Latest / The Magic Guys / Petey Majik! Street Magic to Vietnamese TV Star #236

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Petey Majik! Street Magic to Vietnamese TV Star #236 · The Magic Guys

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They're guys. They do magic. They are the magic guys.
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Ladies and gentlemen, I can't believe it. Can you? We're up to episode 236 of
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the Magic Guys, where we interview professional magicians.
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We talk about our busy lives and I almost stumble over my words.
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But to my left, we got Nick K.
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Coming at you live, where mistakes will happen and we will not erase them because
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no one's perfect unless you are the guy who's about to speak.
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We got Doug Kahn. Nanu, Nanu. I'm doing the Mork tonight.
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Or I could do the Cena. It's up to you. Oh, yeah. Hey, I'm Doug Kahn and I'll
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be your Magi wrestling Mork tonight.
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Man, I'm struggling, fellas. You're doing it. You're doing it.
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We're lies. How weird must it be to be Cena, by the way? And like,
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it's a thing for fans to pretend like they can't see him.
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That's got to be an interesting exchange, you know?
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For those who don't know, he, you know, that's a part of his character is that
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he can be invisible, invisible, in quotation marks, and yes,
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fans will pretend like they can't see him.
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And I saw a clip of Jake Paul doing that when they met him.
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Yeah, I mean, a lot of people don't actually know that he's the fourth member
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of the Magic Guys who's been in every episode ever since. In fact,
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he's here right now. Say hi.
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Thanks, ma'am. So, like, he's, And he's been around for a while.
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He's been crashing on my couch.
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You would think magicians would be better liars. Yeah, and you know what?
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I can't believe that, like, of all magicians, like, why don't they have that?
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Like, why isn't Dynamo's thing like this? But erroneous.
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Look, the people who are here are the folks in the chat.
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We have Tongi Elam. Thank you for being here. Thomas Conger.
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Good to see you, buddy. Tim Askin. Good to see you. Scotty Luke.
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Good to see you, friends. Again, we do have a chat and comments.
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So please, if you have any questions for our guests today, pop them in there.
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If there's no other bits of business for us to talk about, shall we jump into it, friends?
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Yeah, look, I'm excited for this. Now, he is maybe the reigning champion of
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most been on the podcast guests.
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I got those words out.
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He's the guy that I talk about in my show. I literally say at the start of my
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show, the reason I wanted to
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become a full-time magician is because I saw this guy and he had a coin.
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And this is the guy, my friends, who you're going to see.
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He's been a professional magician longer than I've been a professional magician.
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And he first started in Australia. Then he went back to his country in Vietnam,
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where he just blew up and became a celebrity, starring in movies over there,
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being a celebrity magician, having TV specials come out.
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And now he's got this amazing magic show that's tied into the folklore of the
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culture, which is so unique.
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And we're going to talk all about it. So please help me in welcoming my friend, PD Magic.
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Music.
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Oh, yeah. Oh, yeah. BD Magic doing camera magic at its best.
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BD, thank you for being on the podcast.
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Please make your way upstairs and tell us, who are you and what do you do?
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Yo, yo, yo. What's up, guys? And our viewers.
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Obviously, I am an artist. Is that what we say these days when you get sort
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of further into your career? I'm an artist. I'm an entertainer.
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I'm a visual artist. I'm a professional magician because, you know.
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That's it. I'm a professional liar.
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And you blow on someone's mind? Yeah. How long have you been a professional
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liar for now? It's been a while.
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I think the technical term for professional is your first paid gig, correct?
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Yeah. When you accept payment for your services, you are a professional.
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See that? Yeah. I would say, yeah. I guess so. Yeah.
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I mean. maybe semi-pro there was a
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mike tyson bio that i'd read one time and what's
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the guy with the crazy hair i forget his name his manager basically
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don king don king thank you and what
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he said to him was yeah correct what he
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said to him was you're a professional now do you know what that means and he
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said like oh because i get paid he goes no professional will
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fight no matter what and i thought that's interesting so i took that notion
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and i went like i'm a professional which means i will perform no matter what
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so even if like i've got a show that night and something awful happens i'm still
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going to do that show because world keeps spinning so two different,
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ideas on what a professional is yeah so pd
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can you because i know all about you and we're going to jump into questions but
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for the audience that have just started watching since we
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won fizz and baby um congratulations i saw that amazing thank you and that's
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how we could afford to get you back on here could you give a synopsis of the
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audience yeah could you give the audience a little rundown of your career and
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kind of what the things you've been able to play with as an artist and do.
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I think like like all magicians I started off you know just your basic card
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tricks most of them were like mathematical self-working tricks and then when
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you get into a hobby you start to meet other people in that hobby as well and
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that's when I met JJ and then a few other people along Queen Street Mall.
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I think Jason I had met at the time, he was a bar back at a club that we used
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to go to and perform at as well. But he was already doing a little bit of magic here and there.
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Short hair, pimples everywhere kind of thing. Yeah. Fun to do.
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Just to be clear, this began location-wise in Brisbane, is that correct? In Brisbane, correct.
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Right, and the Jason, he's referring to as Jason Ma from the original Magic Guys.
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This is before Busking. This is 2001.
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This is thin Jason.
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Thin Jason. Actually, Jason had like a very sort of emo fringe,
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sort of just down this way.
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He wore black and he wore like the leather black bands.
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I have an old photo. i'm gonna find it but i'll send it to you guys and you guys can
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do a throwback at some stage so that yeah 2000 2001
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i would say i was still in university so just
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doing it for fun and then that was where a friend
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of mine he was like yo there's a school carnival for
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grade threes and fours do you want to set up a table and
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just do some magic there we don't there's not much budget but we can give you
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something and that's when i went down and it was 40 just for that one hour at
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a table were sort of kind of half dressed up with a top hat and kids would just
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line up and I'd just do one or two tricks and then they'd leave and venture
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off to the next part of a little school carnival.
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And that was it. I spent the 40 bucks on beers.
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That's funny because I had it in my head that it was like you being a cloud
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at this school carnival and I'm like, alright fellas, gather around,
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I'm going to get some beers. Oh, you're the best baby.
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That was always It's my instinct to do magic. Get beer.
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But I think that was more... Man, Baxil.
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To say, someone has more cats than me. Isn't Baxil? Yeah, there he is.
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I've actually used her once in a show before.
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And surprisingly, she was quiet in the box. Oh, wow.
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We got a guy in Vegas, Mondray, finishes act with Maine Coon Cat Production.
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This thing is the size of Texas, this big-ass cat. Can you imagine?
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Wrangling a cat into any form of a magic production on a regular basis.
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Does that make them a tax deduction and every single thing you do for them is
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kind of like... Absolutely. Technically, yeah. Absolutely. For sure.
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I never thought of that. The time allotted to shuttling the cat litter is a deduction.
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That's a good time. So was it a very small box or something?
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You'll have to see Mondrezak, All Stars of Magic Show at the Planet Hollywood. Come check it out, 4 p.m.
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Tuesday through Thursday. That's all I have to say about that.
