Latest / The Breakfast Club / Swizz Beatz Talks New Music, Jay-Z, DMX Spirit, Verzuz, GOAT Talk + More

Transcript

Swizz Beatz Talks New Music, Jay-Z, DMX Spirit, Verzuz, GOAT Talk + More · The Breakfast Club

• 0:00
  Speaker 1: Yea talking about experience morning. Everybody's d J n V.
• 0:07
  Speaker 1: Charlamagne and to God we are the breakfast club. We
• 0:09
  Speaker 1: got a special guests in the building.
• 0:11
  Speaker 2: Swizzy Zone Zone Zone Zone Zone On y'all, y'all smell
• 0:15
  Speaker 2: like new money in the head. This building is crazy.
• 0:18
  Speaker 3: Swiss say he smelled new money, then we must really
• 0:20
  Speaker 3: smell like now new money smell.
• 0:25
  Speaker 4: Well, Swiss is here.
• 0:26
  Speaker 3: Now.
• 0:27
  Speaker 4: Now you decided to drop a.
• 0:28
  Speaker 5: EP, You're back in your music bag?
• 0:30
  Speaker 4: What got you back in the bag?
• 0:32
  Speaker 2: I got a phone call from my Virgo brother and
• 0:34
  Speaker 2: I two years ago and he was like, Yo, you
• 0:38
  Speaker 2: know I need you to do me a favor. Massive
• 0:41
  Speaker 2: Pill is representing the Hip Hop fiftieth and we're doing
• 0:45
  Speaker 2: something with producers and I was like okay, and he
• 0:48
  Speaker 2: was like, Prima gonna do Valume one, You'll do Volume two,
• 0:52
  Speaker 2: think hit Boy and a couple of other producers. And
• 0:55
  Speaker 2: I was like, okay, let's do it. But I'm telling
• 0:58
  Speaker 2: you that the two years went so fast. I got
• 0:59
  Speaker 2: a phone call it was like, you know, you're up
• 1:02
  Speaker 2: next for your for your EP, and I'm like what,
• 1:06
  Speaker 2: And so I'm not gonna lie like when I first
• 1:09
  Speaker 2: was when he first told me I wasn't taking it serious.
• 1:11
  Speaker 2: Like I was like, I'm gonna just get five songs
• 1:13
  Speaker 2: off the hard drive and just whatever. But then like
• 1:16
  Speaker 2: as it got close, I was like, not everything count
• 1:19
  Speaker 2: you know what I'm saying. I can't come out and
• 1:22
  Speaker 2: just put anything out. So then I started taking the
• 1:24
  Speaker 2: project serious and and we hit and here we are now.
• 1:28
  Speaker 3: But the crazy part is if you was up against
• 1:30
  Speaker 3: the deadline to have Jay Electronic album on a project,
• 1:33
  Speaker 3: how did you catch that You're waiting on a Ja
• 1:36
  Speaker 3: Electronic nic?
• 1:39
  Speaker 2: Yeah, let me tell you about We love Jay Electronic.
• 1:42
  Speaker 2: He's a very special guy. So I dropped. I dropped
• 1:46
  Speaker 2: the commercial for the for the for the EP. I
• 1:50
  Speaker 2: get a call from Jail Electronic. Yo, I gave you
• 1:55
  Speaker 2: my word. I'm you know, I told you I was
• 1:56
  Speaker 2: gonna give you a verse. I'm I'm ready to do
• 1:59
  Speaker 2: it like what we're doing, like I need, I need
• 2:00
  Speaker 2: you to change the track listing. So people noticed one
• 2:04
  Speaker 2: track listen came. He wasn't on that track. He was
• 2:07
  Speaker 2: on the next track. Listen. It is the fastest I
• 2:09
  Speaker 2: ever seen him say music. So I was happy that
• 2:11
  Speaker 2: he was inspired by what he was singing and was
• 2:14
  Speaker 2: just like yo, he gave me the He gave me
• 2:16
  Speaker 2: the verse in thirty minutes. Really yes, wow, And so
• 2:19
  Speaker 2: you had to send it to him he worked with
• 2:22
  Speaker 2: him in the studio, or you send it to he
• 2:24
  Speaker 2: was in Egypt somewhere.
• 2:25
  Speaker 4: That's what I said, because you're in Mexico.
• 2:28
  Speaker 2: Everywhere.
• 2:29
  Speaker 3: How do you pick who you want on a project
• 2:31
  Speaker 3: that's only five six songs?
• 2:33
  Speaker 2: Though it was pretty it was pretty easy. I actually
• 2:36
  Speaker 2: liked that that amount of length for music, it's easy
• 2:41
  Speaker 2: to digest. And then you know, I knew I wanted
• 2:44
  Speaker 2: to put an eyes on it. He invited me to
• 2:46
  Speaker 2: the project, and then I also wanted to work with
• 2:48
  Speaker 2: some of the younger artists, you know, because I talk
• 2:51
  Speaker 2: to them every day. We don't necessarily talk about music,
• 2:54
  Speaker 2: but it's just like, you know what, since we speak
• 2:56
  Speaker 2: every day, let's let's have some fun as well. You know,
• 2:58
  Speaker 2: I speak to Dirk the boogie five year old. You know,
• 3:03
  Speaker 2: we kicked it with him from when him and my
• 3:05
  Speaker 2: wife did the track bad Man dra like what they
• 3:08
  Speaker 2: got going on in Jersey. And then also you know,
• 3:11
  Speaker 2: going to jail, like trying just wanted to make like
• 3:13
  Speaker 2: a little gumbo, just to like have from and be
• 3:16
  Speaker 2: inspired myself. I didn't want it because it's the hip
• 3:18
  Speaker 2: hop fifty if I didn't want it to just feel
• 3:20
  Speaker 2: super nostalgic, like I'm not even I'm trying to move.
• 3:24
  Speaker 1: Out of that space. Actually, now, what about Scarlup? I
• 3:27
  Speaker 1: see you work with Scarlet Orders from the BX. That's
• 3:30
  Speaker 1: the video I posted a couple of weeks ago. So
• 3:33
  Speaker 1: how did you get up with Scarll Lub? I met
• 3:34
  Speaker 1: her for the first time a couple days ago.
• 3:36
  Speaker 2: She good, She's a good person. She a good person.
• 3:39
  Speaker 2: I think that, you know, like the song that she
• 3:41
  Speaker 2: got out of Now is amazing, but with made like
• 3:44
  Speaker 2: that song was the other styles that she can do.
• 3:46
  Speaker 2: I'm like, Okay, she could do damn X, but then
• 3:48
  Speaker 2: she could do Lawrence Hill like that, especially like when
• 3:52
  Speaker 2: when you find somebody that's like super versatile like that,
• 3:54
  Speaker 2: that's not just one lane one way, Like she can
• 3:57
  Speaker 2: go like five different lanes. And that's why I was like,
• 4:00
  Speaker 2: you know, I'm executive produce her record. I always wanted
• 4:03
  Speaker 2: to do do something like that for somebody from the
• 4:05
  Speaker 2: Bronx anyway, and this is like the perfect opportunity.
• 4:07
  Speaker 5: Are you doing our whole project?
• 4:08
  Speaker 2: Yeah?
• 4:09
  Speaker 4: Wow?
• 4:09
  Speaker 2: So she signed to you or no, I don't want to.
• 4:12
  Speaker 2: I don't I don't want to sign no way, but
• 4:14
  Speaker 2: I want to support. I'm executive produce it the whole thing.
• 4:18
  Speaker 1: I think she's going today to sign. I think I
• 4:19
  Speaker 1: think she told me that Tuesday she was going to
• 4:22
  Speaker 1: hopefully close the deal. So I told her, will I
• 4:24
  Speaker 1: will play the record in the morning for her on
• 4:26
  Speaker 1: her way to her deal.
• 4:26
  Speaker 4: So hopefully she closed.
• 4:27
  Speaker 5: Probably helped to close the deal if the whole project, they.
• 4:30
  Speaker 2: Probably she got she got a lot of options on
• 4:33
  Speaker 2: the table. You know, I could just stare in the
• 4:36
  Speaker 2: right direction, but like you know, you got to let
• 4:38
  Speaker 2: the artists do their thing as well. And she's a
• 4:41
  Speaker 2: very very smart girl, and so I think I think
• 4:43
  Speaker 2: she I think we're going to see something great from her.
• 4:46
  Speaker 3: When you say the city sounds like, do you feel
• 4:48
  Speaker 3: like this is what you want the city to sound like,
• 4:50
  Speaker 3: or you feel like this is what the city sounds
• 4:52
  Speaker 3: like now that the city is missing production.
• 4:53
  Speaker 2: We don't want the city to sound like. That's how
• 4:55
  Speaker 2: I said, this is what the city is supposed to
• 4:57
  Speaker 2: sound like. This is what the city is supposed to
• 4:59
  Speaker 2: sound like, just because like you know, when I was
• 5:02
  Speaker 2: coming back and forth to New York. It didn't sound
• 5:05
  Speaker 2: like I was in New York, you know what I'm saying.
• 5:07
  Speaker 2: Sound like I'm in Atlanta, or it sounds like I'm
• 5:10
  Speaker 2: somewhere else on Africa now too, you know what I'm saying.
