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Cyrano de Bergerac - Edmond Rostand · Classic Drama Book Collection

• 0:00
  Speaker 1: At one. A representation at the Hotel the Bourgonia. A
• 0:07
  Speaker 1: hall of the Hotel the Bourgonia in sixteen forty a
• 0:11
  Speaker 1: sort of tennis court arranged and decorated for a theatrical performance.
• 0:17
  Speaker 1: The hall is oblong unseen obliquely so that one of
• 0:20
  Speaker 1: its sides forms the back of the right foreground and
• 0:24
  Speaker 1: meeting the left background, makes an angle with the stage,
• 0:27
  Speaker 1: which is partly visible. On both sides of the stage
• 0:31
  Speaker 1: are benches. A curtain is composed of two tapestries which
• 0:35
  Speaker 1: can be drawn aside. Above a harlequin's mantle are the
• 0:40
  Speaker 1: royal arms. There are broad steps from the stage to
• 0:43
  Speaker 1: the hall. On either side of these steps are the
• 0:46
  Speaker 1: pass for the violinists, foot lights, two rows, one over
• 0:51
  Speaker 1: the other. Off side galleries, the highest divided into boxes.
• 0:56
  Speaker 1: No seats in the pit of the hall, which is
• 0:59
  Speaker 1: the real stage of the time. At the back of
• 1:01
  Speaker 1: the pit, I e. On the right foreground some benches
• 1:05
  Speaker 1: forming steps, and underneath a staircase which leads to the
• 1:09
  Speaker 1: upper seats, an improvised buffet ornamented with little lusters, glasses, glasses,
• 1:16
  Speaker 1: plates of tarts, cakes, bottles, etc. The entrance to the
• 1:22
  Speaker 1: stator is in the center of the background. Under the
• 1:24
  Speaker 1: gallery of the boxes a large door half open to
• 1:28
  Speaker 1: let in the spectators. On the panel of this door,
• 1:31
  Speaker 1: in different corners and over the buffet red pluc cards
• 1:35
  Speaker 1: bearing the words lacloris. At the rising of the curtain,
• 1:40
  Speaker 1: the hall is in semi darkness and still empty. The
• 1:43
  Speaker 1: lusters are lowered in the middle of the pit, ready
• 1:47
  Speaker 1: to be lighted. Seene one the public arriving by degrees troopers, burghers, lacqueys, pages,
• 1:58
  Speaker 1: a pickpocket, the doorkeeper, et cetera, followed by the marquises, cuige, Brezie,
• 2:05
  Speaker 1: the buffet girl, the violinists, et cetera. A confusion of
• 2:12
  Speaker 1: loud voices is heard outside the door. A trooper enters,
• 2:15
  Speaker 1: his steely, the doorkeeper following him.
• 2:18
  Speaker 2: Hello, you there your money?
• 2:21
  Speaker 3: I enter, gruttis Why why I am the King's household
• 2:25
  Speaker 3: cavalry faith.
• 2:27
  Speaker 1: To another trooper who enters, and you, I pay nothing?
• 2:31
  Speaker 4: How so I am a musketeer.
• 2:33
  Speaker 3: The play will not begin till too the pitchure's empty.
• 2:37
  Speaker 3: Come about with the foils to pass the time the fence.
• 2:40
  Speaker 1: With the foils, they are brought, first Lackey entering psh Flanka,
• 2:47
  Speaker 1: second Lackie already there er pain showing him cards and dice,
• 2:53
  Speaker 1: which he takes from his.
• 2:54
  Speaker 5: Doublet see here be heards in dice.
• 2:57
  Speaker 1: He seats himself on the floor. Let's play doing the same.
• 3:02
  Speaker 5: Goode eh with you.
• 3:05
  Speaker 1: Villain taking from his pocket a candle end which he
• 3:09
  Speaker 1: lights and sticks on the floor.
• 3:11
  Speaker 5: He made free to provide mesilf with a light to
• 3:13
  Speaker 5: be master's expense.
• 3:15
  Speaker 1: A guardsman to a shop girl who advances twas prettily
• 3:19
  Speaker 1: done to come before the lights were lit. He takes
• 3:21
  Speaker 1: around the waist secking trooper receiving a trust a hit
• 3:26
  Speaker 1: clubs following the girl, A kills the shop girl, struggling
• 3:31
  Speaker 1: to free herself. They're ou king, drawing her to a
• 3:35
  Speaker 1: dark corner.
• 3:36
  Speaker 5: No fear.
• 3:37
  Speaker 6: No one can see.
• 3:38
  Speaker 1: A man sitting on the ground with others who have
• 3:41
  Speaker 1: brought their provisions.
• 3:42
  Speaker 7: By coming early, one can eat in comfort.
• 3:45
  Speaker 1: The burgher conducting his son, let us sit here sun plice,
• 3:51
  Speaker 1: taking a bottle from under his cloak, and also seating
• 3:54
  Speaker 1: himself on the floor.
• 3:55
  Speaker 8: A tippler may well cough is Burgundy.
• 3:57
  Speaker 7: He drinks in the Burgundy hotel to his son faith.
• 4:02
  Speaker 9: A man might think he had fallen in a bad house.
• 4:04
  Speaker 1: Here he points with his skin to the drunkard what
• 4:07
  Speaker 1: with topers one of the fencers. In breaking off jostlesen brawlers,
• 4:12
  Speaker 1: he stumbles into the midst of the card players gamblers,
• 4:16
  Speaker 1: the guardsman behind him, still teasing the shopgun. Come Wanyus,
• 4:22
  Speaker 1: hurriedly putting his son away.
• 4:23
  Speaker 9: By all the holies. And this, my boy, is the
• 4:28
  Speaker 9: theater where they played Rode true Erewhile I and corneely.
• 4:35
  Speaker 1: First page, second page, third page, hand in hand, enter
• 4:39
  Speaker 1: dancing the faran dole and singing. The doorkeeper sternly to
• 4:47
  Speaker 1: the pages.
• 4:48
  Speaker 2: You pages there, none of your tricks.
• 4:51
  Speaker 10: Oh sa such a suspicion.
• 4:54
  Speaker 1: Briskly to the second page, the moment the doorkeeper's back
• 4:58
  Speaker 1: is turned.
• 4:59
  Speaker 11: Have you string hi and fish hook with it?
• 5:01
  Speaker 10: We can angle for Wiggs.
• 5:03
  Speaker 11: Then up then the gallery.
• 5:05
  Speaker 1: The big pocket gathering about him some evil looking youths.
• 5:08
  Speaker 12: Hurt ye young cut purses London, ear well, I give
• 5:13
  Speaker 12: you your first lesson in thieving.
• 5:15
  Speaker 1: Second page, calling up to the others in the top galleries.
• 5:19
  Speaker 4: You there, have you any pea shooters?
• 5:21
  Speaker 1: Third page, from above, I have we and peace with
• 5:24
  Speaker 1: all he blows and peppers them with peace. The young
• 5:28
  Speaker 1: man to his father.
• 5:30
  Speaker 13: What peace do they give us?
• 5:33
  Speaker 9: Chlorice?
• 5:34
  Speaker 13: Who may the author be?
• 5:36
  Speaker 5: Master?
• 5:36
  Speaker 9: Both is our burrow. It is a play.
• 5:39
  Speaker 1: He goes arm in arm with the sun. The pig
• 5:42
  Speaker 1: pocket to his pupils.
• 5:43
  Speaker 12: Have a care above all of the lace, knee ruffles
• 5:47
  Speaker 12: cut them off.
• 5:49
  Speaker 1: A spectator to another, showing him a corner in the gallery.
• 5:52
  Speaker 14: I was up there the first night of the seed.
• 5:56
  Speaker 1: Making with his fingers the gesture of filching.
• 5:58
  Speaker 12: Thus or watches.
• 6:00
  Speaker 1: Coming down again with the sun.
• 6:02
  Speaker 9: Ah, you shall presently see some renowned actors.
• 6:06
  Speaker 1: Making the gestures of one who pulls something stiltily but little.
• 6:10
  Speaker 12: Jokes thus or handkerchiefs.
• 6:13
  Speaker 1: Montfleury shouting from the upper gallery light up below there
• 6:18
  Speaker 1: bella rose le pey, le beaux, prey jodlat third pitch
• 6:24
  Speaker 1: in the pit.
• 6:25
  Speaker 9: Here comes the buffet girl.
• 6:27
  Speaker 1: The buffet girl taking her place behind the buffet.
• 6:30
  Speaker 15: Oranges, milk, raspberry, water, cedar bitters.
• 6:34
  Speaker 1: A hubub outside the door has heard. First marquis make
• 6:38
  Speaker 1: place fruits first Lucky astonished.
• 6:41
  Speaker 5: The marquises hint the pit eoly for a minute.
• 6:47
  Speaker 1: He enter a band of young marquises. First marquis, seeing
• 6:52
  Speaker 1: that the hall is half empty.
• 6:54
  Speaker 16: What now, So we make our entrance like a pack
• 6:56
  Speaker 16: of woolen drapers, peaceably, without disturbing the folk or reading
• 7:00
  Speaker 16: on their toes. Oh fie fine.
• 7:02
  Speaker 1: Recognizing some other gentlemen who have entered a little before him,
• 7:06
  Speaker 1: QUICKI prisay greetings and embraces.
• 7:10
  Speaker 17: Through to our word truth. We are here before the
• 7:13
  Speaker 17: candles are.
• 7:14
  Speaker 16: Lit a indeed enough I am of an ill humor.
• 7:18
  Speaker 4: No name markis see for your consolation. They are coming
• 7:22
  Speaker 4: to light.
• 7:22
  Speaker 1: Up, welcoming the entrance of the lighter ah. They form
• 7:27
  Speaker 1: in groups round the lusters as they are lit. Some
• 7:31
  Speaker 1: people have taken their seats in the galleries. Linier a
• 7:35
  Speaker 1: distinguished looking room with disordered shirt front, arm in arm
• 7:39
  Speaker 1: with Christian the noivelette. Christian, who was dressed elegantly, but
• 7:43
  Speaker 1: rather behind the fashion, seems preoccupied and keeps looking at
• 7:47
  Speaker 1: the boxes scene too the same Christian Linier. Then Dragonou
• 7:52
  Speaker 1: and Libre not drunk as yet aside.
• 7:56
  Speaker 8: To Christian, I may introduce you Christian nods and baron
• 8:01
  Speaker 8: de naviet.
• 8:02
  Speaker 1: Bous applauding as the first luster is lighted and drawn up.
• 8:08
  Speaker 1: Kuiji to Brizaye looking at.
• 8:10
  Speaker 17: Christian tis a pretty fellow.
• 8:12
  Speaker 1: First Marquis, who has overheard two Linier introducing them to.
• 8:16
  Speaker 8: Christian, my lords, the Quigi the Brise.
• 8:20
  Speaker 1: Christian bobbing the light sids first Marquis to second.
• 8:24
  Speaker 16: He is not ill to look at, but sertz he
• 8:26
  Speaker 16: is not costumed in the latest mode.
• 8:28
  Speaker 8: Linier to Kiji, this gentleman comes from Turan.
• 8:32
  Speaker 10: Yes, I have scarce been twenty days in Paris. Tomorrow
• 8:35
  Speaker 10: I joined the guards in the cadets, watching.
• 8:38
  Speaker 1: The people who are coming into the boxes.
• 8:40
  Speaker 16: There is the wife of the Chief Justice, oranges milk.
• 8:44
  Speaker 1: First, violent tuning up Kiji to Christian, pointing to the
• 8:49
  Speaker 1: hall which is felling fast to scrowd it.
• 8:52
  Speaker 16: Yes, indeed, ah, the great world.
• 8:55
  Speaker 1: They recognize and name the different elegantly dressed ladies who
• 8:58
  Speaker 1: hinder the boxes, boving Lord with them. The lady sen
• 9:02
  Speaker 1: smiles in answer, Madame de Guemine.
• 9:05
  Speaker 17: Madame de Bois d'au fain, adored.
• 9:07
  Speaker 1: By us all, Madame de Chavigni, who's ports with our
• 9:10
  Speaker 1: poor hearts.
• 9:12
  Speaker 8: Ah. So, Monsieur de Corney has come back from Ruon.
• 9:15
  Speaker 9: The young man to his father is the academy here,
• 9:18
  Speaker 9: oh ay, I see several of them. There is Bardeux,
• 9:24
  Speaker 9: Boissa and Curou de la chambre, Pourcher, Colombie, Bourse, Bordaon, Urbaud,
• 9:32
  Speaker 9: all names that will live tis fine attention.
• 9:37
  Speaker 16: Here come our Preciuiscy Barton, noird you and me, Dante, Cassadans, Felixierre.
• 9:44
  Speaker 4: Ah, how exquisite the fancy names are? Do you know
• 9:48
  Speaker 4: them all?
• 9:48
  Speaker 16: Marquise I, marquis, I do everyone drawing?
• 9:52
  Speaker 8: Cristia aside, friend, I but came here to give you pleasure.
• 9:56
  Speaker 8: The lady comes not, I will betake me again to
• 9:59
  Speaker 8: my pet vice.
• 10:01
  Speaker 10: No, No, you, who are a ballad maker to court
• 10:03
  Speaker 10: and city alike, can tell me better than any who
• 10:07
  Speaker 10: the lady is for whom I die of love. Stay
• 10:10
  Speaker 10: yet Awhile.
• 10:11
  Speaker 1: Striking his bow on the desk, gentlemen, violinists, he raises
• 10:16
  Speaker 1: his boat back, ruins lemon drink, the violence begin to play.
• 10:21
  Speaker 10: Ah, I fear me. She is coquettish and over nice
• 10:25
  Speaker 10: and fastidious, I, who am so poor of wits? How
• 10:30
  Speaker 10: dare I speak to her? How address her? This language
• 10:34
  Speaker 10: they speak today? Ay and right confounds me. I am
• 10:39
  Speaker 10: but an honest soldier and timid with all she has
• 10:42
  Speaker 10: ever her place there on the right the empty box.
• 10:45
  Speaker 1: See you, leniy making us of the go.
• 10:49
  Speaker 8: I must go, Nay stay, I cannot thus you see
• 10:54
  Speaker 8: it waits me at the tavern, and here one dies
• 10:57
  Speaker 8: of thirst.
• 10:59
  Speaker 1: The buffet girl passing before him with a tree.
• 11:01
  Speaker 18: Orange dring ugh milk, pa reve salt.
• 11:05
  Speaker 8: Stay to Christian, and I will remain a while. Let
• 11:09
  Speaker 8: me taste this reeves salt.
• 11:11
  Speaker 1: He sits by the buffet. The girl posts some out
• 11:14
  Speaker 1: for him. At the entrance of a plump little man
• 11:17
  Speaker 1: joyously excited to Christian.
• 11:21
  Speaker 8: Tis the famous tavern keeper.
• 11:23
  Speaker 1: Ragna Raganu, pressed in the sunday clothes of a pastry cook,
• 11:27
  Speaker 1: going up quickly, tolineer, sir, have you seen Monsieur de Serrao,
• 11:31
  Speaker 1: introducing him to Christian.
• 11:33
  Speaker 8: The pastry cook of the actors and the poets.
• 11:36
  Speaker 1: Oh, welcome, you do me too, great honor.
• 11:39
  Speaker 8: Nay, hold your peace, Messinas, that you are true.
• 11:43
  Speaker 18: These gentlemen employ me on credit.
• 11:46
  Speaker 8: He is himself a poet of a pretty talent, so
• 11:49
  Speaker 8: they tell me mad after poetry.
• 11:52
  Speaker 18: Tis true that for a little ode you give a
• 11:55
  Speaker 18: tart oh, a tart let.
• 11:58
  Speaker 8: Brave fellow would fain fain excuse himself, and for a triolet.
• 12:04
  Speaker 8: Now did you not give an exchange.
• 12:06
  Speaker 18: Some little rolls?
• 12:08
  Speaker 1: Severely?
• 12:09
  Speaker 8: They were milk rolls. And as for the theater which you.
• 12:13
  Speaker 18: Love, oh to distraction?
• 12:15
  Speaker 8: How pay you your tickets? Huh? With cakes your place tonight?
• 12:21
  Speaker 8: Come tell me in my ear what did it cost you?
• 12:24
  Speaker 18: Four custards and fifteen cream puffs?
• 12:27
  Speaker 1: He looks around on all sides.
• 12:29
  Speaker 18: Monsieur de sir reno is not here? Tis strange? O?
• 12:32
  Speaker 18: Why so Montfleorie plays night?
• 12:36
  Speaker 8: Tis true that that old wine barrel is to take
• 12:38
  Speaker 8: feed On's part tonight? But what matter is that? To Sirno?
• 12:42
  Speaker 18: How no you not? He has got a hot hate
• 12:46
  Speaker 18: for Montfleury, and so has forbid him strictly to show
• 12:49
  Speaker 18: his face on the stage for one whole month.
• 12:52
  Speaker 1: Drinking his fourth glass.
• 12:54
  Speaker 18: Well, Montflorie will play.
• 12:56
  Speaker 17: He cannot hinder that.
• 12:58
  Speaker 18: Oh, oh that I have come to see?
• 13:01
  Speaker 16: Who is this, sirah?
• 13:02
  Speaker 17: Now a fellow well skilled in all tricks of fence.
• 13:06
  Speaker 4: You see your noble birth ah.
• 13:08
  Speaker 17: Noble enough. He's a cadet in the guards.
• 13:12
  Speaker 1: Pointing to a gentleman who's going up and down the
• 13:15
  Speaker 1: hall as if searching for someone.
• 13:17
  Speaker 17: That is his friend. Le Brett yonder, who can best
• 13:20
  Speaker 17: tell you?
• 13:21
  Speaker 1: He calls him le Brett. Lebrey comes towards them, seek
• 13:25
  Speaker 1: you for.
• 13:25
  Speaker 5: The BOETI rak i I am uneasy?
• 13:29
  Speaker 17: Is it not true that he is the strangest of men?
• 13:32
  Speaker 5: True that he is the choicest of earthly beings?
• 13:36
  Speaker 19: Poet, soldier, philosopher, musician.
• 13:40
  Speaker 8: And of how fantastic a presence.
• 13:43
  Speaker 18: Marriage would puzzle even our grim painter Philippe de Campanion.
• 13:46
  Speaker 18: To portray him methinks whimsical, wild comical, as he is
• 13:51
  Speaker 18: only Jacques Callot, now dead and gone, had succeeded better
• 13:55
  Speaker 18: and had made of him the maddest fighter of all
• 13:58
  Speaker 18: his visored crew. With his triple plumed beaver and six
• 14:01
  Speaker 18: pointed doublet the sword points sticking up beneath his mantle
• 14:05
  Speaker 18: like an insolent cocktail. He's prouder than all the fierce
• 14:09
  Speaker 18: artibands of whom Gascony has ever been and will ever be.
• 14:12
  Speaker 18: The prolific alma mater above his Toby rough. He carries
• 14:17
  Speaker 18: a nose. Ah, good, my lords, what a nose is his?
• 14:21
  Speaker 18: When one sees it, one is fain to cry a
• 14:24
  Speaker 18: loud nay tis too much. He plays a joke on us.
• 14:28
  Speaker 18: Then one laughs says he will Anon take it off.
• 14:31
  Speaker 18: But no, Monsieur de Bergirac always keeps it on.
• 14:35
  Speaker 1: Throwing back his head.
• 14:36
  Speaker 5: He keeps it on and cleaves into any man who
• 14:40
  Speaker 5: dares remark on it.
• 14:42
  Speaker 18: His sword tis one half of the fates, shears.
• 14:45
  Speaker 1: Shrugging his shoulders.
• 14:47
  Speaker 18: He will not come, I say he will, and I
• 14:50
  Speaker 18: wager a fowl a la ragno good.
• 14:54
  Speaker 1: Murmurs of admiration in hall. Roxon has just appeared in
• 14:58
  Speaker 1: her box. She sets herself in the front, the duenna
• 15:03
  Speaker 1: at the back. Christian, who was paying the bufagel does
• 15:07
  Speaker 1: not see her entrance.
• 15:09
  Speaker 4: Ah, gentlemen, she is fearfully, terribly ravishing.
• 15:14
  Speaker 16: When one looks at her, one thinks of a peach
• 15:16
  Speaker 16: smiling at his strawberry.
• 15:18
  Speaker 4: And what freshness. A man approaching her to neer might
• 15:22
  Speaker 4: chance to get a bad chill at the heart.
• 15:24
  Speaker 1: Raising his head sees Roxa and catches Linier by the arm.
• 15:28
  Speaker 8: Tis she ah is it?
• 15:30
  Speaker 7: She?
• 15:31
  Speaker 10: I tell me quick, I am afraid.
• 15:34
  Speaker 1: Tastings river salte in SIPs.
• 15:36
  Speaker 8: Magdalene Robin Roxanne so called a subtle wit, a preciuse
• 15:44
  Speaker 8: wou is may free an orphan The cousin of Cyrano,
• 15:49
  Speaker 8: of whom we were now.
• 15:50
  Speaker 1: Speaking at this moment. An elegant nobleman with blue ribbon
• 15:55
  Speaker 1: across his breast, enters the box and talks with Roxa,
• 15:59
  Speaker 1: standing who is yonder man who has become tipsy, winking
• 16:03
  Speaker 1: at him.
• 16:04
  Speaker 20: Naha Conte de guiche enamored of her, but wedded to
• 16:10
  Speaker 20: the niece of Armand Richelieu, would fain marry Roxanne to
• 16:14
  Speaker 20: a certain sorry fellow, one Monsieur de Valvert, a viscount
• 16:18
  Speaker 20: and accommodating.
• 16:21
  Speaker 8: She will not of that bargain. But de Guiche is
• 16:24
  Speaker 8: powerful and can persecute the daughter of a plain, untitled gentleman.
• 16:28
  Speaker 8: More by token, I myself have exposed this cunning plan
• 16:31
  Speaker 8: of his to the world in a song which, oh
• 16:35
  Speaker 8: he must rage at me the end hit home.
• 16:39
  Speaker 1: Listen, He gets abstaggering and raises his glass, ready to sing.
• 16:44
  Speaker 10: Now, good nights, where go you to, Monsieur de Valvet,
• 16:48
  Speaker 10: never a care.
• 16:50
  Speaker 8: It is he who will.
• 16:51
  Speaker 1: Kill you, showing him Roxan by a look.
• 16:54
  Speaker 8: Stay where you are. She is looking at you.
• 16:58
  Speaker 1: It is true he stands looking at her. The group
• 17:02
  Speaker 1: of pickpockets seeing him thus head in air and open mouthed,
• 17:06
  Speaker 1: draw near to him.
• 17:07
  Speaker 8: Tis I who am going? I am a thirst and
• 17:11
  Speaker 8: they expect me in the taverns.
• 17:14
  Speaker 1: He goes out, reading lebre who has been all round
• 17:17
  Speaker 1: the hall, coming back to dragon reassired.
• 17:20
  Speaker 18: No sign of all the same.
• 17:23
  Speaker 5: I hope is left to me that he has not
• 17:26
  Speaker 5: seen the playbill.
• 17:30
  Speaker 1: Seeing tree the same all but lenie de guiche volver,
• 17:35
  Speaker 1: then more Fleury. First marquis watching de Guiche, who comes
• 17:38
  Speaker 1: down from Roxan's box and crosses the pet, surrounded by
• 17:42
  Speaker 1: obsequious noblemen, among them the viscon the volver.
• 17:45
  Speaker 16: He pays a fine court.
• 17:47
  Speaker 4: You're de Guiche four another scorn ay, but the.
• 17:50
  Speaker 16: Cold supple Gascon that is the stuff's success is made of.
• 17:54
  Speaker 16: Believe me, we had best make our bow to him.
• 17:56
  Speaker 1: They go toward de Guiche.
• 17:58
  Speaker 4: What fine ribbons? How call you the color? Count de Guche,
• 18:02
  Speaker 4: kiss me my darling, or timid fawn?
• 18:05
  Speaker 21: Tis the color called sick Spaniard faith?
• 18:09
  Speaker 16: The color speaks truth, for thanks to your valor, things
• 18:11
  Speaker 16: will soon go ill for Spain and Flanders.
• 18:14
  Speaker 21: I go on the stage, Will you come?
• 18:17
  Speaker 1: He goes toward the stage, followed by the Marquises and gentlemen. Turning,
• 18:23
  Speaker 1: he calls, come here.
• 18:24
  Speaker 21: Valvert.
• 18:25
  Speaker 1: Christian, who was watching and listening, starts on hearing this name.
• 18:29
  Speaker 10: The viscounts ah, I will throw full in his face.
• 18:33
  Speaker 7: Man.
• 18:33
  Speaker 1: He puts his hand in his pocket and finds that
• 18:36
  Speaker 1: the hand of a pickpocket who is about rob him.
• 18:39
  Speaker 1: He turns round, hey, oh, holding him tightly.
• 18:43
  Speaker 10: I was looking for a glove.
• 18:45
  Speaker 1: Smiling piteously, and you find a hand, changing his tone
• 18:50
  Speaker 1: quickly and in a whisper.
• 18:52
  Speaker 12: Let me but go, and I will deliver you a secret.
• 18:56
  Speaker 1: Still holding him, What is it, Lennier, he who has
• 18:59
  Speaker 1: just left you simply well?
• 19:03
  Speaker 12: His life is in peril. A song written by him
• 19:05
  Speaker 12: has given offense in high places. And a hundred men
• 19:09
  Speaker 12: I am of them, are posted to night, a.
• 19:11
  Speaker 10: Hundred men by whom posted I may.
• 19:14
  Speaker 1: Not say a secret, shrugging his shoulders, Oh, with great
• 19:19
  Speaker 1: dignity of the profession.
• 19:21
  Speaker 10: Where they posted.
• 19:22
  Speaker 12: At the Porte de Nesle. On his way homeward, warn him.
• 19:27
  Speaker 1: Letting go off his wrists.
• 19:29
  Speaker 10: But where can I find him?
• 19:30
  Speaker 12: Run round to all the taverns, the golden wine press,
• 19:34
  Speaker 12: the pine cone, the belt that bursts, the two torches,
• 19:37
  Speaker 12: the three funnels, and at each leave a word that
• 19:40
  Speaker 12: shall put him on his guard.
• 19:41
  Speaker 10: Good I fly ah the scoundrels one hundred men against.
• 19:45
  Speaker 1: One, looking lovingly at Roxhaw Nah to leave her, looking
• 19:50
  Speaker 1: with rage at Wilder and him.
• 19:53
  Speaker 10: But save the near I must.
• 19:55
  Speaker 1: He hurries out, did the viscal. The mutt cases have
• 20:01
  Speaker 1: all disappeared behind the curtain to take their places on
• 20:04
  Speaker 1: the benches placed on the stage. The pit is quite full.
• 20:08
  Speaker 1: The galleries and the boxes are also crowded. The bourgher
• 20:13
  Speaker 1: whose veg is drawn up on the end of a
• 20:15
  Speaker 1: string by a page in the upper gallery, my wig.
• 20:19
  Speaker 7: He is bald.
• 20:20
  Speaker 13: Bravo pages ha, ha ha.
• 20:23
  Speaker 1: Furious, shaking his fist, young villain. Total silence.
• 20:32
  Speaker 5: What means the sudden silence?
• 20:34
  Speaker 1: A spectator says something to him in a low voice.
• 20:38
  Speaker 5: It's true, I.
• 20:39
  Speaker 11: Have just heard it on good authority.
• 20:42
  Speaker 1: Murmurs, spreading through the hall.
• 20:44
  Speaker 5: Hush is it here? No, I say, heard the box
• 20:48
  Speaker 5: with a barge in froud.
• 20:50
  Speaker 13: The cardinal, the cardinal, the cardinal.
• 20:53
  Speaker 2: The devil.
• 20:54
  Speaker 22: We will have to behave ourselves.
• 20:57
  Speaker 1: A knock has heard upon the stage. Every one is motionless.
• 21:01
  Speaker 1: A pause cuije in the silence behind the curtain, snuffed
• 21:06
  Speaker 1: that candle, putting his head through the opening in the
• 21:09
  Speaker 1: curtain a chair. A chair is passed from hand to
• 21:12
  Speaker 1: hand over the heads of the spectators. The marquise take
• 21:17
  Speaker 1: it and disappears, after blowing some kisses to the boxes.
• 21:21
  Speaker 20: Silence.
• 21:22
  Speaker 1: Three knocks are heard on the stage. The curtain opens
• 21:26
  Speaker 1: in the center tableau, the marquises and insolent attitudes seated
• 21:30
  Speaker 1: on each side of the stage. The scene represents a
• 21:33
  Speaker 1: pastoral landscape. Four little lusters light the stage. The violence
• 21:39
  Speaker 1: plays softly. Libree in a low voice to Ragnau comes
• 21:44
  Speaker 1: on the scene.
• 21:45
  Speaker 18: I tis he who begins.
• 21:48
  Speaker 5: Sirano is not here.
• 21:50
  Speaker 18: I have lost my wager the better.
• 21:53
  Speaker 1: An air on the drone pipes is heard, and Montfleury
• 21:56
  Speaker 1: enters enormously stout in an arcadia in shepherd's dress, a
• 22:01
  Speaker 1: hat wreathed with roses drooping over one ear, blowing into
• 22:05
  Speaker 1: a ribbon, brown pipe, applauding mont flooring. After bowing low
• 22:14
  Speaker 1: begins the part of featheroru.
• 22:18
  Speaker 23: Noze, solitaire, suppressed creta, swimming anex voluntre, a key loscuse.
• 22:24
  Speaker 5: If he has to.
• 22:27
  Speaker 1: Serrano from the middle of the pet.
• 22:29
  Speaker 7: Villain, did I not forbid you to show your face
• 22:31
  Speaker 7: here for a month.
• 22:32
  Speaker 1: General stupor. Everyone turns round murmurs, hey, what what is it?
• 22:39
  Speaker 1: The people stand up in the boxes to look Sirano.
• 22:44
  Speaker 7: King of clowns, leave the stage this instant, But do
• 22:50
  Speaker 7: you dare defy me?
• 22:52
  Speaker 1: Different voices from the pit and the boxes.
• 22:54
  Speaker 17: Peace enough, playing on month, defloing, fear nothing.
• 22:59
  Speaker 1: In a trembling voice, kill de cool dosal more fiercely.
• 23:05
  Speaker 7: Well, chief of all the blackguards, must I come and
• 23:08
  Speaker 7: give you a taste of my cane.
• 23:10
  Speaker 1: A hand holding a cane starts up over the heads
• 23:13
  Speaker 1: of the spectators, in a voice that trembles more and more.
• 23:17
  Speaker 1: Qui the cane is shaken off the stage, Oh, choking,
• 23:25
  Speaker 1: Sirrano appearing suddenly in the pit, standing on a chair,
• 23:29
  Speaker 1: his arms crossed, his beaver cocked fiercely, his mustache brizzling.
• 23:33
  Speaker 1: Is nost terrible to see.
• 23:35
  Speaker 7: Ah, I shall be angry in a minute.
• 23:37
  Speaker 1: Sensation seeing four the same Serrano. Then Belarus, Jurrelet, Montfleury,
• 23:44
  Speaker 1: to the marquises, come to my help, my lords carelessly.
• 23:48
  Speaker 7: Go on, go on, fat man, take warning, If you
• 23:52
  Speaker 7: go on, I shall feel myself constrained to cuff your
• 23:56
  Speaker 7: face have done. And if these lords hold not their tongue,
• 24:00
  Speaker 7: shall feel constrained to make them taste.
• 24:03
  Speaker 24: My cane rising Montfleury.
• 24:07
  Speaker 7: If he goes not quick, I will cut off his
• 24:09
  Speaker 7: ears and slit him up. But out he goes yet
• 24:13
  Speaker 7: Is he not gone yet?
• 24:15
  Speaker 1: He makes the gesture of turning up his cuffs.
• 24:17
  Speaker 7: Good. I shall mount the stage now, buffet wise to
• 24:20
  Speaker 7: carve this fine Italian sausage dust.
• 24:25
  Speaker 23: Trying to be dignified, you outrage Solia in insulting.
• 24:30
  Speaker 1: Me very politely.
• 24:32
  Speaker 7: If that muse, sir, who knows you not at all,
• 24:37
  Speaker 7: could claim acquaintance with you, all believe, seeing how urn like,
• 24:43
  Speaker 7: fat and slow you are, that she would make you
• 24:46
  Speaker 7: taste her buskin soul slurr, Come barrows play to those
• 24:54
  Speaker 7: who are calling out, I pray you have a care.
• 24:57
  Speaker 7: If you go on my scabbard soon will render up
• 24:59
  Speaker 7: its lad.
• 25:00
  Speaker 1: The circle round and widens, drawing back to Serrano to Montfleury,
• 25:07
  Speaker 1: leave the stage, coming near and grumbling.
• 25:12
  Speaker 7: Did someone speak?
• 25:13
  Speaker 1: They draw back again, So as Lucky singing at the.
• 25:17
  Speaker 25: Back, these place his tyrannies, the veig fed tyrants, What
• 25:26
  Speaker 25: come players lories?
• 25:33
  Speaker 7: Let me? But hear once more that foolish rhyme. I
• 25:36
  Speaker 7: slaughter every man of you. Oh, Samson, yes, Samson, will
• 25:42
  Speaker 7: you lend your job? Bone, sir?
• 25:45
  Speaker 1: A lady in the boxes outrageous, scandalous?
• 25:49
  Speaker 9: 'tis most annoying, fagot sport.
• 25:57
  Speaker 7: Silence, I order mew, I order silence all, and challenge
• 26:07
  Speaker 7: the whole pit collectively. I write your names, approach young
• 26:11
  Speaker 7: heroes here, each in his turn. I cry the numbers out. Now,
• 26:16
  Speaker 7: which of you will come to open the lists? You, sir, no,
• 26:22
  Speaker 7: you no. The first duelist shall be dispatched by me
• 26:27
  Speaker 7: with honors due. Let all who long for death hold
• 26:30
  Speaker 7: up their hands a silence, modest you fear to see
• 26:35
  Speaker 7: my naked blade. Not one name, not one hand. Good.
• 26:41
  Speaker 1: I proceed, turning toward the stage. The more flury waits
• 26:45
  Speaker 1: in an agony.
• 26:46
  Speaker 7: The theaters too full congested. I would clear it out.
• 26:51
  Speaker 1: If not puts his hand on his sword.
• 26:53
  Speaker 7: The knife must act.
• 26:55
  Speaker 1: I Sianu leaves his chair and settles himself in the
• 26:59
  Speaker 1: middle of the which has formed.
• 27:01
  Speaker 7: I will clap my hands thrice. Thus full moon at
• 27:06
  Speaker 7: the third clap, eclipse yourself.
• 27:08
  Speaker 1: Ah clapping his hands one. A lady in the boxes stay.
• 27:18
  Speaker 23: Stay, I think gentlemen. Two, I think to we are wisest.
• 27:24
  Speaker 1: Three more flurry disappears as through a trap, tempest of laughs, whistling, cries,
• 27:30
  Speaker 1: et cetera.
• 27:31
  Speaker 2: Come back.
• 27:33
  Speaker 1: Serano, delighted, sits back in his chair, arms crossed.
• 27:37
  Speaker 7: Come back, and if you dare, call for the orator.
• 27:40
  Speaker 1: Belarus comes forward and boss Ah, my noble lords, advancing,
• 27:50
  Speaker 1: speaking through his nose.
• 27:52
  Speaker 26: Calves on, No, bravos, sirs. The fat tragedian whom you
• 28:00
  Speaker 26: all love, felt gods, was obliged to go come back.
• 28:06
  Speaker 13: No, yes, the young man to Serrano, But pray, sir,
• 28:11
  Speaker 13: for what reason? Say hate you?
• 28:14
  Speaker 1: Montfiuray graciously, still seated.
• 28:17
  Speaker 7: Youthful gander. No, I have two reasons. Either will suffice
• 28:22
  Speaker 7: Primo an actor villainous who mouths and heaves up like
• 28:26
  Speaker 7: a bucket from a well. The verses that should birdlike
• 28:30
  Speaker 7: fly secundo, that is my secret.
• 28:33
  Speaker 9: The burgher behind him, shameful, you deprive us of the clories.
• 28:39
  Speaker 9: I must insist.
• 28:41
  Speaker 1: Turning his chat toward the burgher respectfully.
• 28:44
  Speaker 7: Old mule. The verses of all the burrow are not
• 28:47
  Speaker 7: worth a dwart.
• 28:48
  Speaker 1: I'm glad to interrupt a lady in the boxes.
• 28:52
  Speaker 11: A barrow my dear, how dares he venture.
• 28:57
  Speaker 1: Turning his chat toward the boxes gallantly.
• 29:00
  Speaker 7: Ones, radiate bloom, Hold to our lips, the cup of
• 29:04
  Speaker 7: dreams intoxicating, he'd like? Or when death strikes, charm death
• 29:10
  Speaker 7: with your sweet smiles, inspire our verse, but criticize it not.
• 29:16
  Speaker 22: We must give back the entrance phase.
• 29:19
  Speaker 1: Turning his chat toward the stage.
• 29:21
  Speaker 7: Bellos, you make the first intelligent remark, Would I rend
• 29:26
  Speaker 7: Thespi's sacred mantle? Nay?
• 29:29
  Speaker 1: He rises and throws the bag on the stage.
• 29:32
  Speaker 7: Catch then the purse, I throw and hold your peace, ah.
• 29:38
  Speaker 1: Catching the puse dexterously and veighing it.
• 29:40
  Speaker 26: At this price, you have authority to come each night
• 29:43
  Speaker 26: and stop chlorice, sir, even if you chase us in
• 29:49
  Speaker 26: a pack.
• 29:50
  Speaker 22: Clear out the hole, get you all gone at once.
• 29:53
  Speaker 1: The people begin to go out, while Serano looks on
• 29:56
  Speaker 1: with satisfaction, But the crowd soon stop, on hearing the
• 30:00
  Speaker 1: following scene and remind that they are the women who,
• 30:03
  Speaker 1: with their mantles on, are already standing up in the boxes,
• 30:07
  Speaker 1: stop to listen and finally reseat themselves. Libre to Serrano,
• 30:12
  Speaker 1: Who's mad? The bore coming up to Serrano.
• 30:15
  Speaker 27: The actor Montfleury tis shameful. Why he's protected by the
• 30:19
  Speaker 27: Duke of Candal. Have you a patron?
• 30:21
  Speaker 7: No?
• 30:22
  Speaker 27: No patron none? What no great lord to shield you
• 30:25
  Speaker 27: with his name?
