Latest / Ridiculous History / Ada Lovelace, Part Two: The Analytical Engine
Transcript
- 0:00Speaker 1: Ridiculous History is a production of I Heart Radio. Welcome
- 0:28Speaker 1: back to the show Ridiculous Historians. Thank you, as always
- 0:32Speaker 1: so much for tuning in. Shout out to our super producer,
- 0:35Speaker 1: Max Williams. Add a very special shout out to our
- 0:38Speaker 1: guest super producer returning again, the one, the only Mr Lowell, Brilliante.
- 0:44Speaker 1: I've been your your nal. And this is part two
- 0:48Speaker 1: of a two part series, isn't it. It is indeed
- 0:52Speaker 1: part two of Ada Lovelace and her journey into mathematics
- 0:58Speaker 1: and computation and you know, standard bearing, trail blazing, all
- 1:03Speaker 1: that good stuff. Where where do we leave off, ben,
- 1:06Speaker 1: if I'm not mistaken, She had just kind of returned
- 1:09Speaker 1: to the fray of of of computer science after a
- 1:13Speaker 1: brief stint in the domestic realm. Yes, after just a
- 1:18Speaker 1: few months after the birth of her third child back
- 1:22Speaker 1: in eighteen thirty nine, Aida decided to dive back into
- 1:27Speaker 1: the world of numerousy and the world of mathematics. And
- 1:32Speaker 1: it's interesting because we mentioned in part one. Will pause,
- 1:35Speaker 1: everybody listen to part one. Do do do Do Do
- 1:38Speaker 1: Do Do Do do do and you're back. So in
- 1:41Speaker 1: part one we're still here in part one. Uh, she
- 1:45Speaker 1: met the man who would become her mentor, Charles Babbage,
- 1:48Speaker 1: and just before she got married in eighteen thirty five
- 1:54Speaker 1: she got married, So a year before then, in eighteen
- 1:56Speaker 1: thirty four, Babbage had finally and to mess around with
- 2:01Speaker 1: something he called not the difference machine, but something he
- 2:06Speaker 1: called an analytical engine. This is the old trope you
- 2:10Speaker 1: might hear of punch cards being used in the first computers, right,
- 2:15Speaker 1: that's right. UM. It was the earliest form of kind
- 2:20Speaker 1: of large mainframe type computer systems that continue to use
- 2:24Speaker 1: punch card systems well into the eighties. I believe, like
- 2:27Speaker 1: you know, big massive UM room filling systems that use
- 2:31Speaker 1: these punch cards to uh instruct the computer on what
- 2:36Speaker 1: to do. UM. I'm a little hazy on exactly how
- 2:40Speaker 1: that works. It's all kind of magic to me and
- 2:42Speaker 1: in some ways, but essentially the punch cards are the instructions.
- 2:47Speaker 1: In this situation, it was very rudimentary UM tasks and
- 2:50Speaker 1: computations that could multiply and divide numbers UM and other
- 2:56Speaker 1: more simplistic data related tasks using these punch cards as
- 3:01Speaker 1: the programming instructions. UM really quickly. But do you remember
- 3:05Speaker 1: back in probably the nineties, maybe the early to mid nineties,
- 3:08Speaker 1: there used to be a chain of computer stores called
- 3:10Speaker 1: babbage Is, was it? You know, always thinking about that
- 3:14Speaker 1: was turn remember if they were computer stores or music stores?
- 3:18Speaker 1: And I'm pretty sure you're right there, Uh they were
- 3:20Speaker 1: computer stores, if I'm not mistaken. Babbage Is ultimately became
- 3:27Speaker 1: game Stop. Babbage Is was the initial um, you know concept,
- 3:32Speaker 1: and then it gradually uh mutated into the game Stop
- 3:36Speaker 1: and movie Stopped and all of the various stops. Um.
- 3:40Speaker 1: But but I might be mistaken, but I think that's right.
- 3:42Speaker 1: It was a very popular chance of stores in the
- 3:44Speaker 1: eighties and nineties, but named after Charles Babbage. I just
- 3:47Speaker 1: always thought it was a funny word when I was
- 3:49Speaker 1: a kid. Didn't founding partner of that or one of
- 3:53Speaker 1: the early investors was Ross Pero, which is a deep
- 3:57Speaker 1: cut for a lot of people. He was one of
- 3:59Speaker 1: the he was one of the politicians in recent US
- 4:03Speaker 1: history who actually got close to being a member of
- 4:07Speaker 1: or candidate for viable third political party spoiler it didn't happen. No,
- 4:13Speaker 1: And he was also one of the you know, more
- 4:15Speaker 1: fledgling candidates that um was quite fun in his um
- 4:20Speaker 1: portrayal on Saturday Night Live. I think it was Dana
- 4:23Speaker 1: Carvey that did Ross Pero and he did the Whole
- 4:25Speaker 1: Life Canna fanish Cana, fantis cana, fanish cana, fanish chap. Anyway,
- 4:30Speaker 1: it was a thing, um, but it's true. So Babbage
- 4:33Speaker 1: at this point has started to develop this system called
- 4:36Speaker 1: the Analytical engine. Um. Initially it was just a concept.
