Latest / The Breakfast Club / Classic Interview with comedian Mo'Nique

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Classic Interview with comedian Mo'Nique · The Breakfast Club

• 0:00
  Speaker 1: I congratulation. It's the Breakfast Club ten year anniversary and
• 0:08
  Speaker 1: years years at a breakfast club on your thing, ding
• 0:12
  Speaker 1: what you're doing and being honest with you. And they
• 0:15
  Speaker 1: had a job for ten years. Everything's gout you over there. Wow,
• 0:18
  Speaker 1: ten years, shout out to the best joining man. Hold on,
• 0:22
  Speaker 1: hold on, hold on, Damn y'all getting old. Y'all been
• 0:25
  Speaker 1: holding it down for ten years. Wow. Gjenf angela ye
• 0:29
  Speaker 1: and Charlottagne's a good man. Y'all being together longer than
• 0:32
  Speaker 1: some people have been married. I'm proud of y'all the
• 0:35
  Speaker 1: voice of the culture. Peace, love and uh let's go
• 0:38
  Speaker 1: to twenty congratulation. I'm telling you, hol yo, this is
• 0:48
  Speaker 1: your time to get it off your chest, whether you're
• 0:50
  Speaker 1: mad or blessed. Eight hundred five eight five one oh
• 0:53
  Speaker 1: five one, we want to hear from you on the
• 0:55
  Speaker 1: Breakfast Club. Hello. Who's this yo? That's just job from Brooklyn.
• 1:00
  Speaker 1: What's up, broke? Get it off your chests? Yeah, I'm
• 1:02
  Speaker 1: blessed black and Holly Favor and I'll tell you right
• 1:05
  Speaker 1: now for me to get onto this line, it's been
• 1:08
  Speaker 1: about a year ready because I called about the same
• 1:10
  Speaker 1: thing and I'm about to be twenty seven and malls. Okay,
• 1:14
  Speaker 1: what's up, broke, get you off your chests. Yeah, man,
• 1:18
  Speaker 1: I'm just saying right now ten years in a radio show.
• 1:23
  Speaker 1: I mean the radio show. You know what I mean.
• 1:25
  Speaker 1: It's just so it's a blessing, man. And I'll say
• 1:28
  Speaker 1: right now, I so luk y'all so much because y'all
• 1:30
  Speaker 1: did so much for me t past few months. It
• 1:33
  Speaker 1: will be battling mental health and all. And I've just
• 1:37
  Speaker 1: been in a deep dog place and just listening to
• 1:41
  Speaker 1: y'all envy Ye, Charlomagne, y'all help so much for me.
• 1:45
  Speaker 1: And I can't think y'all so much. Man. Well, I mean,
• 1:48
  Speaker 1: if you listen to y'all every single day, I want
• 1:53
  Speaker 1: you to get out that deep dark place. So I'm
• 1:54
  Speaker 1: glad that you're out of it. What helped you get
• 1:56
  Speaker 1: out of it? With you? Some therapy? What you do? Yeah,
• 1:58
  Speaker 1: I've seen some therapy, know, And you know I also
• 2:02
  Speaker 1: meditate as well. Abe what you do or sometimes she's
• 2:04
  Speaker 1: like you go to like your your own person tree
• 2:06
  Speaker 1: and all right, and you just meditate and you just
• 2:10
  Speaker 1: get like a lot of things out of your way
• 2:12
  Speaker 1: and just be so like to you like to yourself
• 2:14
  Speaker 1: and just get these demons out of you. And I
• 2:17
  Speaker 1: woke on a bowl walk because I'm three builders up
• 2:19
  Speaker 1: this bowl walk and I just walked. I cleared my mind,
• 2:23
  Speaker 1: and I'm just happy that I'm just in the right
• 2:27
  Speaker 1: place for being for my sons and for my wife.
• 2:29
  Speaker 1: I'm glad to hear that my brother I got the
• 2:31
  Speaker 1: right people got there. You're gonna get one more thing
• 2:34
  Speaker 1: out the way. Um for like one of your best
• 2:37
  Speaker 1: moments of the Breakfast Clubs. I've been listening to listen
• 2:39
  Speaker 1: to y'all so long. If I had the two one
• 2:42
  Speaker 1: of the best moments, it's hard to say. It's what
• 2:44
  Speaker 1: the Floyd. Maybe with the reading when Charlote made we're
• 2:47
  Speaker 1: not gonna go to hang up on him, I didn't go.
• 2:51
  Speaker 1: That's one of those moments that I look back on
• 2:53
  Speaker 1: and I cringe, like I ain't had to do that
• 2:56
  Speaker 1: to Floyd Mayweather, you know what I mean, regardless of
• 2:59
  Speaker 1: how people feel about Floyd, because you know, after that happened,
• 3:02
  Speaker 1: it was a lot of people trying to justify to
• 3:04
  Speaker 1: me why it was fine, you know what I mean.
• 3:07
  Speaker 1: But no, just because you know you don't like a
• 3:10
  Speaker 1: person doesn't mean that it was the correct thing that
• 3:13
  Speaker 1: that wasn't right now. I didn't like that. Hello, who's
• 3:15
  Speaker 1: this yo? This is shell man. I called it a
• 3:18
  Speaker 1: long time ago. I told charlom Man, you don't like
• 3:21
  Speaker 1: the Tushi side and all that because the toes and
• 3:23
  Speaker 1: all that. But I don't like my villain of Russian
• 3:26
  Speaker 1: But y'all from I'm originally from Hollom And I moved
• 3:30
  Speaker 1: down to North Carolina like a year and a half ago.
• 3:32
  Speaker 1: You know, I got a little store funk with my girl.
• 3:34
  Speaker 1: We've selling you furniture and appliances, so like to do that.
• 3:40
  Speaker 1: That's from around the way. We him that come help
• 3:42
  Speaker 1: us move things like move on beds or washing machines.
• 3:46
  Speaker 1: That we called him a camera. He broken top spot,
• 3:49
  Speaker 1: broke the glass with a big ass brick. A couple
• 3:53
  Speaker 1: of days ago, somebody stole the trailer that we used
• 3:55
  Speaker 1: to do deliveries right from in front of the house.
• 3:58
  Speaker 1: That sucks, yo, This like this real out here man,
• 4:02
  Speaker 1: like in police. We called police. We got everything all
• 4:04
  Speaker 1: camera and police ain't doing nothing. Mecklenburg County police is
• 4:08
  Speaker 1: not doing anything they ain't to do. They're still walking
• 4:11
  Speaker 1: out outside like the police one. They don't care about us. Man,
• 4:15
  Speaker 1: we young black. They just trying to clean up, clean
• 4:18
  Speaker 1: up the areas. I don't know. I'm sorry, y'all. That's
• 4:24
  Speaker 1: what this segment is for. It is called get it
• 4:25
  Speaker 1: off your chests. You get the vent? Yeah, yeah, yeah,
• 4:27
  Speaker 1: being and God bless y'all. No respect to your anniversary
• 4:31
  Speaker 1: and all that, but a man, I'm still working. I'm
• 4:33
  Speaker 1: going to work right now, do the supply sprinklers. I
• 4:36
  Speaker 1: use my money to go buy things so we can
• 4:38
  Speaker 1: sell in the store. I don't even use my money
• 4:40
  Speaker 1: for nothing else. Like dude bobbing us like, did you
• 4:42
  Speaker 1: get any p PP? No, man, we young, we black,
• 4:45
  Speaker 1: we we ain't. Ain't making no money over there. Damn.
• 4:49
  Speaker 1: I'm sorry for you. I'm sorry for that, brother, But
• 4:51
  Speaker 1: that's the game. No, that's that's the game. You know
• 4:54
  Speaker 1: what I'm saying. You're gonna have setbacks. It's gonna be
• 4:55
  Speaker 1: your obstacles, it's gonna be hurdles, but you gotta keep
• 4:57
  Speaker 1: it moving. Yeah, yes, definitely. Ain't got no choice, man,
• 5:00
  Speaker 1: we can. I ain't going back to back to where
• 5:02
  Speaker 1: I came from. I know that exactly. And you know
• 5:05
  Speaker 1: damn well that back in the day, if you was
• 5:07
  Speaker 1: in the streets and you took a loss. Ain't nothing
• 5:09
  Speaker 1: you could do but take that out and keep it moving.
• 5:11
  Speaker 1: So you gotta treat the corporate world the same way. Absolutely,
• 5:14
  Speaker 1: get it off your chest. Eight hundred five eight five,
• 5:17
  Speaker 1: one oh five one. If you need to vent, hit
• 5:19
  Speaker 1: us up now. It's the breakfast club. Good morning. This
• 5:22
  Speaker 1: is your time to get it off your chest. Whether
• 5:23
  Speaker 1: you're man from you on the breakfast club. But you
• 5:28
  Speaker 1: got something on your mind. Hello, who's this? Nick? What up? Man?
• 5:34
  Speaker 1: Getting in your chest? Nick? On it? You like rain
• 5:37
  Speaker 1: there in here? Help on the shelf, solo man, car?
• 5:41
  Speaker 1: What's up? Man? Okay? What part akin? What's happening? Aging much? Man?
• 5:48
  Speaker 1: I'm standing up here in Columbia. I'm sorry, I'm standing
• 5:52
  Speaker 1: up here in Les. Take the tucky right nine? Okay, yeah,
• 5:55
  Speaker 1: I was. I was trying to get some advice, man,
• 5:58
  Speaker 1: because like I'm I've been standing up here since I
• 6:01
  Speaker 1: came home from prison. I was locked up for selling drugs.
• 6:05
  Speaker 1: But I wanted to change my life around, but I stayed.
• 6:09
  Speaker 1: I came up here. The person that I came up
• 6:12
  Speaker 1: here with a family, but me and the person I'm
• 6:14
  Speaker 1: talking on more so, it's like I want to go
• 6:16
  Speaker 1: back home, but at stop, Caline ain't the place to be, like,
• 6:21
  Speaker 1: especially trying to get a good job like anyway. But
• 6:25
  Speaker 1: it's also hard from me up here because I ain't
• 6:27
  Speaker 1: got no financial support or nobody to help me out
• 6:30
  Speaker 1: of no kind of for it. Well, it sounds to
• 6:33
  Speaker 1: me like you know, you already know you needed a
• 6:34
  Speaker 1: change of environment. So if you know, if you know,
• 6:37
  Speaker 1: you don't need to be an ach and you can
• 6:38
  Speaker 1: scratch that off the list. That's not that's not a
• 6:40
  Speaker 1: that's that's not a thing, right, Yeah, sure, so you
• 6:43
  Speaker 1: just gotta stay where you had and figure it out,
• 6:44
  Speaker 1: make it work. What is it? What is it that
• 6:46
  Speaker 1: you want to do? Like I've been, I've been working
• 6:50
  Speaker 1: since I've been up here. I'm working for the Shimp
• 6:53
  Speaker 1: service right now, but I could get him. I'm gonna
• 6:56
  Speaker 1: be hired doing soon. But uh it's hard because like
• 7:02
  Speaker 1: I had rot y'all back a little while ago because
• 7:05
  Speaker 1: all right, my Winsfield and got broke. Uh it's like
• 7:08
  Speaker 1: other things that I've been helping to, you know, with
• 7:10
  Speaker 1: doing during this pandemic that's going on. But it's like
• 7:15
  Speaker 1: I said, in this hard not having nobody there in
• 7:17
  Speaker 1: your formal for you. Well, listen, you're gonna be fine,
• 7:20
  Speaker 1: my brother. That just takes patience, all right, Yes, sir,
• 7:24
  Speaker 1: pushing brother, keep pushing, all right. Thank y'all, y'all. Good
• 7:27
  Speaker 1: day you too. Hello? Who's this? What's help y'all? This
• 7:30
  Speaker 1: is James Minnianapolis. What up? James? Get it up your chests? Brothers.
• 7:33
  Speaker 1: First of all, I want to congratulate y'all for teen
• 7:35
  Speaker 1: years man, a good content man, righteous and ratch. Thank
• 7:39
  Speaker 1: you Keny brothers. And I want to share my favorite
• 7:42
  Speaker 1: breast club moment. What's that? Other than the birdman situation?
• 7:47
  Speaker 1: The Beanie single situation was funny too, man. Why y'all
• 7:50
  Speaker 1: like to see people trying to traumatize me? I thought
• 7:54
  Speaker 1: that was pretty hilarious myself. It was cool, man, It
• 7:58
  Speaker 1: was cool. Charlomad buckle. He didn't buckle. I never buckle.
• 8:02
  Speaker 1: He showed didn't. You're right, he didn't. He stood his ground?
• 8:06
  Speaker 1: What is buckling? And yeah, thanks guys, man. I appreciate
• 8:12
  Speaker 1: y'all and my birthdays this weekend too. Oh man, enjoy
• 8:15
  Speaker 1: it man. I mean you can't where you're from. You
• 8:17
  Speaker 1: can't go anywhere right? Oh? No, man? Not in Indiana? Yeah,
• 8:21
  Speaker 1: I wouldn't want to date you. Your birthday too close
• 8:23
  Speaker 1: to Christmas and you got a penis, but you know
• 8:26
  Speaker 1: that's the whole day because you're married. No, get that too, Yeah,
• 8:30
  Speaker 1: that that too married. You got people you know my type.
• 8:32
  Speaker 1: But until earlier more than they said, no, whoa day? Great? God?
• 8:40
  Speaker 1: Why do people gotta stress that? Don't right? Hello? Who's that? Hey?
• 8:45
  Speaker 1: Institution from Texas? How y'all doing from Texas? We're part
• 8:49
  Speaker 1: of Texas, Dallas, Texas. So I have to listen on
• 8:53
  Speaker 1: the apps and I don't mind that at all with him.
• 8:55
  Speaker 1: Bumb ass cowboys are from I love Dallas. You know
• 8:58
  Speaker 1: I love my cowboys. Don't listen to NVA. Okay, So now,
• 9:02
  Speaker 1: since congratulations, I'm two years thank you. Now, since you
• 9:06
  Speaker 1: are an executive of my heart, I gotta hear you say, Lord,
• 9:11
  Speaker 1: have mercy. There's something about the way you say that,
• 9:14
  Speaker 1: darlay that drives me and saying I love it, and
• 9:17
  Speaker 1: I laugh every time. Boy Lord have mercy. I can't
• 9:20
  Speaker 1: believe you'd like to hear me say Lord, look at
• 9:23
  Speaker 1: with that man. That man married mamma. No, no, no,
• 9:25
  Speaker 1: oh no, I'm not learning with him. And I love
• 9:28
  Speaker 1: it when you say, I'm calling HR. I'm calling Hry.
• 9:33
  Speaker 1: You guys drives me in faith. And since you guys
• 9:36
  Speaker 1: don't be back until twenty twenty one, I needed to
• 9:39
  Speaker 1: hear I'm calling hr at Lord him mercy. Well. The
• 9:42
  Speaker 1: beauty of it is that we run a lot of
• 9:44
  Speaker 1: We run best of shows until January the fifth, so
• 9:47
  Speaker 1: you know, it gives people an opportunity to catch up
• 9:50
  Speaker 1: on Breakfast Club content they may have missed. Yeah, and
• 9:53
  Speaker 1: I love it. I'm still gonna listen. May had more
• 9:56
  Speaker 1: time for me, Lord him, Lord have mercy. Why are
• 9:59
  Speaker 1: you stressing me out? Early this morning? Got me repeating
• 10:02
  Speaker 1: that over and over the yeah for good morning, love
• 10:06
  Speaker 1: you too. Breakfast Club is back, back, back back with
• 10:11
  Speaker 1: our best stuff interviews this morning. Everybody is DJ Envy
• 10:14
  Speaker 1: and Tela Yee, Charlomagne the guy. We are the Breakfast Club.
• 10:17
  Speaker 1: We got a special guest on the line right now.
• 10:19
  Speaker 1: His album is out right now. Yes, sir t Yo,
• 10:23
  Speaker 1: welcome some what's going on through Tip? I think you
• 10:26
  Speaker 1: haven't done it again? Man I with the Leeber album
• 10:30
  Speaker 1: heavy Man and and right now my favorite record on
• 10:33
  Speaker 1: the album's family Connect with with You and the Money.
• 10:36
  Speaker 1: I gotta say man, I was shot in surprise, and
• 10:39
  Speaker 1: I mean in the most pleasant ways. Man, I think
• 10:44
  Speaker 1: that that that's the song that you know what I
• 10:46
  Speaker 1: can undert say, that's a song I don't think hip
• 10:48
  Speaker 1: hop has ever seen before. I was thinking about that
• 10:50
  Speaker 1: when I was listening to it, I was like, has
• 10:52
  Speaker 1: there ever been a father's son rap duo? Well that
• 10:56
  Speaker 1: both of them actually don't. We'll did it at one time,
• 10:58
  Speaker 1: didn't Will and Ja? Yeah, Will did it with Jay.
• 11:01
  Speaker 1: But what we also must take into consideration is my
• 11:05
  Speaker 1: other son actually produced actor. I didn't know that it
• 11:12
  Speaker 1: was a real family and fail that one. Yeah. Yeah,
• 11:15
  Speaker 1: did you have to pay them to did you have
• 11:17
  Speaker 1: to pay them to your Yeah? I paid them, I paid.
• 11:19
  Speaker 1: I paid. I would be mad if you didn't, I know.
• 11:23
  Speaker 1: I mean, you know nepotism, you know he did together?
• 11:31
  Speaker 1: Or did you send your verse over and then DEMONI
• 11:34
  Speaker 1: had to send his verse back? How did that work? No? Man?