• 5:13
  Speaker 2: So like as much as possible, I want to contribute
• 5:15
  Speaker 2: those records that you know that that just feel good
• 5:18
  Speaker 2: when you ride around in the street, you get off
• 5:20
  Speaker 2: the plane, you turn the radio on, you're hearing something
• 5:23
  Speaker 2: that make you feel like you're back home. Like us
• 5:25
  Speaker 2: having an identity in New York. It's like very very important,
• 5:28
  Speaker 2: Like people used to just travel here just to get
• 5:31
  Speaker 2: that energy and go back and make their music, you
• 5:34
  Speaker 2: know what I'm saying. But you know, you can't just
• 5:36
  Speaker 2: complain about it and don't do nothing about it, right
• 5:38
  Speaker 2: you know. So like that's why like even the Scarlet
• 5:41
  Speaker 2: track with Benny and Kiss, like that's on purpose, Like
• 5:44
  Speaker 2: the catast drums with it is on purpose. For the
• 5:46
  Speaker 2: boom back the example, yeah, the example, Like all those
• 5:49
  Speaker 2: things are like purposeful because so you can put that
• 5:53
  Speaker 2: identity like oh, this is like a New York song,
• 5:55
  Speaker 2: like you know, just trying to get back to that.
• 5:57
  Speaker 2: But now New York, don't you know, Like even the
• 5:59
  Speaker 2: music don't sound like that no more. You know, like
• 6:02
  Speaker 2: my kids could care that's a caress one or whatever
• 6:06
  Speaker 2: drums on it. They listening to what they listening to.
• 6:08
  Speaker 2: But I still got to give people like some of
• 6:11
  Speaker 2: the authentic energy because I come from it.
• 6:14
  Speaker 3: How come you think y'all never got backlash as Rough Riders,
• 6:17
  Speaker 3: because there was a time where your production was it
• 6:20
  Speaker 3: felt so New York, but it still had that bounce
• 6:22
  Speaker 3: to it, you know what I mean? Like, why do
• 6:23
  Speaker 3: you think y'all never got flat? You see a lot
• 6:25
  Speaker 3: of artis not like, oh, you sound like you from
• 6:26
  Speaker 3: the South.
• 6:29
  Speaker 2: I don't think they wanted problems. They probably you know
• 6:33
  Speaker 2: what I'm saying. But people used to always like I
• 6:37
  Speaker 2: used to head through the rumblings like, no, that's not
• 6:39
  Speaker 2: real New York, like that's this and you know we
• 6:42
  Speaker 2: put we put juvenile on down bottom. That's when I
• 6:45
  Speaker 2: really was feeling it. You know, it's like, nah, that's like,
• 6:48
  Speaker 2: what's that? Because Atlanta wasn't like what it is today.
• 6:51
  Speaker 2: They was like, Yo, that's that Bama stuff. And they
• 6:52
  Speaker 2: used to talk all crazy. I'm like, yo, we the
• 6:56
  Speaker 2: sound gotta go everywhere. You know what I'm saying. I
• 6:58
  Speaker 2: felt that it was New York because Drag was on
• 7:01
  Speaker 2: it and I produced it. It don't get no more
• 7:03
  Speaker 2: in New York than that. Don't matter. It shouldn't matter
• 7:05
  Speaker 2: who the feature is, you know what I'm saying. It's
• 7:07
  Speaker 2: just like like I'm the New York producer for the
• 7:10
  Speaker 2: mass Appel Hip Hop fiftieth, but I got Dirk on it.
• 7:13
  Speaker 2: You know what I'm saying. It's different artists that that's
• 7:15
  Speaker 2: not from New York. And I'm just like, nah, Like
• 7:17
  Speaker 2: everybody don't got to beat from New York for having
• 7:20
  Speaker 2: New York energy, Like I'm the New York energy.
• 7:22
  Speaker 4: Now, what happened with with Versus?
• 7:24
  Speaker 1: I know one time, you know, Versus was everybody was
• 7:27
  Speaker 1: all in with you and Swizz and you and Tim.
• 7:30
  Speaker 4: Then you said stop f with Versus because it was
• 7:33
  Speaker 4: a problem with Trilla.
• 7:34
  Speaker 2: So I never said step with Versus.
• 7:36
  Speaker 4: That was the feeling.
• 7:38
  Speaker 1: So, so what happened with with Versus and Trilla? And
• 7:40
  Speaker 1: is everything worked out now? And we're gonna start getting
• 7:42
  Speaker 1: some more Versus back.
• 7:44
  Speaker 2: We're definitely gonna get Versus back. You know, we're in
• 7:47
  Speaker 2: a We're in a great space. I actually liked that
• 7:49
  Speaker 2: we took a time out. It was getting wild. I'm
• 7:52
  Speaker 2: not gonna lie, you know like it was it was,
• 7:54
  Speaker 2: it was becoming crazy. But this time when we're coming back,
• 7:58
  Speaker 2: we're gonna give you a full calendar, bigger verses. Well
• 8:02
  Speaker 2: I don't like to worry bigger verses, but just still
• 8:04
  Speaker 2: unique verses that the people want to see that they
• 8:07
  Speaker 2: probably thought they wasn't going to get. And so my
• 8:09
  Speaker 2: thing is like with me and Tim, is like I'd
• 8:11
  Speaker 2: rather take our time and come back like with an
• 8:15
  Speaker 2: amazing schedule that people going to go crazy and y'all
• 8:17
  Speaker 2: to see this very soon, and then also with new management,
• 8:22
  Speaker 2: like with a whole new like take it serious, you know,
• 8:24
  Speaker 2: like this started out in our basements, you know, and
• 8:27
  Speaker 2: we turned into BT like overnight. So we had to
• 8:30
  Speaker 2: take time out to be like, listen, we have something
• 8:33
  Speaker 2: special here, Like let's treat it like that. And then
• 8:35
  Speaker 2: also let's show the artists how to treat it like that.
• 8:38
  Speaker 2: You know what I'm saying, shawing up late like how
• 8:40
  Speaker 2: I did today, you know what I'm saying, But treat
• 8:44
  Speaker 2: it like how you treating those other shows that you're
• 8:47
  Speaker 2: not getting nothing from technically you might get a beautiful trophy.
• 8:50
  Speaker 2: But like this right here, your streams going up seven
• 8:53
  Speaker 2: hundred percent. Mostly every artist that did Versus, they've been
• 8:56
  Speaker 2: on festivals and toys since Versus. You know, it actually
• 9:01
  Speaker 2: helped artists, and so like, you know, my thing is like,
• 9:04
  Speaker 2: how can we come up with a new schedule, how
• 9:06
  Speaker 2: can we have a real showrunner like treat it like
• 9:09
  Speaker 2: for real? And I think that when it comes back,
• 9:11
  Speaker 2: it's going to be a breath of fresh air, even
• 9:14
  Speaker 2: without us talking about it Versus. I hear about the
• 9:16
  Speaker 2: Versus every day, Not that all of them makes sense,
• 9:18
  Speaker 2: but I hear about the Versus every day.
• 9:20
  Speaker 1: It's good conversation. It keeps it keeps the culture talking.
• 9:23
  Speaker 1: And what happened with Trilla? Did y'all and Trilla work
• 9:25
  Speaker 1: that situation out?
• 9:26
  Speaker 5: Y'all sue them? N?
• 9:27
  Speaker 2: Yeah? We you know, we definitely, we definitely sue them.
• 9:31
  Speaker 2: We definitely got to a settlement. And I feel that
• 9:36
  Speaker 2: me and Tim in a great space now, like a
• 9:38
  Speaker 2: very good space.
• 9:39
  Speaker 4: So Chilla still involved.
• 9:40
  Speaker 2: Yeah, as of right now, they're involved.
• 9:42
  Speaker 3: Yeah, are you excited about some of the ones you've
• 9:44
  Speaker 3: been hearing?
• 9:45
  Speaker 5: Of course? JD and Diddy they say that's a go.
• 9:48
  Speaker 3: I hope that's how y'all relaunch it, right, But then
• 9:50
  Speaker 3: you hear it about fifty and Wayne.
• 9:52
  Speaker 2: Yeah, what'd you think about that one?
• 9:55
  Speaker 3: I think it'll be good, But I mean, I think
• 9:57
  Speaker 3: Wayne old Wayne, but I think it'll be good, you know.
• 10:00
  Speaker 5: Yeah, And I love Fifth, you know, but.
• 10:02
  Speaker 2: I don't know what I feel like. That's a weird
• 10:04
  Speaker 2: one for me, but the people definitely it's not. I'm
• 10:06
  Speaker 2: not using my personal judgment on the person. The people wanted.
• 10:09
  Speaker 2: We're gonna try to We're gonna try to do it.
• 10:11
  Speaker 2: I just I just for some reason they and put
• 10:13
  Speaker 2: fifty and Wayne in the same version. I don't even
• 10:15
  Speaker 2: know how that happened.
• 10:16
  Speaker 1: But you know, it's like I tell everybody, it's it's
• 10:19
  Speaker 1: it doesn't matter how many songs. Sometimes it don't matter
• 10:21
  Speaker 1: the catalog and me and you spoke about this. It's
• 10:23
  Speaker 1: the songs that you pick and what you do. Because
• 10:26
  Speaker 1: you know, we've heard people with we thought I always
• 10:28
  Speaker 1: go back to the Locks dip set. Everybody thought Dipset
• 10:31
  Speaker 1: was gonna wash the Locks because they had so many
• 10:33
  Speaker 1: records that play on radio, so many cultural records.
• 10:36
  Speaker 4: But that night, the Locks took it serious.
• 10:38
  Speaker 3: That's what makes Fifty and Wayne so interesting because they
• 10:40
  Speaker 3: can both do their commercial joints right right, but then
• 10:43
  Speaker 3: when they get into their mixtape bags, both of them
• 10:45
  Speaker 3: with freestyles and everything else, it's just like, WHOA, that
• 10:48
  Speaker 3: could be a special one.
• 10:51
  Speaker 2: I agree with that. I see where you're going with it.
• 10:53
  Speaker 2: I think for me, maybe it's like because when you
• 10:56
  Speaker 2: see fifty, he's like, he's not a small Wayne is
• 11:01
  Speaker 2: like a small you know what I'm saying, Like, but
• 11:05
  Speaker 2: powerful with music and powerful with his success. So I
• 11:09
  Speaker 2: don't know, like, maybe it's the visual that's thrown me
• 11:11
  Speaker 2: off with that one. Like maybe I got to sit
• 11:13
  Speaker 2: down and see both songs, but you know, fifty, you
• 11:16
  Speaker 2: guys actually asking what we need to do.
