Latest / Cuff’s Basement / The Pogues Tournament part 2

Transcript

The Pogues Tournament part 2 · Cuff’s Basement

• 0:00
  Speaker 1: This podcast is brought to you by Lunar Grace Ministries.
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  Speaker 1: Pastor Rich went to the Moon. He confronted a demonic
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  Speaker 1: the telepathic defenses, the entire ministry, it takes resources. So
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  Speaker 1: what Pastor Rich has done for you? For all of us?
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  Speaker 1: Because appreciation isn't a feeling, it's an action. Visit Lunar
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  Speaker 1: Graceministries dot com and give today, show that victory actually
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  Speaker 1: meant something to you.
• 0:54
  Speaker 2: Show Potato why twisted Half And at the end of
• 1:04
  Speaker 2: the lane they spotted a code on the breakery stage,
• 1:06
  Speaker 2: I'll be man love, come and claim me cold.
• 1:09
  Speaker 1: So they rolled up sleeves.
• 1:11
  Speaker 3: Groups Bye, Sis Bowl, Show, Potato shows Trickster.
• 1:22
  Speaker 4: And none of us are perfect. Whole body's nerfcts.
• 1:29
  Speaker 1: Their name Nobody's nervefect Man. Welcome back, Talk Coast Basement.
• 1:37
  Speaker 1: My name is ireland O Potato and I'll be your
• 1:41
  Speaker 1: host today. All right, hey everyone, No Chucky, no, no,
• 1:46
  Speaker 1: go away, just jumped on the keyboard. All right, yeah, Ryan,
• 1:54
  Speaker 1: Ryan actually witnessed this on the on the line. I
• 1:59
  Speaker 1: was getting set up and Chucky jumped on my keyboard.
• 2:02
  Speaker 1: This is when we first started recording, just coincidentally as
• 2:04
  Speaker 1: shining shining, yikes, shining, as Shannon was walking down the
• 2:09
  Speaker 1: stairs and I said to Chucky, fuck off. And Shannon
• 2:13
  Speaker 1: goes whoa because she thought it was I was talking
• 2:16
  Speaker 1: to her for walking into the basement, but she's used
• 2:19
  Speaker 1: to that by now. Welcome back, Laddie. I feel like
• 2:29
  Speaker 1: I should be way drunker, but it's a school night,
• 2:31
  Speaker 1: and also i'm old. All right, yeah, we're going with Also,
• 2:40
  Speaker 1: I dropped these on the ground and I really think
• 2:45
  Speaker 1: that I may have screwed up what is in the list,
• 2:48
  Speaker 1: But whatever, we'll see what happens. Okay, Now, Ryan, you
• 2:57
  Speaker 1: didn't feel very strongly about the broad magic Shannon and
• 3:02
  Speaker 1: I forgot to do it. Rainy Night in soho so
• 3:04
  Speaker 1: Rainy Knight and Soho is now going to be he
• 3:07
  Speaker 1: is now going to replace the BROBM Jessic Shannon. So
• 3:09
  Speaker 1: we have Rainy Knight and Soho to start versus Whiskey
• 3:12
  Speaker 1: You're the Devil.
• 3:21
  Speaker 4: Whiskey. I think rain Night and so was one of
• 3:26
  Speaker 4: the best songs ever written. I could see though. I
• 3:30
  Speaker 4: think it's an extraordinary song. Also, the video is fantastic.
• 3:38
  Speaker 4: I'm gonna go with it because we're in the hard
• 3:40
  Speaker 4: cut section. Yeah, Whiskey of the Devil is tremendous, so good.
• 3:46
  Speaker 4: Different energies both songs.
• 3:48
  Speaker 1: Very, You're sweeter, stronger, decenter, You're spunkier than tea whiskey.
• 3:53
  Speaker 1: You're my darling drunk or sober. Rain Knight and Soho
• 3:57
  Speaker 1: will move on? Was here the Devil. You can go
• 4:01
  Speaker 1: to Hell. Get it all right. Next is White City,
• 4:08
  Speaker 1: where the Patties and the frogs came to gamble on
• 4:11
  Speaker 1: the dogs. Frogs is a racial slur for French people,
• 4:16
  Speaker 1: and it is against the one and only streams of Whiskey.
• 4:26
  Speaker 4: I love White Today, but streams with Wizard I.
• 4:29
  Speaker 1: Would also go with streams of Whiskey. White City is great.
• 4:34
  Speaker 1: The imagery of the dog park and sweet City of
• 4:39
  Speaker 1: my dreams of speed and skill and schemes like Atlantis.
• 4:43
  Speaker 1: You just disappeared from view, and the hair upon the
• 4:46
  Speaker 1: wire has been burnt upon the pyre. The hair upon
• 4:50
  Speaker 1: the wire is the dog's chase, a mechanical rabbit so
• 4:55
  Speaker 1: to get them to race. So that's that reference. Okay,
• 4:58
  Speaker 1: the hair upon the wire has been burnt upon the
• 5:00
  Speaker 1: I like the black dog that went once raced out
• 5:02
  Speaker 1: from track two. Just great, great, okay, streams of whiskey. However,
• 5:11
  Speaker 1: it's moving on and we have next Ryan, Ryan mcdonod.
• 5:21
  Speaker 5: So right.
• 5:22
  Speaker 1: For those who don't know, Mick mc is Irish, which
• 5:26
  Speaker 1: is why it's a slang racial slang term, derogatory term
• 5:30
  Speaker 1: for Irish people, where mac m a c is Scottish. Yeah,
• 5:35
  Speaker 1: that's why Ryan is McDonald's all right. It is the
• 5:40
  Speaker 1: leaving of Liverpool. The greaves me versus the bottle of
• 5:45
  Speaker 1: a bottle of smoke.
• 5:48
  Speaker 4: Bottle of smoke.
• 5:50
  Speaker 1: I gotta go bottle of smoke as well, But my darling,
• 5:55
  Speaker 1: I think all right. Leaving of Liverpool is a traditional
• 6:00
  Speaker 1: I believe leaving Liverpool run one last round, but I
• 6:03
  Speaker 1: wasn't sure about it because I dropped everything onto the ground.
• 6:08
  Speaker 1: Next one Waxes Dargle versus O Man trans Metropolitan.
• 6:19
  Speaker 5: Love both of these, Yeah, trans Metropolitan.
• 6:27
  Speaker 1: Both I I honestly these are both so good.
• 6:32
  Speaker 4: Yeah, and they both have a very similar similar feel.
• 6:38
  Speaker 4: The last third of Waxes Darkle is just like fucking wow.
• 6:43
  Speaker 4: So I'm gonna go with it. Waxes Doggle fucking okay.
• 6:47
  Speaker 1: I I'm gonna be okay with that. Waxes Dargle will
• 6:51
  Speaker 1: move on just to shout out trans Metropolitan. So there's
• 6:54
  Speaker 1: an opening episode of the Wire where McNulty is in
• 6:58
  Speaker 1: his like high level alcoholism phase and he's blasting He's
• 7:05
  Speaker 1: in his detective car, he's blasting trans Metropolitan. He's blacked
• 7:11
  Speaker 1: out drunk. He gets into an accident, I believe, and
• 7:15
  Speaker 1: then he then later he goes to a diner and
• 7:17
  Speaker 1: he's like fucking a waitress on his car in public,
• 7:21
  Speaker 1: and two beat cops come by and they go like whoa,
• 7:24
  Speaker 1: and he just pulls out a badge and flashes it
• 7:26
  Speaker 1: and they turn around and walk away.
• 7:28
  Speaker 4: Is that the famous line you can have anything you want?
• 7:31
  Speaker 1: Yes, yes, yes, When he is wait, you know, have.
• 7:36
  Speaker 4: You seen at the fire on YouTube? Because remember when
• 7:40
  Speaker 4: after he crashes the car. I did not know this
• 7:42
  Speaker 4: song was in that part. Wow, he gets out of
• 7:45
  Speaker 4: the car and it's almost like he just starts moving
• 7:47
  Speaker 4: his arms like he is like trying to like re
• 7:50
  Speaker 4: like understand what happened. And someone did it to like
• 7:55
  Speaker 4: remember the scene in Fast and Furious when like Vin
• 7:57
  Speaker 4: Diesel sees the accident happen like through the street marks
• 8:01
  Speaker 4: and he sees what happened to Letty on the street
• 8:04
  Speaker 4: marks and Fast and Furious for yes, like he can
• 8:06
  Speaker 4: just tell from the marks in the road exactly what
• 8:08
  Speaker 4: people said.
• 8:10
  Speaker 1: Yeah, yeah, he can sents it like he has a superpower.
• 8:14
  Speaker 4: So someone like put the footage of McNulty doing that
• 8:16
  Speaker 4: with like with what happened to Letty? I thought that
• 8:18
  Speaker 4: was genius, was amazing. Oh yeah.
• 8:23
  Speaker 1: But so transmetro Politan is a song about getting just
• 8:27
  Speaker 1: tearing up London and just getting hammered and going to
• 8:29
  Speaker 1: all these very specific places like from a five pound
• 8:34
  Speaker 1: bat in Williams Hills to a Soho sex shop dream
• 8:37
  Speaker 1: from a Frida egg in Voltaro's to a Tottenham Road
• 8:40
  Speaker 1: ice cream. So he's talking about all these specific places
• 8:42
  Speaker 1: in London. But we'll drink the rats, piss, kick the shite.
