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IT CAME FROM SCREAMBOX: Savage Flowers! · WASD and Beyond

0:23
We're recording the late 1 tonight, boys, and tonight was
0:27
and of course I was like I'm going to pick a short movie
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because we're recording late and this movie felt like it was
0:33
forever. Welcome back everybody.
0:35
This is another episode of it came from screambox.
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We're your hosts, Nick, Noah and Alex.
0:40
Thank you all for tuning in. Check out the sponsors down
0:42
below, Screambox and final boss emails WASD beyond@gmail.com.
0:47
That's again that's WASDBY ond@gmail.com.
0:50
Let us know what you think of this movie or any other movies
0:53
you want us to watch and then talk about.
0:55
Check out the shows WASD and beyond.
0:57
It came screen box and roll for Deception boys.
1:01
It was my pick, my pick. And you pick and.
1:06
It was it was cool. It was cool.
1:07
I picked Savage flowers on screen box and I don't regret
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it. It it, you know, Noah, Noah hid
1:20
it right. It was a lot and it, it took a
1:23
lot to get to where I thought we were going to go.
1:27
So Savage Flowers is basically, you know, I think if this
1:32
released during the COVID times, it would have hit maybe a bit
1:35
harder, maybe a little bit harder.
1:39
This movie is basically there's an infection or a virus going
1:41
around that is prevalent in young women.
1:45
I thought it was all children for a while there, but it's just
1:47
young women and they're called carriers.
1:52
You don't really get to see too much of what it looks like in
1:55
this film except for one time really.
1:58
But basically all of the world is exterminating young women
2:04
children, and that is the premise of the movie.
2:07
We meet our main character Rose as she's being dropped off at is
2:11
somewhat of a boarding house at this point or a safe house for
2:16
said young women. And it's it's cool.
2:20
It's got like it's own little headmaster mistress in this
2:23
instance, Miss Lucy. You got the cast, Ada, Iris,
2:28
Rose, Lily and Rebecca. Those are our main, you know,
2:33
group of girls here. And the movie just kind of goes
2:35
from there. You get to learn a little bit
2:38
about Rose's back story, how she was found, you know her a little
2:41
bit about her father. What this movie does right is
2:48
the vision, the the cinematography.
2:51
That is what this movie gets absolutely correct because the
2:55
movie looks beautiful. It's shot really nicely.
2:58
There are very cool shots, especially later on you'll you
3:02
get to learn a lot about these girls.
3:04
I wish you could have learned a little bit more, but there's
3:07
like this whole mask thing that they do and there's a lot of
3:11
like in the mask shots of the eyes that I was in love with,
3:19
but not a whole lot of information on what is actually
3:25
going on in the world. We get our, you know, we get our
3:29
villains who are the red bands who are very fascist, neo Nazi
3:35
ice inspired looking fellas. And you know, there's one good
3:40
guy out of the bunch. So it's very trophy.
3:44
There's two, there's one good guy because Sam is not a part of
3:47
them. Sam is our groundskeeper.
3:51
We like double agent guy. Yeah, Jonah's talking.
3:55
About. Who was also there when Rose's
3:58
dad was arrested. So yeah, yeah, clearly not that
4:02
good of a guy. Yeah, and he's also.
4:04
He did stop from getting shot in the head.
4:06
Well, so he gets, he does get killed, but well, I think the
4:10
main purpose of Jonah in that instance was to get Rose out
4:14
like he knew that. It was going to happen.
4:17
There's a lot of the problem is there's a lot of like tie
4:21
insurance that needed to happen that didn't happen.
4:24
And I think it's a short time, short runtime that really
4:28
effects this movie. But I also think what this movie
4:32
suffered from was a lack of focus on certain aspects that it
4:38
could have focused a bit more on.
4:41
I would have really liked to see like more run insurance with the
4:43
red band. Like we we went like, because
4:46
it's done like days and chunks of days right till we get to the
4:50
21st day. More run insurance with the red
4:53
band more, more hiding from the red band, more random knocks and
4:58
miss Lucy really cracking down going.
