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Rattling The Truth + Classic Interviews · The Breakfast Club

• 0:01
  Speaker 1: The waldmust Stands Morning Show, the Breakfast Club. Y'all together,
• 0:08
  Speaker 1: y'all are like a mega for us. Y'all just took
• 0:11
  Speaker 1: over him without this, Chris Brown, I've officially joined the
• 0:15
  Speaker 1: Breakfast Club. Say something. I'm with it, Dan Morning Show,
• 0:20
  Speaker 1: Breakfast Club. He better call back with the good morning.
• 0:34
  Speaker 1: Everybody is DJ m vy Angela Yee, Charlomagne the guy.
• 0:37
  Speaker 1: We are the Breakfast Club. We got a special guest
• 0:39
  Speaker 1: in the building D rated difference to making David. Yes,
• 0:43
  Speaker 1: I get to be a special guest today. Thank you.
• 0:44
  Speaker 1: You know what. I keep going there, D rate like
• 0:46
  Speaker 1: you've have been the most popular D rate for a
• 0:48
  Speaker 1: long time. But then the activists came along. He snapped off.
• 0:51
  Speaker 1: But before we get into that must, I must say,
• 0:53
  Speaker 1: she looks beautiful. She looked like she looked she looked
• 0:57
  Speaker 1: on Empire, Empire. He looks good. I don't know if
• 1:00
  Speaker 1: I was supposed to say that, you know, some new
• 1:02
  Speaker 1: head from her now. No, it's more than it ain't
• 1:05
  Speaker 1: just the head. You look good. I I'm sorry, I
• 1:06
  Speaker 1: can't not. I'm playing it now. We're good. I had
• 1:14
  Speaker 1: to get that flirt out. I had to get that
• 1:16
  Speaker 1: flirt off. I never shot my shot at you before
• 1:19
  Speaker 1: DearS tapped the industry. By the way, no man happens,
• 1:23
  Speaker 1: heavy man, two girlfriends happened? Clues a lot? Yeah I have. Yes,
• 1:27
  Speaker 1: I'm very very committed. You got two girlfriends? Yeah? You
• 1:30
  Speaker 1: know I'll be talked about this one hundred times. You
• 1:31
  Speaker 1: don't listen to me? You do? You call people fat?
• 1:35
  Speaker 1: Say who ugly? Irritate rappers? That's all he's like to do.
• 1:38
  Speaker 1: Like if you ain't been irritated. You remember I have
• 1:41
  Speaker 1: two girlfriends? Well, you know sometimes you have a you
• 1:44
  Speaker 1: have been single? No, you haven't been sing a long time.
• 1:46
  Speaker 1: I just stop. But you've had a wife's in third grade.
• 1:51
  Speaker 1: Came out of the wound with a ring. He came
• 1:55
  Speaker 1: out with a family behind him. No, what happens is
• 1:59
  Speaker 1: you you when you single? Me? I was singing for
• 2:01
  Speaker 1: a long time, But then you meet people that you've
• 2:03
  Speaker 1: been liking, and then you're dating two different people at
• 2:05
  Speaker 1: the same time you're dating, and then who do you
• 2:07
  Speaker 1: tell yo, I don't want to date you no more.
• 2:09
  Speaker 1: I'm gonna try this. Do you tell a person going
• 2:11
  Speaker 1: the waiting room? No? So what I did is I
• 2:13
  Speaker 1: decided to be honest instead of getting my windows busted
• 2:15
  Speaker 1: and cars scratched up, and I said, hey, I want
• 2:18
  Speaker 1: to I want to try something. I don't know if
• 2:19
  Speaker 1: it's it's not you know, ain't ain't the usual program.
• 2:22
  Speaker 1: We're gonna get rid of killed, people gonna talk stuff.
• 2:24
  Speaker 1: But most men got two girlfriends anyway, they just don't
• 2:26
  Speaker 1: say it. And it worked like y'all go out together,
• 2:29
  Speaker 1: we go out together with friends, Yeah, yeah, friend funny
• 2:35
  Speaker 1: on Oxygen. Then that show alone caused a lot of
• 2:38
  Speaker 1: like hectic stuff because when it's just us and people
• 2:42
  Speaker 1: assuming what it might be. But once you're gonna TV
• 2:45
  Speaker 1: and say this is what it is. You know what
• 2:46
  Speaker 1: I mean with two people who don't really like Carol
• 2:48
  Speaker 1: is she's more into like TV and actor because she
• 2:50
  Speaker 1: comes from that world of hosting and she was in
• 2:53
  Speaker 1: pageant stuff. But Coco's more like she don't really long
• 2:56
  Speaker 1: beach check generally care about no TV. You know, people
• 2:59
  Speaker 1: start saying different stuff. You you know, to get the pump,
• 3:01
  Speaker 1: you're a pimp, you're player, and it made the words
• 3:03
  Speaker 1: you want. You know what It's like. It's like when
• 3:04
  Speaker 1: you with your girl and somebody like dang another one,
• 3:06
  Speaker 1: You're like, no, it's the same one, same girl. So yeah,
• 3:10
  Speaker 1: live together? Yeah, wow, d damn, who show about it?
• 3:13
  Speaker 1: Living with Funny? What it's like to live with a comedian? Yeah, me,
• 3:16
  Speaker 1: Branda T. Jackson Michael Blackson called live with Funny, But
• 3:20
  Speaker 1: I'm the only funny girl. To me, it's some poet
• 3:24
  Speaker 1: tone that and I'm y'all have y'all stay in the
• 3:26
  Speaker 1: same room or y'all split them up. It's like one side,
• 3:28
  Speaker 1: one side and you no, no, I mean they were
• 3:30
  Speaker 1: always since they were in the same yeah. Same. It
• 3:32
  Speaker 1: mean it's like same bad. Yeah. Yeah, but I mean everybody,
• 3:35
  Speaker 1: everybody needs to No, man, we don't no, no, no, no, no, no,
• 3:40
  Speaker 1: no, no no, we actually don't. We actually don't have we
• 3:42
  Speaker 1: Actually I've never ever had a three someomee them that
• 3:45
  Speaker 1: don't happen. Well, man, you know I have pushed, I've
• 3:48
  Speaker 1: asked sublimantly, you know what I'm saying. But you can't
• 3:51
  Speaker 1: force people in that kind of situation. It's like trying
• 3:53
  Speaker 1: to force your music on people. You know what I'm saying.
• 3:55
  Speaker 1: People gotta love the rhythm of it before they love it,
• 3:58
  Speaker 1: you know what I mean. The wives, Yeah, they come.
• 4:00
  Speaker 1: Everybody comfortable as a Woman's hard to put a cap
• 4:02
  Speaker 1: on it. Though we're already living together and you were
• 4:04
  Speaker 1: eating together and we're family have sex together. Yeah, I
• 4:07
  Speaker 1: mean I hear your brothers. I'm right there with you.
• 4:10
  Speaker 1: But now, why can't that now listen, why can't that
• 4:12
  Speaker 1: be enough? Okay, we're all all of us get together,
• 4:15
  Speaker 1: We're in a great relationship. Why do you have to
• 4:17
  Speaker 1: take it that stand? If you don't push, you know,
• 4:19
  Speaker 1: if you don't, If you don't push, nothing on nobody.
• 4:21
  Speaker 1: I feel like, man, honestly, man lot so much. Man,
• 4:23
  Speaker 1: we we we lot so much that when we start
• 4:26
  Speaker 1: telling the truth, it's gonna surprised women and a lot
• 4:28
  Speaker 1: This is gonna happen a lot more. I feel like
• 4:30
  Speaker 1: it Isn't there a ball player? Who's the ball player
• 4:32
  Speaker 1: that has to they alreays say lou Wing, But I
• 4:34
  Speaker 1: haven't seen his girls. I don't know this situation. I
• 4:37
  Speaker 1: don't know if he got good girls. I don't know
• 4:39
  Speaker 1: if they was because a lot of dudes got two
• 4:41
  Speaker 1: girls sometimes be like two strippers and they be two
• 4:43
  Speaker 1: this time to get married. You have two legit what
• 4:45
  Speaker 1: you until they look if gay people are able to
• 4:48
  Speaker 1: marry each other, I actubated marry my two girlfriends, but
• 4:51
  Speaker 1: at me should be legal. I don't understand that like
• 4:53
  Speaker 1: that get you yeah, you gat you can get married.
• 4:55
  Speaker 1: You go. You know, do you wake up on another man? Chance?
• 4:58
  Speaker 1: Two men? You should be able to wake up with
• 5:00
  Speaker 1: folk breasts. That's the fact. Two chests. What would you
• 5:04
  Speaker 1: think about it? Women? Well, I've been asked that a lot.
• 5:07
  Speaker 1: It's different for a woman because women are know it's different.
• 5:10
  Speaker 1: Women are internal. Everything goes inside of you. Things inside
• 5:14
  Speaker 1: men too. Sometimes trying to argue to double standard girls
• 5:19
  Speaker 1: all holes if they got more than one guy and
• 5:21
  Speaker 1: where not. I'm saying if you, I'm saying, if your
• 5:23
  Speaker 1: daddy walking on you when you got to two penises
• 5:27
  Speaker 1: on your forehead, he's not gonna be like, that's my girl.
• 5:29
  Speaker 1: And if the two guys are okay with it, though
• 5:33
  Speaker 1: most a lot of guys are, and that's why they
• 5:35
  Speaker 1: go to the strip club and they both leave with
• 5:37
  Speaker 1: one girl. Yeah, it's different. You know, it's a train train,
• 5:41
  Speaker 1: a woman's a train both at the same time. To true,
• 5:46
  Speaker 1: I know, I know girls like that and girls emotionally though,
• 5:48
  Speaker 1: I think can't deal with it all the time. I
• 5:50
  Speaker 1: think it's heavy on them. Davis the difference maker keeping lots.
• 5:54
  Speaker 1: It's a breakfast club. Good morning, the breakfast club? Is
• 6:02
  Speaker 1: it just me? Is it just me? Is this so
• 6:06
  Speaker 1: so good? I shouldn't have the morning? Everybody is dj
• 6:10
  Speaker 1: Envy angela ye shall I mean the guy we are
• 6:12
  Speaker 1: the breakfast Club special guests in the building, Mister d
• 6:15
  Speaker 1: ray Davis. How is it doing the show with Coker
• 6:17
  Speaker 1: and carried with it? Difficult for them, like to put
• 6:19
  Speaker 1: their their lives out like that. Initially it was very
• 6:22
  Speaker 1: difficult because everybody had come from like real families. They
• 6:25
  Speaker 1: don't come like anybody broke in did nobody Daddy disappeared
• 6:28
  Speaker 1: and people always say that where they fathers had and
• 6:30
  Speaker 1: all that. I mean, it's it's different. They once they
• 6:33
  Speaker 1: get around me, they're cool because they see it's more
• 6:35
  Speaker 1: like family and friendship. Like I'm not around him tone
• 6:37
  Speaker 1: kissing at the dinner table, both of them sitting on
• 6:39
  Speaker 1: my last like y'all should have raised them better like
• 6:42
  Speaker 1: that going on, It's really like I'm I'm really, I mean,
• 6:46
  Speaker 1: I'm their friend, man, I'm the friend first, and they
• 6:47
  Speaker 1: just having the men messed up so much that I'm
• 6:50
  Speaker 1: in a place now, I'm in a position man where
• 6:53
  Speaker 1: it's like it's comfortable. I didn't know. I thought it
• 6:55
  Speaker 1: was reality, but it's not. It's it's like a scripted
• 6:57
  Speaker 1: I'm scripted show that should became. Man, come on, man,
• 7:00
  Speaker 1: comedians in the room, all we're gonna do is talk
• 7:02
  Speaker 1: about each other. They had to stop that. Like we
• 7:03
  Speaker 1: first shot it like that, sitting at a round table
• 7:06
  Speaker 1: and dudes, what's going in? Man? People was dudes wanted
• 7:08
  Speaker 1: to fight. Man, you know how I talked to exactly
• 7:12
  Speaker 1: at people and I can fight. So this is different,
• 7:15
  Speaker 1: you know what I mean. I've seen you get that.
• 7:16
  Speaker 1: I've seen you out in Miami on the street getting
• 7:18
  Speaker 1: at somebody. So they ready to whoop your ass until
• 7:20
  Speaker 1: you just they could be ready all day, but ready
• 7:22
  Speaker 1: and prepare to two different things. But the thing I
• 7:24
  Speaker 1: like about dear, you don't be trying to be funny.
• 7:26
  Speaker 1: You just be talking like I hate comedians that try
• 7:28
  Speaker 1: to be fun for you ever go to the stove
• 7:30
  Speaker 1: talking about the stop right the chips is on the wall. Yeah,
• 7:36
  Speaker 1: that's because my comedy having on accident. Man, I walked
• 7:38
  Speaker 1: into comedy club of Saud. I never saw it on TV,
• 7:40
  Speaker 1: so I guess that had a lot to do with
• 7:42
  Speaker 1: it really yeahs walked in and seen the comedian on stage,
• 7:44
  Speaker 1: comedian named Shaha, and they started talking about my shirt
• 7:46
  Speaker 1: and I was mad as hell, so I started yelling back,
• 7:49
  Speaker 1: but I ain't. Nobody told them what the heckler was
• 7:51
  Speaker 1: and then I learned the next to the next week,
• 7:53
  Speaker 1: I went back and I was like, I want to
• 7:54
  Speaker 1: try this, and that's how it happened. So he went
• 7:56
  Speaker 1: up on stage and got at it. Yeah, my uncles
• 7:58
  Speaker 1: the bartender, so I was I just talked to the
• 8:00
  Speaker 1: d I was, I want to try this, you know.
