Latest / Crime Night / The Killer in the News Footage
Transcript
- 0:00Speaker 1: So I want you to picture the scene. It is
- 0:02Speaker 1: May twenty two, nineteen eighty five, in New York, Pennsylvania. Okay,
- 0:07Speaker 1: it's one of those gorgeous, like sun drenched Wednesday mornings,
- 0:11Speaker 1: just before noon, the kind of day that practically begs
- 0:14Speaker 1: a teenager to be outside.
- 0:15Speaker 2: Oh absolutely, the perfect weather to skip.
- 0:17Speaker 1: School exactly, And two local high school boys decide to
- 0:20Speaker 1: do just that. They play hooky. They slip away from
- 0:23Speaker 1: the teachers. They cut across town, and they head down
- 0:26Speaker 1: to Cadorus Creek.
- 0:27Speaker 2: Right into the cool shadows beneath the West Princess Street Bridge.
- 0:30Speaker 1: Yeah, exactly. They're just goofing off, you know, tossing heavy
- 0:33Speaker 1: rocks into the water, competing to see who can make
- 0:36Speaker 1: the biggest splash. Normal teenager stuff, right, But then one
- 0:40Speaker 1: of the boys wades a bit into the mud. He
- 0:42Speaker 1: reaches for this particularly large flat rock to heave into
- 0:46Speaker 1: the creek. He pries it up from the muck, and
- 0:49Speaker 1: as the suction breaks, he sees a piece of dark
- 0:51Speaker 1: plastic underneath. Oh man, a garbage bag, and there is
- 0:54Speaker 1: human hair sticking out of a tear in the plastic.
- 0:57Speaker 2: Unbelievable.
- 0:58Speaker 1: He rips it open a little further, and that innocent
- 1:00Speaker 1: sunlit afternoon just absolutely shatters because he is staring directly
- 1:05Speaker 1: at a human skull.
- 1:06Speaker 2: I mean, put yourself in the shoes of those kids
- 1:08Speaker 2: for a second. The sheer paralyzing panic setting in right
- 1:12Speaker 2: for a split second, they actually debate just running away,
- 1:15Speaker 2: you know, pretending they never.
- 1:17Speaker 1: Saw it, just sneaking back into algebra class, so they
- 1:19Speaker 1: don't get grounded for skipping exactly.
- 1:21Speaker 2: But the gravity of what they're looking at quickly overrides
- 1:25Speaker 2: their fear of detention. They scramble out of the creek
- 1:28Speaker 2: bed and run straight to the police.
- 1:30Speaker 1: And that split second decision under a bridge in nineteen
- 1:32Speaker 1: eighty five sets off this chain of events, a series
- 1:36Speaker 1: of fumbled leads, a shifting cast of suspects, things we
- 1:40Speaker 1: are still trying to untangle forty years later.
- 1:42Speaker 2: Yeah, it's a massive, tangled web.
- 1:44Speaker 1: So welcome to our deep dive for today. Our mission
- 1:47Speaker 1: is to wade into the murky waters of this unsolved mystery.
- 1:50Speaker 1: We're going to examine the timeline, the terrifying psychology of
- 1:54Speaker 1: the suspects, and a jaw dropping piece of accidental evidence
- 1:57Speaker 1: that well, it completely rewrites everything the least thought.
- 2:00Speaker 2: They knew, it really does, because what the York Police
- 2:03Speaker 2: Department found hidden under those rocks tells a very specific,
- 2:07Speaker 2: incredibly grim story.
- 2:09Speaker 1: Yeah, when investigators arrived at Codorus Creek, they were confronted
- 2:14Speaker 1: with the remains of an eighteen year old woman in
- 2:16Speaker 1: an advanced state of decomposition, and through dental records, they
- 2:21Speaker 1: identified her as Tina Knob.
- 2:23Speaker 2: The physical condition for remains is a critical starting point here.
