Latest / I Said No Gifts! A comedy interview podcast with Bridger Winegar / Chris Fleming Returns to Disobey Bridger During a Very Sensitive Time

Transcript

Chris Fleming Returns to Disobey Bridger During a Very Sensitive Time · I Said No Gifts! A comedy interview podcast with Bridger Winegar

• 0:08
  Speaker 1: Well, I invited you here. I thought I made myself
• 0:14
  Speaker 1: perfectly clear. When you're a guest to my home, you
• 0:21
  Speaker 1: gotta come to me empty. And I said, no, guests,
• 0:27
  Speaker 1: your presences presence enough, and I already had too much stuff.
• 0:35
  Speaker 2: So how do you dare to surbey me?
• 0:49
  Speaker 3: Hello, it's Bridge, your host of the show. I just
• 0:51
  Speaker 3: want to quickly invite and demand that you come join
• 0:54
  Speaker 3: us on Patreon. We are having the time of our lives.
• 0:57
  Speaker 3: Bonus episodes, two bonus episodes, a months video, whatever I
• 1:01
  Speaker 3: feel like posting. It's threatening to become my blog, and
• 1:05
  Speaker 3: I hope that doesn't feel like a threat. We're having
• 1:07
  Speaker 3: a great time over there, experimenting with the show and
• 1:09
  Speaker 3: having old friends on, and it's a great way to support.
• 1:13
  Speaker 3: I said no gifts, and I think in the end,
• 1:15
  Speaker 3: the only thing any of us really wants is to
• 1:19
  Speaker 3: support a podcast. I think I speak for everyone when
• 1:22
  Speaker 3: I say that, So no excuses. Get over there Patreon
• 1:26
  Speaker 3: dot com slash. I said, no gifts. Come join us
• 1:29
  Speaker 3: and have a wonderful time. And now let's get into
• 1:31
  Speaker 3: this episode, which is just oh, this is quite a show.
• 1:36
  Speaker 3: Welcome to I said no gifts. I'm Bridger weineger Oh,
• 1:41
  Speaker 3: here we are. It's the fifth anniversary episode. What does
• 1:45
  Speaker 3: that mean for anyone? What does that mean for me?
• 1:48
  Speaker 3: What does that mean for you? Well, it means for
• 1:51
  Speaker 3: the last three days, I've been thinking about Tunic's I've
• 1:53
  Speaker 3: been thinking about what Tunic I would wear. Because we
• 1:55
  Speaker 3: are this is more of a video production, although you
• 1:58
  Speaker 3: know you'll be listening to the audios. So if you're
• 2:00
  Speaker 3: listening to the audio, you'll just have to picture me
• 2:02
  Speaker 3: at my very best. I was just smoking. The smoke
• 2:05
  Speaker 3: is now out. I don't condone smoking unless you're doing
• 2:09
  Speaker 3: a podcast. But the last three days I've just been
• 2:12
  Speaker 3: thinking about which Tunic I would wear. I ordered several
• 2:16
  Speaker 3: online and they were all essentially long T shirts that
• 2:21
  Speaker 3: barely covered my ass. They were not appropriate for YouTube
• 2:25
  Speaker 3: or for audio for that matter, so we just you know,
• 2:27
  Speaker 3: I defaulted to my classic Kiki Sole. I've redied it.
• 2:33
  Speaker 3: You have to keep these things fresh or the audience
• 2:35
  Speaker 3: freaks out. This is the third color of the Kiki
• 2:37
  Speaker 3: Sole has been I'm just going to take off my robe,
• 2:40
  Speaker 3: so if you're just listening, listen for a soft fabric
• 2:43
  Speaker 3: falling off of my body and then continue to imagine
• 2:46
  Speaker 3: me at my best. Oh there we go. Not quite
• 2:52
  Speaker 3: as hot as I was going to take a drink. Okay,
• 2:56
  Speaker 3: I'm feeling so much better. It is the fifth Anniverse
• 3:00
  Speaker 3: three episode on Elise demanded that they be here, so
• 3:04
  Speaker 3: we're just looking for odd jobs for them to do
• 3:06
  Speaker 3: around the house. Meanwhile, I'm sitting here thinking about the
• 3:10
  Speaker 3: last five years. We launched in March of twenty twenty,
• 3:14
  Speaker 3: March twelfth of twenty twenty, and obviously it was the
• 3:19
  Speaker 3: biggest buzz online that day. People couldn't stop talking about
• 3:22
  Speaker 3: the podcast, which was very flattering. The world was going
• 3:26
  Speaker 3: kind of bananas, and I don't remember anything else happening
• 3:29
  Speaker 3: in the last five years. But I think it goes
• 3:32
  Speaker 3: without saying that I've had it harder than anyone else.
• 3:39
  Speaker 3: So keep that in mind while we record, and while
• 3:41
  Speaker 3: you leave your reviews online or attack me or whatever.
• 3:45
  Speaker 3: I don't know what you can even see as far
• 3:48
  Speaker 3: as my body goes in this tunic, and that's fine.
• 3:51
  Speaker 3: That's kind of the excitement of video and tunics, and
• 3:56
  Speaker 3: it's a journey for all of us. My legs are
• 3:59
  Speaker 3: deeply exposed. Is there anything else we need to talk about?
• 4:04
  Speaker 3: Let's see the rest of my I mean, let's just say,
• 4:07
  Speaker 3: you know, I'm constantly talking about Found Coffee, my local
• 4:10
  Speaker 3: coffee shop, and I'm always trying to give them free promotion.
• 4:13
  Speaker 3: I tried to go there today. They were under renovation,
• 4:16
  Speaker 3: but they'll be open Thursday, so I'll be back Thursday.
• 4:18
  Speaker 3: Had to go to a different place for my coffee.
• 4:20
  Speaker 3: I thought you should know. Oh, I mean, there's a
• 4:24
  Speaker 3: chance that this piece of audio, you know, humanity's wiped out,
• 4:28
  Speaker 3: the earth is destroyed, and there is a chance that
• 4:30
  Speaker 3: this is the only thing that remains. And can you imagine?
• 4:33
  Speaker 3: Can you imagine? Do you ever think about the end
• 4:37
  Speaker 3: of the world. Okay, I think it's time to get
• 4:40
  Speaker 3: into the podcast. You know, when you have a fifth anniversary.
• 4:45
  Speaker 3: I'm all over the I'm all over the sofa right now.
• 4:48
  Speaker 3: It's a good, very good excuse to demand that favorites
• 4:51
  Speaker 3: come back, that people that have busier lives than you
• 4:55
  Speaker 3: make the time for the podcast. And so I thought,
• 4:58
  Speaker 3: why not reach out to on one of my all
• 5:00
  Speaker 3: time favorites, one of everyone's all time favorites, Chris Fleming. Chris,
• 5:06
  Speaker 3: Oh my god, oh welcomed. I said, no.
• 5:12
  Speaker 4: Gifts than you do you want me to touch you
• 5:14
  Speaker 4: or not.
• 5:15
  Speaker 3: You can touch me, you know, any way you want.
• 5:17
  Speaker 2: You're like Weber, I haven't. I haven't been allowed access
• 5:21
  Speaker 2: to Bridger. I've been waiting in the Bridger is now
• 5:24
  Speaker 2: operating out of what feels like a wellness center. It's
• 5:28
  Speaker 2: a very new build, but for a new build, it
• 5:30
  Speaker 2: still has a pretty haunted vibe.
• 5:32
  Speaker 3: But the air is dry. Yes, there's no mildew. No no, no,
• 5:36
  Speaker 3: you're very black mold.
• 5:38
  Speaker 2: Oh no no, but I'm hearing I'm hearing breathing from
• 5:41
  Speaker 2: offices that are what feel like half a mile away.
• 5:45
  Speaker 3: Being piped in from. Yeah, probably Studio City, It's probably.
• 5:48
  Speaker 3: It feels like where you would have an after prom.
• 5:52
  Speaker 3: You remember, you just feel very after when you would
• 5:54
  Speaker 3: get locked in.
• 5:55
  Speaker 2: But here here actually feels like a pediatrician's office with
• 6:00
  Speaker 2: or like a children's.
• 6:00
  Speaker 3: Dentist and just as many cameras, I assume, yeah.
• 6:05
  Speaker 2: Yeah. And also also while you were doing your intro,
• 6:08
  Speaker 2: everyone's like stifling laugh.
• 6:09
  Speaker 4: I'm like, it's Fridger making people silent?
• 6:13
  Speaker 3: Are you?
• 6:13
  Speaker 2: Are they not?
• 6:14
  Speaker 4: People like.
• 6:16
  Speaker 3: You pull up and you just hear me screaming at people.
• 6:20
  Speaker 3: It was just quiet.
• 6:21
  Speaker 2: Yeah, it's almost like you know, in the beginning of
• 6:23
  Speaker 2: Mission Impossible. Like you know how they always do those
• 6:25
  Speaker 2: little ruises to like out of someone.
• 6:28
  Speaker 4: It's like trying, We're trying to not get.
• 6:32
  Speaker 3: We're in a submarine right now.
• 6:34
  Speaker 4: Yeah, yeah, it feels like a sting operation.
• 6:39
  Speaker 2: That.
• 6:39
  Speaker 3: I mean, this is before we can talk about other things,
• 6:41
  Speaker 3: but I just want to really quickly point out that
• 6:43
  Speaker 3: I've recently learned that I can't pay attention to spy movies.
• 6:46
  Speaker 3: You I saw the sort of black bag I had.
• 6:49
  Speaker 3: Do you know what this is? The Cate Blanchette who
• 6:52
  Speaker 3: Now I'm forgetting the man other guy. That's very that's
• 6:56
  Speaker 3: very modern forgetting men. Yeah.
• 6:59
  Speaker 2: Fort av Club right about a movie they're covering, and
• 7:04
  Speaker 2: I forget that. I forget the guy's guy Pierce a.
• 7:08
  Speaker 3: Culture review of that is very forgetful of man. But
• 7:12
  Speaker 3: I saw this thing and it was so sexy and exciting.
• 7:14
  Speaker 3: But when people start talking about spy logistics, Oh, I
• 7:18
  Speaker 3: just have to trust the filmmaker. I have to watch
• 7:21
  Speaker 3: a spot.
• 7:21
  Speaker 2: I luckily watch Mission Impossible just because Tom almost called
• 7:24
  Speaker 2: him Hanks Cruise is like the choices he makes, you know.
• 7:28
  Speaker 3: My team is dead. They're all dead because it's celebration.
• 7:33
  Speaker 4: I have to watch it for that.
• 7:35
  Speaker 2: But I think it's taken me one hundred and fifty
• 7:37
  Speaker 2: times to finally get the general emotional arc.
• 7:41
  Speaker 4: And I'm still not geopolitical.
• 7:43
  Speaker 3: It's so difficult.
• 7:44
  Speaker 4: It's impost.
• 7:45
  Speaker 3: So when there's like a big twist at the end,
• 7:47
  Speaker 3: I'm like, well, I probably would have felt this.
• 7:50
  Speaker 4: You can hear in a movie theater people go.
• 7:52
  Speaker 3: Like, I guess they laid the pieces down, and I
• 7:56
  Speaker 3: just wasn't really following.
• 7:57
  Speaker 4: You know what I hate in spy movies, comic relief.
• 7:59
  Speaker 3: Oh, it's a tough.
• 8:02
  Speaker 4: Oh whoops.
• 8:03
  Speaker 3: Oh okay, Oh, I've got plenty of time to do that.
• 8:06
  Speaker 2: Then he wouldn't make it.
• 8:07
  Speaker 3: Do the background check. That person is not a serious person,
• 8:11
  Speaker 3: serious person, and this is very serious. Yes, you know
• 8:14
  Speaker 3: in your.
• 8:14
  Speaker 2: Ear piece you don't want to be hearing little little
• 8:17
  Speaker 2: witticisms clips.
• 8:18
  Speaker 3: Oh yes, Oh, certainly, I've got the time for this.
• 8:21
  Speaker 3: The only way you can do that is if you
• 8:23
  Speaker 3: build in that his dad works at the agency, and
• 8:26
  Speaker 3: then it's like, okay, we kind of get why Simon
• 8:28
  Speaker 3: Peg keeps getting a chance. Simon Peg, I've never said
• 8:32
  Speaker 3: that Peg, that's a great question.
• 8:35
  Speaker 4: It sounds like a bike shop.
• 8:36
  Speaker 3: I know Simon Peg, but it sounds like And then
• 8:39
  Speaker 3: when I hear Simon Peg, I think of Hot Chip,
• 8:41
  Speaker 3: and I don't think he's a member of Hot Chip,
• 8:42
  Speaker 3: so he kind of is. He probably has. I'm a
• 8:45
  Speaker 3: member of Hotship. I would believe you are. I was
• 8:49
  Speaker 3: in the early tens.
• 8:50
  Speaker 4: You're in Phoenix, I'm in Hot Chip.
• 8:52
  Speaker 3: Well, this is where I reveal I'm French and I'm
• 8:55
  Speaker 3: married to Sophia a couple.
• 8:56
  Speaker 2: What do you mean you've revealed you were French through subliminally,
• 8:59
  Speaker 2: I think on March twelve, twenty twenty.
• 9:02
  Speaker 3: Through a lot of weeks and subliminal messaging.
• 9:05
  Speaker 2: Did you say that you dropped? So you were saying
• 9:07
  Speaker 2: first of all, they out the tuning tune is from market.
• 9:10
  Speaker 3: I'm so sorry.
• 9:11
  Speaker 2: Can we get it? Okay?
• 9:12
  Speaker 3: I hope that's captured the upisode there as much of
• 9:14
  Speaker 3: we need to find up skirt.
• 9:20
  Speaker 4: With Bridget.
• 9:24
  Speaker 3: You're you're a coworker is my original gift? I mean
• 9:28
  Speaker 3: you were here, you were on the show August or
• 9:31
  Speaker 3: maybe sometime in twenty twenty, late twenty twenty. It is
• 9:34
  Speaker 3: an absolute haze, but there is a clear I have
• 9:39
  Speaker 3: a very clear. This thing just keeps coming up. I mean, look,
• 9:42
  Speaker 3: I'm glad I wore the under where I'm wearing now.
• 9:45
  Speaker 2: I mean the way I've accidentally exposed myself for like
• 9:47
  Speaker 2: entire shows, like stage show, like there's nothing that you
• 9:51
  Speaker 2: could do for me.
• 9:52
  Speaker 3: But the audience seats it up. They're begging for it.
• 9:55
  Speaker 3: Not the family, not the family show, not the birthday parties.
• 10:00
  Speaker 2: No, but I went to my niece's birthday party and
• 10:03
  Speaker 2: she had a magician named Awesome Rob, and he fucking cried.
• 10:09
  Speaker 2: What did he do? Oh?
• 10:11
  Speaker 4: He did everything he did an hour.
• 10:12
  Speaker 3: He saw someone in half.
• 10:14
  Speaker 4: No, it was for three year old saw a three
• 10:16
  Speaker 4: year old half.
• 10:19
  Speaker 3: Yeah, it was. The parents are concerned, truly.
• 10:24
  Speaker 2: It was like a Baptist like church like like the
• 10:27
  Speaker 2: reaction that the kids they were like it.
• 10:31
  Speaker 3: Was by any of the things.
• 10:33
  Speaker 2: I was doing. I was I couldn't stop. And I
• 10:36
  Speaker 2: don't typically do this. I don't do this with media.
• 10:38
  Speaker 2: This has been a problem people. I don't put myself
• 10:40
  Speaker 2: into things, okay, but I was putting myself into this.
• 10:44
  Speaker 2: I was trying to no, no, I was trying to
• 10:47
  Speaker 2: picture if I was in the parking lot about to
• 10:49
  Speaker 2: have because you know, I dread doing shows, and I
• 10:51
  Speaker 2: was imagining going into a living room.
• 10:53
  Speaker 3: To do as awesome rob Oh, can you imagine pulling
• 10:57
  Speaker 3: up to the house and being like, should be at
• 11:02
  Speaker 3: the Magic Castle?
• 11:03
  Speaker 2: You got this like it's the same for any show
• 11:06
  Speaker 2: you know, of course, no line off, trying to imagine
• 11:14
  Speaker 2: if there were.
• 11:18
  Speaker 3: Do you know how fuck? Is this your sister's kid?
• 11:23
  Speaker 2: Sorry, not a niece. It's a okay, all the world,
• 11:27
  Speaker 2: any child's a niece. It's my cousins, and my cousins
• 11:32
  Speaker 2: are like okay, which is a hards like sisters to
• 11:37
  Speaker 2: cut shut it all down. This is your last show?
• 11:41
  Speaker 3: Can I enter again? I'm sorry, I'll light the cigarette
• 11:45
  Speaker 3: back up.
• 11:45
  Speaker 2: Oh my god, your timer.
• 11:48
  Speaker 3: This is a bomb. When this gets to seventeen minutes,
• 11:51
  Speaker 3: we die. I can't go for seventeen.
• 11:54
  Speaker 4: I saw Matt. You and Matt did Matt? You guys
• 11:57
  Speaker 4: were outside matting.
• 11:58
  Speaker 3: Bruton was just on the Patreon show. This is actually
• 12:00
  Speaker 3: a recent addition to.
• 12:01
  Speaker 4: The uh you hide him behind the paywall?
• 12:04
  Speaker 3: I hide him behind You've got someone that tall, You've
• 12:05
  Speaker 3: got to put behind.
• 12:06
  Speaker 2: Him, someone with that posture. Yeah, coorse o, my god,
• 12:09
  Speaker 2: he's almost leaning, he's almost Yeah.
• 12:10
  Speaker 3: It's getting backwards. Yeah, yeah, yeah, Chris, you got to
• 12:13
  Speaker 3: start doing That's.
• 12:14
  Speaker 2: What he does.
• 12:15
  Speaker 3: He's always recommending. He's trying to coach everybody because you're.
• 12:18
  Speaker 2: Going to hurt yourself on stage if you don't start
• 12:19
  Speaker 2: taking care of your body in your forties.
• 12:21
  Speaker 3: He has advice for everybody. He's the listener. This is
• 12:24
  Speaker 3: Matt Ingebretson, who was the first guest on the show
• 12:26
  Speaker 3: by the Worse. Yeah, but he's constantly I think as
• 12:28
  Speaker 3: a straight tall man, you just have advice. You're overflowing
• 12:32
  Speaker 3: with things to tell other people.
• 12:33
  Speaker 2: He's but but he's he's so like, usually my guys
• 12:39
  Speaker 2: are not helpful.
• 12:40
  Speaker 3: Oh sure, but they're confident. They're confident.
• 12:43
  Speaker 2: Oh yeah, no right, it's usually like, dude, we should
• 12:46
  Speaker 2: we should move to Buffalo and be contractors.
• 12:51
  Speaker 3: This was awesome Rob in the bathroom of that birthday party.
• 12:55
  Speaker 3: Chris is playing Awesome Raw. I'm in trouble.
• 12:58
  Speaker 2: I think his name is Awesome Raw better.
• 13:02
  Speaker 3: But he gave me this little frame photo Steven Spielberg. Yeah,
• 13:06
  Speaker 3: so that's very cute. I can put that on that.
• 13:07
  Speaker 3: That could be a ring.
• 13:09
  Speaker 2: There we go, Could I wear this as a ring?
• 13:11
  Speaker 3: Oh, that's not a bad idea.
• 13:13
  Speaker 2: No, it's too big. That could be a pinky ring.
• 13:15
  Speaker 3: Do we say brooch or brooch?
• 13:17
  Speaker 4: It's spelled brooch, we say broke.
• 13:20
  Speaker 3: That's one of those words I never say in cool
• 13:24
  Speaker 3: company because I'm like, I'm going to be exposed to
• 13:26
  Speaker 3: someone who went through U top public education.
• 13:30
  Speaker 2: I save it for podcasts to try it out. Yeah,
• 13:34
  Speaker 2: somehow crossed in the double O is a is a?
• 13:40
  Speaker 3: Where does the brooch come? Is that that must be German? Oh?
• 13:44
  Speaker 2: Oh yes, double O's Scandinavian.
• 13:47
  Speaker 3: Oh that's probably true. An open faced sandwich.
• 13:49
  Speaker 2: It's European. Yes, it is a croc monsieur. It's an
• 13:55
  Speaker 2: open casket croc monsieur.
• 14:00
  Speaker 3: Awake.
• 14:00
  Speaker 4: Did you ever have a croc? Is a kroke, Madame?
• 14:03
  Speaker 2: Yes, I've had in a little skirt and guy eyelashes
• 14:06
  Speaker 2: and then a monsieur has a fucking gun.
• 14:10
  Speaker 3: And left his family a long time ago.
• 14:13
  Speaker 2: Oh yeah, yeah, yeah it does not. He's not even
• 14:15
  Speaker 2: talking to his parents.
• 14:16
  Speaker 3: I think the croke Madame has a like a Frida
• 14:20
  Speaker 3: egg on top. I think there's something, I mean, there's
• 14:23
  Speaker 3: some kind.
• 14:23
  Speaker 4: Of weird that's a little on the nose.
• 14:26
  Speaker 3: Yeah, there's like a weird sexuality something going on. They
• 14:31
  Speaker 3: really thought about the sex of both of these sandwiches.
• 14:34
  Speaker 4: Oh, oh, totally.
• 14:35
  Speaker 2: The French they don't mind being they're not They're not
• 14:37
  Speaker 2: going to not be stopping genders.
• 14:39
  Speaker 3: Oh of course they'll go all over it, you know.
• 14:41
  Speaker 3: And then meanwhile, the Croke Monsieur, I think is just
• 14:43
  Speaker 3: almost a French toast ham sandwich that's addicted to online gaming.
• 14:50
  Speaker 3: They will not leave his ex girlfriend alone. He's harassing,
• 14:55
  Speaker 3: totally stalking. No, I know the Croque Monsieur because I
• 15:02
  Speaker 3: took in high school probably a total of eight different
• 15:06
  Speaker 3: semesters of food class.
• 15:08
  Speaker 4: Oh oh wow, that's a twist. I thought we were
• 15:10
  Speaker 4: going to say.
• 15:11
  Speaker 3: Oh no, no, no, no, who do you think you're talking about?
• 15:13
  Speaker 2: I forget how much writing you've done.
• 15:16
  Speaker 3: And you also forget I'm frenchy. Why bother? No, I
• 15:20
  Speaker 3: was learning to cook things in a microwave.
• 15:23
  Speaker 2: Eight semesters of of food which was called foods.
• 15:28
  Speaker 4: It's not homeck, it's food.
• 15:29
  Speaker 3: No. In middle school we started started off with HOMEC,
• 15:33
  Speaker 3: which was a subcategory of what was called TLC. Are
• 15:36
  Speaker 3: you following it? TLC was kind.
• 15:38
  Speaker 2: Of life skills.
• 15:41
  Speaker 3: I wonder what it was called it's probably true life
• 15:45
  Speaker 3: consequences traspasts They kind of utah, So, I mean we
• 15:56
  Speaker 3: were learning to sew, we were learning to cook, we
• 16:00
  Speaker 3: were learning to type. It was kind of like learning
• 16:02
  Speaker 3: to work in Don Draper's office essentially.
• 16:07
  Speaker 4: But the home cross legged on the side of a death.
• 16:10
  Speaker 4: That's well Semester.
• 16:13
  Speaker 3: Just thinking when Don is going to leave his wife.
• 16:17
  Speaker 3: He keeps promising me.
