Latest / The Multiverse Collective / Axis & Allies E14: Standing At Attention
Transcript
- 0:00I don't. I don't know if she would.
- 0:01She's floating so high from the promotion.
- 0:04And the kiss. And the cigarette thing, I
- 0:10wouldn't call it I have. Been thinking for a while about
- 0:13like what is like the hottest way that you couldn't like flirt
- 0:18with Cordelia And I'm like if she has fire powers she
- 0:22absolutely would like light a cigarette with it or something
- 0:25like that. Johnny torch it.
- 0:27Yeah, Johnny torch it. Yeah, basically, how can I,
- 0:29Johnny, torch this in a gay way? Yeah, it works.
- 0:32She did it. I.
- 0:33Would work on any St. man as well, let's be honest.
- 0:36Oh my God, yeah. Honestly I don't even smoke
- 0:42anymore like cigarettes but I can tell you for a fact right
- 0:44now if a girl came over to me and put a cigarette in my mouth
- 0:46and kissed it and he like would smoke that whole.
- 0:48Cigarette. Yeah, that's why I was going to
- 0:50start smoking cigarettes. That's why I smoked for fucking.
- 0:53Smoke because I'm like, I kind of hope she didn't to see how
- 0:55she would react to having. This.
- 1:05We're all just very lucky that Cordelia didn't pass out
- 1:08because. We.
- 1:09Don't know what happened. That was that was an option.
- 1:12Yeah. Incredible news.
- 1:20I've been promoted. We also, as a side note, did
- 1:25defeat that shadow monster with help from big man the General.
- 1:30The General. Sorry, I'm spending too much
- 1:33time with Ace. Who happened to get laid?
- 1:37Question mark finally fucking one of us had to.
- 1:41We're not talking about Eunice. I'm not going to talk about
- 1:43that. And, you know, business as usual
- 1:48with Rex just trying to fill Gary's shoes with seawater.
- 1:52What is his fascination with putting seawater in people's
- 1:55shoes? But I do think the biggest thing
- 2:00that's happening is we are being asked to return stateside.
- 2:03So that's not ominous or horrifying at all.
- 2:09The Multiverse Collective. We open on the image of the
- 2:42Enola Gay landed in this giant field, its cargo door open.
- 2:48The fat man has been loaded back onto into the cargo Bay and they
- 2:52are currently awaiting the Foxcatcher to embark as well.
- 2:57Yeah, Cordelia will, without any sort of fanfare, get the
- 3:01Foxcatcher loaded up in the most efficient way possible while
- 3:04holding several clipboards, trying desperately to look
- 3:08professional and responsible. And not like she's actively
- 3:11shaken after the whole cigarette thing.
- 3:15She's floating on air because of the promotion, because of the
- 3:18cigarette thing, because she was like publicly acknowledged by
- 3:22Fat Man. Jerry Finch.
- 3:24General Finch. Yeah, yes, General Finch is how
- 3:27she will refer to him and also by the fact that she has 100%
- 3:33packed Aces Made costume. Yep, it's.
- 3:39Like priority #1. It's on the rider.
- 3:43It has to be there. OK, as you're sort of looking at
- 3:47this airship, you get sort of get the magnitude of it.
- 3:49I mean, this thing is it's a derigible that can fit a machine
- 3:53not only the size of the Foxcatcher, but also this 30
- 3:57foot tall Astor and also normally would be too.
- 4:02But Rex doesn't need Ace doesn't need a Bay because he just
- 4:07absorbs Hyperion. So and it like this thing is
- 4:11like almost the size of a cruise ship.
- 4:12It's fucking huge. And yeah, there's also just a
- 4:15bunch of other, you know, there's random grunts coming up
- 4:18to Cordelia and just exchanging clipboards and everybody's
- 4:21making sure everything's tied down and eventually the not all
- 4:29aboard. It's the fucking train.
- 4:30What the fuck is it all? All the ship the the the the
- 4:35siren comes over the radio to tell everybody that it's time to
- 4:39get on board. Cordelia is standing at the Bay
- 4:42with her checklist checking off, checking things off as Ace and
- 4:46Rex board if they decide to board.
- 4:48I think Ace looks back as he, as he walks on the ship, he, he
- 4:52looks back at Lizette and this beautiful island and he, he
- 5:00thinks about it for too long, meets Cordelia's eye, and I
- 5:05think he just gets a look and scurries aboard the ship.
- 5:09Yes. I think it would.
- 5:13Would the fallen already be on the Enola guy?
- 5:16I imagine you probably loaded it into one of the foxcatchers.
- 5:19Yeah, that's what I was thinking.
- 5:21As well. Yeah.
- 5:21So it was just there. Rex would just walk past
- 5:27Cordelia. He's got like sunglasses on and
- 5:30a beer in his hand. He's just like.
- 5:32She checks two boxes. One for Rex, one for beer.
- 5:40Yes. It's the one, it's the one
- 5:43requisite for for coming on this mission.
- 5:46She's fully ensured that there is beer in the fridge in his
- 5:49quarters or in the ice box in his quarters.
- 5:53I don't think Theo Le Gay probably has like.
- 5:56I mean, it's got facilities. This is we're, we're, we're
- 5:59talking, I mean, a, a vessel this size has proper facilities.
- 6:03Oh. It's got a mini fridge.