- 4:40Speaker 1: It was these sketches of this massive machine that literally
- 4:44Speaker 1: used you know, mechanical pieces, mechanical components like costs very
- 4:50Speaker 1: much so uh. And again they filled up rooms or
- 4:54Speaker 1: would ultimately go into Philip rooms. What it would become
- 4:56Speaker 1: of this lovelace was essentially the acting as a consultant
- 5:02Speaker 1: on this project. She seemed to understand the idea behind
- 5:06Speaker 1: it or the potential behind it, maybe even more so
- 5:09Speaker 1: than Babbage himself. Yeah, and this is a theme that
- 5:13Speaker 1: we saw earlier in part one of this series. She
- 5:16Speaker 1: saw the potential for uh, for this to be a
- 5:20Speaker 1: representation of what she called poetical science, which goes back
- 5:24Speaker 1: to the earlier conflict with her mother about you know,
- 5:29Speaker 1: math versus poetry. Please don't let my daughter turn into
- 5:32Speaker 1: Lord Byron, because he's you know, kind of out there
- 5:37Speaker 1: so Babbage goes to Turin to promote his work, to
- 5:43Speaker 1: promote his ideas, and while he's promoting this, he realizes
- 5:49Speaker 1: he needs a lot of financial support to make this
- 5:52Speaker 1: trip happen. And Lovelace had already served as the primary
- 5:55Speaker 1: interpreter of these drawing board ideas essentially, and to be clear,
- 6:00Speaker 1: it's the building of the machine that requires a lot
- 6:04Speaker 1: of money, so this is this is kind of a
- 6:07Speaker 1: pitch trip for him as well. That's where he meets
- 6:11Speaker 1: a mathematician with the wonderful name Luigi Fererico Menabrea, and
- 6:17Speaker 1: this guy says, all right, your ideas check out, Charlie,
- 6:21Speaker 1: I am gonna. I'm going to write a paper about
- 6:24Speaker 1: this machine. And the paper gets published in October two
- 6:28Speaker 1: in a Swiss journal. Lovelace translates it from French, and
- 6:33Speaker 1: then while she's translating, she also adds her own notes.
- 6:37Speaker 1: And the paper itself that this guy Luigi writes is
- 6:41Speaker 1: about eight thousand words long, not bad, but the translation
- 6:46Speaker 1: and the commentary that Lovelace creates comes in at about
- 6:50Speaker 1: twenty thousand words, and Charles Pappage is saying, the notes
- 6:55Speaker 1: of the Countess of Lovelace extend to about three times
- 6:58Speaker 1: the length of the original memoir. And uh, he's again
- 7:03Speaker 1: very very impressed with the quality of her thought and
- 7:06Speaker 1: her scholarship. Yeah, it's true, and he certainly sees that
- 7:11Speaker 1: in her. And despite you know, it being a very
- 7:15Speaker 1: chauvinistic and patriarchal world, you know, the society in general,
- 7:19Speaker 1: but also just the idea that men were the only
- 7:22Speaker 1: people that had ideas worth paying attention to. UM. And
- 7:25Speaker 1: you needed to get this Luigi Federico Montabrea to co
- 7:29Speaker 1: sign on it. It wasn't enough for Lovelace to have
- 7:32Speaker 1: done it, even though she obviously could have done it
- 7:33Speaker 1: herself and clearly massively improved upon Um Montabree's ideas, UM
- 7:39Speaker 1: by a significant margin. UM. But her notes were published,
- 7:44Speaker 1: you know, our translation and the notes were published in
- 7:45Speaker 1: eighteen forty three, UM. And according to Lovelace, you know,
- 7:49Speaker 1: scholars and historians, this was her most important contribution to
- 7:55Speaker 1: the burgeoning field of computer science, which really wasn't even
- 7:59Speaker 1: they weren't even calling it that. Actually are are good
- 8:03Speaker 1: friend Alex Williams, who composed our theme. His father, UM
- 8:07Speaker 1: and mother are both computer scientists, and I briefly was
- 8:11Speaker 1: talking to his dad about Lovelace UM and he just
- 8:15Speaker 1: mentioned how you know, they were still using a punch
- 8:18Speaker 1: card systems when he was coming up in you know,
- 8:21Speaker 1: the computer science world, and how early on there was
- 8:24Speaker 1: actually a programming language that was named after Lovelace. It
- 8:27Speaker 1: was called Ada that was used by military UM computer
- 8:30Speaker 1: scientists for military systems. But that you know, like similar
- 8:34Speaker 1: with the whole Hidden Figures film, This like group of
- 8:36Speaker 1: women that were very responsible for kind of cracking a
- 8:40Speaker 1: lot of the science behind UM space travel, but we're
- 8:44Speaker 1: largely relegated to kind of the shadows since the name.
- 8:46Speaker 1: And this is very much the case for Lovely. She
- 8:48Speaker 1: definitely didn't get her do until much much much later UM,
- 8:51Speaker 1: but was clearly one of the most important figures in
- 8:55Speaker 1: the development of this technology, more so even maybe than
- 8:58Speaker 1: the guy who kind of envisioned it. Yeah, and quick
- 9:01Speaker 1: note this will be if for any fellow ridiculous historians
- 9:04Speaker 1: who are also fans of etymology. The original down computer
- 9:09Speaker 1: described a person, not a machine from the sixteen forties,
- 9:13Speaker 1: one who calculates or a reckon er, which I always thought,
- 9:17Speaker 1: I always thought was so fascinating. You're right there, she's
- 9:20Speaker 1: working against tremendous misogyny, she said earlier. In fact, her
- 9:23Speaker 1: translation in her notes when they're published in eighteen forty three,
- 9:29Speaker 1: the authorship is attributed to just a series of initials A, A, L.
- 9:34Speaker 1: And and this is this is kind of a this
- 9:38Speaker 1: kind of a kick in the pants because it is
- 9:42Speaker 1: still considered one of her greatest contributions to to the field.
- 9:47Speaker 1: And she walks through not just the possibilities of how
- 9:52Speaker 1: it could work, but she also walks through the context
- 9:55Speaker 1: leading to its creation. And she specifically shouts out the
- 10:00Speaker 1: Jacquard loom, which was a silk weaving machine and it
- 10:04Speaker 1: could create images using a chain of punched cards and lovelace.