• 16:20
  Speaker 2: Do you feel like you could watch mad Men? I
• 16:22
  Speaker 2: feel like you could watch mad Men. It could freeze
• 16:25
  Speaker 2: and you could still be watching it. You know, I
• 16:26
  Speaker 2: feel like there's watch movement.
• 16:28
  Speaker 3: Yeah, you think like you could forget that it was.
• 16:31
  Speaker 4: Yeah, it could be loading and you could still be watching.
• 16:35
  Speaker 3: There are shows like that where I don't know, it's
• 16:37
  Speaker 3: frozen about ten minutes. For a few minutes. You want
• 16:40
  Speaker 3: to be like, well, maybe this is a choice, and
• 16:42
  Speaker 3: I don't want to embarrass myself and be the person
• 16:44
  Speaker 3: who tried to fast.
• 16:45
  Speaker 2: Forward through them, even if you're alone.
• 16:47
  Speaker 3: I mean, do you know what actually that happened? Was
• 16:49
  Speaker 3: the Sopranos documentary? Did you see this thing?
• 16:52
  Speaker 2: I still haven't seen the Sopranos. I'm saving that for
• 16:54
  Speaker 2: one on the Lamb or something. I'm saving a bunch
• 16:57
  Speaker 2: of stuff.
• 16:57
  Speaker 3: You've an awesome rob on a motel bed Burton earning
• 17:02
  Speaker 3: free HBO.
• 17:04
  Speaker 2: Yeah, h you feel like h I feel like HBO
• 17:07
  Speaker 2: needs to obviously it's too dark, and then Netflix needs
• 17:09
  Speaker 2: to dim their lights.
• 17:10
  Speaker 3: Oh my god, dim They need to fully shut off.
• 17:13
  Speaker 2: It feels like I had to watch a show to
• 17:15
  Speaker 2: get ready for something tonally and it was like it
• 17:19
  Speaker 2: felt It feels like last call at a bar.
• 17:21
  Speaker 3: It's like a tesla coming out at you with its light,
• 17:23
  Speaker 3: like you've got to turn.
• 17:24
  Speaker 2: Off your brides right right. It's like when et ship
• 17:28
  Speaker 2: lands close.
• 17:31
  Speaker 3: Encounters Jesus Christ.
• 17:33
  Speaker 4: They're all translucent.
• 17:34
  Speaker 3: No, they really do have commercial lighting on Netflix. That's
• 17:37
  Speaker 3: what it is. And I don't understand someone. They have
• 17:40
  Speaker 3: a lot of employees. Somebody's gotta maybe you know, it's.
• 17:42
  Speaker 2: It's wor they're wearing sunglasses and so they have to there.
• 17:45
  Speaker 2: Then they watch it after not wearing sunglasses, like, oh
• 17:47
  Speaker 2: we should have how are we all wearing sunglasses?
• 17:51
  Speaker 3: And the program won't let us edit it's uploaded. Yeah,
• 17:56
  Speaker 3: uh no, there's something going on with Netflix. I feel
• 17:59
  Speaker 3: like they still a long way to go before they
• 18:02
  Speaker 3: can be known as like something I can really trust,
• 18:05
  Speaker 3: I can trust, not even respect, trust babysit, my kids.
• 18:08
  Speaker 2: Yeah, I mean the stand up specials Jesus Christ.
• 18:12
  Speaker 3: I mean we will just touch on this briefly, because
• 18:15
  Speaker 3: there's a stand up special currently on Netflix which is
• 18:19
  Speaker 3: one of the most evil things I've ever seen. An
• 18:22
  Speaker 3: evil politically, politically I can't remember the guy's name. Everybody
• 18:26
  Speaker 3: seems to know who this person is.
• 18:28
  Speaker 2: Is it that guy who is like your friend in
• 18:30
  Speaker 2: middle school who you're like, you tolerant, then afterwards you're like,
• 18:33
  Speaker 2: I don't need to la with.
• 18:34
  Speaker 3: This fucking guy. I think it's even worse than that.
• 18:35
  Speaker 2: Okay, okay, like Charlie Horst, that's yeah.
• 18:39
  Speaker 3: Then when you when you say that hurts, he says,
• 18:43
  Speaker 3: I was kidding, dude, kidding physical. He's one up from
• 18:49
  Speaker 3: Hane Gillis. Yeah, Jane Gillis has got the show about tires. Yeah,
• 18:52
  Speaker 3: and he at least goes I'm kidding. Yeah, this kid
• 18:56
  Speaker 3: is just there to hurt.
• 18:57
  Speaker 4: Who are we talking about?
• 18:59
  Speaker 3: I wish he has a podcast. And the guy who
• 19:03
  Speaker 3: plays arenas Yes, the devil truly horrific. I could not
• 19:07
  Speaker 3: believe that this was on a mainstream.
• 19:10
  Speaker 4: I'm playing like airports.
• 19:11
  Speaker 3: He's not like like he's playing the person sitting next
• 19:14
  Speaker 3: to at the airport.
• 19:16
  Speaker 2: I mean like the.
• 19:18
  Speaker 3: Sheer size where what do you call that? Sorry, I
• 19:22
  Speaker 3: was going to say an airplane warehouse at LAX.
• 19:24
  Speaker 2: Yeah. No, no, that guy.
• 19:27
  Speaker 3: I mean I I again, we should move on because
• 19:29
  Speaker 3: I don't want to spend too much time talking about
• 19:32
  Speaker 3: earth devils. We can get into the Satan, but it's
• 19:36
  Speaker 3: just like Netflix is just you know, and I thought
• 19:40
  Speaker 3: we could trust corporations. You know.
• 19:42
  Speaker 2: Let's look guy Robbie Pratt, he's like three foot one.
• 19:44
  Speaker 2: He's in charge of he's in charge of the commedy specialist.
• 19:47
  Speaker 2: Oh and he's just he's.
• 19:49
  Speaker 4: Just under Joe Rogan's desk.
• 19:53
  Speaker 3: He's in the drawer of Yeah, next to a bottle
• 19:58
  Speaker 3: of ad Villain.
• 19:59
  Speaker 2: With assume the briefcates of cash that Joe that Joe
• 20:03
  Speaker 2: then gives to the Yeah, the dusty ridiculous.
• 20:05
  Speaker 3: I do think that they're like, there's there's one step
• 20:07
  Speaker 3: above being a thing that you can just like actively
• 20:10
  Speaker 3: upload whatever you want.
• 20:12
  Speaker 2: I I when you said upload earlier, you don't have
• 20:14
  Speaker 2: a fantasy about if we all could upload stuff to Netflix.
• 20:17
  Speaker 2: I guess YouTube. Oh, let's be great, have fun. Would that?
• 20:20
  Speaker 2: Oh I would love someone's upload.
• 20:22
  Speaker 4: Someone is uploading like we do, like you could.
• 20:24
  Speaker 3: There is somebody in a building, someone's time to up,
• 20:28
  Speaker 3: getting frustrated with the speed.
• 20:30
  Speaker 1: Like.
• 20:34
  Speaker 4: It's like Moneyball is uploading.
• 20:38
  Speaker 3: Yeah. Yeah, you don't really think about the human element
• 20:42
  Speaker 3: of that. No, there is somebody that has to do that,
• 20:44
  Speaker 3: like this, like one of us going on Vimeo or whatever,
• 20:47
  Speaker 3: waiting for Instagram the slow thing.
• 20:49
  Speaker 2: And by the way, that's slow.
• 20:51
  Speaker 3: I never uploaded to Vimeo, Instagram. I they have I
• 20:55
  Speaker 3: think they have my number because it takes at least
• 20:59
  Speaker 3: half an hour to upload anything over forty five seconds.
• 21:02
  Speaker 2: Oh, I put it on. I put my phone on
• 21:04
  Speaker 2: like my WiFi thing, the motive, and I just leave.
• 21:08
  Speaker 2: Then if you.
• 21:08
  Speaker 3: Close out of it, it's like wait to hear a
• 21:10
  Speaker 3: sizzle y Yeah. And if you close out of it
• 21:14
  Speaker 3: and so all all bets are off.
• 21:17
  Speaker 4: Yeah, it's like an asops fable.
• 21:19
  Speaker 2: You have to keep staring it in the eye otherwise
• 21:21
  Speaker 2: it's like, oh, it looks like you don't want this.
• 21:23
  Speaker 3: Yeah, you have to learn a lesson.
• 21:24
  Speaker 2: Yeah.
• 21:24
  Speaker 3: And they've also kind of shadow blocked my favorite influencer
• 21:28
  Speaker 3: despite me interacting with all of her content. Beth Any Franklin,
• 21:33
  Speaker 3: her name's Turtle Creek Lane. She lives in Dallas.
• 21:36
  Speaker 4: Did she build this wellness in sug.
• 21:38
  Speaker 3: She's sponsoring the box. Yeah, she said, just don't look
• 21:41
  Speaker 3: at my content and you can have as much money
• 21:43
  Speaker 3: as you want.
• 21:43
  Speaker 2: Turtle Turtle Creek, Turtle Creek Lane. That's not an easy
• 21:47
  Speaker 2: one to say.
• 21:47
  Speaker 3: No, it's not. It's the streak. She lives on in
• 21:49
  Speaker 3: Dallas and she has she's boxing herself. She people know
• 21:54
  Speaker 3: exactly where she lives. People don't care about that anymore. No, no, no, no.
• 21:57
  Speaker 3: If you try to hide it, they can find you.
• 21:59
  Speaker 3: So if you're showing them, they're lining up outside. Of course,
• 22:03
  Speaker 3: I've considered going there now. The Turtle Creek Lane has
• 22:06
  Speaker 3: recently and this is this is a hard thing to
• 22:10
  Speaker 3: talk about. Her husband recently crashed in a helicopter. Is
• 22:13
  Speaker 3: he okay, he's okay, thank god?
• 22:14
  Speaker 2: Wow.
• 22:16
  Speaker 3: But so she is undergoing some things. He made it
• 22:18
  Speaker 3: out almost perfectly, and the other person the helicopter did
• 22:20
  Speaker 3: pass away, So it's a tough situation. So she is
• 22:23
  Speaker 3: going through something. But I will say she's my favorite influencer.
• 22:26
  Speaker 3: Turtle Creeklane, pure pure Mormon mom joy. Oh right right right,
• 22:31
  Speaker 3: she's decorating the house. She's going crazy. And Steve the
• 22:35
  Speaker 3: husband's alive.
• 22:36
  Speaker 4: That's great. So that's see, that's.
• 22:37
  Speaker 2: Great, that's great.
• 22:38
  Speaker 3: That's all we ask all we can ask for. That's
• 22:40
  Speaker 3: all I've asked for.
• 22:41
  Speaker 4: Is she gonna she?
• 22:43
  Speaker 2: Do you think eventually she's gonna her address will be
• 22:45
  Speaker 2: her name like twenty five Turtle Creek Lane with the
• 22:48
  Speaker 2: zip code the way that people, you know, people keep
• 22:52
  Speaker 2: like either like augment.
• 22:53
  Speaker 4: I guess that was kind of what P Diddy would.
• 22:55
  Speaker 3: Oh no, no, no, no, it's hard. There are a lot
• 22:59
  Speaker 3: of landmines this point. It's really hard to talk about
• 23:02
  Speaker 3: anything in existence with like, oh, well we should be
• 23:05
  Speaker 3: we should tiptoe.
• 23:06
  Speaker 2: Around without saying saying a name that we get a
• 23:08
  Speaker 2: laugh automatically at the comedy.
• 23:09
  Speaker 3: Store, if you just write down a list for me.
• 23:15
  Speaker 2: Three a m slought at the comedy store, I have
• 23:18
  Speaker 2: to follow Dorera.
• 23:20
  Speaker 3: I'll be physically attacking.
• 23:23
  Speaker 2: Yeah, just put me on the bucking broncos. That's the
• 23:28
  Speaker 2: only way that I could get up at the comedy store.
• 23:32
  Speaker 3: To integrate that into something you do. You should tour
• 23:35
  Speaker 3: with a bucking Bronco. That would be so you don't
• 23:38
  Speaker 3: even use it. Maybe if if you just feel like
• 23:40
  Speaker 3: it on occasion, just have it just set a tone. Yeah,
• 23:42
  Speaker 3: that feels like a nice comfortable thing to have around.
• 23:44
  Speaker 2: Podcast hosted from a bunking Bucking Bronco would be so good.
• 23:50
  Speaker 3: Everyone just fucking concussion. No one can hear by the
• 23:55
  Speaker 3: end like a bucking Bronco.
• 24:00
  Speaker 2: Are We're all fucked up? Me two seconds with my
• 24:03
  Speaker 2: spine like I'm I'm toast and suggestible. Yeah, my teeth
• 24:09
  Speaker 2: airt my bottom row is my top row, my legs
• 24:12
  Speaker 2: are my feet.
• 24:13
  Speaker 4: I'm fucked man, I'm like a c I'm like missed
• 24:16
  Speaker 4: potato head.
• 24:20
  Speaker 3: Have you been on a Bucking Bronco before?
• 24:22
  Speaker 2: No?
• 24:23
  Speaker 4: They never let me. They're like, you wouldn't last a
• 24:26
  Speaker 4: second on this. They're like your spirit, your spirit.
• 24:29
  Speaker 3: I feel your sir, there's a glow around. Yeah, step away.
• 24:34
  Speaker 2: They're like, wait you my job is just I'm face
• 24:36
  Speaker 2: to face with the horses. That's my job in the West.
• 24:40
  Speaker 3: Just like a comfort stern comfort.
• 24:42
  Speaker 2: Yeah, yeah, yeah, yeah, yeah, that's me.
• 24:45
  Speaker 3: Hey hey, hey, hey, hey.
• 24:49
  Speaker 2: Mind melding with the mare. I'm miss realizing we're kind.
• 24:52
  Speaker 3: Of we are kind of in a we're bringing this
• 24:54
  Speaker 3: back yet a green v oh, a green v right.
• 25:00
  Speaker 3: This is unbelievable.
• 25:01
  Speaker 2: You know what, you know what I'm going for? What
• 25:02
  Speaker 2: do you think I'm going for?
• 25:03
  Speaker 3: I feel like you're going for. You're somebody's like a
• 25:08
  Speaker 3: friend is coming over to stay the night, and you're
• 25:10
  Speaker 3: the dead. That's like reading a magazine. He's not watching TV,
• 25:13
  Speaker 3: but he's reading a magazine. He's like, you kids, be safe.
• 25:16
  Speaker 4: That's that is so good.
• 25:18
  Speaker 2: That's so much better than what I'm going I'm going
• 25:20
  Speaker 2: for Robin right, pen, and I think this is a bottle.
• 25:26
  Speaker 2: It's a movie I watched on a bus next to
• 25:28
  Speaker 2: a woman who I started crying and she goes, it's okay, baby,
• 25:31
  Speaker 2: me too. But it's robbin ye Pen, like doing like
• 25:36
  Speaker 2: basic woodworking.
• 25:37
  Speaker 3: Okay, like work. She's a woodworker.
• 25:40
  Speaker 4: She's like massaging a table.
• 25:43
  Speaker 2: She's a massuse. Yeah. It's like it's like I want
• 25:45
  Speaker 2: I want the vibe when I'm when I'm in my
• 25:47
  Speaker 2: non stage clothes, like you come see me at the
• 25:49
  Speaker 2: shop and I'm like, I'm I'm looking like I'm.
• 25:53
  Speaker 3: Is that I that's yes, Well that's a really this
• 25:57
  Speaker 3: is her as a child. So for you to recognize
• 25:59
  Speaker 3: her amazing. And it's a bad painting.
• 26:02
  Speaker 4: Did she give it to you?
• 26:03
  Speaker 3: Yes?
• 26:03
  Speaker 2: Oh my god, so you Wow. Is it crazy to
• 26:06
  Speaker 2: see like people pop?
• 26:08
  Speaker 3: I mean it really is. Because she was on in
• 26:10
  Speaker 3: twenty one. I would say, yeah, you know, and.
• 26:13
  Speaker 2: You're Kim alan On right before Home Improvement, Tim alan On,
• 26:17
  Speaker 2: I think at eighty nine. Yes.
• 26:19
  Speaker 3: I begged him to come on. He was on the rise.
• 26:21
  Speaker 3: I knew there was something percolating there and I said it.
• 26:24
  Speaker 2: Was something relatable.
• 26:26
  Speaker 3: He was saying he was speaking for guys. Yeah, and
• 26:28
  Speaker 3: I said, we need more voices like this.
• 26:30
  Speaker 4: He was fed up.
• 26:32
  Speaker 3: I said, we need to put you opposite Patricia Richardson
• 26:35
  Speaker 3: and show the world who's the better sex. Yeah, come
• 26:38
  Speaker 3: on and will.
• 26:39
  Speaker 4: Give you JTT.
• 26:41
  Speaker 3: Where's JTT? Where's the whole crew?
• 26:43
  Speaker 2: JTT. She's probably being kept somewhere. He's correct from at Uta. Yeah,
• 26:50
  Speaker 2: they have They have him in a greenhouse at Uta,
• 26:52
  Speaker 2: just like in a Utopia. He thinks he's in space,
• 26:54
  Speaker 2: but he's just in the greenhouse at Uta, eating eating persons.
• 27:00
  Speaker 4: Wow, there's life out there.
• 27:02
  Speaker 3: Now.
• 27:02
  Speaker 4: You're at Uta.
• 27:06
  Speaker 3: For the exact fruit that jttquitd et. Absolutely, there's like
• 27:11
  Speaker 3: a softness.
• 27:14
  Speaker 2: I still at the mushroom cut one strand the day
• 27:18
  Speaker 2: cut I had exactly that haircut.
• 27:19
  Speaker 3: Your kidding. My mom insisted I get a mushroom cut.
• 27:22
  Speaker 2: Okay, I mean and when I say insisted it, it
• 27:25
  Speaker 2: was like I trusted I've always trusted her, judge, but sure, sure,
• 27:29
  Speaker 2: yeah you got the vision.
• 27:30
  Speaker 4: Let's fucking do this.
• 27:32
  Speaker 3: When someone tells you what type of haircut to have,
• 27:34
  Speaker 3: you probably should think about it. Yeah, because no one
• 27:36
  Speaker 3: ever does that. No what it says, this is how
• 27:38
  Speaker 3: your hair should be.
• 27:39
  Speaker 2: Look, you got to figure every every I'm so tired
• 27:41
  Speaker 2: of the free will and get figuring everything out for myself.
• 27:44
  Speaker 2: Someone's like, hey do that, Thank god, especially when it's
• 27:48
  Speaker 2: like an adult.
• 27:50
  Speaker 3: Mom saying this is the hair Like, hey, dude.
• 27:54
  Speaker 4: You should get you should get a patch.
• 27:58
  Speaker 3: Your mom's been calling about that. Yeah, yeah, how long.
• 28:01
  Speaker 4: Did Christian Rocker?
• 28:04
  Speaker 3: If you had a soul patch, it would just be
• 28:07
  Speaker 3: an immediate change of look for you to Christian Rocker.
• 28:09
  Speaker 2: It would be Yeah, I would have to really start.
• 28:12
  Speaker 2: I would have to start from zero.
• 28:13
  Speaker 3: Yeah, absolutely, just we've raised the building. Not that I
• 28:17
  Speaker 3: have credit.
• 28:17
  Speaker 2: I would lose anything that I've worked to build, it
• 28:21
  Speaker 2: would be it would be completely different.
• 28:24
  Speaker 4: It would be like moving would be like when you
• 28:26
  Speaker 4: move to La.
• 28:27
  Speaker 3: Yes, it's like this is the new thing. I don't
• 28:29
  Speaker 3: make friends comedy. You're got to impress people. Yeah, yeah,
• 28:34
  Speaker 3: maybe I'll try the bus system.
• 28:38
  Speaker 2: Right, you end up in Santa Monica.
• 28:43
  Speaker 3: You never people from that are not from LA don't
• 28:45
  Speaker 3: realize that's another country. Like getting to Santa Monica. You Yeah,
• 28:49
  Speaker 3: I would rather go travel to Tokyo. It's like way less.
• 28:53
  Speaker 4: Painful, it's easier.
• 28:55
  Speaker 3: Yeah, waysier. Are you're kidding me?
• 28:56
  Speaker 2: You know, you're so right?
• 28:57
  Speaker 3: No, it's agony. And then you get there you're like
• 29:01
  Speaker 3: t shirts.
• 29:01
  Speaker 2: I guess this is where they make the minions. I
• 29:04
  Speaker 2: had a general with the people that made the minions there,
• 29:07
  Speaker 2: you did.
• 29:08
  Speaker 3: There used to be a lot of general meetings that
• 29:09
  Speaker 3: happened over there. There was a lot of driving too, like.
• 29:12
  Speaker 4: Why are you here? Like I don't know.
• 29:15
  Speaker 3: Every person who came in contact with was asking that question.
• 29:20
  Speaker 2: The guy even here. The guy came to the door,
• 29:21
  Speaker 2: he's like, what's your name? He didn't want me to me.
• 29:24
  Speaker 3: He does the dead bolt before asking the question.
• 29:27
  Speaker 4: Because the windows are blackout.
• 29:30
  Speaker 3: They are smoky. Yeah, smoky windows. I ask, I said,
• 29:33
  Speaker 3: I'm not. I will not record in the studio until
• 29:35
  Speaker 3: the windows are smoked like my car.
• 29:38
  Speaker 2: Yeah, damn Bridgers really keeping it tight in here.
• 29:45
  Speaker 3: Well you did bring this. I saw you in twenty twenty.
• 29:49
  Speaker 3: You came to my house. I have a real strong
• 29:51
  Speaker 3: memory of that. They were like because you rarely saw people.
• 29:54
  Speaker 3: So I remember you showing up at my door. Sleeveless mask,
• 29:59
  Speaker 3: which is an interesting look.
• 30:02
  Speaker 2: Yeah, arms exposed, fully exposed to not exposed.
• 30:06
  Speaker 3: It was a different, very different time. Everything's okay, now
• 30:10
  Speaker 3: things worked out good. Okay, they have an allowance. So
• 30:24
  Speaker 3: there's a little timer back there that says this is
• 30:25
  Speaker 3: how long you can speak for. So Ana is sweating
• 30:28
  Speaker 3: before the caller. I have two hundred and thirty characters left.
• 30:32
  Speaker 3: So rules of Twitter. Okay, X, it's called X. Take
• 30:38
  Speaker 3: it seriously, could we please call it X. It's Christian name, yes,
• 30:43
  Speaker 3: actually no, it's Christian name is Twitter.
• 30:45
  Speaker 2: I suppose do we spell it X. It's Christian name
• 30:48
  Speaker 2: is Twitter, and its X name is it's confirmation meth name.
• 30:51
  Speaker 4: It's that's that's the final stage of the cross.
• 30:53
  Speaker 3: It became very religious in a religion that the family
• 30:56
  Speaker 3: was not comfortable with. Look, yes, there's nothing we could do.
• 31:00
  Speaker 3: The more we pushed, the more he backed away.
• 31:03
  Speaker 4: Whatever religion.
• 31:04
  Speaker 3: The Ottomans took all those empires, but yes, and then
• 31:08
  Speaker 3: became a piece of Yes.
• 31:09
  Speaker 4: Yes, yeah, is that related Ottoman?
• 31:12
  Speaker 3: And it must be right?
• 31:14
  Speaker 4: That's what that's there.
• 31:15
  Speaker 3: I would love for it to be a coincidence.
• 31:17
  Speaker 2: But there are no coincidences.
• 31:18
  Speaker 3: There are choices and illusion. Everyone has a mushroom cut.
