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Brian Grazer and Young M.A interview · The Breakfast Club

• 0:01
  Speaker 1: In the morning. You I'm talking right. I know you're
• 0:05
  Speaker 1: about to experience a morning showing like any over what
• 0:11
  Speaker 1: you guys are doing right now? That's the hub culture.
• 0:13
  Speaker 1: Breakfast club is my morning that I need it and
• 0:16
  Speaker 1: I love it. Something you like, You're really not popping
• 0:19
  Speaker 1: until you do the breakfast club and waiting come to
• 0:22
  Speaker 1: y'all show man. I know you gotta be a big
• 0:24
  Speaker 1: time Celet me be up and here you gotta be
• 0:26
  Speaker 1: you gotta be big time j Ali and Charlotte. Ain't
• 0:29
  Speaker 1: the guy the breakfast club? Bitch you? Good morning you Usa? Hey,
• 0:45
  Speaker 1: damn good morning face Friday? Friday? What's up? Easy? Whoo? Whooh?
• 0:52
  Speaker 1: Not much? I know you have a lot going on.
• 0:54
  Speaker 1: I have a big day. Today's you got your bags? Pack?
• 0:57
  Speaker 1: Where the hell are you going? Chicago? Oh? The shot?
• 1:00
  Speaker 1: Tell what about everybody in the shy? What's going on?
• 1:02
  Speaker 1: This show? You gonna tell us? It was the last
• 1:04
  Speaker 1: minute thing that I have to do out there, so
• 1:06
  Speaker 1: they actually called me about it yesterday. Okay, so you
• 1:09
  Speaker 1: know how it is here. You got to pack your
• 1:10
  Speaker 1: bag and then today. I was supposed to close on
• 1:13
  Speaker 1: this property last week, but then there were some issues
• 1:16
  Speaker 1: with flood insurance some new laws in New York. So
• 1:18
  Speaker 1: I'm closing on it today. So now I had to
• 1:20
  Speaker 1: pack my bag so I can go do this closing
• 1:22
  Speaker 1: and then go get on this congratulation and get to Chicago.
• 1:25
  Speaker 1: Thank you. My daughter broke my heart yesterday. I'm gonna
• 1:27
  Speaker 1: tell you why. So yesterday, you know, my daughter goes
• 1:30
  Speaker 1: to college next year, so we've been doing this college run.
• 1:33
  Speaker 1: So yesterday she wanted to see NYU, so I took
• 1:36
  Speaker 1: on the tour. We went on the tour NYU and
• 1:39
  Speaker 1: it was just the worst, right, And I'm gonna tell
• 1:41
  Speaker 1: you why, because it was the nicest day in the city.
• 1:43
  Speaker 1: So everything looks so pretty, everything looks so beautiful, and
• 1:46
  Speaker 1: she loved it. And it broke my heart because I
• 1:48
  Speaker 1: really was like, I'm really pushing Hampton University. But I
• 1:53
  Speaker 1: don't know about that one. Now she probably isn't going
• 1:55
  Speaker 1: to be far from home too. Yeah, that well that
• 1:57
  Speaker 1: is too but we'll see, we'll see what happened. Ferrari here,
• 2:01
  Speaker 1: I would know about it all a lot. But yeah,
• 2:02
  Speaker 1: she really loved the school, so you know, it's it's fun.
• 2:05
  Speaker 1: And I was I was thinking, right, we're on the
• 2:06
  Speaker 1: campus and I see you know it's a it's a
• 2:09
  Speaker 1: park by NYU and I see all all the students
• 2:11
  Speaker 1: out there Watchington Square podk is called that's what it's going.
• 2:13
  Speaker 1: I don't know what park it was, but I see
• 2:15
  Speaker 1: like and I'm thinking to myself, I'm watching like the
• 2:18
  Speaker 1: guy on one side, the girls on one side, and
• 2:20
  Speaker 1: I'm like, damn it, they look so awkward, Like, dude,
• 2:23
  Speaker 1: how does a guy kick it to a girl in
• 2:25
  Speaker 1: this day and age? I was thinking that, But I'm like, like,
• 2:27
  Speaker 1: for my son, like online online, that's m's that's weird, Like,
• 2:32
  Speaker 1: don't that weird? No face to face interaction anymore? It's
• 2:35
  Speaker 1: not weird, You're just old. But I do agree that
• 2:37
  Speaker 1: we need more to face to face interaction. But there's
• 2:39
  Speaker 1: other ways for people to communicate this DM, I see
• 2:41
  Speaker 1: you in the street in the Hey, I seen you
• 2:42
  Speaker 1: earlier in Watchington Park. No, why don't you talk to
• 2:44
  Speaker 1: me while? What funny you say that? Brian Gray is
• 2:46
  Speaker 1: coming this morning and his book is called face to Face.
• 2:48
  Speaker 1: That's what I'm talking about in connection, and it's it's
• 2:50
  Speaker 1: no stupid in him. Back in the day when we
• 2:52
  Speaker 1: just walk up to a random person with a note
• 2:54
  Speaker 1: that said when you gold me. Yes, No, maybe I
• 2:57
  Speaker 1: don't even know you, but at least I've seen your face,
• 2:59
  Speaker 1: so the nice anonymous knows you would get where people
• 3:02
  Speaker 1: would be like, hey, you don't know me, but I'm
• 3:04
  Speaker 1: a secret admirer. I mean maybe you never got girls anymore.
• 3:07
  Speaker 1: Would be like, hey, beautiful, do you have a second
• 3:09
  Speaker 1: of talk? They don't do that anymore? What kind of that?
• 3:14
  Speaker 1: That's what they do? Hey, beautiful, I see you earlier.
• 3:17
  Speaker 1: I stalked you to find you, and I want to know.
• 3:20
  Speaker 1: That's why, ain't it? I think it's very way. I
• 3:23
  Speaker 1: think that human connection is lost in this day and age.
• 3:25
  Speaker 1: You know, people can't even look at each other in
• 3:26
  Speaker 1: eyes and have a conversation anymore because of social media.
• 3:29
  Speaker 1: That's crazy. Well it's good for me and my daughters. Yeah, okay,
• 3:32
  Speaker 1: I guess you're right. Yeah, because I'm gonna teach my
• 3:35
  Speaker 1: daughters to actually like human connection and human reaction, so
• 3:37
  Speaker 1: that means they don't never mean anybody and I got
• 3:39
  Speaker 1: in the real world, and then shout out to Angree
• 3:41
  Speaker 1: Martine as her show debut yesterday on we TV ye
• 3:44
  Speaker 1: Untold Stories of Hip Hop Yo the Bronx serious question,
• 3:48
  Speaker 1: what you can stop your period with afront angelaty. I
• 3:52
  Speaker 1: didn't know that either. I didn't know if Cardi B
• 3:54
  Speaker 1: was talk called. So she stopped her period with asprint angelatine.
• 3:57
  Speaker 1: That's a Bronze recipe to stop your period. Jello, right,
• 4:00
  Speaker 1: was it? Jealous? Said Gelatine. I don't know, that's just
• 4:03
  Speaker 1: I don't know. I've never heard of that before. That
• 4:06
  Speaker 1: was the news to me. I got some creative things
• 4:08
  Speaker 1: up there, No, they got some crazy things up there.
• 4:09
  Speaker 1: I always say, the craziest people in America come from
• 4:12
  Speaker 1: the Bronx and all the Florida. And you know, Cardi
• 4:14
  Speaker 1: B reinforced that last night. Okay, aspirin and a gelatine
• 4:18
  Speaker 1: will stop your period. Why not just get broke control?
• 4:21
  Speaker 1: How much is broke control? And the Bronxes broke control
• 4:24
  Speaker 1: regulation period? Yeah, but then you got to take it
• 4:26
  Speaker 1: every single day. I think that's better than take an
• 4:28
  Speaker 1: aftertast people forget and then you also won't regulate it
• 4:31
  Speaker 1: right away, so you gotta wait a month and that
• 4:33
  Speaker 1: doesn't stop your period. It just makes it come regularly.
• 4:36
  Speaker 1: They do have they do have one called season all
• 4:38
  Speaker 1: that makes it come, uh, not that frequently. But I
• 4:41
  Speaker 1: don't know if I doesn't sound healthy, I just want
• 4:43
  Speaker 1: to put that out there. All right, Well, let's get
• 4:46
  Speaker 1: the show cracking. Young Man will be joining us. Yes, yes,
• 4:49
  Speaker 1: she has an album out today. Yes, we'll kick it
• 4:52
  Speaker 1: with young m And Brian Grazer will be joining us.
• 4:55
  Speaker 1: Brian Grazer as a film producer. You may not know him,
• 4:58
  Speaker 1: but you definitely know a movie or TV show that
• 5:02
  Speaker 1: he's beautiful mine eight mile. He's got the Woutang Hulu
• 5:06
  Speaker 1: series right now, American Gangster so many so we'll kick
• 5:09
  Speaker 1: it with him as well. Of me. A front page
• 5:11
  Speaker 1: knew was what we're talking about. Oh man, this is
• 5:13
  Speaker 1: a terrible situation in northern Virginia. Will tell you what
• 5:16
  Speaker 1: happened when these schoolmates, sixth graders pinned down a classmate
• 5:21
  Speaker 1: who was black, and we'll tell you what they did
• 5:23
  Speaker 1: to her. All right, we'll get into that next. Keep
• 5:24
  Speaker 1: a lock. Just to Breakfast Club. Good morning, I'm a CEO.
• 5:27
  Speaker 1: Shoot morning. Everybody is DJ M v Angela Yee, Charlomagne
• 5:31
  Speaker 1: the guy we are. The Breakfast Club's getting some front
• 5:33
  Speaker 1: page news that last sit in the NFL. Did the
• 5:37
  Speaker 1: Eagles place or did they want to lose? I just
• 5:40
  Speaker 1: mean I know they want that. They beat the Green
• 5:41
  Speaker 1: Bay Packers thirty four twenty seven. He's hyped in the corner.
• 5:44
  Speaker 1: Know they want v they won? Yes, I know they
• 5:46
  Speaker 1: want it, Eddie. They're still looking up at the mighty
• 5:48
  Speaker 1: Dallas Cowboys in the nfc EA store. Just want to
• 5:50
  Speaker 1: throw that out there because they're only two and two
• 5:52
  Speaker 1: and twenty cowboys three and just want to throw that
• 5:55
  Speaker 1: out there. What else are you talking about? You, Well,
• 5:57
  Speaker 1: let's talk about what happened in northern Virginia at a
• 5:59
  Speaker 1: Christian school, the Emmanuel Christian School, which, by the way,
• 6:02
  Speaker 1: is an evangelical private school that explicitly bars its employees
• 6:05
  Speaker 1: from engaging in or condoning homosexual or lesbian sexual activity
• 6:10
  Speaker 1: and transgender identity. Well, three sixth grade boys at that
• 6:14
  Speaker 1: school pinned down one of their classmates, Amari Allen. She's
• 6:18
  Speaker 1: only twelve years old, and she's black, and she had
• 6:20
  Speaker 1: dreads and the three boys that pinned her down are white.
• 6:23
  Speaker 1: She said that they told her she was ugly and
• 6:25
  Speaker 1: that her hair was nappy, and they cut her hair off,
• 6:28
  Speaker 1: and where were the teachers? Where were the administrators? Like,
• 6:30
  Speaker 1: how do you hold somebody down for that long? In
• 6:32
  Speaker 1: a school, and there's no adults that can see what's
• 6:34
  Speaker 1: going on. Well, really sad and really heartbreaking. She's a
• 6:39
  Speaker 1: straight a student. She plays the violin. She said. The
• 6:41
  Speaker 1: boys started bullying her at the beginning of the school year.
• 6:44
  Speaker 1: They were at recess when this happened. She was about
• 6:46
  Speaker 1: to go down and slide, and that's when one of
• 6:48
  Speaker 1: the boys grabbed her, put a hand over her mouth.
• 6:50
  Speaker 1: Another boy grabbed her arms, and that's when another third
• 6:53
  Speaker 1: boy cut off some of her head. No, no teachers
• 6:56
  Speaker 1: are on the playground. No teachers, So maybe it happened
• 6:59
  Speaker 1: really really quickly, and they didn't cut off a whole head.
• 7:03
  Speaker 1: She didn't get to tell anybody until her grandmother was
• 7:05
  Speaker 1: doing her hair and asked her, why are parts of
• 7:07
  Speaker 1: your hair missing? And that's when she started crying and
• 7:10
  Speaker 1: told the whole story about what happened. Daddy, as a dad,
• 7:13
  Speaker 1: you gotta go, you gotta go to school. You gotta
• 7:15
  Speaker 1: beat that Yeah, I mean, you gotta beat their daddies up.
• 7:18
  Speaker 1: You gotta crush the kids out and tell your daddy's
• 7:20
  Speaker 1: come in right now and beat your daddy up. And
• 7:22
  Speaker 1: then you gotta file some type of charges. All right,
• 7:25
  Speaker 1: your parents be held liable when the kids. You can't
• 7:28
  Speaker 1: beat up a kid, right, oh can you? But you
• 7:31
  Speaker 1: can't beat the daddy, right, I'm talking about he liable
• 7:34
  Speaker 1: as far as in a civil way. I think, yes,
• 7:38
  Speaker 1: you can. I believe you can't. Yes, yeah, I'm not sure.
• 7:41
  Speaker 1: Sometimes kids really rebel against their parents because if my
• 7:44
  Speaker 1: son punches another kid and that goes to school, the
• 7:47
  Speaker 1: parents can sue me. Absolutely, yeah, yeah, thought I heard
• 7:50
  Speaker 1: something like that before. Absolutely can't. All right, Well, that's
• 7:53
  Speaker 1: a heartbreaking story for a twelve year old. That's why
• 7:55
  Speaker 1: you can't be just cutting off people's dreads and acting
• 7:57
  Speaker 1: like that's the right thing to do, and now your
• 7:59
  Speaker 1: life is gonna be better. Forget the cutting of the drag,
• 8:01
  Speaker 1: that's just pure racism. Then when you hold how you
• 8:04
  Speaker 1: when you got three white men who hold a person
• 8:07
  Speaker 1: down and cut their dregs and call him ugly and
• 8:09
  Speaker 1: use words like nappy, that's just pure race And logan,
• 8:11
  Speaker 1: I have to go beat up some kids. Logan, you
• 8:14
  Speaker 1: got to go stand up for your system. All right. Now,
• 8:16
  Speaker 1: let's talk about this whistle blower situation. Uh, Donald Trump
• 8:20
  Speaker 1: is again doing his whole witness intimidation thing where anybody
• 8:24
  Speaker 1: who is against him, or doesn't agree with him, or
• 8:26
  Speaker 1: tries to call him out on the obstruction that he
• 8:30
  Speaker 1: does of justice. Now here's some audio of what he
• 8:34
  Speaker 1: has said should be should happen to a whistle blower,
• 8:39
  Speaker 1: because you know we used to do the old days
• 8:44
  Speaker 1: were spies, and what are second here? He said, Well,
• 8:53
  Speaker 1: you know what we used to do in the old
• 8:54
  Speaker 1: days with spies. You're still abusing your power, mister president.
• 8:58
  Speaker 1: You're still a still obstructing, obstructing a potential in investigation
• 9:03
  Speaker 1: by doing it has to be some type of chess
• 9:05
  Speaker 1: and balances. You can't just do whatever you want and
• 9:07
  Speaker 1: think everybody has a support, break the law, and everybody's
• 9:10
  Speaker 1: supposed to just act like it didn't happen. And that's
• 9:12
  Speaker 1: why I'm so happy that the Democrats have finally started
• 9:15
  Speaker 1: to act like what he is doing is wrong, because
• 9:17
  Speaker 1: if they don't have checks and balances and don't act
• 9:19
  Speaker 1: like what he's doing is wrong, then the general public
• 9:21
  Speaker 1: will think it's okay, you normalize in criminal behavior and
• 9:23
  Speaker 1: you sell the whole cancer New York Times thing that
• 9:25
  Speaker 1: was happening yesterday. That is what fascists do. Fascists want
• 9:29
  Speaker 1: to suppress the press. Well, No, they were upset that
• 9:31
  Speaker 1: the New York Times actually revealed a lot of information
• 9:34
  Speaker 1: about who the whistle blower is. So because if they're
• 9:38
  Speaker 1: the only yeah, that's the only newspaper so far, only
• 9:42
  Speaker 1: media that has actually given out specific details on who
• 9:44
  Speaker 1: the person is. So right now they're protecting the identity.
• 9:47
  Speaker 1: But I guess the New York Times revealed too much,
• 9:50
  Speaker 1: and so now people are saying cancer New York Times.
• 9:53
  Speaker 1: All right, that is your front page news. All right,
• 9:55
  Speaker 1: get it off a few chess eight five one, five one.
• 9:58
  Speaker 1: If you need to vent, hit us up right now.
• 10:00
  Speaker 1: Maybe you had a bad night, horrible night, or maybe
• 10:01
  Speaker 1: you feel blessed. You want to spread some positivity. It's
• 10:04
  Speaker 1: up now. It was the breakfast club. Good morning, the
• 10:06
  Speaker 1: breakfast club. This is your time to get it off
• 10:13
  Speaker 1: your chest, whether you're man or blest. So people to
• 10:16
  Speaker 1: have the same industry. We want to hear from you
• 10:17
  Speaker 1: on the breakfast club. Hello, who's this Hey? Get it
• 10:22
  Speaker 1: off your chess? All right. I want to get it
• 10:24
  Speaker 1: off my chest about this um little girl get indeed
• 10:27
  Speaker 1: up held down by the three with a white boy.
• 10:31
  Speaker 1: I'm a teacher. I teach him, Brooklyn, I teach black
• 10:34
  Speaker 1: and brown children, all of my children of black and
• 10:36
  Speaker 1: brown I think that parents really need to be conscious
• 10:40
  Speaker 1: of the spaces that they put in black and brown
• 10:42
  Speaker 1: children in um period um. I personally would not put
• 10:46
  Speaker 1: my powd and I'm majority white fool at that aig um.
