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Shakespeare Actors (with Edi Patterson) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to artists on artists on artists on artists
• 0:07
  Speaker 1: this week.
• 0:08
  Speaker 2: To be or not to be? That is the question
• 0:10
  Speaker 2: and the answer to be. Actors of Shakespeare.
• 0:15
  Speaker 3: William Shakespeare changed the world with his monumentous plays and poems,
• 0:20
  Speaker 3: and now in the modern age, people do these plays
• 0:24
  Speaker 3: and poems for audiences. Today we'll be sitting down with
• 0:27
  Speaker 3: a troop of Shakespeare theater actors and seeing what goes
• 0:33
  Speaker 3: into cooking a Shakespeare play.
• 0:36
  Speaker 4: Now, gather around in fair Verona, where we lay our
• 0:40
  Speaker 4: scene and listen in.
• 0:45
  Speaker 5: Okay, well, goodmorrow, cousins, our cousinsorrow, cousin.
• 0:52
  Speaker 6: Yeah.
• 0:54
  Speaker 3: It's crazy to be on a microphone because usually we're
• 0:57
  Speaker 3: in the amphitheater and it's just projecting like crazy.
• 1:00
  Speaker 7: I don't know if I need it right, just send
• 1:03
  Speaker 7: it to the back you need it.
• 1:11
  Speaker 8: I'm being like Richard the Third.
• 1:15
  Speaker 1: That my country for a horse.
• 1:20
  Speaker 9: This is I've never done anything like this behind.
• 1:25
  Speaker 6: The sea as well.
• 1:26
  Speaker 5: I mean, we can imagine as if this camera is
• 1:29
  Speaker 5: sort of a fourth wall, right, It's it's the fourth
• 1:33
  Speaker 5: wall that we soliloquy to or monologue without knowing of
• 1:38
  Speaker 5: on the theater.
• 1:39
  Speaker 3: It's such a good way to think about it. It's
• 1:41
  Speaker 3: such a good.
• 1:41
  Speaker 2: Way to I mean, you know, we say all the
• 1:43
  Speaker 2: world is a stage. I mean William said that, but
• 1:45
  Speaker 2: but we're sitting on a stage, and and and I
• 1:47
  Speaker 2: just wanted to take a minute and feel it.
• 1:51
  Speaker 10: What if all the world were just right here right now?
• 1:57
  Speaker 4: I think about it a lot. If he was here
• 2:00
  Speaker 4: these days, he would say all the world is almost
• 2:03
  Speaker 4: sometimes a podcast.
• 2:05
  Speaker 1: I think he'd say.
• 2:06
  Speaker 5: I think he'd say that about podcasts as well. I
• 2:09
  Speaker 5: think that podcasts are the new stage.
• 2:11
  Speaker 3: Would he say the whole podcast is a stage or
• 2:14
  Speaker 3: the whole stage is a podcast.
• 2:15
  Speaker 4: I see that thy thy lays the rub.
• 2:20
  Speaker 1: There's the I lay the Shakespeare.
• 2:27
  Speaker 11: Thy lay us the rub.
• 2:28
  Speaker 4: But it's good to fill the floor, yea, so good.
• 2:34
  Speaker 1: Not a trap in here. Couldn't do a trap door
• 2:36
  Speaker 1: show here, No.
• 2:37
  Speaker 6: You couldn't do it.
• 2:38
  Speaker 8: You couldn't do a rise from Hades.
• 2:42
  Speaker 9: There's no turn here. Can't turn, you can't can't walk
• 2:45
  Speaker 9: through Verona.
• 2:46
  Speaker 1: We're doing we're not doing a wheel.
• 2:49
  Speaker 4: It's so funny when they did Hamilton and everyone was like, wow,
• 2:52
  Speaker 4: they're doing the round robin.
• 2:53
  Speaker 9: I went, I have never seen Winter's Tail.
• 2:57
  Speaker 3: Where do you think Manuel learned it from Come on.
• 3:00
  Speaker 1: They're not talking about that. You know.
• 3:01
  Speaker 2: I see Hamilton and I want people to go. You know,
• 3:04
  Speaker 2: Shakespeare did this first.
• 3:05
  Speaker 5: No Lin, Manuel borrows from the Bard. SpongeBob borrows from
• 3:09
  Speaker 5: the Bard Friends, the TV show borrows from the bar,
• 3:14
  Speaker 5: borrowing from the bar exactly, borrows from the bar.
• 3:17
  Speaker 3: We should we go around and introduces.
• 3:19
  Speaker 1: Yeah for sure, I mean I would love that.
• 3:21
  Speaker 3: Yeah, perfect, Okay.
• 3:23
  Speaker 2: Well, my eyes are vernon because you're looking at me.
• 3:27
  Speaker 2: I am good, good to see everybody. My name is
• 3:31
  Speaker 2: Cedric Busket and I am the.
• 3:35
  Speaker 1: Director of the Mary Fools.
• 3:39
  Speaker 2: I'm Sedric Busket of the Mary Fools.
• 3:42
  Speaker 1: And I'm brutely. We go along our little song that
• 3:47
  Speaker 1: we sing.
• 3:48
  Speaker 2: I teach Shakespeare at the University of Arkansas, and uh,
• 3:53
  Speaker 2: you know, in my spare time, I run this group,
• 3:54
  Speaker 2: run this company. And it's funny because we've been doing
• 3:57
  Speaker 2: so much stuff and been doing so well. I'm about
• 3:59
  Speaker 2: to transition and doing this my whole life. Like it's
• 4:02
  Speaker 2: so exciting. I can't believe Shakespeare is paying some of
• 4:05
  Speaker 2: my bills. You know, It's it's really really, really cool.
• 4:08
  Speaker 9: The text is informing your living.
• 4:11
  Speaker 2: Yeah, and you know an, you know, we were known
• 4:13
  Speaker 2: for doing Shakespeare plays that are in completely different things.
• 4:16
  Speaker 2: You know, we did Julius Caesar. That was a cast
• 4:20
  Speaker 2: of all women, and it was really exciting.
• 4:24
  Speaker 11: A weird way to look at such a weird thing.
• 4:28
  Speaker 1: I know, and y'all fought me on it.
• 4:30
  Speaker 11: We really did.
• 4:31
  Speaker 1: I want it to be You all said this didn't
• 4:34
  Speaker 1: make sense. You wanted to be in it. We all
• 4:36
  Speaker 1: want to be in it.
• 4:37
  Speaker 5: I you are such a fearless leader though, and I
• 4:40
  Speaker 5: you know, I don't always understand initially when you pitch them,
• 4:44
  Speaker 5: but then when you see the vision, it makes so
• 4:46
  Speaker 5: much sense. Hamlet in a Mall was the most groundbreaking
• 4:51
  Speaker 5: adaptation of that show.
• 4:52
  Speaker 1: I changed the text to me or not to me?
• 4:55
  Speaker 1: You know that suitcase store to me.
• 4:57
  Speaker 11: To me exactly.
• 4:58
  Speaker 3: It was brilliant, classic dramatic moment, got a big laught,
• 5:04
  Speaker 3: a big laugh to get a suitcase, not to get
• 5:06
  Speaker 3: a suitcase.
• 5:07
  Speaker 8: That's the question, Cedric, I have to say it.
• 5:10
  Speaker 10: I don't know if anyone has given you enough credit
• 5:13
  Speaker 10: for making Ophelia a hot topic employee.
• 5:16
  Speaker 5: Oh, I agree, that was round break an understanding of
• 5:21
  Speaker 5: her story.
• 5:22
  Speaker 2: It was interesting, you know, she's dressed like Sally from
• 5:24
  Speaker 2: Midsummer Night's Dream or Sally from Nightmare Before Christ.
• 5:27
  Speaker 8: Look what you did?
• 5:30
  Speaker 1: What you did?
• 5:31
  Speaker 4: The Grave Digger as the Mall janitor inspired work inspired.
• 5:37
  Speaker 2: Those of Guildenstern cops on segues. Really fun stuff.
• 5:42
  Speaker 8: Hilarious.
• 5:42
  Speaker 2: Yeah, it was hilarious. It was the funniest handlet they'd
• 5:44
  Speaker 2: ever done the mall.
• 5:47
  Speaker 12: Yeah, the mall funny hamlets singing othellos you are.
• 5:54
  Speaker 9: You look at something and you twisted inside out.
• 5:57
  Speaker 2: I mean it's important to do that, but how could
• 5:58
  Speaker 2: I do that without this reddible company.
• 6:01
  Speaker 1: I mean, y y'all blow my mind every time we
• 6:04
  Speaker 1: do stuff. Why do it?
• 6:07
  Speaker 2: You know, we're adapting these incredible words together, and you
• 6:11
  Speaker 2: guys bring new life into these seven hundred year old words.
• 6:16
  Speaker 3: Before we blow past it. I mean, your queer reimagining
• 6:19
  Speaker 3: of Merchant of Venice was half higher eyes hath not
• 6:25
  Speaker 3: queer face.
• 6:26
  Speaker 2: You know what's so funny is there's a lot of
• 6:28
  Speaker 2: a lot of criticism about Shylock, and turning him gay
• 6:32
  Speaker 2: causes more criticism. And actually they thought they're semtic. Now
• 6:35
  Speaker 2: it's homophobic. That's what's the issue with Schilock. Shylock is
• 6:40
  Speaker 2: a problem. It turns out you can't fix him.
• 6:43
  Speaker 10: No, Shylock, to their point, is a bit of a
• 6:47
  Speaker 10: sex pest in in your.
• 6:50
  Speaker 5: The Poppers ballet, The Poppers ballet, In the Poppers Ballet.
• 6:55
  Speaker 11: I still remember those moves.
• 6:56
  Speaker 6: Who who?
• 7:00
  Speaker 1: But y'all have to understand.
• 7:01
  Speaker 2: I have an eleven year old son, and I swear
• 7:03
  Speaker 2: to God he's about to come out. I can tell,
• 7:05
  Speaker 2: you can tell. So I have to be ready for him.
• 7:08
  Speaker 2: I ready this world for him. I swear to God.
• 7:12
  Speaker 3: So good.
• 7:13
  Speaker 2: And you're not forcing him that way, No I'm not.
