Latest / The Real Report with Tony Yayo and Uncle Murda / Dawgface on Klay Thompson cheating on Megan Thee Stallion, Allstar JR picked up by feds, Pooh Shiesty fumbling the bag, and Top 5 rappers in Detroit

Transcript

Dawgface on Klay Thompson cheating on Megan Thee Stallion, Allstar JR picked up by feds, Pooh Shiesty fumbling the bag, and Top 5 rappers in Detroit · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: If me listen, if me and you cool, and if
• 0:01
  Speaker 1: we cool, we we we we we wow, and we
• 0:05
  Speaker 1: we lock up. I'm never gonna do a whole hit
• 0:07
  Speaker 1: to you. No, I'm never gonna say nothing bad about you.
• 0:10
  Speaker 1: And it's a Southern saying. It says, my my tongue
• 0:15
  Speaker 1: is in my friend's mouth. That ain't right. That's a
• 0:18
  Speaker 1: Southern say.
• 0:21
  Speaker 2: That I don't think is happening from that.
• 0:47
  Speaker 3: Yes, the Talk New York and it's the boy let
• 0:49
  Speaker 3: Jack Lenney bro and we.
• 0:50
  Speaker 4: Got the most controversial mother for online. He always speaks
• 0:55
  Speaker 4: his mind. He don't give a make some noise. Dog
• 0:59
  Speaker 4: facing the bell.
• 1:00
  Speaker 1: Oh, I swear y'all feel man.
• 1:04
  Speaker 2: Detroit the Building and Pontiac.
• 1:06
  Speaker 1: Because from both you can eat it changeable.
• 1:09
  Speaker 2: What's the difference between Detroit Pontiac.
• 1:12
  Speaker 1: Twenty minutes so it's still Detroit. Yeah, the difference is
• 1:15
  Speaker 1: twenty minutes. You will get the same, You get the same,
• 1:18
  Speaker 1: You can get the same. Oh, so it's twenty minutes
• 1:22
  Speaker 1: away from Detroit, it's the same.
• 1:24
  Speaker 4: That's crazy because like twenty minutes from like south Side
• 1:28
  Speaker 4: to Jamaica to Jamaica Avenue, that's just like still being
• 1:30
  Speaker 4: in Queen.
• 1:30
  Speaker 1: You get the same, so I use it as a weapon.
• 1:33
  Speaker 1: You had a weaponized me not being born in that joint,
• 1:37
  Speaker 1: trying to make it seem like as if I'm less
• 1:38
  Speaker 1: efficient because I wasn't born there, as if everybody in
• 1:40
  Speaker 1: the city Detroit. It's real. It's just solely because you.
• 1:43
  Speaker 1: It's like saying everything Zimbabwe is it's stumped down African
• 1:47
  Speaker 1: right and how go man, It's about the person, and
• 1:50
  Speaker 1: it ain't where you're from. It where you at. I
• 1:51
  Speaker 1: know plenty of suckers who are in the city. Yeah.
• 1:55
  Speaker 5: I would never diss a whole city or the whole hood.
• 1:57
  Speaker 1: Yeah, just me, I would. I would be fun.
• 2:01
  Speaker 2: Yeah, you just New York. I mean I didn't. I
• 2:04
  Speaker 2: didn't take a personal.
• 2:05
  Speaker 1: Y I know about this, Okay. I had to get
• 2:11
  Speaker 1: you for what what do you mean you had to
• 2:13
  Speaker 1: You had to get us the Harlem shake and the
• 2:15
  Speaker 1: motherfucker up.
• 2:17
  Speaker 2: This Harlem shake. Now shelter.
• 2:20
  Speaker 4: Harlem Yo, nigga, Harlem Shaker had that pistol start doing
• 2:25
  Speaker 4: all that.
• 2:27
  Speaker 1: Harlem Shaker is crazy. Yeah, it's so good.
• 2:31
  Speaker 4: Like you know, listen, you're the most controversial nigga online.
• 2:34
  Speaker 4: We had to have you on the show. It's the
• 2:35
  Speaker 4: real report. We know you're the spokesperson for j R.
• 2:40
  Speaker 4: You know Detroit, We know the whole situation, talk about that.
• 2:44
  Speaker 4: We know he's in federal custody. We know he got busy.
• 2:47
  Speaker 4: We know NBA young boy people and Junior and them, Like,
• 2:51
  Speaker 4: what's what's going on? Because you're the spokesperson, have you
• 2:53
  Speaker 4: spoken to him?
• 2:54
  Speaker 1: Yeah, I spoke to him. I spoke to him yesterday.
• 2:56
  Speaker 1: So I mean, how far are you going to go
• 2:59
  Speaker 1: into this sh Let's just give Let's just give you
• 3:01
  Speaker 1: a brief synopsis of what took place. All Star Jr.
• 3:05
  Speaker 3: And getting nobody locked up, No extra people locked up
• 3:07
  Speaker 3: in his mouth, No, only one.
• 3:09
  Speaker 1: Locked up is is All Star Jr. And he's locked up,
• 3:13
  Speaker 1: and it was officially charged with being a feeling in
• 3:16
  Speaker 1: possession of a firearm. But the amazing thing about it
• 3:19
  Speaker 1: is is that you had multiple people who were shot
• 3:21
  Speaker 1: by him immediately. So and he's he's not charged with
• 3:26
  Speaker 1: no crimes of violence. He's not charged with shooting nobody
• 3:28
  Speaker 1: or hurt nobody in the shit. He's solely charged with
• 3:32
  Speaker 1: being a feeling and posistionive of a firearm, a firearm
• 3:34
  Speaker 1: that he recovered during an assault and the robbery of him.
• 3:39
  Speaker 1: That's already in the federal complaint. So when you read
• 3:42
  Speaker 1: the federal complaint, it says that he's charged with being
• 3:44
  Speaker 1: a feeling and possession of firearm, but nothing else. Right,
• 3:49
  Speaker 1: And in the complaint it articulates the fact that he
• 3:52
  Speaker 1: was the victim of an assault and a robbery because
• 3:54
  Speaker 1: they snatched the change and pulled his watch off his arm.
• 3:56
  Speaker 3: Me.
• 3:57
  Speaker 1: So that's the craziest part about it. The other crazy
• 4:00
  Speaker 1: part about it is that every everything that the NBA
• 4:03
  Speaker 1: camp said in response to j R. And the world
• 4:06
  Speaker 1: kind of like get becoming aware of what took place.
• 4:09
  Speaker 1: Everything about that shit it is what it is. Uh,
• 4:12
  Speaker 1: it's a bunch of cats out of Houston, out of
• 4:14
  Speaker 1: bat rooms, basically seeing the Fairs snatched him up because
• 4:16
  Speaker 1: they wanted him to make a statement. The statement is
• 4:18
  Speaker 1: in the video. I saw the entire video, but what
• 4:21
  Speaker 1: the world saw was just a snippet of of what happened.
• 4:25
  Speaker 1: I've also saw, uh the restaurant footage from the parking
• 4:29
  Speaker 1: lot showing Jay Prince. And because we got motherfuckers who
• 4:34
  Speaker 1: were in the restaurant, you know what I'm saying, Their
• 4:36
  Speaker 1: chiefs who worked there, you know, what I'm saying, So
• 4:37
  Speaker 1: we got to see all that ship and Jr. After
• 4:41
  Speaker 1: after the shooting happened, he fled, he got he dropped
• 4:44
  Speaker 1: the gun. He left it there at the pot at
• 4:47
  Speaker 1: the service pollium right and he walked about that motherfucker
• 4:50
  Speaker 1: jumped his car and got the fuck on the fax.
• 4:52
  Speaker 1: Never had the opportunity. Law enforcement period, local, state or federal,
• 4:56
  Speaker 1: never had the opportunity to talk to him because he
• 4:58
  Speaker 1: left the gun. Just like some mafia and shit, like
• 5:01
  Speaker 1: when you got the old mafia movies. Once you bang them, motherfucker,
• 5:03
  Speaker 1: you ain't got to If you ain't got to, they're
• 5:04
  Speaker 1: looking for the pistol, you ain't got to look for
• 5:06
  Speaker 1: it because it's right there, you know what I'm saying.
• 5:08
  Speaker 1: He left jumping in the truck and got the fuck
• 5:10
  Speaker 1: on and he came back to Michigan. So they never
• 5:13
  Speaker 1: had an opportunity to talk to him, except to his lawyer,
• 5:15
  Speaker 1: because he layed it up right away. You never had
• 5:17
  Speaker 1: the opportunity to talk to the only people who had
• 5:18
  Speaker 1: the opportunity to talk to are the people who's in
• 5:20
  Speaker 1: the hospital, shot the fuck up, paralyzed, with ship bags on,
• 5:25
  Speaker 1: with missing fingers. He had talked to his them niggas
• 5:30
  Speaker 1: that they made statements, and that's why it's some confusion
• 5:33
  Speaker 1: about or that's why it's an issue about who had
• 5:36
  Speaker 1: the pistol, who had what, when wearing, how they made statements.
• 5:40
  Speaker 1: And when you look at the federal complaint. Another amazing factor,
• 5:43
  Speaker 1: by the is the federal complaint says he was a
• 5:45
  Speaker 1: victim of an assault, the robbery. I ain't and I
• 5:48
  Speaker 1: ain't advocate niggas to get locked up. But when you
• 5:50
  Speaker 1: look at this ship from a straight line, if you've
• 5:52
  Speaker 1: been in trouble before it all, if you know about
• 5:55
  Speaker 1: the legal system at all. So these niggas robbed him
• 5:59
  Speaker 1: and jumped on him, and he grabbed their gun. And
• 6:04
  Speaker 1: even in the federal complaint, it don't say he had
• 6:05
  Speaker 1: the fire arm with him the entire time. It says
• 6:07
  Speaker 1: that as he was being assaulted and it took for
• 6:12
  Speaker 1: his ship, he grabbed the firearm that hit the floor.
• 6:16
  Speaker 1: They don't say he had it the whole time, right,
• 6:18
  Speaker 1: And he grabbed and he banged them niggas, and it was.
• 6:20
  Speaker 5: What it was.
• 6:21
  Speaker 1: He got what they were supposed to get for playing
• 6:23
  Speaker 1: how they played it. Mm hmm. So when you spoke
• 6:26
  Speaker 1: to him. How was his energy? You feel like he's
• 6:28
  Speaker 1: going might beep beating that ship because it is what
• 6:30
  Speaker 1: it is. Everything is spelled out. They wanted to They
• 6:33
  Speaker 1: trying to play it like, oh, they want Jr. To
• 6:36
  Speaker 1: make it a statement. If he make a statement, it's
• 6:37
  Speaker 1: gonna trigger a bigger indictment with with Ja, Prince Junior
• 6:40
  Speaker 1: and all the rest of that ship. It is what
• 6:42
  Speaker 1: it is. Motherfucker. You niggas played with it. They got
• 6:44
  Speaker 1: the surveillance fish they have, y'all all talking the whole
• 6:47
  Speaker 1: story that C JR. Made a mistake. So in his
• 6:50
  Speaker 1: in his in his in his forever quest to try
• 6:53
  Speaker 1: to prove himself, he took the Instagram and he made
• 6:56
  Speaker 1: the Instagram post wearing which he said that he have
• 7:00
  Speaker 1: late at OG three three's party, who is part of
• 7:03
  Speaker 1: the who was like second third the command of never
• 7:06
  Speaker 1: broke it again. Yeah, he said, he made a statement
• 7:10
  Speaker 1: and put it on Instagram, and his day he made
• 7:11
  Speaker 1: me take it down because all you did was to
• 7:13
  Speaker 1: give him a chronological timeline. All you do, idea is
• 7:16
  Speaker 1: really explain from your perspective what happened, and you for
• 7:18
  Speaker 1: to nail yourself because that shit ain't what happened, and
• 7:21
  Speaker 1: you it ain't gonna take it, don't take much, it takes.