• 11:18
  Speaker 4: Yeah, he was. I seen him there.
• 11:19
  Speaker 1: He was like, I don't think Swiss di I like him.
• 11:21
  Speaker 1: I was like, nah, I don't think that this call
• 11:23
  Speaker 1: it was this. I was like those Swiss actually said
• 11:24
  Speaker 1: hot to you when I spoke to earlier. That's in fact,
• 11:26
  Speaker 1: I was like, nah, I don't think there's no problem.
• 11:28
  Speaker 1: What about you know one time we were all talking
• 11:31
  Speaker 1: and I heard behind the scenes that I was gonna
• 11:33
  Speaker 1: get done. I don't know if the conversation stopped Nicki
• 11:36
  Speaker 1: Minaj and Little Kim, we kept hearing that I think that.
• 11:41
  Speaker 4: Is that both have passed or I can't say.
• 11:43
  Speaker 2: I can't say it. Yeah, I can't say it.
• 11:45
  Speaker 4: It's still a possibility.
• 11:46
  Speaker 2: Yeah, yeah, yeah, I can't say. Yeah. But just know
• 11:50
  Speaker 2: that if you're gonna wait this long for versus, if
• 11:52
  Speaker 2: we're gonna have you wait this long, it's gonna definitely
• 11:54
  Speaker 2: be worth it, worth the time. Like if anything people
• 11:58
  Speaker 2: know about me is like if I'm being quiet, like
• 12:00
  Speaker 2: things are happening right, And so I just felt that
• 12:03
  Speaker 2: once again that it was important for us to take
• 12:06
  Speaker 2: a break and actually organize what we have and actually
• 12:10
  Speaker 2: understand what we have, you know, because things were moving
• 12:13
  Speaker 2: so fast and you're just so caught up in a
• 12:15
  Speaker 2: matrix and it's all of the hype and you missing,
• 12:19
  Speaker 2: you leaving so much on the table, you missing so
• 12:21
  Speaker 2: many amazing opportunities to really monetize what you've built and
• 12:25
  Speaker 2: put your time into. Like, and I think it's healthy.
• 12:29
  Speaker 2: It's the same thing I did with no commissions, took
• 12:31
  Speaker 2: a time out. It's about to come back in twenty four.
• 12:35
  Speaker 2: I actually know what I have, Actually, you know, know
• 12:38
  Speaker 2: the flaws that was in there and then give people
• 12:40
  Speaker 2: a better product, you know, and not just something that
• 12:43
  Speaker 2: was like for COVID. You know what I'm saying, because
• 12:46
  Speaker 2: it went happened way long after COVID Versus as well,
• 12:48
  Speaker 2: but like a lot of people connected with COVID. And
• 12:50
  Speaker 2: then we got the documentary that we've been shooting with
• 12:53
  Speaker 2: lean Away since the first Versus doc. Yeah, so that's
• 12:56
  Speaker 2: that's you know, Gifted in Black. When people see that,
• 13:00
  Speaker 2: that that one's gonna, it's gonna, it's gonna it's gonna
• 13:03
  Speaker 2: make people really think different about us, you know what
• 13:07
  Speaker 2: I'm saying, because like, wow, this is all happening like
• 13:10
  Speaker 2: this cameras on, so you're getting to see the real artists,
• 13:13
  Speaker 2: You're getting to see the real fans. You're getting to
• 13:15
  Speaker 2: see people in their house getting dressed up, like think
• 13:19
  Speaker 2: like we peoples getting dressed up in their house to
• 13:21
  Speaker 2: go for a party in their house.
• 13:23
  Speaker 4: That like that.
• 13:27
  Speaker 2: That's like wow, like fully dressed, like going shopping, like
• 13:31
  Speaker 2: pulling out white.
• 13:32
  Speaker 3: So he was making nights of it that Joe's got
• 13:34
  Speaker 3: Eric Abat doing because that's my wife's two favorite artists.
• 13:37
  Speaker 5: You made a night of that, like you know this is.
• 13:39
  Speaker 2: I want to see part two of it. I want
• 13:40
  Speaker 2: to see part two of a lot of them that
• 13:43
  Speaker 2: didn't really have like that, the big stage, you know,
• 13:47
  Speaker 2: the people that wasn't in front of each other. I
• 13:49
  Speaker 2: want I want to bring I want to bring those
• 13:51
  Speaker 2: back for sure.
• 13:51
  Speaker 3: Oh now it would be the time to do that
• 13:52
  Speaker 3: because Jill and Erica on tourter. So yeah, yeah, you know,
• 13:56
  Speaker 3: I want to ask you to man, you know, rest
• 13:58
  Speaker 3: in peace. X. You know you've had time to gree
• 14:01
  Speaker 3: But I also I wonder, like, when you go away
• 14:03
  Speaker 3: on vacation and it's been it's been a little while, now,
• 14:06
  Speaker 3: what are your thoughts about the Good Brother Act?
• 14:09
  Speaker 4: What do you.
• 14:10
  Speaker 2: I just don't, you know, honestly, it don't even feel
• 14:14
  Speaker 2: like he's gone, you know what I'm saying. It just
• 14:16
  Speaker 2: feel like he's just way on his just somewhere chilling.
• 14:22
  Speaker 2: And then you know, like the anniversary of coming around,
• 14:25
  Speaker 2: I'm just like, WHOA. I speak to his fiancee, I'm like, WHOA.
• 14:30
  Speaker 2: I speak to his son, I'm like WHOA. I see
• 14:32
  Speaker 2: a video or I scroll through my phone and see
• 14:34
  Speaker 2: pictures and it just it hit me, you know. But
• 14:38
  Speaker 2: the thing, the thing that makes me feel easy about
• 14:41
  Speaker 2: it is because he came to me, you know, you know,
• 14:44
  Speaker 2: like I've seen him and in my dream he came
• 14:47
  Speaker 2: to me and this was like super quick too, and
• 14:51
  Speaker 2: he let me know he was good. And I'm not
• 14:53
  Speaker 2: big into like I'm the person that'd be like, he
• 14:55
  Speaker 2: ain't come to see you like talking. I've seen, I
• 14:59
  Speaker 2: can have felt to him. I can smell like I
• 15:02
  Speaker 2: just couldn't hear him talk.
• 15:03
  Speaker 5: He looked young. You look young.
• 15:05
  Speaker 2: He didn't look he didn't look young. He looked he
• 15:07
  Speaker 2: looked like how he looked like he looked like from
• 15:09
  Speaker 2: when I last seen him. And that's who was making
• 15:12
  Speaker 2: it feel super real. I was like, yo, he was
• 15:14
  Speaker 2: watching south Park in the dream, he was sitting in
• 15:18
  Speaker 2: front of the TV watching south Park. I came and
• 15:20
  Speaker 2: like grabbed him and we used to always wrestle and
• 15:22
  Speaker 2: just play around like little brothers. And so I wrestled
• 15:26
  Speaker 2: him to the floor and were wrestling and he's laughing,
• 15:28
  Speaker 2: and but I can't hear him. I just cant see him, like, ah,
• 15:31
  Speaker 2: you crazy. Like then he got up and he like
• 15:34
  Speaker 2: grabbed both of my arms and he just looked at
• 15:36
  Speaker 2: me and was like like like I'm good. And once
• 15:40
  Speaker 2: I seen that, you know, like my energy started changing.
• 15:43
  Speaker 2: I was like, Okay. Then I seen an X in
• 15:46
  Speaker 2: the sky. I got my crib and I come outside.
• 15:48
  Speaker 2: It was like an excellent sky. I took a picture
• 15:50
  Speaker 2: of him, posted it too, and I was like, oh,
• 15:52
  Speaker 2: this is crazy.
• 15:53
  Speaker 4: Is somebody cliff diving? Is somebody cliff diving?
• 15:56
  Speaker 1: But I know from Switzer's crib Cliff died like you
• 15:59
  Speaker 1: can see people cliff diving off the side of the mountain.
• 16:01
  Speaker 4: Was one of those people.
• 16:03
  Speaker 2: This was real. This was like an X in the sky,
• 16:06
  Speaker 2: like a plane that it was super high up in
• 16:09
  Speaker 2: the sky. But shit, like ever since then, it just
• 16:13
  Speaker 2: felt I just felt good because I couldn't hear Stop Drop.
• 16:17
  Speaker 2: Every time every time they play Stop Dropt, it would
• 16:20
  Speaker 2: like break me down.
• 16:21
  Speaker 5: Why that record in particular, I have no.
• 16:23
  Speaker 2: Idea I could listen to any other song. For some reason,
• 16:26
  Speaker 2: Stop Drop would like take me out. And I was like, oh,
• 16:29
  Speaker 2: this is crazy. But then after after I seen him
• 16:32
  Speaker 2: in the dream that went away, and that's how it yazed.
• 16:36
  Speaker 3: I was like, okay, oh I've had those. I've had
• 16:39
  Speaker 3: you know, people pass away and you see them in
• 16:40
  Speaker 3: a dream. That's why I like to see that. I
• 16:42
  Speaker 3: feel the same way you feel. You see that, you'd
• 16:43
  Speaker 3: be like, okay, I know they're good.
• 16:45
  Speaker 2: Yeah. It was deep though, because it never happened with
• 16:49
  Speaker 2: you know, my grandparents, like people that I love. I
• 16:51
  Speaker 2: never I never seen that. You know. That was like
• 16:56
  Speaker 2: it was like we're sitting right here now, I remember,
• 16:59
  Speaker 2: like very do.
• 17:00
  Speaker 3: You feel like the X story has been told like
• 17:03
  Speaker 3: the way it needs to, Like is they're a period
• 17:05
  Speaker 3: on that or man?