- 2:27Speaker 2: Over the fifteen months she had been missing, the creek
- 2:29Speaker 2: waters had repeatedly risen.
- 2:31Speaker 1: And fallen right, constantly submerging her body again and again.
- 2:34Speaker 2: Yeah, this was a body subjected to the corrosive, relentless
- 2:37Speaker 2: power of nature. But she wasn't just left exposed to
- 2:40Speaker 2: the elements. She was deliberately concealed beneath two to three
- 2:44Speaker 2: feet of heavy rocks.
- 2:46Speaker 1: And I really want to pause on that, because the
- 2:47Speaker 1: physical reality of that burial is just staggering. When you
- 2:50Speaker 1: actually break it down.
- 2:51Speaker 2: It's intense.
- 2:52Speaker 1: I mean, moving that many large water logged rocks is
- 2:55Speaker 1: not a quick job. It is backbreaking, grueling physical labor.
- 2:59Speaker 1: It's like do doing heavy farm labor for hours.
- 3:02Speaker 2: You're dealing with wet, slippery stones, right.
- 3:04Speaker 1: Fighting the mud in the current. To build a mound
- 3:08Speaker 1: two to three feet high over a human body requires
- 3:11Speaker 1: immense physical effort, and you know, hours of uninterrupted time.
- 3:15Speaker 1: You don't just kick a few stones over someone and
- 3:17Speaker 1: walk away, which.
- 3:18Speaker 2: Tells us volumes about the psychology of the killer. In
- 3:21Speaker 2: criminal profiling, when a body is left out in the open,
- 3:24Speaker 2: like dumped quickly in a ditch or a forest m
- 3:27Speaker 2: it usually points to a stranger on stranger crime.
- 3:30Speaker 1: Because they just want to get away exactly.
- 3:33Speaker 2: The killer wants to distance themselves rapidly because there is
- 3:36Speaker 2: no obvious immediate link between them and the victim. But
- 3:40Speaker 2: when an offender takes hours to painstakingly conceal a body
- 3:44Speaker 2: to build a literal stone tomb in the mud, yeah,
- 3:47Speaker 2: it typically means they are absolutely desperate to ensure she
- 3:49Speaker 2: has never found. They know that the moment her body
- 3:52Speaker 2: is discovered, the evidentiary trail points straight back to.
- 3:55Speaker 1: Them, and that desperation to hide her is magnified tenfold
- 3:58Speaker 1: when you look at the geography of the crime, right
- 4:00Speaker 1: the location, because the West Princess Street Bridge is not
- 4:03Speaker 1: some isolated logging road out in the wilderness. It is
- 4:07Speaker 1: in the bustling town of York. It's right near a
- 4:11Speaker 1: high school, a public park, in a police station.
- 4:13Speaker 2: The foot traffic alone, exactly.
- 4:16Speaker 1: The level of risk involved in spending hours moving heavy
- 4:19Speaker 1: rocks in a highly populated area in nineteen eighty four
- 4:22Speaker 1: is astronomical. Someone could look over the bridge at any second.
- 4:27Speaker 1: To take that kind of massive risk, the killer had
- 4:30Speaker 1: to be terrified of her body being found.
- 4:32Speaker 2: That brings us to the physical evidence that survived the creek.
- 4:36Speaker 2: Tina was found wearing corduroy pants which were notably unbuttoned
- 4:40Speaker 2: and unzipped.
- 4:40Speaker 1: Which is a huge detail.
- 4:42Speaker 2: It is. She also had a windbreaker jacket on. Yeah,
- 4:45Speaker 2: and she was wearing sneakers, but there was a very specific,
- 4:48Speaker 2: chilling detail about those sneakers. They were completely missing their shoelaces.