• 10:50
  Speaker 1: This country was founded on racism, rooted in racism. And
• 10:56
  Speaker 1: like a lot of the things that I was doing
• 11:00
  Speaker 1: our students I did when my own students, black and
• 11:02
  Speaker 1: around students, A lot of things that they do if
• 11:05
  Speaker 1: the learned behavior that they don't either understand that they're
• 11:07
  Speaker 1: learning right soaking down this little girl, they don't understand
• 11:13
  Speaker 1: that that's racism their own in sixth grade. They're living
• 11:17
  Speaker 1: spoke as old. It's coming from the parents. The parents
• 11:19
  Speaker 1: aren't gonna do anything. Her parents can't come and beat
• 11:22
  Speaker 1: up the father. And what is that going to solve? Now?
• 11:26
  Speaker 1: I agree with you, little issue is education. We need
• 11:30
  Speaker 1: to really start educating students about racism at a younger age.
• 11:34
  Speaker 1: And then I'm learning about and it's hard when they're
• 11:36
  Speaker 1: getting to us something different at home and hearing their
• 11:38
  Speaker 1: parents say something else, and then they go to school
• 11:41
  Speaker 1: and bring that with them a lot of kids don't
• 11:42
  Speaker 1: have a choice. They might live in a district where
• 11:44
  Speaker 1: that is their school or that's the school that they
• 11:46
  Speaker 1: have to go to, you know. But I do I
• 11:49
  Speaker 1: do think if you have the means and the resources,
• 11:52
  Speaker 1: you should seek out more diverse schools, you know, for
• 11:55
  Speaker 1: black and brown kids to be in, because that is
• 11:57
  Speaker 1: one of the things that definitely causes my parental paranoia, uh,
• 12:00
  Speaker 1: knowing my daughter is one of a few black people
• 12:03
  Speaker 1: in her school. For me, and I want to put
• 12:05
  Speaker 1: my black, my black brown child in a space of
• 12:08
  Speaker 1: white bodies, I would put them in an activity. It
• 12:11
  Speaker 1: wouldn't be fooled because I feel like fool is Um.
• 12:14
  Speaker 1: It's a it's a space for certain people to discuss
• 12:18
  Speaker 1: certain certain things. And a lot of these schools don't
• 12:21
  Speaker 1: even have an inclusive education where they discussed these racism.
• 12:26
  Speaker 1: The way that they learn is different from how I
• 12:29
  Speaker 1: learned it. I'm I'm about to be dirty, completely different
• 12:32
  Speaker 1: from my generation, definitely different from yalls generation. Um. And
• 12:36
  Speaker 1: it's a very inclusive teaching of the history of the
• 12:40
  Speaker 1: United States. I remember growing up, I learned that the
• 12:43
  Speaker 1: white man was a savior. They came as a rescued
• 12:46
  Speaker 1: the Native American. They an American completely wrong. They taught
• 12:51
  Speaker 1: us all that though completely wrong. Now exactly that's a
• 12:56
  Speaker 1: I was taught. But my soon as they learn from
• 12:58
  Speaker 1: like primary God can't stay eating. They cravely think about
• 13:02
  Speaker 1: what was really going when a back time and they
• 13:04
  Speaker 1: could break it down and say like, oh, this is
• 13:07
  Speaker 1: why today things are the way that they are. Wow,
• 13:10
  Speaker 1: they weren't get food Tinese back in the eighteen hundreds. Wow,
• 13:15
  Speaker 1: this is why the same Mexicans are taking jobs in
• 13:18
  Speaker 1: the twenty tens. In the twenty nine and twenty twenties.
• 13:20
  Speaker 1: You understands the education hystormers messed up um and it's
• 13:25
  Speaker 1: going to burthdays divide people racially because historically we're not
• 13:30
  Speaker 1: teaching people about that chou as history. You're right, baby,
• 13:33
  Speaker 1: thank you for calling. Why do we interview her just now?
• 13:36
  Speaker 1: But she we didn't anybore. She did most of the
• 13:38
  Speaker 1: talk one get it off your chest as the Breakfast
• 13:43
  Speaker 1: Club the morning the Breakfast Club put my money in
• 13:49
  Speaker 1: a gray wake up, wake up, wake y'all. Is you're
• 13:53
  Speaker 1: time to get it off your chest? You man or blessed.
• 13:57
  Speaker 1: We want to hear from you on the Breakfast Club.
• 13:59
  Speaker 1: Come on this, Johnny and Johnny what's up? Getting off
• 14:03
  Speaker 1: her chests? Bro? Good morning guys. Man Tcharler, Man, I
• 14:06
  Speaker 1: know you just gonna act like getting just smoothly going there.
• 14:12
  Speaker 1: We just talked about this. I'm gonna tell you something.
• 14:14
  Speaker 1: I would have been on time. But if a couple
• 14:15
  Speaker 1: of people, man slew to a couple of a couple
• 14:18
  Speaker 1: of homies. I don't know them, but they did. I
• 14:19
  Speaker 1: call them home, but they downstairs and when they wanted
• 14:22
  Speaker 1: to rap, and they wanted to sing for me, And
• 14:24
  Speaker 1: I don't know why people do that when they know
• 14:26
  Speaker 1: you gotta be on the air at six am. I'm
• 14:27
  Speaker 1: not about to be late to listen to you rappers things.
• 14:29
  Speaker 1: And if anything is they was here yesterday and I
• 14:31
  Speaker 1: was like, my g you know I'm late work. I
• 14:34
  Speaker 1: can't listen to you. We know I'm late. We're going
• 14:36
  Speaker 1: to air at six am. And by the way, if
• 14:39
  Speaker 1: you if you do start rapping to me, I'm not
• 14:41
  Speaker 1: listening to you can't because what's more important to me
• 14:43
  Speaker 1: is being on this radio at chick am. So right now,
• 14:46
  Speaker 1: I get it. Hello, who's this? Any was going on this?
• 14:50
  Speaker 1: Cliff Cliff? What something? Man? Get it off your chests? Bro,
• 14:53
  Speaker 1: what's going over? To say expressive positivity. My wife on
• 14:58
  Speaker 1: people like I told him some days, man say everybody
• 15:04
  Speaker 1: less man and have a good good All right, bro,
• 15:06
  Speaker 1: have a good one. Say hello? Who's this? Hello? This
• 15:10
  Speaker 1: channel from Columbus? Are how good morning? Channot I get
• 15:13
  Speaker 1: it off? He chess bro? Well, first off, I want
• 15:15
  Speaker 1: to tell y'all three Columbus is a gold mine because
• 15:18
  Speaker 1: Envy if he had one of them seminars, everybody would go,
• 15:22
  Speaker 1: hum Charlemagne, everybody would come to your book sign it
• 15:25
  Speaker 1: and angela ye, everybody would come to your lip service.
• 15:29
  Speaker 1: But anyways, you'll need to give Chris Brown dunk here
• 15:32
  Speaker 1: to day because this food performed in Pittsburgh. My dude
• 15:37
  Speaker 1: said he got real drunk out of his mind. He
• 15:39
  Speaker 1: had a show in Columbus. He canceled fifteen minutes before
• 15:42
  Speaker 1: the show started. They posted a picture on this and
• 15:45
  Speaker 1: Grant where it looked like he was cracked out like
• 15:47
  Speaker 1: Bobby Brown, and then performed the next day. I thought
• 15:50
  Speaker 1: he said he had the flu. He was sick. He
• 15:51
  Speaker 1: had the flu. He had to give his voice sometimes,
• 15:54
  Speaker 1: ain't he ain't had no damn flu. My man ubered
• 15:57
  Speaker 1: his assistant and he said he got real were up
• 16:00
  Speaker 1: until like six and the morning they performed, he canceled
• 16:04
  Speaker 1: fifteen minutes before the show started. So people was crying.
• 16:07
  Speaker 1: People took the day offs. But he needed to get
• 16:09
  Speaker 1: donkey today because he was rolling. He ain't had no
• 16:11
  Speaker 1: damn flu. Because you know he ain't got no flu.
• 16:13
  Speaker 1: You ain't this doctor man. Man said he was sick.
• 16:16
  Speaker 1: He said he's gonna do a makeup date. Bro And
• 16:18
  Speaker 1: I know some groupies that was in the chilling with him. Man.
• 16:21
  Speaker 1: They said, no, you got all the inside information. Get
• 16:23
  Speaker 1: the hell out of man. I know I know everybody
• 16:26
  Speaker 1: in Columbus sometime. And let me ask you a question,
• 16:28
  Speaker 1: why are you the Columbus version of six nine broct
• 16:31
  Speaker 1: You just got telling on everybody. Don't we trying to
• 16:34
  Speaker 1: get me stamped out here? Man, you're doing a perfectly
• 16:37
  Speaker 1: good job about yourself, just out here telling on people.
• 16:40
  Speaker 1: You only tell on out of time. I don't talk,
• 16:42
  Speaker 1: I don't switch on nobody from Columbus tough. That's a fact.
• 16:47
  Speaker 1: That's the fact. Goodbye, shit to lift all right, man,
• 16:50
  Speaker 1: get it off your chest. Eight hundred five eight five
• 16:52
  Speaker 1: one on five one of you need to vet. You
• 16:54
  Speaker 1: can get us up at any time. That we got
• 16:55
  Speaker 1: rumors on the way. Yes, we are going to talk
• 16:57
  Speaker 1: about these concerts, Little Wayne. Since we just talked about
• 17:00
  Speaker 1: Chris Brown canceling. He has to pay after failing to
• 17:04
  Speaker 1: respond to a concert. Laws will tell you how much
• 17:06
  Speaker 1: he has to pay. Also, new music out today will
• 17:09
  Speaker 1: tell you what you can be looking for. You already
• 17:10
  Speaker 1: know Young Amma's albums in stores. Who else has an
• 17:13
  Speaker 1: album out today? All right, we'll get into that next.
• 17:15
  Speaker 1: Keeping lock this to Breakfast Club. Good morning the Breakfast Club.
• 17:21
  Speaker 1: This is the Ruble Report with angela man, black youngster
• 17:31
  Speaker 1: has gotten arrested in Houston. They say that he was
• 17:34
  Speaker 1: carrying prohibited emma when they pulled over a car. He
• 17:37
  Speaker 1: was just a passenger in a car, so that doesn't
• 17:39
  Speaker 1: mean that it was his. But he was with three
• 17:40
  Speaker 1: other people. They were driving around in the GMC Yukon
• 17:43
  Speaker 1: and cops pulled them over for running a red light
• 17:45
  Speaker 1: quote unquote running a red light. They said they smelled marijuana,
• 17:48
  Speaker 1: so they searched the car and that's when they found
• 17:50
  Speaker 1: three pistols and weeds. So he's being charged now with
• 17:53
  Speaker 1: felony possession of a prohibited weapon specifically armor piercing ammunition
• 17:57
  Speaker 1: and another passenger was charged with awfully carrying a weapon.
• 18:01
  Speaker 1: The two other people in the vehicle were not charged.
• 18:05
  Speaker 1: Other people in the vehicle were in charge. I don't know,
• 18:07
  Speaker 1: because I would assume that the two other people in
• 18:09
  Speaker 1: the vehicle should be the ones that you know, say
• 18:11
  Speaker 1: that the weapons are there. Is because black youngsters the moneymaker, right,
• 18:14
  Speaker 1: But it could be women that they just met. It
• 18:15
  Speaker 1: could be someone you know. You don't know, right, you
• 18:18
  Speaker 1: have no idea whose thinking it was. Guys, A bunch
• 18:20
  Speaker 1: of guys, absolutely right, All right, little Wayne has to
• 18:24
  Speaker 1: pay one hundred and fifty thousand dollars after not responding
• 18:27
  Speaker 1: to a concert lawsuit. Now apparently, of course that's for
• 18:31
  Speaker 1: a breach of contract and fraud. So the judge did
• 18:33
  Speaker 1: rule in favor of the promoter, and now he has
• 18:36
  Speaker 1: to pay, pay up, pay up. That's what happens when
• 18:38
  Speaker 1: you don't go to court and you're getting sued. Now
• 18:40
  Speaker 1: let's talk about six nine X manager Shoddy. He has
• 18:44
  Speaker 1: admitted to shooting five people in one night. And that
• 18:47
  Speaker 1: audio was the leaked of him talking about it. Talked
• 18:50
  Speaker 1: about that on the phone. Yeah, well that transcript was released.
• 18:52
  Speaker 1: Never remember we told you about Jorge Rivera. The driver. Yes, well,
• 18:56
  Speaker 1: the driver is the one who captured the recording. And
• 18:59
  Speaker 1: that's where Shaddy was bragging that he was the top
• 19:01
  Speaker 1: dog now that he did mail murders dirty work for him.
• 19:03
  Speaker 1: He said, I earned my stripes. And there's other leaked
• 19:06
  Speaker 1: recordings where you can hear members of the gang saying
• 19:08
  Speaker 1: that you can either be a shooter or a dealer
• 19:10
  Speaker 1: in nine tray, you can't be both. So that's some
• 19:14
  Speaker 1: of what was on those takes. We told you that
• 19:16
  Speaker 1: the driver had been arrested by ICE and that's when
• 19:19
  Speaker 1: he became an informant. Sh my goodness, all right, listen,
• 19:23
  Speaker 1: that's one person that we hope on ICE sends back
• 19:25
  Speaker 1: to where they came from, like please and im back.
• 19:29
  Speaker 1: Jennifer Lopez and Shakira, it's been announced they will be
• 19:32
  Speaker 1: co headlining super Bowl halftime. That'd be dope, right for
• 19:37
  Speaker 1: them to be doing a lot of shaking. Yeah, Miami,
• 19:39
  Speaker 1: lot of shaking on that stage. I'd love to see
• 19:41
  Speaker 1: lou that's Miami too. Yeah, that's Miam. Oh wow, I
• 19:44
  Speaker 1: would love to see Loup. Maybe get Loup to get Loupe.
• 19:46
  Speaker 1: Don't stop pop that. Let me see you the Super
• 19:49
  Speaker 1: Bowl half. I would love that, but I don't know
• 19:52
  Speaker 1: if he's gonna happen at all. Goddamn it. I don't
• 19:54
  Speaker 1: know if you realize how the conservative what you never
• 19:58
  Speaker 1: rocked to a soll of course, but what I'm saying,
• 20:00
  Speaker 1: you know, conservatives Launch care not conservative. They're gonna come
• 20:03
  Speaker 1: out there some short stuff and they're gonna be tworking,
• 20:05
  Speaker 1: just like Gonn meet him, Old Luke dances you used
• 20:07
  Speaker 1: to do exactly it might won't let Luke come out
• 20:09
  Speaker 1: and do scard one time for the coach. Now? Is
• 20:14
  Speaker 1: this one of the halftime shows that rock Nation is curating.
• 20:17
  Speaker 1: I'm not sure about that. If you're gonna have Jay
• 20:19
  Speaker 1: Launch Carr out there shaking their ass, you might as
• 20:21
  Speaker 1: well have Uncle Luke come out there, and you're saying
• 20:23
  Speaker 1: and provide the soundtrack. Goddamn, I'm just saying. All right now,
• 20:26
  Speaker 1: let's talk new music. The baby his album Kirk is
• 20:29
  Speaker 1: out today, so congratulations to him. He has some great
• 20:32
  Speaker 1: features on there as well. You know, Nicki minat is
• 20:36
  Speaker 1: on the album. Dance the Rapper, Gucci y Kao, Cyrus,
• 20:39
  Speaker 1: Kevin Gates is on there, and Kevin Gates has an
• 20:41
  Speaker 1: album out today, too Little Baby, money Bag, Yos, Donna
• 20:44
  Speaker 1: for Vegas, Um, the Megos, all of them on that album.
• 20:48
  Speaker 1: I believe we have, Yes, we do have a snippet.
• 20:50
  Speaker 1: Here's Gospel featuring Chance, Gucci and yit Kao Cyrus Gospel.
• 20:56
  Speaker 1: I lost my daddy the same weeks and no love left.
• 21:00
  Speaker 1: The body must be empty. I mean the found on
• 21:03
  Speaker 1: my eyes me and the day I died inlo I
• 21:09
  Speaker 1: signed It's a logo and near body Wonder ring Wagon
• 21:14
  Speaker 1: come round and don't say that he be sols on
• 21:17
  Speaker 1: It been so on out there sounds all sounds, slut
• 21:22
  Speaker 1: flute to the baby, dropping a close bumps to the
• 21:23
  Speaker 1: baby again, Charlotte, North Carolina, All Day seven, Little four,
• 21:26
  Speaker 1: what's happening? Yeah? I got amazed albums out today too
• 21:29
  Speaker 1: as well. Her debut album feels like she should have
• 21:31
  Speaker 1: been had that done, her story in the making, and
• 21:34
  Speaker 1: I love this intro on her album, No Mercy like
• 21:37
  Speaker 1: she feeled me but I'm feeling on the scholars phone
• 21:40
  Speaker 1: and one not try to selling. She went and drunk
• 21:43
  Speaker 1: the pennies hook y'a hard. I don't want to Grimy,
• 21:45
  Speaker 1: don't take Molly, don't take Sennies with his weirdness, under pantry,
• 21:47
  Speaker 1: I get out to get back. She gonna look because
• 21:49
  Speaker 1: she mu shut out, read the broken, shut up some
• 21:52
  Speaker 1: my mother. We never hold me on the road, and
• 21:56
  Speaker 1: don't let no bad catching number on the road pull us. Okay,
• 22:03
  Speaker 1: I see everybody here in the head, even Eddie our
• 22:05
  Speaker 1: producer this morning, right, yes, young and May's coming through
• 22:08
  Speaker 1: this morning. Also, French Montana has new music out with
• 22:11
  Speaker 1: Cardi B and Post Malone has a new song out
• 22:13
  Speaker 1: with them that's gonna be on his third studio album, Montana.
