Latest / Hip-Hop Now Podcast / Is Dilla the Greatest Producer of All Time?

Transcript

Is Dilla the Greatest Producer of All Time? · Hip-Hop Now Podcast

• 0:01
  Speaker 1: Coming up on this week's episode of hip Hop Now podcast,
• 0:05
  Speaker 1: Big Sean thinks Jay Dillar is the greatest producer of
• 0:09
  Speaker 1: all time. My thoughts on Beg's new album Freedom of Speech,
• 0:16
  Speaker 1: and five elite desographies in hip hop history.
• 0:21
  Speaker 2: Just five? Just five?
• 0:25
  Speaker 1: Now many more than five, but we're just gonna focus
• 0:27
  Speaker 1: on pith. Let's do it.
• 0:32
  Speaker 2: Welcome to jip Hop Now Pod. Fat ask to do
• 0:38
  Speaker 2: from the future.
• 0:38
  Speaker 1: You know what to do?
• 0:40
  Speaker 2: Your ass ot so disrespectful lega like la hip hop is.
• 0:47
  Speaker 1: Say to today?
• 0:50
  Speaker 2: Escat right into the business. What up, y'all?
• 0:53
  Speaker 1: I am your host Vegas and this is hip Hop
• 0:56
  Speaker 1: Now podcasting podcast specifically designed to keep you caught up
• 1:00
  Speaker 1: on all things hip hop, music and culture that happened
• 1:04
  Speaker 1: throughout the week. Big shout out to all of the
• 1:09
  Speaker 1: listeners to this podcast, past and present. Welcome newcomers, whether
• 1:16
  Speaker 1: it's Apple Podcasts, Spotify podcasts, or anywhere you get your
• 1:22
  Speaker 1: podcast audio from. Also, big shout out to those who
• 1:28
  Speaker 1: have subscribed to this channel, whether you be pasted or present.
• 1:33
  Speaker 1: Welcome for those who are new, Welcome back for those
• 1:37
  Speaker 1: who are OG's and on the road to OG's of
• 1:41
  Speaker 1: hip Hop Now podcasts. If you don't know, and this
• 1:43
  Speaker 1: is your first time. This is a podcast specifically designed
• 1:48
  Speaker 1: for news and perspectives and reviews and sometimes interviews fars
• 1:56
  Speaker 1: that you know feeds the hip hop soul. We don't
• 2:01
  Speaker 1: focus too much on who got arrested, you know, and
• 2:04
  Speaker 1: stuff like that, because honestly, that dominates the news when
• 2:08
  Speaker 1: it comes to hip hop. But if you're the type
• 2:11
  Speaker 1: of hip hop head you want to know what new
• 2:13
  Speaker 1: album's out, Maybe you want to know whether you should
• 2:16
  Speaker 1: even give it time to play. You want to hear
• 2:19
  Speaker 1: about any news upcoming albums like Mob Deep album On
• 2:23
  Speaker 1: the Way, DJ Premier, and Nina's On the Way You
• 2:27
  Speaker 1: Know whoever pharal Mans don't forget pharal manch on the Way,
• 2:31
  Speaker 1: you know, if you want to have information like that,
• 2:34
  Speaker 1: or or if you would like to learn about people
• 2:39
  Speaker 1: within hip hop or doing hip hop, things like Marcus J.
• 2:43
  Speaker 1: Moore who wrote the Daylight Soul book. I know Daylight
• 2:46
  Speaker 1: Soul told you not to read it? Did they tell
• 2:48
  Speaker 1: you not to pay your rent?
• 2:50
  Speaker 2: Now?