• 17:07
  Speaker 2: You know, I don't think that the story has been
• 17:09
  Speaker 2: I think the story has been chopped up, you know,
• 17:12
  Speaker 2: like X told me his story, like I know, his real, real, real,
• 17:16
  Speaker 2: real story, and I just think that like when the
• 17:19
  Speaker 2: time is right, you know, it should be done like proper,
• 17:22
  Speaker 2: like you know, like how you would see the NWA story,
• 17:29
  Speaker 2: how you would see a POT story. You know what
• 17:31
  Speaker 2: I'm saying, Like X story needs to be delivered like
• 17:34
  Speaker 2: that because it's for real, for real, you know, like
• 17:37
  Speaker 2: 's been through like so much and just seeing his story,
• 17:40
  Speaker 2: people gonna want to change their life and then people
• 17:42
  Speaker 2: gonna want to be inspired to do certain things. And
• 17:45
  Speaker 2: like it's educational. You know, X was like very book smart,
• 17:49
  Speaker 2: like you know, like like Mike Tyson. Like I remember
• 17:52
  Speaker 2: I went to Mike tyson house and he just had
• 17:53
  Speaker 2: like all these books and he was just turning pages
• 17:56
  Speaker 2: and just reciting pages. I don't know if that's a
• 17:58
  Speaker 2: jail thing. But X and Mike Tyson like they're like
• 18:03
  Speaker 2: they're very smart and books and books that you would
• 18:05
  Speaker 2: have never even known they was reading. I'm like, how
• 18:07
  Speaker 2: do you know about He's like, nah, I read that
• 18:08
  Speaker 2: whole book three times? Like what Like X was like that,
• 18:12
  Speaker 2: you know, like very prolific, and he just was a
• 18:16
  Speaker 2: good person, Like he had like this rough aura about him,
• 18:20
  Speaker 2: but like he was more like he was like a
• 18:22
  Speaker 2: teddy bear, you know what I'm saying. Like the bark
• 18:25
  Speaker 2: was his musical energy. But he'd sit there watch South Park,
• 18:29
  Speaker 2: play remote control cars, planes, planes, play video games. Like
• 18:34
  Speaker 2: he just he just wanted to be a kid.
• 18:36
  Speaker 1: What about musically? You know, I know you got to
• 18:38
  Speaker 1: I'm sure folders and folders of ex music.
• 18:42
  Speaker 2: Yeah, I got I got you know, I revisited a
• 18:45
  Speaker 2: lot of a lot of people want me to put
• 18:46
  Speaker 2: out ex music, But I just think that like I
• 18:50
  Speaker 2: want to organ I want I think we should organize
• 18:52
  Speaker 2: the music that he already put out. You know, like
• 18:55
  Speaker 2: organize that, revisit that and put that out in a
• 18:58
  Speaker 2: proper way, package that right for the people that they
• 19:01
  Speaker 2: can have that experience and then get into like the
• 19:05
  Speaker 2: other songs and different things that he got laying around
• 19:09
  Speaker 2: and yeah, and just let it happen organically, you know
• 19:14
  Speaker 2: what I'm saying. But it's held get he get dark.
• 19:21
  Speaker 3: I'm sitting there thinking like, there's no way you could
• 19:23
  Speaker 3: do a DMX biopic because who's going to play DMX.
• 19:26
  Speaker 3: I've never met a human like DMX in my life
• 19:29
  Speaker 3: that was a different type of spirit man, like he
• 19:32
  Speaker 3: was a one of one.
• 19:34
  Speaker 2: My brother that Michael was the brother that played DMX.
• 19:40
  Speaker 2: Oh that passed away, Michael Michael Williams. Williams he could
• 19:44
  Speaker 2: play DMX, which is why we had him in the
• 19:46
  Speaker 2: tribute and you know, rest in peace to him too.
• 19:49
  Speaker 2: That was crazy to me, you know, because we were
• 19:53
  Speaker 2: thinking about doing a play and he was going to
• 19:56
  Speaker 2: play DMX and this is why he was doing the tribune.
• 19:59
  Speaker 2: And I remember him saying like, Yo, I'm doing this
• 20:01
  Speaker 2: tribute because me and DMX is more like than you think.
• 20:05
  Speaker 2: And I was like, nah, I can feel your energy
• 20:07
  Speaker 2: like it felt like I was looking at dog like
• 20:09
  Speaker 2: I'm not gonna lie like that was. I don't think
• 20:11
  Speaker 2: nobody can get closer than he was energy wise to
• 20:15
  Speaker 2: what I've seen.
• 20:16
  Speaker 1: X Now what producers out there you feeling now you're
• 20:20
  Speaker 1: listening to what producers you think got it?
• 20:23
  Speaker 2: I like where metro Booming is doing a lot. I
• 20:27
  Speaker 2: like what hip boy is doing. I like that he's
• 20:29
  Speaker 2: taking the risks, you know, not only messing with his genre,
• 20:33
  Speaker 2: but like going and doing these volumes with knives. It's
• 20:39
  Speaker 2: a lot of producers. I like, you know what I'm saying,
• 20:41
  Speaker 2: But I do urge the producers to like work on
• 20:46
  Speaker 2: their identity what you mean, meaning like you know, without
• 20:51
  Speaker 2: a tag on some of the songs, you won't know
• 20:53
  Speaker 2: what producers is, which you see what I'm saying. So
• 20:56
  Speaker 2: like that's just something that carried myself, tim for real
• 21:03
  Speaker 2: Dre Like you can just blaze yay, like you can
• 21:06
  Speaker 2: hear those beats with no tags on it and no
• 21:09
  Speaker 2: premo what it is, right, And so like a lot
• 21:11
  Speaker 2: of people like they get on me with like my snare.
• 21:14
  Speaker 2: I'm tired of the snare as well, but it's just
• 21:16
  Speaker 2: a part of the signature and those are certain things
• 21:19
  Speaker 2: that you're doing that, people know like, oh that's a
• 21:21
  Speaker 2: Swiss beat, whether I'm doing an AE lib on it
• 21:24
  Speaker 2: or not, right, And I just feel that, you know,
• 21:26
  Speaker 2: your identity is going to carry you way longer than
• 21:30
  Speaker 2: just having a hot song for the for the moment
• 21:33
  Speaker 2: on that artist and when that artist decided to move
• 21:35
  Speaker 2: away or whatever, Like it's just going to be harder
• 21:37
  Speaker 2: for you to climb that hill if you don't have
• 21:40
  Speaker 2: that signature sound and the person that's sitting right over
• 21:43
  Speaker 2: here can loop it up real quick and just do
• 21:47
  Speaker 2: you know, And I don't know, I just I just
• 21:50
  Speaker 2: I just think that's why I said, I like what
• 21:51
  Speaker 2: Metro is doing. I like I like what hip Boy's doing.
• 21:55
  Speaker 2: Must have got a sound, you know like this. There
• 21:58
  Speaker 2: are producers with time, but I just want more producers
• 22:02
  Speaker 2: to come with they sound and step in the front,
• 22:04
  Speaker 2: like and be the superstars themselves, because a lot of
• 22:08
  Speaker 2: producers don't you don't even know what they look like.
• 22:10
  Speaker 2: You know what I'm saying, I think that's dangerous.
• 22:12
  Speaker 5: Really, why do you think it's dangerous?
• 22:15
  Speaker 2: Because like I just feel they're leaving a lot on
• 22:19
  Speaker 2: the table, you know, like like you as a producer
• 22:23
  Speaker 2: is an artists as well, right, so like how Metro
• 22:26
  Speaker 2: can do it? He just did that Coachella and be
• 22:28
  Speaker 2: a headline Like as a producer, like why would you
• 22:31
  Speaker 2: leave all of that on the table? Like you should
• 22:33
  Speaker 2: be the superstars as well, and you don't even have
• 22:35
  Speaker 2: to rap. And I just feel like they're leaving a
• 22:38
  Speaker 2: lot of money on the table by just you can't
• 22:41
  Speaker 2: identify what they look like. You can identify they sound
• 22:45
  Speaker 2: by a tag, but I guess I guess people just
• 22:48
  Speaker 2: want to play the background. That's cool too.
• 22:50
  Speaker 3: That's interesting though, because like when you look at people
• 22:52
  Speaker 3: who could be on the mount rushmore of producers, it's
• 22:55
  Speaker 3: definitely people who step to the forefront.
• 22:57
  Speaker 4: Of course on purpose, you know facts, it's it.
• 23:01
  Speaker 2: Was one of the best best things I ever did
• 23:03
  Speaker 2: was move to the front. Like a lot of producers
• 23:06
  Speaker 2: that I came up with, they feel like they don't
• 23:08
  Speaker 2: get they just do. But they was also being quiet.
• 23:10
  Speaker 2: They wasn't really fighting for it, you know what I'm saying.
• 23:12
  Speaker 2: So like once again, like when the person didn't know
• 23:14
  Speaker 2: what you look like, they don't know what you don't
• 23:16
  Speaker 2: got no tag, you don't have no identity, It's gonna
• 23:19
  Speaker 2: feel like you're not getting represented. You're not representing yourself right.
• 23:25
  Speaker 3: You know you think you being a DJ helped with
• 23:27
  Speaker 3: that too, for sure, because I remember hearing Jay say
• 23:30
  Speaker 3: that one time I forgot what he was talking about.
• 23:31
  Speaker 5: He was like, jail get the I mean Swiss will
• 23:33
  Speaker 5: get the dancing on you and scratching and turning around.