- 6:04Hell yeah. There is beer chilling for
- 6:07wrecks specifically. Yeah.
- 6:10I, I feel like each of the pilots gets their own like small
- 6:13cabin and there's officers cabins and shit like that.
- 6:16So like there's, there's plenty of room to move around.
- 6:18Oh yeah. So everybody's on board the the
- 6:21cargo Bay shuts and this massive airship begins to ascend as you
- 6:28guys are on your way home. How does that feel like?
- 6:38How does you guys have been like since the beginning of the war?
- 6:40Last time you were at home was Pearl Harbor.
- 6:44I mean, I'm not a home technically.
- 6:48No, but I. Mean is my home away from home.
- 6:51Yeah. You're closer.
- 6:52No longer in an active war zone. Yeah, you're not on constant
- 6:57risk of potentially dying. I think the adrenaline drop is
- 7:01like really intense for Cornelia.
- 7:03She's been riding on it for weeks now.
- 7:08I think for Rex it's just same shit, different day.
- 7:12I don't think he think once the adrenaline's gone after a fight,
- 7:16he just sort of goes back to normal.
- 7:18But you know, that's all he knows he's used for.
- 7:21He's used to fight. He's not used for diplomatic
- 7:24reasons. He gets sent somewhere because
- 7:26there's a reason he's being sent there.
- 7:27It's not, it's not go here and speak to a person because this
- 7:31is this is a really important thing that you need to use your
- 7:33words to to sort out. It's more go here and fuck this
- 7:37shit up and then come back and we'll send you somewhere else.
- 7:40So how does it feel for for Rex when he's not being sent
- 7:44somewhere to fight? I think, I think he, I think
- 7:48he's fine with it, but I think the American sort of lifestyle
- 7:53is a lot different to what he's used to.
- 7:55So I feel like he doesn't go, you know, like he doesn't go
- 7:58socialised, don't go drinking out and stuff.
- 8:00Like he probably just, he's very anti social in that way.
- 8:04He probably just stays on the Army base or wherever the pilots
- 8:08stay and trains and keeps himself because he'd rather keep
- 8:14himself when he does actually get discharged and he can go
- 8:16back to the UK, sort of get back to life that way instead of, you
- 8:21know, instead of starting a whole new life there.
- 8:26OK, Ace. I think the first thing Ace
- 8:29does, once he once he realizes that he has significant
- 8:34downtime, I think the first thing he does like as this
- 8:38adrenaline leaves his body is he just goes in his room and he
- 8:41just, he just cries for a while. And I think that's probably a
- 8:46pretty valid reaction to the things that you've seen and done
- 8:51in the last three. Weeks.
- 8:53Well, I think. That's been here.
- 8:55Like Pearl Harbor, really, I mean, before that, Ace was this
- 8:59like, you know, cocky dude who was like, I'm the fucking man.
- 9:05And I think Pearl Harbor really rattled him.
- 9:08And between that and going to going to the Pacific theater and
- 9:13going through everything, I really don't think Ace has had
- 9:17time to really like come to terms with what he has been
- 9:22through. So I just feel like this is the
- 9:24first time that I think Ace is truly alone and able to process
- 9:29his feelings. I mean, he was captured.
- 9:31I mean, they were friendly, but he was.
- 9:34I mean, he didn't know that at the time.
- 9:36I mean he was captured, he was stabbed through the heart by a
- 9:41samurai Astor like they're I mean.
- 9:44Arm ripped off. That was like, and that was his
- 9:48first real combat experience. Like, I know like, you know, Ace
- 9:53was kind of like the guy at West Point.
- 9:56So like, really, really didn't like, you know, get into all
- 10:01that much like crazy shit, like the, you know, the worst that
- 10:06happened is, you know, he got a low, he got a low mark on a test
- 10:10and was admonished by a professor.
- 10:12So, you know, going from that to like having several scenarios of
- 10:16nearly dying and like seeing these 0 pilots and you know,
- 10:20like really bonding with Hyperion.
- 10:22It's just, it was, it's a lot, man.
- 10:26How do you how do you think Ace was growing up?
- 10:30Do you think his father like told a lot of war stories?
- 10:34And if he did, do you think Ace believed him or did you just
- 10:39think that they were like embellished and it didn't happen
- 10:42to you? So it didn't really seem real,
- 10:44and now you're sort of. I think Ace's father would
- 10:49probably, especially outwardly, was one of those guys that he
- 10:55didn't have PSPTSD. He had nostalgia and so he
- 10:59fought. You know, he probably fought
- 11:01because what he he probably fought in the tail end of World
- 11:05War One. I think, I think we did the math
- 11:07on this and I think he and Cordelia's dad were both in
- 11:12World War 1. I think, yeah, I know.
- 11:15We. Did math on it earlier on, but
- 11:16that was almost a year ago at this point.
- 11:18I think so. So, you know, I think the
- 11:21stories that he would tell Ace and the family growing up, we're
- 11:24very much like romanticizing war and you know, very much like,
- 11:30like I'm the guy. Nothing like nothing bad ever
- 11:34happened to me. Everything that I did was great.
- 11:36Like, I loved killing all these Europeans.
- 11:41And so I think Ace just, you know, growing up and hearing
- 11:44that that's what he assumed that war was going to be like.
- 11:46He assumed that he was going to like, take all these trophies
- 11:49and like, you know, come back and be like, yeah, I have like
- 11:5325 confirmed kills and just be like the dude.