• 22:22
  Speaker 1: Maybe hallam my make up. When your color you'll be
• 22:24
  Speaker 1: calling me to May my gum is like mother, you'll
• 22:27
  Speaker 1: be calling me the more than I'm just getting shut
• 22:30
  Speaker 1: nick put you a little a little, a little before
• 22:34
  Speaker 1: on the level, Booty, like the Chella sell the jealous wishing,
• 22:37
  Speaker 1: what's gonna stet up? Music was like Kevin Gates album
• 22:42
  Speaker 1: I'm Him is out also and uh yeah, you make
• 22:45
  Speaker 1: sure you take a listen to that. I haven't heard
• 22:47
  Speaker 1: that one yet, but everybody's saying great things about it.
• 22:49
  Speaker 1: I'm gonna make sure I listen to that today. So
• 22:51
  Speaker 1: it's a man's trap. Sauce is out today, and Nicki
• 22:54
  Speaker 1: Minaj has a new song. Well, P and b Rock
• 22:56
  Speaker 1: has a new song out that Nicki Minaj is on.
• 22:57
  Speaker 1: Because you know, Nikki's friendly line is about to drop
• 23:00
  Speaker 1: and the song is called Fendy. You want to get
• 23:21
  Speaker 1: It's impossible to get through all this new music. I
• 23:25
  Speaker 1: think it's next the weekend excited. I don't have the
• 23:27
  Speaker 1: band with him my brain, it's impossible. And for Nicki Minaz,
• 23:30
  Speaker 1: her Fendy collection will be available on Fendi dot Com
• 23:32
  Speaker 1: starting October fourteenth and in select boutique starting October sixteenth.
• 23:36
  Speaker 1: Let's go all right, I'm Angela yea, and that is
• 23:37
  Speaker 1: your room of a play. We just pick one. Maria
• 23:40
  Speaker 1: with the baby this weekend Baby, I get everything else later.
• 23:42
  Speaker 1: I already started listening to his album I Like the Baby.
• 23:45
  Speaker 1: All right, now we got front page news when we
• 23:47
  Speaker 1: come back. Yes, we are going to be talking about
• 23:50
  Speaker 1: breed of dog. The person who created this dog says
• 23:53
  Speaker 1: he regrets it and calls the dog a Frankenstein monster. Wow.
• 23:56
  Speaker 1: All right, we'll get into that next. Keep a lock
• 23:58
  Speaker 1: just to Breakfast Club. Good morning morning everybody. It's DJ
• 24:01
  Speaker 1: mv Angela yee, Charlomagne the guy. We all the Breakfast Club.
• 24:04
  Speaker 1: Let's getting some front page news now with Thursday, the
• 24:10
  Speaker 1: Eagles beat the Packers last day. Don't know the score,
• 24:13
  Speaker 1: but the Eagles one last day. What else we're talking about? Easy,
• 24:15
  Speaker 1: don't speed past the fact that the Eagles are what
• 24:17
  Speaker 1: two and two now they aren't two and two, but
• 24:19
  Speaker 1: still at the bottom of the NFC. He's looking up
• 24:21
  Speaker 1: in my Dallas Cowboys were three and not. Just want
• 24:23
  Speaker 1: to throw that up. The game was thirty four twenty seven,
• 24:25
  Speaker 1: Eagles one. And what else we got you. Let's talk
• 24:27
  Speaker 1: about this woman, Heather Lynn Patton. She's in California. She
• 24:31
  Speaker 1: was caught on video and she was leaving a CBS
• 24:33
  Speaker 1: pharmacy in the Eagle Rock neighborhood of LA and she
• 24:36
  Speaker 1: is using the N word and being very disgusting. Listen
• 24:39
  Speaker 1: to this. Yeah, she's on drugs and stop. No, I'm
• 24:42
  Speaker 1: totally I just hate niggers. Hey, okay, we're calling the
• 24:47
  Speaker 1: cops nigger. I can't kill the name if the Lord
• 24:55
  Speaker 1: say that, I couldn't kill. They all men, And that's
• 24:59
  Speaker 1: when you just gotta slap a cracker ass cracker. Well,
• 25:01
  Speaker 1: she's had two restraining orders taken out against her by
• 25:03
  Speaker 1: her neighbors. According to her order taking out to her.
• 25:09
  Speaker 1: And she's also been fired now from her job. She's
• 25:12
  Speaker 1: worked on Shoveled, the TV show. She's an a wardrobe designer,
• 25:16
  Speaker 1: so she's does customing and other crew roles. According to her,
• 25:20
  Speaker 1: I AMDB page and so yes, all that should happen
• 25:24
  Speaker 1: when you should also get slapped good time. Now you
• 25:26
  Speaker 1: know what I'm saying. Nothing wrong with a little physical
• 25:29
  Speaker 1: when you discipline every now and then along with everything else.
• 25:32
  Speaker 1: You just said, Gee, this is a quick slap. Yeah,
• 25:34
  Speaker 1: I'm not mad at that in real time when it's
• 25:36
  Speaker 1: talk about when she says that in that moment to somebody,
• 25:38
  Speaker 1: just somebody haul a nigger, needs to haul off and
• 25:41
  Speaker 1: slap her ball. But I am I am glad that
• 25:47
  Speaker 1: when the way things play out, you get caught on video.
• 25:49
  Speaker 1: Now everybody knows your name, they know who you are.
• 25:51
  Speaker 1: You lose your job. She doubled down like she didn't care.
• 25:53
  Speaker 1: Not only that, not only did she keeps saying the
• 25:55
  Speaker 1: word she said, if the law would allow it, I
• 25:58
  Speaker 1: would kill her any word, Lord have mirth. You can't
• 26:01
  Speaker 1: tell me they ain't work for slap and say, I
• 26:03
  Speaker 1: could come on now if any if you're a white
• 26:05
  Speaker 1: person exactly if you're a white person, I did. And
• 26:07
  Speaker 1: you don't think that that deserves to slap. You're not
• 26:09
  Speaker 1: an ally. You should hope that that crack cracker gets slap, right, Well,
• 26:14
  Speaker 1: she's yeah, all right. Now let's talk about McDonald's. They're
• 26:17
  Speaker 1: testing beyond meat burger plant based burgers, and they're going
• 26:20
  Speaker 1: to be doing that in twenty eight restaurants. I love
• 26:22
  Speaker 1: beyond meat. The burger is called the PLT plant lettuce
• 26:26
  Speaker 1: and tomato instead of the BLT. So they're saying that
• 26:29
  Speaker 1: beyond meat. Shares exploded after that at thirteen percent and
• 26:32
  Speaker 1: went up thirteen percent. So do they have to have
• 26:35
  Speaker 1: that every restaurant? I mean, it's nice to have options
• 26:38
  Speaker 1: for people who don't need meat. Here's the thing, though,
• 26:40
  Speaker 1: how about don't go to that restaurant. It's just an option.
• 26:42
  Speaker 1: What's wrong? Why? Why are you against it? I'm just
• 26:44
  Speaker 1: saying that if but they want business, it's about making money.
• 26:49
  Speaker 1: If you want that business, you'll provide what customers want.
• 26:52
  Speaker 1: When it comes to those fast food restaurants, we didn't
• 26:54
  Speaker 1: know what the meat was before. We didn't know it
• 26:57
  Speaker 1: wasn't real beat before, so what the hell is it now?
• 27:01
  Speaker 1: It's p isolate protein. I don't even know what that is,
• 27:03
  Speaker 1: but I will say this, I was so grateful. I
• 27:05
  Speaker 1: was in the airport one day I went to Fridays
• 27:07
  Speaker 1: and Friday's actually has beyond burgers, and I was really excited.
• 27:10
  Speaker 1: I've never normally eat And I'm telling you all the
• 27:13
  Speaker 1: people just doing this because it's making us feel good
• 27:15
  Speaker 1: and because it's profitable right now, it's been, it's probably
• 27:17
  Speaker 1: that's the point. It's probably the same old meat that
• 27:19
  Speaker 1: it's been. It probably been. It's the same old mystery meat.
• 27:22
  Speaker 1: Not I even got a good name for it, beyond meat. Well,
• 27:24
  Speaker 1: people that don't eat live animals, this is a great
• 27:27
  Speaker 1: option for them, as I would never just bite into
• 27:30
  Speaker 1: a live animal cooking animals that were a lot a
• 27:32
  Speaker 1: lot of them. At least. This isn't meat, This isn't
• 27:35
  Speaker 1: real animal meat. This is something else. Okay, it's vegetarian.
• 27:39
  Speaker 1: And if you're a vegetarian and you have your reasons
• 27:41
  Speaker 1: for not eating meat, why not let them have those options?
• 27:44
  Speaker 1: Especially these restaurants will make money off of it, so
• 27:46
  Speaker 1: nothing wrong with that. Also, I tease yourself, if you're
• 27:50
  Speaker 1: a vegetarian, right, why even why you even eat the
• 27:53
  Speaker 1: fake meat when you want burger, but you just want
• 27:54
  Speaker 1: to be healthy, stick to your plants. It's a plan.
• 27:57
  Speaker 1: It's a plant burger. It's a plane. Yeah, no, such thing.
• 28:00
  Speaker 1: You showed me here a cow that grows out of
• 28:01
  Speaker 1: the ground. And now the black people make patty cows
• 28:03
  Speaker 1: on the vine. People make burgers out of black beans.
• 28:05
  Speaker 1: You never had a black bean burger? I have? Those
• 28:07
  Speaker 1: are good, all right? So why don't you have Probably
• 28:09
  Speaker 1: you stopped calling it a burger. I call it a
• 28:10
  Speaker 1: black bean patty. No for real, Like, why do you
• 28:13
  Speaker 1: kid call it plant patty? Stop calling it the burger
• 28:17
  Speaker 1: playing beef. But what about a turkey burgers? They should
• 28:20
  Speaker 1: call that something else. Yeah, it's calling it a turkey
• 28:22
  Speaker 1: patty or a chicken burger. Called things patty chicken patty.
• 28:24
  Speaker 1: All right. I'm a year and that is your front pagon.
• 28:26
  Speaker 1: When you think burger, you think beef, right, I do, Yeah,
• 28:29
  Speaker 1: I don't I think turkey burger normally because I haven't
• 28:31
  Speaker 1: had beef in twenty six years. Well, well they don't
• 28:34
  Speaker 1: have that. McDonald's. They have a turkey burger McDonalds. No,
• 28:36
  Speaker 1: but that's what I think of I mac Donalds never
• 28:39
  Speaker 1: had a turkey burger for Thanksgiving. Wouldn't never be so
• 28:41
  Speaker 1: such simple marketing? You could get a chicken sandwich. That's
• 28:43
  Speaker 1: probably why you didn't get a mc bread. That's about it, okay,
• 28:48
  Speaker 1: all right, But anyway, when we come back, Brian Grays
• 28:50
  Speaker 1: will be joining us. Now, if you don't know who
• 28:52
  Speaker 1: Brian Grays is, he's produced some of the films that
• 28:54
  Speaker 1: you probably love, like American Gangster, My Empire, Beautiful Mind
• 28:58
  Speaker 1: Splash Up. And we'll talk to when we come back.
• 29:00
  Speaker 1: All right, it's a breakfast look the Morning, the Breakfast
• 29:03
  Speaker 1: Club winning. Everybody is DJ Envy Angela yee Sean, I
• 29:09
  Speaker 1: mean the guy we are to Breakfast Club. We got
• 29:11
  Speaker 1: a special guest in the building. Yes, indeed, Brian Gray
• 29:14
  Speaker 1: is welcome, sir, thank you. Yeah, I'm glad to be here.
• 29:16
  Speaker 1: Brian got a lot of accolades, New York Times best
• 29:19
  Speaker 1: selling author, correct Oscar winning producer, Golden Globes, Emmy, Gammy Awards,
• 29:24
  Speaker 1: Nice his films along with Ron Howard, imagine entertainment. I
• 29:28
  Speaker 1: think you'll have growth like thirteen billion dollars in movies
• 29:31
  Speaker 1: or something like that. Yeah, you take a billion, right,
• 29:35
  Speaker 1: yeah yeah, yeah, yeah, yeah, yeah, you've got a new
• 29:36
  Speaker 1: book out and I called Faith to Faith to All
• 29:38
  Speaker 1: the Human Connection All lad And you want to come
• 29:39
  Speaker 1: on this show exactly? I write books? Why? Um? You
• 29:45
  Speaker 1: really want an answer? Yes, yes, oh um. I didn't
• 29:49
  Speaker 1: didn't really intend on writing a book, but I did
• 29:52
  Speaker 1: a previous book. It was called A Curious Mind. And
• 29:54
  Speaker 1: that was because for forty years I've decided, since college
• 29:59
  Speaker 1: that I would try to disrupt my comfort zone every
• 30:01
  Speaker 1: week by trying to understand another business other than my business.
• 30:06
  Speaker 1: And so I've met thousands of people, Nobel Laureates, Michael Jackson,
• 30:10
  Speaker 1: Edward Teller, the father Hydrogen Bomb, endless amounts of people,
• 30:15
  Speaker 1: and they would share their insights, and I would get
• 30:18
  Speaker 1: into these one on one conversations, which I put high
• 30:22
  Speaker 1: value on to the point I thought I'd rather have
• 30:25
  Speaker 1: one of these conversations with somebody that was meaningful and
• 30:28
  Speaker 1: have another hit movie. And then somebody said, don't ever
• 30:31
  Speaker 1: say that out loud. But then I had this epiphany,
• 30:36
  Speaker 1: and I realized that none of the people that I'd
• 30:39
  Speaker 1: met over the forty years would have really connected with
• 30:43
  Speaker 1: me and shared their heart and me, there's if we
• 30:48
  Speaker 1: didn't actually look at each other. That that was this
• 30:50
  Speaker 1: sort of central bridge. It was like to human connection.
• 30:54
  Speaker 1: It was kind of the WiFi of human connection. And
• 31:00
  Speaker 1: why hi five? Yes, yes, that's why I find your show. Yes,
• 31:08
  Speaker 1: so so that's what it is. So I basically thought
• 31:11
  Speaker 1: I wanted to share this with other people and share
• 31:13
  Speaker 1: the technique so that other people can do it truthfully,
• 31:16
  Speaker 1: because I was like an f student in elementary school
• 31:19
  Speaker 1: for quite a while because I was dyslexic, and if
• 31:22
  Speaker 1: I can do it, anyone can do this. How do
• 31:25
  Speaker 1: you overcome your dyslexia? I thoughted to say dyslexicsness, which
• 31:29
  Speaker 1: sounded how did you overcome that? I didn't, you know,
• 31:36
  Speaker 1: up until up until the fifth grade. Then I could,
• 31:39
  Speaker 1: I remember pretty vividly. I could read one word and
• 31:43
  Speaker 1: then I was able to spell, and it just sort
• 31:46
  Speaker 1: of gradually happened. It was it was almost like kids.
• 31:50
  Speaker 1: I met this kid in Buenos Aires who was Venezuelan
• 31:53
  Speaker 1: who spoke perfect English. He was twenty two years old,
• 31:56
  Speaker 1: and he learned it through video games. Wow. So I
• 31:59
  Speaker 1: probably learned to read and spell through human connection by
• 32:04
  Speaker 1: talking to people. How are you get in the television?
• 32:06
  Speaker 1: What was your love for television? What made you jump
• 32:09
  Speaker 1: into that Basically what happened is I was a writer.
• 32:12
  Speaker 1: So those movies for TV that I was referencing, those
• 32:15
  Speaker 1: are my creations. And because I had no money, and
• 32:18
  Speaker 1: somebody said, since you have no money, you gotta have something,
• 32:20
  Speaker 1: so I'd write my ideas. And as rudimentary as they were,
• 32:24
  Speaker 1: they were a conceptual and and that was valuable. And
• 32:28
  Speaker 1: then I wrote The Mermaid. This I wrote the movie
• 32:31
  Speaker 1: called Splash about a man class. That's a classic. Darren
• 32:36
  Speaker 1: Hannah one of the greatest actor of all time. If
• 32:39
  Speaker 1: you ask me, I think so good. Thanks Tom to me,
• 32:43
  Speaker 1: Tom Hankswood, I love I love Flash. I flashed this day. Wow,
• 32:46
  Speaker 1: to this day. Charleman really came my life. I love man.
• 32:52
  Speaker 1: Thank you. I would love to see a secret of Splash,
• 32:55
  Speaker 1: like I want to see him underwater living with her,
• 32:57
  Speaker 1: because that's what happened at the end, right, he became
• 32:59
  Speaker 1: a herman, he became hurt. Yeah man, yeah, well yeah,
• 33:04
  Speaker 1: a lot of people. I was turned down hundreds of
• 33:06
  Speaker 1: times on this Mermaid movie. I can see why, yeah,
• 33:09
  Speaker 1: and then you go it just seem to stupid. John
• 33:13
  Speaker 1: is like, yeah, but the movie is great, but great, Well,
• 33:15
  Speaker 1: because I kind of knew what the internal heartbeat of
• 33:18
  Speaker 1: what the movie was. It was a love story. It
• 33:20
  Speaker 1: was a guy. It was about a guy that has
• 33:24
  Speaker 1: a lot of things. He has owns, a produced story,
• 33:26
  Speaker 1: he's got he's not like a loser, he's got good,
• 33:30
  Speaker 1: but he can't have love. And so I thought that
• 33:33
  Speaker 1: disability would be really interesting his personal level. It was
• 33:37
  Speaker 1: my personal was it really was a great story, because
• 33:40
  Speaker 1: yeah it was. It was my personal It was about
• 33:44
  Speaker 1: there for everybody, even if it's deep, deep, deep under
• 33:46
  Speaker 1: the water. Yeah, I think that it was a love level.
