Latest / Flail to the Face: A "Compatible with Mörk Borg" Actual Play Podcast / Season Two, Episode Three - Drink Me

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Season Two, Episode Three - Drink Me · Flail to the Face: A "Compatible with Mörk Borg" Actual Play Podcast

0:00
Greeting scum, and welcome to Flail of Face.
0:01
I am your Holmeister, Kevin, and I'm here with these now various
0:07
degrees of undead. Brains.
0:09
Hi I'm Thomas and I am playing Dalton Walls who is currently in
0:13
the body of a ghoul. I am Tom Gambino, currently
0:19
playing Colette Stellarno who is in the body of a zombie.
0:24
I'm Mr. Paschke. I'm playing Donnie, who is
0:26
currently a ghost that might, you know, think he's pretty.
0:33
Flail baby. Flail baby.
1:00
So last we left you guys off, you were transported from hole
1:04
to somewhere and you wake up and realize you're inhabiting the
1:08
body of various undead. As you guys are getting your
1:12
bearings, if you guys hear a voice echoing in your head.
1:15
Few things I forgot to mention while we were in the meeting
1:17
room. You guys are probably wondering
1:19
how you're going to get out of there and how you're going to be
1:21
bringing back the health spot the health.
1:22
Who the hell is that? It's it's me Bristol throat more
1:25
the Doctor the. Doctor.
1:26
Oh, Doc. Hi how you doing?
1:28
Hey, how you doing? Hi Donnie.
1:30
Hi Donnie. Hi.
1:31
OK, so so so keep going. You'll notice in your pockets
1:37
you'll find a small squishy putting filled being.
1:41
You'll know them as waisted here.
1:44
You're going to take these and and.
1:47
Before we get too far into it all, you guys roll me AD 6 and
1:49
let me know who's got who gets the highest.
1:51
I got a four. OK, five.
1:54
OK. Well, we both have fives, OK.
2:00
All right, so gambino Colette you'll notice in your pocket you
2:04
have two. What you're going to do once you
2:08
get to the health spot that you're bringing back to me,
2:11
you're going to actually eat these and you're going to put
2:13
the extra 1 you have in their mouth and close it.
2:16
That's how you guys come back to.
2:17
Us. So basically I just eat this wad
2:20
of gum. It's kind of a wad of gum.
2:23
It's also a lot. And you'll see that as you're
2:25
looking at it, it's eyes are kind of blinking and it cracks a
2:29
little bit of a smile and you hear like a little squishy
2:31
squeak out of it. Oh my God, I don't know how to
2:35
think of this. I mommy logistical question
2:42
here. Yes.
2:43
What if I don't quite have a mouth?
2:45
Just do. The best you can, we'll get you
2:49
back. Does that mean he's going to
2:50
have to bullfit? Yeah, I think that means it's a
2:53
Suppository. Then I.
2:55
Mean being the mostly in corporeal here, this might be a
2:59
touch of a issue. I'm sure you'll find a way to
3:02
get back. We'll burn that bridge when we
3:04
get there. There we go.
3:06
All right. So once you guys get to the hell
3:10
spot and bring it down, don't kill it because we need to
3:13
question it and figure out exactly what their plan is.
3:15
Stick this in through their mouth, hold it shut.
3:18
All of you guys take the waste it and chomp it down or Donnie
3:21
do whatever you have to do to get there and you will be
3:23
brought back into your body back here on hold back here on hold.
3:27
Aside from that, don't die. This is going to be taken away
3:30
at your prison sentence. So it only benefits you guys to
3:33
get this done and and as quick and timely as possible as.
3:37
Possible. A thought occurs doc.
3:39
Yes. How do we know the what this
3:43
hell spawn is if we don't know what exactly we're looking for?
3:47
Well the health spawn in this area is taking the form of a
3:52
necromancer, or if they think they're a necromancer hunched
3:56
over body wearing a skull of mask over their face cloak
4:01
really taking it to the extreme on this whole taking over the
4:06
persona of a necromancer. Now don't let that fool you,
4:10
they are no joke. So you have to be on your toes
4:13
and be vigilant. Vigilant.
4:14
Colette sticks the waist gets going to go well I guess.
4:21
Call on US doc. All right, well, we'll be
4:23
monitoring you and like I said, if you get this done in a timely
4:26
fashion, we can move on and find the other ones.
4:29
Good luck. This is your present sentence.
4:31
Present sentence. Well beat shuffling shit.
4:35
I guess, I don't know, like Dalton's going to look at the
4:38
waist in his pan, like flick it once in the face.
4:45
Oh, this is just going to be horrific.
4:48
And pockets it. Can can is mine visible as I'm
4:54
slightly transparent? Like is there like a floating
4:57
little oka? No, no, that you've got like a
4:59
little pouch that it will be hidden in and no one's going to
5:03
see it. I mean, we can see through you,
5:04
but that you can't see the waist.
5:07
So as you guys are sitting there talking amongst yourselves, out
5:10
from the shadows comes an old hunched over figure walking
5:16
slowly towards you guys. Well hello there.
5:19
Where did you guys come from? You guys don't look like you
5:22
belong here. Colette looks around at my
5:26
friends and I look back at this person and I just go up.
5:30
As opposed to where? Well, right now you are nowhere.
5:36
Yeah, kind of sums it up out. That that's starting to piss me
5:42
off, but I start like I, I noticed my hands have these like
5:45
abnormally long like claws and I start like squinting at this
5:52
guy. No, no, no, no, don't, don't get
5:55
me wrong here. Don't get me wrong.
5:57
I'm I'm here just to monitor this area.
6:00
My I apologize. My name is Zalia and I'm here
6:05
here against my will, unfortunately, to guard these
6:09
doors and make sure that whatever is on the other side of
6:11
those doors don't come back out into here.
6:14
I'm just wondering how you guys got here.
6:17
Yeah, what does Zalia look like? Zalia, an older female, kind of
6:22
hunched over, frail, looks like she's been here for God knows
6:27
how long. Just plain bland clothing.
6:30
Nothing shoots out as striking about this woman.
6:33
Long hair, kind of stringy, kind of greasy but not dirty, if that
6:38
makes any sense. And she just walks slowly
6:43
towards you guys. I am.
6:46
I'm just ironer. I don't know what to expect so.
6:50
Guys, I got to be really honest with you, I got a really strong
6:53
urge to just kind of dismember this person.
6:55
So like, you might want to negotiate whether she's friend
6:58
or foe real quick. OK, at this moment, Colette is
7:02
going to stand up and be like, OK, OK, Miss Zalia, that you'll
7:08
have to forgive us. We are.