• 31:22
  Speaker 3: An Ottoman is a coincidence? Yeah, but yeah, you brought
• 31:28
  Speaker 3: this beautiful masquerade mask in a plastic bag. Yeah, in
• 31:31
  Speaker 3: a plastic bag.
• 31:32
  Speaker 4: It's really nice.
• 31:33
  Speaker 3: It's gorgeous. Oh god, it's really I mean, it's become.
• 31:37
  Speaker 3: It's right next to, by the way, an az Tech
• 31:39
  Speaker 3: death whistle. This is given to me by Drue TROGHI
• 31:42
  Speaker 3: do want me to blow it. It's an unpleasant noise.
• 31:44
  Speaker 3: Everyone plugged your ears. Okay, isn't that unpleasant?
• 31:52
  Speaker 4: I hear that. I hear that's a that's the sound
• 31:54
  Speaker 4: you hear at night.
• 31:55
  Speaker 3: There's you don't wake up to that. This is the
• 31:57
  Speaker 3: opposite of a live woods or the hills of any
• 32:03
  Speaker 3: kind a tree scream. You get.
• 32:07
  Speaker 4: That's the noise that you hear and you don't even
• 32:09
  Speaker 4: you don't even ask what it is.
• 32:10
  Speaker 3: Absolutely not absolutely what.
• 32:12
  Speaker 4: Animals can sound like?
• 32:13
  Speaker 3: People screaming, Oh, Tasmanian devil?
• 32:16
  Speaker 4: Do they make that?
• 32:17
  Speaker 3: I've been watching alone Australia. Tasmanian Devil's all, well they're
• 32:21
  Speaker 3: a rare are.
• 32:22
  Speaker 4: You talking about the luna?
• 32:23
  Speaker 3: The popular is the freed? They're going extinct. Meanwhile, they
• 32:30
  Speaker 3: kind of look like doxins, like if a docs, if
• 32:33
  Speaker 3: you cross bread, a doxin and a bear.
• 32:35
  Speaker 2: They're they're quite long.
• 32:36
  Speaker 3: Yeah, they're stretch jaws that can crush mustelids.
• 32:41
  Speaker 2: What's moustal It is like a wee I call I
• 32:43
  Speaker 2: think a dosin should be called a musta liid. It's
• 32:45
  Speaker 2: like a weasel or a stoat.
• 32:47
  Speaker 3: Is that like the umbrella that a weasels under.
• 32:49
  Speaker 2: Yes, it's like if you were to brave heart torture
• 32:53
  Speaker 2: any kind of critter, they become a mustelid. And so
• 32:56
  Speaker 2: I I made a push durm pandemic to get dosins
• 32:59
  Speaker 2: included in the mustalid family.
• 33:01
  Speaker 4: Then didn't really fair?
• 33:03
  Speaker 3: That's really fair?
• 33:04
  Speaker 2: Actually, people decidt it was kidding around. You can't you.
• 33:07
  Speaker 3: Know no one takes everything.
• 33:10
  Speaker 2: Oh oh, he's doing one of his bits. Too late
• 33:14
  Speaker 2: for a bit. I'm too tired to be doing a bit.
• 33:16
  Speaker 3: I know I can't do bits. You kidding me?
• 33:18
  Speaker 4: Bits make a docs and a moustalid.
• 33:20
  Speaker 3: I'm done. I'm going to bed. Tell me when it's
• 33:22
  Speaker 3: a I barely have the energy to be honest. And
• 33:27
  Speaker 3: I grew up near a mink farm. Do you imagine
• 33:29
  Speaker 3: anything more mortifying? Where they would kill the minks. They
• 33:32
  Speaker 3: would kill the minks. Our church was right next to
• 33:34
  Speaker 3: the mink farm. And I'm sorry to tell everyone this.
• 33:36
  Speaker 3: I'm sorry to reveal this, this five years into the podcast.
• 33:39
  Speaker 2: And tell me, Breggie, do you still hear the screaming
• 33:41
  Speaker 2: of the minks every morning? I? Uh?
• 33:45
  Speaker 3: It was. You would go to church and you would
• 33:47
  Speaker 3: smell the mink, right, I don't know if it was
• 33:49
  Speaker 3: the mink, you know, run off.
• 33:52
  Speaker 2: I smell the I lived by a pig farm, and
• 33:54
  Speaker 2: you would smell a fear. It's horrible, awful, absolutely terrible, horriful.
• 33:58
  Speaker 2: And then the mink farmer taught at my high school.
• 34:00
  Speaker 2: What do you teach in Utah?
• 34:02
  Speaker 3: There's something called that's part of the TLC.
• 34:08
  Speaker 4: You broke tender love and cruelty.
• 34:12
  Speaker 3: No, he taught something called seminary, which is a very
• 34:15
  Speaker 3: odd phenomenon in Utah, which is you take an hour
• 34:18
  Speaker 3: out of your day at the public school to go
• 34:20
  Speaker 3: there's a building in the parking lot of the high
• 34:22
  Speaker 3: school where we go and learn about Mormonism.
• 34:25
  Speaker 4: Yeah, that's so weird.
• 34:26
  Speaker 2: We had a Christian group called Young Life that would
• 34:28
  Speaker 2: recruit in our high school Life. Yeah. They would play like,
• 34:31
  Speaker 2: you know, freeze. It would be like they would take
• 34:33
  Speaker 2: the kids to like jet ski and stuff at the
• 34:36
  Speaker 2: hot Yeah.
• 34:37
  Speaker 4: I mean, and they got hot kids.
• 34:41
  Speaker 3: Of course, Christians are usually pot when they're young, and
• 34:44
  Speaker 3: then you kind of grow into the devil. Yeah, did
• 34:52
  Speaker 3: you make up that devil? Yes, that's so funny. That's
• 34:55
  Speaker 3: why I guess to do this gorgeous podcast because of
• 34:58
  Speaker 3: Earth Devil.
• 34:59
  Speaker 2: Earth you should change your handle to Earth Devil, Aspiring
• 35:03
  Speaker 2: Earth Devil.
• 35:05
  Speaker 3: We've talked about Tasmanian devils, Earth Devils, regular devils.
• 35:09
  Speaker 2: I did a podcast with a guy who's very famous
• 35:11
  Speaker 2: for podcasting. He's been done for so long, and once
• 35:14
  Speaker 2: we stopped the podcast, we were still talking and we
• 35:17
  Speaker 2: were by the mics, just reflectively.
• 35:19
  Speaker 3: He kept oh ing on mic did you see it's
• 35:22
  Speaker 3: attached to it and it follows him everywhere.
• 35:25
  Speaker 2: It's such a haunting thing. It's like something out of
• 35:28
  Speaker 2: a Twilight, like the final it's like the reveal. It's
• 35:32
  Speaker 2: like a kind of a lame reveal.
• 35:33
  Speaker 3: And Ezra Kline can't get away from a microphone. It's
• 35:41
  Speaker 3: like a carrot.
• 35:42
  Speaker 2: It's like the dangling everywhere it goes. But wait, so
• 35:45
  Speaker 2: so there was seminary would be in the parking lot?
• 35:47
  Speaker 3: Yeah, it's but it's a building. I wish it was
• 35:50
  Speaker 3: just kind of a tailgating thing. We got brats, we
• 35:54
  Speaker 3: got doritos. Everybody get a launch.
• 35:56
  Speaker 4: Out of a pontiac an astac It's.
• 36:00
  Speaker 2: Yeah, so okay, so you would Did they ever get you?
• 36:04
  Speaker 1: No?
• 36:04
  Speaker 3: They had me? And I think this was kind of
• 36:06
  Speaker 3: got This was kind of the end. This was kind
• 36:08
  Speaker 3: of like, oh, what are we doing? Why am I
• 36:10
  Speaker 3: spending an hour of I could be learning. I could
• 36:12
  Speaker 3: be in foods right now, and meanwhile I'm doing this
• 36:16
  Speaker 3: and then I'm starting to leave school during that hour
• 36:18
  Speaker 3: to shoplift. It was a whole So they were kind
• 36:22
  Speaker 3: of like getting the worst version of me by giving
• 36:24
  Speaker 3: me that hour. Whatever I wanted. Utah has a chain
• 36:30
  Speaker 3: of thrift stores called Deserret Industries, and they also weirdly
• 36:33
  Speaker 3: have one in La.
• 36:34
  Speaker 2: Now.
• 36:35
  Speaker 3: It was a shock because I've been tempted. If something
• 36:40
  Speaker 3: catches my eye, I'll take it. I will say, have
• 36:45
  Speaker 3: gotten thirst, sources have gotten rid of dressing rooms. So
• 36:49
  Speaker 3: I kind of think, you know, change on the sidewalk.
• 36:53
  Speaker 3: I'm gonna take this outside to change. I'll be right back.
• 36:56
  Speaker 3: I think you should just be able to take whatever
• 36:57
  Speaker 3: you want.
• 36:58
  Speaker 4: Yeah.
• 37:00
  Speaker 3: Yeah, if you're not gonna let me try it on
• 37:01
  Speaker 3: in store, forget it. I'm not paying for this thing.
• 37:04
  Speaker 3: They don't have a return policy. How do I get
• 37:07
  Speaker 3: my three dollars?
• 37:07
  Speaker 4: How can you How can you know?
• 37:09
  Speaker 2: No? I know, No, I know. Although that's it means
• 37:13
  Speaker 2: that you know that you are trying something, you're getting
• 37:16
  Speaker 2: something that no one well, they wore it before, but
• 37:18
  Speaker 2: people haven't gone on and tried in the store, right,
• 37:21
  Speaker 2: So I spent some time since people's spoils have been.
• 37:24
  Speaker 3: Right, nobody knows what's happening in there, some sort of
• 37:28
  Speaker 3: weasel in it. But I would go there and just
• 37:30
  Speaker 3: take whatever I wanted, and you usually would put go
• 37:33
  Speaker 3: into the dress room and put on a shirt that
• 37:35
  Speaker 3: I liked, then put on my normal shirt, walk out,
• 37:37
  Speaker 3: Oh puffy, how many it? On a winter coat, and
• 37:41
  Speaker 3: then pull a T shirt over it.
• 37:42
  Speaker 2: It's one of those things where, yeah, you keep adding
• 37:44
  Speaker 2: layers and layers until you get caught yes, and then
• 37:47
  Speaker 2: then you have your reckoning and.
• 37:48
  Speaker 3: Then you say no, I'm pregnant. It's really rude that
• 37:51
  Speaker 3: you would ask it's a pregnant. It's a full baby
• 37:57
  Speaker 3: is crawling up.
• 37:58
  Speaker 2: It's a full top pregnancy headed to the back. It's
• 38:04
  Speaker 2: in my arms, it's in my neck. The baby has
• 38:08
  Speaker 2: crossed the blood brain barrier. The baby's in my head.
• 38:12
  Speaker 3: Call the shop, all the shop.
• 38:14
  Speaker 4: Yeah, he's driving like the Men in Black Alien.
• 38:18
  Speaker 3: I'll never forget that ship. Remember what happens in Men
• 38:21
  Speaker 3: in Black?
• 38:22
  Speaker 2: So a guy dies and then they open the back
• 38:24
  Speaker 2: of his head and there's like a little guy. He's like,
• 38:27
  Speaker 2: you don't remember.
• 38:28
  Speaker 3: He's like, he's like the alien is also dying. The
• 38:30
  Speaker 3: aliens maybe a big he's been piloting the guy the
• 38:33
  Speaker 3: whole time.
• 38:33
  Speaker 2: It's a guy.
• 38:34
  Speaker 3: Right.
• 38:34
  Speaker 2: When you think, like you know how they're going to
• 38:36
  Speaker 2: reveal the alien? Oh right, you're like, I don't know
• 38:38
  Speaker 2: that this guy could be driving.
• 38:41
  Speaker 3: And the alien just dies of natural causes.
• 38:43
  Speaker 2: He tries to tell them something, Oh but he's old age. Yeah,
• 38:47
  Speaker 2: he gives them in this person's head if.
• 38:53
  Speaker 3: Only they had no Yeah.
• 38:55
  Speaker 2: Yeah, anyway, Well.
• 38:57
  Speaker 3: Look, I feel like you keep trying to get away
• 38:58
  Speaker 3: from this.
• 38:59
  Speaker 2: Gift, and well, you know, I'm modest.
• 39:04
  Speaker 3: The podcast is called I said no gifts. So I
• 39:09
  Speaker 3: was a little you know, I was looking forward to
• 39:10
  Speaker 3: having you here. I begged you to come on so
• 39:14
  Speaker 3: many phone calls that you blocked me.
• 39:15
  Speaker 4: You were being walked up to my door with a
• 39:17
  Speaker 4: muzzle and a leather in a.
• 39:19
  Speaker 3: Leathersh Eventually you got a call from your mom and
• 39:23
  Speaker 3: then it was me, Chris, I got you.
• 39:26
  Speaker 4: Yeah, but you be.
• 39:27
  Speaker 3: On I said no gifts, So it was a little surprised.
• 39:31
  Speaker 3: I feel like you're a professional at this point. At
• 39:34
  Speaker 3: this point, at this point, you know, when I met you,
• 39:36
  Speaker 3: I mean it was amateur minute. It was embarrassing to
• 39:42
  Speaker 3: be even around you. To know your name was embarrassing.
• 39:44
  Speaker 2: Yeah, I wouldn't even look you in the eye out
• 39:46
  Speaker 2: of respect for you and your family.
• 39:49
  Speaker 3: Uh So it was a little surprised when you show
• 39:50
  Speaker 3: up to my fifth anniversary, which is supposed to be
• 39:53
  Speaker 3: a big day for me. I don't know if anybody
• 39:55
  Speaker 3: else cares, at least.
• 39:57
  Speaker 4: Uh testing outside.
• 40:04
  Speaker 3: They took some time off from planned parenthood to come here.
• 40:07
  Speaker 2: Yeah they flipped my car. It's not even the planned
• 40:11
  Speaker 2: parent and protesters, it's plant parents. It's the employee come here. Yeah.
• 40:15
  Speaker 3: Yeah, I don't know what you did. Something strange and
• 40:19
  Speaker 3: bad I've done.
• 40:19
  Speaker 2: He said something about that that dental dams don't exist.
• 40:22
  Speaker 2: I think it is what you said.
• 40:23
  Speaker 4: He said. He said, show me proof. I've heard about him.
• 40:28
  Speaker 3: We've all heard the phrase, we've never seen him. Something's up.
• 40:32
  Speaker 3: I'm just saying. I'm just saying, fuck Youcher, fuck you.
• 40:36
  Speaker 2: Bridger.
• 40:38
  Speaker 3: Dental dams have been the tenth pole of this podcast.
• 40:42
  Speaker 3: Now you've ripped it down. Uh, but you arrived with
• 40:46
  Speaker 3: a gift. Oh yeah, actually have a couple of gifts. Yeah,
• 40:49
  Speaker 3: oh my god. And so now you're just owning it
• 40:50
  Speaker 3: twice as much. Oh, in this gorgeous mustard bag.
• 40:54
  Speaker 2: Thank you? Do you want to open the bag? I should?
• 40:57
  Speaker 3: I mean if you insist.
• 40:58
  Speaker 4: Okay, So there's there's compartments.
• 41:00
  Speaker 3: This looks like a refrigerated bag with an organ and.
• 41:04
  Speaker 4: You have to travel over the ocean.
• 41:08
  Speaker 3: Someone's waiting for that heart and it's on this podcast.
• 41:11
  Speaker 2: Did you like when nos Faratu had to get when
• 41:14
  Speaker 2: he traveled and he had to go under the ship,
• 41:16
  Speaker 2: he like he quit in transport. He had to take
• 41:18
  Speaker 2: a ship and he's like waiting on.
• 41:20
  Speaker 3: Oh, he had to like get it. He kind of
• 41:21
  Speaker 3: had to be a stowaway. He was like he's rescue
• 41:25
  Speaker 3: rangers or something like hiding in a match box.
• 41:29
  Speaker 2: Right, that's right with his rats. Just kind of like,
• 41:32
  Speaker 2: this's the guy who can show up anywhere. Why is
• 41:34
  Speaker 2: he taking a boat?
• 41:36
  Speaker 3: He had a lot going on. He it's so much
• 41:38
  Speaker 3: going on. What was he doing before all of this
• 41:40
  Speaker 3: in that castle? How is he staying busy? That's so true. Yeah,
• 41:45
  Speaker 3: this whole thing. But it's like up until now he.
• 41:47
  Speaker 4: Had the driver horses cart carriage.
• 41:50
  Speaker 3: Oh yeah, maybe he was doing a horse simulator.
• 41:52
  Speaker 2: It was like a way mow for with horses. Okay,
• 41:54
  Speaker 2: so this is the first okay, reach in reach in
• 41:56
  Speaker 2: here there's three of them. Three.
• 42:01
  Speaker 3: I saw something around and brown. Oh wait, these aren't
• 42:05
  Speaker 3: for simons a. They're passion fruit. They're passion fruit from
• 42:08
  Speaker 3: my own garden. I've never seen a passion fruit. I've
• 42:12
  Speaker 3: only ever seen it on the side of natural drinks. Yes, slice, yes, yeah, mutilated? Wow.
• 42:21
  Speaker 3: You grow these in your garden or someone threw them
• 42:23
  Speaker 3: back there.
• 42:23
  Speaker 2: It's originally from home depot the bush, the bush, and
• 42:26
  Speaker 2: it took over.
• 42:27
  Speaker 3: It's called the Frederick passion fruit bush. Oh, how long
• 42:29
  Speaker 3: have you been growing it? Oh? At least two years?
• 42:32
  Speaker 3: Two years and it's already fruiting.
• 42:34
  Speaker 2: Oh oh, fruits like several times a year. Wow, and
• 42:36
  Speaker 2: those are going to be good? No, no, no, no,
• 42:40
  Speaker 2: you just water and then it's like it invades the
• 42:43
  Speaker 2: whole yard.
• 42:43
  Speaker 3: It's almost a weed.
• 42:44
  Speaker 2: It took over the neighbors and the other neighbors. It's
• 42:47
  Speaker 2: like they don't.
• 42:48
  Speaker 3: Live there anymore.
• 42:49
  Speaker 4: They're like, can could you do something about this?
• 42:52
  Speaker 3: It's in the house, so do they? I don't even
• 42:55
  Speaker 3: know what a passion fruit tree looks like. Is a bushy?
• 42:57
  Speaker 2: It's just a bush.
• 42:58
  Speaker 3: It's like a vine.
• 42:59
  Speaker 2: Oh and then.
• 43:00
  Speaker 3: Almost a grape type situation exactly. But with these, how
• 43:03
  Speaker 3: do you can I just bite into it?
• 43:05
  Speaker 1: No?
• 43:05
  Speaker 3: No, no, would that killed me? It was It's like,
• 43:11
  Speaker 3: what is the Is it coffee beans or something that
• 43:13
  Speaker 3: if you like there's some way of turning.
• 43:14
  Speaker 2: It into potatoes. If you do a potato, it could
• 43:18
  Speaker 2: take out armies a full fucking yeah, the navy.
• 43:22
  Speaker 3: So how do I I have to slice this?
• 43:23
  Speaker 2: M You can't have it yet. You you're gonna want
• 43:26
  Speaker 2: to wait a couple days anywhere, and then, yeah, in
• 43:30
  Speaker 2: a couple of days, you cut it, and then you
• 43:32
  Speaker 2: eat the seeds and it's kind of goofy.
• 43:33
  Speaker 3: It remains I hate to say goofy, but it remains tanging. Oh,
• 43:38
  Speaker 3: the tang remains.
• 43:38
  Speaker 2: I can't do a sweet goop. No, no, it's gagging.
• 43:41
  Speaker 2: It's got a punished, punishing tang. And now, who's my
• 43:45
  Speaker 2: second gift?
• 43:47
  Speaker 3: Let's put these here in the ash. Yeah, string on
• 43:52
  Speaker 3: my glove is a bug. I thought a bug was
• 43:55
  Speaker 3: following my my glove across.
• 43:57
  Speaker 2: Your storied gloves. It's this is very blanched blois.
• 44:02
  Speaker 3: It's very you know, he's under the bed. You can't
• 44:06
  Speaker 3: see me in this in this landing. Okay, now I
• 44:08
  Speaker 3: think you're gonna like this. Okay, pulled it.
• 44:09
  Speaker 2: I think this is your size. I'm not even sure
• 44:11
  Speaker 2: what to too small for me? Right, Oh, you could
• 44:14
  Speaker 2: pull anything anything color. Yeah, this is gorgeous. This is
• 44:18
  Speaker 2: a piece of western were Yeah.
• 44:20
  Speaker 4: I think you could look a little like a little
• 44:21
  Speaker 4: howdy duty in this.
• 44:22
  Speaker 3: And it smells so good. Thank you? Yeah, yeah, yeah, yeah,
• 44:25
  Speaker 3: I've worn it. Is that your smell?
• 44:27
  Speaker 4: Yeah, well let me see. No, I don't know what
• 44:32
  Speaker 4: that is.
• 44:33
  Speaker 3: But it smells good. Yeah, I'm not getting correct here.
• 44:35
  Speaker 3: It might be my my pheromones. You could bottle that
• 44:38
  Speaker 3: up and sell it an Ordstrom. This is a beautiful
• 44:42
  Speaker 3: piece of western wear and kind of a it's a
• 44:43
  Speaker 3: little wrinkle. I'm sorry, an orange mustardy. I hate to
• 44:47
  Speaker 3: give you something so western mask when you're in something
• 44:50
  Speaker 3: a tunic so gorgeous. I'm trying to get back in
• 44:52
  Speaker 3: the closet. Step one. I'm looking for a wife. You're
• 44:57
  Speaker 3: going to get a wife in this. This is my
• 45:00
  Speaker 3: e Harmony profile. You could this and nothing else.
• 45:04
  Speaker 4: Christian Mingle. That is that?
• 45:07
  Speaker 2: I think I think that button down a little bit
• 45:09
  Speaker 2: on you snap buttons.
• 45:11
  Speaker 3: I think it could be really sure. I try it
• 45:12
  Speaker 3: on right now.
• 45:13
  Speaker 4: Yeah, yeah, I mean you don't have to, but I
• 45:15
  Speaker 4: would like it if you did.
• 45:25
  Speaker 3: The things the audience is seeing.
• 45:27
  Speaker 2: Oh I hope you zoom in on that. You don't
• 45:30
  Speaker 2: have last at it. You don't have last looks.
• 45:31
  Speaker 3: I don't. That's the one thing I gave up my contract.
• 45:34
  Speaker 3: They get to degrade you in any way, knees. This
• 45:38
  Speaker 3: is a different human beings. How are we feeling about me?
• 45:41
  Speaker 3: Are you taking giving me more respect?
• 45:42
  Speaker 2: Now you're intimidating respect. I wasn't expecting you to be intimidating.
• 45:47
  Speaker 3: I was expecting this is someone who would cut their
• 45:50
  Speaker 3: passion fruit.
• 45:52
  Speaker 2: Into it.
• 45:53
  Speaker 3: Now I'm wearing a mini skirt.
• 45:55
  Speaker 2: You you look like a TV star from the from
• 45:58
  Speaker 2: like the fifties.
• 45:59
  Speaker 3: Oh see, this is a I've thought. Someone asked me
• 46:01
  Speaker 3: a while ago about like if you were like really
• 46:03
  Speaker 3: trying to chase a look, what would it be? And
• 46:07
  Speaker 3: I said, I think I there said like zoo keeper
• 46:12
  Speaker 3: or you know, fifties cowboy. That's what I'm saying, TV cowboy,
• 46:16
  Speaker 3: not someone who can actually rope of course, a steer,
• 46:20
  Speaker 3: a steer. I was gonna say, dear, and I knew you.