• 8:01
  Speaker 1: I thought. I opened up with a funny rap that
• 8:03
  Speaker 1: didn't go. Then I ended up doing like just talking
• 8:05
  Speaker 1: about people. Men at Large was there. I roasted the group.
• 8:07
  Speaker 1: It was sitting there and being like you call people fat?
• 8:12
  Speaker 1: Then talking about my jokes. They told me they said
• 8:14
  Speaker 1: you need to have a notebook. They say you need
• 8:15
  Speaker 1: to open your notebook and get some new jokes. And
• 8:17
  Speaker 1: I was like, you just mad. This ain't a menu,
• 8:18
  Speaker 1: and that was it. After that, it was it was
• 8:21
  Speaker 1: a round man if hard hard in Chicago though, being funny,
• 8:25
  Speaker 1: I asked Dion Cold the same thing, because it's like
• 8:28
  Speaker 1: Chicago to a rough place. Well, Dion Man my big brother,
• 8:31
  Speaker 1: I mean a big brother like people people always is
• 8:33
  Speaker 1: my big brother wants say successful. You know what I'm saying.
• 8:35
  Speaker 1: Dione went to school my brother, so I knew Dean
• 8:37
  Speaker 1: since I was like twelve years old. And I've seen
• 8:41
  Speaker 1: Dione do the Cotton Club. Dion just a naturally funny dude.
• 8:44
  Speaker 1: You know, worked hard on his material. As far as me,
• 8:46
  Speaker 1: I feel like me being around him. I'm a lunch
• 8:48
  Speaker 1: room funny while I talked to you know, talk to
• 8:51
  Speaker 1: the mess in the room. I'm not great at writing.
• 8:53
  Speaker 1: It's sitting sitting around. But comedians man for what we
• 8:56
  Speaker 1: for what little opportunities comments getting Now, I'll say it's
• 8:59
  Speaker 1: hard animal comic view, death, jammin around, hurt their las.
• 9:04
  Speaker 1: I hope they do it because that'd be great for
• 9:05
  Speaker 1: these Oh yeah, it's all death digital type thing. Yeah, yeah, yeah,
• 9:09
  Speaker 1: that'd be good. Man Yeah, Tony rock Man, Yeah, that's good.
• 9:12
  Speaker 1: Good for Tony Man, Tony rock Man, Tony Man, Me
• 9:16
  Speaker 1: and Tony always we always compete with each other. I mean,
• 9:19
  Speaker 1: I'm just I'm funny. Yeah, Okay. Bottom line, any of
• 9:22
  Speaker 1: these comedians gonna stage, they got to go before me.
• 9:25
  Speaker 1: That's just what it is. It's not gonna turn outway.
• 9:28
  Speaker 1: You know. I don't think, Dear Andre, they keep he man,
• 9:32
  Speaker 1: they keep, that's for sure. That don't change. I don't
• 9:35
  Speaker 1: think it's that man. I think this kind of conversation
• 9:37
  Speaker 1: the way I talk now ain't accepted in the comedy community.
• 9:40
  Speaker 1: As rappids, you can brag. As a ball player, you
• 9:43
  Speaker 1: brag a little bit, but as a comedian, you've been disrespectful,
• 9:46
  Speaker 1: and everybody funny is different. I'm like, no, gonna stage,
• 9:49
  Speaker 1: do you know ten minutes? We can go back and
• 9:51
  Speaker 1: forth and see who lasts longest on stage doing ten manute.
• 9:54
  Speaker 1: That's just how I love the art. To compete, and
• 9:56
  Speaker 1: I love to compete. And that's most comedians are self deprecating.
• 9:59
  Speaker 1: You're not so defrecating, yeah, man, because we gotta be.
• 10:01
  Speaker 1: Most commedian is ugly. They just get Most comedians got
• 10:05
  Speaker 1: cute after they made it, then they handsome. But you
• 10:09
  Speaker 1: was starkly. Come on, man, come on, parents made horrible
• 10:13
  Speaker 1: decisions and look for us to do comedy. Man, you
• 10:17
  Speaker 1: are man. I just don't. I'm about to call him
• 10:25
  Speaker 1: man sitting next to him. No, I mean, man, he
• 10:27
  Speaker 1: always do this. Ray Davis keeping locks. It's the Breakfast Club.
• 10:30
  Speaker 1: Good morning, Happy holidays, Wishing you and your family the
• 10:35
  Speaker 1: very best this holiday season from all of us here
• 10:37
  Speaker 1: at the Breakfast Club. The Breakfast Club. That's right, it's
• 10:43
  Speaker 1: the Breakfast Club. Good morning. We have d Ray Davis.
• 10:46
  Speaker 1: You Gotta Girl out coming. I heard that's coming in August.
• 10:48
  Speaker 1: I have no idea when that's coming out. That's that.
• 10:49
  Speaker 1: You shoot a lot of movies that don't come out,
• 10:53
  Speaker 1: and it's never Why is that though? I have made
• 10:57
  Speaker 1: with someone because I go get all the money. They
• 10:58
  Speaker 1: want to shoot, We're gonna shoot, but I tell don't
• 11:00
  Speaker 1: know why we shooting. I don't know if this is
• 11:01
  Speaker 1: coming out. Yeah. He did a couple episodes of Empire.
• 11:04
  Speaker 1: You were Gonna Empire that they killed you? Yeah they did, man, Yeah,
• 11:07
  Speaker 1: I was yeah. Man. I was excited to be on
• 11:08
  Speaker 1: that show too, because John Singleton called me put me
• 11:10
  Speaker 1: on that he wanted me to do. I did his
• 11:12
  Speaker 1: um FX show Snowfall, and he wanted me to play
• 11:15
  Speaker 1: like the main drug dealing cat on there, and he
• 11:17
  Speaker 1: was basically the casting people um or IF Foxes at
• 11:20
  Speaker 1: the time didn't think I could play that serious of character.
• 11:23
  Speaker 1: So he wanted to show them by putting me on
• 11:25
  Speaker 1: Empire City. Yeah yeah, and show my stomach. I'd have
• 11:32
  Speaker 1: lost all my fans. I'll try to keep my situations.
• 11:35
  Speaker 1: You know what I'm saying. I don't. I don't say
• 11:36
  Speaker 1: up outside of my boundaries. You know, I'm a shirt
• 11:38
  Speaker 1: on sex type of guy. You get shirt on shirt socks, lit. Yeah, lit.
• 11:45
  Speaker 1: Our interns did research for you, right, And I don't
• 11:47
  Speaker 1: know what this means, but they said, you've been vocal
• 11:49
  Speaker 1: about being a gay ally. I don't know what that means.
• 11:52
  Speaker 1: But he said, you said, if you said, if I
• 11:53
  Speaker 1: see two gay people fighting, what I helped him? I
• 11:56
  Speaker 1: guess I would guess that was a joke. They must
• 11:58
  Speaker 1: have heard of something. I guess, yeah. I don't have
• 12:00
  Speaker 1: no idea. And what is gay like? Like when I
• 12:04
  Speaker 1: go marching for gay people? And said, you've been vocal
• 12:06
  Speaker 1: about your being a gay allied, that problem gay discrimination
• 12:09
  Speaker 1: in the community, in the comedy community. What made you
• 12:12
  Speaker 1: be such a vocal ally for the LGBT community, I'm like, wow,
• 12:15
  Speaker 1: all right, well let's get into it. No allies like
• 12:19
  Speaker 1: in the in the US government, A friend, I would
• 12:21
  Speaker 1: say that whatever people want to do, like I've been
• 12:23
  Speaker 1: vocal about you can't go on stage and people starts
• 12:26
  Speaker 1: going from gay bash or gayest or I can't say
• 12:29
  Speaker 1: nothing bad about people without having something good positive to say. Also,
• 12:33
  Speaker 1: on that side of it, I'm saying because you growing up,
• 12:35
  Speaker 1: yeah gotta be. I mean when I first got to
• 12:38
  Speaker 1: LA I literally thought that was a disease when I
• 12:42
  Speaker 1: see it, because I'm from Chicago. You don't just be
• 12:43
  Speaker 1: like I'm gonna be like oh. I was like, Oh.
• 12:45
  Speaker 1: Then my building manager, Steve let me know he ain't
• 12:48
  Speaker 1: want none from me. He was like, dude, you think
• 12:51
  Speaker 1: just because a gay dude, look, he's every gay dude.
• 12:53
  Speaker 1: Don't want you anybody looking at you. He's letting me
• 12:56
  Speaker 1: know that, you know. And he ended up being somebody
• 12:59
  Speaker 1: when I was getting evicted, when I was wasn't touring.
• 13:02
  Speaker 1: He's somebody that was like, YO, talk to me about
• 13:05
  Speaker 1: the business of owning my own my own building's my
• 13:08
  Speaker 1: own thing. And this is conversation coming from a man
• 13:10
  Speaker 1: who I would never even let talk to me, judging
• 13:13
  Speaker 1: by how I was raised and how you know, because
• 13:15
  Speaker 1: we was little, you cast somebody, Hey, you fought right away,
• 13:17
  Speaker 1: and in the bad part that somebody, the kids you
• 13:19
  Speaker 1: call gay and really was, but they was ashamed to
• 13:21
  Speaker 1: say they was. I would say, yeah, I would say that.
• 13:26
  Speaker 1: I mean, you know, it's funny because you said you
• 13:28
  Speaker 1: come from Chicagos when it was new to you, when
• 13:29
  Speaker 1: you saw it in LA. That's how I feel about
• 13:31
  Speaker 1: transgender women. I feel that's saying that's another new but
• 13:34
  Speaker 1: you know it's it's still And right now I don't
• 13:36
  Speaker 1: know how to answer that yet because I haven't. I
• 13:38
  Speaker 1: don't want to say been around I have now. I
• 13:40
  Speaker 1: don't want to have an issue it because that would
• 13:42
  Speaker 1: take me Does that take me against what I was saying? Really?
• 13:44
  Speaker 1: Because I gotta ask you with it too, Okay, I don't.
• 13:46
  Speaker 1: I want to know. Man, they got to be different.
• 13:47
  Speaker 1: But like cause you go to some of these clubs
• 13:48
  Speaker 1: in New York and it'd be the glass. This dude
• 13:51
  Speaker 1: crossed from me who is transgender. Doesn't mean they want you.
• 13:56
  Speaker 1: But I think I think going to the I think
• 13:58
  Speaker 1: the bathroom is yours, say you place, But any decision
• 14:01
  Speaker 1: you're make in life, and I mean as any decision
• 14:03
  Speaker 1: make from let's say, y'all, y'all artists in here, and
• 14:06
  Speaker 1: I mean that realisticly, y'all y'all, DJ's, y'all artists, y'all
• 14:09
  Speaker 1: on the radio. When you make a decision like today
• 14:10
  Speaker 1: you decide to wear your hair like that, the attention
• 14:12
  Speaker 1: you get from where your hair like that, it's different
• 14:14
  Speaker 1: than when you come in if you feel a little different.
• 14:15
  Speaker 1: So we should accept this attention we're asking for wherever
• 14:19
  Speaker 1: we're dressing. How are we looking like if if I
• 14:21
  Speaker 1: come I got my hoodie on and I see four
• 14:23
  Speaker 1: white people across the street, I asked for this attention
• 14:27
  Speaker 1: with my hoodie on, all dark clothes middle of the night.
• 14:29
  Speaker 1: You have to your environment is important to the decision
• 14:32
  Speaker 1: and make a gym with a hoodie on at night?
• 14:34
  Speaker 1: True too, but you can'tnot. You gotta be aware you
• 14:36
  Speaker 1: got away at all times. That's all I mean. That's
• 14:38
  Speaker 1: all other people's prejudices, not even just a prejudice of
• 14:41
  Speaker 1: what you're You gotta be aware of how you're being perceived, right,
• 14:44
  Speaker 1: that's a pret like people look at you and they
• 14:46
  Speaker 1: have a certain like amber Rose is the slut wall.
• 14:48
  Speaker 1: I think the name is strength in the name of
• 14:50
  Speaker 1: what you're trying to do, but I think it's other
• 14:52
  Speaker 1: ways to present it. But it also wasn't something she invented.
• 14:55
  Speaker 1: It was something that's been going on before that andantry
• 14:58
  Speaker 1: so I think just the fact that it was a
• 15:00
  Speaker 1: rose that did it, that's what made it. Yeah, a
• 15:02
  Speaker 1: lot of people have got a lot more attention to
• 15:03
  Speaker 1: it too. At the same time, true, I just think
• 15:05
  Speaker 1: the attention that you, Megan she why are you bringing
• 15:07
  Speaker 1: my hame out? It's the it's the whatever you whatever
• 15:11
  Speaker 1: you bring in, whatever you act, whatever you have around
• 15:13
  Speaker 1: you meet with the two girlfriends. I walked into a
• 15:15
  Speaker 1: conversation about two girlfriends, right, you know what I'm saying,
• 15:17
  Speaker 1: And somebody somewhere going, oh, he got two girlfriends? What
• 15:20
  Speaker 1: is this world coming to? It's a trans trand ginger
• 15:23
  Speaker 1: person going, I only got one person I love? But
• 15:25
  Speaker 1: what's wrong with d Ray? So exactly? Also coming back,
• 15:28
  Speaker 1: joking off, come back. Twenty episodes and you're on tour
• 15:31
  Speaker 1: right now, on tour, the Funniest Fact Tour. Get ready
• 15:33
  Speaker 1: to shoot another special Finally, the Funniest Fat Tour. Funniest
• 15:36
  Speaker 1: Fat Man, say it right for me again. Funny as
• 15:41
  Speaker 1: fact man. She can funny too, d Ray Davis, we
• 15:44
  Speaker 1: appreciate you joining us. Thank y'all. Usual, it's the breakfast Club.
