Latest / A School for Greybeards; or, The Mourning Bride / Act 4
Transcript
- 0:00Act four of A School for Graybeards or The Morning Bride by Hannah Cowley.
- 0:06This is a LibriVox recording. All LibriVox recordings are in the public domain.
- 0:12For more information or to volunteer, please visit LibriVox dot org. Act four
- 0:20see Seraphina's Apartment inter Seraphina followed by Octavio. It is in vain and so
- 0:29charmingviola, why are you so barbarous? Is it not by your own permission?
- 0:34I attend you? Yes, I know it is. But what if
- 0:39that when the sun shone I liked you, and now by candlelight I hate
- 0:44you? Do go? I will not be teased. This is so singular,
- 0:51What that a woman should change her mind since morning? You, I
- 0:55suppose, are so wonderfully constant that you change yours only with the moon.
- 1:00Do not suspect me a fickleness. Permit me to prove my constancy impossible?
- 1:07Impossible? How so I see, I must tell you to avoid altercation.
- 1:14Be pleased to know, then, sir, that there is nothing on earth
- 1:18I detest like this sober, quiet, prudent method of loving. Your vows
- 1:23have a father's approbation. You are expected you enter the house without difficulty,
- 1:30You yawn through an hour of commonplace. The wedding day is fixed, and
- 1:34we go to church to be married in the same humdrum stupid way that millions
- 1:40of dull couples have done before us. No, no, this I cannot
- 1:46submit to Believe me, Octavio, aside ah tis plain we were born for
- 1:53each other. We think so exactly alike these I confess our misfortunes. But
- 2:00how in our case are they to be avoided? If you are really in
- 2:04earnest in your love, you must contrive to make Don Alexis hate you.
- 2:08Let him throw a thousand difficulties in the way, and then I'll throw myself
- 2:14into your arms. Oh that ecstatic promise. But your father is unhappily attached
- 2:21to our marriage. What the devil can I do to make him set his
- 2:24face against it? I fear it is impossible, Poor Don Octavio, Then
- 2:30you have no hopes, for I do swear by everything that can bind me.
- 2:35Whilst Don Alexis approves of our nuptials, I will never be yours.
- 2:40I'll bribe fellows to slander me. Was ever so unhappy a dilemma, I
- 2:46thought his approbation till this moment a blessing. But now I would willingly make
- 2:51him shut his doors against me and confine you to a grated room with a
- 2:55dozen smoke dried duennasigard you. Then, indeed things would go on gloriously.
- 3:02You would be sighing and groaning without, and I should be weeping and wailing
- 3:07within. Then for plots and contrivances, Then for bribes and scaling ladders,
- 3:15Then for escapes and pursuits. Oh what would I not do for a man
- 3:20who should bring me into such blissful difficulties? I swear you shall be obeyed
- 3:25whatever I hazard aside. Who knows, but an elopement may finish the affair
- 3:31short of marriage a bustle without the door opens a little and discovers Carlotta struggling
- 3:38to keep out Alexis. I tell you, missus brazen, I will be
- 3:44amongst them. Bless me, sir, How can you be so barbarous to
- 3:49disturb the young people? There's done, Alexis. Now begin your talk directly
- 3:54prevent his coming in. If he enters, I never will be yours.
- 4:00Let me in, I say, pardon me, sir. You must not
- 4:03come in, go in to the door, must not come in, or
- 4:09you young dog? Well, well tell me then? Is she kind?
- 4:15Hey, my little Octi? Is she kind? Not quite so kind as
- 4:18I wish her to be? Oh a jade, you slut, you,
- 4:24you perverse baggage. I will have you kind to Octavio. Octavio aside,
- 4:30devil take him? Why does he not better dismiss me? Then she'd fly
- 4:34to my bosom arcty rcty struggling with Carlotta. Have you kissed her yet?
- 4:43No? Then you shall I will see you kiss her. By jove,
- 4:47Lord, sir, how can you be so rambustus came in? I will
- 4:54Sarah Fina aside, then go out? I must exit. So what's she
- 5:01off? Bursting in? Off? Yes, and now I'll be off.