• 2:51
  Speaker 1: Check out the interview judge for yourself. He's a fan,
• 2:55
  Speaker 1: like we're fans. It wasn't what you think. Also, maybe
• 3:00
  Speaker 1: you don't know about certain hip hop heads that are
• 3:03
  Speaker 1: like in the wings, that are kind of crazy. I
• 3:05
  Speaker 1: did an interview recently with I Am God right here
• 3:08
  Speaker 1: on this channel straight out of Chicago. If you don't
• 3:11
  Speaker 1: know who he is, even hear me say the name
• 3:14
  Speaker 1: I Am God, Like who is that? Go check out
• 3:17
  Speaker 1: the interview and then definitely listen to the music and
• 3:20
  Speaker 1: you'll see why I did what I did, right, That's
• 3:23
  Speaker 1: why he was here on the platform. So again, this
• 3:26
  Speaker 1: platform is filled with hip hop content, debates and all
• 3:31
  Speaker 1: the things we love about it, and sometimes some live streams.
• 3:35
  Speaker 2: I'm coming back.
• 3:36
  Speaker 1: I'm just getting myself situated, right, you know, just get
• 3:39
  Speaker 1: myself situated before I come back and full form with
• 3:42
  Speaker 1: the live stream, which actually might even happen today when
• 3:48
  Speaker 1: the show was out, So who knows. If you're from
• 3:51
  Speaker 1: the future, you know, come on, man, you already watch
• 3:53
  Speaker 1: both man, get your answer. Okay, it spoiled and everything,
• 3:57
  Speaker 1: but nevertheless, that's what this is about. So I appreciate
• 4:01
  Speaker 1: everybody who subscribes, who likes, who reviews on Apple podcasts
• 4:05
  Speaker 1: and share do all of those things, especially those who
• 4:09
  Speaker 1: just come through because they like the shorts I post
• 4:13
  Speaker 1: and real quick if you subscribe, to the channel. And
• 4:17
  Speaker 1: maybe you're like somebody who likes TikTok or somebody who
• 4:21
  Speaker 1: likes Instagram stories, or maybe you don't like those things
• 4:25
  Speaker 1: but you hang out on YouTube.
• 4:27
  Speaker 2: Well, all the shorts.
• 4:28
  Speaker 1: I have are really what the same thing I do
• 4:31
  Speaker 1: on Instagram Stories, Right, I see people posting dope stuff
• 4:35
  Speaker 1: about hip hop. I share with the people who follow me.
• 4:38
  Speaker 1: That's really how it goes. Not trying to eat off
• 4:40
  Speaker 1: of them, nothing like that. It's just really sharing hip
• 4:44
  Speaker 1: hop content. So if enough people feel like this is
• 4:48
  Speaker 1: a source to see some dope stuff, you know what
• 4:51
  Speaker 1: I'm saying, if they don't go and follow the originators.
• 4:54
  Speaker 1: And I'm not talking about you guys who rip music
• 4:56
  Speaker 1: videos off of the Internet and then put your branding
• 5:01
  Speaker 1: on it as if you're presenting it. It's not your
• 5:05
  Speaker 1: original content. You're remixing it. But it's hip hop. That's
• 5:08
  Speaker 1: what we all do. And I don't mind sharing your
• 5:10
  Speaker 1: stuff without covering up your logos because I could do that,
• 5:15
  Speaker 1: but I don't.
• 5:16
  Speaker 2: So all love here. So there you have it.
• 5:19
  Speaker 1: Subscribe if you love it, hit that like button if
• 5:22
  Speaker 1: you like it, Definitely comment because I read all the
• 5:25
  Speaker 1: comments and I respond most of the time unless you
• 5:28
  Speaker 1: want some dumbsh I can't.
• 5:30
  Speaker 2: I can't help you.
• 5:30
  Speaker 1: Fan, all right, big shout out to hip Hop DX
• 5:33
  Speaker 1: dot com, All hip Hop dot Com, Double XL mag
• 5:36
  Speaker 1: and a couple of places where I got my stories from.
• 5:38
  Speaker 1: Let's get right to the Business hip Hop Now podcast,
• 5:41
  Speaker 1: merch on the checks, you see me?
• 5:44
  Speaker 2: All right, So.
• 5:48
  Speaker 1: Big Sean thinks that Jay Dillon is arguably the greatest
• 5:54
  Speaker 1: producer of all time. Well, paptain obvious, no Ish Sherlock. Okay,
• 6:04
  Speaker 1: that's probably old now. I probably sound like an old man,
• 6:06
  Speaker 1: like no ish, I'm not cursing because it's a family show.
