Latest / The Lone Ranger | Old Time Radio / The Lone Ranger - "Ghost Canyon" (Old Time Radio, 1942)
Transcript
- 0:00Speaker 1: Brace Beamer as the Lone Ranger and John Todd as
- 0:03Speaker 1: Tonto head the cast in this January 12, 1942 broadcast
- 0:08Speaker 1: of the Lone Ranger, Ghost Canyon. Jim Hamilton appears to
- 0:13Speaker 1: be fleeing the law, drawing the Lone Ranger into a
- 0:16Speaker 1: mystery in Canyon Country. As evidence raises questions about Hamilton's
- 0:21Speaker 1: apparent guilt, the Ranger investigates before accepting the first explanation.
- 0:27Speaker 1: Written by Fran Stryker and produced by George W. Trendle,
- 0:31Speaker 1: this is episode 1,400, a chapter in the continuing Legion
- 0:37Speaker 1: of the Black Arrow storyline heard during the series' mutual
- 0:41Speaker 1: broadcasting system run. Here is the original broadcast.
- 0:53Speaker 2: Hullo!
- 1:06Speaker 3: A fiery horse with a speed of light, a cloud
- 1:08Speaker 3: of dust, and a hearty hi-yo silver.
- 1:10Speaker 4: The Lone Ranger.
- 1:12Speaker 5: The Lone Ranger.
- 2:05Speaker 4: THE END.
- 2:34Speaker 5: During the years of unrest that followed the Civil War,
- 2:38Speaker 5: a powerful secret organization called the Legion of.
- 2:42Speaker 1: The Black Arrow sprang up in.
- 2:43Speaker 5: The western United States. Its members were to be found everywhere,
- 2:47Speaker 5: defying the law or using the law for their own purposes.
- 3:03Speaker 3: Working toward the ultimate goal of revolt and the foundation
- 3:06Speaker 3: of a despotic empire. It was the masked rider of
- 3:09Speaker 3: the plains who led the fight against this band of
- 3:11Speaker 3: outlaws and traitors, and for once his great strength and courage,
- 3:14Speaker 3: his daring and resourcefulness were taxed to the utmost in
- 3:17Speaker 3: the cause of democracy. Return with us now to those
- 3:20Speaker 3: thrilling days when the West was young. From out of
- 3:22Speaker 3: the past come the thundering hoofbeats of a great horse, Silver.
- 3:25Speaker 3: The Lone Ranger rides again.
- 3:26Speaker 4: Come on, Silver. We're on the trail of the Black Owl. Hail, Silver!
- 3:32Speaker 5: Hooray! Mary Hamilton was the postmistress at Painted Bend.
- 3:45Speaker 3: One morning, just as she had finished sorting the mail,
- 3:48Speaker 3: someone knocked at the general delivery window.
- 3:50Speaker 6: Wendy, open up here.
- 3:52Speaker 7: Oh, right away. What was it you wanted?
- 3:59Speaker 4: I was wondering if you had some mail for me.
- 4:01Speaker 7: What's the name?
- 4:02Speaker 4: Jim Hamilton.
- 4:03Speaker 7: Jim Hamilton?
- 4:05Speaker 4: Oh, my goodness, it is you, Jim. Hello, sis.
- 4:07Speaker 7: Oh, your face is so dirty, I didn't recognize you.
- 4:10Speaker 7: And your clothes. Come around and back so I can
- 4:12Speaker 7: get a good look at you.
- 4:14Speaker 4: I can't climb through this window.
- 4:15Speaker 7: The door's over to your left. I'll unlock it. Come
- 4:22Speaker 7: on in. You can sit down in that chair.
- 4:23Speaker 4: No, thanks. I'll just as soon stand. I can't stay long.
- 4:27Speaker 7: You can't stay long.
- 4:28Speaker 4: You're looking fine, Mary.
- 4:30Speaker 7: Well, I can't say the same for you. Where have
- 4:34Speaker 7: you been?
- 4:35Speaker 4: What have you been doing?
- 4:36Speaker 7: Why haven't you let me hear from you?
- 4:38Speaker 4: Oh, I'm no hand for writing letters.
- 4:40Speaker 7: Well, you used to be a pretty fair hand at washing.
- 4:43Speaker 7: You look like an outlaw, Jim.
- 4:45Speaker 4: Do I?
- 4:45Speaker 7: I'll give you the key to my cabin. You go
- 4:47Speaker 7: over there and get cleaned up. You must have some
- 4:49Speaker 7: better clothes with you.
- 4:50Speaker 4: I'm sorry, Mary.
- 4:51Speaker 8: That don't fit into my plans. You see, I just
- 4:54Speaker 8: assumed folks didn't recognize me.
- 4:56Speaker 7: You what?
- 4:56Speaker 4: And I guess I can get by all right. Even
- 4:58Speaker 4: you didn't know it was me for a minute.
- 5:00Speaker 7: Jim, is something wrong?
- 5:01Speaker 9: Plenty. What? What?
- 5:03Speaker 4: What have you done?
- 5:04Speaker 7: Are you mixed up with the law some way?
- 5:06Speaker 8: I can't tell you much, sis, but I guess the
- 5:08Speaker 8: answer to that is yes.