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I like a good early matinee slot. No, it is. In Vegas, you can...
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What, Josh? Are you on this show today? No, no, it's good.
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Sorry, I was trying to keep the interview part going, but I do enjoy the cat's info.
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Sorry. Okay, so where were we? So, yep, at uni, and then, you know,
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like everyone else, if you're doing it around that sort of age,
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it's mainly to pick up chicks.
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It's a great icebreaker, at least. And then Allie Wild, which you've done some
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gigs for, Josh, she was at that school carnival, and she's the one that came
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up to me and said, yo, here's my card.
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Give me a call. It was like an agent management company, top chick management
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at the time, I think it was. But they did more circus stuff.
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And I was like, okay, cool. I don't really take it seriously.
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So I just took a card and put it in my pocket. And then later on,
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she saw me again in the day. She's actually, give me your number. I'm going to call you.
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And then I started off just doing charity stuff, street festivals and stuff
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like just roving mainly.
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And then she put me through like a workshop development where you
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just do a bit of stage presence and and how to
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rework various parts of your act tell us
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about that tell us about that because a lot of folks don't actually
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that i know as far as magicians go they don't
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really typically do a course whether it be like
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an improv comedy thing or perhaps a you
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know uh clowning that's one that i really in the past right yeah so let's talk
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about education in that realm and also we'll ask what you did at university
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but like tell us what this workshop was about so i did like a two-day workshop
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with a professional clown if you want to call it that um tom grader and he.
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Is a clown but not your typical clown with your
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red nose and stuff he was more theatrical mr bean type
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clown sort of pantomime a little bit doesn't really
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speak he worked with me on
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specific magic tricks that i did where he didn't
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necessarily know how the trick worked he would look at it and go how can we
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stretch that out to two minutes three minutes or something like that because
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essentially a choose a card find a card trick is just 30 seconds
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if you just do it and it's a to z right so he
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did exercises where he would use he'll take a whoopee cushion
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and a chair and we're all sitting there and he'd be like what is this does
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anyone know what this is whoopee cushion okay cool what's its function it's
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a prank you put it under someone's seat and they don't know to sit on it makes
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a fart sound so he said how do we make this more funny he said i'm going to
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give you a task he puts it on the chair you all know it's there i'm going to
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call your name out at random and when you come up there i want you to try and
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squeeze the air out of the whoopee cushions but try not to make as much sound as possible.
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So then you've got people coming up and then they're kind of like.
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And then it starts to go, and that makes the whole thing even funnier, you know?
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And that whole exercise alone is like two minutes per person just to try to
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squeeze it out of the whoopie cushion.
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So it opened up a lot of, I guess, ideas and creativity-wise to stretch or sit
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on a moment in your trip so people can absorb it and then, I guess, go from there.
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That's a really interesting point. I was, many years ago, I was chatting with
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one of our top illusionists, Sam Powers, and he was, we're talking about just
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certain illusions and like how they work.
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And he goes, if you want to get some time out of it, you need to do this.
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And the reason I bring that up is let's say you have an illusion and it's like
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for the most primitive purpose, Josh gets into a thing, a curtain goes up,
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curtain goes down, Josh is gone.
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That's amazing. That was $40,000, that illusion. And it went for two seconds and now Josh is gone.
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So when you think about it like that and you go like well
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how much you know without it seeming like
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a waffling type boring thing is sort of dragging itself out it's a really interesting
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thing to be able to do that to like squeeze the entertainment value out of something
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as primitive as a whoopee cushion so that's good now you're obviously very highly
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educated because you did go to university the question here from tim asking
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wanted to know what did you do at university,
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Well, I graduated and had a bachelor's degree in marketing, advertising, and e-business.
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2004 was when I finished. I only worked in the field for maybe eight months.
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I worked at a car rental company. I did marketing and sales for them, and that was it.
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Magic on the side, and then eventually sort of just took that route.
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I think the marketing education does still come in handy today.
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A lot of stuff is still relevant especially p2p stuff
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all the online stuff is is constantly changing or as you know so if you're not
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posting often or regular enough then you sort of get stay you're not relevant
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to to the game and people forget you so that's the hard part too so yeah as
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i've gotten getting older i i get more lazy in posting and i should be posting more,
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especially stuff with the show but now that we have a marketing team
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that does it for me you know i'll walk in and then
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the girl goes pd we need to shoot something for the show you know okay cool
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and then she'll edit it and post it and that makes things a lot more easier
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for me but personal wise i haven't done it too much for myself which i should
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so but yeah well before we talk about like the show that you've been into like
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there's a gap that i'm interested in so you basically got an education here in brisbane in oz.
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Then you went back to Vietnam. So explain that journey from going from like
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Brittany, fooling around doing magic.
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And I guess you would have established yourself to some degree in Brisbane.
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And then you'd pick yourself up with nothing but your skill set.
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And then you land in Vietnam, starting from essentially scratch again.
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Tell us what that journey was like.
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So actually, we had a big opportunity here. So I don't know if you remember
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a few years back, Adam Murphy and Selena on Australia's Got Talent.
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I think they came semi-finalists or maybe top four or top two. Yeah.
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I actually went on tour with them to Qatar. Oh, no.
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But it's just Adam now, right? Selena's not performing anymore, I believe.
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I think she steps in every now and again, but she's got a pretty decent career
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as a professional high-end DJ doing nightclubs and so forth.
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Oh, wow. Okay. Yeah. Yeah.
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But we should get on the show or at least Adam and be like, what's up?
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Yeah yeah so during that time adam myself
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and jj got a call from julie duff
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who worked in channel nine in sydney for like
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like sort of getaway type programs so she called
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us up and said hey we want to put together a pilot episode sort of like an ensemble
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of magicians of different sort of backgrounds and and stuff and then pitch it
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to fox and see we can get something going so prior to that i was doing the warehouse
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show that that josh said had gone to and you know just as much.
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Residential gigs as possible like a family nightclub the ecca
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the royal show i was doing a lot of just that sort
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of stuff the occasional morning show appearances then
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when this opportunity came up we went down to sydney we shot
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this pilot episode that was like
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maybe nine minutes of just walking around the street darling
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harbour and doing some some street magic and that was during the era of
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like i think still blaine chris angel and stuff
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so that stuff was really hot you know you know we're walking around
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carrying forks to do fork bending on the
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street which is something you probably wouldn't do now you're talking
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more just walk in a restaurant and do it and we shot that episode
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it looked great i think i still have it somewhere i remember
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seeing the trailer i i can still vividly remember the trailer
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of you guys yeah it was shot it was good because like back
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then you're not shooting with what we're shooting now they're shooting actual on the
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shoulder the cameras you know so when people see
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that they're like oh what's going on here they want to be in there they don't
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want to be in the shot i think we were like maybe one signature
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away from a green light like the ceo of
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the actual fox network he
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wasn't there we went as far as buying a
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classified ad print in a newspaper for that day was a reveal so when he came
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he was come through would do this force and then would say hey have you seen
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the latest paper this morning and he would turn to the latest paper and then
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you'd see the card revealed in the print that's how far he went but he wasn't there that day.
