Latest / Verbal Diorama / Elizabeth (1998)

Transcript

Elizabeth (1998) · Verbal Diorama

2:40
Hi
2:41
everyone.
2:41
I'm
2:41
Em,
2:41
and
2:42
welcome
2:42
to
2:42
verbal
2:42
diorama,
2:43
episode
2:43
291,
2:45
Elizabeth.
2:46
This
2:47
is
2:47
the
2:47
podcast
2:47
that's
2:47
all
2:47
about
2:48
the
2:48
history
2:48
and
2:48
legacy
2:49
of
2:49
movies
2:49
you
2:49
know
2:50
and
2:50
movies
2:50
you
2:50
don't.
2:51
That
2:51
may
2:51
be
2:51
a
2:51
woman,
2:52
Sir
2:52
William,
2:53
but
2:53
if
2:53
I
2:53
choose,
2:54
I
2:54
have
2:54
the
2:54
heart
2:54
of
2:55
a
2:55
man.
2:55
I
2:56
am
2:56
my
2:56
father's
2:56
daughter.
2:57
I
2:57
am
2:57
not
2:58
afraid
2:58
of
2:58
anything.
3:00
As
3:00
always,
3:01
welcome
3:01
to
3:01
Verbal
3:01
Diorama.
3:02
Whether
3:02
you
3:02
are
3:02
a
3:02
brand
3:02
new
3:03
listener
3:03
to
3:03
this
3:03
podcast,
3:04
whether
3:04
you
3:04
are
3:04
a
3:05
regular
3:05
returning
3:05
listener,
3:06
welcome
3:07
back
3:07
to
3:07
this
3:07
podcast.
3:08
Thank
3:08
you
3:09
for
3:09
being
3:09
here.
3:09
Thank
3:09
you
3:09
for
3:10
choosing
3:10
to
3:10
listen
3:10
to
3:11
this
3:11
podcast
3:12
out
3:12
of
3:12
all
3:13
of
3:13
the
3:13
movie
3:13
podcasts
3:13
you
3:14
could
3:14
possibly
3:14
be
3:14
listening
3:15
to
3:15
right
3:15
now.
3:16
I
3:16
am
3:16
so
3:16
happy
3:16
to
3:17
have
3:17
you
3:17
here
3:17
for
3:17
the
3:18
history
3:18
and
3:18
legacy
3:19
of
3:19
Elizabeth.
3:20
And
3:21
just
3:21
FYI,
3:22
I
3:22
am
3:22
currently
3:23
recovering
3:24
from
3:24
a
3:24
bit
3:24
of
3:24
a
3:24
cold,
3:25
so
3:25
my
3:26
voice
3:26
isn't
3:27
working
3:27
as
3:27
well
3:28
as
3:28
it
3:28
usually
3:28
is,
3:29
so
3:29
it's
3:29
a
3:29
little
3:29
bit
3:29
husky
3:30
today.
3:31
I
3:31
do
3:31
apologize
3:32
if
3:32
my
3:32
voice
3:32
doesn't
3:33
sound
3:34
the
3:34
same
3:34
as
3:34
it
3:34
normally
3:35
does,
3:35
and
3:35
I'm
3:36
going
3:36
to
3:36
be
3:36
editing
3:36
out
3:37
all
3:37
the
3:37
coughing
3:37
that
3:38
I'm
3:38
doing
3:38
during
3:38
this
3:38
episode.
3:39
But
3:39
of
3:40
course,
3:40
I
3:40
wanted
3:40
to
3:40
get
3:40
this
3:40
episode
3:41
recorded
3:42
as
3:42
soon
3:42
as
3:42
I
3:42
possibly
3:43
could
3:43
because
3:44
it
3:44
is
3:44
women's
3:45
history
3:45
month.
3:45
And
3:46
this
3:46
month
3:46
on
3:46
Verbal
3:47
Diorama
3:48
is
3:48
celebrating
3:49
women
3:49
from
3:50
all
3:50
walks
3:50
of
3:50
life,
3:51
from
3:52
warriors
3:53
to
3:53
queens
3:54
to
3:54
single
3:54
mothers
3:55
and
3:55
to
3:55
women
3:55
in
3:56
sport.
3:56
Last
3:57
week
3:57
we
3:57
had
3:58
the
3:58
story
3:58
of
3:58
the
3:59
warrior
3:59
women
3:59
of
4:00
Dahomey,
4:00
the
4:00
Agoji.
4:01
And
4:02
this
4:02
week,
4:02
something
4:03
a
4:03
bit
4:03
more
4:03
English,
4:04
a
4:04
bit
4:04
more
4:04
Tudor.
4:05
Huge
4:06
thank
4:06
you
4:06
to
4:06
everyone
4:07
who
4:07
listens
4:07
to
4:07
this
4:08
podcast,
4:08
has
4:09
continued
4:09
to
4:09
listen
4:10
and
4:10
support
4:10
this
4:10
podcast
4:11
over
4:11
the
4:11
last
4:11
six
4:12
years.
4:12
It
4:12
means
4:13
so
4:13
much
4:13
to
4:13
have
4:13
your
4:14
support,
4:14
and
4:14
I
4:14
really,
4:15
genuinely
4:15
am
4:15
very
4:15
grateful
4:16
that
4:16
you
4:16
are
4:17
listening
4:17
to
4:17
this
4:17
podcast,
4:18
and
4:18
even
4:18
I
4:18
can
4:19
tell
4:19
that
4:19
my
4:19
voice
4:19
isn't
4:20
right.
4:20
So
4:21
I'm
4:21
hoping
4:21
that
4:22
this
4:22
record
4:22
comes
4:22
out
4:22
okay.
4:23
But
4:24
one
4:24
of
4:24
the
4:24
reasons
4:25
that
4:25
I
4:25
wanted
4:25
to
4:26
cover
4:26
Women's
4:26
History
4:27
Month
4:27
is
4:28
obviously
4:28
as
4:28
a
4:29
woman
4:29
myself
4:30
in
4:30
podcasting
4:31
and
4:31
just
4:31
generally
4:31
as
4:32
a
4:32
woman,
4:32
I
4:32
am
4:33
inspired
4:33
by
4:34
all
4:34
sorts
4:34
of
4:35
women
4:35
from
4:35
all
4:36
different
4:36
cultures,
4:37
all
4:37
religions,
4:38
all
4:38
professions.
4:39
And
4:40
it
4:40
made
4:40
complete
4:40
sense
4:41
to
4:41
me
4:41
to
4:41
focus
4:41
on
4:41
women
4:42
in
4:42
film.
4:43
And
4:43
not
4:43
only
4:43
women
4:44
in
4:44
film,
4:44
but
4:45
true
4:45
stories
4:46
of
4:46
women
4:46
put
4:47
to
4:47
film.
4:48
Because
4:48
that's
4:48
what
4:48
Women's
4:48
History
4:49
Month
4:49
is
4:49
all
4:49
about.
4:50
It's
4:50
all
4:50
about
4:50
celebrating
4:51
those
4:51
true
4:51
stories
4:52
of
4:53
the
4:53
women
4:53
who
4:53
came
4:53
before
4:54
us
4:54
and
4:54
who
4:54
inspired
4:55
virus
4:55
and
4:56
basically
4:56
who
4:56
shaped
4:57
the
4:57
world
4:57
for
4:58
women
4:59
like
4:59
me
4:59
and
5:00
Girls
5:00
today
5:01
in
5:01
2025.
5:03
Now,
5:03
if
5:03
you've
5:03
listened
5:03
to
5:04
my
5:04
previous
5:04
episode
5:05
on
5:05
the
5:05
Woman
5:05
King,
5:06
you'll
5:06
remember
5:07
I
5:07
mentioned
5:07
the
5:07
heavy
5:08
criticism
5:08
it
5:09
got
5:09
for
5:09
being
5:10
inaccurate.
5:11
But
5:11
the
5:11
movie
5:11
Elizabeth
5:12
said,
5:13
hold
5:13
my
5:13
beer,
5:14
because
5:14
there
5:15
are
5:15
things
5:15
in
5:15
this
5:15
movie
5:16
that
5:16
either
5:16
didn't
5:16
happen
5:17
at
5:17
all
5:17
or
5:18
didn't
5:18
happen
5:18
at
5:19
the
5:19
start
5:19
of
5:19
her
5:19
reign
5:20
when
5:20
this
5:20
movie
5:21
is
5:21
depicted.
5:22
I
5:22
find
5:23
this
5:23
movie
5:23
completely
5:24
fascinating.
5:24
I
5:25
absolutely
5:25
love
5:25
this
5:26
movie.
5:26
I
5:26
think
5:26
it
5:26
is
5:26
great.
5:27
I
5:27
think
5:27
Cate
5:28
Blanchett
5:28
is
5:28
great.
5:29
But
5:30
let's
5:30
go
5:30
into
5:31
it,
5:31
inaccuracies
5:32
and
5:32
all.
5:32
Here's
5:33
the
5:33
trailer
5:33
for
5:34
Elizabeth.
8:15
When
8:15
her
8:15
Catholic
8:16
half
8:16
sister,
8:16
Queen
8:17
Mary
8:17
I,
8:18
dies,
8:18
the
8:18
line
8:19
of
8:19
succession
8:20
goes
8:20
to
8:20
Elizabeth,
8:21
the
8:21
Protestant
8:22
half
8:22
sister
8:23
Mary
8:23
was
8:23
not
8:24
prepared
8:24
to
8:24
execute.
8:25
The
8:26
new
8:26
queen
8:26
finds
8:26
herself
8:27
surrounded
8:27
by
8:27
advisors,
8:28
some
8:29
supportive,
8:30
but
8:30
some
8:30
plotting
8:30
to
8:31
restore
8:31
the
8:31
Catholic
8:32
line
8:32
by
8:32
almost
8:32
any
8:33
means.
8:33
She's
8:34
also
8:34
under
8:34
pressure
8:35
to
8:35
marry
8:35
and
8:35
produce
8:36
an
8:36
heir.
8:36
But
8:37
her
8:37
lover,
8:37
Lord
8:37
Robert
8:38
Dudley,
8:38
is
8:38
not
8:39
considered
8:39
suitable.
8:40
Elizabeth
8:41
realises
8:41
she
8:41
has
8:42
some
8:42
decisions
8:42
to
8:42
make,
8:43
the
8:43
most
8:43
important
8:44
being
8:44
the
8:45
running
8:45
of
8:45
her
8:45
beloved
8:46
England.
8:47
Let's
8:48
run
8:48
through
8:48
the
8:48
cast
8:48
of
8:48
this
8:49
movie.
8:49
We
8:49
have
8:50
Kate
8:50
Blanchetti
8:51
as
8:51
Queen
8:51
Elizabeth
8:52
First
8:52
Geoffrey
8:53
Rush
8:53
as
8:54
Francis
8:54
Walsingham,
8:55
Joseph
8:56
Fiennes
8:56
as
8:56
Robert
8:57
Dudley,
8:57
the
8:57
first
8:58
earn
8:58
of
8:58
Leicester.
8:59
Richard
8:59
Attenborough
9:00
as
9:00
William
9:00
Cecil,
9:01
1st
9:01
Baron
9:02
Burleigh.
9:03
Christopher
9:03
Eccleston
9:04
as
9:04
Thomas
9:04
Howard,
9:05
4th
9:05
Duke
9:05
of
9:06
Norfolk
9:07
James
9:07
Frayne
9:08
as
9:08
Alvaro
9:08
de
9:08
la
9:09
Cuadra
9:10
Eric
9:10
Cantona
9:11
as
9:11
Paul
9:11
de
9:12
Foy
9:12
Vincent
9:13
Cassel
9:13
as
9:14
Henry,
9:14
Duke
9:15
of
9:15
Anjou
9:16
Cathy
9:16
Burke
9:17
as
9:17
Queen
9:17
Mary
9:17
I
9:18
Fanny
9:19
Ardent
9:19
as
9:19
Mary
9:20
of
9:20
Guise
9:21
Emily
9:21
Mortimer
9:22
as
9:22
Kat
9:22
Ashley,
9:23
Kelly
9:23
McDonald
9:24
as
9:24
Isabel
9:25
Knollys
9:26
Jamie
9:26
Foreman
9:27
as
9:27
the
9:27
Earl
9:27
of
9:27
Sussex,
9:28
Daniel
9:29
Craig
9:29
as
9:29
John
9:30
Ballard
9:30
and
9:31
John
9:31
Gielgud
9:31
as
9:32
Pope
9:32
Pius
9:33
V.