- 5:09Speaker 10: Oh, Jim.
- 5:10Speaker 4: There's no need to get excited about it. I'm not
- 5:12Speaker 4: going to stay in town.
- 5:13Speaker 7: Well, if you've done something, it won't do any good
- 5:15Speaker 7: to keep running away. You've got to stand up and
- 5:17Speaker 7: face the music.
- 5:18Speaker 4: You let me handle it my own way, sis. I'm
- 5:20Speaker 4: heading for Ghost Canyon.
- 5:21Speaker 7: Why Ghost Canyon?
- 5:23Speaker 4: Oh, it's a nice, quiet place.
- 5:24Speaker 7: They say there's outlaws there.
- 5:26Speaker 4: Do they?
- 5:27Speaker 7: And things happen. Do you remember the big house up
- 5:30Speaker 7: on the side of the canyon?
- 5:31Speaker 4: Ned Rockwell's place? Where he used to live when the
- 5:33Speaker 4: mine was going? Yes. Yeah, I remember. What about it?
- 5:36Speaker 7: Well, Harry Starr was riding along the South Trail the
- 5:39Speaker 7: other night, and when he was passing the opening of
- 5:41Speaker 7: the canyon, he could see the house. There was a
- 5:44Speaker 7: funny blue light in one of the windows. Well, it's
- 5:47Speaker 7: no laughing matter.
- 5:48Speaker 4: Those old Indian stories are coming back to life, huh?
- 5:50Speaker 7: Harry isn't one to imagine things.
- 5:52Speaker 4: Maybe not.
- 5:53Speaker 7: And he heard a cry, like a wolf, only there
- 5:56Speaker 7: was something human in it.
- 5:59Speaker 4: Has the story gone around yet?
- 6:00Speaker 7: Well, naturally, everybody in town has heard it. They believe it, too,
- 6:03Speaker 7: after what happened last week.
- 6:05Speaker 4: What happened then?
- 6:06Speaker 7: The sheriff found a dead man at the opening of
- 6:08Speaker 7: the canyon. Not a mark on him. And no papers either.
- 6:11Speaker 7: Nothing to tell who he was. Doctor said it was
- 6:14Speaker 7: heart failure. And the folks that saw him said there
- 6:16Speaker 7: was an awful look on his face. Like he'd seen
- 6:19Speaker 7: something horrible.
- 6:20Speaker 4: So they're all steering clear of the canyon. Naturally. Well,
- 6:24Speaker 4: what about the outlaws?
- 6:25Speaker 7: Oh, that was a while back. Jed Hawkins saw a
- 6:27Speaker 7: band of men with bandanas over their faces.
- 6:30Speaker 4: It was up by the old mine. Near the house?
- 6:32Speaker 7: Yes, but when the sheriff got up a posse and
- 6:34Speaker 7: went after them, they were gone.
- 6:35Speaker 4: Well, I ought to find it mighty peaceful in the canyon.
- 6:38Speaker 7: You can't go there.
- 6:39Speaker 4: I've got to.
- 6:40Speaker 7: Oh, no, you haven't. I wouldn't care if the canyon
- 6:43Speaker 7: was safe and the best place to hide out in
- 6:44Speaker 7: the whole country.
- 6:45Speaker 4: You aren't, uh, aiming to turn me over to the sheriff,
- 6:47Speaker 4: are you, Mary?
- 6:48Speaker 7: I couldn't do that. You're my brother. But if you've
- 6:53Speaker 7: done something wrong, you have to pay for it, Jim.
- 6:55Speaker 7: You can't run away.
- 6:56Speaker 8: You won't tell anybody about my coming here, will you?
- 6:58Speaker 4: Now, if you say I shouldn't... Then don't. I wouldn't
- 7:01Speaker 4: have tried it if I didn't think I could trust you.
- 7:03Speaker 7: Oh, Jim, at least tell me what.
- 7:05Speaker 4: I'll tell you this. If you should happen to see
- 7:07Speaker 4: me in town, pretend you don't know me. That's important.
- 7:10Speaker 4: And don't worry too much. I hope it won't be
- 7:12Speaker 4: long before I get.
- 7:12Speaker 10: Anybody here?
- 7:13Speaker 7: Somebody at the window.
- 7:14Speaker 4: I'll look myself out the back door. Is anybody here?
- 7:16Speaker 4: I'm coming. I'm coming. Good morning, miss.
- 7:23Speaker 9: Or should it be ma'am?
- 7:24Speaker 7: Miss is right. What can I do for you?
- 7:27Speaker 9: Well, I just rode into town and.
- 7:30Speaker 9: Ah, there it is. Postmistress Mary Hamilton. How do you do,
- 7:36Speaker 9: Miss Hamilton?
- 7:37Speaker 7: How do you do?
- 7:38Speaker 9: I wonder if you can give me some information.
- 7:39Speaker 7: I'll try.
- 7:41Speaker 9: How do you get to a place called Ghost Canyon?
- 7:43Speaker 7: You are.
- 7:44Speaker 9: I mean, you're... Don't tell me a sensible-looking girl like
- 7:48Speaker 9: you believes in those stories.