- 11:57And now that he's in it, I think, you know, I I think his
- 12:02like, whole worldview is just kind of shattering.
- 12:04Like, holy shit, this is what war is like.
- 12:07I don't want to fucking do this and and not in like a I'm gonna
- 12:11dessert from the army kind of way, but like I'm here.
- 12:15I'm going to do what I have to do.
- 12:16But like this is not going to be fun.
- 12:19I'm not in it to, you know, collect trophies or to like
- 12:23Notch, you know, kills on the body of my aster.
- 12:26Like I'm, I'm here to like, I'm here to help people and like
- 12:32make the world better than I found it 'cause I think that's,
- 12:35that's really at this point, what kind of sticks with, with
- 12:40Ace, his dad, you know, probably one of those like Boy Scouty
- 12:43types. So I, you know, they would be
- 12:45out in the, in the woods in Appalachia, hunting and doing
- 12:49all the stuff. So I think, I think that
- 12:52mentality of like leave the world better than you found it
- 12:54is what, once Ace is able to like process, that's what sticks
- 12:59with him. And I think that's what Ace
- 13:01realizes that he's fighting for. Yeah, I, I, I think that makes a
- 13:04lot of sense. And I, I think another thing
- 13:07that may be the reason that your dad was sort of this big war
- 13:11hero and why he loved it so much was because it was before all
- 13:13the armored divisions, because World War One was fought over
- 13:17people trying to control the weave.
- 13:19And since then they've developed the Asters.
- 13:22So World War One was fought mostly on foot with enlisted
- 13:26men. So he sort of had an equal
- 13:29playing field. And now you have the advantage
- 13:31and you're still getting your ass kicked.
- 13:39Cordelia, you are shown to your officers quarters and they're
- 13:44basically they're slightly bigger than the regular pilots
- 13:48quarters. You have a desk as well, is
- 13:50basically the only difference. Fair, you got to have somewhere
- 13:53to put those fucking clipboards, huh?
- 13:57How, How is she going to process everything that she's gone
- 14:00through? Honestly, I don't even think she
- 14:03wants to try. I think she's so overwhelmed and
- 14:08has had these like incredibly manic highs and lows over the
- 14:12last few weeks where she's starting to settle into her
- 14:15command a little bit and finally starting to feel like she's
- 14:18connecting with the people under her command.
- 14:21And that's what she has to focus on because her job's still not
- 14:24over. She's still in charge of this,
- 14:28of Rex and of Ace and of what's happening, and she has so many
- 14:33questions that she doesn't have answers to and that she's not
- 14:36going to have answers to. I mean, this is still all wildly
- 14:39beyond her control, despite the fact that she's supposed to be
- 14:42in charge of it. She's, she doesn't know what to
- 14:46do and she doesn't like that she doesn't know what to do and that
- 14:49she doesn't have the answers and that she can't help Rex not fall
- 14:53down this dark spiraling rabbit hole and that she can't keep a
- 14:58safe all the time. And he was captured.
- 15:00I mean, he was fucking captured under her, under her command.
- 15:04And she still hasn't told anyone and she's not going to.
- 15:08And so now she's harboring these, these secrets and she's
- 15:11wondering how many more fucking secrets is she going to have by
- 15:15the end of this? And now there's this gun.
- 15:18There's this gun and she doesn't understand why she has it and
- 15:22what it means and what any of this is about and this letter.
- 15:27And I think she takes the gun out and she puts it on the desk
- 15:30in front of her and she's just staring at it, head in her hands
- 15:34and and is like dumbfounded. How do you want to?
- 15:40What are you looking at with this gun?
- 15:41Are you trying to examine it? Are you going to try and clean
- 15:44it? Oh yeah, She's going to
- 15:46disassemble it completely to clean it and put it back
- 15:49together. I think that's like such an such
- 15:51an integral part of being somebody in the forces is that
- 15:55you have your service weapon and you know every single part and
- 15:58how it works and you can take it apart and clean it and put it
- 16:01back together so fucking fast. And I think that's the first
- 16:05thing that she's going to do. Here's the thing with
- 16:09specifically the Lot revolver is that it's a weirdly intricate
- 16:12weapon. It's got levers and hammers and
- 16:17weird switches all over it. How did is she going to know how
- 16:23to handle this? Like has she handled old school
- 16:25revolvers? Before I think no, I think she's
- 16:27going to make very detailed notes as she takes it apart.
- 16:32Like as the things slip apart, she's going to do like little, I
- 16:36don't know, like a little schematic drawing for herself.
- 16:39Yeah, as she's disassembling it, you realize that every chamber.
- 16:45So I'm, I'm going to I, I know we talked about this briefly in
- 16:49West, but I'm just going to say the Lamont revolver is a fucking
- 16:52cartridge weapon. It's the version 2 because I
- 16:54don't want to have you guys deal with fucking black powder and
- 16:56balls like ball like ball rounds.
- 17:02So you've as you unload it, you realize that the every regular
- 17:07chamber has been fired or has has is loaded, but the shotgun
- 17:13round in the Center for some reason of this revolver has been
- 17:16fired. It's just, I think it's a 20
- 17:18gauge, I think, I don't remember exactly what gauge it is, but I
- 17:21think it's a 20 gauge cartridge you pull out that's been shot
- 17:25and. I think that just leaves her
- 17:26with more questions. I don't, I don't think she has
- 17:30any idea what to do with the information that she's gleaned.