7:11
Let's just say we're new to town.
7:14
And yeah, So what do you mean what's like what is behind that
7:18
door or any of these doors that is worth protecting?
7:23
Is it worth protecting you or everybody else in wherever we
7:26
are? I'm here to make sure that
7:28
whatever's beyond those doors do not come out.
7:31
I've been cursed here by the necromancer Nabetha.
7:35
Bone call to make sure that nothing leaves.
7:38
Occasionally. Granted.
7:40
Yeah. I mean, you look like something
7:42
that Nabetha would have brought up at for whatever nefarious.
7:47
Dealing matter of fact, yes, Nabetha did call us here.
7:53
He resurrected me from the dead. Oh God, I must be now what, 6-7
8:00
months now? Just just, you know, occasional
8:05
grunt work. Go to the graveyards and
8:07
cemeteries, pick other cadavers and corpses for basic
8:12
reanimation. You know they said good stuffy.
8:15
Now you know how he gets right, Sal.
8:17
Yes, I do know how the Nabetha gets.
8:21
I'm just wondering why you're here and not in one of the
8:23
rooms. Did you do something to be in
8:26
here or how did you guys? How did you all get here?
8:29
Well, you know what? That's a funny thing.
8:32
We were on our way back here and then one of the skeletons, what
8:37
was his name? Griever Grover, something like
8:40
that. He said.
8:41
Hey, we're just cleaning up in here.
8:44
We just mopped the floors. You stay here, like give us like
8:48
20-30 minutes, you can come back in.
8:52
No, OK, this odd. Where's the Betha?
8:56
That I don't know. I mean, the Betha traverses
9:00
between these doors at any given time.
9:03
I'm not sure which room she's in now.
9:06
OK. Then you're no used to be and
9:08
I'm going to lunch at her with my claws.
9:12
OK, go ahead, make an attack. That's a 10.
9:16
OK, you lunge at her and you attack.
9:19
She doesn't move. You catch her clothing and you
9:21
tear it right in the front and she doesn't seem fazed.
9:25
What was the point of that? At this point, Colette goes in
9:31
front of Thomas. Hey, buddy, buddy, buddy, buddy,
9:35
buddy. You just just a little hangry.
9:37
Hang on. I got your Snickers in here.
9:39
I'm so sorry. Hang on.
9:41
Yeah, it's just like real back, like a hand with claws, No.
9:45
Hang on, hang on. I got you, I got you, hang on.
9:47
And I'm just frantically looking for pretending to look for a
9:50
candy bar. And I look at, I look at Donnie
9:54
and I go just one second tell you, help me with him.
9:59
I possess her. I'm a ghost.
10:01
I'm allowed. To do that, yes.
10:03
OK, how are you going to do this?
10:06
While she's distracted, I come up from behind and I kind of
10:10
phase into her and take control of her body.
10:15
As you phase into her, you feel like you have not made that bond
10:21
into her body and she sidesteps out.
10:25
OK, what are the three of you actually doing here?
10:29
4 door sales people. We're selling Jelly beans.
10:32
You want one? I know you do.
10:34
Do you have the licorice ones? Oh, of course it's Licorice.
10:37
Look at him. OK.
10:39
That just makes me even more angry.
10:42
At this point, Colette just steps to the side and goes to
10:47
just then go at it big. OK.
10:51
Are you guys here for Nabetha? You could say that in a sense.
10:57
OK, I'm going to lay it out for you.
10:59
I don't know where Nabetha is. Trying to kill me is not going
11:02
to help you in getting to Nabetha.
11:05
Trust me. I've had people show up before
11:09
and do the same thing and I'm still here.
11:11
I am cursed here until Nabetha is gone.
11:14
I can never leave as well so taking out everything that you
11:19
have against me is not going to help.
11:21
I don't know their location because like I said, they just
11:25
traverse between the doors whenever they feel like it.
11:28
Your best bet, truth be told. Find a door, go through, see
11:32
what happens. You may find them.
11:35
I will warn you though, through whatever door you're going
11:38
through, there is going to be a different situation every time.
11:41
I've had wayward adventurers show up here for some reason in
11:45
search of fame and glory, going in into these rooms to never
11:49
come out again. This is Nabetha's domain.
11:53
She is here somewhere. That's.
11:55
Ominous. Were you Nabetha?
11:57
No, I'm Zalia. I just said that.
12:00
Examines face to see if there's like tan lines from a skull
12:03
mask. OK, no, there's no sunshine
12:09
here. There's no reason to have tan
12:11
lines. I can.
12:13
I can assure you I am not in the Betha.
12:15
Dalton scratches his head. And there's like, some like,
12:18
flower petals and leaves that fall out.
12:21
It was just like, looks at it. What the.
12:25
This body's dumb. You guys are aren't you guys are
12:29
confusing me. Yeah, yeah, sure, sure, lady.
12:32
I'm going to go find a door now and I'm just going to like walk
12:35
right past her. OK, by all means.
12:38
Before we go, is there anything in particular?
12:41
I'm already gone. Is that one second?
12:45
Is there anything in particular that we need to look for behind
12:48
one of these doors? Is there like, is there one
12:50
thing particularly bad that we should not do?
12:55
Behind these doors are different realm, that different world, a
12:59
different place in time. Oh oh cripe.
13:04
Oh shit. I'm not waiting for you anymore,
13:07
all. Right.
13:08
OK, OK. Azalea, thank you for all your
13:11
help. I got to go fucking stop down
13:15
Wolf's Mackenzie over here. OK.
13:17
Are you going towards one of the doors there, Thomas?
13:19
Sure AM. All right, roll AD 4. 2.
13:23
Okay, as you walk up to one of the doors, there's a sign above
13:27
the door, simple wooden sign. All it says is Fishing Hamlet.
13:31
And on the side of the door you'll see just a blank
13:34
parchment that as you walk up towards it, it starts to
13:37
illuminate with writing. The writing says there's a
13:40
village by the sea. Every full moon it appears on
13:43
the shore asking for a gift. In exchange, it brings peace and
13:48
seafood. There are no children in the
13:50
village and everything smells like rotten fish, brackish water
13:54
and smoke. Sounds lovely.
13:57
Well. We got to start somewhere and I
13:59
just kick the door open. I look back at Zalia and I just
14:03
go. Don't worry, we'll get you out
14:05
of here. As you look back, she's gone.
14:08
Oh fuck me then I guess. And as you kick open the door,
14:12
this huge vacuum pulls the three of you in and the door shuts
14:17
behind you. As you guys emerge into the
14:20
room, you find yourselves in a a pile of rotting flesh, partially
14:24
eaten with bones laying everywhere.
