Latest / The Baller Alert Show / "Young Fly"

Transcript

"Young Fly" · The Baller Alert Show

• 0:01
  Speaker 1: Hold up, hold up? What did do? Baby? Is all
• 0:06
  Speaker 1: produced by me Ocean Teeth alongside the Homies. I am
• 0:11
  Speaker 1: your favorite Ethiopian too, So low La Chip. How's everybody's
• 0:18
  Speaker 1: quarantine going? It's all good. It's all good, man. You
• 0:20
  Speaker 1: know what I'm saying, standing saying, standing, busy, staying creative,
• 0:23
  Speaker 1: working the usual. How are you child? It's been a
• 0:27
  Speaker 1: lot of self discovery in this quarantine. Um. The second week,
• 0:32
  Speaker 1: I cut my own hair. Oh it came out real,
• 0:35
  Speaker 1: real cute too. I was super surprised. I haven't gotten
• 0:38
  Speaker 1: to my nails yet, but I did wax my own
• 0:41
  Speaker 1: lip the other day, well, a couple of weeks ago,
• 0:43
  Speaker 1: and I messed my face up. It was really, really bad.
• 0:46
  Speaker 1: It was super red. I had bombs. I posted it
• 0:49
  Speaker 1: and everybody was laughing. I was like listening, Oh that's
• 0:51
  Speaker 1: what that was? What's your thought? It was like, what
• 0:55
  Speaker 1: was the was the orange thing? Like? That was her face?
• 0:57
  Speaker 1: Welped up? That was my face? That that that was
• 1:00
  Speaker 1: my face? It was toe up. It was toe up.
• 1:03
  Speaker 1: So I try to be cute and use these like
• 1:05
  Speaker 1: natural wax strips, and it just it didn't work out.
• 1:08
  Speaker 1: I must say, I love your transparency online. Thank you.
• 1:12
  Speaker 1: You know you gotta keep it real. Everything ain't cute
• 1:14
  Speaker 1: all the time now exactly. That's why people identify with you.
• 1:17
  Speaker 1: I love it, I love it. What's up with you, Robbie?
• 1:20
  Speaker 1: Just a whole bunch of self reflection, self evaluation, and
• 1:23
  Speaker 1: just stepping out of my comfort zone and doing things
• 1:26
  Speaker 1: that I haven't been doing before. So like dropping a single, Yeah,
• 1:30
  Speaker 1: dropping a song May fifteen. It's gonna be on all platforms,
• 1:35
  Speaker 1: and uh yeah, I'm gonna put the album out August
• 1:37
  Speaker 1: twenty two. I'm excited and excited man. And of course
• 1:43
  Speaker 1: some song's gonna be produced by oct look out for
• 1:47
  Speaker 1: the one time. Why quarantines asked? It's like, what quarantine?
• 1:53
  Speaker 1: But we're still working exactly. And the crazy thing is,
• 1:56
  Speaker 1: I wasn't going to try to do this until like
• 1:57
  Speaker 1: towards the end of the year, but yeah, and why not.
• 2:00
  Speaker 1: I'm not in the clubs now. We just had the house,
• 2:02
  Speaker 1: so I got all this time to prepare and plot,
• 2:05
  Speaker 1: get them checks, to give me some time to come
• 2:07
  Speaker 1: up with a little dance routine, to have a challenge
• 2:09
  Speaker 1: on on deck. Absolutely I got all booties. Matter of challenge.
• 2:14
  Speaker 1: I mean, y'all, but I got a little booty back here.
• 2:17
  Speaker 1: Y'all may not know it M time, but well I
• 2:21
  Speaker 1: need you to make me a trailer. Then I need
• 2:23
  Speaker 1: you to make a trailer for me. Yeah. Yeah, I'm
• 2:25
  Speaker 1: gonna do that today. All right, y'all. Well it is
• 2:28
  Speaker 1: time to get into In case you missed it. Y'all
• 2:31
  Speaker 1: ready for this? It is time for in case you
• 2:38
  Speaker 1: missed it. But before we get there, I gotta welcome
• 2:41
  Speaker 1: one of my friends was one of my personal friends
• 2:43
  Speaker 1: to the show. It was by the name of DC,
• 2:45
  Speaker 1: Young Flies Craizy. I'm super Colod. I got DC and
• 2:48
  Speaker 1: DC and we always talk about that twister. That's t twister. Yeah,
• 2:57
  Speaker 1: both y'all's names DC. I don't think different is young
• 3:03
  Speaker 1: and guy. So where does that name come from? But
• 3:07
  Speaker 1: where does yours come from? D C stand for the crew.
• 3:10
  Speaker 1: It's an organization. Me and my brother started like that
• 3:14
  Speaker 1: and nine then my brother dad, who the he hunt
• 3:16
  Speaker 1: your RP just put it on my face or everybody
• 3:18
  Speaker 1: know what? Okay, So d C is in the middle. Okay,
• 3:23
  Speaker 1: when they look, let's go straight to the D. I
• 3:25
  Speaker 1: ain't gonna say that already, So let's talk about you
• 3:31
  Speaker 1: real quick before we get into it. You got popular
• 3:34
  Speaker 1: to me off of um, what's the quick app? What's
• 3:38
  Speaker 1: the quick app called vine the quick? I remember you
• 3:44
  Speaker 1: were remember it was like eight seconds or something six
• 3:48
  Speaker 1: I remember this. He went viral going into the Apple
• 3:51
  Speaker 1: store right, and I'm talking about everybody looking. I'm just like,
• 4:00
  Speaker 1: which your Apple store? There? Remember it was a whole
• 4:06
  Speaker 1: you know what. I want to say it with Lennix
• 4:07
  Speaker 1: because I had no money to travel, so it we're
• 4:10
  Speaker 1: not a state. And I know Greenbray ain't got no Applesode,
• 4:15
  Speaker 1: got no appsode? So or do come to do that eppisode?
• 4:18
  Speaker 1: Don't it? No? They do, but it's new. I don't
• 4:25
  Speaker 1: think you. I don't think you were there though. I
• 4:26
  Speaker 1: don't know. So it had to be limits. It had
• 4:28
  Speaker 1: to be there as do that in there? He oh
• 4:32
  Speaker 1: he just live it. I didn't even know. I just
• 4:34
  Speaker 1: walked up and I would you like, he's crowded. I'm
• 4:37
  Speaker 1: about to go crazy hilarious though, and then she set
• 4:43
  Speaker 1: off and I just killed going. Bro ain't never stopped.
• 4:46
  Speaker 1: So where do you feel like you got the most attention?
• 4:48
  Speaker 1: Vuye or Instagram? I want to say I got the
• 4:54
  Speaker 1: most of time because I switched over the Instagram becauld
• 4:56
  Speaker 1: have had most sick. It wasn't no about video once
• 5:00
  Speaker 1: I came over and started doing videos and actually show
• 5:03
  Speaker 1: the people like because if you see somebody doing the
• 5:06
  Speaker 1: video on Instagram, it was the time, you wouldn't even
• 5:08
  Speaker 1: look at that. You were just kick like looking at
• 5:11
  Speaker 1: no damn video on Instagram. But I had to navigate
• 5:16
  Speaker 1: that because we knew Vin was about to you know
• 5:19
  Speaker 1: what I'm saying, be be diminished a little bit, like
• 5:21
  Speaker 1: a about the away. So it was like after that,
• 5:25
  Speaker 1: I was like, we gotta continue to go sowhere. So
• 5:27
  Speaker 1: I was like, let me go to Instagram because we
• 5:29
  Speaker 1: got fifteen seconds. Now only do we double up we
• 5:33
  Speaker 1: get there, not only cut off our content, we get
• 5:37
  Speaker 1: to continue that and not the stories are long. And
• 5:39
  Speaker 1: now they went from fifteen sicking the thirties a whole minute,
• 5:44
  Speaker 1: you feel what I'm saying. So it's like I gave
• 5:45
  Speaker 1: us some We had six seconds, so we got almost
• 5:49
  Speaker 1: seconds d D post them. Then that's when all the
• 5:53
  Speaker 1: craziness coming from. So I want to say by started,
• 5:56
  Speaker 1: but Instagram kind of like took it off. So did
• 5:59
  Speaker 1: you know you wanted to get into all this stuff
• 6:01
  Speaker 1: that you're doing or do you feel like social media
• 6:04
  Speaker 1: really helped put that into perspective for you? So she
• 6:07
  Speaker 1: me ain't don it with God? You think what I'm saying.
