[SPEAKER_06]: So, you essentially have armor value once.
51:46
[SPEAKER_06]: So, whatever damage you will take, you will take one less than that.
51:49
[SPEAKER_06]: Okay, you know what that's about?
51:53
[SPEAKER_12]: Pass 60.
51:55
[SPEAKER_06]: Okay, Jody you dodged out of the way to one of these rat swipes.
51:58
[SPEAKER_06]: Oh, I'm here.
52:02
[SPEAKER_06]: You're taking four points of damage.
52:05
[SPEAKER_03]: Oh I was so far how I got them Let's get reach.
52:12
[SPEAKER_06]: I'm here.
52:12
[SPEAKER_06]: Do you have any armor as well?
52:14
[SPEAKER_06]: Yeah, I've won.
52:14
[SPEAKER_06]: So I took So you take three points of damage three points of damage.
52:17
[SPEAKER_06]: Yeah, and then Winnie two grace tests
52:21
[SPEAKER_02]: I failed both.
52:22
[SPEAKER_02]: No.
52:23
[SPEAKER_02]: No, both.
52:24
[SPEAKER_06]: Okay.
52:25
[SPEAKER_06]: We're going to be rolling 2D for us for this.
52:28
[SPEAKER_06]: Okay.
52:29
[SPEAKER_06]: That is a 4.
52:30
[SPEAKER_02]: I have armor 2.
52:32
[SPEAKER_06]: Okay.
52:32
[SPEAKER_06]: So instead of taking 4 points of damage, you were taking 2 points of damage.
52:36
[SPEAKER_06]: That armor is going to save up 2 points of damage.
52:39
[SPEAKER_06]: Okay.
52:39
[SPEAKER_06]: How much health do you have left?
52:41
[SPEAKER_02]: 4.
52:41
[SPEAKER_06]: Okay, can't take you down.
52:43
[SPEAKER_06]: That's another two points of damage.
52:45
[SPEAKER_06]: Your armor is two zero from that attack.
52:47
[SPEAKER_03]: Oh my god, that's my sister!
52:50
[SPEAKER_03]: That's my sister!
52:52
[SPEAKER_06]: I think at this moment, you all realize exactly how fucking beefy and buff Winnie is.
52:58
[SPEAKER_06]: Armor of two is huge.
53:01
[SPEAKER_06]: Mm-hmm, nice.
53:02
[SPEAKER_06]: Top of the order, I'm going to keep us in the same order we did before a mirror.
53:05
[SPEAKER_06]: Is your turn, what do you do?
53:07
[SPEAKER_06]: What's your max health, Winnie?
53:09
[SPEAKER_02]: It was six.
53:11
[SPEAKER_11]: Damn, okay.
53:13
[SPEAKER_11]: I'm gonna, I'm deciding to either healing, Winnie, or attacking the rat with the battle axe.
53:20
[SPEAKER_11]: Oh, do the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the attack with the
53:51
[SPEAKER_11]: Matt, we're getting that rat, of course, saying, and then I'm charging the rat.
53:58
[SPEAKER_06]: I'll make you a deal if you want it.
54:00
[SPEAKER_06]: If you take one point of damage right now, I'll let you roll with advantage for that.
54:04
[SPEAKER_06]: Yeah, big time.
54:04
[SPEAKER_02]: Yeah, take it.
54:05
[SPEAKER_02]: Worth it.
54:06
[SPEAKER_02]: I love GM Bargain's.
54:07
[SPEAKER_06]: You take a point of damage as you like run your hand over this blade covering it in rage and then dash forward to attack this rat.
54:15
[SPEAKER_06]: Go ahead and roll with advantage.
54:17
[SPEAKER_06]: Do a virtue test with advantage.
54:21
[SPEAKER_11]: The first dice was a 20.
54:24
[SPEAKER_11]: And the second one was a Nat one.
54:29
[SPEAKER_05]: Yeah!
54:29
[SPEAKER_05]: Yeah!
54:29
[SPEAKER_05]: I don't know.