• 15:47
  Speaker 1: Good morning, what's up y'alls? Angela ye, wishing you and
• 15:52
  Speaker 1: your family the very best sut holiday season from all
• 15:56
  Speaker 1: of us here at the Breakfast clubs the Breakfast Club. Oh,
• 16:02
  Speaker 1: everybody is DJ Mzy, Angela Yee, Charlotmagne the guy. We
• 16:06
  Speaker 1: are to Breakfast Club. We got a special guests in
• 16:08
  Speaker 1: the building. Mister sweet. Can't say that we talking about right.
• 16:15
  Speaker 1: They can believe it. They can believe it. I can't
• 16:18
  Speaker 1: say it like you nowhere. How you gotta put this,
• 16:20
  Speaker 1: you gotta put this wag on it said? I mean,
• 16:21
  Speaker 1: he said practice. That's how that's sound good to me.
• 16:28
  Speaker 1: I don't know about y'all. That sounded good head more
• 16:31
  Speaker 1: than what's up it? Uh? Now do you feel like
• 16:33
  Speaker 1: you got a bigger buzz now because of social media
• 16:35
  Speaker 1: than you ever did because of the music. I don't know.
• 16:38
  Speaker 1: I think when numbers come out, I bear to tell you, yeah,
• 16:41
  Speaker 1: so that happen. I don't really know, Like I don't
• 16:43
  Speaker 1: like I always I don't get caught up in what
• 16:45
  Speaker 1: ain't real for real, like it's about translating and making
• 16:48
  Speaker 1: all the work for you. So until the numbers come out,
• 16:50
  Speaker 1: when the next album come out, I tell you the
• 16:53
  Speaker 1: buzzs is bigger than not. It feel bigger. You feel
• 16:57
  Speaker 1: like when you're in the airport, people feel like if
• 16:58
  Speaker 1: they could just run up on you and stay any
• 17:00
  Speaker 1: thing and do anything. Now that's the aura. I feel
• 17:02
  Speaker 1: like that's would make my situation unique. It's a personal
• 17:05
  Speaker 1: connection between me and the people that support me. So
• 17:07
  Speaker 1: it's kind of like a no, no, whole bass situation
• 17:10
  Speaker 1: with me, Like sometimes I'm an over accessible guy. Now
• 17:13
  Speaker 1: that Color of Money situation. They ain't help you like that.
• 17:15
  Speaker 1: They ain't stop your interaction with the fans, like, yeah,
• 17:17
  Speaker 1: I don't want you all that close to me, no
• 17:19
  Speaker 1: more than when you say Color of Money and breaking
• 17:20
  Speaker 1: down when you was on the stage and the dude
• 17:23
  Speaker 1: grabbed you or whatever, you know what. And it's I
• 17:25
  Speaker 1: guess it's probably my first time with the story. That
• 17:28
  Speaker 1: story that was that was one of them situations that
• 17:30
  Speaker 1: for me a million times. It'll probably happened to me
• 17:33
  Speaker 1: a million times because it was another situation. Came on
• 17:36
  Speaker 1: stage and walk fans everybody grabbed you, brought them up. Yeah,
• 17:40
  Speaker 1: like it was I was surfing through the crowd, I
• 17:42
  Speaker 1: was on top of security shoulders and they was mushing
• 17:45
  Speaker 1: to dude, and they kind of end up choking them out.
• 17:47
  Speaker 1: So I kind of seen what the altercation was going on.
• 17:49
  Speaker 1: So when I got on the stage, I stopped the
• 17:51
  Speaker 1: show and I told them to go get dude, like
• 17:53
  Speaker 1: they're kicking out of the clubs. I said, man, brain,
• 17:55
  Speaker 1: dude back in. He can stand on the stage with me, like,
• 17:57
  Speaker 1: That's one of my policies when I'm when I'm performing,
• 17:59
  Speaker 1: all let nobody get got the club. So when he
• 18:01
  Speaker 1: came on stage, secured him was like, you wanted to
• 18:03
  Speaker 1: come up on hog Lege, I said, yeah, come on.
• 18:04
  Speaker 1: He was stand back in the drinking a look at
• 18:06
  Speaker 1: with me. So when he came up there, he was
• 18:07
  Speaker 1: just talking like, man, I love you. You You know if
• 18:08
  Speaker 1: I had to get kicked out behind you, bron care,
• 18:10
  Speaker 1: I'd love you. I just wanted touch your hand. So
• 18:12
  Speaker 1: I was like cool. So we were talking. I said,
• 18:14
  Speaker 1: all right, man, listen that stand back then and drink
• 18:15
  Speaker 1: the looking and you know I'd save you from getting
• 18:17
  Speaker 1: kicked out the club doesn't be good. So at that
• 18:19
  Speaker 1: point somebody I ended up saying, plies, I love you.
• 18:22
  Speaker 1: I ended up looking off. When I looked off, I
• 18:24
  Speaker 1: see I felt somebody grab me when he grabbed me,
• 18:27
  Speaker 1: I ain't knowing it. If he picking me up because
• 18:28
  Speaker 1: he loved me, if he's picking me up because we
• 18:30
  Speaker 1: had had question. It wasn't so when he picked me up.
• 18:36
  Speaker 1: When he picked me up by that snapped though. At
• 18:38
  Speaker 1: this point it wasn't even about trying to figure out
• 18:40
  Speaker 1: why he was picking me up. So when he picked
• 18:41
  Speaker 1: me up, I felt myself going off stage. When I
• 18:43
  Speaker 1: felt myself going off stage, I just turned. When I turned,
• 18:46
  Speaker 1: I fell on top of him. His back hit the reil,
• 18:48
  Speaker 1: and his back hit the reil. I just took off
• 18:49
  Speaker 1: at that point. It was just my mom called him
• 18:52
  Speaker 1: with a quick sick about four five. And I always
• 18:54
  Speaker 1: tell people, short man, just for the registrate, how much
• 18:56
  Speaker 1: you away like one eighty. Yeah, you can't whoop me
• 18:58
  Speaker 1: anything una too hardly, anything too humble. I'm whipping anything
• 19:04
  Speaker 1: with hand with these I'm whipping anything on the too humble.
• 19:07
  Speaker 1: If you're over too humbled, we got to handle it
• 19:09
  Speaker 1: a little different. So that situation is really how I happened.
• 19:12
  Speaker 1: But it's you know, it's one of them situations with me.
• 19:14
  Speaker 1: When I look back at it, it would have happened
• 19:17
  Speaker 1: to me a million times and I kind of go
• 19:19
  Speaker 1: through that with my brother. Right now, I'm saying, I know,
• 19:20
  Speaker 1: kids gotta be like rush stop blecking these boys. You
• 19:22
  Speaker 1: don'tunderstand didn't get cleared. Yeah, but it's kind of your philosophy.
• 19:25
  Speaker 1: Can I kind of hear you talk about it, then
• 19:27
  Speaker 1: you know you don't really trust us too much. I
• 19:29
  Speaker 1: don't trust n't trust us experience, but I still do
• 19:34
  Speaker 1: on the orders that I see that when he performs,
• 19:37
  Speaker 1: and I've been in a couple of clubs, when he
• 19:38
  Speaker 1: goes in the crowd, it doesn't matter what hood it
• 19:41
  Speaker 1: is where it's that he goes in the crowd with
• 19:42
  Speaker 1: his Julio, he performs, he into acts with them. But
• 19:45
  Speaker 1: it's but to be clear, it's about a system. Like
• 19:47
  Speaker 1: I think I've seen the Pope Hill. Somebody could have
• 19:50
  Speaker 1: shot at him. He didn't stopped that, right, you know,
• 19:51
  Speaker 1: somebody shot at him. Now when it when it's shooting halbum,
• 19:54
  Speaker 1: it's about what happens after that. So I feel like
• 19:56
  Speaker 1: I got a system in place for both of them now.
• 19:59
  Speaker 1: But but at the end of the day, that was
• 20:01
  Speaker 1: just one of the ones. It was it was it
• 20:02
  Speaker 1: was a crash to find some security guards after that,
• 20:04
  Speaker 1: Like and that was crazy because when people said it,
• 20:07
  Speaker 1: my security had just went to jail on OHAYO. I
• 20:10
  Speaker 1: ended up going to that show with one person with me. Yeah,
• 20:12
  Speaker 1: we got stopped like right outside of Tella has the
• 20:14
  Speaker 1: same night, So I knew all this was meant to
• 20:16
  Speaker 1: happen because the security we actually almost didn't make the
• 20:19
  Speaker 1: show on Tell Hassa and my security went to jail.
• 20:22
  Speaker 1: I still end up making it to the venue and
• 20:24
  Speaker 1: everybody who knows Teller hasa to call us them. They
• 20:26
  Speaker 1: got glad that it isn't though like them boys really
• 20:28
  Speaker 1: get it down. But I put them in a bad situation, coach.
• 20:31
  Speaker 1: They hadn't kicked dude without right. I'm kind of making
• 20:34
  Speaker 1: them go against day policy bringing them back in showing
• 20:36
  Speaker 1: love and it was just kind of one of them situations.
• 20:39
  Speaker 1: So I put them in a bad situation really, And
• 20:40
  Speaker 1: it has to be difficult too because you've gone through
• 20:42
  Speaker 1: situations with lawsuits, right, and you never know what could
• 20:46
  Speaker 1: happen if somebody decides to sue. It's not even your fault,
• 20:48
  Speaker 1: you just was there, But it half my I was
• 20:51
  Speaker 1: posed to happen because I know if I had my
• 20:52
  Speaker 1: people's I probably wouldn't even Yeah, yeah, yeah, that's the
• 20:55
  Speaker 1: people asked me what I regret about that situation? If
• 20:57
  Speaker 1: I could change something, what would what it would be?
• 20:59
  Speaker 1: Because I didn't kill him? Like, that's how that's my politive.
• 21:05
  Speaker 1: That's the only thing I would change about it. Ain't
• 21:07
  Speaker 1: that's political? Yeah, you can ask people around. That's policy.
• 21:10
  Speaker 1: If we get into something, they don't die, everybody get fucked.
• 21:16
  Speaker 1: Was spreading that best. That's if you're gonna work for me.
• 21:18
  Speaker 1: That's what policy is. If we get into something. Ever,
• 21:21
  Speaker 1: if he don't die, everybody fuck anybody. You don't think everybody.
• 21:28
  Speaker 1: I don't think that. You don't think that. Now, well
• 21:30
  Speaker 1: that's how you roll. That ain't high roll. Let me
• 21:32
  Speaker 1: ask about Kirk Frank, let's give some positivities. Did you
• 21:36
  Speaker 1: ever me Kurt y'all seen when he was in trouble?
• 21:40
  Speaker 1: Not really you asked him to come to the strip,
• 21:42
  Speaker 1: Kurt trying to kind of I heard I heard Kurt
• 21:44
  Speaker 1: kind of backtrack on what he said. He told me
• 21:47
  Speaker 1: thought I was talking about something else or something I
• 21:49
  Speaker 1: would talking about King and Hurt. I don't talk about
• 21:56
  Speaker 1: cutting the big joke joke. I was talking my King.
• 21:59
  Speaker 1: I'm I'm telling yeah, I felt like it was a
• 22:03
  Speaker 1: good People always told me about me and him looked
• 22:05
  Speaker 1: alike and we favor and all that, so you know,
• 22:07
  Speaker 1: I always was was a fan of what it was
• 22:09
  Speaker 1: that he did. I ain't never gotten into the gospel
• 22:11
  Speaker 1: of music thing, but I thought it was a good,
• 22:14
  Speaker 1: awful You never shot nobody to stomp. Yeah, yeah, that's
• 22:20
  Speaker 1: the damn that's the little thing you did. No, No,
• 22:22
  Speaker 1: I ain't never did that. Now if he if he
• 22:23
  Speaker 1: did go to kick it, Domons, would you go to
• 22:25
  Speaker 1: church with him? Absolutely, He's he's a man in his word,
• 22:28
  Speaker 1: it did, I'll go. I'll go with her. Absolutely, No applies.
• 22:31
  Speaker 1: Now we all want to know it's Angeli the inspiration
• 22:33
  Speaker 1: for people Saturday. I hope some of them girls seem
• 22:37
  Speaker 1: nasty that you'd be talking about. So let's hope. No,
• 22:39
  Speaker 1: you know what, and you know the word. I'm sure
• 22:42
  Speaker 1: you and Angelot was a couple or it's a couple
• 22:44
  Speaker 1: or something. You know what. When ye people don't really
• 22:46
  Speaker 1: understand that. I always told her if I ever candidate show,
• 22:49
  Speaker 1: I was gonna say that, like, you just dope to me.
• 22:50
  Speaker 1: She knows she dope to me. She dope to me
• 22:52
  Speaker 1: just in a lot of ways. But I feel like
• 22:55
  Speaker 1: from me, just to set the record straight, I'm infatuated
• 22:58
  Speaker 1: with with hard working women. I always benefastuated of that.