• 7:23
  Speaker 1: The footage itself contradicts what Junior's original statement was. The
• 7:27
  Speaker 1: statement was is that he was moving around by the
• 7:30
  Speaker 1: course of his day. He had no idea that's was
• 7:32
  Speaker 1: gonna happen. He had no idea he was gonna see
• 7:34
  Speaker 1: j R. And that he arrived late to a party
• 7:39
  Speaker 1: that was already taking place at Confessions. That's a lie,
• 7:43
  Speaker 1: you know what I'm saying. The NBA OG three's birthday
• 7:46
  Speaker 1: party with him and his family, NBA Ron dead End, Nigga,
• 7:49
  Speaker 1: all them niggas. It was at a restaurant in Houston
• 7:51
  Speaker 1: called Atlantic Ocean, right they were. They were all there, Well,
• 7:55
  Speaker 1: Junior wasn't there. They were there when they pulled up
• 7:57
  Speaker 1: the Confessions. They all pulled up the So when Junior said, hey,
• 8:03
  Speaker 1: I arrived Lakes. I had to go to my aunt's
• 8:06
  Speaker 1: birthday party, which was the family affair, and I had
• 8:08
  Speaker 1: to go to Physical Theory. So that's why I ribbed
• 8:11
  Speaker 1: late with no jerry on and I didn't have regular
• 8:13
  Speaker 1: mob tazed figures of security with me because Junior never
• 8:16
  Speaker 1: goes anywhere without security because he ain't he ain't going
• 8:21
  Speaker 1: nowhere out on security because he ain't like that. He
• 8:23
  Speaker 1: needs somebody to help him out. He needed to help
• 8:24
  Speaker 1: him in. He ain't just bopping around that bitch. Even
• 8:26
  Speaker 1: though he's born and raised in Houston. He ain't bobbing
• 8:29
  Speaker 1: around that motherfucker by himself because he came. So that
• 8:32
  Speaker 1: was a statement that he made on Instagram. When you
• 8:34
  Speaker 1: look at the overall footgage, especially the parking lot footage,
• 8:38
  Speaker 1: you see them all pull up together, and he said
• 8:41
  Speaker 1: that he was attendant. He was coming. He came late
• 8:44
  Speaker 1: because he had his birthday party and because he had
• 8:47
  Speaker 1: physical therapy. The whole instant transpired at eleven thirty on
• 8:52
  Speaker 1: April eight, April eight, it was a Wednesday. The restaurant
• 8:56
  Speaker 1: closed at twelve at midnight. Y'all all got there at
• 9:01
  Speaker 1: eleven thirty. The footage shaw y'all all getting there together
• 9:03
  Speaker 1: at eleven thirty, So there was no party that Junior
• 9:06
  Speaker 1: was late four because Junior and the NBA camp came
• 9:09
  Speaker 1: together and as JR. Was leaving at eleven thirty, that's
• 9:13
  Speaker 1: when they were coming. So the whole theory and the
• 9:16
  Speaker 1: whole story, he put his foot intes my by telling
• 9:18
  Speaker 1: that whole shit like that. And then when the NBA
• 9:21
  Speaker 1: camp talked to academics, academics said, he retold the story
• 9:25
  Speaker 1: about uh they he pulled up, Junior pulled up to
• 9:29
  Speaker 1: a party that was already gone. They wasn't even there.
• 9:31
  Speaker 1: Right when you when the footage of the whole situation,
• 9:34
  Speaker 1: they wasn't there. They Junior all Stars, Jarrard was leaving
• 9:36
  Speaker 1: and they were coming, and the confetation happened right at
• 9:39
  Speaker 1: the elevator. You know what I'm saying. So it was
• 9:41
  Speaker 1: an orchestrated measure. Man j Prince Jr. Is a despicable
• 9:45
  Speaker 1: piece of shit. He's a horrible can I cuss? Okay?
• 9:50
  Speaker 1: Real horrible? He a horrible cock sucking ass nigga. He
• 9:53
  Speaker 1: is not his father. He is a He is not
• 9:56
  Speaker 1: his father. He's tarnishing the entire image of the whole
• 10:00
  Speaker 1: rap a Lot dynasty empire that niggas not his daddy
• 10:03
  Speaker 1: gets trust fun baby trying to beat something that he's not.
• 10:06
  Speaker 1: And that's why he constantly consistently finds himself in situations
• 10:09
  Speaker 1: like we have right now. It is what it is,
• 10:12
  Speaker 1: the whole When you look at Duke the Juelier situation,
• 10:15
  Speaker 1: you look at the takeoff situation. These guys speaking of
• 10:18
  Speaker 1: my task, right, if it's my rule and the fact,
• 10:22
  Speaker 1: like I told people, man, listen, when it comes to
• 10:24
  Speaker 1: checking in, right, checking in is not it's not a
• 10:28
  Speaker 1: sucker thing. Checking in really came from the streets. It came.
• 10:31
  Speaker 1: It's a street. It's a street principle. Ain't about Oh,
• 10:34
  Speaker 1: when I go somewhere, if I come to New York,
• 10:37
  Speaker 1: I mean if I check in with you, if I
• 10:39
  Speaker 1: chap in with you, that's not me being a whole.
• 10:41
  Speaker 1: It's not me being a coward. It's not being here
• 10:43
  Speaker 1: but checking in.
• 10:44
  Speaker 4: Just how New York niggas look at it. We we
• 10:47
  Speaker 4: we used to like the back door situation since we
• 10:50
  Speaker 4: was young. This is New York niggas is grindingy bitch
• 10:52
  Speaker 4: and spit raises out their mouth cut on the train.
• 10:55
  Speaker 4: It is New York grim So for us, like we
• 11:00
  Speaker 4: never checked in because we not gonna trust nobody. Right,
• 11:03
  Speaker 4: So if I check in, like that's how I know
• 11:04
  Speaker 4: you were littles, right, right, that's like my way of
• 11:07
  Speaker 4: a yo. Dog face is cool. He fucked with my men,
• 11:10
  Speaker 4: But like we ain't gonna go to La and tap
• 11:12
  Speaker 4: in with no bloods and no crips like that.
• 11:14
  Speaker 1: Yeah, like niggas are just going chill, go to the hotel.
• 11:16
  Speaker 4: We might have blood and cripped friends down the line
• 11:19
  Speaker 4: like g unit, but we never really I check it in.
• 11:22
  Speaker 4: It's just going to the nice hotel and staying low.
• 11:24
  Speaker 1: Right, But listen, let me you know, let's let's take
• 11:27
  Speaker 1: it down the line for a second. So let's say
• 11:29
  Speaker 1: let's go back to the five Families in the Coast Noshire.
• 11:31
  Speaker 1: Right when when when when Lucky Luciano or even Bumpy Johnson,
• 11:38
  Speaker 1: Right when Bumpy Johnson, he always came to Detree, Madime
• 11:41
  Speaker 1: Sinclair always came to De Tree, the Hall of Mites,
• 11:44
  Speaker 1: always came to the Trait to fuck with the gangsters,
• 11:47
  Speaker 1: the black gangsters in the city Detroit, in Chicago as
• 11:49
  Speaker 1: will right when bumping them and Madam came to Hans
• 11:53
  Speaker 1: Detroit to check in. Was just like an acknowledgement. You're
• 11:56
  Speaker 1: this is my territory, this is my land. I know
• 11:58
  Speaker 1: what's going on here. I know the layer of the land.
• 12:00
  Speaker 1: So when you come here, out of respect for you
• 12:03
  Speaker 1: and respect for me, I'm responsible. I can't have something
• 12:05
  Speaker 1: happen to you. So I'm gonna have to explain what
• 12:07
  Speaker 1: happens to you to my niggas from Brooklyn or from
• 12:10
  Speaker 1: Queens or from you know, from the five. But they
• 12:13
  Speaker 1: gonna know what happened. You know what I'm saying. So
• 12:15
  Speaker 1: I'm responsible for you. So the respect thing. So the
• 12:18
  Speaker 1: check in thing is not for suckers. It's not for civilians.
• 12:21
  Speaker 1: The check in thing is for gangsters. If you come
• 12:23
  Speaker 1: to Detroit, you tap in with me, you tap in
• 12:26
  Speaker 1: with a little We're responsible for you because you a gangster.
• 12:29
  Speaker 1: You come from gangs to the cloth. It ain't for
• 12:31
  Speaker 1: just a regular rank and file civilian. If you're a
• 12:33
  Speaker 1: regular ranking file civilian and you have no motion, you
• 12:36
  Speaker 1: have no no there there. If there's no there there
• 12:39
  Speaker 1: to you, the nigga, you can just go and go
• 12:41
  Speaker 1: to the Dairy Queen or go to fucking thirty one Flavors.
• 12:44
  Speaker 1: We go to Dunky Dunut's all you want to But
• 12:46
  Speaker 1: if you come to Detroit, you gotta out of respect
• 12:49
  Speaker 1: for me, because I'm responsible for you. There's something happens
• 12:51
  Speaker 1: to you. The people who know me and you, right,
• 12:54
  Speaker 1: they're gonna look to me to figure out what the
• 12:55
  Speaker 1: fuck happened with murder. They're gonna call it if something
• 12:58
  Speaker 1: happens to you. It's something happened. They're gonna looked to
• 13:01
  Speaker 1: me anyway, because I'm there, you went murdering check in.
• 13:04
  Speaker 1: They ain't check in with you. He ain't check in
• 13:06
  Speaker 1: on me. Ain't the sucking ship. No, it is gangster ship.
• 13:10
  Speaker 1: It's for gangsters. It ain't for civilian. Yeah, but for me,
• 13:13
  Speaker 1: I can just do check into thom you ain't do. Yes,
• 13:17
  Speaker 1: that's she just called it. It's called they do it.
• 13:23
  Speaker 1: They do it for the because it's been everything is
• 13:25
  Speaker 1: iRED down, all gangster ship, all street ship.
• 13:27
  Speaker 4: But my but but see, my checking in might be
• 13:29
  Speaker 4: easy because I'm gonna say we go to Chicago, niggas
• 13:32
  Speaker 4: gonna be like, yo, let's go check out old block tourists.
• 13:35
  Speaker 4: I'm not doing that. I'm going right to the Walldorf.
• 13:38
  Speaker 4: I'm one to my room service. I'm kicking it back.
• 13:41
  Speaker 4: I'm in downtown Chicago.
• 13:43
  Speaker 1: I'm chilling.
• 13:44
  Speaker 4: So if I go to Detroit, I'm gonna be at
• 13:45
  Speaker 4: that Thinium Hotel. That's a nice spot, right, be going
• 13:49
  Speaker 4: there for years, chill downtown, go to eminem Spot, get
• 13:52
  Speaker 4: some good food, might go to Cooney's.
• 13:55
  Speaker 1: By saying that ship what you said, don't say that
• 13:57
  Speaker 1: spot my brother.
• 14:03
  Speaker 4: Spot I'm gonna go to. I'm gonna go to spot.
• 14:07
  Speaker 4: They're gonna go to coney Look, I'm gonna go to
• 14:09
  Speaker 4: Coney's Spagetti spots forgett I'm gonna go there. Eminem bro
• 14:16
  Speaker 4: what blew us up?
• 14:17
  Speaker 1: What's your matro spaghetti?
• 14:19
  Speaker 5: Huh?
• 14:19
  Speaker 1: What your mama teach you about emails? Spaghetti? What's I
• 14:22
  Speaker 1: don't know? You know? You know anybody spaghetti? No, when
• 14:26
  Speaker 1: you next time you come, we're gonna take you somewhere
• 14:27
  Speaker 1: where it's just like home. But we're gonna go to
• 14:30
  Speaker 1: eminem Spot two and.
• 14:33
  Speaker 4: They invite you there to it's the Detroit thing, man, pant,
• 14:37
  Speaker 4: I ain't going there. And what is it with the buffs?
• 14:38
  Speaker 4: Y'all love buffs?
• 14:39
  Speaker 1: You got diamonds all in that ship. It's Jerry's, it's Jeery.
• 14:42
  Speaker 1: It's like you take a chain off take.
• 14:44
  Speaker 2: They don't call them cards, they call them buffs.
• 14:46
  Speaker 1: We call them y's. Okay, you know what I'm saying.
• 14:49
  Speaker 1: It's the different variations. You have wires, you have woods,
• 14:52
  Speaker 1: and you have buffalo. Okay, you know what I'm saying.
• 14:54
  Speaker 1: So it's different variations of car year glasses, but they cardies.
• 14:58
  Speaker 1: You know what I'm saying, It's just different variations. Is
• 15:00
  Speaker 1: I got wires, I got buffs, I have woods. You
• 15:03
  Speaker 1: know what I'm saying. That's what it is. It's it's
• 15:05
  Speaker 1: levels of the ship. So you throw diamonds. You can
• 15:07
  Speaker 1: throw diamonds anything from the woods to the wires to
• 15:10
  Speaker 1: the bucks. The buffs are the most expensive of the Cardier.
• 15:13
  Speaker 4: Line, right, Nah, I know, Detroit niggas take the ship.
• 15:15
  Speaker 4: So you feel like y'all started that, right, y'all go
• 15:19
  Speaker 4: to the hardest with them, Like New York biggas fucking
• 15:22
  Speaker 4: with the Cardis.
• 15:23
  Speaker 1: But we we we're the ones who turned so like
• 15:26
  Speaker 1: so like Cardis is a staple of Detroit, kind of
• 15:30
  Speaker 1: like Thams is for New York nobody niggas in New York,
• 15:35
  Speaker 1: New York's hip hop community, they made Timberlain's popular that
• 15:39
  Speaker 1: nobody else can claim that. You know, it's other things,
• 15:42
  Speaker 1: but just when it comes to Thams, Like with New
• 15:45
  Speaker 1: York being the cradle of hip hop, all fashion, all
• 15:48
  Speaker 1: all things hip hop, and the culture as a specific
• 15:50
  Speaker 1: relates to hip hop, it all started here in the mecca.