• 33:50
  Speaker 1: He was hot one day. It was like the movie
• 33:52
  Speaker 1: like that that just came out, that went yeah, yeah, yeah,
• 34:02
  Speaker 1: it was. There was no Splash exactly, and I really
• 34:06
  Speaker 1: feel like somebody's saft splash and movie thank you, thank you,
• 34:14
  Speaker 1: But I'm glad that you liked. I like Splash. So
• 34:16
  Speaker 1: basically it was my story. You're right. And then I thought,
• 34:19
  Speaker 1: how can I make her even more unattainable and at
• 34:22
  Speaker 1: the same time give a woman more power and mystique,
• 34:26
  Speaker 1: make her a mermaid, and that put her into it.
• 34:28
  Speaker 1: That put the movie into another genre, elevated to another genre.
• 34:31
  Speaker 1: So it was like a fantasy along with the romantic
• 34:34
  Speaker 1: When your boss when your boss at the time, right,
• 34:36
  Speaker 1: or whether they had to talk that when when you
• 34:39
  Speaker 1: went to save nobody prove that this is what did
• 34:42
  Speaker 1: they say back to you? Oh on the Splash movie, Yes,
• 34:45
  Speaker 1: they must go that's a stupid idea, that it's just
• 34:49
  Speaker 1: they know you a mermaid. There's those just thing as
• 34:51
  Speaker 1: a mermaid. And I'd go, I understand that, you know.
• 34:56
  Speaker 1: And then one time, then once I made one movie,
• 34:59
  Speaker 1: gave me some credible they called Nightshift. It was still
• 35:01
  Speaker 1: hard to make the Mermaid movie. And I had one company,
• 35:04
  Speaker 1: Warner Brothers, that said they'd do it if I didn't
• 35:07
  Speaker 1: let him the Tom Hanks go underwater and be with
• 35:10
  Speaker 1: the woman. But that's the whole point of the movie.
• 35:12
  Speaker 1: I'd rather again be like on the street with nothing
• 35:16
  Speaker 1: than do it and have defeat the whole purpose of
• 35:18
  Speaker 1: the movie. Isn't the worst part about pitching ideas when
• 35:21
  Speaker 1: you got to sit down and talk to a bunch
• 35:23
  Speaker 1: of non creatives. Yes, it's really really hard, like you're
• 35:27
  Speaker 1: trying to hit it. You're hitting a wall all the time. Yeah,
• 35:29
  Speaker 1: And about finances and how much they can make They
• 35:33
  Speaker 1: always talk. Yeah, they try to bring up economic model
• 35:35
  Speaker 1: to everything, and we all know that doesn't work in
• 35:38
  Speaker 1: life because the art forms don't work that way, but
• 35:42
  Speaker 1: they always do that. So what I do on pitches Now,
• 35:45
  Speaker 1: what I've learned after Splash is that once when people
• 35:50
  Speaker 1: are dinging you out for the story, they go, we're
• 35:53
  Speaker 1: not that story is stupid. Then I go right to
• 35:56
  Speaker 1: the theme. And if people and you pick themes, like
• 36:00
  Speaker 1: in the case of Splash it's a love stories, I go,
• 36:02
  Speaker 1: do you mean you don't root for love or parenthood
• 36:05
  Speaker 1: or Empire, I'd go, yeah, I understand that these are
• 36:08
  Speaker 1: the characters, but you have to root for family. If
• 36:11
  Speaker 1: you don't root for flame, family, and then people don't
• 36:14
  Speaker 1: want to look at themselves in the mirror like that,
• 36:16
  Speaker 1: so they go, yeah, of course I root for family,
• 36:18
  Speaker 1: and then they often will go yes with Empire. A
• 36:20
  Speaker 1: tough sell back then, only because there wasn't a lot
• 36:22
  Speaker 1: of black representation on TV at the time. Yeah, it
• 36:24
  Speaker 1: was a very, very very tough sell for network television.
• 36:27
  Speaker 1: They were so disgraceful about it, you know, like, um,
• 36:31
  Speaker 1: you know, like shaming and stuff like that. Really, what
• 36:34
  Speaker 1: would they shame? In hip hop? There was shaminges. What
• 36:37
  Speaker 1: was it? I don't know, just like I don't even
• 36:39
  Speaker 1: want to. Shouldn't say, but it was. It was just like,
• 36:42
  Speaker 1: there's a terrible idea ninety five percent black movie, black
• 36:47
  Speaker 1: TV series and on network television. You know, don't you
• 36:50
  Speaker 1: watch television? You know you understand there's no girls on
• 36:53
  Speaker 1: TV the nineties, fortunately there are no but yeah, because
• 36:59
  Speaker 1: but it was hard because the Empire. Yeah, yeah, it's true.
• 37:01
  Speaker 1: It open it the thing. Yes, I think we all
• 37:04
  Speaker 1: liked that it opened the aperture for the absolutely so um.
• 37:08
  Speaker 1: But I think if you if you find you go please,
• 37:11
  Speaker 1: if you find the theme that that is irrefutable, then
• 37:15
  Speaker 1: they then had sort of help. All Right. We got
• 37:17
  Speaker 1: more with Brian Grazer when we come back, Don't Move
• 37:20
  Speaker 1: is to Breakfast Club, Good morning, I want to everybody
• 37:22
  Speaker 1: is DJ mvy Angela Yee, Charlemagne the guy we are
• 37:26
  Speaker 1: The Breakfast Club was too kicking it with Brian Grazer.
• 37:29
  Speaker 1: Now you might not know his name, but he produced
• 37:31
  Speaker 1: flicks in movies like eight Mile, American Gangster Empire and more.
• 37:35
  Speaker 1: Gee like you did eight Mile, and you tell a
• 37:37
  Speaker 1: great story about sitting down with eminem Yeah that felt
• 37:41
  Speaker 1: awkward because I was picturing it as I was reading
• 37:43
  Speaker 1: what that scenario was like for you to even awkward
• 37:47
  Speaker 1: had that meeting because I, again, you know, like we're
• 37:50
  Speaker 1: having fun talking and stuff, and I feel like I
• 37:53
  Speaker 1: try really hard to have human connection. That's kind of what.
• 37:56
  Speaker 1: And I tried all of these techniques to communicate with
• 38:00
  Speaker 1: him and have him look at me, but he just
• 38:01
  Speaker 1: kept looking straight out the window while I was over here,
• 38:05
  Speaker 1: and I Jimmy Ivene was over there looking at me, like,
• 38:08
  Speaker 1: you feel like that? And I literally tried it all,
• 38:12
  Speaker 1: and then after about twenty minutes, which felt like two
• 38:16
  Speaker 1: hours at least, he just goes, I'm out, and I
• 38:21
  Speaker 1: just was unable to connect in a way that made
• 38:25
  Speaker 1: him feel safe or or interested or trusting. And then
• 38:31
  Speaker 1: as he I said, you can't go like that, and
• 38:34
  Speaker 1: so he put his hand on the door to leave,
• 38:35
  Speaker 1: and I just in desperation just said him, no, I couldn't.
• 38:40
  Speaker 1: I didn't tackle him because he's no. I didn't tackle him,
• 38:44
  Speaker 1: but as he in desperation, I just said, you can animate,
• 38:48
  Speaker 1: can't you? And I said you can animate? You can? What? Well,
• 38:57
  Speaker 1: what does that mean like physically? Well, here is a thing.
• 39:01
  Speaker 1: What made me really want to meet him was I
• 39:04
  Speaker 1: saw he was he was he was at the he
• 39:07
  Speaker 1: was at the VMA's and he was on screen for
• 39:10
  Speaker 1: a short minute on screen in this in his seat
• 39:14
  Speaker 1: and something. He had this really icy urban glare going
• 39:19
  Speaker 1: on that felt really urban glare. Bryan. It's just like,
• 39:23
  Speaker 1: I can't do it. It's just showed me I need
• 39:25
  Speaker 1: to see on an urban glare urban glare well, because
• 39:32
  Speaker 1: I know, by the way, you're the only one that's
• 39:41
  Speaker 1: busted me. And it's a legit bust on that right,
• 39:44
  Speaker 1: why urban um just say glare. I'm going glare urbane,
• 39:50
  Speaker 1: icy glare. Am I having to learn stuff on the
• 39:53
  Speaker 1: show's embarrassing, but it's true. Okay, icy glare. I had
• 39:57
  Speaker 1: a glare okay on TV got you And and then
• 40:00
  Speaker 1: somebody made him laugh and he really did animate. He
• 40:03
  Speaker 1: had this what you look for in actors laugh like, no, no,
• 40:14
  Speaker 1: you're right, is this show going okay? Man urban laugh
• 40:26
  Speaker 1: okay anyway, No, just just a laugh. He laughed, He laughed,
• 40:32
  Speaker 1: he smiled, he and honestly he animated. His face became fluid,
• 40:36
  Speaker 1: you know, and like Tom Hanks, your favorite actor, there's
• 40:40
  Speaker 1: a thing that you look for in actors, and so
• 40:43
  Speaker 1: he had that quality. That's why I wanted to me,
• 40:45
  Speaker 1: so I guess I just was desperate. It was twenty
• 40:48
  Speaker 1: minutes and he was gonna leave. I just said that word.
• 40:50
  Speaker 1: It was irrelicant. He stopped and then he stopped. He
• 40:52
  Speaker 1: came back, sat down. I better charge into this thing.
• 40:56
  Speaker 1: Sat down and he told his story. I said, what's
• 40:59
  Speaker 1: your story? And he launched into his story, and that
• 41:02
  Speaker 1: really became what became eight Mile, became the architecture for
• 41:06
  Speaker 1: the movie eight Mile, and this this guy won an Oscar,
• 41:10
  Speaker 1: first hip hop artist to ever win an Oscar. Well
• 41:12
  Speaker 1: it was for music, I know, but still I I
• 41:16
  Speaker 1: that was a great movie too. By the way, eight
• 41:18
  Speaker 1: Mile is good. It's actually better now good. I didn't
• 41:22
  Speaker 1: really care aboid turning. It's turning good now. No, No,
• 41:25
  Speaker 1: I didn't really care afoord your theaters. But when I
• 41:27
  Speaker 1: go back and watch it and rerun, it was actually
• 41:30
  Speaker 1: very good. Appreciate. I actually wrote a whole chapter in
• 41:32
  Speaker 1: my first book based off Eminem. I call it live
• 41:34
  Speaker 1: your Truth, and it's the Eminem and eight Mile theory,
• 41:36
  Speaker 1: and it's live your truth so nobody will use your
• 41:38
  Speaker 1: truth against you. So you know, at the end, when
• 41:40
  Speaker 1: he's going at the whole point of the movie, yes, Yeah,
• 41:43
  Speaker 1: I have to read your chapter. That sounds yeah the
• 41:45
  Speaker 1: thesis of that. Now, have you ever had a face
• 41:47
  Speaker 1: to face connection with somebody and decided that person is
• 41:50
  Speaker 1: not a good person just from your sit down? Wow,
• 41:53
  Speaker 1: that's a really good question. Yes, I have because at
• 41:56
  Speaker 1: this point, you know, I do use eye contact to
• 42:00
  Speaker 1: make snap decisions, you know, in terms of what you
• 42:04
  Speaker 1: can make mistakes like that, you can. But if you're
• 42:06
  Speaker 1: dealing with high volume, you have to feel people's energy,
• 42:09
  Speaker 1: and sometimes I feel like somebody's energy is not going
• 42:13
  Speaker 1: to be a good outcome for Brian, and I agree
• 42:16
  Speaker 1: with that with the energy part. But have you read
• 42:17
  Speaker 1: Malcolm Gladwell was talking to strangers? Yes, he takes a
• 42:21
  Speaker 1: really good friend of mine. He introduced me to Gucci.
• 42:23
  Speaker 1: He goes, I'm gonna, I'm gonna he's a great friend
• 42:25
  Speaker 1: fifteen years. He goes, we made that connection, by the way,
• 42:29
  Speaker 1: but we made the connection between Malcolm and Gucci because
• 42:32
  Speaker 1: Gucci spoke about how he read Malcolm's books in jail,
• 42:35
  Speaker 1: and then like, yes, Malcolm tweeted him with something and
• 42:39
  Speaker 1: ended up having to sit down. Yeah, exactly, But you
• 42:42
  Speaker 1: asked me a question I should standpoint. Oh no, in
• 42:44
  Speaker 1: talking to scrangers, Malcolm talks about how we make mistakes
• 42:47
  Speaker 1: because we think, like you said, Eminem wasn't looking at
• 42:50
  Speaker 1: you eye to eye. Yeah, but that don't mean that
• 42:53
  Speaker 1: he's not a trust to every person or somebody that. Yeah,
• 42:57
  Speaker 1: but I would not have ever made the judge yes,
• 43:00
  Speaker 1: Ondred percent correct, Okay, I would have never. I would
• 43:03
  Speaker 1: never say, oh, he wasn't trustworthy. I would just say
• 43:05
  Speaker 1: he wasn't interested. That's the only thing I could guess.
• 43:08
  Speaker 1: But going to your question, there are people that I've
• 43:11
  Speaker 1: met that I felt like just might not be a
• 43:13
  Speaker 1: good person, right. Your intuition and energy was like this
• 43:15
  Speaker 1: is not yeah, that they're they're not embracing humanity at all.
• 43:20
  Speaker 1: Certain people are like technocrats, so they want to move
• 43:23
  Speaker 1: technology as fast as they can. They want to move
• 43:25
  Speaker 1: sometimes AI as fast again to the expense of the
• 43:28
  Speaker 1: human species. And I know that's a broad statement, and
• 43:32
  Speaker 1: there are some caveats of course that could inform that.
• 43:34
  Speaker 1: But I care about people that care about people, right,
• 43:39
  Speaker 1: Because you're also in a business where there are some
• 43:41
  Speaker 1: really disgusting people. Yes, there's one you know that is
• 43:46
  Speaker 1: sentenced that I didn't know that had this problem, But
• 43:49
  Speaker 1: I just never wanted to work with that person because
• 43:51
  Speaker 1: I just could be Harby wins seen. You said he's sentenced,
• 43:57
  Speaker 1: charge the sentenced. I don't know what he's charged or
• 44:01
  Speaker 1: sentenced Frank Okay, yeah, well I just the energy. I
• 44:06
  Speaker 1: I just never wanted to be in that in alignment.
• 44:10
  Speaker 1: Why are you protecting him? Stays name. I guess it's Harvey. Yeah.
• 44:14
  Speaker 1: I don't protect them, Brian, I just don't want to
• 44:16
  Speaker 1: be something. If you feel like, yeah, okay, I mean
• 44:22
  Speaker 1: I would say this that when I went up to
• 44:25
  Speaker 1: win and I went up to I stood up to
• 44:27
  Speaker 1: receive an oscar for Apaul thirteen and didn't get it.
• 44:30
  Speaker 1: And Harvey Weinstein, which is a bummer. At the end
• 44:33
  Speaker 1: of the night, he goes, if you're with me, you
• 44:35
  Speaker 1: win an oscar. Now I was able to win an
• 44:37
  Speaker 1: oscar two years later on a Beautiful Mind. But just
• 44:41
  Speaker 1: a great movie. Russell crow Baby, He's good, He's good,
• 44:46
  Speaker 1: great good. That was a great movie. Russell Crowe to
• 44:49
  Speaker 1: it the best. Yeah. So so sometimes you do meet
• 44:53
  Speaker 1: people off Often I meet people people that energies out
• 44:57
  Speaker 1: of alignment with mine, were still kicking with Brian Gray's
• 44:59
  Speaker 1: when we comeback. So don't move. It's to Breakfast Club,
• 45:01
  Speaker 1: go morning Corting. Everybody is DJ Envy, Angela Yee. Charlemagne,
• 45:06
  Speaker 1: the guy we are the Breakfast Club was still kicking
• 45:08
  Speaker 1: him with Brian Grazer. Now you might not know his name,
• 45:11
  Speaker 1: but he produced flicks in movies like eight Mile, American
• 45:14
  Speaker 1: Gangster Empire and more. Now, gee, that's how are you
• 45:18
  Speaker 1: a big hip hop fan? I am? I am a
• 45:20
  Speaker 1: big fan. I don't I'm not. Yes, I'm a big
• 45:23
  Speaker 1: hip hop fan. I don't think I'm an expert. Well,
• 45:26
  Speaker 1: I started off meeting old Dirty Bastard twenty five years ago.
• 45:30
  Speaker 1: Did you meet him? I was taking a taxicab to
• 45:33
  Speaker 1: Midtown and in the cab because they have Uber cars.
• 45:36
  Speaker 1: I'm in the cab. The guys get the radio on
• 45:38
  Speaker 1: real loud to shock jock guy. He's interviewing someone named
• 45:42
  Speaker 1: old Dirty Bastard. But that's twenty five years ago, when
• 45:45
  Speaker 1: nobody wants to be called or dirty bastard except this
• 45:48
  Speaker 1: one guy in the radio. This was kind of like
• 45:51
  Speaker 1: my first early kind of taste of that kind of thing,
• 45:55
  Speaker 1: so the urban thing. So then I thought I'm gonna
• 46:02
  Speaker 1: kill me. So anyways, so so I thought I'm gonna
• 46:07
  Speaker 1: go meet I'm gonna find this old dirty bastard. I'm
• 46:10
  Speaker 1: gonna find o dirty. I'm to find old duty bastard.
• 46:12
  Speaker 1: And because I'm I'm a graf, sourceful, you know, I
• 46:14
  Speaker 1: found I found Jonah Salt. He took three years to
• 46:17
  Speaker 1: meet me. Yeah, but that's the big there's been calling
• 46:19
  Speaker 1: around there. Can you find me, old dirty bastard? Yeah, yeah, yeah.
• 46:22
  Speaker 1: So I end up finding him bottom line as he says,
• 46:24
  Speaker 1: I can come to a studio, studio, meet you my studio.