14:27
Lovely. As you're looking into the room
14:29
it's just covered in bones, like half eaten rotten flesh and
14:33
there is a small corridor going to the left and a longer
14:37
corridor going to the right. You do notice that there are
14:39
random items amongst the bodies, but it doesn't seem like there's
14:43
anything of value. Are there any bones that I can
14:48
like make into like a Shiv? Absolutely cool.
14:51
I'm going to find like a piece of rib or like a femur that I'm
14:55
just going to take from one of these piles of bones and meat
14:59
and just try to make a weapon out of it.
15:01
OK, yeah, I mean, it's not that hard.
15:03
There's shattered, half broken bones all around.
15:06
I'm sure you could find one that you can use as a as a Shiv.
15:09
I find like a nice thick femur that's kind of like broken off
15:13
and like kind of jagged at the end.
15:15
So it's like nice and pointy. OK, perfect.
15:18
And I just go dibs and then like my half a zombie Nate, since I
15:22
am half a zombie, I'm just like looking at it to just look for
15:24
me and I slowly just put it to my mouth and start gnawing on
15:27
it. Perfect.
15:29
Dalton starts like kind of digging around and like his
15:31
hands art very dexterous. He's like kind of just like
15:36
fumbling. It's like he's basically
15:38
forgotten how to like actually use his fingers as he's like
15:42
looking to search. It's just basically like he's
15:45
continuously punching stuff and clawing.
15:47
At it he's. Just punching.
15:49
And he's just like, this is they didn't warn us, some conflicting
15:54
memories. And he's starting to have
15:57
flashes of working in a field and digging in the field.
16:02
And he just all of a sudden is now just like, using his hands
16:05
and like disemboweled one of the corpses.
16:07
Perfect. Oh wow.
16:09
I'm. Floating.
16:10
You are floating. See, I can't interact with
16:12
anything in a physical sense, so you guys are doing a great job
16:15
and donnies there for moral support guys.
16:19
What? I I snap out of my chomping and
16:23
I just look up at Donnie goes, yeah, yeah, Donnie, like how are
16:26
you doing? And and all of this weirdness.
16:30
We we are corporeal. You're not.
16:32
Yeah, it's kind of hard to get my mind around.
16:36
See, there was nothing in the big book about this.
16:39
The, the, the Mecca Lama did not prepare me for that.
16:42
Now I've got the idea of something more evil that that
16:47
killed. Not me me.
16:49
Is anyone else wrestling with the fact that you have memories
16:52
of before you were here? Come to think of it, I do have.
16:57
Yeah, yeah. Get that right now?
17:00
Just start. Diving.
17:02
Back in. That's what I'm talking about
17:05
right there. See that?
17:07
Well, I remember some things like I would they see like a
17:13
town people walking by and I will be sticking my hands in
17:16
their pockets and just taking stuff.
17:19
I think I was a thief, a pickpocket maybe.
17:22
Weird. I wonder who this guy was.
17:25
I'm just like looking at my fingers and I I'm just feeling
17:28
around and I feel like the the stitches on my neck because my
17:31
head was like lopped off. And I remember the last thought
17:36
I had my head placed against the stump and the last thing I saw
17:40
was a guy in the black hood a slamming an axe down.
17:44
Then they go, oh fuck I how about we not dwell on this and
17:50
let's get the fuck out of here. So long hallway.
17:54
Yeah. All right, so as you guys are
17:57
going down the long hallway, it does take a nice turn as you
18:01
round the corner. You see in the middle of this
18:04
room appears to be a huge black puddle.
18:07
It's burbling. It smells like putrid fish but
18:10
for some reason it it's almost like the room or the if it's the
18:14
puddle or something it's whispering to you to.
18:18
All of us. To all of you, in fact,
18:20
everybody, go ahead and make a presence test.
18:24
Oh God. DR16.
18:29
Oh shit, hang on, I get my DR16. Yes.
18:33
I'm getting my big guy that. Is a -1.
18:38
Cool, my presence is A-016 on the fucking dot.
18:43
Nice. I got a mad 20.
18:46
Oh, beautiful. All right, so as Dalton is
18:50
hearing random noises echoing through his head, kind of
18:53
enraging him more Colette and Donnie, you hear the puddle
18:57
calling to you, saying seem to me, seem to me tell me stories
19:03
of the dying, the dying. I, I shout back at the puddle.
19:08
I ain't dead yet, you burbling little bitch.
19:11
How about you, Donnie? You going to listen to this
19:12
fucking puddle? Well, I could sing to you about
19:16
playing a game. Crocodile for a golden crocodile
19:19
board and losing. And Mama.
19:22
You know what? Tell them that.
19:23
Tell the puddle that. I'm sure the puddle would love
19:25
to hear that. Yeah, there it was, down in
19:28
Georgia when Deckerbell came with promises of a golden
19:31
crocodile board. But if I lost then, well, here I
19:35
am now. Anyways, that was a song.
19:39
I'm not a good singer. As you're telling the story of
19:42
how you lost your board game with Neckerbel, you notice that
19:45
the puddle starts changing. It goes from black to like a
19:48
reddish hue and it calls you drink, drink, drink.
19:57
I try to stop. I try to put my hand in front of
20:00
Donnie, then he just faces through it.
20:01
I'm like Donnie, why do I even fucking try?
20:05
See, here's the. Here's the problem.
20:07
I can't really tries to come and just the hands move through the
20:11
liquid I I physically. What's Dalton doing?
20:17
Does he hear what we're hearing? Am I?
20:19
Am I seeing it turn to red or? You are seeing it turn to a red
20:22
yes. That makes me angry and I'm
20:24
going to go start splashing into it.
20:27
OK, instantly the the puddle goes from that almost enchanting
20:33
vibrant red back to black, and then it starts getting thick and
20:37
thicker, almost like you're punching tar.
20:40
Keep swinging. Howling did rage.
20:43
Go ahead and make a strength check to see if you don't get
20:46
caught. That's a 7.
20:48
All right, so as you're punching, it's getting harder
20:51
and harder and harder for you to pull your arms out until
20:54
eventually both of your fists are stuck in this tar pit.
20:59
And he's the only one trapped. Yeah, everyone else, I, I'm
21:02
assuming we're on the edges of it.
21:04
So and you start to feel that the gravity in in this pit is
21:08
starting to get more dense and more dense as it's going from
21:11
your knuckles down to your wrists and up your forearms.
21:15
Is is Dalton, are you still, like, angry?