• 23:01
  Speaker 1: So when I see it, I bring it around me
• 23:03
  Speaker 1: because I got on a whole nother vibe probably some
• 23:07
  Speaker 1: months ago, and I just love being around women. Though,
• 23:10
  Speaker 1: would you like to be around before? No? No, No,
• 23:14
  Speaker 1: it's just hanging out with people. Oh. I just try
• 23:18
  Speaker 1: to explain this because you know, we do talk all
• 23:20
  Speaker 1: the time like that is my people. It's like it's
• 23:22
  Speaker 1: something happened. I'll talk to him for advice. He's a
• 23:24
  Speaker 1: very He was the only he was the only what
• 23:27
  Speaker 1: I call an industry friend slash associate that I have
• 23:30
  Speaker 1: for a long time. She got drinking Hennessy, Bro, you
• 23:33
  Speaker 1: are men. But that's something I'm gonna I'm anna, I'm
• 23:36
  Speaker 1: anna being sophe man. But I say, but let me
• 23:39
  Speaker 1: just explain what he's saying. He don't really go out
• 23:41
  Speaker 1: and socialize like fun. But I come on, but you
• 23:48
  Speaker 1: ain't going down. I hit him up and be like,
• 23:51
  Speaker 1: come on, let's go have a drink. Let's go. I
• 23:53
  Speaker 1: used to hate you, I'm gonna tell I used to
• 23:57
  Speaker 1: hate to hate you. Like when I first when she
• 24:03
  Speaker 1: was at what was when he was working, I used
• 24:06
  Speaker 1: to be like, damn like and I used to be
• 24:09
  Speaker 1: listening to it on the radio and they used to
• 24:11
  Speaker 1: try to take me over. I was like, I ain't
• 24:13
  Speaker 1: going over that girl knows like that's all she wanted
• 24:15
  Speaker 1: to do in no people a minute. Yeah. So when
• 24:16
  Speaker 1: I finally went over there, I met her and they
• 24:18
  Speaker 1: ended up playing you clip the clip we did. They
• 24:20
  Speaker 1: end up playing that against me in court. That's not
• 24:22
  Speaker 1: really what clip. And my brother was home then from prison,
• 24:26
  Speaker 1: but they played that video again. They played that video
• 24:28
  Speaker 1: and Superstar j video. Yeah, and I won the court
• 24:32
  Speaker 1: when you tweeted that little got some power that wasn't
• 24:35
  Speaker 1: about you you Yeah. Yeah, So y'all's never about to
• 24:46
  Speaker 1: ask you do it got powered? I don't talk to you,
• 24:49
  Speaker 1: but the room is you the one in it? Oh?
• 24:55
  Speaker 1: Nah man me And that's that's that's top notch, dog like,
• 24:58
  Speaker 1: that's on a whole nother level, another level of respect
• 25:01
  Speaker 1: for us. So I don't think a lot of people
• 25:02
  Speaker 1: understanding it. Well, people will understand me, understand, but if
• 25:05
  Speaker 1: you wanted a wife, you would be the prototype. You dope,
• 25:08
  Speaker 1: you got all the qualities. Yeah, you know she worked hard.
• 25:11
  Speaker 1: She make really really good money. That's probably make good money.
• 25:14
  Speaker 1: No, no no, no, no, finish. You never got to work again.
• 25:21
  Speaker 1: Look ill, that's probably why you know, I don't know,
• 25:23
  Speaker 1: you gotta do to not But that's probably why she
• 25:25
  Speaker 1: ain't gotta do because she ain't finally played the b
• 25:27
  Speaker 1: S game. So yeah, all right, we got more with
• 25:29
  Speaker 1: Plaus when we come back. Keep it locked. As to
• 25:31
  Speaker 1: breakfast club, good morning, what's up y'allis Angela? Ye'd wishing
• 25:36
  Speaker 1: you and your family the very best this holiday season
• 25:39
  Speaker 1: from all of us here at their breakfast club, the
• 25:42
  Speaker 1: breakfast Club. That's right, we are the breakfast Club. We
• 25:48
  Speaker 1: have Plaus in the building now. I remember telling you
• 25:51
  Speaker 1: that I'm glad that you started doing all of those
• 25:52
  Speaker 1: Instagram videos because you know, now people can see that
• 25:55
  Speaker 1: you're really funny. And that's why I was glad that
• 25:57
  Speaker 1: he started showing his personality more. And I'll try to
• 26:00
  Speaker 1: get into a girl so funny, man, hein't that funny
• 26:06
  Speaker 1: because brother funnier. That's that's that's that's more. What was
• 26:13
  Speaker 1: she suposed to say that it's cool she get that fast?
• 26:15
  Speaker 1: I ain't triple no, but I do feel like, you know,
• 26:17
  Speaker 1: I feel like people didn't know a lot about your
• 26:19
  Speaker 1: personality and that really helped. And then but I ain't
• 26:21
  Speaker 1: never really I never cared that. It wasn't even about
• 26:25
  Speaker 1: showing that side of me. Um My brother kind of
• 26:28
  Speaker 1: massaged me into that situation. I was just Twitter like
• 26:32
  Speaker 1: that's all I knew. I mean, he was like, bro,
• 26:34
  Speaker 1: I needed to get on IG Like it's the same
• 26:36
  Speaker 1: thing as Twitter, just record what you're saying. So I'm like,
• 26:38
  Speaker 1: Brian damn cameraing my face all day. So when he
• 26:43
  Speaker 1: kind of massaged me into the situation and I started
• 26:45
  Speaker 1: doing it, it's something that people enjoy. But for me,
• 26:48
  Speaker 1: I always tell people and people run up to me
• 26:49
  Speaker 1: with it. I never looked at myself as being humorous.
• 26:54
  Speaker 1: I just kind of say what I want to say
• 26:55
  Speaker 1: and I keep moving. It's kind of just real flawed though.
• 26:59
  Speaker 1: I just kind of say what it is. And I
• 27:00
  Speaker 1: also think that people also think that you know everything
• 27:03
  Speaker 1: that's going on, like on social media, and just a
• 27:06
  Speaker 1: couple of examples like sometimes you just have no idea,
• 27:08
  Speaker 1: Like Chris Brown got mad because he thought she was
• 27:11
  Speaker 1: throwing subliminals at him, so I called him and I
• 27:14
  Speaker 1: was like, Yo, what's going on. He's like, I didn't
• 27:15
  Speaker 1: even know what he was talking about. That was crazy.
• 27:17
  Speaker 1: That was crazy and nothing that he said and nobody.
• 27:20
  Speaker 1: Well I don't really do interviews like that too much,
• 27:22
  Speaker 1: but that situation was kind of that was kind of
• 27:25
  Speaker 1: disappointed situation with me with CB because I liked TB
• 27:30
  Speaker 1: you know what I mean. I think I think doll
• 27:32
  Speaker 1: like super super dope, so I always liked him. So
• 27:35
  Speaker 1: that whole situation transpired that that caught me off guard.
• 27:38
  Speaker 1: That kind of put me back into ro I can't
• 27:40
  Speaker 1: be left up with these dudes because if you felt
• 27:43
  Speaker 1: like that, like find somebody around me and Holly, but
• 27:46
  Speaker 1: you weren't even who I was thinking about, Like that
• 27:48
  Speaker 1: was nothing about nothing, and then for it happened kind
• 27:51
  Speaker 1: of how it happened like that was that was probably
• 27:54
  Speaker 1: one of the top three things in the game that
• 27:56
  Speaker 1: kind of disappointed me because I really really really dude
• 28:00
  Speaker 1: the other two. I would let me get that thing
• 28:05
  Speaker 1: with young right, you posted this doing that ain't disappoint me.
• 28:08
  Speaker 1: But I just want to clear something up about that too,
• 28:10
  Speaker 1: because I had an argument with somebody about this. There
• 28:12
  Speaker 1: you going to go for your man, you keep doing
• 28:18
  Speaker 1: it doing it's not short for bitch. It's nothing to
• 28:24
  Speaker 1: be disrespectful. And it's kind of like I used and
• 28:27
  Speaker 1: I'm I feel like I'm the best person acts I
• 28:29
  Speaker 1: don't want to came up with it like I used
• 28:31
  Speaker 1: it when I don't want to curse, and I use
• 28:33
  Speaker 1: it in place of what people would call profanity. So
• 28:35
  Speaker 1: so are you using the place for the word bitch? No, no, no, no, no,
• 28:39
  Speaker 1: no period. And first of all, man, like everybody, well,
• 28:41
  Speaker 1: people who know how rocking kids are sensitive issue to me,
• 28:44
  Speaker 1: like I don't, that ain't and and when he comes
• 28:46
  Speaker 1: to that, I'll just say this and we keep it moving.
• 28:48
  Speaker 1: But the kind of situations don't disappoint me, like I
• 28:51
  Speaker 1: understand the game. Like you got cats who ain't popping
• 28:55
  Speaker 1: trying to get popping. They just say what they want
• 28:57
  Speaker 1: to say. And dog ain't popping. So now, okay, fourteen
• 29:04
  Speaker 1: what he did ten fourteenth dollars record? Yeah, he got
• 29:07
  Speaker 1: that Straus though that's bother No, but he got the
• 29:09
  Speaker 1: Street movie. Even me talking about this ten thollars records
• 29:12
  Speaker 1: for nah, but he got the Street Bull. I looked
• 29:14
  Speaker 1: at you highly that I thought you had most so
• 29:17
  Speaker 1: I don't five records Records movie. But I thought that
• 29:20
  Speaker 1: I sto out there. I thought it was but I
• 29:25
  Speaker 1: thought your squash never started with me. You don't And
• 29:28
  Speaker 1: I told you, like, you don't go back and forth
• 29:30
  Speaker 1: with little dude. You just don't do it. So we
• 29:32
  Speaker 1: just keep. We could keep this movie. Does it scare
• 29:34
  Speaker 1: you a little bit? Du because he got a skirt on?
• 29:36
  Speaker 1: But then he talked about the shop action like that's
• 29:38
  Speaker 1: a little that's a little on an orthodox look at me.
• 29:43
  Speaker 1: I don't play with little dude. Man. Yeah. Here. One
• 29:50
  Speaker 1: thing I can say about what applies is he has
• 29:52
  Speaker 1: opened up because when he was first in the industry,
• 29:54
  Speaker 1: he was quiet when talking to nobody. He talks to
• 29:57
  Speaker 1: people now. But it was kind of why it was.
• 29:58
  Speaker 1: It was where I was from. And if it like
• 30:00
  Speaker 1: being for fourth miles, it that's that's how it is. Like,
• 30:03
  Speaker 1: it ain't disrespect if I don't speak to you, Like
• 30:05
  Speaker 1: if I don't speak to you, I just don't know you.
• 30:06
  Speaker 1: So if I don't know y'all, just keep it moving.
• 30:08
  Speaker 1: It ain't And I found out in this game some
• 30:11
  Speaker 1: people take it disrespectful, especially if they somebody had power
• 30:15
  Speaker 1: and you walk past him and don't speak to him.
• 30:17
  Speaker 1: But while I'm from if I ain't know, y'all, just
• 30:19
  Speaker 1: then speak to you now when you got a girl
• 30:21
  Speaker 1: applies and you on Instagram talking that talk ain't about
• 30:24
  Speaker 1: how good the game is? Do girls get upset? Hold on?
• 30:28
  Speaker 1: Do you get upset when um talking about talk on
• 30:32
  Speaker 1: the ground? I never get upset to him? Ain't sharpman,
• 30:36
  Speaker 1: I don't even know if you understand what this ain't
• 30:37
  Speaker 1: going nowhere? You throw the terrible job. I just seen
• 30:41
  Speaker 1: you more more than the day day. This is you,
• 30:49
  Speaker 1: This is at best, This is at best right and
• 30:54
  Speaker 1: I just seen you. This ain't huddled up, got the
• 30:59
  Speaker 1: same play. Hey, this ain't this ain't good used to
• 31:03
  Speaker 1: be more. I ain't good? Question, yo, Gotti? Yeah, Now
• 31:10
  Speaker 1: I saw before y'all didn't really get a log. He
• 31:12
  Speaker 1: has some that won that one that wasn't true. He
• 31:15
  Speaker 1: didn't say something about you in a song, and I
• 31:18
  Speaker 1: saw you posted his album shouted him out. Y'all did
• 31:21
  Speaker 1: a song together and people were like, oh, but he
• 31:23
  Speaker 1: said this about you? How are you going to post it? No?
• 31:25
  Speaker 1: I wouldn't got it. I think I forgot what mixtape
• 31:27
  Speaker 1: that was. It was covered projects to go, But he
• 31:29
  Speaker 1: said something that people didn't know which way to take it.
• 31:32
  Speaker 1: Theyin't gonna do a left a goal, right. But I
• 31:34
  Speaker 1: think he did a cover of interviews and he let
• 31:36
  Speaker 1: people know exactly what it was that he meant by
• 31:39
  Speaker 1: I mean, you gotta you gotta follow what the person
• 31:41
  Speaker 1: who wrote it said. So you know, that situation was
• 31:44
  Speaker 1: an easy one for me. Like God had probably wanted
• 31:46
  Speaker 1: the three at most part, I say, probably talked to
• 31:49
  Speaker 1: I disrespect, what what what the dog do? Did you
• 31:52
  Speaker 1: ever feel like? Do you ever feel like you can
• 31:54
  Speaker 1: settle down? And it ain't hard for me? Most street
• 31:56
  Speaker 1: cast that that cheat. If you got five women, you're
• 32:00
  Speaker 1: just trying to make one good woman, you might got
• 32:02
  Speaker 1: one going to take all them five and one good woman.
• 32:04
  Speaker 1: But if you find one good woman that got all
• 32:06
  Speaker 1: them qualities, it's easy. So it's just about for me,
• 32:09
  Speaker 1: it's just about finding the person that possessed all the
• 32:11
  Speaker 1: things is that I really stand on? So what's the
• 32:14
  Speaker 1: qualities for the love applies? Qualities? Quality? Was supposed to
• 32:18
  Speaker 1: have a reality show. Yeah yeah, haydon no, he was
• 32:24
  Speaker 1: gonna be on it. Absolutely that all these girls out man,
• 32:29
  Speaker 1: that's dope, man. See, that's the kind of girl you need,
• 32:31
  Speaker 1: you need to madam, a girl that's gonna be your man.