- 10:10Speaker 1: How poetically scientific is this? She says, Look, folks, this
- 10:13Speaker 1: engine that Babbage has made is doing the same thing,
- 10:17Speaker 1: but it's weaving mathematical problems. It's weaving patterns. They're just
- 10:23Speaker 1: nu miracle. She also wrote how it could how it
- 10:28Speaker 1: could work in a specific case test, like, here's an
- 10:30Speaker 1: example of how you would use these punch cards to
- 10:34Speaker 1: create a long sequence. And this outline that she that
- 10:40Speaker 1: she thought up, that she created this is considered to
- 10:43Speaker 1: be the very first computer program, and and she has
- 10:49Speaker 1: this beautiful line where she says, the science of operations,
- 10:52Speaker 1: as derived from mathematics more especially, is a science of
- 10:55Speaker 1: itself and has its own abstract truth and value. Chef's kiss. Oh, indeed,
- 11:01Speaker 1: just back to the Jacquard loom really quickly that was
- 11:03Speaker 1: developed by Joseph Mulley Jacquard Um. And to me, this
- 11:09Speaker 1: is a really great way to kind of understand somewhat
- 11:12Speaker 1: how punch cards work. Uh, you know, I think it
- 11:14Speaker 1: was clearly a next level use of this technology when
- 11:18Speaker 1: it started to be used for more difficult you know,
- 11:21Speaker 1: algorithms and mathematical equations solving and things like that. But
- 11:25Speaker 1: it's sort of almost like a player piano or a
- 11:28Speaker 1: music box, where like, if you have a music box,
- 11:31Speaker 1: you create the programming or the instructions for what individual
- 11:35Speaker 1: musical times will be plucked to create a melody by
- 11:38Speaker 1: punching out sequences of notes like on a scale on
- 11:41Speaker 1: a staff that is on a roll of paper, in
- 11:44Speaker 1: the same way that a player piano. You feed these
- 11:46Speaker 1: roles of punched out paper into it, and that blocks
- 11:49Speaker 1: the keys from being played when they shouldn't be played
- 11:52Speaker 1: and allows it to play the keys when they are
- 11:54Speaker 1: supposed to be played. So to me, that's sort of
- 11:56Speaker 1: like a rudimentary understanding of the basis of how punch
- 11:59Speaker 1: cards work. But any computer science folks out there, please
- 12:02Speaker 1: correct me if that's absolutely off base. But that's kind
- 12:05Speaker 1: of how I understand it. But she wanted to take
- 12:07Speaker 1: it even further. Uh. She wanted to weave what would
- 12:11Speaker 1: are called Bernoulli numbers, the sequences of Bernoulli numbers. Um.
- 12:15Speaker 1: And that's exactly what she did. Uh. And that's what
- 12:17Speaker 1: that quote is describing, and that would have been considered
- 12:20Speaker 1: the first computer program. You're absolutely right, ben Um and
- 12:24Speaker 1: s Singer. Uh in his biography of Love Lace wrote,
- 12:28Speaker 1: Ada here is seeking to do nothing less than invent
- 12:31Speaker 1: the science of computing and separate it from the science
- 12:34Speaker 1: of mathematics. What she calls the science of operations is
- 12:38Speaker 1: indeed in effect computing at a time where they didn't
- 12:42Speaker 1: have a name for it. Uh, didn't even understand the
- 12:44Speaker 1: full ramifications of what this would ultimately be, you know,
- 12:47Speaker 1: the Pandora's box for good or bad that this would
- 12:50Speaker 1: open up. She was very aware of that very high
- 12:53Speaker 1: level stuff that wouldn't even come into play for many,
- 12:57Speaker 1: many years, much more so I think than Babbage himself. Yeah,
- 13:01Speaker 1: a language of the world, a language that describes reality,
- 13:06Speaker 1: she she said, so to put a fine point on it.
- 13:10Speaker 1: At one point, she writes, this science constitutes the language
- 13:14Speaker 1: through which alone we can adequately express the great facts
- 13:18Speaker 1: of the natural world. So this is figuring out how
- 13:22Speaker 1: to how to translate reality, and that's that's an amazing thing.
- 13:29Speaker 1: At that level, we are getting to what Arthur C.
- 13:34Speaker 1: Clark famously refers to in his quote about the difference
- 13:37Speaker 1: between science and magic. Right, any science sufficiently advanced may
- 13:42Speaker 1: as well be magic. And this is really what she's doing.
- 13:51Speaker 1: If you look at something called the Ada Initiative, which
- 13:55Speaker 1: is a nonprofit organization that arranges conferencing and training programs
- 14:00Speaker 1: to elevate women working in STEM, you'll see the executive director,
- 14:05Speaker 1: Valerie Aurora, says that Babbage possessed this technical ingenuity, this inventiveness,
- 14:14Speaker 1: but in his partnership with Lovelace, she is the one
- 14:17Speaker 1: who propelled his invention into the world of computing, because
- 14:22Speaker 1: she was the one to see the true potential. There's
- 14:26Speaker 1: an excellent article that talks about this Ada Lovelace First
- 14:30Speaker 1: Tech Visionary by Betsy Murray's which is in The New
- 14:34Speaker 1: York Or from and unlike sad to say, many other
- 14:41Speaker 1: male inventors or scientists, Babbage had absolutely no problem hyping
- 14:48Speaker 1: and supporting Lovelace and her her work and her ability
- 14:52Speaker 1: as a computer scientists. He called her Lady Ferry, He
- 14:57Speaker 1: called her the Enchantress of numbers, and Aida leaned into this.
- 15:01Speaker 1: She once called herself the high Priestess of Babbage's engine,
- 15:05Speaker 1: which is cool. It sounds like it could be really
- 15:07Speaker 1: fun to be a fly on the wall in their conversations.
- 15:10Speaker 1: I agree, and I think it's neat. You know, we're
- 15:12Speaker 1: gonna see this relationship sort of changes a little bit.
