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COLD CUTS: The Gig Incident · The Hauraki Big Show

• 0:01
  Speaker 1: The Hodarching Big Show with Jason, Mike and Kezy.
• 0:04
  Speaker 2: Tune in week days at four on Radio Hodiking Velvet Revolver.
• 0:08
  Speaker 2: There on the Radio Hodarchy Big Show this Monday evening.
• 0:12
  Speaker 2: The time is fifteen minutes past six o'clock. And fellas
• 0:16
  Speaker 2: something happened today that really freaked me out. Funnily enough, actually,
• 0:24
  Speaker 2: as we were talking at the opening of this hour,
• 0:26
  Speaker 2: I bought some Bang Bang chicken today. Anyway, this is
• 0:31
  Speaker 2: a truth is this is entirely true? This story.
• 0:36
  Speaker 3: Don't make a change.
• 0:37
  Speaker 1: I was gonna say, is it everything we say on
• 0:39
  Speaker 1: here true?
• 0:40
  Speaker 2: Sometimes we charm it up a bit kezy. So my
• 0:44
  Speaker 2: wife and I were driving in her car around a
• 0:49
  Speaker 2: very popular sort of area close to the city. I'm
• 0:52
  Speaker 2: not going to go into specifics.
• 0:54
  Speaker 1: Ponsonby maybe it's definitely Pontson b.
• 1:00
  Speaker 2: Are at the lights and I was in the passenger seating.
• 1:03
  Speaker 2: Out of the corner of my eye walking along the street,
• 1:06
  Speaker 2: I saw none other than John Campbell and I said
• 1:12
  Speaker 2: to my wife, that's Jim Campbell and she went, yeah,
• 1:18
  Speaker 2: it is too.
• 1:19
  Speaker 4: And mean, what did you say? I went, year, definitely,
• 1:22
  Speaker 4: Oh did she say anything to that?
• 1:25
  Speaker 2: And she said, are you friends with him, and I went, no,
• 1:28
  Speaker 2: not really, but that was all g So we kept
• 1:33
  Speaker 2: driving for about ten more minutes, ten more minutes to
• 1:39
  Speaker 2: our location the supermarket. I won't specify what supermarket, all right.
• 1:45
  Speaker 4: Yes' pharaohs.
• 1:48
  Speaker 2: It took us ten minutes to drive there. We walk
• 1:51
  Speaker 2: in to the supermarket, I grab a basket, getting a
• 1:55
  Speaker 2: few fruit and veg. I turned around the aisle and
• 2:01
  Speaker 2: it's like, you were kidding me. John Campbell was standing
• 2:07
  Speaker 2: in the aisle and I was like, what the actual
• 2:18
  Speaker 2: And I said to my wife, Honey, honey, over here.
• 2:22
  Speaker 1: Quick, and she was like, we've already got honey.
• 2:26
  Speaker 2: We do ittually. We've got two jars, rich guy.
• 2:30
  Speaker 5: And I said, look, check this out John Campbell again
• 2:35
  Speaker 5: and she was like yeah, And I said we.
• 2:41
  Speaker 2: We just saw him walking along an unknown street in
• 2:45
  Speaker 2: a certain district that I won't get into road and
• 2:49
  Speaker 2: then all of a sudden he's here in the aisle
• 2:52
  Speaker 2: with a half full basket. That was the other thing.
• 2:56
  Speaker 2: So I've been shopping for a while and I was like,
• 3:01
  Speaker 2: how does that happen? We were in the car driving
• 3:05
  Speaker 2: directly two set supermarket. He was walking along the street
• 3:10
  Speaker 2: and somehow he then turns up at the supermarket before
• 3:14
  Speaker 2: us and he's already done half a shopping.
• 3:18
  Speaker 3: Might be because it took you ten minutes to get there,
• 3:20
  Speaker 3: but that's a five minute drive.