5:00
This is how you have to act. That's how we have to live until
5:03
you're of age and I can let you go.
5:07
But it's not that it's it boils into an anti bullying film when
5:14
you could have boiled this what you could have cooked it
5:16
differently to anti fascism. And this is what the world was
5:21
going through when it came to COVID.
5:24
And that's not what we did here. So boys, what did you?
5:27
Film. It's very, very, very British,
5:30
but they hate ice and the Nazis just as much as we hate ice and
5:33
the Nazis. That's right.
5:35
True. So this but but but well you got
5:39
some boot lickers out there who don't but.
5:41
They're not real. They're not real people made-up
5:44
that that's that's my problem here.
5:46
It's it's the lack of focus and really like the lack of that's a
5:51
lack of but you. No, I think there is there is
5:54
something of a lack of focus. Yeah, well, the lack of focus,
5:57
but there's low hanging fruit. You really could have grabbed
6:00
here, like you could have went for a couple different things.
6:02
But I want you guys, I want to hear what you guys have to feel,
6:05
have to say about this. Yeah.
6:08
Did you take it, Alex? Oh, I liked it.
6:12
It makes you feel uneasy, Very uneasy.
6:20
Not really a horror movie or really psychological.
6:25
Yeah. What was I going to say about
6:28
it? There's I would too have liked
6:34
to have known more about said virus.
6:36
Did you think that's what they are We spoiling?
6:41
It's 2020. Five Yeah.
6:42
Spoilers. It's fine spoilers.
6:44
Watch it if you. Want.
6:47
Is that what do you think they gave Lucy?
6:49
Yeah, yeah. Well, Lily is a carrier. 100%
6:52
Lily is the carrier. They're all carriers.
6:56
They're all carriers, but I think out of all of them, well,
7:00
every little girl would be a carrier.
7:01
So yeah, but Lily is the one who's now infected 3 people that
7:06
we know of her parents and now miss Lucy.
7:09
Yeah, didn't. Catch that part when she
7:12
infected her parents? What?
7:14
So that. Was the implication.
7:15
She went into the room and she did the same thing that she does
7:19
to Lucy to them, and I think the insinuation in that scene is
7:23
that she's infecting them. Lucy Lucy is also not Lucy.
7:27
Lily. Lily is also a villain here.
7:30
This little girl is a terrible. Oh, she a little shit.
7:35
Dude, dude, fucking kick rocks. Yeah, I I like it.
7:41
It makes you feel very fucking uneasy.
7:45
There's just two parts I could go without seeing.
7:50
And you know, it may happen and they happen right here and
7:54
couple minutes here, like I back-to-back.
7:58
All right. I did like that they did show
8:00
those parts because a lot of film makers would go can't show
8:03
that happening on film. Like you can't show it usually.
8:07
The one they don't really show cuz the dude's in the way, but
8:10
the second one. You see it?
8:12
You see it? Yeah, it was, yeah.
8:15
Too, Yeah. It's part of storytelling.
8:18
I get it, and I do respect them doing it, but you can.
8:23
It's rough. It it, it seemed very out of
8:27
place for this movie, but I want to I want to let you wrap up
8:34
your thought. No, that's about it.
8:36
I had something else, but my brain is scrambled.
8:40
All right, well, so my thing, like when it starts out, it's
8:44
talking about there's a some kind of illness, sometimes it's
8:48
referred to as a plague that is spread by children.
8:51
So they're sequestering all the children away and you hear stuff
8:56
where like, oh, it's a it's a child care center.
8:58
And then someone on the news is like, well, we should just kill
9:01
them all. And it's setting up this world
9:04
where like children are being prosecuted.
9:06
But then it kind of forgets that to do this like teen girl drama
9:11
of these four like 14 to 17 year olds who are stuck in this house
9:19
and just like getting up to wacky antics while the world is
9:22
like supposedly ending around them.
9:25
Yeah. So there was that bit of like it
9:29
like what does this movie want to be?