• 46:27
  Speaker 2: You look like you got kicked off the Waltons for
• 46:29
  Speaker 2: getting into like a physical dispute with John Boy. Yeah,
• 46:33
  Speaker 2: you beat the ship out of you, threw John Boy over.
• 46:37
  Speaker 3: You could have killed that boy. What the fuck The
• 46:41
  Speaker 3: last episode of The Waltons is me nearly killing John Boy,
• 46:46
  Speaker 3: just bashing pleasure.
• 46:48
  Speaker 2: Jesus Christ took a boy.
• 46:52
  Speaker 3: The writer's really soured on John Boy.
• 46:55
  Speaker 2: At the other twelve siblings are just frozen in horror
• 46:58
  Speaker 2: as a zoom out of the ass.
• 46:59
  Speaker 3: As this brand new character arrives to kill their brother.
• 47:03
  Speaker 4: Yeah, you wreak of whiskey.
• 47:06
  Speaker 3: The viewer can smell me.
• 47:07
  Speaker 2: Stay down, John Boy, he's unconscious.
• 47:12
  Speaker 3: Stay down. That's a helicopter away.
• 47:17
  Speaker 2: You went backwards on a on a cow out of there,
• 47:20
  Speaker 2: facing facing the back stairs style down.
• 47:23
  Speaker 3: The house is just shaking.
• 47:27
  Speaker 4: And I always say, do not bring do not.
• 47:29
  Speaker 2: This is this is the downfall of every wealthy family
• 47:32
  Speaker 2: bringing the bringing the horse inside. Really did not bring
• 47:37
  Speaker 2: the horse inside the floor.
• 47:38
  Speaker 3: It's not built that hubris. That's the final, you know,
• 47:42
  Speaker 3: stroke of like, oh, we went too far. We brought
• 47:44
  Speaker 3: the horse in. We got too bored with our money
• 47:46
  Speaker 3: and we thought, let's try the horse inside, bring it
• 47:50
  Speaker 3: in to watch TV. He flipped, He flipped out, He
• 47:53
  Speaker 3: slid on the hardwood. Dad was thrown, Dad got kicked.
• 47:59
  Speaker 4: The girls.
• 48:00
  Speaker 2: We don't know where the girls are.
• 48:01
  Speaker 3: The girl the girls left it moment they heard the
• 48:04
  Speaker 3: horse coming in. Obviously twins. When I say the girls,
• 48:07
  Speaker 3: you know, you know it's always twins. Yeah, it's always twins.
• 48:12
  Speaker 3: She's out of her She's out of her fucking mind.
• 48:15
  Speaker 3: Where did you get this shirt?
• 48:17
  Speaker 2: Costume designer who I love, Lauren o Pelt, gave it
• 48:20
  Speaker 2: to me and in my in my you know, sprire
• 48:25
  Speaker 2: trimmer days, I fit into it gorgeously. And then as
• 48:29
  Speaker 2: I as Time has been singing her cruel song to
• 48:34
  Speaker 2: me and my body, I thought this will fit well
• 48:36
  Speaker 2: on Bridger.
• 48:37
  Speaker 3: It fits perfectly.
• 48:38
  Speaker 2: Yeah, It's like it's exactly the thing that I would
• 48:40
  Speaker 2: love to be able to sport, and so since I cannot.
• 48:44
  Speaker 3: There's very few.
• 48:44
  Speaker 2: People who are trimmer than I that I know, your life,
• 48:49
  Speaker 2: I block them.
• 48:50
  Speaker 3: Don't show me those.
• 48:51
  Speaker 4: Let me let me rephrase that they're not.
• 48:53
  Speaker 2: They have a lot of people trimmer than I. I mean,
• 48:57
  Speaker 2: they're our age that I know who are right.
• 49:02
  Speaker 3: And this to me because I feel like you do
• 49:03
  Speaker 3: have a very distinct style that people appreciate, and it
• 49:10
  Speaker 3: just feels so nat. It feels like you were born
• 49:12
  Speaker 3: into it. Oh, thank you, and this shirt, fortunately, it
• 49:14
  Speaker 3: feels like something I could still wear without people being
• 49:17
  Speaker 3: like he's trying to bite Chris's style.
• 49:18
  Speaker 4: Exactly, because this for me is also it's not quite
• 49:22
  Speaker 4: in my.
• 49:22
  Speaker 3: Eye, it's a little more neutral. Yeah, this is a
• 49:25
  Speaker 3: night out on the Phoenix in Phoenix. This is this
• 49:30
  Speaker 3: is trip, yeah, away from the wife and kids.
• 49:33
  Speaker 2: In one of those black caps you know that, you
• 49:34
  Speaker 2: know those things that people try to wear it to
• 49:36
  Speaker 2: not be noticed. Oh, like the baseball cat where it's
• 49:38
  Speaker 2: like now I want you know what I'm talking about.
• 49:41
  Speaker 3: The celebrity Damon did a whole movie based around a
• 49:42
  Speaker 3: hat like.
• 49:43
  Speaker 4: That exactly, and they all wear it.
• 49:45
  Speaker 3: Yeah, they're all wearing kind of thing.
• 49:47
  Speaker 2: Everyone's like, who's under that?
• 49:49
  Speaker 3: Because only celebrities wear Yeah, this is no normal person
• 49:52
  Speaker 3: buys that.
• 49:52
  Speaker 4: You can't even get it.
• 49:54
  Speaker 3: Every normal person wants that kind of fun hat.
• 49:56
  Speaker 4: Yeah, no, exactly, you wear it higher.
• 49:58
  Speaker 2: But when they were.
• 49:59
  Speaker 3: Yeah, pull it down. It's a way to get it.
• 50:02
  Speaker 3: It's they are Oscar Isaac.
• 50:04
  Speaker 4: And it is not ten times it's fucking Isaac.
• 50:08
  Speaker 3: That is one of my rare celebrity sidings in La
• 50:10
  Speaker 3: I saw. I saw Oscar Isaac in a corner table yep,
• 50:14
  Speaker 3: And you know I thought little Caesars complain interviewing for
• 50:18
  Speaker 3: a job asking for a free Hey, hey man, I
• 50:22
  Speaker 3: hate the time and it's usually pretty good.
• 50:25
  Speaker 2: Yeah, but this, if I could just get a little
• 50:28
  Speaker 2: money back on this and maybe some free sticks, I don't.
• 50:30
  Speaker 3: Want to get anyone in trouble.
• 50:31
  Speaker 4: Yeah, it's it's just I know.
• 50:34
  Speaker 3: Little Caesars is better than this. He's brought back only
• 50:36
  Speaker 3: the box. He hate the whole pizza and the crazy bread.
• 50:42
  Speaker 3: Crazy bread. Have you ever had crazy bread?
• 50:44
  Speaker 4: That's a little Caesars it used to be. I've never
• 50:47
  Speaker 4: been to a little Caesars.
• 50:47
  Speaker 2: Where are they?
• 50:48
  Speaker 3: They're they up here when you least expect. It's like
• 50:52
  Speaker 3: in the middle of a wintry night, you see a cabin.
• 50:57
  Speaker 2: With the smoke coming out. That's a little Caesars. I
• 51:00
  Speaker 2: imagine little seasons. Remember in Babylon, Remember when they wait
• 51:03
  Speaker 2: two and a half hours to introduce Toby Maguire.
• 51:05
  Speaker 3: Oh, of course they will wait two hours to reveal
• 51:07
  Speaker 3: everything in that moment, and then they end on a
• 51:09
  Speaker 3: Jurassic Park montage that I mean, I was on my
• 51:12
  Speaker 3: feet for that Avatar. There's an avatar move moment.
• 51:15
  Speaker 2: When they when they when they show when they show
• 51:18
  Speaker 2: those movies. I was like, you have the way that
• 51:21
  Speaker 2: you have shot yourselves and I hate to say this,
• 51:23
  Speaker 2: in the penis, Damien Gizelle shot himself in the penis
• 51:29
  Speaker 2: and not the penis when he got the Avatar Jurassic Park,
• 51:36
  Speaker 2: and like Wallace and Grahmet, it's like, why did why
• 51:38
  Speaker 2: did Marco Robbie do this?
• 51:40
  Speaker 4: Have Kaylee Quoco do it.
• 51:41
  Speaker 3: That none of them knew if that was coming.
• 51:43
  Speaker 2: No, no, obviously, that's like a little not on the script.
• 51:47
  Speaker 3: And then we show a clip of Avatar like a
• 51:49
  Speaker 3: long cliff yes. And it felt like when I go
• 51:52
  Speaker 3: home and I'll go see a movie with my family,
• 51:56
  Speaker 3: We'll go to like a local theater. Of course every
• 51:58
  Speaker 3: time they'll show like a wedding crash, the wedding, we
• 52:01
  Speaker 3: see wedding crashes, his family tradition.
• 52:02
  Speaker 4: A new release in the small town.
• 52:04
  Speaker 3: Yeah, I have to see it in four K. You
• 52:05
  Speaker 3: got to. But the local theater will have like a
• 52:08
  Speaker 3: clip package before that was clearly edited by someone's nephew
• 52:11
  Speaker 3: or whatever of like famous things from movies. That's literally
• 52:14
  Speaker 3: what's the end of uh Babylon right exactly. It's like
• 52:18
  Speaker 3: this is should be the intro to another thing at
• 52:22
  Speaker 3: a bad movie theater. That's exactly what it is, or
• 52:24
  Speaker 3: maybe at the end of the Golden Globes. Yeah, really,
• 52:26
  Speaker 3: thank you for everyone. Stop taking attention forever. It's very much.
• 52:30
  Speaker 3: Have you've been to the AMC Burbank. Yeah, there's like
• 52:33
  Speaker 3: on the floor they have quotes from movies and there
• 52:35
  Speaker 3: are things like E T phone homes.
• 52:37
  Speaker 2: When how you met Sally, I'll have what she's had. Yeah,
• 52:39
  Speaker 2: it's like.
• 52:40
  Speaker 3: The most obviously it's that turned into film.
• 52:43
  Speaker 2: Yeah, they should do really obscure like prepositional phrases.
• 52:47
  Speaker 3: Yeah, things that kind of can't connect to anything.
• 52:49
  Speaker 2: Get out of there.
• 52:51
  Speaker 3: There's no way you can. You can't.
• 52:53
  Speaker 4: It's untraceable the floor.
• 52:57
  Speaker 2: Do you feel like nowadays like even background casting needs
• 53:01
  Speaker 2: to come in for chemistry reads?
• 53:03
  Speaker 3: God, there's h camera. I was watching a show, one
• 53:07
  Speaker 3: of our premium dramas and there was a background actor
• 53:11
  Speaker 3: that I mean, God, bless these people. Yeah, this woman was.
• 53:15
  Speaker 2: There to get your number, by the way, Oh yeah,
• 53:17
  Speaker 2: and they're going there. That's some ideas as you're in
• 53:20
  Speaker 2: your car, are you? Are you on Facebook? Ah?
• 53:24
  Speaker 3: There are five different Chris Flemmings. Which one is you?
• 53:27
  Speaker 1: Yeah?
• 53:27
  Speaker 2: I think I found you all at them all? Why
• 53:30
  Speaker 2: didn't you just give me your phone?
• 53:33
  Speaker 3: Okay to get a text that says, why didn't you
• 53:35
  Speaker 3: just give your phone?
• 53:36
  Speaker 2: One one guy, we did a show. He hitted me
• 53:38
  Speaker 2: like a wet napkin with his number on it.
• 53:40
  Speaker 3: Here's my number, Do not call me. Pulls that out
• 53:47
  Speaker 3: of his cleavage, sopping that SOPs himself up. Don't call me.
• 53:54
  Speaker 3: Do not use this.
• 53:56
  Speaker 2: You're watching a prestige drama, of course.
• 53:58
  Speaker 3: Oh and now, I mean when we say back around actor,
• 54:00
  Speaker 3: now I have to really there's an Okay, so I
• 54:02
  Speaker 3: saw this woman really giving it up, giving it her all.
• 54:04
  Speaker 3: It's like looking it's all I'm.
• 54:06
  Speaker 2: Looking at Yeah.
• 54:07
  Speaker 3: Yeah, But did you see the Netflix documentary about the
• 54:11
  Speaker 3: Mormon woman who was kidnapped like her family? I watched
• 54:15
  Speaker 3: that one. No, that's that's van life. This is in
• 54:18
  Speaker 3: the seventies. It's called like hiding in plane sight or something.
• 54:22
  Speaker 3: This woman was kidnapped in the seventies, over and over
• 54:24
  Speaker 3: by these people's neighbors. It's the most insane story you
• 54:26
  Speaker 3: could possibly imagine.
• 54:27
  Speaker 4: She was repeat kidnapped.
• 54:29
  Speaker 2: Yes, oh my god, I.
• 54:30
  Speaker 3: Mean you watch the documentary, You're like, what could possibly
• 54:32
  Speaker 3: be happening.
• 54:33
  Speaker 2: By the same people. They kept getting away with it.
• 54:35
  Speaker 2: So they find her and they're like and then they go.
• 54:38
  Speaker 3: Sort of yeah and like the guy kind of like
• 54:40
  Speaker 3: I mean, it's of course, like every one of these
• 54:42
  Speaker 3: documentaries gets very dark and they're somehow that doesn't sound
• 54:45
  Speaker 3: dark to me, like a happy ending.
• 54:48
  Speaker 4: That's a johnt.
• 54:50
  Speaker 3: There's aliens involved, Like oh, it's very odd.
• 54:54
  Speaker 2: But the way the way you say that, it sounds
• 54:56
  Speaker 2: like like the not like they believe in aliens, but
• 54:58
  Speaker 2: it's like aliens are like they're there there, they interview.
• 55:03
  Speaker 4: With them the way that's how you made it sound.
• 55:06
  Speaker 3: That's how aliens reveal themselves in a poorly washed Netflix
• 55:10
  Speaker 3: stock just steam.
• 55:13
  Speaker 2: I haven't there that they're just going to be steam
• 55:17
  Speaker 2: because they're not bodied.
• 55:18
  Speaker 3: Otherwise we're going to be disappointed. Yeah, if they're if
• 55:20
  Speaker 3: they have to appear essentially in spirit form or a cube,
• 55:23
  Speaker 3: a cube something that can't move without help. It's like
• 55:27
  Speaker 3: a flow a fan, that's right, you know, it's like
• 55:30
  Speaker 3: you can't have legs, or it could be all around us. Oh,
• 55:33
  Speaker 3: now that would be a feeling, Yeah, that would be
• 55:37
  Speaker 3: that would be a feeling. My fear is when aliens come,
• 55:39
  Speaker 3: We're just gonna get bored. You know, you know this
• 55:41
  Speaker 3: is exactly what I've thought, Really, I have.
• 55:44
  Speaker 2: I have had this distinct thought that will be because
• 55:48
  Speaker 2: it's the same way we deal with anything.
• 55:49
  Speaker 4: Yes, it's like they're gonna want They're gonna want to
• 55:52
  Speaker 4: see all of our movies.
• 55:53
  Speaker 2: They're gonna be like, dude, dude, have you seen fucking
• 55:59
  Speaker 2: Breaking Bad?
• 56:01
  Speaker 3: Dude?
• 56:02
  Speaker 2: Yes, yes, I have. We're all going to have like
• 56:05
  Speaker 2: a group of aliens that are like, dude, this is
• 56:07
  Speaker 2: the funniest movie.
• 56:08
  Speaker 3: You got to watch this ship. We've been here the
• 56:09
  Speaker 3: whole time.
• 56:10
  Speaker 2: We don't care.
• 56:11
  Speaker 3: Yeah, yeah, I feel like we'll get bored. And speaking
• 56:14
  Speaker 3: of movies, I feel like they're going to see our
• 56:15
  Speaker 3: depictions of aliens and it's going to be absolutely humiliating.
• 56:19
  Speaker 3: That's when they're gonna be like you motherfucker.
• 56:21
  Speaker 2: It's gonna be like reading misery and being like when
• 56:25
  Speaker 2: it gets to that point, you you think we're you
• 56:30
  Speaker 2: think we look like you don't think we have noses?
• 56:34
  Speaker 3: Have dare you? Do you feel like there's any chance
• 56:37
  Speaker 3: of aliens haven't been here?
• 56:39
  Speaker 2: Oh?
• 56:39
  Speaker 3: Yeah you think so? Oh do you genuinely believe that? Oh?
• 56:42
  Speaker 2: Yeah, I'm all about aliens, ghosts, all of it.
• 56:45
  Speaker 3: Oh yeah, oh yeah, I think that there's a small
• 56:49
  Speaker 3: chance they're on their way. Certainly, you don't think the
• 56:52
  Speaker 3: being here is so scary. If they've been here and
• 56:53
  Speaker 3: they dipped out and not saying anything, it's rude.
• 56:56
  Speaker 2: It's like swimming in a lake. I would rather get
• 56:58
  Speaker 2: bit than be I think of the thing swimming. We've
• 57:00
  Speaker 2: talked about this.
• 57:01
  Speaker 3: I'm sure if I'm happy to talk about like.
• 57:04
  Speaker 2: I would rather be interacted with by a predator than
• 57:08
  Speaker 2: have all the times. I think when you go to Hell,
• 57:12
  Speaker 2: they may give you a microsoftic Sell spreadsheet of all
• 57:15
  Speaker 2: the predators that saw you in the lake that didn't
• 57:18
  Speaker 2: bite you.
• 57:19
  Speaker 4: Oh hey, just so you know, that's snapping turtle.
• 57:21
  Speaker 3: I could have gotten you.
• 57:22
  Speaker 2: He perceived you.
• 57:23
  Speaker 3: You do think about that, what's beneath you in the lake?
• 57:26
  Speaker 3: Come to the surface and show me that's much better,
• 57:29
  Speaker 3: way less scary lake monsters, snakes, large fish, even stepping
• 57:34
  Speaker 3: on something in a body of water that's not dirt
• 57:38
  Speaker 3: or sand is mortifying, right, because what's beneath Yeah? What
• 57:42
  Speaker 3: have I just upset? What have I just awoken?
• 57:46
  Speaker 2: Yeah?
• 57:47
  Speaker 3: Did you have local lake monsters? I feel like, I
• 57:53
  Speaker 3: feel like in Massachusetts they probably do have la like monsters.
• 57:55
  Speaker 4: I think I tried to get some of that started.
• 57:58
  Speaker 3: Come on, everybody, Hey, did you.
• 58:00
  Speaker 2: Guys see that look kind of like a kind of
• 58:05
  Speaker 2: like a Hones Civik but in that eyes And I definitely,
• 58:09
  Speaker 2: I definitely.
• 58:10
  Speaker 3: Tried to start a rumin that there was something behind.
• 58:11
  Speaker 2: The water tower.
• 58:12
  Speaker 3: Oh I like that?
• 58:14
  Speaker 2: Yeah, like you guys see that?
• 58:16
  Speaker 4: But no, there were There was.
• 58:18
  Speaker 3: No no lake monsters. You were robbed.
• 58:20
  Speaker 2: We are our corner of the world is too fearful
• 58:24
  Speaker 2: of God to uh sure.
• 58:27
  Speaker 3: You've got the Puritan Puritans weren't thinking about lake monsters.
• 58:31
  Speaker 3: They didn't have their in the after all. Yeah, it
• 58:34
  Speaker 3: was too fun, too too icy.
• 58:36
  Speaker 4: Oh my god, the Locker's monster. That the dunk of
• 58:38
  Speaker 4: donk looking.
• 58:40
  Speaker 3: Back at that biggest ass in Scotland.
• 58:43
  Speaker 4: The biggest ass in Scotland.
• 58:44
  Speaker 2: All HaGush looking back going damn swimming around the lake.
• 58:50
  Speaker 2: Look at me.
• 58:51
  Speaker 3: I love the Lochness monster. We had the we had
• 58:54
  Speaker 3: the bear like monster, bear lake monster. That's kind of
• 58:57
  Speaker 3: I think that straddles Utah and Idaho. Who was the
• 58:59
  Speaker 3: bear like monster? No one will ever know, too shy.
• 59:02
  Speaker 4: They're all shy.
• 59:03
  Speaker 3: They're so shy. Yeah, cripplingly shot.
• 59:05
  Speaker 2: If they weren't shy, then yeah, but we'd be bored
• 59:07
  Speaker 2: with them exactly. People.
• 59:09
  Speaker 3: You can't get bored with shy people.
• 59:11
  Speaker 2: That's a really good I feel like celebrities should look
• 59:16
  Speaker 2: to these scryptids to know when to go away, you know,
• 59:19
  Speaker 2: because you got to pop up. You can't go on.
• 59:22
  Speaker 3: You can't be on subway takes everything you know, and
• 59:24
  Speaker 3: you can't be wearing the hat.
• 59:26
  Speaker 4: You can't you can't be Yeah, like you know, do tar.
• 59:31
  Speaker 3: And then vanished for a while.
• 59:32
  Speaker 2: Yeah, yeah, let us miss you, let us miss you.
• 59:34
  Speaker 3: Let's wonder about your health and then yeah, that's I
• 59:38
  Speaker 3: think that's like the best thing a celebrity can do.
• 59:41
  Speaker 3: People concerned about there's a mysterious illness, and then you resurface,
• 59:45
  Speaker 3: and even if your next thing isn't that great, people
• 59:48
  Speaker 3: are thrilled to have you back.
• 59:49
  Speaker 2: Do a play, do a play, or say, you know what,
• 59:52
  Speaker 2: don't even do a play. Say I'm going to do
• 59:55
  Speaker 2: a play because no one sees.
• 59:59
  Speaker 3: Okay, Planchet does not have bronchitis considering a play.
• 1:00:02
  Speaker 2: She's yeah, yeah, she's threatening to do a chorus line. Yeah,
• 1:00:10
  Speaker 2: she's threatening to be the choreographer a chorus line.
• 1:00:13
  Speaker 4: Take it again from the top a five six seven et.
• 1:00:16
  Speaker 3: She'd be so good. That's perfect cast.
• 1:00:21
  Speaker 2: My leg or. I tore my meniscus in high school
• 1:00:23
  Speaker 2: and I did community theater of chorus line. But I
• 1:00:25
  Speaker 2: was in backstage chorus and I had a T shirt
• 1:00:28
  Speaker 2: that said backstage chorus and had to come out during
• 1:00:29
  Speaker 2: the current call.
• 1:00:31
  Speaker 3: They put they made you wear that T shirt. Yeah,
• 1:00:34
  Speaker 3: that's unfair.
• 1:00:35
  Speaker 4: I think I gave it to someone when I used
• 1:00:36
  Speaker 4: to have it.
• 1:00:37
  Speaker 3: That's abusive behavior.
• 1:00:39
  Speaker 2: Huge to hear a whole crowd laughing like at during
• 1:00:42
  Speaker 2: a curtain call, like mat use the show, and then
• 1:00:47
  Speaker 2: backstage comes out and takes a long bow.
• 1:00:50
  Speaker 3: And this was because of the injury. I mean, so
• 1:00:54
  Speaker 3: I was told they're like, thank Gaudy injured.
• 1:00:57
  Speaker 2: Then they would have let me on stage if it
• 1:00:58
  Speaker 2: hadn't been for the hopefully but yeah, so the bar
• 1:01:03
  Speaker 2: like monster, what are we talking?
• 1:01:05
  Speaker 4: Fowl? Are we talking?
