Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / The Line Up: Once Upon a Snow Plow (EP1196)

Transcript

The Line Up: Once Upon a Snow Plow (EP1196) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

0:28
Welcome to the Great Detectors of Old Time Radio from Boise, Idaho. This
0:33
is your host, Adam Graham. If you have a comment, send it
0:37
to me Box thirteen at Great Detectors dot net, follow us on Twitter at
0:42
Radio Detectives, and become one of our friends on Facebook, Facebook dot com
0:47
slash Radio Detectives. Before we get started, I want to let you know
0:52
this program is brought to you by the financial support of our listeners. Thank
0:56
you so much for your support and especially one of the I think Peter will
1:00
send access to the premium sign as we do with all donations of seven dollars
1:03
or more, plus during our listener support campaign, with any donation of twenty
1:10
dollars or more, we will send you your choice of four different ebooks.
1:15
One is All I needed to Know I learned from Colombo, and the other
1:19
three are my superhero comedy books Tales of the Dim Knot Fly Another Day in
1:26
Powerhouse hard Press, and we'll send you those ebooks, one of those four
1:30
plus another thank you gift. Among the options we do have available at the
1:36
fifty dollars level we will send you I'll send you your choice of any poa
1:42
ro BBC Radio four play that's available on audible dot com. Personally I like
1:48
five Little Pigs and also their version of Cards on the Table is much better
1:53
than the television version. Also will send you your choice of any Agatha Christie
1:57
full length audiobook novel with a donation of one hundred dollars or more, and
2:02
we have a lot of other options available. Just go to support dot Great
2:07
Detectives dot net. Also at great Detectives dot net. This weekend you can
2:12
read my review of The Doctor Who serial lost to television but surviving an audio
2:19
form. So reviewed the audio of The Highlander. So encourage you to check
2:25
that out, and you can subscribe to the articles by going to the Kindle
2:30
store and I'll automatically be delivered to the Kindle and you can try that out
2:35
free for two weeks. All right, Well, now it's time for today's
2:38
episode of the Lineup. This one is another rehearsal recording of a program that
2:44
aired January nineteen fifty three, and the title is Once Upon a Snowplow.
3:00
Hey, have you got some name? You don't have to tell us?
3:02
He's here. I'll tell you Lauren. Now we consider right here may ought
3:07
to be laws against the man like that marrying woman asked a woman stealing now
3:12
money there are Missus Cedar, he must have found and punched. Continue you
3:15
understand. We'll do our best. Missus sitter. Hey, I have your
3:19
attention. Please you people out there on the other side of the wire in
3:23
the audience room, may I have your attention? Please? Thank you.
3:27
My name is Corger, Sergeant Pete Corger. I'll explain the lineup. Please.
3:30
Each of the suspects you will see will be numbered. I'll call off
3:32
a number the name in charge. If you have any questions or identifications.
3:36
Please remember the number of sign of the prisoner as I call his name at
3:38
the end of each line, and I ask for questions of identifications, call
3:42
off the numbers. If you're sure. And I'm too sure of the suspect,
3:45
have him held the questions I asked these suspects for me that you get
3:49
a natural tone of voice. Will not pay too much attention to their answers,
3:52
as they often lie. All right, bring on the line, even
3:57
moving boys over here at the end of the stage. That's right right over
4:00
here. Step it up, turn it all over and face the screen.
4:03
It's right. Stand still, keep the hands at your side, and the
4:06
answer my questions sing out. The people on the other side of the screen
4:10
want to hear you, all right. Number one, James Frank from assault
4:13
with a deadly weapon. Step right up there, that's it. Where do
4:17
you live, Jim? Walk up, Jim? Where do you live?
4:21
I said, Brammer. Where'd you sleep last? Somewhere? Is on the
4:27
road or I don't know where? To pop your head up, Jim,
4:29
look at the screen. How long you've been in town? I just got
4:32
in. Didn't wasting time getting picked up? So I was picked up?
4:36
I mean weapons? Yeah? What time gone? What kind of gun?
4:42
Pistol? Thirty two? Cold blue steel and nickelplate? Deal? Where'd you
4:46
get it? Round? With no one is around? Do you use it?
4:53
Guys in a hospital? Any critical list? I used it? Why
4:59
shouldn't the heir out on me? He got all the money, had one
5:02
miles he bought, that's all he had. Thought he was holding out on
5:06
me. One lousy bumm. Not even enough for a good hotel room.