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So then Julie was like, okay, let's just sit on this and we'll see when he comes back.
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And then that's when I went to Vietnam just as a holiday with my mum to see family.
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And my mate who was living in Ho Chi Minh City, he was like,
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yo, you should consider coming here, man.
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Like there's no one doing what you're doing. There is, but not in the street
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sort of style of that sort of caliber in a sense.
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And plus, if you can still speak Vietnamese, there might be something here.
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So I stayed for a week with him. I saw some opportunities because there was
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a big expat community here.
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So I could maybe at least start off doing stuff for the foreigners already with
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the Australian consulate and stuff like that.
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Then eventually when I came back, it took me six months to sort of make that
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final decision, pack two suitcases, and then go over there.
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And then while I was over there, I just did a small gig for Mercedes.
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It was like maybe $200 for roving.
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And like you said earlier, Nick, in our pre-talk, because i
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had to start over so no one knew who i was and then i
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eventually said look let's do a show like a little parlor stand-up open
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mic type show free free entry because we
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knew a guy that had a venue and he had nothing on wednesdays i said
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look let me take that wednesday night free show i can
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do a revenue share at the bar like 15 of
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drinks whatever so i did this free show
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it was maybe 30 minutes of stand-up magic with just
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everything i had on me and that was
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a show that landed me a tv contract because the tv
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network owners in vietnam was there and he was like look we
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don't know how we can help you but we're looking to do like this sort
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of travel show where we can sort of show
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foreigners who come here different parts of vietnam like the bentan markets
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the reunification palace the museums and if you can be that person that our
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two hosts will take you around then you can do magic also at those places so
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it was like a getaway sort of magic type show in a sense yeah.
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It was crazy to see, from Brisbane, to see Petey go overseas and then all of
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a sudden we see this trailer come out months later.
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Like this epic looking trailer for a TV magic series.
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And we were like, what the heck is going on? This is awesome.
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Honestly, it was very overwhelming because even then I didn't feel my skill
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set was good enough or polished enough.
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I didn't have any consultants. I didn't know any magic guys there.
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I only just met a few guys that did magic and like these
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are young kids who were getting into the dan and dave cardistry stuff
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so they're fully skilled in that i knew like
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maybe two or three cuts that wasn't even that crazy
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but i had to source out somewhere that had someone
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was selling magic props and stuff so i could sort of use for
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these episodes and i only had like a six weeks
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to prepare to shoot 14 episodes we shot 14 episodes in
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like 20 days whoa so in
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vietnamese at the time 2011 that was when we shot it
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they're very they're very i
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guess dramatic in in leading up
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to a trick so like i i get taken to this place where they
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sell all these pots for your your plant and there's different chinese designs
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and vietnamese designs as well and i come in and i'm oh these are really nice
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you know they tell me about different ones and then i accidentally break one
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well it was on purpose but i accidentally break one and then we restore it and
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i didn't have anything on me,
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but I did have Sean's briefcase.
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That you could fit a bowling ball in and that
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was just sitting in the back like we just purposely sit
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in the back with the with the actual double pot inside
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it and i would pretend to put the broken pieces
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in it and then would open up and out comes the thing so
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i had to make deal with stuff like that but on a on a street magic sort of perspective
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it doesn't make sense that a briefcase is just sitting there in the back but
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that's that's what we did and it kind of worked i guess that's amazing let's
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let's talk about like what you learned jumping straight into something like that because,
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i think that we some of us who
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are a bit naive about magic thinking like i could just do magic on tv it's
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so much more if they do it well obviously you know and i think in my opinion
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the brief that's a brilliant idea so like what did you learn or what are some
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of the biggest takeaways that you could share about transitioning from doing
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a comedy show you know on a stage versus doing it for TV and for camera?
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I think for me, especially in Vietnam, number one was a little bit of the language.
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I could speak it, but I wasn't fully fluent. I didn't have the natural slangs and stuff.
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That was number one. Number two is the Vietnamese audience, the public,
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they're still, in 2011, they're still very reserved.
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So as soon as they see cameras, they're kind of like, oh, I don't want to be
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on TV. Whereas I guess in the Western countries, everyone's like oh what are
21:11
you shooting and we want to jump in front of the camera,
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i had issues especially when they're carrying big cameras
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and then you know big sound boomsticks as well like it's like a massive production
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going around just to shoot you know a small clip of magic so that was a part
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that was difficult to do and then just not having as much other magician consultants
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to help me with the with certain tricks i did one where i still do today is like a card,
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card to watermelon and we paid this like when
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you go to vietnam not so much now but back then there's people
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on the street where they'll lay out like a mat and they'll sell fruit so we
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asked this lady if she could set up where we were shooting that
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day and we're going to come and buy a watermelon or choose a watermelon and
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the card is going to appear inside obviously had to prep everything and she
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was sitting there for ages and when you shoot stuff on set you could you could
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take forever just to shoot one small scene so she's frustrated that she can't
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sit there making a living,
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so our director was like you know what tell her we'll buy all her fruits for
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the day but just sit there you know.
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So I learned that production in a big scale like that, it's consuming.
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There's a lot of people on board, especially for TV and censorship in Vietnam at the time.
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I was really restricted on doing too much card stuff or money stuff in Vietnam
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that involved some sort of devaluing of the note because Ho Chi Minh is on the note, on every note.
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And I did the classic one where you get two different notes, you fold it,
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they put both in their hands you take one out and they switch places so
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that one got censored because of the way
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i folded the note they didn't like that it folded across ho chi
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minh's face because it was like a disrespect thing so
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then they even suggested how about we do it with american dollars i was like but
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we're in vietnam it's kind of weird if i just take out american dollars so
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we still shot it it just didn't go to air on
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on national tv but i think on
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youtube that's where the loophole is and then like there's people playing cards
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regularly on the street it was hard to just come up and say hey can i show you
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something with a deck of cards that's they're using in vietnam it's like they
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don't want to promote that there's gambling or some sort of card playing on
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the street so i wasn't allowed to just come up and just do something to those guys also.
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Things like that yeah that's that's a little
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limiting and that's the kind of stuff you've got to think through hey yeah
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it's better now but 2011 that was when it was was
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the censorship was quite high yeah well i
23:39
guess going to a whole new country one thing that all people should keep
23:42
in mind is cultural limitations and that's
23:45
the way that some things could be could be received you know i had
23:48
a cousin who was i think she was in egypt or thereabouts and some and she was
23:53
going through some stuff and it's a thousand degrees there right but as a woman
23:56
you're not supposed to be able to show your shoulders and she was wearing a
23:59
shoal and taking a photograph and she leant up to take a photo of the roof shoulders
24:04
fell like the thing fell off the shoal and exposed her shoulders,
24:07
to which they wanted to publicly lash her. Wow.
24:11
But $1,000 got her, a bribe got her out of the situation. So...
24:16
Is that a clip on Pornhub or something?
24:18
Yeah, well... Because it's private, isn't it? Yeah. It's not from Pornhub.
24:22
Yeah, it's pretty gnarly. Lady flashes shoulder. Yeah.