- 5:06What woman of delicacy could bear to be thus treated? Or what? Father?
- 5:12But you going? Now? Dear acty, do not be angry.
- 5:18Do not be angry. You have the character of one of the civilist politest,
- 5:24discreetest. The character lies, sir. I am none of these.
- 5:29I am rude, ill natured, unjust, fickle and full of extravagance.
- 5:33Hey day, why I believe you are full of wine too. I am
- 5:39everything you ought to dread. You could not, in all Lisbon have picked
- 5:43out so hopeless a husband for your daughter. Oh lord, no, you
- 5:48are a very hopeful young gentleman. The character you have given of yourself would
- 5:55suit ye all I doubt. But you seem so intimate with your fallt that
- 6:00like a stale acquaintance, they'll soon discuss thee. Therefore, fickle, drunk
- 6:06or mad, my daughter shall be your wife? Are you so obstinate,
- 6:13sir? I? And if she dares demure? Oh I am ruined.
- 6:18If you persist, I am ruined. Dear Donald Lexis, pardon me.
- 6:25I see my scheme was ridiculous. That better strikes me In one word,
- 6:30stay, let's take care. We are not hurt. In one word,
- 6:33you and I must both be in a plot against your lovely capricious daughter.
- 6:39Oh now, her vivacity renders a stupid, formal, alloud courtship intolerable to
- 6:45her. If you persist in countenancing my addresses, she will hate me.
- 6:50But if you order her to see me no more and allow me to steal
- 6:55her out of a window or over the garden wall, she'll be the happy
- 7:00bride in Portugal? Do you say so? Oh? Up, aerverse baggage.
- 7:05But I'll fit her, won't love ye merely because I order her to
- 7:11do it? That she had from her mother. You must conceal your knowledge
- 7:15of that, fir. Do you imagine I don't see your whole drift?
- 7:19Now? If you was to continue talking a lapland winter, you could not
- 7:26make the hint clearer. Yeah, she's coming, and my wife with her.
- 7:30So do you hear you? Signor Don Octavio speaking loudly? You are,
- 7:38I say you are. You shall know what you are another time for
- 7:43the present. That's your way, sir, That your way out, and
- 7:47I'll be sworn ye shall never know the way in pushing him out. Inter
- 7:53Seraphina and Viola, Why my dear husband is so mere a gudgeon? There's
- 7:59no reddit and deceiving him to Viola? Now remember your lesson, So,
- 8:05mistress, I have dispatched your lover, have you, sir? The young
- 8:11rake? Shame you're not liking him proves you have your father's penetration, notwithstanding
- 8:20his modest front. There's not such a desperate fellow this side of the Ganges.
- 8:24No, not the other side the Black Sea. My sweet love,
- 8:30are you speaking of Don Octavio. Yes, I am take care. You
- 8:35give him no encouragement, do ye hear, girl? No whisperings from your
- 8:39balcony. No private correspondences, no belaise dropped by your officies, made on
- 8:46pretense they are meant for some charedy Pagd's country cousin, Dear sir. No
- 8:52penciled asignations on the back of your fan, or cards in lemon juice to
- 8:56be called on detection, secret orders to your perfume for pearl powder and bloom
- 9:01of circassia. How can you put such things in the girl's head, dearie,
- 9:07alexis aside that her fingers may put them in practice, to be sure.
- 9:13But you are not up to me there, dearie. But a few
- 9:16minutes since you were fearful sir, that he was not received with sufficient favor.
- 9:22That was that well, no matter that was perhaps to try how far
- 9:28things had gone. Oh, I beg your pardon. The curtain rises and
- 9:35we see the sun. Now I understand your policy. How admirable you middle
- 9:41aged gentlemen are so deep that tis difficult to sifty aye, And when we
- 9:46are sifted, you are found to be chaff. Poor dear Don Octavio,
- 9:52send him a garland of willows viola rather of myrtles. He's too handsome for
- 9:58willows. Handsome he is, they're handsome. Does remember that? Why,
- 10:05sir? He does handsomely. He has traveled handsomely, has a handsome estate,
- 10:11has brought home a handsome character, and now wishes for a handsome wife.