• 8:47
  Speaker 1: No one's going home tonight. But my favorite line in
• 8:50
  Speaker 1: trans Metropolitan is which you could say this for any
• 8:54
  Speaker 1: city that you're from. I could say this about Boston.
• 8:57
  Speaker 1: This town has done as dirty, this town has bled
• 8:59
  Speaker 1: as dry. We've been here for a long time, and
• 9:01
  Speaker 1: we'll be here till we die. So we'll finish off
• 9:04
  Speaker 1: the leavings of blood and glue and beer and burn
• 9:07
  Speaker 1: this bloody city down in the every summer of the year.
• 9:11
  Speaker 1: Fantastic song, one of my all time favorite polk songs.
• 9:13
  Speaker 4: What a great for an album. Amazing opening for it, and.
• 9:17
  Speaker 1: It starts really quiet and slow, and then it gets
• 9:19
  Speaker 1: faster and faster and faster. Yeah, okay. Next we got
• 9:26
  Speaker 1: the Irish Rover versus you're the one.
• 9:38
  Speaker 4: I personally like you're the one better, but I again,
• 9:42
  Speaker 4: I'm not like.
• 9:43
  Speaker 1: I'm okay, I'm okay with that. We'll talk about your
• 9:45
  Speaker 1: other one later. Irish Rover is going away and the
• 9:49
  Speaker 1: ship struck a rock. Oh lord, what a shuck the
• 9:52
  Speaker 1: bone nearly turn right over, turn nine times around, and
• 10:01
  Speaker 1: the poor old dog was drowned. Ryan two three, I'm
• 10:07
  Speaker 1: the last of the Irish Rover. All right, Oh this
• 10:14
  Speaker 1: is gonna be tough. Wait, do I have the wrong
• 10:18
  Speaker 1: number in here?
• 10:19
  Speaker 4: On?
• 10:19
  Speaker 1: This is what I was fearing.
• 10:22
  Speaker 4: This is what I was fearing, Ryan, It's okay, Wait
• 10:26
  Speaker 4: are you which which container? Are you using? Gordon's choice
• 10:29
  Speaker 4: or the cat food one?
• 10:31
  Speaker 1: So I actually this My basement is in a state
• 10:33
  Speaker 1: of disarray. There's clothes everywhere, and I didn't want to
• 10:36
  Speaker 1: move the clothes and risk them falling. So I'm using
• 10:40
  Speaker 1: just like a plastic a new pink plastic container.
• 10:43
  Speaker 4: Okay, I'm sorry to disappoint you. It makes the difference.
• 10:47
  Speaker 4: It's just the imagine. The swording is different with the containers.
• 10:52
  Speaker 1: Somehow, I'm actually using the swording hat from Harry Potter.
• 10:57
  Speaker 4: Oh it's the Irish intro over you think, yep. Yeah.
• 11:03
  Speaker 1: Actually I came down here the other day and the
• 11:05
  Speaker 1: sorting hat was having sex with the dune popcorn bucket.
• 11:09
  Speaker 4: Who wouldn't Who wouldn't?
• 11:14
  Speaker 1: You haven't felt anything until you felt that. But Sally
• 11:18
  Speaker 1: maclanan versus if I should fall from grace.
• 11:21
  Speaker 4: With God, I personally would do if I should fall
• 11:25
  Speaker 4: from grace with God. I'm just more familiar with it.
• 11:27
  Speaker 4: I'd like Sly maclennon.
• 11:28
  Speaker 1: But Salam maclanan is amazing. It's the most Saint patrick'sde
• 11:34
  Speaker 1: of any of these songs. So put that on your playlist.
• 11:38
  Speaker 1: So the great There's Little Boozer into Sally MacLennan. Jimmy
• 11:42
  Speaker 1: played harmonica in the pub where I was born. He
• 11:46
  Speaker 1: slew the souls of Psychos. Yeah, just just beautiful, beautiful song.
• 11:52
  Speaker 1: Samim Machlin and me singing them a song of times
• 11:57
  Speaker 1: long gone that we knew we'd be singing it again
• 12:00
  Speaker 1: versus fresh fresh, fresh fall from Gres for God. Okay,
• 12:05
  Speaker 1: next is.
• 12:07
  Speaker 4: All right?
• 12:08
  Speaker 1: So somehow I ended up with an uneven amount because
• 12:11
  Speaker 1: I dropped it on the floor. So we're gonna, We're gonna, Oh,
• 12:14
  Speaker 1: this is gonna be a three way dance. As they
• 12:16
  Speaker 1: say in the world of professional wrestling. How many do
• 12:19
  Speaker 1: I have right now? I want to make sure we
• 12:20
  Speaker 1: have the right one? Two, three, four, five, six, all right,
• 12:24
  Speaker 1: three way dance the body of an American Okay, boat
• 12:29
  Speaker 1: train and the donatee all express shit. I would how
• 12:37
  Speaker 1: about you eliminate one of those and I'll eliminate the
• 12:39
  Speaker 1: other one.
• 12:43
  Speaker 4: I hate to say it, I would eliminate boat train.
• 12:44
  Speaker 1: Of those three boat train, Okay, I want to talk
• 12:48
  Speaker 1: about this. Boatrain is so great. It's about They have
• 12:52
  Speaker 1: several songs that are about drinking all day and getting hammered,
• 12:55
  Speaker 1: but Boutrain is the king of those. Boutrain is about
• 13:00
  Speaker 1: adding absolutely fucking shitfaced and then taking the ferry from
• 13:04
  Speaker 1: England to Ireland, and that is what the boat Train
• 13:07
  Speaker 1: is now. During the recording of this, because Elvis Costello
• 13:11
  Speaker 1: was like a perfectionist and he stopped working with them later,
• 13:17
  Speaker 1: so in the recording of this, Shane actually screws up
• 13:21
  Speaker 1: the lyrics and repeats one of the verses later on
• 13:25
  Speaker 1: because he was so hammered. Yeah, this came out on.
• 13:30
  Speaker 4: Was this?
• 13:30
  Speaker 1: Was this a peace in love?
• 13:34
  Speaker 4: Yes? The boxing one, yep.
• 13:36
  Speaker 1: Yeah, and they just never fixed it, even though it's
• 13:39
  Speaker 1: a studio recording. So he screws up the lyrics in
• 13:41
  Speaker 1: the recording on the album and you can actually listen
• 13:44
  Speaker 1: to a B side where the recordings are the lyrics
• 13:47
  Speaker 1: are recorded correctly, and I think it's better. The B
• 13:49
  Speaker 1: side is actually better. There's a collection of their B
• 13:52
  Speaker 1: sides that I have. It's like a six disc set.
• 13:55
  Speaker 1: But I met with Napper Tandy and I shook them
• 13:59
  Speaker 1: by the hand. So Napper Tandy. That's not real, because
• 14:02
  Speaker 1: Napper Tandy is a historical figure. Napper Candy is. See,
• 14:11
  Speaker 1: there's so many Irish bars called Nappertandy's. James Napper Tandy
• 14:16
  Speaker 1: was an Irish revolutionary and founder of the United Irishman.
• 14:20
  Speaker 1: He lived from seventeen thirty nine to eighteen oh three.
• 14:23
  Speaker 1: So I met with Nappertandy and shook him by the hand.
• 14:26
  Speaker 1: He said, hold me up for Christ's sakes, for I
• 14:28
  Speaker 1: can hardly stand. The most disgraceful journey which I have
• 14:31
  Speaker 1: ever been was the last time that I traveled on
• 14:33
  Speaker 1: the boat train. I had a couple of drinks in town,
• 14:36
  Speaker 1: a few more at the port. So let's say, okay,
• 14:39
  Speaker 1: so let's do a count. Here Ryan a couple of
• 14:41
  Speaker 1: drinks intown, two few more at the port while he's
• 14:43
  Speaker 1: waiting for the boat. Let's say we're at five. To
• 14:47
  Speaker 1: be charitable, I puked up on the gangway, but some
• 14:50
  Speaker 1: kind folks helped me board. They sat me at a table,
• 14:53
  Speaker 1: poured whiskey down my throat. And then this is when
• 14:56
  Speaker 1: he screws up, sat me at a table and I
• 14:57
  Speaker 1: lost me watching coat. So he's at like, let's say
• 15:00
  Speaker 1: day six or seven, let's say seven. First we had
• 15:02
  Speaker 1: some whiskey, so that was you already talked about that.
• 15:05
  Speaker 1: Then we had some gin. Then we had tequila. I
• 15:07
  Speaker 1: think that's what did me in. Then we had some
• 15:09
  Speaker 1: brandy and the women had a dance. The steward then
• 15:12
  Speaker 1: announced we could play a game of chance, and this
• 15:15
  Speaker 1: is because they're in open water where it's like no
• 15:18
  Speaker 1: longer governed by a country's loss, so they can gamble.