• 11:36
  Speaker 1: You know the way actually happy broum the money. And
• 11:40
  Speaker 1: I was sitting with Messiah is Messiah was like, yo,
• 11:43
  Speaker 1: let me let me let y'all hear something. So he
• 11:45
  Speaker 1: was just going through beach kind of like you know,
• 11:47
  Speaker 1: at the while, it probably was a time where I
• 11:49
  Speaker 1: had been been I'd been going away like out of
• 11:52
  Speaker 1: town for a second, and I came back and then
• 11:55
  Speaker 1: you know what I'm saying, kind of we sat down
• 11:57
  Speaker 1: at the studio and Messia you know, wanted basically as
• 12:01
  Speaker 1: the money and that kind of like let I hit this,
• 12:03
  Speaker 1: check this out for me, and were listening to his beats.
• 12:06
  Speaker 1: He kind of like, We're like, yeah, that's dope. That's dope, okay,
• 12:09
  Speaker 1: the money of yea, like, man, I won't that one,
• 12:12
  Speaker 1: And I said, man, I won't that one and one
• 12:15
  Speaker 1: of the records that I chose, And then I coincidentally
• 12:19
  Speaker 1: had to dip up out the studio to go do something.
• 12:21
  Speaker 1: And when I think by the time I came back,
• 12:23
  Speaker 1: the money had and I already recorded the verse. I
• 12:26
  Speaker 1: was like trying to take this record from me. And
• 12:32
  Speaker 1: when I heard him do his verse when I came back,
• 12:35
  Speaker 1: I figured I didn't put my verse on here now,
• 12:39
  Speaker 1: so you know, ain't no confusion back who's gonna haead
• 12:41
  Speaker 1: his record? And so I got I got on it,
• 12:45
  Speaker 1: and it was dope. Y'all had such a dope back
• 12:47
  Speaker 1: and forth door and It's like I'm sitting there thinking
• 12:49
  Speaker 1: on the song he's rapping about how you know you
• 12:52
  Speaker 1: all his daddy, but you don't want to you know,
• 12:53
  Speaker 1: you don't want your help. So I'm like, damn, what
• 12:56
  Speaker 1: was the process of this record then? Because it sounds
• 12:57
  Speaker 1: like y'all was coach you was coaching him on the
• 13:00
  Speaker 1: nah Bro like he did he did his verse by himself.
• 13:04
  Speaker 1: I did my verse by my every verse like we
• 13:06
  Speaker 1: were never in the studio with one another while he
• 13:09
  Speaker 1: was recording that verses? Do you ever think you was
• 13:12
  Speaker 1: gonna be a professor? I see you're teaching at Clark
• 13:14
  Speaker 1: Atlanta University. Did you ever see that as everything that
• 13:17
  Speaker 1: you went through, I'm gonna be a professor that I'm
• 13:19
  Speaker 1: gonna be a teacher now? But I was a teacher
• 13:23
  Speaker 1: person in prison. I taught class and prison. Did you
• 13:26
  Speaker 1: you know what I'm saying? Yeah? Class? Did you teach
• 13:28
  Speaker 1: a prisoner? What was it thinking that side the box?
• 13:31
  Speaker 1: I believe it would call a man? It was about
• 13:35
  Speaker 1: how do you I was. I was showing people how
• 13:37
  Speaker 1: to use the skills that they've already acquired on the streets,
• 13:42
  Speaker 1: how to use those skills and identify those skills and
• 13:46
  Speaker 1: purpose them for legitimate means. When they got back out
• 13:50
  Speaker 1: on the students and they have the most something about
• 13:52
  Speaker 1: about the whole correctional system. Right, they don't take these
• 13:55
  Speaker 1: skills set that these brothers clearly have and help to
• 13:58
  Speaker 1: you to help to help them to direct think energy.
• 14:00
  Speaker 1: It's something positive right. Well, first of all, I mean
• 14:03
  Speaker 1: I think because that's the system is set up a
• 14:05
  Speaker 1: free label. It ain't really about rehabilitation. Now what are
• 14:08
  Speaker 1: you teaching in this class at the Clockland University? Is
• 14:11
  Speaker 1: it the music industry is a business? Is an entrepreneurship? Yes, yes, yes,
• 14:16
  Speaker 1: all the hood. If they need to know that, we
• 14:19
  Speaker 1: could talk about it. But however, I think, nah, man,
• 14:21
  Speaker 1: it's the business of trap music. That's the course and
• 14:26
  Speaker 1: and basically we go over the business of trap music.
• 14:29
  Speaker 1: But the first course was about targeting the need for
• 14:32
  Speaker 1: the business of trap music. Any business is supplying demand,
• 14:36
  Speaker 1: profit and laws, right, But in order to supply or demand,
• 14:41
  Speaker 1: you got to you gotta recognize the need for the
• 14:45
  Speaker 1: demand of you know, like, why is this so important
• 14:48
  Speaker 1: in the first place? Do you think people forgot how
• 14:51
  Speaker 1: influential you were the trap music because you diversified your
• 14:54
  Speaker 1: portfolio so much. Yeah? Absolutely, I think the same thing
• 14:57
  Speaker 1: for hip hop that won't know do these lists. I
• 15:01
  Speaker 1: don't ever put myself on the list because it's so
• 15:04
  Speaker 1: many other people who dedicated their lives. The only jests
• 15:06
  Speaker 1: rapp to just do rep you know what I mean.
• 15:09
  Speaker 1: And I think that's that's kind of why they get
• 15:12
  Speaker 1: the consideration first. And I ain't got no problem with that.
• 15:16
  Speaker 1: But but just no, any given moment, any given time,
• 15:19
  Speaker 1: I'm gonna remind you why, why why I am who
• 15:22
  Speaker 1: I am, and remind you that I do what I do.
• 15:25
  Speaker 1: All Right, we got more with TA when we come back.
• 15:27
  Speaker 1: It's the Breakfast Club. Come on now, we're kicking in
• 15:32
  Speaker 1: with Ti Charlomagne. Well, I saw you and I saw
• 15:34
  Speaker 1: you and Gez talking on the Expeditiously podcast and you
• 15:37
  Speaker 1: know you this is you both mentioned that Well, you
• 15:40
  Speaker 1: mentioned that you would love to sit down and have
• 15:42
  Speaker 1: a conversation with Gucci. Did anything come from and say,
• 15:45
  Speaker 1: I would love to, but I love to see the
• 15:47
  Speaker 1: people people assolated. You know, trap music would benefit greatly friendly,
• 15:52
  Speaker 1: you know what I'm saying. And once you and I
• 15:54
  Speaker 1: just as a marketing executive, I would say, once you
• 15:59
  Speaker 1: so as many tickets as you can to the fight.
• 16:03
  Speaker 1: The only thing left to sell is tickets to the reunion,
• 16:07
  Speaker 1: you know, So did anything from that now? I mean
• 16:14
  Speaker 1: like it it was just conversation though it was never
• 16:17
  Speaker 1: like a plan, just conversation because I know that's what
• 16:20
  Speaker 1: people a lot of people who follow the trap music
• 16:22
  Speaker 1: and who are inspired by the culture, who followed the culture,
• 16:25
  Speaker 1: you know what I mean, they recognize us as the architecture.
• 16:31
  Speaker 1: You tapped in with all the younging for this project too.
• 16:33
  Speaker 1: You got a Little Baby and Thug and forty two Doug.
• 16:35
  Speaker 1: You got wrapped to the on the interlude Tokyo Jet.
• 16:38
  Speaker 1: Was that intentional? A little Baby record hard too? Yeah?
• 16:41
  Speaker 1: I appreciate that, man. Yeah, I mean some of it
• 16:44
  Speaker 1: was and some of it wasn't. So the part were
• 16:46
  Speaker 1: you talking about like, you know, thugod and a Little
• 16:49
  Speaker 1: Baby and forty two Dug, you know, and minds. Yes,
• 16:54
  Speaker 1: that was intentional rhapsody. We just stumbled on that. I
• 17:00
  Speaker 1: reached out to him, just gave a cold call one day, like, hey,
• 17:04
  Speaker 1: people to do spoken words about me? What would it
• 17:07
  Speaker 1: sound like? What would you say? So then she asked
• 17:10
  Speaker 1: me a few questions about the title of the album,
• 17:12
  Speaker 1: and she asked me, you know, to his souls I
• 17:13
  Speaker 1: sell a couple of sauls and overnight she did what
• 17:17
  Speaker 1: she heard. Wow, you know, and then as I heard her,
• 17:21
  Speaker 1: that's when I was like, you know what, I'm gonna
• 17:24
  Speaker 1: get old women to do this. You know what I mean.
• 17:27
  Speaker 1: You got on there too doing a conclusion. That was
• 17:31
  Speaker 1: the huge, That was the biggest, That was the biggest
• 17:33
  Speaker 1: shop in surprise of my life. I never expected Asia
• 17:37
  Speaker 1: to do this, really and I was blown away. That
• 17:41
  Speaker 1: gotta be a proud papping moment. Just I mean, for real, bro,
• 17:46
  Speaker 1: Like for one, okay, Sodjia and I have you know, uh,
• 17:53
  Speaker 1: for most of her life. I cannot say this, and
• 17:57
  Speaker 1: I'm very careful with my words, especially when speak about Daja. Okay,
• 18:01
  Speaker 1: so yeah, when she came into that point in her
• 18:06
  Speaker 1: life where, you know, kind of the transition favors in
• 18:12
  Speaker 1: your life, when that thing that girls do every month happens,
• 18:16
  Speaker 1: when we get our pre I ain't see. I wasn't
• 18:19
  Speaker 1: gonna say that you did what I'm saying. I wasn't
• 18:21
  Speaker 1: gonna say that. But when you like, so when Dasia
• 18:23
  Speaker 1: made it to that point, I like, from that point forward,
• 18:26
  Speaker 1: we kind of hand spoken as much I ain't had
• 18:29
  Speaker 1: we didn't have as much of inability to, you know,
• 18:33
  Speaker 1: to speak freely to one another for whatever reason. And
• 18:37
  Speaker 1: you know, over the past year we gained we gotten close,
• 18:41
  Speaker 1: and this is kind of like a testament of that,
• 18:46
  Speaker 1: you know what I'm saying, And especially with all of
• 18:49
  Speaker 1: the stuff that we go through over the past year. Um,
• 18:53
  Speaker 1: you know, with hyming gates, and every relationship would be tested.
• 19:00
  Speaker 1: I don't care who was with your relationship with your mom,
• 19:03
  Speaker 1: relationship with your girl, with your wife, with you whoever,
• 19:05
  Speaker 1: every relationship, it would be tested. And and that test
• 19:10
  Speaker 1: is going to strengthen it or weaken it. And I
• 19:13
  Speaker 1: think the thing that that she and I went through
• 19:15
  Speaker 1: last year, that was our test you did, and we
• 19:18
  Speaker 1: took this serious steals, you know, and we got through it.
• 19:22
  Speaker 1: She and now all we remained connected, you know what
• 19:24
  Speaker 1: I mean. She and now always had to understand it.
• 19:27
  Speaker 1: You know, we were speaking, We would you know, share
• 19:30
  Speaker 1: share our opinions with each other about what was going
• 19:33
  Speaker 1: on like in the media as it pertained that uh
• 19:36
  Speaker 1: and you know, She I were telling the man it
• 19:38
  Speaker 1: ain't it ain't not our job and really talk to
• 19:41
  Speaker 1: nobody and tell them what we feel about anything that
• 19:44
  Speaker 1: ain't not a job that when they think that, they'll
• 19:47
  Speaker 1: think it. So what you know? I was like, yeah,
• 19:50
  Speaker 1: all right, man, cool and to y'all, we appreciate you
• 19:53
  Speaker 1: for checking in the albums out right. Now it's the
• 19:56
  Speaker 1: Breakfast sir, it's topic time. The phone called eight hundred
• 20:06
  Speaker 1: five eight five one oh five. Want to join it
• 20:08
  Speaker 1: to the discussion with the Breakfast Club. Talk about it morning.
• 20:11
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We
• 20:15
  Speaker 1: are the Breakfast Club. Now if you just joined us,
• 20:18
  Speaker 1: we are talking about Eva. She was on Wendy Williams
• 20:21
  Speaker 1: shown she talked about her child and changing her child's
• 20:24
  Speaker 1: last name. Let's hear it. Sling changed her name this
• 20:28
  Speaker 1: past year. It was we went through a lot to
• 20:31
  Speaker 1: do it, but how much more before the actual process
• 20:34
  Speaker 1: is done? Well, the name change is illegal, so now
• 20:38
  Speaker 1: we have to go through the adoption process. And I
• 20:40
  Speaker 1: mean he's making a little bit easier for us acting
• 20:43
  Speaker 1: crazy in the public. Well, I guess Life Jennings seen
• 20:45
  Speaker 1: that and he didn't like that too much? Are you?
• 20:47
  Speaker 1: He said, I think this is so wack changing your
• 20:49
  Speaker 1: daughter's last name from her father's to somebody else's, especially
• 20:51
  Speaker 1: when the father tries to see her. The daughter don't
• 20:54
  Speaker 1: have anything to do with their beef, and what kind
• 20:55
  Speaker 1: of man allows that ish piss meet off? So we're
• 20:58
  Speaker 1: asking eight hundred five five one oh five one is
• 21:01
  Speaker 1: it acceptable to change your child's last name? What do
• 21:03
  Speaker 1: you think, charl I mean, I got to know the
• 21:05
  Speaker 1: context of the situation. You know what I'm saying. If
• 21:07
  Speaker 1: you're doing it just out of spite, just because you
• 21:09
  Speaker 1: don't like your baby daddy because he don't want to
• 21:11
  Speaker 1: be with you and you got a new man, now
• 21:13
  Speaker 1: that's whack. But I mean about if you got a
• 21:16
  Speaker 1: deadbeat daddy. What about it's a deadbeat daddy, the dad
• 21:18
  Speaker 1: is not around, the dad is not taking care of
• 21:20
  Speaker 1: the child. I have no problem with that whatsoever. By
• 21:24
  Speaker 1: the way, then the son of the daughter shouldn't want
• 21:26
  Speaker 1: to wear the name of a deadbeat. Yeah, I don't.
• 21:29
  Speaker 1: I don't know either situation. But you know, with with
• 21:31
  Speaker 1: with Kevin McCall, I mean, we all know Kevin McCall
• 21:34
  Speaker 1: has problems mentally, but it does seem like he is
• 21:37
  Speaker 1: trying to take care of his daughter. Seemed like he
• 21:38
  Speaker 1: goes to call I just don't know, Like I don't
• 21:40
  Speaker 1: know if he's abusive. I don't know, you know what
• 21:41
  Speaker 1: I mean. But in a situation if there is a
• 21:44
  Speaker 1: deadbeat dad, and I'm taking it away from that situation,
• 21:46
  Speaker 1: if the dad is not in the child's life and
• 21:48
  Speaker 1: he's not even helping no way whatsoever, no, I say,
• 21:51
  Speaker 1: changed that name immediately. What do you think? Well? And
• 21:54
  Speaker 1: I just want to point out that we did have
• 21:55
  Speaker 1: this couple on from family or fiance and Jane Leshonda
• 22:00
  Speaker 1: and they had a similar situation. Listen to this now.
• 22:02
  Speaker 1: Another big issue is your children. So Leshanda, you have kids, Dre,
• 22:06
  Speaker 1: you don't have kids, but those are your daughters now.
• 22:08
  Speaker 1: And you guys are talking adoption, right, but without the
• 22:12
  Speaker 1: biological father's consent. From what I gathered from watching the episode,
• 22:16
  Speaker 1: the showmates to look like it's a concern to do
• 22:18
  Speaker 1: it without consent. My kid's father haven't been around in
• 22:20
  Speaker 1: four years. He was gone before Dre got here. So
• 22:23
  Speaker 1: that's where the adoption thing comes in. It's not like
• 22:25
  Speaker 1: we're trying to replace somebody. He's not an active father. Financially,
• 22:28
  Speaker 1: his presence isn't there. So she's changing her daughter's last
• 22:32
  Speaker 1: names too because the father is not in the children's life.
• 22:34
  Speaker 1: And the daughters actually want to change their last name
• 22:37
  Speaker 1: to her husband's name. He's the one that's taking care
• 22:39
  Speaker 1: of them and doing everything. And legally, if a woman
• 22:42
  Speaker 1: wants to change her children's last names, she either had
• 22:45
  Speaker 1: to get consent from the biological father, and he who
• 22:48
  Speaker 1: doesn't give consent, he can object to it, and then
• 22:51
  Speaker 1: she has to get a petition and then go to court,
• 22:53
  Speaker 1: and he can show up to court and say he
• 22:54
  Speaker 1: doesn't want that to happen, and then the judge has
• 22:56
  Speaker 1: to decide. So that's how it goes down legally. But
• 22:59
  Speaker 1: I do feel like, whoever is the father, If the
• 23:02
  Speaker 1: mother chooses to do that, and the father is causing
• 23:04
  Speaker 1: issues or he's not in the child's life or not
• 23:07
  Speaker 1: holding up his responsibilities, and he's not really your dad,
• 23:10
  Speaker 1: and the last name is Immiman, you definitely want to
• 23:12
  Speaker 1: change that. You don't want to walk around with dad
• 23:14
  Speaker 1: last name getting this gracious Hello, who's this? Hey? This
• 23:18
  Speaker 1: is Karina from Jersey City. Hey, Karna from Jersey City.
• 23:21
  Speaker 1: Is it acceptable to change your child's last name? I
• 23:23
  Speaker 1: don't think it is, because at the end of the day,
• 23:26
  Speaker 1: that's that father's child. You get what I'm saying, Like,
• 23:30
  Speaker 1: a sepfather could come in and raise the kid, and
• 23:32
  Speaker 1: that's a fine, but it doesn't take away the fact
• 23:35
  Speaker 1: that that's the father's child. You got what I'm saying.
• 23:37
  Speaker 1: It's a legacy that kind of goes on. It's a
• 23:39
  Speaker 1: blood line. You know, you can always acknowledge a stepfather
• 23:42
  Speaker 1: for always doing the good and you know, give them
• 23:45
  Speaker 1: praise with the kid, but you can't take away the
• 23:48
  Speaker 1: main dad's last name. Okay, Hello, who's this Sheila from Jersey? Hey, mama,
• 23:54
  Speaker 1: Jersey's on a check in heavy. So what do you
• 23:56
  Speaker 1: think is it acceptable to change your child's last name? No?