• 3:26
  Speaker 1: Either that or he's got a body double, That's what
• 3:29
  Speaker 1: I wondered.
• 3:30
  Speaker 3: Yeah, the boy. Either that or none of those happened
• 3:34
  Speaker 3: and you spent the whole day sitting on your couch
• 3:36
  Speaker 3: watching TV. Are you losing It?
• 3:40
  Speaker 1: Could be that. I still think it might be the
• 3:42
  Speaker 1: body double though what.
• 3:46
  Speaker 2: It's been suggested keysy, he's a very busy man. Oh yes,
• 3:51
  Speaker 2: and you know he's a man of the people, as
• 3:53
  Speaker 2: he's known. I'm wondering, is there two John Campbell's?
• 3:58
  Speaker 1: Do you freak out either?
• 3:59
  Speaker 2: But the thing that freaked me out about If that's
• 4:01
  Speaker 2: the case, he was dressed exactly the same.
• 4:04
  Speaker 3: You'd have to to sell it.
• 4:05
  Speaker 2: Yeah, But then how would you know though? If you
• 4:08
  Speaker 2: only saw one of the John Campbell's, Yeah, and then
• 4:12
  Speaker 2: you didn't see the second one. I mean he could
• 4:14
  Speaker 2: be wearing a completely different outfit, but you'd never know
• 4:18
  Speaker 2: because you never saw the second one. You only saw
• 4:20
  Speaker 2: the first one.
• 4:20
  Speaker 1: Yeah, And on.
• 4:22
  Speaker 2: That if that were true, they'd have to coordinate and
• 4:26
  Speaker 2: have matching Wardrobes.
• 4:29
  Speaker 3: I'll go to the toilet over back in a minute.
• 4:32
  Speaker 4: The Hierarchy Big Show weekdays from four on Radio Hodarchy.
• 4:36
  Speaker 2: He's indeed Pearl Jam there on the Radio Hodarchy Big Show.
• 4:40
  Speaker 2: This's Tuesday night, now, fellas. I know this isn't on
• 4:44
  Speaker 2: our schedule for today, but boy, oh boy, do I
• 4:47
  Speaker 2: have a bone to peck. He's got a bone to pick,
• 4:53
  Speaker 2: and it's in relation to a post that was just
• 4:56
  Speaker 2: put on our Instagram account, the Radio Hodarcky Big Show. Yes,
• 5:01
  Speaker 2: we're Old pugs Son who joins us? Now? It's pubs.
• 5:07
  Speaker 6: Evening. Fellas, how are.
• 5:08
  Speaker 2: You posted a photo of you two fellas, Keezy and
• 5:14
  Speaker 2: Old Mogian you're double denims.
• 5:16
  Speaker 1: Oh yeah, that was a nice photo.
• 5:24
  Speaker 2: And I was like, good looking fellas there, thank you.
• 5:28
  Speaker 2: And then in the same post there's a post of
• 5:30
  Speaker 2: old Howdy J with.
• 5:32
  Speaker 1: It a post a post within a post, and it was.
• 5:34
  Speaker 2: The most a photo of Howdy J. There is you
• 5:38
  Speaker 2: two fellas. There's two photos of you, two fellas, and
• 5:40
  Speaker 2: then a photo of me and it's horrendous. It look well,
• 5:44
  Speaker 2: it is harrendous photo.
• 5:48
  Speaker 1: I don't remember seeing this, And I.
• 5:50
  Speaker 2: Said to Pegs Pugs, what the hell, men, that is
• 5:55
  Speaker 2: a horrific photo of me? And he went, yeah, I
• 5:58
  Speaker 2: know you're talking about this one, yes, and he said yeah,
• 6:02
  Speaker 2: I know. So he knew it was horrific and he
• 6:07
  Speaker 2: posted it in anyway, I.
• 6:08
  Speaker 3: Think, and put me right if I'm wrong here, Pisa.