5:12
Oh orry, we'll give you a place to stay, all right. Slide
5:15
down. Number two, Charles the Professor Grumpton, drunken, disorderly. Step
5:19
right up, Charlie, I do sound happy tonight, Charlie, why not
5:25
back up on bread? Today is the thirty ninth time you've been up there,
5:29
Charlie, and the promised to stay out of trouble the last time.
5:31
Indeed, I have her. That's not what it says here. No chargers,
5:35
the bass cut off. That's the Charles grumpt and may have all the
5:40
caken him by too freely of the great foot orderly he threw out of Joe's
5:45
bar last night, Charlie, devil's disagreement something the all out of the half.
5:49
Joe says you tossed an empty beer bottle to his plate last window act.
5:56
I was really victim superstition. I was that big wow while the jembering
6:00
would hands the flavor of a beer, I filled some salt exactly. I
6:04
tossed the picture over my shoulder. I realized too late that the windows badly.
6:10
The salt back is the bit. How could I pinch him salt break
6:14
a big window like that? Jerny, obviously, sir, the glass was
6:17
inferior. Qualis okay? Charlie moved down. I'm the free Harvey Devin thought
6:25
Frands step thought of step right up the audience face the street. Where do
6:29
you live? Aby? I ain't talking? Where do you live? I
6:33
ain't talking? You talk pretty fast at the car dealer? Is what a
6:36
second? He was? He was the second? How come you wound up
6:41
here? I ain't talking loudly? Nice? Yeah? Whatever? Letter stops
7:00
snowing less time letter stop? Oh you sho? W's you tie bid?
7:10
Hey? Yeah? It's left too well? I get home late. Ship's
7:17
killing two. I said ten words, let my mind, yeah, Charlotte
7:29
Evans. May do you think it hurt weather? I guess same kind of
7:33
night over a year ago, wouldn't January third, nineteen fifty two? Oh,
7:40
go me in. I wasn't working honn side then. I had nothing
7:43
much to it. He's a young kid spell a night like this Verdi streets.
7:48
He's coming home alone. Pounder the next morning, buried in a drip
7:54
broke. Have they got anywhere with it? No? No witnesses, no
7:58
motives, nothing, young kid buried in a smooth let's SAT's gorse get them
8:07
all? Ben, Yeah, I go that. You'll like to all?
8:11
Thirty two B. Investigate Missing Persons report Dorothy Shelton, Well, what time
8:18
do you pick me up? Car? Thirty two B investigate a missing person's
8:22
report. It's six seven to two O Hartford A Dorothy Sheltering. This is
8:28
thirteen K Guthrie. What's the dope with a missing person's assignment? To thirty
8:31
two B? Hold on thirteen K will check? Got your steam? Then
8:37
we had address on the heart and what about it? Well, it's just
8:39
car thirteen K on that missing person's report clopped in at two seventeen am this
8:46
date named Dorothy Shelton. Twenty one single occasion recorded Missington, seven forty five
8:54
pm by father Thomas. Want the description that will hold me? Thanks?
9:00
I want to take a right peet sixty seven to twenty hundred. Yeah,
9:05
it's a block and a half from where Charlotte Evans was killed. There's thirty
9:18
two B. Ben just pulled up. Yeah, then at Guthrie, that's
9:30
right, officer random car thirty two B. You've got an amended flash on
9:33
that missing person's investigation, so you'd take over, Yeah, a cruise the
9:37
neighborhood, random, all night restaurants, drug stores, fired out. If
9:39
anyone's seen the Shelton girl, I'll check with you when we get through here.
9:43
Right, he's gone? Sure is allows the night? Yeah, yes,
9:56
mister Shelton, Yes, I wrote, tell A Guthrie, this is
9:58
Sergeant Cargan, the police officers. Please you found her Dorothy, and she's
10:03
all right. No, we haven't found it yet, mister Sheldon. Oh
10:09
well I thought perhaps she we'd like to get some details from you please,
10:11
Oh yes, of course. Can you thank you? Thank you? Can
10:16
hear it please? I'm sorry I was so insistent about this, Lieutenant.
10:22
I know you don't usually do anything for at least twenty four hours, but
10:26
I know that something's happened to Dorothy. What makes you think so much?
10:28
Shall I know my daughter? She'd never do anything like this. He's so
10:31
late and not call or anything. She knows how I worry about her.