• 46:27
  Speaker 1: Oh boy. But but there wasn't really a studio, Like basically,
• 46:31
  Speaker 1: it was like he was on a sidewalk. Maybe it
• 46:33
  Speaker 1: was a studio. I'd be I'd be that guy that
• 46:36
  Speaker 1: could be a liar if I said, I'm sure it
• 46:38
  Speaker 1: was a studio, because he wouldn't let me in to
• 46:41
  Speaker 1: the thing that he was supposed to be a front of.
• 46:43
  Speaker 1: But there was a you know, a whole whiskey down
• 46:46
  Speaker 1: all the way to you know bottle. He's all over
• 46:50
  Speaker 1: the place, and I'm thinking, Wow, this guy is fascinating.
• 46:53
  Speaker 1: To make the story honest and complete, I would go.
• 46:57
  Speaker 1: I was also friends with the editor of the actual
• 47:01
  Speaker 1: editor of The New York Times and I told him
• 47:04
  Speaker 1: about this meeting that I had with this guy, so
• 47:08
  Speaker 1: he I said something about it, and he said, well,
• 47:10
  Speaker 1: I think, he said, I feel like that's an inferior
• 47:14
  Speaker 1: subculture that will go away. Kim who is that. I'm
• 47:18
  Speaker 1: not going to say his name because he's a nice
• 47:20
  Speaker 1: guy who's just wrong. And so then that set me
• 47:23
  Speaker 1: on that I thought, I'm going to prove this wrong.
• 47:25
  Speaker 1: So I met Chuck Dee and then I went off
• 47:27
  Speaker 1: and I met Slick Rick, and I thought, wow, there's
• 47:29
  Speaker 1: a lot of range in all of this too. Hip
• 47:31
  Speaker 1: hop is actually not just a subculture, and in fact,
• 47:35
  Speaker 1: in his suferi subculture, it's the actual culture itself. And
• 47:39
  Speaker 1: this guy doesn't get it and I'm just a young
• 47:41
  Speaker 1: guy learning it. So that's when I started to sort
• 47:43
  Speaker 1: of build this equation which later became eight mile. But
• 47:47
  Speaker 1: I have to, you know, give lots tremendous thanks. And
• 47:50
  Speaker 1: Eminem was not only just the subject of it, he
• 47:53
  Speaker 1: was the solution to catch it. And then that white guy, Okay,
• 48:00
  Speaker 1: how about it is jay Z? Like jay Z? Absolutely? Okay,
• 48:03
  Speaker 1: I did Made in America with jay Z. But if
• 48:05
  Speaker 1: I hadn't, I met ODB and all that I wouldn't
• 48:08
  Speaker 1: have thought to do the maide An American thing with
• 48:10
  Speaker 1: jay Z, and I wouldn't have thought to do an
• 48:12
  Speaker 1: album on American Gangster after the whole thing was locked
• 48:15
  Speaker 1: and done. This is a great story about jay Z.
• 48:18
  Speaker 1: Very quickly, okay, you don't have to be okay, So
• 48:20
  Speaker 1: jay Z says, can I do you know? We caught
• 48:23
  Speaker 1: up with it late that I was doing American Gangster,
• 48:25
  Speaker 1: and so he said, let me do the soundtrack. I go, actually,
• 48:28
  Speaker 1: We've already done the entire soundtrack. It's been scored and
• 48:31
  Speaker 1: done locked. That's not possible. It's not possible. And I said,
• 48:35
  Speaker 1: well it is, and so we can't do it. He goes,
• 48:38
  Speaker 1: I will do an initial an additional album for American Gangsters.
• 48:45
  Speaker 1: I feel an understanding or kinship with Frank Luke, and
• 48:48
  Speaker 1: I said, okay, but we have no time, so that
• 48:52
  Speaker 1: you're on your own. Basically, he wrote all the lyrics,
• 48:56
  Speaker 1: did everything, and completed an album with I think twelve
• 48:59
  Speaker 1: two tracks in three weeks. Really, honestly, I hated that
• 49:03
  Speaker 1: album when it first came out, but not because of
• 49:05
  Speaker 1: the music, Okay, I hated it because Jay had retired
• 49:09
  Speaker 1: and then he came out with Kingdom Come, which I
• 49:11
  Speaker 1: thought was a great album because he was like telling
• 49:13
  Speaker 1: us what he was at in his life then, and
• 49:14
  Speaker 1: I felt like he was using American gangster to still
• 49:17
  Speaker 1: wrap about to go back to rap about the drug game. Yeah,
• 49:20
  Speaker 1: you're so smart, he'll be around you. No, but I
• 49:24
  Speaker 1: mean that's a I oh, that was kind of a lie. Oh,
• 49:29
  Speaker 1: I don't know anyway. So that's so those things happen,
• 49:32
  Speaker 1: and you're doing Gucci Man's movie. I'm doing Gucci Man's movie. Yes,
• 49:35
  Speaker 1: you kind of changed the trajectory of Eddie Murphy too,
• 49:38
  Speaker 1: because Nuttie Professor was like a turn from all of
• 49:41
  Speaker 1: the raunchy yeah wild he was doing. Eddie wasn't used
• 49:46
  Speaker 1: to audition. Well, what happened is I met Eddie Murphy
• 49:48
  Speaker 1: through a friend of mine, Michael Keaton. I got to
• 49:50
  Speaker 1: go see raw and then and then Michael Keaton says
• 49:54
  Speaker 1: to me, Eddie Murphy said, Hey, I come to the
• 49:56
  Speaker 1: green room. So I got to go to the green
• 49:57
  Speaker 1: room to see Eddie Murphy and I looked at him
• 49:59
  Speaker 1: and I did have like a human connection. And then
• 50:02
  Speaker 1: he was getting he was going through a very low period.
• 50:06
  Speaker 1: He was going through a low period in his career
• 50:08
  Speaker 1: and felt kind of boxed in at paramount, which he was,
• 50:13
  Speaker 1: and he liked and trusted me, and so then we
• 50:17
  Speaker 1: did Boomerang together, which was and that was a hit,
• 50:22
  Speaker 1: but not like the Nuttie Professor kind of thing. And
• 50:24
  Speaker 1: then when Eddie and I pitched the Nuttie, where I
• 50:27
  Speaker 1: had to pitch the I not had to, but I
• 50:28
  Speaker 1: pitched the NUTI professor chairman of the studio. They said, well, Eddie's,
• 50:31
  Speaker 1: you know, kind of not hot enough that if he's
• 50:35
  Speaker 1: gonna play five characters, is there any other way that's
• 50:38
  Speaker 1: gonna be very expensive? They said to me, I said
• 50:40
  Speaker 1: it is, but he is so gifted he can do this.
• 50:43
  Speaker 1: They said, well you have to do it. He has
• 50:45
  Speaker 1: to tell me he has to do a screen test,
• 50:47
  Speaker 1: which of course Eddie Murphy has never done. They made
• 50:50
  Speaker 1: him audition, but they had him made him audition in
• 50:53
  Speaker 1: these multiple characters. So Rick Baker, oscar winning makeup artist,
• 50:58
  Speaker 1: actually adhered the all the prosthetics, and Eddie went through
• 51:01
  Speaker 1: two weeks of doing all that for screen test and
• 51:04
  Speaker 1: that was good enough and they signed off and said, okay,
• 51:07
  Speaker 1: how do you talk How did you talk him into auditioning?
• 51:09
  Speaker 1: He really wanted it. He'd never done it, and I
• 51:11
  Speaker 1: think Eddie loves new challenges, gotch and he's brilliant. I
• 51:16
  Speaker 1: don't know if you guys know this, but he is
• 51:17
  Speaker 1: a brilliant classical pianist. Really, Oh my god, he could
• 51:22
  Speaker 1: go to a piano. He plays beautiful. I learned it
• 51:25
  Speaker 1: when I slept at one of his houses in not
• 51:28
  Speaker 1: Bubble Hill, but in Sacramento, and we were bored, and
• 51:31
  Speaker 1: he went to the piano, playing the piano, started playing
• 51:34
  Speaker 1: the piano. He's also a singer, right, he is a
• 51:38
  Speaker 1: sings Yeah, I never I never heard never. How's it go?
• 51:48
  Speaker 1: It goes on in your butt? Put in magazine? But
• 51:54
  Speaker 1: you never heard? I love it. I love that you guys. No,
• 51:56
  Speaker 1: I never heard it. I've heard the title book. I
• 52:00
  Speaker 1: never heard of classic the party started. Get know what
• 52:06
  Speaker 1: I love about that story the fact that you said
• 52:08
  Speaker 1: Eddie was down. Have a lot of executives in Hollywood
• 52:10
  Speaker 1: turn their backs one people when they're not doing Yeah,
• 52:13
  Speaker 1: they do do that. But don't you think everybody has
• 52:16
  Speaker 1: a down period. Yes, that's the crazy thing of Hollywood
• 52:20
  Speaker 1: My life is you have to have humility because, first
• 52:24
  Speaker 1: of all, it's the right thing to do, but you
• 52:26
  Speaker 1: need to be forgiven because success is not a straight
• 52:30
  Speaker 1: up trajector. Brian, we appreciate you for joining us. Yes,
• 52:34
  Speaker 1: human connection. Thank you so much about out down today
• 52:39
  Speaker 1: this week. Any movies you're working on anything, I'm doing
• 52:43
  Speaker 1: Lynn Manuel Miranda's directorial debut. Wow, it begins January this year.
• 52:49
  Speaker 1: It's called tick Tick boom Um. It's a really great
• 52:51
  Speaker 1: it'll be I think we should be a really great movie.
• 52:53
  Speaker 1: And then I just finished He'll be a theology that
• 52:55
  Speaker 1: Ron Howard directed. But do another Friday Night Lights movie,
• 52:58
  Speaker 1: Friday Night Lights and del Rio texasorting a reboot. It's
• 53:01
  Speaker 1: called I guess it's be a reboot. Yeah, yeah, I
• 53:04
  Speaker 1: just love Friday Night Lights. Yeah. Doing a movie with Kevin.
• 53:06
  Speaker 1: A TV seris Kevin Durant called Swagger. That's it's kind
• 53:10
  Speaker 1: of it's about AU basketball. It's like Friday Night Lights
• 53:13
  Speaker 1: built out of like AU bass, crazy AU basketball. I
• 53:18
  Speaker 1: didn't realize what it was. It's crazy parents, a lot
• 53:20
  Speaker 1: of urban players, a lot of urban glays, a lot
• 53:23
  Speaker 1: of urban play at the parents. I think, thank you
• 53:28
  Speaker 1: for having me say really much. And American Saga also,
• 53:34
  Speaker 1: oh yeah, check out what we're taking American Saga. Class Hulu. Please,
• 53:37
  Speaker 1: well it's Brian, thank you very much. It's The Breakfast Club.
• 53:39
  Speaker 1: Good morning. It's about report Report Angela y on the
• 53:49
  Speaker 1: Breakfast Club. Well, congratulations to Little Kim. She's getting the
• 53:53
  Speaker 1: twenty nineteen I Am Hip Hop Award at the BT
• 53:56
  Speaker 1: Hip Hop Awards. Okay, very deserving hip. She does have
• 54:00
  Speaker 1: an album coming out is called nine. They haven't given
• 54:02
  Speaker 1: us a relief date yet, but she's been putting out
• 54:04
  Speaker 1: songs and she just put out a new single. It's
• 54:07
  Speaker 1: called Found You featuring Ot Genesis and City Girls. From
• 54:19
  Speaker 1: a Kitty with a big, big bag. I got said
• 54:25
  Speaker 1: he's just make agin my fast. Then I let him
• 54:27
  Speaker 1: use my face, says Miami Beat the Jet skiing and
• 54:31
  Speaker 1: the free JT to the Jet even Harry just did
• 54:34
  Speaker 1: fresh We your best briefing Jet even not just cooling
• 54:37
  Speaker 1: to the next season. More new music for y'all today.
• 54:41
  Speaker 1: All right, So congratulations to Little Kim for getting her
• 54:43
  Speaker 1: I Am hip Hop Award, well deserved. Now, Eddie Murphy
• 54:46
  Speaker 1: has expressed summer morrise. He talked to the New York
• 54:48
  Speaker 1: Times and you know he's doing his comeback. He's gonna
• 54:51
  Speaker 1: be doing his first comedy special for Netflix since he
• 54:54
  Speaker 1: did Raw back in nineteen eighty seven, think about us
• 54:57
  Speaker 1: over thirty years ago. He said he was dealing with
• 55:00
  Speaker 1: a heartbreak at the time that he did Raw, and
• 55:02
  Speaker 1: he said that he does cringe at his old material.
• 55:05
  Speaker 1: He said, I was a young guy processing a broken heart,
• 55:08
  Speaker 1: you know, kind of an a home And he also
• 55:10
  Speaker 1: says that he remembers being picketed due to the homophobic
• 55:14
  Speaker 1: material and his specials. He now says that is ignorant,
• 55:17
  Speaker 1: and he says there's no anxiety though about returning to
• 55:19
  Speaker 1: the stage in twenty nineteen. He said, I now have
• 55:21
  Speaker 1: a whole lifetime of experiences to draw upon. There was
• 55:24
  Speaker 1: a time when I was at the center of everything
• 55:26
  Speaker 1: what I was doing, and how funny I was, and
• 55:27
  Speaker 1: how popular. I'm not at the center now my kids
• 55:30
  Speaker 1: are and everything revolved around them. He has eight kids.
• 55:33
  Speaker 1: Didn't I tell you all this was gonna happen. Eddie
• 55:34
  Speaker 1: Murphy is very smart because he's getting ahead of it,
• 55:36
  Speaker 1: because he know this generation is so stupid that they
• 55:39
  Speaker 1: would absolutely dig up his old material as soon as
• 55:41
  Speaker 1: he starts putting out new movies and doing SNL and
• 55:44
  Speaker 1: trying to paint him as something that he hasn't that.
• 55:46
  Speaker 1: He's clearly not anymore. It's thirty years ago. It's not
• 55:49
  Speaker 1: too I could dig up wrong it's hilarious or any
• 55:52
  Speaker 1: of his old things. But yes, so he's going to
• 55:53
  Speaker 1: be doing his new stand up as if people don't
• 55:55
  Speaker 1: grow and people don't evolve, you gonna hold Eddie Murphy
• 55:57
  Speaker 1: accountable for something he said thirty years ago on a
• 56:00
  Speaker 1: many stage. Maybe he really does feel like at that
• 56:02
  Speaker 1: now that you know I'm smart, he done because they're
• 56:05
  Speaker 1: gonna come from so you gonna get ahead of it.
• 56:06
  Speaker 1: I told you this, already told you this two weeks ago,
• 56:08
  Speaker 1: all right. Now, Soldier boy has gained fifty pounds since
• 56:11
  Speaker 1: he cut out leaning alcohol, So what does he like?
• 56:13
  Speaker 1: One fifty five now? All right? So when you see
• 56:17
  Speaker 1: he was at one hundred, He was one hundred and
• 56:19
  Speaker 1: thirty pounds at the beginning of his sentence, and he
• 56:21
  Speaker 1: has since gained fifty pounds. Okay, you know what, he's
• 56:25
  Speaker 1: saving money too, because he was using so many drugs
• 56:28
  Speaker 1: and lean that he was spending in between five hundred
• 56:30
  Speaker 1: to eight hundred dollars a day on lean alone. So
• 56:33
  Speaker 1: since then, he's also stayed off at social media. If
• 56:36
  Speaker 1: you guys have noticed he hasn't tweeted or put anything
• 56:39
  Speaker 1: on Instagram since coming home from jail. That's good. It
• 56:41
  Speaker 1: seems like he's healing. Yeah, three months and there you go.
• 56:44
  Speaker 1: All right, I'm angela ye and that is your rumor report.
• 56:47
  Speaker 1: All right, thank you, missy, sir. Even hey, four after
• 56:51
  Speaker 1: the hour, let's talk some good old fashioned racism. Why
• 56:53
  Speaker 1: I don't win? We need has a Pratt to come
• 56:56
  Speaker 1: in front of congregation? Were like to have word with?
• 56:58
  Speaker 1: Oh have a world with? All right? All right, all right,
• 57:02
  Speaker 1: you might infuriate a few niggas out there, but we're
• 57:04
  Speaker 1: gonna get through it. We're gonna heal together. Now, how
• 57:07
  Speaker 1: many niggas can we say back to back? I'm just curious,
• 57:10
  Speaker 1: that's it. No, No, y'all told me it was two
• 57:14
  Speaker 1: part break, so that was too careful breaks break. So
• 57:18
  Speaker 1: I was rashing out my I rashing out my n words.
• 57:20
  Speaker 1: Next Friday, all right, donkey, the day's next is the
• 57:23
  Speaker 1: breakfast slug, good morning, donkey of the day. So being
• 57:32
  Speaker 1: dunky of the day a little bit of a mix,
• 57:35
  Speaker 1: so like a dope the other day. Now, I've been
• 57:42
  Speaker 1: cold a lot in my twenty three years, but Dunkey
• 57:44
  Speaker 1: of the Day is a new wife. Yes, Dunkey to
• 57:47
  Speaker 1: Day for Friday, September twenty seven goes to Heather Pattern.
• 57:51
  Speaker 1: Now do you know who Heather Patent is? Heather Pattent
• 57:53
  Speaker 1: is a film and TV costume designer. Everyone shouldn't know
• 57:56
  Speaker 1: her name because she is a racist. Oh, the mayonnaise
• 57:59
  Speaker 1: is heavy in this story, but the mayonnaids in this story.
• 58:01
  Speaker 1: Hold on one a second. What you're doing. You're right,
• 58:04
  Speaker 1: You're good. Here you go. Oh, I knew something was missing.
• 58:08
  Speaker 1: He my jar helmets right here. Yeah, the mayonnaise is
• 58:12
  Speaker 1: heavy in this story, but the mayonnaids in this story
• 58:14
  Speaker 1: is spread out over a Nibisco Original Premium salteen cracker.