- 17:32I don't think she has any more answers about it other than the
- 17:36fact that. Why don't you, why don't you
- 17:39roll a dispel uncertainties and we'll see if you can get any
- 17:42extra information about this. OK, cool.
- 17:45What am I rolling to spell uncertainties with plus?
- 17:47No, plus no. Well, I rolled A5.
- 17:51What's my plus? No, let's see.
- 17:54I think it's like 0. It's -1 I rolled the four.
- 18:00I think that's about what you've rolled the first time you tried
- 18:02to look at this thing too. That makes.
- 18:05Sense I'm adding one to my spotlight.
- 18:07Goodbye. Yep.
- 18:11So yeah, you, you disassemble it.
- 18:13So you, you disassemble it, you manage to figure out what the
- 18:15fuck's going on with it. You can reassemble it.
- 18:18You can figure out just by sort of checking against other rounds
- 18:22to figure out what caliber it is.
- 18:23You're able to get it in a serviceable condition, but you
- 18:27glean no extra information about it.
- 18:40So this is going to this trip's going to take a while.
- 18:43It's this, this is a massive airship.
- 18:45It's not a fast airship. So I, I feel like at this point
- 18:49it's been maybe a day. Everybody's sort of figured out
- 18:53where they're going, stuff like that.
- 18:56Rex, you've sort of recovered enough of your senses to not be
- 19:00impeded anymore. Like you're not feeling like
- 19:02you're fully charged, but you got enough to not be dragon.
- 19:06So, so as you as you're walking down a hallway, you pass by a
- 19:14door and you see or you you overhear a a German accent
- 19:21talking to somebody else. I'm just going to lean against
- 19:25the door, the outside, and just keep listening for a moment.
- 19:31You're able to actually let's, let's, let's have you roll back
- 19:35to the moves here. Let's do, I believe read the
- 19:37room would be the most appropriate.
- 19:39That'd be plus cents. That's an 8.
- 19:42An 8. All right, you can ask one
- 19:44question about what you hear. I will say before, before you
- 19:49ask your question, I I will give you the free information.
- 19:51You can tell that this is Doctor Schmidt and he is talking to
- 19:54General Finch. Oh, oh, OK.
- 20:01See, I've got 2 here that I can't decide which one's better
- 20:05for the situation. I want to figure out what
- 20:07they're talking about. So would it be what's Smith's
- 20:10approach or what is? How does Smith really feel?
- 20:14Probably really feel I, I think that's sort of the more what
- 20:17you're looking for the the approach is more like what magic
- 20:22form they take. So what you're able to glean
- 20:26from this conversation is so from what you're able to hear
- 20:30through the door, you sort of get the sense that Schmidt is
- 20:33reporting in about what he has learned and what he's seen, and
- 20:39that you get the vibe that Finch seems to respect Schmidt.
- 20:46Like I don't know if you can get anything specific about any new
- 20:50information specifically, but it's up to you if you want to
- 20:53act on this conversation or just leave it be.
- 20:56I feel like he just let it be. There's no point pissing off a
- 21:00general and I can always fuck with Schmidt at any other point
- 21:04during this whole trip. So.
- 21:18Ace. Yes.
- 21:21You all right? I've been holding on to this one
- 21:25for a while. Oh.
- 21:26Boy. Ace, you're getting kind of
- 21:29hungry and you, you ask a soldier which way to the canteen
- 21:33on this ship and he points it and he's like, it's that way.
- 21:37So just just up there, take a left and you'll, you'll, you'll
- 21:40find the food. Don't worry about it all.
- 21:42Right. Thank you.
- 21:43Appreciate it. And as you get there and you
- 21:47turn the corner, you see a a glowing green sign with a giant
- 21:52white Q as you find a Quiznos on on this airship.
- 21:58Well, you know, you know what? I don't think I've ever seen nor
- 22:05heard of this, but some something's telling me that I'm
- 22:10going to enjoy this. And Ace walks right in.
- 22:16As as you're sitting there enjoying your delicious toasted
- 22:18sub from Quiznos, you hear sort of like a a clattering commotion
- 22:23from nearby. I was just trying to eat my sub
- 22:31God, All right, what? What is it this time?
- 22:36And I think Ace is, he has like half of it that's just in his
- 22:39hand and he's just like eating it as he's like casually walking
- 22:43out. So you, you go around this
- 22:46corner and there's sort of like a storage room next to where you
- 22:48were and you, you find a bunch of boxes that have been like
- 22:54knocked over. I think Ace is just with his
- 22:57with his freehand. He's going to just start trying
- 23:01to put these boxes in order. Yeah, as as you're digging
- 23:04through these boxes, you move one and you go to grab the next
- 23:08box and your hand grabs a very firm, shapely ass that's up in
- 23:13the air. And you hear it just wiggles and
- 23:18you hear what do you know what bad touch?
- 23:20What are you doing? Oh my God.
- 23:22Oh, I'm, oh, I'm so, so, so deeply sorry.
- 23:29Who's? Who did I touch?
- 23:31As as you're as this person extracts themselves and stands
- 23:36up, long blonde hair falls and Lizette turns around to look at
- 23:40you and goes I've been caught. The sub drops from his head.
