Latest / My Sister Wives Podcast / Sister Wives S4 E6 - 4 Wives, 4 Valentines

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Sister Wives S4 E6 - 4 Wives, 4 Valentines · My Sister Wives Podcast

• 0:10
  What does the nanny do? OK, so we're done.
• 0:13
  Goodbye. You shut it off.
• 0:17
  Do not twist my words. Do not.
• 0:19
  Make me a victim, sweetie. Just look at the mountain.
• 0:22
  That's what you saw that day. Just the knife in the kidneys
• 0:27
  over all these years and the sacrifices that I made to love
• 0:32
  you. Hello my baby.
• 0:49
  Hello my darling, Hello my ragtime girl.
• 0:53
  Happy Valentine's Day. Such a special holiday.
• 0:57
  Such as? Unless you're a polygamist, then
• 0:59
  it's not a special holiday. Welcome everyone to Season 4
• 1:03
  Episode 6 My Sister Wives podcast.
• 1:06
  This episode is titled 4 Wives 4 Valentine's.
• 1:11
  It's a little misleading of a title because it's Four wives 1
• 1:15
  Valentine. Yes, we find out how they do
• 1:18
  things. Yeah, based on the title, I
• 1:21
  assume that we would be going on like 4 dates or something, but
• 1:24
  same. Unfortunately, we don't get to
• 1:26
  see Cordy Cordy Cordy coding four of his wives.
• 1:32
  We get to see Kody courting none of his wives.
• 1:35
  Mm hmm, getting off Scott free. Scott free.
• 1:40
  Well, he did have to. He had to spend a couple
• 1:41
  dollars. We know that.
• 1:43
  The episode opens at the fertility center, the exterior
• 1:47
  shot of a fertility center. Shout out to the earlier seasons
• 1:51
  with them arriving in the dark. It was like late, late, late at
• 1:54
  night or early, early early in the morning.
• 1:57
  So, you know, maybe they had a special arrangement or agreement
• 2:01
  with the doctor, Doctor Shapiro to record, but not when they
• 2:07
  have clients and customers or customers patients.
• 2:11
  I mean they probably have some sort of HIPAA scenario going on
• 2:17
  here where they cannot film during the day or yes, while
• 2:21
  other clients would be present. Yeah, that was a conspiracy
• 2:24
  theory from earlier seasons. Was in order for someone, a
• 2:29
  business proprietor to say yes, come here and film.
• 2:32
  They probably would be like, but you can't do it during my
• 2:34
  business hours like, you know, for whatever reasons.
• 2:38
  Luckily, Dr. Shapiro is giving us an update on a few things.
• 2:41
  I don't know if luckily is the right word.
• 2:43
  He makes sure to let us know that Kody has plenty of sperm.
• 2:47
  Sperm is not the issue. So this makes me think that they
• 2:51
  must have Kody must have given. Oh, maybe.
• 2:54
  I wonder if he gave a sample. He had to have.
• 2:57
  OK, I or was the doctor running on all of the other children?
• 3:00
  But I'm like, that's not really scientific.
• 3:02
  It's not scientific. Doctor Shapiro also references
• 3:06
  how Meri is 41. Oh, geriatric pregnancy here.
• 3:09
  Geriatric. Even without the pregnancy,
• 3:11
  geriatric. Meri's the same age as me.
• 3:16
  Most of her eggs are depleted. Yeah, or the eggs that she has
• 3:19
  remaining will be low quality. Yeah, it was great news.
• 3:23
  When you're in the age of geriatric pregnancy, there is a
• 3:27
  suggestion of getting a egg donor if there are issues with
• 3:31
  her eggs, which of course Meri is like, yeah, well.
• 3:35
  Not an option. That is not an option.
• 3:37
  I was going to make up things like she said, our sexual fluids
• 3:42
  will be the only thing creating life between my legs.
• 3:46
  But then I realized that doesn't sound like Meri.
• 3:48
  The only thing that will be scrambled here is our own DNA.
• 3:55
  I'm glad you said DNA that you're going to make a jug.
• 3:57
  What are eggs being scrambled? And I'm like.
• 3:59
  I. Hate the eggs being scrambled
• 4:02
  jokes. I don't like them.
• 4:03
  I always feel like they are so mean and people just say I'm
• 4:06
  like they're funny and I'm like, it's not funny.
• 4:07
  I mean, you scramble your DNA when you got to have a baby
• 4:10
  together, you're scrambling those little DNA's up, those
• 4:14
  eggs, those sperms, you know? It's kind of like when I make
• 4:18
  scrambled eggs, I like to put a little milk in my egg, in my
• 4:21
  eggs. You know, a little breast milk
• 4:22
  Little. Yeah, fresh from the tap.
• 4:24
  I was wondering why the breast milk remaining in my freezer was
• 4:28
  slowly depleting whenever you came to visit.
• 4:30
  Every time I come over I take a little of your frozen breast
• 4:33
  milk. Probably put it in your coffee,
• 4:34
  don't you? You're one of those people.
• 4:36
  You think it's going to make you strong after you do your big old
• 4:39
  workouts? I cannot confirm nor deny if I'm
• 4:42
  selling your breast milk on the dark web.
• 4:44
  I'm not sure. I have a hard time remembering
• 4:47
  the details. Any placenta left.
• 4:50
  Any placenta left capsulated, of course.
• 4:53
  Oh, OK, good. No, I did not do that.
• 4:57
  Although the last birth that I had, the doctor insisted on
• 5:02
  bringing my placenta over and showing me and my husband and
• 5:06
  just saying how beautiful it was and talking about how beautiful
• 5:11
  placentas are and what they can give to life.
• 5:13
  And so that was special. Got to look that bitch up close
• 5:17
  in the eyes. I was.
• 5:18
  Just going to say every placenta that I've seen which has been
• 5:21
  none in real life, like a fresh placenta, right?
• 5:24
  I've never seen a flat a fresh one, but like.
• 5:28
  Fleshy. Fleshy, A fleshy fresh placenta.
• 5:33
  But they ain't look cute the ones I've seen, so I don't know.
• 5:37
  I mean, it's like your body grows this extra organ to do
• 5:41
  this thing and then expels it. So you know, not going to look
• 5:45
  great the. Miracles of birth.
• 5:53
  That's just how it happens. It just pops right up.
• 5:55
  Pops, right? Up and you'll never believe what
• 5:58
  Meri says. Meri says she doesn't know if
• 6:00
  she wants to start over and she needs more time to think, she
• 6:04
  says. To the doctor.
• 6:06
  Right. Like, straight to the doctor.
• 6:08
  Yeah. I just don't know if with all of
• 6:11
  this, if it means that I want to start over or not.
• 6:14
  And obviously she's implying not starting fertility treatments
• 6:18
  over. She's starting about talking.
• 6:21
  She is talking about starting the journey as a mother over
• 6:25
  from, you know, day zero on. That is a big thing.
• 6:31
  You know, she's got a grown teenager that can drive
• 6:33
  themselves, take care of themselves.
• 6:35
  So it would be a huge thing to start over at this point for
• 6:39
  her. Yeah, But to say that to a
• 6:41
  fertility Dr. if I was that fertility Dr. I'd be, like, red,
• 6:46
  like, warning lights, like, wee, wee, wee.
• 6:49
  Like, this lady does not want a baby.
• 6:52
  Yeah. Do not impregnate her.
• 6:54
  Right. It's like, how many times can we
• 6:56
  talk about how Meri doesn't want to have a kid in Season 4?
• 6:59
  Like, we get it. I'd never thought of it until
• 7:02
  now. Like the code of ethics of a
• 7:03
  fertility doctor because she literally says right to the
• 7:06
  doctor that she doesn't know if she wants to start over or not.
• 7:09
  Oh Mayor. Oh, Mayor Bear Mayor, Mayor the
• 7:12
  bear. The bear, the hair, the mayor.
• 7:15
  Oh God, she's there. Meri with the hair, she's over
• 7:18
  there and she's bare. No, not right, not right.
• 7:21
  Sorry, Meri, are we not really Cut to Christine's house.
• 7:27
  The girls are getting ready for the Valentine's Day daddy
• 7:30
  daughter dance, which we talked about a couple episodes go.
• 7:36
  We're referencing Gwendolyn asking Logan to be her date.
• 7:40
  So now the big day has finally come, which is funny because in
• 7:43
  the previous episode, if you weren't looking forward at the
• 7:46
  titles of the episodes, I would have thought that it never would
• 7:48
  have made the show. Like they talked about it and
• 7:51
  then it never happened like it's.
• 7:52
  I thought it already happened. I was kind of taken aback that
• 7:55
  it was coming back up because it did happen a while ago.
• 7:58
  But yeah, Gwendolyn is funny because she's just talking to
• 8:02
  Christine about how she doesn't want Sister Wise and that she
• 8:05
  doesn't like to share. Yeah, because Christine asks her
• 8:08
  why she asked her brother to be her date, and she says she
• 8:10
  doesn't like to share and she doesn't want to be a polygamist
• 8:13
  when she grows up. Yeah, I love.
• 8:16
  Her mother had the calling from a young age.
• 8:18
  She has the antithesis of the calling from a young age.
• 8:23
  Well, after this quick little oh, the girls are getting ready
• 8:26
  at Christine's and we go to Robyn's house where more girls
• 8:29
  are getting ready. I guess they're all little
• 8:31
  girls. Yeah.
• 8:32
  And at Robyn's house, Meri's there.
• 8:34
  Yeah, Meri, to watch the little girls get ready and take
• 8:38
  pictures. Yes, Robyn asked her to come
• 8:40
  over to help and to take those pictures.
• 8:43
  Yeah. Pictures and Robyn says now I
• 8:47
  need to clearly state this for the record and for the merry
• 8:50
  haters, I am a part time merry hater.
• 8:52
  I'm not a full time merry hater to the full time merry haters.
• 8:56
  Robyn literally says that the young girls love Meri and that's
• 9:01
  why she asked her to come over is because the young girls love
• 9:04
  Meri. Now I want to emphasize this
• 9:08
  because there's all this lore about how everyone hates Meri in
• 9:10
  the family and I'm like, this just is not true.
• 9:13
  Like the entirety of the show there are people that are
• 9:15
  talking about how they love Meri.
• 9:17
  So that doesn't really the math is a not math thing there.
• 9:20
  The way the little girls are talking to her too is very
• 9:22
  excited and engaged. It's not like forceful like
• 9:26
  they're doing it just for a scene.