• 15:53
  Speaker 1: This is the this is Mecca Amadina. You know what
• 15:56
  Speaker 1: I'm saying. So you know, I don't give a fuck
• 15:57
  Speaker 1: where you're from. Man, if you if I'm I'm fitty three,
• 16:00
  Speaker 1: So I'm the first generation hip hop here. I grew
• 16:02
  Speaker 1: up listening to everything from Stepsisni to Grand Master Flash
• 16:06
  Speaker 1: to of Course and Running. You see, actually changed the
• 16:09
  Speaker 1: game because niggas went to wearing Jerry curls and silk
• 16:12
  Speaker 1: shirts and boots and ship to coming through with the
• 16:15
  Speaker 1: doves and with the leather joints and thes and ship
• 16:18
  Speaker 1: like that. So it is cards is like a staple.
• 16:21
  Speaker 1: You can bro You can have cards with nothing, just
• 16:23
  Speaker 1: some woods or some wires plane that ship is worth
• 16:26
  Speaker 1: more than having a watch on or a chain on you.
• 16:30
  Speaker 1: You can get pussies. Just don't having cars in Detroit.
• 16:32
  Speaker 1: It's like that. It's like Clark Kitt you put the
• 16:38
  Speaker 1: without them, I'm Clark Hitt. Well, well I'm jumping over ship.
• 16:44
  Speaker 1: I'm jumping playing with the cards out there. I love Detroit, man,
• 16:48
  Speaker 1: I love it out there. Detroit, New York is really
• 16:52
  Speaker 1: it's Kendrick Spirits between the two because it's grimy, work hard.
• 16:56
  Speaker 1: You ain't getting ship for free. It's fast paced and
• 16:59
  Speaker 1: nigga puts your as domes out thinking about any get
• 17:01
  Speaker 1: your ass together.
• 17:02
  Speaker 4: When you saved your top five out of Detroit, A
• 17:04
  Speaker 4: lot of rappers out of the trick who you said
• 17:06
  Speaker 4: the top five?
• 17:07
  Speaker 5: My top favet out of Detroit.
• 17:10
  Speaker 1: My top five out of Detroit. Tough tone, cheller Boy
• 17:13
  Speaker 1: tough tones one, I.
• 17:14
  Speaker 5: Remember the cheller Boys, shut up, make it better, niggas has.
• 17:18
  Speaker 1: Money back then my top five tough tone.
• 17:24
  Speaker 4: Of all time or just right now, I mean it
• 17:29
  Speaker 4: could be you could give me your top five of
• 17:31
  Speaker 4: all time and right.
• 17:32
  Speaker 1: Now, okay, top five all time tough tone. You gotta
• 17:35
  Speaker 1: throw trick trick on that. You said top five trick,
• 17:38
  Speaker 1: my man, but he's not the top five. As far
• 17:39
  Speaker 1: as far as making niggas get on the groove and buggie,
• 17:42
  Speaker 1: I listen to music that come and side with the
• 17:44
  Speaker 1: way I think, either what I'm doing right now or
• 17:47
  Speaker 1: the ship that I'm thinking about trying to do. You
• 17:49
  Speaker 1: feel what I'm saying. Like, for example, I listened to
• 17:52
  Speaker 1: jay Z because that's intelligent jug thug music. When I'm
• 17:54
  Speaker 1: ready to go bust a nigga to here, I'm gonna
• 17:56
  Speaker 1: listen to some g unit fitty shit because of the
• 17:58
  Speaker 1: struggle associated with that ship. I listened to music that
• 18:01
  Speaker 1: inspires my thought process, or it inspires me where you know,
• 18:08
  Speaker 1: it inspires what well I wish I could do. You
• 18:11
  Speaker 1: feel what I'm saying. So nah, no, no Trick. There
• 18:14
  Speaker 1: was a point where everybody it was only only new Trick, Trick,
• 18:18
  Speaker 1: Trick in respect. You're right. I knew Trick before he
• 18:21
  Speaker 1: was Trick. I knew Trick when he was in prison
• 18:23
  Speaker 1: together on the Big Yards back forty. But when it
• 18:26
  Speaker 1: comes to lyrical inspiration, no, motherfuckers. Motherfuckers respect Trick because
• 18:31
  Speaker 1: he's a man of substance and what he says he means,
• 18:35
  Speaker 1: and for all the sacrifices that he made for the city.
• 18:37
  Speaker 1: You trade in terms of trying to establish a network.
• 18:40
  Speaker 1: You know what I'm saying. When you come here, you
• 18:42
  Speaker 1: bump in and different. It is right. But when it
• 18:44
  Speaker 1: comes to lyrical ship, Now, when it comes lyrical ship
• 18:48
  Speaker 1: is well, he and my top five get yeah, you're
• 18:53
  Speaker 1: gonna be They're gonna be way more fuckers. Wait for
• 18:55
  Speaker 1: me to say my time. My top five.
• 18:58
  Speaker 4: You asked me, I don't even know who that is this,
• 19:01
  Speaker 4: but the motherfuckers you said, tough tone, no disrespected to boys.
• 19:05
  Speaker 1: But I remember, make it better, remember all that ship.
• 19:10
  Speaker 1: So my top five is tough Tone, Blade, ice Wood,
• 19:15
  Speaker 1: Big Hurt rock Bottom. All these guys is better than Trick,
• 19:19
  Speaker 1: Trick and eminem Well, lyrically, they're better than So Lyrically,
• 19:25
  Speaker 1: there's nobody better than him as far as lyrical putting
• 19:28
  Speaker 1: together words. But see it's two different things. And the
• 19:33
  Speaker 1: guys you just name, you said they're lyrical, they are.
• 19:36
  Speaker 1: They are voices of the street. The example, like if
• 19:39
  Speaker 1: you were to compare fifty to like a Nas, motherfuckers
• 19:43
  Speaker 1: be like Nas is more lyrical because he coming from
• 19:45
  Speaker 1: the angles. But the whole my life, I'm talking about me.
• 19:49
  Speaker 1: I'm a gangster. I come from the street. I'm listening
• 19:52
  Speaker 1: to the ship I'm gonna rob me and nigga A two,
• 19:55
  Speaker 1: A three, A folk. So I'm listening to ship like
• 19:58
  Speaker 1: I grew up. So let's go back when I started
• 20:05
  Speaker 1: the first gangster ship I heard, like for real, for real,
• 20:08
  Speaker 1: I'm a cool g rap fan. You know what I'm saying.
• 20:11
  Speaker 1: On the run, I'm listening. I ain't listening to nobody
• 20:13
  Speaker 1: in Detroit. Don't forget. I'm my first generation hip hop here.
• 20:16
  Speaker 1: So my top five I can't even really name a
• 20:18
  Speaker 1: top five out the city because I grew up listening
• 20:21
  Speaker 1: to k R S one. I grew up listening to
• 20:24
  Speaker 1: mc shan, I grew up listening to cool g rap
• 20:28
  Speaker 1: I grew up listening to special Ed. I grew up
• 20:31
  Speaker 1: listening to You know what I'm saying, I grew up
• 20:34
  Speaker 1: listening to I listened to music.
• 20:36
  Speaker 3: But Detroit popping right I'm on the music scene. So
• 20:38
  Speaker 3: who the top five right now? Top five right this
• 20:41
  Speaker 3: niggas in Detroit that's popping right now, Top five right now,
• 20:44
  Speaker 3: Doug let man, I want to see he said, top
• 20:49
  Speaker 3: five right now as far as national status.
• 20:52
  Speaker 4: In Detroit, in Detroit, but it got outside of the
• 20:55
  Speaker 4: bigger Okay, so top five and Detroit, you got to
• 20:57
  Speaker 4: put Doug in there.
• 20:58
  Speaker 1: You have to put Pez in there by face ray baby.
• 21:04
  Speaker 1: Put Skill a baby too, Yeah, Doug psy Skill see
• 21:07
  Speaker 1: see see you trying to force me dowind the angle
• 21:13
  Speaker 1: baby the biggest records out of the I don't got
• 21:16
  Speaker 1: to stay back and pay taxes. You know what I'm
• 21:18
  Speaker 1: saying this politically me, No, I ain't. You know what
• 21:22
  Speaker 1: I'm saying. Even the g so it is Doug Skiller
• 21:27
  Speaker 1: Pas baby Face Ray and I would give the fifth
• 21:31
  Speaker 1: spot and not in that particular you give it to
• 21:34
  Speaker 1: Skiller Baby. Yea, they all skill it twice. So Doug Pas,
• 21:40
  Speaker 1: Skiller Skiller Baby Oh, I swear visa, no Doug Pasy,
• 21:49
  Speaker 1: baby Face Ray skill a baby T Grizzly, that's my time, fat,
• 21:54
  Speaker 1: I could agree that's my time and no particular order.
• 21:57
  Speaker 1: That's my tip. Fact.
• 21:58
  Speaker 5: Yeah, because T Grizzly first stay out.
• 22:00
  Speaker 1: He changed the game for the cities. Teak. The success
• 22:03
  Speaker 1: of Teak Rizy's first day out it really so listen,
• 22:07
  Speaker 1: it did something for the city because before that, you
• 22:11
  Speaker 1: had the Eminem's lyrical giant, you had the big shines,
• 22:15
  Speaker 1: you had to Day's loaks. Right as far as people
• 22:18
  Speaker 1: who had reached international success with the hip hop shit,
• 22:20
  Speaker 1: we hadn't had a voice in the streets like New
• 22:23
  Speaker 1: York has had many voices. You know what I'm saying.
• 22:25
  Speaker 1: You got motherfucks who legends and just the Tri State area,
• 22:28
  Speaker 1: you mean, who got so Detroit. We never had mother
• 22:31
  Speaker 1: folks who really give the world what's happening on the
• 22:35
  Speaker 1: street level in the city trait until the successive first
• 22:38
  Speaker 1: Day and the successive first day out really showed the
• 22:41
  Speaker 1: executives that that street ship they ain't just a backpack
• 22:44
  Speaker 1: boom bap shit. You know what I'm saying is that
• 22:47
  Speaker 1: street ship can sell chik Rizzly made the motherfuckers believe
• 22:51
  Speaker 1: and know and understand that it's a different level. It's
• 22:54
  Speaker 1: a different side of Detroit than what we are, what
• 22:57
  Speaker 1: we have been accustomed to. It's different. Royce to Eminem
• 23:01
  Speaker 1: the trick tricks and Big Sean, what you mean you
• 23:07
  Speaker 1: mean I'm listening to motherfuckers who really tell the story
• 23:10
  Speaker 1: on the streets. Big Sean is a lyrical great too,
• 23:14
  Speaker 1: Big Sean. Let's get it out the way, Big Sean,
• 23:19
  Speaker 1: the Day's loss of the world. They are all great Royce.
• 23:23
  Speaker 1: Royce is a lyrical genius. But I don't listen to
• 23:25
  Speaker 1: none of that. Ship. I don't get in my car,
• 23:27
  Speaker 1: in my truck, my none of that and Pop, none
• 23:30
  Speaker 1: of that sh on I put on where niggas gonna
• 23:33
  Speaker 1: get robbed killed, and she's gonna sell some dope around
• 23:36
  Speaker 1: the bitch aiple bitch around. You know what I'm saying,
• 23:40
  Speaker 1: That's what I'm listening to. I don't want to hear no, nigga,
• 23:43
  Speaker 1: I'm talking about I want. It's money holds cars, clothes
• 23:46
  Speaker 1: and and and and money holds cars closed. That's it.
• 23:50
  Speaker 1: That's what motherfucking course, no doubt. Yeah, murder.
• 23:58
  Speaker 5: He always robbed niggas and me. Yeah, yeah, what you
• 24:05
  Speaker 5: feel about Guccio.
• 24:07
  Speaker 1: Gucci? I mean Gucci gave it. He gave his player car.
• 24:10
  Speaker 1: He did, gave his car away. You hand me that,
• 24:13
  Speaker 1: motherfucking uh. You run that bitch. You know what I'm saying.
• 24:18
  Speaker 1: It is the whole thing. My unest opinion about the
• 24:20
  Speaker 1: Gucci ship is that. So it's just it's two different angles.
• 24:23
  Speaker 1: One we can say, Okay, he's not the Gucci of old.
• 24:26
  Speaker 1: He's a businessman. He's older, he's wiser, he's more established,
• 24:29
  Speaker 1: he's married than blah blah blah. But you can't forget Listen.
• 24:31
  Speaker 1: Once you raise your hand, and once you raise your
• 24:34
  Speaker 1: right hand, you pledge listens to the streets. Sure, then,
• 24:38
  Speaker 1: whether you are actively involved in the streets and not,
• 24:41
  Speaker 1: there's still an etiquette that must be observed. They're still standards,
• 24:45
  Speaker 1: they're still well. You can't look at it like that
• 24:47
  Speaker 1: because he's it's been and blah blah blah. My niggall.