• 6:09
  Speaker 1: But you know, no, it's Charlot. It's like, who's Charlot?
• 6:14
  Speaker 1: Somebody young's like, who's that? But this is on hip
• 6:18
  Speaker 1: Hop DX dot com. And I'm gonna read from it
• 6:22
  Speaker 1: a little bit. But he said, and I quote because
• 6:25
  Speaker 1: he calls Jay dillah a genius. He was born with
• 6:29
  Speaker 1: a gift, a natural rhythm about him. They say he
• 6:32
  Speaker 1: could match pitch perfect harmony before he even learned how
• 6:36
  Speaker 1: to speak. And for a kid from the East Side
• 6:39
  Speaker 1: growing up in the eighties, music was like currency. It
• 6:44
  Speaker 1: was a way to make sense of the world. To
• 6:46
  Speaker 1: connect with people, and his craft connected us. All his
• 6:50
  Speaker 1: greatness is cocked in the tiniest increments of time. That's
• 6:55
  Speaker 1: why j Dilla is one of the greatest producers, if
• 6:57
  Speaker 1: not the greatest of all time. He was a genius,
• 7:01
  Speaker 1: hands down. He changed music forever with what Big Sean
• 7:08
  Speaker 1: just said, and he said it pretty eloquently. Right, you know,
• 7:12
  Speaker 1: I'm not saying a big word. Okay, don't get scared,
• 7:17
  Speaker 1: but what he just said is the perfect description for
• 7:22
  Speaker 1: why you would argue for Jay Diller to be greatest
• 7:27
  Speaker 1: of all time. Now, some people they have no idea
• 7:32
  Speaker 1: beyond the ones they do know of what Ja Dila
• 7:36
  Speaker 1: has produced in the hip hop game.
• 7:39
  Speaker 2: But it's not just what he's produced.
• 7:42
  Speaker 1: Sure, there are bigger household names that come up first
• 7:46
  Speaker 1: before you even get to Jay Dilla. And I'll just
• 7:49
  Speaker 1: say a few, right like Doctor Dre comes to mind,
• 7:53
  Speaker 1: Kanye West comes to my household name. I'm not saying
• 7:56
  Speaker 1: I agree with what he's saying now, I'm just saying
• 7:59
  Speaker 1: Kanye West comes to mind. On q TIB Large, Professor
• 8:01
  Speaker 1: Mally mal Pete, Rock DJ Premier, the DJ Quick for
• 8:06
  Speaker 1: some people like the list goes on and on and
• 8:09
  Speaker 1: on right, where some of them maybe not DJ Quick
• 8:15
  Speaker 1: for everybody you know West Coast heavy, they know everything
• 8:19
  Speaker 1: he's done, and hip hop heads who have a wider
• 8:22
  Speaker 1: palette understand everything that he's done. But for the most part,
• 8:26
  Speaker 1: they're they're just to make the example. They're just people
• 8:30
  Speaker 1: who have done production throughout the history, even if you're
• 8:33
  Speaker 1: just taking Dre and Premier right or Rizza like who
• 8:38
  Speaker 1: have a bigger impact where you know they're the maestro
• 8:44
  Speaker 1: behind the music right, So their legend is much bigger
• 8:48
  Speaker 1: because they are more beats that are or songs I
• 8:52
  Speaker 1: should say that they produce that are so popular they're
• 8:56
  Speaker 1: synonymous with those beats, whereas J Dillon. Some people don't
• 9:02
  Speaker 1: know that some of your favorite records were produced by
• 9:05
  Speaker 1: J Dillon, some hits right. Some people don't know that J.
• 9:10
  Speaker 1: Diller was a part of the Uma and really was
• 9:14
  Speaker 1: really good. And this is in general, not just with
• 9:16
  Speaker 1: Try but because Uma was a part of Tropal Quest.