- 23:53I'm going to have to clean that up.
- 23:54What are you doing here? I'd snuck a.
- 23:56Board I hid underneath the the the big machine that came on.
- 24:00You mean the foxcatcher? Yeah, whatever that thing is.
- 24:04OK, I, I, I'm not quite sure. I'm very happy, but I'm also
- 24:13very scared that somebody's going to see this and I'm going
- 24:16to get in a lot of trouble. Let me yeah, put this on and you
- 24:21just put some like straight up like.
- 24:24Solid Snake in it. Yep, not but not even like
- 24:27crouched out-of-the-box, just like the box on top of her head
- 24:30and like her torso and bottom is clearly visible.
- 24:34And he just like grabs her hand and he's just like, all right,
- 24:37I'm going to, I'm going to see if I can take you back to the
- 24:39quarters and then at least you'll have a place.
- 24:45Oh, OK, I'm I've just been staying in the storage closet.
- 24:49All right, well, you can stay with me.
- 24:52At least you'll have a bed. I'll sleep on the floor.
- 24:57It's fine. Yeah, let's let's figure out a
- 25:01role to see how successfully you I was going.
- 25:04To say please let me bump into a while the walk in.
- 25:06Let's do it. You're going to get it.
- 25:08Please. Weather the storm roll.
- 25:11Yeah, Cordelia is on a sadness walk right now as well.
- 25:14So that's. Can't.
- 25:15Let's do, let's do plus sense. I think that's the one that
- 25:18makes the most sense. You're trying to figure out the
- 25:20best way. Plus sense.
- 25:26All right, I got a + 1 and I don't need it.
- 25:33Nat 12. Nat Nat 2.
- 25:39I was about. To take that point of the
- 25:42spotlight. Into you, you, you come to AT
- 25:45intersection and on one side of the T is Cordelia and the other
- 25:48side is Rex. I think Ace just looks to the
- 25:53left, looks to the right, and he's just like captain I am.
- 25:58I'm just moving. Damn it, ace.
- 26:03I am moving, I don't. Have tits in an ass.
- 26:06I don't know what you're talking about.
- 26:08This is just a normal box that I am moving to my quarters.
- 26:11God. I'm gonna click my fingers and
- 26:15pull behind them and pull the box off Lizette.
- 26:19Oh my God, Lizette, how did you get here?
- 26:22Cordelia is on her knees in the hallway.
- 26:24She's fallen to her knees, holding her head in her hands.
- 26:28What are you doing to me? I'm.
- 26:32Going to look at Cordelia and be like so I'm guessing everything
- 26:34I did on the island is not as bad as this.
- 26:37No, let's get her back to his quarters right now.
- 26:40Portal. That's where I was going.
- 26:42Fingers click. I click my fingers and the
- 26:45portal opens. We get into into Ace's room and
- 26:50then click my fingers one more time and pull two days out.
- 26:54One for me, one Cordelia. Immediately.
- 27:00Is canned beer a thing back then or does she open this with her
- 27:03teeth? I've.
- 27:05Got my bastard sword like with me all the time so I just use
- 27:08that as like a bottle. Does your bastard sword have a
- 27:10little spot right by the hill? That's a can opener. 100%.
- 27:17I think we're both going to need this.
- 27:19And then he just. Claudia tornadoes the entire
- 27:21beer into her mouth. Oh.
- 27:23That was the only one you were going to have.
- 27:25I'm sorry. But if you ask politely, you
- 27:28know, some people just go. Can I, you know, if you say
- 27:31please, maybe I'll get you another one.
- 27:32But a lot of lot of the soldiers on here are just like, can I
- 27:35have a beer? No, it's fine.
- 27:37It's fine. One is plenty.
- 27:38I need to have a clear head for this.
- 27:40Ace, what the fuck are you doing?
- 27:43Me. Yes, you.
- 27:45I was going to get a nice toasted sub at the Quiznos that
- 27:50they have on board and I heard a commotion and I went to go
- 27:55investigate and here we are. Hey, Hey, Cordelia, have you got
- 27:58a cigarette? I don't smoke but I feel like
- 28:00this means I need to smoke. Cordelia silently passes him a
- 28:05cigarette and no lighter. She does not explain.
- 28:10Do you do you think Rex needs a light clicks?
- 28:15He clicks his finger Like a little, like a little tiny
- 28:18portal like this big comes out and it's just like where the Jet
- 28:20Propulsion system is at the back of the so like a little.
- 28:27Yummy afterburner cigarette I feel.
- 28:31Like it just snaps her fingers. Explain.
- 28:34Explain now. I, I know as much as you do.
- 28:40I, we, I'm lost for words. This this was not my doing.
- 28:49I think I can explain. He wanted to chase some tail so
- 28:54he snuck her on board. No, none of those would find
- 28:58out. No, I did not do that.
- 29:01Lizette explain. Don't want to be a freedom
- 29:05fighter anymore, I thought this might be the best way to get
- 29:08out. So I I hid.
- 29:11Ace didn't hide me. I came aboard myself.
- 29:13Is he paying you to say that you can tell us?
- 29:18Why do we? Why do you think?
- 29:20Am I the only one not getting paid?
- 29:24What money do you think I have? They told me.
- 29:28They told me when I signed my payment was the experience.
- 29:35I have no words for that. We'll get to that later.