24:26
Oh, so hot. No. Lady reveals all.
24:29
Yeah. And now because of that, like, it is just one of those things,
24:33
like, you... that people are kind of unaware of, which is...
24:37
Yeah, just something to keep in mind. I mean, like when we go to Vegas,
24:40
you can go wild. Like it's so hard to get arrested. Like it's so hard, right, Doug? Yeah.
24:45
Living proof. Yeah.
24:49
And like, what did you find personally, Petey, with street magic?
24:53
Because you were like, in my mind, the king of street magic in Brisbane.
24:57
You could go up to anyone, you know, get a conversation going, show them magic.
25:01
You had your own series that you produced with Sean Murgart in Brisbane doing street magic.
25:07
And then you go to Vietnam and I remember seeing some street magic clips and
25:10
they looked great, but what did you, like straight away, did you have to recalibrate all your magic?
25:17
Not even for camera, but just like when you would approach people like you would back here.
25:22
Yeah. I mean, like you couldn't sort of just, well, I don't know if it was like that in Brisbane.
25:30
I can't remember exactly, but here you kind of sometimes have to go,
25:33
hey, can I show you a magic trick?
25:35
And you kind of have to finish by saying it's free. i'm not going to charge
25:37
you for it and then they're kind of like oh okay and then you kind of be like
25:41
can i film it so we've had to adjust like you sort of start the shot from far away,
25:47
if you're filming that is and then you sort of just let the camera slowly come
25:53
in and then they kind of just accept it i guess you know what i mean so that's
25:58
that it was that was the only thing i sort of had to deal with and then just
26:02
vietnamese i think i think having a little bit of.
26:06
Of if they know who you are on tv then it's easier for
26:08
you to sort of oh hey you're that magician and then and then
26:12
uh you could just do the trick whereas it's when
26:15
i first started it was more like oh who are
26:18
you oh no no i don't have any money that sort of stuff but i do do the the david
26:23
stone technique where he has a coin and i do this in roving still and you sort
26:29
of walk past a group and you know when they're engaged in conversation you don't
26:32
want to just sort of go in and perform so you kind of throw a coin near their
26:35
feet and they'll look down at it.
26:37
And then you go, oh shit, is that yours? Did you drop this? And you just do
26:40
a quick vanish. And they're like, oh. And then you get into your trip.
26:43
It's a good sort of way to just break into it.
26:46
Yeah. You know what? Someone needs to make a video of doing that so people can
26:50
actually understand the dynamic and how that works.
26:53
I've got the Meta Ray-Ban, so I might try that at a gig soon.
26:57
Do you? Like it's the normal transfer. It's not the sunnies, right?
27:02
I use the, yeah, no, the the translucent that they're
27:05
not prescription ones yeah so i
27:08
wear these clear ones i have i do have the the shaded ones as
27:11
well but they know you're filming right there's a light that comes on or no yeah
27:14
yeah and i'll tell them but but if i'm just throwing the coin like to start
27:18
off with like that's from far away right so like i might film that but yeah
27:23
with these for i and i always pitch this to magicians i i tell the group before
27:29
i start filming i'll be like hey you might be wondering what these are they
27:32
have a little GoPro in them so that.
27:34
Later you'll be able to watch that's just how
27:37
i you should get like a literal literally a little gopro and
27:40
go look see there's a little gopro yeah you pluck it out i think actually now
27:44
i do remember there's another there's another good way to approach that i've
27:47
been doing recently and you're gonna you kind of gotta have to come up you're
27:51
gonna be a little bit sort of abrupt and sort of like panicky so you just have
27:54
one card and you sort of just rush and go hey guys quick quick quick,
27:58
name a card and then they'll just they'll say
28:01
something and if you hit it you hit it otherwise you do a
28:04
quick top change boom that's an easy way to get in when you
28:07
come in sort of rushed they kind of go what's what's going on here quick quick
28:09
quick just name a card quick quick and then they kind of um ace of
28:12
spades that's a good way to just do it wow that's
28:15
interesting i've never heard that the rush approach yeah like
28:19
just go in like hey guys and you let them see it and then
28:22
someone's gonna be like and then bam interesting approach
28:25
that's cool it's like it's like a pattern interrupt is
28:28
what it is yeah you know i'm curious if there's any correlations between
28:32
doing the more like tv
28:35
style street magic versus doing street shows in a sense that like if you were
28:40
busking you know the notion is get a mistake and a peg and a go away type of
28:44
thing like doug i think you guys probably speak to this very well do you see
28:48
any sort of correlations where it's like getting stop versus interrupting like it's interesting.
28:54
Yeah, there's not really, you know, I remember when David Blaine hit the scene
28:59
with his street magic special and all the buskers in the world went,
29:02
that's not street magic.
29:03
That's not how street magic works.
29:07
But look what happened is it kind of evolved its own art form and kids around
29:12
the world started running out into the sidewalks to perform magic for strangers.
29:16
So it's its own thing now, capturing reactions in the wild for the public.
29:21
But I wouldn't relate it to an official busker street performance.
29:27
That's a more theatrical experience, I think.
29:31
But I think one thing you've got to account for with street magic on TV is the camera is a person.
29:37
You have to treat the camera as a audience person.
29:41
Whereas when you see buskers, they don't have a camera. They're performing to this crowd.
29:46
Whereas with Blaine and stuff, or Cyril, he's like, okay choose a card show
29:50
it to them and he'll look at the camera and go show it to them as well as in
29:53
them as in us watching we're part of it and then the thing with the camera is
29:59
you don't want to cut away too many shots otherwise people think okay you cut
30:02
away you could have switched decks or something like that.
30:05
I'm thinking how cool would it be if like a big production house took a swing
30:08
at actually capturing what it takes to be a busker you know maybe featuring
30:12
three or four street magicians and showing the real deal I can't think of any
30:16
show that has done that like you know,
30:19
a day in the life of Gaza, per se, or something like that. Yeah.
30:23
I mean, talking about a travel show, like what better way than a busker traveling
30:28
around the world, earning the money to continue traveling and documenting that
30:32
and showing the different locations.
30:34
I mean, that just seems like a no-brainer in theory.
30:39
Yeah. And if you put a few of them together, so there's some dynamic between, you know, the...
30:44
The bros. I think the only reason that hasn't been done is because buskers are
30:50
a free spirit and will never nail down to a schedule.
30:53
Yeah, it's tough. If I know Jason Ma long enough.
30:57
I have to beware on Tuesday. No thanks.
31:01
Yeah, I also think that's where it circles back to the cultural connotations
31:05
as well because I know in some places, some busking friends of mine have gone
31:09
to perform and it's like illegal to ask for money because that's considered
31:12
begging and begging is illegal and so forth.
31:14
That's the reason why we have busking licenses here in Oz anyway.
31:17
So there has been scenarios where it's like they've had a shows that have got
31:21
the crap beaten out of them by authorities.
31:23
So is there anything of that nature that could have come into play in Vietnam?
31:27
Well, recently I was told that all the, you know, those static statute people
31:32
that stand still, like we have that here on the walking street here too.