• 23:36
  Speaker 2: You know, look, I I used to stand on tables
• 23:41
  Speaker 2: to sell my beats. You know what I'm saying, You
• 23:43
  Speaker 2: go in that room because people airs are so numb
• 23:46
  Speaker 2: when you go to the labels, they so jaded. Everybody
• 23:48
  Speaker 2: so numb, everybody looking for the next they don't even
• 23:51
  Speaker 2: know what they're looking for. So you gotta like show
• 23:53
  Speaker 2: them like they missing out on something. Like I even
• 23:55
  Speaker 2: had to come up with a strategy to be like, yo,
• 23:59
  Speaker 2: I did this for such and such, but I'm gonna
• 24:01
  Speaker 2: just let you hear it. And then that person end
• 24:04
  Speaker 2: up wanting to take that beat. They gonna they pay
• 24:06
  Speaker 2: more of the whole thing. So I had to like
• 24:09
  Speaker 2: use different strategies because artists don't really know what they
• 24:13
  Speaker 2: like most of the times, you know what I'm saying. Like,
• 24:15
  Speaker 2: as a producer, they want to look for to their
• 24:18
  Speaker 2: front overhead, they want to look looking around the room.
• 24:21
  Speaker 2: They want to feel the energy. So I was like, oh,
• 24:22
  Speaker 2: I got to bring the energy. So I'm breaking down,
• 24:24
  Speaker 2: like I'm making the choruses for them. I'm giving them
• 24:27
  Speaker 2: the flow. I'm telling them what it could be and
• 24:30
  Speaker 2: making them visualize. They think about being at the party,
• 24:32
  Speaker 2: they thinking about a chick that they got waiting outside
• 24:35
  Speaker 2: or something like that. So my job was to make
• 24:37
  Speaker 2: it easy for you to just plug and play right.
• 24:39
  Speaker 2: So like most of my music had no samples, had
• 24:42
  Speaker 2: the chorus and already, so all the artists had to
• 24:44
  Speaker 2: do is fill in the blanks. Like That's how it
• 24:45
  Speaker 2: really got so much work done because I was doing
• 24:49
  Speaker 2: the work for the artists.
• 24:51
  Speaker 1: Now you mentioned Jay, Are you and Jay back in
• 24:54
  Speaker 1: the lab working at all? Because people, you know, people
• 24:56
  Speaker 1: have been saying that you've got a bonus track that
• 24:57
  Speaker 1: you haven't released yet.
• 24:59
  Speaker 4: But I don't know why, but people are assuming it's
• 25:01
  Speaker 4: a whole record.
• 25:02
  Speaker 2: They're always assuming this whole hole is very, very rich
• 25:05
  Speaker 2: and is enjoying his family and is enjoying his time.
• 25:10
  Speaker 2: I'm not even gonna bother hole right now. I'm not
• 25:12
  Speaker 2: even you got to read the room, you know what
• 25:14
  Speaker 2: I'm saying, the man is the richest he ever been
• 25:16
  Speaker 2: in his life today. Let him enjoy the vibe that
• 25:20
  Speaker 2: he's on right now. He's gonna get hungry and I'm
• 25:24
  Speaker 2: gonna be available. And that's everything is just timing with Jay,
• 25:27
  Speaker 2: you know what I'm saying. He's just a massive amount
• 25:29
  Speaker 2: like he wanted every day, Like he'll call me and
• 25:32
  Speaker 2: just give me fifty bars. I'm like, what we're doing
• 25:33
  Speaker 2: with that? Nah, just finished working out? Like, okay, what
• 25:38
  Speaker 2: we're doing with that? It's like I don't know yet.
• 25:40
  Speaker 2: Like his rolodex of music, he's very very prepared, so
• 25:43
  Speaker 2: he just call a rap for you. Yeah, just like yo,
• 25:46
  Speaker 2: check it out. Boom boom, boom boom. I'm just sitting
• 25:49
  Speaker 2: there like, man, we're dropping this tomorrow. What we're doing?
• 25:55
  Speaker 2: He's like, Nah, I just finished working I just I
• 25:58
  Speaker 2: got got something off my chest. I was like, okay,
• 26:00
  Speaker 2: it's something more off your chest. That's it sounds like
• 26:02
  Speaker 2: what the people need.
• 26:04
  Speaker 5: Why y'all get so close? I don't think people talk
• 26:06
  Speaker 5: about that.
• 26:08
  Speaker 2: I know Jay since I was seventeen, you know. I
• 26:11
  Speaker 2: met him through my uncle D in his office, and
• 26:16
  Speaker 2: that same night we went and did a four or
• 26:21
  Speaker 2: five songs if I Should die coming to Age two,
• 26:25
  Speaker 2: uh Jigger, and another a couple of other songs that
• 26:29
  Speaker 2: never came out. Y'all did all those in the same night,
• 26:31
  Speaker 2: same night? Wow? Yeah. I had a cassette I had
• 26:33
  Speaker 2: to concept with like fifty beats on it, and he
• 26:37
  Speaker 2: played it and it was just like and then d
• 26:39
  Speaker 2: was like, Yo, Jay say he wanted to go in
• 26:41
  Speaker 2: to the studios the night. I'm like, what tonight. He's like, yeah,
• 26:44
  Speaker 2: he vibed me with a couple of songs off off
• 26:47
  Speaker 2: the cassette and we never stopped. Like since then, he's
• 26:51
  Speaker 2: just been since then.
• 26:53
  Speaker 5: Those are classic. That's when he must have been working
• 26:55
  Speaker 5: on a volume two then Knock Life.
• 26:57
  Speaker 2: Yeah, yeah, he was working on volume two.
• 27:00
  Speaker 4: Wow.
• 27:00
  Speaker 3: Another record that people don't talk about is the It's
• 27:03
  Speaker 3: one of my favorite hip hop records ever. Why We
• 27:05
  Speaker 3: Die with x J and Buster.
• 27:08
  Speaker 2: Oh yeah, yeah, that's crazy.
• 27:10
  Speaker 5: That shit is nuts. Like, people don't talk about that record.
• 27:13
  Speaker 2: No, he got a lot of gems people don't talk about.
• 27:16
  Speaker 2: He got a lot of gems him and Nas too.
• 27:18
  Speaker 2: Now I's got gems that people don't. You got to
• 27:20
  Speaker 2: dig into crates and be like, yo, like you know,
• 27:23
  Speaker 2: remember he did that, Like, nah.
• 27:25
  Speaker 5: You remember the why We Die session or dope, y'all
• 27:27
  Speaker 5: didn't do that together.
• 27:29
  Speaker 2: Now, I don't think we did that one together because
• 27:32
  Speaker 2: Jay was moving quick, like you know, he was like
• 27:34
  Speaker 2: officially the first person that seen not write music because
• 27:39
  Speaker 2: I was like it was bugging me out at first
• 27:40
  Speaker 2: because I was just like, how is he doing this
• 27:43
  Speaker 2: so fast? Like he just how is he writing like this?
• 27:47
  Speaker 2: Then when I seen him in the studio, like he
• 27:49
  Speaker 2: didn't have no page out, he didn't have nothing. He
• 27:52
  Speaker 2: just was put that back. I'm like, he's writing right now.
• 27:57
  Speaker 2: He's like, yeah, he don't use paper. I'm like, that's wild,
• 28:01
  Speaker 2: you know what I'm saying. I heard Big didn't write,
• 28:04
  Speaker 2: and then I started seeing Kiss like not use paper,
• 28:07
  Speaker 2: and I just was buzzing, like how do you write
• 28:09
  Speaker 2: without using paper? You know what I'm saying? Like Jay's
• 28:12
  Speaker 2: in the Hall of Fame for writing and never wrote lyrics.
• 28:15
  Speaker 5: That's crazy.
• 28:16
  Speaker 4: Kiss on right now.
• 28:19
  Speaker 2: He used to Kiss, Stop Kiss, stop writing on paper
• 28:23
  Speaker 2: a long time ago, like years and like during the
• 28:27
  Speaker 2: rough Rider main ever, Kiss wasn't using.
• 28:29
  Speaker 1: Paper, So Kiss just coming here the same thing. Just
• 28:32
  Speaker 1: let me hear the beat and just go.
• 28:34
  Speaker 2: Mmm, he's just walking around. You just see him sweatsuit on,
• 28:36
  Speaker 2: just walking around doing some like just with his edge,
• 28:39
  Speaker 2: just walking around. Pull it back, pull it back. I'm
• 28:43
  Speaker 2: ready and they ain't just going.
• 28:45
  Speaker 5: That's something he must have learned that from Big then.
• 28:47
  Speaker 2: Yeah, I think so. I know Big was the first
• 28:50
  Speaker 2: one that they was. I never seen Big do it,
• 28:53
  Speaker 2: but they was always talking about. I remember him coming
• 28:56
  Speaker 2: from the studio and be like, yo, Big, and use
• 28:58
  Speaker 2: no paper. He he's an alien, you know, like, That's
• 29:03
  Speaker 2: one person I wish I would have worked with. Was
• 29:05
  Speaker 2: was Big. I seen him in Atlanta. We was at
• 29:07
  Speaker 2: Atlanta Live and I remember he had the lamb rover,
• 29:11
  Speaker 2: like a burgundy lamb rover. And then I spoke De
• 29:15
  Speaker 2: introduced me to him and he was like, man like,
• 29:18
  Speaker 2: one day we're going to get up like you know
• 29:20
  Speaker 2: what I'm saying, Like I want to do something with
• 29:22
  Speaker 2: your beat. Shorty. He kept saying, Shorty, shorty, and I
• 29:25
  Speaker 2: was like, all right, let's do it, let's do it,
• 29:27
  Speaker 2: And I was I've never seen him again.
• 29:29
  Speaker 5: That's crazy.
• 29:29
  Speaker 3: Yeah, I always want you know, you talk about you
• 29:32
  Speaker 3: talk about whole x kiss. What do you do with
• 29:35
  Speaker 3: all this unreleased music. You just say, you have two
• 29:37
  Speaker 3: songs from Jay that y'all never put out, Like what
• 29:38
  Speaker 3: do you do? You just got to sitting somewhere.