- 4:51Speaker 1: Okay, And we also have to address the garbage bag
- 4:53Speaker 1: real quick. The teenagers who found her said she was
- 4:56Speaker 1: in a bag, and early police reports mentioned it right,
- 4:58Speaker 1: the dark plastic. Later down the line, the lead investigator
- 5:02Speaker 1: on the case, Detective Barry Bloss, stated categorically that there
- 5:05Speaker 1: was no bag found at the scene.
- 5:07Speaker 2: That's such a weird discrepancy.
- 5:09Speaker 1: It is whether the boys misremembered a piece of heavy
- 5:13Speaker 1: plastic debris in the creek as a bag in their
- 5:15Speaker 1: sheer panic, or whether the details got twisted in the
- 5:19Speaker 1: initial chaos of the crime scene, it remains this blurred
- 5:22Speaker 1: piece of the puzzle.
- 5:24Speaker 2: Yeah, memory under trauma is.
- 5:25Speaker 1: Tricky, but that detail about the missing shoelaces, that is
- 5:28Speaker 1: a massive red flag. And to understand why we have
- 5:32Speaker 1: to rewind the tape fifteen months before that sunny day
- 5:35Speaker 1: at the creek, we have to go back to February
- 5:37Speaker 1: twenty fourth, nineteen eighty four.
- 5:39Speaker 2: That is the day Teina vanished. She was an eighteen
- 5:42Speaker 2: year old, unemployed mother of two young children right and
- 5:45Speaker 2: the very last person to see her alive around ten
- 5:47Speaker 2: pm that night was her nineteen year old boyfriend, John Rutissil.
- 5:51Speaker 2: He was the father of her children and their relationship
- 5:53Speaker 2: was by all accounts highly volatile.
- 5:55Speaker 1: Just a pressure cooker of youth and financial stress and infidelity.
- 6:00Speaker 2: John was actively cheating on Tina with the woman who
- 6:02Speaker 2: lived in their very same apartment building.
- 6:04Speaker 1: And to give you a glimpse into the well the
- 6:07Speaker 1: emotional detachment there just six months after Tina vanished, while
- 6:12Speaker 1: she is still an active missing person, while her parents
- 6:15Speaker 1: are frantically plastering the town with flyers. John married the
- 6:19Speaker 1: woman he was having the affair.
- 6:20Speaker 2: With, wow, and statistically speaking, investigators always look closest at
- 6:26Speaker 2: the romantic partner in a disappearance. John's behavior certainly draws
- 6:30Speaker 2: scrutiny definitely, but it is what he freely admitted to
- 6:33Speaker 2: the police about that final night that just sends a
- 6:35Speaker 2: shiver down the spine. He told investigators that he and
- 6:39Speaker 2: Tina had a massive explosive fight.
- 6:41Speaker 1: That evening over her wanting to go out right.
- 6:44Speaker 2: She wanted to leave the apartment to go to a
- 6:45Speaker 2: friend's house, and he wanted her to stay home and
- 6:48Speaker 2: watch the kids.
- 6:49Speaker 1: And John confessed that to stop her from leaving, he
- 6:52Speaker 1: physically trapped her inside the apartment. And the method he
- 6:55Speaker 1: used is just hauntingly specific.
- 6:57Speaker 2: The shoelaces.
- 6:58Speaker 1: Yeah, he admitted that he took the shoelaces out of
- 7:00Speaker 1: Keena's shoes and use them to tie the doorknob to
- 7:03Speaker 1: the dead.
- 7:03Speaker 2: Bolt, which is terrifying if you picture.
- 7:06Speaker 1: The mechanics of an apartment door. If you lash around
- 7:09Speaker 1: doorknob tightly to the fixed lever of a dead bolt
- 7:12Speaker 1: above it, you create a physical anchor. The tension prevents
- 7:16Speaker 1: the knom from turning at all. He pulled the laces
- 7:18Speaker 1: incredibly tight, essentially turning their own apartment into a locked cell.