• 23:59
  Speaker 1: I don't know with that. Okay, go ahead. I don't
• 24:02
  Speaker 1: agree with that because no matter how much you don't
• 24:05
  Speaker 1: like your kid's dad, or no matter how crazy he
• 24:07
  Speaker 1: might ask, or no matter what he does, changes my
• 24:10
  Speaker 1: last name, it's not going to change the DNA. It's
• 24:12
  Speaker 1: not going to change who the father is. So you
• 24:14
  Speaker 1: have to get over that. And on top of that,
• 24:16
  Speaker 1: like you're you're salsifying an image of somebody that's not true,
• 24:19
  Speaker 1: Like that's not her dad. And if one day it
• 24:22
  Speaker 1: doesn't work out between you two, now he legally is
• 24:25
  Speaker 1: her dad and that's not really her dad, you know
• 24:27
  Speaker 1: what I mean, Like, it's just well, it's petty. It
• 24:31
  Speaker 1: doesn't make another other person your dad. They would have
• 24:32
  Speaker 1: to actually adopt the children, so that the kids aren't
• 24:35
  Speaker 1: adopted even if you're married, right then that's what I'm
• 24:37
  Speaker 1: talking about, Like the image that you're portraying to your children. Now,
• 24:42
  Speaker 1: what if your kids are like, I want to have
• 24:43
  Speaker 1: the same last name as you and my dad, you know,
• 24:46
  Speaker 1: the stepfather. Well, I mean that's a choice that they
• 24:49
  Speaker 1: have to make, and the two parents should come to
• 24:51
  Speaker 1: a you know, to a middle ground with that would
• 24:53
  Speaker 1: be their choice. But if they're not old enough to
• 24:56
  Speaker 1: make those type of decisions, just saying that, because whatever
• 24:59
  Speaker 1: the situation is, you know, like some kids they grow
• 25:01
  Speaker 1: up and they're told this is their death, this is
• 25:03
  Speaker 1: their dad, and that's what they think, you know, Like,
• 25:07
  Speaker 1: so what if the biological father is absent from the
• 25:10
  Speaker 1: children's life. Um, I mean me personally, I don't agree
• 25:16
  Speaker 1: in that. My father was not was not in my
• 25:18
  Speaker 1: life either, and my mother still maintained our last name
• 25:22
  Speaker 1: as his. I mean, I guess I would be up
• 25:24
  Speaker 1: to the child when they grow up to decide if
• 25:27
  Speaker 1: they want to do that or not. I just wouldn't
• 25:30
  Speaker 1: do that. Hello, who's this just to spoom from Dayton, Ohio? Hey,
• 25:35
  Speaker 1: is it acceptable to change your child's last name? Um?
• 25:39
  Speaker 1: I think it just really depends on the circumstances. Okay.
• 25:45
  Speaker 1: And the reason why I say that is, you know,
• 25:47
  Speaker 1: my daughter, her father is not in her life. It's
• 25:50
  Speaker 1: never been in her life, which is fine, but she
• 25:54
  Speaker 1: still has his last name. And UM, I don't call
• 25:59
  Speaker 1: her like that about her dad. You know, she can
• 26:01
  Speaker 1: find out on her own, just like my mom told
• 26:04
  Speaker 1: me about my dad. But I don't think a name
• 26:08
  Speaker 1: defines a person. Now, if you have, you know, someone
• 26:12
  Speaker 1: new in your life and they you want to spend
• 26:15
  Speaker 1: the rest of their life with you, and you know,
• 26:17
  Speaker 1: you know, you and your kids are a packaged deal.
• 26:20
  Speaker 1: And if that dad is not, you know, in that
• 26:23
  Speaker 1: child's life, I don't see a problem with it being.
• 26:26
  Speaker 1: But you know, then you got these little baby moms,
• 26:29
  Speaker 1: you know, you got these you know, baby moms that
• 26:32
  Speaker 1: you know couldn't change the man's life with a child,
• 26:36
  Speaker 1: and um, you know, being used as a tactic to attack, right,
• 26:43
  Speaker 1: you know. So, Um, you know, a baby is not
• 26:46
  Speaker 1: a pond, you know, So whatever that child's name is
• 26:51
  Speaker 1: leave that baby alone. So you know, that's how I
• 26:54
  Speaker 1: think it is. Also like, as we always talk about
• 26:56
  Speaker 1: women taking the husband's name after marriage, I think for kids,
• 27:00
  Speaker 1: if you live in a house with the mom and
• 27:02
  Speaker 1: the stepfather and that's who you know is your dad
• 27:04
  Speaker 1: and you call him dad, you might want to have
• 27:06
  Speaker 1: the same last name. Hello, who's this? I didn't want
• 27:08
  Speaker 1: to make ane of the Lando, Florida good b. Is
• 27:14
  Speaker 1: it acceptable to change your child's last name? Brother? No? No, brother,
• 27:17
  Speaker 1: I don't think it is. Man. I wanted to share exchange.
• 27:19
  Speaker 1: I'm glad you got picked up. I actually had an
• 27:21
  Speaker 1: actual wife who tried to do that for me, and
• 27:23
  Speaker 1: I would like to use your good man If that's
• 27:25
  Speaker 1: okay with you all, that's the first name please, Okay, Okay,
• 27:30
  Speaker 1: I don't South Carolina. I already know you got you
• 27:34
  Speaker 1: a nice country as Yeah. Yeah, try to do that
• 27:37
  Speaker 1: to your boy. And I think that's painful and disrespectful
• 27:39
  Speaker 1: to a man. I don't think another might show anything
• 27:42
  Speaker 1: like that. Are you in your child's life? Are you
• 27:44
  Speaker 1: in your child's life? All right, my child life. I
• 27:46
  Speaker 1: love my kids very much. I'm a virgo and v or.
• 27:48
  Speaker 1: You know how we do love our kids, okay, to
• 27:50
  Speaker 1: take care of home. So what happened is she trying
• 27:53
  Speaker 1: to do it legally and then you blocked it. She
• 27:57
  Speaker 1: talked about trying to do it, and then she got
• 27:58
  Speaker 1: a lawyer to trying to do it, and you know,
• 28:00
  Speaker 1: kind of paid at their money out there. You know,
• 28:02
  Speaker 1: they dropped the whole thaing, Okay, all right, well, thank
• 28:05
  Speaker 1: you brother. So what's the more of the story, guys?
• 28:08
  Speaker 1: The morrow of the story is that every case is different, though,
• 28:10
  Speaker 1: and there's no one size fits all when it comes
• 28:12
  Speaker 1: to family. So I think whatever decision you make, it
• 28:15
  Speaker 1: always has to be in the best interests of your
• 28:17
  Speaker 1: children and not in your own selfish best interests. The
• 28:20
  Speaker 1: more of the story is, y'all better stop picking who
• 28:23
  Speaker 1: y'all mate with, like y'all rolling dice in the back
• 28:25
  Speaker 1: of a moving God damn pick up Trump. Okay, that's
• 28:27
  Speaker 1: y'all better stop doing all right, take care of your
• 28:30
  Speaker 1: kids exactly when you lay down with these When you
• 28:32
  Speaker 1: lay down with people, man, do you know think about
• 28:34
  Speaker 1: spending the rest of your life with this president because
• 28:36
  Speaker 1: you never know, this person might give you a disease
• 28:37
  Speaker 1: you can't get rid of. This person might give you
• 28:39
  Speaker 1: a baby, or better yet, you might grow to love
• 28:41
  Speaker 1: this person and be married to him the rest of
• 28:43
  Speaker 1: your life. Either way, that's all forever. Just pick the
• 28:46
  Speaker 1: right father when you're dealing with these people. Okay, with
• 28:49
  Speaker 1: our best stuff in more than everybody is DJ Envy,
• 28:54
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club now,
• 28:57
  Speaker 1: you guys all, No, Monique stopped by the Breakfast Club
• 29:00
  Speaker 1: yesterday and we're getting it on today. So we're gonna
• 29:03
  Speaker 1: play that for you special guests to build it. Miss Monique.
• 29:06
  Speaker 1: Good morning, good morning morning, good morning morning. When Monique
• 29:13
  Speaker 1: walked in, I gave a hug. I wanted her to
• 29:14
  Speaker 1: know it's all love. Yes, he did my life. We
• 29:17
  Speaker 1: just here to have a conversation. That's all we're doing. Now,
• 29:20
  Speaker 1: what's going on today, Miss Mornique. A while ago, I
• 29:22
  Speaker 1: had to come out and I spoke in reference to
• 29:24
  Speaker 1: Netflix that we had to boy you know, I was
• 29:26
  Speaker 1: asking folks to stand with us as we boycott Netflix
• 29:29
  Speaker 1: for gender bias and color buy it correct, and we
• 29:32
  Speaker 1: were fighting for equality. And then I found out that
• 29:36
  Speaker 1: I had become Donkey of the day yes by Leonard,
• 29:39
  Speaker 1: and I gotta call you by your name, baby. Okay, okay, baby,
• 29:44
  Speaker 1: he's getting real special lenar, but we're gonna ok And
• 29:48
  Speaker 1: then I was called donkey of the day. And it
• 29:51
  Speaker 1: really caught me off guard because when I met this
• 29:55
  Speaker 1: brother some years ago, and I met a young man
• 29:58
  Speaker 1: that was full of humility and respect. And when I
• 30:01
  Speaker 1: got on an elevator, he actually held the door. I
• 30:04
  Speaker 1: remember like it was yesterday, and I said, oh, baby,
• 30:08
  Speaker 1: thank you, and he was just like that, yes, ma'am,
• 30:10
  Speaker 1: and Miss Monique, is a pleasure to meet you. And
• 30:12
  Speaker 1: we had a very beautiful exchange. And I said to
• 30:16
  Speaker 1: that brother, tell your mama that she raised you right,
• 30:21
  Speaker 1: and I said it was my mama and my grandma, yes, ma'am.
• 30:24
  Speaker 1: So I felt like this was as still as a
• 30:27
  Speaker 1: beautiful young brother making this way, but full of humility
• 30:30
  Speaker 1: and respect. Two we fast forward and I become dunkey
• 30:34
  Speaker 1: of the day. So I didn't want to have to
• 30:37
  Speaker 1: be here say. I didn't want to have anybody exchange
• 30:41
  Speaker 1: words that I may have said to him. So my
• 30:43
  Speaker 1: husband and I wanted to come on so we could
• 30:45
  Speaker 1: understand how I got titled donkey of the day. Why
• 30:49
  Speaker 1: did you give a donkey to day? Well, I think
• 30:51
  Speaker 1: it was due to the whole Netflix situation. You know,
• 30:53
  Speaker 1: when I heard you say that you know you wanted
• 30:55
  Speaker 1: us to boycott because of racial and gender bias, but
• 30:58
  Speaker 1: then you went on to mentioned two brothers and a woman,
• 31:02
  Speaker 1: So I said, maybe she should be more specific and
• 31:04
  Speaker 1: say black woman gender biased. But then, also just from
• 31:07
  Speaker 1: a business aspect, I wanted to know why did you
• 31:10
  Speaker 1: feel like, you know, you should have gotten whatever Chris
• 31:13
  Speaker 1: Rock got, whatever Day Chappelle got, or whatever Amy Schulman got,
• 31:15
  Speaker 1: because I feel like this is a what are you
• 31:17
  Speaker 1: doing for me right now? Type of a She didn
• 31:19
  Speaker 1: say what they got, she said she should have got
• 31:21
  Speaker 1: more than she was offered. And then Charlomagne you brought
• 31:24
  Speaker 1: up an old Netflix special as well, but that was
• 31:27
  Speaker 1: later on. But my point was like, this is a
• 31:30
  Speaker 1: what are you doing for me right now? Kind of interscure.
• 31:32
  Speaker 1: We all know Monique as a legend, but we also
• 31:34
  Speaker 1: know that those things, those deals that Netflix had given
• 31:36
  Speaker 1: out are based off recent stand up shows, recent shows,
• 31:39
  Speaker 1: recent concert recent arena's, recent tours like that. But I
• 31:42
  Speaker 1: just wanted to know why you felt like you deserved
• 31:44
  Speaker 1: that much. Daddy, would you like to start or would
• 31:46
  Speaker 1: you like for me, it didn't start with the offer
• 31:49
  Speaker 1: where the color bias and the disrespect transpired. It started
• 31:54
  Speaker 1: from when we had our initial conversation after Monique got
• 31:58
  Speaker 1: her reviews from the nights in which Benjamin and Caitlin,
• 32:02
  Speaker 1: who are representatives for Netflix, came out to see Monique
• 32:06
  Speaker 1: and which on two different nights they saw her get
• 32:09
  Speaker 1: a standing ovation, which subsequently gave them reviews of amazing
• 32:14
  Speaker 1: and great show. So when we're in the midst of
• 32:18
  Speaker 1: having the conversation prior to them giving the offer, we're
• 32:23
  Speaker 1: in the midst and he says, well, I want to
• 32:24
  Speaker 1: make it very clear that, you know, people speak about
• 32:27
  Speaker 1: Dave Chappelle, Amy Schumann, what they got. I want to
• 32:31
  Speaker 1: just make it clear, you know, so we can manage
• 32:33
  Speaker 1: expectations that everybody doesn't get those type of deal. Well,
• 32:37
  Speaker 1: when we're in the midst of that conversation, the phone disconnects.
• 32:41
  Speaker 1: We never reconvened, he never gets us back on, and
• 32:44
  Speaker 1: our attorney looks, calls me up and we speak and
• 32:47
  Speaker 1: we're like, well, that was strange. Are we're going to
• 32:49
  Speaker 1: get back on the phone or not. Because anybody who
• 32:52
  Speaker 1: does business knows that this is a key time in
• 32:54
  Speaker 1: whish to build the value of your client. Then we
• 32:58
  Speaker 1: came back with an offer that they allegedly had sent
• 33:02
  Speaker 1: over that our attorney and I had never received, and
• 33:06
  Speaker 1: then on that it was a certain time limit in
• 33:09
  Speaker 1: which we were supposed to respond what we had passed
• 33:12
  Speaker 1: the time limit because we never received it. When our
• 33:14
  Speaker 1: attorney had asked them to please resend the offer that
• 33:18
  Speaker 1: they had allegedly sent, it was clear that it had
• 33:21
  Speaker 1: never been sent in the first place. That's the second
• 33:23
  Speaker 1: red flag. When we get on the phone to discuss
• 33:26
  Speaker 1: the offer that they had then finally sent over. Initially
• 33:30
  Speaker 1: they didn't want to have the conversation until I expressed
• 33:33
  Speaker 1: to them it is very ironic that the call we
• 33:36
  Speaker 1: had was disconnected. We never reconvened. You became evasive, You
• 33:41
  Speaker 1: can't get on the phone. Now I have to express
• 33:44
  Speaker 1: what it's feeling like, which is gender biased, color biased.
• 33:48
  Speaker 1: And there's also an age issue that we didn't discuss
• 33:51
  Speaker 1: that's in there as well. So those three things are
• 33:53
  Speaker 1: what led to it. In conjunction with the fact that
• 33:56
  Speaker 1: the very items that he said did not translate for Monique,
• 33:59
  Speaker 1: which were her resume what she's done in terms of movies.
• 34:04
  Speaker 1: It didn't translate, but he said those were the things
• 34:07
  Speaker 1: that translated for Amy Schumer. So why is Amy resume
• 34:11
  Speaker 1: work and Monique does not? And they could not explain it. Well,
• 34:14
  Speaker 1: if he's just joining us, that's Sydney, that's Monique's managing husband,
• 34:17
  Speaker 1: if he just joining us, so you know the voices. Well,
• 34:19
  Speaker 1: for I don't think Amy Schuman is funny. That's number one.
• 34:22
  Speaker 1: But she did sell out fifty arenas around the world
• 34:24
  Speaker 1: and including MSG and HBO wanted her as well, so
• 34:27
  Speaker 1: she created a bidding war based on those stats. So
• 34:30
  Speaker 1: I assume that's the reason her number was at that place. Well,
• 34:33
  Speaker 1: I want to address something because you said I assume,
• 34:36
  Speaker 1: and then you also said Monique is a legend. That's
• 34:40
  Speaker 1: what you said, absolutely, right, And then when Robbie Prole
• 34:44
  Speaker 1: and Netflix also says Monique is a legend, correct, absolutely.
• 34:49
  Speaker 1: And you believe that Chris Rock is a legend as
• 34:51
  Speaker 1: I do as well, Yes, and you would say Dave
• 34:54
  Speaker 1: Chappelle is a legend, right, absolutely. What makes me a
• 34:56
  Speaker 1: different legend from Dave Chappelle and Chris Rock, Well, when
• 35:00
  Speaker 1: it comes to those that Netflix, specially, the fact that
• 35:02
  Speaker 1: Dave Feld did fifteen hundred Shoals. Prior to signing his
• 35:05
  Speaker 1: Netflix deal, Chris Rock was on tour with the Total
• 35:07
  Speaker 1: Blackout Tour, selling our shows arenas around the world before
• 35:11
  Speaker 1: they did it, and they learned him away from HBO.
• 35:14
  Speaker 1: I understand what y'all are coming to the table with.
• 35:17
  Speaker 1: When I came to the table and I said, guys,
• 35:20
  Speaker 1: and I said it humbly, I'm gonnat decorate a comedian
• 35:23
  Speaker 1: a line. And I said that humbly. And then people,
• 35:27
  Speaker 1: some people said, oh, Monique is crazy till it was proven,
• 35:31
  Speaker 1: till everybody actually saw the numbers and said, well, I
• 35:33
  Speaker 1: guess she's right about that. And when you say this
• 35:37
  Speaker 1: is they what have you done for me lately? The
• 35:39
  Speaker 1: question is how much more do I have to do? Brother?