• 29:40
  Speaker 2: But he got those early songs. He has those early songs.
• 29:45
  Speaker 2: I don't really have too much Hole playing around like that.
• 29:47
  Speaker 5: Like that.
• 29:48
  Speaker 2: He's pretty purposeful. Like if he's doing something, it's actually
• 29:51
  Speaker 2: it's going out. It's going out for something. It's not
• 29:53
  Speaker 2: like Guru probably got it. Guru got it, Probably got
• 29:57
  Speaker 2: the stash for Hole. I don't have the stash for Hole.
• 30:00
  Speaker 2: But I do have a lot a lot of unreleased music,
• 30:04
  Speaker 2: and it comes in handy sometimes because sometimes you need
• 30:07
  Speaker 2: that artist and like, you know what, I got this
• 30:10
  Speaker 2: right here and like all right, let me change, just
• 30:12
  Speaker 2: let me change that. The work is done right, So
• 30:16
  Speaker 2: you definitely need to have that archive. And when you
• 30:19
  Speaker 2: hear them versus conversations, what's your thoughts? Like, I know
• 30:21
  Speaker 2: we had Jim appear a couple of days ago when
• 30:24
  Speaker 2: he was talking about different verses, right, so we was
• 30:27
  Speaker 2: talking about Drake and Jay, and you know.
• 30:31
  Speaker 4: I think he was he was saying.
• 30:32
  Speaker 5: That Drake is the greatest rapper of all time.
• 30:35
  Speaker 1: Right now, now, you being a guy that's been through
• 30:38
  Speaker 1: so many sessions, so many decades.
• 30:40
  Speaker 4: What are your thoughts on that? On which part greatest
• 30:44
  Speaker 4: all time?
• 30:45
  Speaker 2: I think I think like everybody's the greatest and at
• 30:50
  Speaker 2: a particular point, you know what I'm saying, Like, I
• 30:52
  Speaker 2: think Drake fulfilled a level for this generation that was great.
• 31:00
  Speaker 2: What I'm saying like, change the game strategically, did it
• 31:05
  Speaker 2: in a way that was financially amazing for himself. You know.
• 31:10
  Speaker 2: You know it's good when other people everybody's trying to
• 31:13
  Speaker 2: sound like you, Like that's you know what I'm saying, Like,
• 31:15
  Speaker 2: that's that's pretty hard, Like just like everybody trying to
• 31:18
  Speaker 2: sound like Jay at one point. You know what I'm saying,
• 31:20
  Speaker 2: that's a great moment for a hole. And I think,
• 31:24
  Speaker 2: like when you mentioned greatest of all time, it's like
• 31:26
  Speaker 2: a lot of things that you gotta factor in, you
• 31:28
  Speaker 2: know what I'm saying, Because like if I'm thinking like
• 31:31
  Speaker 2: the greatest of all times, it's like, how do how
• 31:35
  Speaker 2: do you judge that? Like do you judge that from
• 31:38
  Speaker 2: the business moves? Do you judge that from how many
• 31:41
  Speaker 2: records sold? Do you judge that from the consistency? Do
• 31:44
  Speaker 2: you judge that from the longevity Because like if we're
• 31:48
  Speaker 2: going to talk about that, I definitely gotta go to LLL.
• 31:52
  Speaker 2: You know what I'm saying, like l L, like like
• 31:55
  Speaker 2: that man is I've never seen a run like that.
• 31:58
  Speaker 5: He callined the time.
• 32:03
  Speaker 2: That's what I'm saying, Like like l L. It's been
• 32:06
  Speaker 2: doing it since Rock the Bells and still getting new
• 32:09
  Speaker 2: money today, you knowee what I'm saying, and still look
• 32:13
  Speaker 2: great today as well. You know, and lyrically when when
• 32:17
  Speaker 2: when he was competing, he was he was he was
• 32:21
  Speaker 2: coming with smoke for sure, made songs for the women,
• 32:24
  Speaker 2: made songs for the streets May Maine, anthems for the stadiums.
• 32:28
  Speaker 2: You know what I'm saying, Like Mama gonna knock you out,
• 32:30
  Speaker 2: and not to go to nostalgic on different things. But
• 32:34
  Speaker 2: it's just like when I'm when I'm thinking of like
• 32:36
  Speaker 2: graded some thinking like of a lot of things, I'm
• 32:38
  Speaker 2: not thinking about like who's hot like at the particular moment,
• 32:42
  Speaker 2: because I don't think that that's fair because we're saying
• 32:44
  Speaker 2: all time correct, you know what I'm saying, And so
• 32:47
  Speaker 2: like Jim might Jim could feel like that because of
• 32:50
  Speaker 2: how he's basing it. You know what I'm saying, and
• 32:55
  Speaker 2: I think it's a couple of people. I don't think
• 32:57
  Speaker 2: it's one person.
• 32:58
  Speaker 4: That's top five. Then my top five live take bigg
• 33:02
  Speaker 4: and pock out annex.
• 33:04
  Speaker 5: Damn against your top five. You can't do that.
• 33:08
  Speaker 3: You got me to because everybody.
• 33:12
  Speaker 2: I'm not gonna lie. I'm bad with the top fives.
• 33:14
  Speaker 2: You know what I'm saying, Like I'm bad with with
• 33:16
  Speaker 2: the top fives because I say the top five and
• 33:19
  Speaker 2: getting a comedy like damn, I need to go do
• 33:22
  Speaker 2: this back and people take that time. They take it
• 33:25
  Speaker 2: serious serious, you know what I'm saying.
• 33:28
  Speaker 1: Sometimes he's you know, these lists a bullshit because you
• 33:30
  Speaker 1: never know who's giving a list. You never know what
• 33:32
  Speaker 1: the top list is on. But somebody like yourself who's
• 33:35
  Speaker 1: produced for a majority of this artist.
• 33:38
  Speaker 3: And you've produced half of the time that hip hop
• 33:41
  Speaker 3: has been around the other half he was a fan.
• 33:44
  Speaker 3: That's why something you said does not hit me, because
• 33:45
  Speaker 3: it's like that is true about somebody like an l
• 33:48
  Speaker 3: Because we say greatest of all time.
• 33:49
  Speaker 5: The key word is time time, so we got fifty
• 33:52
  Speaker 5: years of hip hop. That's why I love Kendrick. You know,
• 33:54
  Speaker 5: Salute the Drake.
• 33:55
  Speaker 3: I can't put them in that yet because I feel
• 33:58
  Speaker 3: like it hasn't been enough time, like what eleven years,
• 34:01
  Speaker 3: twelve years?
• 34:02
  Speaker 4: But we said with with Drake, right, Drake, when do
• 34:04
  Speaker 4: you drop that album? What somebody said the other day
• 34:06
  Speaker 4: with two thousand and eight.
• 34:08
  Speaker 5: Or so far gone?
• 34:09
  Speaker 4: I don't know.
• 34:10
  Speaker 2: That's a good run, man, that's a great run. That's
• 34:12
  Speaker 2: a good run because like for me, if you, if you,
• 34:15
  Speaker 2: if you ain't did ten summers, you ain't even in
• 34:18
  Speaker 2: the conversation like that's how out the gate, like just
• 34:22
  Speaker 2: the enter the gates. You need ten summers, right, But
• 34:26
  Speaker 2: for me, I feel that like to really really really
• 34:31
  Speaker 2: be that person, you gotta be hot and cold at
• 34:33
  Speaker 2: least five times, meaning you have to come off your
• 34:37
  Speaker 2: run and reinvent yourself again. Come off that run, reinvent
• 34:42
  Speaker 2: yourself again. Come off that run, reinvent yourself again. Now
• 34:47
  Speaker 2: you in deep waters as far as like those great
• 34:50
  Speaker 2: words and all times things are concerned, because you know,
• 34:55
  Speaker 2: everybody can move when it's when it's pretty outside. But
• 34:58
  Speaker 2: when that snowstorm comes, do you got the right code on?
• 35:01
  Speaker 2: Can you survive that? Did you bring your gloves? And
• 35:05
  Speaker 2: I watch Jay do that, I watch Dog do that.
• 35:07
  Speaker 2: I watch so many artists, and you guys watch so
• 35:10
  Speaker 2: many artists come back and be like, oh, and then
• 35:14
  Speaker 2: we watch artists that can't come back. That was that
• 35:17
  Speaker 2: you couldn't even you couldn't even walk next to them,
• 35:21
  Speaker 2: and now you don't even care to talk about them,
• 35:23
  Speaker 2: you understand. So coming up from that, that's impressive to me,
• 35:27
  Speaker 2: Like when you can be the biggest and then go
• 35:33
  Speaker 2: through a little bit and then come back out bigger,
• 35:36
  Speaker 2: go through a little bit, come back out bigger, Like
• 35:39
  Speaker 2: that means that you really really hear, like you really
• 35:41
  Speaker 2: who you say you are, and the people feel that,
• 35:44
  Speaker 2: and the people gonna judge that. But it's it's going
• 35:47
  Speaker 2: to take you being creative to have to do that,
• 35:50
  Speaker 2: you understand. And that's why I do so many different things.
• 35:53
  Speaker 2: Like the conversation in twenty twenty three about me is
• 35:56
  Speaker 2: not the same as ninety eight. That would be a failure.
• 36:00
  Speaker 5: Camel racing. The camera comes to Swiss, Swiss on camel.
• 36:04
  Speaker 4: Let's talk about that.
• 36:05
  Speaker 1: How the hell did you get into camel racing, Like
• 36:09
  Speaker 1: where did that come up?
• 36:09
  Speaker 4: Like I'm gonna get into camel racing.
• 36:11
  Speaker 2: It's my camera racing. This is a little prototype of
• 36:13
  Speaker 2: the jacket right here too now just for me, Like
• 36:17
  Speaker 2: traveling to the Middle East, particularly Saudi, I would always
• 36:21
  Speaker 2: see the races, and I was bugging because I never
• 36:24
  Speaker 2: seen I never knew camels ran like I think we
• 36:28
  Speaker 2: look at the camera like you're thinking the camels slow.