• 6:11
  Speaker 1: Because I was doing music, I always people would gravitate
• 6:15
  Speaker 1: to me. You feel me if you knew me, And
• 6:17
  Speaker 1: because people know me from social media, that's my person
• 6:20
  Speaker 1: that you gave me. That's the the vibrating me. Just
• 6:24
  Speaker 1: always you feel what I'm saying. But when I was,
• 6:27
  Speaker 1: when I was, when I was coming out, I always
• 6:29
  Speaker 1: was doing a music so I had a little problem
• 6:32
  Speaker 1: with you so wants the wants the comedy popped off.
• 6:36
  Speaker 1: I had to just continue to go on with what
• 6:39
  Speaker 1: was going on. You feel me like that was my calling.
• 6:41
  Speaker 1: Music is my passion, but comany is my calling. It's
• 6:44
  Speaker 1: a difference when you're doing want to say, when you're
• 6:46
  Speaker 1: doing something God put you down on earth to do.
• 6:49
  Speaker 1: You know what I'm saying, You're you're blessing for and
• 6:51
  Speaker 1: abundantly so being a comedian, it's God's work, It's not
• 6:57
  Speaker 1: really you know what I'm saying. It also helps me
• 6:59
  Speaker 1: too as a as a personal you know what I'm
• 7:01
  Speaker 1: saying with personal life, because I'm doing something positive now,
• 7:04
  Speaker 1: so I get to better myself. You did what I'm saying.
• 7:07
  Speaker 1: So it's like that was my purpose and that's my boys.
• 7:11
  Speaker 1: That's what God wants me to use my boys for.
• 7:13
  Speaker 1: So I'm gonna continue to do. I'm sure God wants
• 7:15
  Speaker 1: you to stop talking about your daughter's hair. Okay, I
• 7:19
  Speaker 1: have to because it's gonna come behind and then she's
• 7:22
  Speaker 1: gonna come home. Dad. They caught me bout ahead, and
• 7:24
  Speaker 1: I'm like, babe, that's something you know, you are. She's
• 7:28
  Speaker 1: gonna have a hair full of hair. That's the thing
• 7:31
  Speaker 1: I know that people think I'm stupid. She gonna have
• 7:34
  Speaker 1: a head for right now, she don't, so she's gonna
• 7:39
  Speaker 1: be bou head and little girl. How about right here,
• 7:45
  Speaker 1: reminding right now that girl. Speaking of that, let's talk
• 7:50
  Speaker 1: about DC Young fly the family man, because there was
• 7:54
  Speaker 1: a time when I wasn't a family man and you
• 7:56
  Speaker 1: weren't a family man. He was out here in these streets, uh,
• 7:59
  Speaker 1: in club going crazy, Uh, standing on furniture and doing
• 8:04
  Speaker 1: crazy stuff. Now hey, DC Young flyout and calmed all
• 8:08
  Speaker 1: the way down right, Uh taking family pictures on the ground.
• 8:12
  Speaker 1: You know. Well, yeah, i mean I'm always am I
• 8:17
  Speaker 1: always you know, what I'm saying rips in my queen. Right,
• 8:19
  Speaker 1: you think what I'm saying? So who I am? Man?
• 8:22
  Speaker 1: You feeven like people really doing? Then't know? Yeah, like
• 8:25
  Speaker 1: y'all don't know me. You're right, you're right. I let
• 8:30
  Speaker 1: y'all see what I want y'all to know. You get
• 8:32
  Speaker 1: what I'm saying, Like, I think that's right now. We
• 8:34
  Speaker 1: look like even with the shade room right away, you
• 8:38
  Speaker 1: the shade room. They will post POSITIV every three four months.
• 8:43
  Speaker 1: You feel what I'm saying, But it's like out the
• 8:46
  Speaker 1: negative set that y'all put out there and puting for faith.
• 8:49
  Speaker 1: Thank good for the culture. You feel what I'm saying,
• 8:52
  Speaker 1: not just for the culture, like you're helping. Yeah, culture down.
• 8:57
  Speaker 1: It's okay to talk. You can talk, you talka tokyo talk.
• 9:03
  Speaker 1: But at the end of the day, are you uplifted
• 9:08
  Speaker 1: a lot of people? Can? I rose people? I roch
• 9:10
  Speaker 1: your mama, I'll roached my mama. I rose my looker,
• 9:12
  Speaker 1: I roach your look girl. I don't care. I just
• 9:15
  Speaker 1: speak my math. But I'm also up nicking you did
• 9:18
  Speaker 1: what I'm saying. I'm just not just giving you to
• 9:20
  Speaker 1: the crazy me all the time. I'm showing you like
• 9:23
  Speaker 1: I besides the fund of game and the jokes and
• 9:25
  Speaker 1: ship that's really come together as people. You see what
• 9:27
  Speaker 1: I'm saying, I'm attending to you and still got live
• 9:29
  Speaker 1: for you. They're gonna tell it to you and still
• 9:31
  Speaker 1: knock you out what I'm saying. So motherfucker's gotta do
• 9:36
  Speaker 1: do right. One quick club story since Roy brought up
• 9:41
  Speaker 1: the club. Okay, so I used to worst door, but
• 9:46
  Speaker 1: it's not bad, I promise for it's not bad. So
• 9:51
  Speaker 1: I used to work the door for back and we
• 9:54
  Speaker 1: had a day party at Compound once. So this was
• 9:57
  Speaker 1: like kind of like the beginning of when you really
• 10:00
  Speaker 1: started to like like take off professionally right. Alice was like, Susanne,
• 10:06
  Speaker 1: I don't care who comes. Everybody paying. Every y'all know
• 10:09
  Speaker 1: how Alice do. And everybody paying. Motherfucker y'all know how
• 10:12
  Speaker 1: he does. I said, everybody, Alee. He said, everybody said, okay, back, man,
• 10:18
  Speaker 1: it's my guy. I said, okay, back, Alex. So you
• 10:21
  Speaker 1: come through my line and you came to her, and
• 10:24
  Speaker 1: I was like, Lord, this man's gonna sit here telling
• 10:26
  Speaker 1: me who he is. He want to get in for
• 10:28
  Speaker 1: free already know it's about to happen. He said, Hey,
• 10:30
  Speaker 1: how much is it? I said, oh, oh, it's sixty.
• 10:34
  Speaker 1: So he paid and he starts walking in. Alice comes
• 10:36
  Speaker 1: running to me, so you know who that is? I said, yeah,
• 10:41
  Speaker 1: why you talked to him? You told me everybody gotta
• 10:43
  Speaker 1: pay and that me Bro. I don't wrote no housele
• 10:48
  Speaker 1: and the dope listen, bro. I ain't trying to stand
• 10:51
  Speaker 1: him like bad. First of all, I didn't want to
• 10:54
  Speaker 1: stand in life, right. I don't want to stand in that.
• 10:56
  Speaker 1: I like want to read. I don't want to get
• 10:58
  Speaker 1: any clue eat man, he would have got that season
• 11:04
  Speaker 1: you remember that, give you that money back. I'm just like,
• 11:08
  Speaker 1: I don't care. It's not fine story. All right, let's
• 11:16
  Speaker 1: get into in case you're missic y'all know how the
• 11:19
  Speaker 1: city of Atlanta does. Everybody talks about how he got
• 11:22
  Speaker 1: a hell of scampers out here, you know what I'm saying.
• 11:25
  Speaker 1: So since we're talking about scammeras, I figured we might
• 11:27
  Speaker 1: want to talk about Mo from Loving Hip Hop at
• 11:30
  Speaker 1: l Now I don't know what happened. Well, what had
• 11:36
  Speaker 1: happened was he already allegedly gave you know, proposed to
• 11:40
  Speaker 1: Carly with the same ring that he gave to Alexa Skott. Well, now,
• 11:44
  Speaker 1: the man actually went and applied for a p p
• 11:46
  Speaker 1: P loan, which is basically Payroll Protection Program loan that
• 11:50
  Speaker 1: they were offering to you know, businesses that were hit
• 11:53
  Speaker 1: hard by COVID nineteen. The problem is, what he had
• 11:58
  Speaker 1: did was he applied for the loan for his trucking company.
• 12:01
  Speaker 1: So they gave him two million dollars. Within a few days,
• 12:04
  Speaker 1: the man spent a little over one point five million
• 12:07
  Speaker 1: dollars on jewelry. This stupid ass man bought himself a role.