• 9:27
  The little girls are excited and they're talking to her about how
• 9:30
  excited they are and they got their wide eyes and Meri is
• 9:34
  doing this really weird thing where she's being like, oh,
• 9:37
  you're not excited at all, are you?
• 9:39
  And she's being sarcastic and trying to be like negative and
• 9:43
  antsy, but with children, which is a little odd.
• 9:47
  It's. Not that odd.
• 9:48
  It's like when a kid is excited and you're like, well, you're
• 9:50
  not excited about that, are you? Yeah, but she did it in such
• 9:53
  like a serious way that just it was a little over the top acting
• 9:58
  ish for children. Like they don't get sarcasm at
• 10:01
  that age. Meri, do you forget what it was
• 10:03
  like to have one that little. Yeah, which you know, pretty
• 10:08
  parent here and. Then when the adults are on the
• 10:11
  couch for a spotlight moment, Meri says she doesn't feel like
• 10:16
  a mom to some of the younger kids.
• 10:19
  She feels like she's dad's wife and a visitor in their home.
• 10:23
  And that's hard. And it's interesting with this
• 10:26
  scene because we're hot off the heels of hearing about how the
• 10:29
  girls love her. And there's this, like,
• 10:31
  comfortability and everyone seems to be having a good time.
• 10:34
  And then to hear this from Meri, it's like how that happens in
• 10:38
  life, where you're emotions and what you sense and what you feel
• 10:42
  might not really align with what someone else might see in a
• 10:46
  situation or something. Yeah, she said she doesn't feel
• 10:49
  like a mom to the younger kids with them being so far away with
• 10:52
  the homes and the distance now, and that it's really hard for
• 10:55
  her, Which I will say, watching that scene, there are things
• 11:00
  that she does when she is around the younger kids that make it
• 11:03
  very apparent that she's not maybe quite comfortable around
• 11:07
  little kids as much as she is around the teenagers when she
• 11:11
  does little, you know, comments like kind of teasing them in
• 11:15
  ways that I'm like, I don't think that they like, quite
• 11:17
  understand that at their age or whatnot.
• 11:20
  But the girls, the little girls do seem excited and that seem to
• 11:25
  be around her. So if she's feeling
• 11:27
  uncomfortable in that moment, which it kind of does actually
• 11:30
  seem like she's uncomfortable in that moment in that scene, but
• 11:35
  the little girls don't look uncomfortable, right, Right.
• 11:38
  They don't sense that from her. So it was a little odd.
• 11:41
  And I, I don't think she's wrong.
• 11:44
  It's very weird. We've all had people in our
• 11:46
  lives that we're really, really close to.
• 11:48
  And then all of a sudden it's like now they're just somebody
• 11:51
  that we used to somebody. Sorry, but it happens and I
• 11:57
  think she's feeling the distance here.
• 11:59
  She's used to being kind of in charge and being that mothering
• 12:03
  figure and the ruler on the knuckles mothering figure
• 12:07
  sometimes, and she's not getting that anymore.
• 12:14
  And you know, while they're talking about this, Christine
• 12:16
  kind of reiterates that their desire is to live in homes next
• 12:20
  door for each other so that the siblings can build brother,
• 12:23
  sister relationships. Because right now it's almost
• 12:26
  like they're cousins or friends in some manner where they don't
• 12:30
  have the same thing. And you know, that first batch
• 12:33
  of children, that first crop of kids, the oldest 5 or 6 or
• 12:37
  whatever, they literally were living like in a trailer and
• 12:40
  like had all of these moments together.
• 12:43
  They were really a true kind of almost like nuclear group or
• 12:47
  whatever. So it would be weird to see the
• 12:51
  younger crop, the new generation of brown children, so distance
• 12:56
  from their siblings, you know? Yeah, there's definitely got to
• 13:00
  be a different vibe there, right?
• 13:01
  The older kids had a completely different upbringing.
• 13:04
  And even in a family, you know, I just have one sibling.
• 13:07
  Even in a family with two siblings, you basically do have
• 13:12
  two different parents than your siblings, 2 parents, because
• 13:16
  they're at a different point in their life.
• 13:18
  So they're treating you differently at a different point
• 13:21
  in their life. You know you have different
• 13:23
  experiences than your siblings. So adding the dynamic of having
• 13:27
  all of these other moms, I can't even imagine how different all
• 13:34
  of their experiences are based on their relationship with each
• 13:37
  mom and their relationship with Kody.
• 13:40
  There are so many factors here that it is wild to me.
• 13:44
  And this continued. Who knows what's happening when
• 13:47
  they're not filming? I have a feeling that when
• 13:50
  they're not filming, there's maybe less of what they would
• 13:54
  say happens when they're filming as far as this narrative of
• 13:59
  she's your mom. Like, you know, when you don't
• 14:02
  see Meri for two weeks, are you really talking about how she's
• 14:06
  your mom everyday in your house? Like, probably not.
• 14:10
  So yeah. And then we get this exterior
• 14:15
  shot of Kody and Logan and the girls arriving for the school
• 14:20
  dance. There's a voiceover from Kody
• 14:22
  where he's talking about how the teenage girls probably don't
• 14:25
  want anything to do with him these days, but the young girls
• 14:29
  still want his attention and that makes him happy because
• 14:32
  he's a egomaniac and a narcissist.
• 14:35
  So attention whore. So as long as the kids are young
• 14:37
  enough to not question you or point out that you're actually a
• 14:41
  wretched individual, then what's not to love?
• 14:44
  Yeah, they're still looking up to him at this point.
• 14:46
  And Daddy can do no wrong at this point still in their minds.
• 14:50
  And he loves that, and he soaks it up.
• 14:53
  Yep, even with that hair, even with those clothes, even with
• 14:56
  those cars, Dad can do no wrong. I mean, obviously he can do no
• 15:00
  wrong with that pink gold car. It's like a Barbie car, Chris.
• 15:06
  It's gorgeous. It's something that's awesome.
• 15:09
  Their Barbies want to ride in that.
• 15:12
  Yeah, and Kody says that the girls love dancing with them.
• 15:16
  They just love to dance. They love to dance with.
• 15:20
  Kody yeah, the demand was really high for him and he dances with
• 15:24
  more than one at a time at some points.
• 15:26
  And they show him standing in like a ring around the Posey
• 15:29
  circle with the girls. And there's like 1 Rod Rosie.
• 15:34
  Ring around the Rosie, pockets full of posies.
• 15:37
  Oh, ashes. Ashes.
• 15:39
  We all fall down. There's one odd dad and daughter
• 15:43
  duo standing like off like behind them that they kind of
• 15:48
  like focusing on kind of don't just to show the difference
• 15:52
  between Kody and his large group of girls.
• 15:55
  And then this Nandi nay like look at these normies off in the
• 16:00
  corner here. Lame normies.
• 16:03
  Oh. It was a very short scene.
• 16:06
  So considering we've had all this buildup, the Daddy
• 16:10
  daughter, Valentine's dance, I mean, I can barely say it.
• 16:13
  It's such a mouthful. And then it was barely a taste.
• 16:17
  Well, we were both shocked that they actually shot inside of the
• 16:21
  dance like some footage. Anyway, when they cut to the
• 16:24
  scene of them inside of the gymnasium dancing, just like at
• 16:29
  Kody and Meri's wedding, they their gymnasium of a wedding.
• 16:35
  They do. Yeah.
• 16:36
  We both looked at each other like, oh, they actually took
• 16:39
  footage at the dance. And then they show a few people
• 16:43
  in the periphery like this dad and daughter dancing.
• 16:46
  And I'm sure that they had to sign away their lives on the
• 16:49
  dotted line to be OK with being in this scene.
• 16:52
  So I'm sure that there was maybe they arrived early to get this
• 16:57
  footage and then they had to get out of there.
• 17:01
  Yeah, it certainly wasn't like a packed dance floor.
• 17:03
  No, no. Pretty sparse.
• 17:05
  It was staged I think at the beginning, before the other
• 17:09
  people got there, I think. Yeah, it definitely looked like
• 17:12
  something like in a cheap movie where they're like we're going
• 17:14
  to film a dance scene and it's like they can only afford like 8
• 17:18
  extras and it's like we have a whole gymnasium here like.
• 17:21
  The girl in the background dancing with her dad actually
• 17:23
  was 40 when he was zoomed in on her face.
• 17:27
  She just was on her knees and had her shoes on her knees.
• 17:30
  She's like an elderly little person.
• 17:32
  She's like, my gosh. We have a commercial break and
• 17:37
  when we return, Kody, Kody, oh, Kody is pulling up in his light
• 17:45
  copper cosmetic convertible. And you're going, where is he
• 17:48
  pulling up? It's a florist.
• 17:50
  Oh, a building with flowers in it.
• 17:53
  Apparently that's what florist means.
• 17:55
  I didn't know that. And Kody goes in and says I need
• 17:59
  flowers for my wives. And they do those awkward cuts
• 18:03
  where they're like showing the employee and then showing him
• 18:06
  and making it like it's so awkward.
• 18:09
  And it's like, OK, you probably took the two seconds of
• 18:11
  awkwardness and stretched it into like 8 segments.
• 18:14
  Yeah, there's like crickets and stuff and they make her like
• 18:18
  shocked look and the florist's name or the front desk person
• 18:23
  who's recording his orders name is Helaya Helaya, and she's
• 18:28
  looking shooketh. Well, it's not everyday she sees
• 18:33
  meets Kody Brown. He's a celebrity too.
• 18:35
  He's a celebrity. Right.
• 18:37
  They have her do her own little interview moment up against the
• 18:40
  wall looking like she's getting a mug shot, and she's saying,
• 18:44
  yeah, I usually don't have a husband come in shopping for
• 18:48
  more than one wife or, you know, whatever she says.
• 18:51
  And it's like, duh. OK, Thank you.
• 18:54
  Yeah. She doesn't see this often, and
• 18:57
  she doesn't judge. Nope, she does not judge.
• 19:00
  That Halaya. She is a nice lady.
• 19:02
  She doesn't judge. Halaya is a judgment free zone.
• 19:09
  Oh, he says that what they all want is like something different
• 19:14
  and he's trying to list off all of the separate flowers they all
• 19:18
  want and points over at home one pre made bouquet and says, well
• 19:25
  that that right there, that's something Meri would like.
• 19:27
  And then he knows separate flowers for the other wives like
• 19:32
  name dropping flowers. It's like a combination of
• 19:35
  knowing one name of a flower for someone and then meeting
• 19:40
  haphazardly, pointing and picking.