9:30
Because they did set up like a really interesting world and
9:34
that and the conflict that's going on and society is
9:37
crumbling because obviously there's a lot of kids being
9:40
captured and and killed. Like we see the the sort of the
9:47
housekeeper, the caretaker, Lucy had a daughter who was executed
9:52
in front of her just on the side of the street and they and they
9:56
show that and it's like that kind of thing like that is a
10:00
heavy hitting shot, but it feels really out of place in a movie
10:05
like this. It like, it feels like the
10:07
movies, like we're going to do all this really good, like world
10:11
building, and then just forget that we're going to watch like
10:15
this one girl being bully. Yeah.
10:17
But that's that's exactly that You showed these two monumental
10:22
shots. Two children are killed on
10:24
screen. There you guys go.
10:25
Yeah, two children are killed on screen.
10:28
One is running so that they're shot in the back of the head
10:30
while running. And the other one's just
10:32
execution style. It's heavy imagery.
10:35
And then you next scene is just bullying.
10:39
It's like, it's strange, like I could go on and on about the
10:43
great world building, but I just wanted to touch on like a couple
10:47
things this movie does really well.
10:48
Clearly our main character Rose has PTSD from having to hide
10:56
from the red bands and being captured by the red bands.
11:01
When she's in, she ends up hiding in a closet 'cause
11:05
they're playing like a hide and seek type game and there's like
11:08
a band of light that's just over her face and then it seamlessly
11:13
cut to her being behind a bookshelf and only getting that
11:19
little bit of light through the bookshelf.
11:20
Like that. It's incredible.
11:22
Like it's really good work, really good shots, really
11:25
effective. Like it really, you know, it, it
11:30
it's like World War 2 type imagery of having to hide from
11:34
people in your home looking for you while like your parent is
11:38
there or somebody is there trying to trying to tell them
11:44
that nobody's here. And then and then again, it just
11:48
goes like it's up. OK, well, that really effective,
11:51
really interesting world building and really well done
11:56
piece of filmmaking. We're just going to forget about
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that for a minute. We got to worry about the
12:01
bullying some more. Yeah, Lil is grounded now.
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Do you guys know that? It's like, and like that whole
12:07
scene, that's goofy too because it's like she's like, I so much
12:11
has changed since I've been gone, dude.
12:13
You. She was dead.
12:14
They grounded her for three days.
12:16
And it's like, I understand this is how Children Act, but the,
12:24
you know. There's a lot of gaslighting and
12:25
manipulating going on, like a whole.
12:27
Lot, yeah. Yeah, I mean, kids act crazy,
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but there's like, there's like, I don't know.
12:34
There's little maniac children like Lily.
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There is but like. There is, that's.
12:38
That's to make that the focus here instead of but.
12:42
Also, I mean, you would be fucked up if you grew up in
12:48
this, in this landscape. We don't really.
12:51
Fast. Yeah, we don't know how long
12:55
like this has been going on, but we do know that at least rows is
13:01
close to the end because at the beginning she says like, oh,
13:05
it's only going to be two years. So let's say like if she's like
13:10
16 or whatever, and when you turn 18, that's when the virus
13:15
goes away or I think, yeah, I think it was 20, the note.
13:19
So let's say when. So when you turn 20, the virus
13:22
goes away. So she's like she's 18 now.
13:26
So there, she's coming up on the end of this, but there's so much
13:32
like potential in the setup here.
13:35
Like so OK, she's going to age out of the range.
13:39
When you can have this illness, then what?
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What did she do then? Hey, I've been hiding and I
13:46
evaded everything for XY and Z years.
13:50
I'm in society now, right? Yeah, but there's so many
13:53
unanswered things there. And again, to Noah's point, you,
14:00
you build this thing, this brilliant fucking world, and we
14:04
get not even a taste of it. There's bits and pieces.
14:09
It's like table scraps. You kind of make you think that
14:13
like it's like end of the world when it's really not.
14:19
Well, I mean like potentially it would be.