• 9:20
  Speaker 1: If you didn't know, particularly on beats Rhymes in life
• 9:26
  Speaker 1: is when that came about, right, he was a part
• 9:29
  Speaker 1: of the production team.
• 9:31
  Speaker 2: But this is where we get into the genius of
• 9:35
  Speaker 2: J Dilla.
• 9:36
  Speaker 1: You couldn't have told me that the beats that Dila
• 9:39
  Speaker 1: did weren't the beats that Tip did because they sound
• 9:44
  Speaker 1: exactly like Q Tip and not like Biting.
• 9:47
  Speaker 2: He was just really good at making your best.
• 9:51
  Speaker 1: That's the difference, right, So he can make a beat
• 9:55
  Speaker 1: that sounds like cute Tip did it like trop goal quest.
• 10:00
  Speaker 1: This is the one album I don't like the love
• 10:03
  Speaker 1: movement the lead single find My Way. You couldn't tell
• 10:08
  Speaker 1: me Cuta didn't produce that, but he didn't. Dela produced
• 10:13
  Speaker 1: it right on Ray Kwan's probably third album, but only
• 10:19
  Speaker 1: built for Cuba Links two. Right on only built for I
• 10:22
  Speaker 1: think that was his fourth album, only built for Cuba
• 10:25
  Speaker 1: Links two.
• 10:27
  Speaker 2: Dela got production.
• 10:28
  Speaker 1: On it that At first, I was, you know, I
• 10:32
  Speaker 1: knew Dela did production on the album, but I didn't
• 10:34
  Speaker 1: know what song it was because I didn't look at
• 10:36
  Speaker 1: the credits at the time, and I was like, well, damn,
• 10:38
  Speaker 1: which one is the Dilla song? And it was the
• 10:40
  Speaker 1: one that I thought like Rizza, did you know what
• 10:43
  Speaker 1: I'm saying? Because it sounded like a Riza beat. But again,
• 10:46
  Speaker 1: he can do you at your best. But then he
• 10:51
  Speaker 1: also could do diler right, some village stuff doughnuts, which honestly,
• 10:57
  Speaker 1: I think that's a classic beat CD, and maybe I'll
• 11:03
  Speaker 1: do that. Maybe not CD, but you know what I mean,
• 11:05
  Speaker 1: album and maybe I'll do that like my top five
• 11:09
  Speaker 1: beat albums. You know, that'd be a nice episode, that
• 11:11
  Speaker 1: could be a bonus episode. But you know, Donuts is
• 11:15
  Speaker 1: another example. And then there are tons of other instrumental albums.
• 11:20
  Speaker 1: He dropped Slum Village his own solo career as a
• 11:23
  Speaker 1: rapper of music, he did for others like Buster and
• 11:27
  Speaker 1: so many more. But that's not even why you would
• 11:32
  Speaker 1: consider him a genius alone or the greatest producer of
• 11:37
  Speaker 1: all time. If you ever read the book, and it's
• 11:41
  Speaker 1: right over there on my shelf, if you're watch it
• 11:43
  Speaker 1: on YouTube. J Dillon book right, that was done maybe
• 11:47
  Speaker 1: two years ago. That does an excellent job of breaking
• 11:51
  Speaker 1: down Deyler's technique, and that's where the genius lies. I'll
• 11:57
  Speaker 1: just give you a quick example before we move on.
• 11:59
  Speaker 1: But Dyla when he like, you could go listen to
• 12:05
  Speaker 1: slum Village, what is it? Fantastic Voyage volume two something
• 12:11
  Speaker 1: like that. I can't deal with the long tapers, but
• 12:15
  Speaker 1: the second one, okay, fantastic the second one if you
• 12:18
  Speaker 1: look it up, you'll see there were beats on there
• 12:22
  Speaker 1: that sometimes I used to feel like is this offbeat?
• 12:26
  Speaker 2: Like I don't know if I like this? Like why
• 12:28
  Speaker 2: do people like this?