- 15:15Speaker 1: And it does appear Babbage and may have been difficult
- 15:17Speaker 1: in some other respects, but he was pretty progressive given
- 15:22Speaker 1: the time and all of the you know, other stuff
- 15:23Speaker 1: that we've been talking about, the kind of patriarchal societal
- 15:27Speaker 1: model and um, all of that stuff and the misogyny
- 15:30Speaker 1: that existed. But um, you know, it's not like he
- 15:33Speaker 1: pressed for her. He definitely associated her with these uh
- 15:38Speaker 1: improvements in the paper, and he wasn't trying to like
- 15:41Speaker 1: brush her aside. But I don't know, Uh, we'll just see,
- 15:45Speaker 1: let's see how things progress. Um, So Lovelace does become
- 15:48Speaker 1: fascinated with the potential for the analytical engine and these algorithms,
- 15:53Speaker 1: which I don't even know if they were calling them
- 15:55Speaker 1: that at the time, but it essentially is what we
- 15:57Speaker 1: would call algorithms today, these pieces of code that are
- 16:00Speaker 1: designed to do like a particular task. Um. Unfortunately, she
- 16:06Speaker 1: didn't continue working with Babbage or wasn't more involved. She
- 16:11Speaker 1: was sort of relegated to the sidelines a little bit. Um.
- 16:14Speaker 1: I think that's maybe where I'm what I'm getting at
- 16:16Speaker 1: is that he definitely listened to her. He hyped her up,
- 16:19Speaker 1: and he you know, gave her a megaphone and a
- 16:22Speaker 1: platform to kind of try out some of the ideas,
- 16:24Speaker 1: but it ultimately was his thing. Right. Yeah, this is
- 16:28Speaker 1: where we see an unfortunate complication in their collaboration. So
- 16:33Speaker 1: in August of eighteen forty three, Lovelace writes a letter
- 16:39Speaker 1: to Babbage and she says, hey, why don't you let
- 16:42Speaker 1: me help you by putting me in charge of anything
- 16:47Speaker 1: related to the analytical project that requires us influencing important people,
- 16:54Speaker 1: kind of like, let me go talk to these folks,
- 16:56Speaker 1: let me go help get some approval, some funding, get
- 17:01Speaker 1: some other assistance. And this was a pretty long letter.
- 17:05Speaker 1: Historians still don't know why, but Babbage, in very terse
- 17:10Speaker 1: terms rejected her offer. You'll see that the best guests
- 17:15Speaker 1: people tend to have is that he approved of her
- 17:18Speaker 1: work in publicizing his engine, but with this particular project
- 17:25Speaker 1: he felt uncomfortable for some reason about letting her be
- 17:28Speaker 1: involved in the project itself. Does that mean maybe he
- 17:31Speaker 1: thought she might outshine him. Did his misogyny come into play?
- 17:37Speaker 1: I don't know. But ever since that point, due impart
- 17:41Speaker 1: to this conflict they had, Oh they stayed friends, by
- 17:44Speaker 1: the way. Part of yeah, conflict they had, you'll find
- 17:48Speaker 1: some folks say that she was not a programmer at all,
- 17:52Speaker 1: but I tend to disagree. Well, yeah, it's interesting. I
- 17:56Speaker 1: think maybe if she had been more involved in the
- 17:59Speaker 1: project itself instead of just kind of relegated to interpreting
- 18:03Speaker 1: and adding some more clarity around that original paper, then
- 18:07Speaker 1: I think she would have become more influential in actual programming.
- 18:12Speaker 1: She certainly had the chops and the imagination, which is
- 18:16Speaker 1: really what that poetical science concept is all about, is
- 18:19Speaker 1: kind of combining those two things. Um, it was Babbage
- 18:22Speaker 1: himself that created the first what essentially could be called
- 18:25Speaker 1: the first operating system or operating instructions uh for the system. Um,
- 18:31Speaker 1: she may well have done a better job. You know,
- 18:34Speaker 1: it seems like it. But I understand what you're saying,
- 18:37Speaker 1: been and I kind of agree that maybe he was
- 18:39Speaker 1: worried that, um, she might have stolen his thunder a
- 18:42Speaker 1: little bit. Um. The thing is not to beat the
- 18:45Speaker 1: dead horse here. She is the one who sort of
- 18:47Speaker 1: understood the potential for this stuff more than Babbage. Where
- 18:51Speaker 1: she understood that it could do things other than just
- 18:54Speaker 1: simple calculations. She understood the more modern uh, you know
- 18:59Speaker 1: concept of computing um, in that it can be multi purpose,
- 19:02Speaker 1: it can create these you know, have like systems running
- 19:05Speaker 1: in tandem that can do multiple things. The idea of
- 19:07Speaker 1: you know, apps or like individual piece of software that
- 19:10Speaker 1: can run at the same time. Certainly more of a
- 19:12Speaker 1: rudimentary version of that concept, but definitely approaching that in
- 19:16Speaker 1: a really important way. UM. Babbage believed that these machines
- 19:21Speaker 1: would be exclusively used for computing numbers. Uh. But she
- 19:26Speaker 1: had more of a vision. She believed there could be
- 19:28Speaker 1: music involved or like, you know, she she envisioned word processing.
- 19:33Speaker 1: She envisioned the idea of them using being being used
- 19:35Speaker 1: to make sound, whether that's along the lines of the
- 19:38Speaker 1: music box kind of version that I was describing before,
- 19:41Speaker 1: which is very similar to what MIDI ultimately is. MIDDI
- 19:44Speaker 1: is a language, a computer language that that basically is
- 19:47Speaker 1: a set of instructions the different electronic devices can understand
- 19:51Speaker 1: to tell it what to do to play different notes.