- 7:49Speaker 7: What made you say that?
- 7:50Speaker 9: Your face. You seem to be afraid.
- 7:52Speaker 7: Oh, not at all. But there is something to the
- 7:56Speaker 7: stories they tell, and don't fool yourself about it.
- 7:59Speaker 4: I wouldn't go near Ghost Canyon.
- 8:00Speaker 9: Well, I've got to, Miss Hamilton. This is business.
- 8:03Speaker 7: I don't see how that can be. There's nothing there
- 8:05Speaker 7: but trees and rocks, a tumbledown old house and an
- 8:08Speaker 7: old mine.
- 8:09Speaker 4: That's it.
- 8:10Speaker 7: What?
- 8:10Speaker 4: The mine.
- 8:11Speaker 9: I'm an engineer, and I've got to take a look
- 8:13Speaker 9: at it.
- 8:14Speaker 7: What for? That mine hasn't been worked for five years.
- 8:16Speaker 9: Four years and eleven months, to be exact. Well, here's
- 8:19Speaker 9: the situation.
- 8:21Speaker 11: Ned Rockwell held that claim under the old law. If
- 8:23Speaker 11: five years pass without any work being done on it,
- 8:25Speaker 11: the claim goes back to the government.
- 8:27Speaker 9: And it's open for prospecting once more.
- 8:29Speaker 7: Ned Rockwell's dead?
- 8:30Speaker 4: Yes.
- 8:31Speaker 9: Right now it's his nephew that holds the title. Oh.
- 8:35Speaker 7: He sent you to find out if the mine was
- 8:36Speaker 7: really worked out?
- 8:38Speaker 9: I sent myself. I'm the nephew. My name's Ned Rockwell, too.
- 8:42Speaker 7: Oh, I see.
- 8:43Speaker 9: There's no point in letting the mine go if it's
- 8:44Speaker 9: worth anything.
- 8:45Speaker 4: How do you get.
- 8:46Speaker 9: To the canyon?
- 8:48Speaker 7: You're a stranger around here. You might lose your way.
- 8:51Speaker 9: You think I ought to get the sheriff to take
- 8:52Speaker 9: me there?
- 8:52Speaker 4: Oh, no.
- 8:53Speaker 7: No, I guess it isn't as hard as all that.
- 8:57Speaker 7: Just take the south trail out of town. The trees
- 8:59Speaker 7: are pretty thick at the opening of the canyon, but
- 9:01Speaker 7: if you look sharp, you can find it.
- 9:03Speaker 9: Thanks a lot. I suppose it's a waste of time.
- 9:05Speaker 4: Oh, I'm sure of it.
- 9:06Speaker 11: It wasn't any waste of time coming to a painted bend.
- 9:10Speaker 11: Even if the mine don't amount to anything, I'm going
- 9:12Speaker 11: to do some prospecting around here. I, uh, aim.
- 9:15Speaker 9: To stay for a long time.
- 9:17Speaker 10: Really?
- 9:18Speaker 9: Say, did anyone ever tell you you were the prettiest
- 9:20Speaker 9: girl in the whole United States?
- 9:22Speaker 7: Well, if anyone ever did, I'd put him down for loco.
- 9:24Speaker 9: Well, you can add my name to the list, Miss Hamilton.
- 9:27Speaker 9: And it won't be the last time I'll say it.
- 9:29Speaker 7: Is that all, Mr. Rockwell?
- 9:30Speaker 9: That's all for today. See you tomorrow.
- 9:39Speaker 7: Jim must be on his way there. I'll have to
- 9:41Speaker 7: warn him not to go near the mine. The post
- 9:45Speaker 7: office is closed for the next two hours.
- 10:05Speaker 3: The Lone Ranger and Tonto had received a note from
- 10:08Speaker 3: the mysterious girl, and in it were two words, Ghost Canyon.
- 10:12Speaker 3: Without question, they had headed north to investigate, and they
- 10:15Speaker 3: reached the canyon that night. Beyond the tangled opening near
- 10:18Speaker 3: the south trail... The trees and undergrowth disappeared, but the
- 10:21Speaker 3: walls rose sheer on either side, dark and forbidding. Then
- 10:25Speaker 3: farther on, the rocky ground sloped more gradually toward the
- 10:28Speaker 3: top of the ridge, and it was here that Ned
- 10:30Speaker 3: Rockwell's mine was located. The Lone Ranger and Tonto reined
- 10:33Speaker 3: up below it.
- 10:34Speaker 4: Steady, Silver. Steady, fella.
- 10:35Speaker 3: Most down.
- 10:36Speaker 4: Most canyon, fella.
- 10:37Speaker 2: Hit plenty dark.
- 10:39Speaker 4: Was that a coyote or a wolf?
- 10:43Speaker 2: May it not sound like either one.
- 10:46Speaker 4: You're right. There was something strange about that cry.
- 10:50Speaker 2: Indians tell many stories about this canyon.
- 10:52Speaker 9: Yes, I've heard them, Tonto.
- 10:54Speaker 4: But we aren't interested in spirits. We're looking for men.
- 10:57Speaker 2: Maybe Black Arrow used this place for hideout.