• 30:26
  Speaker 7: No? I have told you twice. Must I repeat no,
• 30:29
  Speaker 7: no protector his hand on his sword a protectress here?
• 30:33
  Speaker 27: But you must leave the town.
• 30:34
  Speaker 7: Well that depends.
• 30:35
  Speaker 27: The Duke has a.
• 30:36
  Speaker 7: Long arm, but not so long as mine.
• 30:41
  Speaker 1: When it is lengthened out shows his sword as Thus you.
• 30:46
  Speaker 27: Think not to contend?
• 30:47
  Speaker 7: Tis my idea. But show your heels now, But I
• 30:51
  Speaker 7: or tell me why you stare so at.
• 30:55
  Speaker 1: My nose staggered? I walking straight up to him.
• 31:00
  Speaker 7: Well, what is there? Strange?
• 31:02
  Speaker 27: Drawing back your grace mistakes?
• 31:04
  Speaker 7: How now? Is it soft and dangling like a trunk?
• 31:08
  Speaker 1: Seemly? I?
• 31:09
  Speaker 7: Never? Is it crooked like an owl's beak? I do
• 31:12
  Speaker 7: you see a wart upon the tip? Nay? Or a
• 31:15
  Speaker 7: fly that takes the air? There? What is there to
• 31:18
  Speaker 7: stare at?
• 31:18
  Speaker 5: Oh?
• 31:19
  Speaker 7: What do you see?
• 31:21
  Speaker 27: But I was careful not to look knew better?
• 31:23
  Speaker 7: And why not look at it? And if you please,
• 31:26
  Speaker 7: I was, Oh it discussed you, sir. It's hugh and wholesome,
• 31:31
  Speaker 7: seems to you, sir? Or it's shape. No, on the contrary,
• 31:36
  Speaker 7: Why then that air disparaging? Perchance you think it large?
• 31:40
  Speaker 1: Stammering?
• 31:42
  Speaker 27: No, small quite small?
• 31:44
  Speaker 7: Minute? Minute? What now accuse me of a thing ridiculous?
• 31:49
  Speaker 7: Small my nose? Heaven help me, tis enormous, old flat head,
• 31:55
  Speaker 7: empty headed meddler. Know that I am proud possessing such
• 31:59
  Speaker 7: a tis well known. A big nose is indicative of
• 32:03
  Speaker 7: a soul, affable and kind and courteous, liberal, brave just
• 32:08
  Speaker 7: like myself, and such as you can never dare to
• 32:11
  Speaker 7: dream yourself, rascal contemptible, for that witless face that my
• 32:16
  Speaker 7: hand soon will come to cough is all as empty.
• 32:20
  Speaker 7: He cuts him of pride, of aspiration, of feeling, poetry,
• 32:27
  Speaker 7: of godlike spark, of all that appertains to my big nose.
• 32:31
  Speaker 1: He turns him by the shoulders, suiting the action to
• 32:34
  Speaker 1: the word as what.
• 32:35
  Speaker 7: My boot will shortly come and.
• 32:38
  Speaker 1: Kick running away.
• 32:40
  Speaker 3: Help call the guard.
• 32:41
  Speaker 7: Take notice, boobies, all who find my visages center ornament
• 32:47
  Speaker 7: thing to jest at that it is my wont And
• 32:51
  Speaker 7: if the gesture's noble, ere we part to let him
• 32:55
  Speaker 7: taste my steel and not my boot.
• 32:58
  Speaker 1: De guiche coo with the Marquises has come down from the.
• 33:01
  Speaker 21: Stage, but he becomes a nuisance.
• 33:04
  Speaker 1: The visconda, shrugging his shoulders.
• 33:07
  Speaker 21: Swearer will no one putting down no one.
• 33:11
  Speaker 28: But wait, I'll treat him to one of my quips.
• 33:15
  Speaker 28: Stay here.
• 33:16
  Speaker 1: He goes up to Serrano, who is watching him, and
• 33:18
  Speaker 1: with a concited.
• 33:19
  Speaker 7: Air, Sir, your nose is hmm, it is very big,
• 33:25
  Speaker 7: very ha Is that all? What do you mean, No,
• 33:29
  Speaker 7: young blade, that was a trifle short. You might have
• 33:33
  Speaker 7: said at least a hundred things by varying the tone
• 33:37
  Speaker 7: like this. Suppose aggressive, sir, if I had such a nose,
• 33:42
  Speaker 7: i'd amputated. Friendly. When you stop must annoy you dipping
• 33:47
  Speaker 7: in your cup, You need a drinking bowl of special shape.
• 33:51
  Speaker 7: Descriptive tis a rock, a peak, a cape, A cape forsooth,
• 33:56
  Speaker 7: tis a peninsular. Curious serves that oblong capsular for scissor,
• 34:03
  Speaker 7: sheath or pot to hold your ink. Gracious, you love
• 34:09
  Speaker 7: the little birds. I think I see you've managed, with
• 34:12
  Speaker 7: a fond research to find the tiny claws A roomy
• 34:16
  Speaker 7: perch truculent. When you smoke your pipe, suppose that the
• 34:21
  Speaker 7: tobacco smokes outs from your nose. Do not the neighbors.
• 34:25
  Speaker 7: As the fumes rise higher, quite error struck. The chimney
• 34:29
  Speaker 7: is afire. Consider it. Take care your head bowed low
• 34:33
  Speaker 7: by such a weight lest head or heels, you go tender, pray,
• 34:39
  Speaker 7: Get a small umbrella made lest Its bright color in
• 34:43
  Speaker 7: the sun should fade. Pedantic That beast Aristophanes names Hipple
• 34:49
  Speaker 7: camel elephants must have possessed just such a solid lump
• 34:54
  Speaker 7: of flesh and bone beneath his foreheads bumped cavalier, the
• 34:59
  Speaker 7: last fashion friend. That hook to hang your hat on
• 35:02
  Speaker 7: tis a useful crook. Emphatic, no wind o majestic nose
• 35:08
  Speaker 7: can give thee cold, save when the mistral blows, dramatic
• 35:15
  Speaker 7: when it bleeds. What a red sea admiring sign for
• 35:20
  Speaker 7: perfumery lyric?
• 35:23
  Speaker 5: Is this a conch?
• 35:24
  Speaker 7: A trite on you? Simple? When is the monument on
• 35:28
  Speaker 7: view rustic? That thing a nose marry come up? Tis
• 35:33
  Speaker 7: a dwarf pumpkin or prize? Turn up military point against cavalry. Practical?
• 35:40
  Speaker 7: Put it in a lottery, assuredly it would be the
• 35:42
  Speaker 7: biggest prize. Or parodying Pyramus's size, Behold the nose that
• 35:48
  Speaker 7: mars the harmony of its master's PiZZ blushing its treachery. Such,
• 35:53
  Speaker 7: my dear sir, is what you might have said, had
• 35:56
  Speaker 7: you of wit or letters, the least jot, but o
• 35:59
  Speaker 7: most lamentable man. Of wit, you never had an atom,
• 36:03
  Speaker 7: and of letters you have three letters only they spell
• 36:08
  Speaker 7: A S S as. And had you had the necessary
• 36:12
  Speaker 7: wit to serve me all the pleasantries I quote before
• 36:16
  Speaker 7: this noble audience, even so, you would not have been
• 36:20
  Speaker 7: let to utter one, nay not the half a quarter
• 36:24
  Speaker 7: of such jest. I take them from myself, all in
• 36:28
  Speaker 7: good part, but not from any other man that breathes.
• 36:31
  Speaker 1: Trying to draw away the dismayed viscal come away vicombe
• 36:35
  Speaker 1: choking the rich.
• 36:36
  Speaker 28: Here his arrogance, A country loud too, who has got
• 36:41
  Speaker 28: no gloves, who goes out without slave knots ribbons lice.
• 36:46
  Speaker 7: True, all my elegances are within. I do not prank
• 36:50
  Speaker 7: myself out puppy. Like my toilet is more thorough, if
• 36:54
  Speaker 7: less gay, I would not sell you forth half washed
• 36:57
  Speaker 7: out affront upon my cheek. A conscience, yellow eyed, bilious
• 37:02
  Speaker 7: from its sodden sleep, a ruffled honor, scruples grimed and dull.
• 37:06
  Speaker 7: I show no bravery of shining gems. Truth, independence are
• 37:11
  Speaker 7: my fluttering plumes. Tis not my form. I lace to
• 37:14
  Speaker 7: make me slim, but brace my soul with efforts as
• 37:18
  Speaker 7: with stays covered with exploits, not with ribbon knots my
• 37:23
  Speaker 7: spirit bristling high like your mustaches. I traversing in the
• 37:27
  Speaker 7: crowds and chattering groups, make truth ring bravely out like
• 37:31
  Speaker 7: a clash of spurs. But sir, I wear no gloves,
• 37:35
  Speaker 7: and what of that? I had one remnant of an
• 37:38
  Speaker 7: old worn pear, and knowing not what else to do
• 37:40
  Speaker 7: with it, I threw it in the face of some
• 37:43
  Speaker 7: young fool.
• 37:44
  Speaker 28: Fasce scoundrel, rascally flat footed lout.
• 37:48
  Speaker 1: Speaking of his hat and bowing as if the visco
• 37:51
  Speaker 1: had introduced himself.
• 37:53
  Speaker 7: Ah and I circa no saban equille de bigrak.
• 37:59
  Speaker 1: Laughter buffoon, calling out as if he had been seized
• 38:03
  Speaker 1: with a cramp. I I, who was going away, turns back.
• 38:08
  Speaker 28: What on earth is the fellow saying?
• 38:10
  Speaker 7: Now?
• 38:11
  Speaker 1: But grimaces of pain?
• 38:13
  Speaker 29: It must be moved.
• 38:14
  Speaker 7: It's getting stiff. I vow this comes of leaving it
• 38:19
  Speaker 7: in idleness. I what ails you? The cramp? Cramp in
• 38:26
  Speaker 7: my sword?
• 38:28
  Speaker 1: Drawing a sword?
• 38:29
  Speaker 7: Good you shall feel a charming little stroke contemptuously poet,
• 38:34
  Speaker 7: I poet, sir, in proof of which, while we fence
• 38:39
  Speaker 7: presto all extemporary, I will compose a ballad.
• 38:44
  Speaker 28: A ballad, be like you.
• 38:46
  Speaker 1: Know not what a ballad is, but reciting as if
• 38:50
  Speaker 1: repeating a lesson.
• 38:51
  Speaker 7: Know then that the ballad should contain three eight burst.
• 38:56
  Speaker 1: Couplets stamping ah, still reciting.
• 39:01
  Speaker 7: And and a boi of four lines you. I'll make
• 39:07
  Speaker 7: one while we fight, and touch you at the final line.
• 39:12
  Speaker 7: Now no declaiming the duel in Hotel of Burgundy, fought
• 39:19
  Speaker 7: by dubiegrac and a good for not what.
• 39:23
  Speaker 28: May that be?
• 39:24
  Speaker 1: And if you please the title, give you room, good sports,
• 39:29
  Speaker 1: make place, fair play, no noise table, A circle of
• 39:34
  Speaker 1: curious spectators in the pit. The marquises and office is
• 39:38
  Speaker 1: mingled with the common people. The page is climbing on
• 39:41
  Speaker 1: each other's shoulders to see better, all the women standing
• 39:44
  Speaker 1: up in the boxes to the right. De Guiche and
• 39:48
  Speaker 1: his retinue left, Liberate Ragnau, Serrano, et cetera, shutting his
• 39:53
  Speaker 1: eyes for a second.
• 39:55
  Speaker 7: Wait, while I choose my rhymes, I have them now.
• 39:59
  Speaker 1: He suits the action to each word.
• 40:01
  Speaker 7: I gayly doff my beaver low and freeing hand and
• 40:07
  Speaker 7: heel my heavy mantle off, I throw, and I draw
• 40:11
  Speaker 7: my polished steel, graceful as foebus, round, I wheel alert
• 40:16
  Speaker 7: as scaramouch a word in your ear, sir, spark, I steal.
• 40:23
  Speaker 7: At the avoir's end, I touch, They engage better for you,
• 40:29
  Speaker 7: had you laid low or skewer my cock in the
• 40:33
  Speaker 7: heel in the heart your ribbon blue below in the hip,
• 40:37
  Speaker 7: and make you kneel ho for the music of clashing steel?
• 40:42
  Speaker 7: What now a hit? God much twill be in the
• 40:46
  Speaker 7: punch the stroke I steal when at the avoir, I touch,
• 40:51
  Speaker 7: Oh for a rhyme, A rhyme. Oh you wriggles starch,
• 40:56
  Speaker 7: white my eel A rhyme A rhyme, the white feather
• 41:01
  Speaker 7: you show tuck. I worry the point of your steel,
• 41:05
  Speaker 7: the point you hope to make me feel. I opened
• 41:08
  Speaker 7: the loud clutch your spit, sirs, gully and slow your zeal.
• 41:14
  Speaker 7: At the ava's end.
• 41:17
  Speaker 1: I touch, he declaimed, solemnly.
• 41:20
  Speaker 7: Avoir, prince, pray heaven for your soul's will. I move
• 41:25
  Speaker 7: a pace lo such and such cut over.
• 41:31
  Speaker 24: Faint, trusting what ho you real?
• 41:34
  Speaker 1: The viscons staggers Serrano salutes.
• 41:37
  Speaker 7: At the ava's end, I touch.
• 41:42
  Speaker 1: Acclamations, uplass in the boxes. Flowers and handkerchiefs are thrown down.
• 41:48
  Speaker 1: The officers around Serrano congratulating him. Dragonou dances for joy.
• 41:54
  Speaker 1: Libree is happy but anxious. The wisc consterence hold him
• 41:59
  Speaker 1: up and bear him away.
• 42:00
  Speaker 24: Ah to superb A.
• 42:03
  Speaker 18: Brittish joke, a marvel a novelty.
• 42:06
  Speaker 1: Oh madman presses around Serrano, chorus off, let's be congratulate
• 42:15
  Speaker 1: quite unsurpassed. There is a hero for you, advancing to
• 42:20
  Speaker 1: Serrano without stretched hand.
• 42:22
  Speaker 3: Sir, permit not could be finer. I'm a judge. I
• 42:27
  Speaker 3: think I stamped the faith to show my admiration.
• 42:33
  Speaker 1: He goes away to Guigi.
• 42:35
  Speaker 7: Who is that gentleman?
• 42:37
  Speaker 17: Why Darth dugnan to.
• 42:39
  Speaker 1: Serrano, taking his arm A word with you.
• 42:42
  Speaker 7: Wait, let the rabble go to Belarus. May I stay.
• 42:46
  Speaker 1: Respectfully without doubt? Cries I heard outside, Jodelet, who has
• 42:51
  Speaker 1: looked out. They hoot Montfleury solemnly sick transit to the
• 42:57
  Speaker 1: portas sweep close all but leave the light. We sup,
• 43:01
  Speaker 1: but later on we must return for a rehearsal of
• 43:04
  Speaker 1: tomorrow's Fox. Judlet and Bell us go out, bobbing low
• 43:09
  Speaker 1: to Serrano. The porter to Serrano, You not.
• 43:12
  Speaker 2: Time, sir No.
• 43:13
  Speaker 1: The porter goes out because proudly because, changing his tone
• 43:19
  Speaker 1: as the porter goes away, I have no money with
• 43:22
  Speaker 1: the action of throwing.
• 43:23
  Speaker 5: A bag, oh the bag of crowns.
• 43:26
  Speaker 7: Paternal bounty in a day, dark spad.
• 43:30
  Speaker 5: How live the next month?
• 43:32
  Speaker 7: I have nothing left? Fully, but what a graceful action, think.
• 43:37
  Speaker 1: The buffetgir coughing behind her counter Serrano and Liubray turned.
• 43:43
  Speaker 1: She comes timidly forward.
• 43:45
  Speaker 15: Sir, my heart mislikes to know you fast showing the
• 43:49
  Speaker 15: buffet see all you need, serve yourself, taking off.
• 43:53
  Speaker 7: His hat, gentle child, although my guess gone pride would
• 43:58
  Speaker 7: else forbid to take the least pistole from your hands,
• 44:02
  Speaker 7: where fear of wounding you'll weighs that pride and bids
• 44:06
  Speaker 7: except he goes to the buffet a trife these few grapes.
• 44:11
  Speaker 1: She offers him the whole bunch.
• 44:13
  Speaker 7: He takes a few, Nay, but this bunch.
• 44:16
  Speaker 1: She tries to give him wine, but he stops her.
• 44:19
  Speaker 7: A glass of water, fair and half.
• 44:24
  Speaker 1: He gives back the other half.
• 44:26
  Speaker 5: What foolery?
• 44:28
  Speaker 26: Take something else?
• 44:29
  Speaker 7: I take your hand to kiss.
• 44:33
  Speaker 1: He kisses her hand as though she were a princess.
• 44:36
  Speaker 1: Thank you, kind sir, She curtsies good night. She goes out,
• 44:41
  Speaker 1: seeing five serrano libre.
• 44:44
  Speaker 7: Now talk, aye, listen.
• 44:46
  Speaker 1: He stands at the buffet and placing before him first
• 44:49
  Speaker 1: the macron.
• 44:50
  Speaker 7: Dinner, then the grapes dessert, then.
• 44:53
  Speaker 1: The glass of water wine.
• 44:55
  Speaker 7: He seats himself so and now to table. Ah, I
• 45:00
  Speaker 7: was hungry, friend, nay ravenous eating?
• 45:03
  Speaker 5: You said these fops would be belligerent? Will if you
• 45:08
  Speaker 5: heed them, only turn your head? Ask people of good
• 45:11
  Speaker 5: sense if you would know the effect of your fine.
• 45:14
  Speaker 1: Insolence finishing is nacaroon enormous? The cardinal radiant?
• 45:20
  Speaker 7: The cardinal was there, must have thought it original if
• 45:24
  Speaker 7: faith but he's an author, will not fail to please
• 45:27
  Speaker 7: him that I should marrow a brother Arthur's play.
• 45:30
  Speaker 5: You make too many enemies by far.
• 45:33
  Speaker 1: Eating as grapes.
• 45:34
  Speaker 7: How many think you I have made tonight?
• 45:37
  Speaker 5: Forty no less, not counting ladies. Count Montflorie first the bourgeois,
• 45:45
  Speaker 5: then de Guiche, the Viscount Borrow the academy.
• 45:49
  Speaker 7: Enough I am more enjoyed.
• 45:51
  Speaker 5: But these strange ways, where will I lead you? At
• 45:54
  Speaker 5: the end? Explain your system.
• 45:57
  Speaker 7: Come, I in a labyrinth, was lost, too many different
• 46:02
  Speaker 7: paths to choose. I took, which, oh, by far the
• 46:07
  Speaker 7: simplest path, decided to be admirable in.
• 46:11
  Speaker 1: All shrugging his shoulders.
• 46:13
  Speaker 7: So be it.
• 46:14
  Speaker 5: But the motive of your hate de Montflorie, Come tell me.
• 46:19
  Speaker 7: Rising this silinus, big bellied course, still deems himself apperil,
• 46:26
  Speaker 7: a danger to the love of lovely ladies. And while
• 46:29
  Speaker 7: he sputters out his actor's part, makes sheep's eyes at
• 46:34
  Speaker 7: their boxes, goggling frog. I hate him since the evening
• 46:39
  Speaker 7: he presumed to raise his eyes to hers, beseemed I
• 46:42
  Speaker 7: saw a slug crawl slavery, or a flower's.
• 46:46
  Speaker 1: Petils stupefied, How now, what can it be? Laughing bitterly
• 46:54
  Speaker 1: that I should love?
• 46:55
  Speaker 7: Changing his tone, I love, And may I know you
• 47:00
  Speaker 7: never said, come now, bethink you the fond hope to
• 47:04
  Speaker 7: be beloved eaten by some poor, graceless lady is by
• 47:09
  Speaker 7: this nose of mine. For I bereft me. This lengthy
• 47:14
  Speaker 7: knows which or where'er I will pokes yet a quarter
• 47:17
  Speaker 7: mile ahead of me. But I may love, and who
• 47:21
  Speaker 7: tis fate's decree? I love the fairest. How were it
• 47:25
  Speaker 7: otherwise the fairest I, the fairest of the world, most brilliant,
• 47:32
  Speaker 7: most refined, most golden haired.
• 47:36
  Speaker 5: Who is this lady?
• 47:37
  Speaker 7: She's a danger, mortal, all unsuspicious, full of charms, unconscious
• 47:43
  Speaker 7: like a sweet, perfumed rose, a snare of nature within
• 47:49
  Speaker 7: whose petals Cupid lurks in ambush. He who has seen
• 47:54
  Speaker 7: her smile, has known perfection, instilling into trifles grace's essence,
• 47:59
  Speaker 7: divinity in every careless gesture. Not Venus itself can mount
• 48:04
  Speaker 7: her conch blown seaward as she can step into her
• 48:08
  Speaker 7: chase of potiers, nor Diane Fleet across the woods spring
• 48:14
  Speaker 7: flowered light as my lady, or the stones of Paris Sopristi.
• 48:20
  Speaker 7: All is clear as spiderwebs. Your cousin Madeleine Robin rock
• 48:27
  Speaker 7: sand well, but so much the better. Tell her so
• 48:31
  Speaker 7: she saw your triumph here this ready night. Look well
• 48:34
  Speaker 7: at me, then tell me with what hope this vile
• 48:37
  Speaker 7: protuberance can inspire my heart. I do not lull me
• 48:41
  Speaker 7: with illusions, Yet at times I'm weak in evening hours,
• 48:46
  Speaker 7: dim I enter some fair pleasance, perfumed sweet with my poor,
• 48:51
  Speaker 7: ugly devil of a nose. I scent springs essence in
• 48:54
  Speaker 7: the silver rays. I see some night a lady on
• 48:58
  Speaker 7: his arm, and think to unter thusneath the moonshine, I
• 49:03
  Speaker 7: were fain to have my lady too beside thought sores
• 49:07
  Speaker 7: to ecstasy, Oh sudden fall, the shadow of my profile
• 49:11
  Speaker 7: on the wall, My friend, my friend. At times tis hard,
• 49:17
  Speaker 7: tis bitter to feel my loneliness, my own ill favor.
• 49:21
  Speaker 21: Shaking his hand, you weep, No, never.
• 49:24
  Speaker 7: Think how vilely suited adown this nose a tear, it's
• 49:28
  Speaker 7: passage tracing. I never will, while of myself I'm master.
• 49:32
  Speaker 7: Let the divinity of tears, their beauty be wedded to
• 49:36
  Speaker 7: such common, ugly grossness, nothing more solemn than a tear sublimer.
• 49:44
  Speaker 7: And I would not, by weeping turn to laughter the
• 49:47
  Speaker 7: grave emotion that the tear engenders.
• 49:50
  Speaker 5: Never be sad. What's love? A chance of fortune?
• 49:55
  Speaker 7: Shaking his head, look, I a caesar to woo Cleopatra,
• 49:59
  Speaker 7: I tito to aspire to bear anci your.
• 50:03
  Speaker 5: Courage and your wit. The little maid who offered you refreshment,
• 50:06
  Speaker 5: even now her eyes did not abhoy you.
• 50:09
  Speaker 1: You saw well impressed, true, well?
• 50:12
  Speaker 5: How then I saw roxane herself was death pale as
• 50:17
  Speaker 5: she watched the jewel tale, her heart, her fancy already caught.
• 50:22
  Speaker 7: Put it to the touch that she may mock my face.
• 50:25
  Speaker 7: That is the one thing on this earth.
• 50:27
  Speaker 1: I fear introducing someone to Serrano, Sir. Someone asks for
• 50:31
  Speaker 1: you seeing the duenna God who Duenna? Scene six, Serrano Libre,
• 50:39
  Speaker 1: the Duena the Duenna, but the Lubo I.
• 50:42
  Speaker 8: Was bid, ask you where a certain lady could see
• 50:44
  Speaker 8: her valiant cousin.
• 50:46
  Speaker 1: But in secret, owen see me, good, saying I.
• 50:52
  Speaker 8: Sir, she has somewhat to tell, somewhat still good, saying
• 50:58
  Speaker 8: a private mat staggering, ah, my God. Tomorrow, at the
• 51:05
  Speaker 8: early blush of dawn, we go to hear mass at sant.
• 51:08
  Speaker 1: Rach leaning against Libre my God.
• 51:11
  Speaker 8: After what place for a few minutes, speech.
• 51:15
  Speaker 7: Confused, where ah, but ah my God, say I reflect
• 51:23
  Speaker 7: Where at the pastry house of Raguano, where lodge is
• 51:30
  Speaker 7: he the rue God, Saint Honore going good?
• 51:36
  Speaker 2: Be you there?
• 51:37
  Speaker 7: At seven without fail, the duenna goes out.
• 51:42
  Speaker 1: Scene seven serranu Libre, Then actors, actresses, Kuiji, Brezee, Linnier,
• 51:49
  Speaker 1: the porter, the violinists falling into Librei's arms.
• 51:52
  Speaker 7: A rendezvous from her.
• 51:55
  Speaker 5: You're sad.
• 51:56
  Speaker 7: No more, Ah, let the world go burn. She knows
• 52:00
  Speaker 7: I live.
• 52:01
  Speaker 1: Now you be calm, I hope beside himself for joy.
• 52:05
  Speaker 7: Calm, I now calm. I'll be phrenetic, frantic, raving mad.
• 52:10
  Speaker 7: Oh for an army to attack a host. I have
• 52:13
  Speaker 7: ten hearts in my breast, a score of arms. Note
• 52:16
  Speaker 7: worse to cleave in Twain no giants.
• 52:19
  Speaker 1: Now for a few moments, the shadows of the actors
• 52:22
  Speaker 1: have been moving on the stage. Whispers are heard, the
• 52:25
  Speaker 1: rehearsal is beginning. The violinists are in their places.
• 52:29
  Speaker 30: Hello there, silence, we rehearse, We go.
• 52:34
  Speaker 1: He moves away by the big door. Enter Kiji Breze
• 52:38
  Speaker 1: and some officers holding Oblinaer who is drunk?
• 52:42
  Speaker 5: So run?
• 52:42
  Speaker 7: No?
• 52:43
  Speaker 17: Well what now unless they thrust they're bringing you?
• 52:47
  Speaker 1: Recognizing him?
• 52:49
  Speaker 7: Then yeer, what has chanced? He seeks you?
• 52:52
  Speaker 4: He dare not go home?
• 52:54
  Speaker 1: Why not showing him a crumpled letter.
• 52:56
  Speaker 8: This letter warns me that a hundred men revenge that
• 53:02
  Speaker 8: threatens me that song, you know, at the Port de Neesler.
• 53:08
  Speaker 8: To get to my own house, I must pass there.
• 53:11
  Speaker 8: I dare not give me leave to sleep tonight beneath
• 53:15
  Speaker 8: your roof.
• 53:16
  Speaker 7: Allow a hundred men, you're sleep in your own bed.
• 53:20
  Speaker 1: But in a terrible voice, showing him the lighted land
• 53:24
  Speaker 1: and held by the porter who is listening, curiously take
• 53:27
  Speaker 1: the lantern, Linear seizes it.
• 53:30
  Speaker 7: Let us start. I swear that I will make your
• 53:33
  Speaker 7: bed tonight myself to the officers. Follow some stay behind
• 53:38
  Speaker 7: as witnesses. One hundred less tonight would be too few.
• 53:43
  Speaker 1: The actors and actresses and their costumes have come down
• 53:46
  Speaker 1: from the stage and are listening.
• 53:48
  Speaker 29: But why embroil yourself, lebray, whose golds that worthless drunkard?
• 53:54
  Speaker 1: Slapping Linear on the shoulder.
• 53:56
  Speaker 7: Wherefore for this cause, this Beryl, this cask of burgundy,
• 54:03
  Speaker 7: did on a day an action full of grace. As
• 54:06
  Speaker 7: he was leaving church, he saw his love take holy water.
• 54:10
  Speaker 7: He who is afeared at water's taste, ran quickly to
• 54:13
  Speaker 7: the stoop and drank it all to the last drop.
• 54:17
  Speaker 30: Indeed, that was a graceful thing.
• 54:19
  Speaker 1: I was it not first actress to the others.
• 54:23
  Speaker 30: But why one hundred men against one?
• 54:24
  Speaker 7: Poor reymer march to the officers, gentlemen, when you shall
• 54:29
  Speaker 7: see the charge, bear me no sucker, none, what air
• 54:33
  Speaker 7: the odds.
• 54:35
  Speaker 1: Sucking actress jumping from the stage.
• 54:37
  Speaker 31: Oh, I shall come and see Come then.
• 54:40
  Speaker 1: Third actress jumping down to an old doctor.
• 54:42
  Speaker 7: And you come old The doctor Isabelle Leander. Come for
• 54:49
  Speaker 7: you shall add in a motley swarm the farce Italian
• 54:53
  Speaker 7: to this Spanish drama.
• 54:55
  Speaker 1: Dancing for joy.
• 54:57
  Speaker 7: Bravo a mantle, quick, come on, play us some march
• 55:03
  Speaker 7: gentlemen of the band.
• 55:05
  Speaker 1: The violinists join the procession which is forming. They take
• 55:08
  Speaker 1: the footlights and divide them for torches.
• 55:11
  Speaker 7: Brave officers. Next women in costume, and twenty paces on.
• 55:18
  Speaker 1: He takes his place.
• 55:19
  Speaker 7: Aye, all alone beneath the plume that Glory lends herself
• 55:25
  Speaker 7: to deck my beaver, proud as kipio. You hear me,
• 55:31
  Speaker 7: I forbid you sucker me. One two three, porter open
• 55:37
  Speaker 7: wide the doors.
• 55:38
  Speaker 1: The porter opens the doors a view of old Paris,
• 55:41
  Speaker 1: and the moonlight is seen, Ah.
• 55:44
  Speaker 7: Pari wrapped in night, half nebulous. The moonlight streams o'er
• 55:50
  Speaker 7: the blue shadowed roofs a lovely frame for this wild
• 55:53
  Speaker 7: battle scene. Beneath the vapor's floating scarves, the same trembles
• 55:59
  Speaker 7: miss curious like a magic mirror, and shortly you shall
• 56:04
  Speaker 7: see what you shall see.
• 56:08
  Speaker 1: Standing on the threshold, Aye to the nail, turning to
• 56:13
  Speaker 1: the actress.
• 56:14
  Speaker 7: Did you not ask, young lady, for what cause? Against
• 56:16
  Speaker 7: this rhymer? Five score men were sent.
• 56:18
  Speaker 1: He draws his sword.
• 56:20
  Speaker 7: Was that they knew him for a friend of mine?
• 56:23
  Speaker 1: He goes out. Lennier staggers first after him, then the actresses.
• 56:28
  Speaker 1: On the officer's arms the actors. The procession starts to
• 56:32
  Speaker 1: the sound of the violence and in the faint light
• 56:34
  Speaker 1: of the candle's curtain. End of Act one, Act two,
• 56:40
  Speaker 1: the poets eating house Dragonu's cook and pastry shop, a
• 56:45
  Speaker 1: large kitchen at the corner of the Rusahanner and the
• 56:48
  Speaker 1: Rue de la Artresk, which are seen in the background
• 56:50
  Speaker 1: through the glass door and the gray dawn on the left,
• 56:53
  Speaker 1: and the food ground a counter surmounted by a stand
• 56:57
  Speaker 1: in food'stron, on which are hung geese, ducks and water
• 57:01
  Speaker 1: peacocks in great China vases. Are tall bookets of simple flowers,
• 57:06
  Speaker 1: principally yellow sunflowers. On the same side, further back, an
• 57:11
  Speaker 1: immense open fireplace, in front of which between monster fire dogs,
• 57:16
  Speaker 1: on each of which hangs a little saucepan. The roasts
• 57:19
  Speaker 1: are dripping into the pants on the right foreground, with
• 57:22
  Speaker 1: door further back staircase leading to a little room under
• 57:26
  Speaker 1: the roof, the entrance of which is visible through the
• 57:29
  Speaker 1: open shutter. In this room, a table is laid, a
• 57:32
  Speaker 1: small Flemish luster is alight. It is a place for
• 57:36
  Speaker 1: eating and drinking. A wooden gallery continuing the staircase apparently
• 57:40
  Speaker 1: leads to other similar little rooms. In the middle of
• 57:44
  Speaker 1: the shop, an hind hoop is suspended from the ceiling
• 57:47
  Speaker 1: by a string with which it can be drawn up
• 57:49
  Speaker 1: and down, and whig king is hung around it. The
• 57:53
  Speaker 1: ovens in the darkness under the stairs give forth the
• 57:56
  Speaker 1: red blue. The copper pans shine. The spits are turning,
• 58:00
  Speaker 1: heaps of foods formed into pyramids, hands suspended. It is
• 58:05
  Speaker 1: the busy hour of the morning. Basil and hurry of scullions,
• 58:09
  Speaker 1: fat cooks and diminutive apprentices, their camps profusely decorated with
• 58:14
  Speaker 1: cock's feathers and wings of guinea fowl on metal and
• 58:18
  Speaker 1: wicker plates. They bring in piles of cakes and tarts.
• 58:23
  Speaker 1: Tables laden with rolls and dishes of food. Other tables
• 58:26
  Speaker 1: surrounded with chairs are ready for the consumers. A small
• 58:31
  Speaker 1: table in a corner covered with papers, at which Raganu
• 58:35
  Speaker 1: is seated writing on the rising of the curtain. Scene
• 58:39
  Speaker 1: one Raganu pastry cooks. Then Lee's Raganu is writing with
• 58:45
  Speaker 1: an inspired air at a small table and counting on
• 58:48
  Speaker 1: his fingers. First pastry cook bringing an elaborate fancy.
• 58:52
  Speaker 23: Dish fruits in nouga.
• 58:55
  Speaker 1: Second pastry cook bringing another dish to start. Third pastry
• 58:59
  Speaker 1: cook bringing a roast decorated with feathers pey cock. Fourth
• 59:04
  Speaker 1: pastry cook bringing a batch of cakes on a slab rissoles.
• 59:10
  Speaker 1: Fifth pastry cook bringing a sort of pie dish beef jelly.
• 59:14
  Speaker 1: Raganu ceasing to write and raising his head.
• 59:17
  Speaker 18: Aurora's silver rays begin to glint e'en now on the
• 59:20
  Speaker 18: copper pans, And thou, o ragnow must perforce stifle in
• 59:25
  Speaker 18: thy breast. The god of song Anon shall come the
• 59:28
  Speaker 18: hour of the lute. Now tis the hour of the oven.
• 59:31
  Speaker 1: He rises to a cook, You make that sauce longer?
• 59:35
  Speaker 18: Tis too short?
• 59:36
  Speaker 1: How much too short?
• 59:38
  Speaker 18: Three feet?
• 59:39
  Speaker 1: He passes on father, what means he showing a dish
• 59:43
  Speaker 1: to Raganu the tad the pie before the fire, My.
• 59:48
  Speaker 18: Muse retire, lest thy bright eyes be reddened by the
• 59:52
  Speaker 18: faggot's blaze.
• 59:53
  Speaker 1: To a cook showing him some loaves.
• 59:55
  Speaker 18: You have put the cleft of the loaves in the
• 59:57
  Speaker 18: wrong place. Know you not that the caesura should between
• 1:00:00
  Speaker 18: the hemistitches.
• 1:00:01
  Speaker 1: To another showing him an unfinished past tree.
• 1:00:04
  Speaker 18: To this palace of paste, you must add the roof.
• 1:00:07
  Speaker 1: To a young apparentus, who seated on the ground, is
• 1:00:10
  Speaker 1: spitting the fowls.
• 1:00:11
  Speaker 18: And you, as you put on your lengthy spit the
• 1:00:14
  Speaker 18: modest fowl and the superb turkey, my son, alternate them
• 1:00:17
  Speaker 18: as the old malerb loved well to alternate his long
• 1:00:20
  Speaker 18: lines a verse with the short ones. Thus shall your
• 1:00:23
  Speaker 18: roasts in strophies turn before the flame.
• 1:00:26
  Speaker 1: The apparentus also coming up with a tree covered by
• 1:00:30
  Speaker 1: a napkin.
• 1:00:30
  Speaker 16: Master I bethought me erewhile of your tastes, and made
• 1:00:33
  Speaker 16: this which will please you.
• 1:00:35
  Speaker 7: I hope.
• 1:00:36
  Speaker 1: He uncovers the tree and shows a large lyre made
• 1:00:39
  Speaker 1: of pastry.
• 1:00:40
  Speaker 18: A liar 'tis of brioche pastry with conserved fruits.
• 1:00:45
  Speaker 1: The string sea are of sugar, giving him a coin.
• 1:00:48
  Speaker 18: Go drink my health seeing Liz enter, hush my wife, bustle,
• 1:00:54
  Speaker 18: pass on and hide that money.
• 1:00:56
  Speaker 1: To Liz, showing her the lyre with a conscious look.
• 1:00:59
  Speaker 18: Is it not beauty?
• 1:01:00
  Speaker 31: Tis passing silly?
• 1:01:02
  Speaker 1: She puts a pile of papers on the counter.
• 1:01:04
  Speaker 18: Bags good, I thank you, He looks at them. Heavens
• 1:01:08
  Speaker 18: my cherished leaves, the poems of my friends, torn dismembered
• 1:01:13
  Speaker 18: to make bags for holding biscuits and cakes. Aught is
• 1:01:17
  Speaker 18: the old tail again, Orpheus and the bacantes?
• 1:01:20
  Speaker 31: And am I not free to turn at last to
• 1:01:23
  Speaker 31: some use the sole thing that your wretched scribblers of
• 1:01:26
  Speaker 31: halting lines leave behind them by way of payment.
• 1:01:30
  Speaker 18: Groveling aunt insult not the divine grasshoppers, the sweet singers.
• 1:01:35
  Speaker 31: Before you were the sworn comrade of all that crew.
• 1:01:38
  Speaker 31: My friend, you did not call your wife aunt in baccant.
• 1:01:42
  Speaker 18: To turn fair verse to such a use.
• 1:01:45
  Speaker 31: Faith tis all.
• 1:01:46
  Speaker 18: It's good for pray, then, madam, to what use would
• 1:01:49
  Speaker 18: you degrade? Prose Scene two?
• 1:01:52
  Speaker 1: The scene two children who have just trotted into the shop.
• 1:01:55
  Speaker 18: What would you little ones?
• 1:01:56
  Speaker 1: Three pies serving them see hot.