• 32:34
  Speaker 1: Girl can't control all the whole. He's on the sea
• 32:38
  Speaker 1: level today. You ain't you ain't. You ain't gonna fire today,
• 32:44
  Speaker 1: the greenballer, You ain't onna fire to that quality. I
• 32:50
  Speaker 1: think I'm symbol though, like I ain't really I ain't
• 32:52
  Speaker 1: really on the the dime, Like I ain't gotta be
• 32:56
  Speaker 1: kicking it with the dime. Like what you mean you
• 32:57
  Speaker 1: don't gotta be a dime? No? No, I mean like
• 33:00
  Speaker 1: a six seven and she if she is a six seven,
• 33:03
  Speaker 1: but she got the quality of me personally. I want
• 33:06
  Speaker 1: to geisha? What no brises for you? Like my? I
• 33:12
  Speaker 1: love my. I don't know if it's a such thing
• 33:14
  Speaker 1: as a geisha might be a memory? I want to
• 33:28
  Speaker 1: geis you gotta have gates? I want either want a
• 33:30
  Speaker 1: geisha or you gotta have Geisha quality. G a y
• 33:33
  Speaker 1: what is she got? You? Bingo? Got man who act
• 33:43
  Speaker 1: as hostesses and whose skills include performing various acts? See
• 33:48
  Speaker 1: what a performer? Either I either a geisha or gotta
• 33:54
  Speaker 1: have a geisha quality? And what that I need to
• 33:57
  Speaker 1: submissive woman? Did you ever see memories ever come into
• 34:01
  Speaker 1: contract with. I didn't. I just I just somebody in
• 34:05
  Speaker 1: the robe and miss missing what's your what's your definition?
• 34:09
  Speaker 1: Is a missions because a lot of girls don't like
• 34:11
  Speaker 1: that term. Yeah, they don't like that. I don't need
• 34:13
  Speaker 1: you to be the yes woman like I don't need
• 34:15
  Speaker 1: that to happen. I need you to understand how hard
• 34:17
  Speaker 1: I really work. I need that to happen. I don't
• 34:19
  Speaker 1: need you to think that. You know, we're just living
• 34:22
  Speaker 1: like this and that's that's when you and ANGELI with
• 34:26
  Speaker 1: bump heads right there. Nope, See, you've been he's been
• 34:31
  Speaker 1: tampled with. I've been tamped with. I've got tamped on.
• 34:35
  Speaker 1: I'm gonna tell you what I mean about that. I'm
• 34:38
  Speaker 1: tell I'm gonna tell you you've been tampled with. See
• 34:41
  Speaker 1: any time you got another nationality and you if you
• 34:44
  Speaker 1: like a white girl, Yeah, but you act black and
• 34:48
  Speaker 1: all that you've been tampled with. When you tampled with,
• 34:51
  Speaker 1: it's a whole another ball game with them. You don't
• 34:53
  Speaker 1: even know. Yeah, you've been tampled with. I know what
• 34:55
  Speaker 1: you mean. What does he mean that you've been tampled with?
• 34:57
  Speaker 1: Yea yea morning. Everybody is DJ m VY angela Ye, Chalomagne,
• 35:04
  Speaker 1: the guy we are the breakfast club applies is in
• 35:07
  Speaker 1: the building of Salomagne. Stop you're trying to make them
• 35:09
  Speaker 1: a couple all morning long. This clock is ticking. We're
• 35:13
  Speaker 1: gonna havedd this wedding? Are we not gonna have this
• 35:15
  Speaker 1: wedding between? I'm gonna do you like choind us? Okay?
• 35:19
  Speaker 1: Inviting two days before the wedding, y'all be either way.
• 35:22
  Speaker 1: Didn't give it here with an invite, chage invite two
• 35:27
  Speaker 1: days before the wedding. Don't tell nobody I didn't know
• 35:32
  Speaker 1: che next week. You don't truly feel successful, TI. You
• 35:39
  Speaker 1: got your family, right, so you got you a woman
• 35:41
  Speaker 1: and some kids and it's all in the house. You
• 35:43
  Speaker 1: really feel accomplished when you got that. You can propose
• 35:47
  Speaker 1: right here, right now. But what you're talking about right here? Man?
• 35:54
  Speaker 1: You a c minus man. You drop out the rage man.
• 35:59
  Speaker 1: You just this, This is just this, This is getting undown.
• 36:02
  Speaker 1: You got to do a rich consro remakes yep, y'all,
• 36:06
  Speaker 1: y'all like the huck should be ran off on the plug.
• 36:09
  Speaker 1: You know that I want to do a situation. Well
• 36:12
  Speaker 1: it brains, like you said, athletes and everybody who was
• 36:14
  Speaker 1: a part. I think that's what made this situation so big, man,
• 36:16
  Speaker 1: is that everybody embraced the situation, and people asking me
• 36:19
  Speaker 1: all the time, like what you really mean by I
• 36:21
  Speaker 1: ran off on the plug, And I said, it's just
• 36:23
  Speaker 1: it's a celebration. It's when you do somebody like example,
• 36:25
  Speaker 1: I uses, I mean, you can be slot boxing if
• 36:27
  Speaker 1: I get the best of you. I just you know,
• 36:29
  Speaker 1: I just ran off on the plug. Oh, I thought
• 36:31
  Speaker 1: that the plug front of using work and you haul that.
• 36:36
  Speaker 1: I was like, I don't know this was gonna let
• 36:38
  Speaker 1: that happen twice. And I think that's what took the
• 36:40
  Speaker 1: situation so big. It took it so viral because it
• 36:42
  Speaker 1: could be anything. Yeah, it could be we said a
• 36:44
  Speaker 1: guy up and ribbed him in his room and ran
• 36:47
  Speaker 1: you see what I mean? So listen, is it hard?
• 36:50
  Speaker 1: Like you know, you said, you keep a girl in
• 36:51
  Speaker 1: your corner, like you know, how would not to separate
• 36:54
  Speaker 1: the business from the pleasure, Like sometimes it's just cool
• 36:55
  Speaker 1: to be business with him. I don't trust nobody, So
• 36:57
  Speaker 1: Charlotte man min I'm I'm I'm all throw it off
• 37:00
  Speaker 1: on it. If I meet you in the club and
• 37:03
  Speaker 1: I ain't looking at how bad you is. I ain't
• 37:05
  Speaker 1: looking at how fine you is, how cute you. It
• 37:08
  Speaker 1: is like, yeah, I'm thinking about if this go wrong,
• 37:11
  Speaker 1: I'm thinking about Child's pool. I'm thinking about you know,
• 37:14
  Speaker 1: I'd be hearing the crazy story thirty five twenty thousand
• 37:17
  Speaker 1: dollars month and all that. So I'm just paranoid, really
• 37:20
  Speaker 1: for real, for real. So I enjoy women like I
• 37:22
  Speaker 1: I enjoy how women kick it. Like you can be
• 37:25
  Speaker 1: in the club with it with a chick hunt three
• 37:26
  Speaker 1: chicks over that dashing together, and I'd be like, oh, okay,
• 37:30
  Speaker 1: so that's your partner. They're like, no, I just meant them.
• 37:32
  Speaker 1: So I just like the whole camaraderie about women. So
• 37:35
  Speaker 1: does a girl have to have a fat ass for
• 37:37
  Speaker 1: you to no? I ain't. Well, listen, you and Angel
• 37:40
  Speaker 1: leave me to start playing with each other. How you listen? Man?
• 37:46
  Speaker 1: You just keep describing Angel the year from what off.
• 37:49
  Speaker 1: But but you know what I have figured out. You
• 37:51
  Speaker 1: know what I have to figured out. You you know
• 37:52
  Speaker 1: a lot about Andrew Lee I work whatever it ain't
• 37:55
  Speaker 1: no about no work, ain't no work. He's saying about it.
• 37:57
  Speaker 1: Ev Yet I don't even like it of you too
• 38:00
  Speaker 1: much now, you're getting back into your phone, getting back
• 38:06
  Speaker 1: into your phone. Now you see plus no, you're back
• 38:09
  Speaker 1: to your phone. Let you get out of here without explaining.
• 38:11
  Speaker 1: These pictures now pure pictures at what it was remote
• 38:16
  Speaker 1: wast We got music conference, revote, music conference, pation. Yeah,
• 38:19
  Speaker 1: we went to we went to the went to the
• 38:21
  Speaker 1: office and the other picture that was I was mad
• 38:24
  Speaker 1: for that because he posted that picture. The picture was
• 38:27
  Speaker 1: on her. I her picture, but he techt me told me,
• 38:31
  Speaker 1: he said, yo, you should take that down. That's not appropriate,
• 38:33
  Speaker 1: and then he posted it. So you just you just
• 38:35
  Speaker 1: listen to random or hes not random. That's your listen. Listen.
• 38:41
  Speaker 1: You got the juice. But now she kind of remixed
• 38:43
  Speaker 1: that one. He told half of the drew Okay, he
• 38:46
  Speaker 1: remixed that. But me and I was talking, Now I
• 38:49
  Speaker 1: ain't just randomly call years. Ay they take that down. Yeah,
• 38:51
  Speaker 1: Me and you was talking and I said, you got
• 38:54
  Speaker 1: out there on that last post, and she was like,
• 38:56
  Speaker 1: I ain't, no, I ain't looked down. I said, man,
• 38:57
  Speaker 1: come on, I said, you already know how you bosting
• 38:59
  Speaker 1: mid that work? Like you think I should take it out?
• 39:01
  Speaker 1: He man, it's on you, but you're trying to go
• 39:03
  Speaker 1: a whole other way now. But I had reposted that picture,
• 39:06
  Speaker 1: so I think a lot of people who didn't know
• 39:07
  Speaker 1: that she had posted it down so they didn't see it.
• 39:10
  Speaker 1: They thought it just was a personal picture to me.
• 39:11
  Speaker 1: But she had already posted that picture. So basically, you
• 39:13
  Speaker 1: and you just never had sex. What you're saying, no, man,
• 39:16
  Speaker 1: man off on the pug. Yeah, I know you ain't
• 39:22
  Speaker 1: leaving with what happened. Never listen, honestly, isn't. This is
• 39:30
  Speaker 1: like my people. I talk to him all the time, like,
• 39:32
  Speaker 1: listen here, No, anytime something happened, who was the first
• 39:34
  Speaker 1: person they'll call you? Before I answered that question, he
• 39:37
  Speaker 1: I don't like how you just said that you hanging.
• 39:41
  Speaker 1: We just heard a story about that this morning. Girl
• 39:44
  Speaker 1: a homeboy was at a girl house. Girl told him
• 39:46
  Speaker 1: he got to go in the bowls like let meat,
• 39:48
  Speaker 1: the leave, smoke the ball. That's all he wanted to drink. Yeah,
• 39:54
  Speaker 1: that's it. In that situation where I ain't been in that,
• 40:01
  Speaker 1: I get hornies, and man, I ain't. That's one of
• 40:03
  Speaker 1: my weaknesses. Man, a weakness. No, I just I just
• 40:07
  Speaker 1: it's just I'll be I'll be next love with man
• 40:10
  Speaker 1: like that remy I don't know why, but every time
• 40:15
  Speaker 1: that night, every time, huh, what are you doing to
• 40:16
  Speaker 1: the getting you drinking on that? Something about that horning,
• 40:24
  Speaker 1: but that harned be on whole another level. We got
• 40:26
  Speaker 1: the mattress in the back, We got the matter we do.
• 40:28
  Speaker 1: I can't listen. I came here last night with clue
• 40:31
  Speaker 1: and I'm glad y'all got the our on the here
• 40:33
  Speaker 1: today by we was a head last night it was
• 40:35
  Speaker 1: it was BREASTFA Club. I've been wrastling in Hill so
• 40:38
  Speaker 1: it was musk. Here was the whole room. I saying, man,
• 40:42
  Speaker 1: so Calden would tell me about the hour one on
• 40:43
  Speaker 1: they see they cut the hour, I say, man, now
• 40:46
  Speaker 1: to getting me out of here. I guess like two fives.
• 40:50
  Speaker 1: I'm like terrible interview outside or something. I say, the
• 40:55
  Speaker 1: Breadfa Club. I've been wrastling him. It was the worst.
• 41:00
  Speaker 1: I'm glad it. Look look I only heard to day though.
• 41:03
  Speaker 1: Night was terrible. I can't believe that I really pitting
• 41:06
  Speaker 1: up these pictures of us. You know how many people
• 41:08
  Speaker 1: wanted to know? Yeah, but albums, uh, we're saying right
• 41:11
  Speaker 1: now summer so yeah, we can push it up the label.
• 41:14
  Speaker 1: They telling me to tell them when I read it.
• 41:16
  Speaker 1: So I'm just trying to make sure we got the
• 41:18
  Speaker 1: follow up situation. Just I think my brother feels like
• 41:21
  Speaker 1: it's probably like my biggest record that I him did,
• 41:23
  Speaker 1: but um well we got actually got two records, one
• 41:27
  Speaker 1: by myself who wont with a feature. But this record
• 41:29
  Speaker 1: here is just this a people's record like this whole
• 41:32
  Speaker 1: you know, ran off on the plug twice thing. And
• 41:33
  Speaker 1: I want to make sure I leave this record out
• 41:36
  Speaker 1: here a long as I can leave it out here
• 41:37
  Speaker 1: because they made the situation what it is. We appreciate you, Jordan.