- 10:59Speaker 4: A girl wouldn't have sent us here without a good reason.
- 11:02Speaker 4: We've got to find out what it was.
- 11:04Speaker 9: Kimasabe, you look. What, Tonto? They're light.
- 11:07Speaker 6: Yes.
- 11:07Speaker 4: Someone's inside the house.
- 11:08Speaker 7: What's that?
- 11:10Speaker 4: Sounds like a cry for help. They come from house?
- 11:12Speaker 4: We're near it. Let's go. Get them up. Up the hill, Silver.
- 11:34Speaker 4: Watch your step, Tonto. Some of these boards may be rotten.
- 11:38Speaker 4: The door's open.
- 11:38Speaker 2: That's right.
- 11:39Speaker 4: Can't see any light now. Plenty dark. Yes. Much darker
- 11:43Speaker 4: inside here. I'll add a match.
- 11:47Speaker 2: Well, nobody used this room for a long time.
- 11:49Speaker 4: The kitchen must be that way. Why do you want
- 11:52Speaker 4: to go to the kitchen? Because I can smell cooking.
- 11:54Speaker 9: Oh.
- 11:58Speaker 4: Wait a minute now. I'll light another match.
- 12:02Speaker 2: Ah, there's a lantern on the table. Yes.
- 12:04Speaker 4: Now we'll be able to see what's here. Ah, this
- 12:11Speaker 4: is kitchen. There's stove. Still warm. There's a skillet. It
- 12:16Speaker 4: was you tonight.
- 12:17Speaker 2: Marks and dust and floor are plenty fresh, too.
- 12:20Speaker 4: Someone cooked supper here tonight. And then, listen. On the
- 12:25Speaker 4: back porch. Man, Kimo Sabe. He's unconscious.
- 12:30Speaker 9: There water in here. Counter get it.
- 12:33Speaker 4: He hasn't been wounded. At least there's no... Oh, here's
- 12:37Speaker 4: a nasty cut. Someone hit him over the head. Here, water.
- 12:40Speaker 9: You take bandana.
- 12:41Speaker 2: Wash cut.
- 12:43Speaker 4: Yes. He's coming around.
- 12:44Speaker 9: Water.
- 12:45Speaker 4: Don't. This might have been made by a gun butt.
- 12:47Speaker 2: Maybe so.
- 12:48Speaker 4: See if you can find any tracks, horses or men.
- 12:50Speaker 2: No, time to do that.
- 12:52Speaker 4: What? What happened? Someone hit you. Your mask.
- 12:55Speaker 9: You're an outlaw.
- 12:56Speaker 4: Never mind that. We were down below and we heard
- 12:58Speaker 4: you cry out. Haven't you any idea what happened?
- 13:01Speaker 9: It was a wolf.
- 13:02Speaker 4: Yes, we heard that too.
- 13:03Speaker 9: I went out on the porch.
- 13:05Speaker 12: It sounded awful close, but when I stepped through that door,
- 13:08Speaker 12: something jumped on me.
- 13:09Speaker 4: Something? You mean someone.
- 13:10Speaker 12: I can only tell you what I thought. Of course,
- 13:13Speaker 12: I'd just heard the wolf and I had a feeling
- 13:14Speaker 12: it was an animal. I tried to free myself.
- 13:18Speaker 9: That's all. Everything went black.
- 13:21Speaker 4: And you were hit by a man. Who are you?
- 13:24Speaker 9: Ned Rockwell. This mine belongs to me.
- 13:27Speaker 4: How long have you been here?
- 13:28Speaker 9: Since noon today. I wonder... I wonder if there is
- 13:33Speaker 9: something to those stories after all.
- 13:35Speaker 4: He was hiding. Did you find anything, Tulloch?
- 13:37Speaker 2: Ah, a place where horses tied.
- 13:39Speaker 9: Over there by the big pine?
- 13:40Speaker 1: That's right.
- 13:41Speaker 9: Well, that's where my horse was. Isn't he still there?
- 13:43Speaker 4: No.
- 13:44Speaker 9: Horse not there.
- 13:45Speaker 4: Were there any tracks? No.
- 13:47Speaker 9: Ground plenty high. Oh, wait a minute.
- 13:49Speaker 4: A mask man and an engine.
- 13:51Speaker 9: Maybe you've been using this place for a hideout. You
- 13:53Speaker 9: didn't like me coming back here, so you tried to
- 13:55Speaker 9: scare me out.
- 13:56Speaker 4: That isn't true, Rockwell.
- 13:57Speaker 10: No.
- 13:58Speaker 2: Mask man helped you. Bandage him.
- 14:00Speaker 4: Sure, after he hit me. Just so as I'd hightail
- 14:02Speaker 4: it back to town and stay out of the canyon.
- 14:04Speaker 4: You're making a mistake about us. But as for the
- 14:07Speaker 4: rest of it, well, you may be right. Huh? You understand, Tonto? Uh-huh.
- 14:11Speaker 4: And what do we do? It starts a canyon. We
- 14:13Speaker 4: can leave Rockwell here and... Yes, I heard it. You
- 14:17Speaker 4: heard what? Quick, Tonto. Put the lantern out. You heard what?