- 7:22Speaker 2: And then fifteen months later, Tina's body is pulled from
- 7:26Speaker 2: the rocks wearing her sneakers, sneakers that are completely missing
- 7:29Speaker 2: their laces.
- 7:30Speaker 1: It's too much of a coincidence.
- 7:31Speaker 2: It is a highly specific physical detail that connects a violent,
- 7:36Speaker 2: controlling domestic dispute directly to the state of the victim's
- 7:39Speaker 2: body at the time she was hidden. Now, John claims
- 7:43Speaker 2: he eventually relented, untied the door, and let her leave
- 7:45Speaker 2: for her friend's house around ten PM, and that he
- 7:48Speaker 2: never saw her again.
- 7:49Speaker 1: Tina's mother, Ada, understandably refused to buy that story. She
- 7:54Speaker 1: proposed a theory to investigators about how John could have
- 7:57Speaker 1: moved her daughter's body the furniture box. Yeah. Ada told
- 8:00Speaker 1: the police that there was a large, heavy furniture box
- 8:03Speaker 1: in the apartment that mysteriously went missing right around the
- 8:07Speaker 1: time Tina vanished. Her theory was that John killed Tina,
- 8:11Speaker 1: stuffed her body into this massive box, and carried her
- 8:15Speaker 1: out of the apartment building under the guise of moving
- 8:17Speaker 1: furniture in the middle of the night.
- 8:19Speaker 2: Which you know, it is a desperate theory from a
- 8:22Speaker 2: grieving mother trying to find logic in a senseless situation.
- 8:26Speaker 2: But if we pull back and look the actual logistics
- 8:29Speaker 2: of that scenario, the physics of it are incredibly problematic
- 8:32Speaker 2: for the investigation.
- 8:33Speaker 1: The logistics completely shatter the furniture box theory.
- 8:36Speaker 2: If you asked me how so.
- 8:38Speaker 1: Well, the apartment was several blocks away from the West
- 8:41Speaker 1: Princess Street bridge. Carrying a refrigerator sized box filled with
- 8:45Speaker 1: over one hundred pounds of dead weight across town on foot.
- 8:48Speaker 1: That's just as conspicuous as carrying a body over your shoulder.
- 8:51Speaker 2: Yeah, that's a good point.
- 8:52Speaker 1: Someone is going to notice a teenager hauling a massive
- 8:55Speaker 1: box down the sidewalk toward a creek in the dead
- 8:58Speaker 1: of night. So there's a missing puzzle piece here. Did
- 9:02Speaker 1: he have a car? Because without a vehicle, the mechanics
- 9:05Speaker 1: of moving her from the apartment to the creek, navigating
- 9:08Speaker 1: that steep embankment, and burying her under hundreds of pounds
- 9:12Speaker 1: of rock, it doesn't work. It simply does not compute.
- 9:15Speaker 1: For a single nineteen year old operating on foot.
- 9:18Speaker 2: The physical transport of the body is the absolute gaping
- 9:22Speaker 2: hole in the case against the boyfriend. He had the
- 9:25Speaker 2: clear motive, he had the opportunity, and he admitted to
- 9:28Speaker 2: a violent act involving the exact shoelaces missing from the
- 9:31Speaker 2: crime scene right but without a vehicle getting her to
- 9:34Speaker 2: the crete undetected. Seems almost impossible. That logistical nightmare kept
- 9:38Speaker 2: the investigation stalled for weeks, And just as investigators are
- 9:42Speaker 2: banging their heads against the wall trying to force the
- 9:44Speaker 2: boyfriend to fit the crime scene, a bizarre piece of
- 9:46Speaker 2: evidence drops into.
- 9:47Speaker 1: Their laps, the phantom call. Shortly after Tina's body was
- 9:51Speaker 1: discovered under the bridge, the York Police Department received an
- 9:54Speaker 1: anonymous phone call. A woman's voice on the line, sounding rushed, breathless, terrified.
- 10:01Speaker 1: She says she knows who killed Tina.