• 41:40
  Speaker 1: I appreciate you information flying. You don't huddled up before
• 41:44
  Speaker 1: you see you to see today. You say that flies
• 41:47
  Speaker 1: and you ain't having sex. They're not in a relationship,
• 41:50
  Speaker 1: they're just friends. Well it's flies. It's the breakfast club
• 41:54
  Speaker 1: sluteusolute cute with the cool hell I was go on
• 42:00
  Speaker 1: a donkey. It's the donkey of the death get stuck
• 42:15
  Speaker 1: the breakfast club donkey. The day goes to Shad Moss. Yes,
• 42:20
  Speaker 1: I give Shad Moss a hard time, and Shad Moss
• 42:23
  Speaker 1: has one in life and will continue to win. But
• 42:25
  Speaker 1: boy was this funny to me? Now Live TV is
• 42:28
  Speaker 1: no joke. Let's be clear about that. Live TV is
• 42:32
  Speaker 1: no joke. The pressure a live TV is a beast
• 42:34
  Speaker 1: and I'm sure I will mess up on live TV
• 42:36
  Speaker 1: one day and I would get roasted for it. But
• 42:39
  Speaker 1: bow out. This is your turn, I mean, Shad Moss.
• 42:41
  Speaker 1: Pay that man his respect and call him Shad Mass. Okay.
• 42:44
  Speaker 1: Shad Moss was hosting the CBS pre show at the
• 42:47
  Speaker 1: twenty sixteen Grammy Awards and either Shad Moss don't know,
• 42:52
  Speaker 1: don't show, literally didn't care what time it was because
• 42:55
  Speaker 1: he had one job. One and that was the throw
• 42:58
  Speaker 1: to the start of the Grammys. When the clock scrug zero.
• 43:01
  Speaker 1: He had the little counter in the corner. Okay, but
• 43:04
  Speaker 1: that's not what Shad Boss paid attention to. I don't
• 43:06
  Speaker 1: know what he was paying attention to. Shad Moss started
• 43:08
  Speaker 1: the show when there was well over ninety seconds on
• 43:11
  Speaker 1: the clock, and then Shad realized that the cameras were
• 43:14
  Speaker 1: still rolling, so he had to improvise. Then, let me
• 43:15
  Speaker 1: tell you something about live TV. The worst thing in
• 43:18
  Speaker 1: the world on live TV is when you buy yourself
• 43:21
  Speaker 1: and the producer says, scratch, improvised, we need more time. Okay.
• 43:26
  Speaker 1: Some people just not get on the spot like that.
• 43:28
  Speaker 1: Bow Wow tried, but I guess that pressure was getting
• 43:31
  Speaker 1: to him. So then he tried to start the show
• 43:33
  Speaker 1: again with a whole minute left on the clock, sixty seconds,
• 43:37
  Speaker 1: but it probably felt like I was for bye. Wowa
• 43:39
  Speaker 1: then tried to start the show again for a third time,
• 43:42
  Speaker 1: but he did it with thirty seconds left on the clock.
• 43:45
  Speaker 1: I'm not I'm not doing There's no justice. Let's hear
• 43:47
  Speaker 1: it annual Grimy Awards. I'm getting ready to start, gonna
• 44:00
  Speaker 1: be nervous. This is this is Oh, he's driving driving away.
• 44:21
  Speaker 1: Take this thing and it's almost about that time. About
• 44:31
  Speaker 1: this is you get my seat? Yes, that was amazing
• 44:37
  Speaker 1: for all the raw reasons. Okay, when you hear someone saying,
• 44:39
  Speaker 1: when you heard him say whoa repeatedly, that's the cry
• 44:45
  Speaker 1: for help on Live Live debal Okay, Shad had nothing
• 44:47
  Speaker 1: to say. He wanted out that situation, and Shad Moss
• 44:51
  Speaker 1: did what every every black man does when the underpressure,
• 44:53
  Speaker 1: when all else fails, dance. It's like when your boxing
• 45:01
  Speaker 1: it's three minutes, seems like it's a short amount of time,
• 45:04
  Speaker 1: but when you're in that ring, while you're absolutely right,
• 45:08
  Speaker 1: you were lost Okay, the funniest balls in the producers
• 45:11
  Speaker 1: just had enough for you after the third time and
• 45:13
  Speaker 1: through to Kevin Fraser. You know why they threw to
• 45:15
  Speaker 1: Kevin Fraser because Kevin Fraser has a concept of time.
• 45:18
  Speaker 1: Because Kevin Fraser knows that the show begins when the
• 45:20
  Speaker 1: countdown is over, when the clock strike zero, not at
• 45:23
  Speaker 1: ninety seconds. Now that sixty seconds, not at thirty zero.
• 45:29
  Speaker 1: Don't worry, shod Moss. It happens to the best of us.
• 45:33
  Speaker 1: I don't wonder one more time for I. I hope
• 45:40
  Speaker 1: I was taking on morning. Everybody is DJ M, v
• 45:44
  Speaker 1: Angela yee, Charlemagne the guy we are the breakfast club
• 45:47
  Speaker 1: forrell is in the building and Farel walking and said
• 45:50
  Speaker 1: thank you for having me. I was like, thank you
• 45:52
  Speaker 1: so much for coming. We've never had for you. Realize
• 45:55
  Speaker 1: most rich people, like really rich people, are like the
• 45:57
  Speaker 1: most humble the ones I've come across. Well, I'm great.
• 46:02
  Speaker 1: You can't deny you're rich. You know you know what, Listen,
• 46:06
  Speaker 1: I'm grateful, man, Seriously, you know, we get an opportunity
• 46:08
  Speaker 1: to talk about the film and you guys, you guys
• 46:11
  Speaker 1: have been like so supportive, like my career, all these years.
• 46:14
  Speaker 1: So you know, I'm always we're gonna get to the film.
• 46:16
  Speaker 1: We need to get to your diet tips first. Okay,
• 46:18
  Speaker 1: I need to know why the hell you have not
• 46:20
  Speaker 1: aided in twenty plus years. How much water you drink
• 46:23
  Speaker 1: a day matters fact. What do you have for breakfast?
• 46:25
  Speaker 1: Let's start that. Uh, you know what? This week is
• 46:30
  Speaker 1: not so good because man, why am I talking about this?
• 46:34
  Speaker 1: Because we want to know why you're not an agent?
• 46:36
  Speaker 1: There's nothing to do with it. It's just you know,
• 46:39
  Speaker 1: lots of water, my mom and my dad. You know,
• 46:42
  Speaker 1: I really do believe in like, uh, exfoliating though, I do.
• 46:48
  Speaker 1: I'm believing that I got some good exfoliation and stuff
• 46:50
  Speaker 1: at the house. Yeah when I was you know, when
• 46:52
  Speaker 1: I was much younger, Like you know all the girls
• 46:55
  Speaker 1: that the model girls. He's talking about that a lot.
• 46:57
  Speaker 1: Have you seen the meme that showed you from like
• 47:00
  Speaker 1: fifteen years ago there now it's hilarious and have you
• 47:02
  Speaker 1: and you're even your hairline, bro, you seem a little jealous.
• 47:06
  Speaker 1: I just want to know there's no there's definitely hereditary.
• 47:10
  Speaker 1: I don't think there was no one can help your hairline,
• 47:18
  Speaker 1: you know, quick so reflected, so it was so quick,
• 47:22
  Speaker 1: you're not began on you? Nah, okay, sorry that's short.
• 47:26
  Speaker 1: Rib Yeah, has to happen every once in a while
• 47:30
  Speaker 1: from Virginia, yes, sir, ye, so from what the film
• 47:32
  Speaker 1: Hidden Figures, Hidden Figures? Oh, thank you? Three African American
• 47:37
  Speaker 1: female protagonists, right, not talking about divorces or consoling each
• 47:42
  Speaker 1: other or like burning up the range over you know,
• 47:45
  Speaker 1: none of that other I like those movies too sometimes,
• 47:48
  Speaker 1: you know. It was a great movie, listen, listen with
• 47:51
  Speaker 1: Love with Love. But these were three female African American
• 47:56
  Speaker 1: protagonists who were scientists, engineers, mathematicians, technologically advanced, so that
• 48:03
  Speaker 1: blew my mind. It involved NASA, it involved space, two
• 48:07
  Speaker 1: subjects I was obsessed with since I was a child.
• 48:09
  Speaker 1: And then like it happened where I'm from, Hampton Rose,
• 48:12
  Speaker 1: Virginia in the nineteen sixty So how could we not
• 48:15
  Speaker 1: be a part of it? What I love about it
• 48:16
  Speaker 1: is his story that most people have never heard before. Yeah,
• 48:19
  Speaker 1: I mean there, listen. Catherine was a mathematic savant and
• 48:24
  Speaker 1: it was her math that enabled John Glenn to make
• 48:28
  Speaker 1: it in his orbit around the Earth in five hours,
• 48:31
  Speaker 1: three rotations around the Earth. Like that's unbelievable and that
• 48:36
  Speaker 1: was her math one degree off one meaning one decimal off,
• 48:40
  Speaker 1: and he would have went out into the continue of
• 48:42
  Speaker 1: space forever or coming back in he would have burnt
• 48:45
  Speaker 1: up and not made it through the go no go.
• 48:48
  Speaker 1: So the idea that we get to participate in this
• 48:51
  Speaker 1: story and telling this story. And I'm telling you guys,
• 48:54
  Speaker 1: like if you see the film, it will make you
• 48:57
  Speaker 1: feel better. You'll be upset that you didn't know the story.
• 49:00
  Speaker 1: But that's when movies afforida because a lot of people
• 49:02
  Speaker 1: who don't read as much as they should. Yeah, and
• 49:04
  Speaker 1: if we don't introduce these stories too, especially the youth,
• 49:06
  Speaker 1: they'll probably never know. Yeah. Well, their stories were like
• 49:11
  Speaker 1: muted because they were victims of the circumstances in the era.
• 49:15
  Speaker 1: You know, being an African American, we would get our
• 49:18
  Speaker 1: just do in terms of our accolades, but we weren't
• 49:21
  Speaker 1: really necessarily we didn't really collect on them like that.
• 49:23
  Speaker 1: You think it was by design that they didn't put
• 49:26
  Speaker 1: people of color in those positions, like in front of
• 49:28
  Speaker 1: the camera, because it would kind of maybe encourage kids
• 49:30
  Speaker 1: to want to do that. I just don't think it
• 49:33
  Speaker 1: was a part of the American narrative at that time.
• 49:36
  Speaker 1: And women, So women had it twice as hard. That's
• 49:40
  Speaker 1: why this is perfect timing, by the way, for this
• 49:42
  Speaker 1: right now. Yeah, because there's so much, yeah, everything that's
• 49:46
  Speaker 1: been going on lately in particular. Yeah, well there's a
• 49:49
  Speaker 1: lot of gender bias and they're still racial biased. Like
• 49:53
  Speaker 1: it's it's it's severe. To me, it's crazier than it's
• 49:56
  Speaker 1: ever been because there was no internet in the sixties.
• 49:59
  Speaker 1: Right now, it's like really undeniable. It's scarier because you
• 50:02
  Speaker 1: don't know how much of it is real and how
• 50:04
  Speaker 1: much of it is false. When we talk about your
• 50:06
  Speaker 1: everyday life, like you interact with different types of people
• 50:08
  Speaker 1: all the time. I don't experience overt racism. I don't
• 50:11
  Speaker 1: think I've ever experienced the word racism. Probably I'm sure
• 50:13
  Speaker 1: I experienced it covertly, but never overtly. Well because we're
• 50:16
  Speaker 1: on the coast right the middle of the country, Like
• 50:19
  Speaker 1: that's it's real. But think about even in the music business. Yeah,
• 50:23
  Speaker 1: it goes on so much. Yeah, I think I feel
• 50:25
  Speaker 1: it all the time. You never felt it for she
• 50:28
  Speaker 1: was making well look empty, call you the N word
• 50:33
  Speaker 1: to be racist. You know, it's a much deeper conversation, right,
• 50:38
  Speaker 1: Like you know like with, we work in a business
• 50:40
  Speaker 1: where like it is okay to own other people's masters.
• 50:45
  Speaker 1: That's insane. Yeah. Well, I mean that's like you owning
• 50:48
  Speaker 1: my ID and telling me when I can and can't
• 50:50
  Speaker 1: cross the street, and when I can eat, and you know,
• 50:52
  Speaker 1: when I should pay my taxes. That's the business that
• 50:55
  Speaker 1: we we're in in the music industry. That will soon change,
• 50:58
  Speaker 1: by the way, everybody they should own their masters. If
• 51:02
  Speaker 1: major labels want to do deals with artists to partner
• 51:05
  Speaker 1: with them, great, partner with me, but don't own me.
• 51:09
  Speaker 1: You know those contracts they you know, they tell you
• 51:11
  Speaker 1: that they want to own the master, and then every
• 51:14
  Speaker 1: copy thereof is a slave. It's real. It's in the contracts, right,
• 51:20
  Speaker 1: and that needs to change. But we're here to talk
• 51:21
  Speaker 1: about hidden take. I always feel like you was using
• 51:25
  Speaker 1: your music to get to space, though, and what I
• 51:27
  Speaker 1: mean by that is that was just like an outlet
• 51:29
  Speaker 1: for you to to do bigger things, to present bigger
• 51:32
  Speaker 1: stories like this. Oh well, thank you. Yeah, although I
• 51:34
  Speaker 1: will not be going this. You wouldn't go to space.