• 19:42
  Like at one point he points at these like purple lavender
• 19:47
  flowers. And he's like, Christine would
• 19:49
  love these. And I'm going I got Robyn, who
• 19:50
  was your purple bitch. Christine loves purple too.
• 19:54
  No, but then he did have a specific flower for Robyn that
• 19:57
  was like, you know, I love desperate and divorced or
• 20:00
  whatever the the flower was. Yeah, it was one of those names
• 20:05
  where it's like, I recognize it when it's sad, but like, I
• 20:08
  wouldn't even know that flower name.
• 20:10
  So yeah, I suppose at some point he got that little tidbit stuck
• 20:16
  in his head and hangs on to it. I Yeah.
• 20:20
  Death around the corner, Dahlia. Death around the corner.
• 20:23
  Dahlia is it? Some weird name where I'm like,
• 20:25
  that's pretty specific to remember literally.
• 20:27
  I mean, and it's not like Bird of Paradise.
• 20:29
  It was like some sort of name that was.
• 20:31
  Weird. Yeah.
• 20:32
  I thought about writing down the ones that he picked for each of
• 20:35
  them and said, and I was like, Nah, I don't give a fuck.
• 20:37
  Yeah, honestly, because I don't believe that these are flowers
• 20:42
  that they actually said that they liked.
• 20:44
  I think these are just flowers that maybe he, as a child, heard
• 20:48
  the names and remembered and they stuck in his head, so he's
• 20:51
  listing them off. It's just bizarre.
• 20:53
  None of them are flowers where I'd be like, yeah, that's what a
• 20:57
  woman wants, right? Oh yeah, white lilies or
• 21:01
  anything like that. It's just bizarre things.
• 21:04
  He's such a nut job that I wouldn't even be surprised if he
• 21:07
  like read the names on the tags or on a display and then just
• 21:10
  send them like he knew them. Oh my gosh, yeah.
• 21:12
  Oh my God. Dude.
• 21:13
  Yeah, and. Then showboat for no reason.
• 21:16
  Right. Of course Janelle wants a patch
• 21:18
  of grass so that she can use it at their future home.
• 21:22
  Because, you know, she's practical.
• 21:27
  Can I? Just get Janelle a pack of grass
• 21:28
  seed. She'd really like that.
• 21:30
  Like one of those little ones that's like a kool-aid packet.
• 21:33
  Like, oh, here's some grass seed.
• 21:34
  Janelle for the future. For my practical wife.
• 21:38
  Yeah, for my practical wife. Thinks ahead of things I.
• 21:40
  Didn't watch it grow, Janelle. She wouldn't want me to waste
• 21:43
  money on flowers for her. She would love this grass seed.
• 21:49
  He gets her like weed killer. It's like, Oh well, thanks
• 21:51
  honey. You know what she.
• 21:53
  Goes around and sprays all the bouquets when the other wives go
• 21:56
  to bed, Kills them all. So good.
• 22:00
  Oh, we go to Meri's house and all the wives are talking about
• 22:05
  their family. Valentine's Day get together
• 22:09
  that's going to happen. And Robyn starts flapping her
• 22:13
  trap. No.
• 22:15
  Now before we get into what Robyn says, honey, could you
• 22:17
  describe the table for our listeners at home or what was on
• 22:22
  the table? I don't know what was on the
• 22:24
  table. Oh honey, we had some red
• 22:26
  placemats with big white hearts on them and we had some glass
• 22:31
  vases, vases, decor, I'm not sure what in the middle with
• 22:36
  like red chiffon or mesh or something.
• 22:40
  Like talking like Kody about flowers right now about fabric.
• 22:45
  Yeah, you know some red see through stuff I was.
• 22:48
  Like one time. I wonder if Meri has her table
• 22:53
  decorated prior to Valentine's Day, like, oh, like for the
• 22:57
  season, for the long weekend, or if it's literally Valentine's
• 23:02
  Day and she's like, let's, and they're like, let's film
• 23:05
  something where we talk about how we're going to have a party
• 23:07
  and we're going to do a thing. Meri loves to decorate.
• 23:10
  She loves them. She loves a lot of decor.
• 23:12
  She might be that person I am that person that decorates for
• 23:16
  every holiday and I'm very disappointed because I have
• 23:20
  asked my husband a thrice now to get out the tote with the
• 23:24
  Valentine's Day decor and he. Stop, stop, stop.
• 23:27
  Valentine's Day is 10 days away, honey.
• 23:29
  I know, I just feel like right now it'd be just a waste to put
• 23:32
  it out. Oh my gosh.
• 23:34
  At this point you have an. Actual Valentine's tote.
• 23:37
  No, I have a small holiday day tote for like miscellaneous
• 23:41
  holidays. It literally says on the label
• 23:43
  like miscellaneous holidays and they're listed.
• 23:45
  This is forgivable because I was like, girl, you need some help.
• 23:48
  If you have a full tote for Valentine's Day, Like you're
• 23:50
  like, I'm a third grade teacher. It's like no honey, No, no, no.
• 23:54
  What if I was like, I have so much Valentine's Day stuff and
• 23:58
  you better celebrate me on Valentine's Day and you better
• 24:00
  get me those 12 roses or shit's going down, down.
• 24:06
  You are not getting the nookie tonight.
• 24:08
  What if I was like dead serious about loving Valentine's Day?
• 24:14
  Are there people that are really?
• 24:16
  Rendered me speechless. Darling, I honestly don't know
• 24:18
  what I would say. I had a friend once that would
• 24:21
  celebrate sweetest day. I don't.
• 24:23
  Even know what that is? It's like another version of
• 24:26
  Valentine's Day, and she just like any reason to celebrate her
• 24:32
  as a human. Yes.
• 24:34
  She would be offended if her partner like didn't do it so she
• 24:38
  would pick up on these weird random holidays and be like this
• 24:41
  is a big deal to me. Oh my God, that's silly.
• 24:43
  So there are people out there that are like that.
• 24:46
  It's like my name's Chris and I celebrate Christopher Columbus
• 24:49
  Day. Oh.
• 24:50
  Cut that, all right? I absolutely do not.
• 24:54
  I absolutely do not, but there's Christopher, the guy in the
• 25:00
  North Pole Santa, his name is Johnny Saint Nick.
• 25:03
  Okay, so he's not Chris either. Chris Kringle.
• 25:05
  Chris Kringle. Chris Kringle.
• 25:08
  So yeah, I like to celebrate Chris Kringles birthday, make it
• 25:11
  my own. I love how it took 20 minutes to
• 25:15
  get there, but I love it. I'm very passionate about it.
• 25:19
  Oh. My God, passionate about any
• 25:22
  single holiday with the word. Chris, somewhere in there.
• 25:26
  And it is all about you on that day.
• 25:29
  All about you. Know that?
• 25:30
  Yeah. And if any home that you walk
• 25:34
  into on that day is not decorated with.
• 25:36
  Pictures of me. And if they do not have what
• 25:41
  food? Well, I, I, you know, I just
• 25:43
  like so many different kinds of food.
• 25:45
  Pickles. I, I do like Pickles.
• 25:49
  I do love a shrimp cocktail. Keep it easy, all right?
• 25:51
  Shrimp cocktail on any day that has a Chris in it or you are
• 25:57
  excommunicating people from your life.
• 25:59
  Burning the building to the ground.
• 26:04
  Yeah, so Robyn starts. You said she opened her big fat
• 26:07
  fucking jaw. So hey, Robyn, over the trap
• 26:13
  again. Oh my gosh.
• 26:15
  And she has a brilliant idea. Honey, what was Robyn's idea?
• 26:20
  She first made a comment that was like, people ask me, does
• 26:25
  Kody just split the day into fourths?
• 26:28
  Yeah, she thinks she's so funny, like.
• 26:31
  What the fuck? Who are you talking about
• 26:32
  Valentine's Day with and who has seriously asked you this
• 26:35
  question? Like who has conversations about
• 26:38
  Valentine's Day other than like, of course we are right now other
• 26:41
  than that episode, But who the fuck is she talking to on a
• 26:46
  regular basis that's asking her this question?
• 26:49
  She acts like everybody asks her this question and she says do
• 26:53
  they split it into fourths? No, Robyn.
• 26:56
  Even though Robyn barely talks to anyone, she probably has very
• 26:59
  little relationships with family and has no friends.
• 27:01
  So who's she talking to about? It right like she just made that
• 27:04
  up and then she says that they should attack codes car oh.
• 27:10
  Attack. She uses the word attack which
• 27:12
  OK and decorate it. Oh and then she does this like
• 27:17
  ooh little fake cringe and bites her lip like I can't believe I
• 27:22
  just said that out loud. Was that a cute idea?
• 27:25
  Was that funny? We should attack out his car and
• 27:28
  bites her lip. It's like Jesus Christ.
• 27:30
  Yeah, she's probably just trying to chew on her cold sore.
• 27:33
  But then you know Janelle like, well, you know, it would be like
• 27:37
  a big card. A big card.
• 27:41
  I'm like. Janelle.
• 27:42
  Oh my God. Let's.
• 27:44
  Go all out. Let's treat his car like a big
• 27:46
  card. Robyn has a weird flippy hairdo
• 27:49
  that is new. She doesn't have her sausage
• 27:51
  curls in this. Scene A new haircut, A new
• 27:55
  hairstyle. Do she's just got it like
• 27:57
  flipped outward on the ends. I'm thinking to myself like this
• 28:03
  time period in that hairdo, just no, no, like that was out of
• 28:08
  style like years before this time period as far as I know
• 28:11
  well. You never were hip to the
• 28:13
  polygamist fashion. I wasn't hip to the polygamist
• 28:15
  fashion apparently Apparently, but it is obvious that she's
• 28:21
  doing something new there and it's just not working for her.
• 28:24
  Yeah, yeah, nothing's working for any of these girls at this
• 28:27
  table, by the way. No, I do like when Janelle puts
• 28:30
  on a little too much eyeliner because it brings some
• 28:33
  dynamicness to her. Like otherwise washed out face.
• 28:36
  Yeah. Like she's got the light hair
• 28:38
  and the light skin. So at least when she was wearing
• 28:40
  eye makeup, it's like, oh, she looks kinda like a street
• 28:42
  Walker. And that's interesting because
• 28:46
  otherwise she would just look like, I don't know, the the
• 28:48
  light side of a beach towel. She would look like your ass,
• 28:53
  let's be honest. She would look like my butt
• 28:55
  cheeks. Oh boy, she and that eyeliner.