• 12:13
  Speaker 1: He did pay forty thousand dollars with the child support,
• 12:16
  Speaker 1: so I'm glad that the child support got paid, but
• 12:18
  Speaker 1: he spent eighty five thousand dollars in jewelry along Roys,
• 12:23
  Speaker 1: right or something like that. The man went in so
• 12:27
  Speaker 1: now of course everybody's looking at him and everything, but
• 12:30
  Speaker 1: his employees. But his employees, well, the thing is too,
• 12:34
  Speaker 1: I think he was the only employee though on his
• 12:36
  Speaker 1: trucking company. So if that was and the kids came
• 12:39
  Speaker 1: in the fit like not the police, the federal government
• 12:44
  Speaker 1: indicted him, right, yeah, like they're not gonna play with
• 12:46
  Speaker 1: this COVID nineteen. They you know what they gave me
• 12:51
  Speaker 1: the two million dollars and didn't want to see what
• 12:53
  Speaker 1: he was gonna do. See, that's what people fail to realize.
• 12:57
  Speaker 1: They're black. You don't need to mean what I'm saying, Like,
• 13:03
  Speaker 1: you got to know the game. He didn't know the traps.
• 13:05
  Speaker 1: You did what I'm saying. So and I don't know
• 13:07
  Speaker 1: but the story, and I don't you know what. I
• 13:08
  Speaker 1: don't like to tell you. I like to stay with me.
• 13:14
  Speaker 1: So if he needs to be a one point five minute,
• 13:17
  Speaker 1: you're just gonna he didn't pay chocks, but mix it
• 13:21
  Speaker 1: by Choco boy. At least you be out there. But
• 13:24
  Speaker 1: come on with the one point five mean, but he went.
• 13:28
  Speaker 1: They said that man don't got nothing left. He got
• 13:30
  Speaker 1: a little over five hundred thousand left out of that. Yeah, yeah,
• 13:37
  Speaker 1: that's it. What government gonna wanted to pay that back.
• 13:42
  Speaker 1: He spen. He's been eighty thousd eighty five thousand on
• 13:47
  Speaker 1: jewel real long. He bought himself a ring. It was
• 13:50
  Speaker 1: like five point seven three carrots else Rolex, I know
• 13:54
  Speaker 1: he bought a car. I just can't remember what kind
• 13:56
  Speaker 1: of car. I think. Yeah, that's he bought a double life.
• 14:03
  Speaker 1: You really you played the devil meat back that money.
• 14:07
  Speaker 1: It's Alane, it's alone, give you the money. So you
• 14:12
  Speaker 1: nig you o them. I mean, the least he could
• 14:15
  Speaker 1: have did was bock Carly read her own damn engagement
• 14:17
  Speaker 1: ring and trying to get his girl back. Don't say nothing,
• 14:21
  Speaker 1: he said, you don't say nothing, college ship her own
• 14:24
  Speaker 1: damn ring. Okay, a matter of fact, what's this? Don't
• 14:31
  Speaker 1: he look like a jacketad remember, hey, low key he does.
• 14:39
  Speaker 1: He looked like Johan and a jacket AAD member. We
• 14:49
  Speaker 1: got on the baller Alert page. Y'all could definitely go
• 14:52
  Speaker 1: to at baller Alert on Instagram and go catch up
• 14:55
  Speaker 1: on that story. Yeah, it's it's a mess. It's a mess.
• 14:59
  Speaker 1: That goes to mean Carl husband, right, did she marry him? No? Something?
• 15:04
  Speaker 1: They just together because I remember on the show she
• 15:06
  Speaker 1: was saying she had to divorce him. They really got
• 15:09
  Speaker 1: buried at one point and then they really got divorced.
• 15:13
  Speaker 1: They were I can not o d on fly. I
• 15:23
  Speaker 1: need your need some expertise on this. You're ready? Yeah,
• 15:29
  Speaker 1: West Beach stinks. Rappers should pay taxes to the hip
• 15:32
  Speaker 1: hop founders, he says, and I quote, I want to
• 15:36
  Speaker 1: raise a million dollars for each icon that started hip hop.
• 15:40
  Speaker 1: The fact that we are not paying taxes on who
• 15:43
  Speaker 1: started hip hop shows we don't really love hip hop.
• 15:47
  Speaker 1: Little should rappers? Are we paying tax and nah? I mean,
• 15:57
  Speaker 1: but you gotta think about it too. Them hot them
• 15:59
  Speaker 1: rocking roll stars can toward forever. It's like we just
• 16:02
  Speaker 1: bury our own in hip hop. It's like as soon
• 16:05
  Speaker 1: as you, oh, we ain't go onto your concert, people
• 16:08
  Speaker 1: in hip hop could continue to rock you you all,
• 16:11
  Speaker 1: you all the fool. If you think one twelve of
• 16:14
  Speaker 1: them ain't getting no pack ground drew here and them
• 16:17
  Speaker 1: ain't getting they're gonna pack out an arena. They're gonna
• 16:19
  Speaker 1: pack out an arena though, But you know what that
• 16:22
  Speaker 1: goes to. We gotta start spending money. That's what what
• 16:27
  Speaker 1: I'm saying you. We we all rather go to the
• 16:30
  Speaker 1: moitherfucker for so long, but we don't. Once we get Oh,
• 16:33
  Speaker 1: I'm gonna continue to rock with the artists that I've
• 16:35
  Speaker 1: been rocking me if I want to hear a song day.
• 16:38
  Speaker 1: But you gotta understand start Yeah, I mean, but he's
• 16:41
  Speaker 1: speaking about founders, So that to me says like cool
• 16:44
  Speaker 1: hurt bumbada, like people who really started hip hop, so
• 16:47
  Speaker 1: we're paying taxes to them or Curtis blow Jack, you got,
• 16:55
  Speaker 1: but then a lot of people you gotta pay. Yeah,
• 16:59
  Speaker 1: and then it's don't think other stuff. Now. I don't
• 17:01
  Speaker 1: think I don't think you should have to pay, but
• 17:04
  Speaker 1: I feel like we're hip hop should be like a
• 17:06
  Speaker 1: SAG union. Do you think we need a union? I
• 17:09
  Speaker 1: do think yes, I feel like you know what I mean,
• 17:13
  Speaker 1: Like I don't day our own help playing all that
• 17:16
  Speaker 1: we need like actors, like actors that got a union.
• 17:22
  Speaker 1: A union that's a little sad card, right or whatever?
• 17:25
  Speaker 1: That ship crazy, But you better pay them, dudes, or
• 17:28
  Speaker 1: you can't perform at a place that's actually because you're not. Yeah,
• 17:33
  Speaker 1: do you think that hip hop needs union for real? So?
• 17:37
  Speaker 1: Is that what he's saying then, or no, that's what
• 17:39
  Speaker 1: he should have said. He just said dollar. You're trying
• 17:42
  Speaker 1: to get a million dollars? Bro. Everybody want money doing
• 17:46
  Speaker 1: the thing. Everybody want money. Everybody needs money. Okay, I
• 17:51
  Speaker 1: need my money. I ain't did no show and I'd
• 17:54
  Speaker 1: be damned by paying fine, But we just we just
• 17:57
  Speaker 1: need we need a better hip hop needs to sit
• 18:01
  Speaker 1: back and decide. Okay, look if anybody's putting out hip
• 18:04
  Speaker 1: hop music, it's gonna come out through this platform. Stop
• 18:07
  Speaker 1: giving it to everybody else. Take ownership of our own culture.
• 18:11
  Speaker 1: I mean, if you look at hip hop, hip hop
• 18:14
  Speaker 1: is pretty much the only genre that lets anybody in.
• 18:17
  Speaker 1: You saw when Little Nis just trying to do country music,
• 18:19
  Speaker 1: it was like, no, no, get this black boy off
• 18:22
  Speaker 1: the charts asap. Hip hop is the only genre of
• 18:25
  Speaker 1: music where anybody can do it and are doing Hi. Yeah,
• 18:31
  Speaker 1: that's all it is. Why don't you say too bad?
• 18:35
  Speaker 1: Shout out? His heart is in the right place. Totally
• 18:39
  Speaker 1: totally yes, Swiss beat, Swiss that we need to give. Yeah,
• 18:48
  Speaker 1: I mean honestly, I feel like that's that's what I
• 18:50
  Speaker 1: got from it. But um, okay, So speaking of you know,
• 18:53
  Speaker 1: us letting anybody into hip hop, we got to talk
• 18:55
  Speaker 1: about Takashi Snitch nine. We have to. We had to.