14:22
It would but like they were still like holding interviews on
14:26
cable TV. They should have showed more of
14:29
that, well, that. So that begs the question of how
14:32
long has this been going on if all the infrastructure is still
14:36
around? Like, I don't know, I mean, you
14:40
say that we say like, you know, they they are able to do that,
14:44
but there's people being like killed in the streets.
14:47
Like it's not, you know, you can, you can unfortunately, you
14:51
can imagine that. You can imagine that like
14:53
certain things would just go on as normal, as if the world
14:58
around you wasn't completely falling apart.
15:00
I'm talking about nothing. But like it is that thing that
15:05
you're saying like the the world building that just ultimately
15:09
becomes the backdrop. When I think like the backdrop,
15:12
it for this is much stronger. Like the world they've set up is
15:15
much more interesting than the story we're being fed.
15:20
It's like, it's like having a nice meal in front of you and
15:27
it's a little too far away and you can't reach it.
15:29
But in like that you have a snack that you're allowed to
15:33
eat, but you want the steak and fries.
15:37
But you're being told, well, you could have the snack right now
15:40
and maybe you'll one day you'll have the steak and fries.
15:42
I would have much rather seen this go in so many different
15:46
directions. The girls get out, they travel
15:50
around or the red band come in and it's it's it's crazier
15:54
because there's a whole scene with this tension built up with
15:56
the red band in the house. You're like, OK, like if they
16:00
just bust it now, like this could be cool.
16:02
Like what if the girls get taken to because they're essentially
16:05
concentration camps. That's what they're basically
16:08
called. So what if the girls get taken
16:10
there and Lily, we can the big shot.
16:12
Like, there's so many things. We can gather from what they say
16:18
that they're advertised as like detention facilities or, or like
16:23
sanctuaries to help protect these young women and, and
16:28
children and stuff. But we, we get what's going on
16:32
there. It's obvious.
16:33
Like, it is another thing that you can definitely see as being
16:38
a real thing. Again, I'm talking about nothing
16:40
but it it's the thing that you can imagine and it and that kind
16:47
of thing like you do like you want to explore that like movies
16:50
like 1 battle after another stuff that's like based around
16:54
what you're seeing. And this has some parallels to
16:57
what we're seeing and you want to see that explored.
17:00
Like it felt like this movie was going to do something crazy.
17:04
I mean, it came out in 2025, so it's pretty easy to assign it to
17:11
the, you know, the current goings on, but it it.
17:15
Shies away from it. Yeah, Like it tip toes.
17:19
It puts its fucking toe in the water and goes, oh, shouldn't
17:22
say that. Like if, for instance, I was
17:24
like, you know, fuck ice and Donald Trump.
17:26
And I think he's a big dumpy red orange bitch.
17:30
But like that sweaty ankled boy. Yeah, dude, his hands, you gotta
17:34
slap his hand and it bruises and he's all and we hate him.
17:38
But from shaking too many hands. Yeah, yeah, yeah, yeah.
17:41
It was from fucking bastard Satan's butt, baby, but I'm not
17:46
going to put that on my boy the the devil.
17:49
Devil's too good for that. Yeah, Devil's way too good for
17:52
Trump anyways. But like, that's what kind of
17:55
irked me because it's not like I needed the movie to have an
17:58
agenda. But if you're going to assign
18:00
the agenda to the film and you're showing all this shit
18:04
that is so parallel to everything going on, even if
18:07
you're trying to go parallel to the Nazi era of what was
18:11
happening, then go there. Don't fucking halfway go there.
18:17
Show what's happening, and then go.
18:20
But this is a film about bullying.
18:22
Yeah. 'Cause it doesn't make sense.
18:24
It's like you just took it away from me.
18:26
It's like, and it's not to say what's happening in the film
18:29
isn't it is interesting if it wasn't, I think if the film
18:35
didn't like explain any of the fucking virus in the world
18:38
around us and it just a girl gets dropped off of this halfway
18:41
home by a dude in a shitty looking car That's kind of also
18:45
dope is a get out and she gets out and nothing else is really
18:49
explained and it's just this household.