• 51:38
  Speaker 1: Come on, man, have you ever watched the Science Channel? Yeah? Man,
• 51:42
  Speaker 1: the pixelation is amazing. I'm listening. I am I am
• 51:46
  Speaker 1: intrigued by UFOs. I'm obsessed with him. Everybody in this
• 51:48
  Speaker 1: room tells me I'm crazy because I believe in an
• 51:50
  Speaker 1: extra trust. Oh yeah, well they're probably not doing the math. Okay,
• 51:54
  Speaker 1: So when you first consider the fact that our son
• 51:57
  Speaker 1: is just another star, it's insane for you to assume
• 52:00
  Speaker 1: that there's only this one star is the only one
• 52:03
  Speaker 1: that has a solar system around it. The rest of
• 52:06
  Speaker 1: those stars all have like planets around them. So what
• 52:09
  Speaker 1: does the math tell you? Uh, I don't, I don't,
• 52:12
  Speaker 1: I don't know. I mean, what do we know? At
• 52:15
  Speaker 1: that point? Virginia is like a hip hop outliers in
• 52:18
  Speaker 1: itself because you got Missy, you got Timberland geniuses, Teddy
• 52:21
  Speaker 1: Riley genius. Like what what's in the water? Like where
• 52:24
  Speaker 1: did all those producers come from? Like there's definitely something
• 52:27
  Speaker 1: in the water in Virginia. You got uh drawn too,
• 52:31
  Speaker 1: Like he's he's killing it. Yeah, yeah, there's there's a
• 52:33
  Speaker 1: lot knots. There's Chris Brown, yeahs Angelo push your t
• 52:41
  Speaker 1: but y'all controlled sound lips. Fam, We listen, man, you
• 52:45
  Speaker 1: know what it is. But Virginia didn't have much and
• 52:49
  Speaker 1: so exercising your creativity was just kind of like a
• 52:52
  Speaker 1: great outlet. Mby was down there. He was down there
• 52:54
  Speaker 1: when all of that was happening. Ampton, You Hampton, you
• 52:57
  Speaker 1: was on fire. Yea. He might not have never been
• 53:01
  Speaker 1: a DJ if he didn't go to him. My goodness,
• 53:03
  Speaker 1: some of the most beautiful, beautiful women. Have you always
• 53:06
  Speaker 1: been like the eclectic type guy? You are always aware though,
• 53:09
  Speaker 1: so so did you just make sense now? But I
• 53:12
  Speaker 1: mean for me, did you have a face resistance from
• 53:15
  Speaker 1: like the push your teas and those guys who were like,
• 53:16
  Speaker 1: I don't want to work with that guy? No? No, no,
• 53:18
  Speaker 1: they were always supportive. But I feel like you're more
• 53:20
  Speaker 1: of a trendsetter. No, because you don't think so, Because
• 53:24
  Speaker 1: I mean, clearly people want to look like Pharrell. NA.
• 53:26
  Speaker 1: That's weird. NA humbles no, no, no, no, no, no.
• 53:33
  Speaker 1: This is not fake awkward either. It's like real awkward.
• 53:37
  Speaker 1: Just saying we got more coming up with Farrell, don't
• 53:39
  Speaker 1: go anywhere as the Breakfast Club. Good morning. What if
• 53:42
  Speaker 1: y'all is DJ mbody named Charlomagne and Guy and we
• 53:46
  Speaker 1: just want to say happy holidays from all three of us,
• 53:49
  Speaker 1: all three of y'all. The Breakfast Club. This Morning, everybody
• 53:55
  Speaker 1: is DJ m vy angela Ye, Charlomagne, the guy we
• 53:58
  Speaker 1: are the Breakfast Club. Farrell is in the buildings. Can
• 54:00
  Speaker 1: we go back to Yeah, let's go back to the
• 54:02
  Speaker 1: movie you scored. How much of this movie nobody talks
• 54:05
  Speaker 1: about what you're actually here to talk about anymore when
• 54:06
  Speaker 1: you do interviews. Sorry, sorry, okay, you guys drive ahead figures.
• 54:16
  Speaker 1: I am. I am really excited because I actually saw
• 54:18
  Speaker 1: the trailer like a while ago, and I was like,
• 54:20
  Speaker 1: this movie, like's gonna be great because Taragi be Henson's
• 54:22
  Speaker 1: in it. Kills it. Yes, money is in it. Thea
• 54:27
  Speaker 1: Spencer is in the movie. Are kills So some of
• 54:29
  Speaker 1: my favorite people are in this movie, Yephlee, Kevin Costner,
• 54:33
  Speaker 1: real really talented actors. When you think about it, like
• 54:37
  Speaker 1: a lot of the female contribution in science and just
• 54:40
  Speaker 1: across the board has been largely ignored, and I'm like
• 54:43
  Speaker 1: dismissed and things are changing now, Like it was actually
• 54:47
  Speaker 1: women that discovered the way the metric and measuring how
• 54:51
  Speaker 1: far stars are or what they're made of. They are
• 54:54
  Speaker 1: made of hydrogen. Those are women. I don't even think
• 54:56
  Speaker 1: in school they encourage women to get into the sciences.
• 54:59
  Speaker 1: They math or anything. They don't really encourage that they don't.
• 55:03
  Speaker 1: And you think about it, like Catherine was a savant,
• 55:05
  Speaker 1: Like it's it's insane what she was able to do,
• 55:08
  Speaker 1: and she was as a scene in the film where
• 55:10
  Speaker 1: she needs to use the bathroom, but because of that time,
• 55:15
  Speaker 1: because it was segregated, her bathroom wasn't on the other
• 55:17
  Speaker 1: side of the building. It was on the other side
• 55:20
  Speaker 1: of the campus. And so NASA they were civil. They
• 55:24
  Speaker 1: had like campus bikes, but that was for a man
• 55:27
  Speaker 1: because as men, we we forget you could not wear
• 55:32
  Speaker 1: pants or shorts. She had to wear long dresses and
• 55:34
  Speaker 1: long skirts, so women women couldn't ride the bike there, right,
• 55:38
  Speaker 1: So as an African American woman, you had to run.
• 55:42
  Speaker 1: Catherine had to run a thirty to forty five minute
• 55:45
  Speaker 1: round trip rain or shine just to use the bathroom,
• 55:48
  Speaker 1: just to relieve herself. So it's crazy. You speak a
• 55:51
  Speaker 1: lot about gender bias. You think gender bias is the
• 55:53
  Speaker 1: reason Hillary didn't become president because you you endor Hillary Clinton.
• 55:57
  Speaker 1: I think that gender bias played a part of it.
• 56:01
  Speaker 1: I think they knew the difference but didn't appreciate the
• 56:03
  Speaker 1: difference between reality shows and like real news as we
• 56:08
  Speaker 1: see fake news is a huge thing. I also never
• 56:11
  Speaker 1: believed in like the system of poles. I thought poles
• 56:13
  Speaker 1: were like antiquated. It's twelve hundred people at a time
• 56:16
  Speaker 1: and millennials don't answer house phones, so to me, I
• 56:19
  Speaker 1: always thought it was antiquated. I think the news got
• 56:22
  Speaker 1: it wrong. I think the news is responsible. I think
• 56:25
  Speaker 1: Twitter is responsible. They could have easily just pull the
• 56:28
  Speaker 1: blood social media period. Yeah. Yeah, And I just think
• 56:32
  Speaker 1: that just should have been a different game plan. Man,
• 56:34
  Speaker 1: There should have just been a different game plan. Do
• 56:36
  Speaker 1: you think she was a terrible candidate? Because every time
• 56:37
  Speaker 1: I say something like I think she was qualified. But
• 56:39
  Speaker 1: I think that like the tables are turned, and I
• 56:41
  Speaker 1: feel like people look at politics like they look at
• 56:45
  Speaker 1: any other television show. You got to entertain, and that's
• 56:48
  Speaker 1: what that's what happened. That's what happened in one case,
• 56:53
  Speaker 1: and that's what did not happen in the other. Social
• 56:55
  Speaker 1: studies catfight, what you're going to do into Yeah, I
• 57:00
  Speaker 1: personally think women and millennials will essentially be the larger
• 57:05
  Speaker 1: number that ends up saving us in four years because
• 57:09
  Speaker 1: women have compassion, They think about the world, they birth
• 57:12
  Speaker 1: the world, the whole entire world came through the conduit
• 57:15
  Speaker 1: of a woman's body, you know what I'm saying. So
• 57:17
  Speaker 1: to me, I feel like it's gonna be It's gonna
• 57:19
  Speaker 1: be that. And there's gonna be men that will be
• 57:21
  Speaker 1: in the number, but it's gonna be women and millennials.
• 57:25
  Speaker 1: I remember you said that Hillary's dishonest, but so are you?
• 57:30
  Speaker 1: So I remember thinking, So it's Pharrell willing to deal
• 57:33
  Speaker 1: with for liars all the time or just when they
• 57:35
  Speaker 1: running for president, who don't lie, broy on some level,
• 57:39
  Speaker 1: on some level, who don't lie. Yeah, No, I'm the
• 57:46
  Speaker 1: most upright standing, upstanding, right, upright standing, whatever way whatever
• 57:51
  Speaker 1: you want to look at it, because they both have
• 57:52
  Speaker 1: two different definitions, but it means the same thing. Who
• 57:55
  Speaker 1: is that honest with their taxes? Right? There we go? Whoa,
• 57:59
  Speaker 1: there we go. Done. Hey, I'm very honest with money. Yeah,
• 58:03
  Speaker 1: but I mean, listen, are you willing to sit down
• 58:05
  Speaker 1: and fact check? Because they can they'll find something that
• 58:07
  Speaker 1: you're just this is a little gray line, a little
• 58:09
  Speaker 1: great area. That's a great area for everybody, right and
• 58:12
  Speaker 1: some people, But I'm really using for work, like certain things.
• 58:17
  Speaker 1: You might not even have all your paperwork properly in order,
• 58:19
  Speaker 1: and you just say, Okay, I'm a guestimate. This is
• 58:21
  Speaker 1: what I spent. Listen, look, they won. It is what
• 58:26
  Speaker 1: it is now. But here's what I will say. This
• 58:29
  Speaker 1: pressure that's going to come about is going to make
• 58:32
  Speaker 1: the best part, the best music, the best design. That
• 58:36
  Speaker 1: that's fashion. It's going to be amazing. The other thing
• 58:40
  Speaker 1: is you'll see more people galvanizing. You'll see our culture galvanize.
• 58:44
  Speaker 1: Is that why you're being more vocal now about these
• 58:45
  Speaker 1: kind of issues? Now I'm done, I'm done. I'm telling
• 58:50
  Speaker 1: you I was mad, bro. I was like mad no
• 58:54
  Speaker 1: before it Okay, nobody was listening. I'm like, yo, stop
• 58:58
  Speaker 1: listening to these polls. Man. These old people many old, bro.
• 59:02
  Speaker 1: They also old antiquated thing that worked in the fifties
• 59:04
  Speaker 1: and the sixties when part of the television show was
• 59:07
  Speaker 1: to show you Colgate in the middle of the show.
• 59:09
  Speaker 1: That's when poles worked. Okay, people is old, broa. Now
• 59:14
  Speaker 1: let's talk about how you've managed in this business for
• 59:17
  Speaker 1: so long to be really just levelheaded. Like we see
• 59:19
  Speaker 1: all these artists going through different things, and you know,
• 59:22
  Speaker 1: struggling with mental issues, depression. They talk about it in
• 59:25
  Speaker 1: their music. They talk about it in interviews, But do
• 59:28
  Speaker 1: you think that coming up in the era that you
• 59:30
  Speaker 1: came up in, where we didn't have social media, we
• 59:31
  Speaker 1: didn't have the pressure of people being able to just
• 59:34
  Speaker 1: directly reach out to you. Do you think that's been
• 59:36
  Speaker 1: negative for artists sometimes? And how have you managed to
• 59:39
  Speaker 1: there's no college course. There's no college course for how
• 59:42
  Speaker 1: to manage your money when you're in this business when
• 59:45
  Speaker 1: the lights of flashing and everyone's looking and you know,
• 59:48
  Speaker 1: it's it's so many competitions that are unspoken of, but
• 59:53
  Speaker 1: there ares you just in constant competition, the flash harder,
• 59:57
  Speaker 1: reform harder, do bigger numbers. Like there's a lot of pressure, right,
• 1:00:00
  Speaker 1: and companies it's not like in football where they have
• 1:00:04
  Speaker 1: like they actually sit down and have you take a
• 1:00:06
  Speaker 1: course and like what to avoid and people to stay
• 1:00:09
  Speaker 1: away from, and you know, they don't do that in
• 1:00:11
  Speaker 1: the music industry. This is the most abused industry ever.
• 1:00:15
  Speaker 1: They said, Barry Gordy, you said when Smokey Robinson was here,
• 1:00:17
  Speaker 1: He said, Berry Gordy would have artists every week. They
• 1:00:20
  Speaker 1: had these like training classes, didn't matter how big you were,
• 1:00:23
  Speaker 1: and everybody had to come, you know, to his house
• 1:00:25
  Speaker 1: and we made that. We need that. And there's some
• 1:00:28
  Speaker 1: really nice and brilliant people that are in the music
• 1:00:31
  Speaker 1: industry right now. But shouldn't you guys like you be
• 1:00:33
  Speaker 1: doing that because you're a poet for I'm doing my best.
• 1:00:36
  Speaker 1: Any artists that signed with me will own their masters.
• 1:00:38
  Speaker 1: It's crazy at the production thing, though, because it was
• 1:00:40
  Speaker 1: like he was red hot and it was a moment
• 1:00:42
  Speaker 1: when we ain't hit nothing from Pharrell and then it's
• 1:00:45
  Speaker 1: just like you just came back and owned everything. I
• 1:00:48
  Speaker 1: ain't do nothing, stop it. I just worked. And it's
• 1:00:51
  Speaker 1: the universe too. It's the universe and the people. No
• 1:00:54
  Speaker 1: matter how hot it is, it requires people to be
• 1:00:56
  Speaker 1: into it. They gotta buy it, they gotta stream it,
• 1:00:58
  Speaker 1: they got to tell their friends about it. You can't
• 1:01:00
  Speaker 1: pay for that. So I don't take any of that
• 1:01:02
  Speaker 1: for granted. For me, as far as I'm concerned, I'm
• 1:01:04
  Speaker 1: here based on doors that were open for me, artists
• 1:01:08
  Speaker 1: uh that worked with me, inspired me, based on fans
• 1:01:13
  Speaker 1: that continued to lift me up, and you know, the
• 1:01:16
  Speaker 1: universe guy like the rest of it. Like you know,
• 1:01:18
  Speaker 1: that's a pre requisite. You're supposed to try to be
• 1:01:21
  Speaker 1: your best, but that doesn't guarantee any kind of success.