• 19:01
  Speaker 1: So I don't know, Okay, Well, let me tell you
• 19:07
  Speaker 1: there's a rainbow headed Bramper right who pretended like he
• 19:11
  Speaker 1: was this big gangster. He's like, I don't want to
• 19:14
  Speaker 1: hear it. So Takasi tried to donate two hundred thousand
• 19:19
  Speaker 1: dollars to the No Kid Hungry organization, but they rejected
• 19:22
  Speaker 1: the donation. They did not want that man's money. They
• 19:26
  Speaker 1: said that they didn't want to accept money from anyone
• 19:29
  Speaker 1: whose goals and and message did not align with their value.
• 19:36
  Speaker 1: So what I was saying, well I said years was plugged,
• 19:41
  Speaker 1: was that Takashi tried to donate two hundred thousand dollars
• 19:44
  Speaker 1: to the No Kid Hungry organization, but they rejected the donation.
• 19:48
  Speaker 1: They did not want to take the money from someone
• 19:51
  Speaker 1: they felt like did not align with their morals and
• 19:54
  Speaker 1: their values. They don't like his lifestyle basically, so they
• 19:56
  Speaker 1: were like, you know what, all money and good money,
• 20:00
  Speaker 1: we we can't take it. But the executive director of
• 20:04
  Speaker 1: Cooking for Kids out in l A, who is a
• 20:06
  Speaker 1: black man, Keith Johnson, was like, hey, if there's an
• 20:09
  Speaker 1: individual that wants to help address hunger in Los Angeles,
• 20:12
  Speaker 1: we welcome in. You know, if how that person wants
• 20:15
  Speaker 1: to live their life is up to them. So he
• 20:17
  Speaker 1: was like, bro, give me the two h thousand. I
• 20:19
  Speaker 1: got a lot of people out here on skin roll
• 20:21
  Speaker 1: to feed. I will take it. So people are trying
• 20:25
  Speaker 1: to it's hard to decide, like which way you want
• 20:27
  Speaker 1: to lead on? Do you agree with the no ki
• 20:29
  Speaker 1: and hungry organization not taking the money. Or do you
• 20:33
  Speaker 1: agree with Keith Johnson Who's like, Hey, give away hundred
• 20:37
  Speaker 1: sixteen to eighteen hundred meals a week and I run
• 20:40
  Speaker 1: out every week. I need this money. I think we
• 20:45
  Speaker 1: should stop talking about this guy. I think the more
• 20:49
  Speaker 1: topics he do and the more that we talk about him,
• 20:52
  Speaker 1: it just continued to keep his energy going. If we
• 20:56
  Speaker 1: give him zero energy, he will stop with the anti
• 20:59
  Speaker 1: Well for that to happen, ory these labels gotta drop him.
• 21:04
  Speaker 1: All these black artists that are working with him, gott
• 21:06
  Speaker 1: to drop him, all these black people that are financially
• 21:09
  Speaker 1: supporting him, gott to drop him. And us we gotta
• 21:12
  Speaker 1: start talking about right, So our conversations really need to
• 21:16
  Speaker 1: We need to focus on us on what we need
• 21:17
  Speaker 1: to do to keep hip hop. Let's keep it, Let's
• 21:21
  Speaker 1: keep it black. You know what I'm saying, I'm not
• 21:23
  Speaker 1: saying we don't love everybody. I'm just saying, y'all clearly
• 21:26
  Speaker 1: don't love us, y'all, don't respect our culture. Y'all take take, take,
• 21:29
  Speaker 1: take take, And when you see ships going back to
• 21:32
  Speaker 1: speak up, we damn show accepted his ass was acting accepting. Well,
• 21:41
  Speaker 1: he was getting some crazy radio pla. I have yet
• 21:43
  Speaker 1: to hear a radio station. But you know what the
• 21:46
  Speaker 1: part about it is, he got these kids. Boy, they
• 21:50
  Speaker 1: they he got these kids minds. He had Like that
• 21:53
  Speaker 1: new song he did it got like over a hundred
• 21:56
  Speaker 1: million views. These kids ain't playing. He got the white
• 22:01
  Speaker 1: kids from the suburbs though, that don't believe in, don't
• 22:05
  Speaker 1: understand just like and they don't give a damn about snitching.
• 22:10
  Speaker 1: So you know that don't got nothing to do with
• 22:12
  Speaker 1: their lifestyle. So that's again, that's why he shouldn't have. Okay,
• 22:16
  Speaker 1: if I'm gonna speak on it, he we shouldn't have
• 22:18
  Speaker 1: let him into him. We should not have because he
• 22:22
  Speaker 1: had took advantage of it. They took it all the
• 22:24
  Speaker 1: way over there to this side, and now he doesn't
• 22:28
  Speaker 1: necessarily you know what I'm done talking about it. Well, listen,
• 22:32
  Speaker 1: d C just demonstrated that you can have a whole
• 22:34
  Speaker 1: conversation with no verbal communication. Okay, we heard everything. All right,
• 22:46
  Speaker 1: you guys, let's just move on. Please tell us what
• 22:50
  Speaker 1: you have going on. What is next in your career.
• 22:52
  Speaker 1: I was watching a music video and I was like, man,
• 22:54
  Speaker 1: this guy the whole person out here. Oh wait, before
• 22:59
  Speaker 1: you start, d C, I want to say how under
• 23:01
  Speaker 1: I posted. You didn't comment on goddamn post on my
• 23:05
  Speaker 1: Instagram page. Now go ahead of the comment. Man. Listen,
• 23:09
  Speaker 1: came my cousin call that man. You just post DC
• 23:11
  Speaker 1: your fly. He didn't comment back, my little cousin, who
• 23:14
  Speaker 1: don't worry about that. I wanted to say how underrated
• 23:17
  Speaker 1: you are as an artist, right, because that's how I
• 23:20
  Speaker 1: met you, right, not as a comedian. Right. We met.
• 23:24
  Speaker 1: We met, We met doing uh, we met doing a
• 23:29
  Speaker 1: gift that for some kids. U they call that ship
• 23:36
  Speaker 1: for the man kids, the Boys and Girls Club. It
• 23:38
  Speaker 1: was the Boys and Girls Club, Boys and Girls Club
• 23:41
  Speaker 1: with that the one off downtown ye, right in the
• 23:43
  Speaker 1: center of by Georgia. Yeah, you feel me like I'm
• 23:46
  Speaker 1: always giving back, like we just met and uh, just
• 23:50
  Speaker 1: my p like, just push you up and just talk
• 23:52
  Speaker 1: to the kid. I might st be down time in
• 23:53
  Speaker 1: the menu, you know what I mean? Like, that's what
• 23:55
  Speaker 1: I like to do. You feed me and we looked
• 23:58
  Speaker 1: up that speaks. You always told me that you thought
• 24:01
  Speaker 1: with my music and you were like, bro I want
• 24:03
  Speaker 1: to see you continue broke. You did what I'm saying
• 24:05
  Speaker 1: like I know you as an artist. That's the real
• 24:07
  Speaker 1: that's the real convo, just and just the key into
• 24:13
  Speaker 1: the continue to just stay in that lane. Bro. You
• 24:16
  Speaker 1: feel me like my passion for music is just always
• 24:20
  Speaker 1: gonna beat up. But I had to understand like my
• 24:23
  Speaker 1: role in music, and I had to understand the pace
• 24:27
  Speaker 1: that I had to take in order for me to
• 24:29
  Speaker 1: get there. Like I'm slowly for shurely elevating where now
• 24:33
  Speaker 1: I'm on serious radio every day. You feel me like
• 24:35
  Speaker 1: I ain't never been on radio. You did what I'm saying,
• 24:37
  Speaker 1: so we're like, oh yeah, we are making progress. We
• 24:43
  Speaker 1: just have a team to just hit him in the face.
• 24:46
  Speaker 1: But I also got a differentiate, like I always say,
• 24:49
  Speaker 1: my company and my music. So y'all can see two
• 24:51
  Speaker 1: different types of artists. When I'm acting, I can't give
• 24:56
  Speaker 1: you wilding out DC on fly. I'm a another person,
• 25:00
  Speaker 1: and I'm giving you two different artists right now. You
• 25:03
  Speaker 1: see what I'm saying. When I do music, I'm not
• 25:05
  Speaker 1: up there giving you a loose leg from eighty five
• 25:07
  Speaker 1: South Show. I don't nobody want to see that right now.