• 35:42
  Speaker 1: Because when you do a film called Almost Christmas, and
• 35:46
  Speaker 1: that film has a seventeen million dollar budget, but it
• 35:51
  Speaker 1: makes forty five million dollars. And then my sister Amy
• 35:54
  Speaker 1: Schuman does a film called Snatched, and that film makes
• 35:58
  Speaker 1: forty five million dollars, but it has a budget of
• 36:01
  Speaker 1: forty two million dollars. Now what's the profit on that?
• 36:05
  Speaker 1: I'm asking the question. You have made a lot more
• 36:08
  Speaker 1: profit than Amy. It was actually twenty five million dollar profit.
• 36:11
  Speaker 1: But that movie Amy did her Netflix deal before Snatched, No,
• 36:15
  Speaker 1: he said. Robbie Paul said that was what made him
• 36:20
  Speaker 1: also give it a deal because of the big movie
• 36:22
  Speaker 1: that she had coming out, right, and that's where we
• 36:25
  Speaker 1: had to check, well, yeah, coming out that was so.
• 36:28
  Speaker 1: But she did the Netflix deal before that movie came out. Well,
• 36:31
  Speaker 1: we actually talked to the vice president of Netflix, Leonard Leonard,
• 36:34
  Speaker 1: and what happens is when you're basing off of what
• 36:37
  Speaker 1: you're assuming and then you give me a title of
• 36:39
  Speaker 1: Donkey of the Day. Is your mother still alive? Yes? Man?
• 36:43
  Speaker 1: And you're from what city in South Carolina? South Carolina?
• 36:46
  Speaker 1: Monks Corner? And if I was to call your mother
• 36:49
  Speaker 1: or your grandmother, could they tell me stories of inequality
• 36:51
  Speaker 1: that they had to deal with? Absolutely? So, would your
• 36:53
  Speaker 1: mother be a donkey? No? Would your grandmother be a donkey? No?
• 36:58
  Speaker 1: I need you to explain how you gave me the title,
• 37:00
  Speaker 1: because you're not explaining it. You're going off of what
• 37:03
  Speaker 1: I assume. But because you're on that microphone, and when
• 37:07
  Speaker 1: we open up these microphones, we know just how powerful
• 37:11
  Speaker 1: our voices can be, don't we, Angela, Yes, we do,
• 37:13
  Speaker 1: and we know that what we say can become law,
• 37:16
  Speaker 1: correct Lanard, absolutely, So when we do that, we must
• 37:20
  Speaker 1: then explain it to our community because we know how
• 37:23
  Speaker 1: poisonous it can be when we put things out, but
• 37:26
  Speaker 1: we can't back it up. We just say it. We
• 37:29
  Speaker 1: have more with Monique when we come back, we got
• 37:31
  Speaker 1: to talk more Netflix or negotiations, and it gets more
• 37:34
  Speaker 1: awkward with her and Charlomagne. So keep a lot. This
• 37:36
  Speaker 1: the breakfast club of Morning Mording. Everybody is dj N
• 37:39
  Speaker 1: v Angela Yee, Charlomagne, the guy we are the breakfast club.
• 37:43
  Speaker 1: Monique is here, Charlomagne. I think everything you're saying about
• 37:46
  Speaker 1: racial biases absolutely correct. Gender bias is absolutely correct. We
• 37:49
  Speaker 1: know that the black woman is unappreciated and undervalued and
• 37:52
  Speaker 1: a lot of different industries. But I think that when
• 37:54
  Speaker 1: it comes to this Netflix situation, it's very specific. I
• 37:57
  Speaker 1: think it's more of an individual thing than it is
• 37:59
  Speaker 1: a collective problem. Like can you can you can you can?
• 38:02
  Speaker 1: You honestly ask you is this? Can you say? If
• 38:07
  Speaker 1: it's an individual problem, how come that there are no
• 38:11
  Speaker 1: individuals of color who happen to be female comedians that
• 38:15
  Speaker 1: have had the multiple million dollar pay days with Netflix?
• 38:19
  Speaker 1: Because what happens with the black community, it's what have
• 38:22
  Speaker 1: you done lately? But when you are a white person
• 38:25
  Speaker 1: in this industry, it's you're only as good as your
• 38:28
  Speaker 1: last project. I thought it was drawing the amount of
• 38:33
  Speaker 1: people that will watch special. Do you think it's specific
• 38:35
  Speaker 1: to comedians, because I do know they've given out multimillion
• 38:38
  Speaker 1: dollar deals to Eva, Dubna, Shanda Rhymes. So you think
• 38:41
  Speaker 1: it's specific to the comedy industry, Well, I'll let you
• 38:45
  Speaker 1: answer it. What black female comedians got the multi million
• 38:49
  Speaker 1: dollars deal? But don't you think it's coming. I'm sure,
• 38:51
  Speaker 1: I'm sure. I'm sure Tiffany Hattris will be presented with
• 38:53
  Speaker 1: something if she hasn't already. Well, but we got to
• 38:55
  Speaker 1: speak about the sisters. That's done it. See when Wanda
• 38:59
  Speaker 1: Sykes is umber one hundred on Comedy Central's Top Comedians Ever,
• 39:04
  Speaker 1: number seventy, I'm sorry, daddy, number seventy on the top
• 39:07
  Speaker 1: one hundred ever. But they offered her two fifty. So
• 39:11
  Speaker 1: what do you say to that? Oh, you know, I
• 39:13
  Speaker 1: actually asked about that. I spoke to somebody on Netflix
• 39:15
  Speaker 1: and they offered that deal to want the Sykes before
• 39:18
  Speaker 1: this guy that does these stand up deals even got
• 39:21
  Speaker 1: in the position they offered this deal to her some
• 39:23
  Speaker 1: years ago. Does it seem strange that you always have
• 39:25
  Speaker 1: an answer when I'll finish, line keeps getting moved when
• 39:28
  Speaker 1: I say, name me one black female comedian that's got
• 39:31
  Speaker 1: the million dollar payday, I'm waiting to hear the answer, right,
• 39:35
  Speaker 1: So you think it's specific to comedians because I don't.
• 39:37
  Speaker 1: I don't know on Netflix any whatever that. But I
• 39:40
  Speaker 1: can't say and history name her? Well, I would ask
• 39:43
  Speaker 1: what what what black female comedian has sold out fifty
• 39:46
  Speaker 1: arenas around the world? Stairs four beautiful black female comedians
• 39:52
  Speaker 1: that we just got a Legends award. Her name is Samore,
• 39:55
  Speaker 1: her name is, her name is miss Lore, her name
• 39:58
  Speaker 1: is Monique. And when the Queens of he was on tour, see,
• 40:01
  Speaker 1: we made history. And I don't know if you've done
• 40:03
  Speaker 1: your homework, because we were the only female group, black
• 40:06
  Speaker 1: white Latin Asian to sell out consecutively around this country.
• 40:11
  Speaker 1: But you'll disregard that because you'll say, well, what did
• 40:14
  Speaker 1: you do yesterday? So you can't take it away. But
• 40:17
  Speaker 1: if I'm doing business and I'm basing it off doing
• 40:19
  Speaker 1: a deal with somebody who did this last year, as
• 40:21
  Speaker 1: opposed to doing it fifteen years ago, at twenty years ago,
• 40:24
  Speaker 1: whenever it was, wouldn't it make more sense to do
• 40:25
  Speaker 1: with the person who did it just a couple of
• 40:27
  Speaker 1: years ago. If you're doing business and you say, what's
• 40:30
  Speaker 1: Monique's resume? Now you're the businessman and you're looking at
• 40:34
  Speaker 1: that resume and everything on that resume says number one.
• 40:39
  Speaker 1: Everything one that resume says sell out. Now all of
• 40:42
  Speaker 1: a sudden, is it going to change? Businessman? Yeah, I
• 40:45
  Speaker 1: would say if I had to sign Kobe Bryant today,
• 40:48
  Speaker 1: I'm not gonna give Kobe Bryan one hundred million dollars Country. Well,
• 40:51
  Speaker 1: you're right, but his resume is amazing. The difference between
• 40:54
  Speaker 1: Kobe Bryant today and Monique today is when you're thirty
• 40:59
  Speaker 1: six in the game basketball, you don't lost your step.
• 41:02
  Speaker 1: When you are fifty years old in the game of comedy,
• 41:05
  Speaker 1: your season and if she had to come, if they
• 41:09
  Speaker 1: had to come to Netflix to your point, because you
• 41:11
  Speaker 1: make a very good point, and Monique had a stumble
• 41:15
  Speaker 1: like a forty year old or a thirty eight year
• 41:18
  Speaker 1: old Kobe Bryant who's got a rupture to chilles heel
• 41:21
  Speaker 1: that you got to bounce back from then it would
• 41:23
  Speaker 1: make sense, but it's you dropped fifty and still was
• 41:26
  Speaker 1: dropping buckets. What would you say because they watched two
• 41:30
  Speaker 1: standing ovations and two sold out clubs? You're absolutely right,
• 41:34
  Speaker 1: Brothers City. Let me ask you this, why not put
• 41:36
  Speaker 1: together a theater, our arena tour and sell that out
• 41:39
  Speaker 1: and then come back to the table a table But
• 41:42
  Speaker 1: it doesn't have to go to see My whole thing
• 41:43
  Speaker 1: is is that's something else we were talking about the
• 41:45
  Speaker 1: money offered, and my whole thing is as a businessman,
• 41:49
  Speaker 1: being a legend and all that doesn't necessarily matter. It's
• 41:53
  Speaker 1: what's what's who do people? I want to see? You
• 41:55
  Speaker 1: could be a legend and people love you, but if
• 41:59
  Speaker 1: you can't attract the people but to come to the
• 42:01
  Speaker 1: place to see you, or to come to Netflix to
• 42:02
  Speaker 1: watch you, it doesn't. It would be the question almost Christmas,
• 42:10
  Speaker 1: would you say that was a hit movie? Definitely a hint.
• 42:12
  Speaker 1: Would you say Bessie was a hit? Yes? Would you
• 42:15
  Speaker 1: say Prescious was a hit? Absolutely? So the question is,
• 42:19
  Speaker 1: so Monique, you didn't do nothing in twenty seventeen that
• 42:22
  Speaker 1: was on TV that we could see, So that means
• 42:24
  Speaker 1: you're irrelevant. I don't think anything. What happens is when
• 42:28
  Speaker 1: someone said to me, Monique, does it become disheartening when
• 42:32
  Speaker 1: it's your folks, it's understandable. I don't take offense. It's
• 42:37
  Speaker 1: understandable and not explain why when I have to sit
• 42:40
  Speaker 1: here and not defend, but explain to people that look
• 42:44
  Speaker 1: like me, Well, when did I become irrelevant? If that
• 42:47
  Speaker 1: was a movie I'll call almost Christmas? What in twenty sixteen.
• 42:51
  Speaker 1: It's just twenty eighteen, So now all of a sudden, Oh,
• 42:54
  Speaker 1: we don't know if people are gonna show up and
• 42:56
  Speaker 1: show out. Now. When I did a show called the
• 42:58
  Speaker 1: Bernie and Sid Show, I'll show you know those brothers,
• 43:01
  Speaker 1: two white brothers. And when I walked in there, Lenard,
• 43:04
  Speaker 1: I walked in with a preconceiving notion that I was
• 43:07
  Speaker 1: gonna have to defend myself because one is a strong
• 43:10
  Speaker 1: Trump supporter and the other is a Democrat. But I'm
• 43:13
  Speaker 1: thinking I'm gonna have to walk in and defend myself
• 43:15
  Speaker 1: with these white brothers. After five minutes of us talking,
• 43:19
  Speaker 1: they shut their showdown and they said, Monique, we're gonna
• 43:23
  Speaker 1: call this what this is. This is nothing but racism,
• 43:25
  Speaker 1: and we can't sit back and allow it and watch
• 43:28
  Speaker 1: it happen. So no, we're gonna tell our listeners two
• 43:31
  Speaker 1: boycott Netflix until they get it right, because you are
• 43:34
  Speaker 1: a legend and we have to honor and respect you.
• 43:37
  Speaker 1: And now those are my white brothers. Then I come
• 43:39
  Speaker 1: to my folks and I have to be donkey of
• 43:42
  Speaker 1: the day, which you still haven't explained, Leonard, and you're
• 43:45
  Speaker 1: gonna have to because when you make those type of
• 43:48
  Speaker 1: statements about your sister to our community, what you're saying
• 43:53
  Speaker 1: to the community is as black women, you're devalued. And
• 43:56
  Speaker 1: if you stand up and you make a stand and
• 43:59
  Speaker 1: you say we need equality and we have to say
• 44:02
  Speaker 1: what's right and what's fair. And then a brother that
• 44:05
  Speaker 1: looks like me from South Kolana says, you're the donkey
• 44:09
  Speaker 1: of the day. You have to explain that to our community.
• 44:12
  Speaker 1: I've explained it. I said that I think that you're
• 44:14
  Speaker 1: using racial and gender bias with your actual real issues.
• 44:18
  Speaker 1: The scruggle that the black women's going through in many
• 44:20
  Speaker 1: industries is a real issue, but you're using it to
• 44:22
  Speaker 1: focus on something that you're dealing with individually. Did you
• 44:26
  Speaker 1: just see Viola Davis come out and say pay her equally.
• 44:29
  Speaker 1: Did you just hear that? Absolutely? So when you have
• 44:32
  Speaker 1: us saying the same thing, we're saying, pay us equally,
• 44:36
  Speaker 1: you're saying, oh, Monique, this is an isolated situation. Well,
• 44:39
  Speaker 1: then what that says is you don't know the history
• 44:41
  Speaker 1: of this business that you're in, and you sit behind
• 44:44
  Speaker 1: this microphone and you try to be the guru of
• 44:46
  Speaker 1: black culture. I'm gonna need you to know the history
• 44:49
  Speaker 1: of us before you begin to label us. And once
• 44:52
  Speaker 1: you know the history, you know I'm not saying anything unique. Brother,
• 44:56
  Speaker 1: I just don understanderstand how you can justify making thirty
• 44:59
  Speaker 1: million dollars twenty team for a stand us. Second, when
• 45:01
  Speaker 1: you say justify thirteen millions, did you get a chance
• 45:04
  Speaker 1: to read what the offer was. I did read some
• 45:08
  Speaker 1: of it, Yes, well all of it. The key is
• 45:11
  Speaker 1: we got to read all of it because what Chris
• 45:13
  Speaker 1: Rock said a long time ago, if you want to
• 45:15
  Speaker 1: hire something from a black person, put it in a book.
• 45:18
  Speaker 1: This is not about comparing the definitive numbers as to
• 45:22
  Speaker 1: what Amy got and what David them got, because it's
• 45:27
  Speaker 1: married to what you just communicated. But when you ask
• 45:30
  Speaker 1: a comedian to take a half million dollars for two years.
• 45:37
  Speaker 1: You can't say any jokes. They don't want you to
• 45:40
  Speaker 1: do stand up for two years, and essentially they want
• 45:45
  Speaker 1: you to take a half a million dollars and lose
• 45:49
  Speaker 1: out on two million dollars of work that you would
• 45:52
  Speaker 1: have made on the road. Anyway, that right there, it
• 45:55
  Speaker 1: doesn't make sense how we have more with Monique when
• 45:58
  Speaker 1: we come back. Don't move just local morning morning. Everybody
• 46:02
  Speaker 1: is dj mv Angela, Ye, Charlomagne, the guy we are
• 46:06
  Speaker 1: the breakfast club. Monique is in the building, Charlomagne. He
• 46:12
  Speaker 1: just asked, did we make a counter offer? And that's
• 46:14
  Speaker 1: a very important question. I did see that they responded
• 46:18
  Speaker 1: to the counter offer and said they won't They regretfully
• 46:20
  Speaker 1: won't be able to do this deal. Hopefully you guys
• 46:22
  Speaker 1: can work together in the future. And that's the point
• 46:25
  Speaker 1: that we have to make to you, Lenard. But in
• 46:28
  Speaker 1: addition to that, my love, and this is in conjunction
• 46:31
  Speaker 1: with Roland Martin and John Mary putting out a rumor
• 46:35
  Speaker 1: that Monique was offered three million dollars and then didn't
• 46:39
  Speaker 1: have the decency as journalists to come back and say
• 46:43
  Speaker 1: we apologize for the misinformation. Because if you notice Monique's
• 46:47
  Speaker 1: keep Monique keeps producing receipts, and as crazy as this sounds,
• 46:52
  Speaker 1: this is a bigger picture than just Netflix because what
• 46:56
  Speaker 1: has happened was you've heard about Lee Daniels coming out
• 46:59
  Speaker 1: speaking in reference to how difficult Monique was and the
• 47:02
  Speaker 1: whole nine. We live in a culture in which the
• 47:05
  Speaker 1: ladies who are going up in the room saying hashtag
• 47:08
  Speaker 1: me too, and people are saying, well, you know, if
• 47:11
  Speaker 1: you're going up in the room at two o'clock in
• 47:13
  Speaker 1: the morning, you know you're about to get screwed, So
• 47:17
  Speaker 1: why did you go up there and do it? Or
• 47:19
  Speaker 1: what happens is they'll say to Monique, why didn't you
• 47:22
  Speaker 1: go promote a movie for lions Gate for free? Because
• 47:25
  Speaker 1: you know what they'll do to you. So now you're
• 47:28
  Speaker 1: in the damned if you do, damned if you don't situation.
• 47:31
  Speaker 1: Because the women who go up in the room, the
• 47:33
  Speaker 1: reason why they go up in the room, they know
• 47:35
  Speaker 1: they're going to get screwed when they go up in
• 47:36
  Speaker 1: the room. They just don't know how bad they're going
• 47:39
  Speaker 1: to get screwed. If they don't go up in the room.