• 36:32
  Speaker 2: And so we was up late just watching the camel
• 36:35
  Speaker 2: racers like I'm like yo, and everybody that I was
• 36:39
  Speaker 2: around like they had a team, and I was just like, damn,
• 36:45
  Speaker 2: I want to, I want to I want to actually
• 36:46
  Speaker 2: do this. And then they was like, you know, if
• 36:48
  Speaker 2: you did this, you'd be the first American to ever
• 36:50
  Speaker 2: own the camel racing team. And once I heard that,
• 36:52
  Speaker 2: I was like, oh, I'm in. But it wasn't like
• 36:55
  Speaker 2: that easy. It took me like a year and a
• 36:57
  Speaker 2: half to get certified with the Federation and go through
• 37:01
  Speaker 2: like the process. I started off with eight camels, I
• 37:05
  Speaker 2: got about forty eight. Now we got about like twenty
• 37:09
  Speaker 2: twenty two trophies, which is huge, Like you know, we
• 37:11
  Speaker 2: want in Kuwait, we want in Abu Dhabi, we won
• 37:14
  Speaker 2: in oh Man, we won in bakh Range, we won
• 37:18
  Speaker 2: a lot even in Saudi. And it's a traveling team
• 37:21
  Speaker 2: and a lot of people like laughed at me a
• 37:24
  Speaker 2: little bit because like, yeah, what this was doing with camels,
• 37:27
  Speaker 2: I'm not gonna lie, like it's probably gonna be like
• 37:29
  Speaker 2: the biggest thing I ever did is get involved with
• 37:33
  Speaker 2: that and make the federation global. Is that it's serious? Wow,
• 37:39
  Speaker 2: it's serious. Serious, Like like the prize that the last
• 37:43
  Speaker 2: the last race was like the prize is like ninety
• 37:46
  Speaker 2: million what yeah, it's like not not not dollars. So
• 37:50
  Speaker 2: so it was probably about almost thirty million US. Yeah,
• 37:55
  Speaker 2: which is did y'all win? We came fifth place, We
• 37:59
  Speaker 2: got we got a little we got we got a
• 38:00
  Speaker 2: little check, you know what I'm saying, Like we got
• 38:02
  Speaker 2: a little check. But just being in that particular, the
• 38:05
  Speaker 2: first Allula race, just being in that race, that's like
• 38:09
  Speaker 2: that's serious for the brand because it's just it's the
• 38:14
  Speaker 2: hardest race of getting this is all of the top
• 38:16
  Speaker 2: top top dogs, you know what I'm saying, and like
• 38:19
  Speaker 2: and the people that own the team like they're megabades,
• 38:22
  Speaker 2: Like you know what I'm saying, This is not no joke,
• 38:24
  Speaker 2: Like they got thousands of camels that I don't got
• 38:27
  Speaker 2: thousands of camels, And so the being that race was
• 38:30
  Speaker 2: like it was super special and yeah, Saudi Bronx.
• 38:37
  Speaker 3: You know you always seem content, like you don't knock
• 38:40
  Speaker 3: in town of contents, right word, But you don't seem
• 38:42
  Speaker 3: like pressed. You seem very comfortable with who you are
• 38:45
  Speaker 3: and what you've done. You don't see that in a
• 38:47
  Speaker 3: lot of people.
• 38:49
  Speaker 2: Yeah, I think that, Like I don't know, people do
• 38:54
  Speaker 2: be seeing heavy, but I think that's that's that's because
• 38:57
  Speaker 2: of the people's surroundings as well. Like the way I
• 38:59
  Speaker 2: live now is I live on vacation and I go
• 39:02
  Speaker 2: to work dope, right, Like I changed my home mindset
• 39:06
  Speaker 2: of just living at work every day. You know what
• 39:10
  Speaker 2: I'm saying, Like no escape, Like they train us to work, work, work,
• 39:13
  Speaker 2: and then we got to kind of find a vacation.
• 39:16
  Speaker 2: And then I seen like a lot of my older
• 39:18
  Speaker 2: pears want to start living at seventy and I just like, yo,
• 39:22
  Speaker 2: Like he's dressing like my kids at seventy. He got
• 39:26
  Speaker 2: a twenty year old girlfriend at seventy. He just bought
• 39:30
  Speaker 2: a brand new house at seventy, Like you trying to
• 39:32
  Speaker 2: live at seventy. I want to live now, you know
• 39:35
  Speaker 2: what I'm saying, Like we go so hard and I've
• 39:38
  Speaker 2: been doing this successfully since I was seventeen. I'm forty
• 39:41
  Speaker 2: four now, you know what I'm saying. So it's like
• 39:43
  Speaker 2: when we're gonna start living like when I'm sixty, you know,
• 39:47
  Speaker 2: like life is too short and I just I just
• 39:49
  Speaker 2: choose to just do different things. And I used to
• 39:52
  Speaker 2: have like a lot of people's weight on my back,
• 39:55
  Speaker 2: you know, I to love you know what I'm saying.
• 39:57
  Speaker 2: But it's just like you gotta let people do their
• 40:00
  Speaker 2: thing as well, because what happened is it is just
• 40:04
  Speaker 2: nobody will grow if they could just call you every day. Yo,
• 40:08
  Speaker 2: it's only five thousand, it's only this, it's only that. Okay,
• 40:11
  Speaker 2: it's only that. Then why you're asking for it, right,
• 40:13
  Speaker 2: you see what I'm saying. So I had to like
• 40:15
  Speaker 2: start saying no, the people had to just move the
• 40:18
  Speaker 2: chessboard around because like I was living for everybody else,
• 40:21
  Speaker 2: like I wasn't living for myself, you know what I'm saying.
• 40:24
  Speaker 2: Like I was giving people in the street more time
• 40:27
  Speaker 2: than my kids. That's and that's retarded. I can't we
• 40:29
  Speaker 2: can't do that, you know what I'm saying. So now
• 40:32
  Speaker 2: my time is balanced more with my family and then
• 40:34
  Speaker 2: when I see my friends, I love them all. It's
• 40:36
  Speaker 2: it's cool, but before it was it was the opposite way.
• 40:39
  Speaker 2: And we're trained to be with the homies and were
• 40:43
  Speaker 2: missing all the games and all this stuff because like
• 40:45
  Speaker 2: you know, even with nine said and and run Away,
• 40:49
  Speaker 2: how he was explaining that he wasn't the best with Destiny.
• 40:53
  Speaker 2: I feel like that with my oldest son. I'm making
• 40:55
  Speaker 2: up that time today as we speak. You see what
• 40:57
  Speaker 2: I'm saying, because like I thought it because I was
• 40:59
  Speaker 2: paying and he got all the fresh disk, the birthday
• 41:02
  Speaker 2: parties out of control, and then you sit down and
• 41:06
  Speaker 2: you'll know that none of that mattered. It's like, yeah,
• 41:08
  Speaker 2: but you know the time when I studied for my play. Yeah,
• 41:14
  Speaker 2: you sent me a gift to congratulate, but I would
• 41:16
  Speaker 2: rather you sit in that seat that hit that hit different,
• 41:20
  Speaker 2: Oh you know what I'm saying. And so all that,
• 41:23
  Speaker 2: all the all the materialistic things the kids don't care about,
• 41:27
  Speaker 2: especially like they live with you like you. They not
• 41:30
  Speaker 2: in the Bronx. They're not growing up in the hood
• 41:32
  Speaker 2: like we did. You know what I'm saying. Like they
• 41:34
  Speaker 2: they on them planes with us, they on them trips
• 41:36
  Speaker 2: and boats and normal it's normal to the right, So
• 41:39
  Speaker 2: like you can't pay your kids off with What you
• 41:42
  Speaker 2: can do is pay them with quality time. You know
• 41:45
  Speaker 2: what I'm saying playing a video game. My hands is
• 41:48
  Speaker 2: hurting with Egypt, you know, going to kJ taking them
• 41:51
  Speaker 2: to his track meets and early in the morning, just
• 41:56
  Speaker 2: making the time.
• 41:57
  Speaker 4: That's the most difficult.
• 41:58
  Speaker 1: I mean, it was funny earlier my wife was hosting,
• 42:01
  Speaker 1: so my daughter facetimed me and it's something about dad's love. Right,
• 42:05
  Speaker 1: So my wife didn't make the game yesterday, and I
• 42:08
  Speaker 1: didn't make the game yesterday. She gave my wife like, okay,
• 42:11
  Speaker 1: Mom's okay, but Dad, how come you didn't make the game?
• 42:13
  Speaker 1: Like she was really into it. You heard of today, right,
• 42:16
  Speaker 1: and she pitched. This is the first time she pitched.
• 42:18
  Speaker 1: And she was like, and you didn't make the game.
• 42:20
  Speaker 1: So you know, it gives you a funny feeling, you
• 42:22
  Speaker 1: know what I mean. But today they got games. You know,
• 42:24
  Speaker 1: I'm gonna be right at that right at that game.
• 42:27
  Speaker 1: I won't miss it for the world. Is Egypt still producing?
• 42:31
  Speaker 2: Yeah, Egypt is turning into something something different. He's turning
• 42:34
  Speaker 2: into something His mother put a lot of time into him,
• 42:38
  Speaker 2: Like I've really seen her passing her gift, Like specifically
• 42:44
  Speaker 2: I think he might be giving her a run for
• 42:46
  Speaker 2: money at this point. Really yes, because he play every
• 42:50
  Speaker 2: day and so like he practiced probably about six o'clock,
• 42:54
  Speaker 2: and I just everything just gets quiet, and then you
• 42:56
  Speaker 2: hear like an opera. Now you hear like you hear
• 43:00
  Speaker 2: like some every day. Like where he's playing on the piano.