• 6:12
  Speaker 3: But if it was a good photo, it wouldn't have
• 6:14
  Speaker 3: gone up.
• 6:16
  Speaker 6: Well that's something entirely true, because I thought the photo
• 6:18
  Speaker 6: of you and Chris was really good.
• 6:19
  Speaker 2: Oh yeah no, but.
• 6:22
  Speaker 1: Yeah no, you're right. If it's awful, it goes up boom.
• 6:27
  Speaker 1: Do you want to, Jase?
• 6:28
  Speaker 4: Would make you feel more comfortable if we put in
• 6:30
  Speaker 4: place some sort of protocol, I think?
• 6:32
  Speaker 1: So okay, So.
• 6:33
  Speaker 4: Pugs, hello, what is the current protocol for posting photos
• 6:36
  Speaker 4: of jas?
• 6:37
  Speaker 6: You know, it's a pretty high pressure industry, this media,
• 6:41
  Speaker 6: one of ours and.
• 6:44
  Speaker 3: Chase.
• 6:45
  Speaker 6: And in that moment, I needed to get a post
• 6:46
  Speaker 6: up and I thought, shivers, I've got this photo of
• 6:48
  Speaker 6: Kezy and Mogi. Where is the crucial third component to
• 6:53
  Speaker 6: this show? I need to get up a photo of
• 6:55
  Speaker 6: Jase in that post, a post within a post, if
• 6:58
  Speaker 6: you will, And I thought, shivers, here he comes, and
• 7:00
  Speaker 6: now through the door boom, snap up in the post.
• 7:03
  Speaker 1: Right, so you didn't even look at the photo, just boom.
• 7:07
  Speaker 3: He looked at the photo and then threw his head
• 7:09
  Speaker 3: back and laughed heartily.
• 7:11
  Speaker 4: Right, So am I rid saying that the current protocol
• 7:14
  Speaker 4: for posting a photo of Jays? Yeah, it's taking as
• 7:17
  Speaker 4: shit of a photo as possible and then just post it.
• 7:20
  Speaker 1: Yeah, yeah, there's pretty much. Yeah, Okay, I'm actually happy
• 7:23
  Speaker 1: with that protocol for me.
• 7:25
  Speaker 2: Well, you know the way, I'm no, we shall not
• 7:30
  Speaker 2: go to a vote, because there's plenty of opportunities for
• 7:34
  Speaker 2: you to take cool photos of j Man. I'm looking
• 7:38
  Speaker 2: sharp at the moment, and you deliberately cracked out a
• 7:43
  Speaker 2: wide wonky lens zero five. You put it right above
• 7:47
  Speaker 2: my sniles as I walked in the door and just
• 7:49
  Speaker 2: snapped it. I look like I'm dying, for God's sake.
• 7:53
  Speaker 6: Can I just say we got as much of your
• 7:54
  Speaker 6: outfit in the photo as possible because of that angle,
• 7:56
  Speaker 6: So we actually got your cool black jacket, your boy's
• 7:59
  Speaker 6: trip hat, and your black shirt with white buttons.
• 8:01
  Speaker 1: Yeah. But Jay, so you're welcome.
• 8:04
  Speaker 2: Do you want?
• 8:04
  Speaker 1: Would you like pugs to take the post down?
• 8:07
  Speaker 2: Yes? No, I think it's been.
• 8:08
  Speaker 1: Ridiculous, to be honest, it's really unreasonable. Yeah, it's been
• 8:11
  Speaker 1: very unreasonable, Magie.
• 8:12
  Speaker 3: What do you think all those in favor of keeping
• 8:14
  Speaker 3: it up? Yeah, all those in favor of taking it down,
• 8:20
  Speaker 3: no one.
• 8:22
  Speaker 1: That's weird, Okay, leave it up there. In fact, I'm
• 8:24
  Speaker 1: gonna put Turner Bucks my own money behind it. It's
• 8:26
  Speaker 1: got the hold Aching Big Show with Jason, Mike and Kyzy.