- 29:38Lizette, are you intending on joining this operation or are
- 29:43you fully just stowing away? I haven't really thought past
- 29:48this yet. You have about 5 minutes before
- 29:52I am obligated to bring this to my superiors for you to think
- 29:56about the answer to that question.
- 30:00I can I can buy you more time if needs be.
- 30:05I'm just imagining like a Scooby-doo portal chase just all
- 30:10over the ship. She she thinks about it and goes
- 30:14I, I mean, what do you what do you offer?
- 30:16And I was just going to sort of sneak away when when it landed,
- 30:19but I mean if I can help somehow.
- 30:23I think we need all of the intelligent support that we can
- 30:26get, and I think I need serious help wrangling.
- 30:30Cordelia gestures fruitlessly to the room around her.
- 30:34All of this. She's not going to help
- 30:36wrangling me. Let's be honest.
- 30:38Nobody's going to help you wrangle me.
- 30:40If I have more time to wrangle him because I don't have to
- 30:44wrangle him, she pointed 8. I, I I don't know what I can do.
- 30:54Oh, Oh no. Trust me, you just being here
- 30:56will keep him calm. Oh, calm.
- 31:00Ace looks to Cordelia and looks to Lizette and looks back to
- 31:04Cordelia and he just says, Captain, consider me wrangled.
- 31:14Great, great. OK, so how do we explain this to
- 31:19Finch? Well, I think we start by
- 31:23opening a dialogue. Oh, you're using a move.
- 31:29Am I? So your your plan is to go find
- 31:43the general at this point. Yeah, I think so.
- 31:48Last I saw Finch, she was in a room with Schmidt.
- 31:52Go back to where we intercepted this, take that hallway.
- 31:58I was coming down, turn left, take a right and it's the third
- 32:01door down. Lovely.
- 32:04I can Do you want to walk so you can think about it or?
- 32:08No, no, I think, let's go now. Do I have to come?
- 32:12No, you don't. You can just sit here and drink
- 32:14your beer or go back to your own quarters and drink your beer or
- 32:17go do one of your brooding things that you love so much to
- 32:21do while I take. Thinking about it, watching Ace
- 32:28absolutely crumble to pieces in front of his idol, I wouldn't
- 32:33miss it. I open a portal to like the
- 32:39door. It's like, come on, let's go.
- 32:42And Cordelia will frog March ace.
- 32:47Ace just looks over to Lizette. I'm so sorry you have to see me
- 32:52like this. Hey Lizette, do you want a beer?
- 32:55It's going to be hilarious. Please, I'd love one full of
- 32:58beer. We drink our beer 1st and then
- 33:02we go. Hey, hey, hey.
- 33:04My one rule, it was in my contract.
- 33:06I can drink beer anywhere. It's in my contract.
- 33:09No, no, I'm talking I'm talking about the stowaway can drink her
- 33:13beer first. I think it's really bad optics
- 33:16if I bring her a stowaway to the general and she's drinking.
- 33:22And, and I have to face this man Soba.
- 33:24I'm the only one that has to face him sober.
- 33:27I've had one beer ace. I am stone cold fucking sober
- 33:32right now, unfortunately for all of us.
- 33:38Lizettel, she'll pop the top, and just like Cordelia did,
- 33:45she'll just tornado it. All right, let's go, I suppose.
- 33:50Hopefully they don't throw me off the ship.
- 33:52I can catch it, no? One's going to throw you off the
- 33:54ship. I wouldn't worry about it.
- 33:56Rex can portal you back on if that's the case, and then we can
- 33:59just go our separate ways once we reach an undisclosed
- 34:03location. So yeah, you appear outside this
- 34:08door. I feel like you turned around
- 34:10and there was just some random guy just walking down the
- 34:12hallway that saw this portal open and you all came out of it.
- 34:14He's just like Nope and just turns around and walks.
- 34:17Back the other way. Great call.
- 34:19Soldier great. Call.
- 34:22And Cornelia will cop knock on the door.
- 34:26You you hear from the inside. Come in.
- 34:28Cornelia opens it and immediately like jumps to
- 34:32attention. Sir, sorry to bother you.
- 34:35Inside the room is Finch, and Schmidt is still in there as
- 34:38well. Something guys?
- 34:40Have I interrupted? I'm so sorry.
- 34:43She doesn't sound very sorry. It's it's, it's all right.
- 34:47We were just, we were just finishing up.
- 34:50But what can I do for you, Captain?
- 34:53We seem to have a stowaway situation, Sir.
- 34:57A stowaway. Interesting.
- 34:58We haven't had one of those in a long time.
- 35:01This is Lizette. She was one of the freedom
- 35:04fighters we worked with in Japan to take the factory and she has
- 35:08decided that she no longer wishes to be a freedom fighter.
- 35:12Schmidt sort of pipes up and goes, ah yes, the the young
- 35:15woman, she came in handy. Don't be creepy, Doctor Schmidt.
- 35:24Speaking of coming in handy. Never speak those words in front
- 35:30of me again. That's how he's found her,
- 35:37though. That might be the episode.
- 35:44Speaking of coming in handy. I'm going to lay down in front
- 35:51of a bus and I'm going to mention you by name in my
- 35:53suicide note. If Finch will look at he'll,
- 36:03he'll sort of nod at Schmidt and look back and go.