• 24:50
  Speaker 1: You you you fucking with niggas like it was like,
• 24:55
  Speaker 1: I can't claim I can never claim civilian status, right,
• 24:58
  Speaker 1: but I do got a new form though it's called
• 25:00
  Speaker 1: or the it's called it. It's called the street nigga
• 25:02
  Speaker 1: renunciation Form. Right. We're gonna give you this motherfucking form.
• 25:06
  Speaker 1: Right if you a street nigga and you no longer
• 25:08
  Speaker 1: want to be held the standards did we have us
• 25:10
  Speaker 1: He's on this paper saying it's not this paper. So
• 25:14
  Speaker 1: when you do do some shit that we consider against
• 25:17
  Speaker 1: the rules and regulations of the street, we can't be
• 25:20
  Speaker 1: mad because you can't. You do have the right to
• 25:22
  Speaker 1: grow and mature. You do have the right to say, Okay,
• 25:25
  Speaker 1: you know what I'm saying. I'm fifty, I'm forty five,
• 25:26
  Speaker 1: I'm thirty eight. I ain't got time for this. I'm
• 25:28
  Speaker 1: a different type of nigga, nine in the street, so
• 25:30
  Speaker 1: I'm not gonna respond to react like a street nigga.
• 25:33
  Speaker 1: You do have the right to do that. You do
• 25:34
  Speaker 1: have the right. But at the same time, if you
• 25:37
  Speaker 1: have way in and you have way out, or if
• 25:38
  Speaker 1: you study popping that shit. Because from a lyrical from
• 25:43
  Speaker 1: a music he's known for being he's a musician, he's
• 25:45
  Speaker 1: an artist. We don't know he will be no philanthropist.
• 25:47
  Speaker 1: He's not no motherfucking mega everge. He ain't no motherfucking
• 25:50
  Speaker 1: doctor Martin Luther, King of Mister far Kahan. This nigga's
• 25:53
  Speaker 1: known for popping shit and he's known for establishing the
• 25:56
  Speaker 1: anti rat thing along the South. So if you play
• 26:00
  Speaker 1: it like that, my nigga, you can't now if he
• 26:02
  Speaker 1: if he had changed his lyrical content and we see
• 26:05
  Speaker 1: a track record of him morphine into something, then what
• 26:08
  Speaker 1: we know him to be a rob and thug and
• 26:11
  Speaker 1: ass nigga, then yeah, okay, well you would be a food.
• 26:14
  Speaker 1: We assume you're gonna get the same ship because we
• 26:16
  Speaker 1: hear the difference in him now. But no, nigga, you
• 26:18
  Speaker 1: don't get the change. You don't get to play. You
• 26:20
  Speaker 1: don't get to play in the street and then get this,
• 26:23
  Speaker 1: you know when you when the ship don't go your way, nigga,
• 26:25
  Speaker 1: you don't get to do that. Well, what is he
• 26:26
  Speaker 1: supposed to do? Not that? Definitely not that. You don't
• 26:31
  Speaker 1: get a chair. You don't get to do that ship, nigga.
• 26:32
  Speaker 1: If if it was fifty and fifty, get that ship.
• 26:36
  Speaker 1: They don't give a fuck about how much studio he built,
• 26:39
  Speaker 1: how much movie, how much executive ship. They would they
• 26:42
  Speaker 1: would try to terror his ass apart he would get
• 26:44
  Speaker 1: that grace period. He wouldn't get that grace period. So
• 26:48
  Speaker 1: nigga don't get that grace period. We all, we all
• 26:50
  Speaker 1: are beholding to something. If you ain't in it, you
• 26:52
  Speaker 1: ain't in it. So alls, well, but here's this street
• 26:54
  Speaker 1: nigga renunciation for him. You signed this bitch and then
• 26:59
  Speaker 1: we know moving forward that you are subject to do
• 27:02
  Speaker 1: some bitch ass ship and we ain't holding you to
• 27:05
  Speaker 1: it because you already said, I give up, I don't
• 27:07
  Speaker 1: want this ship no more. I'm straightened free poise. Yeah,
• 27:11
  Speaker 1: that was He's a dumb ass suggar. Now, I ain't
• 27:14
  Speaker 1: saying because two things that appear to be opposite, it
• 27:17
  Speaker 1: can be true. Right, I'm not saying that Pooh Shissey
• 27:19
  Speaker 1: Boo shisy is no motherfucking Johnny Cochran, he ain't no
• 27:23
  Speaker 1: motherfucking He was young, young, Hey listen, murder this motherfucker.
• 27:30
  Speaker 1: He shouldn't have been there. This motherfucker went to prison
• 27:33
  Speaker 1: with the hottest record in the world for robbing and
• 27:37
  Speaker 1: nigga about some shoes and some weed he went to
• 27:42
  Speaker 1: So you know you're dealing with a motherfucker who ain't
• 27:44
  Speaker 1: the sharpest tool in the ship in the shade. This
• 27:47
  Speaker 1: nigga went to prison four five years ago for robbing
• 27:49
  Speaker 1: and nigga for some shoes and some weed. You already
• 27:53
  Speaker 1: know you're dealing with a motherfucker of extreme low mental capacity.
• 27:58
  Speaker 1: We know you're dealing with the motherfucker. Say that. We
• 28:00
  Speaker 1: just might say, you just don't play. He just might
• 28:02
  Speaker 1: be like he's got temper. The whole goal of getting
• 28:06
  Speaker 1: any kind of money, whether you rapping you from the street,
• 28:09
  Speaker 1: the whole goal of of of course, to get out.
• 28:12
  Speaker 3: But we don't we don't be knowing the reason behind everything,
• 28:14
  Speaker 3: even with the whole sneakers and we don't know the
• 28:16
  Speaker 3: whole reason.
• 28:17
  Speaker 4: Yeah, to touch the bag like he said, you gotta
• 28:19
  Speaker 4: protect the bag you robbed the nigga jumped in the
• 28:21
  Speaker 4: McLaren that's like a five.
• 28:23
  Speaker 1: Yeah. And then the whole thing is, you know, I'm
• 28:25
  Speaker 1: so here's here's here's the things that we have right.
• 28:28
  Speaker 1: So I ain't gonna I ain't gonna just condemn a nigga.
• 28:32
  Speaker 1: I'm gonna be a playing spoken ass. Nigga. Ain't finna
• 28:34
  Speaker 1: play no games for nigga. Nigga, you listen, where where's
• 28:40
  Speaker 1: the protecting the bag at? You niggas are from the
• 28:42
  Speaker 1: slums of Memphis, tennes City. Niggas ain't for no motherfucking
• 28:44
  Speaker 1: Beverly Hills. Niggas ain't from the Hamptons. Your nigga ain't
• 28:47
  Speaker 1: from West Bloomfield. Your niggas from the slum. Ain't you
• 28:50
  Speaker 1: went to prison? You even fucked up? Okay, you went
• 28:54
  Speaker 1: to prison for four years. You put your money on hold.
• 28:57
  Speaker 1: You every motherfucker's dad, your family just suffer their thing.
• 29:00
  Speaker 1: You come home and the best thing you could think of,
• 29:03
  Speaker 1: because you're discrumbled and you upset, and you angry and
• 29:05
  Speaker 1: you frustrated, the best thing you could think And then
• 29:08
  Speaker 1: there's nobody around you who watched you fall down the
• 29:12
  Speaker 1: first time. You don't get many chances, man, You got
• 29:15
  Speaker 1: motherfuckers to do. Four years, come home and your life
• 29:17
  Speaker 1: cycle is over with. Yeah.
• 29:18
  Speaker 4: The first case is twenty twenty yeah with the rivalry.
• 29:22
  Speaker 4: The second case is twenty twenty twenty twenty one.
• 29:24
  Speaker 1: With the shooting security of Miami. The third case was
• 29:28
  Speaker 1: what that was just now.
• 29:30
  Speaker 2: I think he did from twenty twenty one he got
• 29:32
  Speaker 2: out what twenty twenty three, editing.
• 29:34
  Speaker 1: Take it out last year?
• 29:35
  Speaker 4: So he caught this time, he caught three cases back
• 29:38
  Speaker 4: to back. Now, look, I went to jail and got
• 29:41
  Speaker 4: arrested the next day. So niggas looked at me like
• 29:43
  Speaker 4: I was crazy. But that was really an office mistake.
• 29:46
  Speaker 4: Put the fake passport in the paperwork. I was excited
• 29:48
  Speaker 4: at home, see you with kids, you know, wild night,
• 29:51
  Speaker 4: So I didn't check the paperwork. If I knew the
• 29:53
  Speaker 4: fake passport was in there with my brother name on it,
• 29:55
  Speaker 4: I wouldn't to hand that to my po right, So
• 29:58
  Speaker 4: that was like an office mistake, right. It wasn't like
• 30:01
  Speaker 4: I did some ship when I just got out some
• 30:02
  Speaker 4: crazy ship and we did crazy ship with younger. But bro,
• 30:05
  Speaker 4: if you got the hottest record on the street, you
• 30:08
  Speaker 4: turned Nike.
• 30:09
  Speaker 3: But he ain't seeing all his money. He feel like
• 30:11
  Speaker 3: he feel like niggas playing with his paperwork. And so
• 30:13
  Speaker 3: I seen that, Boosey said, and I agree with it.
• 30:15
  Speaker 3: I know he was thinking. Everybody can say, yeah, he
• 30:17
  Speaker 3: dumb me. He did this when he was you know,
• 30:19
  Speaker 3: he he just came home. But look, he thought he
• 30:22
  Speaker 3: was doing it to a street nigga. He thought he
• 30:25
  Speaker 3: was doing it to official nigga. So he like, he thinking,
• 30:27
  Speaker 3: the last thing this nigga gonna do is play police games.
• 30:31
  Speaker 3: Watch this, that's the last Like why why he did?
• 30:33
  Speaker 3: I know he thought the last thing Gucci dude was
• 30:36
  Speaker 3: gonna play police.
• 30:37
  Speaker 1: But he has civilians in the studio with him. But
• 30:39
  Speaker 1: niggas got control of their peoples. Man, you got control
• 30:41
  Speaker 1: of it. It's your people's So I.
• 30:45
  Speaker 3: Think is that if it's your lawyer, your security, you
• 30:48
  Speaker 3: kind of got control.
• 30:49
  Speaker 1: That's gonna happen at the end of the day. So
• 30:51
  Speaker 1: you think if you choke like like.
• 30:54
  Speaker 5: The Scotta may in the meeting, he could he could
• 30:57
  Speaker 5: tell the police.
• 31:00
  Speaker 3: Been rolling with us that it's about who's rolling with you,
• 31:03
  Speaker 3: Chris Tall, niggas did us dirty eye, we catch up
• 31:10
  Speaker 3: with them traffic.
• 31:11
  Speaker 1: That's what I'm saying. You got some people that it's
• 31:13
  Speaker 1: who you rolling with.
• 31:14
  Speaker 3: And I know he expected from him, knowing Gucci and
• 31:18
  Speaker 3: Gucci's history, he wasn't thinking Gucci was gonna play police.
• 31:21
  Speaker 4: Came well, the dude, the white boy that got his neck,
• 31:24
  Speaker 4: took pictures of his neck and his wrist, he's telling.
• 31:28
  Speaker 1: It's civilion. Let's go up top with this ship one time.
• 31:31
  Speaker 1: Let's go up top, go up top and watch this,
• 31:33
  Speaker 1: he said, So let's go with that. He wasn't expecting
• 31:37
  Speaker 1: Gucci to to respond and to react like that because
• 31:43
  Speaker 1: of what not because of his personal experience with Gucci.
• 31:47
  Speaker 1: He never thought with Gucci, well, he met Gucci, He
• 31:49
  Speaker 1: met Gucci, and he came home. He met the Kishi
• 31:51
  Speaker 1: Kior version of Gucci. Right, So you didn't expect something
• 31:55
  Speaker 1: that's like, that's like little kids grow up believing, said rapper,
• 32:00
  Speaker 1: it's this nigga, nigga that whole ship was created in
• 32:02
  Speaker 1: the studio or whatever whatever you think. You you you
• 32:05
  Speaker 1: you you believe that a nigga was gonna respond and
• 32:07
  Speaker 1: react to something based on what you know about his
• 32:11
  Speaker 1: public persona, based on reading some ship in the magazine,
• 32:13
  Speaker 1: based on hearing his story on your MTV raps or
• 32:16
  Speaker 1: Rap City or something. You don't even know him to
• 32:19
  Speaker 1: know that. You got niggas in Atlanta who know that
• 32:22
  Speaker 1: he was never that. You know what I'm saying. You
• 32:23
  Speaker 1: got niggas who he didn't shoot pool. He look, he
• 32:26
  Speaker 1: just claimed it for publicity stunt purposes. You feel what
• 32:29
  Speaker 1: I'm saying. He ain't clap, Yeah, he ain't clapped that nigga, right,
• 32:32
  Speaker 1: So the whole thing is so security clapped.