10:35
There's just the two of us to see her. And she's been missing since
10:39
seven forty five last night. That's right, at least that's the time she
10:43
left school. Now what school's Atmosphe grew here Art School on Madison Avenue.
10:46
She goes there on Tuesday and Friday nights. Anyone leave with her? But
10:50
I asked the school out and they said no. Has that her picture over
10:54
there on the desk? Yes, yes, that's she, beautiful girl.
10:58
She is she's a wonderful to anything happens to her. Could we borrow that
11:03
photograph? Please? Did cause or anything? Is if the only one I
11:07
had liked it? So he would be careful. Oh, certainly, we'll
11:09
return it tomorrow. This will have some copies run off. Oh Dorothy,
11:13
could she be I'll be right back to What do you think? Then?
11:18
I had to tell her to be routine. Love up there, running away
11:20
from responsibility happens every day. Yeah, well you don't think so well?
11:26
Officer rands on him. He wants to talk to you everything. Thanks for
11:31
shoan. What's up? Right? Enough? Well, i'd better tell you
11:37
first the Sennant We better flash in, Dorothy Sheldon. Yeah, where two
11:43
blocks over on Paulson Avenue. She was in the snow the throat cut?
11:56
Yeah, Oh, come in, Pete, anything new? Ben stopped snowing.
12:05
That's all just about it. Dorothy Sharton off the Gruya Art School around
12:09
seven forty five, All right, got on a street Cark Madison Fulton at
12:15
eight o three, got off at Paulson and the Heart for two blocks from
12:18
home, Buddy fifty seven. Those times exactly. Mortiment says, they are
12:22
slow plows has been through a couple of minutes before Carr was traveling on schedule
12:26
did the monument one. They remembered her by that bright clad scarf she was
12:31
wearing. She started up the speed alone. That's the last time he went
12:35
saw into two forty three am. Except the guy who killed him. Yeah.
12:39
How about that woman who found it there? Nothing there? She's driving
12:43
home with her husband and a couple of friends. Headlights picked up the body
12:46
when they turned into driveway. What was them coming? No? No,
12:50
no, have something to keep me awake? Mind if viker in, gentlemen,
12:56
make yourself at home. Doc, looks like you're holding awake. Ye.
13:03
No, thanks, Dorothy Chulky, that's right, And include Doc Gorson
13:09
among the mourners. Who are you? I knew what was going to happen.
13:15
That's an interesting statement. What do you mean that? Remember Charlotte Evans?
13:18
Yeah, same man killed both girls. How do you know? Look,
13:22
it's a classic example of compulsive homicidal mania. It's all right here.
13:30
This is practically a book, doctor, What a time for me? Okay?
13:33
Two crimes virtually identical. The victims a young slight girl, cause of
13:37
death, a slashed the book circumstances a snowstorm, girl walking home alone at
13:41
night from the street car, same time, same neighborhood, same lack of
13:45
obvious moment. All adds up to one thing. You're after, a repetitive,
13:50
psychopathic chill. A lot of snowstorms are past, You have plenty of
13:54
young girls out on the streets alone. How come he hasn't hit again before
13:56
this? Muld have been something still about those two storms. Oh what it
14:01
is your job to find out? You'd better get that guy given the same
14:07
condition as a similar circumstance. He's going to kill again. Hi? Then,
14:31
Hi, how are you doing? Client? You get two squad's busy
14:33
making the house to house, come up with anything? Yeah, Frost lay
14:37
Man, that's cool. Nothing got on Dorothy shelf And if they hadn't find
14:41
on after if that swat you never got off that street cars, somebody must
14:43
have seen her. Keep checking sure going inside those houses, I get a
14:46
chance to get warmed. I see you later, claim right for that's a
14:54
big help. Yeah, I think could come up with anything. Somebody had
14:58
to see here. I was a guy who killed her. Maybe not well,
15:03
somebody had to letting this things ride you pretty hard man, Remember what
15:07
Doc Carson said, sure, how much sleep you had the last four days?
15:11
How much have you had? Okay, I do. Now, let's
15:16
stop at this restaurant. Great, great, I can use some coffee.
15:26
You got to get rid of this one. This will help. He was
15:31
good in it. Yeah, gives you a uh see. Yeah, what
15:39
kind of pie you got? The apple? Okay? Hell me too.
15:43
Coffee all the way around, yep. I guess I didn't have to ask.