21:18
Trying to get out of there? What do you think?
21:20
I yes, I'm angry. OK, yes.
21:24
OK. OK.
21:25
Just checking. OK, Donnie, do you think can you
21:29
possess him and calm him down? For one D4 rounds, baby.
21:34
I'm thinking this works like quicksand, the more he struggles
21:37
the faster he sinks, so maybe just try to calm him down and
21:40
then I'll see what I can find and scrounge up to pull him out
21:43
of here. OK, Yeah, that sounds like a
21:45
plan. Can I possess him?
21:46
Yeah. All right, so we're all do you.
21:47
I think so. Let's see, it's a one on AD 4,
21:51
so. Yeah, you possess him for one
21:53
round, right? So are you trying to pull him
21:56
out as well? Yes, I'm going to try to pull
22:00
him out. I have a strength of +2.
22:02
OK. So I see Donnie enter Dalton and
22:05
Dalton like calms down and calms down.
22:08
But it has Dalton calmed down? Or is he more enraged that he's
22:11
been possessed now? I think at this point, like,
22:13
it's causing him like the possession kind of like puts him
22:17
back inside himself. So he starts reliving more of
22:20
the memories of this body that he is in now.
22:24
And he starts to get the images of what led to his death was
22:29
being like in a bin. And people like throwing flower
22:33
petals on them. And like there's this moment of
22:35
happiness as it's like a celebration, but then it doesn't
22:39
stop. And it starts like getting
22:41
heavier on him. And as these cheering people are
22:44
throwing more stuff onto him, he begins to feel the crushing
22:48
weight of everything above it. Crap.
22:51
All right, So what I will do then is I will have opposing
22:56
strength checks and I will give Colette advantage on that.
23:01
So Thomas and Tom Gambino go and roll opposing strength.
23:08
On advantage I got 16 + 2, so that's 18.
23:11
I got an 8. OK, so even though you're
23:14
reliving this beautiful yet horrific memory and it's still
23:18
sparking your rage, you find that you're being pulled and
23:21
yanked out of this now dense tar pit.
23:24
God, you're. Fucking happy.
23:31
Oh shit, OK, as soon as we get back to our fucking bodies, you
23:40
owe me a beer. All right, so as you guys are
23:44
getting your bearings straight, you see that the puddle starts
23:47
to loosen up and starts burbling again.
23:49
You'll also notice that there's a hallway beyond where you were
23:53
looking and a hallway to the South.
23:56
So it's like cut across from the puddle and then to the South?
24:00
Yes. OK.
24:03
Say, Professor, you mind if I call Sean on this point now?
24:08
What? Would you do you want, do you
24:11
want to go South or forward? Whatever lets me start swinging
24:16
at people. Then I guess.
24:18
Boy, that just sounds really not great.
24:22
Yogi OK there. We need to get out of these
24:24
bodies sooner rather than later. I agree with you.
24:27
I'm starting to get a hankering for brains and dits.
24:30
They're really bugging me. It's almost like I feel nothing,
24:34
like it's the emptiness of cold, but just hardly there.
24:41
Slowly start waving my hand through your body.
24:46
Yeah, I know. It's weird.
24:49
Right, so we're. Going to remember that you were
24:51
inside me once. I'm going to remember that too.
24:55
Let shutters and walks faster. Which way were you guys going?
25:00
I'm going forward opposite, like like beyond the puddle, not not
25:05
not to the South. OK, so as you go across the area
25:08
where the puddle is, you'll see another corridor that has a 90°
25:12
turn to the South, and as you ground that corner you see a
25:15
door. Hey, Don, you think you could
25:17
face through the door and just give us a little heads up?
25:20
Oh, absolutely I can. I just poke my head through the
25:24
door and kind of look around. OK as you phase through the door
25:28
you see inside is a warm and cozy room and it smells like
25:31
fish. But you do notice in the room
25:34
there is a small child sitting on one of the beds.
25:38
Hey kid, what are? You doing who?
25:41
Who are you? Oh, I'm just, well, Johnny,
25:46
Donnie. Anyhow, I'm here.
25:49
And is it safe? I mean, I, I suppose so it's
25:55
just just me in here, all right? Cool face, back out.
25:59
Go on. Yeah, everyone.
26:00
I think, I think we're good to go in there.
26:02
It's just this creepy kid. Collette.
26:05
Creepy kid. You know, sitting there by
26:07
himself on a bed smells like. Fish.
26:10
Well, why don't we? Do that.
26:13
Of course that's fucking dangerous.
26:14
Like $10 to Donuts. That kid is going to turn into
26:17
some weird fish person and try to eat us.
26:21
So I'm just going to get my bone shift ready and I put my hand on
26:24
the doorknob and I look at Don and go and you show.
26:26
You said nothing else. I mean, there's cozy.
26:30
Cozy. Comfortable feeling.
26:31
Cozy, comfy creepy kid I. Mean you might not be creepy, or
26:35
it could be the creepiest thing you have seen.
26:37
Guys, let's try to get through here because I can feel this
26:42
body's rage building again already.
26:47
If. You want to pop back in there?
26:49
Call me, yeah. OK, count the 10, count the 10.
26:51
I got this and I open the door and I see the kid on the bed and
26:56
I just point to him and I go. Are you a fish person?
27:00
No, no, I'm I'm a small girl. How did you?
27:04
Who are you? How did you guys get here?
27:07
Well, we're by means of feet and walking forward, which I am
27:12
doing right now to you. Hello, my name is Colette.
27:16
How are you, little girl? I am very confused of what's
27:21
going on. So wicked.
27:23
Yeah, my name is Elizabeth. Are you with the the monster
27:27
hunters that have been coming through here?
27:29
Monster hunters, No. Well, obviously not because you
27:32
guys and don't take offense please, but you guys look like
27:34
some monsters. None taken.
27:37
Are are you? Are you with the Necromancer?
27:41
Have you seen the Necromancer? Are you the Necromancer?
27:47
I am again, I am a little girl. I am by far not a necromancer.
27:52
I'm actually one of the children that the villagers from the
27:55
surface is tried to sacrifice. The necromancer came to town and
28:01
took over the minds of all the parents and they started killing
28:06
all the children and anybody visiting town just to appease
28:10
the whoever this necromancer is. And I was one of them.
28:14
They threw me down the well, I don't know how I survived, but
28:18
I, I hide here because I mean I I don't want to die.
28:22
Collette is trying really hard not to drool.
28:25
That that sounds like a really complicated back story and
28:29
everything, but can you give us a direction on where the
28:33
necromancer usually hangs out? Please be quickly because I'm
28:38
getting more angry. And and I'm pretty hungry.