54:34
[SPEAKER_06]: That one is a critical hit, I just want to double check.
54:38
[SPEAKER_06]: I want to double check critical hits.
54:39
[SPEAKER_06]: I believe.
54:40
[SPEAKER_06]: Amazing.
54:41
[SPEAKER_13]: I mean, it's a wide stance there, I'm here.
54:46
[SPEAKER_06]: You roll two damage dice and add them.
54:50
[SPEAKER_06]: So whatever, what is a battleaxe's damage die?
54:53
[SPEAKER_06]: Ten.
54:53
[SPEAKER_06]: I'll say for this, you can attack two rats if you want.
54:58
[SPEAKER_06]: Damn.
54:59
[SPEAKER_06]: And roll D10 for each.
55:01
[SPEAKER_06]: And do I get added damage for the fire X?
55:04
[SPEAKER_06]: I'm going to say for this, no, it's just a grant to do the advantage.
55:08
[SPEAKER_06]: All right, that's fine.
55:10
[SPEAKER_06]: I don't want to give you too much for that.
55:12
[SPEAKER_06]: I feel like I don't want to try to press on the red.
55:15
[SPEAKER_11]: I don't want to press on the red.
55:16
[SPEAKER_11]: That's 15 points of damage.
55:19
[SPEAKER_02]: Holy crap.
55:21
[SPEAKER_11]: Wow.
55:21
[SPEAKER_02]: Holy hell, Amira?
55:23
[SPEAKER_06]: Amira has remained relatively calm for the entirety of this adventure.
55:29
[SPEAKER_06]: Even when they have potentially been infected with this candy curse.
55:33
[SPEAKER_06]: Amira has stayed as best she could bottling up her emotions.
55:37
[SPEAKER_06]: You've literally seen this.
55:39
[SPEAKER_06]: Now you see rage.
55:41
[SPEAKER_06]: all around you.
55:42
[SPEAKER_06]: Behind you there is a fire of Amira's rage reflecting her attack as this battle axe is coated in a bit of rage.
55:50
[SPEAKER_06]: You immediately cleared two more rats.
55:55
[SPEAKER_06]: Oh my crap.
55:55
[SPEAKER_06]: Amira, for the first time you have a glimpse of the tail at the center of this rat king.
56:01
[SPEAKER_11]: Okay.
56:01
[SPEAKER_11]: Dead Sarger.
56:03
[SPEAKER_11]: Good horses.
56:03
[SPEAKER_11]: Don't hit princesses.
56:07
[SPEAKER_06]: You can't map the back.
56:10
[SPEAKER_06]: I'm here a huge y'all are down to just three rats remaining.
56:17
[SPEAKER_03]: Wild.
56:18
[SPEAKER_06]: What a hit.
56:19
[SPEAKER_04]: Wow.
56:20
[SPEAKER_06]: I'm here an absolutely huge Adelaide.
56:22
[SPEAKER_06]: It is you next.
56:23
[SPEAKER_04]: I'm Lucy.
56:24
[SPEAKER_04]: So I don't and a text of physical strength and not my bag.
56:31
[SPEAKER_04]: I wonder if Adelaide uses her mimicry ability again.
56:37
[SPEAKER_04]: the the honey is being fired and and these rats know that their honey supply is missing So I would like to make the sound kind of dual sounds One is the sound of like the bees upstairs just the buzzing they wouldn't be able to hear the beat already of that and the sound of like
56:58
[SPEAKER_04]: Wishing of like honey is it would be traveling down there to see if I can distract them so that they're not so focused on us and maybe they start running to go find where this new source of honey is.
57:09
[SPEAKER_06]: I'll say go ahead and test a wits for me.
57:12
[SPEAKER_06]: And I think since this is an imitation, I'll let you roll with advantage.
57:14
[SPEAKER_04]: Ooh, damn, first one was a nine second was a one.
57:18
[SPEAKER_04]: We're going great baby.
57:21
[SPEAKER_13]: Let's go, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow
57:37
[SPEAKER_06]: You immediately start to have this sound bouncing around the room and you recognize that you can sculpt exactly how this reflection or reverberation is happening.