• 1:01:06
  Speaker 3: Man? Oh? I would love a wet fowl. Oh my fowl, cryptid, sopping, wet,
• 1:01:11
  Speaker 3: wet feathers covered in mud. Hey fuck, yeah, that's the
• 1:01:25
  Speaker 3: sound of the bare like monster.
• 1:01:27
  Speaker 2: Yeah, yeah, it sucks to be that. Yeah, we both
• 1:01:30
  Speaker 2: knew it was a pained existence.
• 1:01:32
  Speaker 3: No, I mean, I think the general thought was that
• 1:01:36
  Speaker 3: it was kind of serpentine. But I feel like everybody
• 1:01:41
  Speaker 3: just goes to NeSSI they just imagine it's another dinosaur.
• 1:01:44
  Speaker 3: I'm imagining a kind of plumped up platy pie. Oh
• 1:01:49
  Speaker 3: that's not a bad like monster.
• 1:01:50
  Speaker 2: Yeah yeah, like half bird half.
• 1:01:53
  Speaker 3: Right, Like, you don't want to even see a platypus.
• 1:01:56
  Speaker 2: No, has anyone have you ever known someone who's seen
• 1:01:59
  Speaker 2: a platypus? Never meant anybody tell me when? Okay, so
• 1:02:01
  Speaker 2: you think, tell me what you think is the side
• 1:02:04
  Speaker 2: of the platypus? Tell me when?
• 1:02:05
  Speaker 3: Oh great question? Who knows? Could be that it's because
• 1:02:10
  Speaker 3: a quarter infinitesimal? Okay, keep going there. I would say,
• 1:02:16
  Speaker 3: like a newborn puppy size. Yeah, yeah, is that right?
• 1:02:20
  Speaker 3: Oh I don't know.
• 1:02:21
  Speaker 2: I did that like a while.
• 1:02:23
  Speaker 3: Then let me try with you going going when? Oh,
• 1:02:28
  Speaker 3: so about the size of a chips a hoy?
• 1:02:31
  Speaker 2: Not many?
• 1:02:33
  Speaker 3: No? No, not like it could be or it could
• 1:02:36
  Speaker 3: be it could be huge. It could be a nutrient
• 1:02:38
  Speaker 3: with the architecture of a platypus. I feel like it
• 1:02:41
  Speaker 3: needs to be big, fine architecture to support the all
• 1:02:46
  Speaker 3: of the things that went wrong right, Like, it can't
• 1:02:50
  Speaker 3: be something, it can't be delicate or fragile. It's got
• 1:02:54
  Speaker 3: to be like you don't have a disgusting and god
• 1:02:56
  Speaker 3: bless but they are gross.
• 1:02:58
  Speaker 4: It's spilt like a suspension bridge plot pus is gross.
• 1:03:00
  Speaker 3: It's a gross creature. Oh, totally, So it's got to
• 1:03:03
  Speaker 3: be big.
• 1:03:03
  Speaker 2: The eggs. The eggs is t m I. Oh yeah,
• 1:03:06
  Speaker 2: that's that's the first time I heard t m I
• 1:03:08
  Speaker 2: in biology. Yeah, they're like, hey, and just so you
• 1:03:11
  Speaker 2: guys know, they lay eggs. Everyone's like.
• 1:03:14
  Speaker 4: Classes dismissed's we're going home early.
• 1:03:17
  Speaker 3: This that should be live birth. It's that should be
• 1:03:20
  Speaker 3: a live birth creature. Totally. I just learned that there's
• 1:03:23
  Speaker 3: one snake that does live birth. Which class actually, I
• 1:03:26
  Speaker 3: guess kind of equal. I can't remember. I wish they
• 1:03:29
  Speaker 3: make think of it. What they make a big stink
• 1:03:32
  Speaker 3: of it. Then you want to know so you can
• 1:03:33
  Speaker 3: avoid them. Imagine the snake just giving birth to.
• 1:03:36
  Speaker 4: I spend a lot of time with snake. Oh yeah, hold.
• 1:03:38
  Speaker 3: Your car on vacation. There's someone right now calling the police.
• 1:03:43
  Speaker 3: I think a snake has been left in a car
• 1:03:45
  Speaker 3: in the hots that's the one that you probably could
• 1:03:48
  Speaker 3: leave in a hot car.
• 1:03:49
  Speaker 4: Yeah, you have to be that.
• 1:03:50
  Speaker 2: You have to be such a punk to call like
• 1:03:52
  Speaker 2: a's a certain type of person that would call the
• 1:03:54
  Speaker 2: police to see a snake that saw a snake in
• 1:03:56
  Speaker 2: a car, well, tattoo. You have to be like, h
• 1:04:00
  Speaker 2: you have to be pretty hard. Yes, other people would
• 1:04:02
  Speaker 2: be like fuck the snake.
• 1:04:05
  Speaker 3: They really would like dog cat whatever. Of course you're
• 1:04:07
  Speaker 3: probably trying to break the window totally. Yeah, no, thank
• 1:04:11
  Speaker 3: you're probably happier. You have to actively be on your
• 1:04:13
  Speaker 3: way to the Reptile Expo to be the sort of
• 1:04:16
  Speaker 3: person that calls about the snake in the car. That's right.
• 1:04:18
  Speaker 2: Do you think without all the snake lore and like
• 1:04:20
  Speaker 2: religion and stuff, we would think different.
• 1:04:22
  Speaker 3: We'd probably think a little differently. Oh, interesting, if they
• 1:04:24
  Speaker 3: weren't kind of a symbol of evil. Yeah, they got
• 1:04:27
  Speaker 3: they really got a bad shake. Or is that just
• 1:04:30
  Speaker 3: the easiest writing like is it a chicken in the
• 1:04:32
  Speaker 3: egg thing? Right? Because it is just naturally scary and
• 1:04:34
  Speaker 3: it's moving without legs. That's the devil of course that
• 1:04:38
  Speaker 3: would tempt you into eating fruit.
• 1:04:41
  Speaker 4: Yeah.
• 1:04:42
  Speaker 2: Yeah.
• 1:04:42
  Speaker 4: And also spiders I guess didn't really ever have.
• 1:04:45
  Speaker 3: Much of a chance much lore. They just I think
• 1:04:48
  Speaker 3: they were just actively biting people and hurt, harming, so
• 1:04:50
  Speaker 3: they were right.
• 1:04:51
  Speaker 4: Well, they came around I think in the eighties.
• 1:04:53
  Speaker 3: Yeah, they were introduced in nineteen eighty seven. And initially
• 1:04:56
  Speaker 3: it was like at cees and it was like the
• 1:04:58
  Speaker 3: tech people were like, Okay, we can do this. And
• 1:05:01
  Speaker 3: then as we do with all tech, it got out
• 1:05:03
  Speaker 3: of control.
• 1:05:04
  Speaker 4: It got completely out of control.
• 1:05:05
  Speaker 3: Religion embraced out and said this is evil. Yeah, and
• 1:05:09
  Speaker 3: then other than we also got snake church, which is
• 1:05:12
  Speaker 3: which is also the whole thing, snake Church. Yeah, but
• 1:05:17
  Speaker 3: no spiders have I think of just kind of they're
• 1:05:19
  Speaker 3: kind of a bad boy. They're such a bad boy.
• 1:05:22
  Speaker 3: You don't need the Bible telling you of spider's bad,
• 1:05:24
  Speaker 3: but not a centipede you feel bad for.
• 1:05:26
  Speaker 2: It's a difference between a freak.
• 1:05:30
  Speaker 3: Centipede is a full freak that can't really help itself.
• 1:05:33
  Speaker 3: It's yeah, but the bad boys, it's it's got an agenda,
• 1:05:38
  Speaker 3: at least some type of structure in its life.
• 1:05:40
  Speaker 2: And you stay away from it.
• 1:05:42
  Speaker 3: The freak doesn't have any friends.
• 1:05:45
  Speaker 4: People don't even kill centipedes because they're like.
• 1:05:47
  Speaker 3: A centipede has got a rolling luggage behind it at
• 1:05:51
  Speaker 3: all times, carrying its things. Yes, wearing boxers is shorts.
• 1:05:59
  Speaker 3: Everyone's even the nerds like, oh, we can't do anything
• 1:06:03
  Speaker 3: with that.
• 1:06:04
  Speaker 2: We can't.
• 1:06:04
  Speaker 3: Sorry, Hey, you're on your own. Sorry man, Oh well,
• 1:06:10
  Speaker 3: I think I'm gonna take them off my shirt. I'm
• 1:06:11
  Speaker 3: getting a little warm, okay, which is fine.
• 1:06:14
  Speaker 2: Forgot you had a tunic underneath that.
• 1:06:16
  Speaker 3: Yeah, it's good to just be able to constantly reveal yourself.
• 1:06:19
  Speaker 4: That's it's good to be able to just pop that
• 1:06:21
  Speaker 4: thing off.
• 1:06:22
  Speaker 3: Oh how many shirts can you pop off? That's one
• 1:06:24
  Speaker 3: thing a western wear does best. And Western ware kind
• 1:06:27
  Speaker 3: of stopped being like western ware.
• 1:06:29
  Speaker 2: You thought was having a thing around two thousand and
• 1:06:31
  Speaker 2: nine to twenty eleven, the snap buttons.
• 1:06:34
  Speaker 3: Oh yeah, of course, and then something happened headed back
• 1:06:37
  Speaker 3: you think, Oh yeah, it's absolutely headed back Big Sky
• 1:06:40
  Speaker 3: Country or everywhere. I think it's creeping in. Yeah, yeah,
• 1:06:42
  Speaker 3: it's probably as close as the Riverside right now. It's
• 1:06:47
  Speaker 3: stopping to gas up in Riverside on its way down.
• 1:06:52
  Speaker 3: I think that Western war is on its way back,
• 1:06:55
  Speaker 3: is it staying in a in like a it's saying
• 1:06:58
  Speaker 3: at a prints place, Okay, has not seen him a
• 1:07:00
  Speaker 3: long time, and they're like, well he called and asked.
• 1:07:03
  Speaker 3: He's like, what was I supposed to do?
• 1:07:05
  Speaker 4: Thanks so much? Man, Hey, this was really good.
• 1:07:10
  Speaker 2: Let's do that.
• 1:07:10
  Speaker 3: Hey, let's do this again. And then you're apologizing to
• 1:07:13
  Speaker 3: your spouse about the whole weekend. Know, this is coming
• 1:07:19
  Speaker 3: back trying to do a trend report and that's all yeah, yeah, yeah,
• 1:07:23
  Speaker 3: I feel like v next are now. I mean see
• 1:07:27
  Speaker 3: people want to.
• 1:07:29
  Speaker 2: Time and at least has been doing a slow and
• 1:07:31
  Speaker 2: at least has been doing the slowest slow zoom on
• 1:07:34
  Speaker 2: my nip and.
• 1:07:35
  Speaker 3: There's now microscopic of we can see what's living on
• 1:07:39
  Speaker 3: that now the viewers just trying to be.
• 1:07:44
  Speaker 4: You can't and it's it's slowly.
• 1:07:46
  Speaker 3: Our sound are talking is just.
• 1:07:55
  Speaker 2: Oh the work girl heard.
• 1:07:59
  Speaker 3: And just my nippled beneath your Yeah. Wow, this episode
• 1:08:07
  Speaker 3: was crazy nipple monsters.
• 1:08:10
  Speaker 2: Yeah yeah, I think I think a collared.
• 1:08:14
  Speaker 3: What do you call this? This is a what?
• 1:08:16
  Speaker 2: Yeah?
• 1:08:16
  Speaker 3: When it's not like a buttoned collar and it's like
• 1:08:19
  Speaker 3: attached to.
• 1:08:20
  Speaker 4: What it's woodworking stuff for Robin right.
• 1:08:22
  Speaker 3: It's right, I would I would say it's a pilots. No,
• 1:08:26
  Speaker 3: I would say it's like there's something about very airplane,
• 1:08:29
  Speaker 3: very being very very aviation in the sky the sky, right, yeah,
• 1:08:34
  Speaker 3: And I can't say what it is. And mine's more
• 1:08:35
  Speaker 3: of a would you say this is a key hole?
• 1:08:39
  Speaker 3: They call that a keyhole shirt when it's like kind
• 1:08:42
  Speaker 3: of revealing.
• 1:08:43
  Speaker 2: This is something you you Oh my god, you look
• 1:08:46
  Speaker 2: like you could be in the White Lotus right now
• 1:08:48
  Speaker 2: as going to the hospitality.
• 1:08:49
  Speaker 4: You look like the guy.
• 1:08:52
  Speaker 2: And do you watch the White of course?
• 1:08:54
  Speaker 3: Of course I love the White Lotus.
• 1:08:55
  Speaker 2: I'm gonna need something to happen.
• 1:08:56
  Speaker 3: Though, I mean, we're taking our time.
• 1:08:59
  Speaker 4: Talk's gone. He got gay Talk's gun?
• 1:09:02
  Speaker 3: Yeah, gaytar or gay tar, gayuitar.
• 1:09:05
  Speaker 2: I believe gauitar. Gauitar.
• 1:09:07
  Speaker 3: It's a guitar for gay man got his gun. Yeah,
• 1:09:11
  Speaker 3: the gun. Now that's just a montage with they're partying.
• 1:09:15
  Speaker 3: People loved the partying montage and listen anything Mike White
• 1:09:19
  Speaker 3: makes I'm there to watch and enjoy. Oh totally. But
• 1:09:22
  Speaker 3: the party montage for me was I started to get it.
• 1:09:25
  Speaker 3: I was starting to get into spy movie territory. It
• 1:09:27
  Speaker 3: was because I'm not experienced with parties. But it's a
• 1:09:29
  Speaker 3: little bit like, okay, very good time.
• 1:09:31
  Speaker 2: If you're ever filming and you're making something and you
• 1:09:33
  Speaker 2: need public domain footage of partying, that's what that That's
• 1:09:36
  Speaker 2: what it is. That was. That was like, it was
• 1:09:38
  Speaker 2: like thirty minutes of a little long with Michelle Monahan.
• 1:09:41
  Speaker 3: I love to see Michelle monahanue letting lose. She's doing
• 1:09:44
  Speaker 3: a great job, doing wonderful but proposed you doing a
• 1:09:47
  Speaker 3: full on Groundlings character. It's like, I'm pushing back. I
• 1:09:52
  Speaker 3: think she's doing the character so accurately that it's a cartoon.
• 1:09:57
  Speaker 2: See, Okay, this is where you're jack right, and just
• 1:10:01
  Speaker 2: everyone is not giving characters anymore. So when someone gives
• 1:10:05
  Speaker 2: a character, yeah, you're like, oh, they're actually you doing
• 1:10:07
  Speaker 2: front facing common but it's no, that's acting. Everyone else
• 1:10:10
  Speaker 2: is just showing.
• 1:10:11
  Speaker 3: Up and just doing their normal voice.
• 1:10:13
  Speaker 2: That was everybody feeling yeah, oh my god, the brothers,
• 1:10:16
  Speaker 2: Oh my god, the fucking brothers.
• 1:10:18
  Speaker 3: Well, the dad British, you know what's that guy's name.
• 1:10:21
  Speaker 2: Whenever you see someone give it a really good performance, obviously.
• 1:10:24
  Speaker 3: They're a brit and they're doing like an obscure Southern accent.
• 1:10:28
  Speaker 3: I mean the backflips that man's doing. If you're ever
• 1:10:31
  Speaker 3: audition for something and there's a British dude and that
• 1:10:33
  Speaker 3: you go home, you go home. They don't want an
• 1:10:35
  Speaker 3: American actor for this.
• 1:10:37
  Speaker 2: If they can do brit No, it's not the other
• 1:10:39
  Speaker 2: way round, Absolutely not.
• 1:10:41
  Speaker 3: The Americans goes right, Oliver twist every times, graceful.
• 1:10:48
  Speaker 4: We can't do it.
• 1:10:49
  Speaker 3: Can you do any accent?
• 1:10:51
  Speaker 2: Hmmm mmm? I could do. Okay, We're gonna get your
• 1:10:56
  Speaker 2: family back. That's the blood time. And that's South African.
• 1:10:59
  Speaker 2: That's a DiCaprio.
• 1:11:00
  Speaker 3: That's over there. It's bling bling over HiT's bling bang.
• 1:11:06
  Speaker 3: We're gonna get your family back family. Can you do
• 1:11:09
  Speaker 3: any Oh god, it's so you feel so naked when
• 1:11:13
  Speaker 3: you're trying to do an accent. Hey, we gotta we
• 1:11:15
  Speaker 3: got to prove our special skills in a resume. I
• 1:11:17
  Speaker 3: mean you can do Midwest. I mean I can do
• 1:11:19
  Speaker 3: anybody can do a Midwest the friends of mcdoran. Don't
• 1:11:21
  Speaker 3: you yeah, don't you have an attack? It was in
• 1:11:23
  Speaker 3: Wadder whoa Okay?
• 1:11:27
  Speaker 2: I like when I like when you can spell it out?
• 1:11:29
  Speaker 3: Can you do Pittsburgh? No? My god, that one feels
• 1:11:32
  Speaker 3: like you have to go to a witch to learn
• 1:11:35
  Speaker 3: that you don't just do a Pittsburgh accent, Like, what
• 1:11:39
  Speaker 3: the I mean that's another language when you say you
• 1:11:41
  Speaker 3: got you?
• 1:11:42
  Speaker 2: Yeah, it's a witch.
• 1:11:43
  Speaker 3: I wouldn't able to even point it out, like it's
• 1:11:45
  Speaker 3: such a it's very obscure. I only know if they
• 1:11:48
  Speaker 3: zoom in on Pittsburgh in the beginning. Oh yeah, then
• 1:11:50
  Speaker 3: if it's mister rogers neighborhood.
• 1:11:52
  Speaker 2: That's right.
• 1:11:52
  Speaker 3: He didn't have a Pittsburgh accent. There's the flaw in
• 1:11:54
  Speaker 3: the shoe Pittsburgh. Yes, oh he has the little uh.
• 1:11:58
  Speaker 3: I went to Pittsburgh for a wedding and wrote the
• 1:12:01
  Speaker 3: what is that a funicular that goes up the hill?
• 1:12:05
  Speaker 3: Doesn't he have a little trolley or something? Yeah? Yeah,
• 1:12:07
  Speaker 3: I'm pretty sure on a list? Does this feel right
• 1:12:09
  Speaker 3: to you? Analas is confused at least gave us the
• 1:12:14
  Speaker 3: light Fred Rogers, turn.
• 1:12:17
  Speaker 2: It off, turn it offwo pounds his whole life.
• 1:12:21
  Speaker 3: One hundred and forty two. Famously, he had have bragged
• 1:12:23
  Speaker 3: about it the first of every episode, taking my shoes
• 1:12:25
  Speaker 3: off one hundred and forty four in shoes.
• 1:12:29
  Speaker 2: Yes, yes, because he's his couch is constantly weighing him
• 1:12:32
  Speaker 2: one hundred.
• 1:12:33
  Speaker 3: And forty eight in Puppets.
• 1:12:37
  Speaker 2: Yeah, really I never started thinking about what of the
• 1:12:42
  Speaker 2: what was the scary puppet?
• 1:12:43
  Speaker 3: Oh, the kind again devil. Yes, it was kind of
• 1:12:47
  Speaker 3: a devil.
• 1:12:47
  Speaker 4: Is It was Lady Elaine.
• 1:12:49
  Speaker 3: And her face was very rubbery, wasn't it. And her
• 1:12:51
  Speaker 3: nose was very unforgiving.
• 1:12:54
  Speaker 4: Yeah, And and she had she had a chin.
• 1:12:57
  Speaker 3: And she was it was like the chin almost me nose.
• 1:13:00
  Speaker 3: You know that persons have to know good, that's right.
• 1:13:03
  Speaker 2: She terrified when you could see the dream Works kid
• 1:13:05
  Speaker 2: fishing from their chi, from the chin to the nose,
• 1:13:09
  Speaker 2: you know, you know some.
• 1:13:12
  Speaker 3: Where it's his movie. There's some ip that could be exploited.
• 1:13:15
  Speaker 2: Oh, they're doing it, and they're having Will Poulters playing him.
• 1:13:20
  Speaker 2: I actually am happy to believe that Will Polters as
• 1:13:24
  Speaker 2: a DreamWorks kid, and it's him finally catching something.
• 1:13:28
  Speaker 3: It's him finally find out and it's of course a
• 1:13:30
  Speaker 3: love letter to movies. That's he catches a VHS, teaches
• 1:13:35
  Speaker 3: children about the importance of films.
• 1:13:36
  Speaker 2: Yes, and he filas it, d bones and filates the
• 1:13:39
  Speaker 2: DHS coming brutal. Yeah, the Daniels are doing it, so
• 1:13:42
  Speaker 2: it's gonna be it's gonna be w It's gonna be fine.
• 1:13:46
  Speaker 3: Ah, it's gonna be fine, gonna be talking. Is this
• 1:13:52
  Speaker 3: e Bon's world? Woo oh my god? Oh is this
• 1:13:58
  Speaker 3: a fucking internet from twenty twelve? Yes, yes, any anyway,
• 1:14:11
  Speaker 3: I think I feel like I should give us the
• 1:14:13
  Speaker 3: light to play the game. I think we're to the
• 1:14:15
  Speaker 3: reports that actually I do want to ask you. I
• 1:14:17
  Speaker 3: don't want to leave the clothing before asking you, like
• 1:14:20
  Speaker 3: what your shopping style is, because you do obviously like
• 1:14:23
  Speaker 3: how are you filling out your wardrobe? You're the only
• 1:14:27
  Speaker 3: person in the world I care about asking this question.
• 1:14:30
  Speaker 2: I I try to do a different outfit every time
• 1:14:33
  Speaker 2: I'm on stage, and that is getting pretty crazy.
• 1:14:36
  Speaker 3: This sounds exhausting, and.
• 1:14:37
  Speaker 2: It's just very intuitive. I Am not to sound like
• 1:14:40
  Speaker 2: you know, you'll maybe just you know, mystic or anything.
• 1:14:43
  Speaker 2: But if I just wake up from a dream and
• 1:14:46
  Speaker 2: I just have this, for example, I'm like, I need
• 1:14:48
  Speaker 2: something with a purple faux for collar.
• 1:14:52
  Speaker 3: Sure, And I google purple faux for.
• 1:14:54
  Speaker 2: Collar and yeah, and I'm finding that this is this
• 1:14:58
  Speaker 2: is all women stuff, I think, but typically finding thank you.
• 1:15:00
  Speaker 2: I've been doing mostly on stage. I've been doing more
• 1:15:03
  Speaker 2: British men's clothes with British men's bodies are fitted.
• 1:15:07
  Speaker 3: They're like my body.
• 1:15:08
  Speaker 2: Sure, the American body the Americans men closed is like
• 1:15:11
  Speaker 2: you know, it's as John Wayne.
• 1:15:13
  Speaker 3: It's a refrigerator box every time, exactly exactly. And I'm
• 1:15:16
  Speaker 3: sure you see this and you're very I would say,
• 1:15:18
  Speaker 3: you're somebody that could be in the intro of one
• 1:15:20
  Speaker 3: hundred and one Dollmations character with a dog or the dog.
• 1:15:24
  Speaker 2: I'm the rare guy who's walking himself and they cut
• 1:15:29
  Speaker 2: to live action for that one and they play a
• 1:15:31
  Speaker 2: low drone.
• 1:15:36
  Speaker 3: But yeah, it's but you have a very like more
• 1:15:39
  Speaker 3: of a British energy.