• 28:59
  She would look like my. Ass.
• 29:01
  Oh my God, that's terrible. White and just like clear in
• 29:05
  there. And round and voluptuous.
• 29:07
  I just want to smack it. That's.
• 29:09
  What I was thinking, yeah, yeah. She just for some reason with
• 29:13
  that eyeliner, she does that outside of the tops and the
• 29:18
  outside of the bottoms, Yeah. And then I don't think she wears
• 29:22
  mascara. And there's nothing worse than
• 29:25
  eyeliner without mascara. Like don't do the eyeliner then.
• 29:30
  It almost looks like bad tattooed on eyeliner when you
• 29:32
  don't. Think she wears mascara?
• 29:34
  It doesn't look like it and she's probably got super blonde
• 29:37
  blonde eyelashes so. The tiniest little eyelashes.
• 29:42
  Yeah. See, I don't know.
• 29:43
  I thought that she was wearing mascara because it just looked
• 29:45
  like raccoon eyes. Like, so just like, so.
• 29:48
  I mean, not the eyeshadow, but like, yeah, just a lot of black
• 29:52
  stuff around her eyes. Yeah, there's a lot of people
• 29:56
  that still wear their eyeliner like that.
• 29:57
  And I'm just like, that's not a thing thing anymore.
• 30:01
  I don't think. I don't think it ever really was
• 30:03
  meant to be a thing. I still wear my eyeliner like
• 30:05
  that. Yeah, people might come for me,
• 30:07
  but Britney Spears eyeliner on her weird videos that she posts
• 30:12
  is like that and it looks like she's been sleeping in it for
• 30:14
  like 4 days in a row. Yeah, that's wrong.
• 30:16
  That's kind of what reminds me of.
• 30:18
  Yeah, Janelle does look a little like Britney Spears.
• 30:20
  I've always said that. Right.
• 30:22
  I mean, I thought so. Christine says they can fill the
• 30:26
  car with balloons. Fill it with balloons.
• 30:29
  So that they could all come out when he opens the door.
• 30:33
  Yeah. Fucking Christine.
• 30:36
  Then they talk about how they're going to get the car, how
• 30:39
  they're going to borrow it. Robyn hatches a plan.
• 30:42
  Yeah. She volunteers that she can say
• 30:44
  she scratched the car to get him to come out to see it after they
• 30:48
  done whatever they're going to do to it.
• 30:53
  But first she has to play the victim as per usual and pretend
• 30:55
  that she has a flat tire to get his car.
• 30:57
  To get the car, Yes. Well, and Christina actually
• 31:00
  says to Robyn, can you lie? And Robyn goes, oh, yeah.
• 31:03
  And it's like, oh. Yeah.
• 31:05
  That was just a little throwaway comment, but a lot of
• 31:08
  foreshadowing for the rest of their lives.
• 31:11
  Can you lie? Is it like a little koi joke?
• 31:13
  And Robyn's like, Oh yeah. Of course, it has to be Robyn
• 31:17
  too. That does it.
• 31:18
  That gets to be like the center of attention and gets to be the
• 31:20
  actress. Oh yes.
• 31:23
  She gets to flex. Her acting Robyns.
• 31:26
  Yes. It's.
• 31:28
  Of course her. Of course it's her.
• 31:30
  In her in her spotlight, on the stage.
• 31:33
  Yeah. Robyn lets us know that her
• 31:36
  actual plan, her diabolical plan, is that she will say that
• 31:41
  she has a flat tire and she needs to use Kody's car.
• 31:49
  I was wondering if you were jealous of Robyn while she was
• 31:51
  having these moments of being a star because you were supposed
• 31:55
  to be the star in the nativity scene.
• 31:58
  I mean, and what if Robyn wanted to like, wrestle you over being
• 32:02
  the baby Jesus? Would you take her down?
• 32:04
  I totally would take her down. Yeah, you would.
• 32:06
  I would win in a. Heartbeat the shit out of
• 32:08
  fucking Robyn. I would totally beat this shit
• 32:11
  out of Robyn. She'd be like pretending to like
• 32:14
  limp off to get away before even actually being wounded.
• 32:17
  You'd have at least 3 million people applauding you, for sure,
• 32:20
  for sure. We're also at Christine's house
• 32:23
  where she is cooking. She's cooking up a storm.
• 32:26
  I noticed she was putting a lot of ground beef into something.
• 32:29
  And that's, you know, par for the course.
• 32:31
  Probably making a shepherd's pie.
• 32:33
  Yeah, like some sort of take on it.
• 32:35
  A shepherd's pie casserole. Got to get lots of peas in here.
• 32:41
  Oh yeah. I love how there's, there's
• 32:43
  nothing better than making a casserole out of something
• 32:45
  that's half a step away from being a casserole to begin with.
• 32:49
  That's very, very much of Christine's Alley.
• 32:52
  I think recently she posted a picture of enchilada casserole
• 32:55
  and it was like the whitest, blandest looking thing I've ever
• 32:58
  seen. And it was like, enchiladas are
• 33:00
  like, not that far off from a cat.
• 33:03
  Like, why wouldn't you just make enchiladas?
• 33:04
  Like, why wouldn't you make it a casserole?
• 33:06
  Like, Oh my God, oh, white people are the worst.
• 33:10
  OK, While Christine is cooking, slaving away to make a
• 33:14
  Valentine's dinner for the family, Robyn asks if she can
• 33:18
  borrow Kody's car. Oh honey, can I borrow your car?
• 33:22
  Is this the part where she doesn't really say anything?
• 33:24
  No, that's when she comes back. That's later.
• 33:26
  So she's kind of aggressive. She comes in hot.
• 33:28
  Oh, she comes in hot. She's like, hey, Kody, I need to
• 33:32
  run an errand. Can I use your car?
• 33:34
  My car has a flat tire again, and he says I got somewhere to
• 33:37
  be too. And then he goes, oh, wait,
• 33:40
  don't we have an air compressor in the car?
• 33:42
  Like he's going to go out there and get on his manly man arms
• 33:46
  and hoist her car up and do whatever he needs to do to take
• 33:51
  care of it for her. And it's like, oh, if you have
• 33:54
  somewhere to be shortly, the last thing you'd be thinking of
• 33:57
  is like manual labor on a car, right?
• 34:00
  You'd be thinking the easiest. Yeah, but if you're just putting
• 34:03
  air in a tire, it's not. But for Kody?
• 34:06
  Well, but for Kody, right, because I mean, literally taking
• 34:08
  out a compressor and just sticking the thing on the tire,
• 34:10
  I mean, it's not really that much work.
• 34:12
  But for Kody, when he says, well, there's a compressor in
• 34:15
  the in the garage, do we believe that it's in the garage?
• 34:18
  Who knows. Is it accessible?
• 34:20
  Probably not. Him doing it.
• 34:22
  Yeah, it's probably like a three hour activity.
• 34:24
  He'd probably be searching for an hour, just like he was
• 34:27
  looking for a tool for forever that one time that.
• 34:30
  Yeah. Yeah, you'd have to go to
• 34:32
  everybody's house. He's like driving his car from
• 34:34
  house to house while Robyn's just waiting to go run her
• 34:37
  errand. Her theoretical errand.
• 34:39
  It almost ruined the entire plan.
• 34:42
  Oh no, no, no. He's so smart.
• 34:47
  He almost too smart. Their plan?
• 34:51
  Oh. Yeah, Christine's here at this
• 34:56
  point is flippy as well. Like her and Robyn had this new
• 35:01
  found idea to curl their hair outward instead of on around the
• 35:06
  same time. I noticed it because it was
• 35:10
  shortly after Robyn's change of style.
• 35:13
  Maybe they had some sort of fashionista give them some
• 35:16
  advice. Maybe it was you.
• 35:19
  Yeah. Did you happen to help anyone
• 35:20
  that looked like them back in the day?
• 35:22
  Diabolically like went into their DMS and suggested this
• 35:26
  hairstyle from like 20 years prior to that and I said ladies,
• 35:32
  ladies please stop flipping your hair in sausage Cruz under start
• 35:37
  flipping it all. You were the one behind that
• 35:41
  unfaced, unfaced, unfaced social media account polygamy stylist.
• 35:47
  Yeah, yeah, yeah. I said hello.
• 35:49
  It's Jesus. It's Jesus.
• 35:52
  I'm here to give you some hair tips.
• 35:57
  Listen, this is a long, long, long time ago.
• 36:03
  A little did they know that I would just randomly pop into
• 36:06
  their heads and give them shitty hair advice to make them look
• 36:09
  horrible? The ghost is to my hair.
• 36:12
  Jesus, yeah. Coming God.
• 36:15
  Oh, OK, we've entered a new realm of ridiculous.
• 36:18
  Well. You know, this whole thing is a
• 36:20
  little ridiculous, just like there's shitty plan here.
• 36:25
  But luckily we don't find out any real details about how this
• 36:28
  all happened other than Robyn does manage to leave with the
• 36:31
  car and pulls the copper convertible in front of
• 36:34
  somebody's place. I think his marriage place, I
• 36:36
  don't know whose place, someone's place where all the
• 36:38
  kids are and they all start decorating the vehicle.
• 36:43
  I love saying vehicle vehicle so good.
• 36:47
  Oh my God. A highlight of this little
• 36:48
  scene, while the kids are all decorating the car and
• 36:52
  anticipation of showing daddy they're being carred with four
• 36:56
  wheels was Meri blown up balloons and I was.
• 37:00
  Like my is so full. Of hot air.
• 37:02
  And then I was having flashbacks to all the things I've done
• 37:05
  where I've blown up balloons and I'm like, God, I'm full of hot
• 37:08
  air too. I was just like, I'll like, I'm
• 37:10
  kind of like Meri. Like, well, just give them the
• 37:12
  fucking balloons. I'll blow them up.
• 37:13
  And it's like, Yup, here I am. You literally just blew balloons
• 37:16
  up for my child's second birthday party.
• 37:18
  And I was like, here you go and. Look and I I accomplished the
• 37:23
  task. We should have gotten an air
• 37:25
  compressor, gosh darn it. Instead of spending 10 minutes
• 37:29
  blowing up balloons, I should have spent 30 minutes looking
• 37:31
  for the air. Compressor.
• 37:32
  No, that would have made. More sense idiot.
• 37:34
  Gosh, idiot. They keep going and telling the
• 37:39
  kids to be careful, be really careful.