28:42
You got any bacon or? What?
28:48
Do you eat? I, I, I go back up to the
28:51
surface every once in a while and steal food so that I can
28:55
live. But I, I'd live down here now
28:56
because I, I mean the, the, I don't know what happened with
28:59
all the villagers and the, my parents.
29:01
They just started killing everyone.
29:05
OK, what you say the name was Little girl?
29:08
My name is Elizabeth. OK, Elizabeth, who was the last?
29:13
What was the last thing you saw and how long ago was it?
29:18
The last thing I I've been, I, I couldn't even tell you how long
29:21
I've been down here. Oh.
29:22
Crap, alright. I mean, I roam the halls down
29:27
here every so often just so that I can get up and down to to the
29:31
surface to get food and and and books and stuff to so I'm not
29:35
alone. But I'm I am I?
29:38
The only thing I've actually ever seen down here recently was
29:42
a was a band of that They called themselves monster hunters, but
29:46
I I couldn't see how they would be.
29:49
They figured they'd be taking all the villagers out on the
29:52
surface, but as far as the necromancer I I don't remember
29:56
the last time I've seen them all.
29:58
Right. Well, this is a fine howdy do.
30:02
So how do you get onto the surface to the village?
30:05
There's a there's a well back in one of the other rooms that I
30:09
climb up and down the the rope for the bucket.
30:13
Which way is that? Show me the room before I decide
30:17
to do bad things, Colette. I'm just going to rub the back
30:23
of a Dalton's shoulders like OK, come on, deep breaths, deep.
30:27
There's a there's a like very visual flinch at that, that
30:31
initial touch. Sorry, my hands are very clammy.
30:34
I know this. I'm sorry about that.
30:37
Little girl. So if you can get out of here,
30:39
why not just leave town? There's no leaving town.
30:43
I go just as far as where I know the food is, where I won't get
30:46
caught if I stand stay any longer On the surface I I'm just
30:51
as doomed as all the other piles of bones in the other room.
30:55
Oh, oh shit. OK, so which way do you go to
30:59
get to the surface? Well, like I said, I I climb up
31:02
and down the rope that's connected to the bucket in the
31:04
well, I mean, I can, I can show you.
31:07
If you could, that would be. Lovely.
31:08
Yeah. I mean, you guys aren't going to
31:12
eat me or kill me or anything, are you?
31:14
Are you going to double cross us?
31:17
I am a little girl. What do I have to gain from
31:19
double? Crossing that like we trust you,
31:21
like you're a little girl. And quite frankly, I don't
31:24
fucking buy it. Language.
31:26
I am a child. The more you've just bought
31:29
that, the less. I agree with Michael and.
31:32
The longer you take to get us to the surface, the less likely you
31:38
are to survive this encounter, OK?
31:40
OK, you guys are gosh, you guys are worse than the monster
31:43
hunters coming down here. OK, come along.
31:46
Follow me. And as she walks past the three
31:49
of you down the hall back towards the black puddle, she
31:52
goes South. And as she's going South, you'll
31:55
see in that room there appears to be a bucket with a long rope
31:59
going up what appears to be a well.
32:01
And you can smell it. There's like traces of salty
32:04
water and dried blood, that irony smell in this area,
32:08
especially coming from the hallway down to the South as
32:11
well. And.
32:12
This is this is how I get get up, get up and down here.
32:15
So I mean, I don't know. I don't know what else do you
32:20
guys could want from me. That seems to be about it,
32:25
Thanks, and I'm going to start trying to climb.
32:28
OK, part of my zombie nature is kicking in and wants to just
32:32
take a bite out of her head, but something like grabs back to me
32:36
and I'll be like, thank you very much for all your help,
32:40
Elizabeth. I suggest you run along now and
32:48
we'll report back if we find anything, OK?
32:53
Yeah, I, I suppose, I mean, I mean, I guess this would be a
32:58
good time as they need to take a break.
33:04
Nice. Bad news, scum.
33:16
News scum. You died.
33:17
You died. Sorry, sorry.
33:19
Even worse news, you've been resurrected by a mad
33:22
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33:23
Why? Why does it matter?
33:25
Does it matter What's dead should stay dead, stay dead.
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crowdfunding campaigns. Welcome back, Flail the face.
36:22
You guys found yourselves in what appears to be some sort of
36:25
fishing hamlet and found a little girl that you threatened
36:29
intimidated. Intimidated she was Well, she
36:32
insisted she was a little girl, she.
36:35
Politely received guidance. Right, so she showed you to the
36:39
area that she uses to go from where she's at underneath the
36:43
city to the surface so she can get food.
36:45
As you tell her to scurry off, you hear some noises coming from
36:50
the South, hear a couple of voices talking to each other in
36:53
hushed tones. OK, I, I bring in the guys close
36:57
and be like, So what do you think?
36:59
I we go towards the voices or try the oh, I say we, we bring
37:05
as little attention to ourselves as possible.
37:07
Find this mechomancer and get the fuck out of these bodies.
37:10
That may be a plan, but I can tell you right now, the first
37:14
person I see brandishing a weapon, I will dismember.
37:18
You know what? Fair enough, and I will not stop
37:21
you. Real quick, just follow me on
37:23
this. I turn invisible and then I turn
37:26
revisible and I'm like. Donnie, I kiss you, the true
37:31
corporeal. So Donnie turns invisible and
37:35
then goes closer to see. What's the noise?
37:38
Who are the things? As you head South Down the
37:40
hallway you'll come to a four way intersection, one that leads
37:43
to the South more and then hallways to the left and right.
37:46
You'll see that the hallway to the right has got like a closed
37:49
gated area and to the left you see that there is 3 individuals
37:54
fully clad with weaponry and Shields talking amongst
37:58
themselves. We we haven't found any sort of
38:01
anything to take back to get any sort of reward.
38:05
We're supposed to be monster hunters.
38:07
How is this supposed to happen? And then straight on, you notice
38:10
that the corridor kind of opens up to what appears to be like a
38:13
beach that has some very unnatural looking footprints
38:17
going from the water up the beach and then slowly fading
38:21
away. OK, so I go back, report what I
38:25
found to the group. OK.
38:27
I think they'll probably try to kill you too if we just
38:30
approached them. They're looking for monster, it
38:32
sounds. Like they're falling for a
38:33
fight. I I'm willing to get that to
38:35
them. You said there was three of
38:37
them. Three.
38:38
Yeah, Yeah, that sounds like an accurate number.