• 1:15:40
  Speaker 2: I appreciate that people that, yeah, people that don't hear
• 1:15:43
  Speaker 2: me speak if they just see photos of me jump
• 1:15:46
  Speaker 2: to British. People that have known me from memes thought
• 1:15:48
  Speaker 2: that al was British.
• 1:15:49
  Speaker 3: Interesting, Well, Fleming sounds British.
• 1:15:51
  Speaker 2: Oh yeah, sure, yeah, yeah.
• 1:15:54
  Speaker 3: Who's the other famous Fleming? Ian Fleming Ian Fleming? Yeah,
• 1:15:57
  Speaker 3: uncle uncle, yeah. Part of the Barbara Barkley broccoln.
• 1:16:04
  Speaker 2: Broccoli, Barbara Broccley, which sounds like a Veggietails protagonist.
• 1:16:07
  Speaker 3: I keep saying Barbara Barkley, which is probably part of
• 1:16:11
  Speaker 3: the Charles Foundation.
• 1:16:13
  Speaker 2: Well, Barbara Barkley sounds more like a human name, unless
• 1:16:17
  Speaker 2: like a.
• 1:16:17
  Speaker 3: Children like the first thought someone had for a fake name.
• 1:16:21
  Speaker 3: What's your name? Barbara Buckley Ralph's produce section.
• 1:16:26
  Speaker 2: Yeah, looking at Watching twenty twenty with Barbara Walters or whatever.
• 1:16:31
  Speaker 2: Barbara Broncley Bugley, Barbara Brockley.
• 1:16:35
  Speaker 3: Yeah, I'm glad that she's kind of I don't know
• 1:16:36
  Speaker 3: what the drama is there. People at wore over James Bond.
• 1:16:40
  Speaker 3: I think she gave up. Maybe Amazon took over. The
• 1:16:44
  Speaker 3: details are so exhausting. I can't stand it.
• 1:16:47
  Speaker 2: But I didn't know they were. Wait, is there is
• 1:16:49
  Speaker 2: there an issue?
• 1:16:49
  Speaker 3: Barbara owned James Bond and somehow she's lost control of
• 1:16:54
  Speaker 3: the IP he got away from it, slippery fish.
• 1:16:59
  Speaker 2: It was a win the day on top of the
• 1:17:01
  Speaker 2: Empire State Building.
• 1:17:03
  Speaker 3: Damn it and Bezos. It's in his teeth? Is beyd
• 1:17:08
  Speaker 3: his gyro copter, the nets, the Hudson target.
• 1:17:16
  Speaker 4: But they're gonna put is it?
• 1:17:17
  Speaker 2: Is it?
• 1:17:17
  Speaker 3: Josh O'Connor, do you think? Oh?
• 1:17:19
  Speaker 2: Is he? Is he up for us?
• 1:17:20
  Speaker 3: I heard some sort of thing. I just believe I.
• 1:17:24
  Speaker 4: Heard it was truly the challenges guy.
• 1:17:28
  Speaker 3: Oh that makes sense if he was there.
• 1:17:30
  Speaker 2: I'm there.
• 1:17:30
  Speaker 3: I'm there on opening night. He's a little young that
• 1:17:33
  Speaker 3: feels like teen bond to me.
• 1:17:35
  Speaker 4: That's what that's what it is. It's Bond Junior.
• 1:17:37
  Speaker 2: It's like ju.
• 1:17:39
  Speaker 3: If they did Bond Jr. That I think I would
• 1:17:41
  Speaker 3: at least it would revitalize the formula.
• 1:17:43
  Speaker 4: And they want to have a lot of.
• 1:17:48
  Speaker 3: Oh teens, they're shooting in the same studios last Man's standing. Yeah,
• 1:17:55
  Speaker 3: Barbara demanded it. Yeah, okay, I think it's time to
• 1:17:59
  Speaker 3: play a game. Were gonna play a game called Gift Recurse.
• 1:18:01
  Speaker 3: I need to number between one and ten from you. Seven.
• 1:18:04
  Speaker 2: Okay.
• 1:18:04
  Speaker 3: I have to do some like calculating to get our
• 1:18:06
  Speaker 3: game pieces right now. You can promote, recommend, do whatever
• 1:18:09
  Speaker 3: you want to.
• 1:18:10
  Speaker 2: Do some basic math, yes, okay, I recommend. Oh I
• 1:18:16
  Speaker 2: hate to do this. I watched Companion, which is a
• 1:18:20
  Speaker 2: Sophie Thatcher I think is her name. I get obsessed
• 1:18:23
  Speaker 2: with actors, and I got obsessed with Sophie Thatcher and
• 1:18:27
  Speaker 2: I that she played. Oh, I not even I don't
• 1:18:29
  Speaker 2: want to give anything away, but it's a good little
• 1:18:31
  Speaker 2: horror movie that I liked. That was fun and Dennis
• 1:18:34
  Speaker 2: Quaid's son plays a douche in it who and he
• 1:18:39
  Speaker 2: does a really convincing job of it.
• 1:18:41
  Speaker 3: And I'm not in it or involved in it anyway.
• 1:18:45
  Speaker 2: In fact, even when I when I audition for things now,
• 1:18:47
  Speaker 2: it's almost like they're just trying to make sure I'm
• 1:18:49
  Speaker 2: not the right person for the part. That's kind of
• 1:18:52
  Speaker 2: that's kind of what an audition feels like. We thought
• 1:18:55
  Speaker 2: we were sure you weren't. We wanted to really make
• 1:18:58
  Speaker 2: sure you were wrong that' thank you for coming, we
• 1:19:02
  Speaker 2: can cross you off.
• 1:19:03
  Speaker 3: Let's see here. Oh my god, I'm a mess. You're
• 1:19:05
  Speaker 3: doing this with gloves. Forget it, you were typing with gloves.
• 1:19:09
  Speaker 3: I'm just trying to select with gloves.
• 1:19:10
  Speaker 4: For those who went home. Bridger isn't.
• 1:19:12
  Speaker 2: I don't know if you ever went to space camp,
• 1:19:14
  Speaker 2: but when you have to put your hands into the
• 1:19:16
  Speaker 2: space box in the midst and you're wearing it's like
• 1:19:19
  Speaker 2: what it feels that's what Bridge is doing on his
• 1:19:22
  Speaker 2: I never got I got robbed of that opportunity.
• 1:19:24
  Speaker 3: I never got to do space Box.
• 1:19:26
  Speaker 4: We're too busy doing foods.
• 1:19:28
  Speaker 3: Foods, learning to how to make no baked cookies.
• 1:19:32
  Speaker 2: It's like what they yell at Urgent care foods is
• 1:19:37
  Speaker 2: crashing foods foods.
• 1:19:41
  Speaker 4: Can you tie me to these and see.
• 1:19:42
  Speaker 3: If I go after the show, I've got a gun
• 1:19:46
  Speaker 3: to shoot you down. Thing's gonna out of control. Okay, No,
• 1:19:51
  Speaker 3: this is this is how we play Gift or curse.
• 1:19:52
  Speaker 3: I'm going to name three things and you're going to
• 1:19:55
  Speaker 3: tell me if they are a gift or a curse
• 1:19:57
  Speaker 3: and why, And I'll tell you if you're right or wrong.
• 1:19:59
  Speaker 3: Because there are correct answers, you can fail, and to
• 1:20:02
  Speaker 3: fail on a fifth anniversary tough feeling. We can't have that.
• 1:20:06
  Speaker 2: Okay.
• 1:20:07
  Speaker 3: This first one of this is from a we don't
• 1:20:09
  Speaker 3: even know who it's from. It's an unmarked grave of
• 1:20:12
  Speaker 3: It's from Instagram Live, so we don't know your name.
• 1:20:14
  Speaker 3: Gift you a curse. Sneezing while driving.
• 1:20:19
  Speaker 2: Curse. I mean it's pleasure, it's one sixteenth of an orgasm,
• 1:20:22
  Speaker 2: but but you're blinded. I mean it's where it's it's
• 1:20:25
  Speaker 2: incredibly dangerous, you know, sneezing while driving because you go
• 1:20:29
  Speaker 2: you can't because you physically cannot seize with your eyes
• 1:20:31
  Speaker 2: open unless you're you know, ci A trained.
• 1:20:34
  Speaker 3: Oh they probably do train for that.
• 1:20:36
  Speaker 2: Yeah, West Point, they spend they spend a little weekend
• 1:20:39
  Speaker 2: doing that.
• 1:20:40
  Speaker 4: It's a little trick.
• 1:20:41
  Speaker 2: You gotta pinch yourself right here, you got you got.
• 1:20:43
  Speaker 2: When you get a little true, then you can graduate.
• 1:20:49
  Speaker 2: Is you get your gun in your badge.
• 1:20:50
  Speaker 3: It is probably a an orgasm that got to be scientific.
• 1:20:53
  Speaker 2: Right, Well, that's what we were talking.
• 1:20:56
  Speaker 3: In the fractions of course.
• 1:21:00
  Speaker 2: And orgasm doing cocaine is is like six orgasms. Remember,
• 1:21:05
  Speaker 2: they would tell you that's like Jesus, it's like a
• 1:21:08
  Speaker 2: full body orgasm.
• 1:21:08
  Speaker 4: That's what they would te us about coke.
• 1:21:10
  Speaker 3: Do not do this wrong.
• 1:21:13
  Speaker 2: It's a gift.
• 1:21:15
  Speaker 3: Sneezing while driving, right, it's a vacation. What a feeling.
• 1:21:18
  Speaker 3: It's a vacation. It's an escape. Yeah, yeah, it's a trial.
• 1:21:22
  Speaker 3: I feel like it's like God's little driving test. It's like,
• 1:21:25
  Speaker 3: that's so fun. What else can he put in front
• 1:21:28
  Speaker 3: of you other than a sneeze? You're right, how are
• 1:21:31
  Speaker 3: you gonna do it?
• 1:21:32
  Speaker 2: If if the divine were in charge of your of
• 1:21:34
  Speaker 2: getting your license, that would be before parallel parking, sneezing
• 1:21:39
  Speaker 2: in the on the freeway, put a little pepper in
• 1:21:43
  Speaker 2: your in your snout, you're driving, face you pass, You
• 1:21:48
  Speaker 2: didn't total in fucking t bone the bridge.
• 1:21:52
  Speaker 3: Yeah, it's absolutely a gift for that alone. It's just like,
• 1:21:54
  Speaker 3: how often are you put you're going seventy, you're blowing
• 1:21:58
  Speaker 3: snot all over the in shield zone. Baby, Seventies is
• 1:22:09
  Speaker 3: about as fast as I'll go. Yeah, and that's when
• 1:22:11
  Speaker 3: I'm in.
• 1:22:12
  Speaker 4: A rush before you give out.
• 1:22:13
  Speaker 2: Not the car, I pass.
• 1:22:17
  Speaker 3: That's seventy one. I passed out, swarms across the brew.
• 1:22:21
  Speaker 2: Forty. It's like when a pilot goes into the into
• 1:22:25
  Speaker 2: the what the G zone?
• 1:22:27
  Speaker 3: This is why we keep you on a scooter.
• 1:22:28
  Speaker 4: The TA zone. That's why they keep you in the scooter.
• 1:22:30
  Speaker 3: That's right, But yeah, it is a gift. Seizing while
• 1:22:33
  Speaker 3: driving is absolutely a gift. God's little driving test. And
• 1:22:37
  Speaker 3: we've all been through it. It levels the playing fields
• 1:22:39
  Speaker 3: for all of us. We've all been through it.
• 1:22:41
  Speaker 2: But if everyone seeds the same time, Oh that look
• 1:22:45
  Speaker 2: like it looks like the next Diehard movie. What will
• 1:22:48
  Speaker 2: Bruce stew Yeah, everyone's car just.
• 1:22:53
  Speaker 3: Exact same angle. Everyone just goes and Bruce has to
• 1:22:57
  Speaker 3: come out. Oh fuck yeah, it's it's up there with
• 1:23:01
  Speaker 3: Bee in car. But with what with the b in
• 1:23:04
  Speaker 3: the car, you be in the car. I have we
• 1:23:07
  Speaker 3: love to be in the car.
• 1:23:07
  Speaker 2: I want to drove a tree frog from North Carolina
• 1:23:10
  Speaker 2: to like Vermont. I was like, oh, oh god, do
• 1:23:15
  Speaker 2: you have to go back?
• 1:23:17
  Speaker 3: Is in the passenger seat back back, of course, complaining
• 1:23:21
  Speaker 3: about your driving turned down the music.
• 1:23:26
  Speaker 2: Didnight. It's gonna be good.
• 1:23:29
  Speaker 3: Teenage, Okay, you've got I've seen Katy Perry in the flesh.
• 1:23:34
  Speaker 3: I literally have before fame at sun Dance performing acoustic guitar.
• 1:23:41
  Speaker 3: Can you imagine anything you're gonna.
• 1:23:43
  Speaker 4: Get You're gonna get sniped for sake, like she's trying to.
• 1:23:46
  Speaker 3: She's been trying to track me down. I'm the last
• 1:23:49
  Speaker 3: survivor of that concert, and she won't get it. She
• 1:23:51
  Speaker 3: plays guitar. She played on the side. This was some
• 1:23:54
  Speaker 3: sort of fever dream.
• 1:23:56
  Speaker 4: No, no, this is real.
• 1:23:57
  Speaker 3: You know, because I lived and I grew up in
• 1:23:59
  Speaker 3: Salt Lake. We would up to Sundance like as teens
• 1:24:01
  Speaker 3: are like in college, just to experience what was going
• 1:24:04
  Speaker 3: on and will holding the cross I hope, yeah, of course,
• 1:24:07
  Speaker 3: of course, trying to let people know what you're doing
• 1:24:09
  Speaker 3: is wrong.
• 1:24:10
  Speaker 2: Or just even under the shirt self protection.
• 1:24:13
  Speaker 3: Yeah yeah, yeah, yeah. Case it got a little too crazy,
• 1:24:17
  Speaker 3: but we ended up at a Katy Perry concert or
• 1:24:19
  Speaker 3: like I think it was a few different musicians. And
• 1:24:22
  Speaker 3: this must have been in two thousand and seven, whoa
• 1:24:24
  Speaker 3: before I kissed girls. Yes, it was like it was
• 1:24:28
  Speaker 3: her crossover from I'll do it, I kissed a girl
• 1:24:33
  Speaker 3: and I'll do it again, nis.
• 1:24:36
  Speaker 2: Threat, I kissed the girl and you can't prove it.
• 1:24:42
  Speaker 2: You can't prove shit. You didn't see shit, you don't
• 1:24:45
  Speaker 2: know shit.
• 1:24:48
  Speaker 3: Uh no, she was. We went to this concert and
• 1:24:51
  Speaker 3: here's this woman, Katy Perry on acoustic guitar trying to
• 1:24:54
  Speaker 3: I think, kind of crossover from Christianity to kissing a
• 1:24:57
  Speaker 3: girl and et cetera. And so it was kind of
• 1:24:59
  Speaker 3: like they trying to get out of that plastic bag
• 1:25:01
  Speaker 3: kind of a thing. Yeah, yes, and it rubbed me
• 1:25:05
  Speaker 3: the wrong way. Certainly must say that she's blue onto
• 1:25:09
  Speaker 3: the scene. And again this could have been another Katy Perry.
• 1:25:12
  Speaker 3: I don't know that much about this was Katy Perry.
• 1:25:14
  Speaker 3: The world of Katy Perry.
• 1:25:15
  Speaker 2: So I felt when I saw a Vampire Weekend play
• 1:25:17
  Speaker 2: a basement show, I was like and like before they
• 1:25:19
  Speaker 2: blew up.
• 1:25:19
  Speaker 3: And how was that experience? These guys, That's what the Cassio.
• 1:25:24
  Speaker 2: I remember thinking like, oh, take off the boat shoes,
• 1:25:26
  Speaker 2: and then they're like, nassy, Yeah, they're one of the biggest.
• 1:25:29
  Speaker 3: I'm a terrible judge of who's gonna pop.
• 1:25:31
  Speaker 2: Oh, don't think they're gonna pop.
• 1:25:33
  Speaker 3: You're fucked. Of course my taste. Oh, I mean, I've
• 1:25:36
  Speaker 3: had a lot of career nightmares about realizing all the
• 1:25:40
  Speaker 3: things I like are the things that fail.
• 1:25:42
  Speaker 4: Yeah, basically exactly.
• 1:25:45
  Speaker 2: Katy Perry. I saw her at a she was at
• 1:25:47
  Speaker 2: a I went to see Ellen do stand up, and
• 1:25:50
  Speaker 2: Katy Perry and Orlando Bloom were in front. They were
• 1:25:53
  Speaker 2: in the back row, and so they she comes in
• 1:25:55
  Speaker 2: in a bodysuit and she was showing I didn't know
• 1:25:58
  Speaker 2: this to make this part of the body hoigh.
• 1:26:01
  Speaker 4: Because it's all about seeing things that you shouldn't be see.
• 1:26:03
  Speaker 3: Yeah, of course, it's like, wait, why there's never a
• 1:26:05
  Speaker 3: hole there? Like if I had a hole here, oh,
• 1:26:07
  Speaker 3: people would go nuts. People would be like dogs. I've
• 1:26:09
  Speaker 3: got a super U T shirt that's got a little
• 1:26:11
  Speaker 3: hole there, and every time I left my shirt up,
• 1:26:12
  Speaker 3: I think, oh, people are going crazy.
• 1:26:15
  Speaker 2: People are all fours begging for more. All right, sorry, Okay,
• 1:26:18
  Speaker 2: what's the next, gift.
• 1:26:19
  Speaker 3: For a course curse? Uh, okay, so you've gotten.
• 1:26:22
  Speaker 2: I've gotten zero free, we've done two, we've done.
• 1:26:25
  Speaker 3: Two on at least you've done one. Yes, we've done.
• 1:26:28
  Speaker 3: Sneezing while driving? Okay, gift your a curse. This is
• 1:26:31
  Speaker 3: from alissener named Emily. Emily trying to figure out what
• 1:26:35
  Speaker 3: gave you food poisoning.
• 1:26:38
  Speaker 4: Trying to figure out what gave you food poisoning a
• 1:26:40
  Speaker 4: gift or a curse?
• 1:26:42
  Speaker 2: Wow, Okay, I believe that you that there is no trying,
• 1:26:46
  Speaker 2: there's knowing when you you know. But I'm even speaking
• 1:26:51
  Speaker 2: of broccoli. One time I went to Lemonade. That place
• 1:26:54
  Speaker 2: gone for good?
• 1:26:55
  Speaker 4: In the broccoli?
• 1:26:56
  Speaker 2: Is it?
• 1:26:56
  Speaker 3: I think they're all gone.
• 1:26:57
  Speaker 4: Ellie X still has one.
• 1:26:58
  Speaker 2: I think a lot of.
• 1:27:00
  Speaker 3: Things that should have been dead a long time.
• 1:27:03
  Speaker 4: The broccoli.
• 1:27:04
  Speaker 2: I got sick for broccoli, and I the second I
• 1:27:07
  Speaker 2: began my spew, I see a stock image of broccoli
• 1:27:14
  Speaker 2: in my entire You just know, you just know, So
• 1:27:16
  Speaker 2: you don't you don't try to figure it out. You
• 1:27:19
  Speaker 2: either know or you don't.
• 1:27:20
  Speaker 3: So you're saying gift, oh or curse? Right?
• 1:27:23
  Speaker 2: I guess I didn't answer the question. I going to
• 1:27:25
  Speaker 2: figure out is a it's a gift.
• 1:27:29
  Speaker 3: It's a gift, correct I you know, I'm kind of
• 1:27:33
  Speaker 3: on the same page. The body knows what the body knows.
• 1:27:36
  Speaker 3: It's in your DNA. That's right, that's right if you
• 1:27:40
  Speaker 3: don't know. But this is where it becomes a gift.
• 1:27:42
  Speaker 3: It becomes a mystery, and it begins. You're going back,
• 1:27:45
  Speaker 3: you're looking at the polaroids. It combines mystery, the potential
• 1:27:49
  Speaker 3: to accuse someone, accuse a lot of people, and customer
• 1:27:53
  Speaker 3: service combined. These are all the things I love to do.
• 1:27:55
  Speaker 4: It's a beautiful trifector right there.
• 1:27:57
  Speaker 3: So look, I've always known what poisoned me. I've always
• 1:28:01
  Speaker 3: known while eating it. Basically, here it goes, I'm out
• 1:28:06
  Speaker 3: of control of my life.
• 1:28:07
  Speaker 2: Desert sushi, you know, Yeah, let's get Let's get sushi
• 1:28:10
  Speaker 2: and palm springs.
• 1:28:12
  Speaker 3: Chicken under the car, you know whatever.
• 1:28:15
  Speaker 2: Chicken under the girl interrupted and she keeps out on
• 1:28:17
  Speaker 2: the bed. Remember Brittany Murphy, I have a single.
• 1:28:20
  Speaker 3: Interrupted is something I don't know about.
• 1:28:23
  Speaker 2: She's embarrassing. She has like a rotissery chicken under her bed.
• 1:28:27
  Speaker 3: Costco.
• 1:28:28
  Speaker 4: They're like, what's wrong with this girl?
• 1:28:29
  Speaker 3: And it's like, you've got a chicken under there, got
• 1:28:31
  Speaker 3: chicken for poisoning? That's that's no mystery. She's not figuring
• 1:28:34
  Speaker 3: that out. Okay, so you've gotten one out of tude
• 1:28:36
  Speaker 3: so far. That's pretty good, not bad. That's really good.
• 1:28:39
  Speaker 3: And finally, this is from one of our Patreon listeners
• 1:28:43
  Speaker 3: named Caitlin Gift her a curse msg Oh the seasoning?
• 1:28:51
  Speaker 4: Oh very much a gift?
• 1:28:54
  Speaker 2: Why oh? Because you're like, if you're going to go out,
• 1:28:59
  Speaker 2: it's like doing something naughty. It feels like because everyone
• 1:29:03
  Speaker 2: speaks so ill of it. Right when you have it,
• 1:29:07
  Speaker 2: it's like a question.
• 1:29:09
  Speaker 3: Yeah, it's a gift, of course. I mean msg. You know,
• 1:29:14
  Speaker 3: I feel like there must have been some dateline or
• 1:29:17
  Speaker 3: report in nineteen ninety four saying it his poison, which
• 1:29:19
  Speaker 3: is simply not true. It's a fun season and what
• 1:29:22
  Speaker 3: is it for salt? It makes up a lot of
• 1:29:25
  Speaker 3: different cuisines that I adore.
• 1:29:27
  Speaker 4: Is a Madison Square garden.
• 1:29:28
  Speaker 3: It's Madison Square Garden. Okay, interesting? How have I never
• 1:29:33
  Speaker 3: made that.
• 1:29:33
  Speaker 4: Kind of They franchised there, yea, they.
• 1:29:35
  Speaker 3: Made into a season.
• 1:29:37
  Speaker 2: Hey, hey, we're doing really well. You think we should
• 1:29:40
  Speaker 2: be a seasoning?
• 1:29:41
  Speaker 3: I want to say it's mono sodium. The g is
• 1:29:45
  Speaker 3: there's the mystery. Yeah, gangster gangster like gangster mono SoundCloud wrappers.
• 1:29:53
  Speaker 2: So when so when I hear sodium, Yeah, I think
• 1:29:55
  Speaker 2: we're talking salt crystals.
• 1:29:56
  Speaker 3: I love salt. My low my blood pressure is rock bottom.