- 36:07So what? What's your plan for the Stowe
- 36:10captain? I believe she might be useful in
- 36:13helping me wrangle one of my more challenging Astor pilots.
- 36:20Not me, not me. She's shown an affinity for
- 36:26helping Ace calm himself when he is at the whims of Hyperion.
- 36:33I think ACE is just standing stock still at attention trying
- 36:39so hard. Not to so Ace is standing at
- 36:43attention and. No, no.
- 36:50There it is, I was waiting for that, joked Elaine.
- 36:52I was waiting for that. That's the name.
- 36:53That's the name of the episode standing at attention.
- 36:57God. I hate all three of you for
- 37:05different. Reasons I've not even done
- 37:08anything that bad, thank you very much.
- 37:11He's a different reasons, Nile all.
- 37:17Right. Comet, the general looks and
- 37:26goes. Do you think she can be trusted?
- 37:29I do, Sir, I do. She's proven herself formidable
- 37:34in times of crisis up until this point, and I believe that she'd
- 37:37be a useful addition to my team. In what capacity, I'm unsure.
- 37:41I don't necessarily believe there's a formal job title for
- 37:43this position as of yet, but I also believe that we are in
- 37:49unfounded territory here. He takes a deep breath and looks
- 37:53at all of you standing there, and he nods slowly and goes.
- 37:58Well, if you're vouching for her and your team vouches for her,
- 38:03we'll permit her to stay aboard without throwing her in the
- 38:05Brig. But if anything happens, it's on
- 38:08you, Captain. Understood, Sir.
- 38:11I appreciate your confidence in me and in this team.
- 38:16We wouldn't have promoted you if you hadn't proven yourself so
- 38:19far. Thank you, Sir.
- 38:22Is there anything else? No, Sir.
- 38:25Dismissed. And she fires off another salute
- 38:28and Frog marches Ace out of the room, assuming everyone else is.
- 38:32Oh, Ace is still just like, and he just like Zoiberg, walks out
- 38:36of the room. General, general, general quick,
- 38:40quick before we go. I'm just like just going to grab
- 38:43like Ace's wrenched body and pick him up and put him in front
- 38:47of General Finch and just be like, can you sign an autograph
- 38:50for this dude, man? Like.
- 38:55If Ace was not bright red before, he is now.
- 38:59There's all your trading cards, dude.
- 39:01Rex, can you get one of his trading cards here?
- 39:05Like click a finger in like the whole book like he has like a
- 39:08TCD book. You just you just see a single
- 39:12tear silently. And like, just just, if you just
- 39:19sign the whole book, then you can sell this thing.
- 39:22I'll keep it. I don't know what you do with
- 39:24these things. He the general looks very
- 39:29serious. He looks between the two of you
- 39:30and he he looks at Ace and goes don't you ever sign or don't you
- 39:34ever sell this and he'll sign your your book.
- 39:37Yes, Sir. Then I'm going, I'm going to
- 39:40look at Ace and just be like, now you owe me two and then just
- 39:43sell. Rex is like maybe a couple hours
- 40:00after the whole is that thing happens and Rex going to like
- 40:06softly wrap on the door of Cordelia's quarters, wait for it
- 40:12to respond. Come in.
- 40:16And he walks in and he's just like, look, I'm apologising for
- 40:22what happened on the island. I acted rashly and put you and
- 40:28Ace in danger and I promise you it won't happen again.
- 40:31I appreciate your apology, but I promise you it's unnecessary.
- 40:35I understand that in times of crisis your Astor takes over,
- 40:41and I understand that there are some things happening to you
- 40:43that I will never understand. I want to support you and help
- 40:48you, truly I do. And I signed up for this knowing
- 40:52full well what could happen to me.
- 40:57And Ace is a grown ass man, despite the fact that he doesn't
- 41:00always act like it. He also knew what he was signing
- 41:03up for Rex. Just know the deal I made it was
- 41:11in the fine print that nothing will happen to you or ACE.
- 41:16I appreciate that. But again, I'm telling you, Rex,
- 41:20as your friend, not as your superior.
- 41:23I care about you and what happens to you more than I care
- 41:26about what happens to me. Well, you.
- 41:29Have special gifts, Rex. And while I know that you feel
- 41:34as though you are often out of control and there are forces
- 41:38acting upon you that are, again, so far beyond my limited
- 41:42understanding, I worry about you and I care about you.
- 41:46And I know in your heart you care about us.
- 41:49And that whatever happens, come hell, come high water, we will
- 41:53be fine. We can hope.
- 41:55We can hope. We can hope.
- 41:58Now don't do any of this gooey shit with me.
- 42:01Oh, I'm I'm going to get right into some info now.
- 42:05So that portal, the big shadowy thing it came out of, there's
- 42:09going to be more of them. I'm not sure how many more, but
- 42:14Hooper, that's the the the name of the God that now inhabits my
- 42:20body. The whole story out.
- 42:21We'll have to drink. We'll have to drink to to talk
- 42:24about that one. I wouldn't have it any other
- 42:28way. He basically was doing his best
- 42:32to stop those interdimensional portals.
- 42:36I think he said they were, I can't remember from opening, but
- 42:41he was losing control and his grip.
- 42:45And when I freed him and allowed him to be part of my body, he
- 42:51had no more control over these rips in space.
- 42:57So we can expect them to have come.