• 58:19
  Speaker 1: All right, yep, that's exactly what Heather Patten is, a
• 58:21
  Speaker 1: salty ass crackers. And if you are mad at me
• 58:24
  Speaker 1: using that term, then you don't know the difference between
• 58:27
  Speaker 1: humans who happened to be white and racist ass bigger
• 58:29
  Speaker 1: than ass salty ass crackers. Okay. You know, if you
• 58:32
  Speaker 1: really are an American who cares about equality, regardless of
• 58:36
  Speaker 1: what your races, you should absolutely be against the level
• 58:38
  Speaker 1: of hate that Heather Patten displayed at the CBS pharmacy
• 58:42
  Speaker 1: in Los Angeles on Steptember twenty fourth. Would you like
• 58:44
  Speaker 1: to hear what Heather Patten had to say to some
• 58:46
  Speaker 1: black people in CBS. Let's go to I don't know
• 58:48
  Speaker 1: who the news reported, but let's go to the news
• 58:50
  Speaker 1: report are disturbing racist? Ranted a CBS and Eagle Rock.
• 58:53
  Speaker 1: A woman is captured on cell phone video jumping up
• 58:56
  Speaker 1: and down repeatedly screaming the N word into the store.
• 59:00
  Speaker 1: She proceeds to exit the store and walk to her
• 59:02
  Speaker 1: car while continually screaming disturbing obscenities. This man says the
• 59:06
  Speaker 1: woman's name is Heather Patten and she and her husband
• 59:09
  Speaker 1: are his Eagle Rock neighbors of nine years. He says
• 59:12
  Speaker 1: this behavior is what he and his family have been
• 59:13
  Speaker 1: dealing with for years, which is why he says he
• 59:16
  Speaker 1: and his mother have restraining orders against Patten and her husband.
• 59:19
  Speaker 1: He says he and his family are from Italian descent.
• 59:22
  Speaker 1: He tells us he's installed home security cameras after Patten
• 59:25
  Speaker 1: vandalized his father's trunk and his mother is afraid to
• 59:28
  Speaker 1: go outside because of her erratic behavior. Well, the LAPD
• 59:32
  Speaker 1: tells us that the incidents here at the CBS occurred yesterday.
• 59:35
  Speaker 1: It was brought to their attention today. They say, because
• 59:38
  Speaker 1: no crime was committed, they took a hate incident report. Nothing. Damn,
• 59:42
  Speaker 1: that's not a crime. That's o KTLA five. By the way,
• 59:44
  Speaker 1: now let's actually hear what Heather Patten had to say.
• 59:47
  Speaker 1: We got the actual footage right, audio was here. Yeah,
• 59:52
  Speaker 1: she's on drugs or something. No, I'm totally recas hate bigger. Hey, okay,
• 1:00:00
  Speaker 1: we're calling the cops. But the losses I can't kill
• 1:00:08
  Speaker 1: if the lord didn't say that, I couldn't kill the
• 1:00:10
  Speaker 1: because they don't be dead. He Now, listen to SEC
• 1:00:20
  Speaker 1: rules say that we can only do two N words
• 1:00:22
  Speaker 1: per hour, right, So are the N words? So did
• 1:00:25
  Speaker 1: she just use upaul supply in words? Okay, but it's
• 1:00:28
  Speaker 1: unlimited supply cracker ass cracker right, Okay, listen. I love
• 1:00:34
  Speaker 1: overt racism, Okay, I love to know exactly where a
• 1:00:37
  Speaker 1: person stands. But just think about the logic. Don't be
• 1:00:39
  Speaker 1: just distracted by the N word flying out of that
• 1:00:41
  Speaker 1: human jar of hellman's mouthful case. She said, if the
• 1:00:43
  Speaker 1: law didn't say I couldn't kill all the N words,
• 1:00:47
  Speaker 1: they all be dead, all right? Chapter three In my
• 1:00:49
  Speaker 1: latest books, Shook One. Anxiety playing tricks on me is
• 1:00:51
  Speaker 1: called black annoid, and being black annoise is about being
• 1:00:54
  Speaker 1: black and paranoid in this country called America. Okay, I
• 1:00:57
  Speaker 1: think anxiety and blackness go hand in hand. Black who
• 1:01:00
  Speaker 1: have permanent PTSD that dates backs to slavery, all right,
• 1:01:04
  Speaker 1: It's just just lingering trauma from past experiences, whether it's slavery,
• 1:01:07
  Speaker 1: gem crow tegregation, or even in modern times watching unarmed
• 1:01:10
  Speaker 1: brothers and sisters getting killed at the hands of the police.
• 1:01:12
  Speaker 1: This trauma that our people have experienced in this country
• 1:01:14
  Speaker 1: just keep getting passed down from generation to generation. And
• 1:01:17
  Speaker 1: we know all the dangers of white supremacy. See, when
• 1:01:21
  Speaker 1: it comes to racism in America, black people have received
• 1:01:24
  Speaker 1: a short end of the stick literally and figuratively, because
• 1:01:26
  Speaker 1: they definitely have gone upside our heads with some sticks.
• 1:01:28
  Speaker 1: So the fear that I could possibly be killed just
• 1:01:31
  Speaker 1: because I'm Black, it's always lingering in my brain. And
• 1:01:33
  Speaker 1: when I hear women like Heather Pattens say if the
• 1:01:35
  Speaker 1: law didn't say I couldn't kill all the N words,
• 1:01:39
  Speaker 1: they'd all be dead. Jesus Christ, it just reinforces the
• 1:01:41
  Speaker 1: black annoya that I already have not a problem I
• 1:01:44
  Speaker 1: have with is America as humans who just happened to
• 1:01:47
  Speaker 1: be white will be more upset at me calling Heather
• 1:01:49
  Speaker 1: Patten a salty ass cracker ass cracker than they would
• 1:01:52
  Speaker 1: be at her saying she would murder black people if
• 1:01:55
  Speaker 1: she could get away with it. Don't call yourself an
• 1:01:57
  Speaker 1: ally if you think I'm wrong and she's right, because
• 1:01:59
  Speaker 1: I'm not Michelle Obama. See Michelle Obama says when they
• 1:02:01
  Speaker 1: go low, we should go high. Charlomagne God says, when
• 1:02:04
  Speaker 1: they go low, we take it to the floor with them.
• 1:02:06
  Speaker 1: All right, Stop thinking you have to try to be
• 1:02:08
  Speaker 1: better than biggots, because you already better than these biggots
• 1:02:10
  Speaker 1: simply because you're not yelling at them in the store,
• 1:02:13
  Speaker 1: calling them racial slurs and you know, telling them you
• 1:02:15
  Speaker 1: would kill them if you could get away with it.
• 1:02:17
  Speaker 1: But you can absolutely defend your space and getting their ass.
• 1:02:20
  Speaker 1: All right, they call you an N word, you call
• 1:02:22
  Speaker 1: them a crack as clock I ask clock crick. And
• 1:02:25
  Speaker 1: if they threaten your life the way this person threatened
• 1:02:28
  Speaker 1: these people life, well you know you just make sure,
• 1:02:30
  Speaker 1: depending on what stateure and that you are always prepared
• 1:02:33
  Speaker 1: to stay in your ground. All right, they have laws
• 1:02:35
  Speaker 1: in certain areas to protect us from threats like that,
• 1:02:37
  Speaker 1: and it's hard to even get out to give out
• 1:02:40
  Speaker 1: that piece of advice because honestly, I know the laws
• 1:02:43
  Speaker 1: rarely apply to black folks the way they do the
• 1:02:44
  Speaker 1: white folks. But the moral of the story is the
• 1:02:46
  Speaker 1: hell with them racists? Ask people, all right, he from all,
• 1:02:49
  Speaker 1: I don't give a damn about none of them, and
• 1:02:51
  Speaker 1: needs of shit you. But guess what, we don't have
• 1:02:53
  Speaker 1: the luxury of not giving a damn about them, because
• 1:02:55
  Speaker 1: even though it's not legal, it might as well be
• 1:02:57
  Speaker 1: because when they kill us, they usually get away with it.
• 1:03:00
  Speaker 1: And I don't have nothing else to say about this
• 1:03:01
  Speaker 1: situation because this is America. Racism and bigotry is America.
• 1:03:05
  Speaker 1: So when you see things like this, don't be surprised.
• 1:03:08
  Speaker 1: Just use it as a teachable moment to show what
• 1:03:10
  Speaker 1: we should all be against. Please let Chelsea Handler give
• 1:03:13
  Speaker 1: this racist biggest heather pattern, the biggest he hall heahaw, heahaw.
• 1:03:17
  Speaker 1: That is way too much. Dan Man asked, let another
• 1:03:20
  Speaker 1: human who just happens to be white getting on this
• 1:03:22
  Speaker 1: heahall with Kathy Griffin that please give this giant jar male,
• 1:03:25
  Speaker 1: the biggest heahaw let Chris Rock put a stamp on
• 1:03:31
  Speaker 1: heather pattern for the culture clock. I ask, see, this
• 1:03:34
  Speaker 1: is where it's whack, right, Like I'm on a page
• 1:03:38
  Speaker 1: right now, talk to me, right, This is what she's saying,
• 1:03:41
  Speaker 1: which is just crazy to me. Right, she says she's
• 1:03:43
  Speaker 1: gonna be going live. She says, all of the DMS
• 1:03:46
  Speaker 1: I'm getting and harassment I'm getting at my front door
• 1:03:48
  Speaker 1: is overwhelming. You guys are no different from me. You
• 1:03:50
  Speaker 1: guys are just as evil, and it shows. Then she says,
• 1:03:53
  Speaker 1: it's not I have over fifty k views right now.
• 1:03:56
  Speaker 1: Any black owned businesses needs some attention. I guess I
• 1:03:59
  Speaker 1: could post you information right here on the story because
• 1:04:02
  Speaker 1: you know why. You know why she's talking like that,
• 1:04:03
  Speaker 1: because she's an unremorseful crack I ass cracker. She's the
• 1:04:06
  Speaker 1: biggest guy. She's a racist. We know what that is,
• 1:04:09
  Speaker 1: and we know what that We should ship all of
• 1:04:11
  Speaker 1: them the world start hip hop isler. We need to
• 1:04:13
  Speaker 1: create an island called world thought hip hop. That's just cold.
• 1:04:16
  Speaker 1: On her page, it says, please don't contact me. I
• 1:04:18
  Speaker 1: was intoxicated and I sincerely apologize to everyone's from my
• 1:04:21
  Speaker 1: disrespected and let down for my actions. Please forgiving me.
• 1:04:24
  Speaker 1: What's her page? What's her page? It's heavily and in Patten.
• 1:04:28
  Speaker 1: Anybody want to have a petty party? This one where
• 1:04:31
  Speaker 1: Instagram the Instagram or Twitter Instagram heatherly and and Patten.
• 1:04:37
  Speaker 1: Let me make sure it's a cracker emoji. There's a
• 1:04:40
  Speaker 1: cracker boy. But I mean she's but she has no
• 1:04:42
  Speaker 1: post right now. She took off her post down that
• 1:04:44
  Speaker 1: it's Twitter, you said Instagram man Heavily and n p
• 1:04:49
  Speaker 1: A T T O N. I thought it was a
• 1:04:51
  Speaker 1: cracker emoji. There's no crack emoji or Heather lind Patten
• 1:04:56
  Speaker 1: accaid Heatherly I through the neighborhood. Yeah, Heather, you know what,
• 1:05:01
  Speaker 1: I'm never the same difference. I'm looking through all the
• 1:05:05
  Speaker 1: food and drinks. Crack man, it's Heather Lynn the pattent.
• 1:05:13
  Speaker 1: Give me one second, I'm gonna figure out how to
• 1:05:15
  Speaker 1: have a petty party. And her mentions, God damn you
• 1:05:17
  Speaker 1: kid say no pictures posted? Oh so it's pointless. No, yes,
• 1:05:20
  Speaker 1: as I told you, don't get wasted my time. You
• 1:05:23
  Speaker 1: can get her in the DMS. That's not worth it,
• 1:05:26
  Speaker 1: all right, she got no pictures. I'm sure she'll post
• 1:05:28
  Speaker 1: something in a couple of weeks. All right, Well, thank
• 1:05:31
  Speaker 1: you for that Dog in the day. Yes, indeed, up next,
• 1:05:35
  Speaker 1: Young Mma, whill we joining us? Okay? Yes? Album out today, Yes,
• 1:05:39
  Speaker 1: and we'll talk to Young Ammy when we come back.
• 1:05:41
  Speaker 1: It's the Breakfast Local Morning, the Breakfast Club, DJ M
• 1:05:47
  Speaker 1: v Angela Yee, Charlemagne the guy. We are the Breakfast Club.
• 1:05:50
  Speaker 1: We got a special guest in the building, Young m.
• 1:05:54
  Speaker 1: We took so long, wait you wait three years? Hey man, listen,
• 1:05:59
  Speaker 1: he really was and it just wasn't ready. Got you
• 1:06:02
  Speaker 1: you're just cooking up. Yeah. You went through a lot
• 1:06:04
  Speaker 1: of changes though, with management and everything. Yeah, is that
• 1:06:08
  Speaker 1: part of the reason why? Ay stead we've seen that?
• 1:06:19
  Speaker 1: Yeah you ready? Yeah? Ready? But not um no, not really.
• 1:06:24
  Speaker 1: I wouldn't say. I don't want to blame it on it,
• 1:06:26
  Speaker 1: but it was really more so me, you know what
• 1:06:27
  Speaker 1: I mean. I moved at my pace when it comes
• 1:06:29
  Speaker 1: to music, and if I felt like you know, I
• 1:06:31
  Speaker 1: just wasn't ready. Don't get me wrong, Like don't matter
• 1:06:33
  Speaker 1: who was you know, uh representing me? It was always
• 1:06:36
  Speaker 1: on my back about yo, you know what I mean?
• 1:06:38
  Speaker 1: You gotta get this out? Yeah, yeah, you know yeah,
• 1:06:41
  Speaker 1: you think you had too much success too fast and
• 1:06:43
  Speaker 1: you had to kind of you had to kind of
• 1:06:44
  Speaker 1: catch up to it anyway, Yeah, say that, even though
• 1:06:47
  Speaker 1: I was grinding for so long prior to that. But
• 1:06:50
  Speaker 1: you know, when that fame hit and and that fame
• 1:06:52
  Speaker 1: came a little a little strong, you know what I mean,
• 1:06:54
  Speaker 1: like ten times harder, you know what I mean, because
• 1:06:56
  Speaker 1: not on top of it being a hit record, but
• 1:06:58
  Speaker 1: just who I am when I read presenting stuff at
• 1:07:00
  Speaker 1: the same time. So yeah, it was definitely like a oh,
• 1:07:03
  Speaker 1: let me catch one souf real quick and and be
• 1:07:05
  Speaker 1: able to sit back and watch this, you know what
• 1:07:07
  Speaker 1: I mean. I had to observe for a little bit
• 1:07:09
  Speaker 1: because it was just it was a little too fast.
• 1:07:10
  Speaker 1: It was Younger May is heavy. That we were in
• 1:07:13
  Speaker 1: Johannesburg together. Oh yeah, yes, but this event and when
• 1:07:16
  Speaker 1: I tell you, they went lost their minds and Younger
• 1:07:19
  Speaker 1: May came out. Yo. That was crazy. We had fun
• 1:07:22
  Speaker 1: that there that night the club, we was out on it.
• 1:07:26
  Speaker 1: It was crazy. The first time. Yeah, y'all wasn't there.
• 1:07:30
  Speaker 1: He wasn't there. Kept comparing me to him that you
• 1:07:35
  Speaker 1: might show you ain't my brother. To this day, everybody
• 1:07:42
  Speaker 1: be trying to look like younger. May I think yo,
• 1:07:48
  Speaker 1: trying to look on the black tea to today. Let me,
• 1:07:53
  Speaker 1: you got offered so much money to do deals and
• 1:07:56
  Speaker 1: never did a deal. Did you regret that at all?
• 1:08:00
  Speaker 1: I would have took that deal with you know what
• 1:08:01
  Speaker 1: I mean, if I really was like, Yo, was you
• 1:08:03
  Speaker 1: looking for a specific amount of money or is just
• 1:08:04
  Speaker 1: we wasn't doing it now? It was never about the money.
• 1:08:07
  Speaker 1: It's not easy to be like no, but I'm I'm like,
• 1:08:10
  Speaker 1: I have a lot of integrity, man, I think more down,
• 1:08:13
  Speaker 1: a lot more longevity. And that's where my headspace was
• 1:08:15
  Speaker 1: that nobody was telling me to make these decisions, neither
• 1:08:18
  Speaker 1: like this was literally me What kind of bag were
• 1:08:20
  Speaker 1: they that you were turning down? There was ms Eminem's
• 1:08:23
  Speaker 1: wowems man, And what made you be able to just
• 1:08:27
  Speaker 1: give you the confidence to be like nope, I know
• 1:08:29
  Speaker 1: what I want to do spirit yes, man, I always
• 1:08:32
  Speaker 1: had a plan, Like That's what I've been grinding for
• 1:08:34
  Speaker 1: so long for us because I had a plan, you
• 1:08:36
  Speaker 1: know what I mean, Like, I know who I am,
• 1:08:38
  Speaker 1: I know what I represent, and I wasn't sure if
• 1:08:41
  Speaker 1: a label was going to know how to handle me
• 1:08:44
  Speaker 1: long term. You know what I mean, because it's like
• 1:08:46
  Speaker 1: I'm not your average How hard is it to make
• 1:08:49
  Speaker 1: a debut album after you got some money and fame
• 1:08:51
  Speaker 1: in your pocket? Definitely hard. It's hard because I'm the
• 1:08:55
  Speaker 1: type of person too, like it's hard for me to
• 1:08:57
  Speaker 1: stick on things and stay on it, you know what
• 1:08:59
  Speaker 1: I mean. Like I'm just spontaneous, Like that's just in
• 1:09:01
  Speaker 1: my spirit, Like I just like to try new things
• 1:09:04
  Speaker 1: all the time. So like I'll be working on the
• 1:09:06
  Speaker 1: album and then I want to do like something else
• 1:09:09
  Speaker 1: at the same time. So it's like I had to
• 1:09:11
  Speaker 1: discipline myself to stay put onto the album, you know
• 1:09:14
  Speaker 1: what I mean. Like that that was one of my downfalls.