31:36
And a few people that dress up as, I want to say Disney characters,
31:40
but they look like Disney characters on crack because they're super skinny.
31:43
They don't fill out the mickey mouse outfits some of
31:46
those have been banned or like not allowed to do anymore i don't know if there
31:50
has to be a license here either but i have seen the statue people with a box
31:54
at the front and then and then you know people put money and what i've done
31:58
is if you stand far enough from one of those statues and they're looking at you you do the cards view,
32:03
and they break because i don't expect cards to come out of your mouth and they're
32:07
like this and they're like, what the hell? I just saw a guy spew off cards. Done.
32:14
Yeah, as far as I know, I don't know if there's a license required in Vietnam.
32:18
Do you see street magicians in Vietnam? Is that a thing there?
32:22
There was a group of young guys that set up a table.
32:26
The walking street, it's long.
32:28
It's like our Queen Street Mall and you'll have buskers every, I guess,
32:32
20 meters sort of all the way down for everything
32:36
from like a karaoke singer to a guy
32:40
that's displaying live snakes that you can get photos with a little bit of circus
32:44
stuff some jugglers some people with segues you can hide and then there was
32:47
a group that did maybe four four young kids that did magic and they just rotate
32:54
did like a five minute set each i don't know if they had any any money that,
32:59
you could donate or whatever, but yeah, I think it was more for them to find their skills.
33:04
Yeah. Yeah. Cool. It's content for them as well. They always film it,
33:09
so they'll post it up. Yeah.
33:11
So you do the travel show. It goes well, I imagine.
33:16
And did you end up doing a season two of that? I'm just trying to remember.
33:20
No, what happened was I think the company changed over and what I did was I signed with that same.
33:27
Production company to do game shows so i moved on to game shows and i had a segment
33:32
on a game show where it was different type of game shows but the one that i
33:36
had the longest was they had celebrity guests come on split into two teams and
33:40
i would do a magic trick and they would have to guess how it was done and they
33:45
didn't have to guess correctly it was just whoever guessed,
33:48
closest to a theory of how it could be done and i would just say yeah they're
33:53
the winners i didn't have to reveal anything and then they would win the cash
33:56
prize so i did a couple of just,
33:59
you know ones where you sort of trick them and leading them
34:02
into the wrong answer and and they
34:05
wouldn't they wouldn't be able to pick it i did stuff with stripper decks
34:07
as well and they couldn't figure it out that's
34:11
awesome because what i remember is pd came
34:14
back on a break between shoots and stuff and
34:17
we caught up and when we caught up he was
34:20
getting recognized in the restaurants we
34:23
were at in brisbane by vietnamese people
34:26
that recognized pete from movies he was in
34:29
and i think that was the first time i realized i mean
34:32
i knew you had started to do more tv over there but
34:35
i didn't maybe realize the scale and we're sitting at lunch and this guy comes
34:38
up and like asks his son to take a photo like a grown man like a 50 year old
34:42
man is like son can you take a photo of me with i think he might have said your
34:47
character name or something in vietnamese I was like, oh, damn, this is crazy.
34:53
I wonder if that film is still, oh, if you can get on a VPN,
34:57
like a Vietnam VPN, I guess, you can still see that film on Netflix here.
35:02
It was the first film. But there should be an international series out,
35:07
Vietnam's first horror short series, like six episodes, that I just did a cameo
35:13
for like a few months back.
35:15
Called devil's diner that should be international so if you look up
35:18
on your netflix now and if you type in devil's diner
35:21
if that's on there i'm like a couple
35:24
seconds in an episode and i'm
35:27
do a little bit of magic well not not really actually
35:30
just i just make something disappear grab this girl's hand behind the bar and
35:33
sort of flirt with her and i only got that role because my mate who was directing
35:39
who did the the first film that i was in he was the one that got the approval
35:43
to do vietnam's first international i guess netflix horror series so i came down he loves whiskey,
35:51
devil's dino heart porridge is the one i'm in yeah oh damn okay yeah so so he
35:57
uh he loves whiskey so i sort of sort of just came down and said hey man congratulations
36:01
on on getting the gig and we're just sitting there i'm watching and then he
36:05
was like pd actually i need you for something and i I was like, what?
36:09
And he goes, can you do like just a small scene? Not tonight.
36:12
I'm going to shoot here tomorrow.
36:13
I just need you to flirt with the bartender because we need to make the guy
36:16
that she's seeing jealous.
36:18
So in that episode, you see two short scenes of me flirting with her,
36:23
you know, making someone disappear.
36:24
And then later I make a move on and she slaps me. Like a real slap.
36:29
And it was like 12 takes. So I was getting slapped 12 times.
36:33
It was because she was like, every time she slapped me, she's like,
36:35
oh my God, Petey, I'm so sorry. And then Ham's like, Ham's the director. He goes, cut.
36:39
She goes, Lang, stop breaking character. When you slap him, you don't say sorry.
36:44
And she kept, when she finally got one, she laughed. And then I laughed at one. And I was like, fuck.
36:50
So then later, he pulls me aside. He pulls me aside. There he is. He says, Petey.
36:55
Yeah. Look at that. The boy Petey. That's what I had. I didn't even realize
36:59
you're in Netflix. He pulls me aside. That's so cool. I'll just show this scene for a second. Yeah.
37:05
So yeah, the bar scene. it looks like you even do some
37:07
magic here like you look at it wipes
37:13
the glass condensation gives it to the bartender disappears
37:16
smooth man you did that so smooth
37:19
i feel like that's something you used to do back in the day because that was natural
37:22
yeah um yeah so then ham
37:25
he pulled me aside goes pety kiss her for real because
37:28
all he said all he said for me to do was go in and make a move
37:31
on her and then she sort of pushes me away slaps me but because
37:34
she couldn't get the slap and holder character he goes
37:37
just kiss her grab her and kiss her for real so i went in bam smack on the lips
37:41
and then she was like slap me because she couldn't believe it herself and then
37:44
she was like what are you doing and then it was like perfect cut so i was like
37:51
and then she goes oh my god and then he goes yes sorry thanks i made him kiss you blah blah yeah.
37:57
Were there any thoughts when you were moving more into acting that you were
38:01
steering maybe away from magic?
38:04
And was that like, as an artist, a conflicting feeling or were you happy to
38:09
go in that direction? I think so.
38:12
I think what, like, I don't, I didn't do it full time and I was,
38:16
I didn't have huge roles like some of the bigger A-listers here.
38:19
I had maybe two films that I was like the main role and that's tiring.
38:23
Like i don't know how it is in australia but in vietnam they're on a real strict
38:28
budget so if they need to if they only have this much money they'll have to
38:31
shoot everything in a certain amount of time they'll shoot a full movie in 45
38:35
days whereas in hollywood it could take months,
38:38
you know and then you've got dietitians to try and keep you in
38:41
shape if you're going to stay the same weight class for the whole movie in
38:44
this one it's like and you don't get trailers or anything you know you're sitting
38:47
on little mini stools as you
38:50
do in asia and and you're shooting through
38:52
the night if you're shooting at hotels they've got to try and black out some some
38:55
time slots where patrons aren't walking in and out shooting at
38:58
four in the morning doing a breakup scene at four in the morning or whatever
39:01
if you're shooting away i couldn't really get but even if i had like let's say
39:06
i shot today and then it was two days later till i shot another day if i got
39:10
a gig in those two days they wouldn't let me go because they didn't want the
39:13
risk of me not being able to come back or something happening so that was a
39:18
little bit off-putting and then eventually i just.