• 1:02:00
  Speaker 18: And well browned?
• 1:02:01
  Speaker 31: If you please, you so view your rubs em up
• 1:02:04
  Speaker 31: for us.
• 1:02:05
  Speaker 18: Aside alas one of my bags to the children, What
• 1:02:09
  Speaker 18: must I wrap them up?
• 1:02:11
  Speaker 1: He takes a bag and jest. As he is about
• 1:02:13
  Speaker 1: to put in the pies, he reads.
• 1:02:15
  Speaker 18: Ulysses thus on leaving fair Penelope, not that one.
• 1:02:20
  Speaker 1: He puts it aside and takes another. And as he
• 1:02:23
  Speaker 1: is about to put in the pies, he reads.
• 1:02:25
  Speaker 18: The gold lock Phoebus, nay nor that one?
• 1:02:29
  Speaker 1: Same play?
• 1:02:30
  Speaker 31: What are you darling for?
• 1:02:32
  Speaker 7: Here? Here? Here?
• 1:02:33
  Speaker 18: He chooses a third, the Sonnet to Phyllis, But it's
• 1:02:36
  Speaker 18: hard to part with it.
• 1:02:37
  Speaker 31: By good luck he has made up his mind at last.
• 1:02:40
  Speaker 1: Shrugging her shoulders Nicodemus, she moans on a chair and
• 1:02:45
  Speaker 1: begins to range plates on a dresser. Taking advantage of
• 1:02:49
  Speaker 1: the moment, she turns her back calls back the children,
• 1:02:52
  Speaker 1: who are already at the door.
• 1:02:54
  Speaker 18: Children rend me back the Sonnet to Phyllis, and you
• 1:02:57
  Speaker 18: shall have six pies instead of three.
• 1:02:59
  Speaker 1: The chill give him back the bag, seize the cakes
• 1:03:02
  Speaker 1: quickly and go out. Smoothing out the paper begins to declaim.
• 1:03:07
  Speaker 18: Phillis on that sweet name a smear of butter.
• 1:03:11
  Speaker 1: Phyllis Serrano enters hurriedly, scene tree draganu lis Serrano. Then
• 1:03:18
  Speaker 1: the musquitee what's o'clock? Bowing low six o'clock with emotion,
• 1:03:25
  Speaker 1: in one hour's time. He pieces up and down the shop, following.
• 1:03:30
  Speaker 7: Him, Bravo, I saw well what saw you?
• 1:03:34
  Speaker 18: Then your combat? Which that in the Burgundy Hotel? Faith, Ah,
• 1:03:39
  Speaker 18: the duo, Hi, the duel in verse he can.
• 1:03:42
  Speaker 31: Talk of not else?
• 1:03:44
  Speaker 1: Well, good, Let be making passes with a spit that
• 1:03:48
  Speaker 1: he catches up.
• 1:03:49
  Speaker 18: At the envoy's end. I touch at the envoy's end.
• 1:03:53
  Speaker 18: I touched, tis fine, fine at the envoy's end.
• 1:03:57
  Speaker 7: What hour is it now?
• 1:03:59
  Speaker 1: Drag stopping shot in the act of thrusting to look
• 1:04:03
  Speaker 1: at the clock.
• 1:04:04
  Speaker 18: Five minutes after six I touch?
• 1:04:07
  Speaker 1: He straightens himself.
• 1:04:08
  Speaker 18: Oh to write a ballad to.
• 1:04:11
  Speaker 1: Sirranu, who, as he passes by the counter, has absently
• 1:04:14
  Speaker 1: shaken hands with her.
• 1:04:16
  Speaker 31: What's wrong with your hand?
• 1:04:18
  Speaker 7: Not a slight cut?
• 1:04:20
  Speaker 18: Have you been in some danger?
• 1:04:21
  Speaker 7: None in the world?
• 1:04:23
  Speaker 1: Shaking her finger at.
• 1:04:24
  Speaker 31: Him, methinks you speak not the truth in saying that.
• 1:04:28
  Speaker 7: Did you see my nose quiver when I spoke faith?
• 1:04:31
  Speaker 7: It must have been a monstrous lie that should.
• 1:04:34
  Speaker 1: Move it changing his stone.
• 1:04:36
  Speaker 7: I wait, someone here, leave us alone and disturb us
• 1:04:39
  Speaker 7: for no and it were not for the crack of doom.
• 1:04:42
  Speaker 18: But tis impossible. My poets are coming.
• 1:04:45
  Speaker 31: Oh I for their first meal of the day.
• 1:04:47
  Speaker 7: Pretty take them aside when I shall make you sign
• 1:04:51
  Speaker 7: to do so? What's a clock?
• 1:04:53
  Speaker 18: Ten minutes after six?
• 1:04:55
  Speaker 1: Nervously seating himself at Raganu's table and drawing some people
• 1:04:59
  Speaker 1: towards him a pen, giving him the one from behind.
• 1:05:02
  Speaker 18: His ear here a swan's quill.
• 1:05:05
  Speaker 1: The musketeer with a fierce mustache enters and in a
• 1:05:09
  Speaker 1: stentorian voice, good day. Liz goes up to him, quickly
• 1:05:14
  Speaker 1: turning round.
• 1:05:15
  Speaker 18: Who's that to the friend of my wife? A terrible warrior?
• 1:05:19
  Speaker 18: At least, so says he himself.
• 1:05:21
  Speaker 1: Tacking up the pen and motioning Raganu away. Hush to himself.
• 1:05:27
  Speaker 7: I will write, fold it, give it her and fly.
• 1:05:31
  Speaker 21: Throws down the pen, coward, But.
• 1:05:34
  Speaker 7: Strike me dead if I dare to speak to her,
• 1:05:37
  Speaker 7: I even one single word to Raganoon, what time is it?
• 1:05:41
  Speaker 18: A quarter after six?
• 1:05:43
  Speaker 1: Striking his breast, Aye a.
• 1:05:46
  Speaker 7: Single word of all those here here? But writing tis
• 1:05:51
  Speaker 7: easier than he takes up the pen go to I
• 1:05:55
  Speaker 7: will write it that love letter, oh, I have written
• 1:06:00
  Speaker 7: and rewrit it in my own mind so often that
• 1:06:03
  Speaker 7: it lies there ready for pen and ink. And if
• 1:06:06
  Speaker 7: I lay but my soul by my letter sheet tis
• 1:06:08
  Speaker 7: not to do but to copy from it.
• 1:06:11
  Speaker 1: He writes scene for Raganu lives the musketeer Serrano at
• 1:06:17
  Speaker 1: the little table, writing the poets dressed in black, their
• 1:06:21
  Speaker 1: stockings unguarded, uncovered with mud.
• 1:06:24
  Speaker 31: Here they come, your mud bespattered friends.
• 1:06:28
  Speaker 1: First poet entering to dragon brother in odds. Second poet
• 1:06:35
  Speaker 1: to Raganu, shaking his hands.
• 1:06:37
  Speaker 5: Dear brother, Hey, sorry you you live on pastry cooks.
• 1:06:43
  Speaker 7: Matter?
• 1:06:44
  Speaker 5: It smells good here in your area.
• 1:06:47
  Speaker 12: 'tis Phoebus's own race that thy roasts turn apollo among
• 1:06:52
  Speaker 12: master cooks.
• 1:06:54
  Speaker 1: Whom they surround an embrace.
• 1:06:56
  Speaker 18: Ah, how quick a man feels at his ease with them?
• 1:07:00
  Speaker 2: Stayed by the mob, they are crowded all round the
• 1:07:03
  Speaker 2: port in hale, eat.
• 1:07:05
  Speaker 5: Bleading brigand carcasses through the pavements there mostly deepen with
• 1:07:10
  Speaker 5: sword gashes.
• 1:07:12
  Speaker 1: Serrano raising his head a minute eight, oh, we thought seven.
• 1:07:18
  Speaker 1: He goes on, writing to.
• 1:07:19
  Speaker 18: Serrano, know you who might be the hero of the fray.
• 1:07:23
  Speaker 1: Carelessly not I to the musketeer, and you know you,
• 1:07:28
  Speaker 1: burling his mustache, maybe writing a little Bao is heard
• 1:07:34
  Speaker 1: murmuring a word from time to time.
• 1:07:36
  Speaker 2: I loved thee twas one man say the old I
• 1:07:40
  Speaker 2: swat to it, one man who single handed put the
• 1:07:43
  Speaker 2: whole band to the rout was a strange side.
• 1:07:47
  Speaker 5: Pigs and cudgos strewed thick upon the ground, writing thine eyes,
• 1:07:53
  Speaker 5: and they were picking up hats on the way to
• 1:07:56
  Speaker 5: Guido Elba Sapparisti.
• 1:07:58
  Speaker 7: But he must have been a ferocious same play thy
• 1:08:03
  Speaker 7: lips twas.
• 1:08:04
  Speaker 2: A parlous, fearsome giant.
• 1:08:06
  Speaker 1: It was the author of such exploits same play.
• 1:08:09
  Speaker 7: And when I see THEE come, I paint for fear
• 1:08:13
  Speaker 7: swelching a cake?
• 1:08:14
  Speaker 24: What has rhymed of lid a ign same play?
• 1:08:19
  Speaker 7: Who worships thee?
• 1:08:21
  Speaker 1: He stops just as he is about to sign, and
• 1:08:25
  Speaker 1: gets up, slipping the letter into his doublet.
• 1:08:28
  Speaker 7: No need I signed, since I give it her myself.
• 1:08:31
  Speaker 1: To second poet, I have put a recipe into verse,
• 1:08:34
  Speaker 1: seating himself by a plate of cream puffs.
• 1:08:37
  Speaker 5: He too, let us hear these vassals.
• 1:08:41
  Speaker 1: Looking at a cake which he has taken.
• 1:08:43
  Speaker 12: Its cap is all on one side.
• 1:08:45
  Speaker 1: He makes one bite off the top.
• 1:08:48
  Speaker 2: See how this gingerbread wounds the famous rhymer with its
• 1:08:51
  Speaker 2: almond eyes and its eyebrows of angelica.
• 1:08:55
  Speaker 1: He takes it we little, squeezing a cream puff gently.
• 1:09:00
  Speaker 5: Oh, it lasts till its very cream runs over, miting.
• 1:09:04
  Speaker 1: A bit of the great lyre of pastry.
• 1:09:07
  Speaker 5: This is the fast time in my life that ever
• 1:09:10
  Speaker 5: I drew any means of nourishing me from the.
• 1:09:12
  Speaker 1: Lyre, who has put himself ready for residing, cleared his throat,
• 1:09:17
  Speaker 1: settled his cap, struck an attitude, A come a recipe
• 1:09:22
  Speaker 1: in verse, the first poet nudging him.
• 1:09:25
  Speaker 24: You are breakfasting to second, and you dining.
• 1:09:30
  Speaker 18: Methinks how almond tartlets are made. Beat your eggs up,
• 1:09:37
  Speaker 18: light and quick, froth them thick, mingle with them while
• 1:09:41
  Speaker 18: you beat juice of lemon essence fine. Then combine the
• 1:09:45
  Speaker 18: burst milk of almond sweet circle with a custard pace
• 1:09:50
  Speaker 18: the slim waste of your tartlet molds the top with
• 1:09:54
  Speaker 18: a skillful fingerprint nick and dint round their edge. Then
• 1:09:59
  Speaker 18: drop by drop in its little dainty bed, your cream
• 1:10:03
  Speaker 18: shed in the oven, place, each mold reappearing softly brown.
• 1:10:09
  Speaker 18: The renowned almond tartlets you behold.
• 1:10:12
  Speaker 1: With mods cramped full, where deliciousous choking they go up
• 1:10:20
  Speaker 1: eating who has been watching goes toward raganoum.
• 1:10:24
  Speaker 7: Lulled by your voice. Did you see how they were
• 1:10:27
  Speaker 7: stuffing themselves?
• 1:10:28
  Speaker 1: In a low voice, smiling.
• 1:10:30
  Speaker 18: Oh aye, I see well enough, But I never will
• 1:10:33
  Speaker 18: seem to look fearing to distress them. Thus I gain
• 1:10:36
  Speaker 18: a double pleasure when I recite to them my poems,
• 1:10:40
  Speaker 18: for I leave those poor fellows who have not breakfasted
• 1:10:42
  Speaker 18: for you to eat, even while I gratisfy my own
• 1:10:45
  Speaker 18: dearest foible see.
• 1:10:47
  Speaker 7: You clapping him on the shoulder, friend, i'd like you
• 1:10:51
  Speaker 7: right well.
• 1:10:52
  Speaker 1: Draganou goes after his friends. Surrano follows him with his eyes,
• 1:10:57
  Speaker 1: then rather sharply. Oh there, Lise, LIZI, who is talking
• 1:11:02
  Speaker 1: tenderly to the musketeer, starts and comes down towards Serrano.
• 1:11:06
  Speaker 7: So this fine captain is laying sieged to you offended.
• 1:11:11
  Speaker 31: One haughty glance of my eye can conquer any man
• 1:11:14
  Speaker 31: that should dare venture art against my virtue.
• 1:11:17
  Speaker 7: Who conquering eyes methings are oft conquered.
• 1:11:21
  Speaker 1: Eyes choking with anger. But insssively, I.
• 1:11:26
  Speaker 7: Like Raguno well, and so mark me, Dame Lise, I
• 1:11:31
  Speaker 7: permit not that he be bended a lapping stock by
• 1:11:35
  Speaker 7: any but.
• 1:11:36
  Speaker 1: Who has raised his voice so as to be heard
• 1:11:39
  Speaker 1: by the gallant.
• 1:11:40
  Speaker 7: A word to the wise.
• 1:11:42
  Speaker 1: He bows to the muskiteer and goes to the doorway
• 1:11:45
  Speaker 1: to watch. After looking at the clock to the musketeer,
• 1:11:49
  Speaker 1: who has merely bowed in answer to Serrano's.
• 1:11:51
  Speaker 31: Bow, How now is this your courage? Why aren't you
• 1:11:55
  Speaker 31: not a jest on his nose?
• 1:11:57
  Speaker 13: On his nose, I I his nose.
• 1:12:01
  Speaker 1: He goes quickly farther away. Lise follows him from the doorway,
• 1:12:06
  Speaker 1: signing to Raganu to draw the poets away, hist showing
• 1:12:10
  Speaker 1: them the door.
• 1:12:11
  Speaker 5: On the right.
• 1:12:12
  Speaker 18: We shall be more private there.
• 1:12:14
  Speaker 1: Impatiently hist Hist drawing them further.
• 1:12:17
  Speaker 18: To read poetry.
• 1:12:18
  Speaker 1: T is better here, despairingly, with his mouth full, leave
• 1:12:24
  Speaker 1: the cakes.
• 1:12:25
  Speaker 5: Never, let's take them with us.
• 1:12:28
  Speaker 1: They all follow Raganu in procession. After sweeping all the
• 1:12:32
  Speaker 1: cakes of the trace scene five, Serrano roxa the duenna.
• 1:12:38
  Speaker 7: Ah, if I see but the faint glimmer of hope,
• 1:12:42
  Speaker 7: then I draw out my letter.
• 1:12:45
  Speaker 1: Roxa, masked followed by the duenna, appears at the glass
• 1:12:49
  Speaker 1: pane of the door. He opens quickly enter, walking up
• 1:12:53
  Speaker 1: to the duenna.
• 1:12:54
  Speaker 7: Two words with you, Duenna, four sir an it like
• 1:12:58
  Speaker 7: you are you fun of sweet things?
• 1:13:02
  Speaker 8: A Hi, I could eat myself sick on.
• 1:13:05
  Speaker 1: Them, catching up some paperbags from the counter.
• 1:13:08
  Speaker 7: Good see you. These two sonnets of missur bersirade hey,
• 1:13:14
  Speaker 7: which I feel for you with cream.
• 1:13:16
  Speaker 1: Cakes, changing her expression, Ha, what say.
• 1:13:21
  Speaker 7: You to the cake they called a little.
• 1:13:24
  Speaker 8: Puff if made with cream? Sir, I love them?
• 1:13:28
  Speaker 7: Passing well here I plunge six for your eating into
• 1:13:32
  Speaker 7: the bosom of a poem by Santa Man, And in
• 1:13:35
  Speaker 7: these verses of Chapellat I lied a lighter morsel stay
• 1:13:41
  Speaker 7: love you hot cakes.
• 1:13:43
  Speaker 8: Aye to the core of my heart.
• 1:13:45
  Speaker 1: Filling her arms with the backs pleasure me.
• 1:13:48
  Speaker 7: Then go eat them all in the street, but pushing
• 1:13:52
  Speaker 7: her out, and come not back till the very last
• 1:13:55
  Speaker 7: crumb be eaten.
• 1:13:56
  Speaker 1: He shuts the door, comes down toward Roxan, and covering
• 1:14:00
  Speaker 1: stands at a respectful distance from her. Scene six, Sirrano Roxa.
• 1:14:07
  Speaker 7: Blessed be the mold when you condescend, remembering that humbly
• 1:14:13
  Speaker 7: I exist to come to meet me, and to say
• 1:14:17
  Speaker 7: to tell.
• 1:14:18
  Speaker 11: Roxa, who was unmasked, to thank you first of all
• 1:14:22
  Speaker 11: that dandy count whom you checkmated and brave sword play
• 1:14:25
  Speaker 11: last night. He's the man whom a great lord desirous.
• 1:14:29
  Speaker 1: Of my favor ah de guiche, casting down eyes, sought
• 1:14:34
  Speaker 1: to impose on me for husband.
• 1:14:37
  Speaker 7: I husband dupe husband husband alamode bowing. Then I fought
• 1:14:45
  Speaker 7: happy chance, sweet lady, not for my ill favor, but
• 1:14:50
  Speaker 7: for your favor's fair confession.
• 1:14:53
  Speaker 11: Next, but ere I make my shrift. You must be
• 1:14:56
  Speaker 11: once again that brother friend with whom I used to
• 1:14:59
  Speaker 11: play by the lake.
• 1:15:00
  Speaker 7: I you would come each spring to beajerac.
• 1:15:05
  Speaker 11: Mind you the reeds you cut to make your swords.
• 1:15:08
  Speaker 7: Well, you wove corn straw plates for your doll's hair.
• 1:15:12
  Speaker 1: Those were the days of games and blackberries.
• 1:15:16
  Speaker 11: In those days you did everything I bid.
• 1:15:18
  Speaker 7: Roxanne in her short frock was Madeleine. Was I fair?
• 1:15:23
  Speaker 7: Then you were not ill to see.
• 1:15:26
  Speaker 11: Ofttimes with hands all bloody from a fall, you'd run
• 1:15:30
  Speaker 11: to me then, aping mother ways, I in a voice
• 1:15:33
  Speaker 11: would be severe, would chied? She taks a zanne, What
• 1:15:37
  Speaker 11: is this scratch again that I see here?
• 1:15:40
  Speaker 1: She starts surprised.
• 1:15:42
  Speaker 11: Oh tis too much?
• 1:15:45
  Speaker 16: What's this?
• 1:15:46
  Speaker 1: Said christ draw's hand.
• 1:15:49
  Speaker 11: No, let me see, at your age five, where did
• 1:15:55
  Speaker 11: you get that scratch?
• 1:15:56
  Speaker 7: I got it playing at the por dere.
• 1:16:00
  Speaker 1: Seating herself by the table, and dipping her handkerchief in
• 1:16:03
  Speaker 1: a glass of water.
• 1:16:05
  Speaker 7: Give here, sitting by her, so soft, so gay, maternal sweet, And.
• 1:16:11
  Speaker 11: Tell me while I wipe away the blood, how many
• 1:16:14
  Speaker 11: gainst you?
• 1:16:15
  Speaker 7: Oh a hundred? Near?
• 1:16:18
  Speaker 11: Come tell me?
• 1:16:19
  Speaker 7: No, let be, but you come tell the thing just
• 1:16:23
  Speaker 7: now you dared.
• 1:16:24
  Speaker 1: Not keeping his hand.
• 1:16:26
  Speaker 11: Now I dare the scent of those old days emboldens me. Yes,
• 1:16:32
  Speaker 11: now I dare. Listen.
• 1:16:37
  Speaker 14: I am in love Ah, but with one who knows
• 1:16:41
  Speaker 14: not ah, not yet AH, but who, if.
• 1:16:47
  Speaker 11: He knows not, soon shall learn. Ah, A poor youth
• 1:16:52
  Speaker 11: who all this time has loved timidly from afar and
• 1:16:56
  Speaker 11: dares not speak.
• 1:16:57
  Speaker 7: Ah.
• 1:16:59
  Speaker 11: Leave your hand, and why it is fever hot. But
• 1:17:03
  Speaker 11: I have seen love trembling on his lips, ah.
• 1:17:06
  Speaker 1: Band eating his hand with her handkerchief.
• 1:17:09
  Speaker 11: And to think of it that he, by chance, yes, cousin,
• 1:17:13
  Speaker 11: he is of your regiment. Ah is cadet in your
• 1:17:17
  Speaker 11: own company.
• 1:17:18
  Speaker 7: Ah.
• 1:17:19
  Speaker 11: On his brow he bears the genius stamp. He is proud, noble, young, intrepid.
• 1:17:26
  Speaker 1: Fair, rising suddenly very pale.
• 1:17:29
  Speaker 7: Fair? Why what ails you nothing? Tis?
• 1:17:33
  Speaker 1: He shows his hand, smiling the scratch.
• 1:17:36
  Speaker 11: I love him, all is said, But you must know
• 1:17:41
  Speaker 11: I have only seen him at the comedy.
• 1:17:43
  Speaker 7: How you have never spoken?
• 1:17:46
  Speaker 11: Eyes can speak?
• 1:17:48
  Speaker 7: How know you then that he?
• 1:17:50
  Speaker 11: Oh, people talk neath the limes in the place. Royale
• 1:17:55
  Speaker 11: Gossip's chat has let me know.
• 1:17:58
  Speaker 7: He is cadet in the Guard.
• 1:18:00
  Speaker 11: His name Baron Christian de Nevolette.
• 1:18:04
  Speaker 7: How now he is not of the guards.
• 1:18:07
  Speaker 11: Today he is to join your ranks under Captain Carbon
• 1:18:11
  Speaker 11: de Castel Jaloup.
• 1:18:12
  Speaker 7: Ah, how quick, how quick the heart has flown.
• 1:18:17
  Speaker 1: But my poor child, the duena opening the door, the
• 1:18:21
  Speaker 1: cakes are eaten.
• 1:18:22
  Speaker 8: Monsieur Bergarac.
• 1:18:23
  Speaker 7: Then read the verses printed on the bags. She goes out,
• 1:18:26
  Speaker 7: my poor child, you who love but flowing words, great wit?
• 1:18:32
  Speaker 7: What if he be but a lout, unskilled?
• 1:18:36
  Speaker 11: No, his bright locks like Durfy's heroes.
• 1:18:40
  Speaker 7: Ah, a well curled pate and witless tongue, perchance.
• 1:18:45
  Speaker 11: Ah No, I guess I feel his words are fair.
• 1:18:50
  Speaker 7: All words are fair. That lurk neath fairy mustache. You
• 1:18:54
  Speaker 7: suppose he were a.
• 1:18:55
  Speaker 1: Fool stamping her foot?
• 1:18:57
  Speaker 11: Then bury me after?
• 1:19:00
  Speaker 7: Was it to tell me this? You brought me here?
• 1:19:04
  Speaker 7: I failed to see what used to serves Madame Nay,
• 1:19:07
  Speaker 7: But I.
• 1:19:08
  Speaker 11: Felt a terror here in the heart on learning yesterday
• 1:19:11
  Speaker 11: you were gascons, all of your company, and.
• 1:19:14
  Speaker 7: We provoke all beardless spriggs that favored dares admit myths
• 1:19:18
  Speaker 7: as pure gascon's pure heaven saved the mark. They told
• 1:19:22
  Speaker 7: you that as well. Ah.
• 1:19:24
  Speaker 1: Think how I trembled for him, being his deep not causelessly.
• 1:19:30
  Speaker 11: But when last night I saw you brave, invincible, punish
• 1:19:34
  Speaker 11: that dandy, fearless hold your own against those brutes, I thought,
• 1:19:40
  Speaker 11: I thought, if he whom all fear all, if he
• 1:19:44
  Speaker 11: would only.
• 1:19:45
  Speaker 7: Good, I will befriend you, little baron.
• 1:19:48
  Speaker 11: Ah, You'll promise me you will do this for me.
• 1:19:52
  Speaker 11: I've always held you as a tender friend.
• 1:19:55
  Speaker 7: Aye. Ay, then you will be his friend, I swear.
• 1:19:59
  Speaker 11: And he shall fight no duels, promise none. You are
• 1:20:03
  Speaker 11: kind cousin. Now I must be gone.
• 1:20:06
  Speaker 1: She puts on her mask, and be quickly. Then absently,
• 1:20:10
  Speaker 1: you have not.
• 1:20:11
  Speaker 11: Told me of your last night's fray Ah, but it
• 1:20:15
  Speaker 11: must have been a hero fight. Bid him to write.
• 1:20:19
  Speaker 1: She sends him a kiss with her fingers.
• 1:20:21
  Speaker 11: How good you are?
• 1:20:23
  Speaker 7: Ay?
• 1:20:23
  Speaker 1: Ay, A hundred men against.
• 1:20:26
  Speaker 11: You now farewell? We are great friends, ay? I oh
• 1:20:33
  Speaker 11: bid him write? You'll tell me all one day?
• 1:20:37
  Speaker 1: A hundred men ah brave, how brave?
• 1:20:42
  Speaker 7: Bowing to her, I have fought better Since.
• 1:20:46
  Speaker 1: She goes out. Sirrano stands motionless with eyes on the ground.
• 1:20:52
  Speaker 1: A silence. The door right opens. Raganu looks and scene seven.
• 1:21:00
  Speaker 1: Raganu poets Carbon to Castile Jalou, the cadets a crowd.
• 1:21:05
  Speaker 1: Then de guiche, can we come in without stirring? Yes,
• 1:21:11
  Speaker 1: Ragonu signs to his friends and they come in at
• 1:21:14
  Speaker 1: the same time. By door at back enters Carbon de
• 1:21:17
  Speaker 1: Castle Jalou in captain's uniform. He makes gestures of surprise
• 1:21:21
  Speaker 1: on seeing Siranu here. He is raising his head.
• 1:21:25
  Speaker 6: Captain, are hero We heard all thirty or more. My
• 1:21:30
  Speaker 6: cadets are.
• 1:21:31
  Speaker 1: There, shrinking back but trying to draw him away.
• 1:21:35
  Speaker 6: Come with me. They will not rest until they see you. No,
• 1:21:39
  Speaker 6: they're drinking opposite at the bear's head.
• 1:21:42
  Speaker 1: I going to the door and calling across the street
• 1:21:45
  Speaker 1: in a voice of thunder.
• 1:21:47
  Speaker 6: He won't come.
• 1:21:49
  Speaker 1: The heroes in the socks. First cadet outside ah Sun
• 1:21:54
  Speaker 1: dial tumult outside. Noise of boots and swords is heard, approaching,
• 1:21:59
  Speaker 1: rubbing his hands.
• 1:22:00
  Speaker 6: They are running across the street, entering mel.
• 1:22:04
  Speaker 8: Dear Captidious spoke.
• 1:22:06
  Speaker 1: Idious Draganu, drawing back, startled.
• 1:22:10
  Speaker 18: Gentlemen, are you all from gascony?
• 1:22:12
  Speaker 7: Oh?
• 1:22:13
  Speaker 1: Second cadet to Serrano, bravo, Baron first Gascon, shaking his hands.
• 1:22:20
  Speaker 22: Beat Bon, come, I must embrace you, will embrace him
• 1:22:24
  Speaker 22: all in turn, not knowing whom.
• 1:22:27
  Speaker 7: To reply to Baron barn I beg.
• 1:22:30
  Speaker 18: Are you a baron?
• 1:22:31
  Speaker 8: Sirs?
• 1:22:32
  Speaker 18: I is it true?
• 1:22:35
  Speaker 3: I why you could build a tower with nothing but
• 1:22:39
  Speaker 3: our coronets?
• 1:22:40
  Speaker 1: My friend Libre entering and running up to Serrano.
• 1:22:45
  Speaker 5: They're looking for you. Here's a crazy marble led by
• 1:22:48
  Speaker 5: the men who followed you last night.
• 1:22:50
  Speaker 7: What have you told them where to find me?
• 1:22:53
  Speaker 1: Rubbing his hands, yes, the booker entering, followed by a
• 1:22:57
  Speaker 1: group of men.
• 1:22:58
  Speaker 9: Sir, all the more he is I coming here outside.
• 1:23:02
  Speaker 1: The street is filled with people, chases up, porters and
• 1:23:05
  Speaker 1: carriages have drawn up. In a low voice, smiling to
• 1:23:09
  Speaker 1: Serrano and Roxane quickly hush calling outside. Saw a crowd
• 1:23:17
  Speaker 1: rushing to the shop, pushing one another, acclamations, standing on
• 1:23:22
  Speaker 1: a table.
• 1:23:23
  Speaker 18: Though my shop invaded. They break all magnificent.
• 1:23:28
  Speaker 7: My friend me seems that yesterday I had not all
• 1:23:33
  Speaker 7: these friends.
• 1:23:35
  Speaker 1: Delighted success. First Marquis hurrying up with his hands held out.
• 1:23:40
  Speaker 16: My friend, didst thou.
• 1:23:41
  Speaker 7: But know thou? Mary thou pray? When did we heard swine? Together?
• 1:23:48
  Speaker 7: You and I?
• 1:23:49
  Speaker 16: I would present you, sir, to some fair dames who
• 1:23:51
  Speaker 16: in my carriage yonder coldly.
• 1:23:54
  Speaker 7: Ah, and who will first present you, sir? To me?
• 1:23:58
  Speaker 5: What's wrong?
• 1:23:59
  Speaker 1: Hush gazetteer with writing board, A few details, no nudging
• 1:24:05
  Speaker 1: his elbow.
• 1:24:06
  Speaker 29: Is theo Frost day of the court gazette who cares
• 1:24:11
  Speaker 29: this paper?
• 1:24:13
  Speaker 5: But it is of great importance. They say it will
• 1:24:15
  Speaker 5: be an immense success.
• 1:24:17
  Speaker 1: Advancing sir.
• 1:24:19
  Speaker 12: What another pray permits? I make a pentacrostic on your name,
• 1:24:24
  Speaker 12: also advancing pray, sir.
• 1:24:27
  Speaker 1: Enough enough a moment in the crowd, de Guiche appears,
• 1:24:33
  Speaker 1: escorted by officers Cuiji Brezie, the officers who went with
• 1:24:37
  Speaker 1: Serrano the night before. Quije comes rapidly up to Serranu.
• 1:24:42
  Speaker 1: Here is Monsie de Guiche, a murmur everyone makes way.
• 1:24:46
  Speaker 17: He comes from the martial of gassion.
• 1:24:48
  Speaker 21: Bowing to Serranu, who would express his admirations, sir, for
• 1:24:53
  Speaker 21: your new exploit noise so loud abroad raw.
• 1:24:59
  Speaker 1: Bowing.
• 1:25:00
  Speaker 7: Marshall is a judge of valor.
• 1:25:03
  Speaker 21: He could not have believed the thing unless these gentlemen
• 1:25:06
  Speaker 21: had swornly witnessed.
• 1:25:08
  Speaker 29: It with our own eyes.
• 1:25:10
  Speaker 1: Aside to Serrano, who has an absent.
• 1:25:13
  Speaker 5: Air, But you hush, but your suffer.
• 1:25:18
  Speaker 24: Starting before this rabble, I.
• 1:25:21
  Speaker 1: It draws himself up, twils his musquache, and throws back
• 1:25:25
  Speaker 1: his shoulders. Wait, you shall see to whom Guji has
• 1:25:29
  Speaker 1: spoken in a low voice in.
• 1:25:31
  Speaker 21: Feats of arms. Already your career abounded. You serve with
• 1:25:36
  Speaker 21: those crazy pates of gascons.
• 1:25:39
  Speaker 1: I with the cadets, with us looking at the cadets,
• 1:25:43
  Speaker 1: ranged began to Serrano.
• 1:25:45
  Speaker 21: Oh, all these gentlemen of haughty mien, are they the famous.
• 1:25:52
  Speaker 6: Sirrah No, I captain sent all my companies assembled here.
• 1:25:56
  Speaker 6: Pray favor me present them to my lord Meeking.
• 1:25:59
  Speaker 1: Two steps towards the Guiche.
• 1:26:01
  Speaker 7: My Lord de Guiche, permit that I present, pointing to
• 1:26:06
  Speaker 7: the cadets, the bold cadets of Gascony, of Carbon, of
• 1:26:11
  Speaker 7: Castel Jalou, drawling and swaggering boastfully, the bold cadets of Gascony,
• 1:26:19
  Speaker 7: spouting of armory heraldry, their veins of brimming with blood
• 1:26:24
  Speaker 7: so blue, The bold cadets of Gascony of carbon of castles, jalou,
• 1:26:31
  Speaker 7: eagle eye and spindle shanks, fierce mustache and wolfish tooth,
• 1:26:37
  Speaker 7: slash the rabble and scatter their ranks. Eagle eye and
• 1:26:41
  Speaker 7: spindle shanks with a flaming feather that gaily pranks hiding
• 1:26:46
  Speaker 7: the holes in their hats for smooth egole eye and
• 1:26:49
  Speaker 7: spindle shanks. Fierce mustache and wolfish tooths. Pink your doublet
• 1:26:55
  Speaker 7: and slit your trunk are their gentlest sobriquets with face
• 1:27:00
  Speaker 7: and glory. Their soul is drunk. Pink your doublet and
• 1:27:04
  Speaker 7: slit your trunk. In brawl and skirmish, they show their spunk,
• 1:27:07
  Speaker 7: give rendezvous and broil and frey. Pink your doublet and
• 1:27:11
  Speaker 7: slit your trunk are their gentlest sobriquets. What ho, cadets
• 1:27:18
  Speaker 7: of Gascony, all jealous lovers are sport for you, Oh woman,
• 1:27:24
  Speaker 7: dear Divinity, What ho cadets of Gascony, whom scowling husbands
• 1:27:30
  Speaker 7: quake to see, blow tartarah and cry cuckoo? What ho,
• 1:27:37
  Speaker 7: cadets of Gascony, husbands and lovers are game for you?
• 1:27:44
  Speaker 1: Seated with a hearty carelessness in an arm chat brought
• 1:27:47
  Speaker 1: quickly by ragnum.
• 1:27:49
  Speaker 21: A poet tis the fashion of the hour. Will you
• 1:27:53
  Speaker 21: be mine?
• 1:27:54
  Speaker 7: No, sir, no man's last night?
• 1:27:57
  Speaker 21: Your fancy pleased my uncle rischlieu. I'll gladly say.
• 1:28:01
  Speaker 5: A word to him, for you read heavens.
• 1:28:04
  Speaker 21: I imagine you have rhymed five acts.
• 1:28:07
  Speaker 1: Or so in Serrano's ear, your pray, your ugly pin.
• 1:28:11
  Speaker 5: There you see it staged at last, take.
• 1:28:14
  Speaker 1: Them to him, beginning to be tempted and attracted in.
• 1:28:18
  Speaker 7: Sooth, I would.
• 1:28:20
  Speaker 21: He is a critic skilled, He may correct a line
• 1:28:24
  Speaker 21: or two at most.
• 1:28:26
  Speaker 1: Whose face defense at once impossible.
• 1:28:30
  Speaker 7: My blood congeals to think that other hand should change
• 1:28:34
  Speaker 7: a comma's dot.
• 1:28:36
  Speaker 21: But when a verse approves itself to him, he pays it, dear,
• 1:28:40
  Speaker 21: good friend.
• 1:28:42
  Speaker 7: He pays less dear than I myself. When a verse
• 1:28:46
  Speaker 7: pleases me, I pay myself and sing it to myself.
• 1:28:51
  Speaker 7: You are proud, really, you have noticed.
• 1:28:54
  Speaker 1: That second cadet entering with a string of old, battered,
• 1:28:58
  Speaker 1: poomed beaver hats full of holes, slung on his sword.
• 1:29:03
  Speaker 8: See Sarah now this morning on the key, what strange,
• 1:29:06
  Speaker 8: bright feathered game we caught? The hats are the fugitives.
• 1:29:10
  Speaker 6: Spoilia opima.
• 1:29:14
  Speaker 17: He who laid that ambush faith, But of course, and swear.
• 1:29:18
  Speaker 7: Who was it?
• 1:29:19
  Speaker 21: I myself the laugh that stops. I charge them work
• 1:29:26
  Speaker 21: too dirty for my sword to punish, and chast stummies
• 1:29:30
  Speaker 21: A rhymster.
• 1:29:31
  Speaker 1: Sort constrained silence in a low voice to Serrano, showing
• 1:29:37
  Speaker 1: him the beavers what to do with them.
• 1:29:40
  Speaker 8: They're full of grease, A stew.
• 1:29:43
  Speaker 1: Taking the sword and with a salute, dropping the hats
• 1:29:47
  Speaker 1: at de Guiche's.
• 1:29:48
  Speaker 7: Feet, Sir, pray be good enough to render them back
• 1:29:52
  Speaker 7: to your friends.
• 1:29:54
  Speaker 1: Rising sharply my chair there quick, I go to serranoately,
• 1:30:00
  Speaker 1: as to you, Sarah Brezie in the street porters for
• 1:30:04
  Speaker 1: my lord de Guiche, who has controlled himself, smiling, Have.
• 1:30:09
  Speaker 21: You read Don Quixote?
• 1:30:11
  Speaker 7: I have, And doff my hat at the mad knight
• 1:30:15
  Speaker 7: Errant's name.
• 1:30:17
  Speaker 21: I cancel you to study, appearing at back my lord's chair.
• 1:30:22
  Speaker 21: The windmill chapter bowing, chapter the thirteenth. For when one
• 1:30:27
  Speaker 21: silt stains windmills, it may.
• 1:30:30
  Speaker 7: Chance tiltie gainst those who change with every breeze, that.
• 1:30:35
  Speaker 21: The windmill sails may sweep you with their arm down
• 1:30:39
  Speaker 21: in the mire.
• 1:30:41
  Speaker 7: Or upward to the stars.
• 1:30:44
  Speaker 1: De Guiche goes out and mons into his chair. The
• 1:30:48
  Speaker 1: other lords go away, whispering together. Libre goes to the
• 1:30:52
  Speaker 1: door with them. The crowd disperses, seeing eight serrano Libre.