• 15:22
  Speaker 1: At this point, we crowded around the table with money
• 15:25
  Speaker 1: in our hands. I ended up on the other side
• 15:27
  Speaker 1: without a penny in my pants, so we lost all
• 15:29
  Speaker 1: of his money gambling. Woke up in the toilet. When
• 15:31
  Speaker 1: we got to Holy Head. Holy Head is where the
• 15:34
  Speaker 1: ferry arrives. The doors they were a banging and I
• 15:36
  Speaker 1: wish that I was dead. So people were trying to
• 15:39
  Speaker 1: get in the bathroom, like what are you still doing
• 15:41
  Speaker 1: in there? Then we went through customs a couple of
• 15:44
  Speaker 1: credited thugs. First they looked for bombs and guns, then
• 15:47
  Speaker 1: they looked for drugs. They stuck a flashlight up my
• 15:50
  Speaker 1: ass told some Irish jokes, said fuck off now, Petty,
• 15:54
  Speaker 1: said fuck off now, Patty. So I headed for a
• 15:56
  Speaker 1: smoke on the boat train. So we got on board
• 16:02
  Speaker 1: the train and we had a drink or two, started
• 16:04
  Speaker 1: playing poker, but the booze ran out at Crewe. Some
• 16:07
  Speaker 1: people started sleeping. Others looked for douty Free, which means
• 16:11
  Speaker 1: they ran out of booze like they drank the entire
• 16:14
  Speaker 1: boat dry at the bar. So they went to duty
• 16:16
  Speaker 1: Free to try to buy more booze. Some bastards started
• 16:21
  Speaker 1: singing the little Catters by the Lea. He then sang
• 16:23
  Speaker 1: paper Rosa's Booglevoo Aleena arroue. Somebody started slacking off the
• 16:26
  Speaker 1: Packe's and the Jews. Found a bottle of whiskey, found
• 16:29
  Speaker 1: a bottle of gin, sat down in the corner and
• 16:31
  Speaker 1: I read the daily News. First I drank the whiskey,
• 16:36
  Speaker 1: then I drank the gin. Tried to make the toilet,
• 16:38
  Speaker 1: but I broke my fucking shin. Next thing I knew,
• 16:40
  Speaker 1: I was in London in the rain, staggering up the
• 16:43
  Speaker 1: platform on the boat train. So he arrived. But there
• 16:47
  Speaker 1: was a lot, a lot of drinking involved in that song,
• 16:52
  Speaker 1: so you eliminated the boat train rip fucking great song
• 16:56
  Speaker 1: and Body of an American versus Johnny gall Express. I
• 16:59
  Speaker 1: have to go body of an American. But the Doneygall
• 17:01
  Speaker 1: Express is my favorite Pope's song, and every every poke
• 17:09
  Speaker 1: song on this list has an amazing line. He has
• 17:12
  Speaker 1: the line a shit, a shave, a shower, half a
• 17:15
  Speaker 1: pint of powers, So that's how he starts his day,
• 17:18
  Speaker 1: shit shape, shower, half a pint of whiskey, because Powers
• 17:22
  Speaker 1: is a famous Irish whiskey. But the chorus is what
• 17:26
  Speaker 1: Joe loved. He says, Kahiah, you fuck come hell or
• 17:31
  Speaker 1: high water. I might have fucked your missus, but I
• 17:34
  Speaker 1: never fucked your daughter Italy. Uh So Joe used to
• 17:37
  Speaker 1: always get drunk and then yell, Cahia, you fuck to me? Yep,
• 17:46
  Speaker 1: oh man, great great song. It sure as in father Emmett,
• 17:51
  Speaker 1: I have a king dong down me semmit as any
• 17:54
  Speaker 1: girl will tell you from Kevin down to Clair. Uh yeah,
• 17:58
  Speaker 1: that's just that's great, great great song. So, but Body
• 18:02
  Speaker 1: of American is continuing.
• 18:05
  Speaker 5: Okay, here we go, Ryan, you ready, let's do it.
• 18:19
  Speaker 1: We're down at eight. Okay, Raady night and soho versus
• 18:25
  Speaker 1: bottle of smoke. You're gonna pick Raddy night.
• 18:27
  Speaker 4: And so hoo.
• 18:28
  Speaker 1: Yeah, yeah, I disagree, but I but we're gonna have no,
• 18:34
  Speaker 1: We're gonna have rainy night in snow. Snow, yikes, move on.
• 18:39
  Speaker 1: Bottle of Smoke is a celebratory song. It's about placing
• 18:43
  Speaker 1: a very long shot horse racing bet and then it hits.
• 18:47
  Speaker 1: So the whole song is like the vibe is just like,
• 18:52
  Speaker 1: holy shit, I'm so happy. I like, I can't believe
• 18:55
  Speaker 1: my luck broke this way. My luck normally never does.
• 18:59
  Speaker 1: I I listened to this song when Obama was elected president.
• 19:03
  Speaker 1: I remember I was with my girlfriend Mary at the time,
• 19:07
  Speaker 1: who was a very uh intense Republican, Okay, and I
• 19:13
  Speaker 1: just was drinking whiskey and listening to the song and
• 19:15
  Speaker 1: she was so mad. But yeah, thanks to so many
• 19:20
  Speaker 1: great lines in this song. The day looks clear, the
• 19:23
  Speaker 1: sky was bright. He came up on the left like
• 19:25
  Speaker 1: a streak of light, like a drunken fuck on a
• 19:27
  Speaker 1: Saturday night. Up came the Bottle of Smoke, because that
• 19:30
  Speaker 1: was the name of the horse, and the chorus, which
• 19:33
  Speaker 1: is so happy, twenty fucking five to one. My gambling
• 19:36
  Speaker 1: days are done. I better a horse called a bottle
• 19:39
  Speaker 1: of Smoke, and my horse won. Priests and megans, priests
• 19:43
  Speaker 1: and maidens drunk as Pagan's fantastic line, slip a fifty
• 19:49
  Speaker 1: to the wife and four each brat a crisp New
• 19:51
  Speaker 1: five to give me a break on a Saturday night
• 19:54
  Speaker 1: when I had the bottle of smoke. So this song
• 20:00
  Speaker 1: makes me very happy, because sorry, what were you gonna say?
• 20:04
  Speaker 4: Oh, I said, this is on a flescha fall from
• 20:05
  Speaker 4: Grace of God. I did not know that. I thought
• 20:07
  Speaker 4: thus was on red roses for me.
• 20:08
  Speaker 1: Wow, yeah, it's on a flectionaball from Grice of God.
• 20:12
  Speaker 1: This I always said that, like, oh, it's so great
• 20:16
  Speaker 1: to win a super Bowl. I wonder what that's like,
• 20:18
  Speaker 1: you know. I don't think a normal person ever experiences
• 20:21
  Speaker 1: like winning a super Bowl and what that must feel
• 20:23
  Speaker 1: like if you're Tom Brady. And I truly believe that
• 20:27
  Speaker 1: having CC through IVF and like having her born was
• 20:33
  Speaker 1: like my experience of winning a Super Bowl.
• 20:36
  Speaker 4: And I.
• 20:38
  Speaker 1: CEC loves Irish music because I listened to it so much,
• 20:41
  Speaker 1: And we always listen to this song and dance together.
• 20:43
  Speaker 1: I pick her up and I dance with her, and
• 20:45
  Speaker 1: I just think, you know the chorus, twenty fucking five
• 20:48
  Speaker 1: to one, My gambling days are done. I better no
• 20:51
  Speaker 1: horse caught a bottle of smoke and my horse won.
• 20:53
  Speaker 1: It's like the chances of cec existing were so small,
• 20:57
  Speaker 1: you know, beyond twenty five to one, and you know,
• 21:00
  Speaker 1: I don't have to worry about it. I don't have
• 21:01
  Speaker 1: to gamble on this anymore. I bet on a horse
• 21:05
  Speaker 1: caught a bottle smoke of my horse one. So like,
• 21:07
  Speaker 1: this song makes me just so unbelievably happy. But Ryan said,
• 21:13
  Speaker 1: it's it's done. Flush it down the toilet because my
• 21:18
  Speaker 1: dreams are stupid.
• 21:20
  Speaker 5: You know, Fuck you Ryan?
• 21:23
  Speaker 1: Yeah, Ryan, thank you?
• 21:25
  Speaker 4: Ireland, Ireland please, that's why I lose it on.
• 21:33
  Speaker 1: You're mad at him.
• 21:34
  Speaker 4: I'm completely afraid to confront you, so I go to Ireland.
• 21:38
  Speaker 4: You know, Ireland. I'm sick of you.
• 21:40
  Speaker 1: I would love if you were like so hostiles worse
• 21:42
  Speaker 1: Ireland or Potato.
• 21:43
  Speaker 4: So threatened, like he's gonna take over.
• 21:45
  Speaker 1: Guys, guys, we talked about this.
• 21:48
  Speaker 4: So this is the score of The Batman by Michael Chaccino.
• 21:52
  Speaker 4: I don't love the timpany here, but.
• 21:55
  Speaker 1: Oh man, body of an American against Oh God, do
• 22:03
  Speaker 1: I have a tell me I didn't fuck up again?
• 22:06
  Speaker 4: And have Bobby American just won the three way dance.
• 22:11
  Speaker 1: Yeah, but now we're in. We're in the new round.
• 22:15
  Speaker 1: It was bottled Small versus Ringy Night, and soho, gotcha?
• 22:21
  Speaker 1: Tell me I didn't fuck this up? Okay, I think
• 22:24
  Speaker 1: I did.
• 22:27
  Speaker 4: Ireland, you're supposed to hold the ones that we discarded up,
• 22:32
  Speaker 4: and there's the cat Maker.