39:21
Didn't take as many roles and then just went back into corporate magic and I
39:25
just felt that was a bit more rewarding.
39:28
And I just did a few cameos here and there. Yeah, it's really interesting that
39:32
a lot of folks don't see that side of it.
39:34
There is a movie that Jack Black did with his band, the Tenacious D movie, Pick of Destiny.
39:38
And if you haven't seen it, or if you don't have it, I have it on DVD and you
39:42
watch with a DVD commentary.
39:43
They comment on how filming took over X amount of time. And they actually get
39:48
progressively fatter and fatter throughout the movie.
39:52
Because there's catering. And all they did was eat.
39:55
And like in the final scenes of the movie they're just going like oh yeah we
39:58
were really heavy in this show i put on like 60 pounds like is this whole like
40:01
conversation but it's yeah it's one of those things to think about all right
40:05
tell us now we're going to get to the good stuff of what you're doing now so
40:09
on the screen people are seeing the show called the mystic night show,
40:14
how did that start what is it and how
40:18
does it tie into so about four
40:21
years ago just before covid hit i did this
40:24
thing on a platform called vibe
40:27
g so vibe g in vietnam is kind of like master class that you see so there's
40:32
people that go on there and teach how to make coffees and stuff like that and
40:35
i had a very short workshop to do just basic magic and sort of confidence building
40:40
public speaking type stuff so i was on there listed to do do that workshop and then And from there,
40:47
I got introduced to a French Vietnamese guy who owned this art space.
40:53
And if you've been to Vietnam, a lot of the venues, they're only five meters
40:57
wide, but it goes like 15 meters deep.
41:00
A lot of the housings are like that. So when I went into this room,
41:03
I went, oh, this is kind of cool because he had it separated with these curtains.
41:07
So it was three little rooms separated with these curtains. I'm like,
41:10
man, this is kind of cool.
41:11
I imagine if you can do some sort of a magic show, but people walk through.
41:14
And at the last room is where they sit down.
41:17
So I spoke to him and then my manager now, he's German dear and he said.
41:25
We go, hey, can we do a show here? And he's like, yep, I welcome any show here,
41:30
whatever you want to do, magic show, whatever, as long as there's some sort of Vietnamese culture.
41:34
So then we sat down and thought, what can we retell that's Vietnamese?
41:39
And then one of his stuff, the guy on the venue, he goes, hey,
41:43
why don't you tell a fairy tale, a famous Vietnamese fairy tale, a folklore story?
41:48
And then we sifted through countless stories, and I sat on this one story where
41:52
I thought, man, this is kind of cool.
41:53
The story is about this king the hung
41:56
king who has his daughter princess minu who he
42:00
wants to marry kind of like aladdin but he had
42:02
to find the best suitor for his daughter so after
42:07
calling and filtering down to two
42:10
men who happen to be these gods a mountain god and
42:13
the water god they come down and then they would have
42:16
this challenge that they would have to do in order to marry the princess and
42:19
it was to bring back three unique animals and that's the horse with nine manes
42:23
the cockerel with nine tails and the elephant with nine tusks whoever could
42:27
bring that back first gets to marry the princess so we curated the whole story
42:33
based around that so when people come in.
42:35
I would give the synopsis of the
42:39
story at the start we split them into two teams a
42:42
team mountain team water and they do sort of little games
42:45
and activities to see who would
42:47
win and marry the princess and i incorporate magic into
42:51
all of those parts of the story like i'll reveal not reveal
42:54
the trip but i'll reveal one part is with horse we
42:57
printed out this sort of nine piece puzzle
43:00
of a picture of the horse and we stood them up in the team and then we give
43:05
them a time limit to do the puzzle and when they finish it i explained to them
43:10
that the horse's nine main actually has premonition powers it already knew that
43:14
you guys would win purely because it has those powers so.
43:19
I'll prove it to you with the card tree so i
43:22
put my hand on the horse's mane and i did the silly sort of you know
43:25
getting the horse's power i'm going to transfer the power to me to know
43:28
exactly what card you choose i force him a card and
43:31
i get it wrong through a hot shot i get it wrong through a
43:34
card change and then i go okay look what's the next animal
43:37
let's we've got to move on see who's going to marry the prince and then my assistant
43:40
goes hey the horse you know the
43:43
horse can't transfer powers right that's what do you mean because the
43:46
horse can't transfer only the horse knows and then when you flip the horse
43:49
over the card reveal is on the other side of the horse so it's just simple things
43:53
like that like i said like uh what i did in the workshop one simple card trick
43:57
is dragged out into this five minute act because there's a puzzle solving involved
44:01
in it and then some guesses wrong and then the reveal.
44:07
So that's pretty much the whole gist of the story. So I figured the sweet spot
44:12
for magic for me here anyways is.
44:17
Trying to deliver it in a new way because so much stuff is on YouTube,
44:20
so much reveals are on YouTube.
44:23
So another way to maybe reinvent old tricks is to deliver it with an attaching story.
44:31
And it's great. Most of our guests are tourists that come through,
44:35
so they'll look up things to do in Ho Chi Minh City, and then we're up on the
44:39
first top five, I guess, because our ads are working. So we spent a lot of money
44:43
on some ads that seem to be working.
44:47
Well, talk about that for a minute. Are you using Facebook advertising or what
44:51
is your… Yeah, Facebook and Instagram.
44:55
So that's where some of the content comes through. And it's just spamming for that week or two.
45:00
I've had someone come through. And at the end of the show, when we do a little
45:02
bit of meet and greet, I ask them, how did you find out about the show?
45:04
They said, man, we kept seeing your ads on my show.
45:06
It kept annoying me. So I thought I'd come and see what it's all about.
45:10
So it kind of worked, I guess. But like you said earlier, Josh,
45:13
in our pre-show talk, it's still hard. Like, you know, when I run Friday and
45:18
Saturday shows, sometimes Fridays will get full.
45:21
We can only seat 24 people max, but we average around about that 16 to 20 mile.
45:26
And some days, some weeks we get bam, Friday, packed.
45:32
Saturday, six people. And then when we get something like six people,
45:35
we've got to try and we will invite maybe some free of charge guests from hotels.
45:40
Hey, look, this is what we're doing. Maybe we can do something with you guys
45:43
at the hotel, doing a show package or something.