15:46
Not weather like this. You've been doing the land, all the business
15:50
and coffee making up at the store. Than this was the loneliest place inside
15:56
of Siberia during that visit. I get the closet. Nobody came in.
16:00
Huh, brother, it wasn't for the snow plow man coming in. I
16:03
got a closed it then here and nobody sawnd me for day like that shelfle
16:07
girl. He how about that? Yeah? What kind of allows of dumb
16:12
thing like that? Brother? Yeah, you're bad. Nobody saw him?
16:18
Who could have seen him? Nobody was out in M streets and didn't have
16:19
to be. I still think somebody would have seen him, not a chance.
16:23
I was talking to Joe Travis about us. He said, there was
16:26
nobody on M Street who's Joe Travers. Guy lives around here. He was
16:30
driving one of the snow clouds that night. They put him on the extra
16:33
help. You know lives around here, doesn't Yeah, with the Clarage hotel.
16:37
He says he didn't see nobody out on m streets and he ought to
16:40
know. Yeah, I guess that's true. Pete, you's true? Oh
16:44
sure, Oh you didn't finish your bye some row? No, just no
16:48
hurry, Hi missus, Travis. Oh, let's mee. We're police officers.
17:11
Could we talk to you for a minute place, sure, come on
17:14
in. Thanks. Need to work out knocking snipples? Yeah, that's the
17:21
excuse. How the joints looks have been working out of the weights? Yeah,
17:23
I can see even chaped that way. Two hours a day really builds
17:27
a guy. Yeah, yeah, I'll bet. Yeah, I still got
17:30
ten minutes ago. You mind if I work out while we're talking? No,
17:33
go right ahead, right, yeah, I do off with it if
17:41
I get to Hey, a fucking take it to swipe. Oh, nothing
17:45
like that. Investigating the murder of Dorothy Shelton, Yeah, right about it?
17:51
Really tough? Ah, pretty good? Huh he's two hundred pounds,
17:56
thanks, muscle boy. How bad you would driving a snowplow of the night
18:00
she was killed. Weren't you travers? Yeah? That's right, I don't
18:04
do it. I want I'm on the extra this. Uh you you covered
18:12
this neighborhood? Yeah? Do you happen to see Dorothy Shelton? See anybody
18:18
at all on the streets? A couple of people? Now you know?
18:23
Oh man, watch man, get down on one knee. Now do you
18:30
notice anything peculiar about anything? Too busy driver, do you notice anything peculiar
18:37
about any of them? Now? Watch I straightened up. Press man,
18:48
notice anything peculiar about any of them? Now? Too busy driving? Anything
18:53
else? You can tell us about it? Now? Watch I straightening up.
19:00
I stow my head. That's where we're doing. Huh. We're trying
19:06
to get some information. Travinh sure told you every thing I knew? Gay
19:12
Because they committed murderer foot away in that storm, you wouldn't know the difference.
19:17
I don't think you guys got a chance. We've gotta try. Yeah,
19:22
stop around again sometime, watch me work out. I mean, in
19:26
the Mister America contest next summer. How do you think i'd be it's mister
19:30
America. Huh? It's great. Check out all those number two clock boys.
19:45
Give me a report by five, got a thick one coming up.
19:49
If I got the extra list, that'll hold for twenty four hours. Pardon
19:53
me, you, sail, pintendent's all this? That's me, I would
19:56
say a gout. Three. Oh yeah, glad to know you got three.
20:00
Now, let's go to the office. Can't hear yourself? Thank you
20:02
there by? Sure, that's better. Thanks, Sit down, that's better,
20:18
Sit down, thanks. Set over the phone. You wanted some dope
20:22
on our street maintenance. Set up your snowplower operations to what I'm interested in.
20:26
A couple more hours, you can see it working. There's a dilly
20:29
of a storm heading our way. Oh, what do you do about the
20:33
side streets? What the hecks? Nothing? Well, you're clear them,
20:36
don't you? Jugely? You only have a limited amount of equipment of personnel.
20:40
Main traffic arteries have to be cleared first. You don't clear the side
20:45
streets at all. Oh, it's in a while. Depends on how long
20:48
the storm lasts, how quick we can clean up the main streets. What
20:52
about the last one. Yeah, we had some details on side streets toward
20:56
the tail end. What about the neighborhood around Pauls and Hard hard to remember.