• 1:30:57
  Speaker 1: The cadets who are eating and drinking at tables left
• 1:31:01
  Speaker 1: and right, bowing mockingly to those who go out without
• 1:31:04
  Speaker 1: darting to salute him.
• 1:31:06
  Speaker 7: Gentlemen, gentlemen coming back despairingly.
• 1:31:11
  Speaker 5: There's a fine coil.
• 1:31:13
  Speaker 7: Oh, scold away.
• 1:31:15
  Speaker 5: At least you will agree that to annihilate each chance
• 1:31:18
  Speaker 5: of fate exaggerates.
• 1:31:20
  Speaker 7: Yes, I exaggerate clumphantly. Ah, But for principle example two,
• 1:31:28
  Speaker 7: I think tis well. Thus to exaggerate, Oh.
• 1:31:32
  Speaker 5: Lay aside that pride of musketeer, fortune and glory.
• 1:31:36
  Speaker 7: Wake you hi, and then seek a protector. Choose a
• 1:31:41
  Speaker 7: patron out, and like the crawling ivy round a tree
• 1:31:44
  Speaker 7: that licks the bark to gain the trunk support, climb
• 1:31:48
  Speaker 7: high by creeping roose instead of force. No, gram Mercy, HUATAI,
• 1:31:54
  Speaker 7: like all the rest, dedicate verse to bankers, play buffoon
• 1:31:58
  Speaker 7: and cringing. Hope to see it as a smile, not
• 1:32:01
  Speaker 7: disapproving on a patron's lips. Gramercy, no, what learn to
• 1:32:07
  Speaker 7: swallow toads with frame a weary climbing stairs, a skin
• 1:32:13
  Speaker 7: grown grimed and horny here about the knees, and acrobat
• 1:32:19
  Speaker 7: like teach my back to bend. No Grammercy. Or double
• 1:32:25
  Speaker 7: faced and sly run with the hair while hunting with
• 1:32:28
  Speaker 7: the hounds, and oily tongued to win the oil praise,
• 1:32:35
  Speaker 7: flatter the great man to his very nose. No Gramercy.
• 1:32:41
  Speaker 7: Steal soft from lap to lap a little great man
• 1:32:45
  Speaker 7: in a circle small, or navigate with madrigals for sales
• 1:32:50
  Speaker 7: flown gently windward by the old lady's size. No Grammercy.
• 1:32:55
  Speaker 7: Bribe kindly editors to spread abroad my verses Mercy, or
• 1:33:02
  Speaker 7: try to be elected as the pope of tavern councils
• 1:33:06
  Speaker 7: held by imbeciles. No Grammercy. Toil to gain reputation by
• 1:33:13
  Speaker 7: one small sonnet instead of making many No Gramercy, or
• 1:33:18
  Speaker 7: flatter sorry bunglers, be terrorized by every painting paper, say ceaselessly,
• 1:33:26
  Speaker 7: Oh had I but the chance of a fair notice
• 1:33:30
  Speaker 7: in the mercury Grammercy, No grow pale, fear, calculate, prefer
• 1:33:38
  Speaker 7: to make a visit to a rhyme, seek introductions, draw
• 1:33:43
  Speaker 7: petitions up, No Grammercy, and no and no again, but
• 1:33:51
  Speaker 7: seeing dream laugh, co lightly, solitary, free, with eyes that
• 1:33:57
  Speaker 7: look straightforward, fearlys voice, to cock your beaver, just the
• 1:34:03
  Speaker 7: way you choose, or yes or no, show fight, or
• 1:34:07
  Speaker 7: turn a rhyme, to work without one thought of gain
• 1:34:12
  Speaker 7: or fame, to realize that journey to the moon. Never
• 1:34:16
  Speaker 7: to pen a line that has not sprung straight from
• 1:34:20
  Speaker 7: the heart within, embracing them modesty, say to oneself, good,
• 1:34:25
  Speaker 7: my friend, be thou content with flowers, fruit, nay leaves,
• 1:34:30
  Speaker 7: but pluck them from no garden, but thine own. And then,
• 1:34:36
  Speaker 7: if glory come by chance your way, to pay no
• 1:34:39
  Speaker 7: tribute unto Caesar, none, but keep the merit all your own.
• 1:34:45
  Speaker 7: In short, disdaining tendrils of the parasite, to be content
• 1:34:51
  Speaker 7: if neither oak nor elm, not to mount high perchance,
• 1:34:56
  Speaker 7: but mount alone alone.
• 1:34:58
  Speaker 5: And if you will, but not with hand against every man.
• 1:35:02
  Speaker 5: How when the Devil's name have you conceived this lunatic idea?
• 1:35:07
  Speaker 5: To make foods for yourself at every turn.
• 1:35:09
  Speaker 7: By dint of seeing you at every turn, make friends
• 1:35:13
  Speaker 7: and fawn upon your frequent friends with mouth wide, smiling,
• 1:35:17
  Speaker 7: slid from ear to ear, I passed still unsaluted, joyfully,
• 1:35:23
  Speaker 7: and cry what.
• 1:35:25
  Speaker 29: Ho another enemy lunacy?
• 1:35:29
  Speaker 7: Well, what if it be my vice, my pleasure to displease?
• 1:35:34
  Speaker 7: To love men hate me? Ah, friend of mine, Believe me,
• 1:35:38
  Speaker 7: I march better neath the cross fire of glances inimical,
• 1:35:43
  Speaker 7: how droll the stains one sees on fine laced doublets
• 1:35:48
  Speaker 7: from gall of envy, where the poltroons dribble. The enervating
• 1:35:53
  Speaker 7: friendship which enfolds you is like an open laced Italian
• 1:35:57
  Speaker 7: collar floating around your neck in woman's fashion. One is
• 1:36:01
  Speaker 7: at ease. Thus, but let's prow the carriage. The forehead,
• 1:36:06
  Speaker 7: free from mainstay or coercion, bends here, there, everywhere, But
• 1:36:11
  Speaker 7: I embracing hatred. She lends forbidding, stiffly fluted, the rough,
• 1:36:19
  Speaker 7: starched folds that hold the head so rigid. Each enemy
• 1:36:23
  Speaker 7: another fold, a gopher who adds a constraint and adds
• 1:36:28
  Speaker 7: a ray of glory for hatred, like the rough worn
• 1:36:32
  Speaker 7: by the Spanish, grips like a vice, but frames you
• 1:36:36
  Speaker 7: like a halo.
• 1:36:38
  Speaker 1: After a silence, speaking is arm.
• 1:36:40
  Speaker 5: Speak, proud, aloud and bitter in my ear. Wish for
• 1:36:44
  Speaker 5: me simply this. She loves thee not hush.
• 1:36:48
  Speaker 1: Christian is just hinted and mingled with the cadets, who
• 1:36:52
  Speaker 1: do not speak to him. He has seated himself at
• 1:36:54
  Speaker 1: a table where he deserves. In scene nine Serrano Libre,
• 1:37:00
  Speaker 1: the Cadets, Christian, the noivelet, third cadet, seated at the table,
• 1:37:04
  Speaker 1: glass in hand. Sirano turns round the story in its time.
• 1:37:09
  Speaker 1: He goes up on Lebreisan. They talk in low voices,
• 1:37:14
  Speaker 1: rising and coming down.
• 1:37:15
  Speaker 28: The story of the fray twell, lesson well.
• 1:37:19
  Speaker 1: He stops before the table where Christian is seated.
• 1:37:22
  Speaker 28: This timid young apprentice, raising his head.
• 1:37:25
  Speaker 8: Prentiss, who this sickly northern greenhorn.
• 1:37:29
  Speaker 3: Sickly heart, mischeur de Denville, this in your ear? There's
• 1:37:36
  Speaker 3: somewhat here one no more dares to name than to
• 1:37:40
  Speaker 3: say rope to one whose sire was hanged?
• 1:37:45
  Speaker 14: What may that be?
• 1:37:46
  Speaker 23: See here?
• 1:37:47
  Speaker 1: He puts his finger three times mysteriously on his nose.
• 1:37:51
  Speaker 3: Do you understand, oh, says the hush.
• 1:37:55
  Speaker 7: Oh.
• 1:37:56
  Speaker 26: Never breathe that word unless you'd reckon with him yonder.
• 1:37:59
  Speaker 1: He points to Sirrano, who is talking with lebra second Gascon,
• 1:38:03
  Speaker 1: who has meanwhile come up noiselessly to sit on the table,
• 1:38:07
  Speaker 1: whispering behind him.
• 1:38:08
  Speaker 22: Hark. He put two snuffling men to death in rage
• 1:38:12
  Speaker 22: for the sole reason they spoke through their.
• 1:38:14
  Speaker 1: Nose, darting on all fours from under the table where
• 1:38:18
  Speaker 1: he had crept.
• 1:38:19
  Speaker 26: And if you would not perish in the flower of youth,
• 1:38:22
  Speaker 26: oh mention not the fatal cartilage.
• 1:38:25
  Speaker 22: Clapping him on the shoulder a word, a gesture for
• 1:38:29
  Speaker 22: the indiscreet. His handkerchief may prove his winding sheet.
• 1:38:33
  Speaker 1: Silence, all with cross darms look at Christian. He rises
• 1:38:38
  Speaker 1: and goes over to Carbon de castel Jalou, who is
• 1:38:41
  Speaker 1: talking to an officer, and feigns to see nothing. Captain
• 1:38:45
  Speaker 1: turning and looking at him from head to foot.
• 1:38:48
  Speaker 10: Sir pray, what skills it best to do to save
• 1:38:51
  Speaker 10: nurse his swagger?
• 1:38:52
  Speaker 6: Give them proof that one may be a northerner, yet brave.
• 1:38:55
  Speaker 1: He turns us back on him. I thank you to Sirrano.
• 1:38:59
  Speaker 28: Now the tail.
• 1:39:03
  Speaker 1: Coming toward them. The tail or bring their tools up
• 1:39:06
  Speaker 1: and grew round him, listening eagerly. Christian is astride a chair.
• 1:39:11
  Speaker 5: Wow.
• 1:39:13
  Speaker 7: I went all alone to meet the band. The moon
• 1:39:16
  Speaker 7: was shining clocklike full in the sky, when suddenly some
• 1:39:22
  Speaker 7: careful clockwright pasted a cloud of cotton wool across the
• 1:39:26
  Speaker 7: case that held the silver watch and presto high. The
• 1:39:31
  Speaker 7: light was inky black, and all the keys were hidden
• 1:39:35
  Speaker 7: in the murky dark kad zooks. One could see nothing
• 1:39:40
  Speaker 7: further n one's nose.
• 1:39:42
  Speaker 1: Silence. All slowly rise, looking in terror at Serranu, who
• 1:39:47
  Speaker 1: has stopped, dumbfounded pass Who on God's earth is that?
• 1:39:53
  Speaker 1: It is a man who joined today, making a step
• 1:39:56
  Speaker 1: toward Christian today.
• 1:39:59
  Speaker 6: Yes, his name is the Baron de Novelle.
• 1:40:03
  Speaker 24: Checking himself good, it is well?
• 1:40:06
  Speaker 1: He turns, piel, flushes, makes as if to fall on Christian.
• 1:40:11
  Speaker 1: I he controls himself.
• 1:40:13
  Speaker 7: What said I?
• 1:40:14
  Speaker 24: For the burst of rag more dews.
• 1:40:17
  Speaker 1: Than continues calmly that it was dark astonishment. The cannets
• 1:40:22
  Speaker 1: reasied themselves, staring at them on.
• 1:40:25
  Speaker 7: I went thinking for a knavish cause, I may provoke
• 1:40:29
  Speaker 7: some great man, some great prince, who certainly could break
• 1:40:33
  Speaker 7: my nose.
• 1:40:34
  Speaker 1: Everyone starts up. Christian balances on his chair in a
• 1:40:38
  Speaker 1: choked voice.
• 1:40:39
  Speaker 7: My teeth, who would break my teeth? And I, imprudent,
• 1:40:45
  Speaker 7: like was poking my nose, my finger in the crack
• 1:40:50
  Speaker 7: between the tree and bark. He may prove strong and wrap.
• 1:40:54
  Speaker 1: Me over the nose, wiping his forehead.
• 1:40:58
  Speaker 7: Or the knuckles eye. But I cried forward gascon duty
• 1:41:03
  Speaker 7: calls on Sierra No, and thus I ventured on. When
• 1:41:08
  Speaker 7: from the shadow came a crack of the nose, I
• 1:41:11
  Speaker 7: parry it, find myself.
• 1:41:14
  Speaker 1: Nose to nose, bonding on to him.
• 1:41:17
  Speaker 7: Heaven and earth.
• 1:41:18
  Speaker 1: All the gascons leap up to sea. But when he
• 1:41:21
  Speaker 1: is close to Christia, he controls himself and continues.
• 1:41:25
  Speaker 7: With a hundred brawling thoughts, who stay.
• 1:41:30
  Speaker 1: White but smiling.
• 1:41:31
  Speaker 7: Onions randy cups. I leapt out, head well.
• 1:41:36
  Speaker 14: Down, nosing the winds.
• 1:41:38
  Speaker 7: I charge gore too impale. One run him through. One
• 1:41:44
  Speaker 7: aims at me, puff, and I parry, bursting out, Great God,
• 1:41:48
  Speaker 7: out all of you.
• 1:41:50
  Speaker 1: The candets rush to the nose.
• 1:41:52
  Speaker 7: The tiger awakes every man out. Leave me alone with him.
• 1:41:58
  Speaker 8: We shall find him minced, fine, minced in a hash
• 1:42:02
  Speaker 8: and a big pasty.
• 1:42:03
  Speaker 18: I am turning pale and curl up like a napkin,
• 1:42:06
  Speaker 18: limp and white.
• 1:42:08
  Speaker 6: Let us be gone.
• 1:42:09
  Speaker 22: He will not leave a crumb.
• 1:42:11
  Speaker 28: I die afright to think what will pass here?
• 1:42:13
  Speaker 1: Shutting door right, something too horrible. All I've gone out
• 1:42:19
  Speaker 1: by different doors, some by the staircase. Serrano and Christia
• 1:42:24
  Speaker 1: are face to face, looking at each other for a moment, scene.
• 1:42:28
  Speaker 7: And embrace me. Now, sir, you are brave. No, but nay,
• 1:42:34
  Speaker 7: I insist, pray, tell me come embrace. I am her brother,
• 1:42:39
  Speaker 7: who's brother hers in faith rocks hands.
• 1:42:43
  Speaker 1: Crushing up to him.
• 1:42:45
  Speaker 10: Oh, heaven's her.
• 1:42:46
  Speaker 7: Brother, cousin brother, the same thing.
• 1:42:48
  Speaker 10: And she has told you, Oh she loves me, say
• 1:42:52
  Speaker 10: maybe taking his hands, how glad I am to me?
• 1:42:55
  Speaker 7: You, sir? That may be called a sudden sentiment?
• 1:42:58
  Speaker 1: I ask your pardon, looking at him with his hand
• 1:43:01
  Speaker 1: on his shoulder.
• 1:43:02
  Speaker 10: True, he's fair, the villain, Ah, sir, if you but
• 1:43:06
  Speaker 10: knew my admiration. But all those noses, no, I take
• 1:43:11
  Speaker 10: them back.
• 1:43:12
  Speaker 7: Roxanne expects a letter.
• 1:43:14
  Speaker 10: Woes a day. Oh I am lost if I butt
• 1:43:17
  Speaker 10: out my lips, Why so I am a fool? Could
• 1:43:20
  Speaker 10: die for shame.
• 1:43:22
  Speaker 7: None is a fool who knows himself a fool. And
• 1:43:25
  Speaker 7: you did not attack me like a fool.
• 1:43:27
  Speaker 10: Bah one finds battle cry to lead the assaults. I
• 1:43:31
  Speaker 10: have a certain military wit, But before women, I can
• 1:43:35
  Speaker 10: but hold my tongue. Their eyes true when I pass,
• 1:43:38
  Speaker 10: their eyes are kind.
• 1:43:40
  Speaker 7: And when you stay, their hearts methinks are kinder.
• 1:43:44
  Speaker 10: No, For I am one of those men tongue tied
• 1:43:48
  Speaker 10: I know, who can never tell their love.
• 1:43:52
  Speaker 7: And I meseems had nature been more kind, more careful
• 1:43:56
  Speaker 7: when she fashioned me, had been one of those men
• 1:44:00
  Speaker 7: who well could speak their love?
• 1:44:03
  Speaker 10: Oh, to express one's thoughts with facile grace, to.
• 1:44:06
  Speaker 7: Be a musketeer with handsome face.
• 1:44:09
  Speaker 10: Roxane is precious. I'm sure to prove a disappointment to
• 1:44:13
  Speaker 10: her looking at them.
• 1:44:14
  Speaker 7: Had I but such an interpreter to speak my soul eloquence?
• 1:44:19
  Speaker 10: Where finds it that I lend?
• 1:44:21
  Speaker 7: If you lend me your handsome victor charms lended, we
• 1:44:25
  Speaker 7: make a hero of romance. How so think you you
• 1:44:29
  Speaker 7: can repeat what things I daily teach your tongue?
• 1:44:31
  Speaker 8: What do you mean?
• 1:44:33
  Speaker 7: Roxanne shall never have a disillusion? Say, wilt thou that
• 1:44:37
  Speaker 7: we woo her double handed? Wilt thou that we two
• 1:44:41
  Speaker 7: woo her both together? Filst thou passing from my leather
• 1:44:46
  Speaker 7: doublet through thy laced doublet all my soul inspiring?
• 1:44:50
  Speaker 10: But serrano, will you, I say, I fear.
• 1:44:54
  Speaker 7: Since by yourself you fear to chill her heart? Will
• 1:44:58
  Speaker 7: you to kindle all her her heart to flame? Wed
• 1:45:02
  Speaker 7: into one? My phrases and your lips.
• 1:45:06
  Speaker 10: Your eyes flash will you? Will it please you?
• 1:45:09
  Speaker 7: Sir?
• 1:45:09
  Speaker 10: Give you such pleasure?
• 1:45:11
  Speaker 1: Madly it then, calmly business like it.
• 1:45:15
  Speaker 7: Would amuse me. It is an enterprise to tempt a poet.
• 1:45:21
  Speaker 7: Will you complete me? And let me complete you? You
• 1:45:24
  Speaker 7: march victorious. I go in your shadow. Let me be
• 1:45:28
  Speaker 7: wit for you be you, my beauty.
• 1:45:31
  Speaker 10: The letter that she waits for. Even now I never
• 1:45:34
  Speaker 10: can taking.
• 1:45:35
  Speaker 1: Out the letter he had written.
• 1:45:37
  Speaker 7: See here it is your letter? What take it? Look
• 1:45:42
  Speaker 7: it wants but the address, But I fear nothing. Send
• 1:45:46
  Speaker 7: it it will suit but you, Oh, we have our
• 1:45:51
  Speaker 7: pockets full, We poets of love letters written to Chloe's
• 1:45:56
  Speaker 7: Daphne's creations of our noddle heads are lay loves, phantasms
• 1:46:01
  Speaker 7: of our brains, green fancies blown into soap bubbles. Come
• 1:46:06
  Speaker 7: take it and change feigned love words into true. I breathed,
• 1:46:10
  Speaker 7: my sighs and moans halfhazard Wise, call all these wandering
• 1:46:15
  Speaker 7: lovebirds home to nest. You'll see that I was in
• 1:46:19
  Speaker 7: these lettered lines eloquent, all the more the less sincere
• 1:46:24
  Speaker 7: take it and make an end.
• 1:46:25
  Speaker 10: We're not well to change some words Brita and haphazard. Wise,
• 1:46:29
  Speaker 10: will it fit Roxanne.
• 1:46:31
  Speaker 7: It will fit like a glove. But oh, credulity of love.
• 1:46:35
  Speaker 7: Roxane will think each word inspired by herself.
• 1:46:40
  Speaker 1: My friends, He throws himself into Serrano's arms. They remind us,
• 1:46:45
  Speaker 1: see eleven Serrano, Christian, the gascons, the musquitire Lizy first
• 1:46:51
  Speaker 1: gascon half opening the door.
• 1:46:54
  Speaker 26: Not here the silence of the grave. I dare not look.
• 1:46:57
  Speaker 1: He puts his head in Why entering and seeing Serrano
• 1:47:01
  Speaker 1: and Christian embracing. Oh, this passes all consternation. The musketeer mockingly.
• 1:47:10
  Speaker 6: Oh, our demon has become a saint. Struck on one
• 1:47:14
  Speaker 6: nostro lo he turns the other.
• 1:47:16
  Speaker 13: Then we may speak about his nose. Henceforth, calling to
• 1:47:20
  Speaker 13: Lee's boastfully, uh lise see here sniffing ostentatiously. Oh heavens,
• 1:47:28
  Speaker 13: what a stink going up to Serrano, You, sir, without
• 1:47:31
  Speaker 13: a doubt, have sniffed it up. What is the smell
• 1:47:35
  Speaker 13: of notice.
• 1:47:36
  Speaker 1: Here coughing is head clove heads, general delight. The cadets
• 1:47:42
  Speaker 1: have found the old Serrano again. They turned some assaults,
• 1:47:46
  Speaker 1: curtain and off Act two, Act three Rock songs Kiss
• 1:47:54
  Speaker 1: a small squire in the old Marais Old houses perspective
• 1:48:00
  Speaker 1: of little streets. On the right, Roxa's house and the
• 1:48:05
  Speaker 1: wall of her garden overhung with thick foliage, window and
• 1:48:09
  Speaker 1: balcony over the door, a bench in front. From the
• 1:48:12
  Speaker 1: bench and the stones jetting out of the wall, it
• 1:48:15
  Speaker 1: is easy to climb to the balcony in front of
• 1:48:18
  Speaker 1: an old house in the same style of brake and stone.
• 1:48:21
  Speaker 1: The knocker of this door is bandaged with linen like
• 1:48:24
  Speaker 1: a sore thumb. At the rising of the curtain, the
• 1:48:28
  Speaker 1: Duena is seated on the bench. The window on Roxan's
• 1:48:31
  Speaker 1: balcony is wide open. Raganu is standing near the door
• 1:48:35
  Speaker 1: in a sort of livery. He has just finished relating
• 1:48:38
  Speaker 1: something to the Duena and is wiping his eyes. Seene
• 1:48:43
  Speaker 1: one Raganu, the Duena, then Roxa Syranu, and two pages.
• 1:48:50
  Speaker 18: And then off she went with a musketeer. Deserted and
• 1:48:53
  Speaker 18: ruined too. I would make an end of all, and
• 1:48:56
  Speaker 18: so hanged myself. My last breath was drawn. Then in
• 1:49:00
  Speaker 18: comes Monsieur de Bergerac. He cuts me down and begs
• 1:49:03
  Speaker 18: his cousin to take me for her steward.
• 1:49:05
  Speaker 8: Well, but how came it about that you were thus ruined?
• 1:49:09
  Speaker 18: Oh lies loved the warriors, and I love the poets.
• 1:49:13
  Speaker 18: What cakes there were that Apollo chanced to leave were
• 1:49:15
  Speaker 18: quickly snapped up by Mars. Thus Ruin was not long a.
• 1:49:19
  Speaker 1: Coming, rising and calling up to the open.
• 1:49:22
  Speaker 8: Window, Roxanne, are you ready?
• 1:49:25
  Speaker 1: They wait for us, Roxanne's voice from the window. I will,
• 1:49:28
  Speaker 1: but put me on a cloak to Raguanau, showing him
• 1:49:32
  Speaker 1: the door opposite.
• 1:49:33
  Speaker 8: They wait us their opposite at Clomier's house. She receives
• 1:49:37
  Speaker 8: them all there to day, the precieus, the poets. They
• 1:49:41
  Speaker 8: read a discourse on the tender passion, the tender passion. Aye, indeed,
• 1:49:47
  Speaker 8: calling up to the window, Roxanne, and you come not
• 1:49:50
  Speaker 8: down quickly? We shall miss the discourse on the tender passion.
• 1:49:53
  Speaker 16: I come, I come.
• 1:49:55
  Speaker 1: A sound of screamed instruments approaching Sirrano's voice behind the scenes,
• 1:50:01
  Speaker 1: singing Lana they serenadas, followed by two pages with archloots.
• 1:50:07
  Speaker 7: I tell you they are demi semiquavers, demi semi fool.
• 1:50:12
  Speaker 18: Ironically, you know, then, Sir, to distinguish between semiquavers and
• 1:50:17
  Speaker 18: demi semi quavers.
• 1:50:20
  Speaker 7: Is not every disciple of Gesendhi a musician.
• 1:50:22
  Speaker 1: Playing and singing, whoa snatching the lud from him, and
• 1:50:28
  Speaker 1: going on with the phrase, in.
• 1:50:30
  Speaker 7: Proof of which I can continue, La la, la.
• 1:50:33
  Speaker 1: La, appearing on the balcony, What tis you going on
• 1:50:38
  Speaker 1: with the air and singing to it?
• 1:50:40
  Speaker 7: Tis I who come to Sam and your lilies, and
• 1:50:44
  Speaker 7: a my devoir to your go hos is.
• 1:50:49
  Speaker 11: I am coming down?
• 1:50:50
  Speaker 1: She leaves the balcony, pointing to the pages.
• 1:50:54
  Speaker 8: How come these two virtuos see here?
• 1:50:56
  Speaker 7: Tis for a wager, I one of Desucci. We were
• 1:51:01
  Speaker 7: disputing a nice point in grammar contradictions raised hotly, tis so, no,
• 1:51:07
  Speaker 7: tis so? When suddenly he shows me these two long shanks,
• 1:51:13
  Speaker 7: whom he takes about with him as an escort, and
• 1:51:16
  Speaker 7: who are skillful in scratching ludestrings with their skinny claws.
• 1:51:21
  Speaker 7: I will wager you a day's music, says he, and
• 1:51:25
  Speaker 7: lost it. Thus see you till Phoebus's chariot starts once again.
• 1:51:31
  Speaker 7: These lute twangers are at my heels, seeing all I do,
• 1:51:36
  Speaker 7: hearing all I say, and accompanying all with melody. Twas
• 1:51:41
  Speaker 7: pleasant at first, but if faith I begin to weary
• 1:51:45
  Speaker 7: of it Already to the musicians, ho there go serenade
• 1:51:50
  Speaker 7: montfleerye for me play a dance to him.
• 1:51:53
  Speaker 1: The page is good. Toward the door to the Duenna.
• 1:51:57
  Speaker 7: I have come, as is my wont knightly to ask
• 1:52:01
  Speaker 7: Roxanne whether.
• 1:52:03
  Speaker 1: To the beages who are going out.
• 1:52:05
  Speaker 7: Play a long time and play out of tune to
• 1:52:09
  Speaker 7: the Duena, whether her soul's elected is ever the same,
• 1:52:14
  Speaker 7: ever faultless.
• 1:52:16
  Speaker 1: Coming out of the house.
• 1:52:17
  Speaker 11: Ah, how handsome he is, how brilliant a wit, and
• 1:52:22
  Speaker 11: how well I love him?
• 1:52:24
  Speaker 7: Smiling Christian has so brilliant a wit.
• 1:52:28
  Speaker 11: Brighter than even your own cousin.
• 1:52:30
  Speaker 7: Be it so with all my heart?
• 1:52:33
  Speaker 11: Ah Me thinks twere impossible that there could breathe a
• 1:52:36
  Speaker 11: man on this earth skilled to say as sweetly as
• 1:52:39
  Speaker 11: he all the pretty nothings that mean so much, that
• 1:52:43
  Speaker 11: mean all. At times his mind seems far away, the
• 1:52:47
  Speaker 11: muse says not, and then presto, he speaks bewitchingly, enchantingly, incredulously. No,
• 1:52:55
  Speaker 11: no fine, that is ill said. But love manver thus,
• 1:53:01
  Speaker 11: because he is fair to see, you would have it
• 1:53:03
  Speaker 11: that he must be dull of speech.
• 1:53:05
  Speaker 7: He happened eloquent tongue in telling his love, In.
• 1:53:09
  Speaker 11: Telling his love? Why tis not simple? Telling'tis dissertation? 'tis analysis?
• 1:53:16
  Speaker 7: How is he with the pen.
• 1:53:18
  Speaker 11: Still better listen here, the more of my poor heart
• 1:53:23
  Speaker 11: you take, the larger grows my heart.
• 1:53:27
  Speaker 1: Grand friendly, how like you those lines pooh?
• 1:53:31
  Speaker 11: Un Thus it goes on, And since some target I
• 1:53:35
  Speaker 11: must show for cupid's cruel dart Oh, if mine own
• 1:53:39
  Speaker 11: you deign to keep, then give me your sweetheart.
• 1:53:43
  Speaker 7: Lord first, he has too much than a noon, not enough?
• 1:53:48
  Speaker 7: How much heart does the fellow want?
• 1:53:50
  Speaker 11: You would vex a saint?
• 1:53:52
  Speaker 1: But tis your jealousy stopping?
• 1:53:55
  Speaker 11: What mean you ai your poet's jealousy?
• 1:53:59
  Speaker 7: Hark?
• 1:53:59
  Speaker 11: Now is this again? Be not tender? Sweet my heart
• 1:54:03
  Speaker 11: to yours sounds but one cry. If kisses fast could
• 1:54:07
  Speaker 11: flee by letter, then with your sweet lips my letters
• 1:54:11
  Speaker 11: read should be. If kisses could be writ with ink,
• 1:54:14
  Speaker 11: if kisses fast could.
• 1:54:16
  Speaker 1: Flee, smiling approvingly in spite of himself.
• 1:54:19
  Speaker 7: Ah, those last lines are hm.
• 1:54:23
  Speaker 1: Hmm, correcting himself contemptuously.
• 1:54:27
  Speaker 7: They're poultry enough, and this enchanted. Then you have his
• 1:54:31
  Speaker 7: letters by heart, every one of them, by all old,
• 1:54:35
  Speaker 7: sickingly sworn's flattering.
• 1:54:38
  Speaker 1: They are the lines of a master modestly.
• 1:54:42
  Speaker 7: Come nay, a master, Aye, I say it a master? Good?
• 1:54:47
  Speaker 7: Be it? So?
• 1:54:48
  Speaker 1: The duena coming down quickly.
• 1:54:51
  Speaker 8: Here comes Monsieur de Guiche.
• 1:54:52
  Speaker 1: To Serrano, pushing him toward the house.
• 1:54:55
  Speaker 8: In with you, to where best he see you. Not
• 1:54:58
  Speaker 8: it might perchance put him on the set.
• 1:55:01
  Speaker 11: I of my own dear secret. He loves me and
• 1:55:04
  Speaker 11: is powerful, and if he knew then all were lost, Mary,
• 1:55:09
  Speaker 11: he could well deal a death blow to my love.
• 1:55:12
  Speaker 24: Entering the house, good good, de.
• 1:55:16
  Speaker 1: Guicheius, scene too, Roxa de Guiche, the duena standing a
• 1:55:21
  Speaker 1: little day off, good seeing to de Guiche, I was
• 1:55:24
  Speaker 1: going out.
• 1:55:25
  Speaker 21: I come to take my leave.
• 1:55:27
  Speaker 1: Whither go you to the war?
• 1:55:29
  Speaker 7: Ah?
• 1:55:30
  Speaker 21: I tonight? Oh, I am ordered away? We are to
• 1:55:35
  Speaker 21: besiege Arras, ah to besiege I. My going moves you not,
• 1:55:42
  Speaker 21: meseems nay. I am grieved to the core of the heart.
• 1:55:46
  Speaker 21: Shall I again behold you when I know, not heard you,
• 1:55:51
  Speaker 21: that I am named commander?
• 1:55:53
  Speaker 1: Indifferently Bravo of the Guard's regiment startled, what the guard?
• 1:56:00
  Speaker 28: Ay?
• 1:56:01
  Speaker 21: Where serves your cousin, the swaggering boaster. I will find
• 1:56:05
  Speaker 21: a way to revenge myself on him at Arras choking?
• 1:56:10
  Speaker 7: What mean you?
• 1:56:11
  Speaker 11: The guards go to Arras?
• 1:56:13
  Speaker 21: Bethink you? Is it not my own regiment?
• 1:56:17
  Speaker 1: Falling seated on the bench aside Christian?
• 1:56:20
  Speaker 21: What ails you?
• 1:56:21
  Speaker 7: Oh?
• 1:56:22
  Speaker 11: I am in despair, the man one loves at.
• 1:56:25
  Speaker 1: The war, surprised and delighted.
• 1:56:28
  Speaker 21: You say such sweet words to me? Tis the first time,
• 1:56:33
  Speaker 21: and just when I must quit.
• 1:56:35
  Speaker 1: You collected and fanning herself.
• 1:56:37
  Speaker 11: Thus you would fain revenge. Your grudge against my cousin.
• 1:56:41
  Speaker 1: My fair lady is on his side, Nay against him.
• 1:56:46
  Speaker 21: Do you see him often?
• 1:56:47
  Speaker 11: But very rarely?
• 1:56:49
  Speaker 21: He is ever to be met now in company with
• 1:56:52
  Speaker 21: one of the cadets, one new villain, Villaire.
• 1:56:58
  Speaker 11: Of high stature, fair haired iy, a redheaded fellow.
• 1:57:04
  Speaker 21: Handsome tut but dull witted.
• 1:57:07
  Speaker 1: One would think so to look at him, ching Han,
• 1:57:11
  Speaker 1: how mean you.
• 1:57:11
  Speaker 11: To play your revenge on Cyrano? Perchance you think to
• 1:57:15
  Speaker 11: put him in the thick of the shots. Nay, believe
• 1:57:18
  Speaker 11: me that were a poor vengeance. He would love such
• 1:57:21
  Speaker 11: a post better than aught else. I know the way
• 1:57:25
  Speaker 11: to wound his pride.
• 1:57:26
  Speaker 1: Far more keenly, What then, tell if.
• 1:57:30
  Speaker 11: When the regiment marched to aras, he were left here
• 1:57:33
  Speaker 11: with his beloved boon companions the cadets, to sit with
• 1:57:36
  Speaker 11: crossed arms, so long as the war lasted. There is
• 1:57:40
  Speaker 11: your method. Would you enrage man of his kind, cheat
• 1:57:43
  Speaker 11: him of his chance of mortal danger? And you punish
• 1:57:46
  Speaker 11: him right fiercely?
• 1:57:47
  Speaker 21: Coming nearer O woman, woman, who but a woman had
• 1:57:52
  Speaker 21: air devised so subtle a trick?
• 1:57:55
  Speaker 26: See you not?
• 1:57:56
  Speaker 11: How he will eat out his heart while his friends
• 1:57:58
  Speaker 11: gnaw their thick fists that they are deprived of the battle.
• 1:58:02
  Speaker 11: So are you best avenged?
• 1:58:04
  Speaker 21: You love me? Then a little I would fain seeing you?
• 1:58:10
  Speaker 21: Thus espousely calls Roxanne. Believe it a proof of love?
• 1:58:15
  Speaker 11: Tis a proof of love.
• 1:58:16
  Speaker 1: Showing some sealed.
• 1:58:17
  Speaker 21: Papers, Here are the marching orders. They will be sent
• 1:58:22
  Speaker 21: instantly to each company.
• 1:58:24
  Speaker 1: Except he didduches one.
• 1:58:26
  Speaker 21: This one tis that of the cadets.
• 1:58:30
  Speaker 1: He puts it in his pocket.
• 1:58:31
  Speaker 21: This I keep laughing, ha ha ha cir no no,
• 1:58:36
  Speaker 21: his love of battle. So you can play tricks on people,
• 1:58:41
  Speaker 21: you of all.
• 1:58:42
  Speaker 1: Ladies, sometimes coming close to her.
• 1:58:46
  Speaker 21: Oh, how I love you to distraction. Listen tonight. True
• 1:58:52
  Speaker 21: I ought to start, But how leave you now that
• 1:58:57
  Speaker 21: I feel your heart is touched hard? Bar In the
• 1:59:01
  Speaker 21: Rue d'Orleans is a convent founded by Father Athanasius, the
• 1:59:06
  Speaker 21: syndic of the Capuchins. True that no layman may enter,
• 1:59:10
  Speaker 21: But I can settle that with the good fathers. Their
• 1:59:14
  Speaker 21: habit sleeves are wide enough to hide me in tis
• 1:59:17
  Speaker 21: they who serve Richelieu's private chapel. And from respect to
• 1:59:22
  Speaker 21: the uncle, fear the nephew, all will deem me gone.
• 1:59:26
  Speaker 21: I will come to you masked. Give me leave to
• 1:59:30
  Speaker 21: wait till tomorrow. Sweet lady fanciful.
• 1:59:33
  Speaker 11: But if this be rumored, your glory bah, but the siege.
• 1:59:39
  Speaker 21: Erras twill take its chance. Grant but permission, No, give
• 1:59:45
  Speaker 21: me leave.
• 1:59:47
  Speaker 11: It were my duty to forbid you.
• 1:59:50
  Speaker 1: Ah, you must go aside.
• 1:59:53
  Speaker 11: Christiansty is here allowed. I would have you heroic and.
• 1:59:58
  Speaker 21: One, oh heavenly word you love?
• 2:00:02
  Speaker 1: Then him for whom I trembled in an ecstasy.
• 2:00:07
  Speaker 3: Ah, I go.
• 2:00:08
  Speaker 1: Then he kisses her hand.
• 2:00:10
  Speaker 21: Are you conchente?
• 2:00:11
  Speaker 11: Yes, my friend.
• 2:00:13
  Speaker 1: He goes out, the duena, making behind us back a
• 2:00:16
  Speaker 1: mocking courtesy, Yes, my friend to the duena.
• 2:00:20
  Speaker 11: Not a word of what I've done. Sirrano would never
• 2:00:24
  Speaker 11: pardon me for stealing his fighting from him.
• 2:00:26
  Speaker 1: She calls toward the house cousin Scene three ROXA the
• 2:00:31
  Speaker 1: Duena Serrano, we.
• 2:00:33
  Speaker 11: Are going to Klomire's house.
• 2:00:35
  Speaker 1: She points to the door opposite.
• 2:00:37
  Speaker 11: Alcandra and Lessimon are to discourse.
• 2:00:40
  Speaker 1: Putting a little finger in her ear.
• 2:00:42
  Speaker 8: Yes, but my little finger tells me we shall miss them.
• 2:00:46
  Speaker 7: Poor pity to miss such apes.
• 2:00:48
  Speaker 1: They have come to Colomide's door.