• 8:32
  Speaker 1: Tune in week days at four on Radio Hold I Can.
• 8:35
  Speaker 2: You order there on the radio Hold Archy Big Show
• 8:38
  Speaker 2: this Thursday evening. The time is five forty nine.
• 8:42
  Speaker 1: Holdy Jay. You might not know this, but Pugs has
• 8:44
  Speaker 1: been very busy lately. Yes, after work. In fact, last night, Pugs,
• 8:48
  Speaker 1: you went to a gig, didn't you?
• 8:50
  Speaker 2: Yeah?
• 8:50
  Speaker 6: I did, and Preebs actually went there as well. So
• 8:53
  Speaker 6: it was myself plus one. My partner came along and
• 8:55
  Speaker 6: Prebs was also there.
• 8:56
  Speaker 2: Cats Lucent gigs old Preebs doesn't he that's why he
• 8:59
  Speaker 2: was out of yeah boy? Yeah.
• 9:03
  Speaker 6: So it was a pianist in a church pattern. The
• 9:07
  Speaker 6: gig was a pianist that had come over from America
• 9:09
  Speaker 6: and it was hosted in a church a pianist, and
• 9:12
  Speaker 6: it was a pianist and she was performing the piano
• 9:15
  Speaker 6: in the church around about.
• 9:17
  Speaker 1: Near where I live in Mount Eden.
• 9:19
  Speaker 2: Wow, okay, nice.
• 9:20
  Speaker 6: She's come over from America. She's known for experimental, experimental piano.
• 9:25
  Speaker 6: Kelly Moranza name.
• 9:26
  Speaker 1: It's not my usual kind of gig, if I'm honest, but.
• 9:30
  Speaker 6: It was a really, really beautiful, transcendental gig. Jace, you
• 9:33
  Speaker 6: would have loved it. Yeah, I know you like you're
• 9:35
  Speaker 6: a mode of piano churns.
• 9:36
  Speaker 2: I do very much so, Cleard Loon.
• 9:40
  Speaker 6: Yeah.
• 9:40
  Speaker 1: What was the name of that guy who's album you
• 9:42
  Speaker 1: lined to play on piano from start to finish?
• 9:44
  Speaker 2: Oh, Paul Buchanan.
• 9:46
  Speaker 4: Yeah, yeah, so Pugs, you said something weird happened at
• 9:50
  Speaker 4: this gig.
• 9:50
  Speaker 3: Oh, it was very strange.
• 9:52
  Speaker 6: Okay, So imagine you're in a small church, so obviously
• 9:54
  Speaker 6: high ceilings, but you can kind of see everybody because
• 9:56
  Speaker 6: everybody's in the pewes. Yeah, and maybe halfway through the gig,
• 10:00
  Speaker 6: she's doing one of these like ten minute long piano pieces.
• 10:03
  Speaker 1: Very emotive.
• 10:04
  Speaker 2: She's really feeling it.
• 10:05
  Speaker 6: We're all feeling it.
• 10:05
  Speaker 2: You know.
• 10:06
  Speaker 1: It's quiet, it's there's no vocals, it's all so punishing.
• 10:10
  Speaker 6: But yeah, okay, yeah, it was quite beautiful and maybe
• 10:13
  Speaker 6: halfway through, my partner goes, I really got to go
• 10:16
  Speaker 6: to the bathroom. But it's like there hasn't been applause
• 10:18
  Speaker 6: and ages because the songs are so bloody long. I'm like,
• 10:20
  Speaker 6: you just got to go, You really just got to
• 10:21
  Speaker 6: get up and go.
• 10:22
  Speaker 1: She gets up and goes.
• 10:24
  Speaker 6: The minute she walks out the door and goes to
• 10:27
  Speaker 6: the bathroom, I hear a cry out and in the
• 10:30
  Speaker 6: middle of the crowd, I'm like, Okay, maybe someone's really
• 10:33
  Speaker 6: just feeling it. Then I see a woman stand up
• 10:37
  Speaker 6: sort of like right front, not front center, maybe sick,
• 10:40
  Speaker 6: and row back and goes, we.