- 10:16Aye, but he must go further afield to catch her. Though he'll
- 10:22find neither wives nor wigeons in my orchard. No, our wigeons are all
- 10:26within doors. Unfortunate that I am just made up my mind to dismiss Sebastian,
- 10:33nay, absolutely to dislike him. And now and now, why now
- 10:41you must make up your mind of the way. Perhaps in my present humor
- 10:46of the two fools are like Sebastian best. But that humor must change,
- 10:52for I can never think of those two young men as you do, my
- 10:54dear father. Thoughts are free. Daughter side Dad, I could hug her.
- 11:03You see, your father generously leaves your thoughts unshackled, My dear,
- 11:07he only desires to control your actions. Pray, oblige him and take Sebastion
- 11:15Alexis aside loned. She knows nothing of our plot, and gives that advice
- 11:20seriously. He is a most accomplished young man wife, engaging in his manners
- 11:28and resistless in his form. My dear, I say, his eyes are
- 11:35expressive, and his tongue is eloquent. Alexis aside the devil's in your tongue.
- 11:43You don't know what you are talking of. I do, indeed perfectly.
- 11:48In short viola, he is so amiable, so captivating, and loves
- 11:54you with such unbounded fondness that if you marry any other, your misery ought
- 11:58to eat equal your ingratitude. Gad, she speaks with an air of too
- 12:05much conviction. This must be managed more nicely. To your chamber, hussey,
- 12:09and try to forget Octavio. Pushin Afiola, and remember your Sebastian.
- 12:16Let him be present to you, waking and sleeping, Let him zoons,
- 12:22let him alone, driving her off. On the other side, you may
- 12:26be doing mischief all this while. I dare not let her into my plot,
- 12:31lest her perverseness or her folly should mar it. And yet I think,
- 12:37no, hang it, I won't. I won't. The only plot
- 12:41that ever had a woman in it came to nothing. I'll conduct this solely
- 12:45by my own sagacity, and have a hearty laugh at the poor fools when
- 12:48all is over. Ha ha ha ha ha ha exit laughing. Seen an
- 12:56elegant apartment at Don Gaspar's illuminated Rachel enters first, followed by Gasper, Antonia,
- 13:03Clara and a number of ladies. Rachael looking back, bless us.
- 13:09The approach of the ceremony has made my master half out of his senses.
- 13:15The poor bride too seems half out of hers, but not with joy.
- 13:18If I may guess, Don Gasper caepering in and singing, tired of dance
- 13:24and song and play. Now we en thou wedding day, Yes, yes,
- 13:30now for the ceremony, Come red, pitty bed. The priest is
- 13:33waiting in the next room to make thee the happiest girl in Portugal, strutting
- 13:39in ten minutes, thou wilt be the wife of Don Gasper the Frontado Antonia
- 13:43aside, Oh heaven, where is Henry? Rachel? My soul sinks within
- 13:50me, truly mine is not very high. Heyday, what's all this about?
- 13:56What? She must be coaxed? Now? I warrant they all love
- 14:01coaxing. Come now, my pretty Tony my now, little TONI taking her
- 14:05under his arms, Antonia breaking from him. Henry, Henry, where art
- 14:13thou? Oh he mocks me. Come, let us to the priest and
- 14:18tie the knot which even Alexander, who cut the guardian, will never be
- 14:22able to destroy. Henri without where is he the bridegroom, the happy bridegroom.
- 14:31Oh, my heart, he has come. Here, he is,
- 14:35Here is the happy bridegroom. Henri enters. Come. You are just in
- 14:39time to witness the ceremony. The priest waits to join us in his rosy
- 14:43bands. Look at her, hum, oh, you sweet little there are
- 14:50smiles and blushes for you. Look at her there, like those of Aurora
- 14:56when she flies before the jolly God of Day. And I, at the
- 15:00jolly God of Day, pursue her but charming and Tonio. The blissful fate
- 15:05which awaits you must be postponed a few hours, Oh, sir, I
- 15:09am sent sent about what from whom Will sends you to postpone? And Tony
- 15:16is bliss it is happy. I have a token to convince you here,
- 15:22sir. Do you know this great seal ring? The impression is stay?