- 14:22Speaker 4: A noise inside the house. There's someone in there.
- 14:26Speaker 9: I didn't hear anything and I still think this is
- 14:28Speaker 9: a trick.
- 14:28Speaker 4: It may be, but we didn't plan it. Now you
- 14:31Speaker 4: stay here and try not to make any noise. Let's go, Tonto.
- 14:35Speaker 9: You have been ready.
- 14:37Speaker 4: Did you locate the sound? Any idea where it came from?
- 14:40Speaker 2: Maybe front room.
- 14:42Speaker 4: That's the way it seemed to me.
- 14:48Speaker 9: Door closed.
- 14:49Speaker 4: We didn't close it. That's what we heard.
- 14:51Speaker 9: You think wind?
- 14:53Speaker 4: There is no wind. Well, here goes.
- 15:00Speaker 6: There's a little light behind you, mister. One more step
- 15:04Speaker 6: and I shoot.
- 15:16Speaker 3: The curtain falls on the first act of our Lone
- 15:18Speaker 3: Ranger story. Before the next exciting scenes, please permit us
- 15:21Speaker 3: to pause for just a few moments.
- 15:38Speaker 5: THE END Now to continue our story.
- 16:31Speaker 3: As the lone ranger opened the door from the kitchen
- 16:33Speaker 3: to the front room, he stood outlined by the moonlight,
- 16:36Speaker 3: and a voice from the darkness ordered him to stand
- 16:38Speaker 3: where he was.
- 16:38Speaker 6: Don't reach for your guns. Just unhitch your belt.
- 16:41Speaker 9: What if I refuse?
- 16:43Speaker 6: I'll have to let you have it.
- 16:44Speaker 4: I know where you are now. Yeah? You're close to
- 16:47Speaker 4: the front door. Maybe.
- 16:50Speaker 6: You'd still have to guess a little. And me, I
- 16:52Speaker 6: can see you. Don't forget my gun is drawn. It's
- 16:55Speaker 6: level straight at you.
- 16:57Speaker 4: So you don't think it would be a good idea
- 16:59Speaker 4: to try and draw?
- 17:00Speaker 6: It'd be the easiest way to commit suicide I ever
- 17:03Speaker 6: heard of.
- 17:04Speaker 4: Why are you here?
- 17:05Speaker 6: You answer that question.
- 17:08Speaker 4: We heard someone call for help. We? Who's with you?
- 17:12Speaker 4: No one. Not now.
- 17:15Speaker 6: So you got a partner somewhere around?
- 17:17Speaker 4: Somewhere. Go on.
- 17:19Speaker 6: I'm not saying I'll believe this, but I'll listen. You
- 17:22Speaker 6: heard a cry for help when.
- 17:23Speaker 4: You rode up here. That's right. We found a man
- 17:25Speaker 4: out on the back porch. He was unconscious. Hit over
- 17:29Speaker 4: the head with a gun butt. Ned Rockwell. Oh, so
- 17:32Speaker 4: you know him.
- 17:33Speaker 6: I knew he was here. Hey, where do you keep
- 17:36Speaker 6: your matches?
- 17:37Speaker 4: My shirt pocket. Reach for one. I'll light it. Slow, mister.
- 17:46Speaker 6: Hold it closer to your face.
- 17:48Speaker 4: This way? Yeah. A masked man, huh? Yes.
- 17:53Speaker 6: Let's get rid of that belt.
- 17:55Speaker 4: I've heard your voice before.
- 17:57Speaker 6: Seems to me I've heard yours. Say, that white horse outside,
- 18:03Speaker 6: what do you call him?
- 18:04Speaker 4: I call him... Get him, Tonto. He's right in front
- 18:06Speaker 4: of you.
- 18:06Speaker 7: Tonto, do it!
- 18:07Speaker 10: I'll get his gun.
- 18:08Speaker 4: You can let him go now, Tonto. Well, I guess
- 18:12Speaker 4: that proves what I wanted to know. What's that?
- 18:14Speaker 8: You're smart. Your partner was in back of you when
- 18:17Speaker 8: you opened that door. You kept me talking so he
- 18:19Speaker 8: could slip around the front door and grab me.
- 18:21Speaker 4: Yes. Now it's your turn to answer questions. You mind
- 18:24Speaker 4: if I line a match? No. I hope my disguise
- 18:27Speaker 4: isn't too good. Hello, Jim. I came pretty close to
- 18:32Speaker 4: messing things up, didn't I?
- 18:33Speaker 2: Howdy.
- 18:34Speaker 4: Howdy, Tano. Why are you here in Ghost Canyon? The
- 18:37Speaker 4: same reason you are, I guess. The Black Arrow? What's that?
- 18:40Speaker 4: If you don't know, never mind. The sheriff reported there
- 18:44Speaker 4: were outlaws seen here about a month ago.
- 18:45Speaker 8: And then just last week, he found a dead man
- 18:48Speaker 8: at the entrance of the canyon.
- 18:49Speaker 4: The doc reported the death was from natural causes. But
- 18:52Speaker 4: some of the details made me suspicious, so I decided
- 18:55Speaker 4: to investigate. Well, that's the reason for your clothes.
- 18:57Speaker 2: Yeah.