• 32:34
  Speaker 5: Who clapped him?
• 32:34
  Speaker 1: He's been claiming that for them because it's nigga claim. Bro,
• 32:38
  Speaker 1: I know niggas who claim. I know niggas who say
• 32:40
  Speaker 1: they fuck hole, never fucked the hole. I know niggas
• 32:42
  Speaker 1: who claimed and never did it. You know, it's all
• 32:45
  Speaker 1: kinds of ship. There's all kinds shit niggas do. My
• 32:47
  Speaker 1: point is he didn't think he would do it. That's
• 32:49
  Speaker 1: a life lesson. So the ship that happened with these niggas, right,
• 32:52
  Speaker 1: I don't have no sympathy for the niggas right because
• 32:55
  Speaker 1: you are you have been. I'm gonna tell you if you.
• 32:59
  Speaker 3: Was in the streets, you got to and you said
• 33:01
  Speaker 3: you was in the streets, I spent I spent years
• 33:05
  Speaker 3: year the young even if they make a mistake.
• 33:09
  Speaker 1: Mam, so listen, so listen. There is there's errors and
• 33:13
  Speaker 1: there's mistakes. The ship the po I just did, now
• 33:16
  Speaker 1: I would get I would give him a mistake. The
• 33:18
  Speaker 1: first young wild don't got a clue. He don't understand
• 33:20
  Speaker 1: what you finna lose when you bust your joint in
• 33:23
  Speaker 1: the when you when you bust the move in Miami
• 33:25
  Speaker 1: with the car and the weeds and shoes twenty five
• 33:31
  Speaker 1: years old, I was sitting in the prison sales. So
• 33:33
  Speaker 1: I had had a gang of experience, right, and I
• 33:35
  Speaker 1: know that motherfuckers had different levels of maturity and niggas
• 33:38
  Speaker 1: got different levels of get on, but were dealing with
• 33:40
  Speaker 1: motherfuckers who listened the first time. Okay, nigga, you're a
• 33:43
  Speaker 1: rock star. You could change your whole family's life. And
• 33:45
  Speaker 1: if nobody didn't tell you why you was living in
• 33:47
  Speaker 1: the moment, I'm sure why you were sitting down there
• 33:49
  Speaker 1: four years because when he was in he's in prison.
• 33:51
  Speaker 1: He was on protection, nigga. He was on protection in prison.
• 33:54
  Speaker 1: He was on blue hole car in protection in prison.
• 33:57
  Speaker 1: That nigga went a stump in the yard, the niggas
• 34:00
  Speaker 1: on PC and he was standing up eating his food.
• 34:04
  Speaker 1: The nigga, and he knew what that shit tasted like,
• 34:06
  Speaker 1: what better than that bitch thugging and stabbing no niggas,
• 34:08
  Speaker 1: So he nigga, if they don't snap you into the
• 34:11
  Speaker 1: reality of this shit, ain't nobody, ain't no lawyer, no
• 34:14
  Speaker 1: executive from Melannic. Ain't nobody tell you, hey, listen, brother,
• 34:17
  Speaker 1: you're shitting this bitch. That's your four years. Your whole
• 34:19
  Speaker 1: family ain't come from poverty. Here's your opportunity. When you
• 34:22
  Speaker 1: come back home, you're gonna be on fire. Get your
• 34:24
  Speaker 1: money at your left right. Nobody, nobody had that conversation.
• 34:27
  Speaker 1: It's either that he doesn't have the mental capacity to
• 34:29
  Speaker 1: understand that, and that's a whole different subject. If you
• 34:31
  Speaker 1: saying this, nigga get locked up, do four years. But
• 34:34
  Speaker 1: here at the top of the rap game, he get
• 34:35
  Speaker 1: locked up, remove himself from the equation, shut his money down,
• 34:39
  Speaker 1: and cut his family legacy off at the hip. Right there.
• 34:42
  Speaker 1: You do four years, you come home and you still
• 34:44
  Speaker 1: just as stupid as you was. You don't know no
• 34:46
  Speaker 1: better than none of this shit. You did you think
• 34:48
  Speaker 1: this shit was gonna be that, na, bro, It's it's
• 34:51
  Speaker 1: just he ald. Then if you saying that, you say
• 34:53
  Speaker 1: this nigga, they.
• 34:54
  Speaker 4: You gotta look at NBA young boy, that nigga got
• 34:56
  Speaker 4: locked up, his team sending him with Utah. Nigga made
• 34:58
  Speaker 4: a hundred million in the garage.
• 35:00
  Speaker 1: You know what I mean?
• 35:01
  Speaker 4: His team wasn't letting him do that when I was
• 35:03
  Speaker 4: getting in trouble, it was lawyer's Scott Lehman.
• 35:06
  Speaker 1: Sometimes you need people. He was trying to get Your
• 35:10
  Speaker 1: team is personal. Your team ain't even your team is personal.
• 35:13
  Speaker 1: There has to be somebody in. There has to be
• 35:15
  Speaker 1: somebody in the equation. And I'm not just blaming him,
• 35:17
  Speaker 1: but I'm blaming him because he's a man. He individually.
• 35:20
  Speaker 1: You go to jail, you go right as island. Nigga's
• 35:22
  Speaker 1: one nigga. They gonna pop that picture on. That's you
• 35:24
  Speaker 1: and you, ain't me. We can all go together. We're
• 35:26
  Speaker 1: gonna get our pictures popped separately. It's one nigger in
• 35:29
  Speaker 1: your idea. When you go to the penitentiary, right, you
• 35:31
  Speaker 1: know what I'm saying. When you go see the pro board,
• 35:32
  Speaker 1: you're gonna have a discussion about your freedom for their judge.
• 35:35
  Speaker 1: It's you. So my nigga, You sit down in lockdown
• 35:38
  Speaker 1: four and a half years, you getting squalls off in
• 35:39
  Speaker 1: that bitch, You sitting back thinking and it never struck
• 35:43
  Speaker 1: your It never crossed your mind at one fucking time.
• 35:47
  Speaker 1: I then fucked up here. Then when you come home,
• 35:50
  Speaker 1: you come home, you're not even home a year, and
• 35:52
  Speaker 1: you jump into that, and you thought that shit was
• 35:53
  Speaker 1: gonna work. Listen, you and you at twenty five years old,
• 35:57
  Speaker 1: y'all come out the streets. The streets be shit. It's
• 36:01
  Speaker 1: all out, respectfully pause pause, right, come on, man, the
• 36:06
  Speaker 1: streets through. Y'all come get the what ain't nobody you
• 36:09
  Speaker 1: ain't had not one phone conversation about. And I don't
• 36:13
  Speaker 1: need no nigga to tell me nothing about no mistake.
• 36:15
  Speaker 1: When I went to prison, I was in that bitch.
• 36:17
  Speaker 1: I was like, well, its own. I knew exactly what happened.
• 36:20
  Speaker 1: And my my only thing is I hope I get
• 36:22
  Speaker 1: an opportunity to go home and and make this ship
• 36:25
  Speaker 1: right for myself, not for nobody else. My nigga. That
• 36:27
  Speaker 1: ship that nigga did was the stupidest shit in the world.
• 36:30
  Speaker 1: That ship was slow bush, slob against the window, gass behavior,
• 36:34
  Speaker 1: my nigga. That was We're a helmet type ship. And
• 36:37
  Speaker 1: it ain't no excuse for that ship. You trying to
• 36:39
  Speaker 1: force it, allegedly, trying to force all alleged right, trying
• 36:43
  Speaker 1: to force a nigga to sign the contract. And you
• 36:45
  Speaker 1: think that's gonna you're trying to sign this, I'm free
• 36:49
  Speaker 1: of you. That's not the first time that been done.
• 36:51
  Speaker 1: It ain't let me tell you where you got it from,
• 36:53
  Speaker 1: where you got it from. I'm gonna tell you why
• 36:55
  Speaker 1: he thought. Nah them niggas on ain't no stupid. Now
• 37:00
  Speaker 1: that's the first Listen. I bet you, I bet you
• 37:04
  Speaker 1: put nothing about that. Were talking we talking about that, right,
• 37:10
  Speaker 1: you know where you got it from Big thirty. Don't forget.
• 37:13
  Speaker 1: Big thirty was signed to money bag Yo. Okay, and
• 37:17
  Speaker 1: Big Dirty muscled his way out of that situation money
• 37:21
  Speaker 1: bag Yo. That's where in Big thirty his right hand man.
• 37:25
  Speaker 1: So I'm thinking, if you think about it, Big thirty
• 37:27
  Speaker 1: was signing the money to bag Yo. They went at it,
• 37:28
  Speaker 1: they started going doing songs against each other, and now
• 37:31
  Speaker 1: and then all of a sudden, Big thirty is not
• 37:33
  Speaker 1: signed to money bag Yo. I think it's forever endless
• 37:35
  Speaker 1: breeding tament some ship like that. He free agent. So
• 37:39
  Speaker 1: I'm willing I would bet my finger that that whole
• 37:43
  Speaker 1: concept of this, how we're gonna muscle this nigga out
• 37:45
  Speaker 1: like this, I bet you that was from him looking
• 37:47
  Speaker 1: at Big Dirty situation with money bag Yo and how
• 37:51
  Speaker 1: money bag Yo kind of like gone here on. I'm
• 37:54
  Speaker 1: willing to bet you. That's where you get that ship.
• 37:56
  Speaker 1: Don't want to sign legend.
• 37:58
  Speaker 4: This is why niggas don't want to sign all this
• 38:00
  Speaker 4: no more, because you signed all this and it can
• 38:02
  Speaker 4: go bad either way and you to see you to blame.
• 38:05
  Speaker 4: So niggas ain't gonna blame you like Jimmy Ivien or
• 38:10
  Speaker 4: a different like a Birdman, or gonna blame you I'm
• 38:16
  Speaker 4: talking about. But if they don't blame the white people,
• 38:19
  Speaker 4: they know no Lucian Grange.
• 38:22
  Speaker 2: They're not gonna blame blame.
• 38:24
  Speaker 1: That's true because black always be the blame. Because any
• 38:28
  Speaker 1: label that's here, because that's because this year is why,
• 38:31
  Speaker 1: because the labels that are black run or black owned.
• 38:36
  Speaker 1: Those labels were made popular in the culture because of
• 38:40
  Speaker 1: bad boys, popular because of Diddy. Period. It don't matter
• 38:44
  Speaker 1: who he signed it. He is the face of it.
• 38:46
  Speaker 1: Cash money. The face of cash Money is bird Man.
• 38:48
  Speaker 1: The face of No Limit was Master p. So when
• 38:51
  Speaker 1: you attached there's no face attached to Sony Warner brother
• 38:55
  Speaker 1: Electric Priority. Those are entities. There's a couple of entities
• 38:59
  Speaker 1: we know who run them, but those are corporate entergy.
• 39:01
  Speaker 1: So there's nobody for you to blame. You can blame
• 39:03
  Speaker 1: your A and R back in the day. You can
• 39:04
  Speaker 1: blame whoever you're right, but there's nobody for you to.
• 39:07
  Speaker 1: But the black companies are led by faces. They're led
• 39:10
  Speaker 1: by human beings. So when something goes wrong, you point
• 39:13
  Speaker 1: at the human being versus point at the label itself.
• 39:17
  Speaker 1: So that's why that shit happens. That is true.
• 39:19
  Speaker 5: I know, that's that's a good point. Those were the
• 39:22
  Speaker 5: faces to all the labels.
• 39:23
  Speaker 4: Yeah, D with rough Rider, fifty with g Unit, J
• 39:27
  Speaker 4: with Rockefeller, DD, you with bad Boy.
• 39:30
  Speaker 5: He's absolutely right, Yo. I just watched the Michael Jackson movie.
• 39:34
  Speaker 1: I checked it out yet No, Nah, that shit was dope, man, Yeah, yeah, yeah,
• 39:38
  Speaker 1: I ain't fucking Michael Jackson movie. Man, I ain't got tam.
• 39:41
  Speaker 1: I'm sitting here with Uncle Murder. My man, it's been
• 39:45
  Speaker 1: on this right here. I'm like laser focus. So I
• 39:50
  Speaker 1: heard that the movie came out, you know what I'm saying,
• 39:53
  Speaker 1: But I never gave it no motherfucking thought. My thought
• 39:56
  Speaker 1: process was Vlad TV and Jump those Jumper and Street
• 40:04
  Speaker 1: Stars and Mafi and all that where all of that. No,
• 40:11
  Speaker 1: but me and Sean we've been talking, don't have Yeah,
• 40:15
  Speaker 1: So my my focus has been on that my fun.
• 40:17
  Speaker 1: I'm not thinking about no movie. No.
• 40:20
  Speaker 2: So explain to people how you got yourself.
• 40:22
  Speaker 1: Like l yeah, because I'm just I'm a just. He
• 40:26
  Speaker 1: just put me on to you like dog face nigga?