• 2:00:50
  Speaker 8: Oh see, the knocker is muffled.
• 2:00:52
  Speaker 1: Up speaking to the knocker.
• 2:00:54
  Speaker 8: So they have gagged that metal tongue of yours, little
• 2:00:57
  Speaker 8: noisy one, lest it should disturb the fine orators.
• 2:01:00
  Speaker 1: She lifts it carefully and knocks with precaution. Seeing that
• 2:01:04
  Speaker 1: the door opens, let us enter on the threshold to Serrano.
• 2:01:09
  Speaker 11: If Christian comes, as I feel sure he will bid him, wait.
• 2:01:12
  Speaker 1: For me quickly. As she is going in, listen, She turns.
• 2:01:16
  Speaker 7: What mean you to question him on? Is? If you
• 2:01:19
  Speaker 7: won't tonight? Oh? Eagerly, well say, but you.
• 2:01:24
  Speaker 11: Will be mute.
• 2:01:25
  Speaker 7: Mute is a fish.
• 2:01:26
  Speaker 11: I shall not question him at all, but say, give
• 2:01:29
  Speaker 11: rein to your fancy. Prepare not your speeches, but speak
• 2:01:33
  Speaker 11: the thoughts as they come. Speak to me of love,
• 2:01:36
  Speaker 11: and speak splendidly, smiling.
• 2:01:39
  Speaker 7: Very good, but secret, secret, not a word.
• 2:01:43
  Speaker 1: She enters and shuts the door. When the door is shut, bowing.
• 2:01:48
  Speaker 29: To her a thousand thanks, the door.
• 2:01:51
  Speaker 1: Opens again, and Rosa puts her head out.
• 2:01:54
  Speaker 11: Lest she prepare himself the devil.
• 2:01:57
  Speaker 7: No, no secret.
• 2:01:59
  Speaker 1: The door shuts Colin Christian. Scene for said, anno Christian,
• 2:02:05
  Speaker 1: I know all.
• 2:02:06
  Speaker 7: That is needful. Here's occasion for you to deck yourself
• 2:02:10
  Speaker 7: with glory. Come lose no time. Put away those sulky looks.
• 2:02:15
  Speaker 7: Come to your house with me.
• 2:02:16
  Speaker 32: I'll teach you no why I will wait for Roxanne
• 2:02:20
  Speaker 32: here how crazy. Come quick with me and learn no No,
• 2:02:25
  Speaker 32: I say, I am.
• 2:02:27
  Speaker 10: A weary of these borrowed letters, borrowed love makings. Thus
• 2:02:31
  Speaker 10: to act apart and tremble all the time. Twas well
• 2:02:34
  Speaker 10: enough at the beginning. Now I know she loves I
• 2:02:38
  Speaker 10: fear no longer. I will speak myself.
• 2:02:40
  Speaker 7: Mercy, And how know you I cannot speak.
• 2:02:43
  Speaker 10: I am not such a fool. When all this said,
• 2:02:46
  Speaker 10: I buy your lessons profited. You'll see I shall know
• 2:02:50
  Speaker 10: how to speak alone. The devil I know at least
• 2:02:53
  Speaker 10: a clasp her in my arms.
• 2:02:55
  Speaker 1: Seeing rouxin come on from pramirezos it is she runner.
• 2:03:00
  Speaker 1: Now leave me not bowing.
• 2:03:03
  Speaker 7: Speak for yourself, my friend, and take your chance.
• 2:03:07
  Speaker 1: He disappears behind the garden wall. Scene five, Christia Roxa
• 2:03:13
  Speaker 1: the Duena coming out of Colomiree's house with a company
• 2:03:17
  Speaker 1: of friends, whom she leaves bows and goodbyes.
• 2:03:20
  Speaker 11: Partna weed Alcandra.
• 2:03:23
  Speaker 1: Gremione, bitterly disappointed we've.
• 2:03:26
  Speaker 8: Missed the speech. Upon the tender Passion.
• 2:03:29
  Speaker 1: Goes into Roxann's house, still bowing Arima, doant adieu, all
• 2:03:34
  Speaker 1: about Roxa and to each other, and then separate, going
• 2:03:38
  Speaker 1: up different streets. Roxa suddenly seeing Christia you, she goes
• 2:03:42
  Speaker 1: to him.
• 2:03:43
  Speaker 11: Evening falls. Let's sit speak on I listen.
• 2:03:50
  Speaker 1: Sits by her on the bench, a silence. Oh, I
• 2:03:53
  Speaker 1: love you, shutting her eyes.
• 2:03:56
  Speaker 11: I speak to me of love.
• 2:03:58
  Speaker 26: I love thee.
• 2:03:59
  Speaker 11: That it's the theme. But vary it, I vary it.
• 2:04:04
  Speaker 11: I love you so, oh, without doubt. And then and
• 2:04:09
  Speaker 11: then I should.
• 2:04:10
  Speaker 10: Be oh so glad, so glad if you would love me, Roxanne,
• 2:04:16
  Speaker 10: tell me so.
• 2:04:17
  Speaker 1: With the little grimace I hoped for cream, You give
• 2:04:21
  Speaker 1: me gruel.
• 2:04:23
  Speaker 11: Say how love possesses you? Oh, utterly, come, come, and
• 2:04:28
  Speaker 11: not those tangled sentiments your throats.
• 2:04:31
  Speaker 10: I'd kiss it, Christian, I.
• 2:04:33
  Speaker 1: Love thee half rising again eagerly her No, no, I
• 2:04:38
  Speaker 1: love thee, not herself.
• 2:04:41
  Speaker 11: Tis well, but I adore thee.
• 2:04:43
  Speaker 1: Rising and going further off.
• 2:04:45
  Speaker 11: Oh, I am grown stupid, and that displeases me almost
• 2:04:50
  Speaker 11: as much as twould displease me if you grew ill favored.
• 2:04:53
  Speaker 11: But rally your poor eloquence, that's flown.
• 2:04:56
  Speaker 10: I yes, you love me, that I know.
• 2:05:00
  Speaker 1: She goes toward her house. Oh yet I tell you
• 2:05:04
  Speaker 1: opening the door.
• 2:05:06
  Speaker 11: You adore me. I've heard it very oft.
• 2:05:08
  Speaker 10: No go away, but I would faint.
• 2:05:11
  Speaker 1: She shuts the door in his face. Serrano, who has
• 2:05:15
  Speaker 1: re entered unseen. If faith it is successful, Scene six,
• 2:05:20
  Speaker 1: Christian Serrano. Two pages come to my aid, not I,
• 2:05:25
  Speaker 1: but I shall die.
• 2:05:26
  Speaker 10: And I said once I went back her fair favor.
• 2:05:28
  Speaker 7: And how could I at once? Is the devil's name?
• 2:05:32
  Speaker 1: Listen you in seizing a psalm.
• 2:05:34
  Speaker 8: Oh she is there.
• 2:05:36
  Speaker 1: The window of the balcony is now lighted.
• 2:05:38
  Speaker 7: Up her window. Oh, I shall die, speak low, I
• 2:05:42
  Speaker 7: shall die. The night is dark. Well, all can be prepared,
• 2:05:47
  Speaker 7: although you merit. Not stand there, poor wretch, fronting the balcony.
• 2:05:52
  Speaker 7: I'll go beneath and prompt your words to you. But
• 2:05:56
  Speaker 7: hold your tongue.
• 2:05:57
  Speaker 1: First page, second page, reappearing at back. O hush, He
• 2:06:02
  Speaker 1: signs to them to speak softly in a low voice.
• 2:06:06
  Speaker 11: We played the serenade.
• 2:06:07
  Speaker 7: You bade montfloy go lurking ambush there one at this
• 2:06:12
  Speaker 7: street corner? And when at that and if a passerby
• 2:06:15
  Speaker 7: should hear it? Rude? Play you a tune?
• 2:06:18
  Speaker 24: What tune, sir gasendist gay?
• 2:06:20
  Speaker 7: If a woman comes for a man sad.
• 2:06:24
  Speaker 1: The pages disappear, one at each street corner to Christian
• 2:06:28
  Speaker 1: call her ro San picking up stones and throwing them
• 2:06:32
  Speaker 1: at the window some pebbles. Wait a while, half opening
• 2:06:36
  Speaker 1: the casement, Who calls me?
• 2:06:38
  Speaker 11: I who's that?
• 2:06:40
  Speaker 10: Christian?
• 2:06:41
  Speaker 28: Oh you?
• 2:06:42
  Speaker 10: I would speak with you.
• 2:06:44
  Speaker 1: Under the balcony to Christian good speak soft and low.
• 2:06:50
  Speaker 11: No, you speak stupidly, Oh pity may no, you love
• 2:06:55
  Speaker 11: me no more?
• 2:06:56
  Speaker 1: Prompt at by Sirrano.
• 2:06:58
  Speaker 10: You say, great Heaven, I love no more? When I
• 2:07:03
  Speaker 10: love more and.
• 2:07:04
  Speaker 1: More Roxa, who was about to shut the casement, pausing.
• 2:07:08
  Speaker 11: Hold tis a trifle better?
• 2:07:12
  Speaker 1: I a trifle saimply.
• 2:07:14
  Speaker 10: Love grew apace rocked by the anxious beating of this
• 2:07:20
  Speaker 10: poor heart, which the cruel wanton boy took for a cradle.
• 2:07:25
  Speaker 1: Coming out onto the balcony.
• 2:07:27
  Speaker 26: That is better.
• 2:07:29
  Speaker 11: But and if you deem the cupid be so cruel,
• 2:07:33
  Speaker 11: you should have stifled baby.
• 2:07:35
  Speaker 10: Love in this cradle, same plea ah, Madam, I essayed,
• 2:07:40
  Speaker 10: but all in vain. This newborn babe is a young Hercules.
• 2:07:46
  Speaker 1: Still better sam ply.
• 2:07:49
  Speaker 10: Thus he strangled in my heart the serpent twains of
• 2:07:53
  Speaker 10: pride and doubts.
• 2:07:55
  Speaker 1: Leaning over the balcony, well said, But why so faltering?
• 2:08:01
  Speaker 11: Has mental palsy seized on your faculty?
• 2:08:03
  Speaker 1: Imaginative drawing Christian under the balcony and slipping into his place.
• 2:08:08
  Speaker 7: Give place. This wax is critical.
• 2:08:12
  Speaker 11: Today your words are hesitating.
• 2:08:14
  Speaker 1: Immediately Christian in a whisper night has come in the dusk.
• 2:08:19
  Speaker 7: They grope their way to find your ear, But.
• 2:08:23
  Speaker 11: My words find no such impediment.
• 2:08:25
  Speaker 7: They find their way at once. Small wonder that for
• 2:08:29
  Speaker 7: tis within my heart they find their home. Bethink, how
• 2:08:34
  Speaker 7: large my heart, how small your ear? And from fair heights,
• 2:08:39
  Speaker 7: descending words fall fast, But mine must mount, Madam, And
• 2:08:45
  Speaker 7: that takes time.
• 2:08:46
  Speaker 11: Meseems that your last words have learned to climb.
• 2:08:50
  Speaker 7: With practice, such gymnastics grows less hard.
• 2:08:54
  Speaker 11: In truth, I seem to speak from distant heights.
• 2:08:57
  Speaker 7: True, far above such a height, toward death. If a
• 2:09:02
  Speaker 7: hard word from you fell on my heart.
• 2:09:05
  Speaker 1: Mooing, I will come down no, showing him the bench
• 2:09:09
  Speaker 1: under the balcony mount, then on the bench, stopping back alone. No,
• 2:09:14
  Speaker 1: how you will not more and more moved.
• 2:09:17
  Speaker 7: Stay awhile tis sweet, the rare occasion when our hearts
• 2:09:22
  Speaker 7: can speak ourselves unseen, unseeing.
• 2:09:26
  Speaker 11: Why unseen?
• 2:09:28
  Speaker 7: Ay? It is sweet, half hidden, half revealed. You see
• 2:09:33
  Speaker 7: the dark folds of my shrouding cloak, and I the
• 2:09:37
  Speaker 7: glimmering whiteness of your dress. Aye, But a shadow you
• 2:09:41
  Speaker 7: her radiance? Fair, know you what such a moment holds
• 2:09:45
  Speaker 7: for me? If ever I were eloquent, you were yet
• 2:09:50
  Speaker 7: never till to night my speech has sprung straight from
• 2:09:54
  Speaker 7: my heart as now it springs. Why not till now
• 2:09:58
  Speaker 7: I spoke halphazard? What your eyes have beams that turn
• 2:10:03
  Speaker 7: men dizzy? But tonight methinks I shall find speech for
• 2:10:07
  Speaker 7: the first time.
• 2:10:09
  Speaker 11: Tis true? Your voice rings with a tone that's.
• 2:10:11
  Speaker 7: New coming nearer, Aye, a new tone in the tender,
• 2:10:16
  Speaker 7: sheltering desk. I dare to be myself for once at last?
• 2:10:20
  Speaker 1: He stops for us.
• 2:10:22
  Speaker 7: What say I I know not? Oh, pardon me? It
• 2:10:25
  Speaker 7: thrills me. Tis so sweet, so novel?
• 2:10:28
  Speaker 11: How so novel?
• 2:10:30
  Speaker 1: Off as balance, trying to find the thread of his sentence.
• 2:10:34
  Speaker 7: Ay, to be at last sincere till now my chilled heart,
• 2:10:38
  Speaker 7: fearing to be mocked, mocked, and for what for its
• 2:10:43
  Speaker 7: mad beating? Ay, my heart has clothed itself with witty words.
• 2:10:48
  Speaker 7: Who shroud itself from curious eyes? Impelled at times to
• 2:10:53
  Speaker 7: aim at a star, I stay my hand, and, fearing ridicule,
• 2:10:58
  Speaker 7: cull a wild flower.
• 2:11:00
  Speaker 11: A wild flowers sweet?
• 2:11:02
  Speaker 7: Aye, But tonight the star.
• 2:11:06
  Speaker 11: Oh, never have you spoken thus before?
• 2:11:09
  Speaker 7: If leaving Cupid's arrows quivers torches, we turn to seek
• 2:11:15
  Speaker 7: for sweeter, fresher things, instead of sipping in a pigmy
• 2:11:20
  Speaker 7: glass dull fashionable waters. Did we try how the soul
• 2:11:25
  Speaker 7: slakes its thirst in fearless drought by drinking from the
• 2:11:29
  Speaker 7: river's flooding brim. But wit, if I have used it
• 2:11:34
  Speaker 7: to arrest you at the first starting, now, twould be
• 2:11:37
  Speaker 7: an outrage, an insult to the perfumed night, to nature,
• 2:11:42
  Speaker 7: to speak fine words that garnish vain love letters. Look up,
• 2:11:47
  Speaker 7: but at her stars, the quiet heaven will ease our hearts.
• 2:11:51
  Speaker 7: Of all things artificial, I fear lest amidst the alchemy,
• 2:11:56
  Speaker 7: were skilled in the truth of sentiment, dissolve and vanish
• 2:12:01
  Speaker 7: the soul exhausted by these empty pastimes. The gain of
• 2:12:05
  Speaker 7: fine things be the loss of all things. But wit,
• 2:12:10
  Speaker 7: I say, in love tis crime, tis hateful, turning frank
• 2:12:16
  Speaker 7: loving into subtle fencing. At last, the moment comes inevitable.
• 2:12:21
  Speaker 7: Oh woe for those who never knows at the moment
• 2:12:25
  Speaker 7: when feeling love exists in us ennobling each well weighed
• 2:12:31
  Speaker 7: word is futile and soul sadity.
• 2:12:35
  Speaker 11: Well, if that moment's come for us, suppose it. What
• 2:12:40
  Speaker 11: words would serve you?
• 2:12:42
  Speaker 7: Oh, oh, oh, whatever that came to me, even as
• 2:12:48
  Speaker 7: they came, I'd fling them in a wild cluster, not
• 2:12:52
  Speaker 7: a careful bouquet. I'd love THEE. I'm mad, I love,
• 2:12:56
  Speaker 7: I stifle. Thy name is in my heart as in
• 2:13:00
  Speaker 7: a sheep bell, and as I ever tremble thinking of THEE.
• 2:13:04
  Speaker 7: Ever the bell shakes, ever thy name ringeth all things
• 2:13:09
  Speaker 7: of thine I mind, for I love all things. I
• 2:13:14
  Speaker 7: know that last year, on the twelfth of May, month
• 2:13:17
  Speaker 7: to walk abroad one day, you changed your hair plaits.
• 2:13:21
  Speaker 7: I am so used to take your hair for daylight,
• 2:13:24
  Speaker 7: that like as when the eye stares in the sun's disk,
• 2:13:28
  Speaker 7: one sees long after a red blot on all things.
• 2:13:34
  Speaker 7: So when I quit thy beams, my dazzled vision sees
• 2:13:37
  Speaker 7: upon all things a blonde stain imprinted. Why this is love, indeed,
• 2:13:44
  Speaker 7: aye true, the feeling which feels me terrible and jealous,
• 2:13:49
  Speaker 7: truly love, which is ever sad amid its transports love,
• 2:13:55
  Speaker 7: and yet strangely not a selfish passion. I, for your joy,
• 2:14:00
  Speaker 7: would gladly lay mine own down, even though you never
• 2:14:05
  Speaker 7: were to know it. Never if but at times I
• 2:14:09
  Speaker 7: might far off and lonely. Here's some gay echo of
• 2:14:13
  Speaker 7: the joy I bought you. Each glance of thine awakes
• 2:14:17
  Speaker 7: in me a virtue, a novel unknown valor dost begin
• 2:14:23
  Speaker 7: sweet to understand? So late dost understand me? Feel'st thou
• 2:14:29
  Speaker 7: my soul here through the darkness mounting too fair, the
• 2:14:35
  Speaker 7: night too fair, too fair, the moment that I should
• 2:14:41
  Speaker 7: speak thus, and that you should hearken too fair, in
• 2:14:47
  Speaker 7: moments when my hopes rose proudest I never hoped such garden.
• 2:14:54
  Speaker 7: Naught is left me but to die. Now have words
• 2:14:58
  Speaker 7: of mine the power to make you tremble? Throwned there
• 2:15:02
  Speaker 7: in the branches, I like a leaf among the leaves
• 2:15:05
  Speaker 7: who tremble you tremble, for I feel and if you
• 2:15:11
  Speaker 7: will it or will it not your hands? But love
• 2:15:14
  Speaker 7: it trembling thrill through the branches, down your sprays of jasmine.
• 2:15:20
  Speaker 1: It kisses passionately, one of the hanging tendrils.
• 2:15:23
  Speaker 11: I I am trembling, weeping. I am thine. Thou hast
• 2:15:31
  Speaker 11: conquered all of me.
• 2:15:33
  Speaker 7: Then let death come tis I tis I myself who
• 2:15:40
  Speaker 7: conquered thee one thing, but one I dare to ask.
• 2:15:46
  Speaker 1: Under the balcony a kiss, drawing back, what oh you ask?
• 2:15:52
  Speaker 1: I to Christian?
• 2:15:54
  Speaker 9: This money fool?
• 2:15:55
  Speaker 7: You go too quick?
• 2:15:57
  Speaker 10: Since she's thus moved, I will profit by it.
• 2:16:00
  Speaker 7: To Roxa, my words sprang thoughtlessly. But now I see
• 2:16:05
  Speaker 7: shame on me. I was too presumptuous, a little chilled.
• 2:16:11
  Speaker 11: How quickly you withdraw?
• 2:16:13
  Speaker 7: Yes? I withdraw without withdrawing hurt? Iime modesty?
• 2:16:19
  Speaker 29: If so?
• 2:16:21
  Speaker 7: The kiss I asked, Oh, granted.
• 2:16:24
  Speaker 1: Not to Sirrano, pulling him by his cloak.
• 2:16:27
  Speaker 7: Why silence, Christian, hush leaning over what whisper you? I
• 2:16:33
  Speaker 7: chid myself for my two bold advances, said silence Christian.
• 2:16:39
  Speaker 1: The lutes begin to play.
• 2:16:41
  Speaker 7: Hark wait awhile steps come.
• 2:16:44
  Speaker 1: Roxa shuts the window Siana listens to the lutes, one
• 2:16:48
  Speaker 1: of which plays a merry, the other a man in
• 2:16:51
  Speaker 1: cooly tune.
• 2:16:52
  Speaker 7: Why they play sad then gay, then sad? What neither
• 2:16:57
  Speaker 7: man nor woman?
• 2:16:59
  Speaker 29: Oh?
• 2:17:00
  Speaker 1: A monk enter A cappuchin fryar with a lantern. He
• 2:17:05
  Speaker 1: goes from house to house, looking at every door. Scene
• 2:17:09
  Speaker 1: seven Sirrano Christian, A cappuchin fryar to the friar.
• 2:17:15
  Speaker 7: What do you playing at, Diogenes, I seek the house
• 2:17:19
  Speaker 7: of Madam, oh plague taken, Madeline Robine?
• 2:17:25
  Speaker 1: What would a pointing to a street at the back
• 2:17:28
  Speaker 1: this way straight on?
• 2:17:30
  Speaker 19: I thank you, and in your intention will tell my
• 2:17:34
  Speaker 19: rosary to its last speed.
• 2:17:37
  Speaker 7: He goes out, Good luck, my blessings rest upon your cowl.
• 2:17:42
  Speaker 1: He goes back to Christian. Scene eight Sirrano Christian.
• 2:17:48
  Speaker 10: A win for me that kiss no sooner late tis true?
• 2:17:53
  Speaker 7: The moment of intoxication of madness, when your mouths are
• 2:17:58
  Speaker 7: sure to meet thanks to your fair mustache and her
• 2:18:02
  Speaker 7: rose lips to himself. Right, feinner it should come thanks to.
• 2:18:07
  Speaker 1: A sound of shutters reopening. Christian goes in again under
• 2:18:11
  Speaker 1: the balcony. Scene nine Serano Christian roxa coming out on
• 2:18:18
  Speaker 1: the balcony.
• 2:18:19
  Speaker 11: Still there we spoke of a kiss.
• 2:18:23
  Speaker 7: The word is sweet. I see not why your lip
• 2:18:27
  Speaker 7: should shrink from it. If the word burns it, what
• 2:18:31
  Speaker 7: would the kiss do? Oh? Let it not your bashfulness affright?
• 2:18:37
  Speaker 7: Have you not all this time insensibly left badinage aside
• 2:18:43
  Speaker 7: and unalarmed, glided from smile to sigh, from sigh to weeping,
• 2:18:50
  Speaker 7: glide gently, imperceptibly, still onward, from tear to kiss. A
• 2:18:58
  Speaker 7: moment's thrill, a heart beat, Hush, hush, a kiss when
• 2:19:04
  Speaker 7: all is said, What is it? An oath that's ratified,
• 2:19:09
  Speaker 7: A sealed promise, a heart's avowel claiming confirmation, a rose
• 2:19:16
  Speaker 7: dot on the eye of adoration, A secret that to
• 2:19:21
  Speaker 7: mouth not ear, is whispered brush of a bee's wing.
• 2:19:26
  Speaker 7: It makes time, eternal communion, perfumed like the spring's wild flowers.
• 2:19:34
  Speaker 7: The heart's relieving in the heart's out breathing went to
• 2:19:37
  Speaker 7: the lips. The soul's flood rises brimming. Hush, hush, a kiss,
• 2:19:45
  Speaker 7: Madame is honorable. The Queen of France to a most
• 2:19:50
  Speaker 7: favored lord, did grant a kiss. The Queen herself, then,
• 2:19:57
  Speaker 7: speaking more warmly, Buckingham offered, dumbly, so have I adore
• 2:20:03
  Speaker 7: his queen as loyally as I was, sad but faithful,
• 2:20:09
  Speaker 7: So am.
• 2:20:10
  Speaker 33: I and you are fai is buckingham Aside suddenly cooled true,
• 2:20:17
  Speaker 33: I forgot must I then bid the mount to call
• 2:20:21
  Speaker 33: this flower.
• 2:20:22
  Speaker 1: Pushing Christian toward the balcony.
• 2:20:24
  Speaker 11: Mount, this heart breathing mount, this brush of bee's wing.
• 2:20:30
  Speaker 1: Mount hesitating.
• 2:20:33
  Speaker 10: But I feel now as thou tower ill done this
• 2:20:36
  Speaker 10: moment infinite.
• 2:20:38
  Speaker 1: Still pushing him, come blockhead mount. Christian springs forward, and
• 2:20:44
  Speaker 1: by means of the bench, the branches and the pillars,
• 2:20:47
  Speaker 1: climbs to the balcony and strides over it.
• 2:20:50
  Speaker 10: Ah Roxanne.
• 2:20:52
  Speaker 1: He takes her in his arms and bends over her lips.
• 2:20:55
  Speaker 11: A.
• 2:20:57
  Speaker 7: Strange pain that wrings my heart. The kiss loves feast
• 2:21:05
  Speaker 7: so near I Lazarus lie at the gate in darkness.
• 2:21:13
  Speaker 7: Yet to me falls still a crow or two than
• 2:21:16
  Speaker 7: the rich man's board. I tis my heart receives the
• 2:21:22
  Speaker 7: rock sand nine for on the lips you press, you
• 2:21:27
  Speaker 7: kiss as well the words I spoke, just now, my words,
• 2:21:33
  Speaker 7: my words. The lutes play a sad air, a gay air.
• 2:21:38
  Speaker 1: The monk he begins to run, as if he came
• 2:21:41
  Speaker 1: from a long way off, and cries out.
• 2:21:44
  Speaker 7: Hola, who is it? I I was? But passing by?
• 2:21:49
  Speaker 7: Is Christian there?
• 2:21:50
  Speaker 1: Astonished Serrana, good day, cousin, cousin, good day, I'm coming.
• 2:21:57
  Speaker 1: She disappears into the house at the back, re enter
• 2:22:00
  Speaker 1: the friar, seeing him back again, he follows Roxa scene
• 2:22:06
  Speaker 1: ten Serrano, Christian Roxa the friar. Raganu tis here.
• 2:22:12
  Speaker 19: I'm sure of it, Madame Madeline Rubine.
• 2:22:17
  Speaker 7: Why you said row Land?
• 2:22:20
  Speaker 11: No?
• 2:22:21
  Speaker 1: Not I b I m bean Roxa appearing on the threshold,
• 2:22:28
  Speaker 1: followed by Raganu, who carries a lantern and Christian.
• 2:22:31
  Speaker 19: What is a letter?
• 2:22:33
  Speaker 1: What to Roxan?
• 2:22:35
  Speaker 19: Oh, it can boot but a holy business tis from
• 2:22:39
  Speaker 19: a worthy lord.
• 2:22:41
  Speaker 1: To Christian de guiche.
• 2:22:43
  Speaker 11: He does, Oh, he will not importune me forever.
• 2:22:47
  Speaker 1: Unseeling the letter, I love you. Therefore, she reads in
• 2:22:52
  Speaker 1: a low voice, by the aid of Raganu's lantern.
• 2:22:55
  Speaker 11: Lady, the drums beat. My regiment buckles its harness on
• 2:23:00
  Speaker 11: and starts. But I they deem me gone before, but
• 2:23:04
  Speaker 11: I stay. I have dared to disobey your mandate. I'm
• 2:23:09
  Speaker 11: here in convent walls. I come to you to night
• 2:23:13
  Speaker 11: by this poor monk, a simple fool who knows not
• 2:23:16
  Speaker 11: what he bears. I send this missive to apprize your ear,
• 2:23:21
  Speaker 11: your lips awhile have smiled on me too, sweet, I
• 2:23:25
  Speaker 11: go not ere. I've seen them once again. I would
• 2:23:28
  Speaker 11: be private. Send each soul away, receive alone hymn whose
• 2:23:32
  Speaker 11: great boldness you have deigned. I hope to pardon ere.
• 2:23:35
  Speaker 11: He asks he who is ever your et cetera, to
• 2:23:39
  Speaker 11: the monk father, this is the matter of the letter.
• 2:23:42
  Speaker 1: All come near her, and she reads aloud.
• 2:23:45
  Speaker 11: Lady, the Cardinal's wish is law, albeit it be to
• 2:23:49
  Speaker 11: you unwelcome for this cause, I send these lines to
• 2:23:54
  Speaker 11: your fair ear, addressed by a holy man, discreet, intelligent.
• 2:23:59
  Speaker 11: It is it is our will that you receive from
• 2:24:01
  Speaker 11: him in your own house the marriage.
• 2:24:04
  Speaker 1: She turns the page an aediction straightway.
• 2:24:08
  Speaker 11: This night, unknown to all the world, Christian becomes your husband.
• 2:24:14
  Speaker 11: Him we send, he is abhorrent to your choice. Let
• 2:24:18
  Speaker 11: be resign yourself, and this obedience will be by Heaven
• 2:24:22
  Speaker 11: well recompensed. Receive, fair lady, all assurance of respect from
• 2:24:26
  Speaker 11: him whoever was and still remains. You're humble and obliged,
• 2:24:30
  Speaker 11: et cetera.
• 2:24:31
  Speaker 19: With great delight, O worthy Lord, I knew nought was
• 2:24:36
  Speaker 19: to fear it could be but holy business?
• 2:24:40
  Speaker 1: To Christia in a low voice, am I not apt
• 2:24:44
  Speaker 1: at reading letters hum aloud with despair?
• 2:24:48
  Speaker 11: But this is horrible.
• 2:24:50
  Speaker 1: The friar who has turned his lantern on Sarano, tis
• 2:24:54
  Speaker 1: you tis I turning the light onto him, and as
• 2:24:58
  Speaker 1: if a doubt struck him on seeing his beauty. But
• 2:25:01
  Speaker 1: quickly I have overlooked the PostScript.
• 2:25:04
  Speaker 11: See give twenty pistol for the convent.
• 2:25:07
  Speaker 19: Oh, most worthy Lord, to Roxa, submit you with a
• 2:25:13
  Speaker 19: martyrs look.
• 2:25:14
  Speaker 11: I submit.
• 2:25:16
  Speaker 1: While Ragunu opens the door and Christian invites the friar
• 2:25:20
  Speaker 1: to enter, she whispers to Surano, Oh, keep.
• 2:25:23
  Speaker 11: To Guiche pey, he will be here.
• 2:25:25
  Speaker 7: Let him not enter till I understand. To the friar,
• 2:25:29
  Speaker 7: what time need you to tie the marriage?
• 2:25:32
  Speaker 19: Not a quarter of an hour?
• 2:25:34
  Speaker 1: Pushing them all toward the house, go I stay to Christian.
• 2:25:39
  Speaker 1: Come they enter?
• 2:25:41
  Speaker 7: Now? How to detain de Guiche?
• 2:25:44
  Speaker 1: So long he jumps on the bench, climbs to the
• 2:25:46
  Speaker 1: balcony by.
• 2:25:47
  Speaker 7: The wall, Come up, I go, I have my plan.
• 2:25:51
  Speaker 1: The lutes begin to play a very sad air. What
• 2:25:55
  Speaker 1: ho The tremolo grows more and more weird.
• 2:25:58
  Speaker 7: It is a mantis a man.
• 2:26:01
  Speaker 1: This time he is on the balcony, pulls his hat
• 2:26:04
  Speaker 1: over his eyes, takes off his sword, wraps himself in
• 2:26:06
  Speaker 1: his cloak, then leans over.
• 2:26:09
  Speaker 7: He is not too high.
• 2:26:11
  Speaker 1: He strides across the balcony and drawing to him a
• 2:26:14
  Speaker 1: long branch of one of the trees that are by
• 2:26:16
  Speaker 1: the garden wall. He hangs onto it with both hands,
• 2:26:19
  Speaker 1: ready to let himself fall.
• 2:26:21
  Speaker 7: I'll shake this atmosphere.
• 2:26:23
  Speaker 1: Seeing eleven Serrano de Guiche, who went his mask, feeling
• 2:26:27
  Speaker 1: his way in the dark.
• 2:26:29
  Speaker 21: What can that cursed friar be abounce the devil if
• 2:26:33
  Speaker 21: he knows my voice?
• 2:26:35
  Speaker 1: Letting go with one hand, he pretends to turn on
• 2:26:37
  Speaker 1: an invincible key, solemnly.
• 2:26:40
  Speaker 7: Quick crack as soon thou syra not to serve the turn.
• 2:26:45
  Speaker 7: The accent of thy native beijira.
• 2:26:48
  Speaker 21: Looking at the house, tis there I see dim This
• 2:26:52
  Speaker 21: mask hinders me.
• 2:26:54
  Speaker 1: He is about to enter when Serrano leaps from the balcony,
• 2:26:57
  Speaker 1: pulling onto the branch which bends, dropping him between the
• 2:27:01
  Speaker 1: door and de Guiche. He pretends to fall heavily as
• 2:27:04
  Speaker 1: from a great height, and lies flat on the ground, motionless,
• 2:27:07
  Speaker 1: as if stunned. De Guiche wraps back.
• 2:27:09
  Speaker 21: What's this?
• 2:27:10
  Speaker 1: When he looks up, the branch is sprung back into
• 2:27:13
  Speaker 1: its place. He sees only the sky and is lost
• 2:27:16
  Speaker 1: in amazement.
• 2:27:17
  Speaker 21: Where fell that man?
• 2:27:18
  Speaker 1: From sitting up and speaking with the gascon ascent.
• 2:27:21
  Speaker 7: From the moon, from in a dreamy voice, watch o'clock?
• 2:27:27
  Speaker 21: He's lost his mind for sure?
• 2:27:29
  Speaker 7: What are? What country? Is this? What month? What day?
• 2:27:34
  Speaker 7: But I am stupefied, sir, like a bomb. I fell
• 2:27:41
  Speaker 7: from the moon.
• 2:27:42
  Speaker 1: Impatiently come now rising in a terrible voice.
• 2:27:47
  Speaker 7: I say, the moon recoiling?
• 2:27:50
  Speaker 21: Good, good, let it be? So he's raving mad.
• 2:27:53
  Speaker 7: Walking up to him, I say, from the moon. I
• 2:27:56
  Speaker 7: need no metaphor. But whilst one hundred years a minute
• 2:28:02
  Speaker 7: since I cannot guess what time that fallen graced that
• 2:28:06
  Speaker 7: I was in that saffron colored ball.
• 2:28:09
  Speaker 1: Shrugging his shoulders, good, let me pass, intercepting him?
• 2:28:14
  Speaker 7: Where am I tell the truth? Fear not to tell,
• 2:28:18
  Speaker 7: or spare me not? Where? Where have I fallen? Like
• 2:28:22
  Speaker 7: a shooting star?
• 2:28:23
  Speaker 21: More blue?
• 2:28:24
  Speaker 7: The fall was lightning quick, no time to choose where
• 2:28:29
  Speaker 7: I should fall? I know not where it be? Oh
• 2:28:32
  Speaker 7: tell me? Is it on a moon? Or that my
• 2:28:36
  Speaker 7: posterior weight has landed me?
• 2:28:39
  Speaker 1: I tell you, sir, with a screech of terror, which
• 2:28:42
  Speaker 1: makes the geeche start back.
• 2:28:43
  Speaker 7: No can it be? I'm on a planet where men
• 2:28:48
  Speaker 7: have black.
• 2:28:48
  Speaker 1: Faces, putting a hand to his face, watch feigning great alarm.
• 2:28:53
  Speaker 7: Am I in Africa?
• 2:28:55
  Speaker 1: A native view who has remembered his mask, this mask
• 2:28:59
  Speaker 1: of mine, to be reassured in ververie ha or room
• 2:29:05
  Speaker 1: trying to pass A lady waits quiet reassured. Oh ho,
• 2:29:10
  Speaker 1: I am in Parrie, smiling in spite of himself.
• 2:29:14
  Speaker 21: The fool is comical, you laugh, I laugh, but would
• 2:29:18
  Speaker 21: get by.
• 2:29:19
  Speaker 1: Beaming with joy.
• 2:29:20
  Speaker 7: I have shot back to Parry quite at.
• 2:29:23
  Speaker 1: Ease, laughing, dusting himself, bowing.
• 2:29:26
  Speaker 7: Tom, pardon me by the last water spout covered with
• 2:29:31
  Speaker 7: ether accident of travel. My eye is still full of
• 2:29:35
  Speaker 7: star dust in my spurs, encumbered by the planet's filibins.
• 2:29:40
  Speaker 1: Picking something off his sleeve, Ha on.
• 2:29:42
  Speaker 7: My doubley ah, a comet's hair.
• 2:29:45
  Speaker 1: He puffs as if to blow it away beside himself, Sir,
• 2:29:49
  Speaker 1: just as he is about to pass, holds out his
• 2:29:52
  Speaker 1: leg as if to show him something, and stops.
• 2:29:54
  Speaker 7: Him in my leg the calf there is a tooth
• 2:29:58
  Speaker 7: of the great bear, And passing Neptune close, I would
• 2:30:03
  Speaker 7: avoid his trident's point and fell, thus sitting plump right
• 2:30:08
  Speaker 7: in the scales. My weight is marked still registered up
• 2:30:14
  Speaker 7: there in heaven.
• 2:30:15
  Speaker 1: Hurriedly preventing de Guiche from passing, and detaining him by
• 2:30:19
  Speaker 1: the button of his doublet.
• 2:30:20
  Speaker 7: I swear to you if you squeezed my nose, it
• 2:30:24
  Speaker 7: would's bout milk, milk from the milky way.
• 2:30:30
  Speaker 1: Oh, go to hell, crossing his arms, I fall.
• 2:30:34
  Speaker 7: Sir, out of heaven. Now would you credit it that?
• 2:30:39
  Speaker 7: As I fell, I saw that serious wares a nightcap
• 2:30:43
  Speaker 7: through confidentially. The other bear is still too small to bite, laughing.
• 2:30:50
  Speaker 7: I went through the lira, but I snapped a cord.
• 2:30:54
  Speaker 1: Grand eloquent.
• 2:30:56
  Speaker 7: I mean to write the whole thing in a book.
• 2:30:59
  Speaker 7: The small gold stars are wrapped up in my cloak
• 2:31:02
  Speaker 7: I carried safe away at no small risks will serve
• 2:31:06
  Speaker 7: for asterisks in the printed page.
• 2:31:10
  Speaker 21: Come make an end I want.
• 2:31:12
  Speaker 7: Oh you are sly, sir, You would worm all out
• 2:31:17
  Speaker 7: of me. The way the moon is made is if
• 2:31:19
  Speaker 7: men breathe and live in its protond cocurbital. And really no, no,
• 2:31:25
  Speaker 7: I wan't hah to know how I got up hark
• 2:31:29
  Speaker 7: it was by a method all my own furied.