- 18:58Speaker 4: If there were.
- 18:58Speaker 8: Outlaws hanging around, I figured I might join up with
- 19:01Speaker 8: them and find out what they've.
- 19:02Speaker 4: Been up to. There are outlaws, all right. One of
- 19:05Speaker 4: them hit young Ned Rockwell over the head. I believe
- 19:08Speaker 4: it had something to do with the mine. That's possible.
- 19:10Speaker 4: The mine belongs to him, you know.
- 19:12Speaker 10: Yes.
- 19:12Speaker 8: He came here to see if it was worth holding
- 19:14Speaker 8: on to. The land's open to new prospectors if the
- 19:17Speaker 8: mine isn't worked within the next month.
- 19:18Speaker 4: They may be trying to keep everybody away from it.
- 19:20Speaker 9: Yeah.
- 19:21Speaker 4: You better take a look at the mine first.
- 19:22Speaker 9: What's the matter, Tunnel? Light in kitchen.
- 19:25Speaker 4: It's Ned. He's got that linen.
- 19:27Speaker 9: Where are you, Maskman?
- 19:28Speaker 4: Right in here.
- 19:30Speaker 9: I can't help it myself. I can hardly stand up.
- 19:33Speaker 9: But even if you are a crook, you've got to
- 19:35Speaker 9: do something.
- 19:35Speaker 4: Help whom? What are you talking about?
- 19:37Speaker 9: There was a girl outside just a minute ago.
- 19:40Speaker 4: Take the linen, Tunnel. Here, sit down in this chair.
- 19:44Speaker 4: Go on, now.
- 19:45Speaker 9: There's a girl named Mary Hamilton. She runs the post
- 19:48Speaker 9: office in town.
- 19:49Speaker 4: That's my sister.
- 19:49Speaker 9: Are you Jim?
- 19:51Speaker 4: Yeah. Was Mary outside?
- 19:53Speaker 9: No, another girl. I couldn't see her face. She kept
- 19:56Speaker 9: in the shadows, but she.
- 19:57Speaker 2: Called me by name.
- 19:58Speaker 4: What about Mary?
- 19:59Speaker 12: This girl said she was waiting at your camp. But
- 20:02Speaker 12: there were outlaws near there, and they might take her prisoner.
- 20:04Speaker 4: Where's your camp, Jim? Not far. On the other slope
- 20:06Speaker 4: of the canyon. Come on. You rode over here, didn't you? Yes.
- 20:09Speaker 4: Who could this girl be, the one who brought the message?
- 20:11Speaker 4: We don't know, but she's helped us before. It was
- 20:13Speaker 4: her note that brought us here.
- 20:14Speaker 2: Steady, Silver.
- 20:16Speaker 4: Lead the way. Right. Get up, boy. Come on, Silver.
- 20:19Speaker 6: Get him up.
- 20:19Speaker 4: Come on.
- 20:35Speaker 10: Well, we ought to be hitting the main tunnel pretty
- 20:37Speaker 10: soon now.
- 20:38Speaker 4: Yeah. And where?
- 20:40Speaker 10: To the left.
- 20:42Speaker 4: That's heading for the main entrance, isn't it?
- 20:44Speaker 10: Yeah. There's a place where the tunnel broadens out. That's
- 20:47Speaker 10: where the boys are.
- 20:48Speaker 4: Are we.
- 20:49Speaker 7: Are we in the mine now?
- 20:50Speaker 10: Never mind the talk, sister. Just keep moving.
- 20:52Speaker 4: Does my brother belong to your gang?
- 20:54Speaker 10: You're the postmistress, aren't you?
- 20:56Speaker 4: Yes, but from the way Jim talked, I.
- 20:58Speaker 7: Of course, he may not be using his right name.
- 21:00Speaker 10: I thought you said that was your brother's camp where
- 21:03Speaker 10: we found you.
- 21:03Speaker 7: That's where he was camped today.
- 21:05Speaker 4: No, sister.
- 21:06Speaker 10: We saw that, Omri. He isn't a member of the gang.
- 21:08Speaker 7: Oh, thank goodness.
- 21:10Speaker 10: He'd be better off if he was. To the left here, huh?
- 21:13Speaker 4: Yeah.
- 21:14Speaker 7: What are you going to do with me?
- 21:15Speaker 10: It depends on how nice you act. Maybe we'll let
- 21:19Speaker 10: you pay us a nice long visit.
- 21:22Speaker 4: Hey, there's a light.
- 21:23Speaker 10: Sing out to them so they'll know who you are.
- 21:24Speaker 4: Don't shoot, boys.
- 21:25Speaker 10: It's Jake and Mark.
- 21:26Speaker 4: We've got a prisoner.
- 21:27Speaker 6: The hombre, you in there?
- 21:29Speaker 2: His sister.
- 21:30Speaker 10: That's almost as good.
- 21:31Speaker 6: His sister? Let's have a look at it.
- 21:33Speaker 10: You can look while you're tying her up. Hands and feet.
- 21:36Speaker 4: Keno. How about the man in the house?
- 21:38Speaker 10: Knocked him out like you said.
- 21:40Speaker 4: That was right, huh, Mark? Yeah.