• 7:15
  Speaker 2: But I just know it's coming, you know. And oh
• 7:19
  Speaker 2: he's in football. Yeah, he's got a girlfriend.
• 7:21
  Speaker 1: But I swear to God he starts coming.
• 7:23
  Speaker 10: Cedric, speaking of Troy, I have to say, I get
• 7:27
  Speaker 10: so much pleasure of cry.
• 7:30
  Speaker 1: Don't cry.
• 7:31
  Speaker 13: Oh I'm going to when you send us receipts, when
• 7:36
  Speaker 13: you when you buy Troy's new school clothes, or you
• 7:40
  Speaker 13: go and you get your groceries and you ride at
• 7:43
  Speaker 13: the bottom of it, and you say paid for by
• 7:45
  Speaker 13: Shakespeare and you send us.
• 7:48
  Speaker 8: I just it means the world.
• 7:50
  Speaker 2: I mean, Shakespeare's paying for his food, Shakespeare's pay for
• 7:53
  Speaker 2: his clothes, and.
• 7:54
  Speaker 8: You never thought this would happen.
• 7:58
  Speaker 2: Wild think i'd be support my friend with Shakespeare, you know,
• 8:03
  Speaker 2: like you come up. I'm teaching at a universal Arkans.
• 8:05
  Speaker 2: All the kids are screaming at me. Oh, this isn't relevant,
• 8:08
  Speaker 2: this doesn't make sense. And now I'm like, it is relevant.
• 8:10
  Speaker 1: Take a look. Take a look.
• 8:12
  Speaker 2: My son is eating at you know, Ruby Tuesdays with me,
• 8:16
  Speaker 2: and William Shakespeare himself is behind the endless bucket of fries.
• 8:19
  Speaker 4: What makes the text more relevant than putting that character
• 8:22
  Speaker 4: on a segue and then they're saying the text right suddenly.
• 8:25
  Speaker 4: I mean, we do a lot of school assemblies and
• 8:27
  Speaker 4: we'll get into that, but suddenly the way kids will
• 8:29
  Speaker 4: perk up, right, it's just it's alive. The text is alive,
• 8:33
  Speaker 4: and it moves, and it moves to the year you're in.
• 8:35
  Speaker 4: If you are bold enough to take it there.
• 8:37
  Speaker 1: You have to, I mean, y'all have to introduce yourself.
• 8:43
  Speaker 2: That they get to meet y'all, Like, I'm so lucky,
• 8:45
  Speaker 2: I wish I could meet y'all again.
• 8:47
  Speaker 3: Well, Hello, my name is Richard LeFleur. I am from Phoenix, Arizona.
• 8:55
  Speaker 3: The accent is an affectation, so.
• 8:58
  Speaker 14: I can really feel what it feels to be Shakespearean
• 9:03
  Speaker 14: in the moment fifteen ninety two.
• 9:07
  Speaker 3: Oh, it's a lot of fun. It's a lot of fun.
• 9:11
  Speaker 3: What else can I say?
• 9:12
  Speaker 1: I can talk about your favorite roles.
• 9:14
  Speaker 3: I play the role given to me. I bring the
• 9:19
  Speaker 3: life that is needed to come through me. My biggest
• 9:23
  Speaker 3: roles has been the ghost of the King in Hamlet,
• 9:30
  Speaker 3: the the the town pauper in a Fellow.
• 9:36
  Speaker 8: Not Popper, put you in there, more stuff.
• 9:45
  Speaker 1: We have to introduce. In Twelfth Night, I was the.
• 9:47
  Speaker 3: God and you just really, you know, you give me
• 9:51
  Speaker 3: these roles that I can sink my teeth into, and
• 9:54
  Speaker 3: I'm hoping soon it'll be a bigger one.
• 9:58
  Speaker 4: I love that every play we do, you always add
• 10:00
  Speaker 4: a gargoyle to the scene and you come out there
• 10:03
  Speaker 4: and you stand at the edge of the stage, look at.
• 10:06
  Speaker 3: That, hoping for a line, hoping, but you just.
• 10:08
  Speaker 9: Sit out there and it takes Look at that.
• 10:10
  Speaker 2: I mean, I always got room for the floor. I
• 10:12
  Speaker 2: always got room for him. And I say, we'll get
• 10:15
  Speaker 2: you in there. You know, we'll get you in there,
• 10:16
  Speaker 2: even if you're a gargoyle. Again, we'red about the costume,
• 10:19
  Speaker 2: so it's so easy to put you back in. And
• 10:21
  Speaker 2: so many of these places can have gargoyles. They're in buildings.
• 10:24
  Speaker 3: Yes, you can really put a gogo oyle anywhere. But
• 10:28
  Speaker 3: I'm just so happy to be a part of this
• 10:30
  Speaker 3: company and a part of these fronts.
• 10:32
  Speaker 1: Oh, we got to talk about those pastries you bring us.
• 10:35
  Speaker 3: Oh please, the pastries, misters pant.
• 10:48
  Speaker 9: I know we all love them. It just it just
• 10:51
  Speaker 9: it just says Kirkling on it. And I don't know
• 10:53
  Speaker 9: why it says the whole company is the sticker coming from.
• 11:02
  Speaker 11: Sure, he makes them, right, I make them.
• 11:05
  Speaker 3: You re use containers, right, I reuse the containers, and
• 11:09
  Speaker 3: I love a brand, so I remake them.
• 11:12
  Speaker 5: And every morning I gosh, well they are delicious, and
• 11:15
  Speaker 5: get me, I compliment.
• 11:16
  Speaker 11: You're so impressively consistent.
• 11:18
  Speaker 5: They taste the exact same way.
• 11:23
  Speaker 6: I don't.
• 11:24
  Speaker 3: Okay, Yes, we love to laugh.
• 11:26
  Speaker 9: Sure, because if you bought them, there wouldn't be anything
• 11:30
  Speaker 9: to hide.
• 11:31
  Speaker 1: I like them. I don't want to them.
• 11:33
  Speaker 6: I made them. The floors.
• 11:49
  Speaker 11: It's morning like morning.
• 11:53
  Speaker 9: Oh, it's morning morning, good Morrow, sir, good.
• 11:58
  Speaker 14: Hi.
• 11:58
  Speaker 9: I'm tip tip tip tip.
• 12:02
  Speaker 6: Oh, it's tip tip tip tip.
• 12:05
  Speaker 9: Tipt my nickname, I'm Titania Flower Tip Tip tip.
• 12:09
  Speaker 14: Tip seems like flower foolsome tip tip for sure, flower
• 12:17
  Speaker 14: fulsome flower not flour.
• 12:19
  Speaker 3: Yeah, just putting that together. How similar though it looks
• 12:23
  Speaker 3: like you said flower then added something else.
• 12:25
  Speaker 2: But I mean imagine, I mean, imagine having a name
• 12:27
  Speaker 2: like Titania Flower, not doing Shakespeare and you know, marrying
• 12:30
  Speaker 2: someone named fulsome on.
• 12:32
  Speaker 1: But but it's so beautiful.
• 12:35
  Speaker 4: Flower fulsome and I have I'm just I'm I'm a
• 12:40
  Speaker 4: physical actor, or say that I love the bar. I've
• 12:46
  Speaker 4: been doing this for what, let's see, since I was
• 12:50
  Speaker 4: a child.
• 12:52
  Speaker 9: I love.
• 12:52
  Speaker 2: I mean, I first worked with you years ago as Puck.
• 12:55
  Speaker 2: You were my first Puck, and I said, oh my gosh,
• 12:58
  Speaker 2: this Titania Flower is absolutely.
• 13:02
  Speaker 1: She's got something so agile.
• 13:06
  Speaker 2: And you know, I love casting a real child that's
• 13:08
  Speaker 2: fucking not a little adult because it just really changed everything.
• 13:12
  Speaker 4: And I think when I was thirteen playing Puck, those
• 13:14
  Speaker 4: words changed me, and I think ever since then, it
• 13:17
  Speaker 4: was like, okay, I'm this direction set you know what I.
• 13:21
  Speaker 3: Mean, Once you find it, grab it.
• 13:24
  Speaker 10: Tip tip, the way you would hit those mini tramps
• 13:27
  Speaker 10: off stage and just come flying in like some sort
• 13:30
  Speaker 10: of little dragonfly bullet.
• 13:34
  Speaker 6: Thank you.
• 13:35
  Speaker 9: I mean believe.
• 13:37
  Speaker 6: Thank you.
• 13:37
  Speaker 9: I do heavily rely on the fly the fly system.
• 13:42
  Speaker 9: I love it.
• 13:42
  Speaker 1: Yeah, you've kind of attached to it, you know. I
• 13:45
  Speaker 1: just think it.
• 13:46
  Speaker 9: Makes the words jump right.
• 13:48
  Speaker 8: You use it for almost every production you're in.
• 13:50
  Speaker 9: I try to, I try to pitch it.
• 13:51
  Speaker 2: At least you do pitch it a lot. It was
• 13:54
  Speaker 2: it was a little bit weird in Macbeth when you
• 13:57
  Speaker 2: play very and we can talk about it.
• 14:00
  Speaker 4: I mean, I think sheesus grieving, right, and what is
• 14:05
  Speaker 4: grieving but not flying my hands?
• 14:08
  Speaker 3: Look at my hands?
• 14:09
  Speaker 2: I was.
• 14:13
  Speaker 5: And I wanted to sing too outtime Spot looked honestly
• 14:16
  Speaker 5: kind of fun. The way you were running around like
• 14:19
  Speaker 5: having this guy.
• 14:20
  Speaker 2: My my son watched it and said it was giving
• 14:24
  Speaker 2: frum Asserah from Troy. You come out, you're saying it's
• 14:29
  Speaker 2: given from Massarah. I know you play football, but you're
• 14:30
  Speaker 2: about to be gay. You're talking about Faither on the
• 14:32
  Speaker 2: roof for eleven years old.
• 14:33
  Speaker 9: You're about to you're about.
• 14:34
  Speaker 1: To beget about to be gay, off to be gay.
• 14:36
  Speaker 9: You just said that you're about to be gay.
• 14:38
  Speaker 1: You're about to be gay. I'll tell you what.
• 14:39
  Speaker 9: I love you all so much. I'm so grateful and
• 14:41
  Speaker 9: I wouldn't. I wouldn't go back to school if.