• 12:31
  Speaker 1: And what I didn't realize back then that I realized
• 12:35
  Speaker 1: from you know, interviews and stuff like that, and that
• 12:37
  Speaker 1: book in particular about Diyla reinforced it, was that Dila
• 12:42
  Speaker 1: was finding another way to hear rhythm. Right there's a
• 12:48
  Speaker 1: certain way we are kind of programmed to hear rhythm
• 12:53
  Speaker 1: in most music. Right now, I'm not gonna break it down,
• 12:57
  Speaker 1: you know, and stuff like that. Because it's in the book,
• 13:00
  Speaker 1: can find people talking about it, like the knowledge of
• 13:02
  Speaker 1: it is everywhere. But there's a specific pattern that we
• 13:07
  Speaker 1: are programmed to understand as rhythm, and when it's off
• 13:14
  Speaker 1: it tends to sound like it's off beat. But what
• 13:17
  Speaker 1: Dyla did was like, no, it's not off beat. It's
• 13:22
  Speaker 1: just a different way to hear rhythm. And once you
• 13:26
  Speaker 1: think about that, all of a sudden, it doesn't sound
• 13:30
  Speaker 1: off beat. It just sounds different than you expect. Now,
• 13:34
  Speaker 1: some people like sounds different because it's off beat. That's
• 13:37
  Speaker 1: what it is. Okay, Well, keep eating McDonald's, you bump ass. Okay,
• 13:40
  Speaker 1: I'm sorry I got excited, but.
• 13:43
  Speaker 2: You know what I mean.
• 13:45
  Speaker 1: You know what I mean, like, understand that there's something
• 13:49
  Speaker 1: much deeper than making a beat happen happen here because
• 13:55
  Speaker 1: and this is on record, there are a number of
• 13:58
  Speaker 1: classically trained jazz musicians specifically who look up to Dyla
• 14:04
  Speaker 1: in a way you couldn't understand, because they admire the
• 14:10
  Speaker 1: fact that he created something that didn't exist musically, and
• 14:16
  Speaker 1: so he's inspired musicians, and I think he's inspired some.
• 14:23
  Speaker 2: Producers as well who get it.
• 14:25
  Speaker 1: But not everyone does that now, not everyone tries to expire,
• 14:30
  Speaker 1: expand upon what he's already done, right, which is what
• 14:34
  Speaker 1: you're supposed to do more than just copy, you know,
• 14:37
  Speaker 1: you're supposed to take that and you know, evolve it.
• 14:42
  Speaker 1: So I'm not mad at Big Sean for his statements,
• 14:47
  Speaker 1: especially the way he put it, especially.
• 14:49
  Speaker 2: Knowing who Dyla is.
• 14:50
  Speaker 1: I think for me personally, I might not put him
• 14:54
  Speaker 1: as my number one, just because I feel like there's
• 14:57
  Speaker 1: just more.
• 14:57
  Speaker 2: Even though he did what he did.
• 15:00
  Speaker 1: They're just other producers whose production is just crazy, you know,
• 15:06
  Speaker 1: and it checks a couple of boxes, and it may
• 15:10
  Speaker 1: not be like all he's a genius for doing this
• 15:12
  Speaker 1: and this. They're just really good at it and they
• 15:15
  Speaker 1: had a huge success with it. But Dyla is definitely
• 15:19
  Speaker 1: in my top five. He's definitely my top five, just
• 15:25
  Speaker 1: off the strength of the genius of creating a new
• 15:29
  Speaker 1: way to hear sound and rhythm. That's that's not usually
• 15:33
  Speaker 1: what producers do. No, that's what musicians do, right. They
• 15:39
  Speaker 1: play around to try to create something new and organic
• 15:42
  Speaker 1: and stuff like that. Producers really don't do that at
• 15:44
  Speaker 1: the time. They may experiment with different sounds and stuff
• 15:48
  Speaker 1: like that, but you're still hearing it in a rhythm
• 15:51
  Speaker 1: that is familiar.
• 15:54
  Speaker 2: So there you have it. What do you think.