- 21:42Speaker 10: We'll scare him out if we can. If he's still
- 21:44Speaker 10: around tomorrow morning, we'll let him have it. Then leave
- 21:46Speaker 10: him outside the canyon.
- 21:48Speaker 7: Do you have to tie those ropes so tight?
- 21:50Speaker 4: Sit down.
- 21:50Speaker 9: Oh!
- 21:51Speaker 10: Don't kick while I'm tying your feet.
- 21:54Speaker 6: You said it was almost as good getting the girl
- 21:56Speaker 6: as the man.
- 21:56Speaker 4: Bet on Sammy.
- 21:58Speaker 10: We left her a horse at the camp on a
- 22:00Speaker 10: trail that anybody can follow from there to here. He'll
- 22:02Speaker 10: come after her.
- 22:03Speaker 6: Well, you're loco.
- 22:04Speaker 10: We'll be waiting for him, Sam. In about five minutes,
- 22:07Speaker 10: these lanterns go out, and then we'll.
- 22:09Speaker 4: I hear somebody now.
- 22:10Speaker 10: They made it fast. Out with the lights and quiet everybody.
- 22:13Speaker 4: Don't let the girl make any noise. I got it. Eh,
- 22:22Speaker 4: the fool.
- 22:23Speaker 10: Keep back to the sides.
- 22:29Speaker 4: Up with him, mister. His gun, Jake.
- 22:31Speaker 10: I got it. The lantern, Sam.
- 22:32Speaker 4: That isn't my brother.
- 22:34Speaker 10: It's the hombre from the house, the one we knocked out.
- 22:37Speaker 7: What made you come in here?
- 22:38Speaker 4: I saw a light.
- 22:38Speaker 10: And you had to find out what was going on, huh?
- 22:40Speaker 10: I found out plenty.
- 22:42Speaker 9: You've been working this mine.
- 22:43Speaker 4: You've hit a vein of pure gold.
- 22:44Speaker 10: That cook's your goose.
- 22:45Speaker 9: The mine belongs to me.
- 22:47Speaker 10: You're Ned Rockwell?
- 22:48Speaker 4: Yes.
- 22:49Speaker 10: It won't be yours in another month. Oh, yes, it will.
- 22:51Speaker 4: You've done some work here.
- 22:52Speaker 10: That saves it for me. Who's going to know we've
- 22:54Speaker 10: done any work?
- 22:55Speaker 4: I saw it with my own eyes.
- 22:56Speaker 10: We'll close them for you. Close them for good.
- 22:58Speaker 6: You can't.
- 22:59Speaker 4: You can't murder him. It's easy.
- 23:01Speaker 10: Just one bullet.
- 23:02Speaker 4: Go ahead.
- 23:03Speaker 10: After we get the girl's brother. I don't want any
- 23:05Speaker 10: shooting to warn him off. Tie up Mr. Rockwell, boys,
- 23:08Speaker 10: and then put out the light. We'll wait for our
- 23:12Speaker 10: other visitors.
- 23:23Speaker 4: Well, the trail's led us right back to the mine.
- 23:25Speaker 4: But this isn't the entrance by the house. It's a
- 23:28Speaker 4: new one. Lots of fresh gravel around. Mine's being worked.
- 23:31Speaker 4: They've been using this tunnel instead of the old one. Oh, Tonto,
- 23:33Speaker 4: not like it.
- 23:34Speaker 9: Trail too easy to follow.
- 23:35Speaker 4: We aren't stopping here, Kimo Sabe.
- 23:37Speaker 9: Crook, wait for you inside mine.
- 23:39Speaker 4: We'll have to have some kind of a light to
- 23:40Speaker 4: go in there. We'll pick up a few pine branches. Ah, here.
- 23:43Speaker 4: Here one. Yes, here's some more. We won't use these
- 23:46Speaker 4: until we have to. I'm worried about the other entrance.
- 23:49Speaker 4: What do you mean? They can escape by it. You
- 23:52Speaker 4: better go around there and stand guard, Dono.
- 23:53Speaker 9: Ah, time to do it.
- 23:54Speaker 4: Come along, Jim. Just a second while I get this lit.
- 23:56Speaker 4: Not yet. We can follow the tunnel without a light
- 23:58Speaker 4: for a while. Come on. What's the matter? I'm peeling
- 24:13Speaker 4: the walls. Well? We've hit another tunnel at right angles
- 24:16Speaker 4: to this one. Which way do we turn? The front
- 24:19Speaker 4: entrance would be to the left. Let's try that. This
- 24:22Speaker 4: must be the way.
- 24:23Speaker 9: Yes, but be quiet.
- 24:24Speaker 4: Hold it. You all right? I just stumbled. I ought
- 24:27Speaker 4: to learn to pick up my feet. You suppose anybody
- 24:29Speaker 4: heard that? Masked man, that was a woman. My sister!
- 24:32Speaker 2: Steady.
- 24:33Speaker 4: She isn't far away. We'll go on. A bird? Inside
- 24:38Speaker 4: the mine? That was Tonto. About a hundred feet up ahead.
- 24:41Speaker 4: There between us and him.
- 24:43Speaker 9: Yeah.