21:02
I don't think so. But let's take a look. Let's see Alson
21:12
and Hard. Yeah, we did send one unit in there on the last
21:18
night. Did you ever send any in there before? Yeah? January third,
21:22
last year, medium rotary plow, same tap of us this year.
21:25
Well, tell me you any idea who drove it, same man who was
21:29
on it this year? An extra name of Joe Travis. Communications all setman.
21:42
Yeah, cap Water's holding an emergency communications all setman. Yeah, cap'n
21:48
water was holding frequency four. Open course, there'll be a straight to wear
21:52
radio between the cars. How many cars we used, too? Are some
21:56
cars three square blocks to cover two cars? Be helped? Even too?
22:00
Is pretty risky, I guess fine. Yeah, that police woman get here
22:10
yet, Sergeant Barnes, Yes, she said, I sent her in and
22:12
Steven gets up. Cointendent Saunders at street maintenance. Right. Well, now
22:17
she's been doing we'll find out. I think it's gonna work. Got Gorson
22:21
does think he's worried for it? We have to hello, Lieutenant come in
22:26
Sargon. No, pe Carter, fine, thanks, listen, how's it
22:33
been going pretty well? I think you met covers. It wasn't too difficult.
22:38
I've had the apartment next to his for four days now, Brah,
22:42
how's he been reacting? Pretty queer? Duck doesn't seem to have much interest
22:48
in women, and at times I've seen a look in his eyelands. I
22:52
know how Dorothy's Shelton and Charlotte Evans must have felt. You been taking the
22:57
same the street car home every night. Ye, that's right. I get
23:00
off at Paulson Street exactly eight fifty seven travers. Know I've invited him to
23:06
meet me there. Hasn't taken me up yet, but he knows the time.
23:10
He's going to take you up, sagiant when tonight. Anything special you
23:15
want me to do, Just get off the car at the regular time,
23:18
make sure the streets deserted. If anyone's around fixing broken shoelace or something to
23:25
my gone, then start walking up Paulson toward the Carriage hotel. We'll handle
23:30
the rest, okay, anything else, that's it all right, see you
23:36
late at night and she'll love yeah. Now, here's the diagram of the
23:41
location. Quin's Carlby here on Parson, halfway between the car line and the
23:48
hotel. The kind of like I saw a thumb one. Oh it's it's
23:52
buried in a drift and looks like a park job, caught by the stone.
23:55
What about mobility, we had a that we park here. On the
24:00
next plot, quid keeps us posting, travers makes us move, We make
24:03
ours sounds okay, you better be you got three saunas within it. I
24:11
assigned the medium rotary to the pulse in Hartford area travers driving. How do
24:15
you take the assignment? Jumped at it? That's suspicious, no reason to
24:18
be. Fifth night of the storm, main artery is cleared, same conditions
24:21
as last time. Yeah, well, thanks for the assists on this.
24:23
I get it. Just let me know how you make up. I'll say,
24:26
Yeah, what's time we get there? Eight thirty? It's only five
24:30
now, Yeah, it's it'll be a long three and a half hours,
24:44
really getting cold. Yeah, storm is not letting it any the most time,
24:52
isn't it? Eight fifty five? Couple more minutes the street cars outside,
25:02
Carl wondering about Travis. Yeah, it's going to be around by now.
25:10
Might be a couple of blocks over storing like this, even if PLoud
25:14
doesn't moved too fair, I guess yeah, tough, having to do it
25:19
this way, no other way, No evidence gone, got any sign of
25:29
that snow pile? Nothing you yet? How's the street empty? Has been
25:36
for a half hour? Any pretty close? Now? Is they? Fifty
25:40
six? I think Travers is dumping off? I doubt it. He's probably
25:44
better up. Yeah, flow is coming down the street. He's coming down
25:47
the street now, Quin where he's heading? Probably go around the block.
25:51
The pulse who come up behind him give us the working time. I'll have
25:55
to. I'm snowed in tight and get out of here with a blow such
25:56
you'll have to handle it. We will. He comes. Yeah, it
26:02
was funnest anybody chances when he pass them back at his holly can he stopped
26:06
to pass it? What do you think? All right? It's so probably
26:15
not he's got things on his mind. Yeah, did you recognize him?
26:18
No, Stum's too heavy. It's him, though, has to be.