9:34
Elizabeth
9:35
was
9:35
written
9:35
by
9:35
Michael
9:36
Hurst
9:36
and
9:36
directed
9:37
by
9:37
Shekhar
9:38
Kapur.
9:39
So
9:39
as
9:40
I
9:40
mentioned,
9:40
the
9:40
last
9:40
episode
9:41
of
9:41
this
9:41
podcast
9:41
was
9:41
on
9:42
the
9:42
Woman
9:42
King,
9:43
a
9:43
truly
9:44
incredible
9:44
historical
9:45
epic
9:45
that
9:45
is
9:46
a
9:46
must
9:46
watch
9:46
if
9:47
you've
9:47
not
9:47
seen
9:47
it
9:48
and
9:48
then
9:48
the
9:48
episode
9:49
is
9:49
then
9:49
a
9:49
must
9:50
listen.
9:50
Nudge,
9:50
nudge,
9:50
wink,
9:51
wink.
9:51
But
9:52
that
9:52
movie
9:53
got
9:53
quite
9:54
a
9:54
lot
9:54
of
9:54
criticism
9:55
levied
9:55
towards
9:56
it
9:56
for
9:56
historical
9:57
inaccuracy.
9:59
It's
9:59
true,
9:59
the
9:59
movie
10:00
doesn't
10:00
exactly
10:00
represent
10:01
the
10:01
true
10:01
horrors
10:02
of
10:02
the
10:02
Atlantic
10:02
slave
10:03
trade
10:03
happening
10:03
at
10:04
the
10:04
time,
10:04
but
10:05
the
10:05
timeline
10:05
is
10:06
at
10:06
least
10:06
fairly
10:06
accurate
10:07
to
10:07
the
10:07
kingdom
10:07
of
10:07
Dahomey
10:08
in
10:08
1823.
10:11
So
10:11
we
10:12
move
10:12
on
10:12
to
10:12
Elizabeth,
10:13
from
10:13
the
10:13
woman
10:13
King
10:14
to
10:14
the
10:14
Virgin
10:14
Queen.
10:15
Or
10:16
was
10:16
she?
10:17
The
10:17
movie
10:17
does
10:17
seem
10:18
to
10:18
suggest
10:18
otherwise.
10:19
Good
10:19
for
10:19
her.
10:20
But
10:20
as
10:20
a
10:20
holy
10:20
British
10:21
podcast
10:21
with
10:21
their
10:22
British
10:22
host
10:22
who
10:23
used
10:23
to
10:23
live
10:23
in
10:24
the
10:24
town
10:24
where
10:24
Queen
10:25
Elizabeth
10:25
I
10:26
famously
10:26
Visited
10:27
Robert
10:27
dudley
10:28
for
10:28
a
10:28
19
10:29
day
10:29
party.
10:30
I
10:30
feel
10:30
like
10:31
I
10:31
am
10:31
somewhat
10:32
qualified
10:32
to
10:32
tell
10:33
the
10:33
story
10:33
of
10:33
Elizabeth
10:34
and
10:34
how
10:35
an
10:35
Indian
10:35
and
10:36
an
10:36
Australian
10:37
came
10:37
together
10:37
to
10:38
tell
10:38
a
10:38
lavish,
10:38
dynamic
10:39
version
10:39
of
10:39
the
10:40
story,
10:40
full
10:41
of
10:41
the
10:41
emotions
10:41
and
10:42
essence
10:42
of
10:42
history.
10:43
As
10:43
Shekhar
10:44
Kapoor
10:44
put
10:45
it,
10:45
Elizabeth,
10:46
the
10:46
real
10:47
queen,
10:47
has
10:48
mostly
10:48
been
10:48
revered
10:49
throughout
10:49
history
10:50
as
10:50
not
10:50
only
10:50
one
10:51
of
10:51
our
10:51
country's
10:51
longest
10:52
serving
10:52
monarchs
10:53
with
10:53
a
10:54
44
10:54
year,
10:54
127
10:55
day
10:56
reign,
10:56
she
10:56
was
10:57
also
10:57
the
10:57
last
10:57
Tudor
10:58
monarch
10:58
and
10:59
her
10:59
reign
10:59
and
10:59
its
11:00
effect
11:00
on
11:00
history
11:00
and
11:01
culture
11:01
would
11:02
lead
11:02
to
11:02
an
11:02
entire
11:03
era
11:03
being
11:03
named
11:04
after
11:04
her.
11:04
The
11:04
Elizabethan.
11:05
Unlike
11:06
her
11:06
father,
11:07
whose
11:07
history
11:07
has
11:08
been
11:08
somewhat
11:08
revisioned
11:09
throughout,
11:10
Elizabeth's
11:10
has
11:11
not.
11:11
While
11:12
during
11:12
his
11:12
reign
11:13
he
11:13
was
11:13
feared
11:13
and
11:14
adored,
11:14
Henry
11:15
VIII
11:15
was
11:16
actually
11:16
a
11:17
bit
11:17
of
11:17
a
11:17
swine
11:18
and
11:18
certain
11:18
modern
11:19
historians
11:19
tend
11:20
to
11:20
focus
11:20
more
11:20
on
11:20
the
11:21
many
11:21
negative
11:21
things
11:22
he
11:22
did,
11:22
such
11:23
as
11:23
his
11:23
many
11:23
wives
11:24
and
11:24
divorcing,
11:25
beheading
11:25
died.
11:26
Divorcing,
11:26
beheading
11:27
survived.
11:28
But
11:28
Henry
11:28
VIII's
11:29
reign
11:29
did
11:29
ultimately
11:30
influence
11:30
Elizabeth.
11:31
She
11:32
had
11:32
no
11:32
memory
11:32
of
11:32
her
11:33
mother,
11:33
Anne
11:33
Boleyn,
11:34
who
11:34
was
11:34
beheaded
11:35
for
11:35
adultery
11:35
when
11:36
Elizabeth
11:36
was
11:36
2
11:36
years
11:37
old.
11:37
Like
11:38
her
11:38
father,
11:38
she
11:39
was
11:39
highly
11:39
intelligent.
11:40
Unlike
11:41
him,
11:41
she
11:41
was
11:41
vivacious
11:42
and
11:42
energetic.
11:43
She
11:43
was
11:44
fluent
11:44
in
11:44
six
11:44
languages,
11:45
including
11:46
Latin,
11:46
Greek,
11:47
French
11:47
and
11:48
Italian.
11:49
She
11:49
once
11:49
remarked
11:50
to
11:50
an
11:50
ambassador
11:50
that
11:50
she
11:51
knew
11:51
many
11:51
languages
11:52
better
11:52
than
11:52
her
11:53
own.
11:53
She
11:53
was
11:54
educated
11:54
in
11:54
theology,
11:55
history,
11:56
philosophy
11:57
and
11:57
rhetoric
11:57
and
11:58
was
11:58
an
11:58
accomplished
11:59
sportswoman.
12:00
She
12:00
wasn't
12:01
quite
12:01
the
12:01
wallflower
12:02
the
12:02
movie
12:02
makes
12:03
her
12:03
out
12:03
to
12:03
be.
12:03
Henry
12:04
VIII
12:04
was
12:05
the
12:05
one
12:05
who
12:05
originally
12:06
broke
12:06
from
12:06
Rome
12:07
to
12:07
annul
12:07
his
12:07
first
12:08
marriage
12:08
to
12:08
Catherine
12:09
of
12:09
Aragon
12:09
to
12:10
marry
12:10
Elizabeth's
12:11
mother,
12:11
Anne
12:11
Boleyn.
12:12
This
12:12
decision
12:13
was
12:13
retracted
12:13
when
12:14
his
12:14
Catholic
12:14
eldest
12:15
daughter,
12:15
Mary
12:15
I,
12:16
ascended
12:16
the
12:17
throne.
12:17
Mary
12:18
was
12:18
known
12:18
to
12:18
have
12:19
executed
12:19
300
12:20
heretics
12:21
and
12:21
was
12:21
referred
12:22
to
12:22
as
12:22
Bloody
12:23
mary.
12:23
She
12:24
was
12:24
37
12:25
when
12:25
she
12:25
became
12:25
Queen.
12:26
She
12:26
was
12:26
the
12:27
first
12:27
Queen
12:27
to
12:27
become
12:28
Queen
12:28
in
12:28
her
12:28
own
12:28
right
12:29
and
12:29
not
12:29
as
12:30
Queen
12:30
consort,
12:31
marrying
12:31
Philip
12:32
II
12:32
of
12:32
Spain
12:33
the
12:33
following
12:33
year
12:34
purely
12:34
to
12:35
secure
12:35
the
12:35
Catholic
12:35
reign,
12:36
but
12:36
also
12:37
in
12:37
order
12:37
to
12:38
prevent
12:38
Elizabeth,
12:39
a
12:39
Protestant,
12:40
to
12:41
ever
12:41
become
12:41
queen.
12:42
At
12:42
this
12:43
point,
12:43
Elizabeth
12:44
was
12:44
imprisoned
12:44
in
12:44
1554
12:46
and
12:46
spent
12:46
a
12:46
year
12:47
under
12:47
house
12:47
arrest.
12:48
Under
12:48
the
12:49
Third
12:49
Succession
12:49
act,
12:50
passed
12:50
in
12:50
1543
12:51
by
12:51
the
12:52
parliament
12:52
of
12:52
England,
12:53
Elizabeth
12:54
was
12:54
recognised
12:54
as
12:55
Mary's
12:55
heir
12:56
unless
12:57
Mary
12:57
were
12:57
to
12:57
have
12:58
a
12:58
child.
12:59
In
12:59
1555,
13:00
Elizabeth
13:01
returned
13:01
to
13:01
court
13:02
to
13:02
await
13:02
and
13:03
witness
13:03
the
13:03
impending
13:04
birth
13:04
of
13:04
Mary's
13:05
child.
13:05
However,
13:06
Mary
13:07
wasn't
13:07
pregnant.
13:08
In
13:08
1558,
13:09
after
13:10
another
13:10
phantom
13:10
pregnancy,
13:11
Elizabeth
13:12
became
13:12
Queen
13:13
upon
13:13
Mary's
13:14
death
13:14
on
13:14
17
13:16
November
13:16
1558.
13:17
It's
13:18
worth
13:18
adding
13:18
at
13:18
this
13:19
point
13:19
that
13:19
the
13:19
Timeline
13:20
of
13:20
this
13:20
movie
13:20
is
13:20
heavily
13:20
compressed
13:21
and
13:21
rearranged.
13:22
Events
13:23
that
13:23
occurred
13:23
over
13:23
many
13:24
years
13:24
are
13:24
presented
13:24
as
13:25
happening
13:25
within
13:25
a
13:25
short
13:26
period.
13:26
It
13:27
simplifies
13:27
years
13:28
of
13:28
intricate
13:29
diplomatic
13:29
and
13:29
religious
13:30
maneuvering
13:31
into
13:31
a
13:31
more
13:32
straightforward,
13:33
dramatic
13:33
confrontation.
13:34
Some
13:35
events
13:35
in
13:35
this
13:35
movie
13:36
just
13:36
didn't
13:37
happen
13:37
at
13:37
all.
13:38
So
13:38
let's
13:39
go
13:39
through
13:39
quickly
13:40
what
13:40
is
13:40
fact
13:41
and
13:41
what
13:41
is
13:41
fiction
13:41
in
13:42
this
13:42
movie.
13:43
Robert
13:44
Dudley
13:44
was
13:45
indeed
13:45
Elizabeth's
13:46
favorite
13:46
and
13:46
one
13:47
of
13:47
her
13:47
most
13:47
trusted
13:47
advisors
13:48
and
13:48
friends.
13:49
He
13:49
never
13:49
betrayed
13:50
her
13:50
by
13:50
being
13:50
secretly
13:51
married,
13:52
nor
13:52
did
13:52
he
13:52
commit
13:53
treason
13:53
by
13:53
working
13:54
with
13:54
the
13:54
Spanish
13:54
ambassador.
13:55
In
13:56
reality,
13:56
he
13:57
remained
13:57
one
13:57
of
13:57
her
13:57
most
13:57
trusted
13:58
advisors
13:59
throughout
13:59
her
13:59
reign,
14:00
as
14:00
she
14:00
knew
14:00
of
14:00
his
14:01
marriage
14:01
to
14:01
Amy
14:02
Dudley.