• 37:42
  We made it very apparent to the kids that they needed to be
• 37:44
  careful. They weren't allowed to use the
• 37:46
  paint on the paint of the car. Meanwhile, there's like a huge
• 37:50
  freaking heart drawn right on the, like, front of the car,
• 37:54
  like solidly colored in with the paint.
• 37:57
  I'm like, oh, you did a great job there, right, OK.
• 38:00
  Classic Brown like we laid down the rules, no one followed any
• 38:05
  of them, and we're very happy about it.
• 38:07
  What these few scenes tell me about Kody don't fuck with his
• 38:11
  Meri Kay car. He worked really hard for it.
• 38:14
  He worked really hard for it. He The look on his face when
• 38:19
  anything in these next few scenes is happening with his car
• 38:23
  is one of alarm. And it tells me all I need to
• 38:28
  know about things that he has said to his wives and children
• 38:31
  about his car before. Like, don't touch the inside of
• 38:34
  the glass. Maybe the kids are riding in the
• 38:36
  car. Your parents ever do that?
• 38:37
  When you touch the inside of the windows and they're like, yeah,
• 38:40
  screaming at you for it. Like, fuck you under their
• 38:43
  breath. He's that guy with his Meri Kay
• 38:46
  car. We don't know how many lipsticks
• 38:48
  he had to sell for that thing. Like come on, don't fuck it up,
• 38:52
  kids. Right.
• 38:53
  Well, he's already done the math in his head and he's like, this
• 38:55
  car's worth at least three of these children to me.
• 38:57
  So yeah, you know. He's like all these tiny
• 38:59
  concealers that I gave away for free so people's eyes could
• 39:02
  match my raccoon eyes and dark orange concealer for the rest of
• 39:07
  it. You don't even know you guys.
• 39:10
  You don't even know how hard I worked to solve this, to make
• 39:13
  this Meri Kay car happen. At least 30% of his inventory
• 39:16
  was purchased by Meri. Because she's like, I'm putting
• 39:19
  it on, I'm putting it on, I'm putting it on.
• 39:22
  Give me, give it to Me 2 shades darker and give it to me more
• 39:25
  than I've ever needed. Like, oh.
• 39:27
  God, yeah. Bring out every wrinkle, every
• 39:30
  crack. All the children are gathered
• 39:35
  outside, all the wee ones with the vehicle in the driveway and
• 39:40
  Robyn is out there going. I'm going to go get him.
• 39:45
  Meri is like desperately blowing up balloons still.
• 39:47
  Like she just won't give it up. She just thinks there's not
• 39:50
  going to be enough balloons in the car.
• 39:52
  She says that like, I don't know if it's a voice over or
• 39:55
  whatever, but she's like, I just didn't think there were going to
• 39:57
  be enough balloons in the car. And they keep showing her.
• 40:01
  Yeah. Her hair goes out every time.
• 40:03
  Yeah, it's like staticing with the balloons each time.
• 40:07
  Love it, love it. So as everyone's gathered
• 40:09
  outside, Robyn goes in to tell Kody the bad news.
• 40:13
  And we had to rewind this like 3 times because I couldn't catch
• 40:19
  what she said to him. And I don't think she actually
• 40:22
  even said anything to him. She just gave him this look.
• 40:25
  Yeah. And then she's like stuttering
• 40:28
  and goes I'm, I'm really sorry about your car, is what he
• 40:31
  thinks he heard. And the look on his face, you'd
• 40:37
  have thought someone kicked his cat.
• 40:40
  Kicked his dog, they kicked his car, kick.
• 40:43
  Him in the teeth. Yeah, he had this look about
• 40:47
  him. OK, He's got to get his ass
• 40:50
  outside to see what the fuck she did to his car.
• 40:54
  Oh no, but he's like pretending like he wouldn't be mad at her
• 40:57
  at the same time. I don't know.
• 40:59
  It was just an awkward, awkward scene.
• 41:01
  Now of course she didn't come in with like blood running down her
• 41:04
  face or anything, but was there a mention of like, oh, were you
• 41:06
  okay? Like no, no, no of her no, like
• 41:11
  were any children with you? Like nothing like that.
• 41:13
  No and she's just got horrible acting skills at this point like
• 41:17
  you like you said earlier it's like she just like couldn't even
• 41:20
  say anything and we literally room around it like 3 times like
• 41:23
  OK did we miss what she said? And no, she just couldn't even
• 41:27
  get it out because she's just that horrible.
• 41:29
  At that, she couldn't even say anything.
• 41:31
  And yet there she was, like, alluding to that there's an
• 41:34
  issue with the car, like through nonverbals, right?
• 41:36
  Like with the key and like the look of like.
• 41:37
  Haha yeah. But then he says in commentary
• 41:40
  that she said I'm really sorry about your car.
• 41:43
  And I'm like, Nah, bitch, none of us, none of us heard that.
• 41:46
  None of us saw that. She had to know that.
• 41:48
  No, yeah, I think that's the vibe that he was getting.
• 41:51
  But. So then Kody goes outside to see
• 41:53
  what's going on with his vehicle.
• 41:55
  To assess the damage. Assess the damage.
• 41:58
  The demage. To the bumper and he turns the
• 42:02
  corner and everyone goes Happy Valentine's Day.
• 42:08
  He gets smacked in the face with rose petals.
• 42:10
  Like, quite literally. They they literally accost him.
• 42:14
  They do. Isabel is the rowing shit in his
• 42:18
  face. Yeah, and she gets like really
• 42:20
  close to smacking him just straight in the face with this
• 42:23
  rose petal. It was hard for me to tell if
• 42:26
  she did actually hit him in the face of her hand, but it's like
• 42:30
  the Rose petal fell on his chest so she had to pick it off and
• 42:33
  then make sure it went in his face and it was quite
• 42:36
  aggressive. It was really, really
• 42:38
  aggressive. I don't think she actually hit
• 42:40
  him. I think he kind of ducked her,
• 42:41
  like, yeah, knew she was coming and kind of kept looking out to
• 42:45
  look at everything else around him.
• 42:47
  Yeah. It reminds me of all of the
• 42:49
  people I know with children that are like, oh, yes, my child did
• 42:52
  just assault me. But, you know, we're just going
• 42:54
  to move on and pretend like nothing's happening.
• 42:55
  Like OK. Yeah, you kind of get Mongoose
• 42:58
  like reflexes, yeah you know, after, after so many times of
• 43:02
  things happening, yeah, you just dodge and dip and.
• 43:07
  Yeah, like doing the Matrix to avoid being hurt by your own
• 43:11
  children. I mean, I still stubbed my toe
• 43:14
  aggressively twice this week on the couch, but I could dodge a
• 43:19
  smack from a child to the jugular if I needed to that.
• 43:23
  Jugular that jugular, and it's hard to miss your jugular.
• 43:26
  Right, mine's pretty large. I wasn't told I have quite a
• 43:30
  large jugular. Told I have a large jugular
• 43:34
  throbs when I'm angry. My favorite moment of when Kody
• 43:38
  gets to see his car all drawn on and hearts and balloons and
• 43:44
  whatever. Written on yeah.
• 43:46
  Is when he's kind of reading some of the things and he's
• 43:49
  like, oh, Meri plus Kody, Meri plus Robyn.
• 43:53
  And then he's like, Gabe is my favorite child.
• 43:56
  And I was like, yes, that's amazing.
• 43:58
  Like, what an amazing thing. I wish my parents had received a
• 44:02
  Valentine's card for me. Never, probably never happened.
• 44:05
  And if there was one, I wish inside it would have said Chris
• 44:08
  is your favorite child because that would have made the most
• 44:11
  sense. So I think I've given my
• 44:13
  parents, like Mother's Day or Father's Day cards that have
• 44:16
  said, oh, happy Father, Father's Day, happy, happy Father's Day.
• 44:21
  Yeah. Happy Father's Day or Mother's
• 44:23
  Day from your favorite child. Yeah.
• 44:25
  But I've sure done that before. Yeah.
• 44:27
  I'd like to find ways to make more holidays about me, so I'm
• 44:31
  going to take that on. I mean.
• 44:32
  As we've heard, you obviously believe that Christmas is about
• 44:37
  Chris you. Kris Kringle said it was fine,
• 44:42
  so it's all good. So.
• 44:44
  Cut back to inside Meri's house, the party's happening.
• 44:48
  One thing he does say that is I don't think of voiceover.
• 44:54
  I think that he says it to her and is kind of pointing and
• 44:57
  laughing. He says I'm going to get Robyn
• 45:00
  back, I'm going to get her back. And it's like he's attributing
• 45:04
  this whole thing only to her because she's the one that got
• 45:09
  the car from him. And it's just another way in my
• 45:12
  mind of him to like, attribute this thing to her to, oh, I'm
• 45:17
  gonna get her back. Like, right.
• 45:19
  What are you gonna oops, wrong hole her Kody?
• 45:21
  Like, Jesus, you know, like you're gonna use this as an
• 45:25
  excuse to put it in the wrong. Oops, wrong hole.
• 45:30
  Oh my God. I mean you wouldn't know this,
• 45:33
  but women have a more than one hole.
• 45:36
  I wouldn't know this. Excuse me, I'm a man of a
• 45:40
  certain age and I'm well aware that oops, wrong hole is a
• 45:44
  thing. I just can't believe we're
• 45:46
  talking about it with Kody and Robyn Oak.
• 45:48
  I mean, what do you think he's going to do to surprise her, to
• 45:52
  get her back? Oops, wrong hole.
• 45:54
  Terrible. Oh God.
• 45:57
  I don't know. God, why?
• 46:03
  Anyway, he seems like the kind of guy that would use it as an
• 46:05
  excuse to get away with doing that, but whatever.
• 46:10
  But I do think that you're right, there is an element of
• 46:13
  him giving praise through this. Yeah, he's.
• 46:17
  Trying to attribute this whole thing to her.
• 46:20
  Can you believe Robyn did this for me?
• 46:21
  I'm gonna have to get her back like.
• 46:23
  As if all your children aren't standing there and all your
• 46:26
  wives. And it's not that they've
• 46:28
  written on the car, like all of them.
• 46:30
  Like, come on. Meri is gasping for breath.
• 46:33
  Yeah, she's passed out on the driveway being like I blew a
• 46:37
  million balloons. Christine's like I'm Browning my
• 46:40
  17th pound of ground beef in here.
