Latest / Stuff Mom Never Told You / Activists Around the World: Elmer Lucille Allen
Transcript
- 0:05Speaker 1: Hey, this is Annie.
- 0:06Speaker 2: And Samantha.
- 0:07Speaker 1: And welcome to Stuff Never Told You, a production of iHeartRadio.
- 0:18Speaker 2: And today, for our activists around the world, we are
- 0:21Speaker 2: going to celebrate the works of 95-year-old chemist and ceramicist
- 0:26Speaker 2: Elmer Lucille Harris. I do want to timestamp this. This
- 0:30Speaker 2: today is August 25th, 2026, because one— It was Annie's
- 0:36Speaker 2: birthday yesterday, August 24th, 2026. Happy birthday, Annie.
- 0:42Speaker 1: Thank you.
- 0:42Speaker 2: Yeah, a little shout out. A little late because, you know,
- 0:44Speaker 2: this is going to be the next week, but still. Also,
- 0:48Speaker 2: it was actually Miss Harris's birthday, 95th birthday recently as well,
- 0:53Speaker 2: the 23rd. She turned 95 years old. And I thought, wow,
- 0:59Speaker 2: what a better way to celebrate that. On her birthday.
- 1:03Speaker 2: For her birthday and your birthday. So this is like
- 1:05Speaker 2: a together birthday. Two amazing women. But we're going to
- 1:08Speaker 2: be talking about Miss Harris. Anyway, moving on. But with that, Annie,
- 1:14Speaker 2: this actually kind of feels like a crossover with the
- 1:17Speaker 2: original intent for a happy hour. Because Mrs. Harris actually
- 1:21Speaker 2: worked for the Kentucky Distillery Brown Foreman, who is behind
- 1:25Speaker 2: Jack Daniels. and many others in Kentucky. So I thought
- 1:29Speaker 2: that was really interesting. I do want to say at
- 1:32Speaker 2: one point, one of the interviews that she was on,
- 1:35Speaker 2: they asked her what her favorite drink was, cocktail, whiskey, whatever.
- 1:39Speaker 2: She was like, yeah, I don't drink. I think y'all
- 1:41Speaker 2: should drink responsibly. Which is what we say. Yes. Drink responsibly.
- 1:49Speaker 2: We agree with her. But just to say that, that
- 1:53Speaker 2: was a really funny part of our interview. Anyway, moving on.
- 1:56Speaker 2: So let's jump in. Harris was born in Louisville, Kentucky,
- 1:59Speaker 2: and was named after her father, and I believe so
- 2:03Speaker 2: was her younger brother. So both she, her father, and
- 2:06Speaker 2: her younger brother were all named Elmer. But she went
- 2:09Speaker 2: by Lucille or Syl, while her brother went by Bud.
- 2:13Speaker 2: So in an interview with Bourbon Women, she talked about
- 2:15Speaker 2: her childhood and said this. The period that I grew
- 2:18Speaker 2: up was segregated. I was born in 1931 to Ophelia
- 2:21Speaker 2: and Elmer Johnson Hammond Sr. I was the oldest of
- 2:24Speaker 2: three children. My mother worked in service as a maid cook,
- 2:27Speaker 2: and my father was an L & M Pullman porter.
- 2:30Speaker 2: Neither my father or my mother graduated from high school.
- 2:33Speaker 2: I went to school with African-American students who were taught
- 2:35Speaker 2: by African-American teachers. My sister and brother did not graduate
- 2:38Speaker 2: from high school, and I took courses at Central High
- 2:41Speaker 2: School that prepared me to go to college. And she
- 2:42Speaker 2: talks about taking chemistry, taking Latin, taking civics. So in
- 2:46Speaker 2: the same interview, she talks about having a stutter around
- 2:51Speaker 2: age 12, being younger. but really working hard through that
- 2:54Speaker 2: to practice speech. She apparently took extra English courses with
- 2:59Speaker 2: teachers so that she can continue to practice. And later,
- 3:03Speaker 2: she would end up giving the commencement speech in her school. Like,
- 3:06Speaker 2: she got through it. She definitely worked through that. Afterwards,
- 3:10Speaker 2: she went on to Louisville Municipal College but soon transferred
- 3:13Speaker 2: to Nazareth College, which is now known as Spalding University,
- 3:17Speaker 2: where she majored in chemistry with a mathematics minor. So
- 3:21Speaker 2: back to that same interview, she says, there were no
- 3:23Speaker 2: grants or scholarships in 1949. I paid my tuition by
- 3:26Speaker 2: working at the college, St. Augustine Catholic Church, babysitting, housecleaning, etc.