• 14:44
  Speaker 3: I wanted to.
• 14:47
  Speaker 9: I wouldn't try to have a early twenties if I dared.
• 14:52
  Speaker 3: Can I say something about the roles? You bring a
• 14:54
  Speaker 3: certain life to them that I just find is intoxicating.
• 14:58
  Speaker 14: You know you're funny, but you're dying. Thank you Lafu,
• 15:04
  Speaker 14: Thank you Flower.
• 15:05
  Speaker 1: You're twenty one years but you're like the most mature
• 15:07
  Speaker 1: person here.
• 15:08
  Speaker 4: I mean that's crazy, right, Like I'm a baby when
• 15:11
  Speaker 4: we travel al together there sometimes I'm like, what are
• 15:13
  Speaker 4: you guys doing?
• 15:14
  Speaker 9: I'm so young, But that's growing up.
• 15:18
  Speaker 4: Doing theater is right, and I think it's just making
• 15:21
  Speaker 4: me a better person.
• 15:23
  Speaker 3: Yeah.
• 15:25
  Speaker 8: I love when you get into your physical comedy.
• 15:28
  Speaker 1: Yes, yes, here she.
• 15:30
  Speaker 11: Goes, Oh there's that puck face.
• 15:35
  Speaker 1: How is it today? Any flowers? Even sniffing?
• 15:38
  Speaker 9: Hey love death fly That's the biggest bit I've ever seen.
• 15:45
  Speaker 15: The fly bottom comes show a surprise hermia so surprised
• 15:56
  Speaker 15: that surprising.
• 15:58
  Speaker 11: I didn't see that coming.
• 15:59
  Speaker 9: I'm physical. What can I say?
• 16:01
  Speaker 1: I love it?
• 16:02
  Speaker 9: Please, my dear sister, go.
• 16:06
  Speaker 8: Hello to all my beloved friends.
• 16:13
  Speaker 9: Here we go, beloved one.
• 16:16
  Speaker 10: I am blind clone sots b l Y n in
• 16:23
  Speaker 10: a lot of people like to put an eye in there,
• 16:26
  Speaker 10: and I find that pedestrian it's.
• 16:28
  Speaker 1: B l y Starbucks with this when she freaks out.
• 16:32
  Speaker 10: Let me tell you, I'm used to so many Starbucks
• 16:34
  Speaker 10: names that are not my given name.
• 16:37
  Speaker 8: I'm used to blind order for blind.
• 16:42
  Speaker 10: I've never admitted this, especially not in a recording or
• 16:45
  Speaker 10: on camera, but sometimes when they say frappuccino for blind,
• 16:51
  Speaker 10: I will pretend I'm blind and I will walk up.
• 16:54
  Speaker 5: You just want to make it true.
• 17:00
  Speaker 6: Put it in my hand.
• 17:02
  Speaker 8: Put it in my hand. It was hard to find
• 17:04
  Speaker 8: my way in here.
• 17:06
  Speaker 9: Look at that. You just what you just transformed.
• 17:08
  Speaker 3: It's unbelievably thank your ability tact.
• 17:11
  Speaker 10: Thank you, tip tip, thank you, thank you Centric. Let
• 17:19
  Speaker 10: me tell you something. When I'm around all of you,
• 17:22
  Speaker 10: I just feel a sense, a sense of letting go,
• 17:28
  Speaker 10: of just jumping in the already flowing river.
• 17:31
  Speaker 8: The river is warm. Let's just say the sun is heated.
• 17:35
  Speaker 3: Is up?
• 17:36
  Speaker 8: No one is pete?
• 17:36
  Speaker 2: And if not there.
• 17:42
  Speaker 6: Not there.
• 17:43
  Speaker 11: My favorite bathroom sign we have.
• 17:45
  Speaker 8: He is not there.
• 17:46
  Speaker 10: P f in here with an arrow straight into the
• 17:49
  Speaker 10: hole of the toilet.
• 17:55
  Speaker 1: Is not there.
• 17:57
  Speaker 8: He is not there.
• 18:01
  Speaker 10: I just I'm having so much turmoil in my personal life,
• 18:04
  Speaker 10: as you all know that. Coming to our rehearsals, going
• 18:09
  Speaker 10: on the road, I just being with all of you.
• 18:13
  Speaker 10: I I've discovered you are my chosen family. And when
• 18:20
  Speaker 10: we can live inside of these places, I can finally
• 18:25
  Speaker 10: be free.
• 18:30
  Speaker 11: We're right here for you.
• 18:31
  Speaker 8: I was afraid that.
• 18:32
  Speaker 11: I was afraid the water would start pouring.
• 18:36
  Speaker 5: The gates back, holding strong blind will always be your
• 18:41
  Speaker 5: chosen family.
• 18:42
  Speaker 3: And we're so sorry your brother's going through that divorce,
• 18:46
  Speaker 3: which thank you.
• 18:47
  Speaker 9: It's it must be hard. And when was the last
• 18:49
  Speaker 9: time you saw your brother.
• 18:51
  Speaker 10: It's been at least six months. I see his soon
• 18:55
  Speaker 10: to be ex wife at least four times a day.
• 18:58
  Speaker 1: I mean his wife was your best.
• 19:00
  Speaker 10: Friend, very very best friend. We were very very close.
• 19:09
  Speaker 1: It's almost like it's.
• 19:13
  Speaker 6: Why would that be I.
• 19:14
  Speaker 8: Wasn't married to her.
• 19:20
  Speaker 10: I'm so grateful for the opportunities that all of you
• 19:24
  Speaker 10: have given me. Cedric, no what what theater company on
• 19:28
  Speaker 10: this earth would let me play bottom literally this one.
• 19:32
  Speaker 11: And you channel this emotion into bottom that we never.
• 19:36
  Speaker 3: Need to seeing. You're bringing a certain depth that's remarkable.
• 19:41
  Speaker 5: I would say bottom cries in your your bottom cries
• 19:44
  Speaker 5: more than any other Bottom lot we ever get to see,
• 19:47
  Speaker 5: and it brings it makes Midsommer. We're doing the work
• 19:52
  Speaker 5: to make Midsummer a tragedy when it calls for it.
• 19:55
  Speaker 1: I mean it was.
• 19:55
  Speaker 2: It was so brilliant to you too. You know, you said,
• 19:58
  Speaker 2: I don't want to be a donkey. He said, I
• 20:01
  Speaker 2: want to be a kind of donkey. I want to
• 20:02
  Speaker 2: be Bill Clinton.
• 20:04
  Speaker 4: Yes, Bill Clinton is only an inspired choice that could
• 20:10
  Speaker 4: come from so deep within that I do know the
• 20:12
  Speaker 4: bar is in his grave going, oh, what a good.
• 20:17
  Speaker 3: Choice we players here.
• 20:19
  Speaker 10: We will do this for all of you tonight, on
• 20:23
  Speaker 10: this Morrow.
• 20:25
  Speaker 9: And to have.
• 20:26
  Speaker 16: Quint's absolutely spot one and then the saxophone you do later.
• 20:33
  Speaker 4: And to have Quint be Monica Lewinsky was such a
• 20:37
  Speaker 4: great role because Quints and Bottom are so you know.
• 20:41
  Speaker 3: Modern day commentary.
• 20:43
  Speaker 1: That skirt, you know, or quinton a skirt.
• 20:46
  Speaker 8: Something is just hitting me. Cedric.
• 20:49
  Speaker 10: When we did this production of Midsummer Troy did approach me.
• 20:53
  Speaker 6: After he did, he.
• 20:55
  Speaker 10: Did and he said, your character's my favorite. And it's
• 21:00
  Speaker 10: because of the name Bottom.
• 21:02
  Speaker 2: I'm telling you, he's about to be gay a favorite
• 21:07
  Speaker 2: just because of the name.
• 21:08
  Speaker 10: He's just hit me and I thought, what a backhanded compliment,
• 21:12
  Speaker 10: you little ship.
• 21:13
  Speaker 8: And you know I love Troy. But now I'm realizing, well, I'm.
• 21:18
  Speaker 1: Telling you, if he doesn't come out, he's an asshole.
• 21:21
  Speaker 2: When he comes out, he's sassy and he's given reads
• 21:23
  Speaker 2: left and I swear to God, he's about to come out.
• 21:26
  Speaker 9: It's truly about to be gay.
• 21:28
  Speaker 2: He's about to be gay. I mean, it's so funny.
• 21:30
  Speaker 2: Maybe he's even a bottom, and that's awesome for him.
• 21:32
  Speaker 2: He doesn't have to know that yet. He's eleven, but
• 21:34
  Speaker 2: it's exciting that he's interested in.
• 21:36
  Speaker 3: The word bottom. Would be funny to any eleven.
• 21:39
  Speaker 5: Yes, sure, yeah, sure, I mean, so there's a devil
• 21:42
  Speaker 5: that of course could be like just butt or buttholeole.
• 21:46
  Speaker 6: Oh that's good.
• 21:47
  Speaker 4: But you know, sometimes I picked up my friend's baby
• 21:50
  Speaker 4: and I went polonious, that's funny.
• 21:54
  Speaker 9: But hole, and then and then I went digging bulls
• 21:58
  Speaker 9: and work.
• 21:59
  Speaker 1: Really, he likes polonious, he likes polonius.
• 22:01
  Speaker 9: Some have the taste for that, and some like bottom
• 22:03
  Speaker 9: or buttole well, thank you, blind blin.
• 22:10
  Speaker 1: Wrong.
• 22:14
  Speaker 9: I was setting her.
• 22:14
  Speaker 1: At the bat, do you always? You probably knocked that
• 22:17
  Speaker 1: cup over all the time too.
• 22:19
  Speaker 8: Sometimes I will just for the practical joke of it.
• 22:24
  Speaker 6: Practice, make it again.
• 22:26
  Speaker 10: Make it again. What's more, you've day, I'm blind to
• 22:30
  Speaker 10: do it from the top.
• 22:31
  Speaker 6: Make it again?
• 22:32
  Speaker 9: Oh good, last, but certainly not.
• 22:37
  Speaker 5: Please please, please, please, please please.
• 22:45
  Speaker 6: My name is.