• 47:41
  Speaker 1: What happens This is why, again, Lenard, you've got to
• 47:47
  Speaker 1: be careful with your words because you called your sister
• 47:51
  Speaker 1: donkey of the day, but you didn't do your research,
• 47:54
  Speaker 1: and you pulled that poison out into our community. Was
• 47:57
  Speaker 1: out fully doing your research. And now as we sit here,
• 48:02
  Speaker 1: you have to almost backtrack your words. Well, when you
• 48:05
  Speaker 1: ask a question, did you counter offer? We put all
• 48:08
  Speaker 1: of it out there. We put the information out there.
• 48:11
  Speaker 1: So you were so ready to do good readio that
• 48:14
  Speaker 1: you didn't do your homework. And when you have a conversation,
• 48:18
  Speaker 1: you know a brother named Geral Kelly, absolutely, would you
• 48:21
  Speaker 1: consider him your friend? Absolutely? See I was on the
• 48:23
  Speaker 1: road with Jerel Kelly two weeks ago. Yeah, he called
• 48:26
  Speaker 1: me and he said, Monique I talked to uh Charlemagne
• 48:31
  Speaker 1: and he said, Man, you know I love Monique. I
• 48:34
  Speaker 1: wasn't doing nothing but making readio. I didn't see that
• 48:40
  Speaker 1: with Gerald Kelly, because what again, when you say, did
• 48:44
  Speaker 1: you counter offer? See, we did, and they said there
• 48:47
  Speaker 1: was no negotiations, you take it or leave it. But
• 48:50
  Speaker 1: had you done we didn't actually counter offer what they
• 48:52
  Speaker 1: said in the midst of our conversation. You've given us
• 48:55
  Speaker 1: something to you on. We're gonna come back and reflect
• 48:58
  Speaker 1: on it and we said, and I said to them,
• 49:01
  Speaker 1: trying to give them, how are you sure, because here's
• 49:05
  Speaker 1: the thing. We don't want to waste your time if
• 49:09
  Speaker 1: if it's not real. However, if it's real and we
• 49:12
  Speaker 1: can get something done, of course we would love to
• 49:15
  Speaker 1: do business with you. So y'all really didn't make a
• 49:17
  Speaker 1: counter offers. No, so what we're saying, They said it
• 49:19
  Speaker 1: was no negotiable as they were going to go back
• 49:23
  Speaker 1: to reflect on what we had discussed, and when they
• 49:27
  Speaker 1: came back, they said that we are based upon our discussion,
• 49:31
  Speaker 1: we decided not to make a counter offer in reference
• 49:35
  Speaker 1: to what it is that you're speaking in reference to
• 49:38
  Speaker 1: hopefully we can do business in the future and so forth.
• 49:41
  Speaker 1: Because what they were trying to emphasize to us that
• 49:44
  Speaker 1: a half a million dollars was a strong enough number
• 49:48
  Speaker 1: and other people that they considered equal to Monique, which
• 49:52
  Speaker 1: they did not name. They said, they've taken that number.
• 49:56
  Speaker 1: If you notice you're having a conversation with Nique, why
• 50:01
  Speaker 1: is it that Netflix won't have a conversation with people
• 50:05
  Speaker 1: because they can bank on people like Charlemagne. They can
• 50:09
  Speaker 1: bank on our brothers and sisters like Charlemagne that will
• 50:13
  Speaker 1: say we'll fight them. We'll fight them for you for
• 50:16
  Speaker 1: you don't have to fight is I'm still trying to
• 50:18
  Speaker 1: get you and brother Sydney to justify why you think
• 50:20
  Speaker 1: you deserved thirteen million dollars? Was there a bidding war
• 50:22
  Speaker 1: between platforms when you say, when you say justify, I'm
• 50:27
  Speaker 1: gonna put my resume on the table. That's all I'm
• 50:30
  Speaker 1: gonna have to do. Do you do the numbers and
• 50:32
  Speaker 1: ticket sales that Chris Rock does, that Dave Chappelle does
• 50:35
  Speaker 1: that day? If given the opportunities, why don't you answer
• 50:38
  Speaker 1: the question. See if given those opportunities, you're answering the
• 50:41
  Speaker 1: questions for yourself. We're not given the same opportunities. Brother,
• 50:44
  Speaker 1: But if you do your why can't you in Sydney
• 50:47
  Speaker 1: Garden book arena tours? Do they go I'm booked their tours?
• 50:49
  Speaker 1: Or do promoters book then? See what we're gonna do
• 50:51
  Speaker 1: right now is and what I'm not gonna do with
• 50:53
  Speaker 1: you now you want to play a tip for tech
• 50:55
  Speaker 1: And what you're saying is a black women's resume don't matter.
• 50:58
  Speaker 1: I'm not saying that to be trying to weaponize things
• 51:02
  Speaker 1: like the SUS two hundred and fifty thousand dollars and
• 51:06
  Speaker 1: she's considered one of the best. Or that was years
• 51:09
  Speaker 1: ago and they said that was they would never do
• 51:11
  Speaker 1: that now. And I literally heard just like a few
• 51:13
  Speaker 1: weeks ago. So you did talk about the situation with
• 51:18
  Speaker 1: Lee Daniels, and you talked about people saying that. Now
• 51:22
  Speaker 1: we've read some things also because you're here and our cousin,
• 51:25
  Speaker 1: so we left for you to speak on this. So
• 51:27
  Speaker 1: there are people that say that you didn't treat people well, yes,
• 51:29
  Speaker 1: and that they've had issues working with you and that
• 51:31
  Speaker 1: you're difficult. Yes. So let's address some of that because
• 51:34
  Speaker 1: Roland Martin brought it up when you guys spoke on Twitter. Yes,
• 51:37
  Speaker 1: and he talked about the Ebony magazine cover shoot that
• 51:40
  Speaker 1: you did with Chris Rock and Steve Harvey. Yes, and
• 51:42
  Speaker 1: he said that it was a nightmare because of you.
• 51:44
  Speaker 1: What happened at that shoot, Well, what happened if that
• 51:47
  Speaker 1: shoot was a check was thrown at one of our assistants,
• 51:51
  Speaker 1: and you don't throw anything at anyone and I had
• 51:54
  Speaker 1: a problem with that. See, they won't fill you in
• 51:56
  Speaker 1: on all that happened. So you had to let that
• 51:58
  Speaker 1: person know that's not how you do business. And that's unacceptable.
• 52:02
  Speaker 1: So I have no problem speaking on it. When they
• 52:04
  Speaker 1: said I mistreated people on almost Christmas, well we have
• 52:07
  Speaker 1: twenty interviews because we knew that they would say something
• 52:11
  Speaker 1: like that with the people that worked in the background professionals,
• 52:15
  Speaker 1: the lighting guys, the camera guys, when they all said
• 52:18
  Speaker 1: our experience with Monique was stella. What happens is you
• 52:21
  Speaker 1: hear the bullies speak out, but then the bullies run.
• 52:25
  Speaker 1: Because when those videos did come out, did rolland Martin
• 52:27
  Speaker 1: come back when the videos did come out? Just with
• 52:30
  Speaker 1: the three little videos, you heard nothing else? Did you?
• 52:34
  Speaker 1: Let's backtrack a little bit because with Will Packer, yes, okay,
• 52:38
  Speaker 1: so Will Packer and rolland Martin and you know a
• 52:43
  Speaker 1: lot of people have spoken out that have dealt with
• 52:44
  Speaker 1: you personally and said these things. But I haven't really
• 52:47
  Speaker 1: heard anybody say anything negative about Will Packer, about working
• 52:51
  Speaker 1: with Lee Daniels, and I haven't heard them say anything
• 52:55
  Speaker 1: negative about some of the people that they've worked it.
• 52:57
  Speaker 1: So why is it? Let me I can answer that.
• 52:59
  Speaker 1: That's a great question. And you know the guy Harvey Weinstein,
• 53:03
  Speaker 1: and he was able to do that for how many years? Decades?
• 53:06
  Speaker 1: And why do you think that was well. They were
• 53:09
  Speaker 1: working with a lot of people who felt like their
• 53:11
  Speaker 1: career would be in jeopardy if they spoke out. Do
• 53:14
  Speaker 1: you think this is a unique situation. Do you think
• 53:16
  Speaker 1: that people are fearful to speak out when they're mistreated?
• 53:19
  Speaker 1: Is it mistreatment of sexual assault? Money? We can't we
• 53:22
  Speaker 1: can't put out false equivalences about people. I understand what
• 53:27
  Speaker 1: is it between mistreatment and sexual Let me say its
• 53:30
  Speaker 1: levels to mistreatment. You're you're absolutely right, but mistreatment is mistreatment,
• 53:35
  Speaker 1: and you can't paint willing the same. This is the
• 53:39
  Speaker 1: same because based upon the information that you have, you
• 53:44
  Speaker 1: feel comfortable with it, because this is the world we
• 53:47
  Speaker 1: live in. If you keep hearing it, it seems as
• 53:50
  Speaker 1: if it's true. And the reason she had some difficulty
• 53:54
  Speaker 1: with one of the individuals who were the first ape
• 53:58
  Speaker 1: or something like them, she had walked into Monique's trailer
• 54:02
  Speaker 1: while she was undressed without knocking. And I don't know
• 54:06
  Speaker 1: if you know, but there was a letter that Steve
• 54:09
  Speaker 1: Harvey had written a while ago in reference to how
• 54:12
  Speaker 1: people just walk into his room. What happens is she's
• 54:16
  Speaker 1: the type of person that doesn't allow people to get disrespected,
• 54:21
  Speaker 1: and she's not going to have an issue with the
• 54:24
  Speaker 1: people that are the hourly wage folks. It's typically the
• 54:28
  Speaker 1: people who are the powerful one. She's not having no
• 54:33
  Speaker 1: beef with nobody. There were people that were getting their
• 54:36
  Speaker 1: fingers pointed in their face that happened to be black
• 54:38
  Speaker 1: women by white men on the set of Precious and
• 54:41
  Speaker 1: she said, I can't allow that to happen. Guy. So
• 54:44
  Speaker 1: what happens is you are forgetting that this is a
• 54:48
  Speaker 1: country that had slavery for hundreds of years. And when
• 54:53
  Speaker 1: do we start realizing that we are so conditioned to
• 54:57
  Speaker 1: normalize bad treatment when white men are able to say, hey, guys,
• 55:03
  Speaker 1: she's right, how does the black community not see it?
• 55:07
  Speaker 1: We have more with Monique when we come back. Don't move.
• 55:09
  Speaker 1: It's the breakfast club. Good morning morning. Everybody is DJ
• 55:14
  Speaker 1: Envy Angela yee. Charlomagne, the guy. We are the breakfast club.
• 55:17
  Speaker 1: We have Monique in the building still, Charlomagne. I want
• 55:21
  Speaker 1: to know about this though. Have you received other offers
• 55:23
  Speaker 1: from other screaming services? Let me say this because other
• 55:25
  Speaker 1: than that help with negotiations when you get come of
• 55:27
  Speaker 1: that black ball being put over my head. The offers
• 55:31
  Speaker 1: that come in from Netflix, they can come in low
• 55:33
  Speaker 1: like that because they know you've been blackball you know
• 55:37
  Speaker 1: what the word is about you. So we assume that
• 55:40
  Speaker 1: you're suffering and we can offer you whatever we want
• 55:43
  Speaker 1: to offer you. So the offers have come in even
• 55:46
  Speaker 1: lower than that. You got a Netflix special beforehand, though, right, well,
• 55:49
  Speaker 1: I didn't have a Netflix special. What happened was the
• 55:52
  Speaker 1: one and put it on there exactly. I didn't make
• 55:55
  Speaker 1: any deal with Netflix. So those shows just happened to
• 55:57
  Speaker 1: be on it. And they've been on there for a
• 56:00
  Speaker 1: long time. So someone would say, if this woman is
• 56:03
  Speaker 1: not bringing in any views, why, but we hold onto
• 56:05
  Speaker 1: the content. They've been on there for a minute, so
• 56:08
  Speaker 1: as well, I'm assuming so we don't get a report
• 56:12
  Speaker 1: on that. But as I sit here again and I
• 56:15
  Speaker 1: sit between my sister, Hi, I know you deal with inequality, Angela.
• 56:20
  Speaker 1: You're in the same business I'm in. But you'll look
• 56:23
  Speaker 1: at me and you'll say, well, I need you to
• 56:25
  Speaker 1: explain to me. They said you was a problem here
• 56:28
  Speaker 1: and a problem there. We all know when you don't
• 56:30
  Speaker 1: allow bullies to take place, and when you don't allow
• 56:32
  Speaker 1: yourself to get bullied, don't you get labeled? Yes? But
• 56:36
  Speaker 1: can I just for full disclosure. Please. There are definitely
• 56:40
  Speaker 1: people that I know that I've worked with you on
• 56:42
  Speaker 1: the Ebony shoot. Yes, and I've heard things. Well, they've
• 56:45
  Speaker 1: told me personally, people that were in the room, say
• 56:47
  Speaker 1: their names and if not, like I told Lenar before,
• 56:50
  Speaker 1: keep it on the playground. Well okay, So I saw
• 56:54
  Speaker 1: Alfred Edmond Jr. Who's the editor chief of Black Enterprise Magazine. Yes,
• 56:58
  Speaker 1: I saw that Amy Dubarbe, who was the editor in
• 57:01
  Speaker 1: chief of Ebony at the time of that shoot, who
• 57:03
  Speaker 1: was very excited to have you on the shoot. She
• 57:04
  Speaker 1: left a comment because he posted something about you and
• 57:07
  Speaker 1: the numbers and about your worth and how you are
• 57:11
  Speaker 1: the most decorated comedian, and she commented it was a
• 57:14
  Speaker 1: nightmare working with her and I would never want to
• 57:17
  Speaker 1: go through something like that again. I saw that comment
• 57:19
  Speaker 1: is still on his page. Now. I would love to
• 57:21
  Speaker 1: sit down and talk with that sister face to face
• 57:24
  Speaker 1: so she can tell me about the nightmare. Because what
• 57:26
  Speaker 1: they won't do is they won't fill it in. See,
• 57:28
  Speaker 1: they won't fill in. We were being arrogant and we
• 57:31
  Speaker 1: wanted to treat that woman as if we were doing
• 57:33
  Speaker 1: her a favor by putting her on the cover. As
• 57:36
  Speaker 1: my husband told me years ago, we don't disrespect anyone,
• 57:40
  Speaker 1: but we overrespect no one. And I want you to
• 57:43
  Speaker 1: look at me. I'm a big fat black woman. You're
• 57:46
  Speaker 1: not stop real talk. What big fat black woman has
• 57:51
  Speaker 1: to stands up and says this is not fair because
• 57:54
  Speaker 1: what the feeling is with some of our sisters and brothers. Monique,
• 57:57
  Speaker 1: you should be grateful you just got invited to the
• 57:59
  Speaker 1: part party because of the way you look. So for
• 58:03
  Speaker 1: anyone that says they ever had a problem with me,
• 58:05
  Speaker 1: bring them to the table, bring them to the table
• 58:08
  Speaker 1: and let's have a conversation. But what you'll find is
• 58:11
  Speaker 1: we'll speak about this woman when she can't see us.
• 58:15
  Speaker 1: We'll make comments. But we're the type of people that say,
• 58:18
  Speaker 1: let's have a conversation. And when you find out that
• 58:21
  Speaker 1: they're wrong, will you then speak up loudly for me
• 58:24
  Speaker 1: as you speak up for them. I absolutely, Let's says
• 58:27
  Speaker 1: the Mornique and brothers. And you don't ask you a question.
• 58:29
  Speaker 1: Let's just talk numbers. If you put your numbers up
• 58:32
  Speaker 1: against the Amy Schumers, the Chris Rocks to Dave Chappeld
• 58:35
  Speaker 1: and I'm talking about selling out arenas all over the world.
• 58:38
  Speaker 1: How can you justify getting a huge payday like them
• 58:41
  Speaker 1: when you're saying that you're going to offer her one
• 58:44
  Speaker 1: twenty six of what Amy Schumer got, and you're referring
• 58:47
  Speaker 1: to Monique as a legend, and you're seeing her performance
• 58:51
  Speaker 1: and you see the people standing up for at the
• 58:55
  Speaker 1: end of the show. Have you read the reviews to
• 58:59
  Speaker 1: the net flick special for Amy Schumer? I don't think
• 59:02
  Speaker 1: Amy's funny. You don't got it. You don't got Amy
• 59:04
  Speaker 1: got me blocked that this is the part, Daddy, and
• 59:09
  Speaker 1: we gotta wrap up the show. But when we did
• 59:11
  Speaker 1: sell out this fifty arenas around the world and MSG
• 59:15
  Speaker 1: a few times an HBO's pressure, that did great. And
• 59:17
  Speaker 1: this was all in twenty SI. Here's what brother leonarda saying,
• 59:21
  Speaker 1: Like this year, another show comes and they become number
• 59:24
  Speaker 1: one and not the breakfast Club. And then let a
• 59:27
  Speaker 1: host come in here that's been doing it for maybe
• 59:30
  Speaker 1: five years less than you, and then they get paid
• 59:32
  Speaker 1: twenty six times more than you. Then you come back
• 59:35
  Speaker 1: and have a conversation with us, because right, that's all
• 59:39
  Speaker 1: because what happens is when you sit here and you say,
• 59:41
  Speaker 1: make it make sense, Well, we don't have to because
• 59:44
  Speaker 1: again and if you do have to make it make sense,
• 59:47
  Speaker 1: especially if you're calling on people to boy, we made
• 59:50
  Speaker 1: things like we made it make bias because we're saying,
• 59:53
  Speaker 1: here's the resumes, guys at conjunction with that, the only
• 59:57
  Speaker 1: thing we're saying is if, hypothetically speaking, it in thirteen million, Charlemagne,
• 1:00:02
  Speaker 1: we're saying, is how come there's not. They're saying to
• 1:00:05
  Speaker 1: the community that it's not one black woman that is
• 1:00:10
  Speaker 1: a veteran comedian out there to day that is worth
• 1:00:13
  Speaker 1: a seven figure number. So what would have been a
• 1:00:15
  Speaker 1: respectable number from this Monique answering? Let me, let me
• 1:00:23
  Speaker 1: give you a respectable number for Monique, something that would
• 1:00:28
  Speaker 1: supersede what she would have made in two years, and
• 1:00:34
  Speaker 1: at the very least, which she would have made two
• 1:00:36
  Speaker 1: years to be able to take to two years off
• 1:00:40
  Speaker 1: that they're contractually asking her to do, to not be
• 1:00:43
  Speaker 1: able to tell jokes, You would not take a deal
• 1:00:46
  Speaker 1: because they're gonna give you a lump summer cash that's
• 1:00:49
  Speaker 1: going to castrate you out of three fourths of your income.