• 2:31:32
  Speaker 1: He's mad contemptuously No.
• 2:31:36
  Speaker 7: Not for me. The stupid eagle are Regiomontanas or the
• 2:31:41
  Speaker 7: timid pigeon of Architas. Neither have those.
• 2:31:45
  Speaker 21: I tis a fool, but tis a learned fool.
• 2:31:48
  Speaker 7: No irritator I have as a man.
• 2:31:51
  Speaker 1: Digeche has succeeded in getting by and goes to a
• 2:31:54
  Speaker 1: Drugsa's door. Siano follows him, ready to stop him by force.
• 2:31:58
  Speaker 7: Six novel methods all this brain.
• 2:32:01
  Speaker 1: Invented, turning ground six volubly.
• 2:32:05
  Speaker 7: First with body naked as your hand festooned about with
• 2:32:09
  Speaker 7: crystal fleckorns full of the tears. The early morning dew
• 2:32:14
  Speaker 7: distills my body to the sun's fierce rays, exposed to
• 2:32:20
  Speaker 7: let it suck me up as to sucks the.
• 2:32:23
  Speaker 1: Two surprised, making one step towards Serrano. Ah, that makes
• 2:32:28
  Speaker 1: one stepping back and enticing him further away.
• 2:32:32
  Speaker 7: On Zan's the second way to generate wind from my impetus.
• 2:32:39
  Speaker 7: To verify air in a cedar case by mirrors placed
• 2:32:44
  Speaker 7: I castahedron wise.
• 2:32:47
  Speaker 1: Making another step two, still stepping backward.
• 2:32:51
  Speaker 7: Oh, or I have some mechanic skill to make a
• 2:32:56
  Speaker 7: grasshopper with springs of steel, and punch myself by quick
• 2:33:02
  Speaker 7: succeeding fires salt Peter fed to the stars pastures.
• 2:33:07
  Speaker 1: Blue unconsciously following him and counting on his fingers.
• 2:33:12
  Speaker 21: Three.
• 2:33:13
  Speaker 7: Or since fumes have property to mount, to charge a
• 2:33:18
  Speaker 7: globe with fumes sufficiently to carry me aloft.
• 2:33:23
  Speaker 1: Simply more and more astonished?
• 2:33:26
  Speaker 21: Well, that makes four?
• 2:33:28
  Speaker 7: Or smear myself with marrow from a bull, since at
• 2:33:33
  Speaker 7: the lowest point of zodiac beavis Well loves to suck
• 2:33:37
  Speaker 7: that marrow up.
• 2:33:39
  Speaker 1: Amazed.
• 2:33:40
  Speaker 21: Five.
• 2:33:41
  Speaker 1: Serrano, who while speaking had drawn him to the other
• 2:33:44
  Speaker 1: side of the squire near a bench.
• 2:33:46
  Speaker 7: Sitting on an iron platform, zens to Zoe a magnet
• 2:33:52
  Speaker 7: in the air. This is a method well conceived. The
• 2:33:59
  Speaker 7: magnet flow infallibly, the iron will pursue. Then, quick we
• 2:34:05
  Speaker 7: launch your magnet and use us can mount and mount
• 2:34:10
  Speaker 7: and measure distances.
• 2:34:12
  Speaker 21: Here are six excellent expedients. Which of the six chose you?
• 2:34:18
  Speaker 7: Why? None? A seventh?
• 2:34:20
  Speaker 21: Astonishing?
• 2:34:21
  Speaker 7: What was it?
• 2:34:22
  Speaker 21: I'll recount this wild eccentric becomes interesting.
• 2:34:27
  Speaker 1: Making a noise like the beaves. But we had gestures
• 2:34:30
  Speaker 1: who who?
• 2:34:33
  Speaker 21: Well you have guessed not I?
• 2:34:36
  Speaker 7: The tied in the witching hour when the woon woos
• 2:34:42
  Speaker 7: the wave. I laid me fresh from we see that
• 2:34:46
  Speaker 7: on the shore, and failing not to put head foremost
• 2:34:51
  Speaker 7: for the hair holds the seawater in its besh. I
• 2:34:55
  Speaker 7: rose in air, straight, straight, like angel's flight, and mounting
• 2:35:01
  Speaker 7: mountain gently, effortless, No a sudden shock.
• 2:35:07
  Speaker 1: Then overcome by curiosity, sitting down on the bench. Then oh,
• 2:35:13
  Speaker 1: then suddenly returning to his natural voice.
• 2:35:16
  Speaker 7: The quarter's gone, I'll hinder you no more. The marriage
• 2:35:20
  Speaker 7: vows are.
• 2:35:20
  Speaker 21: Made, springing up, What am I mad? That voice?
• 2:35:26
  Speaker 1: The house door opens, Lakis appear carrying lighted candlebra light.
• 2:35:30
  Speaker 1: Serrano gracefully uncovers that nose, sireno bowing sir.
• 2:35:38
  Speaker 7: While we were chatting, they have plighted Troth who he.
• 2:35:42
  Speaker 1: Turns round tableau behind the lackeys up Here Roxa and
• 2:35:46
  Speaker 1: Christian holding each other by the hand. The friar follows them, smiling.
• 2:35:51
  Speaker 1: Dragon also holds a candlestick. The duena closes the rear, bewildered,
• 2:35:56
  Speaker 1: having made a hasty to wallet.
• 2:35:57
  Speaker 21: Heavens seem to.
• 2:36:00
  Speaker 1: Well the scene. Roxa Christian, The friar dragon lackeys the
• 2:36:05
  Speaker 1: duenna to Roxa You, recognizing Christian in amazement, he bowing
• 2:36:13
  Speaker 1: by admiration to Roxa.
• 2:36:15
  Speaker 21: Cunningly contrived to Sirano, my compliments, Sir apparatus maker, your
• 2:36:23
  Speaker 21: story would arrest at Peter's Gate, Saints eager for their paradise.
• 2:36:28
  Speaker 21: Note well the details faith, they'd make a stirring book.
• 2:36:33
  Speaker 7: Bowing, I shall not fail to follow your advice.
• 2:36:36
  Speaker 1: The friar showing with satisfaction the two lovers to de.
• 2:36:40
  Speaker 19: Guiche, a handsome couple, son made one by.
• 2:36:44
  Speaker 1: You with the freezing look.
• 2:36:46
  Speaker 21: Aye to Roxa, beat your bridegroom, Madame fond farewell.
• 2:36:51
  Speaker 7: Why so?
• 2:36:53
  Speaker 1: To Christian, even now the regiment departs, join it. It
• 2:36:57
  Speaker 1: goes to battle without doubt. But the cadets go not
• 2:37:02
  Speaker 1: oh I they go, drawing out the paper he had
• 2:37:06
  Speaker 1: put in his pocket. Here is the order to Christian.
• 2:37:09
  Speaker 1: Baron bear it quick, throwing herself in Christian's arms. Christian
• 2:37:15
  Speaker 1: sneeringly to Serrano.
• 2:37:17
  Speaker 21: The wedding night is far, methinks aside.
• 2:37:21
  Speaker 7: He thinks to give me pain of death by this.
• 2:37:24
  Speaker 10: To Roxo, now once again your lips.
• 2:37:27
  Speaker 1: Come, come enough, still kissing Noxo.
• 2:37:30
  Speaker 10: It is hard to leave her, you know, not trying.
• 2:37:34
  Speaker 1: To draw him away.
• 2:37:35
  Speaker 7: I know.
• 2:37:36
  Speaker 1: Sound of drums beating a march. In the distance, the
• 2:37:39
  Speaker 1: regiment starts to Serrano, holding back Christian, whom Serrano is
• 2:37:43
  Speaker 1: drying away.
• 2:37:44
  Speaker 11: Oh, I trust him. You promise me that no risks
• 2:37:48
  Speaker 11: shall put his life in danger.
• 2:37:50
  Speaker 7: I will try my best, but promise that I cannot
• 2:37:55
  Speaker 7: but swear he shall be prudent again. I'll do my best.
• 2:38:00
  Speaker 11: But in the siege, let him not suffer.
• 2:38:02
  Speaker 7: All that man can do. I that he shall be faithful, doubtless,
• 2:38:07
  Speaker 7: but that you will right.
• 2:38:09
  Speaker 1: Oft, pausing that, I promise you curtain. End of Act three,
• 2:38:17
  Speaker 1: Act four. The Carrots of Gascony post occupied by a
• 2:38:23
  Speaker 1: company of carbon de Castel Jalou at the siege of Aras.
• 2:38:28
  Speaker 1: In the background, an embankment across the whole stage, beyond
• 2:38:34
  Speaker 1: view of plane, extending to the horizon, the country covered
• 2:38:37
  Speaker 1: with entrenchments, the walls of Haras and the outlines of
• 2:38:42
  Speaker 1: its roofs against the sky. In the distance, tents, arms
• 2:38:47
  Speaker 1: trun about, drums, et cetera. Days breaking with a faint
• 2:38:51
  Speaker 1: glimmer of yellow sunrise in the east. Sentinels at different
• 2:38:56
  Speaker 1: points watch fires. The carrots of Gascons, wrapped in their mantles,
• 2:39:01
  Speaker 1: are sleeping carbone the castle Jalou and Libre are keeping watch.
• 2:39:07
  Speaker 1: They are very pale and thin. Christian sleeps among the
• 2:39:11
  Speaker 1: others in his cloak in the foreground, his face illuminated
• 2:39:15
  Speaker 1: by the fire. Silence scene one Christian Carbon, de Castle, Jalou, Libre,
• 2:39:23
  Speaker 1: the cadets, then Serrano.
• 2:39:26
  Speaker 6: T is terrible, not a morsel left more.
• 2:39:29
  Speaker 1: Diu Carbon making a sign that he should speak lower.
• 2:39:33
  Speaker 6: Curse under your breath, you will awake them.
• 2:39:37
  Speaker 1: To the cadets, hush, sleep on to Libree.
• 2:39:41
  Speaker 6: He who sleeps dines, But.
• 2:39:43
  Speaker 5: That is story comfort for the sleepless, what starvation.
• 2:39:48
  Speaker 1: Firing is heard in the distance, Oh plague, take their
• 2:39:52
  Speaker 1: firing to awaken my sons. To the cadets, who lift
• 2:39:56
  Speaker 1: up their heads.
• 2:39:57
  Speaker 23: Sleep on.
• 2:39:58
  Speaker 1: Firing is again heard nearer, this time said Kaind Caddet moving.
• 2:40:03
  Speaker 8: The devil again.
• 2:40:06
  Speaker 6: Tears nothing to Sarahau coming back.
• 2:40:09
  Speaker 1: Those who have lifted up their heads prepare asleep again
• 2:40:12
  Speaker 1: the sentinel from without.
• 2:40:14
  Speaker 4: Then Trabieu, who goes there.
• 2:40:17
  Speaker 7: Begirac, who is on the redoubt.
• 2:40:19
  Speaker 1: Then Trabieu, who goes there, appearing.
• 2:40:22
  Speaker 7: At the top, Beijac idiot.
• 2:40:25
  Speaker 1: He comes down. Lebray advances anxiously to meet him. Heavens,
• 2:40:29
  Speaker 1: making signs that he should not awake the others Hush wounded.
• 2:40:35
  Speaker 7: Oh you know it has become their custom to shoot
• 2:40:38
  Speaker 7: at me every morning and to miss me.
• 2:40:40
  Speaker 5: This passes all. To take letters at each dage dawn.
• 2:40:44
  Speaker 1: To risk stopping before Christian.
• 2:40:47
  Speaker 7: I promised he should write often. He looks at him
• 2:40:51
  Speaker 7: he sleeps. How pale he is, but how handsome still
• 2:40:55
  Speaker 7: despite his sufferings. If his poor little lady love knew
• 2:40:58
  Speaker 7: that he is dying hunger, get you quick to bed, Nay,
• 2:41:03
  Speaker 7: never scold, delibree, I ran, but little risk. I have
• 2:41:07
  Speaker 7: found me a spot to pass the Spanish lines, where
• 2:41:10
  Speaker 7: each night they lied drunk.
• 2:41:11
  Speaker 5: You should try to bring us back provision.
• 2:41:14
  Speaker 7: A man must carry no weight who would get by there?
• 2:41:18
  Speaker 7: But there will be surprise for us this night. The
• 2:41:22
  Speaker 7: French will eat or die if I mistake not. Oh
• 2:41:27
  Speaker 7: tell me, nay, not yet, I am not certain you
• 2:41:31
  Speaker 7: will see.
• 2:41:33
  Speaker 6: It is disgraceful that we should starve while we're besieging.
• 2:41:36
  Speaker 5: Alas, how full of complication is this siege about us?
• 2:41:40
  Speaker 5: To think that while we are besieging, we should ourselves
• 2:41:43
  Speaker 5: be caught in the trap and besieged by the cardle
• 2:41:45
  Speaker 5: Infante of.
• 2:41:46
  Speaker 7: Spain, it were well done if he should be besieged
• 2:41:50
  Speaker 7: in his turn.
• 2:41:52
  Speaker 5: I am in earnest. Oh, indeed, who think you risk
• 2:41:56
  Speaker 5: a life so precious for the sake of a letter?
• 2:42:00
  Speaker 5: Thankless one?
• 2:42:02
  Speaker 1: Seeing him turning to enter the tent, Where.
• 2:42:04
  Speaker 5: Are you going?
• 2:42:05
  Speaker 7: I am going to write another?
• 2:42:08
  Speaker 1: He enters the tent and disappears. Scene to the scene,
• 2:42:13
  Speaker 1: all but Serrano. The day is breaking in a rosy light.
• 2:42:17
  Speaker 1: The town of Haras is golden in the horizon. The
• 2:42:21
  Speaker 1: report of cannon is heard in the distance, followed immediately
• 2:42:24
  Speaker 1: by the beating of drums far away to the left.
• 2:42:27
  Speaker 1: Other drums have heard much nearer, sounds of stirring in
• 2:42:30
  Speaker 1: the camp, voices of officers in the distance.
• 2:42:34
  Speaker 6: Thoroughly.
• 2:42:35
  Speaker 1: The cadets move and stretch themselves.
• 2:42:38
  Speaker 6: Nourishing sleep. Thou art at an end, I know well
• 2:42:43
  Speaker 6: what will be their first cry?
• 2:42:45
  Speaker 1: First gascon sitting up.
• 2:42:47
  Speaker 26: I am so hungry.
• 2:42:50
  Speaker 22: I am dying of hunger.
• 2:42:51
  Speaker 28: Oh up with you cannot move a limb, nor can I.
• 2:42:56
  Speaker 1: First cadet looking at himself in a bit of armor.
• 2:43:00
  Speaker 3: M My tongue is yellow. The air at this season
• 2:43:04
  Speaker 3: of the year is hard to digest.
• 2:43:07
  Speaker 26: My coronet for a bit of chester.
• 2:43:10
  Speaker 22: If none can finish to my gusta wherewith to make
• 2:43:13
  Speaker 22: a pine a child, I shall retire to my tent
• 2:43:16
  Speaker 22: like Achilles.
• 2:43:18
  Speaker 8: Oh something were it but a crust.
• 2:43:22
  Speaker 1: Carbon, going to the tent and calling softly, sirra, no,
• 2:43:25
  Speaker 1: we are hying, continuing to speak under his breath at
• 2:43:30
  Speaker 1: the opening of the tent.
• 2:43:31
  Speaker 6: Come to my aid, you who have the art of
• 2:43:34
  Speaker 6: quick retort and gay jest, come harden them up.
• 2:43:38
  Speaker 1: Second cadet rushing toward another, who is munching something?
• 2:43:41
  Speaker 8: What are you crunching there?
• 2:43:43
  Speaker 3: Canon wads soaked in axle grease? Tis poor hunting round
• 2:43:48
  Speaker 3: about arras.
• 2:43:49
  Speaker 1: First gascon entering, I have been after game. Second gascon
• 2:43:54
  Speaker 1: following him and die after fish, rushing to the two newcomers.
• 2:43:59
  Speaker 28: Well, what have you brought? A peasant, a carp Come
• 2:44:03
  Speaker 28: show us quick.
• 2:44:04
  Speaker 1: A good chin, a sparrow beside themselves.
• 2:44:10
  Speaker 6: Born we will use uptony, sarah A, come to my help.
• 2:44:16
  Speaker 1: The d light has now come seen tree the scene.
• 2:44:20
  Speaker 1: Serrano appearing from the tent, very calm, with a pin
• 2:44:24
  Speaker 1: stuck began his ear and a book in his hand.
• 2:44:27
  Speaker 7: What is wrong?
• 2:44:29
  Speaker 1: Silence to the first cadet.
• 2:44:31
  Speaker 7: Why drag you your legs so sorrowfully?
• 2:44:36
  Speaker 3: I have something in my heels that weighs me down?
• 2:44:41
  Speaker 7: And what may that be?
• 2:44:42
  Speaker 3: My stomach?
• 2:44:44
  Speaker 7: So have I faith it must be in your way. Nay,
• 2:44:49
  Speaker 7: I am all the taller.
• 2:44:51
  Speaker 28: My stomach's hollow.
• 2:44:53
  Speaker 7: Faith twill make a fine drum to sound the assault.
• 2:44:56
  Speaker 8: I have a ringing in my ears.
• 2:44:59
  Speaker 7: No, no, tis false. A hungry stomach has no ears.
• 2:45:03
  Speaker 26: Oh to eat something something oily.
• 2:45:07
  Speaker 1: Pulling off the cadet's helmet and holding it out.
• 2:45:10
  Speaker 7: To him, behold your salad?
• 2:45:13
  Speaker 22: What in God's name can we devour?
• 2:45:15
  Speaker 1: Throwing him the book which he is carrying.
• 2:45:18
  Speaker 7: The Iliad?
• 2:45:19
  Speaker 28: The first minister in Paris has his four meals a day.
• 2:45:23
  Speaker 7: T were courteous, and he sent you a few partridges,
• 2:45:26
  Speaker 7: And why not with wine too, a little burgundy Rachel
• 2:45:31
  Speaker 7: lucivu play.
• 2:45:32
  Speaker 28: He could send it by one of his friars.
• 2:45:35
  Speaker 7: Aye, by his eminence, Joseph.
• 2:45:38
  Speaker 8: Himself, I am as ravenous as an ogre.
• 2:45:41
  Speaker 7: Eat your patience, then, shrugging his shoulders, always your pointed word,
• 2:45:47
  Speaker 7: I pointed words. I would fain die thus some soft
• 2:45:53
  Speaker 7: summer eve, making a pointed word for a good cause
• 2:45:58
  Speaker 7: to make a soldier's by soldier's sword wielded by some
• 2:46:03
  Speaker 7: brave adversary. Die on bloodstained turf, not on a fever bed.
• 2:46:09
  Speaker 7: A point upon my lips, a point within my heart.
• 2:46:13
  Speaker 1: I'm hungry, crossing his arms.
• 2:46:17
  Speaker 7: All your thoughts of meat and drink, bertrand the pfeifer
• 2:46:23
  Speaker 7: you were a shepherd, once draw froim its double leathern
• 2:46:27
  Speaker 7: case your fife. Play to these greedy, guzzling soldiers. Play
• 2:46:32
  Speaker 7: old country airs with plaintive rhythm, recurring where lurk sweet
• 2:46:37
  Speaker 7: echoes of the dear home voices, each note of which
• 2:46:42
  Speaker 7: calls like a little sister. Those airs slow, slow, ascending.
• 2:46:48
  Speaker 7: As the smoke wreaths rise from the hearthstones of our
• 2:46:52
  Speaker 7: native hamlets. Their music strikes the ear like gascon patois.
• 2:46:58
  Speaker 1: The old man seats himself and gets his flute ready.
• 2:47:01
  Speaker 7: Your flute was now a warrior in durance, But on
• 2:47:06
  Speaker 7: its stem your fingers are dancing a birdlike minuet. Oh flute,
• 2:47:12
  Speaker 7: Remember that flutes were made of reeds first, not labyrinum.
• 2:47:17
  Speaker 7: Make us a music pastoral day's recalling the sole time
• 2:47:22
  Speaker 7: of your youth in country pastures.
• 2:47:25
  Speaker 1: The old man begins to play the ass of Languedak.
• 2:47:29
  Speaker 7: Hark to the music, Gascons, tis no longer the piercing
• 2:47:35
  Speaker 7: fife of camp beneath his fingers, the flute of the woods,
• 2:47:40
  Speaker 7: no more the call to combat tis now the love
• 2:47:44
  Speaker 7: song of the wandering goatherds. Hark tis the valley, the
• 2:47:49
  Speaker 7: wet lands, the forest, the sunburnt shepherd boy with scarlet beret.
• 2:47:55
  Speaker 7: The dusk of evening on the Dordona River tis Gascony.
• 2:48:00
  Speaker 7: Hark gascons to the music.
• 2:48:04
  Speaker 1: The cat has said, with bowed heads. Their eyes have
• 2:48:07
  Speaker 1: a far off look, as if dreaming, and they seruptuously
• 2:48:11
  Speaker 1: wipe away their tears with their cuffs on the corner
• 2:48:14
  Speaker 1: of their cloaks, to serrano in a whisper.
• 2:48:17
  Speaker 6: But you make them weep.
• 2:48:19
  Speaker 7: Aye, for homesickness, a nobler pain than hunger, tis of
• 2:48:24
  Speaker 7: the soul, not of the body. I am well pleased
• 2:48:27
  Speaker 7: to see their pain change. It's for Sarah. Heartache is
• 2:48:31
  Speaker 7: better than stomach ache.
• 2:48:32
  Speaker 1: But you weaken their courage by playing thus on their heartstrings,
• 2:48:36
  Speaker 1: making a sign to a drummer to approach.
• 2:48:39
  Speaker 7: Not I, the hero that sleeps in gascon blood is
• 2:48:43
  Speaker 7: ever ready to awaken them.
• 2:48:45
  Speaker 1: Twitt Suffice he makes a signal, the drum beats, stand
• 2:48:49
  Speaker 1: up and rush to take arms.
• 2:48:51
  Speaker 7: What is it?
• 2:48:53
  Speaker 1: Smiling?
• 2:48:54
  Speaker 7: You see one roll of the drum is enough. Goodbye dreams, regret,
• 2:49:00
  Speaker 7: native land, love all that the pipe called forth. The
• 2:49:04
  Speaker 7: drum has chased away.
• 2:49:06
  Speaker 26: Looking toward the back of the stage, Oh, here comes
• 2:49:09
  Speaker 26: Monsieur de Gouche.
• 2:49:11
  Speaker 1: Muttering, oh, smiling a flattering welcome.
• 2:49:17
  Speaker 22: We are sick to death of him.
• 2:49:19
  Speaker 8: With his lace collar over his armor, playing the fine gentleman, as.
• 2:49:24
  Speaker 28: If one were linen over steel.
• 2:49:26
  Speaker 22: It were good for a bandage. Had he boils on his.
• 2:49:28
  Speaker 8: Neck, another plodding courtier, his uncle's own nephew.
• 2:49:34
  Speaker 26: For all that a gascon, hi, false gascon, trust him not.
• 2:49:39
  Speaker 26: Gascons should ever be crack brained, not more dangerous than
• 2:49:43
  Speaker 26: a rational gascon.
• 2:49:45
  Speaker 22: How pale he is, Oh, he is hungry, just like us,
• 2:49:49
  Speaker 22: poor devil's. But under his curras with its fine gilt nails,
• 2:49:54
  Speaker 22: his stomach ache glitters brave in the sun.
• 2:49:56
  Speaker 7: Haridi, let us not seem to suffer either. Out with
• 2:50:00
  Speaker 7: your cards, pipes and dice.
• 2:50:02
  Speaker 1: All begin spreading out the games on the drums, the stools,
• 2:50:06
  Speaker 1: the ground, and on their cloaks and light long.
• 2:50:08
  Speaker 7: Pipes, and I shall read takekards.
• 2:50:12
  Speaker 1: He walks up and down, reading a little book which
• 2:50:15
  Speaker 1: he has drawn from his pocket. Tableau entered the giche
• 2:50:18
  Speaker 1: all appear absorbed and happy. He is very pale. He
• 2:50:22
  Speaker 1: goes up to cargo. Scene four, the same de guiche
• 2:50:27
  Speaker 1: to cargo, good day. They examine each other aside with satisfaction.
• 2:50:32
  Speaker 1: He's green. Aside he has nothing left but eyes looking
• 2:50:37
  Speaker 1: at the cadets.
• 2:50:38
  Speaker 21: Here are the rebels is sers on all sides. I
• 2:50:43
  Speaker 21: hear that in your ranks. You scoff at me that
• 2:50:47
  Speaker 21: the cadets, these luitish mountain bread, poor country squires and
• 2:50:54
  Speaker 21: barons of perry gold scarce, find for me their kernel
• 2:50:59
  Speaker 21: a distain sufficient, call me plotter, wileye courtier. It does
• 2:51:05
  Speaker 21: not please their mightiness to see a point lace collar
• 2:51:09
  Speaker 21: on my steel cairass. And they enrage because a man
• 2:51:14
  Speaker 21: in sooth may be no ragged robin, yet a gascon
• 2:51:19
  Speaker 21: silence or smoke, and plead, shall I command your captain
• 2:51:23
  Speaker 21: punish you?
• 2:51:25
  Speaker 7: No?
• 2:51:26
  Speaker 6: I am free. Moreover, will not punish ah. I have
• 2:51:30
  Speaker 6: paid my company kis mine.
• 2:51:33
  Speaker 21: I bow but the headquarters so in faith that will suffice.
• 2:51:38
  Speaker 1: Addressing himself to the cadets.
• 2:51:40
  Speaker 21: I can despise your taunts. Tis well known how I
• 2:51:44
  Speaker 21: bear me in the war at Bapalm yesterday. They saw
• 2:51:49
  Speaker 21: the rage with which I beat back the Count of Baqua,
• 2:51:53
  Speaker 21: assembling my own men, I fell on his and charged
• 2:51:57
  Speaker 21: three separate times.
• 2:52:00
  Speaker 1: Without lifting his eyes from his book. And your white
• 2:52:03
  Speaker 1: scarf surprised and gratified, you.
• 2:52:06
  Speaker 21: Know that detail truth it happened. Thus, while caracoling to
• 2:52:11
  Speaker 21: recall the troops for the third charge, a band of
• 2:52:15
  Speaker 21: fugitives bore me, with them close by the hostile ranks.
• 2:52:20
  Speaker 21: I was in periled capture sudden death, when I thought
• 2:52:25
  Speaker 21: of the good expedient to loosen and let fall the scarf,
• 2:52:29
  Speaker 21: which told my military rank. Thus I contrived, without attention
• 2:52:34
  Speaker 21: weight to leave the foes, and, suddenly returning, reinforced with
• 2:52:40
  Speaker 21: my own men to scatter them. And now what say you, sir?
• 2:52:45
  Speaker 1: The cat it's spread and not to be listening. But
• 2:52:47
  Speaker 1: the cards and the dice boxes remained suspended in their hands,
• 2:52:51
  Speaker 1: the smoke of their pipes in their cheeks.
• 2:52:53
  Speaker 7: They wad I say that Ari Catre had not, by
• 2:52:58
  Speaker 7: any dangerous odds, been forced to strip himself of his
• 2:53:02
  Speaker 7: white helmet.
• 2:53:03
  Speaker 1: Gloom silent delight. The cards fall, the dye is rattle,
• 2:53:07
  Speaker 1: the smoke is puffed, The roost succeeded, though seem suspension
• 2:53:12
  Speaker 1: of play, et cetera.
• 2:53:13
  Speaker 7: Oh maybe, but one does not lightly abdicate the honor
• 2:53:18
  Speaker 7: to serve as target to the enemy.
• 2:53:21
  Speaker 1: Cards dice fall again, and the cat that's smoke with
• 2:53:24
  Speaker 1: evident delight.
• 2:53:25
  Speaker 7: Had I been present when your scarf fell low, our courage, sir,
• 2:53:30
  Speaker 7: is of a different sort, I would have picked it
• 2:53:32
  Speaker 7: up and put it on.
• 2:53:34
  Speaker 21: Oh I another gascon boast.
• 2:53:37
  Speaker 7: A boast lend it to me. I pledge myself tonight
• 2:53:41
  Speaker 7: with it across my breast, to lead the assault.
• 2:53:45
  Speaker 21: Another gascon vunt. You know, the scarf lies with the
• 2:53:49
  Speaker 21: enemy upon the brink of the stream. The place is
• 2:53:53
  Speaker 21: riddled now with shot. No one can fetch it.
• 2:53:57
  Speaker 1: Hither drawing the scarf from his pocket and holding it
• 2:54:00
  Speaker 1: out to him, it is silence. The cat had stifle
• 2:54:04
  Speaker 1: their laughter in their cards and ice boxes. The guiche
• 2:54:08
  Speaker 1: runs and looks at them. They instantly become grave, and
• 2:54:11
  Speaker 1: said to play one of them vessels indifferently. The ad
• 2:54:15
  Speaker 1: just played by the fiffer taking this carf, I thank you.
• 2:54:20
  Speaker 21: It will now enable me to make a signal that
• 2:54:23
  Speaker 21: I had foreborne to make till now.
• 2:54:26
  Speaker 1: He goes to the rampart, climbs it and waves the
• 2:54:29
  Speaker 1: scarf thrice. What the sentinel from the top of the rampart,
• 2:54:34
  Speaker 1: see you young man down there who runs descending.
• 2:54:38
  Speaker 21: 'tis a false Spanish spy who is extremely useful to
• 2:54:42
  Speaker 21: my ends. The news he carries to the enemy are
• 2:54:46
  Speaker 21: those I prompt him with. So, in a word, we
• 2:54:50
  Speaker 21: have an influence on their decisions.
• 2:54:54
  Speaker 1: Scoundrel, carelessly nodding on a scarf.
• 2:54:57
  Speaker 21: Chis opportune? What were we saying? Ah, I have news
• 2:55:02
  Speaker 21: for you. Last evening to vittle us, the Marshal did
• 2:55:07
  Speaker 21: attempt a final effort. Secretly, he went to Dolen, where
• 2:55:13
  Speaker 21: the King's provisions be, but to return to camp more easily,
• 2:55:19
  Speaker 21: he took with him a goodly force of troops. Those
• 2:55:23
  Speaker 21: who attacked us now would have fine sport. Half of
• 2:55:27
  Speaker 21: the armies absent from the camp.
• 2:55:29
  Speaker 6: Ay get a Spaniard's new twent ill for us. But
• 2:55:32
  Speaker 6: they know nothing of it.
• 2:55:33
  Speaker 21: Oh, they know they will attack us.
• 2:55:37
  Speaker 7: Ah.
• 2:55:38
  Speaker 21: For my false spy came to warn me of their attack.
• 2:55:42
  Speaker 21: He said, I can decide the point for their assault.
• 2:55:46
  Speaker 21: Where would you have it, I will tell them tis
• 2:55:49
  Speaker 21: the least defended. They'll attempt you there, I answered, good,
• 2:55:56
  Speaker 21: go out of camp, but watch my signal. Choose the
• 2:56:00
  Speaker 21: point from whence it comes.
• 2:56:02
  Speaker 1: To cadets, Make ready, all right, sounds of swords and
• 2:56:06
  Speaker 1: belts being buckled.
• 2:56:08
  Speaker 21: Twill be in an hour.
• 2:56:10
  Speaker 8: Good.
• 2:56:11
  Speaker 1: They all sit down again and pick up their games
• 2:56:14
  Speaker 1: to Carbon.
• 2:56:15
  Speaker 21: Time must be gained. The Marshal will return. How gain
• 2:56:19
  Speaker 21: it you will all be good enough to let yourselves
• 2:56:23
  Speaker 21: to be killed.
• 2:56:24
  Speaker 7: Engines.
• 2:56:25
  Speaker 21: Oh, I do not say that if I loved you well,
• 2:56:30
  Speaker 21: I had chosen you and yours. But as things stand,
• 2:56:35
  Speaker 21: your courage yielding to no core the palm. I serve
• 2:56:39
  Speaker 21: my king, and serve my grudge as well.
• 2:56:44
  Speaker 7: Permit that I express my gratitude.
• 2:56:46
  Speaker 21: I know you love to fight against five score. You
• 2:56:50
  Speaker 21: will not now complain of poultry odds.
• 2:56:53
  Speaker 1: He goes up with Carbon to the cadets.
• 2:56:56
  Speaker 7: We shall add to the guest gone coat of arms
• 2:57:00
  Speaker 7: with its six bars of blue and gold, one more
• 2:57:04
  Speaker 7: the blood red bar that was a missing there.
• 2:57:07
  Speaker 1: Diggeech speaks in a low voice, with Cabo at the back.
• 2:57:11
  Speaker 1: Orders are given, Preparations go forward. Sirrano goes up to Christian,
• 2:57:15
  Speaker 1: who stands with crossed arms, putting his hand on Christian's shoulder.
• 2:57:19
  Speaker 7: Christian shaking, Is.
• 2:57:21
  Speaker 10: It crocks Anne? Alas at least I'd sent my hant's
• 2:57:25
  Speaker 10: farewell to her.
• 2:57:26
  Speaker 15: In a fair letter.
• 2:57:27
  Speaker 7: I had suspicion it would be today.
• 2:57:30
  Speaker 1: He draws the letter out of his doublet.
• 2:57:32
  Speaker 7: And had already wat shout, will.
• 2:57:35
  Speaker 1: You taking the letter? I He opens and reads it,
• 2:57:39
  Speaker 1: howls what this little spots taking the letter with an
• 2:57:42
  Speaker 1: innocent look a spot.
• 2:57:44
  Speaker 7: It's here, poets at last, by dint of counterfeiting. Take
• 2:57:49
  Speaker 7: counterfeit for true. That is the charm, this farewell letter.
• 2:57:54
  Speaker 7: It was passing sad. I wept myself in writing it.
• 2:57:58
  Speaker 7: What why? Oh, death itself is hardly terrible, But ne'er
• 2:58:04
  Speaker 7: to see her more? That is death's sting, For I
• 2:58:09
  Speaker 7: shall never.
• 2:58:10
  Speaker 1: Christian looks at him. We shall quickly, I mean you,
• 2:58:15
  Speaker 1: snatching the letter from him?
• 2:58:17
  Speaker 10: Give me that letter?
• 2:58:18
  Speaker 1: A rumor far off in the camp? Who goes there? Hello, shots, voices,
• 2:58:24
  Speaker 1: carriage belts. What is it on the rampart? Tis a carriage?
• 2:58:29
  Speaker 1: All rush to see in the camp it.
• 2:58:32
  Speaker 8: Enters It comes from the enemy fire.
• 2:58:36
  Speaker 28: Now the coachman cries, What does he say?
• 2:58:39
  Speaker 22: On the King's service.
• 2:58:41
  Speaker 1: Everyone is on the rampart starring. The bells come.
• 2:58:44
  Speaker 21: Nearer the King's service.
• 2:58:47
  Speaker 1: How all descend and draw up in line?
• 2:58:50
  Speaker 21: Uncover all the kings draw up in line. Let him
• 2:58:55
  Speaker 21: describe his curve as it befits.
• 2:58:57
  Speaker 1: The carriage enters at full speed, covered with dust and mud.
• 2:59:02
  Speaker 1: The curtains are drawn close. Two lackeys behind it is
• 2:59:05
  Speaker 1: pulled up. Suddenly, date us about a roll of drums.
• 2:59:09
  Speaker 1: The cadets uncover, lower the carriage steps, Two cadets rush forward.
• 2:59:14
  Speaker 1: The door opens. ROXA jumping down from the carriage, Good day.
• 2:59:19
  Speaker 1: All are bowing to the ground. But at the sound
• 2:59:21
  Speaker 1: of a woman's voice, every head is instantly raised. Scene
• 2:59:25
  Speaker 1: five the same ROXA.
• 2:59:28
  Speaker 21: On the King's service?
• 2:59:30
  Speaker 11: You I King loves what other?
• 2:59:34
  Speaker 7: King? Great God?
• 2:59:36
  Speaker 1: Christian? Rushing forward?
• 2:59:38
  Speaker 10: Why have you come?
• 2:59:39
  Speaker 11: This siege tis too long?
• 2:59:42
  Speaker 1: But why I will tell you all, Sirano who at
• 2:59:46
  Speaker 1: the sound of a voice, I stood still, rooted to
• 2:59:49
  Speaker 1: the ground, afraid to raise his eyes?
• 2:59:51
  Speaker 7: My God, dare I look at her?
• 2:59:54
  Speaker 21: You cannot remain here?
• 2:59:55
  Speaker 11: But I say yes, who will push the drum hither
• 2:59:59
  Speaker 11: for me?
• 3:00:00
  Speaker 1: Eat herself? On the drum they rolled forward, So.
• 3:00:03
  Speaker 11: I thank you. My carriage was fired at by the patrol. Look,
• 3:00:11
  Speaker 11: would you not think twas made of a pumpkin like
• 3:00:13
  Speaker 11: Cinderella's chariot in the tail and the footmen out of rats?
• 3:00:17
  Speaker 1: Sending a kiss with her lips to Christian good Morrow,
• 3:00:21
  Speaker 1: examining them all.
• 3:00:23
  Speaker 11: You look not marry any of you?
• 3:00:25
  Speaker 7: Ah?
• 3:00:25
  Speaker 11: Know you that 'tis along road to get.
• 3:00:27
  Speaker 1: To Aras seeing, said Anna cousin, delighted coming up to her.
• 3:00:33
  Speaker 7: But how in Heaven's name.
• 3:00:36
  Speaker 11: How found either way to the army? It was simple enough,
• 3:00:39
  Speaker 11: for I had but to pass on and on as
• 3:00:42
  Speaker 11: far as I saw the country laid waste? Ah, what
• 3:00:45
  Speaker 11: horrors were there? Had I not seen then, I could
• 3:00:48
  Speaker 11: never have believed it. Well, gentlemen, if such be the
• 3:00:52
  Speaker 11: service of your king, I would faigner serve mine.
• 3:00:55
  Speaker 7: But tis sheer madness. Where in the Fiend's name did
• 3:00:59
  Speaker 7: you get through rue?
• 3:01:00
  Speaker 11: Where through the Spanish lines?
• 3:01:04
  Speaker 3: For subtle craft? Give me a woman?
• 3:01:08
  Speaker 21: But how did you pass through their lines?
• 3:01:11
  Speaker 5: Heath? That must have been a hard matter.