• 1:29:59
  Speaker 3: I need as much all do as I can get.
• 1:30:00
  Speaker 4: Oh yeah, no I haven't.
• 1:30:01
  Speaker 3: I haven't had to take it up, take it.
• 1:30:03
  Speaker 4: I don't even bother taking my I freak out when they.
• 1:30:06
  Speaker 3: Come from the doctor says no, I didn't. I didn't
• 1:30:08
  Speaker 3: sign up for this.
• 1:30:09
  Speaker 4: Yeah, we don't want to know.
• 1:30:11
  Speaker 3: You can take my temperature, but do not.
• 1:30:13
  Speaker 2: I hate when I hate when they squeeze it and
• 1:30:15
  Speaker 2: then you feel your thing pumping.
• 1:30:16
  Speaker 3: Oh there's your body. There's I don't want to know.
• 1:30:20
  Speaker 3: It's out of body experience.
• 1:30:21
  Speaker 2: I don't want to know.
• 1:30:23
  Speaker 4: So yeah, MSG rocks.
• 1:30:24
  Speaker 3: I love m s's saying it's monodium glutamate glutamate.
• 1:30:30
  Speaker 4: One sodium glutamate, just one do so much work.
• 1:30:35
  Speaker 2: Exactly, getting so much getting shipped on my baby, MSG
• 1:30:38
  Speaker 2: is it's the pit bulls of seasoning.
• 1:30:40
  Speaker 3: I am not kidding. I thought pit bulls seriously. Pit
• 1:30:44
  Speaker 3: bulls have been so maligned by the dateline. Yes, article,
• 1:30:49
  Speaker 3: or why do I keep saying article? It's a news
• 1:30:50
  Speaker 3: magazine and we all trust it. I feel like those
• 1:30:55
  Speaker 3: daytime news shows in the nineties were like, pit bulls
• 1:30:58
  Speaker 3: are evil, piples do not have m S.
• 1:31:00
  Speaker 2: Street York shouldn't have one.
• 1:31:01
  Speaker 3: That's one outfit, and MSG is going to kill you.
• 1:31:04
  Speaker 3: You your kids can blow your house up. Wrong? Wrong, wrong. Yeah,
• 1:31:08
  Speaker 3: I'm petting a pit bull and eating a bowl of MST,
• 1:31:10
  Speaker 3: pulling that on whatever you.
• 1:31:11
  Speaker 2: Want, feeding my pitple MSG, as we see, of course,
• 1:31:14
  Speaker 2: out of my own mouth, and he's wearing a little
• 1:31:17
  Speaker 2: beaded collar to show you that he's not gonna be mean.
• 1:31:19
  Speaker 3: My only question is it wet or dry the food?
• 1:31:22
  Speaker 2: Yeah, MSG, Yeah, Well there's only one of them, so
• 1:31:25
  Speaker 2: it can't be too wet. Oh yeah, so it's monogue
• 1:31:28
  Speaker 2: the glue the gluekid, I mean, dries it out.
• 1:31:30
  Speaker 3: Yeah, it's just there.
• 1:31:32
  Speaker 2: Yeah, No, it's wet. Well, because it's usually part of
• 1:31:35
  Speaker 2: like a noodle.
• 1:31:36
  Speaker 3: It's yeah, usually like on a it's in wet foods usually,
• 1:31:41
  Speaker 3: so you should be able to search that on door
• 1:31:43
  Speaker 3: dash just MST wet foods, wet foods. That should be
• 1:31:46
  Speaker 3: a whole category.
• 1:31:47
  Speaker 2: Italian Japanese vegan wet foods.
• 1:31:53
  Speaker 3: But soup does not fall under that category. That's another thing.
• 1:31:55
  Speaker 3: That's a drink.
• 1:31:56
  Speaker 2: I mean we know that it's a drink.
• 1:31:58
  Speaker 3: Or a cereal. So you keep that out of my
• 1:32:01
  Speaker 3: wet food really, keep out in the rain. I don't
• 1:32:04
  Speaker 3: do soups for that reason. You don't need a soup.
• 1:32:11
  Speaker 3: I love a soup. That's Ellie's biggest problem. No soups,
• 1:32:14
  Speaker 3: very few soups. Where do you find soups? Toronto, Toronto?
• 1:32:18
  Speaker 3: You gotta go to Toronto, Portland. Yeah, and probably northern Florida
• 1:32:25
  Speaker 3: they're not eating soup. And South Florida. But yeah, may
• 1:32:29
  Speaker 3: of course, I mean chowders, what have you.
• 1:32:31
  Speaker 4: I can't do a creepy soup.
• 1:32:33
  Speaker 3: Oh that is that's a line too far, Yeah, bridge
• 1:32:36
  Speaker 3: too far.
• 1:32:36
  Speaker 5: You know.
• 1:32:36
  Speaker 3: I like a beef stew. Oh, I love a good
• 1:32:39
  Speaker 3: beef stew. I'm getting Oh, and you never get an
• 1:32:44
  Speaker 3: opportunity for a stew.
• 1:32:45
  Speaker 4: I thought you were gonna say, and you never get hungry.
• 1:32:47
  Speaker 3: And you never get that's the thing everybody knows about you.
• 1:32:51
  Speaker 4: Yeah, yeah, a stew Because a stew takes a village.
• 1:32:54
  Speaker 3: It takes a village and no restaurant can gather that
• 1:32:57
  Speaker 3: to make a step.
• 1:32:58
  Speaker 4: Yeah, yeah, you asked for a restaurant.
• 1:33:00
  Speaker 2: They go, no, I'm sure there's the exit unless is
• 1:33:03
  Speaker 2: this room and board, Like if you're staying the night,
• 1:33:05
  Speaker 2: if you're a traveler.
• 1:33:08
  Speaker 3: The shutters are being banged against the house and there's
• 1:33:11
  Speaker 3: a storm, then you can have a stew. Yeah, while
• 1:33:14
  Speaker 3: you try to get to bed in a creaky bed.
• 1:33:16
  Speaker 2: Bernie's Mountain Dog is gonna wake you up tomorrow, then
• 1:33:19
  Speaker 2: you can have a stew. Other than that.
• 1:33:21
  Speaker 4: Note, you know, Bernie's Mountain dogs live to be like six.
• 1:33:24
  Speaker 3: Oh, that's tough. It's like an anol an anol. This
• 1:33:28
  Speaker 3: is that's the sort of thing where the breeding has
• 1:33:29
  Speaker 3: gone bad.
• 1:33:31
  Speaker 2: Yes, you gotta get little Chuawa. And that's what the
• 1:33:33
  Speaker 2: Chuas are.
• 1:33:34
  Speaker 3: They're Conquista doors in La.
• 1:33:37
  Speaker 2: They hook up with every dog and they and what
• 1:33:39
  Speaker 2: they're doing. Think they're just slatting, But what they're doing
• 1:33:42
  Speaker 2: is they're adding the life expectancy. They're saying, we want
• 1:33:47
  Speaker 2: you to live, we want your proseny to live another
• 1:33:49
  Speaker 2: three or four years. That's all they're doing.
• 1:33:52
  Speaker 3: This should be a law that, like every pure bread
• 1:33:55
  Speaker 3: and dog right now should just be bred with the
• 1:33:56
  Speaker 3: chuava and moving forward. Every animal should have a but
• 1:34:00
  Speaker 3: at least a drop of chihuahua.
• 1:34:02
  Speaker 2: Right, what does sound like something that chiualas would would
• 1:34:05
  Speaker 2: want to get started?
• 1:34:06
  Speaker 3: Oh, they'd get behind that.
• 1:34:07
  Speaker 2: They'd be like, sick, little freak, tell me in I
• 1:34:12
  Speaker 2: got nothing.
• 1:34:15
  Speaker 3: Well you got uh two out of three? Two out
• 1:34:18
  Speaker 3: of three.
• 1:34:19
  Speaker 2: That's bad, that's great.
• 1:34:20
  Speaker 3: Could have flopped.
• 1:34:21
  Speaker 4: It's like grades that you start getting senior year.
• 1:34:23
  Speaker 3: Oh yeah, of course. It's like, oh, I've written into
• 1:34:27
  Speaker 3: the college. You can't catch me now.
• 1:34:29
  Speaker 2: I got in an early decision round two, not not
• 1:34:32
  Speaker 2: round one, trying to get in a vast round one.
• 1:34:35
  Speaker 2: They said, yeah, nah, Drake, try again anywhere else.
• 1:34:42
  Speaker 3: Okay, on a least, I think it's time for your
• 1:34:45
  Speaker 3: gift a curse. Alys has one. We're both going to
• 1:34:48
  Speaker 3: answer to and try to be correct.
• 1:34:50
  Speaker 6: Great gifter a curse the Little Shake Connections does the
• 1:34:54
  Speaker 6: game Connections.
• 1:34:55
  Speaker 3: Are connection connections? Okay, So this is a hard one
• 1:34:58
  Speaker 3: for you, and you're gonna have to speak to Okay,
• 1:35:00
  Speaker 3: I'm going to demand you speak to it.
• 1:35:01
  Speaker 2: Okay.
• 1:35:01
  Speaker 3: Connections is a like Wordles style game where you have
• 1:35:05
  Speaker 3: to It has four different categories and you have to
• 1:35:07
  Speaker 3: like essentially figure out which words belong in which category.
• 1:35:11
  Speaker 3: There are sixteen words, four categories. How do we line
• 1:35:14
  Speaker 3: these up? And when you get it wrong? Sounds way
• 1:35:16
  Speaker 3: harder than a wordle. Oh, it's way harder. And that's
• 1:35:17
  Speaker 3: why I do it, because I'm smarter than everyone, Like, yeah,
• 1:35:20
  Speaker 3: you need the stimulation. Yes, world could be up right,
• 1:35:23
  Speaker 3: whordles the lottery. My word is just two letters.
• 1:35:28
  Speaker 4: And I get thirty.
• 1:35:31
  Speaker 3: That's worth trying. Maybe that's maybe that is hard. Actually,
• 1:35:34
  Speaker 3: it might be difficult. It might be harder. It's worth trying, somebody.
• 1:35:39
  Speaker 2: Actually the intent was funny, but in practice what you
• 1:35:46
  Speaker 2: aren't discussing is a much more challenging game.
• 1:35:49
  Speaker 3: So connections is imagine wordle. If you get it wrong
• 1:35:52
  Speaker 3: and the whole while looking at it, there's a visual shake.
• 1:35:55
  Speaker 2: Oh fuck, what do you think of that?
• 1:35:57
  Speaker 4: It's negative reinforcement.
• 1:35:58
  Speaker 3: Negative reinforcement. I think that's brilliant.
• 1:36:01
  Speaker 2: And I'm sure that whoever figured that out studied you know, uh,
• 1:36:06
  Speaker 2: you know, psychology and how to hurt us, you know,
• 1:36:09
  Speaker 2: and things that when people are working with us on
• 1:36:12
  Speaker 2: that on that kind of visceral level, like negative reinforcement
• 1:36:15
  Speaker 2: or what feels good what doesn't feel like apps know
• 1:36:17
  Speaker 2: what feels Oh, they know exactly, So that means they
• 1:36:19
  Speaker 2: know what feels bad, yes, and just start doing things
• 1:36:22
  Speaker 2: that feel bad.
• 1:36:24
  Speaker 4: That's funny. That's a gift. That's a gift.
• 1:36:28
  Speaker 3: I think as a wordle Uveser curse. You don't know
• 1:36:32
  Speaker 3: this feeling, Chris. This is a bad, genuinely horrible feeling.
• 1:36:37
  Speaker 3: Like your eyes are like, it hurts. It hurts to
• 1:36:40
  Speaker 3: see the shake. And I don't need that from the
• 1:36:43
  Speaker 3: New York Times, not right now, not in this environment,
• 1:36:46
  Speaker 3: not in this atmosphere.
• 1:36:48
  Speaker 4: I need is Klein in a Wizard of Our situation.
• 1:36:53
  Speaker 3: Screaming into a microphone.
• 1:36:54
  Speaker 2: Yeah it's high pitched.
• 1:36:58
  Speaker 3: Death whistle, death whistle, Yeah it is. It hurts, and
• 1:37:01
  Speaker 3: you know it's the beginning of my day. I need
• 1:37:05
  Speaker 3: a little. My self esteem is at rock bottom at
• 1:37:07
  Speaker 3: all times. And we're talking about about three thirty.
• 1:37:13
  Speaker 4: Curtains in your penthouse con though.
• 1:37:17
  Speaker 3: Squinty wiping the crust from my eyes. My hair is
• 1:37:21
  Speaker 3: still wet.
• 1:37:22
  Speaker 4: Thirty cast begging for food.
• 1:37:24
  Speaker 3: Get out of here. I gotta play connections. But it
• 1:37:30
  Speaker 3: really does hurt, and I feel like they what they
• 1:37:32
  Speaker 3: need to do. It should be a warm glow. When
• 1:37:34
  Speaker 3: you get something wrong. It should be just like an
• 1:37:36
  Speaker 3: amber glow. Gentle parenting, gentle parenting, Thank you. I don't
• 1:37:39
  Speaker 3: know if that's where we are, where we stand with parenting,
• 1:37:41
  Speaker 3: or if we've gotten back into shaking. I don't think
• 1:37:43
  Speaker 3: we have. I think we're probably headed that way. Oh yeah,
• 1:37:47
  Speaker 3: back with Western.
• 1:37:48
  Speaker 2: That's a problem with rubber band. You know, you go
• 1:37:50
  Speaker 2: so far and then the other it's yes, the correction,
• 1:37:53
  Speaker 2: the correction.
• 1:37:53
  Speaker 3: And I feel like this is the beginning of that
• 1:37:55
  Speaker 3: correction because it feels it's agony and I hate it.
• 1:37:58
  Speaker 3: It's a curse.
• 1:37:58
  Speaker 2: It's agony.
• 1:38:00
  Speaker 3: It's a gift, a gift.
• 1:38:02
  Speaker 6: Not on this episode, we are to me this is
• 1:38:05
  Speaker 6: an indication that we are one step away from actually
• 1:38:08
  Speaker 6: having the phone physically shake. Now, have we had a chance.
• 1:38:12
  Speaker 3: We touch our phones all the time like a rumble pack.
• 1:38:14
  Speaker 2: Yeah, start our phones touch us.
• 1:38:20
  Speaker 3: That's what I want to know.
• 1:38:21
  Speaker 2: You that.
• 1:38:24
  Speaker 3: Oh see, this is where you get red flags from
• 1:38:27
  Speaker 3: people you work with and you start to and then
• 1:38:29
  Speaker 3: you'res down the road. There's an actual betrayal and you think, oh, well,
• 1:38:33
  Speaker 3: they wanted the phone to shake.
• 1:38:35
  Speaker 2: But what you're saying, analys is actually that one day
• 1:38:39
  Speaker 2: this could lead to the phone giving you intuitive cranial massage.
• 1:38:45
  Speaker 2: That's that is what because think about your phone. Yeah,
• 1:38:48
  Speaker 2: you're right, and also it's a two way street. We're
• 1:38:50
  Speaker 2: touching that thing all day, phone touches back.
• 1:38:53
  Speaker 3: This all goes back to snakes. So, yes, you think
• 1:38:55
  Speaker 3: it's a good idea, Now it's the devil.
• 1:38:59
  Speaker 2: That's right.
• 1:39:00
  Speaker 3: Well, I'm correct. I don't know what either of you
• 1:39:02
  Speaker 3: are talking about. We need to answer at least a
• 1:39:05
  Speaker 3: couple of listener messages people have sent in voicemails or
• 1:39:08
  Speaker 3: what happened send them.
• 1:39:10
  Speaker 2: Let's see something.
• 1:39:11
  Speaker 4: A couple of listeners chained up outside.
• 1:39:13
  Speaker 3: Yeah, they'll die. They won't be asking any questions.
• 1:39:15
  Speaker 2: And it turned off hot tub so it's fifty five degrees.
• 1:39:21
  Speaker 2: Please let us not call them first.
• 1:39:22
  Speaker 4: But it's actually getting it's pretty bad.
• 1:39:25
  Speaker 3: No listeners sent voice notes and we got we got
• 1:39:28
  Speaker 3: too many to answer on the show. We'll do that
• 1:39:30
  Speaker 3: through other episodes, but let's do a couple at.
• 1:39:32
  Speaker 2: Least, are you using the cameras that BMX bikers use?
• 1:39:35
  Speaker 2: That like naturally follow up?
• 1:39:36
  Speaker 3: Do you say BMX, I had a dream last night
• 1:39:38
  Speaker 3: that I had to do. I had to go on
• 1:39:40
  Speaker 3: a BMX on Jimmy Fallon. I'm not kidding. I don't
• 1:39:46
  Speaker 3: know where, I don't know. I don't care about either
• 1:39:48
  Speaker 3: of those things. They're probably both the opposite of my personality,
• 1:39:52
  Speaker 3: and I like it was like, oh, I have to
• 1:39:54
  Speaker 3: do BMX question.
• 1:39:55
  Speaker 2: At least playing you in he better bella.
• 1:39:59
  Speaker 3: Silence, silence, I silently write a BMX hunt the Tonight show,
• 1:40:02
  Speaker 3: A tiny little BMX all Fox racing gear. Tom.
• 1:40:08
  Speaker 2: Yeah, you're on the pegs. You're doing one of those
• 1:40:11
  Speaker 2: handlebar Remember how bad asked those kids were. I thought
• 1:40:15
  Speaker 2: they were going to rule the world.
• 1:40:16
  Speaker 3: Where are those most of them?
• 1:40:19
  Speaker 2: Yeah?
• 1:40:20
  Speaker 3: YEA rough endings for this that a lot of kids
• 1:40:23
  Speaker 3: die from high school, and I think it's most of
• 1:40:25
  Speaker 3: the Fox racing. I mean yes, yes, yeah, yeah, math gets.
• 1:40:29
  Speaker 2: You, Yes it does, Yes, it does.
• 1:40:32
  Speaker 3: Onalise. Let's answer some questions.
• 1:40:34
  Speaker 7: Hi Bridger, Hi Analise.
• 1:40:36
  Speaker 2: My name is Shane.
• 1:40:37
  Speaker 7: I am a Day one listener and my question for you,
• 1:40:41
  Speaker 7: Bridger is whether or not you have any special hidden talents,
• 1:40:46
  Speaker 7: like something kind of random or weird that you never
• 1:40:50
  Speaker 7: really had an opportunity to show off. But you have
• 1:40:53
  Speaker 7: this aching, burning desire to really have an opportunity to
• 1:40:57
  Speaker 7: share with the world.
• 1:40:58
  Speaker 3: They do. Thanks people. I know that anyone in showbiz
• 1:41:01
  Speaker 3: has no hidden talent. Yeah, I don't have like a visible.
• 1:41:04
  Speaker 2: We have We have put every little single piece of
• 1:41:08
  Speaker 2: our abilities on public display.
• 1:41:10
  Speaker 3: They truly have nothing. And people are like, that's I
• 1:41:13
  Speaker 3: guess that's she's trying.
• 1:41:15
  Speaker 2: You know who this, You know who's to blame for this?
• 1:41:17
  Speaker 2: And I hope I'm getting your name right. Amanda Seyfried
• 1:41:19
  Speaker 2: who played who sang the Jonny Mitchell song and played
• 1:41:21
  Speaker 2: like the the freaking like a sideways instrument.
• 1:41:25
  Speaker 3: So did she do that in a show on Jimmy Fallen.
• 1:41:27
  Speaker 2: Oh?
• 1:41:27
  Speaker 3: I thought you were gonna say, like she did it
• 1:41:29
  Speaker 3: in the The Therese TV.
• 1:41:31
  Speaker 4: That's what I'm talking about. She Oh, yeah, if you
• 1:41:34
  Speaker 4: stay after.
• 1:41:35
  Speaker 3: The credits, it's a bonus scene.
• 1:41:37
  Speaker 4: She plays a dul somewher or whatever.
• 1:41:38
  Speaker 3: Elizabeth Holmes on the auto harp looping well. And so
• 1:41:43
  Speaker 3: she showed up and was like, look what I can
• 1:41:44
  Speaker 3: do and.
• 1:41:44
  Speaker 4: She sings like a pitch perfect Johny Mitchell.
• 1:41:47
  Speaker 3: Of course you don't have those. I mean, do you
• 1:41:50
  Speaker 3: have hidden skills of all?
• 1:41:51
  Speaker 2: No? No, no, I have put I have uh commercialized
• 1:41:56
  Speaker 2: every one of my abilities.
• 1:41:58
  Speaker 3: You got to be everything. You gotta do it all. Yeah, yeah,
• 1:42:00
  Speaker 3: I mean like minor, like I would say you're pathetic.
• 1:42:04
  Speaker 3: Like I could claim to having a good uh internal clock,
• 1:42:09
  Speaker 3: good circadian rhythm. Yes, like I can generally tell what
• 1:42:13
  Speaker 3: time of day it is. And that's a great that
• 1:42:16
  Speaker 3: is that is a great thing to do on America's
• 1:42:18
  Speaker 3: Got Talent. Oh you just stand there. I'm pretty sure
• 1:42:21
  Speaker 3: it feels like eight oh one the audience, how flads boom,
• 1:42:28
  Speaker 3: We're going to Ventura. I could do that. I will
• 1:42:34
  Speaker 3: say I'm a powerful dancer. Yeah, but that's kind of
• 1:42:36
  Speaker 3: part forming and just all of this.
• 1:42:38
  Speaker 2: Yeah.
• 1:42:38
  Speaker 3: And then in Boy Scott's I was a good This
• 1:42:40
  Speaker 3: was a scary one for a child to be good
• 1:42:42
  Speaker 3: at this.
• 1:42:42
  Speaker 2: You're a good good shot. Stop wait we boys shout camp.
• 1:42:46
  Speaker 3: We had to do rifle shooting. No, look, this was
• 1:42:49
  Speaker 3: a maybe this was like deep cover for my homosexuality.
• 1:42:53
  Speaker 3: I was like, I've got to do something straight.
• 1:42:54
  Speaker 2: Was nineteen twenty.
• 1:42:57
  Speaker 3: Turn of the century. No, this was you know, a
• 1:43:01
  Speaker 3: boy scout camp. You would have to shoot something, probably
• 1:43:04
  Speaker 3: cans or targets.
• 1:43:06
  Speaker 2: Jesus Christ.
• 1:43:07
  Speaker 3: Yeah, I mean they're killers. And you were a good shot.
• 1:43:11
  Speaker 3: I had to shoot from my friends were bad and
• 1:43:13
  Speaker 3: I helped them cheat.
• 1:43:14
  Speaker 4: See you, we're that good.
• 1:43:15
  Speaker 3: I was that good. I mean I haven't tried since,
• 1:43:17
  Speaker 3: but I guess people should be forewarned that you're a
• 1:43:20
  Speaker 3: good shot. Yeah. I mean, see that is see you that.
• 1:43:27
  Speaker 2: Has hidden talent, the fact that you are a good shot. No,
• 1:43:31
  Speaker 2: I can't think of anything like I was bad. My
• 1:43:34
  Speaker 2: dad really wanted he was. He was really it was
• 1:43:36
  Speaker 2: a ship rat as a kid, so he wanted me
• 1:43:38
  Speaker 2: to be a sailor. Oh and I can't read them.
• 1:43:44
  Speaker 3: To dissociated, so I'm always capsizing. That feels like a
• 1:43:49
  Speaker 3: scale to put you on a path.
• 1:43:51
  Speaker 4: To be able to capsize. Uh.