14:02
Amy
14:03
Dudley
14:03
actually
14:04
died
14:04
in
14:04
mysterious
14:05
circumstances
14:06
in
14:06
1560,
14:07
and
14:07
there
14:07
were
14:08
rumours
14:08
that
14:08
Elizabeth
14:09
knew
14:09
and
14:10
that
14:10
she
14:10
would
14:10
consider
14:11
marrying
14:11
Dudley
14:12
should
14:12
his
14:12
wife
14:13
die.
14:13
After
14:14
Amy
14:14
Dudley's
14:15
violent
14:15
death,
14:15
though,
14:16
Elizabeth
14:17
couldn't
14:17
risk
14:17
her
14:17
reputation
14:18
by
14:18
marrying
14:19
him.
14:19
Whether
14:20
they
14:20
did
14:20
sleep
14:20
together
14:21
or
14:21
not,
14:21
we'll
14:22
never
14:22
truly
14:22
know
14:22
for
14:23
sure,
14:23
but
14:23
the
14:23
movie
14:24
makes
14:24
clear
14:24
that
14:24
she
14:24
did
14:25
and
14:25
then
14:25
chose
14:25
to
14:26
reclaim
14:26
her
14:26
virginity
14:27
by
14:27
being
14:27
married
14:28
to
14:28
England.
14:29
In
14:29
reality,
14:30
the
14:30
rumors
14:30
of
14:30
her
14:30
entanglement
14:31
with
14:31
Dudley
14:32
were
14:32
damaging
14:32
and
14:32
almost
14:33
cost
14:33
her
14:33
the
14:33
throne.
14:34
No
14:34
man
14:35
is
14:35
worth
14:35
that
14:35
hassle,
14:36
not
14:36
even
14:36
Joseph
14:37
Fiennes
14:37
in
14:37
a
14:38
flowing
14:38
shirt.
14:39
Many
14:39
historians
14:40
think
14:40
that
14:40
the
14:40
whole
14:41
Virgin
14:41
Queen
14:41
title
14:42
was
14:42
literally
14:43
just
14:43
branding.
14:44
But
14:44
maybe
14:45
Elizabeth
14:45
was
14:45
the
14:46
influencer
14:46
of
14:46
her
14:46
day
14:47
and
14:47
that
14:47
it
14:47
was
14:48
all
14:48
just
14:48
clever
14:48
Tudor
14:49
propaganda.
14:50
There
14:50
were
14:50
rumors
14:51
Elizabeth
14:51
did
14:51
have
14:51
children
14:52
too,
14:52
and
14:53
several
14:53
people
14:53
were
14:53
imprisoned
14:54
for
14:54
suggesting
14:55
she
14:55
had.
14:56
Author
14:56
Henry
14:56
Hawking
14:57
said
14:57
of
14:57
Robert
14:58
Dudley
14:58
in
14:58
1581,
15:00
quote,
15:00
that
15:00
my
15:01
lord,
15:01
Robert
15:01
hath
15:02
five
15:02
children
15:02
by
15:03
the
15:03
queen,
15:03
and
15:04
she
15:04
never
15:04
goeth
15:05
in
15:05
progress
15:05
but
15:05
to
15:06
be
15:06
delivered.
15:07
Meaning
15:08
that
15:08
her
15:08
many
15:09
tours
15:09
of
15:09
the
15:09
country
15:10
were
15:10
to
15:10
hide
15:11
her
15:11
pregnancies.
15:12
Many
15:12
unwanted
15:13
royal
15:13
children
15:14
were
15:14
brought
15:14
up
15:14
in
15:14
the
15:15
houses
15:15
of
15:15
noblemen
15:16
as
15:16
changeling
15:17
children.
15:17
Usually
15:18
this
15:18
happened
15:18
by
15:19
male
15:19
monarchs,
15:20
but
15:20
who's
15:21
to
15:21
say
15:21
that
15:21
Elizabeth
15:22
also
15:22
didn't
15:22
do
15:22
the
15:23
same?
15:23
Many
15:24
historians,
15:24
though,
15:25
believe
15:25
she
15:25
did
15:26
indeed
15:26
remain
15:26
childless
15:27
for
15:27
her
15:27
entire
15:28
life.
15:29
William
15:29
Cecil
15:30
wasn't
15:30
an
15:31
elderly
15:31
man.
15:31
He
15:31
was
15:31
only
15:32
13
15:32
years
15:32
older
15:33
than
15:33
Elizabeth.
15:34
His
15:34
support
15:34
for
15:35
her
15:35
was
15:35
kept
15:35
secret.
15:36
But
15:36
he
15:36
was
15:36
also
15:37
the
15:37
administrator
15:37
of
15:38
her
15:38
lands,
15:38
so
15:39
they
15:39
didn't
15:39
need
15:39
to
15:39
meet
15:40
in
15:40
secret.
15:40
Elizabeth
15:41
never
15:41
forced
15:42
him
15:42
into
15:42
retirement.
15:43
Him
15:43
becoming
15:44
Lord
15:44
Burnie
15:44
wasn't
15:45
for
15:45
his
15:45
retirement,
15:46
and
15:46
the
15:46
following
15:47
year
15:47
he
15:47
was
15:47
given
15:47
more
15:48
power
15:48
at
15:48
court
15:49
as
15:49
Lord
15:49
Treasurer.
15:50
Similarly,
15:51
Cat
15:51
Ashley,
15:52
Elizabeth's
15:53
chief
15:53
lady
15:53
in
15:53
waiting,
15:54
wasn't
15:54
her
15:55
age,
15:55
but
15:55
actually
15:55
older
15:56
than
15:56
Elizabeth
15:57
and
15:57
was
15:57
a
15:57
mother
15:58
figure
15:58
rather
15:58
than
15:59
a
15:59
friend.
16:00
Isabel
16:00
Knollys
16:01
and
16:01
Lettuce
16:01
Howard
16:02
didn't
16:02
exist
16:02
but
16:03
Lettuce
16:03
Knollys
16:04
did.
16:04
She
16:05
ended
16:05
up
16:05
marrying
16:06
Robert
16:06
Dudley.
16:07
There
16:07
was
16:07
no
16:08
poisoned
16:08
dress.
16:08
It
16:09
was
16:09
entirely
16:09
fabricated.
16:12
Holding
16:12
for
16:12
applause
16:13
there.
16:13
While
16:13
Elizabeth
16:14
did
16:14
have
16:14
assassination
16:15
plots
16:15
against
16:16
her,
16:16
mostly
16:17
to
16:17
remove
16:17
her
16:17
as
16:18
Queen
16:18
in
16:18
favor
16:19
of
16:19
her
16:19
Catholic
16:19
cousin,
16:20
Mary,
16:20
Queen
16:20
of
16:21
Scots,
16:21
nothing
16:22
ever
16:22
materialized.
16:24
Okay,
16:25
I'll
16:25
stop
16:25
now.
16:26
Most
16:26
people
16:26
had
16:27
her
16:27
death
16:27
as
16:27
a
16:27
par
16:28
for
16:28
the
16:28
course,
16:28
and
16:29
there
16:29
were
16:29
plenty
16:29
of
16:29
opportunities
16:30
to
16:30
do
16:30
it,
16:31
like
16:31
the
16:31
Northern
16:32
earls
16:32
Rebellion
16:32
of
16:33
1569,
16:34
the
16:34
Ridolfi
16:35
plot
16:35
of
16:35
1571,
16:37
Throckmorton
16:37
plot
16:38
of
16:38
1583,
16:39
and
16:39
the
16:39
Babington
16:40
plot,
16:41
1585.
16:42
The
16:42
Duke
16:42
of
16:42
Norfolk
16:43
did
16:43
plan
16:44
to
16:44
marry
16:44
Mary,
16:45
Queen
16:45
of
16:45
Scots,
16:46
and
16:46
he
16:46
ended
16:46
up
16:46
imprisoned.
16:47
But
16:47
on
16:48
his
16:48
release,
16:48
he
16:48
became
16:49
embroiled
16:49
in
16:49
another
16:50
plot
16:50
to
16:50
dethrone
16:50
Elizabeth,
16:51
and
16:51
he
16:52
was
16:52
executed
16:53
for
16:53
it.
16:54
Francis
16:54
Walsingham
16:55
was
16:55
exiled
16:56
as
16:56
a
16:56
Protestant
16:56
and
16:57
returned
16:57
as
16:57
a
16:57
minor
16:58
politician
16:59
before
16:59
becoming
16:59
Elizabeth's
17:00
spymaster.
17:01
About
17:01
10
17:01
years
17:02
into
17:02
her
17:02
reign,
17:03
he
17:03
did
17:03
dissolve
17:04
numerous
17:04
plots
17:05
against
17:05
the
17:05
Queen,
17:06
including
17:06
one
17:06
which
17:07
saw
17:07
the
17:07
execution
17:08
of
17:08
the
17:08
Duke
17:08
of
17:08
Norfolk.
17:09
But
17:09
he
17:10
didn't
17:10
murder
17:11
Mary
17:11
of
17:11
Guise.
17:12
She
17:12
fell
17:12
suddenly
17:13
ill
17:13
and
17:13
died
17:13
of
17:14
dropsy,
17:14
which
17:14
is
17:15
basically
17:15
fluid
17:16
retention.
17:17
Mary
17:17
of
17:17
Guise
17:18
was
17:18
related
17:18
to
17:18
the
17:18
Duke
17:19
of
17:19
Anjou,
17:19
but
17:19
very
17:20
distantly.
17:21
Henry,
17:21
Duke
17:22
of
17:22
Anjou,
17:22
who
17:22
would
17:23
become
17:23
King.
17:23
Henry
17:24
III
17:24
of
17:24
France
17:25
never
17:25
actually
17:26
traveled
17:26
to
17:26
England
17:27
to
17:27
call
17:27
the
17:27
Queen
17:28
that
17:28
on.
17:28
It
17:29
fell
17:29
instead
17:29
to
17:29
his
17:30
younger
17:30
brother,
17:30
Francois,
17:31
who
17:32
became
17:32
Duke
17:32
of
17:32
Anjou
17:33
in
17:33
1576
17:34
and
17:35
was
17:35
the
17:35
only
17:35
one
17:36
of
17:36
Elizabeth's
17:36
many
17:37
suitors
17:37
to
17:37
court
17:37
her
17:38
in
17:38
person.
17:39
But
17:39
this
17:39
happened
17:40
much
17:40
later
17:40
in
17:40
Elizabeth's
17:41
reign,
17:41
when
17:42
she
17:42
was
17:42
46
17:43
and
17:43
he
17:44
was
17:44
24,
17:45
and
17:46
Elizabeth
17:46
did
17:46
not
17:46
shave
17:47
her
17:47
head,
17:47
put
17:47
on
17:48
white
17:48
makeup
17:48
and
17:48
begin
17:49
England's
17:49
golden
17:50
age
17:50
dressed
17:50
as
17:51
Gloriana,
17:51
the
17:52
Virgin
17:52
Queen.
17:53
Four
17:53
years
17:53
into
17:53
her
17:54
reign,
17:54
she
17:54
caught
17:54
smallpox
17:55
and
17:56
the
17:56
scarring
17:56
was
17:56
so
17:57
bad
17:57
she
17:57
covered
17:57
it
17:58
with
17:58
white
17:58
makeup,
17:59
which
17:59
was
17:59
actually
18:00
carcinogenic.
18:01
The
18:01
actual
18:02
golden
18:02
age
18:03
came
18:03
30
18:03
years
18:04
into
18:04
her
18:04
reign
18:05
with
18:05
the
18:05
defeat
18:05
of
18:05
the
18:06
Spanish
18:06
Armada,
18:07
or
18:07
alternatively,
18:08
in
18:08
2007,
18:09
with
18:09
the
18:09
release
18:10
of
18:10
the
18:10
sequel,
18:10
Elizabeth,
18:11
the
18:11
Golden
18:12
Age.
18:13
Now,
18:13
of
18:13
course,
18:13
all
18:14
of
18:14
this
18:14
doesn't
18:14
mean
18:14
that
18:15
everything
18:15
isn't
18:15
accurate,
18:16
though
18:16
the
18:17
general
18:17
political
18:17
tension
18:18
between
18:18
Catholics
18:19
and
18:19
Protestants
18:19
at
18:20
the
18:20
time
18:20
is
18:21
simplified
18:21
but
18:22
fairly
18:22
true
18:22
to
18:22
life.