- 3:31Speaker 2: I attended Louisville Municipal College, LMC, the University of Louisville
- 3:34Speaker 2: College for African American students from 1949 to 1951 when
- 3:37Speaker 2: it closed. LMC offered survey courses in English, mathematics, science,
- 3:44Speaker 2: social studies, etc. When LMC closed in 1951, because the
- 3:49Speaker 2: day law was rescinded. So the day law was a
- 3:52Speaker 2: law to segregate the students, not allowing for the Black
- 3:55Speaker 2: students to attend school with white students. So that was rescinded.
- 3:58Speaker 2: And so that's when integration started happening. So continuing again
- 4:01Speaker 2: with that interview, when LMC closed in 1951, I went
- 4:05Speaker 2: to Nazareth College, I had to take 12 hours of
- 4:07Speaker 2: religion and philosophy. In addition, I took science, mathematics, psychology, English, speech,
- 4:12Speaker 2: and other required courses. Nazareth graduated its first two African-American
- 4:17Speaker 2: students in 1951 with the help of the other alumni.
- 4:20Speaker 2: There is an endowed Patricia Lauderdale Bell Barbara Miller scholarship
- 4:26Speaker 2: for 2014. I graduated in 1953 with a bachelor's of
- 4:30Speaker 2: science in general education with a major in chemistry and
- 4:33Speaker 2: a minor in mathematics. So with her degree, she stated
- 4:37Speaker 2: there was only two people that graduated with a chemistry degree.
- 4:41Speaker 2: But with that, she was not able to immediately get
- 4:44Speaker 2: a chemistry job. She would go on to work as
- 4:47Speaker 2: a civil servant in Indiana, but soon would go into medtech,
- 4:51Speaker 2: which brought her back to Kentucky, which then would allow
- 4:54Speaker 2: her to move on from medtech to research chemist for
- 4:57Speaker 2: the American Synthetic Rubber Company. And this would all lead
- 5:01Speaker 2: her to Brown Forman R & D. So back to
- 5:05Speaker 2: that interview, she said, my first position was as a
- 5:07Speaker 2: junior chemist. I analyzed raw materials, corn, rye, and malt. Eventually,
- 5:12Speaker 2: I moved to other positions within the R & D department.
- 5:15Speaker 2: I retired in February 1997 as a senior analytical chemist.
- 5:20Speaker 2: She was the first Black woman chemist for the company.
- 5:23Speaker 2: In fact, she was one of the few women to
- 5:25Speaker 2: have a non-secretarial job, as well as being the first
- 5:28Speaker 2: Black person that worked there at all. So she kind
- 5:31Speaker 2: of just broke some boundaries. especially when this big of
- 5:34Speaker 2: a company, which I guess wasn't that big. She talks
- 5:37Speaker 2: about it later, how it was a small company, and
- 5:39Speaker 2: that she was able to walk down the office and
- 5:41Speaker 2: see the president and the CEO, and it was like
- 5:44Speaker 2: a small family, she said. So here's a bit from
- 5:47Speaker 2: an article from AmericanWhiskeyMag.com. She began working as a chemist
- 5:51Speaker 2: at Brown Foreman in April 1966, at a time when
- 5:54Speaker 2: few women were in the workplace, and those who were
- 5:57Speaker 2: there found themselves in mostly secretarial roles. She joined a
- 6:00Speaker 2: team of three other women who worked in the research
- 6:02Speaker 2: and development labs on the first floor of the production building,
- 6:06Speaker 2: Maggie Boston, Bessie Welsh, Marge Plamp. While Elmer analyzed the
- 6:10Speaker 2: whiskeys and their raw materials, corn rye malt, she said, quote,
- 6:13Speaker 2: no one did the same job. Everybody had their own
- 6:15Speaker 2: little job. She remembers the deep impact of watching the
- 6:18Speaker 2: first woman enter the executive role. And I saw how
- 6:21Speaker 2: Lois Matias went up the ladder, and it was amazing,
- 6:24Speaker 2: you know. Looking back now, she says, I'm glad to
- 6:26Speaker 2: see women in roles now that weren't possible years ago. Like,
- 6:30Speaker 2: she really did see some things and was able to, like,
- 6:33Speaker 2: grow within a company, which is so rare these days.
- 6:36Speaker 2: I feel like she's just an icon in herself. So
- 6:39Speaker 2: during this time, she was able to help her own
- 6:41Speaker 2: children push the boundaries other than social norms. After her
- 6:44Speaker 2: sons were not allowed to play baseball within their little
- 6:47Speaker 2: league in their community, she and her husband formed an
- 6:49Speaker 2: integrated league, the Little League in Chickasaw Park, which allowed
- 6:53Speaker 2: for her kids to play. Which... It's just... But that
- 6:59Speaker 2: had to be done. And that's still a conversation that
- 7:01Speaker 2: we have to have. And I'm glad she's able to
- 7:03Speaker 2: talk about this. Because, again, this happened in someone who
- 7:06Speaker 2: was alive's lifetime. So it wasn't like a long, long, long,
- 7:09Speaker 2: long time ago. Which is what makes me sad. And
- 7:14Speaker 2: also makes people realize how recent these things were. And
- 7:17Speaker 2: all the while, in the 70s, Harris began her journey
- 7:20Speaker 2: in the art world. So this is from artandscience.louisville.edu. In
- 7:25Speaker 2: the late 1970s, to better cope with arthritis in her hands,
- 7:29Speaker 2: Allen took a ceramics course from an art therapist at
- 7:32Speaker 2: Seneca High School. This class inspired her to take ceramics
- 7:35Speaker 2: and fiber class at Metro Arts Center. So a bit
- 7:39Speaker 2: more information about that from the SD2. org about her artwork.