- 43:02I feel like they'll probably come more frequently now.
- 43:04And that's why I've told him to get you that gun.
- 43:07Cornelia lights a cigarette. I figured as much given the
- 43:12trajectory of all of this, but I am sorry, what a burden to bear.
- 43:18That's cool. I've got to carry Ace every time
- 43:22I go into battle. So what?
- 43:26What's one more thing you know? Cheers on that, I was telling.
- 43:33You to do something and now I'm now I'm bleeding.
- 43:38I click my fingers and Ace just walks through.
- 43:43Come on, man. If you're going to say something
- 43:44today with the chef, man. Lovely to see both of you here
- 43:49in my private quarters at 11:00 PM.
- 43:53Look, man, everybody else is a bit in bed.
- 43:56This was a, this was a highly secret conversation.
- 43:59I'm, I'm not told Schmidt. I'm not told Finch.
- 44:02Only you. I'm not going to say anything,
- 44:05Rex. This is yours and you came to me
- 44:09as a friend. So, so Ace, what did you want?
- 44:14I'm not going to ask Cordelia. I I don't want to push it, but
- 44:22thank you. That's that's all I'll say.
- 44:26Of course, at the end of the day, Ace, you know the thing I
- 44:30care about most is your well-being, and I do truly
- 44:33believe that Lizette will be an asset to our team in the future.
- 44:38Not just because of whatever it was that you 2 did in the woods,
- 44:43but I would love it on record if you said right now that I am an
- 44:48excellent wing man. I mean, of course you are great.
- 44:54I don't think that term was invented, but now you you are
- 44:59the definition. Now, yes, thank you and Rex.
- 45:03So help me God, if you ever say anything about the cigarette
- 45:06ever again, I will hunt you down and kill you like an animal.
- 45:12You are not safe anywhere. You're not safe on the toilet.
- 45:14You're not safe when you're asleep.
- 45:16The what? That's fine.
- 45:17Yeah, that's bad. Don't worry about it.
- 45:19Oh, don't worry about it. Great.
- 45:21Thank you. I very much want to ask but I am
- 45:24scared for I am legitimately scared for my life if I.
- 45:27Do yeah don't, don't ask bro. I have two people in this brain
- 45:31and even I'm scared. Oh.
- 45:35Ace, I'm so sorry about the Eunice.
- 45:38She stares off into the middle distance and turns bright red
- 45:41again. I'm not.
- 45:45I don't quite understand. I'm.
- 45:47Going to be honest with you. I'm going to be honest with you,
- 45:49Ace. I thought you were going to fuck
- 45:50Gary. I.
- 45:52Also was concerned that you were going to fuck Gary and it was
- 45:55truly a concern of mine. I mean, and I'm not closing the
- 45:58door on that. I guess there's plenty of time
- 46:00for you to fuck Gary. Or was that?
- 46:04Or both? But I I don't want to know if
- 46:08you do please. As this conversation is going on
- 46:11I will have just like poured 3 beers out.
- 46:15You can. You can finally have that beer
- 46:16bro. You'd feel like you deserve it
- 46:18after. That thank God.
- 46:22Yeah, gentlemen, we've had a hell of a week.
- 46:25Hell of a week it's been. It's been a hell of a free last
- 46:28three weeks. I have no idea where we're going
- 46:31now. I feel like that whole time when
- 46:34everything was being explained, I was just not here.
- 46:38New Mexico, Rex, we're going to New Mexico.
- 46:42Oh great. Oh, we can get tacos.
- 46:44You didn't. You didn't hear that from me.
- 46:47New Mexico, Rex. Not Mexico.
- 46:49New Mexico. I think Ace raises his can of
- 46:56beer and he pops it and he says, well, through all the near death
- 47:01experiences from the Japanese and from Cordelia, there's
- 47:07nobody. There's nobody.
- 47:08That you followed into the woods.
- 47:09Don't forget about the squirrel. Yes, there's nobody in the world
- 47:17that I would rather be under under commando and great
- 47:25fighting alongside. Cheers to that.
- 47:36Ace gets back to his room. He's in bed, comfortable, and as
- 47:41he's falling asleep, you wake up in a dark, empty space, and when
- 47:49you turn around you see Hyperion standing in front of you, and
- 47:54it's I, I shouldn't say standing.
- 47:56It's on its knees, being held down by tendrils of black
- 48:00energy, and it looks at you and you hear in your head, Help Ace,
- 48:05help me. She won't stop banging on the
- 48:07back door. She got it.
- 48:32You can't see there's nothing here to because there's tape is
- 48:40never playing to the end when your fingers don't feel.
- 48:54When you're moving but you can't get closer, she won't start
- 49:02banging on the back door. She got it.
- 49:06Oh she got it now it's a meltdown.
- 49:09Scream until it lungs her sore. She got it.
- 49:13Oh she got it now Make it while you heal.
- 49:20Make it till you scream me until it's raining all the way.
- 49:25Say it to my face. She won't stop banging on the
- 49:53back door. She got it.
- 49:56Oh, oh, she got it. Now it's too hard.
- 49:59See when you're in for you're too scared of yourself.
- 50:05She won't start banging on the back door.
- 50:09She got it. Oh, oh, she got it now it's a
- 50:13meltdown stream and tell her lungs are so she got it.
- 50:17Oh, oh, she got it now.