• 22:35
  Speaker 1: We'll take a break so I can figure this out. Yeah,
• 22:38
  Speaker 1: so we were just figuring out. I think I screwed
• 22:40
  Speaker 1: it up by doing it again by doing the three
• 22:42
  Speaker 1: way dance. But you know what, up and there's the
• 22:45
  Speaker 1: cat maker again. This is all just very fitting. This
• 22:47
  Speaker 1: is all just very fitting for while we're talking about
• 22:51
  Speaker 1: the band that they were. So it's all good. We'll
• 22:55
  Speaker 1: get there. Thanks for coming on the ride with us.
• 22:59
  Speaker 1: As the hat maker goes off, idiot.
• 23:04
  Speaker 4: All right, I can't hear on my end, so I
• 23:06
  Speaker 4: think it's okay.
• 23:07
  Speaker 1: But good. I'm gonna go with Waxies dargle Okay against
• 23:20
  Speaker 1: if I should fall from grace with God.
• 23:27
  Speaker 4: God, this is really tough. Waxes Dargle versus if I
• 23:37
  Speaker 4: should fall from grace with God because the angels won't
• 23:41
  Speaker 4: receive me, I would go if I should fall from
• 23:46
  Speaker 4: grace with God? Who am I kidding? I love Waxes
• 23:48
  Speaker 4: dargle though, but that's right.
• 23:49
  Speaker 1: I agree. I did want to mention that Waxes dargle
• 23:55
  Speaker 1: the symbol in the chorus where they go, So this
• 24:04
  Speaker 1: is there's this. This is a traditional Iris song and
• 24:07
  Speaker 1: it's from I don't think it's eight nineteenth century. It's
• 24:14
  Speaker 1: a nineteenth century pub song. Waxies dargle. The dargle is
• 24:22
  Speaker 1: a river I guess yeah, the river Dargle and Waxes
• 24:27
  Speaker 1: dargle was to be part of a fair but dude
• 24:30
  Speaker 1: to riotous behavior. The fair with closed in eighteen fifty five.
• 24:37
  Speaker 1: So when when they do the chorus, I want to
• 24:44
  Speaker 1: make sure I'm not screwing these lyrics up Waxes dargle,
• 24:49
  Speaker 1: Shut up, Chucky. Okay, what do you have? I'll have
• 24:56
  Speaker 1: a pint. I'll have a pint with you, sir, and
• 24:58
  Speaker 1: if one of you doesn't, orders soon be chucked out
• 25:00
  Speaker 1: of the boozer. So that symbol sound that I just
• 25:04
  Speaker 1: did with my finger is Spider Stacy the tin whistle
• 25:07
  Speaker 1: player taking a beer tray and cracking it over his
• 25:10
  Speaker 1: face repeatedly. So it makes me love that song even more.
• 25:19
  Speaker 1: There's more, there's a lot of Jewish racism in this song.
• 25:22
  Speaker 1: Ben so you'll appreciate that. And yeah, what do you have,
• 25:29
  Speaker 1: I'll have a pint. I'll have a pint with you, sir,
• 25:31
  Speaker 1: and if one he doesn't order, soon be checked out
• 25:33
  Speaker 1: of the boozer.
• 25:34
  Speaker 4: Chars isn't a band name.
• 25:37
  Speaker 1: Oh yeah, this is.
• 25:39
  Speaker 4: I don't know why. Yeah, very surprised. It is not
• 25:41
  Speaker 4: a band name the way it sounds.
• 25:42
  Speaker 1: Yeah, here's a nice piece of advice I got from
• 25:45
  Speaker 1: a little fishmonger. When the food is scarce and you
• 25:47
  Speaker 1: see the hearse, you know you died of hunger. Did
• 25:52
  Speaker 1: White City get eliminated? Maybe that's the one that we're missing.
• 25:54
  Speaker 1: Did White City get eliminated?
• 25:56
  Speaker 4: I don't remember because it was I'm not sure.
• 26:03
  Speaker 1: It doesn't matter, it wouldn't win anyway. Nothing you do matters, okay,
• 26:14
  Speaker 1: Ireland Sireland, bastard, Nothing you do matter, all right. I
• 26:20
  Speaker 1: just gotta okay, I'm just gonna make an executive order
• 26:23
  Speaker 1: and I'm eliminating you're the one. But I do love
• 26:26
  Speaker 1: you're the one. This was a pope's song from a
• 26:30
  Speaker 1: circle of friends, and the reason why this works so
• 26:32
  Speaker 1: well it is a duet between Shane McGowan and this
• 26:38
  Speaker 1: woman that has a beautiful voice, like a beautiful traditional
• 26:43
  Speaker 1: singing voice, and she starts the song off and her
• 26:50
  Speaker 1: her voice is like stunning, and then you're, yeah, very ethereal.
• 26:55
  Speaker 1: And then when it's his turn to chime in, you
• 26:57
  Speaker 1: just hear like and you're like whoa, whoa, which is.
• 27:00
  Speaker 4: Very such a great.
• 27:04
  Speaker 5: Sound.
• 27:05
  Speaker 4: You're like, okay, but it works. That's it's bizarre how
• 27:09
  Speaker 4: it works.
• 27:10
  Speaker 1: I think about you as the sun, so you're everywhere
• 27:16
  Speaker 1: I go, Oh, Darling, I know you the one.
• 27:21
  Speaker 4: The ending is so great too.
• 27:24
  Speaker 1: Moya Brennan and Shane McGowan.
• 27:27
  Speaker 4: Because it was a funny how the circle turns, and
• 27:29
  Speaker 4: she's like, funny how the flame still burns. It was
• 27:31
  Speaker 4: really good. I like that ending on You are the
• 27:35
  Speaker 4: what is it?
• 27:37
  Speaker 1: I drowned myself and you. I wish that I could
• 27:44
  Speaker 1: let you know. I think about you as the sun,
• 27:46
  Speaker 1: so you're everywhere I go, Darling, you know the one. Yeah,
• 27:52
  Speaker 1: that's okay.
• 27:54
  Speaker 4: What's the what's the What year is the movie out?
• 27:57
  Speaker 4: Is it ninety five?
• 27:58
  Speaker 1: I think ninety four is what I said. I can
• 28:02
  Speaker 1: check a circle of.
• 28:05
  Speaker 4: Friends and a circle of life.
• 28:09
  Speaker 1: You're right, circle of friends. I actually random, this is
• 28:15
  Speaker 1: a total Ryan move. Random the I always get really
• 28:19
  Speaker 1: mad on movies I don't I want to watch are
• 28:21
  Speaker 1: not on streaming anywhere, because it's like the that's the
• 28:24
  Speaker 1: difference between DVDs and streaming is it's very rare that
• 28:28
  Speaker 1: a DVD is just doesn't exist for a movie, it happens,
• 28:32
  Speaker 1: but like most movies that we've heard of, a on
• 28:34
  Speaker 1: DVD but then randomly, like Circle of Friends, you just nope,
• 28:38
  Speaker 1: you can't watch it anywhere. You want to see Circle
• 28:40
  Speaker 1: of Friends, fuck you because it's not on streaming anywhere.
• 28:43
  Speaker 1: So I bought a DVD of a Circle of Friends
• 28:47
  Speaker 1: and of Sin of a Woman in the same purchase
• 28:52
  Speaker 1: about both because I had never seen either really yeah,
• 28:57
  Speaker 1: and they were only available either not at all or
• 29:01
  Speaker 1: to own for like twenty bucks. So I bought a
• 29:04
  Speaker 1: Blu ray of each because each were cheaper than buying
• 29:07
  Speaker 1: it on streaming.
• 29:09
  Speaker 4: Oh, I'm curious what you think of Some of a Woman.
• 29:11
  Speaker 1: I haven't watched either yet, which is unfortunate.
• 29:15
  Speaker 4: Who ah, yeah, many people think's worst performance. You want
• 29:19
  Speaker 4: the best actor for it?
• 29:20
  Speaker 1: Yeah he won Best Actor for that.
• 29:22
  Speaker 4: Yeah, that was right, Jimmy, fuck you too, yeah. Yeah,
• 29:28
  Speaker 4: whatever their names.
• 29:28
  Speaker 1: Are, Well, that's that Paul Wright, like, shout out to Paul, right,
• 29:32
  Speaker 1: the greatest Pacino impression of all time. He was it
• 29:34
  Speaker 1: was the recruit, right, yes, and this is the impression
• 29:40
  Speaker 1: because this trailer was everywhere. It was Colin Farrell and Pacino, right, yes, yeah,
• 29:46
  Speaker 1: this is the trailer and this is what Paul always did,
• 29:50
  Speaker 1: rule number one, do.
• 29:57
  Speaker 4: Not get caught.
• 30:02
  Speaker 1: And I was like, yes, I'm so sick of seeing
• 30:04
  Speaker 1: because this came out wh we were in high school.
• 30:06
  Speaker 1: I think, oh my god, that trailer was on all
• 30:10
  Speaker 1: the time. He always played that line I loved.
• 30:13
  Speaker 4: When we saw that movie spoiled twenty sorry twenty four
• 30:19
  Speaker 4: year old spoiler for this movie. When we came out
• 30:22
  Speaker 4: of the theater, Paul grabbed me by the shoulders and
• 30:25
  Speaker 4: fell to his knees because Paccino's last line, I believe
• 30:27
  Speaker 4: Pacino is shot and he just looks up at palm
• 30:31
  Speaker 4: frowns like you gott it would miss, I'm say, judge
• 30:36
  Speaker 4: of talent. And Paul did this and in the movie
• 30:38
  Speaker 4: theater lobby and fell over on his face. It was amazing.