• 22:47
  Speaker 5: Calmmel by the Sea, and I am a Shakespearean actress.
• 22:55
  Speaker 5: At my core I teach a little bit of it
• 22:58
  Speaker 5: to some students in the summer. But I found my
• 23:03
  Speaker 5: way into Shakespeare and into theater by way of a
• 23:09
  Speaker 5: little gift that someone gave me one Christmas. It was
• 23:13
  Speaker 5: a Shakespearean insult fridge, magnet, slam poem set, and you
• 23:21
  Speaker 5: can put all the funny Shakespeare words like bottom or
• 23:28
  Speaker 5: or yucky, all these funny, hilarious Shakespeare.
• 23:34
  Speaker 6: I think it was.
• 23:37
  Speaker 2: I mean, there's Shakespeare INDs we used today through a
• 23:41
  Speaker 2: little bit right.
• 23:41
  Speaker 11: He invented so many words today.
• 23:43
  Speaker 1: Shakespeare invented.
• 23:44
  Speaker 5: He invented yucky, he invented grime, Pooh pooh, he invented
• 23:52
  Speaker 5: fight or flight, He invented I'll catch you later.
• 23:56
  Speaker 11: He invented me again.
• 24:00
  Speaker 9: Unity pusher pull like a door with pusher pull.
• 24:05
  Speaker 5: Yes, he invented order seventy three sandwich for order seventy three.
• 24:10
  Speaker 5: He invented so many things. And I spent hours as
• 24:14
  Speaker 5: a young girl rearranging all of these Shakespearean words on
• 24:18
  Speaker 5: my fridge and just laughing and laughing and laughing. And
• 24:22
  Speaker 5: then finally a man came to my doorstep and he
• 24:26
  Speaker 5: was selling Shakespeare classes and he said, I think this
• 24:30
  Speaker 5: is something that you might be interested in.
• 24:32
  Speaker 11: And I didn't know it could be a career, and
• 24:35
  Speaker 11: certainly it was.
• 24:37
  Speaker 3: And that who was this man right.
• 24:39
  Speaker 9: To your door, to my door?
• 24:42
  Speaker 5: So he he was, this wonderful man. He was wearing
• 24:44
  Speaker 5: a red and white striped suit, a straw hat, and
• 24:48
  Speaker 5: he was singing of Shakespeare classes.
• 24:51
  Speaker 1: It was like a con man.
• 24:52
  Speaker 3: Sounds like kind of like the plot of the music Man.
• 24:56
  Speaker 5: So his name was was Harry, Harry Molehill and he
• 25:01
  Speaker 5: had he just had, he had everyone in town buy
• 25:04
  Speaker 5: these classes, and it was to distract us from spending
• 25:07
  Speaker 5: too much time on the jukebox.
• 25:08
  Speaker 1: And how are the classes?
• 25:10
  Speaker 5: Oh, the classes were wonderful, he he he he uh.
• 25:14
  Speaker 5: He gave us the sheet music for Romeo and Juliet
• 25:18
  Speaker 5: and he said, have fun with that.
• 25:19
  Speaker 3: I'm gonna go.
• 25:20
  Speaker 11: Oh, and then we.
• 25:21
  Speaker 5: Would we sort of figured out how to do it ourselves.
• 25:25
  Speaker 5: You know, we we invented this whole new language ourselves.
• 25:28
  Speaker 5: And from there I springboarded into a whole career. And
• 25:33
  Speaker 5: that man, I I still send him a Christmas card.
• 25:35
  Speaker 11: I owe my life really nice, that's so dark, wonderful.
• 25:39
  Speaker 2: And I will say, when you know, when you came
• 25:41
  Speaker 2: into the company, you've been doing things I'd never seen before.
• 25:44
  Speaker 2: You know, you were singing. You thought all of these
• 25:46
  Speaker 2: shows were musicals and operas, so you would sing these monologues.
• 25:50
  Speaker 2: I remember your Juliette was so.
• 25:55
  Speaker 11: My Juliet please do it, please do a little.
• 25:59
  Speaker 6: Oh what.
• 26:03
  Speaker 17: Bye and rouse by any the word would smell as sweet.
• 26:11
  Speaker 17: What like the yonder window breaks? It is the east,
• 26:14
  Speaker 17: and Juliet is the sun. What like the yonder window breaks,
• 26:19
  Speaker 17: It is the east and Juliette is the sun.
• 26:22
  Speaker 1: Romeo was fine with you taking his mean better if
• 26:26
  Speaker 1: it comes.
• 26:26
  Speaker 11: From a girl, if it comes from a girl.
• 26:30
  Speaker 9: But don't forget here.
• 26:31
  Speaker 4: I come flying from the rafters.
• 26:38
  Speaker 11: I loved my flying nurse.
• 26:40
  Speaker 3: Can I say also, I love it because you really
• 26:44
  Speaker 3: kind of expand both what Shakespeare is and what singing is.
• 26:48
  Speaker 5: Feels like a.
• 26:49
  Speaker 3: Very loose definition of what singing is too spoken word
• 26:53
  Speaker 3: somewhere in the middle. Yes.
• 26:54
  Speaker 5: Well, well, Harry Molhill always said, you know, whatever you're
• 26:58
  Speaker 5: doing is right. I'm gonna be over here for a minute,
• 27:01
  Speaker 5: and so I take that with me, and it's something
• 27:03
  Speaker 5: I try and teach my students too. Whatever you're doing
• 27:06
  Speaker 5: is right. And then I have to find something. I
• 27:08
  Speaker 5: never found out what he was doing over there, So
• 27:11
  Speaker 5: I'm coming up with all these kinds of things I'm
• 27:13
  Speaker 5: doing over there for a second, I'm playing tetris, I'm
• 27:15
  Speaker 5: on a computer, I'm sending emails, I'm twiddling my thumbs.
• 27:19
  Speaker 4: To be honest, i'd say my favorite thing with you,
• 27:21
  Speaker 4: my dear, it was all three of us when we
• 27:23
  Speaker 4: did the Wicked Sisters in.
• 27:26
  Speaker 8: The Scottish play Don't get myself.
• 27:31
  Speaker 5: Gargoyleaining around the gargoyle.
• 27:36
  Speaker 9: Cedric set the scene for them.
• 27:37
  Speaker 4: Because I don't know if any of these podcast listeners
• 27:41
  Speaker 4: understand the Scottish.
• 27:42
  Speaker 2: Play for the Scottish play or Mackers or you know,
• 27:45
  Speaker 2: because you were talking about the real thing, Macbeth, I'm
• 27:48
  Speaker 2: gonna say you can say it, you know.
• 27:50
  Speaker 3: If you're if you're talking about doing it, I think
• 27:53
  Speaker 3: it's all right.
• 27:54
  Speaker 2: You're allowed to do that, you can, which is weird.
• 27:55
  Speaker 2: Why is anyone saying it when they aren't talking about it?
• 27:57
  Speaker 10: Well, you aren't supposed to say it in a theater.
• 27:59
  Speaker 10: So there's a ritual you'll have to do, okay, to
• 28:02
  Speaker 10: take to take the stink off of it.
• 28:05
  Speaker 4: You have to go outside, spin around three times thrice.
• 28:09
  Speaker 4: This is the one I did. Yes, spin around thrice, spit,
• 28:13
  Speaker 4: say a bad word yes, and then ask permission to
• 28:15
  Speaker 4: come back in real quick.
• 28:17
  Speaker 9: All right, someone needs to let you back in.
• 28:19
  Speaker 1: I'll come over here. I'll do it over here.
• 28:20
  Speaker 9: And you did say it twice, so I think you
• 28:21
  Speaker 9: should do it twice.
• 28:22
  Speaker 1: I'll do it six times, and I'll say two bad words.
• 28:25
  Speaker 8: Okay, what's he going to choose?
• 28:27
  Speaker 5: Okay, I think it's gonna be dumped. I think it
• 28:31
  Speaker 5: should be ship or bitch.
• 28:33
  Speaker 11: I like, I like the eye sounds.
• 28:35
  Speaker 8: I hope it's motherfuckery.
• 28:37
  Speaker 3: Ooh, pussy tain't ooh.
• 28:42
  Speaker 8: Yes, yes, you can come on it, you Vampire.
• 28:48
  Speaker 2: An incredible, incredible show about a man who uh basically
• 28:54
  Speaker 2: is blonded by ambition and his wife who pushes ambition
• 28:59
  Speaker 2: upon on him as well, and eventually uh he sees
• 29:04
  Speaker 2: the future and decides basically, I want that future and
• 29:07
  Speaker 2: he gets it by and it means possible. Turns out
• 29:09
  Speaker 2: it's bad future, but there's three witches in it, and
• 29:11
  Speaker 2: the witches come on in and they.
• 29:15
  Speaker 1: And there too.
• 29:17
  Speaker 9: But you were so brilliant with how you saw the witches.
• 29:21
  Speaker 2: So we were doing a kind of a modern version
• 29:24
  Speaker 2: based on, you know, the things that I've been seeing
• 29:26
  Speaker 2: my son do on the internet. So we were doing
• 29:28
  Speaker 2: a kind of a cancel culture version.
• 29:31
  Speaker 1: And and the idea was they.
• 29:33
  Speaker 2: Were they were social media, they were different apps. So
• 29:36
  Speaker 2: each witch was TikTok Facebook.
• 29:39
  Speaker 9: I was the Twitter bird because I flew.
• 29:43
  Speaker 5: Twitter sisters hand in hand, posters of the social Yeah, share.
• 30:03
  Speaker 12: Email, how did we go? Screenshot? Apology, sap apology, apology?
• 30:15
  Speaker 3: And I would go.
• 30:17
  Speaker 1: And I would say, doesn't have anyone.
• 30:22
  Speaker 11: Oh, that scene was so scary.
• 30:24
  Speaker 1: It was very scary.
• 30:26
  Speaker 2: Y'all were so amazing, and it was fun to make
• 30:28
  Speaker 2: social media scary. And I know a lot of people
• 30:30
  Speaker 2: are wondering why you changed a lot of texts from Shakespeare.
• 30:32
  Speaker 2: Why do you call yourself Shakespeare group? You have to
• 30:35
  Speaker 2: update that Shakespeare was was modern at the time.