- 15:28Can you see it? Take in a candle. The impression is a satyr.
- 15:33Look at his horns. The devil's in such luck. A man on
- 15:39the wrong side of fifty or so kept marry, but at every turn he
- 15:41has horns and his teeth. If he is invited to a tavern, that
- 15:46dinner is sure to be at the horns. They'll wake me with horns to
- 15:50borrow morning. Nay, I am even kept from the ceremony to night to
- 15:54be regaled with the fight of horns. Antonia de Clara can be the purport
- 16:00of the ring. I can hardly breathe through terror. Do you know them,
- 16:04sir? Know them? Yes? They are Dona Alexis's horns, not
- 16:10mine. It is his ring. But what have I to do with it
- 16:14any more with the ring of Saturn or the belt of Jupiter. If you
- 16:18are for rings, you shall see one presently taking Antonia's hand on this waxen
- 16:25finger. That you will not hear me, sir. This is a token
- 16:30from Don Alexis. Observe me, sir, a token by which you are
- 16:36required, as counselor of the realm, to meet Don Alexis immediately at his
- 16:40own house on affairs of imminent importance. Meet Don Alexis. What is he
- 16:45mad? Or are you mad? Or does he think me mad? Go
- 16:51prithy. I'll meet him tomorrow, seizing Antonia's hand, my service to his
- 16:56night cap, going man to morrow. Why all our throats may be cut
- 17:02by tomorrow? Hey throats cut? Why, sir, there's a plot,
- 17:08a plot, a plot. Claire to Antonia. Now I have his design,
- 17:17my dear Don Gasper. At a juncture so important, every selfish consideration
- 17:22must be annihilated. Should our discontented citizens take arms? Nay for aught?
- 17:29I know there are in arms already arms. Well, what can I do?
- 17:33Fight? Dog, fight bear? I'll be married, going Rachel dropping
- 17:40on her knee. Oh, dear sir, There'll be nothing but rapes and
- 17:45murder. I'll take pity on us, poor virgin sir, and go,
- 17:49don't be a fool striving to get free. Consider, sir, the good
- 17:55of the nation. Ay, sir, the good of the nation. What
- 17:59wouldn't it? What do you do for the good of the nation. Good
- 18:03of the nation will be ashamed? Go go Jolio and vote for me.
- 18:07I'll make you my proxy, your proxy, there, sir, no,
- 18:12no excuse me, but hasten whilst you dally or Lisbon may be fired.
- 18:19If there's such danger. I'm safest here to Antonia, ain't they doc Oh
- 18:26sir, if you can resist the calls of honor, do not resist me.
- 18:32To marry in the midst of such horrible apprehensions is impossible, And my
- 18:37fears are so great they will destroy me. Sweet DoD gaspar go Nay,
- 18:44then come, my dear nephew, let us go together. But the step
- 18:48will I move without you? Henry, you sighed, no miserable to be
- 18:53thus circumvented. Had I not better stay here? To God that stay here?
- 19:00Oh, you are a toutiful nephew. No, sir, you shall
- 19:03guide me if I stir. But I won't stir by all fight on Julio
- 19:08surely will not defend your uncle. Leave him in the street and return instantly
- 19:14apart a jew. Sweet bridegroom, helping to get him out, speak quickly
- 19:22back, looking after them. Ah, but fine, then Sonia gone,
- 19:30dear liberty, I hail thee oh Rachel. Now I claim thy promise,
- 19:37assesst my flight, and make thy terms unfortune follow follow me exit. I
- 19:45will, but let me consider first what I have engaged to do to make
- 19:49my fortune. Why I am to assist a pretty girl to run away from
- 19:55an old husband to a young one, from age goud and petulance to youth,
- 20:00health and glowing love. Aye that I will, or may I never
- 20:06arrive at higher honor than to attend missus in their bibs and ancient maidens in
- 20:10their spectacles in the vect four