• 25:10
  Speaker 1: I'm here to sing and take your beach man. When
• 25:16
  Speaker 1: I become an R and B artist that boy hit
• 25:18
  Speaker 1: that that move. I was like, like, I've been dancing,
• 25:23
  Speaker 1: but it's just like I show y'all what I want
• 25:28
  Speaker 1: to show y'all. But I was showing y'all the craft
• 25:32
  Speaker 1: that that God called me to do. So now I'm
• 25:35
  Speaker 1: at a level we're like, Okay, let's just show them
• 25:38
  Speaker 1: all the talents that gave me. Because now he gave
• 25:41
  Speaker 1: you the platform. It's gonna be way much easier. We
• 25:43
  Speaker 1: got more, I can see it, instead of it's gonna
• 25:46
  Speaker 1: be way hard trying to do the music. Just continue
• 25:48
  Speaker 1: doing the music. If I would continue to do music
• 25:51
  Speaker 1: from back then until now with no comedy, I don't
• 25:54
  Speaker 1: know where I be. You feel what I'm saying. But
• 25:56
  Speaker 1: the comedy took me places and made me bump shoulder
• 25:59
  Speaker 1: with motherfucker that you's the one gonna do right then
• 26:02
  Speaker 1: you did what I'm saying now that people I stay
• 26:05
  Speaker 1: doing comedy, bled stay doing music as I kept graduating.
• 26:08
  Speaker 1: So people who watched me in black so when I
• 26:11
  Speaker 1: do pump these show, they're like, but too, I heard you.
• 26:16
  Speaker 1: I thought with it. I didn't know that because you
• 26:19
  Speaker 1: thought with your comedy more. But now that you heard
• 26:21
  Speaker 1: my music, and you uh had a glint you didn't.
• 26:25
  Speaker 1: Now you're kind of like hill to it. Now, I
• 26:27
  Speaker 1: got I gotta. I just gotta keeping the fake. He
• 26:29
  Speaker 1: didn't even the face, but put it on two different
• 26:31
  Speaker 1: platforms so you can know that the ship for real.
• 26:33
  Speaker 1: I'm glad you made that point because I feel like
• 26:35
  Speaker 1: a lot of people try to hold you to be
• 26:37
  Speaker 1: in one kind of way. People don't understand that you
• 26:40
  Speaker 1: got several personalities. Sue at home and still at home,
• 26:44
  Speaker 1: Sue at compound and Sue at compound, Like whatever it
• 26:48
  Speaker 1: is that I'm on at that moment is how you're
• 26:50
  Speaker 1: gonna receive me. And that's just what it is. Like
• 26:53
  Speaker 1: I cannot keep up the persona that you want me
• 26:56
  Speaker 1: to keep up all day, and I'm not gonna hold
• 26:57
  Speaker 1: myself back because you don't get it. So I up
• 27:00
  Speaker 1: that you allow yourself to tap in to all those
• 27:02
  Speaker 1: different talents. So do you feel that one talent suffers
• 27:07
  Speaker 1: when you're focusing on the other? More good question. I
• 27:11
  Speaker 1: treat them like yours. You know what I'm saying. You
• 27:15
  Speaker 1: know how one might be the unrolled student and the
• 27:17
  Speaker 1: other one not really through small but there he played
• 27:21
  Speaker 1: sports like yeah, now my music. My music is like
• 27:27
  Speaker 1: the one that's not in not this great age students,
• 27:32
  Speaker 1: that's the that's the sports. So I won't I won't
• 27:35
  Speaker 1: really make it until it's time for me to go
• 27:37
  Speaker 1: to the NFL's know what I'm saying. So all those
• 27:41
  Speaker 1: years and me practicing, practicing, practicing, and then now we're
• 27:45
  Speaker 1: in the NFL versus my company, like me being on
• 27:47
  Speaker 1: the on the roll, I'd be on the unroll every year,
• 27:51
  Speaker 1: did touring every every year. That's what I'm saying air times,
• 27:54
  Speaker 1: just to teach a great my paper. It's a hundred
• 27:56
  Speaker 1: duh because I'm doing comedy. That's exact. But it was
• 28:00
  Speaker 1: supposed to happen. Y'all don't know me playing sports just
• 28:03
  Speaker 1: yet because I don't know if I'm smart. I'm smart,
• 28:06
  Speaker 1: y'all don't know I could. I can play football. You
• 28:09
  Speaker 1: don't know how to play basketball unless you win the gym.
• 28:11
  Speaker 1: And people who in the gym know, they're like, damn,
• 28:15
  Speaker 1: you know you were like that. When they meet up
• 28:17
  Speaker 1: next week and they play, you know what I'm saying
• 28:19
  Speaker 1: that they now are bumping shoulders with actual players, or
• 28:22
  Speaker 1: that's how it is with the music, Like I don't
• 28:24
  Speaker 1: bump most shoulders with writers and producers and we it's
• 28:28
  Speaker 1: kind of like you got to also understand your purpose.
• 28:31
  Speaker 1: It's kind of like I'm being the label because I
• 28:34
  Speaker 1: am the label. You feel what I'm saying, because now
• 28:36
  Speaker 1: I can't contact those people that the label are contacted
• 28:40
  Speaker 1: those labels when when you when them labels be calling,
• 28:43
  Speaker 1: they send them writers the little right and she said,
• 28:46
  Speaker 1: aretist this need I know exactly what they right. I'll
• 28:49
  Speaker 1: be right next to them when they get the message,
• 28:52
  Speaker 1: and they right there they know because we're in the studio,
• 28:56
  Speaker 1: will be writing together. Then what I'm saying, So they
• 28:59
  Speaker 1: don't really know who who I might wrote the song,
• 29:01
  Speaker 1: but I seen it the butter to send it to you,
• 29:03
  Speaker 1: so I know the game. I don't thinking of that.
• 29:07
  Speaker 1: Speaking of that, d C of Fly, I have a
• 29:09
  Speaker 1: question for you, may interrupt you real quick site. What
• 29:11
  Speaker 1: is the most annoying thing that you had to deal
• 29:16
  Speaker 1: with that you have to deal with with that comes
• 29:18
  Speaker 1: with your faith because we all get annoyed it. But
• 29:22
  Speaker 1: I know you're a level of unworted attention. Okay, you
• 29:27
  Speaker 1: know what I'm saying. People don't understand when you become famous,
• 29:29
  Speaker 1: your person life is going down the dream. You know
• 29:32
  Speaker 1: what I'm saying, like like how do I stay saying
• 29:35
  Speaker 1: and from DC on fly all my nigga saying my nigga,
• 29:40
  Speaker 1: like listen, you just you just end up. That's just
• 29:43
  Speaker 1: like me what I'm cheating it with my partner. Then
• 29:45
  Speaker 1: we laughed and ship we ain't laughing on date right,
• 29:50
  Speaker 1: laughing and date it's gonna be set it down and
• 29:55
  Speaker 1: we're cheating and were having a conversation. So when I'm
• 29:59
  Speaker 1: in that mode and I come down, I'm in there,
• 30:02
  Speaker 1: and I got eighty months walking up for me in
• 30:05
  Speaker 1: real life or normal life. And you know, people say
• 30:07
  Speaker 1: they come with the game, but you gotta also y'all
• 30:09
  Speaker 1: have to y'all have to respect the arts. Okay, we
• 30:12
  Speaker 1: respect y'all, not by chumping y'all life, And we know
• 30:16
  Speaker 1: that they come with the game. And I appreciate every
• 30:18
  Speaker 1: fan and that's how I always think. I never want
• 30:20
  Speaker 1: to shut a fan down who has probably been there
• 30:23
  Speaker 1: with me since David, Like that's my That's what I'm scared, Like,
• 30:27
  Speaker 1: I don't want to you to feel some type of
• 30:29
  Speaker 1: way about me just because I'm having a personal personal problem,
• 30:33
  Speaker 1: but you've been rocking with me since like you support
• 30:36
  Speaker 1: me and you help me get to where you know
• 30:38
  Speaker 1: what I'm saying. So I kind of like say, funk
• 30:41
  Speaker 1: all that and just take it. You feel what I'm saying.
• 30:43
  Speaker 1: But when you really out like you can't go to
• 30:46
  Speaker 1: the bad talking to me, But I got my ain
• 30:49
  Speaker 1: in my hand and like trying to pee, like let
• 30:54
  Speaker 1: me get that back. You feel something like come and
• 30:57
  Speaker 1: send she They're like irritate me, you know what I'm saying,
• 30:59
  Speaker 1: Like come know what I'm saying. Yeah, you know people,
• 31:04
  Speaker 1: I guess they kind of look at it like I
• 31:06
  Speaker 1: might not ever see this man again. This is my
• 31:08
  Speaker 1: That's why I always like, I don't you ain't even
• 31:11
  Speaker 1: seen trip or cuse of fan? You feel me because
• 31:13
  Speaker 1: I'm like, alright, bro, they just excited. Bro. Sometimes when
• 31:17
  Speaker 1: people be excited, they don't even know what they did.