• 1:43:55
  Speaker 3: I played the tube? Okay, there we go, Okay, play
• 1:43:58
  Speaker 3: how long did you play the tuba?
• 1:43:59
  Speaker 2: Well? Played the baritone horn, and then in high school
• 1:44:02
  Speaker 2: we didn't have a too of player, so they gave
• 1:44:03
  Speaker 2: me the tube, and no one taught me how, and
• 1:44:05
  Speaker 2: so I would just I just tried to, but I did.
• 1:44:08
  Speaker 2: I hated playing the bassline, so I would try to
• 1:44:10
  Speaker 2: play the melody and they'd be like, you got to
• 1:44:14
  Speaker 2: hold out, and Louis, louay, you gotta hold on the baseline.
• 1:44:17
  Speaker 3: I'd be like, that's no fun. They're like we can
• 1:44:18
  Speaker 3: hear you like you were overpowering every noise that's been made.
• 1:44:22
  Speaker 4: And not and not getting it right because I don't
• 1:44:24
  Speaker 4: have I don't have that, so.
• 1:44:26
  Speaker 3: No, wow too bug. Was there ever any temptation to
• 1:44:29
  Speaker 3: join like a ska band? They do too.
• 1:44:31
  Speaker 2: We got into it. We me and my best friends
• 1:44:34
  Speaker 2: almost did that. Wow, and luckily.
• 1:44:37
  Speaker 3: It came through life had other plans.
• 1:44:40
  Speaker 2: Yeah, because I did play a little trump a little
• 1:44:43
  Speaker 2: trump bone briefly, right, but that you have to be.
• 1:44:45
  Speaker 3: A talk about it's.
• 1:44:47
  Speaker 4: Clairvoyance and also knowing this is it's not.
• 1:44:51
  Speaker 3: There's like you really have to know the just general feel.
• 1:44:54
  Speaker 2: You have to tap into your ancestors like to know.
• 1:44:58
  Speaker 2: And it's like crazy to be like this is be wow.
• 1:45:01
  Speaker 3: Yeah, there's no chance. I need the black and white keys.
• 1:45:03
  Speaker 3: I need a real clear indication of what I'll be
• 1:45:05
  Speaker 3: pushing you tickle those ivories. I'm tickling them so bad.
• 1:45:09
  Speaker 3: At the piano I took ten years. Yeah, I couldn't
• 1:45:11
  Speaker 3: possibly my.
• 1:45:12
  Speaker 2: Piano teacher asked me to stop, please stop after after
• 1:45:17
  Speaker 2: we had a mutual wow, you're not not even split
• 1:45:22
  Speaker 2: third grade because my sister was so good because you
• 1:45:24
  Speaker 2: got to be a fucking rule follower.
• 1:45:25
  Speaker 3: I'm I'm sorry. You got to be people.
• 1:45:27
  Speaker 2: The people that were really killing it in Piano Lessons, Yeah,
• 1:45:29
  Speaker 2: it's they're not. I mean the world that they're setting
• 1:45:33
  Speaker 2: themselves up for a world for a pre nine to
• 1:45:35
  Speaker 2: eleven one.
• 1:45:37
  Speaker 4: The kids that got kicked.
• 1:45:38
  Speaker 3: Out of piano Oh, we were ready to go.
• 1:45:40
  Speaker 4: Now, let's let's mike them up. Let's let's hear it
• 1:45:43
  Speaker 4: from they got.
• 1:45:45
  Speaker 2: Let's hear from the disruptors who are trying to sight
• 1:45:48
  Speaker 2: read at the recital for a duet.
• 1:45:52
  Speaker 3: Ban from Piano Lessons, asked.
• 1:45:54
  Speaker 4: To step down. Hey, Chris, we don't want your money anymore.
• 1:45:57
  Speaker 3: When someone is like saying this is bad for my business,
• 1:46:00
  Speaker 3: I still you know you're not You shouldn't be playing
• 1:46:02
  Speaker 3: that instagment, you know you Okay. I feel like we
• 1:46:05
  Speaker 3: answered that.
• 1:46:06
  Speaker 2: I think we did a wonderful job answering that. Let's
• 1:46:08
  Speaker 2: do Let's do two more, Let's do sixteen more. Let's
• 1:46:12
  Speaker 2: do at least sixteen more. Have the less one not
• 1:46:14
  Speaker 2: be a question. They'll just be reading a.
• 1:46:15
  Speaker 4: Book and open ended an essay.
• 1:46:18
  Speaker 8: Hello Bridger, Hello, Anally's it is Stephen Ray Morris calling
• 1:46:22
  Speaker 8: in to wish I said, no gifts. A happy fifth
• 1:46:25
  Speaker 8: year anniversary for Believe. It's already been five years, and
• 1:46:30
  Speaker 8: I just wanted to ask a question. I'm not sure
• 1:46:32
  Speaker 8: if it's ever been asked on the podcast, but is
• 1:46:35
  Speaker 8: there ever a gift that's too personal?
• 1:46:38
  Speaker 3: Anyway?
• 1:46:39
  Speaker 8: Love you both, congrats again.
• 1:46:43
  Speaker 3: Have a former employee make it through the fence.
• 1:46:46
  Speaker 2: Seeing that face you made, Steven. He found me to
• 1:46:51
  Speaker 2: see the internal workings of the teeth.
• 1:46:53
  Speaker 3: What was the question? Are there too many as.
• 1:46:55
  Speaker 4: A gift to personal?
• 1:46:57
  Speaker 2: To personal?
• 1:46:58
  Speaker 3: Never? Never person never never never I means test. I
• 1:47:07
  Speaker 3: think test results. You can have a fun moment with
• 1:47:10
  Speaker 3: here's the you know, we're opening the envelope. We're all
• 1:47:14
  Speaker 3: expecting something.
• 1:47:15
  Speaker 4: We know, yeah, we know you got something.
• 1:47:17
  Speaker 3: We know it can't be returned, so it's valuable. People
• 1:47:21
  Speaker 3: are giving locks of their hair away, totally, people are
• 1:47:24
  Speaker 3: people are grabbing hair, Sure, giving teeth, you know, tooth necklaces.
• 1:47:30
  Speaker 3: I don't know that there's anything too personal, too scary. Sure, totally,
• 1:47:35
  Speaker 3: it's a different We're talking about two different things. There
• 1:47:37
  Speaker 3: too personal? Yeah, what is per I guess it's really
• 1:47:42
  Speaker 3: what is personal to you? And uh, you know, I
• 1:47:47
  Speaker 3: think that you just can't go too far.
• 1:47:48
  Speaker 2: You should push.
• 1:47:49
  Speaker 3: I think with gift giving you should be pushing as
• 1:47:51
  Speaker 3: far as personal. Absolutely, the person should always before opening
• 1:47:56
  Speaker 3: a gift from you should always be questioning what am
• 1:47:59
  Speaker 3: I going to do? What? What am I going to
• 1:48:01
  Speaker 3: do this?
• 1:48:02
  Speaker 4: Now that I know this?
• 1:48:06
  Speaker 3: Leave them wanting ads as much less as possible.
• 1:48:09
  Speaker 2: Security camp like a snapshot of you in a ring
• 1:48:11
  Speaker 2: cam at an active crime scene or something, and have
• 1:48:17
  Speaker 2: them you are implicating them.
• 1:48:19
  Speaker 3: Now this is you can do what you want with this,
• 1:48:22
  Speaker 3: now that your fingerprints are all over that.
• 1:48:24
  Speaker 4: I just want you to know I was there. You
• 1:48:27
  Speaker 4: can hate, you can not tell them, you can tell them.
• 1:48:31
  Speaker 3: That's why it's the gift. Yes, it's a project you
• 1:48:33
  Speaker 3: can do at home.
• 1:48:34
  Speaker 2: An ethics class a PhD like a challenging ethics class.
• 1:48:38
  Speaker 3: Exactly. Yes. So the question is, no, Steve, and don't
• 1:48:41
  Speaker 3: do not leave another voicemail.
• 1:48:44
  Speaker 2: Don't show your faith around here, Steve d.
• 1:48:47
  Speaker 3: Don't send a video message now that would be too personal.
• 1:48:50
  Speaker 3: What about a singing telegram? They remember those? Have you
• 1:48:53
  Speaker 3: gotten one before? Have you?
• 1:48:55
  Speaker 1: No?
• 1:48:55
  Speaker 2: I would love to I think they. I think Bob
• 1:48:57
  Speaker 2: Dole outlawed that. I think he passed for a bill
• 1:49:01
  Speaker 2: and like Elizabeth, you know, that was their kind of
• 1:49:04
  Speaker 2: pet project. They had one that went too far.
• 1:49:07
  Speaker 3: Yeah, Frank Sinatra song they didn't like or something.
• 1:49:10
  Speaker 2: And then they also tried to pass a bill that
• 1:49:12
  Speaker 2: was everyone has to have a vanity plate?
• 1:49:16
  Speaker 3: Bob did Bob and Liz? Yeah, I think pap your canon. Yeah,
• 1:49:21
  Speaker 3: do you have a vanity plate? Not yet, that's a
• 1:49:25
  Speaker 3: good answer.
• 1:49:26
  Speaker 2: Yeah, I want to vanity plate that I want to
• 1:49:28
  Speaker 2: play that looks like an any plate, but it's not.
• 1:49:30
  Speaker 3: Oh we're like a disoriented or something. Yeah, what puts
• 1:49:36
  Speaker 3: them in danger? So they're trying to figure out.
• 1:49:38
  Speaker 2: What's going on. It's like a sentence and it's like, no,
• 1:49:41
  Speaker 2: trust me, it's not an any play. That's a good idea.
• 1:49:45
  Speaker 3: Do you have one?
• 1:49:46
  Speaker 2: No?
• 1:49:46
  Speaker 3: No, but again maybe not yet. I'm just waiting for
• 1:49:50
  Speaker 3: the right guy to come along.
• 1:49:51
  Speaker 2: It's totally It's one of those things that your Maslow's
• 1:49:54
  Speaker 2: hierarchy needs to be. That fridge needs to be stopped.
• 1:49:57
  Speaker 3: Oh yeah, of course.
• 1:49:57
  Speaker 2: It's like before you start assigning photos to contact, like
• 1:50:00
  Speaker 2: you better, you know, you better taxes paid, You've.
• 1:50:04
  Speaker 3: Got to cross the teas dot the eyes, cholesterol good, yes, yeah, okay,
• 1:50:10
  Speaker 3: one more? One more? Hello, Oh my.
• 1:50:14
  Speaker 5: God, Hello, it's a former guest, current special guests bridgerratulations
• 1:50:26
  Speaker 5: on five years of kind of our podcast together when
• 1:50:30
  Speaker 5: you really think about it.
• 1:50:33
  Speaker 3: Three.
• 1:50:34
  Speaker 5: I brought you a tiny ice cream that's mainly melted,
• 1:50:38
  Speaker 5: and the big gun on.
• 1:50:39
  Speaker 2: My hands, and here's this.
• 1:50:42
  Speaker 5: Chinese spoon for you, and we can all take a
• 1:50:45
  Speaker 5: moment and watch you enjoy something.
• 1:50:46
  Speaker 3: I think, how long has it spent out?
• 1:50:48
  Speaker 5: A couple of hours.
• 1:50:49
  Speaker 3: I brought it from home.
• 1:50:50
  Speaker 5: I drove it here and I came while I was
• 1:50:53
  Speaker 5: in Santa Clarita for business, and I brought it from
• 1:50:57
  Speaker 5: my home. I don't live there, I was renting a home. Yes,
• 1:51:00
  Speaker 5: I got some ice cream right when I got there. Anyways,
• 1:51:03
  Speaker 5: are you going to have some?
• 1:51:04
  Speaker 2: And that's any stretch of the five too, and driving
• 1:51:07
  Speaker 2: beautiful drive it really is.
• 1:51:12
  Speaker 5: Around all of Santa Clara before coming here with the
• 1:51:16
  Speaker 5: ice cream pre scoop.
• 1:51:17
  Speaker 6: Well, Alanta, I noticed that you had some stuff on
• 1:51:20
  Speaker 6: your hands if you want, if you want to wipe
• 1:51:22
  Speaker 6: off your hands with.
• 1:51:24
  Speaker 2: You what is this I mean? I I is that? Okay?
• 1:51:28
  Speaker 2: I might have.
• 1:51:31
  Speaker 6: It for like five I mean he and I actually
• 1:51:33
  Speaker 6: have been on this podcast together for five years, so
• 1:51:35
  Speaker 6: I'm just is this some sort.
• 1:51:38
  Speaker 3: Of a bridger?
• 1:51:39
  Speaker 6: I love you more than she loves you, and I
• 1:51:43
  Speaker 6: think that's very evident, look at pretty evident.
• 1:51:46
  Speaker 4: Yeah, that is definitely better than languages.
• 1:51:49
  Speaker 3: Probably didn't spend time at a Trump round.
• 1:51:52
  Speaker 5: I came all the way from Santa Clarita with my
• 1:51:56
  Speaker 5: homemade ice cream that I purchased from Vond's. And this
• 1:52:01
  Speaker 5: is how you treat me.
• 1:52:02
  Speaker 3: You know what.
• 1:52:02
  Speaker 2: I'm done?
• 1:52:03
  Speaker 5: No, I'm done.
• 1:52:05
  Speaker 2: My move.
• 1:52:09
  Speaker 1: To leave.
• 1:52:10
  Speaker 3: I have a scoop up the ice cream.
• 1:52:11
  Speaker 5: When you stay, we'll have a scoop and let's see
• 1:52:14
  Speaker 5: how it pans out.
• 1:52:15
  Speaker 3: This looks so disgusting.
• 1:52:16
  Speaker 2: Is this safe? You think?
• 1:52:17
  Speaker 3: Oh, it's like baby vomit.
• 1:52:23
  Speaker 4: It's okay, stripping stage left.
• 1:52:26
  Speaker 5: The flavor is fresh.
• 1:52:28
  Speaker 3: It's past. We've added to the gloves.
• 1:52:32
  Speaker 2: I just didn't bring you anything.
• 1:52:33
  Speaker 5: I'm sorry.
• 1:52:34
  Speaker 3: I didn't bring you.
• 1:52:34
  Speaker 4: Anything a gift.
• 1:52:36
  Speaker 3: I feel rude and not offering you.
• 1:52:39
  Speaker 4: It's kind of something. There's something kind of teaky about it.
• 1:52:41
  Speaker 4: Looks like a teaki drink.
• 1:52:43
  Speaker 3: It's very coconut, very Yeah.
• 1:52:46
  Speaker 5: I gotta go key on a Lisa's car.
• 1:52:52
  Speaker 1: By. Yeah, no problem.
• 1:52:53
  Speaker 5: I was waiting behind the curtain for the whole recording,
• 1:52:56
  Speaker 5: and that's why the ice cream melted so much.
• 1:52:58
  Speaker 4: But I'm glad you got your pip.
• 1:53:00
  Speaker 2: Yeah, as long as you got to chat. Okay, I'll
• 1:53:04
  Speaker 2: well goodbye.
• 1:53:05
  Speaker 5: And Aalise get bent.
• 1:53:09
  Speaker 2: Wow, I haven't heard it get bent in a while.
• 1:53:13
  Speaker 2: Oh my god.
• 1:53:15
  Speaker 3: A now the cake is on the floor. The listener
• 1:53:18
  Speaker 3: is absolutely baffled as what's just been going on?
• 1:53:21
  Speaker 2: Yeah, for the listener at home, we have a lukewarm
• 1:53:22
  Speaker 2: ice cream, like like time has made it a milkshake,
• 1:53:26
  Speaker 2: and then a cake. A Lise has dropped off a
• 1:53:29
  Speaker 2: cake that had a lot of little Uh, it's on
• 1:53:32
  Speaker 2: the ground.
• 1:53:33
  Speaker 4: I wouldn't call this a floor. I call this a ground.
• 1:53:36
  Speaker 3: It felt like a you know, a desperate attempt to
• 1:53:38
  Speaker 3: get me to bend over in my tunic.
• 1:53:41
  Speaker 4: Yeah, it was a hit piece.
• 1:53:42
  Speaker 3: I mean, here's the cake. Maybe I will use a
• 1:53:45
  Speaker 3: little spoon to have a bite.
• 1:53:46
  Speaker 4: It looks like a pie that might end up on
• 1:53:48
  Speaker 4: Jerry Lewis.
• 1:53:50
  Speaker 3: You know, let's try it out.
• 1:53:52
  Speaker 4: Yeah, let's just give it a nice Oh.
• 1:53:55
  Speaker 3: That's so much frosting. That amount of vanilla I'm consuming.
• 1:53:58
  Speaker 4: There's a handsome amount of frosting on this cake.
• 1:54:02
  Speaker 3: Camera blinding. It's a blinding white frosting with a kind
• 1:54:06
  Speaker 3: of yellow vanilla cake.
• 1:54:08
  Speaker 2: And do you want to cake? You know, I'm as
• 1:54:10
  Speaker 2: good as it looks and as good as the way
• 1:54:11
  Speaker 2: you're eating it actually is like a raccoon out of
• 1:54:16
  Speaker 2: a Dumpster's a delicious cake.
• 1:54:19
  Speaker 3: Yeah, yeah, no, it looks good. Right.
• 1:54:23
  Speaker 4: I don't do desserts in public.
• 1:54:25
  Speaker 3: I barely do. Yeah, it's very hard.
• 1:54:27
  Speaker 2: I want to spare you my my face when I
• 1:54:31
  Speaker 2: eat dessert.
• 1:54:33
  Speaker 3: Thank you, that's wonderful. Well, I've had my cake, I've
• 1:54:37
  Speaker 3: got my passion fruit.
• 1:54:38
  Speaker 4: You're ready for bed.
• 1:54:40
  Speaker 3: Curl up with a good book. Curl up here in
• 1:54:43
  Speaker 3: my festern fire.
• 1:54:44
  Speaker 4: With the Obama coffee table book.
• 1:54:46
  Speaker 3: Do they have a coffee table book? Yeah?
• 1:54:48
  Speaker 2: My mom when I my childhood bedroom, she kind of
• 1:54:53
  Speaker 2: redid like it's an Airbnb. Now it's like it's like
• 1:54:56
  Speaker 2: a there's a vague like picture of a waterfall or something,
• 1:55:00
  Speaker 2: and there's the Obama Coffee table book that's right by
• 1:55:03
  Speaker 2: my bed side whenever I'm there.
• 1:55:05
  Speaker 3: Wow, that's amazing. You're not welcome here. This is for Renters. Yes, yes, wow.
• 1:55:12
  Speaker 3: I mean, what a wonderful time I've had with you.
• 1:55:14
  Speaker 3: I've had, I've got the deeply valuable gifts from you.
• 1:55:18
  Speaker 3: You can't You're not going to release any of this though,
• 1:55:20
  Speaker 3: right No, no, no, no, no no no, just send me.
• 1:55:23
  Speaker 3: This is like that record. I'm going to sell it
• 1:55:25
  Speaker 3: to a tech and uh we'll let him enjoy in
• 1:55:31
  Speaker 3: for like six million.
• 1:55:33
  Speaker 2: Yeah.
• 1:55:33
  Speaker 3: He must be dead by now. Fingers crossed. I think
• 1:55:35
  Speaker 3: I just saw him at church. I think I saw him.
• 1:55:40
  Speaker 3: I think I saw him the allegian.
• 1:55:42
  Speaker 2: He's clowning now, yeah, he was doing the stand up
• 1:55:45
  Speaker 2: or clown show. Chad Donmiani was give it him. He's
• 1:55:49
  Speaker 2: actually taking it pretty easy on him. Yeah.
• 1:55:53
  Speaker 3: What was that guy's name, Martin Shrekley. That's exactly right.
• 1:55:56
  Speaker 2: Yeah, wow, yeah, Martin Shrekley stee character. Even back then,
• 1:56:03
  Speaker 2: they're like, yeah, Shrekley, how do we we?
• 1:56:07
  Speaker 3: I mean, simply I'll have another bite of cake to
• 1:56:09
  Speaker 3: end the podcast.
• 1:56:10
  Speaker 2: Yeah, yeah, we got to sage that for those Litsten
• 1:56:12
  Speaker 2: for those I don't even know if the cameras, the
• 1:56:14
  Speaker 2: BMX by cameras can pick up the way Bridger is
• 1:56:17
  Speaker 2: eating the cake.
• 1:56:18
  Speaker 3: I'm going to the core. But I'm in my drilling
• 1:56:22
  Speaker 3: machine headed towards the center.
• 1:56:24
  Speaker 4: Obviously, we're not slicing the cake.
• 1:56:25
  Speaker 2: We're eating it from the side with a spoon.
• 1:56:29
  Speaker 3: What if you found out this is how I always
• 1:56:30
  Speaker 3: did and people just hadn't said anything to me yet
• 1:56:33
  Speaker 3: he never learned. Well, thank you for being here.
• 1:56:37
  Speaker 4: Oh, thank you for having me. This is honestly of all.
• 1:56:40
  Speaker 3: God bless and listener to. The podcast is now over.
• 1:56:43
  Speaker 3: The turntable is spinning. I don't even know what happened
• 1:56:46
  Speaker 3: to all the ashtrays now full of passion fruit.
• 1:56:50
  Speaker 2: That's right. And a picture of Steven spiel.
• 1:56:52
  Speaker 3: With the smallest little picture of Steven spiel.
• 1:56:54
  Speaker 2: Two by one Spielberg looking Dare I say not camera ready?
• 1:57:00
  Speaker 3: Absolutely not.
• 1:57:01
  Speaker 2: He was caught.
• 1:57:03
  Speaker 3: He opened the front door and somebody.
• 1:57:04
  Speaker 2: Took the picture.
• 1:57:07
  Speaker 4: Yeah, just waking up.
• 1:57:08
  Speaker 3: He's not happy. He told you he didn't want solar panels.
• 1:57:12
  Speaker 3: I'm a director. I do not need to be on camera. Well, listener,
• 1:57:19
  Speaker 3: the podcast is over five years. Hopefully we'll do it
• 1:57:22
  Speaker 3: for at least another month. We'll see you know, life
• 1:57:26
  Speaker 3: is so franchile. Oh, now that's such a dark thing
• 1:57:28
  Speaker 3: to say. We've got to enjoy ourselves. Yes, we'll have
• 1:57:36
  Speaker 3: golden years. Yeah, the podcast is over. I love you, goodbye.
• 1:57:46
  Speaker 3: I said, No Gifts is an exactly right production. Our
• 1:57:49
  Speaker 3: senior producer is on Alise Nelson, and our episodes are
• 1:57:52
  Speaker 3: beautifully mixed by Ben Tolladay. The theme song is by
• 1:57:56
  Speaker 3: miracle Worker Amy Mann, and we couldn't do it without
• 1:57:59
  Speaker 3: our booker, Patrick Cottner. You must follow the show on Instagram.
• 1:58:04
  Speaker 3: At I said No Gifts, that's where you're going to
• 1:58:06
  Speaker 3: see pictures of all these wonderful gifts I'm getting. And
• 1:58:09
  Speaker 3: don't you want to see the gifts?
• 1:58:11
  Speaker 1: And I invited you here THOUGHTA made myself perfectly clear.
• 1:58:19
  Speaker 1: When you're a guest to my home, you gotta come
• 1:58:24
  Speaker 1: to me empty. And I said, no guests, you're our presences, presents,
• 1:58:32
  Speaker 1: and I already had too much stuff, So how do
• 1:58:38
  Speaker 1: you dare to surbey me