18:23
The
18:23
threat
18:24
from
18:24
Francis,
18:24
Mary
18:25
of
18:25
Guise,
18:25
and
18:26
of
18:26
a
18:26
possible
18:26
overthrow
18:27
by
18:27
her
18:27
daughter,
18:28
Mary,
18:28
Queen
18:28
of
18:29
Scots,
18:29
was
18:30
a
18:30
real
18:30
concern.
18:30
During
18:31
Elizabeth's
18:31
early
18:32
reign,
18:32
there
18:33
was
18:33
heavy
18:33
pressure
18:33
from
18:34
the
18:34
court
18:34
and
18:34
Elizabeth's
18:35
closest
18:35
advisors
18:36
to
18:36
marry
18:37
and
18:37
produce
18:37
an
18:38
heir
18:38
as
18:38
soon
18:38
as
18:38
possible
18:39
with
18:39
her
18:40
late
18:40
half
18:40
sister,
18:41
Mary's
18:41
widower,
18:42
the
18:42
Catholic
18:42
Philip
18:43
II
18:43
of
18:43
Spain.
18:44
One
18:44
of
18:44
the
18:44
frontrunners,
18:45
Elizabeth
18:46
was
18:46
seen
18:47
to
18:47
be
18:47
considering
18:47
the
18:48
offers
18:48
of
18:48
marriage,
18:49
but
18:49
she
18:49
knew
18:50
that
18:50
as
18:50
soon
18:50
as
18:50
she
18:51
took
18:51
her
18:51
husband,
18:52
her
18:52
power
18:52
would
18:52
be
18:53
immediately
18:53
diminished,
18:54
which
18:54
is
18:55
exactly
18:55
what
18:55
had
18:55
happened
18:56
to
18:56
her
18:56
elder
18:57
sister
18:57
Mary.
18:58
The
18:59
excommunication
18:59
from
18:59
the
19:00
Vatican
19:00
was
19:00
a
19:00
response
19:01
to
19:01
Elizabeth's
19:01
religious
19:02
policies
19:02
over
19:03
more
19:03
than
19:03
a
19:03
decade,
19:04
rather
19:04
than
19:05
an
19:05
immediate
19:05
reaction
19:06
to
19:06
her
19:06
coronation
19:06
as
19:07
depicted
19:07
in
19:07
the
19:07
movie.
19:08
England
19:09
was
19:09
excommunicated
19:10
by
19:10
Pope
19:10
pius
19:11
V
19:11
in
19:12
1570,
19:13
about
19:13
12
19:14
years
19:14
into
19:14
Elizabeth's
19:15
reign.
19:15
This
19:16
declared
19:16
her
19:16
illegitimate
19:17
as
19:17
queen,
19:18
release
19:18
her
19:19
subjects
19:19
from
19:19
any
19:19
allegiance
19:20
to
19:20
her,
19:21
and
19:21
encourage
19:21
Catholics
19:22
to
19:22
depose
19:23
her.
19:23
There
19:24
was
19:24
basically
19:25
a
19:25
bounty
19:25
on
19:26
Elizabeth's
19:26
head
19:26
from
19:27
the
19:27
head
19:27
of
19:27
the
19:27
Catholic
19:28
Church.
19:29
The
19:29
excommunication
19:30
came
19:30
after
19:30
Elizabeth
19:31
had
19:31
already
19:31
established
19:32
the
19:32
Protestant
19:33
Church
19:33
of
19:33
England
19:33
and
19:34
implemented
19:34
religious
19:35
settlements
19:35
that
19:36
restored
19:36
Protestant
19:37
practices
19:37
after
19:38
her
19:38
Catholic
19:38
sister
19:39
Mary's
19:39
reign.
19:40
It
19:40
had
19:41
significant
19:41
consequences
19:42
for
19:42
English
19:42
Catholics,
19:43
though,
19:43
forcing
19:44
them
19:44
to
19:44
choose
19:44
between
19:45
religious
19:45
loyalty
19:46
to
19:46
Rome
19:46
and
19:47
political
19:47
loyalty
19:48
to
19:48
the
19:48
queen.
19:49
It
19:49
also
19:49
increased
19:50
tensions
19:50
between
19:51
England
19:51
and
19:51
Catholic
19:52
powers
19:52
like
19:52
Spain,
19:53
contributing
19:54
to
19:54
the
19:54
political
19:54
climate
19:55
that
19:55
eventually
19:56
led
19:56
to
19:56
the
19:56
Spanish
19:57
Armada
19:57
in
19:57
1588.
19:59
The
19:59
woman
20:00
king
20:00
doesn't
20:01
look
20:01
quite
20:01
so
20:02
inaccurate
20:02
now,
20:03
right?
20:04
I'm
20:04
being
20:04
a
20:04
little
20:04
facetious
20:05
here,
20:05
but
20:06
my
20:06
point
20:06
being
20:06
historical
20:07
accuracy
20:08
isn't
20:08
something
20:09
movies
20:09
like
20:09
this
20:09
are
20:09
particularly
20:10
known
20:10
for.
20:11
Michael
20:11
Hirst
20:12
was
20:12
tasked
20:12
with
20:12
writing
20:13
a
20:13
biographical
20:14
historical
20:14
drama,
20:15
but
20:15
it
20:15
also
20:15
had
20:16
to
20:16
be
20:16
compelling
20:16
and
20:17
interesting.
20:17
So
20:18
some
20:18
events
20:18
were
20:18
made
20:18
up,
20:19
some
20:19
were
20:19
moved
20:19
around,
20:20
but
20:20
the
20:20
focus
20:21
was
20:21
always
20:21
on
20:22
Elizabeth
20:22
and
20:23
how
20:23
she
20:23
grew
20:24
into
20:24
becoming
20:24
the
20:24
influential
20:25
queen
20:26
she
20:26
became.
20:27
Director
20:28
Shekhar
20:28
Kapur
20:29
was
20:29
known
20:29
for
20:29
his
20:29
cult
20:30
classic
20:30
debut,
20:30
Massoum,
20:31
in
20:31
1983,
20:32
and
20:33
then
20:33
gained
20:33
widespread
20:34
international
20:34
recognition
20:35
with
20:35
Bandit
20:36
Queen,
20:36
the
20:37
biographical
20:37
action
20:38
adventure
20:38
about
20:39
infamous
20:39
Indian
20:40
bandit
20:40
and
20:40
politician
20:41
Fulan
20:42
Demi.
20:42
He
20:43
openly
20:43
admitted
20:43
he
20:44
wasn't
20:44
interested
20:45
in
20:45
the
20:45
history
20:45
of
20:45
Queen
20:45
Elizabeth,
20:46
but
20:47
more
20:47
on
20:47
the
20:47
emotional
20:48
and
20:48
psychological
20:49
truth
20:49
of
20:49
Elizabeth's
20:50
situation
20:51
than
20:51
with
20:51
strict
20:52
historical
20:52
accuracy.
20:53
Kapur
20:54
has
20:54
spoken
20:55
about
20:55
how
20:55
his
20:55
own
20:55
background
20:56
as
20:56
an
20:56
Indian
20:57
director
20:57
gave
20:58
him
20:58
a
20:58
different
20:58
perspective
20:59
on
20:59
England's
21:00
religious
21:00
history.
21:01
He
21:01
has
21:01
suggested
21:02
that
21:02
coming
21:02
from
21:02
outside
21:03
of
21:03
Britain
21:04
allowed
21:04
him
21:04
to
21:04
approach
21:05
the
21:05
material
21:05
without
21:06
some
21:06
of
21:06
the
21:06
ingrained
21:07
cultural
21:07
attitude
21:08
that
21:08
might
21:09
influence
21:09
British
21:10
filmmakers.
21:11
Kapur
21:12
admitted
21:12
to
21:12
deliberately
21:13
using
21:13
religious
21:14
imagery
21:14
and
21:14
iconography
21:15
throughout
21:15
the
21:15
film
21:16
to
21:16
show
21:16
the
21:17
blending
21:17
of
21:17
politics
21:17
and
21:18
religion
21:18
in
21:18
Tudor
21:19
England,
21:19
and
21:20
also
21:20
to
21:20
highlight
21:20
Elizabeth's
21:21
own
21:21
transformation
21:22
into
21:22
a
21:22
figure
21:23
who
21:23
incorporated
21:24
elements
21:24
of
21:24
both
21:25
Protestant
21:25
and
21:26
Catholic
21:26
visual
21:27
symbolism
21:27
in
21:28
crafting
21:28
her
21:28
image
21:29
as
21:29
the
21:29
Virgin
21:30
Queen.
21:31
But
21:31
of
21:31
course,
21:31
the
21:32
casting
21:32
of
21:32
Elizabeth
21:33
herself
21:33
was
21:34
the
21:34
most
21:34
crucial
21:34
decision
21:35
that
21:35
Kapur
21:36
and
21:36
casting
21:36
directors
21:37
Simone
21:37
Ireland
21:38
and
21:38
Vanessa
21:38
Pereira
21:39
had
21:39
to
21:39
make.
21:40
Emily
21:40
Watson
21:41
was
21:41
first
21:41
choice
21:42
for
21:42
the
21:42
role,
21:42
but
21:42
she
21:43
turned
21:43
it
21:43
down
21:43
to
21:44
star
21:44
in
21:44
Hillary
21:44
and
21:44
Jackie.
21:46
Kapur
21:46
saw
21:46
a
21:47
trailer
21:47
for
21:47
the
21:47
movie
21:48
Oscar
21:48
and
21:48
Lucinda
21:49
and
21:49
lead
21:49
actress
21:50
Cate
21:50
Blanchett.
21:51
Blanchett
21:51
was
21:52
primarily
21:52
known
21:52
in
21:52
her
21:53
native
21:53
Australia
21:53
for
21:54
her
21:54
theater
21:54
work
21:55
and
21:55
smaller
21:55
film
21:56
and
21:56
TV
21:56
roles.
21:57
This
21:57
was
21:57
Blanchett
21:58
international
21:58
breakthrough
21:59
role,
21:59
and
21:59
her
22:00
performance
22:00
earned
22:00
her
22:01
an
22:01
Academy
22:01
Award
22:02
nomination.
22:03
The
22:03
production
22:03
took
22:03
a
22:04
risk
22:04
on
22:04
the
22:04
relatively
22:05
unknown
22:05
Blanchett,
22:06
which,
22:06
as
22:06
always
22:07
with
22:07
Cate
22:07
Blanchett,
22:08
paid
22:08
off
22:08
tremendously.
22:09
Generally
22:09
speaking,
22:10
if
22:10
you
22:10
go
22:10
to
22:10
a
22:11
Cate
22:11
Blanchett
22:11
movie,
22:12
you
22:12
know
22:13
she's
22:13
going
22:13
to
22:13
be
22:13
great.
22:14
At
22:14
the
22:14
very
22:14
least,
22:15
even
22:16
in
22:16
Borderlands.
22:17
And
22:17
the
22:18
idea
22:18
of
22:18
an
22:18
Indian
22:19
director
22:19
and
22:19
an
22:19
Australian
22:20
lead
22:20
actor
22:21
might
22:21
have
22:21
caused
22:22
a
22:22
few
22:22
raised
22:23
eyebrows
22:23
in
22:23
the
22:23
British
22:24
film
22:24
industry.
22:25
The
22:25
idea
22:26
that
22:26
they
22:26
could
22:26
fully
22:26
be
22:27
able
22:27
to
22:27
tell
22:27
a
22:27
very
22:28
English
22:28
story,
22:29
especially
22:30
with
22:30
Kapur
22:30
openly
22:31
not
22:31
being
22:32
that
22:32
interested
22:32
in
22:32
the
22:33
actual
22:33
history.
22:34
But
22:35
Kapur
22:35
cleverly
22:36
filled
22:36
the
22:36
rest
22:36
of
22:36
the
22:36
cast
22:37
with
22:37
great
22:37
British
22:38
film
22:38
and
22:38
theater
22:39
actors,
22:39
bringing
22:40
gravitas
22:40
to
22:41
the
22:41
sometimes
22:41
smaller
22:42
roles,
22:42
like
22:43
legendary
22:43
stage
22:44
and
22:44
screen
22:44
actor
22:45
Sir
22:45
John
22:45
Gielgud
22:46
as
22:46
Pope
22:46
Pius
22:47
V
22:47
and
22:48
the
22:48
excellent
22:48
Kathy
22:49
Burke
22:49
as
22:49
Queen
22:50
Mary.