• 30:37
  Speaker 1: You got to update Pase.
• 30:39
  Speaker 5: Were the emails of that time. Absolutely, it would just
• 30:42
  Speaker 5: be what he wants us to do. I will say, Flower,
• 30:46
  Speaker 5: I I was a little jew.
• 30:49
  Speaker 9: Speaking.
• 30:51
  Speaker 11: I'm speaking to you, dear Flower.
• 30:56
  Speaker 5: I'll be back in the morning for as.
• 31:05
  Speaker 1: Imagine him cooking. Imagine him cooking.
• 31:07
  Speaker 14: Away at my hoo.
• 31:13
  Speaker 6: I don't think so.
• 31:15
  Speaker 5: Okay, but you you were flying so much higher than
• 31:19
  Speaker 5: the two of us, and I was a little worried
• 31:21
  Speaker 5: that you might have thought that you were the lead
• 31:23
  Speaker 5: witch when the three witches are equal.
• 31:26
  Speaker 8: Well, are we going to talk about this?
• 31:29
  Speaker 10: I guess we are talking about Yes, if you were
• 31:32
  Speaker 10: pulling a little bit of an.
• 31:33
  Speaker 8: Icarus there, tip tip.
• 31:36
  Speaker 6: Perps.
• 31:42
  Speaker 3: Wow, this episode is really funny so far, wouldn't you say, Kylie?
• 31:45
  Speaker 5: I think I'd say so, Jeremy, And you know, I'd
• 31:48
  Speaker 5: say that there's a lot of stuff coming down the
• 31:50
  Speaker 5: pike that is not necessarily only on this episode.
• 31:53
  Speaker 3: Yes, we're talking about our Patreon. You guys can check
• 31:57
  Speaker 3: us out on Patreon. Yeah, we play these ridiculous characters,
• 32:00
  Speaker 3: but we also are all friends and real life people
• 32:03
  Speaker 3: and we like hanging out.
• 32:04
  Speaker 11: We talk about all the episodes.
• 32:06
  Speaker 5: We have an after show for every episode that uh
• 32:09
  Speaker 5: in the past, like Recent Memory two years that you
• 32:12
  Speaker 5: can find on there for the low low price of
• 32:15
  Speaker 5: five dollars a month. And we have a bunch of
• 32:17
  Speaker 5: other stuff too. Jeremy danced for twelve weeks straight one time.
• 32:20
  Speaker 5: You can find all of that on the Patreon.
• 32:22
  Speaker 3: That was a blast. We put in way more work
• 32:24
  Speaker 3: than we need to, and that is reasonable for the Patreon.
• 32:28
  Speaker 3: We just love it. We love hanging out and talking
• 32:29
  Speaker 3: to y'all, so come on and check it out. It
• 32:33
  Speaker 3: genuinely does help us.
• 32:35
  Speaker 5: We we can't. We can't do this without you. Uh oh,
• 32:38
  Speaker 5: she's gone, jafay join the patrio.
• 32:49
  Speaker 4: Well, I would, I would defer to our our leader
• 32:53
  Speaker 4: if I was doing any.
• 32:54
  Speaker 3: Of that so kind. I don't see myself talking about me.
• 32:59
  Speaker 3: It was just me.
• 33:01
  Speaker 1: I appreciate it.
• 33:02
  Speaker 9: Sure did I ask for a megaphone. I thought that
• 33:06
  Speaker 9: character needed it. Twitter's louder than the others.
• 33:10
  Speaker 1: Sure.
• 33:11
  Speaker 2: Look what I'll say is I love what all of
• 33:15
  Speaker 2: y'all will bring it, and I understand you know, this
• 33:17
  Speaker 2: is what happens when it comes to.
• 33:19
  Speaker 1: Working with actors. Sometimes people think they have an idea
• 33:22
  Speaker 1: of a vision, and.
• 33:23
  Speaker 2: Shakespeare is a blank slate in many ways, people think
• 33:26
  Speaker 2: they can add whatever they want. So I had to
• 33:28
  Speaker 2: come to y'all and I had to say, hey, you know,
• 33:31
  Speaker 2: bring the energy, throw it at each other, just don't
• 33:34
  Speaker 2: throw it at us. So I allowed you all to
• 33:36
  Speaker 2: fight because it was good for the show.
• 33:39
  Speaker 8: I get it.
• 33:40
  Speaker 3: Yeah, and the show is so beautiful at the end,
• 33:43
  Speaker 3: you know, changing Macca to Logan pol killed by Kay Sinot.
• 33:48
  Speaker 2: The absolutely yes, Macduff was Kai sinat Logan, Paul was Mackers,
• 33:54
  Speaker 2: and Lady Mackers of course was being played by.
• 33:58
  Speaker 1: Brittany Broski by her. But we were doing somebody.
• 34:02
  Speaker 5: Was doing Britain doing Brittany as got it.
• 34:06
  Speaker 1: I love this.
• 34:08
  Speaker 9: I liked that Bank was Tom from my Space.
• 34:13
  Speaker 2: Why it was awesome and the drunken guard Jeeves from
• 34:17
  Speaker 2: Ask Jeeves kind of o g social media.
• 34:19
  Speaker 4: I think I don't want to be misread and move
• 34:23
  Speaker 4: on past that.
• 34:24
  Speaker 8: I understand.
• 34:25
  Speaker 9: I I apologize.
• 34:27
  Speaker 4: I didn't ever feel that way from you from our director,
• 34:32
  Speaker 4: and I lead and I go to the leadership right
• 34:34
  Speaker 4: in a play.
• 34:35
  Speaker 18: But I think it just it goes back to I'll
• 34:38
  Speaker 18: say it, it goes back to.
• 34:43
  Speaker 8: Twelfth Night.
• 34:48
  Speaker 2: One way that y'all kind of get in fights and
• 34:53
  Speaker 2: I remember the interpretation fight where where y'all were mad
• 34:57
  Speaker 2: at each other, but you were coming to me and saying,
• 35:00
  Speaker 2: I think Shakespeare meant that she needs to be off stage,
• 35:04
  Speaker 2: and I think Shakespeare says here, because I always we
• 35:06
  Speaker 2: have a process where we sit down and go, what.
• 35:07
  Speaker 1: Did Shakespeare mean here?
• 35:09
  Speaker 6: What do you think Shakespeare?
• 35:10
  Speaker 3: We all become the drama teur.
• 35:12
  Speaker 4: I love that you have us all by the no
• 35:14
  Speaker 4: Fear Shakespeare of court at the top of every room.
• 35:17
  Speaker 4: The script we use is no Fear Shakespeare.
• 35:19
  Speaker 6: Yes.
• 35:19
  Speaker 1: Yeah, so you know what you're saying every single step
• 35:22
  Speaker 1: of the way.
• 35:22
  Speaker 2: Yes, And sometimes y'all try to interpret it and try
• 35:26
  Speaker 2: to push your own agendas.
• 35:27
  Speaker 1: And let's talk about that, because I don't think that's
• 35:29
  Speaker 1: in the text.
• 35:30
  Speaker 2: I don't think you know, Shakespeare intended for this character
• 35:33
  Speaker 2: to look uglier than me.
• 35:34
  Speaker 1: You say that sometimes, and I think that's kind of nasty, you.
• 35:38
  Speaker 10: Know, Cedric? Can I just lay bear here? May I
• 35:43
  Speaker 10: lay bear before.
• 35:44
  Speaker 9: The the court agrees.
• 35:48
  Speaker 10: I'm checking in with myself tiptop as we discuss all
• 35:52
  Speaker 10: of this. I'll just say it, call vine own self
• 35:59
  Speaker 10: full to the.
• 36:00
  Speaker 8: Brim of jealousy.
• 36:02
  Speaker 6: Yay.
• 36:04
  Speaker 8: Oh, I was jealous.
• 36:06
  Speaker 3: I had what.
• 36:08
  Speaker 10: Ya ya, I was overflowing. My cup did overfloweth with
• 36:15
  Speaker 10: the feelings of envious want.
• 36:20
  Speaker 8: Of your talent, my dear.
• 36:24
  Speaker 4: My youth, your youth, I knew it to be my
• 36:27
  Speaker 4: youth yeay, but also your talent.
• 36:31
  Speaker 8: The audience did adore thee.
• 36:35
  Speaker 3: Hmm.
• 36:36
  Speaker 8: I do apologize to THEE. I am on bended mee
• 36:41
  Speaker 8: to THEE.
• 36:41
  Speaker 10: I do substrate myself and rip my ribs open to THEE.
• 36:49
  Speaker 8: I am sorry now you oh your apology.
• 36:57
  Speaker 5: And I'm and I and I feel you know, okay, okay, yeah, yeah, yeah,
• 37:06
  Speaker 5: a little.
• 37:06
  Speaker 11: Jealous too, a little jealous.
• 37:09
  Speaker 9: Also, thank you, dear sisters, Thank you from the.
• 37:15
  Speaker 8: I don't either.
• 37:16
  Speaker 9: I didn't feel overshadowed or any of that.
• 37:19
  Speaker 1: And I would say, if you were.
• 37:22
  Speaker 2: Maybe to want to apologize for, you know, putting mercury
• 37:26
  Speaker 2: in their coffees that.
• 37:27
  Speaker 5: Morning, if you'd like to apologize for you.
• 37:32
  Speaker 3: The thermometer and you dumped it into both of them.
• 37:35
  Speaker 11: I went to the hospital and the doctor said, we'd
• 37:37
  Speaker 11: never seen this before.
• 37:39
  Speaker 10: I ship for three weeks straight, which meant which meant
• 37:46
  Speaker 10: I did not sleep.
• 37:48
  Speaker 4: Sister thy orders of prappuccino every morning.
• 37:51
  Speaker 8: Yeah, but mercury.
• 37:54
  Speaker 10: Mercury did course through my veins, making my excrement come
• 37:59
  Speaker 10: out as vile liquid.
• 38:01
  Speaker 9: Fine a spot it was.
• 38:05
  Speaker 8: I can't I can't resist her when she.
• 38:07
  Speaker 3: Does that like that.
• 38:11
  Speaker 11: It's an undeniable job.
• 38:14
  Speaker 8: Again, Oh, you're right now, it is.