57:48
[SPEAKER_06]: You could either have it seem like it's coming from multiple directions, in which case the rats would run in different directions, giving whoever wants to attempt to cut the tail advantage.
57:58
[SPEAKER_06]: Or you can have them all run to one direction and potentially get hit by this rage fire.
58:03
[SPEAKER_06]: You want to go for the damage or for the opening for a finishing blow.
58:07
[SPEAKER_04]: Oh, who hasn't used my effect yet to add that extra because they, that's still going.
58:15
[SPEAKER_06]: Oh, that's still a Geraldine and a mirror I haven't used it.
58:17
[SPEAKER_04]: Oh, yeah.
58:18
[SPEAKER_04]: You know what, then I'm going to do, I'm going to do it to give someone advantage, because I feel like with that advantage, plus being able to use that extra for, that extra four points that could do a lot of good for that tail.
58:30
[SPEAKER_04]: Yeah.
58:31
[SPEAKER_06]: Huge.
58:32
[SPEAKER_06]: You begin to sing this song of the sound of bees and where this honey would be flowing from.
58:39
[SPEAKER_06]: and it bounces left, right, forward, back, all around a sound designer's worst nightmare, but it's really fun to pan with, because like, you've got to sign up, sorry.
58:49
[SPEAKER_06]: It makes it sound so immersive, because it's coming from all around you.
58:53
[SPEAKER_04]: I'm so sorry.
58:54
[SPEAKER_06]: Bye, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
59:19
[SPEAKER_06]: Nice stretching as far as they can so the tail is perfectly exposed, and you see now this like Calstified like putra-fied tail ready to be chopped Yeah, it is a bummer of a tail It's like mummified and honey mummified and honey
59:47
[SPEAKER_06]: You see, this beast that was once a terror is now very much in a position for you to strike.
59:54
[SPEAKER_06]: Geraldine, I believe that is your turn.
59:56
[SPEAKER_13]: What do you want to do?
59:57
[SPEAKER_13]: Ah, that's my sister's got it together!
1:00:00
[SPEAKER_13]: Okay, we're going to do this.
1:00:02
[SPEAKER_13]: We're going to attack.
1:00:03
[SPEAKER_13]: We're going to go for the tail.
1:00:04
[SPEAKER_13]: I'm going to try to use back cooking knife.
1:00:06
[SPEAKER_06]: The rules for this are an attempt to do so is made with this advantage, unless they're making rats or distract or otherwise, you have advantage on this attack.
1:00:12
[SPEAKER_06]: Go ahead and take that advantage attack.
1:00:14
[SPEAKER_13]: Amazing.
1:00:15
[SPEAKER_13]: Okay.
1:00:19
[SPEAKER_13]: First one was a 15 which fails, but the second one was a two!
1:00:23
[SPEAKER_06]: Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
1:00:45
[SPEAKER_13]: Well, uh, is a wise shift once taught me a sharp knife is a safe knife.
1:00:53
[SPEAKER_13]: So I keep that baby sharp at all times.
1:00:57
[SPEAKER_13]: Like a freaking samurai sword, it's just shooing clean cut straight through.
1:01:04
[SPEAKER_13]: Nice!
1:01:07
[SPEAKER_06]: All we hear in this room, as it momentarily goes silent, is the glint of a chef's knife.
1:01:14
[SPEAKER_06]: Peace!
1:01:16
[SPEAKER_06]: And then the tail flops to the floor, as the rats fly in three different directions.
1:01:22
[SPEAKER_06]: Now free of this bond, slamming themselves each into the wall with the force they were trying to get away with, and begins to scurry around the room.
1:01:31
[SPEAKER_06]: As this happens, the rats now free, begin to look at each other and look around the room, like sniffing their own butts, like realizing that they're not, you know, connected to one another anymore.
1:01:42
[SPEAKER_06]: Yeah.
1:01:42
[SPEAKER_02]: Yeah.