18:53
No complaints. But you've already set the
18:55
expectation for me, and then you've shown me nothing.
18:58
Yeah. So I think the whole time we
19:01
were just maybe expecting that it was going to leave this
19:04
house. But I I do think like they may
19:08
be I had written this drama between these girls which has a
19:13
random like occult aspect with the masks and stuff.
19:17
It it almost doesn't work, but then it kind of does.
19:20
Because like Lord of the Flies, like these girls are, but
19:22
they're not left to their own devices.
19:24
That's the thing. Well, they I mean.
19:27
They are and they're not. They might as well.
19:28
As far as they knew. Yeah, it.
19:32
It you know what this really kind of reminds me of a little
19:34
bit. That's what I was going to say
19:35
earlier. Reminiscent of yellow jackets.
19:41
OK, I haven't watched that. It's good.
19:44
It's actually really good. It's a dark story, but like, I
19:47
don't know, there's some Yellow Jacket vibes here just a little
19:50
bit. I get it, but then explore why
19:57
Iris is. Like, yeah, we they do.
20:02
Yeah. They do a really good job when
20:04
they want you to know about the characters, yes.
20:07
And there's these five girls and you only get a back story for
20:10
two of them, but what you get is like really compelling.
20:13
I would have really wanted to see what they would have done
20:16
with the other characters. Yeah.
20:19
And it's not to say that the payoff at the end isn't, it's
20:22
lackluster, but it's like finally, like, yeah, like it's
20:27
like a finally moment, but not like a that was satisfying.
20:30
It's like, OK, finally one of you just did something when the
20:33
other one took it too far. It's like, OK, where has this
20:37
energy been? So that is my issue with this
20:40
film as a whole. But the storytelling is great
20:45
when it decides it's going to actually invite you into the
20:49
world. It's shot beautifully.
20:52
The acting is also phenomenal. These these young women really
20:58
and even the the actors who played Sam and Jonah and for as
21:03
long as you see Jonah, I guess, but also why show off the big
21:08
bad red band character like the main one who actually shows his
21:12
face to then never show him again after he's killed a child
21:17
like you I. Think that would be sorry?
21:20
Go ahead. No, but you would think that'd
21:22
be something you'd want to bring more into the film as like an
21:26
overarching thing to make Lily. Yes, Lily's a bitch and she's a
21:31
bully, but this guy is bigger than that and you invite that
21:36
into the film and make Lily feel small and then they have to work
21:40
it. So many swings you could have
21:43
taken and I think would have been a better result here.
21:46
I think this movie suffered from staying in its lane.
21:50
Like it sort of painted itself into a box and then couldn't get
21:53
out. Like they were like, no, we want
21:55
to. We want to do this story about
21:57
these five girls. We don't like it is that, you
22:00
know, with everything else, all that craziness, there's still
22:04
this like pocket of this like teen drama that they want to
22:08
explore, which is interesting because it is like that kind of
22:13
thing. Like you take a simple topic as
22:18
these five year olds who just don't really like each other and
22:22
you place it in this world where everything is crumbling around
22:25
you. It does make it more complicated
22:26
and more interesting I think. I just would have wanted to see
22:30
more of the outside influence bleeding in to that story.
22:35
Yeah, yeah. Definitely they, for all intents
22:38
and purposes, they've, they've killed all the adults around
22:42
them, right? There were only two.
22:44
How are they getting food? How are they getting like any
22:47
supplies? You know, like just to mention
22:50
something like that of being like, Oh, well, we can't get
22:53
stuff ourselves because we look too young and we'll be
22:56
suspected. They are gardening, they're
22:59
harvesting the animals. So they got the eggs, they got
23:02
the chicken meat. So, you know, and they're
23:04
they're, they're gardening. But what happens after Lily
23:07
takes over here? It's all going to.
23:10
Stop, if that's even the insinuation.
23:12
If that's even the insinuation, right?
23:14
Like and OK, so is Lucy dead now or what's?
23:20
Or I don't know how this virus works.