• 46:43
  Right. Janelle's like attempting to
• 46:45
  give CPR to Meri and failing and trying to sing the song that
• 46:51
  goes along with it while she's doing it.
• 46:57
  And Kody's just over there. She's but Rob praising Robyn and
• 47:01
  then Janelle's got to get up off the ground, so that's a whole
• 47:04
  other thing. I mean, we've got a lot of
• 47:06
  people doing a lot of stuff, and all Robyn had to do was pretend
• 47:10
  that she did something to the car and she couldn't even do
• 47:13
  that. She couldn't even go in and say
• 47:15
  her one line, I accidentally scratched your car, needed you
• 47:20
  to come out and look at it. I'm so sorry.
• 47:23
  No, no, no, she couldn't even do that.
• 47:25
  What a failure. Yeah.
• 47:26
  She's pathetic. We get to the party and they
• 47:29
  give us this lovely like pan around the party and the spread
• 47:35
  and all I see is chocolate fountain.
• 47:38
  There's a chocolate. Fountain.
• 47:40
  Oh God. There's a chocolate fountain and
• 47:43
  I just, I have to bring it up that you shamed me about wanting
• 47:47
  a fondue pot a while ago. That's pretty extreme that I
• 47:51
  shamed you, but OK. Shamed me about needing a.
• 47:54
  Let's go with it. I did shame you.
• 47:56
  And then I I have to say that on a separate occasion very
• 48:00
  recently, I attempted to buy a fondue pot while out with my
• 48:04
  husband and he said no. Oh, so you put that curse on me.
• 48:10
  And then we just got to this episode and they show us a
• 48:12
  lovely chocolate fountain and I just have to bring it up that
• 48:16
  it's your fault that we don't have flowing chocolate in my
• 48:19
  home. Somehow it's my fault that your
• 48:21
  husband stopped you from the one purchase you haven't made.
• 48:24
  Like what if I just. Pull it out from under my chair
• 48:26
  right now feels like and by the way.
• 48:29
  Because you know what? Valentine's Day is coming up.
• 48:31
  We might need to melt some chocolate.
• 48:32
  Chocolate What if I had it like pre melted and just like warm
• 48:36
  so. I'd be happy.
• 48:37
  I'd be like, we need to cut early.
• 48:38
  We need to wrap this up. We're like, oh, and then the
• 48:41
  episode ends. There's chocolate and Chris
• 48:43
  needs to go. Oh my gosh.
• 48:46
  But I love Oh, OK, so like we get to this party and they're
• 48:48
  doing like a pan of like the spread that's laid out and like
• 48:52
  all my eyes were just like. All of your eyes.
• 48:55
  All of my eyes, all my four eyes right now we're just like, oh
• 48:59
  God, talk about at. Least you got some pleasure out
• 49:03
  of it, because what I remember from the pan of the spread was
• 49:07
  that the table looked like what like you would do at an
• 49:11
  elementary school. Like sweaty meats that have been
• 49:14
  sitting out. It looked like it should have
• 49:16
  been at the dance that no one attended earlier.
• 49:18
  Like where it was like, you know, we put out some shit on to
• 49:22
  this, like cheap plastic crap, and now we're gonna throw it
• 49:25
  all. It's all gonna end up in a
• 49:26
  landfill once again. Everyone decided not to go to
• 49:29
  the dance because they heard the Browns are coming.
• 49:31
  So then the Browns just said, hey, we got a lot of mouths of
• 49:34
  feet, can we take this home with us?
• 49:37
  Yeah, well. That would be Janelle.
• 49:39
  Yeah, Janelle, I was going to say, there hasn't been a pan of
• 49:40
  leftovers Janelle's left anywhere.
• 49:42
  We know that's true. We know that's true.
• 49:45
  Oh my gosh. And then he, Kody, is handing
• 49:48
  out the flowers, he's handing out the bouquets, and he's kind
• 49:52
  of struggling to remember who's is who's who's.
• 49:56
  But trying to play it off like he's not in a way, I mean, like
• 49:59
  I don't it wasn't. I don't know that he was trying
• 50:01
  to draw attention to it. He was.
• 50:03
  He was like. Making it seem like he knew what
• 50:05
  he was doing. And Meri makes a comment during
• 50:10
  the couch time of how I don't know how he handed everyone else
• 50:14
  there's but he just said like here you go.
• 50:16
  Yeah and handed it to me. And she's acting like pretend
• 50:20
  offended like she always does. Gag me but.
• 50:23
  It's like, yeah, Meri Kody doesn't love you.
• 50:25
  And he barely. Like, it's so weird with the
• 50:28
  polygamist thing. They're like, we're not show
• 50:31
  affection in front of each other.
• 50:32
  He does give each wife a kiss like.
• 50:34
  Yeah. I don't know if he kissed Meri.
• 50:37
  I missed that. I'm assuming he did.
• 50:39
  He for sure kissed Robyn because I noticed that and he tried to
• 50:43
  give I think Robyn's bouquet to another wife or was struggling.
• 50:48
  And one of the wives I didn't catch who says, well, don't you
• 50:51
  think that one's for Robyn? It had like the purple wrap
• 50:54
  around it and I'm like, dumbass, did you just try to hand that to
• 50:59
  the wrong wife? Like get out of here.
• 51:01
  We all know Robyn's the Purple Queen.
• 51:03
  Right, but she also is the one that I noticed he kissed the
• 51:08
  longest and had like this tiny like corner moment with by the
• 51:12
  fridge and. Well, and she talks about
• 51:15
  splitting the day into four. I'm wondering who he spent the
• 51:17
  night with. To give four different women
• 51:23
  bouquets of flowers in the same setting is definitely strange.
• 51:28
  Well, and then all the women are talking about how they're
• 51:30
  walking around with their like huge bouquets and they don't
• 51:33
  know what to do with them because.
• 51:34
  It's a party. Yeah, they all are.
• 51:36
  And he says, oh, I have vases, vases for them as well.
• 51:40
  Yeah, but I'm like, did you bring them?
• 51:42
  Like let them just put them back in the box for now?
• 51:44
  It's so awkward. I have gone on a date before
• 51:47
  where a man has brought flowers like maybe once.
• 51:53
  And it is one of those things where you're like, now what do I
• 51:56
  do with this? Like set it down on the table,
• 52:00
  like next to me. Like what the fuck do I do with
• 52:02
  this? So awkward.
• 52:04
  Like, I get that some women like that, but to me, huge bouquets
• 52:11
  like that are such a waste of money if you're, like doing it
• 52:16
  especially for four people like that, it just seems a little
• 52:20
  like throwing money down the toilet, especially in this
• 52:24
  instance. Do you say vase or vase?
• 52:27
  Which one are? You I'd probably say vase.
• 52:29
  And then every once in a while, when I'm, you know, feeling very
• 52:31
  Madonna, I say vase. Right, we all got a channel are
• 52:35
  in a Madonna. And a Madonna.
• 52:37
  Say vase. Kody does say that they've
• 52:39
  transitioned Valentine's Day into a family holiday to avoid
• 52:43
  any awkwardness, which is funny because it's like, well, what we
• 52:47
  watched, there was plenty of awkwardness, It just wasn't the
• 52:49
  awkwardness you're talking about.
• 52:51
  Yeah, they transformed it into a family affair.
• 52:55
  Oh, a family affair, Kody says. To all of the kids, I want you
• 53:00
  all to gently say Happy Valentine's Day.
• 53:05
  And then he counts to three. He goes 123 and they all yell
• 53:11
  Happy Valentine's Day. Yeah, I want you to gently say
• 53:16
  it. Like yeah, gag me.
• 53:18
  Like setting us up for that. And I don't know that that's an
• 53:20
  important detail, but I wanted to yell.
• 53:23
  So thank you for allowing me that, darling.
• 53:25
  Yeah, we all need to just like get something like that out
• 53:27
  every now and then. I'm here for you.
• 53:30
  After Valentine's Day is over, darling, we have to whip back
• 53:32
  into reality. Yeah, so we're going to meet
• 53:35
  with Tanya Cobbler now. Tanya Cobbler is one of your
• 53:39
  favorite characters. She sure is, but she does
• 53:42
  disappoint me this time around. Now, were you disappointed with
• 53:46
  her dark hair in the blonde streak?
• 53:48
  I was disappointed that she was wearing a tan suit jacket and
• 53:51
  black pants. And then they show us the gem
• 53:55
  that is her hair. And she has this huge blonde
• 54:00
  streak in her very dark hair, just right in the front in the
• 54:04
  bang. Yeah.
• 54:06
  And it almost looks like an extension piece cuz it looks
• 54:09
  shinier than the rest. And if she had really done that
• 54:12
  to her hair, it'd be fried down. Lay to the side like Meri's.
• 54:15
  Yeah, yeah, it'd be pretty dry. You'd be drier than a witch's
• 54:19
  tit. Yeah, I don't know.
• 54:21
  Cuz witch's tits are dry. I mean, they probably are.
• 54:24
  They're wrinkly and dry. Yeah, yeah, cold.
• 54:27
  Wrinkly and dry. They're like Tonya Cobbler's
• 54:29
  bond streak. Oh my gosh, probably after.
• 54:33
  Poor Tanya. We love you, Tanya.
• 54:35
  Yeah, I don't know about this scene with Tanya though.
• 54:38
  She really let me down going from that orange pantsuit set up
• 54:42
  get up that she had the previous time we saw her to this.
• 54:46
  She started with a bang. Yeah, she let us down.
• 54:49
  Yeah. She says that she does have some
• 54:52
  financing options available for the family.
• 54:55
  Oh, and you think, oh, oh, oh, there's some options.
• 55:00
  Well, turns out those options aren't so great.
• 55:02
  Yeah, not so wonderful private lending.
• 55:06
  Yeah, they'd have to start with some non traditional financing.
• 55:09
  And I don't know if you noticed this, but Christine is like
• 55:11
  vigorously writing notes. Oh, is.
• 55:13
  She I totally missed that. She's acting like she is just on
• 55:17
  pins and needles here and just writing down all the notes for
• 55:21
  everyone in the family. And she's probably just writing
• 55:24
  like Kody and Christine sitting on a tuffet, but I don't know.
• 55:30
  I was looking at those hearts. Remember when you draw hearts
• 55:32
  upside down and then right side up?
• 55:34
  Oh yeah, like doodling. Yes, yes, she's or she's drawing
• 55:37
  the like S that we all made in school, the like dollar sign S
• 55:40
  thing like OK. Yeah, and Janelle has this like,
• 55:43
  weirdly large rhinestone elephant ring on.