• 1:09:17
  Speaker 1: It's not being able to discippline myself and stay put
• 1:09:19
  Speaker 1: and eventually I got into that state of mind. I
• 1:09:22
  Speaker 1: just had to like force myself to stick on it.
• 1:09:24
  Speaker 1: That was really like the main reason. Yeah, yeah, you
• 1:09:27
  Speaker 1: feel like that about dating too, yo, Yeah, you know
• 1:09:30
  Speaker 1: what I mean, Like, yeah, it's like it's I ain't
• 1:09:32
  Speaker 1: gonna lie. That's kind of like one of my that's
• 1:09:33
  Speaker 1: like one of my downfalls. It's just having this spirit
• 1:09:36
  Speaker 1: about me with I want to try new things all
• 1:09:38
  Speaker 1: the time. You know what I mean, if you're not
• 1:09:39
  Speaker 1: a committed person, I didn't. I'm listen, nah, listen, hold on,
• 1:09:44
  Speaker 1: hold on, before you got nineteen girls. Nah yeah, it's different,
• 1:09:50
  Speaker 1: different one. Listen. I'd rather a relationship, I'm not. I
• 1:09:54
  Speaker 1: don't really care for the being out his single all day,
• 1:09:57
  Speaker 1: having a bunch of girls like that get boring at
• 1:09:59
  Speaker 1: the wall, like I do. Rather a relationship, you know.
• 1:10:02
  Speaker 1: I mean, I rather a woman hold me down and
• 1:10:04
  Speaker 1: she doing her thing, we just supporting each other. Was
• 1:10:06
  Speaker 1: the last time you went a relationship? I'm in a
• 1:10:08
  Speaker 1: relationship now? Yeah? That on social media? Yeah yeah, I'm
• 1:10:11
  Speaker 1: in a relationship now. But you see, I don't really
• 1:10:13
  Speaker 1: you don't see me just asking. I don't really throw
• 1:10:15
  Speaker 1: it out there too crazy. Did you learn from like
• 1:10:17
  Speaker 1: the mistakes of with Tory bricks posting up all the
• 1:10:19
  Speaker 1: time that I learned and cuddling like you know, I mean,
• 1:10:23
  Speaker 1: what was it to learn? I mean, not to have
• 1:10:25
  Speaker 1: it so public? Maybe I don't think our relationship was
• 1:10:28
  Speaker 1: that public. You went Tory. It went public because first
• 1:10:31
  Speaker 1: of all, I was hot at the time, you know
• 1:10:34
  Speaker 1: what I mean. They see me with this this young
• 1:10:36
  Speaker 1: beautiful woman, and it just went two and two and
• 1:10:38
  Speaker 1: went crazy, But we never really put out out there
• 1:10:41
  Speaker 1: like that crazy. I used to see it. You will
• 1:10:44
  Speaker 1: see you're looking at it. Wasn't that. I know that
• 1:10:48
  Speaker 1: for a fact, because that's just that's not me. I
• 1:10:50
  Speaker 1: don't really like to do that, Like that's just putting
• 1:10:52
  Speaker 1: too much my person. Like I supported for a minute,
• 1:10:55
  Speaker 1: like yes, you know, you know what it is, and
• 1:10:56
  Speaker 1: that's it, you know what I mean, whatever we do whatever,
• 1:10:58
  Speaker 1: Like a lot of people don't even know we broke up,
• 1:11:01
  Speaker 1: you know what I mean, Like once you got with yeah, yeah,
• 1:11:06
  Speaker 1: they got to this song and then nah, I don't
• 1:11:08
  Speaker 1: say that. I ain't trying to throw that out there
• 1:11:11
  Speaker 1: real quick. I ain't never read no this song. How
• 1:11:14
  Speaker 1: do you feel when your X finds love with somebody
• 1:11:16
  Speaker 1: else and didn't have the whole have a family? Like
• 1:11:18
  Speaker 1: how do you feel? Listen to the intro? That is
• 1:11:20
  Speaker 1: not listen to that too, I mean not it was
• 1:11:27
  Speaker 1: we was already like done for a minute that a
• 1:11:30
  Speaker 1: lot of people know. We were still cool though when
• 1:11:32
  Speaker 1: everything happened, like a lot of people don't know, like
• 1:11:34
  Speaker 1: it wasn't never no beef or nothing, like we were
• 1:11:37
  Speaker 1: still cool, you know what I mean? So I'm not.
• 1:11:39
  Speaker 1: I'm not a just like I'm the type of person
• 1:11:41
  Speaker 1: like we was. We was done, bro and and they
• 1:11:43
  Speaker 1: moved like all my exes don't moved on. A couple
• 1:11:45
  Speaker 1: of them got a baby. I mean right, they moved on.
• 1:11:48
  Speaker 1: I still love you though some of them still love you, yo,
• 1:11:50
  Speaker 1: I ain't. We ain't even gonna talk about that. Manship, man,
• 1:11:56
  Speaker 1: I love my girl. If you want, you still live
• 1:11:58
  Speaker 1: in Brooklyn or did you move from Brooklyn? I moved
• 1:12:00
  Speaker 1: from Brooklyn. I'm in Jersey. Now, you know, how did
• 1:12:02
  Speaker 1: your girl that she was? Now? How did you know
• 1:12:04
  Speaker 1: that she was the one for? Now? Did you sure
• 1:12:07
  Speaker 1: you want to say this because you know you're gonna
• 1:12:08
  Speaker 1: get bored of it? She told us that was then, man,
• 1:12:16
  Speaker 1: that was then. She's focused church. I met her in Atlanta.
• 1:12:22
  Speaker 1: I met in Atlanta. Okay, are you blessing? Yo? I
• 1:12:29
  Speaker 1: thought you were the whole dog? Uh? Well, I see
• 1:12:35
  Speaker 1: she was following me already, vib you know what I mean.
• 1:12:37
  Speaker 1: I followed her back. I thought she was fired. M man,
• 1:12:41
  Speaker 1: you know no, we ain't nobody damn nobody, Like she
• 1:12:45
  Speaker 1: wasn't on my hills, like she wasn't sweating me. It
• 1:12:48
  Speaker 1: was um she replied. She replied to my story one tonge.
• 1:12:52
  Speaker 1: So that was like, you know, my oaki dog, I'm thinking,
• 1:12:54
  Speaker 1: okay that yeah in a way right, yeah, its not
• 1:13:00
  Speaker 1: respond back with the odds because I'm like, you at
• 1:13:07
  Speaker 1: the door, straighten up my GENI response. That's when I
• 1:13:11
  Speaker 1: wound up seeing her in Atlanta. But you liked that
• 1:13:13
  Speaker 1: on the load that she didn't respond. He was like,
• 1:13:15
  Speaker 1: I show yeah, like and then when we eventually started talking,
• 1:13:18
  Speaker 1: she liked that. I wasn't on her body neither. But yeah,
• 1:13:21
  Speaker 1: I'm at in Atlanta and I wanted her to be
• 1:13:24
  Speaker 1: in one of my videos. You know. That's yeah, okay,
• 1:13:32
  Speaker 1: all right, But I was already kind of like, you know,
• 1:13:34
  Speaker 1: we already kind of know before that, and then it happened,
• 1:13:38
  Speaker 1: and at the video shoot, you know, I got to
• 1:13:41
  Speaker 1: know her more, we got to talk more or whatever,
• 1:13:44
  Speaker 1: and got the video done and we got him. Yeah,
• 1:13:50
  Speaker 1: I'm pretty scrawm game. He didn't be in my video.
• 1:13:54
  Speaker 1: That wasn't the that was that was that probably was
• 1:13:59
  Speaker 1: all right. Well, let's get into Young Amy's new single.
• 1:14:01
  Speaker 1: It's Big. It's the Breakfast Club good Morning. That was big.
• 1:14:04
  Speaker 1: Young Emma's new single, Young Mm's here we all the
• 1:14:08
  Speaker 1: breakfast club, Charlemagne, what have you been doing other than
• 1:14:10
  Speaker 1: working on your debut? Out past three years? Got involved
• 1:14:13
  Speaker 1: with acting, business, directing? You directed a poet. You directed
• 1:14:18
  Speaker 1: a poet. Yeah, I didn't know that. Yeah. They kept
• 1:14:21
  Speaker 1: talking about you playing Cleo and set it off to
• 1:14:24
  Speaker 1: the remake in that room. That was definitely a rumor.
• 1:14:27
  Speaker 1: It was a meme going around like saying that if
• 1:14:30
  Speaker 1: they do to remake that these people that should play.
• 1:14:33
  Speaker 1: But yeah, I heard that they actually really is doing it,
• 1:14:36
  Speaker 1: and you you be surprised the end of that aund
• 1:14:39
  Speaker 1: to get you a role already already told him. It's
• 1:14:42
  Speaker 1: like who else you're gonna get? Right? How was the
• 1:14:46
  Speaker 1: experience directing porn? It was fun, It was cool. It
• 1:14:49
  Speaker 1: wasn't well people expected like they like like what she was?
• 1:14:52
  Speaker 1: Like you was turned on? No, I was working, you
• 1:14:56
  Speaker 1: know what I mean? It was cool. It was you know,
• 1:14:57
  Speaker 1: it was interesting to see. I mean like right there,
• 1:15:00
  Speaker 1: it's like, oh, this is how this is how to
• 1:15:02
  Speaker 1: point it like point businesses like how do you give direction?
• 1:15:04
  Speaker 1: Like give us some examples. I'm like, yo, eat that
• 1:15:08
  Speaker 1: a little more, you know what I mean, Eat that
• 1:15:10
  Speaker 1: a little more? You eat that too too soft, man,
• 1:15:12
  Speaker 1: you gotta you gotta I mean not too so unit,
• 1:15:14
  Speaker 1: too too calm like delicate? Yeah too live. Come on,
• 1:15:17
  Speaker 1: put your mouth for it. It's your mouth phone, it's
• 1:15:19
  Speaker 1: I'm being scared. So you know what, because I think
• 1:15:20
  Speaker 1: I was gonna say, I think real life sex is
• 1:15:26
  Speaker 1: so different than pointing because pouring is so much more extra.
• 1:15:29
  Speaker 1: Exactly it iss it is. But they was getting popping
• 1:15:33
  Speaker 1: though they're getting popping. It was old women, you know
• 1:15:36
  Speaker 1: what I mean? Was it with bang Bros? Was it
• 1:15:38
  Speaker 1: porn Hub? Was its bank? Was a bang Bros? Yeah, listen,
• 1:15:43
  Speaker 1: I don't. I don't know nothing about I don't. I'm
• 1:15:46
  Speaker 1: not even a point watchers said stuff all the time. Yeah,
• 1:15:51
  Speaker 1: watch one of the bang bros. You know what they'd
• 1:15:52
  Speaker 1: be doing. They'd be riding around and and they pick
• 1:15:55
  Speaker 1: up like they pick up random women. They ride around
• 1:15:59
  Speaker 1: with the bang bus and they convinced random women to
• 1:16:01
  Speaker 1: do like what they got bank's been around for about
• 1:16:08
  Speaker 1: to say, it look like it's a little old school.
• 1:16:10
  Speaker 1: They're about to buy what a rob about got? The kids?
• 1:16:14
  Speaker 1: Watch the kids be watching man money, which you direct
• 1:16:18
  Speaker 1: another one? Absolutely, That's what I'm gonna do. Yeah, I listen,
• 1:16:23
  Speaker 1: I don't care. I saw y'all put that up too.
• 1:16:25
  Speaker 1: When then when that whole situation came up on your
• 1:16:27
  Speaker 1: on the news thing, what's your call? They get room report? Yeah,
• 1:16:30
  Speaker 1: I saw that was like younger mayors directing point And
• 1:16:34
  Speaker 1: then I heard you say, yeah, man, but I want
• 1:16:36
  Speaker 1: an album man with the music. I heard you say that, yeah,
• 1:16:39
  Speaker 1: so I'm doing both. Hello, I'm listen. You'll understand, man,
• 1:16:45
  Speaker 1: Like it's so much opportunities and money out here, Like
• 1:16:48
  Speaker 1: why I settle for one thing like you already if
• 1:16:51
  Speaker 1: you already have the opportunity and you out there and
• 1:16:53
  Speaker 1: you expand it and people grab me from left the right, No,
• 1:16:56
  Speaker 1: get that check man, I'm not mad at it. Probums
• 1:16:59
  Speaker 1: with that. Do you think that it's important for pointing
• 1:17:00
  Speaker 1: to have a plot? A plot? Yeah, like a real
• 1:17:03
  Speaker 1: storyline the best part of it, because some people don't
• 1:17:06
  Speaker 1: care about that. They just want to watch their favorite scene.
• 1:17:08
  Speaker 1: They don't care about a plaque storyline. I'm thinking makes
• 1:17:11
  Speaker 1: it interesting to have a storyline, like it's like it
• 1:17:14
  Speaker 1: kind of I guess builds you up a little bit.
• 1:17:16
  Speaker 1: And then I love when the white woman jogging in
• 1:17:21
  Speaker 1: the hood. You should go knock on the door and
• 1:17:23
  Speaker 1: be like, that's some water. There's some random, some random traphouse. Yeah,
• 1:17:28
  Speaker 1: you some good as white woman jogging in the hood.
• 1:17:34
  Speaker 1: She goes to a random traphouse, knocks on the door,
• 1:17:36
  Speaker 1: They open the door, and they're like, oh, what's up
• 1:17:39
  Speaker 1: the water? Then they get it pop. I don't know
• 1:17:43
  Speaker 1: about that. Moving on, what do you hope this album accomplishes? Uh,
• 1:17:50
  Speaker 1: I definitely want this to accomplish, like people understanding me,
• 1:17:53
  Speaker 1: more understanding my struggles and trying to look past certain things,
• 1:17:56
  Speaker 1: you know what I mean. Not saying that everybody is
• 1:17:58
  Speaker 1: like that, but you do have a good amount of
• 1:18:00
  Speaker 1: people that just don't can't look past certain things. And
• 1:18:03
  Speaker 1: it's like, you know, I deal with a lot of stuff,
• 1:18:05
  Speaker 1: you know what I mean, Like it ain't just always
• 1:18:07
  Speaker 1: peaches and creaming me just because you don't see me
• 1:18:09
  Speaker 1: express that. So it's it's definitely a relatable album. I
• 1:18:12
  Speaker 1: want people to relate to it. When they hear it,
• 1:18:13
  Speaker 1: They're gonna understand a lot of things that I'm talking
• 1:18:16
  Speaker 1: about in this In this song, a lot of people
• 1:18:18
  Speaker 1: don't be able to relate because it's gonna be similar
• 1:18:20
  Speaker 1: situations that they've been through like I'm human, bro, you
• 1:18:23
  Speaker 1: know what I mean, We go through things like all
• 1:18:24
  Speaker 1: as humans, and that's basically what I want to get
• 1:18:27
  Speaker 1: out them. I feel like the album is just supposed
• 1:18:28
  Speaker 1: to be something about you and tell your story. And
• 1:18:32
  Speaker 1: that's why it's scored a story because it's basically about me.
• 1:18:34
  Speaker 1: When what do you mean that too? People still tripping
• 1:18:40
  Speaker 1: out there? It's people who still do yeah, And I'm
• 1:18:44
  Speaker 1: not targeting. I'm just like certain certain songs on it,
• 1:18:47
  Speaker 1: it's targeting just that, you know what I mean. It's
• 1:18:49
  Speaker 1: like yeah, yeah, you know what I mean. It's like
• 1:18:51
  Speaker 1: I don't care, like yeah, you know what I mean,
• 1:18:53
  Speaker 1: Like I'm I'm I'm out here, man, I'm a official
• 1:18:54
  Speaker 1: you know what I mean. It ain't nothing where I'm
• 1:18:56
  Speaker 1: hiding it. It's not like none of that, Like it's
• 1:18:58
  Speaker 1: official with me. And try to look past that because
• 1:19:01
  Speaker 1: like I make music like yeah, and that's what it is,
• 1:19:05
  Speaker 1: and that's just just what I'm talking to people, not
• 1:19:07
  Speaker 1: like most of most of the people that rock with
• 1:19:09
  Speaker 1: me is like we rock with him because we always
• 1:19:11
  Speaker 1: talked about have a representation. It's so important and there
• 1:19:13
  Speaker 1: hasn't been a whole lot of representation in hip hop.
• 1:19:16
  Speaker 1: That's why I think somebody like younger mat is so
• 1:19:19
  Speaker 1: important so needed absolutely, yeah, because I just talked my
• 1:19:21
  Speaker 1: talk man. What's the experience like meeting somebody like Beyonce?
• 1:19:25
  Speaker 1: I never met? Oh, but I didn't meet yet. Oh.
• 1:19:29
  Speaker 1: I thought you guys were you know, you open for her?
• 1:19:31
  Speaker 1: And yeah I did, but I met jay Z. I
• 1:19:34
  Speaker 1: didn't meet Beyonce. Okay, I thought you'd have been like,
• 1:19:36
  Speaker 1: I want to meet younger man. Noah. At the time,
• 1:19:38
  Speaker 1: it was like, first of all, I got there, it
• 1:19:40
  Speaker 1: was kind of late, so like they had to rush
• 1:19:42
  Speaker 1: me the stage, and then I had a show in
• 1:19:44
  Speaker 1: a whole other state right after that show. We had
• 1:19:46
  Speaker 1: to rush right back out. But jay Z was right there,
• 1:19:49
  Speaker 1: so I was able to catch a flick with him
• 1:19:51
  Speaker 1: and then dip out. So she was probably in the
• 1:19:53
  Speaker 1: dress room getting right getting Beyonce. So they who'll give
• 1:19:56
  Speaker 1: you any advice? He was He looked at me like
• 1:19:58
  Speaker 1: I was his niece or something like like Brooklyn like yeah,
• 1:20:01
  Speaker 1: like I'm like like big, like like I'm proud of you,
• 1:20:04
  Speaker 1: you know what I mean? Like he was just sround
• 1:20:05
  Speaker 1: like yo, like basically, I like what you got going on?