23:22
We weren't explained how it works.
23:24
We know that Lily is dead and like Rebecca, is the one Rebecca
23:30
who gets stabbed. Yes.
23:33
So two of them are dead. Lucy definitely has the virus.
23:37
Sam, we're not so sure. Him and Jonah are running up at
23:42
the end. Yeah.
23:44
So I guess the insinuation is that they would have left and
23:50
like that feels that feels like, oh, it's about to get
23:52
interesting because now they're going to be on the run.
23:55
And they're like half. Hour that they were trying to
23:57
tell here. No.
23:59
So like if they were to do a second one, which I don't know
24:02
if they would but like, is that the?
24:04
I don't want to speculate on that.
24:06
Yeah. I mean, you can't emphasize
24:08
enough like these are really like writing problems that we
24:12
have all like it was shot great. The actors did a really good
24:15
job. I think they would do a really
24:17
good job in whatever is written for them.
24:21
Yeah. Yeah, it just feels like a lot
24:25
of, like, I don't want to say wasted potential, but there's
24:28
just a lot of, there's more potential for something more
24:33
than what they were trying to do.
24:34
But you can tell that they did what they wanted.
24:38
And the fact that we're begging for more of this world that
24:43
they've set up is, you know, to this movie's benefit.
24:48
Yeah. Oh, Alex.
24:51
Say what you got to say, Bubba. Nothing.
24:54
It's just he's not wrong. He's not wrong at all.
24:58
You know what? I think this would have been
25:01
best as a show. Think so.
25:05
I think if you were to have this split up between seasons, 10
25:08
episodes each, you could have still explored Lily loose Lily
25:13
and Lucy and Rose and everybody and Lily's bullying.
25:17
You could have pushed it further.
25:19
You could have taken them out into the world or had an
25:21
invasion into the house. All of this crazy, actual shit
25:26
to actually learn because it feels like there was just not
25:28
enough time and too much on the table.
25:31
And they had they they were sitting up scrambling and going
25:34
fuck, like, what do we focus on here?
25:37
So that that that's again, it's a writing issue.
25:40
Everything else, hats off. Absolute hats off Everything
25:45
else. Do we know anything about the
25:48
writer? No, or the director not really.
25:51
It's a newer film. It it like I said, it is cool.
25:57
Like there is some cool stuff here and unfortunately it didn't
26:01
rate well right. So if you know across the board
26:04
it's like below average, you know it's 4 fours and shit out
26:10
of. Yeah, it's, it's also a, you
26:12
know, UK production that appears to have only screened at
26:16
festivals until Screen Box. So I think yeah, I mean they
26:20
could find a following on on the Screen Box platform and maybe.
26:24
It looks like it was. Do something more with this in
26:26
the future. I mean, shit, looks like it was
26:29
realistically just starting to be talked about now.
26:35
It was like just, yeah, it's, I don't know, I it, it's it, it
26:43
bummed me out because the premise is so cool.
26:48
So it, it, it just, you know, it's like, God damn it, dude.
26:51
Like you're so close. You're so fucking close.
26:55
Yeah, it's set up for something and we didn't quite get what we
26:59
were hoping for. Yep, so fuck with that.
27:07
Give it some great things. I'm going to give it because the
27:12
only thing that really saves this film is it's beautiful
27:15
cinematography, it's incredible acting and the story that could
27:20
have been. I'm going to give it a 2.5.
27:22
I'm. Going to give a straight to it
27:27
was shot well and Alex is so I think the actors were doing a
27:31
good job. I just think whoever wrote this,
27:35
wrote us, wrote a world in the environment that is way more
27:40
interesting than the story that they decided to tell.
27:44
And I all I can say is that I hope they get a chance to
27:48
explore that world a little bit more and really dig into the
27:52
realities. Because I think it's such a good
27:56
setup for a lot of like real world, like current day
28:01
political metaphors that they could do.
28:06
There's just a lot there. And I hope that they see that
28:09
and that they take advantage of it and they utilize what
28:12
they've, what they've created here to really explore that some
28:16
more. Yeah, Alex.