22:51
Even
22:51
Eric
22:51
Cantona,
22:52
famous
22:52
French
22:53
footballer,
22:53
got
22:54
in
22:54
there
22:54
as
22:54
Paul
22:54
du
22:55
Foix.
22:55
But
22:56
mostly
22:56
it
22:56
was
22:57
having
22:57
Geoffrey
22:57
Rush,
22:58
who
22:58
would
22:58
also
22:58
star
22:59
in
22:59
Shakespeare
22:59
in
22:59
Love
23:00
that
23:00
year
23:00
too,
23:00
as
23:01
Francis
23:01
Walsingham,
23:02
who
23:02
is
23:02
just
23:03
excellent
23:03
in
23:03
this
23:03
movie.
23:04
Christopher
23:05
Eccleston
23:05
isn't
23:05
given
23:06
much
23:06
to
23:06
do
23:06
as
23:06
the
23:07
Duke
23:07
of
23:07
Norfolk,
23:07
but
23:08
Kapoor
23:08
told
23:09
him
23:09
to
23:09
just
23:09
walk
23:09
menacingly,
23:10
so
23:10
he
23:10
walks
23:11
a
23:11
lot.
23:12
There's
23:12
also
23:12
a
23:12
blink
23:12
and
23:13
you'll
23:13
miss
23:13
it
23:13
cameo
23:14
from
23:14
British
23:14
pop
23:14
star
23:14
Lily
23:15
Allen,
23:15
who
23:16
was
23:16
12
23:16
at
23:16
the
23:16
time
23:17
as
23:17
one
23:17
of
23:17
Elizabeth's
23:18
ladies
23:18
in
23:19
waiting,
23:19
and
23:20
also
23:20
her
23:20
brother,
23:20
actor
23:21
Alfie
23:21
Allen,
23:22
best
23:22
known
23:22
for
23:23
his
23:23
role
23:23
as
23:23
Theon
23:23
Greyjoy
23:24
in
23:24
Game
23:24
of
23:24
Thrones,
23:25
as
23:25
Arundel's
23:26
son.
23:27
Their
23:27
mother,
23:27
Alison
23:28
Owen,
23:28
was
23:29
one
23:29
of
23:29
the
23:29
producers
23:29
of
23:30
this
23:30
movie.
23:31
So
23:32
principal
23:32
photography
23:33
began
23:33
on
23:33
2
23:34
September
23:35
1997
23:36
and
23:36
finished
23:36
on
23:37
2
23:37
December
23:38
1997.
23:39
The
23:39
recurring
23:40
motif
23:40
of
23:40
the
23:40
movie
23:41
was,
23:41
shall
23:42
we
23:42
say,
23:42
style
23:43
over
23:43
substance,
23:44
if
23:44
substance
23:45
was
23:45
historical
23:45
accuracy.
23:46
The
23:47
production
23:47
designer
23:48
was
23:48
John
23:48
Meyer,
23:49
who
23:49
crafted
23:49
a
23:49
distinctive
23:50
visual
23:50
approach
23:51
that
23:51
balanced
23:52
historical
23:52
atmosphere
23:53
with
23:53
artistic
23:53
intelligence
23:54
interpretation.
23:55
Rather
23:55
than
23:56
aiming
23:56
for
23:56
perfect
23:57
period
23:57
accuracy,
23:58
Maya
23:59
developed
23:59
a
23:59
stylized
24:00
Tudor
24:00
world.
24:01
The
24:01
buildings
24:01
were
24:01
medieval
24:02
rather
24:02
than
24:03
typically
24:03
Tudor,
24:04
with
24:04
stone
24:04
walls
24:05
instead
24:05
of
24:05
wood
24:06
beams.
24:06
But
24:07
the
24:07
film
24:07
did
24:07
use
24:08
authentic
24:08
historical
24:09
locations
24:10
wherever
24:10
possible.
24:11
Durham
24:11
Cathedral
24:12
provided
24:12
the
24:12
massive
24:13
stone
24:13
corridors
24:14
and
24:14
interiors
24:15
that
24:15
represented
24:15
parts
24:16
of
24:16
Westminster,
24:17
while
24:17
Haddon
24:18
hall
24:18
in
24:18
Derbyshire
24:19
served
24:19
as
24:19
one
24:19
of
24:19
Elizabeth's
24:20
residences.
24:21
York
24:21
Minster
24:22
and
24:22
Alnwick
24:22
Castle
24:23
were
24:23
also
24:24
featured
24:24
prominently,
24:25
and
24:26
the
24:26
interiors
24:26
were
24:26
deliberately
24:27
designed
24:27
to
24:27
feel
24:28
cold
24:28
and
24:28
imposing.
24:29
The
24:29
production
24:30
team
24:30
used
24:30
a
24:30
lot
24:31
of
24:31
stone
24:31
and
24:31
dark
24:32
woods
24:32
and
24:32
often
24:33
emphasized
24:33
the
24:33
height
24:34
and
24:34
scale
24:34
of
24:34
rooms
24:35
to
24:35
make
24:35
Elizabeth
24:36
seem
24:36
vulnerable,
24:37
especially
24:37
in
24:38
the
24:38
early
24:38
scenes
24:38
of
24:38
the
24:39
movie.
24:39
As
24:39
the
24:40
film
24:40
progresses
24:40
and
24:41
Elizabeth
24:41
gains
24:42
power,
24:42
the
24:42
spaces
24:43
she
24:43
occupies
24:44
begin
24:44
to
24:44
feel
24:45
slightly
24:45
smaller
24:46
and
24:46
more
24:46
controlled.
24:48
Many
24:48
of
24:48
the
24:48
costumes,
24:49
while
24:49
again
24:50
highly
24:50
stylized,
24:51
are
24:51
based
24:51
on
24:52
period
24:52
sources
24:53
and
24:53
portraits,
24:54
most
24:54
famously
24:55
Elizabeth's
24:55
coronation
24:56
portrait.
24:57
The
24:57
costume
24:57
designer
24:58
was
24:58
Alexandra
24:59
Byrne.
24:59
She
24:59
would
24:59
end
25:00
up
25:00
earning
25:00
an
25:00
Academy
25:01
Award
25:01
nomination
25:01
for
25:02
her
25:02
work
25:02
on
25:02
this
25:02
movie.
25:03
Byrne
25:04
used
25:04
costumes
25:05
not
25:05
just
25:05
for
25:05
historical
25:06
context,
25:06
but
25:07
also
25:07
as
25:07
a
25:07
visual
25:08
language
25:08
to
25:08
tell
25:09
Elizabeth's
25:09
story
25:10
of
25:10
transformation
25:11
from
25:12
a
25:12
venerable
25:12
young
25:13
woman
25:13
to
25:13
to
25:14
a
25:14
powerful
25:14
monarch
25:15
through
25:15
deliberate
25:16
color
25:16
progression
25:16
and
25:17
design
25:17
evolution.
25:18
At
25:18
the
25:18
beginning
25:19
of
25:19
the
25:19
movie,
25:19
Elizabeth
25:20
wears
25:20
soft
25:20
fabrics
25:21
and
25:21
light
25:21
colours,
25:22
reflecting
25:23
her
25:23
relative
25:24
naivety
25:24
and
25:24
innocence,
25:25
as
25:25
well
25:26
as
25:26
a
25:26
pretty
25:26
carefree
25:27
life.
25:27
Just
25:27
being
25:28
the
25:28
young
25:28
Elizabeth,
25:29
she
25:29
can
25:30
frolic
25:30
in
25:30
fields
25:30
with
25:31
her
25:31
ladies
25:31
and
25:31
frolic
25:32
in
25:32
rooms
25:32
with
25:32
Robert
25:33
Dudley.
25:34
Her
25:34
costumes
25:34
at
25:34
the
25:35
start
25:35
are
25:35
more
25:35
relaxed
25:36
in
25:36
style
25:36
and
25:36
less
25:36
regal
25:37
and
25:37
proper.
25:38
After
25:38
Elizabeth
25:39
becomes
25:39
queen,
25:40
the
25:40
political
25:41
pressures
25:41
mount
25:42
on
25:42
the
25:42
character
25:42
and
25:43
her
25:43
costumes
25:43
become
25:44
more
25:44
structured
25:44
and
25:44
formal.
25:45
The
25:45
colours
25:46
deepen
25:46
to
25:47
rich
25:47
reds
25:47
and
25:47
darker
25:48
tones,
25:49
symbolizing
25:49
both
25:49
her
25:50
growing
25:50
power
25:50
and
25:51
the
25:51
political
25:51
danger
25:52
she's
25:52
almost
25:52
always
25:53
in.
25:54
The
25:54
final
25:54
transformation
25:55
into
25:56
the
25:56
Virgin
25:56
Queen
25:57
is
25:57
a
25:57
structured
25:58
white
25:58
gown
25:58
with
25:58
an
25:59
elaborate
25:59
rough
25:59
collar.
26:00
Her
26:00
face
26:00
is
26:01
painted
26:01
white
26:01
with
26:02
a
26:02
bright
26:02
red
26:02
wig,
26:03
creating
26:03
the
26:04
iconic
26:04
image
26:05
that
26:05
would
26:05
define
26:05
her
26:05
reign.
26:06
This
26:07
costume
26:07
is
26:07
deliberately
26:08
reminiscent
26:09
of
26:09
religious
26:09
iconography,
26:10
particularly
26:11
the
26:11
Virgin
26:11
Mary,
26:12
visually
26:12
reinforcing
26:13
Elizabeth's
26:14
declaration
26:14
that
26:15
she
26:15
is
26:15
now
26:16
married
26:16
to
26:16
England.
26:17
Director
26:18
Shekhar
26:18
Kapoor
26:18
would
26:19
comment
26:19
on
26:19
the
26:19
criticism
26:20
of
26:20
the
26:20
portrayal
26:21
of
26:21
Catholics
26:21
in
26:21
the
26:22
movie
26:22
that
26:22
he
26:23
was
26:23
portraying
26:23
specific
26:24
political
26:24
threats
26:25
to
26:25
Elizabeth
26:26
rather
26:26
than
26:26
making
26:26
a
26:27
statement
26:27
about
26:27
Catholicism
26:28
as
26:28
a
26:29
whole.
26:29
He
26:29
viewed
26:30
the
26:30
Catholic
26:30
conspirators
26:31
in
26:31
the
26:31
film
26:31
as
26:32
political
26:32
opponents
26:33
first
26:33
and
26:33
religious
26:34
figures
26:34
second.
26:35
But
26:36
that
26:36
didn't
26:36
mean
26:36
that
26:36
many
26:37
Catholics
26:37
weren't
26:38
particularly
26:38
happy
26:38
with
26:39
the
26:39
depictions
26:40
of
26:40
Catholics
26:41
in
26:41
this
26:41
movie.
26:42
And
26:43
there
26:43
never
26:43
is
26:44
an
26:44
easy
26:44
way
26:44
to
26:45
segue
26:45
into
26:45
the
26:45
obligatory
26:46
Keanu
26:46
reference
26:47
unless
26:48
I
26:49
state
26:49
that
26:49
Keanu
26:50
is
26:50
not
26:50
Catholic
26:51
and
26:51
so
26:51
therefore
26:52
wouldn't
26:52
have
26:52
been
26:53
offended
26:53
by
26:53
the
26:53
Catholic
26:54
representation
26:55
in
26:55
this
26:55
movie.
26:56
But
26:56
this
26:57
is
26:57
a
26:57
part
26:57
of
26:57
the
26:57
podcast
26:58
where
26:58
I
26:59
linked
26:59
the
26:59
movie
26:59
that
26:59
I'm
27:00
featuring
27:00
with
27:00
Keanu
27:01
Reeves
27:01
for
27:01
no
27:01
reason
27:02
other
27:02
than
27:02
Keanu
27:03
is
27:03
the
27:03
best
27:03
of
27:03
men
27:04
and
27:04
would
27:05
have
27:05
been
27:05
a
27:05
great
27:06
advisor
27:06
to
27:06
Elizabeth
27:07
I.