• 30:43
  Speaker 1: Stop it, Chuckie, you bet. He just stole some of
• 30:46
  Speaker 1: the pieces of paper he does not want.
• 30:49
  Speaker 4: Uh. Yeah, he probably ate White City. He don't want
• 30:52
  Speaker 4: it to win.
• 30:53
  Speaker 1: Yeah, all right, stop it.
• 30:54
  Speaker 5: Fuck off.
• 30:55
  Speaker 1: No, he's chewing the wires. He's such a bastard.
• 30:59
  Speaker 4: He's trying to end the show.
• 31:00
  Speaker 1: Well, who isn't These days I've been trying to do
• 31:03
  Speaker 1: the same. Uh do you hear the ad reads? I mean,
• 31:07
  Speaker 1: my god, if those aren't a cry for help, yep,
• 31:11
  Speaker 1: these two could even could win in my opinion, Body
• 31:14
  Speaker 1: of an American versus Streams of Whiskey.
• 31:19
  Speaker 4: Personally streams of Whiskey.
• 31:21
  Speaker 1: Okay, I agree with you. The Body of an American,
• 31:27
  Speaker 1: for those who don't know, heavily featured on the Wire.
• 31:29
  Speaker 1: It's the most heavily featured wire poge song. But in
• 31:34
  Speaker 1: this song is about somebody who dies and the body
• 31:38
  Speaker 1: of an American, hence the title. And I'm pulling this up.
• 31:45
  Speaker 1: It starts out really really slow and then becomes a
• 31:48
  Speaker 1: fast song. This song is perfect. But it's the Cadillac
• 31:52
  Speaker 1: stood by the house and the Yanks they were within.
• 31:55
  Speaker 1: So this is like the funeral. We turned and shook
• 31:59
  Speaker 1: as we had because you know, you see all the
• 32:00
  Speaker 1: Cadillacs outside and all the Americans are inside for the funeral.
• 32:04
  Speaker 1: We turned and shook as we had a look in
• 32:05
  Speaker 1: the room where the dead men lay. Big Jim Dwyer
• 32:09
  Speaker 1: made his last trip to the shores where his fathers lay.
• 32:12
  Speaker 1: So then it picks up from there. This is so beautiful,
• 32:19
  Speaker 1: and this makes me think of Shannon. This morning on
• 32:21
  Speaker 1: the harbor, when I said goodbye to you. I remember
• 32:24
  Speaker 1: how I swore that I come back to you one day.
• 32:27
  Speaker 1: And as the sunset came to meet the evening on
• 32:29
  Speaker 1: the hill, I told you I'd always loved you, always did,
• 32:32
  Speaker 1: I always will. And the chorus when he sings that,
• 32:37
  Speaker 1: the chorus, he says, fairly well gone away. There's nothing
• 32:41
  Speaker 1: left to say but say a d to your eyes
• 32:44
  Speaker 1: as blue as the water in the bay. Just fantastic.
• 32:48
  Speaker 1: But in the in the wire, whenever a police officer
• 32:52
  Speaker 1: who's in their friend group dies, they go to a bar.
• 32:56
  Speaker 1: They get annihilated drunk and they have the funeral home,
• 33:01
  Speaker 1: put the corpse on the pool table on the bar,
• 33:05
  Speaker 1: and at the end of the night, everybody screams this song.
• 33:09
  Speaker 1: They blast on the jukebox and everybody gathers around the
• 33:12
  Speaker 1: body on the pool table and sings this song. And
• 33:16
  Speaker 1: it's just amazing, so sad to see it go, I
• 33:23
  Speaker 1: would be okay with this or streams of Whiskey. Either
• 33:26
  Speaker 1: one are fantastic, but we're putting that away. And the
• 33:31
  Speaker 1: final matchup before the championship round is Rainy Night in
• 33:36
  Speaker 1: Soho versus if I should fall from Grace with God.
• 33:46
  Speaker 4: I'm gonna go right Night in Soho. But I think
• 33:47
  Speaker 4: these songs, if you were critical of these, both are equal.
• 33:52
  Speaker 1: Yes, I would go. I would. I'm okay with your
• 33:56
  Speaker 1: choice there. I'm not gonna argue. I'd probably pick if
• 33:59
  Speaker 1: I should fall from Grace with God.
• 34:00
  Speaker 4: But I mean, do you feel like Rainy Knight and Soho?
• 34:03
  Speaker 4: I think a lot of criticism, but like when I
• 34:05
  Speaker 4: read about people think it's kind of like a lesser
• 34:07
  Speaker 4: version of fairy Tale of New York, very romantic, very orchestral.
• 34:13
  Speaker 1: Yeah, yeah, I can see that.
• 34:16
  Speaker 4: I think they're going for very different things, but still, yeah,
• 34:19
  Speaker 4: it will elaborate on that. One is just kind of
• 34:23
  Speaker 4: like I feel like, because fairy Till New York is
• 34:29
  Speaker 4: just so Christmas and it's just obviously it's like lyrically different,
• 34:34
  Speaker 4: but and rain Knight and Soho is just like just
• 34:37
  Speaker 4: a great love song it and it's also just kind
• 34:42
  Speaker 4: of It's not as darker as other songs they have,
• 34:44
  Speaker 4: but it has that tinge of darkness to it, where
• 34:46
  Speaker 4: like people in their lives fell away, but them.
• 34:50
  Speaker 1: Yes, you know some of the we watch our friends
• 34:52
  Speaker 1: grow up together. We saw them as they fell. Some
• 34:54
  Speaker 1: of them fell into heaven, some of them fell into hell.
• 34:58
  Speaker 1: The very end of the song, I think is so
• 35:00
  Speaker 1: fantastic when he says the song is nearly over. We
• 35:07
  Speaker 1: may never find out what it means. But there's a
• 35:09
  Speaker 1: light I hold before me. And you're the measure of
• 35:11
  Speaker 1: my dreams, the measure of my dreams. So, which is
• 35:15
  Speaker 1: very similar to the line in fairy Tale of New York.
• 35:18
  Speaker 1: I build my dreams around you, because in fairy Tale
• 35:23
  Speaker 1: the woman says you took my dreams from me the
• 35:29
  Speaker 1: day I found you, and he says, I kept them
• 35:32
  Speaker 1: with me, Babe, I put them with my own. You
• 35:34
  Speaker 1: can't make it all alone. I build my dreams around you.
• 35:37
  Speaker 1: So and Rainy and I and so. He is saying,
• 35:40
  Speaker 1: you're the measure of my dreams, like you are it,
• 35:43
  Speaker 1: and all other dreams in my life like are in
• 35:48
  Speaker 1: comparison to that, like you are it. But it is sad, Yeah,
• 35:55
  Speaker 1: so it is against streams of Whiskey, and what is
• 35:58
  Speaker 1: your choice?
• 36:00
  Speaker 4: I think to go with what these guys do the
• 36:04
  Speaker 4: best streams of whiskey.
• 36:06
  Speaker 1: All right, well, I'm glad you said that I was
• 36:07
  Speaker 1: gonna have to put my foot down and overrule you.
• 36:09
  Speaker 1: But streams of Whiskey is that is how I kicked
• 36:13
  Speaker 1: off karaoke at my birthday last weekend. Streams of Whiskey
• 36:18
  Speaker 1: is one of my favorite songs of all time. I
• 36:21
  Speaker 1: think it might have been two on our three on
• 36:25
  Speaker 1: my list.
• 36:26
  Speaker 4: It has a phenomenal energy. It just rocks, like as
• 36:30
  Speaker 4: corny as that sounds, it just moves so well.
• 36:32
  Speaker 1: So Brendan Bean is an Irish excuse me is an
• 36:36
  Speaker 1: Irish author who was an alcoholic okay, and he's like
• 36:40
  Speaker 1: a modern Irish author. He lived from nineteen twenty three
• 36:45
  Speaker 1: to nineteen sixty four, so he died at forty one,
• 36:49
  Speaker 1: and he was friends with Jackie Gleason. He was like
• 36:51
  Speaker 1: very trendy popular at the time he was alive, and
• 36:55
  Speaker 1: he was a hero of Shanemcgwans. So the opening line
• 36:59
  Speaker 1: is last night I slept, I dreamt I met with Bean.
• 37:02
  Speaker 1: So he's talking about like he meets Brendan Bean, and
• 37:06
  Speaker 1: they basically determine I'm going where streams of whiskey are flowing.
• 37:15
  Speaker 1: And I've curs bled and sworn, jump aale and landed
• 37:18
  Speaker 1: up in jail. Life has often tried to stretch me,
• 37:20
  Speaker 1: but the rope always went slack. And now that I
• 37:23
  Speaker 1: have a pile, I'll go down to the chelsea, I'll
• 37:25
  Speaker 1: walk it in my feet and I'll leave there.
• 37:27
  Speaker 5: On my back.
• 37:29
  Speaker 1: And it's kind of like and this is, you know,
• 37:31
  Speaker 1: kind of dark, but basically the messages I'm happy because
• 37:35
  Speaker 1: I have drinking and nobody can take that away from me.