• 16:00
  Speaker 1: Jay Dillar the greatest producer of all time? Leave your
• 16:02
  Speaker 1: comments in a comment section below. I'll check them out.
• 16:04
  Speaker 1: I'll respond. I love to hear what you guys think.
• 16:10
  Speaker 1: So BG just released a new album not that long ago,
• 16:14
  Speaker 1: called Freedom of Speech. And if you watch this podcast,
• 16:20
  Speaker 1: if you listen to this podcast, you know what my
• 16:23
  Speaker 1: criteria is for reviewing albums. It's three listens. First listen,
• 16:28
  Speaker 1: it's just y'all, I'm gonna just bob with it and
• 16:30
  Speaker 1: see you see what it is. Second listen, I'm just
• 16:33
  Speaker 1: gonna listen a little deeper to the production, to the lyrics,
• 16:36
  Speaker 1: to the concepts and all that stuff. And third listen
• 16:39
  Speaker 1: is just to confirm my thoughts. And for those people
• 16:43
  Speaker 1: who don't like to wait, here's a quick review for you.
• 16:48
  Speaker 1: It's all right, it's okay, it's fine. It is to
• 16:57
  Speaker 1: be honest, the album has news about fourteen hold up,
• 17:04
  Speaker 1: fifteen tracks clocking in around somewhere under an hour. I believe,
• 17:09
  Speaker 1: because when you're looking on Apple Music, it says there's
• 17:11
  Speaker 1: twenty two songs, but these are videos, so they mess
• 17:15
  Speaker 1: it up. But it's fifteen tracks on the album. Guest
• 17:19
  Speaker 1: features include Juvenile E forty Baby of course or Birdman
• 17:27
  Speaker 1: should say blousy Badass and and fiend is on Heils,
• 17:33
  Speaker 1: who I haven't heard a minute.
• 17:34
  Speaker 2: That's who I'm thinking about, the same guy.
• 17:38
  Speaker 1: And with that being said, on a more detailed level,
• 17:46
  Speaker 1: let me just say this out of the Cash Money
• 17:50
  Speaker 1: camp when they first dropped, I was a big fan,
• 17:55
  Speaker 1: and probably before they started doing solos.
• 17:59
  Speaker 2: I think BG had souls before this.
• 18:02
  Speaker 1: But I was a big fan of Wayne. I was
• 18:06
  Speaker 1: a big fan of Turk. Those were my two that
• 18:11
  Speaker 1: I really like, like like a lot, you know. I
• 18:16
  Speaker 1: like Lil Wayne's style at the time. I like his voice,
• 18:19
  Speaker 1: Turk I like because I just liked his wordplay he had.
• 18:24
  Speaker 1: He had a little bit more bars than most of
• 18:26
  Speaker 1: the Cats and the crew on some stunt and stuff.
• 18:30
  Speaker 1: Nothing super lyrical, miracle spiritual, put your miracles together and
• 18:34
  Speaker 1: you none of that. Okay, we know this right stock
• 18:38
  Speaker 1: Boombappers fall Back. I said, BG's album. We know how
• 18:44
  Speaker 1: y'all feel about anything that ain't had not to sleep, okay,
• 18:48
  Speaker 1: but relax and not reviewing that. But I was more
• 18:53
  Speaker 1: of a fan of those two guys though. With BG,
• 18:57
  Speaker 1: I just wasn't a fan like that, even though he
• 19:00
  Speaker 1: had verses here and there that I liked. And when
• 19:03
  Speaker 1: I heard cash Money is like, I was like, oh,
• 19:08
  Speaker 1: I like that joint. But I was never a fan
• 19:11
  Speaker 1: to go and like listen to his music. And you know,
• 19:16
  Speaker 1: even today right now, maybe I'll go back and listen
• 19:20
  Speaker 1: because I know people really liked that one album we had.
• 19:23
  Speaker 1: I don't know if it's his second album, was first
• 19:25
  Speaker 1: the one that has cash Money as the army Well,
• 19:27
  Speaker 1: I think it's that one. I don't know, but you know,
• 19:30
  Speaker 1: the one with the cover, you know, the one what
• 19:32
  Speaker 1: I'm talking about. The mold covers and stuff, the crazy covers.