27:08
And
27:08
really,
27:08
the
27:08
easiest
27:09
way
27:09
to
27:09
link
27:09
Keanu
27:10
to
27:10
this
27:10
movie
27:11
is
27:11
that
27:11
Keanu
27:12
starred
27:12
with
27:12
Elizabeth
27:13
herself,
27:13
Cate
27:14
Blanchett,
27:14
In
27:15
Sam
27:15
Raimi's
27:16
2000
27:16
supernatural
27:17
thriller
27:17
the
27:18
Gift,
27:18
which
27:19
I
27:19
have
27:19
not
27:19
seen,
27:19
but
27:20
I'm
27:20
guessing
27:20
it's
27:20
yet
27:21
another
27:21
phenomenal
27:21
Cate
27:22
Blanchett
27:22
performance.
27:23
So
27:23
if
27:23
you
27:23
have
27:24
seen
27:24
the
27:24
Gift,
27:25
then
27:25
let
27:25
me
27:26
know.
27:26
What
27:26
do
27:26
you
27:26
think
27:26
of
27:26
Cate
27:27
Blanchett's
27:27
performance
27:28
and
27:28
is
27:29
it
27:29
similarly
27:29
phenomenal
27:30
to
27:30
everything
27:30
else
27:31
that
27:31
that
27:31
woman
27:31
does?
27:32
Because
27:32
Cate
27:32
Blanchett
27:33
is
27:33
terrific
27:33
and
27:34
obviously
27:34
so
27:34
is
27:34
Keanu
27:35
Reeves.
27:36
This
27:36
score
27:37
for
27:37
Elizabeth
27:37
was
27:38
composed
27:38
by
27:38
David
27:38
Hirschfelder
27:39
and
27:40
it
27:40
would
27:40
go
27:40
on
27:40
to
27:40
win
27:41
the
27:41
BAFTA
27:41
Award
27:41
for
27:42
Best
27:42
Film
27:42
Music
27:43
and
27:43
be
27:43
nominated
27:44
for
27:44
the
27:44
Academy
27:45
Award
27:45
for
27:45
Best
27:45
Original
27:46
Dramatic
27:46
Score,
27:47
which
27:47
it
27:47
would
27:47
lose
27:48
to
27:48
the
27:48
score
27:49
for
27:49
Life
27:49
Is
27:50
Beautiful.
27:51
Elizabeth
27:52
premiered
27:52
in
27:52
September
27:53
1998
27:54
at
27:54
the
27:54
Venice
27:54
Film
27:55
Festival
27:55
and
27:56
had
27:56
its
27:56
UK
27:56
premiere
27:57
on
27:57
2
27:58
October
27:59
1998.
28:00
It
28:00
premiered
28:01
in
28:01
the
28:01
US
28:01
on
28:01
13
28:02
October
28:03
1998.
28:04
It
28:05
opened
28:05
wide
28:05
in
28:05
the
28:06
UK
28:06
on
28:07
23
28:08
October
28:09
1998
28:09
and
28:10
opened
28:10
in
28:10
a
28:11
limited
28:11
release
28:12
in
28:12
nine
28:12
cinemas
28:13
on
28:13
6
28:14
November
28:15
1998.
28:15
In
28:15
the
28:16
US
28:17
it
28:17
increased
28:17
to
28:17
a
28:18
peak
28:18
of
28:18
555
28:19
cinemas
28:20
across
28:20
the
28:20
US
28:21
after
28:21
several
28:22
weeks.
28:22
It
28:22
wouldn't
28:23
peak
28:23
higher
28:23
than
28:24
eight
28:24
in
28:24
the
28:24
US
28:25
box
28:25
office
28:25
chart,
28:26
but
28:26
it
28:26
did
28:26
do
28:27
well
28:27
over
28:27
the
28:27
Thanksgiving
28:28
weekend
28:29
of
28:29
1998.
28:30
On
28:31
its
28:31
$30
28:31
million
28:32
budget,
28:33
Elizabeth
28:33
grossed
28:34
at
28:32
$30.1
28:35
million
28:36
domestically
28:36
in
28:36
the
28:37
US
28:37
and
28:35
$52.1
28:38
million
28:39
worldwide,
28:40
for
28:41
an
28:39
$82.2
28:43
million
28:43
worldwide
28:44
gross.
28:45
Elizabeth
28:46
also
28:46
has
28:46
a
28:47
score
28:47
of
28:43
84%
28:48
on
28:48
Rotten
28:48
Tomatoes
28:49
and
28:50
summarizes
28:50
it
28:51
as
28:51
no
28:51
mere
28:52
historical
28:52
drama.
28:53
Elizabeth
28:54
is
28:54
a
28:54
rich,
28:54
suspenseful
28:55
journey
28:55
into
28:56
the
28:56
heart
28:56
of
28:56
British
28:57
royal
28:57
politics
28:58
and
28:58
features
28:58
a
28:59
typically
28:59
outstanding
29:00
performance
29:00
from
29:01
Kate
29:01
Blanchett.
29:02
It
29:02
did
29:03
receive
29:03
some
29:03
criticism
29:04
for
29:04
historical
29:04
accuracy
29:05
as
29:06
well
29:06
as
29:06
accusations
29:07
of
29:07
anti
29:07
Catholicism
29:09
depicting
29:09
the
29:09
Pope
29:10
as
29:10
scheming
29:10
and
29:11
other
29:11
Catholic
29:12
characters
29:12
as
29:12
dark,
29:13
cruel,
29:13
devious.
29:15
But
29:15
we
29:16
need
29:16
to
29:16
move
29:16
on
29:16
to
29:17
awards
29:17
season
29:18
because
29:18
1998
29:19
was
29:20
the
29:20
only
29:20
year
29:20
the
29:21
two
29:21
performers
29:21
were
29:21
nominated
29:22
for
29:22
Academy
29:23
Awards
29:23
for
29:24
playing
29:24
the
29:24
same
29:25
character
29:25
in
29:26
two
29:26
different
29:26
films.
29:27
So
29:28
we
29:28
had
29:29
Cate
29:29
Blanchett,
29:29
who
29:30
was
29:30
nominated
29:30
for
29:30
Best
29:31
Actress
29:31
for
29:31
portraying
29:32
Elizabeth
29:32
I
29:33
in
29:33
this
29:33
film,
29:34
and
29:34
we
29:34
had
29:35
Judi
29:35
Dench
29:36
nominated
29:36
for
29:37
Best
29:37
Actress
29:37
in
29:37
a
29:37
supporting
29:38
Role
29:39
playing
29:39
Queen
29:39
Elizabeth
29:40
I
29:40
in
29:41
Shakespeare
29:41
in
29:42
Love.
29:42
Judi
29:43
Dench
29:43
won
29:44
her
29:44
Best
29:44
Actress
29:45
in
29:45
a
29:45
Supporting
29:45
Role
29:46
for
29:46
her
29:46
playing
29:47
Liz
29:47
the
29:47
first,
29:48
but
29:48
Cate
29:48
Blanchett
29:49
would
29:49
not
29:49
win
29:50
for
29:50
her
29:50
role
29:51
in
29:51
playing
29:51
Elizabeth
29:52
the
29:52
first.
29:53
Elizabeth
29:53
was
29:54
nominated
29:54
for
29:54
seven
29:54
Academy
29:55
Awards,
29:55
including
29:56
Best
29:56
Picture,
29:57
Best
29:57
Actress,
29:58
Cate
29:58
Blanchett,
29:59
Best
29:59
Art
30:00
Direction,
30:00
Best
30:00
Cinematography,
30:01
Best
30:01
Costume
30:02
Design,
30:02
Best
30:03
Makeup
30:03
and
30:04
Best
30:04
Original
30:04
Dramatic
30:05
Score.
30:06
It
30:06
would
30:06
only
30:07
win
30:07
for
30:07
Best
30:07
Makeup.
30:08
It
30:08
would
30:09
lose
30:09
best
30:09
cinematography
30:10
to
30:10
Saving
30:11
Private
30:11
Ryan,
30:12
best
30:12
original
30:12
dramatic
30:13
score,
30:13
as
30:13
I've
30:13
said,
30:13
to
30:14
Life
30:14
Is
30:14
Beautiful
30:15
and
30:16
everything
30:16
else
30:17
to
30:17
Shakespeare
30:18
in
30:18
Love.
30:18
And
30:19
here's
30:19
the
30:19
thing.
30:19
I
30:20
really
30:20
like
30:20
Shakespeare
30:21
in
30:21
Love.
30:21
I
30:21
think
30:21
it's
30:21
a
30:22
fun
30:22
movie
30:22
and
30:22
I
30:22
think
30:23
it's
30:23
really
30:23
great.
30:24
I've
30:24
done
30:24
an
30:25
episode
30:25
on
30:25
Shakespeare
30:26
in
30:26
Love.
30:26
That's
30:26
how
30:27
much
30:27
I
30:27
like
30:27
the
30:27
movie
30:28
Shakespeare
30:28
in
30:28
Love.
30:29
But
30:30
if
30:30
you
30:30
compare
30:30
the
30:31
two,
30:31
there
30:31
really
30:32
is
30:32
no
30:32
comparison.
30:33
The
30:33
performances
30:34
of
30:34
Gwyneth
30:35
Paltrow
30:35
in
30:36
Shakespeare
30:36
in
30:36
Love
30:37
and
30:37
Cate
30:37
Blanchett
30:38
in
30:38
Elizabeth.
30:39
Cate
30:39
Blanchett
30:40
is
30:40
so
30:40
much
30:41
better
30:41
in
30:41
Elizabeth,
30:43
but
30:43
there
30:44
is
30:44
a
30:44
huge
30:44
story
30:45
behind
30:46
Shakespeare
30:46
in
30:46
Love
30:47
and
30:47
why
30:47
it
30:47
won
30:48
so
30:48
many
30:48
awards.
30:49
So
30:49
have
30:50
a
30:50
listen
30:50
to
30:50
the
30:50
episode
30:51
that
30:51
I
30:51
did
30:51
on
30:52
Shakespeare
30:52
in
30:52
Love.
30:53
It
30:53
is
30:53
episode
30:54
252
30:55
of
30:55
this
30:56
podcast
30:56
and
30:57
it
30:57
does
30:57
go
30:57
into
30:58
all
30:58
of
30:58
that
30:59
story
30:59
in
30:59
quite
30:59
a
30:59
bit
31:00
of
31:00
detail
31:00
because
31:00
it
31:01
involves
31:01
someone
31:01
who
31:01
I
31:02
very
31:02
much
31:03
don't
31:03
like
31:03
to
31:03
talk
31:03
about
31:03
on
31:03
this
31:04
podcast.
31:04
But
31:05
he
31:05
was
31:06
instrumental
31:06
in
31:07
making
31:07
sure
31:07
that
31:07
Shakespeare
31:08
in
31:08
Love
31:08
won
31:09
as
31:09
many
31:09
Academy
31:10
Awards
31:10
as
31:10
possible.
31:12
Anyway,
31:12
Elizabeth
31:13
would
31:13
also
31:14
be
31:14
nominated
31:14
for
31:14
12
31:15
Baftas
31:15
and
31:15
it
31:15
would
31:16
win
31:16
five,
31:17
including
31:17
best
31:17
actress
31:18
and
31:18
Outstanding
31:19
British
31:20
Film.
31:20
It
31:20
was
31:20
nominated
31:21
for
31:21
three
31:21
Golden
31:22
Globes
31:22
and
31:22
Cate
31:23
Blanchett
31:23
won
31:24
the
31:24
Golden
31:24
Globe
31:25
for
31:25
Best
31:25
Actress
31:26
as
31:26
well.
31:27
The
31:28
sequel,
31:28
Elizabeth
31:29
the
31:29
Golden
31:29
Age
31:29
came
31:30
out
31:30
in
31:30
2007
31:31
and
31:32
in
31:32
2017
31:33
Shekhar
31:34
Kapoor
31:34
was
31:34
working
31:35
on
31:35
Elizabeth
31:36
the
31:36
Dark
31:37
Age.
31:37
He
31:37
said
31:37
in
31:38
an
31:38
interview
31:38
with
31:38
Variety,
31:39
quote,
31:39
it
31:40
is
31:40
a
31:40
futuristic
31:40
idea
31:41
that
31:41
I
31:41
wrote
31:41
about
31:42
Elizabeth
31:42
in
31:42
the
31:43
future.
31:43
The
31:44
state
31:44
of
31:44
the
31:44
monarchy
31:44
and
31:45
the
31:45
state
31:45
of
31:45
civilization
31:46
based
31:47
on
31:47
a
31:47
dystopian
31:48
view
31:48
of
31:48
what
31:48
will
31:49
happen
31:49
in
31:49
Europe
31:50
and
31:50
what
31:50
will
31:50
happen
31:51
in
31:51
the
31:51
UK
31:51
and
31:52
the
31:52
Western
31:52
world.