• 40:28
  Speaker 1: Is he speaking mind? I mean yeah? How does he say?
• 40:32
  Speaker 1: What the I want to say? Come about? Man with you? Man? Well,
• 40:36
  Speaker 1: the whole thing is so it's not an overnight thing
• 40:39
  Speaker 1: like people would think. It's always some day are there?
• 40:42
  Speaker 1: So I started podcasting the city. Before me, there was none.
• 40:46
  Speaker 1: I started podcasting in two thousand and eleven. I'm I'm
• 40:51
  Speaker 1: the first person to ever do urban podcasting. Before me,
• 40:54
  Speaker 1: there was none. The only examples I had with the
• 40:56
  Speaker 1: podcast was or what it sh looked like? What does
• 40:59
  Speaker 1: it sound like? Is the Russe Limbaughs Show and Howard
• 41:03
  Speaker 1: Stern Right, I had it in that radio show in
• 41:06
  Speaker 1: twenty ten and eleven called Unleashed and then Unleased Reloded
• 41:09
  Speaker 1: when I double back with the motherfucker. And then my partner,
• 41:11
  Speaker 1: Man Sessions, who was the one who convinced me to
• 41:14
  Speaker 1: go there to radio internet radio to begin with, right,
• 41:18
  Speaker 1: he said, listen, man, we gotta put a visually that
• 41:20
  Speaker 1: because YouTube is like going crazy about ten eleven and
• 41:23
  Speaker 1: the ship with the MTV shit was so like, man,
• 41:25
  Speaker 1: we used to film this shit and slap this on YouTube.
• 41:28
  Speaker 1: So we take it from just internet radio and just
• 41:30
  Speaker 1: what you can hear because rio in that radio was
• 41:33
  Speaker 1: always limited, you know what I'm saying, because you can't
• 41:36
  Speaker 1: listen to the shit in your car and you know
• 41:38
  Speaker 1: what I'm saying. So he's like, man, let's let's film
• 41:40
  Speaker 1: our our it was coming on every Thursday from from
• 41:44
  Speaker 1: five to seven pm. It's film and shit and slapped
• 41:46
  Speaker 1: on YouTube like it's a YouTube video. Like word, yeah,
• 41:49
  Speaker 1: let's do it. And we did it. That was twenty eleven.
• 41:52
  Speaker 1: So I've always been when I say podcast, I mean
• 41:56
  Speaker 1: in the radio room style situation where we talked about
• 41:59
  Speaker 1: current events, whatever's going on in the world of entertainment,
• 42:03
  Speaker 1: religion or politics. I'm talking about it, all right, and
• 42:06
  Speaker 1: then we are and then we we I'm interviewing people,
• 42:09
  Speaker 1: and then we just talked about whatever's going on in
• 42:11
  Speaker 1: the world, not just Detroit, but just in the world
• 42:13
  Speaker 1: of hip hop and the world of media, whatever the
• 42:15
  Speaker 1: case may be. We film that ship and slap their
• 42:17
  Speaker 1: motherfucking joints on YouTube. On the first motherfucker to do that.
• 42:19
  Speaker 1: So the first time Ice wear vessel is you mentioned him?
• 42:23
  Speaker 1: The first podcast he was their own was mine? Okay, shit, yeah,
• 42:28
  Speaker 1: so the first time, motherfucker, I made that ship sexy.
• 42:32
  Speaker 1: You know what I'm saying. I made that ship hip.
• 42:33
  Speaker 1: I made that ship like yeah, because niggas wasn't stutting,
• 42:37
  Speaker 1: no motherfucker in their radio, bro, But to be able
• 42:39
  Speaker 1: to come down and sit and talk to dog Face.
• 42:41
  Speaker 1: We pop ship and I feel it and we put
• 42:43
  Speaker 1: it on YouTube, so it's like a fucking music video.
• 42:45
  Speaker 1: I'm the first person to do that. So I've always
• 42:47
  Speaker 1: been I'm a cancer. So I've always been in ship,
• 42:50
  Speaker 1: talking shit, popping ass nigga.
• 42:51
  Speaker 5: You know what I'm saying, You crazy, That's why you're crazy.
• 42:54
  Speaker 1: Like I've always been opinion that never I've never been
• 42:56
  Speaker 1: why you know, That's why this niggas. You know the
• 42:59
  Speaker 1: vibes you I just I've never been. So the whole
• 43:06
  Speaker 1: thing is when I see something and you know, I
• 43:10
  Speaker 1: pass out with anger and frustration. Bro, if I see
• 43:13
  Speaker 1: some whole ship, you know what I'm saying. If you
• 43:15
  Speaker 1: do it over there, I don't give a fuck. But
• 43:17
  Speaker 1: if you around me, if me listen, if me and
• 43:19
  Speaker 1: you cool. If we cool, we we we we wow
• 43:22
  Speaker 1: and we we lock up. I'm never gonna do no
• 43:25
  Speaker 1: whole ship to you. No, I'm never gonna say nothing
• 43:27
  Speaker 1: bad about you. And it's a Southern saying. It says,
• 43:31
  Speaker 1: my my tongue is in my friend's mouth. That ain't right.
• 43:36
  Speaker 1: That's a Southern saying.
• 43:43
  Speaker 2: I don't think the self is happening where it comes from.
• 43:46
  Speaker 1: That. The whole thing is is that, And what it
• 43:49
  Speaker 1: means metaphors speaking is is that even in my absence,
• 43:52
  Speaker 1: she just she niggas got this ship bad nowadays, even
• 43:54
  Speaker 1: in my absence, I'm gonna even in your absence, I'm
• 43:57
  Speaker 1: gonna represent you like you about my mouth. It's gonna
• 44:01
  Speaker 1: be your ship. I know that you would say about
• 44:02
  Speaker 1: yourself if you're a politician and you trying to avoid ship.
• 44:06
  Speaker 1: I'm gonna speak like I'm What I say is what you.
• 44:10
  Speaker 1: I know, murderers on some nigga what fuck you nigga?
• 44:12
  Speaker 1: And I'm like, nigga, nigga, what murder fuck you nigga
• 44:15
  Speaker 1: type ship. So the whole thing is, bro, It's not
• 44:19
  Speaker 1: in my nature. It's it's the music business. The world
• 44:22
  Speaker 1: of entertainment is full of fuckery. Oh, I know that
• 44:25
  Speaker 1: it's jam packed the fuck ship the music business, entertainment
• 44:29
  Speaker 1: business is more cut throat than the street. I trust
• 44:31
  Speaker 1: a nigga sitting cracking hair around for I trust a
• 44:33
  Speaker 1: nigga who's who's aiming in thirsty to be a star,
• 44:36
  Speaker 1: because a nigga will cram on your motherfucking back. You
• 44:39
  Speaker 1: can help a nigga. You can put money behind a nigga.
• 44:41
  Speaker 1: You could do everything for a nigga, and a nigga
• 44:45
  Speaker 1: and you a hall ass nigga. Never did ship for
• 44:47
  Speaker 1: a nigga. You this that the third you most richly
• 44:49
  Speaker 1: this nigga in the world. So when you get into
• 44:51
  Speaker 1: the world of entertainment, bro, it takes you a mill
• 44:54
  Speaker 1: of It takes you a nano second to realize, oh,
• 44:58
  Speaker 1: this is a bitch ass nigga right here. You might
• 45:00
  Speaker 1: not say it, you know what I'm saying. When when
• 45:02
  Speaker 1: fifty embraced you in the world, Let's go, nigga, right,
• 45:06
  Speaker 1: how long did it take you when you get to
• 45:09
  Speaker 1: the boardrooms that you got around there on tour you
• 45:11
  Speaker 1: got to sing these rap niggas? How long did it
• 45:13
  Speaker 1: take you to say yourself? How How long did it
• 45:18
  Speaker 1: take you say this, He said, nigga.
• 45:21
  Speaker 4: This, you got to just we came straight from the streets,
• 45:25
  Speaker 4: so I never thought we was gonna get to the
• 45:27
  Speaker 4: level when he was on like I was fucking with
• 45:29
  Speaker 4: fifty when he was on Colombia.
• 45:31
  Speaker 1: You know what I'm saying.
• 45:31
  Speaker 4: So he the first nigga to fly the King Coon
• 45:34
  Speaker 4: just me and then to do a song Rowdy, Rowdy.
• 45:36
  Speaker 4: So that was my first time leaving the hood. Yeah,
• 45:39
  Speaker 4: so all I know is the hood and music.
• 45:41
  Speaker 1: How long did it take you once you got into it?
• 45:43
  Speaker 1: When you saying joke, when you in Joe deal, how
• 45:45
  Speaker 1: long did it take you say yourself before? Yeah? You
• 45:51
  Speaker 1: know what, I like, I'm looking at life like like that.
• 45:55
  Speaker 1: I'm looking at it's listen, it's so much flaws ship.
• 45:58
  Speaker 1: I don't expect him. I really, I'm really true, I
• 46:01
  Speaker 1: really truly. So listen. As a cancer, I'm like, I
• 46:04
  Speaker 1: ain't like I'm a cancer cancer. I'm just the last
• 46:08
  Speaker 1: sixteen I'm on that. I'm just assuming as you you
• 46:11
  Speaker 1: do one. Listen, I'm alive right now only because my cancer,
• 46:15
  Speaker 1: my cancer intuition that it's like it's a cancer thing.
• 46:18
  Speaker 1: We have a thing here, we have a thing up
• 46:21
  Speaker 1: here right here. If you have a thing right here
• 46:27
  Speaker 1: as cancers right and I don't know where nobody else got,
• 46:31
  Speaker 1: but I know it's cancers. We got some ship right here.
• 46:34
  Speaker 1: I'm only still alive. I'm a robber too, like like
• 46:38
  Speaker 1: by trade. I started robbing the twelve. So when she
• 46:40
  Speaker 1: went to jail for that seventeen robery, now with jail
• 46:43
  Speaker 1: at twenty twenty one, he was a robber by trade,
• 46:46
  Speaker 1: but she was robbed?
• 46:47
  Speaker 5: How much when you do that seventeen?
• 46:49
  Speaker 1: You robbing rob rob row? I never liked the adult
• 46:52
  Speaker 1: I cut my first doe case and penitentiary. Oh so
• 46:55
  Speaker 1: was violent? So you just yeh time? Yeah as a
• 46:57
  Speaker 1: cancer problem seventeen No, I did seventeen straight years. I can. Yeah,
• 47:04
  Speaker 1: we're genetically predisposed to being viting folks. You keep you
• 47:07
  Speaker 1: play with the cancer on it so much, and you
• 47:09
  Speaker 1: could expect to buy the reaction. I don't give how
• 47:11
  Speaker 1: kind of like we I don't get how well, how
• 47:14
  Speaker 1: well groomed, and how we you gonna you keep sucking
• 47:18
  Speaker 1: a rhynd no matter how much we laughing, Yeah, we
• 47:22
  Speaker 1: laugh at your ass. You know what I'm saying. You
• 47:24
  Speaker 1: keep keep around, you know, what I'm saying, You're gonna
• 47:28
  Speaker 1: we wound too. But there is like fire and water.
• 47:31
  Speaker 1: I'm surprised this I see what with with Aris, I'm
• 47:34
  Speaker 1: gonna hang up on you. You know what I'm saying.
• 47:36
  Speaker 1: You called me. You get to do it because aries
• 47:38
  Speaker 1: can't control themselves. They you. You are the You are
• 47:41
  Speaker 1: the the leader of the zodiac, and you are a ram.
• 47:45
  Speaker 1: You were ram right into a nigga jam. I'm looking
• 47:47
  Speaker 1: at this ship with rooms, yeah, airplane and niggas ship
• 47:59
  Speaker 1: and listen, listen, let's niggas wrong and see what niggas
• 48:02
  Speaker 1: started throwing spitballs.
• 48:05
  Speaker 4: I realized, like like me coming like being in the industry.
• 48:08
  Speaker 4: I just realized, like fifty had beef for everybody. We
• 48:11
  Speaker 4: had beef for everybody, y'all.
• 48:13
  Speaker 2: So I was I was so used to being in
• 48:16
  Speaker 2: a rapper cocoon, Like we never fucked with no rappers, rappers.
• 48:19
  Speaker 1: Friends, right, you know? So now how I am?
• 48:21
  Speaker 4: You know what I'm saying. We're in a cocoon for
• 48:22
  Speaker 4: so long that now we're friends with certain rappers. It's
• 48:25
  Speaker 4: still feel a little weird.
• 48:27
  Speaker 1: You ain't for them to break down on you, ain't you?
• 48:29
  Speaker 1: You ain't for them you ain't for TMZ to say
• 48:31
  Speaker 1: we heard we heard a phone call and so and
• 48:33
  Speaker 1: so was saying something about niggas ain't cool no more.