• 37:41
  Speaker 1: So I used to post this on Facebook every Saint
• 37:45
  Speaker 1: Patrick's Day for years. This is probably my favorite Poe's
• 37:48
  Speaker 1: lyric of all time. He's talking about Brendan Bean in
• 37:54
  Speaker 1: his dream. They're hanging out drinking. He says the words
• 37:57
  Speaker 1: that he spoke seem the wisest of philosophies. And then
• 38:01
  Speaker 1: this is the line Ryan, there's nothing ever gained by
• 38:05
  Speaker 1: a wet thing called a tear, so there's no point
• 38:08
  Speaker 1: of being sad because and this is the next line,
• 38:12
  Speaker 1: When the world is too dark and I need the
• 38:14
  Speaker 1: light inside of me, I'll walk into a bar and
• 38:17
  Speaker 1: drink fifteen pints of beer.
• 38:20
  Speaker 4: So wow.
• 38:23
  Speaker 1: This has the music video, very old, interesting video. This
• 38:28
  Speaker 1: is nineteen eighty four.
• 38:30
  Speaker 4: Wow wow. I should also since we were leaving this
• 38:36
  Speaker 4: here rainy night and soho if people want to listen
• 38:40
  Speaker 4: to it. There are two versions of it, the one
• 38:44
  Speaker 4: that is a bonus track on Rumsodomy and the Lash,
• 38:47
  Speaker 4: which is which is I think is the verse on Spotify.
• 38:50
  Speaker 4: Is different because it was released on an EP called
• 38:54
  Speaker 4: Love This title Polgatry in Motion fucking great cover, great title,
• 39:00
  Speaker 4: Our photo is incredible of themand it's fucking great. The
• 39:04
  Speaker 4: Pogatry in Motion version is a Canadian and US mix
• 39:07
  Speaker 4: of the song where they added obo. I looked it
• 39:10
  Speaker 4: up before we did the show today because I was like,
• 39:12
  Speaker 4: it sounds so different and I don't know why, and
• 39:16
  Speaker 4: that is the reason why they try to make it,
• 39:17
  Speaker 4: I guess more like whimsical. But I highly recommend the
• 39:22
  Speaker 4: Rumasodamine the Lash ponus track version. That's the best version
• 39:25
  Speaker 4: of that song.
• 39:26
  Speaker 1: Okay, good to know. And we also should mention that
• 39:29
  Speaker 1: the what is the name the Pogues derived from Ryan
• 39:33
  Speaker 1: do you know?
• 39:34
  Speaker 4: Is the phrase poge mahone, which is kiss my arse.
• 39:39
  Speaker 1: Yes, it is poge mahone, the Irish expression that means
• 39:42
  Speaker 1: kiss my ass for arse as Ireland do Potato says,
• 39:47
  Speaker 1: And they're actually called poge mahone, and then they got
• 39:49
  Speaker 1: shortened to the Pogues because they thought it would be easier.
• 39:54
  Speaker 4: So they're kisses, is their name, the kisses? That that
• 39:58
  Speaker 4: is right? Pos is poe kiss? Okay, yeah?
• 40:01
  Speaker 6: Or no?
• 40:03
  Speaker 1: I think I think so pogue mahone meaning like my
• 40:06
  Speaker 1: ass and actually in the wire because there's I think
• 40:09
  Speaker 1: David Simon was like obsessed with the Pogues. There's two
• 40:13
  Speaker 1: alcoholic detectives that suck and Daniels has is like forced
• 40:17
  Speaker 1: to put them on the team and one of them
• 40:19
  Speaker 1: actually like intentionally falls downstairs to go on disability. But
• 40:23
  Speaker 1: they are Detective Polk and detective mahone.
• 40:29
  Speaker 4: So looking up at phonetically on wictionary, pogue is kiss
• 40:35
  Speaker 4: Moe is my phone or I'm pronouncing it butchering itly,
• 40:40
  Speaker 4: butchering itly? Well, that made no sense? Is buttocks are
• 40:44
  Speaker 4: spum ass but rear back aft stern. Interesting?
• 40:49
  Speaker 1: Okay, all right, Polk.
• 40:51
  Speaker 4: They are the kisses, which is great.
• 40:53
  Speaker 1: So that you made me think of this, so a
• 40:55
  Speaker 1: mixed martial artist have like really badass nicknames for the
• 40:59
  Speaker 1: most part, you know, like I'm just a couple come
• 41:03
  Speaker 1: to mind. Rampage, the Spider, the Mexecutioner, the Punisher.
• 41:11
  Speaker 4: Wow.
• 41:12
  Speaker 1: Oh yeah, the Mexicuer is a fucking great name. But
• 41:15
  Speaker 1: I looked up. I was looking at Heath Herring who
• 41:18
  Speaker 1: was a mixed martial artist from Texas, and he fought
• 41:23
  Speaker 1: in two thousand and five, and the note it was
• 41:26
  Speaker 1: against Yoshi Hero Nakao in Japan, and the note was
• 41:32
  Speaker 1: Yoshi Hero Nakao kissed Heath Herring during the pre match stardown,
• 41:37
  Speaker 1: after which Herring knocked him unconscious with a punch, rendering
• 41:42
  Speaker 1: him unable to continue before the fight began. It was
• 41:45
  Speaker 1: originally ruled a d Q victory for Nikau and was
• 41:49
  Speaker 1: later changed to a no contest. So loved this. So
• 41:53
  Speaker 1: I clicked on the Wikipedia page for Yoshi Hero Nicou
• 41:57
  Speaker 1: and it says yoshikiro Nakao born June twenty fifth, nineteen
• 42:01
  Speaker 1: seventy two, height five eleven wait two fifteen, nickname kiss Alight.
• 42:12
  Speaker 4: Why no she in this corner?
• 42:15
  Speaker 1: Yoshi Hero kiss Nicow.
• 42:19
  Speaker 4: How scared are you when you're his competitor? You're just like,
• 42:21
  Speaker 4: what does this even mean?
• 42:23
  Speaker 1: But you should watch the clip heath hearing. It's literally
• 42:26
  Speaker 1: they go up to do the stairdown. The fight's about
• 42:28
  Speaker 1: to begin, and the referees like, I want to clean
• 42:30
  Speaker 1: good fight, you know, touch gloves, go to your corners
• 42:33
  Speaker 1: and their right nose to nose. Yoshi here on the
• 42:35
  Speaker 1: cow kisses him on the lips. He's hearing his body language.
• 42:39
  Speaker 1: He just seems extremely disappointed. It's actually really funny. He
• 42:43
  Speaker 1: just kind of goes like, oh really, and then he
• 42:46
  Speaker 1: just knocks him unconscious as they're just standing there before
• 42:49
  Speaker 1: the fight starts, and it's like, I mean, yeah, would
• 42:52
  Speaker 1: you Ryan, let me ask you this. Would you go
• 42:54
  Speaker 1: up to a heavyweight MMA fighter who you thought was
• 42:57
  Speaker 1: probably straight and as a stranger kiss him on the Uh?
• 43:02
  Speaker 4: Probably not? I mean I wouldn't approach many of UFC fighters.
• 43:06
  Speaker 1: Yeah, Oh good god, what did I just do?
• 43:09
  Speaker 6: Oh?
• 43:13
  Speaker 4: What do you train for this fight?
• 43:15
  Speaker 6: Nah?
• 43:17
  Speaker 1: I'm just going in with a kiss.
• 43:19
  Speaker 4: I would just think it's like it's a suicide mission.
• 43:21
  Speaker 4: That's what you're there to do, Like you're truly there
• 43:22
  Speaker 4: to have yourself get killed.
• 43:23
  Speaker 1: Yeah, it's a comic cOZmic kiss mission. I respect that. Well. Ryan,
• 43:30
  Speaker 1: I just want to thank you for doing this and
• 43:32
  Speaker 1: indulging me.
• 43:32
  Speaker 4: Thank you.
• 43:34
  Speaker 1: We'll see the I love how we watched ten movies
• 43:38
  Speaker 1: and I was like, oh, we scheduled this plod during
• 43:40
  Speaker 1: the Oscars.
• 43:40
  Speaker 5: Do you care?
• 43:41
  Speaker 1: And then Ryan was like, no, I don't care. I
• 43:42
  Speaker 1: don't watch the Oscars, and I was like, yeah, I
• 43:44
  Speaker 1: don't really care either, and then I thought, why did
• 43:46
  Speaker 1: we watch the ten nominees.
• 43:49
  Speaker 4: It's actually a great point, I was. Actually I was
• 43:51
  Speaker 4: saying this to Mark recently. I have not watched a
• 43:53
  Speaker 4: ceremony like full like I'll watched clips on YouTube. Since
• 43:56
  Speaker 4: two thousand and nine, I have not watched a single.
• 43:58
  Speaker 1: I actually do watch it, ye, I don't really care,
• 44:01
  Speaker 1: but I always think, like you watch the movies, you
• 44:04
  Speaker 1: should if you watched all ten movies, you should just
• 44:07
  Speaker 1: see who wins. So I typically do watch it with Shannon,
• 44:10
  Speaker 1: but I don't really care.
• 44:12
  Speaker 4: Yeah, I don't know feel like the important stuff there's
• 44:15
  Speaker 4: resurfaces and whatever, but also like it just gets so long.
• 44:19
  Speaker 4: I mean I should complain about that, but I know
• 44:21
  Speaker 4: this year they're starting an earlier. I started at seven.