- 19:53Speaker 1: She almost foresaw something like that, um processing photographs and
- 19:58Speaker 1: things like that, Like all of these a modern concepts,
- 20:00Speaker 1: she already kind of had her head around them. Yeah,
- 20:04Speaker 1: it's enormously prescient. This level of accuracy and a prediction
- 20:11Speaker 1: is somewhat rare, and it should be acknowledged as such.
- 20:16Speaker 1: I also, I'm not sure the right way to say this.
- 20:22Speaker 1: I vibe with these kind of predictions, and and it's
- 20:26Speaker 1: interesting to me that there are still people who are
- 20:30Speaker 1: so Folks who say that this person's role in history
- 20:32Speaker 1: is overblown are met with responses from other historians who
- 20:38Speaker 1: have studied Aida Lovelace their entire lives, and those folks say,
- 20:42Speaker 1: what's happening now is there's still people in the modern
- 20:46Speaker 1: day who are trying to discredit her achievements. And they say, look,
- 20:50Speaker 1: this doesn't just happen to prominent historical figures like Aida Lovelace.
- 20:55Speaker 1: This happens to women working in tech today, many of
- 20:58Speaker 1: whom are in the audio now and thank you, by
- 21:01Speaker 1: the way for tuning in. As always ridiculous historians. Uh,
- 21:05Speaker 1: people are starting to guess they're they're saying, like, well,
- 21:08Speaker 1: what what happened after this? Because as we found, you know,
- 21:12Speaker 1: history textbooks sometimes teach us that people exist for one
- 21:16Speaker 1: great moment, that it's that one great speech they did,
- 21:19Speaker 1: that one eureka uh second that defines their life. But
- 21:24Speaker 1: that's not true. People are people, just like everyone else.
- 21:27Speaker 1: They have their ups and downs. And some folks say
- 21:30Speaker 1: that because Aida hit this wall in the world of tech,
- 21:36Speaker 1: she may have it may have led her into the
- 21:41Speaker 1: gambling halls. And we do know that in the eighteen
- 21:44Speaker 1: forties she did pick up a gambling habit, and some
- 21:49Speaker 1: people speculate that this gambling habit forced her to secretly
- 21:53Speaker 1: pawn the family's precious stones. I'm gonna have family jewels.
- 21:58Speaker 1: But that feels like it's more euphanism. I think it is.
- 22:01Speaker 1: But but it's an uphanism for a reason. I think
- 22:03Speaker 1: it comes from situations like that is the prize possession
- 22:06Speaker 1: of like you know, your legacy kind of and yeah,
- 22:08Speaker 1: when you're when you're that low that you have to
- 22:11Speaker 1: resort to that, Um, it's definitely a sad, a sad
- 22:14Speaker 1: place to be. Uh. And she, you know, reportedly lost
- 22:18Speaker 1: thousands of pounds betting on horses UM at the EPSOM Derby. UM.
- 22:24Speaker 1: She had relationships, like often people do that get deep
- 22:28Speaker 1: into the gambling world with con men and loan sharky
- 22:31Speaker 1: types you know of the time, who were essentially using her,
- 22:36Speaker 1: uh for her smarts, for some sort of mathematical way
- 22:41Speaker 1: of predicting horse races. Uh. And I think we all
- 22:45Speaker 1: know that that's not a thing. Maybe there's you know,
- 22:48Speaker 1: ways of calculating odds and stuff like that, and like
- 22:51Speaker 1: you know, algorithms that can kind of help guide you
- 22:54Speaker 1: in the right direction. But if someone had it's like
- 22:56Speaker 1: the I always think of the sports Almanac from back
- 22:59Speaker 1: to the few tre two. You know, somebody had that
- 23:01Speaker 1: ability to predict the outcome of sports games, there would
- 23:06Speaker 1: be no rhymer reason to to betting it, wouldn't there.
- 23:09Speaker 1: There'll be no need for it anymore unless that secret
- 23:11Speaker 1: was you know, just kept just by Biff from the past,
- 23:14Speaker 1: you know, who is now a Donald Trump asked figure
- 23:16Speaker 1: living in his high rise keeping the sports on the
- 23:18Speaker 1: neck in a in a under lock and key, And
- 23:21Speaker 1: unfortunately that's not what happened with a. We know their
- 23:25Speaker 1: friendship continued. We know that she met other notable figures
- 23:30Speaker 1: like Charles Dickens. Yes, that Charles Dickens. He was friends
- 23:34Speaker 1: with Babbage. He met Lovelace through her. There's before we
- 23:38Speaker 1: move on from gambling, there's this really cool conspiratorial passing
- 23:41Speaker 1: the book story between her and Babbage, but no one's
- 23:45Speaker 1: actually found the book. It'd be great to see what
- 23:47Speaker 1: that program was, though, wouldn't if they actually were able
- 23:50Speaker 1: to do it. Uh, the book being the book being
- 23:53Speaker 1: some secret code or some secret algorithm that could predict
- 23:57Speaker 1: these outcomes. Yeah. So the idea is that, and you
- 24:03Speaker 1: can you can read some of this in a book
- 24:06Speaker 1: called Lady Byron and Her Daughters. Uh. The idea is
- 24:09Speaker 1: that about once a week, during the height of her gambling,
- 24:13Speaker 1: Lovelace and Babbage would exchange a book that was believed
- 24:17Speaker 1: to contain a program that attempted to predict those results.