• 3:01:13
  Speaker 11: None too hard. I but drove quietly forward in my carriage.
• 3:01:18
  Speaker 11: And when some hidalgo of haughty mien would have stayed
• 3:01:21
  Speaker 11: me lo, I showed at the window my sweetest smile,
• 3:01:24
  Speaker 11: and these signors, being with no disrespect to you, the
• 3:01:27
  Speaker 11: most gallant gentleman in the world, I passed on.
• 3:01:30
  Speaker 6: True, that's mild as a passport. But you must have
• 3:01:35
  Speaker 6: been asked frequently to give an account of where you
• 3:01:37
  Speaker 6: were going, Madam.
• 3:01:38
  Speaker 11: Yes, frequently. Then I would answer, I go to see
• 3:01:42
  Speaker 11: my lover. At that word, the very fiercest spaniard of
• 3:01:47
  Speaker 11: them all would gravely shut the carriage door, and, with
• 3:01:50
  Speaker 11: a gesture that a king might envy, make signal to
• 3:01:53
  Speaker 11: his men to lower the muskets leveled at me. Then,
• 3:01:56
  Speaker 11: with melancholy, but with all very graceful dignity, his beaver
• 3:02:00
  Speaker 11: held to the wind that the plumes might flutter. Bravely,
• 3:02:03
  Speaker 11: he would bow low, saying to me pass on, Senorita.
• 3:02:07
  Speaker 11: But Roxanne, forgive me that, I said, my lover. But
• 3:02:10
  Speaker 11: but think you had, I said, my husband. Not one
• 3:02:13
  Speaker 11: of them had let me pass. But's what ails you?
• 3:02:16
  Speaker 34: You must leave this place, I and that instantly, no
• 3:02:21
  Speaker 34: time to lose, Indeed you must, But wherefore must I
• 3:02:25
  Speaker 34: am baddest the.
• 3:02:27
  Speaker 7: Scene in three quarters of an hour, or for it were.
• 3:02:31
  Speaker 1: Best you might you are going to fight.
• 3:02:35
  Speaker 18: I stay here.
• 3:02:36
  Speaker 11: No, no, he is my husband.
• 3:02:39
  Speaker 1: She throws herself into Christian's arms.
• 3:02:42
  Speaker 11: They shall kill us both together.
• 3:02:43
  Speaker 10: Why do you look at me this?
• 3:02:45
  Speaker 11: I will tell you why.
• 3:02:46
  Speaker 1: In disband tis a post of mortal danger turning round, mortal.
• 3:02:51
  Speaker 7: Danger, proof enough that he has put us here to
• 3:02:54
  Speaker 7: de Guiche.
• 3:02:55
  Speaker 11: So, sir, you would have made a widow of me.
• 3:02:57
  Speaker 21: Nay on my oath.
• 3:02:59
  Speaker 8: I will not to go.
• 3:03:01
  Speaker 11: I'm reckless now and I shall not stir from here. Besides,
• 3:03:05
  Speaker 11: 'tis amusing.
• 3:03:06
  Speaker 7: Oh so our pressy use is a heroin.
• 3:03:11
  Speaker 11: Monsieur de Bergerac, I am your cousin.
• 3:03:13
  Speaker 1: We will defend you well, more and more excited. I
• 3:03:17
  Speaker 1: have no fear of that, my friends in ecstasy.
• 3:03:20
  Speaker 22: The whole camp smells suite of horis root.
• 3:03:24
  Speaker 11: And by good luck, I've chosen a hat that will
• 3:03:27
  Speaker 11: suit well with the battlefield. Looking at the Guiche, But
• 3:03:30
  Speaker 11: were it not wisest that the count retire, they may
• 3:03:34
  Speaker 11: begin the attack that is not to be brooked.
• 3:03:37
  Speaker 21: I go to inspect the cannon and shall return. You
• 3:03:42
  Speaker 21: have still time, think better of it.
• 3:03:45
  Speaker 1: Never, de Guiche goes out, seeing six the scene, all
• 3:03:50
  Speaker 1: but de Guiche entreatingly, Roxanne, no first cadet to the others.
• 3:03:56
  Speaker 1: She stays all hurrying, hustling each other themselves, a comb, soap.
• 3:04:02
  Speaker 28: My uniform is torn, a needle, a ribbon, lend.
• 3:04:06
  Speaker 22: Your mirror, my cuffs, your curling iron, a razor.
• 3:04:10
  Speaker 1: Roxa to Sirranu, who still pleads.
• 3:04:12
  Speaker 11: With her, No not shall make me stir from this spot.
• 3:04:16
  Speaker 1: Carbo, who like the others, has been buckling, dusting, brushing
• 3:04:20
  Speaker 1: his head, settling his plume, and drawing on his cuffs,
• 3:04:23
  Speaker 1: advances to Roxa and ceremoniously.
• 3:04:27
  Speaker 6: It is perchance more seemly since things are thus, that
• 3:04:30
  Speaker 6: I present to you some of these gentlemen who are
• 3:04:33
  Speaker 6: about to have the honor of dying before your eyes.
• 3:04:36
  Speaker 1: Roxam bows and stands, leaning on Christian's arms, while Carbo
• 3:04:40
  Speaker 1: introduces the cadets to her.
• 3:04:42
  Speaker 6: Baron de Prascus de Kolonak with.
• 3:04:45
  Speaker 1: A low reverence.
• 3:04:47
  Speaker 6: Madam continuing, Baron de castarac take ajosac v Damed, Margaret
• 3:04:53
  Speaker 6: astrasac Las ba Arascaraviat Chavayer dot King nak Zodette, Baron
• 3:05:01
  Speaker 6: hilot to Blognak, Sauchan de Castel kribilous.
• 3:05:05
  Speaker 11: But how many names have you each scores.
• 3:05:09
  Speaker 6: To roxa pray upon the hand that holds your kerchief.
• 3:05:12
  Speaker 1: Opens her hand and the handkerchief falls. Why the whole
• 3:05:16
  Speaker 1: company start forward to pick it up, quickly raising it.
• 3:05:20
  Speaker 6: My company had no flag, but now by my faith
• 3:05:24
  Speaker 6: they will have the fairest in all the camp.
• 3:05:26
  Speaker 1: Smiling tis somewhat small, dyeing the handkerchief on the staff
• 3:05:30
  Speaker 1: of his lance, but chills of lace first gascon to
• 3:05:35
  Speaker 1: the rest.
• 3:05:36
  Speaker 26: I could die happy having seen so sweet a face
• 3:05:40
  Speaker 26: if I had something in my stomach, were it but
• 3:05:42
  Speaker 26: a nut?
• 3:05:43
  Speaker 1: Who has overheard?
• 3:05:45
  Speaker 6: Shame on you? What talk of eating when a lovely woman?
• 3:05:48
  Speaker 11: But your camp air is keen? I myself am famished.
• 3:05:53
  Speaker 11: Paste's cold fricassee old wines. There is my bill of fare,
• 3:05:59
  Speaker 11: pray bring it.
• 3:05:59
  Speaker 3: All consternation, oh that, but where on earth?
• 3:06:05
  Speaker 23: Find it?
• 3:06:06
  Speaker 11: In my carriage? Now serve up, carve, look a little
• 3:06:12
  Speaker 11: closer at my coachman, gentlemen, and you will recognize a
• 3:06:15
  Speaker 11: man most welcome. All the sauces can be sent to
• 3:06:18
  Speaker 11: table hot if we will.
• 3:06:20
  Speaker 1: Rushing peder to the carriage. Acclamations, Oh, looking after them,
• 3:06:29
  Speaker 1: poor fellows kissing her hand, kind fairy dragon standing on
• 3:06:34
  Speaker 1: the box like a quack doctor at a fair.
• 3:06:37
  Speaker 18: Gentlemen general delight, the Spaniards gazing on a lady so dainty,
• 3:06:46
  Speaker 18: fair overlooked, the fair, so.
• 3:06:48
  Speaker 1: Dainty applause in a whisper to Christian, hark Christian.
• 3:06:54
  Speaker 18: And occupied with gallantry, perceived.
• 3:06:56
  Speaker 1: Not this draws a plate from under the seat and
• 3:07:00
  Speaker 1: holds it up the Galantine applause. The Galantine passes from
• 3:07:05
  Speaker 1: hand to hand, still whispering to Christian.
• 3:07:08
  Speaker 7: Prithe one word.
• 3:07:09
  Speaker 18: And Venus so attracted their eyes that Diana could secretly
• 3:07:13
  Speaker 18: pass by.
• 3:07:14
  Speaker 1: With he holds up a shoulder of mutton, her phone
• 3:07:18
  Speaker 1: into season. Twenty hands are held out to seize the
• 3:07:21
  Speaker 1: shoulder of Mutton. In a low whisper to Christian, I
• 3:07:25
  Speaker 1: must speak to you. To the cadets who come down
• 3:07:28
  Speaker 1: their arms laden with foot, put it all on the ground.
• 3:07:31
  Speaker 1: She lays all out on the grass, aided by the
• 3:07:34
  Speaker 1: two imperturbable lackeys who have begin the carriage to Christian.
• 3:07:39
  Speaker 1: Just as Serrano is drawing him.
• 3:07:41
  Speaker 11: Apart, Come make yourself of use.
• 3:07:43
  Speaker 1: Christian comes to help her. Sirrano's uneasiness increases. Truffled peacock
• 3:07:49
  Speaker 1: coming down, cutting a big slice of ham.
• 3:07:52
  Speaker 7: By the mass.
• 3:07:54
  Speaker 3: We shall not brave the last hazard without having had
• 3:07:59
  Speaker 3: a girl.
• 3:08:01
  Speaker 1: Quickly correcting himself on seeing.
• 3:08:03
  Speaker 3: Roxa pardon a bath, bizarre feast.
• 3:08:09
  Speaker 1: Throwing down the carriage cushions.
• 3:08:11
  Speaker 18: The cushions are stuffed with orto lamp hubbub.
• 3:08:14
  Speaker 1: They tear open and turn out the contents of the cushions,
• 3:08:18
  Speaker 1: bursts of laughter, merriment, ah vitas, throwing down to the
• 3:08:24
  Speaker 1: cadets bottles of red wine, flasks of rubies and white wine.
• 3:08:28
  Speaker 18: Flasks of topaz.
• 3:08:30
  Speaker 1: Throwing a folded tablecloth at Serrano's.
• 3:08:33
  Speaker 11: Head, unfold me that napkin, come, come, be nimble.
• 3:08:37
  Speaker 1: Waving a lantern.
• 3:08:38
  Speaker 18: Each of the carriage lamps is a little larder.
• 3:08:41
  Speaker 1: In a low voice to Christian, as they arranged the
• 3:08:44
  Speaker 1: cloth together.
• 3:08:45
  Speaker 7: I must speak with you. Ere you speak to her.
• 3:08:48
  Speaker 18: My whip handle is an oral sausage.
• 3:08:50
  Speaker 1: Pouring out wine, helping since.
• 3:08:53
  Speaker 11: We are to die. But the rest of the army
• 3:08:55
  Speaker 11: shift for itself, all for the gascons, and Mark de
• 3:09:00
  Speaker 11: Guiche comes, Let no one invite.
• 3:09:01
  Speaker 1: Him, going from one to the other.
• 3:09:04
  Speaker 11: There there you have time enough. Do not eat too fast,
• 3:09:09
  Speaker 11: drink a little? Why are you crying.
• 3:09:14
  Speaker 7: It is all so.
• 3:09:17
  Speaker 11: Good, tut red or white? Some bread for Monsieur de
• 3:09:23
  Speaker 11: carbon a knife, pass her plate, a little of the crust,
• 3:09:30
  Speaker 11: some more. Let me help you some champagne a.
• 3:09:36
  Speaker 1: Wing Sirranu who follows her, his arms laden with dishes,
• 3:09:40
  Speaker 1: helping her to wait on everybody, How I worship her?
• 3:09:44
  Speaker 1: Going up to Christian?
• 3:09:45
  Speaker 11: What will you nothing? Nay nay, Take this biscuit steeped
• 3:09:49
  Speaker 11: in muscat, come but two.
• 3:09:52
  Speaker 1: Drops trying to beat in her.
• 3:09:54
  Speaker 10: Oh tell me why you came.
• 3:09:56
  Speaker 1: Wait.
• 3:09:57
  Speaker 11: My first duty is to these poor fellows.
• 3:09:59
  Speaker 7: Hush.
• 3:10:00
  Speaker 1: In a few minutes, lebre who had gone up to
• 3:10:03
  Speaker 1: pass a loaf on the end of a lance to
• 3:10:05
  Speaker 1: the sentry on the rampart to.
• 3:10:07
  Speaker 7: Yish quick hide flasks, plates, pie, dishes, game baskets. Hurry,
• 3:10:13
  Speaker 7: let us all look unconscious to dragon up on your seat.
• 3:10:17
  Speaker 7: Is everything covered up.
• 3:10:18
  Speaker 1: In an instant? All has been pushed into the tents
• 3:10:21
  Speaker 1: or hidden under doublets, cloaks and beavers, dig enters ur
• 3:10:25
  Speaker 1: Reedley stops suddenly sniffing the air. Silence Scene seven, the
• 3:10:31
  Speaker 1: same de guiche.
• 3:10:32
  Speaker 21: It smells good here.
• 3:10:35
  Speaker 1: Humming hm, lo lo lo, looking at them, What is
• 3:10:40
  Speaker 1: the matter?
• 3:10:42
  Speaker 8: You are very red the matter. Nothing tis my blood
• 3:10:47
  Speaker 8: boiling at the thought of the coming battle?
• 3:10:51
  Speaker 1: Turning round?
• 3:10:52
  Speaker 5: What's that?
• 3:10:54
  Speaker 1: Slightly drunk?
• 3:10:55
  Speaker 26: Nothing? 'tis a song? A little?
• 3:10:57
  Speaker 21: You are merry, my friend?
• 3:11:00
  Speaker 1: Oh of danger is intoxicating, calling Carbon de castel delu
• 3:11:04
  Speaker 1: to give him an order, Captain I, He stops shot
• 3:11:08
  Speaker 1: on seeing him.
• 3:11:09
  Speaker 21: Play take me, But you look bravely.
• 3:11:12
  Speaker 1: Too, Crimson in the face, hiding a bottle behind his
• 3:11:16
  Speaker 1: back with an evisive movement.
• 3:11:18
  Speaker 21: Oh, I have one canon left and have had it.
• 3:11:22
  Speaker 1: Carry there, he points behind the scenes.
• 3:11:25
  Speaker 21: In that corner. Your man can use it in case
• 3:11:28
  Speaker 21: of need.
• 3:11:30
  Speaker 1: Reading slightly charming attention with a gracious.
• 3:11:33
  Speaker 8: Smile, kind solicitude.
• 3:11:36
  Speaker 21: How they're all gone crazy as you are not used
• 3:11:40
  Speaker 21: to canon, beware of the recoil.
• 3:11:43
  Speaker 1: Pull furious going up to him, but cannons never recoil,
• 3:11:50
  Speaker 1: speaking him by the arm and shaking him.
• 3:11:53
  Speaker 21: You are tipsy, But what with with the smell of powder.
• 3:12:00
  Speaker 1: Shrugging his shoulders and pushing him away, then going quickly
• 3:12:03
  Speaker 1: to Rox.
• 3:12:04
  Speaker 21: Up briefly, madame, what decision do you deign to treat?
• 3:12:08
  Speaker 11: I stay here, you must fly, No, I will stay.
• 3:12:12
  Speaker 21: Since things are thus, give me a musket one of you, wherefore,
• 3:12:17
  Speaker 21: because I too mean to remain at last?
• 3:12:21
  Speaker 7: This is true, valor sir, then you.
• 3:12:24
  Speaker 3: Are gascon in spite of your lace color.
• 3:12:29
  Speaker 7: What is all this?
• 3:12:30
  Speaker 21: I leave no woman in peril.
• 3:12:32
  Speaker 1: Second Cadet to the first.
• 3:12:34
  Speaker 8: Hark, you think you not? We might give him something
• 3:12:37
  Speaker 8: to eat.
• 3:12:38
  Speaker 1: All the beyonds reappear as if my magic whose eyes
• 3:12:41
  Speaker 1: sparkle vittles.
• 3:12:43
  Speaker 28: Yes, you'll see them coming from under every.
• 3:12:45
  Speaker 1: Coat, controlling himself haughtily.
• 3:12:48
  Speaker 21: Do you think I will eat your leavings?
• 3:12:51
  Speaker 1: Saluting him?
• 3:12:52
  Speaker 21: You make progress, I will fight without breaking my fast.
• 3:12:58
  Speaker 1: With wild delight breaking he has got the accent, laughing,
• 3:13:05
  Speaker 1: Oh tills a cats all begin to dance carbone the castel,
• 3:13:11
  Speaker 1: who had disappeared behind the rampart, reappearing on the ridge.
• 3:13:15
  Speaker 6: I have drawn my pikemen up in line. They are
• 3:13:17
  Speaker 6: a resolute troop.
• 3:13:19
  Speaker 1: He points to a row of pikes, the tops of
• 3:13:21
  Speaker 1: which are seen over the ridge, bowing to Roxa.
• 3:13:24
  Speaker 21: Will you accept my hand and accompany me while I
• 3:13:27
  Speaker 21: review them?
• 3:13:28
  Speaker 1: She takes it, and they go up toward the rampart.
• 3:13:31
  Speaker 1: All uncover and follow them, going to Serrano eagerly tell
• 3:13:35
  Speaker 1: me quickly, as Roxa appears on the ridge. The tops
• 3:13:39
  Speaker 1: of the lances disappear lowered for the salute, and a
• 3:13:42
  Speaker 1: shout is raised. She bows outside say that what is
• 3:13:47
  Speaker 1: the secrets?
• 3:13:48
  Speaker 7: If Roxanne should should speak of the letters? Yes, I know,
• 3:13:53
  Speaker 7: do not spoil all by seeming surprised. That's what I
• 3:13:57
  Speaker 7: must explain to you. Oh tis no great matter. I
• 3:14:01
  Speaker 7: but thought of it today on seeing her you have
• 3:14:05
  Speaker 7: how quickly you have written to her oftener than you think,
• 3:14:10
  Speaker 7: How so, thus faith I had taken it in hand
• 3:14:14
  Speaker 7: to express your flame for you. At times I wrote
• 3:14:18
  Speaker 7: without saying I am writing. Ah tis simple enough.
• 3:14:22
  Speaker 10: But how did you contrive? Since we've been cut off
• 3:14:25
  Speaker 10: thus too?
• 3:14:27
  Speaker 7: Oh before dawn I was able to get through.
• 3:14:30
  Speaker 1: Fooling is arms That was simple too.
• 3:14:33
  Speaker 10: And how oft pray you have? I written twice in
• 3:14:37
  Speaker 10: the week, three times four more often?
• 3:14:40
  Speaker 5: Still?
• 3:14:41
  Speaker 8: What every day?
• 3:14:42
  Speaker 7: Yes? Every day twice?
• 3:14:45
  Speaker 10: And that became so mad a joy for you that
• 3:14:48
  Speaker 10: you braved death.
• 3:14:49
  Speaker 1: Seeing Hush not before her, he goes hurriedly into his stent,
• 3:14:55
  Speaker 1: seeing eight Roxaw Christian in the distance, Cardet's coming and going.
• 3:15:01
  Speaker 1: Carbo and de Guiche give orders. Roxaw running up to Christia,
• 3:15:05
  Speaker 1: Ah Christian at last spaking our hands.
• 3:15:09
  Speaker 10: Now tell me why, why, by these fearful paths, so perilous,
• 3:15:13
  Speaker 10: across these ranks of riveled soldiery.
• 3:15:15
  Speaker 11: You have come love, Your letters brought me here? What
• 3:15:19
  Speaker 11: say you tis your fault? If I ran risks? Your
• 3:15:23
  Speaker 11: letters turned my head?
• 3:15:26
  Speaker 15: Ah?
• 3:15:26
  Speaker 11: All this month? How many and the last one ever
• 3:15:31
  Speaker 11: bettered the one that went before?
• 3:15:33
  Speaker 10: What for a few inconsequent love letters?
• 3:15:36
  Speaker 11: Hold your peace? Ah, you cannot conceive it. Ever since
• 3:15:41
  Speaker 11: that night, when in a voice all new to me
• 3:15:45
  Speaker 11: under my window, you revealed your soul. Ah, ever since
• 3:15:50
  Speaker 11: I have adored you. Now your letters, all this whole
• 3:15:54
  Speaker 11: month long meseemed as if I heard that voice, so tender, true, sheltering,
• 3:16:01
  Speaker 11: close thy fault, I say it drew me the voice
• 3:16:06
  Speaker 11: of the night. Oh wise, Penelope, would ne'er have stayed
• 3:16:10
  Speaker 11: to broider on her hearthstone, if her ulysses could have
• 3:16:14
  Speaker 11: wat such letters, but would have cast away her silken
• 3:16:17
  Speaker 11: bobbins and fled to join him. Mad for love is Helen.
• 3:16:21
  Speaker 11: But I read, read again, grew faint for love I
• 3:16:27
  Speaker 11: was thine utterly. Each separate page was like a fluttering
• 3:16:31
  Speaker 11: flower petal loosed from your own soul, and wafted thus
• 3:16:36
  Speaker 11: to mine. Imprinted in each burning word was love, sincere
• 3:16:42
  Speaker 11: all powerful.
• 3:16:44
  Speaker 10: A love sincea cannot be felt, Roxanne, I that it can.
• 3:16:49
  Speaker 11: You come, Oh Christian, my true lord, I come, Or
• 3:16:55
  Speaker 11: I to throw myself here at your knees would raise me.
• 3:16:58
  Speaker 11: But tis my soul I lay your feet, you can
• 3:17:01
  Speaker 11: raise it nevermore. I come to crave your pardon. Ay
• 3:17:06
  Speaker 11: tis time to super pardon now that death may come
• 3:17:09
  Speaker 11: for the insult done to you when frivolous. At first
• 3:17:13
  Speaker 11: I loved you only for.
• 3:17:14
  Speaker 35: Your face, horror stricken, Roxanne, and later love less frivolous,
• 3:17:20
  Speaker 35: like a bird that spreads its wings but cannot fly,
• 3:17:24
  Speaker 35: arrested by your beauty, by your soul drawn close, I
• 3:17:27
  Speaker 35: loved for both at once. And now ah, you yourself
• 3:17:32
  Speaker 35: have triumphed o'er yourself, And now I love you only.
• 3:17:37
  Speaker 11: For your soul.
• 3:17:38
  Speaker 1: Stepping backward, Roxane, be happy to be loved for beauty
• 3:17:43
  Speaker 1: a poor disguise.
• 3:17:44
  Speaker 11: The time so soon wears threadbare, must be to noble souls,
• 3:17:49
  Speaker 11: to souls aspiring a torture. Your dear thoughts have now
• 3:17:53
  Speaker 11: effaced that beauty that so won me at the outset.
• 3:17:57
  Speaker 11: Now I see clearer, and I no more see it.
• 3:18:00
  Speaker 11: Oh you are doubtful of such victory, rock San, I
• 3:18:04
  Speaker 11: see you cannot yet believe it. Such love.
• 3:18:07
  Speaker 10: I do not ask such love as that I would
• 3:18:10
  Speaker 10: be loved more, simply for for.
• 3:18:12
  Speaker 11: That which they have all in turns loved in thee shame, Oh,
• 3:18:17
  Speaker 11: be loved henceforth in a better way.
• 3:18:19
  Speaker 10: No, the first love was best.
• 3:18:21
  Speaker 11: Ah, how you err? Tis now that I love best?
• 3:18:25
  Speaker 29: Love?
• 3:18:26
  Speaker 11: Well tis that which is thy true self? See that
• 3:18:30
  Speaker 11: I adore? Were your brilliance dimmed?
• 3:18:33
  Speaker 26: Hush?
• 3:18:34
  Speaker 11: I should love still? I if your beauty should today depart?
• 3:18:38
  Speaker 7: Say not so?
• 3:18:39
  Speaker 11: Aye, I say it ugly, how ugly? I swear I'd
• 3:18:44
  Speaker 11: love you still?
• 3:18:45
  Speaker 26: My God?
• 3:18:46
  Speaker 11: Are you content at last?
• 3:18:48
  Speaker 1: In a choked voice, I what is wrong? Gently pushing
• 3:18:52
  Speaker 1: her ruby nothing.
• 3:18:54
  Speaker 10: I have two words to say one seconds.
• 3:18:57
  Speaker 1: But pointing to the cadets.
• 3:18:59
  Speaker 10: Those poor fell shortly doomed to death, My love deprives
• 3:19:03
  Speaker 10: them of the sight of you. Go speak to them,
• 3:19:06
  Speaker 10: smile on them.
• 3:19:07
  Speaker 11: Ere they die deeply affected, Dear Christian.
• 3:19:10
  Speaker 1: She goes up to the cadets, who respectfully crowd around her.
• 3:19:14
  Speaker 1: Scene nine Christian Serrano and pat Rocson talking to Carmo
• 3:19:19
  Speaker 1: and some cadets calling towards Serrano's tint. Serrano, reappearing fully.
• 3:19:24
  Speaker 7: ANDed, what why so pale?
• 3:19:27
  Speaker 14: She does not love me?
• 3:19:28
  Speaker 7: What tis you?
• 3:19:29
  Speaker 5: She loves?
• 3:19:30
  Speaker 10: No, but she loves me only for my soul?
• 3:19:33
  Speaker 7: Truly?
• 3:19:34
  Speaker 10: Yes, this you see that soul is you? Therefore tis
• 3:19:39
  Speaker 10: you she loves and you love her?
• 3:19:42
  Speaker 7: I Oh, I know it. I tis true you love
• 3:19:46
  Speaker 7: to madness, ay and worse?
• 3:19:49
  Speaker 26: And tell her so?
• 3:19:50
  Speaker 7: No, and why not? Look at my face? Be answered,
• 3:19:55
  Speaker 7: she'd love me where I ugly said she so hi.
• 3:19:58
  Speaker 11: In those words.
• 3:20:00
  Speaker 7: I'm glad she told you that. But pooh, believe it not.
• 3:20:03
  Speaker 7: I am well pleased she thought to tell you. Take
• 3:20:06
  Speaker 7: it not for truth never grow ugly. She'd reproach me
• 3:20:09
  Speaker 7: then that.
• 3:20:10
  Speaker 10: I intend discovering. No, I beg I she shall choose
• 3:20:15
  Speaker 10: between us?
• 3:20:16
  Speaker 2: Tell her all, no, No, I will not have it.
• 3:20:19
  Speaker 10: Spare me this because my face is happily fair? Shall
• 3:20:23
  Speaker 10: I destroy your happiness? Twits too unjust?
• 3:20:26
  Speaker 7: And I because by nature's freak, I have the gift
• 3:20:30
  Speaker 7: to say all that perchance you feel? Shall I be
• 3:20:34
  Speaker 7: fatal to your happiness?
• 3:20:36
  Speaker 14: Tell all?
• 3:20:37
  Speaker 7: It is ill done to tempt me.
• 3:20:39
  Speaker 10: Thus too long I've borne about within myself a rival
• 3:20:43
  Speaker 10: to myself.
• 3:20:44
  Speaker 7: I'll make an end Christian.
• 3:20:46
  Speaker 10: A union without witness secrets, Clodstine can be easily dissolved
• 3:20:51
  Speaker 10: if we survive my God.
• 3:20:54
  Speaker 7: He still persists.
• 3:20:55
  Speaker 10: I will be loved myself or not at all. I'll
• 3:20:59
  Speaker 10: go to see what they did that at the ends
• 3:21:01
  Speaker 10: of the post. Speak to her, and then let it
• 3:21:04
  Speaker 10: choose one of us too.
• 3:21:06
  Speaker 7: It will be you, pray God.
• 3:21:08
  Speaker 1: He calls ro San no, no, coming up quickly.
• 3:21:13
  Speaker 10: What Serrano has is importance for your ear.
• 3:21:16
  Speaker 1: She hastens to Serano. Cristian goes out scene en Roxa Serrano,
• 3:21:21
  Speaker 1: then Libre carbon de castel, Jalou, the Cadets, Dragon de Guiche,
• 3:21:26
  Speaker 1: et cetera. Important How in despair to Roxan.
• 3:21:31
  Speaker 7: He's gone tis not? Oh you know how he sees
• 3:21:35
  Speaker 7: importance in a trifle warmly?
• 3:21:37
  Speaker 11: Did he doubt of what I said?
• 3:21:40
  Speaker 1: Ah? Yes, I saw he doubted taking her hand.
• 3:21:43
  Speaker 7: But are you sure you told him all the truth?
• 3:21:46
  Speaker 1: Yes? I would love him were he She hesitates.
• 3:21:49
  Speaker 7: Does that word embarrass you before my face? Roxane, I
• 3:21:54
  Speaker 7: smiling sadly, will not hurt me? Say it? If he
• 3:21:58
  Speaker 7: were ugly, yes, ugly?
• 3:22:01
  Speaker 1: Musket report outside hark.
• 3:22:04
  Speaker 11: I hear a shot hideous, hideous.
• 3:22:07
  Speaker 7: Yes, disfigured, I grotesque?
• 3:22:10
  Speaker 11: He could not be grotesque to me.
• 3:22:12
  Speaker 7: You'd love the same, the same.
• 3:22:15
  Speaker 1: Nay even more, losing command over himself, asighed, My.
• 3:22:20
  Speaker 7: God, it's true, perchance love waits me there to Roxan
• 3:22:25
  Speaker 7: I Roxanne listen.
• 3:22:28
  Speaker 1: Lebree entering hurriedly to Serano Shio, turning round.
• 3:22:33
  Speaker 7: What hush?
• 3:22:34
  Speaker 1: He whispers something to him, letting go Roxa's hand and exclaiming, ah, God,
• 3:22:40
  Speaker 1: what is it? To himself, stunned, All is over now,
• 3:22:44
  Speaker 1: Renewed reports what.
• 3:22:46
  Speaker 11: Is the matter? Hark another shot?
• 3:22:49
  Speaker 1: She goes up to look outside.
• 3:22:51
  Speaker 7: It is too late now I can never tell, trying to.
• 3:22:55
  Speaker 1: Rush out what has chanced, rushing to stop her nothing.
• 3:23:00
  Speaker 1: Some cadets enter, trying to hide something they're carrying, and
• 3:23:03
  Speaker 1: close round it to prevent Roxa approaching, and those men
• 3:23:07
  Speaker 1: Serrano drawser away.
• 3:23:08
  Speaker 11: What were you just about to say?
• 3:23:10
  Speaker 22: Before?
• 3:23:11
  Speaker 7: What was I saying? Nothing? Now? I swear, I swear
• 3:23:16
  Speaker 7: that Christian's soul, his nature.
• 3:23:18
  Speaker 1: Were hastily crypting himself.
• 3:23:21
  Speaker 7: Nay, that they are the noblest, greatest work.
• 3:23:27
  Speaker 1: Oh, she rushiesha, pushing everyone aside. All is over now,
• 3:23:31
  Speaker 1: seeing Christian lying on the ground, wrapped in his cloak. Oh,
• 3:23:35
  Speaker 1: Christian to Sirano.
• 3:23:37
  Speaker 5: Struck by first shot of the enemy.
• 3:23:40
  Speaker 1: Roxa flings hers are down by Christian, fresh reports of cannon,
• 3:23:44
  Speaker 1: clash of arms, clamor beating of drums, carbon with sword.
• 3:23:48
  Speaker 29: In the air.
• 3:23:49
  Speaker 6: Oh, come your muskets.
• 3:23:51
  Speaker 1: Followed by the cadets. He passes to the other side
• 3:23:54
  Speaker 1: of the ramparts Christian from the other side.
• 3:23:58
  Speaker 11: Oh, mark Hurst, Christian, warm wine, Christian, hand.
• 3:24:04
  Speaker 7: On your march.
• 3:24:06
  Speaker 1: Dragon rushes up, bringing water in a helmet. Christian in
• 3:24:09
  Speaker 1: a dying voice. Roxanne Sirrano quickly whispering into Christian's ear,
• 3:24:15
  Speaker 1: while Roxun distractedly ties a piece of linen from his breast,
• 3:24:19
  Speaker 1: which she dips into the water, trying to stanch the bleeding.
• 3:24:22
  Speaker 7: I told her all. She loves you still.
• 3:24:25
  Speaker 1: Christian closes his eyes, Oh, my sweet love, drawm Rod
• 3:24:31
  Speaker 1: to Sirrano, He's not dead.
• 3:24:34
  Speaker 6: Open your chargers with your teeth.
• 3:24:36
  Speaker 11: His cheek grows cold against smile.
• 3:24:38
  Speaker 1: Rudy present seeing a letter in Christian's doublet A letter
• 3:24:45
  Speaker 1: 'tis for me? She opens it aside my letter. Musket
• 3:24:51
  Speaker 1: reports shouts noise of battle, trying to disengage his hand,
• 3:24:56
  Speaker 1: which Rosa on her knees is holding.
• 3:24:58
  Speaker 7: But Roxan hark they fight, beating him.
• 3:25:02
  Speaker 11: Stay yet a while, for he is dead. You knew him,
• 3:25:08
  Speaker 11: you alone, Oh was not his beauteous soul, A soul.
• 3:25:13
  Speaker 1: Wondrous standing up, bad headed.
• 3:25:15
  Speaker 7: I rock Sand, an inspired poet, I rock sand and.
• 3:25:21
  Speaker 11: A mind sublime, Oh yes, a heart too deep for
• 3:25:25
  Speaker 11: common minds to plump. A spirit subtle, charming.
• 3:25:29
  Speaker 1: I rock san flinging herself on the dead body dead,
• 3:25:35
  Speaker 1: my love aside, drawing his sword.
• 3:25:38
  Speaker 7: Eye and let me die today, since all unconscious, she
• 3:25:43
  Speaker 7: mourns me in him.
• 3:25:45
  Speaker 1: Sounds of trumpets in the distance. Guiche appearing on the ramparts,
• 3:25:49
  Speaker 1: bad headed, with a wound on his forehead, in a
• 3:25:52
  Speaker 1: voice of thunder.
• 3:25:53
  Speaker 21: It is the signal trumpet flourishes the French bring the
• 3:25:58
  Speaker 21: provisions into camp hold, but the place a while.
• 3:26:03
  Speaker 11: See there is blood upon the letter tears.
• 3:26:07
  Speaker 1: A Spanish officer outside, shouting surrender no Raganoon, standing on
• 3:26:13
  Speaker 1: the top of his carriage, watches the battle over the
• 3:26:16
  Speaker 1: edge of the ramparts.
• 3:26:17
  Speaker 18: The dangers ever greater, to de Guiche.
• 3:26:19
  Speaker 7: Pointing to Roxa, I will charge take her away.
• 3:26:23
  Speaker 1: Kissing the letter Oh God, his tears, his blood. Jumping
• 3:26:29
  Speaker 1: down from the carriage and rushing toward her, She swooned
• 3:26:32
  Speaker 1: away on the rampart to the cadets with fury. Stand
• 3:26:36
  Speaker 1: fast outside.
• 3:26:38
  Speaker 17: Laid down your arms.
• 3:26:40
  Speaker 1: No to the Guiche.
• 3:26:42
  Speaker 7: Now that you have proved your valor, Sir, pointing to Roxa,
• 3:26:46
  Speaker 7: fly and save her.
• 3:26:48
  Speaker 1: Rushing to Roxa and carrying her away in his arms.
• 3:26:51
  Speaker 21: So be it game, but time the victory's ours good.
• 3:26:56
  Speaker 1: Calling out to Roxa, whom de Guiche, aided by Raganou
• 3:26:59
  Speaker 1: is bearing in a fainting.
• 3:27:01
  Speaker 7: Condition, Farewell Roxanne.
• 3:27:03
  Speaker 1: Tumult shouts. Cadets reappear wounded, falling on the scene. Serrano,
• 3:27:08
  Speaker 1: rushing to the battle, is stopped by Carbon de castal Jellu,
• 3:27:11
  Speaker 1: who is streaming with blood.
• 3:27:13
  Speaker 6: Oh you are breaking. I am wounded, wounded.
• 3:27:16
  Speaker 7: Twice, shouting to the gascons, gascons, Ho, gascons. Never turn your.
• 3:27:22
  Speaker 1: Back to Carbo, whom he is supporting.
• 3:27:25
  Speaker 7: Have no fear. I have two deaths to avenge, my
• 3:27:29
  Speaker 7: friend who's slain, and my dead happiness.
• 3:27:32
  Speaker 1: They come down, Serrano, brandishing the lands to which is
• 3:27:36
  Speaker 1: attached Roxon's handkerchief.
• 3:27:38
  Speaker 7: Float there laced kerchief broidered with her name.
• 3:27:42
  Speaker 1: He sticks it in the ground and shouts to the cadets.
• 3:27:45
  Speaker 7: Fall on them. Gascons crush them to.
• 3:27:48
  Speaker 1: The fifer Fifer, play the fife place. The wounded try
• 3:27:53
  Speaker 1: to rise, Some cadets falling one over the other down
• 3:27:57
  Speaker 1: the slope, group themselves around Serrano and the little flat.
• 3:28:00
  Speaker 1: The carriage is crowded with men inside and outside, and
• 3:28:03
  Speaker 1: bristling with arquebuses, is turned into a fortress. First cadet,
• 3:28:08
  Speaker 1: appearing on the crest, beaten backward but still fighting, cries.
• 3:28:12
  Speaker 7: There, climbing the redoubt and false dead, let us salute them.
• 3:28:20
  Speaker 1: The rampart discovered instantly by a formidable row of enemies.
• 3:28:24
  Speaker 1: The standards of the imperialists are raised. Fire, general discharge
• 3:28:29
  Speaker 1: a deadly answering wally. The cadets fall on all sides.
• 3:28:33
  Speaker 1: A Spanish officer uncovering.
• 3:28:36
  Speaker 5: Who are these men who rush on death?
• 3:28:38
  Speaker 1: Reciting Eric amid a storm of bullets.
• 3:28:41
  Speaker 7: The Bold Cadets of Gascony of Carbon of Castel Jalou. Brawling,
• 3:28:48
  Speaker 7: swaggering boastfully, he.
• 3:28:50
  Speaker 1: Rushes forward, followed by a few survivors.
• 3:28:53
  Speaker 7: The Bold Cadets.