31:53
The
31:53
recall
31:53
of
31:53
the
31:54
monarchy
31:54
which
31:55
was
31:55
by
31:55
then
31:55
dead
31:56
and
31:56
gone.
31:56
Why
31:57
was
31:57
the
31:57
monarchy
31:57
recalled
31:58
and
31:58
what
31:58
was
31:58
happening?
31:59
It
31:59
is
32:00
a
32:00
futuristic
32:00
idea
32:01
of
32:01
why
32:01
this
32:02
18
32:02
or
32:02
19
32:03
year
32:03
old
32:03
girl
32:04
who
32:04
is
32:04
actually
32:04
a
32:05
prostitute,
32:06
was
32:06
recalled
32:06
to
32:07
the
32:07
throne,
32:08
unquote.
32:09
Now
32:09
Elizabeth
32:10
the
32:10
Dark
32:11
Age
32:11
has
32:12
seemingly
32:12
vanished
32:13
from
32:13
Warner
32:13
Brothers
32:14
slate
32:14
though,
32:14
so
32:15
chances
32:15
are
32:16
we
32:16
won't
32:16
ever
32:16
see
32:17
the
32:17
very
32:17
weird,
32:18
very
32:18
crazy
32:19
idea
32:19
that
32:19
Shekhar
32:20
Kapoor
32:20
had
32:21
on
32:21
screen.
32:23
While
32:23
this
32:23
movie
32:24
has
32:24
its
32:24
inaccuracies,
32:25
one
32:25
thing
32:26
it
32:26
does
32:26
remarkably
32:27
well
32:27
is
32:28
highlight
32:28
the
32:28
reign
32:29
of
32:29
Queen
32:29
Elizabeth
32:30
the
32:30
First
32:31
and
32:31
frankly,
32:31
how
32:32
important
32:32
that
32:32
reign
32:33
was
32:33
for
32:33
England
32:34
and
32:34
even
32:35
now
32:35
the
32:35
UK
32:36
as
32:36
a
32:36
whole.
32:37
It's
32:37
also
32:37
visually
32:38
stunning
32:38
and
32:38
Cate
32:38
Blanchett
32:39
is
32:39
a
32:39
literal
32:39
queen.
32:40
And
32:40
I
32:40
mean
32:40
it
32:41
when
32:41
I
32:41
say
32:41
that
32:41
if
32:41
I
32:41
see
32:42
Cate
32:42
Blanchett
32:42
in
32:43
a
32:43
cast,
32:43
I
32:43
feel
32:44
like
32:44
I
32:44
know
32:44
she's
32:44
at
32:44
least
32:45
going
32:45
to
32:45
be
32:45
good.
32:46
Even
32:46
if
32:46
the
32:46
Rest
32:46
of
32:46
the
32:47
movie
32:47
around
32:47
her
32:47
isn't.
32:48
She
32:49
is
32:49
one
32:49
of
32:49
the
32:49
greatest
32:50
actors
32:50
of
32:50
her
32:50
generation
32:51
for
32:51
good
32:51
reason.
32:52
And
32:52
it
32:52
really
32:53
all
32:53
stemmed
32:53
from
32:54
Elizabeth.
32:55
She
32:55
is
32:55
spirited
32:56
and
32:56
beautiful
32:57
and
32:57
regal
32:57
and
32:58
just
32:58
embodies
32:58
the
32:58
queen
32:59
in
32:59
such
32:59
a
32:59
way
33:00
that
33:00
she
33:00
is
33:00
the
33:00
visual
33:01
representation
33:02
that
33:02
we
33:02
all
33:03
have
33:03
now
33:03
for
33:03
the
33:03
young
33:04
Elizabeth.
33:04
All
33:05
cheekbones,
33:06
English,
33:06
rose
33:07
complexion,
33:07
fiery
33:08
strawberry
33:08
blonde
33:09
hair.
33:09
And
33:09
while
33:10
she
33:10
may
33:10
not
33:10
be
33:10
as
33:11
physically
33:11
badass
33:11
as
33:12
Viola
33:12
Davis's
33:13
Naniska
33:14
was
33:14
in
33:14
the
33:14
last
33:14
episode,
33:15
the
33:15
woman
33:15
king
33:16
Elizabeth
33:16
brings
33:17
her
33:17
intelligence
33:17
and
33:18
her
33:18
political
33:18
prowess
33:19
to
33:19
the
33:19
forefront
33:20
to
33:20
deal
33:20
with
33:20
a
33:21
society
33:21
that
33:21
didn't
33:22
value
33:22
her,
33:22
didn't
33:23
want
33:23
her
33:23
as
33:24
queen,
33:24
even
33:25
though
33:25
she
33:25
was
33:25
technically
33:26
a
33:26
princess
33:27
and
33:27
then
33:27
a
33:27
queen,
33:28
just
33:28
because
33:29
she
33:29
was
33:29
a
33:29
woman
33:30
and
33:30
they
33:30
were
33:30
men.
33:31
It
33:32
may
33:32
not
33:32
be
33:32
completely
33:32
historically
33:33
accurate,
33:33
but
33:34
Elizabeth
33:34
is
33:35
empowering
33:35
and
33:35
feels
33:36
modern
33:36
in
33:36
how
33:37
she
33:37
has
33:37
to
33:37
work
33:38
10
33:38
times
33:38
as
33:38
hard
33:39
as
33:39
any
33:39
man
33:39
to
33:40
be
33:40
listened
33:40
to.
33:41
Ask
33:41
any
33:42
woman
33:42
in
33:42
your
33:42
life,
33:43
she'll
33:43
get
33:44
it.
33:45
Her
33:45
sister
33:45
may
33:46
have
33:46
been
33:46
the
33:46
first
33:46
queen
33:47
in
33:47
her
33:47
own
33:47
right,
33:48
but
33:48
Elizabeth
33:49
showed
33:49
the
33:49
world
33:49
how
33:50
it
33:50
was
33:50
done
33:51
and
33:51
didn't
33:51
want
33:51
to
33:52
have
33:52
to
33:52
share
33:52
her
33:52
power
33:53
with
33:53
any
33:53
king
33:53
consort.
33:54
But
33:55
you
33:55
believe
33:55
it
33:55
from
33:56
Blanche's
33:56
portrayal,
33:57
Elizabeth
33:58
was
33:58
a
33:58
badass
33:59
queen.
34:00
She
34:00
established
34:00
a
34:01
model
34:01
of
34:01
pragmatic
34:02
governance
34:02
that
34:02
prioritised
34:03
stability
34:03
and
34:03
national
34:04
interest
34:04
over
34:05
ideological
34:06
purity.
34:07
She
34:07
navigated
34:07
Catholic
34:08
and
34:08
Protestant
34:09
powers
34:09
while
34:09
maintaining
34:10
England's
34:10
independence
34:11
and
34:11
sovereignty.
34:12
Her
34:13
approach
34:13
to
34:13
governance,
34:14
which
34:14
was
34:14
consulting
34:15
advisors
34:15
while
34:15
retaining
34:16
final
34:16
authority,
34:17
demonstrated
34:18
her
34:18
effective
34:19
leadership
34:20
that
34:20
balanced
34:21
consultation
34:21
with
34:22
decisive
34:22
action.
34:23
Under
34:23
Elizabeth,
34:24
England
34:25
began
34:25
its
34:25
transformation
34:26
from
34:26
a
34:26
relatively
34:27
minor
34:27
European
34:28
kingdom
34:28
to
34:28
a
34:29
significant
34:29
naval
34:30
force.
34:30
Sir
34:31
Francis
34:31
Drake's
34:32
circumnavigation
34:32
of
34:32
the
34:33
globe
34:33
and
34:33
the
34:33
defeat
34:33
of
34:34
the
34:34
Spanish
34:34
Armada
34:35
in
34:35
1588
34:36
marked
34:36
pivotal
34:37
moments
34:37
in
34:38
England's
34:38
rise
34:38
as
34:39
a
34:39
seafaring
34:39
nation,
34:40
setting
34:41
the
34:41
stage
34:41
for
34:41
its
34:41
later
34:42
empire.
34:43
While
34:43
most
34:43
of
34:44
the
34:44
attempts
34:44
to
34:44
establish
34:45
overseas
34:45
colonies
34:46
during
34:46
her
34:46
reign
34:47
were
34:47
unsuccessful,
34:48
the
34:48
English
34:49
navy
34:49
grew
34:49
and
34:49
by
34:49
the
34:50
end
34:50
of
34:50
her
34:50
reign,
34:51
England
34:51
was
34:51
the
34:51
greatest
34:52
sea
34:52
power
34:53
in
34:53
the
34:53
world.
34:54
Culturally,
34:55
the
34:55
Elizabethan
34:56
Age
34:56
represents
34:57
some
34:57
of
34:57
the
34:57
best
34:58
and
34:58
most
34:58
well
34:58
known
34:59
of
34:59
English
35:00
arts
35:00
and
35:00
literature.
35:01
William
35:01
Shakespeare,
35:02
Christopher
35:03
Marlowe,
35:03
Edmund
35:04
Spenser
35:04
and
35:05
many
35:05
others
35:05
produce
35:06
works
35:06
that
35:06
remain
35:07
cornerstones
35:07
of
35:08
English
35:08
literature.
35:09
Elizabeth
35:10
was
35:10
an
35:10
active
35:10
patron
35:11
of
35:11
the
35:11
arts,
35:12
as
35:12
she
35:12
understood
35:13
their
35:13
importance
35:13
in
35:13
projecting
35:14
royal
35:14
power
35:15
and
35:15
national
35:16
identity.
35:17
Religiously,
35:18
Elizabeth
35:18
forged
35:19
what
35:19
became
35:19
known
35:19
as
35:20
the
35:20
Elizabethan
35:21
settlement,
35:21
finding
35:22
a
35:22
middle
35:22
path
35:23
between
35:23
Catholic
35:23
and
35:24
Protestant
35:24
extremes.
35:25
This
35:26
compromise,
35:26
while
35:27
imperfect,
35:28
prevented
35:28
the
35:28
kind
35:28
of
35:29
devastating
35:29
religious
35:30
wars
35:30
that
35:30
ravaged
35:31
continental
35:32
Europe.
35:32
The
35:33
Church
35:33
of
35:33
England
35:33
as
35:34
we
35:34
know
35:34
it
35:34
today
35:34
owes
35:35
much
35:35
to
35:35
to
35:35
Elizabeth's
35:36
pragmatic
35:37
approach
35:37
to
35:37
religion.
35:39
Elizabeth
35:39
also
35:40
held
35:40
forge
35:40
a
35:40
sense
35:41
of
35:41
English
35:41
national
35:42
identity
35:42
that
35:43
transcended
35:43
religious
35:44
divine.
35:45
Her
35:45
famous
35:45
Tilbury
35:46
speech
35:46
before
35:47
the
35:47
Spanish
35:47
Armada,
35:48
I
35:48
know
35:49
I
35:49
have
35:49
the
35:49
body
35:49
of
35:50
a
35:50
weak
35:50
and
35:50
feeble
35:50
woman,
35:51
but
35:51
I
35:51
have
35:52
the
35:52
heart
35:52
and
35:52
stomach
35:53
of
35:53
a
35:53
king
35:54
exemplified
35:54
how
35:55
she
35:55
connected
35:55
her
35:55
personal
35:56
rule
35:56
with
35:57
national
35:57
destiny.
35:58
Her
35:58
decision
35:59
to
35:59
remain
35:59
unmarried
36:00
and
36:00
rule
36:00
in
36:00
her
36:01
own
36:01
right,
36:01
becoming
36:02
the
36:02
Virgin
36:02
Queen
36:03
married
36:04
to
36:04
England
36:04
instead
36:05
of
36:05
a
36:05
man,
36:05
created
36:06
a
36:06
powerful
36:07
political
36:07
mythology
36:08
that
36:09
influenced
36:09
how
36:09
monarchy
36:10
was
36:10
understood.
36:11
As
36:11
I
36:11
mentioned,
36:12
she
36:12
knew
36:12
her
36:12
brand.
36:13
Her
36:13
reign
36:14
demonstrated
36:14
that
36:15
a
36:15
woman
36:15
could
36:15
rule
36:15
effectively
36:16
in
36:16
her
36:16
own
36:17
right
36:17
and
36:17
challenged
36:18
prevailing
36:18
notions
36:19
about
36:19
gender
36:20
and
36:20
power.