• 48:36
  Speaker 1: Niggas ain't cool no more. That's how it is the
• 48:38
  Speaker 1: world of podcasting to beware because it's it's a it's
• 48:42
  Speaker 1: an open air competition, right, and it shouldn't be because
• 48:45
  Speaker 1: there's no limit. But that life is competition life. It
• 48:49
  Speaker 1: is everybody want to be the best at what they doing.
• 48:52
  Speaker 1: I think, I think that's listen. I read a book
• 48:54
  Speaker 1: called art not Giving the funk. I'm actually reading that
• 48:56
  Speaker 1: book now.
• 48:57
  Speaker 4: And after that it changed my life because I don't
• 49:00
  Speaker 4: care what other people's doing. I care about what I'm doing.
• 49:02
  Speaker 1: That's because you got your own motion right, right, So
• 49:05
  Speaker 1: so listen caring. There's a formula that's not caring. Right.
• 49:09
  Speaker 1: The formula's not caring is access and money. When you
• 49:16
  Speaker 1: have access and money, it's easier to care because you
• 49:19
  Speaker 1: don't get It's an equation like advice, access in money,
• 49:25
  Speaker 1: access access to ship. Right, you ain't got no access
• 49:29
  Speaker 1: to you care. You care on some ship. You care
• 49:32
  Speaker 1: about what a niggas say, You care about what a
• 49:34
  Speaker 1: nigga do, But listen when this is a light I learned,
• 49:37
  Speaker 1: like I got got some more money when I ain't
• 49:39
  Speaker 1: had no money. I was caring. When when I was
• 49:44
  Speaker 1: able to go to a Jewey store or go to
• 49:47
  Speaker 1: to the Satisfy Avenue, and I went, I went. When
• 49:50
  Speaker 1: I stopped caring, when I went in Saxify Avenue, I
• 49:53
  Speaker 1: spent twenty five thousand on just this. I ain't even
• 49:57
  Speaker 1: looking at those ship. I didn't know it's five thousands.
• 49:59
  Speaker 1: When I got to the motherfucker you know what I'm saying.
• 50:00
  Speaker 1: One boom boom boom, now boo boo woop like money power.
• 50:05
  Speaker 1: When I moved my family from this to that, when
• 50:09
  Speaker 1: I built a house on the ground up and I said, no,
• 50:11
  Speaker 1: I won't. I don't want that. I want this molding
• 50:14
  Speaker 1: right as I started thinking that, So when I be
• 50:16
  Speaker 1: hearing shit like from I don't give a fuck, I
• 50:21
  Speaker 1: don't give a fuck. Well, I got I got boats,
• 50:24
  Speaker 1: swing shots, jet skis, and you over here talked about
• 50:27
  Speaker 1: some shit and you stay on what's one of the
• 50:30
  Speaker 1: worst streets in your hood? Right now?
• 50:32
  Speaker 5: I would say, you say, I would say so many.
• 50:36
  Speaker 1: Just pick one where niggas still fight the way out
• 50:39
  Speaker 1: of it. I say, one got brow. Okay, right there,
• 50:42
  Speaker 1: so you don't necessarily give a fuck about what the
• 50:46
  Speaker 1: motherfuckers on one three folk talking about right now. It
• 50:49
  Speaker 1: ain't much they can say to you. You know what
• 50:51
  Speaker 1: I'm saying. They gonna like, like, nigga, I don't what.
• 50:53
  Speaker 1: Oh he said something about you, yo, nigga. In nineteen
• 50:56
  Speaker 1: ninety one, somebody stepped through your girl.
• 51:01
  Speaker 4: Last weekend, we was eating caveat my first time eating caviar,
• 51:05
  Speaker 4: crim do lay.
• 51:06
  Speaker 1: It was hitting, murdered and try it?
• 51:08
  Speaker 2: Did you try?
• 51:12
  Speaker 1: And we hit it? Here and his ship. He talked
• 51:15
  Speaker 1: about I'm eating stuff, but you know what's crazy? Yeah,
• 51:19
  Speaker 1: he don't be lying. Yeah, I'll be there.
• 51:24
  Speaker 4: We had a cave I love crim crim Delay is
• 51:27
  Speaker 4: always hitting, but I never had it with Cavea. It
• 51:29
  Speaker 4: was ray caviar, crime Delay. What's the name of the restaurant,
• 51:34
  Speaker 4: Poppy Steak, Poppy Poppy Steak.
• 51:39
  Speaker 1: Listen, I think.
• 51:41
  Speaker 2: The NFL blue Now look I better poppy.
• 51:44
  Speaker 1: Matter of fact, foot the crime lay. I never had
• 51:52
  Speaker 1: it that she was hitting. I never had nothing like that.
• 51:56
  Speaker 1: To me.
• 51:56
  Speaker 4: It's like and then we're chilling in the room. Here
• 51:58
  Speaker 4: comes Pat mccaffee. Yeah, like, oh, ship murders. Oh ship,
• 52:03
  Speaker 4: because you know he stay on you. I stay on YouTube.
• 52:05
  Speaker 1: He stayed on ESPN. So, oh ship, Papa, I was
• 52:09
  Speaker 1: just there.
• 52:10
  Speaker 4: You was at the found I was fifty club living there,
• 52:12
  Speaker 4: like you said, pop Blue in Vegas.
• 52:14
  Speaker 1: Yeah, I stayed at the Fountain Blue. That's when we
• 52:17
  Speaker 1: say that. You know, I believe.
• 52:21
  Speaker 2: Poppy out there because fifty dolls like a residency there,
• 52:23
  Speaker 2: so we prop there.
• 52:25
  Speaker 1: So listen, So listen, you were at Poppy Steak. That
• 52:29
  Speaker 1: Bill was healthy, right, It was healty as a motherfucker
• 52:33
  Speaker 1: right now, it's free ninety nine for us. You know,
• 52:35
  Speaker 1: I gets you, but that Bill, the average mother fucker
• 52:37
  Speaker 1: ain't going to Poppy Hoppy State fifty. It ain't going
• 52:41
  Speaker 1: to Poppies, right, So you saw all all I saw
• 52:44
  Speaker 1: on Poppies was motherfuckers. Did they put a steak in
• 52:46
  Speaker 1: the suit k for a thousand, a thousand dollars steak
• 52:48
  Speaker 1: in the suitcase they come out with they singing it
• 52:50
  Speaker 1: with the lights and ship right there. I'm sitting there,
• 52:53
  Speaker 1: So this is about what about a month ago? I
• 52:55
  Speaker 1: was in that bitch and then motherfuckers played for the NFL.
• 52:57
  Speaker 1: Walked up to me like, man, you dog face, I'll
• 53:00
  Speaker 1: be watching you. You be tripping, you be you off
• 53:02
  Speaker 1: the hook with you two may to my point right
• 53:06
  Speaker 1: like we could have ran into each other, Poppy steak.
• 53:09
  Speaker 1: What do I give a fuck? It's money and access.
• 53:12
  Speaker 1: I have access. I don't give a funk about they
• 53:15
  Speaker 1: say you be tripping, dog face, Who you be tripping on? Man?
• 53:17
  Speaker 1: Who you got beef with? Everybody? I don't know you
• 53:24
  Speaker 1: name it if you you a whole nigga, I don't like. Oh, man,
• 53:27
  Speaker 1: So that's that's that's that's what that what that's ninety
• 53:30
  Speaker 1: percent of these niggas.
• 53:31
  Speaker 4: You see how you feel? That's what I think. That's
• 53:34
  Speaker 4: what it is like a right is that like you
• 53:36
  Speaker 4: see what I show. We talk about what we want
• 53:37
  Speaker 4: to talk about. A lot of people stay away from you.
• 53:39
  Speaker 4: Like I'm asked, dog face, how do you feel about
• 53:42
  Speaker 4: Meghan and Clay breaking up? Because I felt Clay was
• 53:45
  Speaker 4: a square and she was like a nice southern girl
• 53:47
  Speaker 4: that was you know, wowr.
• 53:51
  Speaker 1: Selling girl. The horror. I don't do that ut to Megan,
• 53:54
  Speaker 1: no question saying on that this ship right now. Question,
• 54:15
  Speaker 1: that's a horror. E R horror the w h O
• 54:20
  Speaker 1: e R. It's a horror, man, you get some cancer ship?
• 54:26
  Speaker 1: Why you say that about me? The horror bad and
• 54:29
  Speaker 1: her behavior. She's Radom Tory Lane and all that. Ship
• 54:32
  Speaker 1: she did ain't no g ship. She didn't know. Wrap up,
• 54:37
  Speaker 1: But that don't got nothing to do with being heard.
• 54:39
  Speaker 1: Wrap up you heard? Yeah, but that don't got nothing
• 54:44
  Speaker 1: to do with being a whole. Okay, horror is what
• 54:48
  Speaker 1: because he rated?
• 54:49
  Speaker 3: If she rated because of all that, but that don't
• 54:51
  Speaker 3: mean she's on.
• 54:53
  Speaker 1: Listen girl, she's a fucking horror. She's a piece of ship.
• 54:59
  Speaker 1: She's the worst kind of bitch you can never have.
• 55:01
  Speaker 1: She's the bitch that your mama and granny, your auntie
• 55:04
  Speaker 1: warns you about. That's the kind of bitch, that bitch
• 55:06
  Speaker 1: that ain't ship. Let me ain't that ain't because it
• 55:09
  Speaker 1: was a star. If we edited this because of rock Nation,
• 55:14
  Speaker 1: this rock nation, these opinions, these opinions are yeah, yeah, yeah,
• 55:21
  Speaker 1: these are opinions of me. I think I think probably good,
• 55:26
  Speaker 1: and I think I love making, and I think that
• 55:29
  Speaker 1: break up. I think this breakup gonna have her come
• 55:31
  Speaker 1: out with some doper music. Yeah, because you know what
• 55:33
  Speaker 1: she's like, Mary J. Married J made her best ship
• 55:37
  Speaker 1: when ship was fucked up for her when she was
• 55:40
  Speaker 1: and getting in case Jojo wouldn't when it was she
• 55:43
  Speaker 1: made her best music. It's pain music, but she but
• 55:46
  Speaker 1: this is this is how we look at it, right Mary.
• 55:48
  Speaker 4: J first three albums, Paine, you see when you when
• 55:51
  Speaker 4: you look when you are all this you public property,
• 55:53
  Speaker 4: right you are.
• 55:54
  Speaker 2: But like you, just like you said, she's hard like
• 55:57
  Speaker 2: that you have like Murder said.
• 55:58
  Speaker 1: Yeah, I did. I have to say listen when I
• 56:03
  Speaker 1: look at her overall behavior when I look at the
• 56:05
  Speaker 1: ship with Tory Lanes about her being mad because the
• 56:07
  Speaker 1: other bitches fucking nigga. Now, so other kind of sit
• 56:09
  Speaker 1: you's swapping off ship. You're fucking off and doing all
• 56:12
  Speaker 1: kinds of ship. You letting your emotions lead because you're
• 56:14
  Speaker 1: mad because he fucking this bitch and that bitch and
• 56:15
  Speaker 1: also goofy ass ship. Nothing about that. If that bitch
• 56:18
  Speaker 1: but the star, you would be saying. If she wasn't
• 56:20
  Speaker 1: a star and she found herself in sipuation, she found
• 56:23
  Speaker 1: herself in this was some hood ship, you'll be saying,
• 56:25
  Speaker 1: I ain't fucking with that's got too much going on
• 56:28
  Speaker 1: you she wasn't a star. We gotta separate the star
• 56:32
  Speaker 1: ship because Nigga's that's why, that's why young black boys
• 56:34
  Speaker 1: and young Black girls across the country are so fucked
• 56:37
  Speaker 1: it now because they have bought into this because I
• 56:40
  Speaker 1: am a star, because he is this, he is that
• 56:43
  Speaker 1: you're not, you know, nigga, You still a human being.
• 56:45
  Speaker 1: I don't judge no nigga according to him being no star,
• 56:48
  Speaker 1: I don't. When I go, I can be in the room,
• 56:50
  Speaker 1: both y'all stars, we sitting here kicking it like, and
• 56:53
  Speaker 1: I know who both of y'all are. I was paytentially
• 56:56
  Speaker 1: listening to fucking Gee. I was listening. I'm watching it.
• 57:01
  Speaker 1: I'm watching y'all wild out, I'm watching y'all. I'm watching
• 57:04
  Speaker 1: this ship. I ain't know. I'm a fan of hip hop, bro,
• 57:08
  Speaker 1: I'm watching when When When when fifty got with him
• 57:11
  Speaker 1: and basically to flip go crazy.
• 57:15
  Speaker 5: When we shouldn't give Megan her prows for her successful?
• 57:17
  Speaker 1: Yes, you absolutely should because fitness Donald's you know what
• 57:24
  Speaker 1: I meant, Nation is doing a lot for her for.
• 57:27
  Speaker 4: Her, she's successful, she's successful black woman in the business.
• 57:30
  Speaker 4: Though we gotta give it.