• 3:28:55
  Speaker 1: His voice is drowned in the battle curtain end off
• 3:28:59
  Speaker 1: at five Sirrano's gazet. Fifteen years later in sixteen fifty five,
• 3:29:07
  Speaker 1: Park of the Sisters of the Holy Cross in Paris,
• 3:29:11
  Speaker 1: magnificent trees. On the left the house broad steps onto
• 3:29:15
  Speaker 1: which opens several doors. An enormous plane tree in the
• 3:29:19
  Speaker 1: middle of the stage, standing alone on the right among
• 3:29:23
  Speaker 1: big boxwood trees, a semicircular stone bench. The whole background
• 3:29:27
  Speaker 1: of the stage is crossed by an alley of chestnut trees,
• 3:29:30
  Speaker 1: leading on the right hand to the door of a chapel.
• 3:29:33
  Speaker 1: Seen through the branches. Through the double row of trees
• 3:29:36
  Speaker 1: of this alley are seen lawns, other alleys, clusters of
• 3:29:39
  Speaker 1: trees winding off the park the sky. The chapel opens
• 3:29:43
  Speaker 1: by a little side door onto a colonnade, which is
• 3:29:46
  Speaker 1: ripped with autumn leaves and is lost to view. A
• 3:29:49
  Speaker 1: little farther on in the right hand foreground, behind the boxwood,
• 3:29:53
  Speaker 1: it is autumn. All the foliage is read against the
• 3:29:56
  Speaker 1: fresh green of the lawns. The green boxwood and the
• 3:29:59
  Speaker 1: ewes stand out dark under each tree a patch of
• 3:30:03
  Speaker 1: yellow leaves. The stage is strewn with dead leaves which
• 3:30:07
  Speaker 1: rustle underfoot in the alleys, and half cover the steps
• 3:30:10
  Speaker 1: and benches. Between the benches on the right hand and
• 3:30:13
  Speaker 1: the tree, a large embroidery frame in front of which
• 3:30:17
  Speaker 1: a little chat has been set. Baskets full of skeins
• 3:30:21
  Speaker 1: and balls of wool a tapestry begin at the rising
• 3:30:25
  Speaker 1: of the curtain. Nuns are walking to and fro in
• 3:30:27
  Speaker 1: the park. Some are seated on the bench around an
• 3:30:30
  Speaker 1: older sister. The leaves are falling. Scene one Mother Marguerite,
• 3:30:36
  Speaker 1: Sister Martha, Sister Claire, other sisters. Sister Martha to Mother Marguerite.
• 3:30:42
  Speaker 30: Sister Claire glanced in the mirror once, snayed twice to
• 3:30:45
  Speaker 30: see if her cough suited to Sister Claire, tis not well.
• 3:30:49
  Speaker 31: But I saw Sister Martha take a plum out of
• 3:30:52
  Speaker 31: the chart.
• 3:30:53
  Speaker 1: To Sister Martha, that was ill done, my sister.
• 3:30:57
  Speaker 31: A little glance and such a little.
• 3:31:00
  Speaker 8: I shall tell this to Monsieur Cyrano.
• 3:31:03
  Speaker 31: Nay, prithee, do not he will mock.
• 3:31:06
  Speaker 1: He'll say, we nuns are vain and greedy, smiling, ay
• 3:31:10
  Speaker 1: and kind.
• 3:31:12
  Speaker 31: Is it not true, pray Mother Marguerite, that he has
• 3:31:15
  Speaker 31: come each week on Saturday for ten years to the convent.
• 3:31:20
  Speaker 8: Aye and more ever, since fourteen years ago, the day
• 3:31:25
  Speaker 8: his cousin brought here midst Our, Woolen quoffs the worldly
• 3:31:29
  Speaker 8: mourning of her widow's veil like a blackbird's wing among
• 3:31:32
  Speaker 8: the convent doves.
• 3:31:34
  Speaker 30: He only has the skill to turn her mind from
• 3:31:36
  Speaker 30: grief and softened yet by time and healed.
• 3:31:39
  Speaker 7: He is so droll.
• 3:31:41
  Speaker 10: It's cheerful when he comes.
• 3:31:43
  Speaker 11: He teases us. But we all like him well. We
• 3:31:46
  Speaker 11: make him pasties of Angelica.
• 3:31:48
  Speaker 30: But he is not a faithful Catholic.
• 3:31:50
  Speaker 31: We will convert him.
• 3:31:52
  Speaker 8: Yes, yes, I forbid my daughter, as you attempt that subject.
• 3:31:57
  Speaker 8: Nay weary him not. He might less oft come here,
• 3:32:01
  Speaker 8: But God, nay never fear. God knows him well.
• 3:32:05
  Speaker 30: But every Saturday when he arrives, he tells me, sister,
• 3:32:09
  Speaker 30: i'd meet on Friday, says.
• 3:32:11
  Speaker 8: He's so well. The last time he came, food had
• 3:32:15
  Speaker 8: not passed his lips for two whole days.
• 3:32:17
  Speaker 7: Mother.
• 3:32:18
  Speaker 8: He's poor?
• 3:32:19
  Speaker 7: Who told you so?
• 3:32:20
  Speaker 30: Dear mother?
• 3:32:21
  Speaker 8: Monsieur le pray none help him? He permits not.
• 3:32:25
  Speaker 1: In an alley at the back, Roxa appears dressed in black,
• 3:32:29
  Speaker 1: where the widow's koife and veil Diguche imposing looking and
• 3:32:33
  Speaker 1: visibly aged, walks by her side. They sawnt hers slowly.
• 3:32:37
  Speaker 1: Mother Margie trices, tis.
• 3:32:39
  Speaker 8: Time we go in. Madame Madelene walks in the garden
• 3:32:43
  Speaker 8: with a visitor.
• 3:32:44
  Speaker 1: To Sister Claire in a low voice.
• 3:32:46
  Speaker 30: Marshal of Graandmon looking at him, tis he, I think,
• 3:32:50
  Speaker 30: tis many months now since he came to see her.
• 3:32:52
  Speaker 11: He's so busy the court, the camp, the world.
• 3:32:57
  Speaker 1: They go out. Deguiche and Roxa come for word in
• 3:33:00
  Speaker 1: silence and stop close to the embroidery frame scene to
• 3:33:05
  Speaker 1: Rosaw the Duke Dugamo formerly con dee Guiche, then Debray
• 3:33:09
  Speaker 1: and Dragonu.
• 3:33:11
  Speaker 21: And you stay here, still, ever vainly fair, ever in weeds,
• 3:33:18
  Speaker 21: ever still faithful.
• 3:33:20
  Speaker 26: Still.
• 3:33:21
  Speaker 21: After a pause, am I forgiven? I?
• 3:33:25
  Speaker 11: Since I am here?
• 3:33:26
  Speaker 1: Another pause? His was a soul, you say, ah, when
• 3:33:31
  Speaker 1: you knew him?
• 3:33:33
  Speaker 21: Ah, Maybe I, perchance too little knew him? And his
• 3:33:39
  Speaker 21: last letter ever next, your heart.
• 3:33:42
  Speaker 11: Hung from this chain, a gentle scapulary and dead.
• 3:33:47
  Speaker 21: You love him still at.
• 3:33:49
  Speaker 11: Times, meseems he is but partly dead. Our hearts still
• 3:33:54
  Speaker 11: speak as if his love still living wrapped me around.
• 3:33:58
  Speaker 21: After another pause, Cyrano comes to see.
• 3:34:01
  Speaker 11: You often, I, dear, kind old friend. We call him
• 3:34:07
  Speaker 11: my gazette. He never fails to come beneath this tree
• 3:34:12
  Speaker 11: they place his chair. If it be fine, I wait,
• 3:34:15
  Speaker 11: I broider. The clock strikes. At the last stroke, I
• 3:34:19
  Speaker 11: hear for now. I never turn to look, too sure
• 3:34:22
  Speaker 11: to hear his cane tap down the steps. He seats
• 3:34:26
  Speaker 11: himself with gentle raillery. He marks my tapestry.
• 3:34:30
  Speaker 1: That's never done.
• 3:34:31
  Speaker 11: He tells me all the gossip of the week.
• 3:34:33
  Speaker 1: Lebree appears on the steps. Why here's Lebrae, Lebree de sense?
• 3:34:38
  Speaker 11: How goes it with our friend ill?
• 3:34:41
  Speaker 5: Very ill?
• 3:34:42
  Speaker 21: How to the duke?
• 3:34:44
  Speaker 11: He exaggerates, Oh.
• 3:34:46
  Speaker 5: That I prophesied desertion. Want his litters now make him
• 3:34:52
  Speaker 5: fresh enemies attacking the sham nobles, sham, devout, sham brave,
• 3:34:58
  Speaker 5: the thieving authors all the world.
• 3:35:01
  Speaker 11: Ah, but his sword still holds mill in check.
• 3:35:05
  Speaker 1: None get the better of him, shaking his head time
• 3:35:08
  Speaker 1: will show.
• 3:35:09
  Speaker 5: Ah, but I fear for him, not man's attack, solitude, hunger, cold, December, daze,
• 3:35:17
  Speaker 5: that wolf like steel into his chamber, edd rear lo
• 3:35:22
  Speaker 5: the assassins that I fear for him. Each day he
• 3:35:26
  Speaker 5: tightens by one hole his belt that poor knows tinted
• 3:35:31
  Speaker 5: like old Ivory, he has retained one chabby suit of serge. I.
• 3:35:37
  Speaker 21: There is one who has no prize of fortune, yet
• 3:35:43
  Speaker 21: is not to be pitied.
• 3:35:44
  Speaker 1: With a bitter smile, my Lord Marshal.
• 3:35:47
  Speaker 21: Pity him not. He has lived out his vows, free
• 3:35:53
  Speaker 21: in his thoughts as in his actions, free.
• 3:35:58
  Speaker 1: In the same tone, my Lord True, I have all.
• 3:36:03
  Speaker 21: And he has naught.
• 3:36:06
  Speaker 1: Yet I were proud to take his hand, bowing the
• 3:36:09
  Speaker 1: roxa adieu, I go with you. The Duke boast delibree
• 3:36:14
  Speaker 1: and goes with Roxan toward the steps, passing while she
• 3:36:18
  Speaker 1: goes up.
• 3:36:18
  Speaker 21: Aye, True, I envy him. Look you when life is
• 3:36:23
  Speaker 21: brim full of success. Though the past hold no action foul,
• 3:36:28
  Speaker 21: one feels a thousand self disgusts, of which the sun
• 3:36:34
  Speaker 21: is not remorse but a dim, vague unrest. And as
• 3:36:40
  Speaker 21: one mounts the steps of worldly fame, the Duke's furred
• 3:36:44
  Speaker 21: mantles trail within their folds, a sound of dead illusions,
• 3:36:51
  Speaker 21: vain regrets, a Russell scarce, a whisper, like as when
• 3:36:57
  Speaker 21: mounting the terraced steps by your morning robe sweeps in
• 3:37:02
  Speaker 21: its train, the dying autumn leaves.
• 3:37:06
  Speaker 11: You are pensive.
• 3:37:07
  Speaker 1: True, I am as he is going out siddenly. Monsieur
• 3:37:12
  Speaker 1: le Brett to Roxa a word, with your permission, He
• 3:37:16
  Speaker 1: goes to Libre, and, in a low voice, true that
• 3:37:20
  Speaker 1: none dare to attack your friend, but many hate him.
• 3:37:25
  Speaker 1: Yesterday at the Queen's card play, twas said Matt Cirino
• 3:37:30
  Speaker 1: may die by accident. Let him stay in, be prudent,
• 3:37:37
  Speaker 1: raising his hands to heaven.
• 3:37:39
  Speaker 5: Prudent. He he's coming here. I'll warn him.
• 3:37:43
  Speaker 1: But Roxa, who has stayed on the steps to a sister,
• 3:37:47
  Speaker 1: who comes toward her, what is it ragged?
• 3:37:50
  Speaker 7: I would see, Madame.
• 3:37:51
  Speaker 1: Let him come to the Duke and lebree.
• 3:37:54
  Speaker 11: He comes to tell his troubles, having been an author,
• 3:37:57
  Speaker 11: save the mark. Poor fellow turns.
• 3:38:00
  Speaker 1: He's singer, bathing man, then actor, beadle.
• 3:38:05
  Speaker 24: Wig maker, teacher of the lute.
• 3:38:08
  Speaker 11: What will he be today? By chance?
• 3:38:10
  Speaker 1: Raganon entering hurriedly, Ah, Madame, he sees Libre. Ah, you hear, sir, smiling.
• 3:38:17
  Speaker 11: Tell all your miseries to him. I will return Anon, But.
• 3:38:21
  Speaker 1: Madame Roxa goes out with the Duke. Dragan goes towards
• 3:38:26
  Speaker 1: Libre scene tree, Libre, Dragan, since.
• 3:38:30
  Speaker 18: You are here tis best she should not know I
• 3:38:33
  Speaker 18: was going to your friend just now, who was but
• 3:38:35
  Speaker 18: a few steps from the house. When I saw him
• 3:38:37
  Speaker 18: go out, I hurried to him, saw him turn the
• 3:38:40
  Speaker 18: corner suddenly from out a window where he was passing.
• 3:38:45
  Speaker 18: Was it chance, maybe a lackey let fall a large
• 3:38:49
  Speaker 18: piece of wood?
• 3:38:50
  Speaker 5: Cowards? Oh, Sun know, I ran, I saw its hideous.
• 3:38:57
  Speaker 18: Saw our poets, Sir, our friend struck to the ground,
• 3:39:01
  Speaker 18: a large wound in his head.
• 3:39:03
  Speaker 6: He's dead, No, but I bore.
• 3:39:06
  Speaker 18: Him to his room. Ah, his room, What a thing
• 3:39:09
  Speaker 18: to see that garret.
• 3:39:11
  Speaker 5: He suffers.
• 3:39:13
  Speaker 18: No, his consciousness has flown.
• 3:39:15
  Speaker 5: So you were doctor one was kind, he came, my
• 3:39:19
  Speaker 5: poor sire. No, we must not tell this to ROCs Aanne. Suddenly,
• 3:39:24
  Speaker 5: what said this?
• 3:39:25
  Speaker 6: Leech said?
• 3:39:27
  Speaker 7: What I know? Not?
• 3:39:28
  Speaker 18: Fever meningitis?
• 3:39:30
  Speaker 7: Ah?
• 3:39:31
  Speaker 18: Could you see him, all his head bound up? But
• 3:39:34
  Speaker 18: let us haste. There is no one by his bed,
• 3:39:37
  Speaker 18: and if he tried to rise, Sir, he might die.
• 3:39:39
  Speaker 1: Dragging him toward the.
• 3:39:41
  Speaker 5: Right come through the chapel tis the quickest way.
• 3:39:45
  Speaker 1: Appearing on the steps and seeing Librey go away by
• 3:39:48
  Speaker 1: the colonnad leading to the chapel door. Monsieur le Bray,
• 3:39:52
  Speaker 1: Lebrey and dragonou disappear without answering.
• 3:39:55
  Speaker 11: Le Bray goes when I call tis some new trouble
• 3:39:59
  Speaker 11: of good.
• 3:39:59
  Speaker 16: Rag knows.
• 3:40:00
  Speaker 1: She discensed the steps scene for Rosaw alone. Two sisters
• 3:40:06
  Speaker 1: for a moment.
• 3:40:07
  Speaker 7: Ah, what a.
• 3:40:08
  Speaker 11: Beauty in September's clothes. My sorrows eased, April's joy dazzled it,
• 3:40:15
  Speaker 11: but Autumn wins it with her dying calm.
• 3:40:18
  Speaker 1: She seats herself at the embroidery frame. Two sisters come
• 3:40:22
  Speaker 1: out of the house and bring a large arm chair
• 3:40:24
  Speaker 1: under the tree.
• 3:40:25
  Speaker 11: There comes the famous arm chair where he sits. Dear
• 3:40:29
  Speaker 11: faithful friend, It is the parlor's best. Thanks sister.
• 3:40:33
  Speaker 1: The sisters go, He'll be here now. She seats herself.
• 3:40:38
  Speaker 1: A clock strikes, The.
• 3:40:39
  Speaker 11: Hour strikes my silks. Why now the hour's struck? How
• 3:40:47
  Speaker 11: strange to be behind his time at last to day?
• 3:40:51
  Speaker 11: Perhaps the portress where's my thimble here? Is preaching to him?
• 3:40:56
  Speaker 1: A pause, Yes, she must be preaching.
• 3:41:00
  Speaker 11: Surely he must come soon. Ah, a dead leaf.
• 3:41:04
  Speaker 1: She brushes off the leaf from her work.
• 3:41:06
  Speaker 11: Nothing besides could scissors in my bag could hinder him?
• 3:41:13
  Speaker 1: Said kind sister, coming to the steps Monsieur de Bergerac
• 3:41:17
  Speaker 1: Scene five ROXA Sirrano, and for a moment Sister Martha,
• 3:41:23
  Speaker 1: without turning round.
• 3:41:25
  Speaker 26: What was I saying?
• 3:41:27
  Speaker 1: She embroiders Sirrano, very pale, his sat pulled down over
• 3:41:31
  Speaker 1: his eyes appears the sister who had announced him retires.
• 3:41:36
  Speaker 1: He discensed the steps slowly, with a visible difficulty in
• 3:41:40
  Speaker 1: holding himself upright, bearing heavily on his cane. Roxa still
• 3:41:44
  Speaker 1: works at her tapestry.
• 3:41:46
  Speaker 11: Time has dimmed the tints. How harmonize them?
• 3:41:50
  Speaker 1: Now to Sirrano with playful reproach for the.
• 3:41:53
  Speaker 11: First time, late, for the first time all these fourteen.
• 3:41:59
  Speaker 1: Year Sirrano, who has succeeded in reaching the chair and
• 3:42:04
  Speaker 1: as seated himself in a lively voice, which is in
• 3:42:07
  Speaker 1: great contrast with his pale face.
• 3:42:09
  Speaker 7: Aye, it is villainous. I raged was stayed by by
• 3:42:16
  Speaker 7: a bold, unwelcome.
• 3:42:18
  Speaker 1: Visitor, absently working some creditor.
• 3:42:22
  Speaker 7: I cousin, the last creditor who has a debt to
• 3:42:25
  Speaker 7: claim from me, And you have paid it? No, not yet,
• 3:42:29
  Speaker 7: I put it off, said, cry you mercy, this is Saturday,
• 3:42:33
  Speaker 7: when I have yet a standing rendezvous. That not the
• 3:42:36
  Speaker 7: firs call in an hour's time?
• 3:42:38
  Speaker 11: Oh well, a creditor can always wait. I shall not
• 3:42:42
  Speaker 11: let you go, or twilight falls.
• 3:42:44
  Speaker 7: Happily perforce, I quit you ere at falls.
• 3:42:47
  Speaker 1: He shuts his eyes and is silent for a moment.
• 3:42:50
  Speaker 1: Sister Martha crosses the park from the chapel to the
• 3:42:54
  Speaker 1: flight of steps. Roxaw, seeing her, signs to her to
• 3:42:57
  Speaker 1: approach to Serrano.
• 3:43:00
  Speaker 11: How now you have not teased the sister.
• 3:43:02
  Speaker 1: Hastily opening his eyes. True, in a comically loud voice, sister,
• 3:43:08
  Speaker 1: come here. The sister glides up to him.
• 3:43:11
  Speaker 7: Ha ha what those bright eyes bent ever on the ground.
• 3:43:15
  Speaker 1: Sister Marta, who makes a movement of astonishment on seeing
• 3:43:19
  Speaker 1: his face. Oh, in a whisper, pointing to Roxa, hush
• 3:43:24
  Speaker 1: tis not loudly in a blustering voice.
• 3:43:27
  Speaker 7: I broke fast yesterday, a sighed, I know, I know.
• 3:43:32
  Speaker 30: That's how he is so pale. Come presently to the refactory.
• 3:43:35
  Speaker 30: I'll make you drink a famous bowl of soup. You'll come, aye, aye, there,
• 3:43:40
  Speaker 30: see you are more reasonable today.
• 3:43:42
  Speaker 1: Who hears them whispering and the sister would convert you.
• 3:43:46
  Speaker 7: Nay, not I old, but it's true. You preach to
• 3:43:50
  Speaker 7: me no more, you once so glib with holy words.
• 3:43:53
  Speaker 7: I am astonished. Stay, I will surprise you too, hark
• 3:43:59
  Speaker 7: I permit you.
• 3:44:00
  Speaker 1: He pretends to be seeking for something to teaserve, and
• 3:44:03
  Speaker 1: to have found it.
• 3:44:04
  Speaker 7: It is something new to pray for me to night
• 3:44:08
  Speaker 7: at chapel time. Oh, oh good, sister Martha is struck.
• 3:44:14
  Speaker 30: Dumb gently, I did not wait your leave to pray
• 3:44:18
  Speaker 30: for you.
• 3:44:19
  Speaker 1: She goes out, turning to Roxon, who is still bending
• 3:44:22
  Speaker 1: over her work.
• 3:44:24
  Speaker 7: That tapestry beshrew me if my eyes will ever see
• 3:44:28
  Speaker 7: it finished.
• 3:44:29
  Speaker 11: I was sure to hear that well known jest.
• 3:44:32
  Speaker 1: A light breeze causes the leaves to fall, the autumn leaves,
• 3:44:37
  Speaker 1: lifting her head and looking down the distant alley.
• 3:44:40
  Speaker 11: Soft golden brown like a Venetian's hair. See how they fall.
• 3:44:46
  Speaker 7: I see how brave they fall, in their last journey
• 3:44:50
  Speaker 7: downward from the bow, who wrought within the clay, yet lovely,
• 3:44:53
  Speaker 7: still hiding the horror of the last decay, with all
• 3:44:57
  Speaker 7: the wayward grace of careless flight.
• 3:45:00
  Speaker 1: What melancholy you collecting himself?
• 3:45:04
  Speaker 7: Nay, nay, roc sane?
• 3:45:07
  Speaker 11: Then let the dead leaves fall the way they will,
• 3:45:09
  Speaker 11: and chat, what have you nothing new to tell? My
• 3:45:13
  Speaker 11: court gazette.
• 3:45:14
  Speaker 1: Listen, Ah growing whiter and whiter.
• 3:45:18
  Speaker 7: Saturday the nineteenth, having eaten to excess of pear conserve.
• 3:45:25
  Speaker 7: The king felt feverish. The lancet quelled this treasonable revolt,
• 3:45:32
  Speaker 7: and the August pulse beats at normal pace. At the
• 3:45:35
  Speaker 7: Queen's ball on Sunday, thirty score of best white waxen
• 3:45:40
  Speaker 7: tapers were consumed. Our troops, they say, have chased the Austrians.
• 3:45:46
  Speaker 7: Four sorcerers were hanged. The little dog of Madame Detisse
• 3:45:50
  Speaker 7: took a dose.
• 3:45:51
  Speaker 11: I bid you hold your tongue, Monsieur de Bergerac.
• 3:45:54
  Speaker 7: Monday, not much Claire changed, Protector.
• 3:45:58
  Speaker 1: Oh, Who's changes more and more?
• 3:46:01
  Speaker 7: Tuesday the court repaired to Fontainebleau. Wednesday, the more Glad
• 3:46:07
  Speaker 7: said to Comte de Fieska, no, Thursday Mancini, Queen of Franz.
• 3:46:13
  Speaker 7: Almost Friday the more Glad to Count Fizhska, said yes.
• 3:46:19
  Speaker 7: And Saturday, the twenty.
• 3:46:20
  Speaker 1: Sixth, he closes his eyes. His said falls forward silence.
• 3:46:26
  Speaker 1: Surprised at his voice, seizing, turns round, looks at him,
• 3:46:29
  Speaker 1: and rising, terrified his wounds, she runs toward him, crying,
• 3:46:34
  Speaker 1: Sarahen now opening his eyes in an unconcerned voice, what
• 3:46:38
  Speaker 1: is this? He sees Roxa bending over him and hastily
• 3:46:42
  Speaker 1: pressing his hat on his head and shrinking back.
• 3:46:45
  Speaker 5: In his chair.
• 3:46:46
  Speaker 7: Nay, on my word, tis nothing. Let me be but
• 3:46:49
  Speaker 7: that old wound of aras sometimes, as you know, dear friend,
• 3:46:55
  Speaker 7: tis nothing till pass.
• 3:46:57
  Speaker 1: Soon, he smiles with an effort.
• 3:46:59
  Speaker 7: See it has passed.
• 3:47:01
  Speaker 11: Each of us has his wound. Ay, I have mine,
• 3:47:06
  Speaker 11: never healed up, not healed yet, my old wound.
• 3:47:10
  Speaker 1: She puts her hand on her breast.
• 3:47:12
  Speaker 11: Tis here beneath this letter, brown with age, all stained
• 3:47:17
  Speaker 11: with tear drops, and still stained with blood.
• 3:47:20
  Speaker 1: Twilight begins to fall his letter.
• 3:47:23
  Speaker 7: Ah, you promised me one day that I should read it?
• 3:47:27
  Speaker 11: What would you his letter?
• 3:47:31
  Speaker 7: Yes, I would fain to day.
• 3:47:33
  Speaker 1: Giving the bag hung at her neck, see here it
• 3:47:37
  Speaker 1: is taking it.
• 3:47:38
  Speaker 7: Have I your leave to open?
• 3:47:41
  Speaker 11: Open?
• 3:47:42
  Speaker 16: Read?
• 3:47:43
  Speaker 1: She comes back to a tapestry, theme, holds it up,
• 3:47:46
  Speaker 1: sought her wolves reading.
• 3:47:49
  Speaker 7: Rocks, Anne, adieu. I soon must die this very night, beloved,
• 3:47:55
  Speaker 7: and I feel my soul heavy with love. Untold, I
• 3:48:00
  Speaker 7: die no more as in days of old. My loving,
• 3:48:04
  Speaker 7: longing eyes will feast on your least gesture. I the least.
• 3:48:09
  Speaker 7: I mind me the way you touch your cheek with
• 3:48:12
  Speaker 7: your finger softly as you speak. Ah me, I know
• 3:48:17
  Speaker 7: that gesture well my heart cries out. I cry farewell.
• 3:48:24
  Speaker 1: But how you read that letter, one would think, continuing
• 3:48:29
  Speaker 1: to read.
• 3:48:29
  Speaker 7: My life, my love, my jewel, my sweet, my heart
• 3:48:35
  Speaker 7: has been yours in heavy.
• 3:48:36
  Speaker 1: Beat, the shades of evening fall imperceptibly.
• 3:48:41
  Speaker 11: You read in such a voice, so strange, and yet
• 3:48:47
  Speaker 11: it is not the first time I hear that voice.
• 3:48:51
  Speaker 1: She comes nearer, very softly, without his perceiving it, passes
• 3:48:56
  Speaker 1: behind his chair, and noiselessly, leaning over him, looks at
• 3:49:00
  Speaker 1: the letter. The darkness deepens.
• 3:49:02
  Speaker 7: Here dying and there in the land on high, I
• 3:49:07
  Speaker 7: am he who loved, who loves you.
• 3:49:10
  Speaker 1: I putting her hand on his shoulder.
• 3:49:13
  Speaker 11: How can you read? It is too dark to see?
• 3:49:17
  Speaker 1: He starts duns, sees her close to him. Suddenly alarmed,
• 3:49:21
  Speaker 1: he holds his head down. Then, in the dusk which
• 3:49:24
  Speaker 1: has now completely enfolded them, she says, very slowly, with
• 3:49:28
  Speaker 1: clasped hands.
• 3:49:29
  Speaker 11: And fourteen years long he has played this part of
• 3:49:34
  Speaker 11: the kind old friend who comes to laugh and.
• 3:49:38
  Speaker 7: Chat rock San twas you No, never rock San No.
• 3:49:45
  Speaker 11: I should have guessed each time he said my name.
• 3:49:48
  Speaker 7: No, it was not I, it was you. I swear
• 3:49:53
  Speaker 7: I see.
• 3:49:53
  Speaker 11: Through all the generous counterfeit the letters you know, the
• 3:49:59
  Speaker 11: sweet man words.
• 3:50:01
  Speaker 1: You No, the voice that thrilled the night.
• 3:50:05
  Speaker 7: You you, I swear you air.
• 3:50:10
  Speaker 22: The soul it was your soul.
• 3:50:14
  Speaker 7: I loved you, not you loved me, not twas.
• 3:50:17
  Speaker 11: He you loved me. No, see how you falter now?
• 3:50:23
  Speaker 7: No, my sweet love, I never loved you.
• 3:50:25
  Speaker 36: Oh, things dead, long dead, see how they rise again?
• 3:50:33
  Speaker 36: Why why Keith islence all these fourteen years.
• 3:50:38
  Speaker 11: When on this letter which he never wrote, the tears
• 3:50:41
  Speaker 11: were your tears holding.
• 3:50:43
  Speaker 1: Out the letter to her.
• 3:50:45
  Speaker 7: The bloodstains were his?
• 3:50:47
  Speaker 11: Why then, that noble silence kept so long broken today
• 3:50:52
  Speaker 11: for the first time?
• 3:50:54
  Speaker 1: Why why Libre and Dragonau enter running scene six the
• 3:51:01
  Speaker 1: same Lebre and Dragonnau.
• 3:51:03
  Speaker 5: What madness here? I knew it.
• 3:51:07
  Speaker 1: Well, smiling and sitting up?
• 3:51:10
  Speaker 5: What now he has brought his death by coming, Madame
• 3:51:14
  Speaker 5: god Ah, then that.
• 3:51:16
  Speaker 1: Faintness of a moment, since why true?
• 3:51:19
  Speaker 7: It interrupted? The Gazette Saturday twenty six at dinner time,
• 3:51:25
  Speaker 7: assassination of de Blegerrads.
• 3:51:28
  Speaker 1: He takes off his hat. They see his head bandaged.
• 3:51:31
  Speaker 11: What says he Sarah? No, his hat all bound? Oh
• 3:51:36
  Speaker 11: what has chanced?
• 3:51:37
  Speaker 7: How who to be struck down pierced by sword at
• 3:51:42
  Speaker 7: the heart, from a hero's hand that I had dreamed. Oh,
• 3:51:46
  Speaker 7: mockery of fate killed I of all men in ambuscade,
• 3:51:53
  Speaker 7: struck from behind and by a lackey's hand. Is very well.
• 3:51:57
  Speaker 7: I am foiled, foiled in all, even in my death.
• 3:52:01
  Speaker 1: Oh, Monsieur holding out his hand.
• 3:52:03
  Speaker 7: To him Raguo weep not so bitterly. What do you now, old, comrade.
• 3:52:11
  Speaker 18: Trim the lights for Moliere stage Moliere. Yes, but I
• 3:52:16
  Speaker 18: shall leave tomorrow. I cannot bear it. Yesterday they played scapin.
• 3:52:21
  Speaker 18: I saw he thieved a scene from you.
• 3:52:24
  Speaker 5: What the whole scene?
• 3:52:26
  Speaker 7: Oh?
• 3:52:26
  Speaker 18: Yes, indeed, Monsieur, the famous one could fair Moliere.
• 3:52:32
  Speaker 5: Has stolen that tut he did well.
• 3:52:36
  Speaker 7: I went the scene it told I think it told
• 3:52:40
  Speaker 7: sobbing ah, how they laughed. Look you, it was my
• 3:52:44
  Speaker 7: life to be the prompter. Everyone forgets to roxin that
• 3:52:49
  Speaker 7: night whenneath your window Christian spoke under your balcony, you remember, well,
• 3:52:56
  Speaker 7: there was the allegory of my whole life. I in
• 3:52:59
  Speaker 7: the shadow at the last foot, while others lightly mount
• 3:53:02
  Speaker 7: to love and fame, just very just here on the
• 3:53:07
  Speaker 7: threshold drear of death, I pay my tribute with the
• 3:53:11
  Speaker 7: rest to Moliere's genius christ Jan's fair face.
• 3:53:16
  Speaker 1: The chapel bell chimes. The nuns are seen passing down
• 3:53:20
  Speaker 1: the alley at the back to say their office.
• 3:53:23
  Speaker 7: Let them go, pray, go pray.
• 3:53:26
  Speaker 1: When the bell rings, rising and calling sister. Sister, holding
• 3:53:31
  Speaker 1: her fast.
• 3:53:32
  Speaker 7: Call, no one leave me, not when you come back,
• 3:53:36
  Speaker 7: I should be gone for I.
• 3:53:38
  Speaker 1: The nuns have all entered the chapel. The organ sounds.
• 3:53:42
  Speaker 7: I was somewhat faint for music. Hark tis come live
• 3:53:47
  Speaker 7: for I love you. No. In fairy tales, when to
• 3:53:51
  Speaker 7: the ill starred prince, the lady says, I'd love you all.
• 3:53:56
  Speaker 7: His ugliness fades fast, but I remain the same to
• 3:54:00
  Speaker 7: the last.
• 3:54:01
  Speaker 11: I have marred your life.
• 3:54:03
  Speaker 7: I I you blessed my life. Never on me had
• 3:54:09
  Speaker 7: rested woman's love. My mother even could not find me fair.
• 3:54:14
  Speaker 7: I had no sister, and when grown a man, I
• 3:54:17
  Speaker 7: feared the mistress who would mark at me. But I
• 3:54:20
  Speaker 7: have had your friendship. Grace to you. A woman's charm
• 3:54:24
  Speaker 7: has passed across my path.
• 3:54:26
  Speaker 1: Pointing to the moon which is seen between the grease,
• 3:54:29
  Speaker 1: Your other lady love is come smiling. I see I loved,
• 3:54:35
  Speaker 1: But once yet twice I lose my.
• 3:54:39
  Speaker 7: Love, hark you, Libray, I soon shall reach the moon
• 3:54:44
  Speaker 7: tonight alone, with no projectile's aid.
• 3:54:46
  Speaker 5: What are you saying?
• 3:54:48
  Speaker 7: I tell you it is there there that they send
• 3:54:51
  Speaker 7: me for my paradise. There I shall find at last
• 3:54:55
  Speaker 7: the souls I love in exile Galileo Socrates.
• 3:55:01
  Speaker 5: No, no, it is too clumsy to unjust so great
• 3:55:06
  Speaker 5: a heart, so great a poet die like this?
• 3:55:11
  Speaker 7: What die hark two Livre, who scolds.
• 3:55:16
  Speaker 1: Dear friend, starting up his eyes wild?
• 3:55:20
  Speaker 7: What ho Cadets of Gascony, the elemental mass ah, Yes.
• 3:55:25
  Speaker 5: The epicide Still he raves.
• 3:55:29
  Speaker 7: Copernicus said, Oh may codiable ley till fair mac diable
• 3:55:35
  Speaker 7: le till fair Don, said Galaire, philosopher, metaphysician, rhymer, brawler
• 3:55:42
  Speaker 7: and musician, famed for his lunar expedition and the outnumbered
• 3:55:47
  Speaker 7: duels he fought and lover. Also by interposition, here lies
• 3:55:53
  Speaker 7: ECUs Savin de sir Renauld de Bagerac, who was everything
• 3:55:58
  Speaker 7: yet was not. Cry your pardon, But I may not
• 3:56:02
  Speaker 7: stay see the moonway that comes to call me.
• 3:56:05
  Speaker 1: Hence he has fallen back in his chair. The sobs
• 3:56:08
  Speaker 1: of Roxa recall him to reality. He looks long at her,
• 3:56:12
  Speaker 1: and touching her veil.
• 3:56:13
  Speaker 7: I would not bid you mourn less faithfully, that good,
• 3:56:17
  Speaker 7: brave Christian. I would only ask that, when my body
• 3:56:20
  Speaker 7: should be cold and clay, you wear those sable mourning
• 3:56:24
  Speaker 7: weeds for two and mourn awhile for me in mourning him, I.
• 3:56:29
  Speaker 1: Swear at you, shivering violently, Then suddenly rising, not there
• 3:56:35
  Speaker 1: what seated? No day spring toward him?
• 3:56:39
  Speaker 7: Let no one hold me up.
• 3:56:40
  Speaker 1: He props himself against the tree.
• 3:56:43
  Speaker 7: Only the tree.
• 3:56:44
  Speaker 1: Silence.
• 3:56:45
  Speaker 7: It comes in. Now my feet have turned to stone,
• 3:56:49
  Speaker 7: My hands are gloved with lead.
• 3:56:52
  Speaker 1: He stands erect.
• 3:56:53
  Speaker 7: But since death comes I meet him still afoot.
• 3:56:57
  Speaker 1: He draws his sword, and sword in hand, SnO ha,
• 3:57:01
  Speaker 1: fainting Sarah. Now all shrink back in terror.
• 3:57:05
  Speaker 7: Why I well believe he dares to mock my nose?
• 3:57:09
  Speaker 7: Ho insolent?
• 3:57:11
  Speaker 1: He raises his sword.
• 3:57:13
  Speaker 7: What say you? It is useless? Ay?
• 3:57:16
  Speaker 11: I know?
• 3:57:16
  Speaker 7: But who fights ever hoping for success? I fought for
• 3:57:20
  Speaker 7: lost cause and for fruitless quest. You there? Who are you?
• 3:57:25
  Speaker 7: You are thousands? Ha? I know you now old enemies
• 3:57:29
  Speaker 7: of mine? Falsehood?
• 3:57:31
  Speaker 1: He strikes an air with his sword.
• 3:57:33
  Speaker 7: Have at you, ha, and compromise prejudice, treachery. He strikes surrender.
• 3:57:40
  Speaker 7: I parley no, never, you too folly you. I know
• 3:57:46
  Speaker 7: that you will lay me low at last. Let be
• 3:57:50
  Speaker 7: yet I fall, fighting, fighting still.
• 3:57:53
  Speaker 1: He makes passes in the air and stops breathless.
• 3:57:56
  Speaker 7: You strip from me, the laurel and the rose take
• 3:58:00
  Speaker 7: despite you. There is yet one thing I hold against
• 3:58:03
  Speaker 7: you all. And when tonight I enter Christ's fair courts
• 3:58:09
  Speaker 7: and lowly bowed sweep with doft casque the heaven spreshold blue.
• 3:58:14
  Speaker 7: One thing is left, that void of stain or smutch,
• 3:58:19
  Speaker 7: I bear away despite you.
• 3:58:22
  Speaker 1: He springs forward, his sword raised, it falls from his hand.
• 3:58:26
  Speaker 1: He staggers, falls back into the arms of Libray and
• 3:58:29
  Speaker 1: dragonal Roxaw, bending and kissing his forehead kings, opening his eyes,
• 3:58:36
  Speaker 1: recognizing her and smiling my panache curtain. End of Act five,
• 3:58:44
  Speaker 1: end of Serrano The Bergerak