• 38:20
  Speaker 6: I am.
• 38:21
  Speaker 11: Oh, it's see this out of me?
• 38:24
  Speaker 6: Fine silly?
• 38:28
  Speaker 9: And can I get in the harness?
• 38:36
  Speaker 11: And what don't I have that she does?
• 38:38
  Speaker 1: So it's so funny.
• 38:39
  Speaker 2: You know, to work with actors in the troup means
• 38:41
  Speaker 2: that kind of have multi year plans.
• 38:42
  Speaker 1: And one of my plans is to get you to
• 38:44
  Speaker 1: stop using your hands on your face. But it's so
• 38:46
  Speaker 1: good right now.
• 38:48
  Speaker 18: I say, the actor's body is a musician, it says,
• 38:52
  Speaker 18: is the music, and my hands be it the sheet music,
• 38:57
  Speaker 18: and my imagination be it the athleticism.
• 39:01
  Speaker 19: Yes, yes, If I wish I could put that face
• 39:08
  Speaker 19: onto every funny movie ever, bless you, sister.
• 39:13
  Speaker 9: And what does that mean?
• 39:15
  Speaker 10: Well you you name it Home Alone, Beverly Hills, cop
• 39:20
  Speaker 10: Old School.
• 39:21
  Speaker 8: I would put that face on every character.
• 39:25
  Speaker 6: All those characters.
• 39:27
  Speaker 9: That would be a good way to potch those movies.
• 39:29
  Speaker 4: It is so interesting every at the end of every
• 39:32
  Speaker 4: year we come to you, and we pitch new plays
• 39:34
  Speaker 4: we want to do. You always pitch old like Buddy comedies,
• 39:39
  Speaker 4: some of your Shakespeare and adaptations of modern movies.
• 39:42
  Speaker 10: Yeah, I would love it if you If you were
• 39:45
  Speaker 10: to tell me that we were going to do when
• 39:48
  Speaker 10: Harry met Sally, but Shakespearean, I would be on such
• 39:54
  Speaker 10: a geyser in my own chair that I would shoot
• 39:58
  Speaker 10: up through this ceiling.
• 39:59
  Speaker 9: Not that a harness.
• 40:00
  Speaker 8: He not with a harness.
• 40:03
  Speaker 9: I'll have it what she is having, I'll have.
• 40:06
  Speaker 1: With what she's having. That's fun.
• 40:08
  Speaker 8: You see, there's something there.
• 40:12
  Speaker 2: When a lad I'm just I'm just a maiden standing
• 40:16
  Speaker 2: in front of a lad asking telling them that when
• 40:23
  Speaker 2: thine wants to spend the red, then thine eternities with
• 40:26
  Speaker 2: thine other person. Thine must start as soon as the
• 40:31
  Speaker 2: sun sets in the in the sparrows.
• 40:34
  Speaker 9: That was an iambic.
• 40:35
  Speaker 2: That was an I am pic. Yes, and you guys
• 40:38
  Speaker 2: can look that up. I mean that felt good. You're right,
• 40:41
  Speaker 2: I mean there's something to it. I just don't I
• 40:43
  Speaker 2: just don't want to presume to be the bar himself.
• 40:46
  Speaker 2: You know, I don't want to be a hat on
• 40:47
  Speaker 2: a hat. I don't want I don't want to be showing.
• 40:50
  Speaker 3: A bar on a bar, a bar on a bar.
• 40:52
  Speaker 4: You know, it would worked so well for the company.
• 40:54
  Speaker 4: You could be the gargoyle inments.
• 40:59
  Speaker 1: Well, honest, you'd love to be the gargoyle and anything I.
• 41:02
  Speaker 14: Would love to be included, sweet any rollt all, what's
• 41:08
  Speaker 14: your dream?
• 41:08
  Speaker 6: Roll?
• 41:09
  Speaker 3: I would love to be Hamlet.
• 41:13
  Speaker 1: That's such a fun dream to have for you.
• 41:15
  Speaker 4: It's such a good dream, such a great dreams are
• 41:18
  Speaker 4: good because they're big.
• 41:19
  Speaker 1: Love how big a dreams you have?
• 41:20
  Speaker 5: Yes, a tall, tall dream, something to reach for always?
• 41:25
  Speaker 3: What would he be?
• 41:26
  Speaker 5: Like?
• 41:26
  Speaker 6: Your Hamlet?
• 41:26
  Speaker 11: He would be?
• 41:28
  Speaker 3: I think I would love to be a little bit
• 41:30
  Speaker 3: of a more evil Hamlet. People playing him like, ooh
• 41:34
  Speaker 3: I'm Hamlet. Oh I want to be like this.
• 41:38
  Speaker 9: Like a gargoyle Hamlet.
• 41:39
  Speaker 14: Oh poor all for the slings and arrows.
• 41:45
  Speaker 3: Oh, get ye doing.
• 41:49
  Speaker 5: This?
• 41:51
  Speaker 2: I mean, it's so exciting to see your dream bigger
• 41:53
  Speaker 2: and bigger every second.
• 41:55
  Speaker 14: You know.
• 41:55
  Speaker 1: It's more and more of an ambitious dream the more
• 41:57
  Speaker 1: you talk.
• 41:58
  Speaker 10: Get ye too, and Nunnery so a gargoyle but with
• 42:03
  Speaker 10: all of Hamlet's lines, I like it's.
• 42:05
  Speaker 14: More of a creepy think of it, like a creepy
• 42:08
  Speaker 14: guy who could change it any moment.
• 42:12
  Speaker 1: Is he brooding at all? I mean, hey, it's a
• 42:13
  Speaker 1: brooding kind of guy.
• 42:15
  Speaker 3: I want him brooding.
• 42:16
  Speaker 8: Yes, what's his posture like like this?
• 42:25
  Speaker 6: Health ye.
• 42:27
  Speaker 14: Get ye to another.
• 42:35
  Speaker 9: Shakespeare's nym.
• 42:35
  Speaker 3: I just wish I could tell her to get ye
• 42:38
  Speaker 3: to a nunnery.
• 42:39
  Speaker 2: Not remind does anybody have any Shakespeare that either they
• 42:43
  Speaker 2: know or imagine, you know, in.
• 42:46
  Speaker 1: Their what Shakespeare is?
• 42:48
  Speaker 8: Yes, I follow that they think.
• 42:49
  Speaker 2: About all the time. I mean any phrases that come out.
• 42:52
  Speaker 2: I mean for me, I mean hamlets. You know, slings
• 42:54
  Speaker 2: and arrows about rageous fortune. That is something I think
• 42:56
  Speaker 2: about of life. You know, the slings and arrows about
• 42:58
  Speaker 2: ragious fortune. That's the ups and the down. I think
• 43:01
  Speaker 2: that's gorgeous.
• 43:03
  Speaker 11: I love tomorrow and tomorrow and tomorrow.
• 43:08
  Speaker 5: Creeps in this petty paste because it's crapes.
• 43:10
  Speaker 11: It does that.
• 43:13
  Speaker 9: It's excuse me, it's crapes in this petty place.
• 43:16
  Speaker 11: I don't think it's crapes. I don't think it's crapes.
• 43:21
  Speaker 5: Okay, no, honey, honey, no, I don't think it's crapes.
• 43:25
  Speaker 11: I don't think we're at breakfast. I don't think this
• 43:27
  Speaker 11: is breakfast experience.
• 43:29
  Speaker 9: I think this is creepy.
• 43:31
  Speaker 11: I think it's creeps like Halloween. And you know that
• 43:33
  Speaker 11: if you know that creepy, I'm not ridging. Settle it,
• 43:38
  Speaker 11: Settle it, Settle it, Settle.
• 43:40
  Speaker 8: It, Settle it, settle, settle it.
• 43:42
  Speaker 1: What do y'all feel like it is?
• 43:44
  Speaker 6: Oh? Crape?
• 43:46
  Speaker 4: I feel I think it's great and you chose the
• 43:48
  Speaker 4: right Side's.
• 43:50
  Speaker 11: Not breakfast, it's not breakfast.
• 43:52
  Speaker 1: Let me check with you. Do you think it's crapes
• 43:54
  Speaker 1: or creeps?
• 43:54
  Speaker 3: I think it's a brilliant line.
• 43:58
  Speaker 4: You know, sometimes I feel like you are getting Type
• 44:00
  Speaker 4: has four reason Like sometimes I think you need to
• 44:03
  Speaker 4: stand away from your gargoyl.
• 44:05
  Speaker 14: Miss.
• 44:06
  Speaker 4: I almost think you've been playing a gargoyl for so
• 44:08
  Speaker 4: long that you kind of bring it to everything right,
• 44:12
  Speaker 4: Like do a little bit of Juliet.
• 44:15
  Speaker 9: She's not like that. She stands up straight like a
• 44:17
  Speaker 9: young girl like me.
• 44:19
  Speaker 3: Okay, you know, Oh look at my high heels.
• 44:23
  Speaker 14: Romeo, Romeos, well out there, Romeo.
• 44:27
  Speaker 3: Oh we have fun.
• 44:30
  Speaker 2: It was fun to try. It's fun to see you
• 44:32
  Speaker 2: get out of your box.
• 44:33
  Speaker 6: That that was good. This is good for you.
• 44:36
  Speaker 10: Well, should we talk about our upcoming reason, sure, yes, please.
• 44:40
  Speaker 5: We have seen many fun adaptations that we're doing, and
• 44:44
  Speaker 5: I know you're crazy. Twisted mind has some has some
• 44:49
  Speaker 5: twists on old classes. Well, I'm excited for Uh we're
• 44:55
  Speaker 5: doing we're doing uh, what's the well, Well, we're doing
• 44:59
  Speaker 5: Mid Summer Night's Dream.
• 45:01
  Speaker 11: But we're doing We're doing Minions. It's said in the
• 45:03
  Speaker 11: Minions Universal Summer Night.
• 45:06
  Speaker 9: The streets are flying off the show.
• 45:08
  Speaker 5: And you said that if we can't remember our lines,
• 45:11
  Speaker 5: we can just say banana.
• 45:12
  Speaker 8: Yeah, yeah, because you know we know that.
• 45:21
  Speaker 6: Oh, I know the lines because.
• 45:22
  Speaker 2: We got We got Vicky, the stage manager call on line.