• 55:48
  Yes, yes. What in the actual fuck was that
• 55:52
  ring? I'm not quite sure it was a lot
• 55:54
  for Janelle. It was huge.
• 55:56
  Yeah. Like an entire tiny elephant
• 56:00
  covered in rhinestones. Like almost covering like 2
• 56:03
  fingers. I couldn't stop looking at it.
• 56:08
  To quote Lucille Bluth, honey, we don't want to invite the
• 56:10
  comparison. Like, you know, don't be wearing
• 56:13
  elephants. Fill in the blank.
• 56:16
  We get into the terms and the meanings of the private lending
• 56:21
  and that they're basically going to be doubling the money, that
• 56:25
  they're all surprised about this and shocking.
• 56:30
  Off at all. A down payment of 40% of the
• 56:33
  homes which, you know, if Kody hadn't bought those flowers,
• 56:36
  that might have been close. Right.
• 56:39
  But I don't know how they would have afforded that.
• 56:41
  I mean, you know, who knows? Who knows?
• 56:43
  I mean, people have money. You never know.
• 56:44
  You don't want to count other people's money.
• 56:46
  Yeah. Like, these people are
• 56:48
  notoriously poor. We're finally in a season where
• 56:51
  they can take helicopter rides for no reason.
• 56:53
  But like, this is fresh new stuff.
• 56:56
  Like they've been broke as a joke up until today.
• 56:58
  Well, and obviously the show is paying for those dates.
• 57:01
  It's like Bachelor style dates that the show is paying for for
• 57:05
  footage. And then you get to these homes
• 57:08
  that they're going to have to buy on their own.
• 57:09
  And there's no way that the show at Four Seasons and is footing
• 57:14
  anything towards the bill of these homes.
• 57:17
  And we get to the real, real kicker here, which is that one
• 57:23
  of the properties has been sold. Oh, it has been sold Now Janelle
• 57:30
  says that the down payment they're asking for is a
• 57:32
  frightening amount of money, which I love.
• 57:34
  I love when Janelle uses this language because she's so like I
• 57:39
  don't even know, like frump a dump who gives a shit kind of
• 57:42
  person. Yes.
• 57:43
  Yeah, and then she'll have this random language like it's a
• 57:47
  frightening amount of money. And I'm like frightening Like
• 57:50
  why since would you would you use the word frightening?
• 57:53
  And of course Robyn's like I was fighting back tears, you know
• 57:57
  God, even though she was broke as fuck and in debt when she met
• 58:01
  the family, like super broke, they paid off 30 + 1000 dollars
• 58:05
  allegedly of her credit card debt.
• 58:08
  And now she's getting emotional because what if it wasn't going
• 58:12
  to work out for them to get these homes?
• 58:14
  And I'm like, bitch, you should be homeless.
• 58:17
  Yeah, anyway, meanwhile Tanya says that Mona couldn't be there
• 58:21
  because she wasn't feeling well, and she tells them the big deal
• 58:27
  here is that one of the properties has sold.
• 58:32
  Oh, from underneath them. It's a frightening.
• 58:35
  Experience, according to Janelle.
• 58:37
  Just kidding. I'm now I'm just going to put
• 58:38
  frightening in Janelle's mouth. Frightening.
• 58:40
  Robyn says it just felt like another wall as she choked on
• 58:46
  her own throat flesh. Gags on her own fat tongue.
• 58:54
  I notice at this point that Meri has a big weird ring on too, and
• 58:58
  that has nothing to do with what's going on here.
• 59:00
  But I finally noticed Meri's big weird gaudy rhinestone ring as
• 59:04
  well. Yeah, well, you got to wear
• 59:05
  costume jewelry when you're going to see Tanya Cobbler and
• 59:10
  her crazy hair. So after this horrible, horrible
• 59:15
  meeting with Tanya where they get this news, they go to
• 59:18
  Robyn's house and Kody, of course, is the one that is
• 59:24
  sitting them down and being the leader of the group.
• 59:26
  He's going to talk to the gaggle of children and tell them that
• 59:30
  they have good and they have bad news.
• 59:34
  The good news is that we can get financing for the homes.
• 59:40
  The bad news is that one has. Sold.
• 59:45
  Build them up and shoot them down these kids over and over
• 59:48
  and over again. Well, it's not too long ago that
• 59:52
  you were talking about this very situation, that these parents
• 59:57
  are getting these kids hopes up too early.
• 1:00:01
  And this is not the first time without a promise, without a
• 1:00:04
  plan, without anything, just telling them something great's
• 1:00:07
  going to happen and wishing and hoping.
• 1:00:12
  And hoping and. I was gonna continue, but I
• 1:00:17
  don't know any more the word. So when you started, I'm like,
• 1:00:20
  oh good, she's got it. And it's like.
• 1:00:22
  Okay, I don't got it. Yeah, Amen.
• 1:00:24
  But I can pretend that I got it, yeah.
• 1:00:26
  Which I do a lot. The kids obviously are.
• 1:00:31
  This news is not pleasant. They all.
• 1:00:33
  Look very disappointed. They look disappointed and we do
• 1:00:36
  get a couple cutaways to some of the children which.
• 1:00:39
  The older children, yeah. I did enjoy, even though not
• 1:00:43
  because they were all pleasant, but I did enjoy them for what
• 1:00:45
  they say. In an interview, Leon says that
• 1:00:51
  So our parents say we're going to get these houses, but I don't
• 1:00:55
  really think we're going to be able to.
• 1:00:58
  They say a lot of stuff is going to happen, and then it really
• 1:01:02
  doesn't happen. And I just try not to get my
• 1:01:05
  hopes up. Yeah, a little like word salad
• 1:01:08
  from Leon, but kind of. Also, you can tell that Leon's
• 1:01:12
  trying to be kind while also saying my parents are fucking
• 1:01:16
  liars, right? Or my parents destroy my hopes
• 1:01:19
  and dreams. Yes, regularly.
• 1:01:21
  Like, Braddy Teen would have been a little more succinct, an
• 1:01:24
  asshole vibe. Yeah.
• 1:01:26
  And this is, you know, when we're talking about this.
• 1:01:27
  I mean, even in the previous episode where we were discussing
• 1:01:30
  this kind of notion and I talked about how my parents would.
• 1:01:32
  I was talking about is moving and then I would be like telling
• 1:01:36
  my friends and I'd be whatever and then nothing would ever
• 1:01:37
  happen. And as an adult that like stuck
• 1:01:39
  with me where I feel like if people didn't have that
• 1:01:42
  experience, maybe it wouldn't be such a big deal and maybe they
• 1:01:44
  would be doing this. So anyone who's listening, if
• 1:01:47
  you have kids, unless a plan is somewhat solidified, unless
• 1:01:51
  you've pulled a trigger, you've put a payment, you've crossed
• 1:01:54
  some thresholds, a milestone, don't give your kids these.
• 1:01:59
  I don't even want to say false hopes but like.
• 1:02:02
  But that's what. It is, yeah.
• 1:02:04
  I don't know. Kids remember things and kids
• 1:02:07
  glom onto things. And when you keep saying stuff
• 1:02:11
  like this to young children, they can't see the multiple
• 1:02:15
  possibilities. They can't see or read into the
• 1:02:20
  future. They don't have the capability
• 1:02:22
  of doing that or even, you know, how we could think of all of the
• 1:02:26
  different scenarios. Kids literally don't have the
• 1:02:31
  capacity or they're not developmentally able to do that.
• 1:02:35
  So when you're doing this to them, in their mind, this is
• 1:02:39
  going to happen. This is the future.
• 1:02:42
  I've been told this. They don't think, oh, it maybe
• 1:02:46
  maybe doesn't happen. They don't understand that
• 1:02:48
  maybe, maybe not thing. So it's gross that they do this
• 1:02:54
  to them over and over and over again.
• 1:02:56
  And it's not even with small things like, oh, we could get
• 1:03:00
  ice cream tonight. And then you disappoint your kid
• 1:03:02
  by not being able to go and get ice cream that night.
• 1:03:05
  It's like, oh, we're going to move to a different state.
• 1:03:08
  We're going to get these houses. We're going to be in the school
• 1:03:11
  district that you're supposed to be in.
• 1:03:13
  It's huge life changes and they're just jerking their kids
• 1:03:16
  back and forth and it's gross. They believe in promises and we
• 1:03:20
  teach our kids we don't lie. If you tell me a promise, you
• 1:03:24
  better not break it. And parents do it to their
• 1:03:26
  children every fucking day. That's so disappointing, yeah.
• 1:03:32
  It is. And when you're a child like
• 1:03:34
  that and you're turning into a teenager, and we're seeing this
• 1:03:39
  literally in these interviews that the disillusion, everything
• 1:03:45
  for these teens that have grown up with this repeatedly.
• 1:03:50
  And you know, from Leon's comment and then Logan's comment
• 1:03:55
  in a little bit, these kids, these older kids are just like,
• 1:03:59
  we basically just don't believe our parents anymore.
• 1:04:02
  Like we can't. They've done this to us too many
• 1:04:05
  Times Now. And it makes me wonder what else
• 1:04:08
  in the past they've done this with.
• 1:04:10
  What else have they promised these kids that at this point
• 1:04:13
  are like 16-18 that they feel like they can't even get their
• 1:04:19
  hopes up for what their parents are telling them anymore?
• 1:04:21
  Well, and in my original watch of this show many many moons
• 1:04:24
  ago, I didn't pick up on their grifter vibes as much.
• 1:04:27
  Now I'm like, these people are totally grifters.
• 1:04:30
  Like they are just going from opportunity to like doing
• 1:04:34
  whatever they can, scamming in ways that aren't too scammy.
• 1:04:39
  It's just I can totally see why their children would be like
• 1:04:43
  don't even believe them to be honest.
• 1:04:45
  Yeah, And then these, they're seeing the pattern repeat itself
• 1:04:49
  by looking at their little siblings.
• 1:04:51
  Like Mckelty's holding truly is it that she's holding and.
• 1:04:57
  Oh, yes, yeah. In this moment, because after
• 1:05:00
  Leon has their quote, there's this shot where they're showing
• 1:05:03
  other teenagers and the other kids like going through the
• 1:05:06
  room. And there was this, this stop
• 1:05:09
  moment where the cameras on Mckelty and I was like, Oh my
• 1:05:13
  gosh, girl, we have to rewind this and look at Mckelty because
• 1:05:16
  she is giving a death stare into what would be the distance.