• 31:20
  Speaker 1: Hear me, Nigga might walk away and black Bro, did
• 31:22
  Speaker 1: I really just talking that man in the bathroom like
• 31:26
  Speaker 1: I told you the way. Yeah, you know what I'm saying.
• 31:29
  Speaker 1: So you gotta understand when people be fans, they don't
• 31:31
  Speaker 1: realize what they're doing. Bro. They are in the moment.
• 31:34
  Speaker 1: You feel me comost like you gotta put a p
• 31:37
  Speaker 1: s A out that day. You know what I'm saying
• 31:39
  Speaker 1: on social media, like, hey y'all, I'm heading out. I
• 31:42
  Speaker 1: love y'all during this quarantine. Think about it, they say socialist.
• 31:49
  Speaker 1: I'm a real nigga. Bro. I ain't got nobody going
• 31:51
  Speaker 1: get my grocery. Nigga, I ain't got nobody going po then,
• 31:55
  Speaker 1: like I can't even but go to grocer like I
• 31:58
  Speaker 1: need food. So I'm taking the same precaution as everybody else.
• 32:05
  Speaker 1: So if you see me, oh, take your motherfucking mask
• 32:08
  Speaker 1: off and then put your all around me. Nigga, I
• 32:11
  Speaker 1: don't know who you could have been around. Somebody. Don't
• 32:18
  Speaker 1: just get you, you know. But you know what the
• 32:23
  Speaker 1: problem is is the tattoo. Bro. It ain't everybody think
• 32:27
  Speaker 1: like I said, go back to common sense. We're in
• 32:29
  Speaker 1: a pain. They said, you took your gloves out, you
• 32:33
  Speaker 1: took your mask off, and you took your arm around me.
• 32:35
  Speaker 1: My nigga, I don't know where you just came from.
• 32:39
  Speaker 1: You could have been around somebody that no disrespect. It's
• 32:43
  Speaker 1: just the time that we're in right now. Like you
• 32:46
  Speaker 1: don't even care about die, right and you you don't
• 32:51
  Speaker 1: care about me. I got a parment. What if you
• 32:54
  Speaker 1: really was around that ship and you just so you
• 32:58
  Speaker 1: know what, that's so happy that you got left. My nigga,
• 33:01
  Speaker 1: Now you've been just and now you're risking my life
• 33:04
  Speaker 1: and everybody life that's around me, and that's not the
• 33:08
  Speaker 1: and that ain't then move my nigga. Come on ron
• 33:10
  Speaker 1: see him say I appreciate your foot which all day
• 33:12
  Speaker 1: that ain't good looking. Come back in the day. Niggas
• 33:15
  Speaker 1: when talking about your fans, Hey, how you motherfucker? Keep walking?
• 33:21
  Speaker 1: No social media? Remember that happened to autograph? You don't
• 33:26
  Speaker 1: want to autograph. They want you to get on the
• 33:28
  Speaker 1: phone talking the moment you fatime like, come on, man,
• 33:31
  Speaker 1: I appreciate, I love y'all square do man, but get
• 33:33
  Speaker 1: with I can't continue to give out the product and
• 33:36
  Speaker 1: give you what you want if you wan't allow me
• 33:38
  Speaker 1: to do right you bid me fat well, I mean
• 33:43
  Speaker 1: shoot after this quarantine and stuff, that might be a
• 33:47
  Speaker 1: nigger way out, you know, moving forward, Just be like, hey,
• 33:50
  Speaker 1: I don't know what you've got. You know, the quarantine
• 33:52
  Speaker 1: scarred me. I can't do it. But like I ain't.
• 33:59
  Speaker 1: I said that to people. Not one person did not
• 34:04
  Speaker 1: take their seven and something thing because they do it,
• 34:10
  Speaker 1: so you know what I'm saying. So like I I understand,
• 34:13
  Speaker 1: like my fans, I gotta sauce. I don't want to
• 34:18
  Speaker 1: be that nigga. You feel me because I ain't that nigga.
• 34:21
  Speaker 1: You did what I'm saying. But you can read my
• 34:23
  Speaker 1: pacer experience though it be all my I'll be like
• 34:26
  Speaker 1: you can see it in a picture. I go, I go.
• 34:28
  Speaker 1: I know we we we pressed for time and you
• 34:30
  Speaker 1: gotta go soon. But I really have to ask you
• 34:33
  Speaker 1: this question. Who's your favorite rapper right now? Out of Atlanta? Okay? Yeah,
• 34:39
  Speaker 1: I just Atlanta because you know we got we got
• 34:42
  Speaker 1: heavy hitters and that you don't see. I always be
• 34:43
  Speaker 1: my favorite, like always, and I'm okay, I'm serious. You
• 34:49
  Speaker 1: know I'm old. I'm to eight. I would listen to
• 34:51
  Speaker 1: I'm serious the other day, like going frying in my car, like,
• 34:55
  Speaker 1: but you know what, out of Atlanta, Bro and beyond
• 34:59
  Speaker 1: the Bro really proud of that. You know what I mean? Bro?
• 35:01
  Speaker 1: You feel me like like he's doing his thing. Man,
• 35:05
  Speaker 1: little baby man, you feel like I mean, my nigga.
• 35:09
  Speaker 1: You feel me like really a lot of rappers just
• 35:12
  Speaker 1: in the in the aid that's doing it that I
• 35:14
  Speaker 1: just seen that come from then, young thug. You know
• 35:16
  Speaker 1: what I'm saying, Uh little baby dig uh uh watching
• 35:23
  Speaker 1: John Queez, you know what I'm saying watching you went
• 35:26
  Speaker 1: to school with somebody I think rich home and y'all
• 35:33
  Speaker 1: had a whole. I'll start line up and we all
• 35:36
  Speaker 1: we all the like Atlanta really like everybody who's really
• 35:39
  Speaker 1: in the steed. We know each other like we know
• 35:42
  Speaker 1: the you know and so like I haven't seen you
• 35:45
  Speaker 1: before it was time. Motherfucker saw me for ever the
• 35:49
  Speaker 1: world knew me as DC on Flash, like we all
• 35:52
  Speaker 1: watched each other grow successfully. You feel me. So it's
• 35:55
  Speaker 1: like to see motherfucker that wind bro like I bro,
• 35:58
  Speaker 1: I swear on everything like a motivation need to see him.
• 36:01
  Speaker 1: That mean get work. You ain't worried about me, and
• 36:04
  Speaker 1: you ain't scricing. I ain't a lit do you don't
• 36:07
  Speaker 1: more your kid like we can have a conversation. We
• 36:11
  Speaker 1: were good good. I love it. Atlanta supports Atlanta Like
• 36:21
  Speaker 1: you know, you don't matter how big our city is,
• 36:24
  Speaker 1: we keep it tight no matter what you're doing. We
• 36:26
  Speaker 1: love each other and I love that. Oh girl, you honey,
• 36:30
  Speaker 1: that face, look at what you got You what lives
• 36:36
  Speaker 1: think of that? Tell me what lives think that? Look,
• 36:40
  Speaker 1: she didn't mess with you today? Love me. I love
• 36:42
  Speaker 1: your lipstick. It's so pretty, you're so what color is that? Yes?
• 36:51
  Speaker 1: You do? What's the name of the lipstick? Know? What's
• 36:58
  Speaker 1: your name? Is so good to see these s. Don't
• 37:00
  Speaker 1: flog the father also that successful father. And before we
• 37:05
  Speaker 1: let you go DC, we want to give your flowers
• 37:07
  Speaker 1: to while you can hear is Man, We're super proud
• 37:09
  Speaker 1: of you. Man. I know me personally. I know where
• 37:11
  Speaker 1: you come from. That's why I did that post on
• 37:13
  Speaker 1: Instagram that I know where you come from. I know
• 37:16
  Speaker 1: what it took for you to get where you're at
• 37:18
  Speaker 1: right now. And I just want to let you know,
• 37:19
  Speaker 1: like just just out of respect and um pure loyalty
• 37:23
  Speaker 1: because I was there for I was there for the vine,
• 37:26
  Speaker 1: I was there for them. I can say the same
• 37:28
  Speaker 1: thing about you like that's when when the chick clear,
• 37:32
  Speaker 1: I remember when going on. Whenever we see each other,
• 37:38
  Speaker 1: we always update each other and stuff like that. But yeah, man,
• 37:40
  Speaker 1: I just want to let you know. Man, you are needles.