• 10:42
  Speaker 1: Need an ambulance.
• 10:43
  Speaker 6: Now, wow, in the middle of the piano piece.
• 10:46
  Speaker 1: Really yeah, I've never seen anything like it. Did she
• 10:48
  Speaker 1: stop playing?
• 10:49
  Speaker 6: She did not stop playing, even though someone was someone
• 10:52
  Speaker 6: said we need a doctor, we need an ambulance. Now
• 10:55
  Speaker 6: I'm talking full volume. Everybody's kind of looking around, going,
• 10:58
  Speaker 6: what the hell is this? There's a couple more peace,
• 11:00
  Speaker 6: We'll get up, And in my head I'm thinking, Okay,
• 11:01
  Speaker 6: someone's having a medical event, so they obviously need to
• 11:03
  Speaker 6: just need to get some help. Maybe feary this person
• 11:06
  Speaker 6: out And then so a guy gets up goes out
• 11:08
  Speaker 6: to call an ambulance. I see him on the phone,
• 11:11
  Speaker 6: and then he comes back in chicks again. It's like
• 11:14
  Speaker 6: she's playing, but she's kind of looking, kind of trying
• 11:16
  Speaker 6: to assist the situation, whether or not she stops. Maybe
• 11:19
  Speaker 6: like five ten minutes go by, Amelia comes back.
• 11:23
  Speaker 1: Sorry, my partner comes back and she sits down.
• 11:26
  Speaker 3: On the end of your road.
• 11:27
  Speaker 6: He comes back and nothing happens.
• 11:29
  Speaker 1: So was the person oka no idea?
• 11:32
  Speaker 6: So this whole massive kerfuffle in the middle of the song,
• 11:36
  Speaker 6: she doesn't stop playing. You've got a woman yelling at
• 11:38
  Speaker 6: full pout to call an ambulance, to get medical help,
• 11:40
  Speaker 6: get a doctor. Someone goes out, calls an ambulance. He
• 11:43
  Speaker 6: comes back on the phone and he looks. He all
• 11:45
  Speaker 6: I saw was him like look down the pew where
• 11:47
  Speaker 6: the person in question was and sort of look and
• 11:49
  Speaker 6: then go and then like the go the phone.
• 11:53
  Speaker 1: Now the hell happened?
• 11:54
  Speaker 2: I had no idea. Hello, don't take this the wrong way.
• 11:58
  Speaker 1: I feel like he's going to carry on.
• 12:00
  Speaker 2: Just didn't you? Because I know makes you say that.
• 12:02
  Speaker 2: I know how you like to go to gigs and stuff.
• 12:07
  Speaker 2: Were you maybe on it's some kind of.
• 12:15
  Speaker 4: Extracurricular, extra curricular, and that's some kind of none of
• 12:21
  Speaker 4: us actually occur.
• 12:23
  Speaker 1: I mean, it sounds like a made up story, doesn't it.
• 12:25
  Speaker 3: A ship.
• 12:25
  Speaker 2: Yeah, what actually happened was you were and the pew
• 12:31
  Speaker 2: and you.
• 12:31
  Speaker 1: Just wit your pants.
• 12:34
  Speaker 6: I didn't wonder why it was very moist.
• 12:36
  Speaker 4: And maybe the reason they were calling an ambulance is
• 12:40
  Speaker 4: because you were wearing your sick vest and someone's like.
• 12:42
  Speaker 1: Calling an ambulance that vest is sick. Maybe that's what happened.
• 12:48
  Speaker 4: No, that's the whole achy Big Show with J, Mike
• 12:53
  Speaker 4: and Keysy tune in week days at four on Radio
• 12:56
  Speaker 4: Hodarkey