• 43:03
  Speaker 2: It's just blowing my mind. Sometimes I go upstairs and
• 43:05
  Speaker 2: looking like is that him or is that her? And
• 43:07
  Speaker 2: it's like him. Wow. So now he's taking songs that
• 43:12
  Speaker 2: that he made, that that he learned, and now he's
• 43:14
  Speaker 2: flipping them because he's like, I'm tired of playing like
• 43:17
  Speaker 2: all these songs the same way. So he'll make up.
• 43:20
  Speaker 2: He'll make it harder for himself to do it. And
• 43:23
  Speaker 2: I think he on the he came out here on
• 43:25
  Speaker 2: the Jennifer he did Jennifer Hudson Show. He comes out today. Actually,
• 43:30
  Speaker 2: how was he he was twelve? Twelve? Wow, it's happening
• 43:33
  Speaker 2: too fast?
• 43:34
  Speaker 4: And how happening too fast?
• 43:36
  Speaker 5: I feel.
• 43:39
  Speaker 2: Second you seen my part of twelve?
• 43:42
  Speaker 1: Growing fast? I was gonna ask how was the marriage life?
• 43:44
  Speaker 1: Because you on the roll, wife's on the road, kids
• 43:47
  Speaker 1: have activities.
• 43:47
  Speaker 4: How is that?
• 43:49
  Speaker 2: It's great? I think that you know, like for me,
• 43:53
  Speaker 2: like having like a balance is key and having having
• 43:57
  Speaker 2: stability is key, and like people don't understand, like stability
• 44:02
  Speaker 2: is really the key, you un I'm saying, Like my
• 44:04
  Speaker 2: wife organizes the program. I maybe would be a good
• 44:08
  Speaker 2: follow because she's sitting with MO and they coming up
• 44:12
  Speaker 2: with the schedule and I have nothing to do with it.
• 44:14
  Speaker 2: Same way, you know what I'm saying. She's like, Yo,
• 44:17
  Speaker 2: this that boom. Oh you know this is the doctor's appointment. Okay, boom,
• 44:22
  Speaker 2: this is this? That's that like, and my wife is
• 44:26
  Speaker 2: on it every like she gets a kick out of
• 44:28
  Speaker 2: Like I think that's the white side, Like you know
• 44:30
  Speaker 2: what I'm saying, you know what I mean, Like her
• 44:33
  Speaker 2: white side is organized, like she don't play, and it
• 44:37
  Speaker 2: made me be a better parent, you know what I'm saying,
• 44:40
  Speaker 2: made me be a better husband. Like we got rules
• 44:42
  Speaker 2: that we can't stay away for longer than two weeks.
• 44:45
  Speaker 2: You stay away after two weeks, like you come back home.
• 44:48
  Speaker 2: It's like meeting a new person, and I don't we
• 44:51
  Speaker 2: don't like that feeling, you know what I'm saying. So
• 44:53
  Speaker 2: like if she's on tour from anywhere, two weeks is
• 44:57
  Speaker 2: the max Max Max, and you really want to come
• 44:59
  Speaker 2: back like in a week and half. You don't even
• 45:01
  Speaker 2: want to stretch the whole two weeks. And so you know,
• 45:04
  Speaker 2: the key thing is like making time, you know, because
• 45:07
  Speaker 2: I was explaining to somebody, yes, sir, I was like, look,
• 45:09
  Speaker 2: we can make the time if I called y'all any
• 45:12
  Speaker 2: one of y'all today, was like, and you got your
• 45:16
  Speaker 2: daughter's game, And I'm like, yo, Envy, I got fifty million.
• 45:21
  Speaker 2: I need you to come here right now. I got
• 45:23
  Speaker 2: fifty million for you. No way, Yeah, you're right to
• 45:27
  Speaker 2: get to that fifty million and you're going to explain
• 45:29
  Speaker 2: to your daughter, lady, how you you know this? This
• 45:32
  Speaker 2: help everybody, our kids and our family. It's priceless, right,
• 45:38
  Speaker 2: you know what I'm saying. So like I had to,
• 45:39
  Speaker 2: like I had to turn down a lot of money
• 45:42
  Speaker 2: and still do to be in front of them. We
• 45:45
  Speaker 2: don't get that time back, you know, And it's like
• 45:49
  Speaker 2: it's priceless.
• 45:50
  Speaker 3: And I just want to say, the black Side can
• 45:51
  Speaker 3: be organized too. I can already see Twitter thumbs getting crazy.
• 45:55
  Speaker 2: You know what, The black side is definitely organized, saying
• 46:00
  Speaker 2: Monique is always black. You know what I'm saying out
• 46:04
  Speaker 2: the yeah, eighteen years. I've been moving with me for
• 46:07
  Speaker 2: eighteen years. Last week make eighteen years. Wow, the unbelievable person.
• 46:13
  Speaker 5: Good people.
• 46:13
  Speaker 4: My album is out right now, The EP is out
• 46:15
  Speaker 4: right now.
• 46:16
  Speaker 5: Hip Hop fifty Volume two.
• 46:17
  Speaker 4: We appreciate you for joining us.
• 46:19
  Speaker 5: Brother, they gonna get next. You know who They're gonna
• 46:21
  Speaker 5: get next to do it. I didn't even realize this
• 46:22
  Speaker 5: was gonna be a series. I'm sitting there like, I
• 46:24
  Speaker 5: remember the premier one. They had that fire raps ay
• 46:27
  Speaker 5: and rimy record on that. Bro.
• 46:28
  Speaker 2: I think hip Boy might be next boy. I think
• 46:31
  Speaker 2: hip Boy and next. I think Tim might do one.
• 46:34
  Speaker 2: I think it's it's it's gonna be a decent little run. Okay,
• 46:37
  Speaker 2: but I'm not stopping like this is like for me,
• 46:40
  Speaker 2: I was like if I'm gonna come outside, like I'm
• 46:42
  Speaker 2: not gonna just do the Hip Hop fiftyth and just
• 46:43
  Speaker 2: go quiet. I got like four more projects. That's that's
• 46:46
  Speaker 2: that's lined up.
• 46:47
  Speaker 5: You got Scarlet.
• 46:49
  Speaker 2: I wasn't even counting that. Yeah, wow, Yeah, I wasn't
• 46:52
  Speaker 2: even counting that.
• 46:53
  Speaker 5: Who is it?
• 46:54
  Speaker 2: It's just personal projects that I'm putting together, like yeah,
• 46:58
  Speaker 2: but I want to keep them in short, just like
• 47:01
  Speaker 2: this I don't people like, Yo, this should have been
• 47:03
  Speaker 2: thirteen songs. Y'all know, y'all not listening to thirteen songs.
• 47:06
  Speaker 2: I'm not listening to thirteen of my damn song, so
• 47:08
  Speaker 2: I know you're not listening to thirty time. I think
• 47:10
  Speaker 2: six seven is a good number because the attention that
• 47:15
  Speaker 2: you're gonna lose all those records, you know, it's just like, yeah,
• 47:18
  Speaker 2: what's the focus on this right now? The focus is
• 47:21
  Speaker 2: say less. I think the video come out today with
• 47:24
  Speaker 2: Dirk and Boogie, and then we shoot the video with
• 47:29
  Speaker 2: Scarlett Bennie and Kiss, and then we might do Runaway,
• 47:33
  Speaker 2: or we might do the Wayne record. But by that
• 47:36
  Speaker 2: time we already in the middle of the ocean, right
• 47:39
  Speaker 2: So thirteen records for what I'm not doing those no more?
• 47:45
  Speaker 5: Is it still hall few to clear samples from Jay?
• 47:47
  Speaker 2: It's like nah, you know nah Jay. Jay actually loved
• 47:50
  Speaker 2: the record, Like I said it to him. He's like, Yo,
• 47:52
  Speaker 2: this is crazy. Wayne is out of control?
• 47:54
  Speaker 4: Did Jay do a verse of it? I don't know
• 47:56
  Speaker 4: where that kissed the sample.
• 47:57
  Speaker 2: I know where it came from. I think I kind
• 47:59
  Speaker 2: of started that because I put featuring Wayne and jay
• 48:03
  Speaker 2: z Z. Everybody started to saying Wayne and jay Z Wayne,
• 48:06
  Speaker 2: And I'm like, jay Z's on the cars, but I
• 48:09
  Speaker 2: sampled him on the cars. You know what I'm saying, Like,
• 48:11
  Speaker 2: let's be clear. Do I want jay to do a
• 48:14
  Speaker 2: verse on it if he's up to it. But like
• 48:17
  Speaker 2: I said, you know that that man's enjoying his life.
• 48:20
  Speaker 2: I'm not calling him about no record right now. Maybe
• 48:23
  Speaker 2: next week, next week.
• 48:25
  Speaker 4: Well, the Swiss Beats, it's the Breakfast Club.
• 48:28
  Speaker 2: Good Morning Zone. Hold one second, we.
• 48:33
  Speaker 1: Got more with Swiss Beats. When we come back, don't move.
• 48:35
  Speaker 1: It's the Breakfast Club on BET. All right, we got
• 48:38
  Speaker 1: more with Swiss Beats. It's the Breakfast Club on BT.
• 48:41
  Speaker 1: Welcome back, we are to Breakfast Club. We got more
• 48:44
  Speaker 1: with Swiss Beats. Keep in lock, we got more with
• 48:47
  Speaker 1: Swiss Beats.
• 48:47
  Speaker 4: When we come back.
• 48:48
  Speaker 1: It's the Breakfast Club on be et. That was the
• 48:51
  Speaker 1: breakfast That was Swiss Beats on the Breakfast Club. We
• 48:54
  Speaker 1: got don Key the day up next, don't move, it's
• 48:56
  Speaker 1: the Breakfast Club on BT.
• 48:57
  Speaker 2: Coat