• 19:36
  Speaker 1: But so, you know, my interest in him now had
• 19:42
  Speaker 1: a little bit more to do with nostalgia for a
• 19:46
  Speaker 1: time where cash Money was big and Lil Wayne had
• 19:51
  Speaker 1: kind of moved on. Juvenile was missing for a while
• 19:54
  Speaker 1: from the game Turk. I know, it was like locked
• 19:56
  Speaker 1: up and all that, and kind of like the cash
• 19:59
  Speaker 1: Money sound had died, you know, it was gone, right,
• 20:03
  Speaker 1: and that happens with a lot of people, like it
• 20:05
  Speaker 1: ain't no bad boy sound no more, the ain't no
• 20:07
  Speaker 1: death ro sound, like that's unfortunately what happens, right, And
• 20:13
  Speaker 1: so I was curious. So when he was released from
• 20:16
  Speaker 1: prison and I saw a couple of freestyles and guests
• 20:21
  Speaker 1: verses he did, and I was like, yo, maybe I
• 20:25
  Speaker 1: slept on him because these freestyles I and and maybe
• 20:30
  Speaker 1: there's a part of me that missed his voice in
• 20:35
  Speaker 1: the hip hop game because of how big cash Money was. Right,
• 20:41
  Speaker 1: it was one of those things kind of like you know,
• 20:43
  Speaker 1: missing many fresh and you know, seeing Juvenile do tiny
• 20:47
  Speaker 1: deaths and like, damn, yeah, I remember Juvenile. I used
• 20:50
  Speaker 1: to like Juvenile like all of that. So when I
• 20:56
  Speaker 1: knew he had an album coming out, especially a couple
• 20:58
  Speaker 1: of freestyles. He did them so was dope. So I
• 21:02
  Speaker 1: was like, well, when his album dropped, I'm gonna just
• 21:04
  Speaker 1: check it out because I'm at a different time in
• 21:07
  Speaker 1: my life.
• 21:07
  Speaker 2: You know.
• 21:08
  Speaker 1: Back then you had to go buy it or you
• 21:11
  Speaker 1: had to know somebody who had it. So most of
• 21:14
  Speaker 1: the time I chose the people I liked first, and
• 21:17
  Speaker 1: I didn't really gamble because the brother ain't have a
• 21:20
  Speaker 1: lot of money to go buy everybody, you know what
• 21:22
  Speaker 1: I'm saying. Everything, But now we in the realm of
• 21:26
  Speaker 1: streaming services, and if you pay for a streaming service,
• 21:29
  Speaker 1: you can go and listen to a person's entire catalog.
• 21:32
  Speaker 1: We'll get to that after this, but that's what that
• 21:36
  Speaker 1: was my thinking. So when I press play on the album,
• 21:39
  Speaker 1: I'm not gonna lie. There was a more of an
• 21:44
  Speaker 1: instant regret when I hit played, because I wasn't hearing
• 21:51
  Speaker 1: what I heard in them freestyles, mainly production, you.
• 21:57
  Speaker 2: Know what I'm saying. It was almost as if I
• 22:00
  Speaker 2: was hearing.
• 22:02
  Speaker 1: An album that could have dropped way back then, production wise,
• 22:09
  Speaker 1: and I was like, man, I like beg over like
• 22:13
  Speaker 1: the new stuff, like, you know, no offense because I
• 22:16
  Speaker 1: don't I don't have in front of me, because a
• 22:18
  Speaker 1: lot of times they don't even put that information on
• 22:23
  Speaker 1: digital or at least you maybe you gotta dig for it,
• 22:26
  Speaker 1: like who produced it and all that, you know. Maybe
• 22:28
  Speaker 1: let's see, man, let's see in real time. Is there
• 22:31
  Speaker 1: some info? No there's not, Thank you Apple Music.
• 22:35
  Speaker 2: No there's not.