• 44:23
  Speaker 1: This year, yeah, they did, which is crazy I didn't
• 44:26
  Speaker 1: realize that it's seven to ten. I thought it would
• 44:29
  Speaker 1: be it's normally eleven to two.
• 44:32
  Speaker 4: Yeah, but yeah, be amazing. Good morning, Good morning everyone,
• 44:39
  Speaker 4: and welcome to the Oscars.
• 44:40
  Speaker 1: That is absolutely insane about Alan Carr the thing I
• 44:43
  Speaker 1: sent you with Rob Low so I didn't know this
• 44:46
  Speaker 1: has happened. But in the eighties, the guy who made
• 44:48
  Speaker 1: Greece and Greece Too, he was literally he was like
• 44:51
  Speaker 1: a flamboyantly gay man in Hollywood who made grease and
• 44:56
  Speaker 1: was known for having like really elaborate parties, and they
• 45:00
  Speaker 1: hired him to produce the Oscars because of that. And
• 45:05
  Speaker 1: he had just seen a musical called, Oh fuck, do
• 45:10
  Speaker 1: you remember what it was called? I don't, I'm gonna
• 45:13
  Speaker 1: look it up. But he had just seen a musical
• 45:16
  Speaker 1: where it was like an adult version of snow White.
• 45:21
  Speaker 1: It was kind of like, uh, this fuck, what is
• 45:25
  Speaker 1: it called? Alan Carr? I'll look it up. Snow White
• 45:29
  Speaker 1: in the Academy Awards is a chapter on his Wikipedia page.
• 45:33
  Speaker 1: But he had just seen he had just seen Beach
• 45:35
  Speaker 1: Blanket Babylon, and he literally was like, oh, there's snow
• 45:38
  Speaker 1: White in this. She's a completely unknown actress. It's a.
• 45:42
  Speaker 1: It was a play, and he uh hired the actress
• 45:47
  Speaker 1: in the play playing snow White to host the Oscars.
• 45:53
  Speaker 1: She was a completely unknown actress and she's in character
• 45:56
  Speaker 1: as snow White and she does a musical duet to
• 46:01
  Speaker 1: what's the song Proud Proud Mary for with Rob Loo,
• 46:05
  Speaker 1: who cannot sing for twelve minutes. Twelve minutes of the
• 46:12
  Speaker 1: Oscars was this, and it was Disney sued them because
• 46:18
  Speaker 1: they were like, you don't have the rights to snow White,
• 46:20
  Speaker 1: which I assumed they would have cleared that ahead of time.
• 46:23
  Speaker 1: Disney later dropped the lawsuit, which would have literally ended
• 46:27
  Speaker 1: the Oscars if they did not drop the lawsuit, because
• 46:30
  Speaker 1: they would have been bankrupted the Academy of Arts and
• 46:33
  Speaker 1: Scientists or whatever it's called. And it was so it
• 46:37
  Speaker 1: was such a disaster that Alan Carr, who was this
• 46:40
  Speaker 1: like respected famous producer, never worked again, never did anything
• 46:44
  Speaker 1: because the Oscars were so bad.
• 46:47
  Speaker 4: It's very it's a it's a known oscar like I
• 46:54
  Speaker 4: remember the whole like the Moonlight and La La Land
• 46:58
  Speaker 4: mix up thing. There was a lot of articles about
• 47:00
  Speaker 4: like famous oscar situations like the Streaker when Brando didn't
• 47:06
  Speaker 4: show up and I forget her name showed up instead
• 47:10
  Speaker 4: of him, and she famously like pushed Roger Roger Moore
• 47:14
  Speaker 4: away from him from her with the like she'd refused
• 47:17
  Speaker 4: the Oscar for Brando in public, the Hathaway and James
• 47:21
  Speaker 4: Franco Oscars. There was just a whole list of that's.
• 47:24
  Speaker 1: Blown a way out of proportion. The Hathaway Franco Oscars.
• 47:27
  Speaker 4: I agree. I think more of it was the case
• 47:30
  Speaker 4: too of like she was kind of just doing it,
• 47:34
  Speaker 4: like she was kind of like just buying into the act,
• 47:36
  Speaker 4: good or bad, and he was just not selling her.
• 47:38
  Speaker 4: He was not putting her over, if you will, so
• 47:43
  Speaker 4: like it was I think that was kind of the
• 47:45
  Speaker 4: thing about it. And also like hosting these things are
• 47:49
  Speaker 4: just not I don't think that easy, even people whom
• 47:52
  Speaker 4: like this would be a home run host. Like I
• 47:53
  Speaker 4: thought Chris Rock would be an amazing host when he
• 47:55
  Speaker 4: hosted that year, and he had some really funny lines,
• 47:57
  Speaker 4: but it wasn't great, Like it's just kind of hard.
• 48:01
  Speaker 1: Yeah, yeah. And I read a list of people who
• 48:04
  Speaker 1: are banned from the Oscars. It was not interesting, it's
• 48:06
  Speaker 1: not worth reading, but it was only there was only
• 48:09
  Speaker 1: three categories of people who were banned there was Will
• 48:12
  Speaker 1: Smith was one category. The other category was people who
• 48:16
  Speaker 1: got caught giving away their screeners. Okay, and then uh,
• 48:21
  Speaker 1: because you get screeners like of these movies and you're
• 48:25
  Speaker 1: not supposed to distribute them in any way. And then
• 48:27
  Speaker 1: the third category was all of the people that got
• 48:30
  Speaker 1: busted in the Me Too movement for sexual assault. So
• 48:33
  Speaker 1: it's like Harvey Weinstein, Bill Cosby, some producer I'd never
• 48:37
  Speaker 1: heard of who was convicted and I love, I loved
• 48:40
  Speaker 1: how like the producer I'd never heard of. I can't
• 48:43
  Speaker 1: remember his name. He was a known convicted sex offender.
• 48:46
  Speaker 1: But then in Me Too, the Oscars was like, oh,
• 48:50
  Speaker 1: by the way, yeah, like everybody knows he's a convicted
• 48:53
  Speaker 1: sex offender. So it kind of looks bad now, So
• 48:55
  Speaker 1: were he's banned?
• 48:56
  Speaker 4: What is Richard Gears reason for? He is famously banned
• 49:02
  Speaker 4: from the Oscars. Yeah, that's a thing with him.
• 49:06
  Speaker 6: I know that.
• 49:07
  Speaker 4: I think as if it's protesting with Tibet. I could
• 49:10
  Speaker 4: be wrong. I'm probably miss.
• 49:14
  Speaker 1: Oh so so he okay, so he's not banned?
• 49:18
  Speaker 5: He was?
• 49:21
  Speaker 4: He was.
• 49:24
  Speaker 1: He was not asked to present because usually, like major
• 49:27
  Speaker 1: A list, relevant actors are asked to present Awards from
• 49:31
  Speaker 1: nineteen ninety three to twenty thirteen. He was never asked
• 49:35
  Speaker 1: to present because he gave an impromptu speech about Tibet
• 49:40
  Speaker 1: and denounced China's human human rights violations in Tibet, which
• 49:45
  Speaker 1: he just ad libbed this on TV and people. The
• 49:48
  Speaker 1: Academy was pissed and they didn't ask him to come
• 49:51
  Speaker 1: back for twenty years, but he could still like go
• 49:53
  Speaker 1: to the Oscars.
• 49:54
  Speaker 4: Interesting. You know what's fascinating to me too is when
• 49:58
  Speaker 4: they nominate people who don't go up and they're not banned,
• 50:01
  Speaker 4: and they also nominate them again.
• 50:04
  Speaker 1: Well, I think that that it was very cool and
• 50:06
  Speaker 1: trendy for a while to not go, and I feel
• 50:09
  Speaker 1: like that's not the case anymore.
• 50:11
  Speaker 4: I feel like it's it's like trendy to not go
• 50:13
  Speaker 4: is like if you're a guest. But I feel like
• 50:17
  Speaker 4: I just think it's odd that, like when someone like
• 50:20
  Speaker 4: summarily dismisses the Academy, like it's a very famous you
• 50:24
  Speaker 4: can find it on Google. Letter from ingmar Berkman, the
• 50:27
  Speaker 4: Sweetish director who is Like one of his movies was
• 50:30
  Speaker 4: nominated for Best Foreign Language Film when he wrote this
• 50:32
  Speaker 4: letter of like please remove this and any other future
• 50:35
  Speaker 4: movies from your consideration. Thank you, And that's what that's
• 50:37
  Speaker 4: what the letter says, like please buck off, and like
• 50:39
  Speaker 4: it's like they still nominated him for like twenty years after,
• 50:42
  Speaker 4: like for any movie he made. It's so bizarre to me. Yeah.
• 50:45
  Speaker 1: One thing I realized when I got older is like
• 50:47
  Speaker 1: people who are viewed as really really cool, you almost
• 50:51
  Speaker 1: view them as if they're smarter, like they figured out
• 50:54
  Speaker 1: something that we didn't figure out to be viewed as
• 50:56
  Speaker 1: so cool. And I realized that that's not true. Because
• 50:59
  Speaker 1: Marlon Brando didn't go to the Oscars because he was
• 51:01
  Speaker 1: a psychopath. And it's fine to not go to the Oscars.