- 24:43Speaker 13: Now's the time to light our torches. They'll start shooting then.
- 24:46Speaker 13: I'm going to light it fast and throw it up ahead.
- 24:49Speaker 13: It may show us where they are. If it doesn't
- 24:50Speaker 13: go out too fast, the woods dry. And over this
- 24:53Speaker 13: way a little, so they won't be able to see
- 24:54Speaker 13: the match.
- 24:55Speaker 4: Right. It's catching. Throw it.
- 24:59Speaker 1: There.
- 25:04Speaker 3: As the torch flared through the darkness, the outlaws opened fire.
- 25:07Speaker 3: But almost at once, they lost their momentary targets. The
- 25:09Speaker 3: torch continued to burn where it had fallen. And the
- 25:11Speaker 3: figures of the gunmen became more distinct. The leader moved quickly.
- 25:14Speaker 4: Don't shoot. I'm using the girl as a shield.
- 25:16Speaker 9: No.
- 25:17Speaker 4: Stay right where you are.
- 25:18Speaker 10: Go out the front way.
- 25:20Speaker 4: Get moving. You can see her back there, can't you?
- 25:23Speaker 4: If you shoot, you'll hit her. Mark.
- 25:26Speaker 10: What's the matter?
- 25:27Speaker 6: Something happened to Sam. I can't see, but I heard
- 25:29Speaker 6: him get out.
- 25:30Speaker 4: What's going on there? You let go of a girl.
- 25:32Speaker 4: Good work, Tonto. Come on, Jim. Are you all right, Mary?
- 25:35Speaker 4: Are you hurt? You stand still. Can't you get away
- 25:38Speaker 4: and Tonto hit you like others? Stand back, Tonto. He's
- 25:40Speaker 4: got a gun. Oh, not good.
- 25:42Speaker 10: You shoot a gun out of hand.
- 25:44Speaker 4: Now you can talk, Mary. Are you hurt?
- 25:46Speaker 6: No.
- 25:46Speaker 7: Ned Rockwell's over there.
- 25:48Speaker 4: Ah, time to cut rope.
- 25:49Speaker 2: Take off, gang.
- 25:50Speaker 7: I guess you saved my life, Jim.
- 25:52Speaker 4: But I don't know whether I'm grateful or not. What
- 25:54Speaker 4: do you mean by that?
- 25:56Speaker 7: I can see what your friends are like now. A
- 25:58Speaker 7: masked man and an Indian.
- 25:59Speaker 4: You are an outlaw. And don't judge your brother by
- 26:02Speaker 4: the company he keeps, Miss Hamilton. He's a United States Marshal.
- 26:06Speaker 7: A what?
- 26:06Speaker 4: You can handle the prisoners, can't you, Jim? Sure thing.
- 26:09Speaker 4: There are no condition to make trouble. Then, Tonto, I'll
- 26:11Speaker 4: be on our way.
- 26:11Speaker 10: Oh, Rockwell, all right.
- 26:13Speaker 4: I sure am. Adios. So long, Masked Man. Financials, Tonto.
- 26:16Speaker 4: Did I hear right? Are you really a marshal, Jim?
- 26:18Speaker 6: Yes.
- 26:19Speaker 4: Then I guess you're the one to tell.
- 26:21Speaker 11: Those crooks were trying to keep folks away from the
- 26:23Speaker 11: canyon because they found a new vein of gold and
- 26:25Speaker 11: they wanted the mine for themselves.
- 26:26Speaker 4: Still belongs to you, doesn't it? Sure does.
- 26:29Speaker 9: Won't be long before I can think of getting married.
- 26:31Speaker 7: Never mind that.
- 26:33Speaker 4: Give me a hand here, Ned. We've got to get
- 26:35Speaker 4: these crooks tied up. It's a pleasure.
- 26:36Speaker 7: I still can't understand it. How can a United States
- 26:41Speaker 7: Marshal be friends with a masked man?
- 26:43Speaker 10: I wish he hadn't been, that's all.
- 26:44Speaker 4: Maybe you can tell her who he is.
- 26:46Speaker 10: I've got an idea.
- 26:47Speaker 8: There isn't a crook in the West who likes to
- 26:48Speaker 8: meet that particular masked man, sis.
- 26:50Speaker 4: Liz Omri's right. It was he and Tano who saved
- 26:53Speaker 4: your life, not me. All I did was take orders
- 26:55Speaker 4: and help as much as I could.
- 26:56Speaker 10: Well, who is he?
- 26:58Speaker 4: Well, leave your feet untied. You've got a long walk
- 27:00Speaker 4: ahead of you, mister.
- 27:01Speaker 6: Who is he, Jim?
- 27:02Speaker 4: Well, I'm almost ashamed of you, Mary, that a sister
- 27:05Speaker 4: of mine could be so plum ignorant.
- 27:06Speaker 7: Well, how should I know?
- 27:07Speaker 4: That was the Lone Ranger. Lone Ranger! Lone Ranger!
- 27:23Speaker 6: THE END.
- 27:50Speaker 1: THE END ©.
- 28:26Speaker 5: BF-WATCH TV 2021 © BF-WATCH TV 2021.
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