38:41
Well, if you could possess one of them, that'd be that would be
38:45
two against three. And I think that would be a
38:47
better fight for us if if it should come to that.
38:51
I'd start cracking my knuckles. Which it might be Donnie.
38:56
One more thing. What do these footprints look
38:58
like? Do do I recognize the
39:01
footprints? It's really hard to tell as the
39:04
water is washing them away, but they are large and kind of
39:09
clawed. OK, now we got a Loch Ness
39:13
Monster's cousin, I guess. Maybe a mermaid?
39:18
And as you guys are having this conversation, the voices that
39:20
you were hearing down the hallways are getting louder and
39:22
they start to round the corner. They're at the T section right
39:25
now, whereas you guys are in the area where the well is.
39:29
OK idea, I just fall to the ground like a corpse and just
39:33
play dead. I go invisible.
39:35
OK. I stand looking at them
39:37
questioningly. I just look at Dalton, I go
39:40
hide, you fucking dumbass. I try to go around the edge of
39:45
the well and just kind of like hunker down.
39:47
OK, as you guys are doing these various actions, these three
39:50
fellows walk in. One's got a shield and a sword.
39:54
The main guy in front has two swords strapped to his back and
39:57
he has a miserable look on his face.
40:00
The second guy that's right behind him, this guy looks like
40:03
he got hit with every ugly stick you could possibly find.
40:06
He is just. Ugly.
40:08
He's just, he, he is not a pretty man.
40:11
The one in the very back, you notice that he's like kind of
40:13
just nodding out like, like he's like he hasn't slept in a while
40:17
or he's like narcoleptic or something.
40:19
He just kind of is fading in and out.
40:21
As they're walking into the room proper, the main guy, the
40:24
miserable one, looks at the other two.
40:26
Von Klortz, this is ridiculous. We've been down here in these
40:29
chambers day in and day out. We haven't seen anything except
40:33
for corpses and more corpses. And like that ugly desiccated
40:38
corpse right there pointing it to you, Colette.
40:41
In my mind they go fucking rude and I still just like look like
40:46
a cadaver. OK, the second one, the ugly 1
40:49
is looking at the main guy Wriston.
40:51
Look, I've I've had enough hearing how we've been down
40:54
here. We got we have to do something.
40:57
We have to get some money, otherwise I can't pay off the
40:59
debt. I have to my father.
41:01
Trust me, the last thing I need to do is just hear about you
41:04
know how I've been worthless pile of shit though my whole
41:06
life. I I just can't, I can't do it.
41:09
The third guy, the one that looks like he's falling asleep,
41:11
like, can we just go? I can't, I can't do this
41:17
anymore. This is this is pointless.
41:19
This is fruitless. I like I need money too.
41:22
I And you'll notice that on the third guy, there's a very ornate
41:28
medallion hanging from his neck. Cool.
41:30
Are they? Are they, are these guys like
41:32
still walking? They're walking slowly.
41:34
They, they don't seem to have any sort of destination in mind.
41:37
They're trying to just like meandering through the halls of
41:40
the of this place. And they're in the well room
41:43
proper now, making their way towards the Black puddle.
41:46
Then you know what? I think Colette is just going to
41:51
snap up and bite the sleeve baby guy in the fucking neck.
41:54
The moment Colette moves, Dalton's going to lunge at the
41:57
ugly guy. OK.
41:59
And I possess the third one. Fantastic.
42:01
This sounds like a surprise round, so do the things you're
42:05
going to do, everybody. All right.
42:07
And then we'll roll initiative after.
42:09
That is a dirty 20. Love it. 2 rounds.
42:14
Damn it, that is a fucking 7. OK, so as Colette springs up and
42:22
goes to bite at the sleepy one at the end, he kind of just dips
42:26
his head like he's like nodding out and Colette snaps and misses
42:31
upon that movement. Dalton jumps up.
42:33
You are attacking the the. Ugly one.
42:36
The ugly one. Go ahead and make your attack
42:38
roll. I did.
42:39
I got The Dirty. 20 The Dirty 20 OK damage.
42:42
The seven damage. Seven damage.
42:45
They do have leather armor, so it's D2 for that.
42:48
Minus 1. 6. So who?
42:51
I'm just trying to think like the one I'm possessing.
42:53
Who is he closer to The ugly one?
42:55
Or is he closer to the tired? One, I think he's closer to the
42:57
ugly one. He's closer to the ugly one.
42:59
Yeah, he was the one in front. So tell me how you do this.
43:02
Attack Dalton. So it's just like lunging, like
43:05
jumping up and like scrambling. And I flung myself over the well
43:10
and then with my claw like fingernails, just like finding
43:14
purchase between his armor and just like digging my fingers
43:17
into the flesh underneath the armor.
43:19
Beautiful. Donnie, you said you were
43:21
possessing the one in the lead for two rounds.
43:24
Yes. OK, perfect.
43:26
Somebody roll initiative then. All right, I'll do it.
43:30
I got a three. All right, it is them.
43:32
So we'll start with you, Colette, the one that you went
43:35
to snap at wakes up very alert now and pulls out a dagger and
43:39
goes to swing at you. Go ahead and make a defense
43:42
role. Okay, so that would be hang on
43:45
one second. Agility.
43:46
Agility. Great, I have a -2 to agility.
43:50
Awesome, that's a 2. Okay, we got a. 4.
43:55
Okay. Colette, like come on, come on
43:58
you meat sack. You think I'm afraid of each?
44:01
Ow fuck. So that's going to be D4 damage.
44:05
Shit. Well, since I am a zombie, hang
44:07
on one second. I have 7 HP.
44:10
I have a rotten flesh, so I have armor that's minus D23.
44:14
That's three damage, but with my armor D2.
44:18
So hang on, I'm just going to do this.
44:21
That's a. Two.
44:22
OK, so you take one damage. So I take one damage.
44:24
OK, so as he goes to swing at you it just barely glances off
44:29
of your midsection it. Says every time I attack I lose
44:32
1 HP. Every time you attack.
44:35
Yeah but don't worry, I don't die if I go below 0.
44:38
OK but if I do all my stats go down -2 eating a fistful of
44:43
brain restores 1HP and resets the stats.
44:46
Well, there you go. All right.
44:48
Now I'm at what is that? So I'm at 5HP.
44:53
Well, boy. All right, so that's courts
44:55
turn. The ugly 1 is going to the ugly
44:58
one. You've basically tackled them.
45:01
You're on top of them, right? Yeah, okay, so he's going to
45:04
make a strength check to get out of it, and he does not have the
45:08
best strength and that's an 8. So he is still pinned, he can't
45:13
do anything. He's wiggling and writhing
45:15
around and just can't seem to get out.