• 37:42
  Speaker 1: We appreciate you your comedies. I can't wait to see
• 37:45
  Speaker 1: you blow like Kevin Uh you know, Kevin Hart, I
• 37:49
  Speaker 1: believe that's going to happen for you soon in the
• 37:51
  Speaker 1: near Bro, once this pandemic over with Bro. Listen, Bro,
• 37:54
  Speaker 1: he's going at all. We I see it, but you
• 37:58
  Speaker 1: just naturally funny. Like it's not that who are naturally funny.
• 38:03
  Speaker 1: You just make me laugh. Bro's call y'all. Y'all always
• 38:10
  Speaker 1: pick up you d see, y'all always pick up you feel.
• 38:13
  Speaker 1: I appreciate y'all, man, you know what I'm saying. Tell
• 38:15
  Speaker 1: y'all boy need me did Like even when when when
• 38:18
  Speaker 1: I jumped on the car when you hit me, I
• 38:21
  Speaker 1: was like, wow, I do you interview in Ted d C.
• 38:23
  Speaker 1: Y'all still got him too, Like I appreciate it. That's
• 38:29
  Speaker 1: the only way we're gonna be able to grow if
• 38:31
  Speaker 1: we help each other. We continue to shoot money with
• 38:34
  Speaker 1: each other, and we continue to invest in each other
• 38:37
  Speaker 1: project because once they see that, they're gonna see the
• 38:40
  Speaker 1: power that we guess you could do it with other
• 38:44
  Speaker 1: people and try to show them that we loy you
• 38:46
  Speaker 1: and they don't really rock with saying that. You feel
• 38:50
  Speaker 1: me like, let's each other broke my guy well I
• 39:00
  Speaker 1: out today when outside opens back up, d C. I
• 39:03
  Speaker 1: am not gonna charge you to get in the club. Okay,
• 39:07
  Speaker 1: when you when you're calling, when you come to my brunch, Okay,
• 39:11
  Speaker 1: I got you. Okay, I'm gonna make sure to wait
• 39:13
  Speaker 1: for friend Solo does a brunch on Sunday. D C
• 39:21
  Speaker 1: is super crazy, super dope. It's on Sunday. Well, I'm
• 39:25
  Speaker 1: thinking about changing local. I'll plug you, plug me open
• 39:28
  Speaker 1: back up, but definitely up. Would love to have you there.
• 39:31
  Speaker 1: It's a great time. But show alright, big'll appreciate you.
• 39:37
  Speaker 1: Broe Hey, yo, let's all gonna get that Twitter four
• 39:43
  Speaker 1: hours there you did all but major shout out to
• 39:53
  Speaker 1: DC Young Fly. We love his energy. Thanks for stopping
• 39:56
  Speaker 1: by The Balloler Show podcast. But now it's time for
• 39:59
  Speaker 1: a word from our answers. That's it. Now it's time
• 40:07
  Speaker 1: for Baller mail. You guys know you can always DM
• 40:11
  Speaker 1: me always, always, strictly, always confidential. Here we go. This
• 40:16
  Speaker 1: one's a mess. I posted it on my Instagram at
• 40:18
  Speaker 1: Ferrari Simmons. Please Helpory. I'm in a situation ship I'm
• 40:24
  Speaker 1: dating three minute once and I'm not sure which one
• 40:27
  Speaker 1: to choose and be with exclusively. The first guy, for
• 40:31
  Speaker 1: sure loves me, texts me treats me like a woman,
• 40:34
  Speaker 1: but he has a criminal record and doesn't really work
• 40:38
  Speaker 1: a decent enough job for me. The second guy is
• 40:42
  Speaker 1: the most attractive one, but has two baby mamas, no drama,
• 40:46
  Speaker 1: but I always said to myself, I'd never dated a
• 40:48
  Speaker 1: guy with kids and I don't have a kid. He
• 40:51
  Speaker 1: treats me decent, doesn't like texting. He has a dope
• 40:55
  Speaker 1: job with benefits and full one k. The third guy
• 40:59
  Speaker 1: there's a street but has the best sex like he
• 41:03
  Speaker 1: knows my body and makes me, makes it do incredible things.
• 41:07
  Speaker 1: He's the only one I'm sexually satisfied with. But he's
• 41:11
  Speaker 1: a scammer and I hate it. Please help Brory and
• 41:13
  Speaker 1: the Ball and Ball alert post on your pace so
• 41:16
  Speaker 1: I can see what people he's a scammer and says, Okay,
• 41:19
  Speaker 1: we should go, we should do the process of elimination. Okay,
• 41:22
  Speaker 1: break it down, scammer, scammer. We love them. That's got
• 41:27
  Speaker 1: number three, number three. You know what I'm saying. Look
• 41:29
  Speaker 1: that that they're fun. Okay, they have a good time.
• 41:32
  Speaker 1: They don't care about spending money. Skip a lot is
• 41:35
  Speaker 1: two thousand dollars. Hey, we're skipping the line. Who cares?
• 41:39
  Speaker 1: But since he ain't good for you. Okay, So so
• 41:41
  Speaker 1: dope boy gotta go. I mean, I'm sorry, scammer gotta go.
• 41:44
  Speaker 1: Dope boys, all right, scammer gotta go. Okay, Now, who
• 41:48
  Speaker 1: was the second one? The second one was the one
• 41:49
  Speaker 1: with kids? Yeah, the baby mom. But he's the most attractive.
• 41:54
  Speaker 1: But he has a good job, health and fits, which
• 41:57
  Speaker 1: means he ignores her text. Girl, he don't mind text,
• 42:01
  Speaker 1: and he just ignores your text because he's probably still
• 42:04
  Speaker 1: with the baby mama, So that might not work out.
• 42:09
  Speaker 1: The first one, girl, you just gonna have to work
• 42:11
  Speaker 1: with what you got. He's the one that's in love
• 42:13
  Speaker 1: with her. Yeah, you need to stay with the one
• 42:14
  Speaker 1: that loves you who doesn't have a criminal record. It's
• 42:18
  Speaker 1: like one out of five police officers have criminal records. Honestly,
• 42:21
  Speaker 1: Like that's not a big people. Do you have a
• 42:24
  Speaker 1: criminal records? Don't answer that, Okay, go ahead. That's all
• 42:28
  Speaker 1: that you see my screens, bros. Girl, I would take
• 42:37
  Speaker 1: a little bit a little bit of that. If I
• 42:42
  Speaker 1: can answer, I'd say neither. I think you should find yourself.
• 42:47
  Speaker 1: I think you shouldn't be dating three men like that.
• 42:50
  Speaker 1: It seems like you're aggressively dating three men. I think
• 42:53
  Speaker 1: you should aggressively date one guy if you're looking at
• 42:56
  Speaker 1: if you're trying to think about who she's trying to
• 42:58
  Speaker 1: figure out. You know, she she was she started out,
• 43:00
  Speaker 1: But it seems like she's with three guys, like really
• 43:03
  Speaker 1: really like in there. How that's very difficult to kind
• 43:06
  Speaker 1: of juggle And are you sleeping with all three guys?
• 43:10
  Speaker 1: Because she says she made a comment about the third
• 43:13
  Speaker 1: guy saying he has the best set definitely now and
• 43:21
  Speaker 1: that's a whole another thing, like, so how are you
• 43:23
  Speaker 1: juggling this? And it seems like, like you said to
• 43:26
  Speaker 1: this guy number two, he probably has a whole situation
• 43:28
  Speaker 1: that you're unaware of. That's why he's probably not text you.
• 43:31
  Speaker 1: And I think she knows that. So she's trying to
• 43:33
  Speaker 1: tell herself, oh, he got kids, I'm not that into
• 43:36
  Speaker 1: it anyway. Nosis you are into him, but he's not
• 43:39
  Speaker 1: as into you as you are to him. And then
• 43:42
  Speaker 1: the first one, it's like a classic situation, right where
• 43:45
  Speaker 1: somebody likes the other person more than they liked them back.
• 43:48
  Speaker 1: But I think what's really going on is I don't
• 43:51
  Speaker 1: think she really wants to be in a real relationship.