• 57:33
  Speaker 6: You're trying to force your no, I mean any she's
• 57:37
  Speaker 6: as black woman is doing what look look look up
• 57:41
  Speaker 6: for deal me please she has.
• 57:45
  Speaker 1: I'm not saying that. I'm saying listen, don't never get
• 57:47
  Speaker 1: my success mixed up with their character. You'll be sucked up.
• 57:50
  Speaker 2: And that's why something we don't even really know what
• 57:52
  Speaker 2: we just putting out, the character that we we see out.
• 57:54
  Speaker 1: One of the reasons why motherfuckers are holding standard. It's
• 57:58
  Speaker 1: because of what we think we know about right what
• 58:01
  Speaker 1: we we're judging the correctness of what he just did
• 58:04
  Speaker 1: with Pool Seisty based on the legend of him.
• 58:07
  Speaker 4: When we've just seen the what's that versus and he said,
• 58:11
  Speaker 4: dig your man up in the battle right there.
• 58:13
  Speaker 1: Okay, listen right there, right there, nigga, you can never
• 58:18
  Speaker 1: ever ever it's the new you. You home from prison,
• 58:22
  Speaker 1: you a multi millionaire, You're doing well, you've morephed, your
• 58:26
  Speaker 1: health is together. Talking about ops. He listened long before
• 58:32
  Speaker 1: Chicago talking about smoking op. Put a nigga O pack.
• 58:35
  Speaker 1: He's somebody dig your mans up and in the industry.
• 58:39
  Speaker 1: Put him at the front of the line so he
• 58:41
  Speaker 1: can say long before Dirk can behind them, was putting
• 58:44
  Speaker 1: the nigga in the IP pack from sixty thirty oh block.
• 58:47
  Speaker 1: He was he was every hood nigga, Like niggas didn't
• 58:50
  Speaker 1: listening because he was lyrically. Yeah, he ain't a fucking
• 58:54
  Speaker 1: murder this nigga's nigga, don't be lying. Yeah, we don't
• 59:02
  Speaker 1: listen to that ship for that ship with this to
• 59:03
  Speaker 1: hipcaus he thugg and he a Southern thug life ass nigga.
• 59:06
  Speaker 1: You want to believe his story? That's true? What story?
• 59:09
  Speaker 1: Just anybody's story over the rule? Yeah, you want that?
• 59:13
  Speaker 1: That's that's that. That that right now, more than ever,
• 59:18
  Speaker 1: there has to be some air of believability in the
• 59:20
  Speaker 1: motherfucker's package or you never gonna make any music. VI
• 59:22
  Speaker 1: believe a nigga want you to be off the edge.
• 59:24
  Speaker 1: A nigga wants you to be down in the pitty
• 59:26
  Speaker 1: the nigga skirt the baby he got signed, not that
• 59:29
  Speaker 1: he wasn't a good rapper after he got shot, After
• 59:33
  Speaker 1: he got shot. He got How many niggas that get
• 59:35
  Speaker 1: shot halfway in the pittencher and get deals? They they
• 59:39
  Speaker 1: the white people giving niggas that. You know what I'm saying,
• 59:41
  Speaker 1: You want a big podcast deal, Let's go to jail,
• 59:46
  Speaker 1: we come out this bitch. Let's have a fucked up
• 59:50
  Speaker 1: bug shot. Let's have a fucked up excuse me, have
• 59:53
  Speaker 1: a fucked up bugs shot murdered? Yay yo the doggie
• 59:56
  Speaker 1: we my fall twisted hair, Now no glasses, bro, We
• 1:00:02
  Speaker 1: gonna get a podcast deal. They calling. They love controversies.
• 1:00:07
  Speaker 1: They love to see a nigga on the downward spiral
• 1:00:11
  Speaker 1: and the they lift you back up and put you
• 1:00:13
  Speaker 1: out there as if you're the best thing ever.
• 1:00:16
  Speaker 4: Why you think negative energy goes further than positive energy
• 1:00:19
  Speaker 4: in black community amongst us.
• 1:00:21
  Speaker 1: Because there's so much negativity around us, and we see
• 1:00:24
  Speaker 1: so much failure. We see so much. We see a constant,
• 1:00:27
  Speaker 1: we see a concentrated failure every day you wake up.
• 1:00:30
  Speaker 1: You grew you grew up. I grew up, and I
• 1:00:33
  Speaker 1: see failure where I look inside your own household and
• 1:00:36
  Speaker 1: outside of it. Don't be from don't be from straight
• 1:00:39
  Speaker 1: poverty because everything looks good to you, a hot dog
• 1:00:42
  Speaker 1: like a motherfucking state. When you come from nothing, you
• 1:00:44
  Speaker 1: feel what I'm saying. Don't be from poverty. And don't
• 1:00:47
  Speaker 1: let's say you from New York, You from New York.
• 1:00:49
  Speaker 1: You come out and y'all from where y'all from, But
• 1:00:51
  Speaker 1: don't go don't go to midtime Manhattan and see all
• 1:00:55
  Speaker 1: that shit in Times Square. Don't look at the niggas
• 1:00:58
  Speaker 1: going to working suits and the New York Stock Exchange
• 1:01:01
  Speaker 1: and what the fuck is that? Y'all? I'm willing to
• 1:01:04
  Speaker 1: bet that the average motherfucker New York, the average young
• 1:01:07
  Speaker 1: kid New Yorker don't really know what the stocky Change
• 1:01:10
  Speaker 1: is about. And then from New York. So just imagine
• 1:01:13
  Speaker 1: the nigga not being from here and that shit being like,
• 1:01:17
  Speaker 1: no niggas come to New York in awe. So the
• 1:01:19
  Speaker 1: answer to your question is because there's so much concentrated
• 1:01:22
  Speaker 1: negativity in the black community, which is why we attached
• 1:01:26
  Speaker 1: we big Meats is a celebrity even though you got
• 1:01:30
  Speaker 1: niggas who wasn't even alive when he was free, right,
• 1:01:35
  Speaker 1: And what the fuck that meats? He not no motherfucker
• 1:01:37
  Speaker 1: Adam Clayton pot but no Marcus Garvey. Why do you
• 1:01:42
  Speaker 1: have so many young black girls and so many black
• 1:01:44
  Speaker 1: boys looking up to a motherfuckers sol dope? And if
• 1:01:46
  Speaker 1: you mama was on dope anywhere in the world, he
• 1:01:48
  Speaker 1: probably gave it a dope to it. God, you know
• 1:01:51
  Speaker 1: what I'm saying. Let let's keep a g we gotta
• 1:01:54
  Speaker 1: keep shit funky. So I'm not even condemning him necessarily,
• 1:01:58
  Speaker 1: But anybody who's achieved any measure of success in the hood, right,
• 1:02:03
  Speaker 1: the more we look up to him, no matter how
• 1:02:04
  Speaker 1: they got it. We don't give a fuck he saw crack.
• 1:02:07
  Speaker 1: We don't give a fuck of a nigga sold heroin.
• 1:02:09
  Speaker 1: Theyig gotta look up to Bumbie Johnson. I don't give
• 1:02:11
  Speaker 1: a fuck. Bumpy was known for doing what whistling Dixie?
• 1:02:15
  Speaker 1: No nigga? How many? How many? How many gandom phoenis?
• 1:02:19
  Speaker 1: How many what's all the mafia niggas names? How many
• 1:02:22
  Speaker 1: rappers from New York we never made it? For real?
• 1:02:24
  Speaker 1: For real? How many street legends got mafia Italian mobster's names?
• 1:02:29
  Speaker 1: And then look at the history. I grew up, watch
• 1:02:30
  Speaker 1: the school days, so I know a large segment of
• 1:02:33
  Speaker 1: the Italian population in New York City don't necessarily get along.
• 1:02:37
  Speaker 1: And let's spike lee with lying. Let's spike leeb lying.
• 1:02:41
  Speaker 1: Little Italy ain't the most inviting place for little Robert,
• 1:02:45
  Speaker 1: a little billy. You know what I'm saying. Back in
• 1:02:47
  Speaker 1: the day, I know how it is now, yeah, you
• 1:02:50
  Speaker 1: know what it is? What it is though, So the
• 1:02:51
  Speaker 1: whole thing is we look up to anybody who has
• 1:02:54
  Speaker 1: anything that we aspire to have or any position that
• 1:02:57
  Speaker 1: we aspire to kunt of, like put our My first
• 1:03:01
  Speaker 1: hero was My first hero is Jesse James. Jesse James ability.
• 1:03:08
  Speaker 1: He can smoke your motherfucker boots Cowboys. Yeah I looked
• 1:03:12
  Speaker 1: at that. Yeah yeah. But see now, if you rob
• 1:03:15
  Speaker 1: a nigga's frown upon you a sucker. You can't get
• 1:03:17
  Speaker 1: no hustle. You a robber, You you worse robbers under
• 1:03:21
  Speaker 1: the bottom of a nigga. A nigga, fuck with the
• 1:03:23
  Speaker 1: scammer before you fuck with the robber. Robert, We're at
• 1:03:26
  Speaker 1: the bottom of the tone ball. So I can't so
• 1:03:29
  Speaker 1: Jesse James was a bitch ass nigga, No nigga. Bonnie
• 1:03:33
  Speaker 1: Clad was hose they are? They robbed banks state that
• 1:03:37
  Speaker 1: robbery was That's the American pastime. That's what's the great
• 1:03:42
  Speaker 1: American wade. No nigga like robber. Hope I never fall
• 1:03:49
  Speaker 1: off my listen. I hope I never before listen on
• 1:03:53
  Speaker 1: my mama, everybody Mama in this room. If I fall off, nigga,
• 1:03:58
  Speaker 1: I'm robbing again without thinking about it. You know what,
• 1:04:04
  Speaker 1: I'm saying, I'm fuck, I can have I can? I
• 1:04:06
  Speaker 1: can I have money. I still be looking at that
• 1:04:08
  Speaker 1: nigga like, yeah, nigga, you lucky. I ain't got you
• 1:04:13
  Speaker 1: what I'm saying because you was a bitch and I
• 1:04:14
  Speaker 1: take that from you, little bitch ass nigga.
• 1:04:17
  Speaker 2: See, this is why I have dog Face on the show.
• 1:04:19
  Speaker 2: I'm surprised you calm today.
• 1:04:21
  Speaker 1: Man, I'm chilling. I'm getting to know my bad dog.
• 1:04:24
  Speaker 4: Make sure y'all like Ship is sub scrub. Gave this
• 1:04:28
  Speaker 4: away on YouTube, but now we're going to Instagram with it.
• 1:04:32
  Speaker 4: We're gonna give this away, so y'all look out for it.
• 1:04:34
  Speaker 4: Y'all stay in the comments. It's to a set Rocky
• 1:04:37
  Speaker 4: sure Man broke. It's the Rocky Ravens. Yeah, so we're
• 1:04:43
  Speaker 4: gonna we instead of YouTube it's hard to track y'all down.
• 1:04:46
  Speaker 4: We're gonna go to Instagram a set Rocky Rayvens. So
• 1:04:49
  Speaker 4: y'all like ship subscribe getting them comments. We're here with
• 1:04:52
  Speaker 4: dog Face. It's been a crazy episode. He went crazy.
• 1:04:56
  Speaker 4: You might have to edit a couple of things.
• 1:04:59
  Speaker 1: Whose don't like before we get out of here. Dog Face,
• 1:05:02
  Speaker 1: no bone, I like who I like you? Know what
• 1:05:06
  Speaker 1: I'm saying. If if I if I fuck you now,
• 1:05:09
  Speaker 1: if I don't ask your phone call, I don't like you, I'm.
• 1:05:14
  Speaker 4: I'm shouter Detroit, Pontiac. We ain't gonna get this man started.
• 1:05:18
  Speaker 4: He done said a lot of crazy ship.
• 1:05:21
  Speaker 1: He's on the run.
• 1:05:21
  Speaker 5: He doesn'e did flat TV, no jumper.
• 1:05:24
  Speaker 4: Now he's on a fucking rear report because he's the
• 1:05:27
  Speaker 4: most controversial dude on Yeah, shout the dog face.
• 1:05:30
  Speaker 2: Shout to Detroit and Pontiac makes too much for dog face.
• 1:05:33
  Speaker 7: Whoa whoa, sir, good luck surviving the offseason football fans.
• 1:05:46
  Speaker 1: At first, that was afraid. I was petrified football zover.
• 1:05:51
  Speaker 1: It's like a part of me just died inside. But
• 1:05:57
  Speaker 1: tonight I won't just cry because I've got old ways
• 1:05:59
  Speaker 1: to And that's the placement hard rock bed I We Survived,
• 1:06:05
  Speaker 1: offered by the Seminal Tribe of Florida. Must be twenty
• 1:06:06
  Speaker 1: one plus in physically present in Florida to wag your
• 1:06:08
  Speaker 1: Terms of conditions apply. If you are someone you know
• 1:06:10
  Speaker 1: as a family problem, please call one eight three three
• 1:06:12
  Speaker 1: play wise