1:01:43
[SPEAKER_06]: Quickly, the rats look at each other, recognize what's happening, and the rest of the remaining rats flee from this room, leaping over top of the rage fire, and beginning to eat this honey along the way, heading up towards an escape from this place.
1:01:59
[SPEAKER_04]: Grass horses, grass horses, grass horses, and they heading towards the bees.
1:02:11
[SPEAKER_04]: I've been doing the mimicking of the kind of that B noise and I think that's kind of what they were chasing.
1:02:18
[SPEAKER_04]: So now I'm like throwing my voice so that it leads them away from the B's.
1:02:25
[SPEAKER_04]: Yeah, they're not going anywhere the lava is all right.
1:02:28
[SPEAKER_04]: Like down further.
1:02:29
[SPEAKER_06]: You see all of these rats all of a sudden slam into the corners of this room.
1:02:33
[SPEAKER_06]: Now released from their bonds, they look at each other confused in this moment.
1:02:37
[SPEAKER_06]: Their eyes still crazed from this gorging on honey, this candy curse, but realizing in this moment you see a flash of clarity that they are free.
1:02:46
[SPEAKER_06]: No longer bound together to become this monstrosity, and each of them in turn very quickly begins to burrow their own tunnel.
1:02:54
[SPEAKER_06]: digging it all way out of this place.
1:02:56
[SPEAKER_06]: You see the trajectory is not down or over, but up and out.
1:03:03
[SPEAKER_03]: I guess we'll deal with them later here again.
1:03:08
[SPEAKER_11]: I'll kill you.
1:03:11
[SPEAKER_06]: Is that still the secret they know she might that is her now she would have told us that he would without the spell Yeah Geraldine you walk forward to the center of this room and pick up this Calcified remain of this tale and it feels almost in your hands like a staff of some kind Forced and moved at the edge, but solid as it is
1:03:40
[SPEAKER_06]: As that happens, you feel a little something inside you just, almost click into place.
1:03:48
[SPEAKER_06]: I think that you recognize is a little piece of destiny, moving that much closer to its terminus.
1:03:57
[SPEAKER_06]: And that is where we'll end this episode.
1:04:01
[SPEAKER_06]: Oh, no.
1:04:02
[SPEAKER_06]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
1:04:21
[SPEAKER_06]: You all move to level two.
1:04:24
[SPEAKER_06]: Oh, level two, level two.
1:04:26
[SPEAKER_12]: I finally get to pure a wet.
1:04:28
[SPEAKER_06]: We will be leveling up your characters over in our talk back over on the dice full on our Patreon.
1:04:34
[SPEAKER_02]: Nice.
1:04:35
[SPEAKER_02]: That's it.
1:04:36
[SPEAKER_02]: Ooh, splash.
1:04:38
[SPEAKER_06]: We'll see you guys over in the dice full come checks out to see these characters level up and here about this episode.
1:04:43
[SPEAKER_06]: But until then, remember, if you haven't fun, you're already doing it right.
1:04:48
[SPEAKER_06]: Bye-bye, everybody.
1:04:50
[SPEAKER_02]: Destiny, Destiny, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave, so brave,
1:05:08
[SPEAKER_06]: Tabletop Bookshelf is one of our favorite online game stores and offers a curated selection of indie tabletop RPGs and solo games delivered to you with care.
1:05:18
[SPEAKER_06]: Use Code Parallel 15 to get 15% off of Parallel's and Princesses, Sweet Revenge, or any other game at tabletopbookshelf.com.
1:05:29
[SPEAKER_06]: This episode features the voice talents of Brian Flairady.
1:05:34
[SPEAKER_06]: Abby Hepworth.
1:05:35
[SPEAKER_06]: Bridget Jeffries, Danielle Radford, and Shenu to Sarah, editing and sound design by Brian Flairty.
1:05:45
[SPEAKER_06]: This episode features a theme song and some original music by B.
1:05:49
[SPEAKER_06]: Hold.
1:05:50
[SPEAKER_06]: My first dungeon is a many-sided media production.