• 1:00:54
  Speaker 1: Do you understand what I'm saying? So the deal didn't
• 1:00:56
  Speaker 1: include the two years and didn't have that you couldn't
• 1:00:58
  Speaker 1: tell jokes. If I would have taken a deal for
• 1:01:01
  Speaker 1: five hundred thousand dollars Angela, what position with that I
• 1:01:04
  Speaker 1: put the babies that's coming after you. No, the deal
• 1:01:06
  Speaker 1: is foul. The deal is absolutely positively foul. Nobody says
• 1:01:08
  Speaker 1: the deal is right. But you know, they know Monique's reputation.
• 1:01:12
  Speaker 1: As far as what people are rumored to say, it
• 1:01:15
  Speaker 1: does matter. They know that the networks are not necessarily
• 1:01:20
  Speaker 1: giving her the money and giving her less. They know
• 1:01:22
  Speaker 1: what it is. So why would I give as a
• 1:01:24
  Speaker 1: business person obscene number when I know she can't get
• 1:01:28
  Speaker 1: it anywhere else. It's foul, but it's business. But if
• 1:01:31
  Speaker 1: you saying, Monique, it is foul, and you all right?
• 1:01:34
  Speaker 1: So if we know it's right and we know it's foul,
• 1:01:37
  Speaker 1: then what do we do? We do it on our own.
• 1:01:39
  Speaker 1: That's just like talking to Steve Harvey and brother Steve
• 1:01:42
  Speaker 1: Harvey says, MO, I know you're right, and I know
• 1:01:46
  Speaker 1: you're not lying, but could you have done it another way?
• 1:01:49
  Speaker 1: You know, what's the suggestion? What's the other thing? I
• 1:01:52
  Speaker 1: don't want you to do? Do it? We do do
• 1:01:55
  Speaker 1: it on our own, but we still got to speak up.
• 1:01:57
  Speaker 1: I think the problem started with you coming out and
• 1:01:59
  Speaker 1: comparing yourself of the Chris Rock Dan Chappelle and why.
• 1:02:02
  Speaker 1: And I think because because because there's no way that
• 1:02:06
  Speaker 1: you can justify getting that amount of money that they've got.
• 1:02:08
  Speaker 1: Not to you, I've gotten more than five hundred thousand. Yes,
• 1:02:10
  Speaker 1: and I've said that one. Well, here's what I'll say. No,
• 1:02:13
  Speaker 1: that's not what y'all know. What y'all were saying was
• 1:02:15
  Speaker 1: y'all should have got the same amount Rock chapellin let me,
• 1:02:18
  Speaker 1: let me, let me get that. Let me answer that, Daddy.
• 1:02:22
  Speaker 1: What I said was, if I'm considered a legend like
• 1:02:25
  Speaker 1: my brothers, then why would I get what legends get?
• 1:02:28
  Speaker 1: Because that is exactly what I said. Because their resume recently,
• 1:02:32
  Speaker 1: you can just move it on paper. We're gonna listen, Lenard,
• 1:02:35
  Speaker 1: We're gonna let you hold on to that. But what
• 1:02:38
  Speaker 1: I will say to you is, and to all the
• 1:02:40
  Speaker 1: black women and women of color that is listening, when
• 1:02:43
  Speaker 1: you hear this brother's voice come over the air, and
• 1:02:46
  Speaker 1: I'm gonna apologize like about what I'm getting ready to say.
• 1:02:48
  Speaker 1: He does not have a value on black women and
• 1:02:51
  Speaker 1: women of color. How can you say I'm gonna say that,
• 1:02:54
  Speaker 1: but years ago, I'm gonna held the donna tell you
• 1:02:57
  Speaker 1: what I think that's contradictory. I'm gonna tell you why
• 1:03:00
  Speaker 1: I said it. Because what happens is when you leave
• 1:03:02
  Speaker 1: a place called Monk Monk's Corner, South Carolina, and you
• 1:03:06
  Speaker 1: come to a big city named New York, and then
• 1:03:09
  Speaker 1: you change your name to Shalomann. Well, when you were there,
• 1:03:13
  Speaker 1: you become Shaloman the God. Now, I don't know if
• 1:03:16
  Speaker 1: you took the same principles that your mama and your
• 1:03:18
  Speaker 1: grandmamma gave you in Monk's Corner and you bought it
• 1:03:21
  Speaker 1: to Manhattan, New York. Because the brother I did meet
• 1:03:24
  Speaker 1: on that elevator, I meant a brother that was full
• 1:03:26
  Speaker 1: of principle, and I meant a brother who would not
• 1:03:29
  Speaker 1: call a sister a donkey of a day unless he
• 1:03:34
  Speaker 1: knew all the information and he could back up his statements.
• 1:03:37
  Speaker 1: But as we sit here and we did this interview,
• 1:03:39
  Speaker 1: you begin to ask questions that you should have asked
• 1:03:42
  Speaker 1: before you make the statement. So what questions? But y'all
• 1:03:45
  Speaker 1: really don't have any answer. I have not justified why
• 1:03:48
  Speaker 1: you feel like you should have gotten that money, should
• 1:03:51
  Speaker 1: have got that we're not back. And here's the thing,
• 1:03:57
  Speaker 1: brothers and sisters that get it the way that they
• 1:04:00
  Speaker 1: get it, and we get it the way that we
• 1:04:01
  Speaker 1: get it. And it's not an argument. I respect your decision.
• 1:04:04
  Speaker 1: I respect your no no, because you're entitled to it. Okay, well,
• 1:04:09
  Speaker 1: thank you for joining us, miss Monique. When we come back,
• 1:04:13
  Speaker 1: we have donkey of the day, So don't go anywhere.
• 1:04:16
  Speaker 1: It's the breakfast club. Good morning, you get day you are,
• 1:04:29
  Speaker 1: I'm gonna fatten all that around your They want this
• 1:04:32
  Speaker 1: man to Doden Blowers man. They waited for Charlemagne. They
• 1:04:36
  Speaker 1: had to make a judgment who was gonna be on
• 1:04:38
  Speaker 1: the donkey of the day. They chose you because the
• 1:04:41
  Speaker 1: breakfast club bitch, who's donkey of the day to day?
• 1:04:44
  Speaker 1: Yeah talk here to day goes to a young man
• 1:04:47
  Speaker 1: named Fine Trelle Antonio o'bates. Okay, he's thirty one years
• 1:04:51
  Speaker 1: old and resides in Los Angeles via Memphis, and he's
• 1:04:53
  Speaker 1: a rapper, a rapper that I never heard of until
• 1:04:56
  Speaker 1: this weekend. And if the first time you are hearing
• 1:04:58
  Speaker 1: about a person is because they're RECEI even dunk here today,
• 1:05:01
  Speaker 1: just know that probably is never a good thing. Now.
• 1:05:03
  Speaker 1: His rap name is nuke Bizzle. Bring any bells for you, envy?
• 1:05:07
  Speaker 1: No anybody out there bumping that new nuke Bizzle drum
• 1:05:10
  Speaker 1: that's hot in your parts? Okay, Okay, well nuke Bizzle,
• 1:05:14
  Speaker 1: ladies and gentlemen. It is just the latest in a
• 1:05:16
  Speaker 1: long line of people who are going to jail for
• 1:05:18
  Speaker 1: unemployment fraud this year. And now, I know we've been
• 1:05:20
  Speaker 1: keeping track of all the COVID nineteen cases in America
• 1:05:24
  Speaker 1: this year, but we also need to be keeping track
• 1:05:26
  Speaker 1: of all the unemployment for aud cases that have been happening. Okay, See,
• 1:05:29
  Speaker 1: this is what I don't understand about the folks that
• 1:05:30
  Speaker 1: are defraud people under the carezact. Y'all do realize what
• 1:05:34
  Speaker 1: y'all doing is a crime? Right? This is not the
• 1:05:37
  Speaker 1: blessing you've been praying for. All right? You know how
• 1:05:40
  Speaker 1: we say everything happens for a reason, very true, But
• 1:05:43
  Speaker 1: sometimes that reason is simply because you made a poor choice.
• 1:05:46
  Speaker 1: And nuke Bizzle absolutely made a poor choice, a couple
• 1:05:51
  Speaker 1: poor choices. See. Nuke Bizzle was arrested after applying for
• 1:05:56
  Speaker 1: more than one point two million in jobless benefits and
• 1:06:00
  Speaker 1: using stolen identities in the scheme to fraudulently obtain unemployment
• 1:06:04
  Speaker 1: insurance beneficial. Now, I'm gonna be honest with you. I
• 1:06:07
  Speaker 1: have to applaud this man for aiming high. Give them
• 1:06:09
  Speaker 1: a little round of applause, just a little bit. That's it.
• 1:06:10
  Speaker 1: Stop stop, stop, Okay. See here's the thing. All of
• 1:06:14
  Speaker 1: you who have participated in unemployment fraud. You're going to jail. Okay,
• 1:06:18
  Speaker 1: doesn't matter if you got one million to ten thousand,
• 1:06:20
  Speaker 1: they're coming for you. I'm telling you, doesn't matter if
• 1:06:23
  Speaker 1: you got that money and bought a Bentley or got
• 1:06:25
  Speaker 1: that money and bought a single wide trailer. You're going
• 1:06:28
  Speaker 1: to jail. They coming to lock your ass up at
• 1:06:30
  Speaker 1: some point. So if you're going to take a penitentiary chance,
• 1:06:33
  Speaker 1: your might as well shoot for the moon. And that's
• 1:06:36
  Speaker 1: what nuke Bissel did with this one point two million
• 1:06:38
  Speaker 1: dollars that he applied for. Now, Nuke Bisile couldn't just
• 1:06:40
  Speaker 1: be content with getting this money. No, oh, not in
• 1:06:45
  Speaker 1: this era. Okay, in this era, to crime is an
• 1:06:47
  Speaker 1: official until you get on social media and alert to
• 1:06:51
  Speaker 1: fatis about it. Okay. FBI stands for Facebook, Instagram and
• 1:06:55
  Speaker 1: because of you fools, y'all, y'all need for digital validation
• 1:06:59
  Speaker 1: because are you fools? Incessant desire for lights and retweets?
• 1:07:03
  Speaker 1: Y'all make defends jobs so easy. Okay, But it wasn't
• 1:07:09
  Speaker 1: just social media in the Internet that got Nu Bizzle
• 1:07:11
  Speaker 1: jammed up. See Nu Bizzle, as I told y'all is
• 1:07:15
  Speaker 1: a rapper. I repeat, nw Bizzle is a rapper. Let's
• 1:07:20
  Speaker 1: go to CBSLA for the report. Police. The Department of
• 1:07:23
  Speaker 1: Justice says a rapper who bragged in a music video
• 1:07:26
  Speaker 1: about getting rich from an unemployment scam is now facing
• 1:07:29
  Speaker 1: federal charges. According to a criminal complaint, thirty one year
• 1:07:33
  Speaker 1: old Fontrelle Antonio Baines exploited the Pandemic Unemployment Assistance provision
• 1:07:37
  Speaker 1: of the Federal Coronavirus Act. He applied for more than
• 1:07:41
  Speaker 1: one point two million dollars and jobless benefits, Federal officials
• 1:07:45
  Speaker 1: say right now. He lives in Hollywood Hills, and in
• 1:07:48
  Speaker 1: a video he bragged He's going to get stacks of
• 1:07:51
  Speaker 1: these while holding up envelopes from edd. A second man
• 1:07:55
  Speaker 1: in the video raps quote, you got to sell cocaine.
• 1:07:58
  Speaker 1: I just file a claim. If convicted, Dane's faces up
• 1:08:01
  Speaker 1: to twenty two years in Federal present. Those are some bars. Yes,
• 1:08:07
  Speaker 1: what God and Aaron McGruder have the same sense of humor.
• 1:08:12
  Speaker 1: This is why we need the Boondocks back. But I
• 1:08:14
  Speaker 1: often wonder if the Bondocks uh well, when the Boondocks
• 1:08:17
  Speaker 1: comes back, how would they compete when the most absurd
• 1:08:20
  Speaker 1: things that usually are reserved for storylines on the Bondocks
• 1:08:24
  Speaker 1: are actually happening in real life. Okay, this guy Nuke
• 1:08:27
  Speaker 1: Bizzle applied for one point two million and unemployment benefits,
• 1:08:33
  Speaker 1: blatant unemployment fraud, and then turned around and made a
• 1:08:36
  Speaker 1: song about it. Yeah, it's a song called e ed
• 1:08:39
  Speaker 1: d nw Bizzle feature. In fact, whither would you like
• 1:08:44
  Speaker 1: to hear it? Hear how they got rich Oba to
• 1:09:00
  Speaker 1: end up building a CPA. You got a Sycalcaine. I
• 1:09:03
  Speaker 1: can defoul the claim rest comment straight to the flame
• 1:09:06
  Speaker 1: I'm doing. He said, you bugging no swater than you
• 1:09:08
  Speaker 1: ain't eaty of these scales, And then that you heard
• 1:09:10
  Speaker 1: about i'd be so heavy to certify. Get on the
• 1:09:14
  Speaker 1: working out twenty fat clais it for a while while
• 1:09:16
  Speaker 1: I trying my life, and I gotta admit it, I
• 1:09:19
  Speaker 1: saw out a head in a minute. Really to tell
• 1:09:21
  Speaker 1: me I can wait on it el for twenty Damn,
• 1:09:24
  Speaker 1: did you hurt better than did it turn into a scale?
• 1:09:28
  Speaker 1: I was just tucking the sale now that way, don't
• 1:09:30
  Speaker 1: urge you. Now, I kind of like this on like
• 1:09:33
  Speaker 1: that too, I told I s I like that, So yeah,
• 1:09:36
  Speaker 1: I kind of like this. Yeah, that's the problem, grown
• 1:09:39
  Speaker 1: grown up, grown as adults who know better saying it
• 1:09:43
  Speaker 1: like songs like this, girdri at work hand, what you say,
• 1:09:48
  Speaker 1: Uncle Ruggets and our dre at work one more time,
• 1:09:52
  Speaker 1: Uncle Ruggets for the people in the back, and our
• 1:09:55
  Speaker 1: gdre at work hand. Kids. I'm so sorry. I am
• 1:09:58
  Speaker 1: so sorry, kids. I'm so sorry that we made y'all
• 1:10:00
  Speaker 1: believe you really had to be living the things you
• 1:10:03
  Speaker 1: rapped about. I wish more rappers told y'all that they
• 1:10:06
  Speaker 1: were just performing and they was just trying to make
• 1:10:08
  Speaker 1: some money. All right. There was a period in my
• 1:10:10
  Speaker 1: life where I really wanted and loved when my rappers
• 1:10:13
  Speaker 1: were doing the things they were talking about. But that
• 1:10:15
  Speaker 1: was ignorant of me. Okay, if rappers actually did just
• 1:10:19
  Speaker 1: thirty percent, just thirty percent of what they rapped about doing,
• 1:10:22
  Speaker 1: they would all be in prison a debt. Okay, this
• 1:10:25
  Speaker 1: new generation didn't get the memo that majority of these
• 1:10:28
  Speaker 1: rappers was all cat. Now they're busy trying to lead
• 1:10:31
  Speaker 1: two lives, trying to serve two masters. They want to
• 1:10:34
  Speaker 1: rap and live a life of crime, and when you
• 1:10:36
  Speaker 1: try to do both, you end up like Nuke Bizzle okay,
• 1:10:41
  Speaker 1: facing three federal charges and if convicted of all these charges,
• 1:10:46
  Speaker 1: Baines Nuke Bizzle will face the statutory maximum sentence of
• 1:10:50
  Speaker 1: twenty two years in federal prison. Y'all still like the song,
• 1:10:56
  Speaker 1: so I don't happen to do it. This song is good,
• 1:11:00
  Speaker 1: that New Bizzle. We're not gonna play guests? What race
• 1:11:02
  Speaker 1: this is? Please? Let me mind giving New Pizzle the
• 1:11:05
  Speaker 1: biggest here he ha, he ha, You stupid mother? Are
• 1:11:09
  Speaker 1: you dumb? Are they white? I have one question? Where
• 1:11:13
  Speaker 1: is Fat Whizzle? If Fat Whizzle was featured on this song?
• 1:11:17
  Speaker 1: Did Fat Whizz? Are you trying to get someone else arrested?
• 1:11:20
  Speaker 1: Inquiring minds? Well, oh, I'm trying to get them arrested.
• 1:11:22
  Speaker 1: For Get the song that's got over a million views
• 1:11:24
  Speaker 1: on YouTube, and forget that one point two million dollars
• 1:11:28
  Speaker 1: and uh and and unemployment fraud that they tried to get.