26:22
What's the time. It's twenty seconds past eight fifty seven? Where's that street
26:26
car? We'll get there, hey, Ben? Yeah, Quine a street
26:34
car stopping at the corner. Doesn't look like anyone's getting off though, what's
26:37
that means? Just stopping me? Ben? Can't see what's going on from
26:41
here? Oh wait, somebody's getting off now. Can you tell him it's
26:45
Barnes that from here looks like a woman though walking this way along? Yeah,
26:49
yeah, it's a woman. Must be Barnes to start. Yeah,
26:52
sure, what about the snow cloud? I'll sign of it, Jeff.
26:56
She's walking pretty slow, giving him plenty of time to make it. What's
27:00
with that day? I don't know. If she don't catch we'll keep it
27:02
going. He's almost at the first corner, Ben, Still no sign?
27:04
Oh yeah, yeah, there's a plow coming off. The car tracks are
27:07
turning up the fall. Snap right, you better get dark. Come on,
27:10
pee cross the street. It won't be long now, looks from here
27:14
at that up turn in the middle of the block. But what's role with
27:15
its? Mom? I hope you're a mob But Ben, plot, there's
27:19
only a couple of yards behind it now like that? My hands on craignant
27:22
that the flo tying. They got a free man. I've gotta got piece.
27:26
I'll try to hang on. Come on, Benny, he's moving up
27:30
the doors, starting a run. There he is got a ninth fan.
27:45
Why are they going to do? Comfort? It's pretty thin than Julieutenant,
27:57
that's psycho. You're okay, sure, but let's get out of this still.
28:02
I'm not helping your cold any Hey, I have your attention. Please,
28:26
you people out there on the other side of the wire in the audience
28:29
room, may I have your attention? Please? Thank you. My name
28:33
is Conger Sergeant Pete Corger. I'll explain the lineup to you. Each of
28:37
the suspects you will see will be numbered. I'll call off a number the
28:40
name in charge. Do you have any questions identifications? Please remember the number
28:42
of side of the prisoners. I call his name the end of each line.
28:45
When I ask for questions to identifications, call out the number if you're
28:49
sure. You're not too sure. The suspects have him held the officers who
28:53
took your name, and that says to you they're seated among you. Please
28:56
be prompt with your questions to identifications. When the prisoners leave there the sense
29:00
of the washroom address back into the jail clothes. It makes it quite difficult
29:03
to bring them back after they leave it. The questions I asked these suspects
29:07
are able to get a natural tonal voice, why not saying too much attention
29:10
to their welcome back. Rehearsals are always somewhat interesting to listen to as you
29:45
you hear the actors kind of work on their parts and get everything up to
29:49
snuff. But I don't have to say this is one that I really and
29:55
truly wish we're available in the full dramatic uh uh dramatic form because I think
30:04
you I think it, you know, was a very interesting story, and
30:12
I think the music would have made it even better because it definitely provides this
30:18
sense of tension. And even without that though it was, it was a
30:25
very uh well plotted mystery. Uh you know. I think in the second
30:30
half really did get to the point of how we're going to catch this guy,
30:33
because you know, when you do this in the snow, with the
30:37
big advantage for the killer is how much physical evidence is destroyed, plus the
30:42
lack of witnesses. Now to listener comments and feedback, I have a couple
30:47
of quick ones from podcast Alley. A great podcast, says Carrie, and
30:53
r STG says one of the best old time radio programs offered. Adam does
30:59
great work. Thank you so much for your comments, and we're about finish
31:03
for now. I do want to remind you to support our listener support campaign
31:07
support dot Great Detectives dot net. We have a lot of great and interesting
31:15
thank you gabs. Among those we offer. At the one hundred dollars level,
31:18
we will send you your choice of the nineteen fifty four Dragnet movie or
31:25
any of the four seasons of the nineteen sixty seven to seventy Dragnet TV series,
31:32
and we have a lot of other options available. You can check them
31:34
all out at support dot Great Detectives dot net. Well, that will finish
31:41
up for today. Tomorrow join us for our next listener support extra as we
31:45
play another series that will someday play in full in the future. And of
31:51
course on Monday we start again with Johnny Dollar and join us back here next
31:56
Saturday for the last episode of the lineup I Don't Believe as a rehearsal.
32:00
In the meanwhile, send your comments to box thirteen at Great Detectives dot nap.
32:05
Become one of our friends on Facebook, Facebook dot com, Slash Radio
32:09
Detectives but from Boise, Idaho. This is your host, Adam Grahamson and off