- 24:22Speaker 1: But at the same time she's struggling with this gambling,
- 24:26Speaker 1: she's also struggling with her health, which had been a
- 24:28Speaker 1: problem at different points in her adulthood. Uh, it seemed
- 24:32Speaker 1: to take a turn for the worst. In the eighteen
- 24:34Speaker 1: forties she suffered from uterine cancer, and in August of
- 24:41Speaker 1: eighteen fifty two, Charles Dickens, who by this point is
- 24:44Speaker 1: like super famous, he visits. He visits her while she
- 24:48Speaker 1: is ailing, and then she asked him to read some
- 24:52Speaker 1: of his work to her, and so he reads a
- 24:56Speaker 1: scene from a novel called Dombi and Son. Dombi and
- 25:00Speaker 1: Son was published in eighteen and the scene he reads
- 25:05Speaker 1: is the part where spoiler alert, I guess is the
- 25:08Speaker 1: part where the six year old character Paul Dombie dies.
- 25:14Speaker 1: It's kind of somber stuff. Three months after that, Ada
- 25:18Speaker 1: Lovelace herself will will pass away on November two, rewind
- 25:29Speaker 1: ever so slightly well quite quite a ways to her birth.
- 25:32Speaker 1: In the situation with her father, Lord Byron, Um, I
- 25:35Speaker 1: think we made this pretty clear, but just want to
- 25:37Speaker 1: emphasize that they never had a relationship at all. He
- 25:40Speaker 1: was kind of this like you know, specter in her life,
- 25:43Speaker 1: who loomed large in his own right. Um. She was
- 25:46Speaker 1: fascinated with him from afar uh and with his poetry
- 25:50Speaker 1: but for all intents and purposes, her mother's mission to
- 25:54Speaker 1: keep you know, their daughter from becoming like um, you know,
- 25:57Speaker 1: her lecherous uh father worked. She very much led a
- 26:02Speaker 1: life much more in the image of her her mom.
- 26:05Speaker 1: But it's interesting that she still had that fascination and
- 26:07Speaker 1: kind of kept up with him. But it's like you said,
- 26:09Speaker 1: been on his deathbed, Lord Byron expressed some um regrets
- 26:14Speaker 1: you know, over not having had a relationship with his daughter,
- 26:17Speaker 1: who he seemed to also be aware of her reputation
- 26:21Speaker 1: and legacy and the seemed to respect her. But after
- 26:25Speaker 1: her death, she requested to be buried in the Byron
- 26:29Speaker 1: family plot or vault rather, which was inside the church
- 26:32Speaker 1: of St. Mary Magdalen in a very small English town
- 26:36Speaker 1: called Hucknall, and her coffin was placed right beside her father's,
- 26:41Speaker 1: Lord Byron's, and she too passed away at a very
- 26:45Speaker 1: early age. She was only thirty six. Um, I believe
- 26:49Speaker 1: it was the same exact age that Lord Byron died.
- 26:52Speaker 1: Same exact age. Yeah, she was, uh, she was close
- 26:56Speaker 1: to turning thirty seven, but they did. They were the
- 27:00Speaker 1: same age when they passed away, and her mother built
- 27:04Speaker 1: a memorial for her that included a sonnet that Ada
- 27:08Speaker 1: Lovelace had written herself, and that I believe was a
- 27:12Speaker 1: beautiful thing for her to do, given that she had,
- 27:16Speaker 1: you know, spent so much of her daughter's childhood trying
- 27:19Speaker 1: to convince the kid not to write poetry. Uh so
- 27:24Speaker 1: she passes away. Why how did the world deal with
- 27:28Speaker 1: it when this occurred? Well, it may not surprise many
- 27:31Speaker 1: of us in the audience today to note that no
- 27:36Speaker 1: one really acknowledged her contributions for almost a hundred years.
- 27:41Speaker 1: They like, nobody really paid attention to her awesome insightful
- 27:45Speaker 1: notes on the analytical Engine when they were first published.
- 27:49Speaker 1: It wasn't ntil author named B. V. Bowden publishes a
- 27:53Speaker 1: book called Faster Than Thought, a symposium on digital computing machines,
- 27:58Speaker 1: and that's when people start paying attention to Love leases again, tremendously,
- 28:05Speaker 1: tremendously insightful work. Picture her like a mathematical Nostradams. If
- 28:11Speaker 1: no Stradomas ever actually made any successful predictions, which he didn't,
- 28:17Speaker 1: not so much, but but Lovelace absolutely did. And even
- 28:21Speaker 1: in the fifties, you know, like like I said, when
- 28:23Speaker 1: I was talking to Alex and Max's dad, Um the
- 28:28Speaker 1: machines that existed still were very much along the lines
- 28:31Speaker 1: of what Babbage and Lovelace had kind of worked on together,
- 28:34Speaker 1: and still not even close to approaching what potential that
- 28:41Speaker 1: she saw. That wouldn't really happen until you started getting
- 28:44Speaker 1: into the personal computer era, when like individuals can start
- 28:47Speaker 1: using them for more creative endeavors, you know, at least
- 28:50Speaker 1: that part of her predictions, you know, the idea of
- 28:52Speaker 1: using them for music, and using them for multitasking and things,
- 28:56Speaker 1: and to be more of like a staple of like
- 28:58Speaker 1: everyday life instead of relegate it into these like massive
- 29:01Speaker 1: server rooms, you know, and being so prohibitably expensive that
- 29:04Speaker 1: only UM organizations like the U. S. Department of Defense
- 29:09Speaker 1: could afford to house them, which is exactly what they
- 29:12Speaker 1: did in the nineteen seventies. I spent billions of dollars
- 29:16Speaker 1: UM embedding these computer systems with code uh that they
- 29:21Speaker 1: a coding language that they dubbed Ada, and it changed
- 29:24Speaker 1: the trajectory of computer science UM in a very meaningful way. Yeah.
- 29:30Speaker 1: It was actually one of the one of the most
- 29:33Speaker 1: expensive coding projects ever. I think it was the most
- 29:37Speaker 1: expensive coding project up to that time. In the nineteen seventies.