• 1:11:31
  Speaker 1: I'm trying to get them arrested. The rich off d
• 1:11:37
  Speaker 1: D all right now and our fre at work. All right, well,
• 1:11:46
  Speaker 1: thank you for that donkey of the day. How'd you
• 1:11:49
  Speaker 1: get the song Fat Wizard? I don't know if fat
• 1:11:52
  Speaker 1: wizard he's getting low right back? You got anything you
• 1:11:55
  Speaker 1: want to say? Oh my goodness? All right, thank you
• 1:11:59
  Speaker 1: for that stain it. Don't pop up now talking about
• 1:12:02
  Speaker 1: they were talking about you on the Breakfast Club. Now
• 1:12:04
  Speaker 1: you get low, stay low to lead all your social
• 1:12:06
  Speaker 1: media pages and everything. That's right, all right, We got
• 1:12:09
  Speaker 1: more coming up next. We're a breakfast club the relationship advice,
• 1:12:16
  Speaker 1: need personal advice, just need real advice. Call up man
• 1:12:19
  Speaker 1: for asking morning. Everybody's DJ Envy Angela, Yee, Charlomagne the guy.
• 1:12:26
  Speaker 1: We are the breakfast Club. It's time for asking ye Hello,
• 1:12:29
  Speaker 1: who's this? Yo? This cookie? Cookie cookie from out of Florida,
• 1:12:36
  Speaker 1: Brown County. I know you're talking about as Charlomagne. I
• 1:12:39
  Speaker 1: don't know what you're talking about. What's up? All right? Cookie?
• 1:12:41
  Speaker 1: What's good? What's your question for? Easy? Okay? My question
• 1:12:45
  Speaker 1: is um, me and my husband we wrapped like we
• 1:12:48
  Speaker 1: spit bars like we really got bars man, But we
• 1:12:51
  Speaker 1: were up there in age. We've been spitting for a
• 1:12:53
  Speaker 1: long time. We're thirty two and we're just wondering if
• 1:12:56
  Speaker 1: we should keep trying. Are you any good? You want
• 1:12:59
  Speaker 1: to hear me? Go yeah, go ahead, Let's let's hear something. Cookie,
• 1:13:03
  Speaker 1: all right, you can't speak up with low key now.
• 1:13:05
  Speaker 1: You don't know me. Yeah, you may see me, but
• 1:13:07
  Speaker 1: you can never beat me, and you can never beat me.
• 1:13:09
  Speaker 1: In the hip pop paddle tune this you'll see me
• 1:13:12
  Speaker 1: full better scadd or so if I have at the paddle,
• 1:13:14
  Speaker 1: I swim through the river, meaning I could make it
• 1:13:16
  Speaker 1: through whatever like them quivered any time I sit, Ryan said,
• 1:13:19
  Speaker 1: your man, I know my highs. Cookie black time a man.
• 1:13:29
  Speaker 1: I love the comedy rap y'all. You really made me
• 1:13:31
  Speaker 1: laugh the comedy rappers dope, this is ask he ain't
• 1:13:34
  Speaker 1: ain't What do you think? Tell Cookie? A couple of
• 1:13:35
  Speaker 1: things here? Have you made any type of progress with
• 1:13:38
  Speaker 1: your career as a rapper? Um? I performed a couple
• 1:13:41
  Speaker 1: of places. I mean I UM performed at a hard
• 1:13:44
  Speaker 1: rock a while ago. Um it was big well at
• 1:13:47
  Speaker 1: the time I was working there. But we feel like
• 1:13:49
  Speaker 1: an employee time show and I won both times. I
• 1:13:53
  Speaker 1: won both times though, Yeah, I performed at a few places,
• 1:13:56
  Speaker 1: you know, locally and stuff like that. So it's like
• 1:13:59
  Speaker 1: that He've been real cookie. Have you been going really
• 1:14:01
  Speaker 1: really hard to pursue your dream? Been trying? Yes? Um,
• 1:14:06
  Speaker 1: you know, get knocked down the cup times. You know.
• 1:14:08
  Speaker 1: We went to an event in Orlando and it was like, oh,
• 1:14:12
  Speaker 1: you know, people not really check for older rappers right now.
• 1:14:15
  Speaker 1: I'm like, yo, but I've been doing this for so
• 1:14:17
  Speaker 1: long and it just so happened as some opportunities are
• 1:14:20
  Speaker 1: coming out right now. You know where you can you know,
• 1:14:24
  Speaker 1: this artist showcase and this artist showcase. And have you
• 1:14:29
  Speaker 1: been recording music in the studio anywhere? Though? Yes, you
• 1:14:33
  Speaker 1: can go on the Instagram. Grew in the payment LLC
• 1:14:36
  Speaker 1: man just tell her she sucks and to get a job.
• 1:14:39
  Speaker 1: I just want to say, I don't I don't think
• 1:14:40
  Speaker 1: that being in your thirties is a reason to not
• 1:14:42
  Speaker 1: pursue your career as far as being an artist, if
• 1:14:46
  Speaker 1: you're really great at it and if you go really
• 1:14:48
  Speaker 1: hard at it, you know what I'm saying. I think
• 1:14:50
  Speaker 1: sometimes people want things to happen and they do a
• 1:14:52
  Speaker 1: showcase here and there, but they're not going super hard
• 1:14:55
  Speaker 1: because people who really want to be in this industry,
• 1:14:58
  Speaker 1: have to really live, breathe sleep it like, do everything
• 1:15:01
  Speaker 1: they can to make it happen. So that's why I
• 1:15:04
  Speaker 1: was asking you, are you doing everything that you can?
• 1:15:06
  Speaker 1: Have you been going really hard or is it something
• 1:15:08
  Speaker 1: that you've been doing kind of you know, here and there,
• 1:15:10
  Speaker 1: but not really pursuing. Yeah, I've been trying to go hard.
• 1:15:13
  Speaker 1: I've really been trying to abhorse. You know what. My age, Um,
• 1:15:17
  Speaker 1: you know, I eventually had children and stuff like that,
• 1:15:20
  Speaker 1: but um, I still I think I'm still got bars.
• 1:15:24
  Speaker 1: I'm still ready to put in the workout tell me
• 1:15:26
  Speaker 1: and saying I fuck no, I don't suck man. You
• 1:15:28
  Speaker 1: do learn a trade, you know what I'm saying. Do
• 1:15:30
  Speaker 1: you have a job there, you go get another one.
• 1:15:34
  Speaker 1: I just don't want you to use agent as an excuse.
• 1:15:37
  Speaker 1: We know a artist right now that's putting out his
• 1:15:39
  Speaker 1: first ever album. He's in his forties, you know what
• 1:15:42
  Speaker 1: I'm saying. So I don't think that's ever good exactly.
• 1:15:45
  Speaker 1: Even the white man in the room say, but he's
• 1:15:47
  Speaker 1: good because you're talking about jail. Yeah good. So what
• 1:15:50
  Speaker 1: I'm saying is you're saying I'm not good. Seven minutes
• 1:15:55
  Speaker 1: out of this conversation. All right, well, listen, give everybody
• 1:15:58
  Speaker 1: in your Instagram. Everybody, everybody is gonna weigh in and
• 1:16:01
  Speaker 1: go and look at your music that you have posted
• 1:16:03
  Speaker 1: and let you know what they think. This is a
• 1:16:05
  Speaker 1: great opportunity for you to get some feedback. That's right,
• 1:16:07
  Speaker 1: Give them your Instagram because so people can go tell
• 1:16:09
  Speaker 1: you the truth. Is it Crow Entertainment, g R either
• 1:16:14
  Speaker 1: W entertainment, l L speed Man. I love you though,
• 1:16:18
  Speaker 1: I love y'all. I listened to it every morning. I'm
• 1:16:20
  Speaker 1: hurt right now though, Charlomagne. But it's so well I
• 1:16:22
  Speaker 1: don't think you can judge it just based off of
• 1:16:24
  Speaker 1: that no music, So you know he hasn't heard no music,
• 1:16:27
  Speaker 1: he just heard. What do you think of that freestyle
• 1:16:29
  Speaker 1: you just heard from her view? What do you think
• 1:16:30
  Speaker 1: of it? What you just heard from her? I was
• 1:16:32
  Speaker 1: listening listening, y'allo. Foolish, Wasn't it? What you wonna waste
• 1:16:43
  Speaker 1: her time for the next three or four years trying
• 1:16:45
  Speaker 1: to bed I just had a day off day, okay, sure,
• 1:16:48
  Speaker 1: Cookie the black Widow, all right, okay, okay, let's keep
• 1:16:52
  Speaker 1: it going, ask ye eight hundred five eighty five one
• 1:16:55
  Speaker 1: on five one. If you need relationship if ice hit
• 1:16:57
  Speaker 1: this up now, it's the breakfast Smokeal Morning had some
• 1:17:05
  Speaker 1: real advice with Angela Ye. It's ask Ye holding. Everybody
• 1:17:09
  Speaker 1: is DJ Envy, Angela Yee, Charlomagne the God. We are
• 1:17:13
  Speaker 1: the breakfast club. We're in the middle of ask ye Hello,
• 1:17:17
  Speaker 1: who's this misty? Yes? Hey, what's your question for you? Okay?
• 1:17:24
  Speaker 1: So my question was like, what am I supposed to do?
• 1:17:27
  Speaker 1: It's like my boyfriend, she's sneaking to watch porn. I
• 1:17:30
  Speaker 1: don't have a problem with him watching it. It's just
• 1:17:33
  Speaker 1: getting weird that he's sneaking to watch it because he
• 1:17:37
  Speaker 1: doesn't know whether or not you have a problem with it.
• 1:17:38
  Speaker 1: Did you tell him, like, I know you're watching porn?
• 1:17:40
  Speaker 1: It's fine. I mean we've had the discussion about it,
• 1:17:43
  Speaker 1: like I have him like we have a problem with
• 1:17:46
  Speaker 1: sex or something, but he's like, no, we don't have
• 1:17:49
  Speaker 1: a problem with sex or anything. And it's like I'm
• 1:17:51
  Speaker 1: being open minded about stuff, but I don't know. He
• 1:17:55
  Speaker 1: keeps asking for like three sing stuff like that or
• 1:17:57
  Speaker 1: whatever too. Well, yeah, and you don't want to do it?
• 1:18:01
  Speaker 1: Three cent? Where you do? Are you open to it?
• 1:18:03
  Speaker 1: I'm okay? With it. I guess I've never done it.
• 1:18:07
  Speaker 1: So well, obviously that's not gonna happen anytime soon because
• 1:18:10
  Speaker 1: we are all quarantined and you know, so that's a
• 1:18:14
  Speaker 1: whole other story. But first of all, maybe part of
• 1:18:17
  Speaker 1: the fund for him watching porn is him sneaking to
• 1:18:19
  Speaker 1: do it. That's what is that not strange or like,
• 1:18:22
  Speaker 1: is that normal? How'd you catch him? I'm just curious,
• 1:18:24
  Speaker 1: how'd you catch him? Okay, we're supposed to have sex
• 1:18:26
  Speaker 1: or whatever, but then I felt sweet. But then when
• 1:18:29
  Speaker 1: I woke up, I'm like, okay, maybe I should go
• 1:18:31
  Speaker 1: back to sweet because you are most finished. So oh
• 1:18:35
  Speaker 1: when you when you woke up and you seen him
• 1:18:36
  Speaker 1: on a computer, he was sitting there watching porn. He
• 1:18:38
  Speaker 1: was on his phone and it was on you. That's
• 1:18:41
  Speaker 1: the weirdest thing to me, Like like he was repose.
• 1:18:44
  Speaker 1: He didn't want to wake you up. I'm okay with
• 1:18:46
  Speaker 1: him waking me up, though, but he didn't know that.
• 1:18:48
  Speaker 1: Did you tell him next time waking me up? I'm
• 1:18:50
  Speaker 1: you know, I'm fine, but I don't know. I just
• 1:18:54
  Speaker 1: kind of like got up and went to the bathroom
• 1:18:55
  Speaker 1: because I'm like, this is weird. This's the second time
• 1:18:57
  Speaker 1: I call him doing this, and I don't you know
• 1:19:00
  Speaker 1: what it sounds like, y'all just need to have a
• 1:19:02
  Speaker 1: conversation because you're not saying anything to him, and then
• 1:19:05
  Speaker 1: he's not saying anything to you about it, and then
• 1:19:08
  Speaker 1: now you do think it's weird, so he probably can
• 1:19:10
  Speaker 1: sense that you think it's weird. So it's kind of
• 1:19:12
  Speaker 1: like a lack of communication. That's what's causing you, guys
• 1:19:15
  Speaker 1: to not come together on this when you could just
• 1:19:17
  Speaker 1: simply wake up and be like, oh, you're watching porn.
• 1:19:20
  Speaker 1: What you're watching? Let me see? Okay, I guess, And
• 1:19:25
  Speaker 1: you know what can be fun sometimes if you don't
• 1:19:27
  Speaker 1: mind doing this is watching porn together. I mean, like,
• 1:19:30
  Speaker 1: I'm not as experienced as he is sexually, and like
• 1:19:33
  Speaker 1: recently he got me like this Tory thing and I'm
• 1:19:35
  Speaker 1: just like, I'm not okay with these like traffic down
• 1:19:38
  Speaker 1: there because like robot or whatever. So I was like,
• 1:19:42
  Speaker 1: I don't know, Well, maybe he is nervous to bring
• 1:19:44
  Speaker 1: things up to you because he doesn't want you to
• 1:19:46
  Speaker 1: think that he's weird. Okay, I'll try to have that conversation.
• 1:19:51
  Speaker 1: I guess. I don't know, And I see it feels
• 1:19:55
  Speaker 1: like you want to be more open minded about things
• 1:19:57
  Speaker 1: and that, but you're right now, you're not in that place.
• 1:20:01
  Speaker 1: Like you're uncertain about a lot of things. Like you said,
• 1:20:03
  Speaker 1: you're not as experienced as he is, so you take
• 1:20:05
  Speaker 1: it slow. And I always tell people, don't do anything
• 1:20:08
  Speaker 1: that you're not comfortable with. So if you truly are
• 1:20:10
  Speaker 1: not comfortable with something, don't do it and let him
• 1:20:13
  Speaker 1: know that you're not comfortable. And if there are things
• 1:20:16
  Speaker 1: that you want to try, don't be ashamed to try them.
• 1:20:18
  Speaker 1: So those are the two things that I would say
• 1:20:19
  Speaker 1: when it comes to experimenting in the bedroom, Okay, because like,
• 1:20:23
  Speaker 1: I really like them. I've tried to have a part
• 1:20:26
  Speaker 1: of this conversation before and then it went into this
• 1:20:29
  Speaker 1: whole spiral conversation about like insecurity and all this extra
• 1:20:34
  Speaker 1: drunk and I'm just like, what the is going on? Yeah,
• 1:20:37
  Speaker 1: you never do something just to please the other person
• 1:20:40
  Speaker 1: if you're not comfortable with it, because that does cause
• 1:20:43
  Speaker 1: resentment sometimes and then that does tend to spiral out
• 1:20:46
  Speaker 1: of control. But if in your mind you're like I
• 1:20:49
  Speaker 1: would like to try this, then you should try it.
• 1:20:52
  Speaker 1: It's just and remember it's completely up to you. It's
• 1:20:55
  Speaker 1: fine for you to not want to do a threesome.
• 1:20:57
  Speaker 1: It's fine for you to not want to use that
• 1:20:59
  Speaker 1: toy if you don't feel like it. But it's also
• 1:21:01
  Speaker 1: fine for you to say, Okay, I'm down to experiment.
• 1:21:03
  Speaker 1: Don't worry about other people's judgments of you. It is
• 1:21:05
  Speaker 1: your body, your choice to do whatever you want. And
• 1:21:08
  Speaker 1: even with those things like whenever I gave him the
• 1:21:11
  Speaker 1: stuff I wanted to try, he just kept calling me
• 1:21:13
  Speaker 1: like a freakrow or whatever. And then I'm like, Okay,
• 1:21:15
  Speaker 1: maybe I shouldn't tell him the stuff that I'm into
• 1:21:17
  Speaker 1: if he thinks he's too outrageous. But then you, what
• 1:21:20
  Speaker 1: do you what are you into? Yeah? Any wants to
• 1:21:22
  Speaker 1: know what are you into? Curiousy? Oh gosh, Okay, So
• 1:21:26
  Speaker 1: I kind of like the whole domps and this one
• 1:21:29
  Speaker 1: thing like if we can switch rolls and stuff, and
• 1:21:32
  Speaker 1: he's not okay with a lot of them, and I
• 1:21:34
  Speaker 1: guess I grew up on the pill side of life,
• 1:21:37
  Speaker 1: but I was kind of trying to see if he
• 1:21:40
  Speaker 1: will be okay with like, you know, pegging terribly. Oh yeah, okay,
• 1:21:47
  Speaker 1: Now pegging is yeah, pegging might be a little serious.
• 1:21:49
  Speaker 1: That's not light. You want to put him on a
• 1:21:51
  Speaker 1: least to that covert. I mean, he put me on
• 1:21:54
  Speaker 1: the weeks before. Okay, I'm gonna pass. I'll take the leash.
• 1:22:02
  Speaker 1: I'll take the leash for okay. What I would recommend, Missy, though,
• 1:22:08
  Speaker 1: is before you go straight to the peggang you have
• 1:22:10
  Speaker 1: you ever put a finger there? Yes, that's the thing,
• 1:22:12
  Speaker 1: got it got you? Okay, So so maybe that's something
• 1:22:16
  Speaker 1: you guys will graduate to eventually. Yeah, but that's my
• 1:22:20
  Speaker 1: thing though. If he brings up the butt play but
• 1:22:24
  Speaker 1: think it's weird, will be talking about it. I'm just like,
• 1:22:30
  Speaker 1: what's going on? You know what. I'm a and missy,
• 1:22:33
  Speaker 1: and I'm gonna be honest with you. A lot of
• 1:22:34
  Speaker 1: times guys like to do things, but they don't like
• 1:22:36
  Speaker 1: to discuss the things they like to do because they
• 1:22:38
  Speaker 1: feel like it's weird. So you have to kind of
• 1:22:40
  Speaker 1: just do it without dressing. Don't rate that man, but
• 1:22:44
  Speaker 1: I don't know that. But like, you can feel it
• 1:22:46
  Speaker 1: out and start doing something and he might like it,
• 1:22:49
  Speaker 1: but he doesn't want to discuss that he liked it.