- 10:03Speaker 2: Out of nowhere.
- 10:04Speaker 1: She tells the dispatcher that they were all at a
- 10:06Speaker 1: pop party then night Tina disappeared. She specifically names two men,
- 10:10Speaker 1: Stephen and Wayne, and says they got into a violent
- 10:13Speaker 1: fight with Tina and then click, the line goes dead.
- 10:18Speaker 2: This call completely upends the narrative. It shifts the scene
- 10:21Speaker 2: from an isolated domestic dispute in a locked department to
- 10:25Speaker 2: a drug fueled party with multiple unknown individuals. Police immediately
- 10:30Speaker 2: hauled John back in and question him about these names.
- 10:32Speaker 1: Does he know a Stephen? Does he know Wayne?
- 10:35Speaker 2: Right? And John claims he has absolutely no idea who
- 10:38Speaker 2: these men are. Think about that from a psychological standpoint,
- 10:40Speaker 2: that's strange. If you are the prime suspect in a
- 10:43Speaker 2: murder investigation and the police literally hand you two alternate
- 10:46Speaker 2: suspects on a silver platter, human nature dictates you would
- 10:50Speaker 2: do everything in your power to point the finger at them.
- 10:52Speaker 1: Oh, totally'd be like, yes, Stephen and Wayne, they always
- 10:54Speaker 1: hated her exactly.
- 10:57Speaker 2: But John doesn't. He adamantly maintains he doesn't know, which
- 11:00Speaker 2: gives him.
- 11:01Speaker 1: This weird, counterintuitive layer of credibility in that specific moment,
- 11:05Speaker 1: it really does. The problem is the police couldn't trace
- 11:08Speaker 1: the call. In nineteen eighty five, telecommunications infrastructure was incredibly
- 11:13Speaker 1: primitive compared to today. Automatic number identification or what we
- 11:18Speaker 1: know as caller ID just wasn't standard, right, No instant
- 11:21Speaker 1: tracing to trace a callback. Then you had to keep
- 11:23Speaker 1: the caller on the line for several minutes while operators
- 11:26Speaker 1: literally traced physical circuits through the phone company's switchboards. A
- 11:31Speaker 1: quick hang up met the caller vanished into thin air,
- 11:34Speaker 1: so Stephen and Wayne remained ghosts.
- 11:36Speaker 2: And the investigation goes cold. Four years past, it is
- 11:40Speaker 2: now May nineteen eighty nine. A news cameraman at the
- 11:43Speaker 2: local television station WGL is doing a completely mundane archival.
- 11:48Speaker 1: Task, just going through old tapes.
- 11:50Speaker 2: Yeah, he is reviewing his old b roll footage from
- 11:52Speaker 2: nineteen eighty five. He's watching the raw tape he shot
- 11:55Speaker 2: the afternoon Tina's body was pulled from Cador's Creek, preparing
- 11:58Speaker 2: to log it into the station's life library.
- 12:00Speaker 1: And as he is watching the footage of the police
- 12:03Speaker 1: trudging through the mud, the camera pans up to the
- 12:06Speaker 1: west Princess Street bridge. Standing at the railing looking down
- 12:09Speaker 1: at the crime scene is a small crowd at about
- 12:12Speaker 1: eight gawkers, just ordinary citizens watching the grim spectacle unfold below.
- 12:18Speaker 2: A pretty normal scene at any major police activity.
- 12:20Speaker 1: Yeah, but in nineteen eighty nine, one face in that
- 12:23Speaker 1: crowd makes the cameraman's blood run cold, because he recognizes
- 12:27Speaker 1: the man leaning over the rail. It is a teenager
- 12:30Speaker 1: named Quinterio Poncho Smart.
- 12:32Speaker 2: Oh wow.