• 43:54
  Speaker 1: I think she really thought that we were gonna say, oh, girl,
• 43:58
  Speaker 1: just have fun with the scammer. Look says, if that's
• 44:00
  Speaker 1: what you want to do, go ahead and have fun
• 44:02
  Speaker 1: with the scamm girl and leave the other two people alone,
• 44:04
  Speaker 1: because they sound like it's two potentially good options. You
• 44:10
  Speaker 1: might have to put a little work into them, but
• 44:12
  Speaker 1: they sound like good options. The scammer she just having
• 44:14
  Speaker 1: fun with that. Girl just wants somebody she could stand
• 44:16
  Speaker 1: on the couch at the clubs with, dump off the
• 44:20
  Speaker 1: dresser and do play. Okay, alright, alright, thank you, and
• 44:27
  Speaker 1: now a word from our sponsors. Time and now it's
• 44:36
  Speaker 1: time for come man. Creeping creep, creep creep. Let me
• 44:40
  Speaker 1: tell you who the biggest creep on earth is. We
• 44:42
  Speaker 1: all know. I love him. We love him. He gives
• 44:45
  Speaker 1: us hit after hit after hit. We love his style.
• 44:50
  Speaker 1: I'm talking about the guy from Kirkwood, Atlanta, Little Mexico. Future.
• 44:55
  Speaker 1: I know you're talking about. That's my that's my guy.
• 44:57
  Speaker 1: Hey man, chill out man, leave Future alone. A Future
• 45:00
  Speaker 1: dropping an album on Friday, saying nothing bad or wrong
• 45:07
  Speaker 1: about Okay, so y'all know the whole drama with God,
• 45:12
  Speaker 1: She's that she's not. I know, we're trying not to
• 45:14
  Speaker 1: say his name, but the whole drama with him. Right, So,
• 45:17
  Speaker 1: his baby mama gets picked up in a blue lambo
• 45:21
  Speaker 1: by Rich the Kid and allegedly she is gonna be
• 45:25
  Speaker 1: in a music video with him and Little t J. Right,
• 45:28
  Speaker 1: so future right, So future his Twitter, he's like, they're
• 45:34
  Speaker 1: using nigga's baby mama's as props. Now, young niggas turned
• 45:39
  Speaker 1: very proud of you. I'm sorry, hashtag very proud of you.
• 45:42
  Speaker 1: So in my mind he's very proud of Rich the
• 45:46
  Speaker 1: Kid and Little t J for using the mama. That
• 45:49
  Speaker 1: that's how it read. But then he goes back and
• 45:52
  Speaker 1: he says, she belonged to the streets, funk all that
• 45:56
  Speaker 1: cute ship. Let the streets cover her tab, man, that's it,
• 46:01
  Speaker 1: that's it. That's the new one. That's the new one.
• 46:03
  Speaker 1: Let the streets cover her tab. All the young cats
• 46:07
  Speaker 1: they are, they already have, they're they're starting already. That
• 46:12
  Speaker 1: bit fired, So Takashi actually commented on a post saying
• 46:17
  Speaker 1: to like, can y'all have Riched the kid pay my
• 46:20
  Speaker 1: child support? I'll be I will appreciate that, you know,
• 46:23
  Speaker 1: I'll be forever grateful. If you pay my child support,
• 46:26
  Speaker 1: tomb o pay. This is the thing that bothers me
• 46:30
  Speaker 1: about this narrative. Okay, if according to futures standards, according
• 46:36
  Speaker 1: to all these young men's standards, if she belonged to
• 46:40
  Speaker 1: the streets, y'all, little boys are the streets. Okay, y'all
• 46:45
  Speaker 1: are the streets. No, y'all gonna stopture future too. I love,
• 46:54
  Speaker 1: but man, I so quick to make this like a
• 46:57
  Speaker 1: one sided. You need to cover your You need to
• 47:02
  Speaker 1: wear a condom. You need to wear a condom. That's
• 47:06
  Speaker 1: what you need to cover up. Okay, just get confirmation
• 47:09
  Speaker 1: on the child. He just got confirmation that he is
• 47:14
  Speaker 1: the is the father of Eliza Rain's baby. For his money, Okay,
• 47:23
  Speaker 1: she kept up with his ass the whole his tab.
• 47:29
  Speaker 1: That's his tab. So y'all remember Eliza. Anyway, Eliza went
• 47:35
  Speaker 1: and got her baby a fraternity test along with one
• 47:39
  Speaker 1: of his other alleged baby mama's kids, right, and the
• 47:41
  Speaker 1: fraternity test determined that the two children were siblings. So
• 47:45
  Speaker 1: now that we have confirmation that he is the father
• 47:48
  Speaker 1: of Eliza's child, that means the other baby is his too,
• 47:53
  Speaker 1: So he needs to go baby that twitter that mother's
• 47:56
  Speaker 1: day tweet and wish the rest of his baby Mama's
• 47:58
  Speaker 1: a happy Mother's Day. Two. Okay, I'm sticking it yet,
• 48:05
  Speaker 1: y'all done? Are are you boys in the streets done?
• 48:09
  Speaker 1: Are y'all done? I'm sick of it. The streets are anyways. Okay,
• 48:14
  Speaker 1: put it. Put it. That's put that future video sensation.
• 48:19
  Speaker 1: Sensation belonged to the streets. I'll be saying that about now. Future.
• 48:25
  Speaker 1: My god, I'm part of the future. I'm part of
• 48:27
  Speaker 1: the future. Hi, the Future has Rihanna, got Rihanna, Rihanna
• 48:34
  Speaker 1: has the Navy Future as Future, the Future Hive, the
• 48:41
  Speaker 1: Dirty Spritkins, Joe Yo yo yo, Oh my god. And
• 48:48
  Speaker 1: I don't know he got a piggyback off the bee Hive.
• 48:52
  Speaker 1: He can't have his own I'm not disrespected. I'm really
• 48:55
  Speaker 1: trying to get clarity, Like, what else can we call?
• 48:59
  Speaker 1: That was clear? How I fure what I'm saying? Why
• 49:03
  Speaker 1: does he have to piggyback off the high off the Queen?
• 49:05
  Speaker 1: What does he have like coming out coming out? Does
• 49:09
  Speaker 1: he have anything else that y'all can stop it? Stop it, guys.
• 49:13
  Speaker 1: The new Future album is going to be literally it's
• 49:16
  Speaker 1: just a question. We love Future. Okay, we can't say
• 49:19
  Speaker 1: it enough. We love him, but let's be real. If
• 49:23
  Speaker 1: she belongs to the streets, you belong, Like, can you
• 49:26
  Speaker 1: be the space Cadets? Maybe? Like like I'm just saying, like,
• 49:34
  Speaker 1: is there another word to call? I understand the b Hive.
• 49:36
  Speaker 1: It's Beyonce b and then hive. But you know, I'm
• 49:40
  Speaker 1: just trying to get clarity. I'm not even trying to
• 49:42
  Speaker 1: be funny. Rory come back. So since dive Rory come back,
• 49:46
  Speaker 1: nobody's saying anything bad about Future. Literally, technically, I thought
• 49:53
  Speaker 1: you just said a little baby, let me know what
• 49:55
  Speaker 1: I can come back? And you just said a little baby.
• 49:56
  Speaker 1: What's your favorite? He's my favorite? New all right, we
• 50:03
  Speaker 1: are too, we love we love Future too. We just listen.
• 50:08
  Speaker 1: The only thing women are asking for is equality. Okay,
• 50:11
  Speaker 1: we just want to level playing field. If it's good
• 50:14
  Speaker 1: for the goose, it's good for the game. Okay, Okay,
• 50:18
  Speaker 1: Future Hive, that's it? Why because he said so obviously,
• 50:23
  Speaker 1: because you named yourself. Fans all call ourselves that after
• 50:31
  Speaker 1: did you know that Rihanna's navy they named themselves that
• 50:35
  Speaker 1: Beyonce's fans named them But there was nothing else for
• 50:38
  Speaker 1: you future too, besides the Hive. Okay, guys, let's leave
• 50:43
  Speaker 1: it alone. Okay, leave it being the dead horse. It's
• 50:46
  Speaker 1: not gonna change not We're not crossing over future. That's it.
• 50:51
  Speaker 1: What's next? Hook. Farewell to all of the people out there.
• 51:01
  Speaker 1: We love you, Yeah, we do. Farewell to all the
• 51:05
  Speaker 1: people out there. In the words of the Future Hive
• 51:10
  Speaker 1: they're using, she belonged to the streets. Funk all that
• 51:17
  Speaker 1: cute ship. Let the streets cover her, tab man, that's
• 51:23
  Speaker 1: been fine. Ain't mad at you? You gotta get it
• 51:27
  Speaker 1: how you live free the guys obviously ain't mad at you.
• 51:33
  Speaker 1: Definitely went over some of you, guys, pathetic brains. Future
• 51:36
  Speaker 1: Hive New Future out five team. That's what I'm leaving
• 51:41
  Speaker 1: us with. I'm confused. Let the stream. Thanks for tuning
• 51:52
  Speaker 1: in for you.