• 45:25
  Speaker 2: She's making these report sheets at the end of the
• 45:27
  Speaker 2: night and she sent them to me and she's basically
• 45:28
  Speaker 2: sending me the whole script.
• 45:30
  Speaker 1: Last week she just gave me the book. She said,
• 45:31
  Speaker 1: here's the lines. Funny. I mean, it's funny.
• 45:35
  Speaker 4: Yeah, I'm so glad we're doing the Scottish play again.
• 45:39
  Speaker 9: Yes, I like to do it once a semester.
• 45:41
  Speaker 5: I do.
• 45:42
  Speaker 9: And I like that we're doing it in a diner.
• 45:44
  Speaker 3: I just like them.
• 45:45
  Speaker 9: I like that it's like one to one, it's a diner.
• 45:48
  Speaker 11: And it's exciting.
• 45:49
  Speaker 5: It's a it's a battle between the head chef and
• 45:52
  Speaker 5: someone who wants to work his way up from dishwasher
• 45:55
  Speaker 5: two head chef because an old witch at the coffee
• 45:59
  Speaker 5: shoptated that he would be destined to be headsche It
• 46:04
  Speaker 5: maps on so perfectly, and it says a lot about
• 46:08
  Speaker 5: diner culture.
• 46:09
  Speaker 10: Maybe in maybe in parentheses under the title on the program,
• 46:13
  Speaker 10: we should put the Bear?
• 46:17
  Speaker 9: Could we check?
• 46:20
  Speaker 5: Okay, it's no secret. Ticket sales have been done.
• 46:25
  Speaker 4: I like the idea of connecting a Shakespeare play to
• 46:28
  Speaker 4: I p Minions.
• 46:31
  Speaker 1: I did the Bear.
• 46:32
  Speaker 2: I did Minions, But I don't want to pander you know,
• 46:35
  Speaker 2: the Bard himself.
• 46:36
  Speaker 1: We're honoring him. We're not trying to force another thing
• 46:40
  Speaker 1: into this thing. And is it is the the origins
• 46:43
  Speaker 1: of drama in many ways.
• 46:44
  Speaker 11: We're going to keep king Lear pure.
• 46:46
  Speaker 2: Yeah, yeah, and I've gotten I've gotten your request to
• 46:49
  Speaker 2: turn king Lear into Benson Boone.
• 46:51
  Speaker 1: I don't want to.
• 46:51
  Speaker 6: We're going to keep it pure.
• 46:53
  Speaker 11: We're going to it's just my ice cream, that's all.
• 46:57
  Speaker 1: We're y'all.
• 47:04
  Speaker 2: Don't make me cancel rehearsal. What are you going to
• 47:08
  Speaker 2: do at home if I cancel her?
• 47:09
  Speaker 1: Please?
• 47:10
  Speaker 3: Please?
• 47:11
  Speaker 9: I'm begging you.
• 47:12
  Speaker 10: I'm begging you as well, labors lost, If that's my
• 47:16
  Speaker 10: swamp shrek, I'm not doing swapshrike for love Labor's loss.
• 47:20
  Speaker 3: Much ado about the White House.
• 47:22
  Speaker 2: I'm not doing much ado about the White House.
• 47:28
  Speaker 6: I got much to say about things.
• 47:31
  Speaker 1: I know, but that's not what Shakespeare is meant to be. Okay, y'all,
• 47:35
  Speaker 1: so please don't make me get What do y'all do tomorrow?
• 47:37
  Speaker 1: If I can't sil rehearsal, think about that where we
• 47:39
  Speaker 1: all go? Probably want to.
• 47:41
  Speaker 8: A dark place, said Drake.
• 47:43
  Speaker 6: I need to be a.
• 47:44
  Speaker 3: Rehearsal best friend. And their brothers.
• 47:48
  Speaker 11: Oh god, do you think your brother would come to
• 47:50
  Speaker 11: a show.
• 47:52
  Speaker 10: I don't know if he's going to come to a
• 47:55
  Speaker 10: show or not, but I know his ex wife will.
• 47:57
  Speaker 10: She'll be at every single one of them.
• 48:03
  Speaker 1: I'm sorry cheated on her so much.
• 48:08
  Speaker 4: And your son is so much about to be gay,
• 48:12
  Speaker 4: about to come out, and your brother cheated on his
• 48:14
  Speaker 4: wife so much.
• 48:17
  Speaker 3: Talk about it.
• 48:18
  Speaker 8: Hark, I don't think he'll come, And can I be
• 48:23
  Speaker 8: real with you, I don't care.
• 48:26
  Speaker 10: She will be there every night, every single night of
• 48:30
  Speaker 10: every performance we do.
• 48:32
  Speaker 8: She'll be there so dour rehearsal.
• 48:37
  Speaker 9: To drink do you see the darkest place she go.
• 48:42
  Speaker 3: Which is like looking into the mirror of a soul.
• 48:47
  Speaker 10: Thank you.
• 48:48
  Speaker 2: I did want to let you know I'm adding a
• 48:50
  Speaker 2: new show, The Tempest, set in Palm Springs.
• 48:57
  Speaker 5: Oh my god, mid century murder.
• 49:03
  Speaker 14: You vile, wicked bat you licious cod swallow? Oh go
• 49:10
  Speaker 14: for band wagoning back of Hodie baggage.
• 49:14
  Speaker 10: You storm, you storm, rolling in as if a hurricane
• 49:19
  Speaker 10: were upon us, You tricky, weathered funnel.
• 49:26
  Speaker 8: Nami of swine.
• 49:28
  Speaker 3: And gore you licious wordling.
• 49:37
  Speaker 6: Swallow the pancake.
• 49:41
  Speaker 9: Eric the Nightingale orders a cup of juice.
• 49:44
  Speaker 11: It's just so charming. I can't handle it.
• 49:46
  Speaker 9: It's so charming with your real cedule.
• 49:51
  Speaker 2: All right, yeah, I mean this is what we do
• 49:53
  Speaker 2: and like something I did. This is so nice. You'll
• 49:57
  Speaker 2: come after me.
• 49:58
  Speaker 3: Will get him? Good, be good.
• 50:00
  Speaker 1: You are so funny. But my son is gonna love
• 50:02
  Speaker 1: this one. And you know you are?
• 50:04
  Speaker 3: Who's playing who in the Tempest?
• 50:06
  Speaker 6: Yes? The cast list, Well, we.
• 50:11
  Speaker 3: Could audition for you right now if you the dom.
• 50:15
  Speaker 2: I do have three people that I'm thinking of playing Caliban.
• 50:18
  Speaker 5: Okay, this is okay, hold you holder young.
• 50:24
  Speaker 1: I'm thinking of Flowers who who which one.
• 50:29
  Speaker 2: I'm thinking of bland flower, flower flower, a flower cow flower.
• 50:38
  Speaker 8: And who's entered your head for.
• 50:39
  Speaker 1: Prospero, I'm thinking of Bland blin No, your name is
• 50:46
  Speaker 1: not and Ariel.
• 50:54
  Speaker 11: Garmel by the sea.
• 50:59
  Speaker 17: Yeah, my god, Oh this is huge.
• 51:03
  Speaker 5: This is just this is even better than the magnets
• 51:06
  Speaker 5: on my fridge.
• 51:08
  Speaker 1: I have an announcement. The ship that's a maskat.
• 51:15
  Speaker 8: Mister lovel.
• 51:20
  Speaker 1: No longer.
• 51:28
  Speaker 10: Dance the floor, dance yes, let it out, Yes.
• 51:41
  Speaker 1: Let it out of the floor, let it let it out. Yes,
• 51:45
  Speaker 1: he's had one of those dancing fits.
• 51:47
  Speaker 10: Oh, he's so beautiful when he can feel it you.
• 51:52
  Speaker 1: Of course you're gonna be great.
• 51:55
  Speaker 2: It's gonna be very similar to Gargoyle, but it's very different,
• 51:57
  Speaker 2: going to be made of wood instead of stone, and
• 52:00
  Speaker 2: it's gonna be really fun.
• 52:02
  Speaker 14: Yes.
• 52:04
  Speaker 3: Wow, congratulations and congrats, thank you. Are you guys happy
• 52:10
  Speaker 3: with your rules?
• 52:11
  Speaker 5: And congrats and congratulations congratulations And I'm I'm sorry if
• 52:19
  Speaker 5: I was jealous of anyone today.
• 52:22
  Speaker 3: I monologue it out, Yes, Shakespeare, it out for.
• 52:27
  Speaker 5: The ugly green giant near Jolly only ugly rears its
• 52:35
  Speaker 5: ugly head betwixt or my two shoulder blades. It rears
• 52:40
  Speaker 5: at a woman, but not a fair one, for it
• 52:44
  Speaker 5: was unfair the rearing I did as the jolly not
• 52:49
  Speaker 5: so jolly, green giant, ugly, ugly even.
• 52:55
  Speaker 11: For it rears his ugly head betwixt my shoulder blades.
• 52:59
  Speaker 9: I can't wait for the rhyming part.
• 53:03
  Speaker 11: And between my shoulder blades, there's a lot.
• 53:07
  Speaker 8: There's a lot of shoulder blades stuff before we get
• 53:09
  Speaker 8: to them, and then it gets to.
• 53:13
  Speaker 9: The rhyming couplets.
• 53:14
  Speaker 5: Yes, I see for two eyes, but ahead and I
• 53:19
  Speaker 5: see what lies what she said. I nerry will be
• 53:25
  Speaker 5: jealous anymore. I will only be jealous before this. No longer,
• 53:34
  Speaker 5: no longer jealous.
• 53:35
  Speaker 6: Good.
• 53:36
  Speaker 11: Oh, it just came out of me.
• 53:38
  Speaker 9: I feel something bubbling up.
• 53:41
  Speaker 3: Release it.
• 53:42
  Speaker 16: I may have put mercury in all of your cups.
• 53:46
  Speaker 16: Yet I stop, for I've spoke up too much. Don't
• 53:54
  Speaker 16: get behind your wheels of your car. Oh no, for
• 53:58
  Speaker 16: your brakes.
• 53:59
  Speaker 9: I did cut. M oh, and that's just a little bit.