45:44
So we had to fill the seats to at least 10 just to make it a more sort of rounded
45:49
off show but it's it's still it's not an easy to get to that sort of high selling mainstream,
45:56
sort of shows it's not an easy task like
46:00
you either got to keep going through your list
46:03
hey guys have you seen the show if you haven't seen the show come see it
46:05
again or bring a friend you know like i want
46:09
to get to the point where i almost don't have to do that myself but it's inevitable
46:13
you kind of have to you know i kind of have to post about it and stuff like
46:17
that it's so smart to tie it into the culture so that you have the sort of the
46:23
town backing you in a sense and also like like.
46:27
I was just going to say, in Vegas, it's very similar. The hustle is real for
46:30
some of the smaller shows working the intimate venues. You'll see them rallying
46:33
the troops to fill some butts in seats, put some local magicians,
46:37
giving them a call out to come to the show and so on. It's a necessary thing.
46:42
Last year, last September, this time last year, we actually did one month at a different venue.
46:47
That venue had 50 seats, but the only problem with that venue was,
46:51
well, not a problem. It's just a venue with a stage.
46:53
So people come in, they sit down straight away. so they don't get that walkthrough experience
46:57
at our smaller venue the reason why
46:59
we didn't continue on with that venue is because someone had
47:02
already it's an art space so someone had already booked them out for
47:05
every friday and saturdays for the rest of the year so i i didn't
47:08
want to take thursdays and sundays i mean who's going to go see a magic show
47:11
on a sunday night you know when people
47:14
go we were in vegas maybe another magician
47:17
yeah so we went back but i
47:20
did recently do have a contract with this new venue it's
47:23
sono bar and grill restaurant so they have a small boutique
47:27
style i guess fine dining i call it fine dining
47:30
but they like to call it elegant dining so we did a show with them where i come
47:36
out in three parts and each of the magic tricks i do is stuff that's used in
47:42
their dish so i'll do something with the watermelon and then something with, say for example.
47:49
This bag shit, I can just take this out, I've got this bamboo stick shit on this little bag. Nice.
48:01
So the old straw thing, but I've made it into bamboo because they've got bamboo in their dish. Yeah.
48:10
That was fun to do. Yeah, so essentially you're tying whatever the thing is
48:15
you're trying to pitch to do magic there.
48:17
You're taking the essence of what they are to sort of get them behind it.
48:23
And that's going to be fun too, like as a creator coming up with... It's challenging.
48:28
Yeah. It's challenging, yeah. But I have sort of...
48:33
I've really gotten into trying to
48:36
somehow always incorporate a transpo in
48:40
in the show but we do a transpo in the mystic show just a
48:44
simple copperfield style switch but people
48:47
don't people don't realize it and i realize that's that's
48:51
still quite needed even in smaller close-up shows
48:54
you sort of look at it copfield does this massive
48:57
grand illusion show with multiple illusions and then
49:00
we have a segment where he does some card tricks like his mcdonald aces which
49:03
is a nice change that shows his skill there so i
49:06
always thought why not if we are the close-up parlor style magicians
49:09
we should at least add one big grand illusion in
49:12
our show so to speak you know something big
49:15
at least so in in the mystic
49:18
show we did the switch and it's a subtle switch that's why
49:21
i have the masks it's the only way i can sort of for a
49:24
split second draw people's attention away from
49:27
me being the other guy in the mask for a moment and then i'm in the other side
49:31
of the room because your costume is like how do you describe the costume it's
49:35
like kind of like an emperor or like a emperor actually our marketing our marketing
49:41
team calls us sushi chefs because when you look at it we look like sushi chefs.
49:46
We both wear the same black emperor outfit I just have the extra I have the
49:51
extra piece on at the front and the crown,
49:54
so that depicts that differentiates me from being the king the other guy Dale
49:58
he has the same black outfit but he wears his mask with a different sort of
50:02
design and he wears this other hat.
50:05
So I have the double mask, I guess, and that hat too. So if I need to be him,
50:12
that just goes on the top of me without wearing that king part,
50:15
and I could be him briefly for a sweatshirt, and I could go to the back,
50:19
and then later it's there. Oh, yes.
50:20
I'm seeing these pictures now with the white painted masks. Yeah.
50:24
Perfect. I only have the mask on at the start. That's it. I'll take it off later on.
50:29
I'm the only one that takes it off. The other guy doesn't take it off.
50:31
So no one actually knows who he is.
50:33
Yeah. I love the intimacy of the venue, the audience watching you guys up close.
50:40
It looks like it would just be a ball of fun.
50:44
The website to go and check out the Mystic Night Show is in the description
50:49
of wherever you're watching or listening to this.
50:51
But if they're in Vietnam, if any magicians go there on holiday,
50:56
they're just going to themysticnightshow.com to get tickets or there's a different setup over there?
51:03
Yeah, you can just go to mysticnightshow.com. If you guys come over and make
51:07
a trip here, if we can plan it long enough, you guys can perform too.
51:12
I want to do a night where Mystic Night Show, because that's the brand.
51:15
The show is Mystic Night Show, and the show that I do is called Legend of the Two Gods.
51:19
But I want to also just have multiple different shows under that.
51:24
So if we have a night of magic, then you guys would be more than my pleasure
51:27
to have you guys feature on there and do a set.
51:30
We can change the story to like, The three bald mountain gods or something.
51:35
And it's like a different folklore. Three stooges. Three stooges.
51:43
It could be a reveal, you know, like three old hearts kind of thing. Yeah, there you go.
51:50
You could use like, you could build out a bald cap to be almost like a thumbtip
51:55
working where you could hide stuff under it and, you know, conceal it.
51:59
You take off a bald cap and you shove it silk in there. You're on to something there, Norbido.
52:05
Yeah. I mean, all these people with hair are missing out on this opportunity,
52:08
this real estate right here.
52:12
That's cool.
52:14
Yeah, so that's been the work as of recent.
52:18
We're trying to scale it, but it's been a little bit difficult scaling it.
52:21
We've had a second team performing it, not my show, but another team performing
52:26
a different show under the Missing My Show.
52:28
But we've done like three test shows and there's parts of it that I'm still not really happy about.
52:33
And some of our guests who's come and watched it and give us the critique and
52:37
feedback, they were saying that they didn't understand some part.
52:41
So we're still at the drawing board for that other magician.
52:44
But that's the idea. I want Mystic Night Show to constantly just be running.
52:49
So then sometimes if I have corporate bookings on Fridays, Saturdays, I don't have to.
52:53
It can be run. Like how you guys have Fear of Magic, and it's always running
52:57
regardless of you guys being there or not.
52:59
Yeah. That's the hard part. That's the dream, right?
53:02
Yeah. Is the show performed in Vietnamese? I mean, if you have distributions, it's English.
53:07
I should do one in Vietnamese. Is that a common language in Vietnam?
53:12
English? English? Yeah. Yeah, I mean, because most of our guests are tourists,
53:18
that's why we have it in English.
53:20
Cool. But I should probably do a Vietnamese option because then that will open it up.
53:26
The TV specials you did were in Vietnamese. Yeah. My Vietnamese back then was shithouse.
53:37
So it's interesting. The people that know you from doing magic locally would
53:41
have seen you been doing it in Vietnamese.
53:44
So, yeah, maybe there's a split show option.
53:47
Well, some of those people who see me now, they're like, hey,
53:49
your Vietnamese improved.