- 12:32Speaker 1: And the only reason the cameraman recognizes him is because
- 12:35Speaker 1: just one month prior, in April nineteen eighty nine, the
- 12:38Speaker 1: District Attorney's office had plastered smart space all over the
- 12:41Speaker 1: evening news Quinterio Poncho.
- 12:43Speaker 2: Smart wasn't a random bystander. He had just been convicted
- 12:46Speaker 2: of the exceptionally brutal October nineteen eighty seven murder of
- 12:49Speaker 2: twenty nine year old Judy Anne Kederman, and.
- 12:51Speaker 1: The parallels between Judy and Tina.
- 12:53Speaker 2: Are horrifying, truly horrifying. Judy was also a young mother,
- 12:57Speaker 2: She was severely beaten and sexually assaulted, and the location
- 13:00Speaker 2: of her murder along the east side of the exact
- 13:02Speaker 2: same Codoras Creek, just a.
- 13:04Speaker 1: Fifteen minute walk down the trail from where Tina's body
- 13:07Speaker 1: was concealed under the rocks.
- 13:08Speaker 2: It gives you absolute chills. A convicted killer is standing
- 13:12Speaker 2: on the bridge, calmly watching the police pull Tina's body
- 13:15Speaker 2: out of the water. Smart was not just a one
- 13:18Speaker 2: time offender either. He was also convicted of robbing and
- 13:21Speaker 2: sexually assaulting another woman in the same geographical area.
- 13:25Speaker 1: And didn't he talk about it?
- 13:26Speaker 2: Yeah, he had allegedly boasted to people on the street
- 13:29Speaker 2: that he.
- 13:29Speaker 1: Had killed before the psychology of that videotape is terrifying.
- 13:33Speaker 1: I mean, why was Smart standing on that bridge?
- 13:35Speaker 2: That's the million dollar question. Was he admiring his own
- 13:38Speaker 2: handiwork soaking in the chaos he caused? Was he returning
- 13:42Speaker 2: to the scene of the crime to assess the police
- 13:44Speaker 2: competence to see if they were going to find any
- 13:46Speaker 2: clues that linked back to him?
- 13:48Speaker 1: Or perhaps even more disturbing, did watching the police painstakingly
- 13:52Speaker 1: investigate Tina's murder give him a sick, twisted inspiration for
- 13:56Speaker 1: his future crimes?
- 13:58Speaker 2: Oh, that's dark.
- 13:59Speaker 1: Did he see how long it took them to find
- 14:00Speaker 1: her body and realized that the creek was an incredibly
- 14:03Speaker 1: viable secluded hunting ground. It's definitely possible, and this massive
- 14:08Speaker 1: revelation forces us to look back at the physical evidence
- 14:11Speaker 1: at the crime scene, specifically the clothing. Detective Bloss, the
- 14:15Speaker 1: lead investigator, always held onto the theory that John the
- 14:18Speaker 1: boyfriend was the killer. Right. Bloss rationalized the fact that
- 14:23Speaker 1: Tina's corduroy pants were unzipped and unbuttoned by theorizing that
- 14:27Speaker 1: John had tried to dress her post mortem to cover
- 14:29Speaker 1: up the crime. He believed John struggled to zip up
- 14:32Speaker 1: her tight wet jeens after she was dead and just gave.
- 14:35Speaker 2: Up, And that theory attempts to explain a very specific
- 14:39Speaker 2: anomaly at the crime scene while keeping the focus squarely
- 14:42Speaker 2: on the primary suspect. It tries to force the evidence
- 14:45Speaker 2: to fit the boyfriend.
- 14:46Speaker 1: But I have to push back hard on that theory.
- 14:48Speaker 1: Look at the rest of what she was wearing. She
- 14:49Speaker 1: was found wearing John's windbreaker jacket.
- 14:51Speaker 2: Right.
- 14:52Speaker 1: If John had just murdered her in a fit of
- 14:54Speaker 1: rage and was frantically trying to dress her to move
- 14:57Speaker 1: the body across town, why on earth would he put
- 14:59Speaker 1: her in his own own, highly identifiable jacket.