45:17
And the other one, the third one wrist in the the leader, the
45:21
miserable one is possessed and he can't do anything.
45:23
So is your guys's turn. So now that I'm possessing him,
45:26
can I use him to attack the ugly one?
45:30
Absolutely. All right, cool.
45:31
I would like to stab the ugly one.
45:34
Now you have you have an iron sword and a silver sword.
45:38
What is he, a Witcher? I guess the the iron one.
45:41
OK. That's a 15.
45:45
That is a solid hit, all right, D6 damage, all right.
45:50
That's a sex. Tell me how you kill you, the
45:52
ugly one. Well, it's basically just like a
45:55
nice thrust to the throat, like a cut of a cut across and then
46:00
pull through and just blood just shooting out and you hear like a
46:03
gurgling noise. This ugly one's like lungs
46:05
filled with his own blood. Beautiful.
46:07
And then he just lays there dying.
46:09
Don't met this time like standing over seeing this guy
46:13
get killed. Now my kill and like goes and
46:16
throws the body at the sleepy guy.
46:18
OK, go ahead and make strength. How does the 12?
46:22
That will do it. You take the corpse of the ugly
46:26
guy and you throw it at the the narcoleptic guy and I will make
46:30
an agility test. I would assume his agility is
46:33
not that great. It is not that great and he
46:35
rolled A1, so he gets clobbered with the corpse of his
46:39
compatriot and he is knocked down under the body of the ugly.
46:43
One and the narcoleptic guy has the the medallion.
46:46
Improvised weapon? Is that like AD 4 then?
46:48
It is AD 4. Three damage his armor AD 2.
46:52
Yes, Sir. -1 so 2 damage. All right, Colette is going to
46:57
go over to the narcoleptic guy and I'm just going to look in
47:02
his eyes and I'm just going to be creepy as fuck.
47:05
And I'm going to say either you start talking or I start
47:09
jumping. What do you want me to say?
47:13
Where is Nebetha? Who the fuck is Nebetha?
47:19
We're here. Are you talking about the the
47:21
creepy person that convinced all the people in town to kill the
47:24
kids? I go exactly.
47:26
Wait, what? Well, yeah, what do you think
47:28
the pile of bodies were in the other room?
47:30
Oh fuck me. Have you seen this?
47:36
Fuck no. That's part of the reason why
47:38
we're down here and to kill you guys.
47:40
Well, that's very rude of you. Well, you're the undead.
47:45
Do you need to die? Well, contradiction speaking.
47:48
Of and then I'm going to try and climb Adam.
47:51
OK, make an attack. That'll be a 19.
47:54
That is a solid attack. Do those damages.
47:57
A very palpable hit. Seven points -1.
48:02
You can't not. Kill another 6.
48:04
Yeah, tell me about it. So yeah, the moment he says
48:07
that, he's here to kill you because your monsters.
48:09
And it's like, yeah, about that. Just like I go over and dig my
48:13
fingernails into the side of his skull and press into it and it
48:17
just kind of pops and then I like basically RIP off the top
48:20
of his scalp. And at this point, Colette
48:23
proceeds to just dig her hand in and just scoop out a nice
48:27
handful of brains, which restores my HP because I need to
48:31
eat brains. Yes, you do.
48:34
All right, Donnie, what are you doing?
48:36
As you're still possessing the body of their leader.
48:38
As you're possessing it, you you feel like it's fighting against
48:43
you. Like it?
48:44
It doesn't want to kill their partner there.
48:46
Well, first of all, I'm watching Colette eat brains and I'm just
48:49
like Oh my, I remember right when I had a mouth and I could
48:52
eat living flesh. That was good feeling back when.
48:57
Then I start to unbutton my shirt.
48:59
Not neurotic way this time. Hey y'all, I don't know how much
49:06
longer I'm going to be able to hold this guy.
49:08
If one of y'all just want to want to be on the ready and I'm
49:10
just like there. Colette looks at Donnie with a
49:14
mouthful of brains. I got.
49:19
This and I just started lying. You're supposed to be the smart
49:25
guy here. We need to interrogate him.
49:29
I got the blood lusted me God damn it.
49:32
Alright, don't go ahead, make your attack.
49:35
That is A4 all. Right, so as you were scampering
49:39
towards him and swiping at him, you could see that as he's got
49:42
his his shirt open, he he's fighting against whatever
49:45
Donnie's got going on. And he stumbles back and you
49:48
just barely swipe and miss. Now it's initiative.
49:53
And I think this is the turn that Donnie is done possessing
49:57
the body. So I think that that one's out.
49:59
Yeah. So go ahead and roll initiative.
50:01
You better eject it boy. Does you want me to roll it?
50:05
Yeah, go ahead. We're ready.
50:07
That's a six that is you guys. And I think at this point, I
50:10
think Colette is just going to, before Dalton can go, I think
50:13
Colette is just going to run up and tackle him and be like, it's
50:16
either it's either you either talk to me or you talk to my
50:19
blood hungry friend. So which fucking is it?
50:22
Go ahead and make a straight check for tackling him.
50:25
Well, that's a 17. OK, so you pounce on this guy as
50:29
Donnie leaves the body. He's trying to get his bearings
50:32
straight. You pounce on the body and
50:34
tackle him down. And what are you saying to him?
50:36
Where? Is the necromancer.
50:41
I yeah, I, I haven't seen the necromancer.
50:44
That's why I'm down here. That's why I was with my these
50:46
fucking corpses now. What?
50:48
How do we get out of here? How did you get in here?
50:52
I'm asking the questions here. Chuckle Fuck you.
50:55
Tell us how you got down here and then we'll get out of here.
50:58
Down the hallway, there's a stairway to the surface.
51:01
I don't that's how we got down here.
51:03
That's how we get down here every time.
51:04
Every time and it's just you 3. Yeah, we're the only ones stupid
51:09
enough and money hungry enough to come down here and look for
51:12
the undead. Well, that's.
51:13
Great. And then I just love gentlemen.
51:16
OK. Pull out murder hobo bro.
51:22
All right, that is a 17. That is OK, you hit him.
51:27
For another 7 damage. All right, kill.
51:31
Him. And he does have the D2 armor as
51:33
well so. OK, that's -2 so 5.
51:36
All right, he is looking pretty fucking beat up.
51:39
It's still pinned down. I.
51:41
Fuck it, at this point I'm hungry.
51:44
A girl needs to eat, so 16 + 2, that's 18 and I'm just going to
51:51
roll my eyes and just chomp down onto his fucking head.