• 1:05:21
  But the cameras kind of what we're seeing.
• 1:05:24
  She is just staring like I've heard it all before, heard it a
• 1:05:27
  million times. I don't give a fuck.
• 1:05:29
  And yes, she was holding a little child.
• 1:05:30
  I didn't notice who what I noticed was her bouffon.
• 1:05:34
  She's gotta bump it in. She's gotta bump it.
• 1:05:38
  She's bumping. It's gotta bump it in a stank
• 1:05:40
  face on. God, that look could kill and
• 1:05:43
  her hair could kill another person.
• 1:05:44
  It could. Two deaths on that head.
• 1:05:46
  Oh my God. Mckelty.
• 1:05:49
  Wow. It was a wonderful moment in a
• 1:05:52
  weird moment, but I loved. It they caught the reality of
• 1:05:55
  that reaction so hard. And it was very teenager, but
• 1:05:59
  very not just what it was. Very real life.
• 1:06:02
  So thank you for that moment, Mckelty.
• 1:06:04
  I don't think Mckelty often and I'll thank her for that one.
• 1:06:07
  Yeah. And so while they're in this
• 1:06:09
  discussion, Hunter references something about like, well, as
• 1:06:12
  long as it's in the same gated community, maybe that would be
• 1:06:15
  OK. And I feel like it's easier for
• 1:06:18
  teens to say that because you have a little bit more mobility
• 1:06:21
  and things, you know, you don't have to live next door, but
• 1:06:25
  their goal is to live next door. Yeah.
• 1:06:27
  You know. He's also trying to be sweet in
• 1:06:29
  this moment, I think, given the reactions around him and say
• 1:06:34
  like, oh, it's not that bad. Like, yeah, I get this sweet
• 1:06:39
  vibe from him there where he's trying to maybe patch up the
• 1:06:43
  leaking, festering hole in the wall that's growing black mold
• 1:06:47
  here. Yeah, just.
• 1:06:48
  Put your thumb in there, Hunter. Yeah, just put your thumb in it.
• 1:06:52
  That's what Chris says. God.
• 1:06:54
  Terrible, Janelle says. Well, we're meeting with Mona to
• 1:06:57
  see what options are available. And then they're on the couch.
• 1:07:00
  They do a cutaway to the couch where the adults are sitting
• 1:07:02
  there. And she says something like, the
• 1:07:04
  kids have just got to trust us. What she says.
• 1:07:08
  We're at a critical stage where the kids need to trust us and
• 1:07:11
  trust that we can fulfill something.
• 1:07:14
  Right. So she knows, she knows that
• 1:07:17
  they've done this to these kids so many times, but they're also
• 1:07:20
  laughing during this. I know.
• 1:07:23
  And it's like flippin. I couldn't get a read on it.
• 1:07:25
  I thought that she was, I don't know if she got it, cool, but I
• 1:07:30
  wasn't getting that they were getting it.
• 1:07:32
  I wasn't like the other. Girls you know.
• 1:07:34
  I think she also was the one that had said too with Logan,
• 1:07:38
  like we need to get in these homes quick so that Logan Logan
• 1:07:41
  becomes attached to the house. So I think she kind of gets it,
• 1:07:45
  but not really. I think she's getting the vibe
• 1:07:48
  from the older kids, but she's also still thinking like, we
• 1:07:52
  need to just step up and we're at a critical stage.
• 1:07:56
  They need to know that they can still believe in US, right?
• 1:07:59
  And she's still putting on this like, false front, this false
• 1:08:02
  narrative and trying to pull the wool over their eyes when it's
• 1:08:06
  like that wool is gone. Like they get it.
• 1:08:10
  Like stop. And there's an element to, of
• 1:08:13
  maybe being like the adults in the room, being the parent, kind
• 1:08:18
  of like, well, we have these plans and we're moving forward
• 1:08:19
  and we got to do it. And so you keep like a false
• 1:08:22
  optimism or like a faux optimism.
• 1:08:25
  You know, I, it's, it was hard for me to read.
• 1:08:29
  I just thought like, I had an lol moment because I didn't know
• 1:08:33
  if she really understood it. So I was taking it a little more
• 1:08:36
  like, y'all are fucking idiots. Like y'all are fucking idiots.
• 1:08:40
  They are this well, and then we get the quote from Logan.
• 1:08:44
  They always give us the best scenario and I'm not sure if
• 1:08:48
  that's going to happen. Yeah, and that's how the episode
• 1:08:52
  ends, basically. Yeah, so we get these two heavy
• 1:08:55
  hitting quotes from the oldest of the kids and we get this
• 1:08:59
  like, huge Mckelty reaction. And it just goes to show that
• 1:09:05
  they do this repeatedly to these poor kids and shame on you.
• 1:09:10
  Shame, shame. Shame, shame on, shame on you.
• 1:09:17
  The time has come for mustard seed and should stain.
• 1:09:24
  I'm going to be selfish and I'm giving my mustard seed first.
• 1:09:27
  OK. My mustard seed.
• 1:09:30
  Oh God. Oh I love how I'm just taking
• 1:09:32
  it. My mustard seed is going to
• 1:09:37
  Gabriel because to write Gabe is your favorite child on a car for
• 1:09:44
  Valentine's Day is hysterical. I could have picked some other
• 1:09:48
  people because there wasn't a lot of terrible things in this
• 1:09:51
  episode, but I'm going with Gabe and Gabe has earned my mustard
• 1:09:54
  seed. Who is your mustard seed,
• 1:09:56
  darling? My mustard seed is going to
• 1:09:59
  Gwendolyn for knowing from a young age that she does not want
• 1:10:04
  to share and that she would rather invite her brother to a
• 1:10:09
  dance to have more dances than her father and have divided
• 1:10:13
  attention. And she knows what she wants.
• 1:10:15
  And Gwendolyn, you get my mustard seed for that.
• 1:10:18
  Yes, two children getting mustard seeds this episode.
• 1:10:22
  That's how bad the adults are. Like we're like fuck you people.
• 1:10:25
  Yeah, seriously. Seriously.
• 1:10:28
  So shit stain's not going to be that challenging.
• 1:10:31
  I've got to give my shit stain to Kody Brown.
• 1:10:34
  The whole buying the bouquets, the like weird approach to
• 1:10:40
  discussing things of significance with his children.
• 1:10:43
  Multiple times in this episode, yeah.
• 1:10:45
  There's like multiple examples of it and being all like Robyn
• 1:10:50
  did this for me while touching his nipples Oh my.
• 1:10:54
  About the card car, yeah. Too much Kody Brown shit stain
• 1:11:01
  for sure. I'm going to, I'm going to shock
• 1:11:03
  you here with my shit stain and I gave my mustard seed to this
• 1:11:10
  person a few weeks ago and they are getting my shit stain this
• 1:11:15
  week and that is going to be Tanya.
• 1:11:18
  Tanya. It'll go with her hair.
• 1:11:21
  You let me down with your tan suit jacket.
• 1:11:24
  What the fuck was that? Yeah, what the fuck was that?
• 1:11:28
  I was very disappointed in the outfit choice.
• 1:11:30
  Yes, Kimber was hoping for something a little more animated
• 1:11:32
  from your time. I was, you know you.
• 1:11:34
  Did not match the hair. That's for sure.
• 1:11:36
  You did this gorgeous streak. Yeah, this gorgeous blonde
• 1:11:40
  streak of faux hair right in the bang.
• 1:11:44
  Gorgeous. It was banging up in the bang.
• 1:11:46
  They had Sonya. Oh, the blonde streak.
• 1:11:48
  Tanya was definitely banging it. And then you had a tan suit
• 1:11:52
  jacket and black pants and I am disappointed in you and if I
• 1:11:56
  could imagine what you would have been wearing in this scene.
• 1:12:01
  Tanya also brought bad news to America's family.
• 1:12:05
  Did she brought bad juju? Good, not girlfriend.
• 1:12:09
  Tanya, I hope Karma's gotcha. Hope you're paying for this.
• 1:12:13
  Yeah, I wish that she was wearing something more fun and
• 1:12:16
  in my mind it would be royal purple pantsuit this time
• 1:12:20
  around. I would have.
• 1:12:21
  I would have killed to see her in a royal purple pants.
• 1:12:25
  I was hoping for an animal print.
• 1:12:27
  A cheetah. A zebra.
• 1:12:30
  Perhaps a snakeskin print pantsuit?
• 1:12:34
  Well, how about multiples? You know, like zebra, cougar,
• 1:12:38
  cougar. And then a.
• 1:12:40
  Snakeskin purse like all the animals.
• 1:12:42
  Yeah, and snakeskin boots to match.
• 1:12:44
  Tanya, if you're listening, we'd be happy to style you for a fun
• 1:12:48
  fashion shoot. Very Tyra Banks, very America's
• 1:12:51
  Next Top Model that's coming back into the zeitgeist.
• 1:12:53
  For all of the terrible things that happened, we could mistreat
• 1:12:56
  Tonya. I love it.
• 1:12:59
  I would love it. I would love it.
• 1:13:00
  Give me the chance. Please give me the chance.
• 1:13:03
  We could mistreat Tonya photographing.
• 1:13:06
  Please let me. Ridiculous.
• 1:13:10
  Our Keep Sweet moment this week is a comment left for us on
• 1:13:14
  Patreon by our listener Chelsea. Hello, Chelsea.
• 1:13:18
  Hello, Chelsea. And Chelsea says you all
• 1:13:23
  brighten my Tuesday morning every week.
• 1:13:26
  Keep saying everything out loud that we are all saying on the
• 1:13:30
  inside. XOXO that's so great.
• 1:13:34
  Thank you Chelsea. Thank you.
• 1:13:35
  Thank you. Love, love, love to hear that
• 1:13:38
  we're brightening your Tuesday mornings.
• 1:13:40
  Can you believe that we're brightening anyone's morning,
• 1:13:42
  ever? I mean, I like to think that I
• 1:13:45
  brighten everyone's morning and I'm driving my 45 minute drive
• 1:13:50
  to work and flipping the bird. I say goodbye, people stop.
• 1:13:56
  Brightening everyone's morning, every morning.
• 1:13:58
  Yeah, you've certainly brightened my life.
• 1:14:01
  One could say you've even bleached my life.
• 1:14:04
  Bleached it like your asshole. Very bright, Oh very light, very
• 1:14:10
  Christ like. Like Kody Brown's eyes?