- 7:43Speaker 2: They say, throughout her time at Brown Foreman, Allen took
- 7:46Speaker 2: art classes. She first began ceramics in the late 1970s
- 7:50Speaker 2: as a way to help with arthritis, but she regained
- 7:52Speaker 2: the passion for creating that she had as a child.
- 7:55Speaker 2: Soon she was taking courses at the University of Louisville
- 7:57Speaker 2: and working with prominent Kentucky artists, being embraced by the
- 8:01Speaker 2: art community for who she was. I have not experienced
- 8:04Speaker 2: any discrimination as a woman artist or as an artist
- 8:06Speaker 2: of color, Ellen told Louisville Visual Art. My work does
- 8:10Speaker 2: not depict any culture. It speaks for itself. I create
- 8:13Speaker 2: work that I enjoy making. And yeah, her love for
- 8:17Speaker 2: art also led to her leading in general. She founded
- 8:21Speaker 2: the Kentucky Coalition for Afro-American Arts, which she has led
- 8:25Speaker 2: for over 10 years. And with that, she has continued
- 8:28Speaker 2: to learn. She got her master's in ceramics from the
- 8:32Speaker 2: University of Louisville, I want to say like 2017. So
- 8:36Speaker 2: back to SD2 article. My thesis exhibition consisted of stenciled
- 8:41Speaker 2: wall hangings, Allen said to Louisville Visual Arts in 2017,
- 8:44Speaker 2: and over 200 reduction-fired porcelain sculptural boxes that were placed
- 8:48Speaker 2: on boards on the floor, which meant you had to
- 8:50Speaker 2: view the pieces while standing. Right. So this was her
- 8:54Speaker 2: exhibition piece. And 2017, I'm like, ma'am, why are you
- 8:59Speaker 2: so motivated? You're making me look bad. Since then, she's
- 9:05Speaker 2: had several more exhibits, including in 2020, titled African American
- 9:09Speaker 2: Women Celebrating Diversity in Art. And in 2023, which was
- 9:13Speaker 2: titled Remembrance, which was a collaboration with several other artists.
- 9:17Speaker 2: So you can actually go and look up, I think,
- 9:19Speaker 2: local news and see some of her art pieces as well.
- 9:21Speaker 2: And they're beautiful. She has definitely earned a lot of
- 9:25Speaker 2: accolades for her works, including being honored by the Kentucky
- 9:29Speaker 2: Black Bourbon Guild. As well as in 2004, she was
- 9:32Speaker 2: given the Governor's Award in the Arts, Community Arts, which
- 9:36Speaker 2: she was the first recipient ever. She was given the
- 9:39Speaker 2: Women of Distinction in 2004. She was given the Parkland
- 9:43Speaker 2: Rising Up Project in 2016. I love this. She was
- 9:47Speaker 2: also Woman of Spunk from the Actors Theater in 2007.
- 9:53Speaker 2: And then she also was Louisville's Free Public Library's Pillar
- 9:58Speaker 2: of Louisville in 2019. She has had so much more
- 10:02Speaker 2: as well for her accolades in the world of bourbon. Obviously,
- 10:04Speaker 2: she broke a lot of barriers. We've talked about how
- 10:07Speaker 2: hard it is to be a part of that community
- 10:09Speaker 2: in that world. And for her to have been in
- 10:11Speaker 2: this field in 1966 is phenomenal. And the fact that
- 10:15Speaker 2: she got to retire there. So, yeah, I love it.
- 10:18Speaker 2: When I find something like this, it just makes it
- 10:21Speaker 2: so interesting. This also could be a movie, Annie.
- 10:24Speaker 1: Yes. Yes. I love how her story jumps from here
- 10:29Speaker 1: to here to here. Art, chemistry, what else? What else
- 10:33Speaker 1: can I do?
- 10:34Speaker 2: It's great.
- 10:36Speaker 1: Well, listeners, please write in if you have any thoughts
- 10:41Speaker 1: about this. If you have any suggestions, we would love
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- 10:59Speaker 1: Thanks as always to our super producer, Rima, and our
- 11:01Speaker 1: executive producer, Maya.
- 11:03Speaker 2: Thank you.
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