- 29:41Speaker 1: The folks at the Department of Defense in the US
- 29:43Speaker 1: look around and they say, we are spending billions in
- 29:47Speaker 1: nineteen seventies dollars, so even more money today. We are
- 29:50Speaker 1: spending billions on making computing systems. And these computing systems
- 29:56Speaker 1: can't talk with each other. They each have their own language.
- 30:00Speaker 1: We're building a weird tower of babble. So instead they say,
- 30:04Speaker 1: let's let's consolidate all our military computing. Let's save a
- 30:08Speaker 1: little scratch, let's make a language all of these machines
- 30:12Speaker 1: can speak together. And when they arrive at this idea,
- 30:17Speaker 1: which they do follow through with, that's when that language
- 30:20Speaker 1: comes in. There's a U. S. Navy commander named Jack
- 30:23Speaker 1: Cooper who's when they're pitching names for it, he says, well,
- 30:26Speaker 1: how about we name it Ada in honor of Aida
- 30:29Speaker 1: Lovelace in the ninety nine. Everybody looked around and said, yeah,
- 30:34Speaker 1: that's an awesome idea, So good for them. Also, Aida
- 30:39Speaker 1: is still used across the world today for air traffic control,
- 30:44Speaker 1: railroad transit, rockets, even some satellites, military weapons. We don't
- 30:49Speaker 1: know how she would feel about, you know, having a
- 30:54Speaker 1: language named after her used in warfare. But it's still around,
- 31:00Speaker 1: and it's it's definitely less popular now. It's fallen out
- 31:03Speaker 1: of favor because technology is always so progressing so quickly.
- 31:07Speaker 1: But we also like nuclear plants and military operations sometimes
- 31:12Speaker 1: do tend to use outdated uh coading or or computers
- 31:15Speaker 1: because they need to be proprietary, so they're harder to
- 31:19Speaker 1: hack or they're harder to like break into correct correct
- 31:22Speaker 1: for security. And then also another point would be for predictability.
- 31:27Speaker 1: If there are bugs in the program, they've been identified,
- 31:30Speaker 1: you know, in the intervening decades. So this is a
- 31:33Speaker 1: testament to Aida lovelas his life and work, and it's
- 31:38Speaker 1: a testament that not a lot of people can say
- 31:42Speaker 1: that they have achieved, you know what I mean. Everybody
- 31:44Speaker 1: gets a statue, right if you're a leader of old
- 31:47Speaker 1: or your prominent figure. But to get a new kind
- 31:51Speaker 1: of language, a computer language named after you, that's pretty impressive.
- 31:55Speaker 1: That's up there with having your face on the money.
- 31:57Speaker 1: I would say even more important, I think so too
- 32:00Speaker 1: quick footnote, there is an Ada Lovelace Day. In two
- 32:04Speaker 1: thousand nine, a British social media grew named Sue Chairman
- 32:09Speaker 1: Anderson in order to encourage young women to go into
- 32:12Speaker 1: stem fields and all of that. They decided to create
- 32:17Speaker 1: an Ada Lovelace Day. UM that was on October eleven
- 32:21Speaker 1: of each year. UM. And it's weirdly not Ada Lovelace's birthday,
- 32:26Speaker 1: nor is it the day that she died. Um, it's
- 32:29Speaker 1: just the second Tuesday in October because it was convenient. Um.
- 32:33Speaker 1: And one thing I just wanted to say, because I
- 32:34Speaker 1: thought it was really funny. I think I mentioned the
- 32:37Speaker 1: first episode UM a YouTube talk I listened to or
- 32:41Speaker 1: we we listened to about a book that was written
- 32:45Speaker 1: to commemorate the two anniversary of her uh birth and
- 32:50Speaker 1: UM it was had to do with Oxford Press. And
- 32:52Speaker 1: I'm sorry I'm spacing on the name of it right now,
- 32:55Speaker 1: but in the presentation, one of the authors mentioned that
- 33:00Speaker 1: when they had access to all these letters she wrote,
- 33:01Speaker 1: she wasn't very good at keeping track of dates like
- 33:04Speaker 1: she UM oftentimes would would say that a letter was
- 33:08Speaker 1: be dated for like Sunday, November the second, and the
- 33:11Speaker 1: next one would be dated for Monday, November the second.
- 33:13Speaker 1: The punchline of the of the bit that the author
- 33:16Speaker 1: said was and it turns out that that date was
- 33:18Speaker 1: actually a Tuesday. So UM, it's I think fitting that
- 33:22Speaker 1: this date is a little bit arbitrary. I love a
- 33:25Speaker 1: Loveli day, right right right there we go, that's that's
- 33:29Speaker 1: poetic as well. One thing we do want to end
- 33:32Speaker 1: done that we teased earlier in part one is that
- 33:37Speaker 1: when we say Loveliest was prescient and how to how
- 33:41Speaker 1: to sharp mind for future trends, we need to talk
- 33:44Speaker 1: a little bit about the concept of machine consciousness sometimes
- 33:48Speaker 1: called artificial intelligence or AI. Where do you think she
- 33:52Speaker 1: fell on on the side of this argument ridiculous historians? Well, uh,
- 34:00Speaker 1: she was. She was against it. She said, the analytical
- 34:04Speaker 1: engine has no pretensions whatsoever to originate anything. It can
- 34:08Speaker 1: do whatever we know how to order it to perform.
- 34:11Speaker 1: It can follow analysis, but has no power of anticipating
- 34:14Speaker 1: any analytical relations or truths. And so you have to wonder.