36:21
Put
36:21
simply,
36:22
England
36:22
has
36:22
had
36:23
notorious
36:23
infamous
36:24
monarchs
36:25
like
36:25
Henry
36:25
viii,
36:26
but
36:26
Queen
36:27
Elizabeth
36:27
I
36:28
was
36:28
the
36:28
first
36:28
in
36:29
a
36:29
line
36:29
of
36:29
monarchs
36:30
who
36:30
modernized
36:31
and
36:31
changed
36:31
the
36:31
country.
36:32
I
36:32
don't
36:33
think
36:33
it's
36:33
a
36:33
coincidence
36:34
that
36:34
the
36:34
most
36:34
famous
36:35
monarchs
36:35
in
36:36
English
36:36
and
36:36
British
36:37
history
36:37
are
36:38
all
36:38
queens.
36:39
Two
36:39
of
36:39
them
36:39
are
36:40
called
36:40
Elizabeth,
36:41
the
36:41
other
36:41
is
36:42
Victoria.
36:43
The
36:43
Victorian
36:44
era
36:44
was
36:44
a
36:44
time
36:44
of
36:44
great
36:45
wealth
36:45
and
36:45
power
36:45
for
36:45
Great
36:46
Britain
36:46
and
36:46
saw
36:46
significant
36:47
scientific
36:48
and
36:48
technological
36:49
development.
36:49
And
36:50
obviously
36:50
the
36:50
late
36:50
Queen
36:51
Elizabeth
36:51
II
36:52
may
36:52
not
36:52
have
36:52
overseen
36:53
a
36:53
massive
36:53
empire,
36:54
but
36:54
she
36:54
navigated
36:55
the
36:55
country
36:55
through
36:56
post
36:56
war
36:56
Britain
36:57
and
36:57
became
36:57
the
36:58
national
36:58
symbol
36:58
for
36:58
the
36:59
keep
36:59
calm
36:59
and
36:59
carry
37:00
on
37:00
aesthetic.
37:01
Watching
37:02
this
37:02
movie,
37:02
it's
37:02
easy
37:03
to
37:03
see
37:03
how
37:03
life
37:04
here
37:04
in
37:04
Britain
37:05
could
37:05
have
37:05
been
37:05
so
37:06
very
37:06
different.
37:06
Had
37:07
Elizabeth
37:07
either
37:08
not
37:08
ascended
37:08
to
37:09
the
37:09
throne
37:09
or
37:10
had
37:10
anything
37:10
happened
37:11
during
37:11
her
37:11
reign
37:11
to
37:12
overthrow
37:12
her,
37:13
we
37:13
might
37:13
have
37:13
easily
37:14
become
37:14
a
37:14
Catholic
37:15
country
37:15
again.
37:15
There
37:16
would
37:16
be
37:16
no
37:16
Church
37:16
of
37:17
England.
37:17
She
37:18
could
37:18
have
37:18
easily
37:18
married
37:19
and
37:19
had
37:19
an
37:19
heir
37:20
and
37:20
the
37:20
Royal
37:20
family
37:20
would
37:21
look
37:21
very
37:21
different.
37:22
She
37:23
could
37:23
have
37:23
buried
37:23
the
37:23
King
37:23
of
37:24
Spain
37:24
and
37:24
we
37:24
could
37:24
still
37:25
be
37:25
in
37:25
a
37:25
historic
37:25
alliance
37:26
with
37:26
the
37:26
Spanish.
37:27
Who
37:27
knows?
37:28
Our
37:28
lives
37:28
today
37:29
in
37:29
the
37:29
UK
37:29
are
37:30
so
37:30
intrinsically
37:31
linked
37:31
to
37:31
Elizabeth's
37:32
reign
37:32
and
37:33
this
37:33
movie
37:33
is
37:34
a
37:34
great
37:34
interpretation
37:35
of
37:35
that
37:36
life.
37:37
Basically
37:38
what
37:38
I'm
37:38
saying
37:38
is
37:40
yes
37:41
Queen,
37:42
thank
37:42
you
37:43
for
37:43
listening.
37:43
As
37:43
always,
37:43
I
37:43
would
37:44
love
37:44
to
37:44
hear
37:44
your
37:44
thoughts
37:44
on
37:45
Elizabeth
37:45
and
37:46
as
37:46
always,
37:46
thank
37:46
you
37:46
for
37:47
your
37:47
continued
37:47
support
37:48
of
37:48
this
37:48
podcast.
37:49
If
37:50
you
37:50
have
37:50
enjoyed
37:50
this
37:50
podcast
37:51
and
37:51
you
37:51
want
37:52
to
37:52
take
37:52
a
37:52
moment
37:52
to
37:53
help
37:53
this
37:53
podcast
37:54
grow,
37:54
you
37:54
could
37:55
tell
37:55
your
37:55
friends
37:55
and
37:56
family
37:56
about
37:56
this
37:56
podcast.
37:57
You
37:58
could
37:58
leave
37:58
a
37:58
rating
37:58
or
37:58
review
37:59
wherever
37:59
you
37:59
found
38:00
this
38:00
podcast.
38:01
And
38:01
if
38:01
you
38:01
want
38:01
to
38:01
help
38:02
share
38:02
this
38:02
podcast
38:03
and
38:03
get
38:03
it
38:03
out
38:04
there,
38:04
you
38:04
could
38:05
find
38:05
me
38:05
on
38:05
social
38:06
media.
38:06
I
38:06
am@VerbalDiorama
38:08
on
38:08
all
38:08
of
38:08
the
38:09
social
38:09
medias
38:10
and
38:10
you
38:10
can
38:11
like
38:11
posts
38:11
on
38:11
social
38:12
media,
38:12
you
38:12
can
38:12
share
38:13
posts,
38:13
you
38:13
can
38:13
comment
38:14
on
38:14
post.
38:15
Every
38:15
little
38:15
helps
38:16
in
38:16
spreading
38:17
the
38:17
word
38:17
of
38:17
this
38:18
podcast.
38:19
And
38:19
if
38:19
you
38:19
like
38:20
this
38:20
episode
38:20
on
38:20
Elizabeth,
38:21
you
38:21
might
38:22
also
38:22
like
38:22
episode
38:23
252
38:24
on
38:24
Shakespeare
38:24
in
38:25
Love.
38:25
It
38:25
is
38:25
a
38:26
drastically
38:26
different
38:27
movie
38:27
in
38:27
every
38:28
respect,
38:28
but
38:28
it's
38:29
also
38:29
got
38:29
Elizabeth
38:29
the
38:30
first
38:30
in
38:30
it
38:30
and
38:30
it
38:31
is
38:31
the
38:31
legendary
38:31
Dame
38:32
Judi
38:32
Dench,
38:33
so
38:33
why
38:33
would
38:33
you
38:34
not?
38:35
So
38:35
the
38:35
next
38:36
episode,
38:37
Elizabeth
38:38
the
38:39
Queen
38:39
is
38:39
definitely
38:40
a
38:40
template
38:41
for
38:41
modern
38:41
women,
38:42
but
38:43
it's
38:43
also
38:43
really
38:43
hard
38:44
to
38:44
make
38:44
a
38:44
true
38:45
story
38:45
when
38:46
your
38:46
subject
38:47
is
38:47
long
38:48
past.
38:49
So
38:50
about
38:50
another
38:51
absolute
38:51
badass
38:52
with
38:52
a
38:52
true
38:52
story
38:53
who
38:53
was
38:53
still
38:54
alive
38:54
to
38:55
not
38:55
only
38:55
consult
38:56
on
38:56
the
38:56
movie
38:57
of
38:57
her
38:57
incredible
38:58
true
38:58
story
38:58
of
38:59
David
38:59
and
38:59
what's
38:59
his
39:00
name,
39:00
but
39:00
also
39:01
have
39:01
a
39:01
little
39:01
cameo
39:02
in
39:02
the
39:02
movie
39:03
too.
39:03
Coming
39:04
next
39:04
week,
39:05
the
39:05
accuracy
39:06
rate
39:06
shoots
39:07
up
39:07
for
39:08
the
39:08
true
39:08
story
39:08
of
39:09
how
39:09
an
39:09
unemployed
39:10
single
39:10
mother
39:11
took
39:11
down
39:11
a
39:12
billion
39:12
dollar
39:12
corporation
39:13
for
39:14
groundwater
39:15
contamination
39:15
in
39:16
Hinckley,
39:16
California.
39:17
The
39:17
next
39:18
episode
39:18
is
39:18
on
39:18
the
39:19
history
39:19
and
39:20
legacy
39:20
and
39:21
the
39:21
98%
39:22
accurate
39:22
according
39:23
to
39:23
her
39:24
movie
39:24
of
39:25
the
39:25
story
39:25
of
39:26
Erin
39:26
Brockovich.
39:27
I
39:28
really
39:28
love
39:28
that
39:28
movie.
39:29
So
39:29
please
39:30
join
39:30
me
39:30
for
39:31
the
39:31
next
39:31
episode
39:31
on
39:32
Erin
39:32
Brockovich.
39:33
And
39:34
I
39:34
always
39:34
say
39:34
this
39:34
podcast
39:35
is
39:35
free
39:35
and
39:35
it
39:35
always
39:36
will
39:36
be
39:36
free.
39:36
There
39:36
will
39:36
never
39:37
be
39:37
any
39:37
charge
39:37
to
39:37
listen
39:38
this
39:38
podcast.
39:39
It
39:39
is
39:39
not
39:39
free
39:40
to
39:40
make
39:40
a
39:40
podcast
39:41
however,
39:41
and
39:42
I
39:42
do
39:42
rely
39:42
on
39:42
some
39:43
incredibly
39:43
generous
39:43
people
39:44
to
39:44
help
39:44
fund
39:45
this
39:45
podcast.
39:46
You
39:46
are
39:46
under
39:47
no
39:47
obligation
39:47
to
39:48
join
39:48
them,
39:48
but
39:48
if
39:48
you
39:49
wish
39:49
to
39:49
do
39:50
so,
39:50
there
39:50
are
39:50
two
39:51
ways
39:51
you
39:51
can
39:51
do
39:51
that.
39:52
You
39:52
can
39:52
go
39:52
to
39:52
verbaldiorama.com
39:54
tips
39:54
and
39:54
give
39:55
a
39:55
one
39:55
off
39:55
tip.
39:56
Or
39:56
you
39:56
can
39:56
go
39:56
to
39:57
verbaldiorama
39:57
dot
39:57
com
39:58
patreon
39:59
and
39:59
you
39:59
can
39:59
join
40:00
the
40:00
incredible
40:00
patrons
40:01
of
40:01
this
40:01
podcast.
40:02
Claudia,
40:03
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40:03
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40:04
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40:04
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40:05
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40:05
Mike,
40:06
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40:06
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40:06
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40:07
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40:07
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40:08
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40:08
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40:09
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40:09
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40:10
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40:11
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40:11
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40:11
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40:12
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40:12
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40:13
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40:13
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40:13
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40:14
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40:14
M,
40:15
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40:15
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40:16
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40:16
Rhino,
40:17
Philip
40:17
K,
40:17
Adam,
40:18
Elaine,
40:18
Kyle
40:19
and
40:19
Aaron.
40:20
If
40:21
you
40:21
want
40:21
to
40:21
get
40:21
in
40:21
touch
40:22
you
40:22
can
40:22
email
40:22
verbaldioramail.com
40:25
you
40:25
can
40:25
also
40:25
go
40:25
to
40:25
my
40:26
website
40:26
which
40:26
is
40:26
verbaldiorama.com
40:28
and
40:28
fill
40:28
out
40:28
the
40:29
contact
40:29
form.
40:29
You
40:30
can
40:30
also
40:30
find
40:30
every
40:31
single
40:31
episode
40:31
on
40:31
there.
40:32
And
40:32
you
40:32
can
40:32
also
40:32
see
40:33
a
40:33
little
40:33
bit
40:33
about
40:33
me
40:34
as
40:34
well.
40:35
You
40:35
can
40:35
also
40:35
find
40:36
bits
40:36
that
40:36
I
40:36
do
40:36
at
40:36
filmstories.co.uk,
40:38
you
40:38
can
40:38
find
40:38
articles
40:39
and
40:39
magazines
40:40
and
40:40
all
40:40
sorts
40:40
of
40:41
really
40:41
fun
40:41
things.
40:43
And
40:44
finally.
42:51
Bye.