• 51:04
  Speaker 1: I'm not saying you're crazy to not go, but it's like,
• 51:07
  Speaker 1: why did Marlon Brando not go? Because he was a
• 51:09
  Speaker 1: fucking weirdo and a really difficult person. And then Bacino
• 51:13
  Speaker 1: is viewed as like really really cool and he used
• 51:15
  Speaker 1: to not go And then they asked Pacino, why did
• 51:17
  Speaker 1: you not go? And he said, the coolest person I
• 51:19
  Speaker 1: knew was Brando and he didn't go, So I just
• 51:21
  Speaker 1: did whatever Brando did. Like these people they put their
• 51:25
  Speaker 1: pants on one leg at a time. These people are
• 51:26
  Speaker 1: not fucking geniuses.
• 51:28
  Speaker 4: Yeah, so yeah, an, I think family. I think when uh,
• 51:33
  Speaker 4: Woody Allen when what one best picture? Oh my god,
• 51:38
  Speaker 4: why Andy hall one best picture? He was in a
• 51:41
  Speaker 4: jazz band and he's like, oh, we had practice that day.
• 51:45
  Speaker 1: Yeah, that's of course, what do you allan? Yeah, let's
• 51:48
  Speaker 1: not even get into that. I don't think he's even banned.
• 51:50
  Speaker 1: I don't think Woody Allen is banded.
• 51:51
  Speaker 4: I don't think.
• 51:52
  Speaker 1: And it's so weird how it was like before. I
• 51:54
  Speaker 1: think it was before me too, but it was so weird,
• 51:58
  Speaker 1: Like didn't Scarlet Johansson come out and Woody Allen and
• 52:01
  Speaker 1: like all these people came out and defended Woody Allen.
• 52:03
  Speaker 1: It's like, what what are we doing?
• 52:05
  Speaker 4: Oh?
• 52:05
  Speaker 1: Also, Roman Polansky is banned. Oh congrats Oscars for banning
• 52:10
  Speaker 1: Roman Plansky, who won't set foot in the United States
• 52:13
  Speaker 1: because he will be arrested for raping a fourteen year
• 52:15
  Speaker 1: old girl. Congrats banning him on the Oscars because he
• 52:19
  Speaker 1: was gonna show up and you were gonna turn him away.
• 52:22
  Speaker 4: Imagine it like a live capture on television, Like he wins,
• 52:26
  Speaker 4: he like looks around, he walks on stage, and we
• 52:28
  Speaker 4: got him. Like on South Park when they kill Osama
• 52:31
  Speaker 4: bin Laden. Yeah, yeah, it's it's uh yeah, it's definitely
• 52:35
  Speaker 4: a backwards perspective on all this, but it's weird, Like,
• 52:41
  Speaker 4: like the one that always gets me is like Terrence
• 52:44
  Speaker 4: Malick has been nominated I think three times over a
• 52:47
  Speaker 4: very long span of time. Never goes never well.
• 52:50
  Speaker 1: Terrence Malick is also pretty.
• 52:51
  Speaker 4: Odd, definitely, but I just think it's bizarre that, like,
• 52:55
  Speaker 4: are they thinking if they invite him, they're drawing him out?
• 52:59
  Speaker 4: I just I don't know, it's odd, Like I just
• 53:01
  Speaker 4: think it's like if the person is like, I'm not
• 53:03
  Speaker 4: interested in this, shouldn't the hubbub of this be like, well,
• 53:07
  Speaker 4: how dare he's to nominate him anymore? You know what
• 53:09
  Speaker 4: I mean? Like that's why I assume.
• 53:11
  Speaker 1: I don't think.
• 53:12
  Speaker 4: I know.
• 53:12
  Speaker 1: I'm glad that they don't handle it that way like people.
• 53:15
  Speaker 1: I think it's fascinating when people win and they're not there,
• 53:19
  Speaker 1: and I don't think you should be banned. I respect that.
• 53:24
  Speaker 4: I like the people who leave. I think it's very funny.
• 53:26
  Speaker 4: So when you hear about that the people who leave
• 53:28
  Speaker 4: the show after, well, I think Leo didn't.
• 53:32
  Speaker 1: Go to he didn't go to a lot of the
• 53:33
  Speaker 1: Award shows this year, but he's going to the Oscars
• 53:35
  Speaker 1: because I think he's like making a movie with Scorsese
• 53:38
  Speaker 1: right now.
• 53:39
  Speaker 4: Also, I think I don't think he's like running in
• 53:42
  Speaker 4: my opinion for like next after this, I don't think
• 53:44
  Speaker 4: he's trying, nor would he have to be.
• 53:47
  Speaker 1: Yeah, Timothy Shallow, Holy shit, CHUCKI just jumps on my shoulders.
• 53:51
  Speaker 1: And but oh so somebody sent me my friend and
• 53:57
  Speaker 1: work sent me an Instagram post of what what your
• 54:00
  Speaker 1: favorite Best Picture nominee says about you? And for Marty Supreme,
• 54:04
  Speaker 1: it was like, if your favorite Best Picture nominee is
• 54:06
  Speaker 1: Marty Supreme, it means and then there would be like
• 54:09
  Speaker 1: a line for every movie. And the Marty suprem on
• 54:11
  Speaker 1: was you think Whiplash is motivational? And I thought that
• 54:15
  Speaker 1: was great, Wow, perfect, perfect.
• 54:19
  Speaker 4: You think Whiplash is motivational? Doesn't he get hit by
• 54:22
  Speaker 4: a car and keeps going? Yeah?
• 54:24
  Speaker 1: Yeah, yeah, all right, all right, Keema Sabi. I'm gonna
• 54:28
  Speaker 1: go watch the Oscars and see what movie wins. And
• 54:33
  Speaker 1: should I complain about the Oscars being woke or will
• 54:36
  Speaker 1: it go in another direction? We'll find out. We'll see
• 54:39
  Speaker 1: based on my tweets.
• 54:40
  Speaker 4: Please yeah, everyone ignore those, but thank you. This was
• 54:45
  Speaker 4: a lot of fun. It was great to hear these
• 54:46
  Speaker 4: two as well.
• 54:47
  Speaker 1: And the next podcast we do has to be with Ben.
• 54:51
  Speaker 4: Deal Deal.
• 54:53
  Speaker 1: We have a plan. We don't have a date nail down,
• 54:55
  Speaker 1: but we got to lock that up with little, my
• 54:57
  Speaker 1: sweet little Benny Boy. And please listen to the story
• 55:00
  Speaker 1: in the song that I'm posting right now. It's very captivating,
• 55:05
  Speaker 1: moving better than any Polk song. So without further ado,
• 55:10
  Speaker 1: this is called Tim, Ryan and Irish Old Potato.
• 55:25
  Speaker 3: In the village by the Balls on the Grape One day,
• 55:27
  Speaker 3: Tim and Ryan and Irish and Potato on the way with.
• 55:29
  Speaker 1: A wink in the grin and a pot of bad.
• 55:32
  Speaker 3: Several catches, a leper con bowl, Young.
• 55:35
  Speaker 7: Simon, Ryan and Irish Potato chasing ounce and the winds.
• 55:42
  Speaker 6: Blow yaw, data tear every rainbow.
• 55:47
  Speaker 7: Tim and Ryan and irishto.
• 55:51
  Speaker 1: Why a twisted Hoffer at the end of the lane.
• 55:53
  Speaker 1: They spotted a.
• 55:54
  Speaker 2: Code of the bright green stage a beaman luff come
• 55:57
  Speaker 2: and claim me cold, so it rolled up.
• 56:00
  Speaker 3: He grew twice as ball, Timara, Ryan and Irish show
• 56:04
  Speaker 3: Potato sling.
• 56:07
  Speaker 2: A holy show.
• 56:09
  Speaker 3: They're a soul and trickster and the barlover till the little.
• 56:14
  Speaker 6: Lad cried that the fight was over.
• 56:18
  Speaker 1: He cursed their names and he slipped from sight.
• 56:20
  Speaker 3: But the correct clay jar in the fading light, they pried.
• 56:23
  Speaker 1: It open, said what's this, Bruce? Because midnight sharp is
• 56:27
  Speaker 1: morning June.
• 56:29
  Speaker 7: Jim Ryan and Irish show Potato Like get a sleeve
• 56:35
  Speaker 7: the lightning. They drank that stone till their headspa Sideways.
• 56:42
  Speaker 6: Tim and Ryan and Irish show Potato over the Moon
• 56:46
  Speaker 6: Climb Yer.
• 56:46
  Speaker 3: Of a slave. Bruce slays their hearts beat fast, they
• 56:49
  Speaker 3: forgot their face.
• 56:50
  Speaker 6: Tim cut Ryan by the cutor so slow said.
• 56:53
  Speaker 1: I thing this something you should know. On a mussy
• 57:15
  Speaker 1: stone by the old church wall. They kissed through laughter,
• 57:17
  Speaker 1: forgot it all. From dust to dawn in a Tangle
• 57:20
  Speaker 1: Spain with the wild night roaring under the skin.
• 57:26
  Speaker 6: Simon Lion and Irish show Potato to Last Tangle where
• 57:32
  Speaker 6: the sham rocks grow. They set the bad fire till
• 57:36
  Speaker 6: the stars burned out. Simon Riyah Love talking Crown. So
• 57:43
  Speaker 6: raise your glass to the hot shaped plans.
• 57:45
  Speaker 1: To the stone and kiss and the dairy.
• 57:46
  Speaker 6: Plan, sing it loud and the Lamplin low.
• 57:52
  Speaker 1: Tim and Ryan and Irish show potato