- 34:20Speaker 1: You have to wonder how long that prediction and soft
- 34:24Speaker 1: interpreted as a prediction, how long it will hold. Because
- 34:27Speaker 1: I don't know. The whole time we're talking about this,
- 34:31Speaker 1: I I kept wondering what she would think now, what
- 34:35Speaker 1: she would think of the latest innovations. Everybody has a
- 34:38Speaker 1: surveillance device or you know, the majority of people in
- 34:42Speaker 1: the developed world have a surveillance device. Who just call smartphone,
- 34:46Speaker 1: so it'll seem a little more comfortable. Uh. There are
- 34:49Speaker 1: entire multibillion dollar industries based on predicting people's behavior right
- 34:55Speaker 1: based on their past activities, their location, the folks they
- 34:59Speaker 1: roll with. So it's quite possible. I don't know, what
- 35:03Speaker 1: do you what do you think she would think about
- 35:05Speaker 1: the modern world of computing. I think she'd with that
- 35:10Speaker 1: big old brain of hers, probably be able to predict
- 35:13Speaker 1: where we'd be heading, you know another you know, fifty
- 35:17Speaker 1: hundred years from now. Um. It just seemed like she
- 35:20Speaker 1: really was possessed with a certain prescient ability to kind
- 35:25Speaker 1: of just see through, um, the veil, kind of into
- 35:28Speaker 1: into what was next. So I think it would be
- 35:30Speaker 1: very interesting to have a conversation with her, like Bill
- 35:32Speaker 1: and Ted style. UM. I don't want to point out
- 35:35Speaker 1: one thing too. I want to make sure I didn't
- 35:37Speaker 1: come off sounding as though the difference engine or the
- 35:40Speaker 1: analytical engine were successfully built and existed. In the four
- 35:44Speaker 1: It was all conceptual. It was all these papers and
- 35:47Speaker 1: these analyzes of the concept of these machines. But he
- 35:51Speaker 1: never actually got babbaged. Also partly because he was a difficult,
- 35:55Speaker 1: dude never got the project off the ground UM fully UM.
- 35:59Speaker 1: But into thousand two, the London Science Museum UM, with
- 36:04Speaker 1: the under the supervision of Dorn Suede or Swatty UM,
- 36:09Speaker 1: they actually built a fully working, full size difference engine UM.
- 36:15Speaker 1: And it took seventeen years UM and it is absolutely
- 36:20Speaker 1: massive and it represents the completion of this whole legacy
- 36:24Speaker 1: that we're talking about. Obviously, the concepts went on to
- 36:28Speaker 1: feed computing moving forward, but the original you know, invention
- 36:32Speaker 1: never actually was was created until two thousand two. And folks,
- 36:37Speaker 1: I think you can I think you can agree with me.
- 36:40Speaker 1: Noll well, I think you guys will also agree that
- 36:43Speaker 1: maybe the difference engine would have been built in Charles
- 36:46Speaker 1: Babbage's lifetime if he had just let someone else talk
- 36:50Speaker 1: to the people who could have paid for it. So
- 36:52Speaker 1: I think that was a misstep on his You can't
- 36:54Speaker 1: put that on Ada man. That's all you saw, you, Charlie.
- 36:58Speaker 1: Uh yes, and uh you know this story is equally inspiring,
- 37:05Speaker 1: it's equally heartbreaking because we've all heard the old adage
- 37:09Speaker 1: you never get the flowers while you can still smell them. Uh.
- 37:14Speaker 1: And we we be humanity, oh Ada Lovelace tremendous debt.
- 37:22Speaker 1: As we said in the beginning of this series, if
- 37:25Speaker 1: you have a smartphone, if you have a computer, heck,
- 37:28Speaker 1: if you're listening to this podcast, then there's a very
- 37:31Speaker 1: strong argument that you personally oh a little bit of
- 37:35Speaker 1: gratitude towards the one and only Ada Lovelace. Indeed, Um,
- 37:41Speaker 1: and I certainly learned a lot. I knew a little
- 37:44Speaker 1: bit about Aida and her legacy, and a little bit
- 37:47Speaker 1: about Babbage, but not nearly as much as we were
- 37:50Speaker 1: able to dig into on this two part episode. I
- 37:53Speaker 1: hope you all have learned something too, and we are
- 37:56Speaker 1: going to call it a day. This is one for
- 37:59Speaker 1: the history books. As always, thanks to super producer Max Williams.
- 38:03Speaker 1: Special thanks to our returning guest producer Lowell Brilliante Noel.
- 38:08Speaker 1: Can you believe he's stuck with us for a second one?
- 38:11Speaker 1: I can't, Um, but I am for ever his debt
- 38:13Speaker 1: for his patients and uh and and producing acumen. And
- 38:17Speaker 1: also don't forget to check out Lowell's amazing podcast Prodigy,
- 38:21Speaker 1: available now on the IHRT Radio app, Apple Podcasts, wherever
- 38:24Speaker 1: you get podcasts, wherever you get. That's true, That's true.
- 38:27Speaker 1: And thanks of course also to Alex Williams who uh
- 38:32Speaker 1: rumor has it maybe returning to the show sooner than
- 38:35Speaker 1: later act surprised Big thanks to Christopher hassegda Is Big
- 38:38Speaker 1: Big thanks to Eve's Jeff Coat and of course Noel
- 38:44Speaker 1: Big thanks to you, and I think we can both
- 38:47Speaker 1: say big thanks to Gabe Lousier. Keep wanting to say
- 38:51Speaker 1: one don't cut this part out. I keep wanting to
- 38:53Speaker 1: say the one and only. It just feels so good
- 38:56Speaker 1: to say that when you talk true, it feels good
- 38:58Speaker 1: and it's true you can. These are all like irreplaceable originals,
- 39:03Speaker 1: um all the folks who work with so thanks to
- 39:05Speaker 1: all of our one and only and to you, my friend,
- 39:09Speaker 1: back at you. We'll see you next time, folks. For
- 39:15Speaker 1: more podcasts from my Heart Radio, visit the I Heart
- 39:18Speaker 1: Radio app, Apple podcast, or wherever you listen to your
- 39:21Speaker 1: favorite shows.