• 1:22:51
  Speaker 1: So obviously, if he doesn't want to do it, he'll
• 1:22:53
  Speaker 1: let you know he doesn't want to do it. But
• 1:22:54
  Speaker 1: if you just approach it and bring it and they like, hey,
• 1:22:58
  Speaker 1: let's go in the heat of the moment, and he
• 1:23:00
  Speaker 1: with it, then there you go. But sometimes having that
• 1:23:02
  Speaker 1: discussion makes people feel a little weird. Okay, I'm gonna
• 1:23:06
  Speaker 1: have the hell um like golf conversation. I don't want
• 1:23:11
  Speaker 1: to have you like first time at breakfast or whatever,
• 1:23:13
  Speaker 1: but I'm trying to see how I can bring it
• 1:23:15
  Speaker 1: up during the day or whatever, because I'm just like, yo,
• 1:23:18
  Speaker 1: I'm okay with you waking me up for sex. You've
• 1:23:20
  Speaker 1: done it before, like well he didn't know camp for sex,
• 1:23:23
  Speaker 1: but like or whatever. So it's just like, yo, I
• 1:23:27
  Speaker 1: feel like you gotta be fine. This is a great
• 1:23:29
  Speaker 1: time to have these discussions while y'all learning the house
• 1:23:31
  Speaker 1: to get it. Ain't got nowhere else to go. We
• 1:23:33
  Speaker 1: gotta get this quarantine over because y'all boards hell. Tell him,
• 1:23:36
  Speaker 1: tell him he shook and ain't no such thing as
• 1:23:38
  Speaker 1: half ass crooks, and by that, tell them stop letting,
• 1:23:40
  Speaker 1: letting you put half your fingers ass and tell them
• 1:23:42
  Speaker 1: you want all in nothing, all right, tell them grow up, definitely,
• 1:23:47
  Speaker 1: Thank you guys. All right, missy, good luck. It's funny
• 1:23:52
  Speaker 1: if you do stuff like that. You can't even Please
• 1:23:54
  Speaker 1: don't give the young man no nicknames either, though you'll
• 1:23:56
  Speaker 1: be hitting him in about your peg. The Stallion can't
• 1:23:59
  Speaker 1: call a wrong man peg the Stallion, what all right?
• 1:24:03
  Speaker 1: Ask ye eight hundred five A five one oh five
• 1:24:05
  Speaker 1: one to keep a lot? This to Breakfast Club, Good morning,
• 1:24:08
  Speaker 1: whatever y'all is, dj MB Hey, I'm a gobody name
• 1:24:11
  Speaker 1: of Charlomagne the Guy, and we just want to say
• 1:24:13
  Speaker 1: happy holidays from all three of us, all three of
• 1:24:16
  Speaker 1: y'all the Breakfast Club. Baby, ask Charlomagne a d J
• 1:24:26
  Speaker 1: n V any pick it up, pick it up, it up.
• 1:24:30
  Speaker 1: It's time to ask C and E morning. Everybody is
• 1:24:34
  Speaker 1: cj envy Angela yee, Charlomagne the Guy. We are the
• 1:24:38
  Speaker 1: Breakfast Club. Good morning. It's time for ask C and E.
• 1:24:41
  Speaker 1: Now Angela Ye is on vacation, so I asked C
• 1:24:44
  Speaker 1: an E. All right, if you got relationship advice questions,
• 1:24:47
  Speaker 1: or you just have questions about life in general, we
• 1:24:49
  Speaker 1: can help you. Hello, who's this? All right? This is anonymous?
• 1:24:54
  Speaker 1: Anonymous from the d all right brother, what's what's your
• 1:24:57
  Speaker 1: question for C and E? Okay, I've been dating the
• 1:25:00
  Speaker 1: a Spanish woman I'm actually African American and she's been
• 1:25:03
  Speaker 1: working with me. But she switched shifts after we dated
• 1:25:06
  Speaker 1: for two years and knew each other for three and
• 1:25:07
  Speaker 1: went to morning shift. I'm on night shift now. She
• 1:25:11
  Speaker 1: found the friend that's actually her race, probably like three
• 1:25:14
  Speaker 1: months ago. They went out of town, spent the weekend,
• 1:25:16
  Speaker 1: had a great time. We still talk every day. She
• 1:25:19
  Speaker 1: initiate the text. She texted me to call me one
• 1:25:22
  Speaker 1: night crying. Her stomach was hurting. She still relies on me,
• 1:25:25
  Speaker 1: but she don't want to see me outside of work.
• 1:25:28
  Speaker 1: So is there any test I couldn't get her back. Well,
• 1:25:31
  Speaker 1: I'm just waiting for him to mess up further on.
• 1:25:33
  Speaker 1: You said that she's of another race, So I'm you're black, right,
• 1:25:37
  Speaker 1: I'm black. I'm the second guy she ever been with
• 1:25:41
  Speaker 1: and the first black guy she ever been with besides
• 1:25:43
  Speaker 1: her husband. Okay, yeah, she said I wasted her time
• 1:25:49
  Speaker 1: because of her culture. They date for three or four
• 1:25:51
  Speaker 1: months and they get married. We dated for two years
• 1:25:53
  Speaker 1: and nothing happened. Okay, Well, you know I'm all full
• 1:25:56
  Speaker 1: black and brown relations. But my advice to you is
• 1:25:59
  Speaker 1: get you a black back woman. You know what I'm saying,
• 1:26:00
  Speaker 1: Get you a queen. You know, you know you did
• 1:26:02
  Speaker 1: the Spanish thing. It didn't work out clearly, you know
• 1:26:05
  Speaker 1: she's moved on. Um, I think it's time for you
• 1:26:08
  Speaker 1: to move on. To get your assistance now, I would say,
• 1:26:10
  Speaker 1: I would say, fine, somebody that you love, obviously you
• 1:26:12
  Speaker 1: have feelings for her, and you know why didn't you
• 1:26:15
  Speaker 1: marry her? Why? Why didn't you just say you know what?
• 1:26:16
  Speaker 1: This is something I want to do well at black
• 1:26:21
  Speaker 1: women far as like marriage, but I do have black
• 1:26:23
  Speaker 1: women trained. Bye bye, bye, hang up. I want to talk.
• 1:26:27
  Speaker 1: I don't want to talk to to the more. I
• 1:26:28
  Speaker 1: don't talk to you. I don't want to talk to you.
• 1:26:29
  Speaker 1: I don't want to talk to you. I don't want
• 1:26:31
  Speaker 1: to talk to you anymore because you tell me you're
• 1:26:33
  Speaker 1: not attracted to black women. You know what I'm saying,
• 1:26:36
  Speaker 1: like black women are not good enough to marry? What
• 1:26:39
  Speaker 1: color is your mama? You know what I'm saying, Like
• 1:26:41
  Speaker 1: what kind of household do you come from? I guess
• 1:26:43
  Speaker 1: I could asking those questions, but I don't care. I
• 1:26:44
  Speaker 1: don't care to have to come. I wanted I wanted
• 1:26:46
  Speaker 1: to know. I wanted to know why, why would like why?
• 1:26:48
  Speaker 1: Why was it deeply roooted it like his mother's black. Like,
• 1:26:50
  Speaker 1: what's the problem that he doesn't have sisters? Grandma's answer,
• 1:26:52
  Speaker 1: none of that. I don't I don't care for these selves.
• 1:26:55
  Speaker 1: Hating the gross black women. I don't care. I don't
• 1:26:58
  Speaker 1: care for black women to marry them. Get thee beat
• 1:27:02
  Speaker 1: it by Hello, who's this? Yeah? Whatever? See what's happening
• 1:27:06
  Speaker 1: the man? What's up? Brother? What's your question for? Cne? Man?
• 1:27:09
  Speaker 1: So check us? All right? So, um me and my
• 1:27:12
  Speaker 1: baby mama. You know what I'm saying, the mother of
• 1:27:14
  Speaker 1: my child, beautiful woman. As a man, you know what
• 1:27:17
  Speaker 1: I'm saying. We all make mistakes, um boy, you know
• 1:27:20
  Speaker 1: back of twenty back in twenty seventeen, you know, I
• 1:27:23
  Speaker 1: made a mistake that you know cost me. You know
• 1:27:27
  Speaker 1: a lot of the mistrust that she's happened over the
• 1:27:29
  Speaker 1: past few years. Um. But you know, as a man,
• 1:27:32
  Speaker 1: you know, when you lost somebody, you're gonna do you
• 1:27:33
  Speaker 1: got to do to make things work out right? Well, Uh,
• 1:27:37
  Speaker 1: you know I've been doing that, you know, just kind
• 1:27:39
  Speaker 1: of you know, doing the you know, the romantic things
• 1:27:41
  Speaker 1: that a man should be, you know, buy her nice purses,
• 1:27:44
  Speaker 1: take her out the nice dinners, do things like that,
• 1:27:46
  Speaker 1: but Michael Cole, I no, no, Mike, No, Michael Cole
• 1:27:50
  Speaker 1: is my brother. It's more like more like, okay, okay,
• 1:27:54
  Speaker 1: you know what I'm saying, so so you know what
• 1:27:55
  Speaker 1: I'm saying, so you don't hand them up inness. You
• 1:27:57
  Speaker 1: know what I'm saying. But you know, something kind of
• 1:27:59
  Speaker 1: something kind of happened, you know. I guess like for everybody,
• 1:28:03
  Speaker 1: you know, kind of things kind of like just turn
• 1:28:05
  Speaker 1: for the worst, you know. Uh, you know, I came
• 1:28:07
  Speaker 1: home along one day from work and the doorlocks was changed,
• 1:28:11
  Speaker 1: and uh, I thought that was my weird and I
• 1:28:13
  Speaker 1: was like, yo, you know the doorlock has changed like
• 1:28:15
  Speaker 1: this something more like you need to talk about something,
• 1:28:18
  Speaker 1: and she basically was like acting like real like nahant,
• 1:28:21
  Speaker 1: like she don't know what I'm talking about? Yo, King,
• 1:28:24
  Speaker 1: Get to the point, King, call is that is that
• 1:28:30
  Speaker 1: I'm still paying for her rank while we're not together
• 1:28:33
  Speaker 1: no more right, And it's to the point where I
• 1:28:35
  Speaker 1: feel like it's it's it's in my best interest to
• 1:28:38
  Speaker 1: move on. But I really love her. I bought a ring.
• 1:28:40
  Speaker 1: I wanted to propose to her. We have two kids together.
• 1:28:44
  Speaker 1: You're trying to make it work, but it seems like
• 1:28:46
  Speaker 1: everything that I do. When it comes to paying her bills,
• 1:28:48
  Speaker 1: doing all of these nice things, it ain't really adding up.
• 1:28:51
  Speaker 1: Let me let me tell you first of all, that's
• 1:28:52
  Speaker 1: that's your first mistake. You can't buy somebody's love. You
• 1:28:55
  Speaker 1: can't buy somebody's trusting. That's what you seem like you're
• 1:28:57
  Speaker 1: trying to do. You're throwing money in there. You're buying bags,
• 1:29:00
  Speaker 1: buying shoes. You probably said this in an argument while
• 1:29:02
  Speaker 1: I'm buying you everything you want. That doesn't work. To
• 1:29:05
  Speaker 1: really get back into into her good graces, you have
• 1:29:07
  Speaker 1: to prove that you're not that person anymore. It's not
• 1:29:10
  Speaker 1: a man about buying anything. It's not about buying shoes
• 1:29:12
  Speaker 1: or buying bags or taking out to dinner. It's redating
• 1:29:16
  Speaker 1: and re establishing that trust, like the little things like
• 1:29:19
  Speaker 1: you know, have conversations. Open up your phone to her
• 1:29:22
  Speaker 1: to say, hey, look this is my phone code. I
• 1:29:24
  Speaker 1: would you know, I would never jeopardize my relationship anymore.
• 1:29:27
  Speaker 1: Let her start having that trust in you. Does she
• 1:29:29
  Speaker 1: have your code for your phone? Yeah? Absolutely? All right,
• 1:29:32
  Speaker 1: Well those are the things that you need to do.
• 1:29:33
  Speaker 1: Make sure she has the code to your Instagram. Let
• 1:29:35
  Speaker 1: her know, let her be comfortable with you going out
• 1:29:37
  Speaker 1: and feeling like I would never do this if you
• 1:29:39
  Speaker 1: go out with your boys. Hey, baby, you want to
• 1:29:41
  Speaker 1: come with me like make her feel comfortable. Let look,
• 1:29:43
  Speaker 1: I'm not that person anymore. I made a mistake. I apologize,
• 1:29:46
  Speaker 1: I'm sorry. I'll do anything that I have to do
• 1:29:48
  Speaker 1: to make sure that that you can start trusting me again.
• 1:29:51
  Speaker 1: But it's not gonna start what you trying to buy
• 1:29:53
  Speaker 1: love because when you try to buy love, exactly what
• 1:29:55
  Speaker 1: happens is she realizes that you're doing it. She keeps
• 1:29:58
  Speaker 1: accepting it and just using you for that, and you
• 1:30:01
  Speaker 1: know she's still not whatever's to the point whatever, It's
• 1:30:03
  Speaker 1: to the point where you're doing all of that, but um,
• 1:30:07
  Speaker 1: it's to the point where it's like, you know, there's
• 1:30:09
  Speaker 1: really no romantis, you know, romantis saism in the whole situation. Man,
• 1:30:14
  Speaker 1: she don't trust you because you're a Cheatah, bro, she
• 1:30:16
  Speaker 1: don't trust you because you're a cheating You put yourself
• 1:30:19
  Speaker 1: in that position. Okay, So the best apology is change behavior,
• 1:30:23
  Speaker 1: so she'll grow trust for you when you show her
• 1:30:25
  Speaker 1: that you ain't cheating no more. And I understand what
• 1:30:29
  Speaker 1: it's talking about, but f all that buy her everything too,
• 1:30:32
  Speaker 1: So change your behavior and ball out, all right, you
• 1:30:35
  Speaker 1: gotta do both. It's crazy. It's crazy though that happened
• 1:30:37
  Speaker 1: in twenty seventeen. It's twenty twenty, right, And that's the
• 1:30:40
  Speaker 1: problem too. What you gotta wreck because you're still cheating.
• 1:30:43
  Speaker 1: You can't tell somebody how to how to feel. Like
• 1:30:46
  Speaker 1: a lot of guys they said, like, I ain't cheating
• 1:30:48
  Speaker 1: the year. That doesn't mean she don't steal that. Bro,
• 1:30:50
  Speaker 1: he's still cheating. You're still cheating. Tell the truth. Let'ten
• 1:30:54
  Speaker 1: tell the truth between us. Tell the truth, my brother.
• 1:30:57
  Speaker 1: Tell the truth. I bought a ring. I bought a
• 1:30:59
  Speaker 1: ring my brother, So you know that something. So I
• 1:31:01
  Speaker 1: don't ask you that have you cheated since she cheated? Absolutely,
• 1:31:05
  Speaker 1: promise to God? Not promise to God? All right, good
• 1:31:09
  Speaker 1: because God know if you lying, and if you lying,
• 1:31:11
  Speaker 1: He's not gonna bless you what you want. That's the problem.
• 1:31:13
  Speaker 1: That's the problem that I'm handing right now is that
• 1:31:15
  Speaker 1: it's the fact that I'm working my ass off for it.
• 1:31:17
  Speaker 1: I ain't you know, I give her an answer. She
• 1:31:19
  Speaker 1: trying to take a mile, Well that's give her that mile, yes,
• 1:31:22
  Speaker 1: because any way, the same way you took that poem
• 1:31:24
  Speaker 1: poem from another woman. Your man should be able to
• 1:31:26
  Speaker 1: take that mile, So give her that mile and be
• 1:31:29
  Speaker 1: willing to go the extra mile for Okay, change your
• 1:31:32
  Speaker 1: behavior and ball out. But before you ball out, you
• 1:31:35
  Speaker 1: have to get to the side where you understand what
• 1:31:38
  Speaker 1: you did wrong and apologize. You just can't bawl out
• 1:31:40
  Speaker 1: because it'll be for nothing. Then when you get to
• 1:31:42
  Speaker 1: that point, then you boil out. Where enough? Where's the
• 1:31:45
  Speaker 1: point where enoughers enough? If I'm doing all of that
• 1:31:47
  Speaker 1: and I get we needed bro, you cheated, You ain't
• 1:31:50
  Speaker 1: no problem you did. Yeah, there's no time no time
• 1:31:54
  Speaker 1: limit when she can get over it. You did what's wrong?
• 1:31:57
  Speaker 1: You can't say okay, well I be still briething. Yes,
• 1:32:00
  Speaker 1: you think you just can't have unprotected sex with a
• 1:32:02
  Speaker 1: girl three years ago and they come back to her
• 1:32:04
  Speaker 1: and think she don't trust you. It's your fault. Okay.
• 1:32:10
  Speaker 1: Like Belie Yoga said, step up, have a blest day,
• 1:32:14
  Speaker 1: Have a blessed day, brother, good luck as cne eight
• 1:32:19
  Speaker 1: hundred five eight five one O five one. So don't move.
• 1:32:22
  Speaker 1: It's to breakfast slogan Morning morning. Everybody is DJ Envy
• 1:32:25
  Speaker 1: Angela Yee Charlemagne the God. We are the Breakfast Club.
• 1:32:28
  Speaker 1: Now leave us on a positive note. Hey, listen man.
• 1:32:31
  Speaker 1: My positive notice simply this, people demand freedom of speech
• 1:32:35
  Speaker 1: as a compensation for the freedom of thought, which they
• 1:32:37
  Speaker 1: seldom use. The Breakfast Club