• 1:01:24
  Speaker 1: That's you know, you have to talk about the people
• 1:01:26
  Speaker 1: that got you here. We got more Farrell when we
• 1:01:28
  Speaker 1: come back. It's the Breakfast Club. Good morning, good morning.
• 1:01:32
  Speaker 1: Everybody is DJ mvy, Angela Yee, Charlomagne, the guy we
• 1:01:36
  Speaker 1: are to Breakfast Club. Farrell is in the building. I
• 1:01:38
  Speaker 1: always want to talk to you about the record snitch Man,
• 1:01:40
  Speaker 1: because I feel like that's the second greatest hip hop
• 1:01:43
  Speaker 1: acronym of all time. Well come on easily, but it
• 1:01:46
  Speaker 1: didn't get the credit for whatever reason. But I think
• 1:01:48
  Speaker 1: it's cream then I think it's snitch. Well, thank you,
• 1:01:52
  Speaker 1: you know they thank you. It was inspired. She said
• 1:01:55
  Speaker 1: you made it, you created that. Yeah, how because you,
• 1:01:58
  Speaker 1: like you were one of our One of our guys
• 1:02:00
  Speaker 1: got locked up. Okay, he was in that world and
• 1:02:02
  Speaker 1: I didn't even really talk to him, but in my
• 1:02:05
  Speaker 1: mind I'd be like, man, I know what I'd be thinking. Sorry,
• 1:02:07
  Speaker 1: I'm trying to come home. I'm telling yeah, oh oh
• 1:02:10
  Speaker 1: oh yeah, I would what what not? What is there
• 1:02:19
  Speaker 1: a question I don't I always say, don't do around me.
• 1:02:22
  Speaker 1: I'm telling yeah, I'm not build for it, brout there
• 1:02:28
  Speaker 1: doing it with them I'm not doing it. I'm not
• 1:02:32
  Speaker 1: doing it. I have to do that. I don't want
• 1:02:34
  Speaker 1: it that bad. Yeah there, Listen, certain people have it
• 1:02:37
  Speaker 1: in their chemistry. They ever in their DNA. They warrior like,
• 1:02:40
  Speaker 1: they got it in them. I don't have. I'm gonna
• 1:02:42
  Speaker 1: do this thirty no, no, okay, thirty minutes in the gym.
• 1:02:47
  Speaker 1: But ye, did you ever go through a period of
• 1:02:50
  Speaker 1: time where you felt like you didn't want to do
• 1:02:52
  Speaker 1: music anymore or you just over it? You know what?
• 1:02:56
  Speaker 1: When I first got on the deal went left and
• 1:03:05
  Speaker 1: I had a really really really dark time and my aunt,
• 1:03:08
  Speaker 1: who could like used to have like really strong dreams
• 1:03:10
  Speaker 1: that dreams are in my family, I had like a
• 1:03:13
  Speaker 1: real tough time and I was like, man, I don't
• 1:03:14
  Speaker 1: want to do this no more because it was so crazy.
• 1:03:16
  Speaker 1: We had gotten signed to EMI and then the label
• 1:03:20
  Speaker 1: folded like a dummy. You know. I brought my first
• 1:03:23
  Speaker 1: you know, car was Alexis GS. I was driving around.
• 1:03:26
  Speaker 1: I ain't no gas money. I didn't care because it
• 1:03:28
  Speaker 1: was just kind of like, look, I'm a backpacker and
• 1:03:29
  Speaker 1: I have Alexis. But my aunt was like, listen, this
• 1:03:32
  Speaker 1: is what the double wants. You know, if you give
• 1:03:34
  Speaker 1: up right now, you don't understand what's on the other
• 1:03:36
  Speaker 1: side of this moment. Yeah, that was like a really
• 1:03:39
  Speaker 1: dark time for me. I mean we have those periods man,
• 1:03:42
  Speaker 1: as artists, we have those periods. We need some thunderstorms
• 1:03:46
  Speaker 1: sometimes so that we can appreciate when that sunshine come back.
• 1:03:48
  Speaker 1: Have you ever had a dark period while you were
• 1:03:50
  Speaker 1: in the industry, like like those times when we don't
• 1:03:52
  Speaker 1: hear from you and labels may be like, oh for real,
• 1:03:54
  Speaker 1: you're not the sound of the moment. I would yeah, yeah,
• 1:03:59
  Speaker 1: but would only like feel me. There was one time
• 1:04:02
  Speaker 1: it's like just really dark because you just you want
• 1:04:06
  Speaker 1: it to be a certain kind of way. But that's
• 1:04:09
  Speaker 1: when you have to let go. When you let go
• 1:04:11
  Speaker 1: to the universe sort of shows you how are you
• 1:04:13
  Speaker 1: supposed to do it? You know? I always thought like
• 1:04:15
  Speaker 1: I'm gonna be this, I'm gonna be there, and I've
• 1:04:17
  Speaker 1: just been proven wrong every five years, Like okay, cool,
• 1:04:20
  Speaker 1: all right, let me just shut up and now I
• 1:04:22
  Speaker 1: just go with it. What's the rest of the nerd?
• 1:04:24
  Speaker 1: At Chaise in Miami at the moment, Chat is in
• 1:04:27
  Speaker 1: California at the moment. Does chat still make music? Yeah? Okay,
• 1:04:31
  Speaker 1: absolutely so when y'all do stuff like Happy Us, the
• 1:04:34
  Speaker 1: big Robin Thick record, I've forgotten now blird lines. Yeah
• 1:04:37
  Speaker 1: he didn't work on any of that, but but we
• 1:04:39
  Speaker 1: still work together. I'm just happy to collaborate whenever he's
• 1:04:42
  Speaker 1: really ready to do it. He's the genius. Was it
• 1:04:44
  Speaker 1: always planned for you to be like the Beyonce of Nerd?
• 1:04:46
  Speaker 1: Like that was weird? You know what I'm saying? You
• 1:04:50
  Speaker 1: know what I meant by that? See there you go
• 1:04:54
  Speaker 1: with the just the gender thing Beyonce bigger than Gender's
• 1:05:00
  Speaker 1: it is, But pointing me out to be that that
• 1:05:02
  Speaker 1: makes me feel awkward. I'm I'm everybody. You're not Michelle,
• 1:05:07
  Speaker 1: stop it? And I love Michelle. That's supposed to be
• 1:05:13
  Speaker 1: your friends, you know what I mean? Like the front
• 1:05:16
  Speaker 1: man of the group. You think nerd? You think Forrell? Wow,
• 1:05:19
  Speaker 1: well he think? Does I know? I shy away from that.
• 1:05:22
  Speaker 1: The leader thing he do? We do what we do? Yeah? Yeah, yeah, yeah,
• 1:05:27
  Speaker 1: thank you, thank you. You have to embrace it as
• 1:05:29
  Speaker 1: a man because you are a leader. You do have influence. Nah, bro,
• 1:05:33
  Speaker 1: we're getting back to the awkward thing again. It doesn't
• 1:05:35
  Speaker 1: think what Parell does works for him. It is what
• 1:05:38
  Speaker 1: it is here to change. And you know I had
• 1:05:41
  Speaker 1: a couple point where every great leader had to know, Okay,
• 1:05:43
  Speaker 1: I'm a leader, what am I gonna do with this
• 1:05:44
  Speaker 1: great power? Man? Come on, bro, what advisor? Advisor? I'm
• 1:05:48
  Speaker 1: so happy to be that. How would you advise people
• 1:05:50
  Speaker 1: now that Trump is in the White House? Intensions already
• 1:05:53
  Speaker 1: and all time high. Recognize that there are power in numbers.
• 1:05:57
  Speaker 1: It's us now, it's us, no more me turn the
• 1:06:01
  Speaker 1: m upside down. We we we we it's our times,
• 1:06:05
  Speaker 1: French time. We have to galvanize. We gotta see the
• 1:06:09
  Speaker 1: power in numbers and women man like, we need you
• 1:06:14
  Speaker 1: and y'all gotta stop hating on each other, like you
• 1:06:17
  Speaker 1: don't understand that is many They won because we did
• 1:06:22
  Speaker 1: not stand together. And none of us are perfect. Everybody
• 1:06:25
  Speaker 1: up here is flawed. Everybody lies like. But when you
• 1:06:29
  Speaker 1: recognize the strengthened numbers, like you could really do some
• 1:06:32
  Speaker 1: amazing things you really can't. And when you don't, you're
• 1:06:35
  Speaker 1: gonna see that other side continue to do what they're
• 1:06:37
  Speaker 1: doing because they stuck together. I'm glad you keeps scrushing
• 1:06:39
  Speaker 1: women because I got in troubled other day because I
• 1:06:41
  Speaker 1: said I want. I said, it'd be really dope if
• 1:06:44
  Speaker 1: women of color created a platform or they could have
• 1:06:48
  Speaker 1: a voice to control their narratives, like the young chick
• 1:06:51
  Speaker 1: Tommy Lord is doing. She didn't create that platform, but
• 1:06:54
  Speaker 1: she's used Facebook to get her voice out there even more. Right,
• 1:06:58
  Speaker 1: So they came at me hunting my pile. But I'm
• 1:07:01
  Speaker 1: just saying, look, I understand how powerful women of colors
• 1:07:03
  Speaker 1: voices are right now, and color have a lot of platforms.
• 1:07:06
  Speaker 1: Is just the fact that. But I'm talking about as
• 1:07:08
  Speaker 1: far as just like like like new we need an
• 1:07:10
  Speaker 1: online news network. You talk about false stories and fake stories. Yeah,
• 1:07:13
  Speaker 1: by the way, look I'm so sorry, but man, we
• 1:07:17
  Speaker 1: need those platforms to sort of step up. They helped
• 1:07:20
  Speaker 1: create this situation. It didn't really police it enough. Yeah,
• 1:07:24
  Speaker 1: a lot of them. And the other side was just
• 1:07:26
  Speaker 1: really smart. It was smart about it. They're like, ain't
• 1:07:28
  Speaker 1: gonna do that, They're gonna get involved, They're gonna just
• 1:07:30
  Speaker 1: continue making their money on their advertising, and you know
• 1:07:33
  Speaker 1: they did that. But let's get inspired and see hidden
• 1:07:36
  Speaker 1: figures because I know it's going to be an inspirational
• 1:07:37
  Speaker 1: story for a lot of women, a lot of women
• 1:07:39
  Speaker 1: of color, a lot of people in general, even men
• 1:07:41
  Speaker 1: to let you know that you can't do anything. Yeah,
• 1:07:44
  Speaker 1: it makes you feel better. Women crying, men crying. It's
• 1:07:47
  Speaker 1: it's been, it's been amazing. This is an uplifting story.
• 1:07:49
  Speaker 1: I know this is a very heavy conversation. Now it
• 1:07:52
  Speaker 1: wasn't hate getting into like politics. I hate it. Why
• 1:07:56
  Speaker 1: won't about the listening they are? You got? You gotta
• 1:07:58
  Speaker 1: stop having that mentality? Man, man, I'm angry black They
• 1:08:02
  Speaker 1: been listening to you for twenty years. Angry black man,
• 1:08:04
  Speaker 1: angry black man, Samuel American, Samuel Jackson right now, right now,
• 1:08:10
  Speaker 1: That's how I feel. That's what's going on on in now.
• 1:08:14
  Speaker 1: You don't understand it's it's tempered. I've been working on this.
• 1:08:17
  Speaker 1: I've never seen you angry whenever like happy. How much
• 1:08:21
  Speaker 1: did I used to just break and just go full
• 1:08:24
  Speaker 1: ass wild leading up to this whole entire thing? What
• 1:08:29
  Speaker 1: had you so heated just affect that nobody could see
• 1:08:30
  Speaker 1: the evil or they were? Did you guys? Have you
• 1:08:32
  Speaker 1: guys ever seen the disgruntled Dallas Cowboys fan? I am
• 1:08:37
  Speaker 1: one one of them, not not this year, but yeah,
• 1:08:39
  Speaker 1: my father was one. My father actually telling somebody, somebody,
• 1:08:42
  Speaker 1: he takes somebody at the Cowboys Jets game. He tass
• 1:08:44
  Speaker 1: the marine on nine eleven in met life state. I
• 1:08:46
  Speaker 1: need that. I need that footage. And no. Discruntled fans
• 1:08:53
  Speaker 1: are everything to me. I like watching them. So you
• 1:08:57
  Speaker 1: were a discrunt through killery fan. I guess let it go,
• 1:09:00
  Speaker 1: Parrell just one time, let it go, let it go
• 1:09:04
  Speaker 1: or now you're trn to me. Now that was That
• 1:09:08
  Speaker 1: was another time I was frozen and the awards ceremony
• 1:09:13
  Speaker 1: I had to let it go. Thank you, oh your
• 1:09:17
  Speaker 1: cool ass awkwardness. All right, thank you man, thanks for
• 1:09:21
  Speaker 1: having us and man please yeah. December twenty fifth, okay,
• 1:09:24
  Speaker 1: um yep, January sixth and January thirteenth, and then the
• 1:09:29
  Speaker 1: soundtrack is out now Mary J. Blige, later Halthaway, Janelle Munee,
• 1:09:36
  Speaker 1: Kim Barell, Alicia Keys. Yeah, yeah, it's flavorful. Appreciate you.
• 1:09:40
  Speaker 1: Appreciate