• 54:03
  Speaker 1: And that's did you are you telling us you cut?
• 54:07
  Speaker 6: So?
• 54:07
  Speaker 8: You cut our brakes?
• 54:10
  Speaker 9: Just the women? I didn't want them to take the
• 54:12
  Speaker 9: toe good.
• 54:13
  Speaker 3: The floor walks unscathed.
• 54:18
  Speaker 11: What are you cooking tomorrow the floor.
• 54:20
  Speaker 3: What am I cooking? What do you think? It's a
• 54:24
  Speaker 3: lovely shut?
• 54:27
  Speaker 9: How do you make it?
• 54:28
  Speaker 3: Tell me?
• 54:28
  Speaker 6: Now?
• 54:29
  Speaker 9: Tell me the ingredients.
• 54:30
  Speaker 1: He tells me he makes him every morning, right before
• 54:31
  Speaker 1: he brings them out.
• 54:32
  Speaker 3: I make him every morning, right before I bring them
• 54:35
  Speaker 3: in here.
• 54:35
  Speaker 9: Why aren't they warm?
• 54:36
  Speaker 1: Why are they recipe?
• 54:38
  Speaker 6: It's a twenty minute recipe.
• 54:41
  Speaker 3: Throw it in the oven, let it cool down and
• 54:44
  Speaker 3: bring it to rehearsal.
• 54:47
  Speaker 8: Throw what in the oven?
• 54:49
  Speaker 3: Throw these panel chockle ads in the oven.
• 54:55
  Speaker 11: So he heeds them.
• 54:56
  Speaker 8: I guess I was wrong.
• 54:58
  Speaker 3: No, I make them buy a half.
• 55:00
  Speaker 14: They are not Kirklin brand, Nay Cacklin brand for me.
• 55:07
  Speaker 14: I never ever use a Kirklan brand for me.
• 55:13
  Speaker 9: Who you want to dance again before?
• 55:15
  Speaker 14: I I will never for nay for me.
• 55:22
  Speaker 1: I didn't know you did Scottish act.
• 55:23
  Speaker 8: I did not either.
• 55:25
  Speaker 1: I literally do the Scottish plate three times a year.
• 55:27
  Speaker 3: I've never shown you this. No, wow, I for me.
• 55:32
  Speaker 3: I walk the plank for.
• 55:35
  Speaker 8: Me and it's so Scottish. It's not piratey at all.
• 55:39
  Speaker 9: No, No, I feel.
• 55:40
  Speaker 1: Like I'm in Aberdeen.
• 55:43
  Speaker 3: Thank you.
• 55:44
  Speaker 9: I'll fine, I'll drop it. You must make them, thank you.
• 55:50
  Speaker 3: Well, I guess we have a lot of fun here.
• 55:53
  Speaker 1: You have a lot of fun.
• 55:54
  Speaker 2: I love, I love a final monogue from the great
• 55:57
  Speaker 2: Glynn herself.
• 55:58
  Speaker 3: Oh Blinn, when she loses herself in it. It is the.
• 56:02
  Speaker 9: Horse while she's got so much going on in her
• 56:04
  Speaker 9: home life.
• 56:04
  Speaker 10: It's fine, wal get I now onto this stage, also
• 56:13
  Speaker 10: known as all the world. The bar did bless us
• 56:17
  Speaker 10: with these tomes, these lines, these rhymes. Who are we
• 56:24
  Speaker 10: to sit by and hey throw them aside like so
• 56:29
  Speaker 10: much wind and trash. We are no one to do
• 56:34
  Speaker 10: such a thing. We are the ones who should savor
• 56:39
  Speaker 10: the flavor of the wavering qualities of this life.
• 56:48
  Speaker 6: How do you?
• 56:49
  Speaker 3: How do you?
• 56:51
  Speaker 10: As the moon does rise and the sun does flicker?
• 56:58
  Speaker 10: Our lives as well, become a nicker on, a boy,
• 57:04
  Speaker 10: a cut off pant as he runs through life, searching,
• 57:11
  Speaker 10: searching for the type of joy I find with the
• 57:14
  Speaker 10: and the and the and the my friends, my fam Millie.
• 57:23
  Speaker 2: Wow, wow, what else came out?
• 57:31
  Speaker 1: We just came out of there. It was like a
• 57:32
  Speaker 1: little bit of audio discharge.
• 57:35
  Speaker 10: The bar incorporated into and I have to let him
• 57:39
  Speaker 10: all the way, just let him all the way out.
• 57:43
  Speaker 6: So beautiful.
• 57:46
  Speaker 9: I'm gonna let him out. You I amic?
• 57:50
  Speaker 6: Yes, am I?
• 58:00
  Speaker 3: But a rose to to the world to see, or
• 58:03
  Speaker 3: am I the floor? That is me?
• 58:06
  Speaker 8: Very good, very very.
• 58:10
  Speaker 2: Make sure to check us out on Instagram. We're at
• 58:12
  Speaker 2: mary Players Shakespeare Company, USA. So we're there and I'm
• 58:18
  Speaker 2: posting everything and we go live once a night in rehearsal.
• 58:20
  Speaker 1: For an hour.
• 58:21
  Speaker 3: Give us a monologue.
• 58:22
  Speaker 1: Oh you know I'm not the monologue guy.
• 58:24
  Speaker 3: Okay, okay, No, do.
• 58:30
  Speaker 5: Do the one I caught you doing in the bathroom
• 58:32
  Speaker 5: about how hard.
• 58:33
  Speaker 11: It is to be a director. Yes, I didn't know you.
• 58:37
  Speaker 2: I didn't look somebody in sells a two way mirror
• 58:40
  Speaker 2: in our bathroom, and that is an issue.
• 58:42
  Speaker 1: And luckily this is all you caught.
• 58:44
  Speaker 2: But if we do spirits offend, we are doing the
• 58:51
  Speaker 2: jobs to our fullest. If we strut and fred our
• 58:55
  Speaker 2: hour upon the stage, we have left a mark on
• 58:59
  Speaker 2: that stage that cannot be forgotten. By opposing, we end
• 59:05
  Speaker 2: them by opposing we began. By opposing, we start to think,
• 59:11
  Speaker 2: if it were done, when tis done, then I will
• 59:15
  Speaker 2: never be done. Out out brief candle, I got stage lights.
• 59:23
  Speaker 8: Oh my god.
• 59:29
  Speaker 10: Sometimes I wish I could kill your wife.
• 59:32
  Speaker 3: Sometimes we all wish.
• 59:34
  Speaker 11: We could just gosh, I get it, I get it.
• 59:37
  Speaker 11: I wish I could.
• 59:38
  Speaker 1: That doesn't make me very comfortable to hear.
• 59:40
  Speaker 10: No, I just wish you would end up murdered and
• 59:43
  Speaker 10: then I could just you wouldn't know she was murdered yet,
• 59:47
  Speaker 10: and I could just slide the covers with you.
• 59:49
  Speaker 6: And I wish.
• 59:51
  Speaker 10: You wouldn't know she was dead yet, and I can
• 59:53
  Speaker 10: just slide under the covers with you.
• 59:55
  Speaker 9: Right and pick it up like a like a lost
• 59:56
  Speaker 9: and found.
• 59:57
  Speaker 1: This dishes is the kind of thing people say to
• 59:59
  Speaker 1: other people.
• 59:59
  Speaker 9: I wish I was in gay son mm hmmm. Because
• 1:00:02
  Speaker 9: I'm young, I wish I was your baby boy.
• 1:00:08
  Speaker 11: I wish I was your dog.
• 1:00:10
  Speaker 5: See as a fun caller, that little that little tartan
• 1:00:14
  Speaker 5: one kind of Scottish.
• 1:00:16
  Speaker 11: It's fun.
• 1:00:16
  Speaker 1: You can get that as a necklace.
• 1:00:18
  Speaker 11: I think, ah, rather be the dog.
• 1:00:21
  Speaker 9: The leader you are, and the leader it is.
• 1:00:24
  Speaker 2: We bow to you, and I don't need to be
• 1:00:28
  Speaker 2: to you.
• 1:00:28
  Speaker 6: You are the goat.
• 1:00:30
  Speaker 4: And I appreciate you taking my payment to be a
• 1:00:34
  Speaker 4: part of the troop a little late this summer.
• 1:00:37
  Speaker 1: I appreciate news. By the way, five thousand isn't easy
• 1:00:39
  Speaker 1: to get yes.
• 1:00:40
  Speaker 9: And I appreciate you the grace period for a couple
• 1:00:42
  Speaker 9: more days. I needed it.
• 1:00:44
  Speaker 1: It's all good. I mean, we'll hold the role for you,
• 1:00:46
  Speaker 1: but you know, of course, you can't serve till you pay.
• 1:00:48
  Speaker 2: So awesome, it's forgiving, all right, Exit stage left, pursued
• 1:00:53
  Speaker 2: by Bear.
• 1:01:08
  Speaker 9: It's a loging gal.
• 1:01:13
  Speaker 6: Charming.
• 1:01:14
  Speaker 9: It's so charming.
• 1:01:19
  Speaker 1: Answer the question not, That's why they call it show business.
• 1:01:21
  Speaker 1: Give it a for guest, any batters.
• 1:01:25
  Speaker 9: We're filming at the Beautiful Line Patrio, you're the best, dude.
• 1:01:36
  Speaker 9: Artists on Artists on Artists on Artists.
• 1:01:38
  Speaker 4: Improvised Hollywood Round Table podcast created and performed and produced
• 1:01:42
  Speaker 4: by Kylie Braakman, Jeremy Colhayne, Angela Jertana, and Patrick McDonald.
• 1:01:45
  Speaker 9: Music is by Gabriel pond Talk. The opinions expressed on
• 1:01:49
  Speaker 9: this podcast do not reflect the opinions of anyone.
• 1:01:51
  Speaker 4: Who works on it, not even the performers, because this
• 1:01:53
  Speaker 4: is an improvised podcast and we're stupid. All video versions
• 1:01:56
  Speaker 4: of a O A O A O A are available
• 1:01:58
  Speaker 4: on YouTube, so please and subscribe and leave us a
• 1:02:01
  Speaker 4: five star review wherever you get your podcasts.
• 1:02:03
  Speaker 9: Good Night, Hollywood,