- 15:01Speaker 2: Yeah, that makes no sense.
- 15:02Speaker 1: It makes absolutely zero sense to permanently tie a dead
- 15:06Speaker 1: body to yourself with your own clothing. It is vastly
- 15:09Speaker 1: more logical to assume she was cold, grabbed his big
- 15:12Speaker 1: windbreaker off a chair on her way out the door,
- 15:14Speaker 1: and was wearing it when she was intercepted and attacked
- 15:16Speaker 1: by someone else.
- 15:17Speaker 2: Entirely someone waiting outside or down.
- 15:19Speaker 1: The street exactly. And if we look at the unbuttoned,
- 15:22Speaker 1: unzipped pants, that points directly, almost cleanly to Quinterio Smart's
- 15:28Speaker 1: established m of sexual assault.
- 15:30Speaker 2: It is a profoundly compelling argument. Yeah, you have a
- 15:33Speaker 2: known sexual predator and murderer operating in the exact same
- 15:37Speaker 2: geographical footprint, utilized the exact same creek, caught on tape,
- 15:41Speaker 2: survailing the crime scene, so right there. Yet, despite this
- 15:44Speaker 2: massive visual revelation, the gears of justice somehow ground to
- 15:49Speaker 2: a complete halt. The tragedy of this case is how
- 15:52Speaker 2: many times it almost broke wide open, only to slip
- 15:55Speaker 2: back into the shadows due to technical failures or bad timing.
- 15:58Speaker 1: Tracking those fumbled leads is heartbreaking. In nineteen eighty seven,
- 16:03Speaker 1: before the videotape was discovered, police really turned up the
- 16:06Speaker 1: heat on John. They pushed him hard, but he immediately
- 16:09Speaker 1: lawyered up and explicitly refused to take a polygraph test.
- 16:13Speaker 2: Which is his right, but it stalls things.
- 16:15Speaker 1: So the investigations stalled out. In nineteen eighty eight, crime
- 16:18Speaker 1: Stoppers offered one thousand dollars reward, but it didn't shake
- 16:22Speaker 1: a single useful tip loose, and then came.
- 16:25Speaker 2: The catastrophic missed opportunity. In October nineteen ninety, Detective Bloss
- 16:30Speaker 2: fought hard to get Tina's case featured on a nationally
- 16:33Speaker 2: syndicated television show called Crime Stoppers eight hundred.
- 16:36Speaker 1: Oh this part is so frustrating.
- 16:38Speaker 2: They even read the transcript of that anonymous pot party
- 16:40Speaker 2: phone call on the air, pleading for the terrified woman
- 16:43Speaker 2: to call back. Okay, their absolute best chance at national exposure.
- 16:46Speaker 2: But the broadcast was a mechanical disaster.
- 16:49Speaker 1: It went wrong.
- 16:50Speaker 2: The show featured two different missing persons cases on the
- 16:52Speaker 2: exact same broadcast. The national switchboards were flooded with calls,
- 16:57Speaker 2: and the operators taking the tips confused the details of
- 16:59Speaker 2: the two cases. No way, Yes, tipsters calling in about
- 17:03Speaker 2: Tina had their information logged under the other crime cross
- 17:07Speaker 2: contaminating the data. The tip line was rendered completely worthless.
- 17:11Speaker 2: The momentum was destroyed by a simple logistical error in
- 17:15Speaker 2: a call center.
- 17:16Speaker 1: That is just devastating. And then finally forensic science catches up.
- 17:19Speaker 1: It's two thousand and five. DNA testing is now sophisticated
- 17:23Speaker 1: enough to pull a microscopic genetic profile off almost any surface.
- 17:26Speaker 2: Finally, some hope, right, the.