53:51
Right, right. Yeah, because now it's every day. Every day for you.
53:56
Yeah. Well, actually, I still speak a lot of English, so, yeah.
53:59
Well, most of my friends here are Aussies as well, so.
54:02
Gotcha. We're wrapping up shortly, but we normally do a segment called gig stories.
54:08
And I'm wondering if you have any stories up your sleeve that have happened
54:13
in your career that are notable of funny moment or like just wild.
54:18
Did I tell you the slush powder one? I think I did tell you the slush powder one.
54:22
I don't think Nick knows. Go on. Great. Let's go into that segment.
54:27
So gig stories is a section of the show where we talk about moments of magic,
54:30
either while performing live on national television or
54:34
mishaps with slush powder starting with the
54:36
story from pd what happened so i
54:39
did this wedding with dr rhythm he's a beatboxer so
54:43
our show was called the magic box like street magic plus beatboxing it
54:46
was a magic box and we had this box with just stuff that
54:49
we had in it that we would use so at the wedding i did a
54:51
trick with the bride and groom using slush powder so you'd
54:55
invite a bride and groom up and i'd ask who wants to sit
54:58
in the hot seat so at that time the grooms i'll sit there so obviously
55:02
one cup has a slush powder in it i pour water in it
55:04
and then i tell the girl to stand next to
55:07
her next to her husband i'm standing here and i'll
55:10
say look love is about trust loyalty so
55:13
you have to trust me on this one you have to trust each other so we
55:16
do the whole 360 turn and i drink mine in
55:20
in her while her back's turn and everyone sees it the husband sees
55:23
it but they you know they all stay quiet and then i'll say it's all about
55:25
trust you love each other everything will be okay so i walk over to him and
55:30
i tip my cup over and obviously nothing comes out it's because i drank my water
55:34
and then she's there going oh no oh really do i have to do it do i have to do
55:38
it and then i was like you have to do it but before she before i could do anything
55:42
else she goes actually can i just splash it on his face.
55:46
And I was like, what? And then she went like this, but she did it hard enough
55:49
that the slush card, the gel came out, hit him in the face, and it just crumbled in pieces down.
55:56
And me and Dr. Rhythm, we're looking at each other, and then we look at the
56:00
audience, and I kind of just went, oh, my God, the water turned to gel.
56:04
And everyone went, oh, wow. And they just started coughing.
56:09
So that was like the weirdest moment. So ever since then, when we've done that trick, Dr.
56:15
Rhythm comes over and he'll hold the cup and help them pour it in case we get
56:18
any more of those mishaps.
56:20
Hang on. If we dissect that for a second, she was fully prepared to just douse
56:25
her now husband in water. Yes.
56:29
Yeah. So that was unexpected. There was no way I could control it because she
56:34
was like, can I just splash him? And then she immediately just went bam.
56:38
She probably thought it would be funny if he got wet or something.
56:42
For the video or yeah for the for
56:45
the bit i have a little gig story here i want to shout out someone you know
56:50
i work in a magic shop here in las vegas i get to see lots of cool folks this
56:53
week i saw that rudy kobe was in the shop bizarro joseph abriel but look who
57:00
else was in the shop this was a highlight for me see if you recognize this young man,
57:06
Did you have price? That is Aiden Moore, your current champion of the youth
57:11
champion for the Melbourne Magic Festival. Wow.
57:15
It is. Yeah, he was. Yeah.
57:18
Dude, this kid is amazing. His skills with a deck of cards are freaking unbelievable.
57:23
And hey, Aiden, I hope you're watching. You said you were a fan,
57:27
and I hope you see this later. It was so good to see you this week.
57:31
And freak, man. Your card skills are crazy good. How old is he? Right.
57:36
18 is he that old or not even that he's a
57:39
junior champion right you guys i told him
57:43
to stay in touch because like i'm gonna put that kid to
57:46
work he's no doubt he's so well
57:49
spoken he is he's gonna be something great yeah he says he's a fan of the magic
57:54
guys i hope you see this episode aiden so nice to meet you and y'all go find
57:58
him on the social medias check out his cardistry videos he'll blow your mind
58:02
yeah we're gonna have to get him on the pod that's just gonna happen and aiden come on up.
58:09
It is wild seeing the yeah the new generations 100% and we also,
58:15
go for it yeah I was just going to say a question if you
58:18
took the new generation today and brought them back in the time that we learned
58:23
through books and VHS do you think that they would learn as quick as they would
58:28
today back then because I feel video instructions are too because here's the
58:33
thing I was that kid I was that kid learning from books as fast as I could.
58:38
And when you're on page three of Sybil and you have to turn the page, it's a speed bump.
58:45
It's a hard road to hoe without the internet and YouTube.
58:49
Yeah, but the creativity and originality on your patter, your patter would be
58:54
more original because you're not sort of, you're having to just create that
58:58
yourself, I think is the advantage. That's right. What we went through.
59:02
That's true. That's why we're all so good. Oh, wait, you guys are the internet
59:06
generation. Never mind.
59:09
We've got a friend from Australia, our friend David. He's going to be in Vietnam
59:12
in a few weeks. He said his hotel is right near your venue. Look at that.
59:17
The podcast officially sold you at least one ticket, Petey. I'll do a shout out on the show.
59:23
Yeah, David, we got to see that selfie of you two actually making it there.
59:29
That's going to be awesome.
59:30
And I also want to quickly shout out our friend in the chat,
59:34
Herbert, who donated $5 Australian dollars to the show.
59:39
Is that an equal split? That is. It sucks for Doug because he's in the US.
59:45
So that will convert after the paypal fee
59:48
to about 32 cents yeah that's 5.8
59:52
is it oddly enough that makes my net worth 32
59:55
cents hell yeah no we we
59:58
appreciate you hovid that's that's so cool we're going to find a
1:00:02
good use of these donations at some point instead
1:00:05
of just a beer but look this has
1:00:08
been awesome third time i can't wait
1:00:11
for the fourth time we have pd on when we just talk
1:00:14
about the future success or maybe eventually when we do
1:00:16
get to do a guest spot at the mystic night show that would be awesome go
1:00:21
and check out his show check out his socials they're
1:00:24
all linked below they're tagged right now on instagram as
1:00:27
well but look we're gonna leave and finish
1:00:30
our episode in the way that we always do which is by giving
1:00:33
our guest the final word what's up
1:00:38
guys and viewers magic guys my final word
1:00:41
for you is when someone asked me should
1:00:44
i take up performing or be an artist as
1:00:47
or a magician whatever i jokingly said no
1:00:50
it's it's it's it's a lot of agony is a lot of struggle but honestly i'll tell
1:00:57
you this if you stick to it and it's it's passionate it's in your drive to to
1:01:03
want to perform i promise you if you stick to it and go the hard yards,
1:01:07
it's very, very rewarding.
1:01:09
And that's all I got to say. Stick to it.
1:01:15
Thanks for listening. It's time for us to disappear now. Disappear now.
1:01:20
But we'll see you again on the next episode of The Magic Guys.