28:20
I was also gonna give it a. Two shit.
28:25
It's, I mean, it's, it's a pretty film.
28:27
The set. The set is.
28:30
I love the set. Yeah.
28:32
The Open. Field the old like the house.
28:34
The house, the open fields, it's just it's a pretty set in a
28:38
world of shit, yeah. Yeah, I'll give it.
28:44
I'll. Give it a 2.
28:46
It's could. Watch it, you don't have to
28:47
watch it. It's worth a watch though.
28:49
It's definitely worth a watch. Yeah, The biggest take away from
28:55
the, I think anybody listening is we want more.
29:00
Yeah, It it, we're rating it poorly, but we do want more.
29:04
I want to know more about this world and these people's
29:08
stories. I want to know more about this
29:09
virus. I think we all do.
29:11
That's the thing to take away. It's yeah, we're giving it a low
29:14
rating, but it's not not worth. So much.
29:18
More to explore. Yeah, so literally go check out
29:22
Savage Flowers on screen box if you want to.
29:25
It's it's neat. Don't take our word for it.
29:29
You should check it out if you want to thank you all for
29:32
listening. Go check out our fucking frogman
29:35
episode we just did with Anthony cousins and boys.
29:40
We are in the works. We're not going to say it, but
29:45
we have dates confirmed for a couple cool things.
29:49
One thing is we are going to frog frogman festival.
29:53
So if you're listening and you want to meet us and you're going
29:57
to the Frogman Festival, come meet us in Loveland, OH.
29:59
What's the date on that 7th, the March?
30:02
March. 7th. So.
30:04
It's over that whole weekend from from what I could gather.
30:08
Yep. So I think, what if we'll plot?
30:10
Ha, what up? What if I say this on If I say
30:13
this on recording? What?
30:15
What if we get a? We all get frogman tattoos.
30:19
While we're out there, OK. You're a frogman.
30:23
Yeah. I mean, you can say it on
30:24
recording as much as you want. Alex later to be a.
30:28
Frog. I'm not going to, I'm not going
30:29
to commit to that right away. I searched up frogman tattoos,
30:35
but you might have imagined that I only found like a frogman, as
30:40
in like the Navy. You won't get as wand tattoo are
30:43
you I? Don't know, I might.
30:47
Ribbon is. Ribbon is.
30:48
Ribbon. I want to catch this hop of this
30:50
over my eyebrows. I don't it looks like you're
30:53
wearing permanent eyeliner. Yeah.
30:57
So catch us at the frog Man Festival March 7th or 8th
31:00
whatever. We will be there though.
31:01
We're very excited to be there. We're not sponsored.
31:06
We're just going because like this just thing we said we were
31:08
going to do and now we have the. Opportunity for the love of the.
31:10
Game, yes, so and we flew. To California for a movie.
31:16
So we can't not drive to Cincinnati for a movie.
31:19
Yes, and to hopefully meet Anthony in person.
31:21
So that'll be fun. The other thing is coming up
31:24
shortly after that. Stay tuned for that as soon as
31:27
there's a confirmation we are. Very.
31:30
That'll be a that'll be a big one.
31:31
We're gonna be. You're not gonna be able to get
31:33
us to shut up about that one. For like the rest of our lives.
31:37
So get ready for that cool stuff again with please check out the
31:42
sponsors down below. Without them we would not be
31:45
doing the cool things that we do.
31:47
Screen Box and Final Boss please check out It Came from Screen
31:51
Box, WAC and Beyond Rule for Deception.
31:54
Again, e-mail us at wasdbeyo&d@gmail.com.
31:58
Let us know what you thought about Savage Flowers or any
32:00
other movie that you have watched recently.
32:03
And yeah dude, till next week. Take it easy guys and be safe.
32:07
Thank you screen box. Alex, anything you want to say
32:11
to ICE before we go? Fuck off.
32:15
Yeah, some of this. Some of this, Yeah.
32:18
Bastards.