- 17:28Speaker 1: Police take a soda can that was found at the
- 17:30Speaker 1: crime scene, buried deep in the rocks, right next to
- 17:32Speaker 1: Tina's body, and they send it off to the lab.
- 17:35Speaker 1: They are hoping for just a few skin cells, a
- 17:38Speaker 1: microscopic clue left by the killer, But the creek had
- 17:41Speaker 1: the final say.
- 17:42Speaker 2: The environment completely neutralized the science. Fifteen months of rising
- 17:46Speaker 2: and falling creek water isn't just about things getting wet.
- 17:49Speaker 2: The constant submersion in water causes osmotic pressure that makes
- 17:52Speaker 2: cellular structures swell and burst.
- 17:55Speaker 1: Wow.
- 17:55Speaker 2: The relentless flow of the creek literally washed away the
- 17:58Speaker 2: nuclei of the cells where DNA is stored. The biological
- 18:01Speaker 2: evidence was completely decimated. There's absolutely nothing left for the
- 18:04Speaker 2: lab to test.
- 18:05Speaker 1: It's like the creek was working against them the whole time.
- 18:08Speaker 2: Time and nature are the ultimate enemies of every cold case,
- 18:12Speaker 2: and the toll it takes on the families left behind
- 18:15Speaker 2: is immeasurable.
- 18:16Speaker 1: It really is. Detective Barry Bloss, who carried the weight
- 18:19Speaker 1: of this case with him for decades, passed away in
- 18:22Speaker 1: twenty twenty three without ever closing it. Tina's father Tim
- 18:26Speaker 1: passed away in twenty eighteen, her mother Ada passed away
- 18:29Speaker 1: in twenty twenty one. Her sister Debbie also passed away.
- 18:32Speaker 2: Oh that's just tragic.
- 18:33Speaker 1: An entire family wiped out by the passage of time.
- 18:36Speaker 1: Going to their graves without ever knowing who stole Tina
- 18:39Speaker 1: from them or why she was buried under those rocks.
- 18:41Speaker 2: And John the boyfriend is now divorced and continues to
- 18:45Speaker 2: firmly maintain his innocence to this day. He has stated
- 18:48Speaker 2: publicly that he desperately wishes the case would be solved
- 18:51Speaker 2: so a forty year dark cloud could finally be lifted
- 18:54Speaker 2: from his life.
- 18:55Speaker 1: I can't imagine living with that if you're innocent.
- 18:57Speaker 2: Right, and somewhere out there someone knows the exact truth.
- 19:00Speaker 2: The York Police Department is still asking for anyone with
- 19:03Speaker 2: information to call them at seven one seven eight four
- 19:06Speaker 2: six one two three four. Someone has carried this dark
- 19:09Speaker 2: secret for four decades.
- 19:11Speaker 1: It really makes you look at the world differently. We
- 19:13Speaker 1: live in an era now where every single moment is
- 19:15Speaker 1: documented on our smartphones in four K resolution, instantly uploaded
- 19:20Speaker 1: to the cloud, and analyzed by millions of people in
- 19:23Speaker 1: real time.
- 19:24Speaker 2: Yeah, true crime sleuths are everywhere online now, right, but.
- 19:27Speaker 1: Think about the nineteen eighties. Think about how many local
- 19:29Speaker 1: news broadcasts, how many family camquarter tapes, how many dusty
- 19:34Speaker 1: VHS cassettes are just sitting in cardboard boxes and attics
- 19:37Speaker 1: and basements across the country is.
- 19:39Speaker 2: A chilling reality. Yeah, how many more cold cases might
- 19:43Speaker 2: have accidental evidence hidden in the deep background.
- 19:45Speaker 1: Exactly how many killers are staring back at us from
- 19:48Speaker 1: a crowd standing at a bridge, just waiting for the
- 19:51Speaker 1: right person to brush off the dust, hit play, and
- 19:53Speaker 1: finally recognize the monster standing in plain sight.