• 1:20:08
  Speaker 1: You got it, you know what I mean. It wasn't
• 1:20:10
  Speaker 1: too much said because we didn't really have Tom to
• 1:20:11
  Speaker 1: like chop it up. But that was enough for me.
• 1:20:14
  Speaker 1: Brooklyn got a lot of dope up and coming rappers
• 1:20:15
  Speaker 1: now too, like underneath you just coming up now. So yeah,
• 1:20:19
  Speaker 1: that's got to feel good. Brooklyn is always gonna fire,
• 1:20:21
  Speaker 1: you man. Yeah, yeah, fire right now. Brooklyn is on
• 1:20:23
  Speaker 1: fire right you're six, They're on fire right now. Musically
• 1:20:28
  Speaker 1: he was on fire, you know what I'm saying. Listen,
• 1:20:32
  Speaker 1: you know he don't want to I don't. I don't
• 1:20:33
  Speaker 1: represent Brooklyn. You don't understand that he from Brooklyn? So what?
• 1:20:37
  Speaker 1: Born and raised? So what on the playground is where
• 1:20:40
  Speaker 1: he's been all his days. So this album is dedicated
• 1:20:49
  Speaker 1: to your brother. Yeah, today's actually his death day. It's
• 1:20:53
  Speaker 1: been ten years straight, is you know? I'm holding my head.
• 1:20:57
  Speaker 1: It's crazy, you know what I mean. It's like I
• 1:20:58
  Speaker 1: can't even believe it's been a long you know. I'm
• 1:21:01
  Speaker 1: just trying to keep his name alive and and hold
• 1:21:03
  Speaker 1: a fort down for him, man, you know, holding the
• 1:21:05
  Speaker 1: family down and do on what I gotta do. Are
• 1:21:07
  Speaker 1: you able to enjoy the moment being at it's so
• 1:21:09
  Speaker 1: close to his death day, are you able to enjoy
• 1:21:11
  Speaker 1: the moment of the album coming up? That's why I said,
• 1:21:14
  Speaker 1: That's why it's kind of I guess I don't feel
• 1:21:16
  Speaker 1: too like about the album because always around this time
• 1:21:20
  Speaker 1: is like funny, you know what I mean. I always
• 1:21:21
  Speaker 1: feel like a little in the days around this time.
• 1:21:24
  Speaker 1: So I think that's one of the reasons. Like all
• 1:21:26
  Speaker 1: the time from this day on going on to the
• 1:21:28
  Speaker 1: end of the year, like Christmas, Holidays all that, I
• 1:21:30
  Speaker 1: feel that that that feeling, you know what I mean.
• 1:21:32
  Speaker 1: So it's never really always like I'm so happy and
• 1:21:35
  Speaker 1: I have that moment, you know, that little depression feeling.
• 1:21:37
  Speaker 1: But at the same time, like it's like what could
• 1:21:40
  Speaker 1: I do? Like I ain't gonna sitting sorrow all day,
• 1:21:42
  Speaker 1: Like I gotta I gotta make moves, I gotta hold
• 1:21:44
  Speaker 1: a family down or whatever the case. So I'm good though,
• 1:21:47
  Speaker 1: Like I'm like, we're out here, man, were working. We
• 1:21:49
  Speaker 1: get into it, and we gotta make the people proud. Man,
• 1:21:51
  Speaker 1: that's what it is. All right, Let's get it. Make
• 1:21:56
  Speaker 1: sure you stream it, download and all that good stuff.
• 1:21:58
  Speaker 1: We appreciate you for joining me, Thank you for having me.
• 1:22:00
  Speaker 1: It's young m it's the Breakfast Club. Good morning, the
• 1:22:03
  Speaker 1: Breakfast Club. She's filling the team. This is the Rumor
• 1:22:12
  Speaker 1: Report with Angela Yee on the Breakfast Club Now. On
• 1:22:17
  Speaker 1: the Monday episode of State of the Culture on Revolt,
• 1:22:20
  Speaker 1: they were having a conversation about different topics, including Antonio Brown. Now,
• 1:22:24
  Speaker 1: Remy mah had some comments about Antonio Brown getting the
• 1:22:27
  Speaker 1: backlash that he was getting. The former NFL wide receiver
• 1:22:30
  Speaker 1: who was released from his contract with the Patriots after
• 1:22:33
  Speaker 1: he had sexual assault allegations against him. He's denied those claims.
• 1:22:36
  Speaker 1: And here's what Remy Maha had to say about sexual
• 1:22:39
  Speaker 1: assault victims. It seems like and a lot of these
• 1:22:42
  Speaker 1: alleged sexual assault cases, the women are asking for money.
• 1:22:46
  Speaker 1: Hey give me some money and I'll feel better to
• 1:22:49
  Speaker 1: me in any exchange with sexual acts are being compensated
• 1:22:55
  Speaker 1: with money, Like that's a prostitution. That's a gross simplification.
• 1:22:59
  Speaker 1: Really read to the sex really yeah, because in one
• 1:23:03
  Speaker 1: instant it was so horrible he does to me, that's
• 1:23:07
  Speaker 1: give me two million. All right, Well, it's definitely not prostitution. No,
• 1:23:12
  Speaker 1: it's definitely not prostitution. Institution they actually call that, They
• 1:23:15
  Speaker 1: call that compensation restorative justice. And here's the thing. Sometimes
• 1:23:18
  Speaker 1: you can't pursue those cases criminally because the statute of
• 1:23:21
  Speaker 1: limitations is up, so all you can do is civil.
• 1:23:23
  Speaker 1: But I think the optics of when a person seeks
• 1:23:26
  Speaker 1: civil justice over criminal justice when they can, you know,
• 1:23:29
  Speaker 1: when they have the right to do both, sometimes make
• 1:23:32
  Speaker 1: you questions a person's motives. But I'm not gonna call
• 1:23:34
  Speaker 1: her a prostice it's not a process. I'm gonna just
• 1:23:35
  Speaker 1: question her motivation and listen, let's talk about the financials
• 1:23:39
  Speaker 1: of it though too. A lot of times people aren't
• 1:23:41
  Speaker 1: able to work. Imagine you have to go to court,
• 1:23:43
  Speaker 1: you have to go to trial, you have to go
• 1:23:44
  Speaker 1: to the doctor, you have all kinds of mental trauma
• 1:23:47
  Speaker 1: from a situation, and even having to heal from that
• 1:23:50
  Speaker 1: and go to the doctor and get treatment. That all
• 1:23:52
  Speaker 1: costs money. Yeah, I agree. I just think that when
• 1:23:53
  Speaker 1: you have the option to do criminal our civil, what
• 1:23:57
  Speaker 1: you choose to do civil. But I thought I thought
• 1:23:59
  Speaker 1: you got to get you both. Yeah, but don't you
• 1:24:00
  Speaker 1: gotta get a criminal case going before a lot of
• 1:24:03
  Speaker 1: times who do civil first and then it's easier. I
• 1:24:05
  Speaker 1: think sometimes when people jump just the civil you question
• 1:24:08
  Speaker 1: their motivation. But I'm not gonna call them a product.
• 1:24:10
  Speaker 1: Let's be real, Like, after you see all these different
• 1:24:12
  Speaker 1: cases and here from different women who have been through it,
• 1:24:15
  Speaker 1: it's not the easiest thing to have to go and
• 1:24:17
  Speaker 1: tell your story over a thousand times again and reliving
• 1:24:19
  Speaker 1: and have people not believe you and question you and
• 1:24:21
  Speaker 1: make you seem like you're other person who's at fault.
• 1:24:23
  Speaker 1: And also a prostitution, Prostitution is a willing thing, like
• 1:24:26
  Speaker 1: the person is taking the money and giving consent for
• 1:24:29
  Speaker 1: you to have sex with them. It's a purchase. There
• 1:24:31
  Speaker 1: are people, there's people who their houses get broken into
• 1:24:35
  Speaker 1: and sometime you can't say I'm being a prostitute. That's
• 1:24:37
  Speaker 1: what I'm saying. They forced in the prostitution. It's not
• 1:24:39
  Speaker 1: necessarily yeah yeah, yeah, absolutely no, that's sex. That's sex draficking. Yeah,
• 1:24:43
  Speaker 1: well that's different. Yeah, prostitution sex draficking too, totally different things. Right,
• 1:24:47
  Speaker 1: all right, now, let's talk about Angie Martinez. In the
• 1:24:49
  Speaker 1: debut of her show Untold Stories of Hip Hop on
• 1:24:52
  Speaker 1: we TV last night, she had Cardi bon and Cardi
• 1:24:55
  Speaker 1: B was talking about just having a baby at the
• 1:24:58
  Speaker 1: height of her career and what people to say about that.
• 1:25:01
  Speaker 1: Certain people that I even thought there was gonna like
• 1:25:03
  Speaker 1: support me and be like, listen, we could do this,
• 1:25:05
  Speaker 1: Like real optimistic people, We're like no, no, you can't
• 1:25:09
  Speaker 1: do it. No crying the eyeballs out. So when people
• 1:25:14
  Speaker 1: are telling you not to have your baby, I mean,
• 1:25:16
  Speaker 1: is there some moment that happens where you decide to
• 1:25:19
  Speaker 1: keep her? And how do you come to that decision?
• 1:25:22
  Speaker 1: When I find out, it was like around the weeks
• 1:25:24
  Speaker 1: that you could find out the sex, and I wanted
• 1:25:25
  Speaker 1: to find out the sex right away. And like when
• 1:25:28
  Speaker 1: she said I have a girl, you were already in love.
• 1:25:31
  Speaker 1: I was like, oh, man, I have a girl. That
• 1:25:33
  Speaker 1: means that God wants me to have a baby because
• 1:25:35
  Speaker 1: I always wanted a girl. Well, of course she's so
• 1:25:38
  Speaker 1: happy that baby. Culture is here. Everything's about culture right.
• 1:25:41
  Speaker 1: In addition, Snoop Dogg was on last night and he
• 1:25:43
  Speaker 1: talks about going into the studio with Biggie because Biggie
• 1:25:46
  Speaker 1: want to him to hear a song, so go sing,
• 1:25:49
  Speaker 1: and he got about forty see you like yo, I
• 1:25:53
  Speaker 1: want to play you. I'm like, what you want to play?
• 1:25:56
  Speaker 1: This is this album? Before he gets killed track them
• 1:25:59
  Speaker 1: up and he's say he played you the verse when
• 1:26:06
  Speaker 1: he says your name. Yes, I'm like, damn, that really
• 1:26:09
  Speaker 1: loved me. And this man died before this record came out,
• 1:26:12
  Speaker 1: so that was a moment in my life. And I'm like,
• 1:26:14
  Speaker 1: you know what, at least he got to play that
• 1:26:17
  Speaker 1: for me, Yeah, and satisfied his soul to know that
• 1:26:21
  Speaker 1: he was all right with Snoop. Though, all right, these
• 1:26:23
  Speaker 1: are classic moments. Yeah, but I'm still tripping off the
• 1:26:26
  Speaker 1: fact that there's a recipe in The Bronx that consists
• 1:26:28
  Speaker 1: of after an Angelican that can stop periods. I don't
• 1:26:32
  Speaker 1: I don't think anybody should try that at home. I
• 1:26:34
  Speaker 1: always say the craziest people in America come from the
• 1:26:36
  Speaker 1: Bronx and all the Florida and boy Cardy Be reinforced
• 1:26:39
  Speaker 1: that last night. I need to know what this recipe is. Well,
• 1:26:42
  Speaker 1: And congratulations to Candy Bird. She's gonna actually have a
• 1:26:44
  Speaker 1: recurring role in the season three of The Shy. She's
• 1:26:47
  Speaker 1: gonna play Rosalind Perry, the estranged wife, the strange wife
• 1:26:50
  Speaker 1: al Duda who is She's back at his side to
• 1:26:53
  Speaker 1: influence his political agenda and to help herself as well.
• 1:26:56
  Speaker 1: So congratulations to Candy on the shot this season ye.
• 1:27:02
  Speaker 1: Who's not on there, Jason Mitchell? All right, I'm Angela
• 1:27:10
  Speaker 1: Yee and that is your rumor report. All right, the
• 1:27:12
  Speaker 1: People's Choice mixes up. Next is little Wayne's birthday, so
• 1:27:14
  Speaker 1: let's get into a little Wayne MANI makes. Let me
• 1:27:16
  Speaker 1: know your favorite wheezy joint and revote. We'll see your Monday.
• 1:27:19
  Speaker 1: It's the Breakfast Club. Good morning morning. Everybody is DJ Envy,
• 1:27:23
  Speaker 1: Angela Yee, Charlemagne the guy. We all the Breakfast Club Now.
• 1:27:27
  Speaker 1: Shout out to everybody that's heading out to Atlantic City
• 1:27:29
  Speaker 1: this weekend. I'm doing a two day seminar out in
• 1:27:31
  Speaker 1: Atlantic City. The first day we're gonna be doing a
• 1:27:34
  Speaker 1: ride along and I'm taking some of some people through
• 1:27:36
  Speaker 1: different houses, different properties, vaking lots and just showing them
• 1:27:40
  Speaker 1: to different properties. How much the properties are. They were
• 1:27:42
  Speaker 1: ranged from ten thousand dollars to one hundred and fifty
• 1:27:45
  Speaker 1: two hundred thousand. And then the next day we're actually
• 1:27:47
  Speaker 1: gonna have a seminar explaining how to flip, how long
• 1:27:50
  Speaker 1: it takes, the money it requires, and all that. So
• 1:27:53
  Speaker 1: it's a lot of people coming in. I look forward
• 1:27:54
  Speaker 1: to seeing you guys. We've got a lot of busses
• 1:27:56
  Speaker 1: so it's going to be a great weekend. Shout to
• 1:27:59
  Speaker 1: up in New Jersey, which is Caesar, Shout to Jen,
• 1:28:03
  Speaker 1: Shout to Matt, Shout to Sabine, Shout to Jose, Shout
• 1:28:06
  Speaker 1: to everybody that's coming through and Charlotamagne. Some a dude
• 1:28:09
  Speaker 1: hit me from m dude man Cody, who was a
• 1:28:12
  Speaker 1: real estate agent. It was like he had some property
• 1:28:14
  Speaker 1: for you out in the Carolinas, South Carolina. He even
• 1:28:16
  Speaker 1: trying to get in touch with you. Tell him hit
• 1:28:18
  Speaker 1: me up. Okay, I definitely will, he said, I've been trying.
• 1:28:22
  Speaker 1: I just want to give me a number. I I
• 1:28:23
  Speaker 1: getting page number though. I'm always done to buy some
• 1:28:25
  Speaker 1: new property at home and listen. Slew to everybody that
• 1:28:29
  Speaker 1: was at the Tamaron Hall show yesterday. I'm gonna be
• 1:28:31
  Speaker 1: on Tamaron Hall today. You got to check your local listings.
• 1:28:33
  Speaker 1: It was me and my guy doctor ish Major. Doctor
• 1:28:36
  Speaker 1: ish Major is a psychiatrist who was educated at the
• 1:28:39
  Speaker 1: University of South Carolina School of Medicine. He specializes in women, children, families,
• 1:28:44
  Speaker 1: and you know, just black men being mentally healthy. If
• 1:28:47
  Speaker 1: you've ever read my book Shook Went Anxiety Playing tricks
• 1:28:49
  Speaker 1: on me He's the doctor that I have in my
• 1:28:51
  Speaker 1: book given all the clinical correlations for the things I
• 1:28:53
  Speaker 1: talk about experiencing. And we're both on the Tamarin Hall
• 1:28:57
  Speaker 1: Show today, So make sure you're tuning in the Tamarin Hall,
• 1:28:59
  Speaker 1: check your local listings, and check us out. Okay, okay, okay, easy, Yes,
• 1:29:07
  Speaker 1: we're doing this weekend. You gonna tell people, Oh well,
• 1:29:09
  Speaker 1: I'll be in Chicago this weekend. It was like a
• 1:29:10
  Speaker 1: really last minute thing, so I'm trying to get it
• 1:29:13
  Speaker 1: all together. I'm a little frazzled, but you know, I'm
• 1:29:15
  Speaker 1: getting ready for my Lip Service Live tour. So you
• 1:29:17
  Speaker 1: guys know that kicks off October twentieth, and you can
• 1:29:19
  Speaker 1: go to ticketmaster dot com if you want to get
• 1:29:21
  Speaker 1: tickets to see us in the city. There you It
• 1:29:23
  Speaker 1: kicks off in Philly, then New York. We're in Houston, Dallas, Atlanta, La,
• 1:29:27
  Speaker 1: San Francisco, Cleveland, Chicago, Detroit, all over, so make sure
• 1:29:30
  Speaker 1: you come and check us out. All right when we
• 1:29:32
  Speaker 1: come back positive, don't move. It's to Breakfast Club. Good morning,
• 1:29:35
  Speaker 1: this morning. Everybody is DJ Envy, Angela Yee, Charlomagne, the guy.
• 1:29:40
  Speaker 1: We are the Breakfast Club Now Charlomagne, you got a
• 1:29:42
  Speaker 1: positive note. Yes. The positive note is simply this man.
• 1:29:45
  Speaker 1: The positive note is I want you to act as
• 1:29:48
  Speaker 1: if what you do makes a difference, because it does.
• 1:29:51
  Speaker 1: Breakfast Club, you know. I'm finishi, y'all. Dune