51:54
OK, roll your damage. Damage is 3 damage.
51:58
All right. He is looking beat up.
52:01
He is looking bloodied. He is nearing death's door, but
52:04
he is still alive. Oh my.
52:05
God. Flailing around and he's
52:07
writing. He's fighting for life right
52:09
now. Donnie possess him and stab him.
52:12
I mean, can I just possess him again?
52:15
Kind of like cool down window on me Rebus dressing.
52:17
I think it's you can use one random spell per round, so I I
52:21
mean you could roll AD 6. Oh, do you have random spells?
52:24
Yeah, go ahead and roll AD 6 and see what you can do, OK?
52:28
Yeah, sure, sure. That's three.
52:29
Banshees cry deafening everyone around you.
52:32
Doesn't work on skeletons or ghosts, so yeah, do that as you
52:36
will. OK, yeah, just get all right up
52:39
in his ear and just yell as loud as I can.
52:42
All right, as you do that, Dalton, you see Donnie's ghastly
52:46
form just starts bellowing out a banshee scream, and it is
52:50
piercing to your ears as well as it's echoing off the the walls
52:54
of the room. And I assume for me as well.
52:57
And for you as well. Fuck.
53:01
Oh shit. What?
53:02
What? What?
53:02
What? Everyone says What?
53:07
You look around the corner. Elizabeth is poking her head out
53:10
and then walks away. You don't.
53:13
Need to see this as I look down at the liquefied pile of brains
53:17
and they go oh, I assume he's dead.
53:19
He is dead. Yeah, cool.
53:21
I'm just going to slurp up some rice, OK?
53:25
Like a jello pudding cup. So as you guys have dispatched
53:30
of these hunters, you hear footsteps coming up the walk
53:35
from the beach behind you. Oh well.
53:39
Well, well, well, well. I wasn't expecting well.
53:42
I don't even know who the three of you are, but I I've got to
53:45
thank you. These hunters have been on my on
53:48
my ass for who knows how long. Who are you?
53:50
You don't look like anything I've brought around.
53:54
And you'll see as as the voice gets louder and the footsteps
53:57
get louder, you can actually see a person in long cloaks with a a
54:01
skull face mask and a staff walking towards you but not
54:06
getting too close to you. Wear Jelly Bean Salesman.
54:09
Would you like a free sample? Do you have the black beans?
54:12
Of course this Does this look like the Necromancer?
54:15
This does look like the Necromancer.
54:16
Yeah, the free sample. Go ahead, eat it.
54:19
No. Who are you?
54:22
You don't. No.
54:24
You look like the bodies I've brought back, but you don't feel
54:28
like the personas that were with them.
54:31
Who are you? Are you?
54:32
Oh. Shit, Collette Look gets up,
54:41
wipes brain matter from her mouth and says Look.
54:47
Does that really matter, master? All right, Colette, roll a mouth
54:53
check. Oh, come on.
54:56
OK, Mouth, mouth, mouth. OK, sweet.
55:00
I got a one to mouth. That's a one.
55:06
No. Fuck, I'm.
55:10
Not I'm not buying it. Who are you?
55:14
Where Where are you from and why are you here?
55:18
Good questions, very logical questions that my friend Dalton
55:25
can answer. Get them.
55:31
Go ahead and roll initiative. I already didn't want one of you
55:34
guys do it. I'm scared too now.
55:37
On the plus side my my Google class thing here is I'm quick
55:43
and rabid so I always start 1st and must attack if I spot an
55:48
enemy. OK.
55:50
So my intent is to lunge at them and dig my claws in to hold them
55:55
in place. OK, go ahead and make an attack.
56:00
That's a 7. As you lunge at the body of the
56:04
necromancer, you do not make purchase.
56:08
You hit the ropes but there's nothing there behind it, and the
56:13
clothing dropped to the ground Jedi style, and you hear echoing
56:17
through the halls. This won't be the last you see,
56:20
and you should probably get that checked out because that looks
56:24
effective. This episode of Flail the Face
57:06
features the game's human occupied landfill by Todd
57:09
shaughnessy, Daniel thrawn and Chris Elliott.
57:12
Kill Your necromancer by Paul kikman and Hell Spawn by Richard
57:15
marker and Lee iovis With Thomas Gino Stumi playing Dalton walls,
57:19
Tom gambino playing Colette stellano, Charles patchkey
57:21
playing Donnie and Kevin Welch as the wholemeister.
57:24
Season 2 theme music is Void construct by out scroll editing
57:28
by Kevin Welch, episode art by Tom Gambino and video editing by
57:31
Dan Finey. And on behalf of the cast and
57:33
crew of flail the face, we want to thank all the listeners for
57:36
sticking with us. Without you, season 2 wouldn't
57:38
be a thing. So if you could do us a favor,
57:40
like subscribe, follow on Facebook, Twitter, Instagram,
57:44
blue sky and YouTube. Yeah, we're on there too and
57:46
share with all your friends so we can get out there to more
57:48
people. With that being said, thanks for
57:49
listening and we'll catch you guys next time.
57:57
Somewhere Levi her toes and shakes a little bit.
58:03
Little little. Shiver.
58:07
All right, so we've established this cannon.
58:08
If I put something in my pocket, it becomes invisible.
58:11
Noted. Nice.
58:13
Edited. Redacted in your head.
58:21
In your head. It's good because now I can bow
58:29
my nose again there. You go.
58:31
In my head, I was thinking of like a one liner where I'm just
58:36
a little kid, I'm just a little girl, but I was trying to put a
58:40
line where it's like a, well, you call a spoon a spade.
58:43
It's a fucking spoon. You stepped up from Come to Poo
58:49
in Season 2. There was enough poo in season
58:53
1. Yep, Churchill the worm again.
58:57
I'm sorry about that. I was the one that suggested
58:59
that one. That one was not a great choice.
59:02
Yeah, no, that's what I get. I'm asking the questions where
59:11
bless you, bless you, bless you. I'm asking the questions to you.
59:15
Chuckle fuck. God damn tricky necromantis.
59:21
I can't believe he didn't believe he were a Jelly Bean
59:22
salesman. Yeah.
59:23
Did you? Even have any Jelly beans so.
59:26
We have the the the winking ones.
59:28
The winking I. Imagine them as the wasted.
59:31
The waste. Yeah, trying to get them to eat
59:33
a wasted. I was thinking they're more
59:35
like. Peeps.
59:36
Oh, they're. Peeps Yeah, that's a different
59:39
marketing strategy altogether. They should have been more
59:42
specific. I apologize.