• 22:37
  Speaker 1: But I'm gonna assume Many Fresh did some production because
• 22:41
  Speaker 1: there's a lot of songs. There's a couple of songs
• 22:43
  Speaker 1: that sound like Many Fresh did it, and it reminds
• 22:46
  Speaker 1: you of the time back then. I don't know if
• 22:49
  Speaker 1: I necessarily like that because of what BG was doing
• 22:54
  Speaker 1: when he was released from prison. He was rapping over
• 22:57
  Speaker 1: beats that you typically hear now, right. I think he
• 23:02
  Speaker 1: did a song with Boosy, and I think they're a
• 23:05
  Speaker 1: whole project with Boosy if I'm not mistaken, And maybe
• 23:08
  Speaker 1: I need to go listen to that. And I think
• 23:11
  Speaker 1: he did a couple of other features. But I liked
• 23:13
  Speaker 1: what I heard. But after letting the album rock and
• 23:20
  Speaker 1: understanding maybe this is just gonna have a more cash
• 23:25
  Speaker 1: money back in the early I mean back in the
• 23:27
  Speaker 1: late nineties and early two thousands, mostly late nineties, I
• 23:33
  Speaker 1: should say then I'm gonna just take it as that
• 23:37
  Speaker 1: I don't know if I want to hear that sound
• 23:39
  Speaker 1: today versus back then, because most of the time I
• 23:43
  Speaker 1: was just like, I just go listen to my best
• 23:45
  Speaker 1: to cash Money mix, you know, which includes Beg's songs,
• 23:49
  Speaker 1: and it's dope when I listen to it. So I
• 23:53
  Speaker 1: kind of feel like this right, And I know it
• 23:57
  Speaker 1: feels like I say these things all the time, but
• 23:59
  Speaker 1: it's truth and it will spare you from any disappointment
• 24:05
  Speaker 1: or maybe even being surprised. If you like BG and
• 24:10
  Speaker 1: you want to hear that familiar sound, which I think
• 24:13
  Speaker 1: that was their goal that you knew prior to him
• 24:16
  Speaker 1: going to prison, I would say you would like this album. Lyrically,
• 24:22
  Speaker 1: he's talking about everything he's been through, and I appreciate
• 24:26
  Speaker 1: that because it's not a lot of throwaway lyrics. It's
• 24:29
  Speaker 1: really a lot of he's very thankful for where he is.
• 24:33
  Speaker 1: You know, he talks a lot about, you know, how
• 24:37
  Speaker 1: he could have been dead, how he could have you know,
• 24:40
  Speaker 1: how he's appreciative of being free.
• 24:44
  Speaker 2: You know, he's he shows a lot of faith in
• 24:47
  Speaker 2: God on him.
• 24:48
  Speaker 1: He talks a lot about that, and not just saying
• 24:50
  Speaker 1: it like some guys do, but really telling you how
• 24:54
  Speaker 1: you know, his grandmother kind of kept him on the
• 24:59
  Speaker 1: right path through instill in faith in him, and that's
• 25:04
  Speaker 1: how he feels he's here today to even do this,
• 25:07
  Speaker 1: So I appreciate a lot of that. The CoP's kind
• 25:12
  Speaker 1: of crazy because I didn't realize if you've ever been
• 25:16
  Speaker 1: to DC to the Martin Luther King exhibit, which is
• 25:20
  Speaker 1: outside and they have this big sculpture of him. I
• 25:23
  Speaker 1: don't know if y'all can see this properly. Let's just
• 25:26
  Speaker 1: wait for the camera to get right, but you can't
• 25:29
  Speaker 1: really see it, but it's basically a mockup of that
• 25:34
  Speaker 1: same thing, which I think is kind of dope. I
• 25:37
  Speaker 1: think if you never liked BG, you're not gonna like this.
• 25:41
  Speaker 1: You're definitely not gonna like it. Went because he has
• 25:44
  Speaker 1: this thing and maybe he's been doing on albums for years.
• 25:47
  Speaker 1: But when I heard it, I was like, what is that?
• 25:50
  Speaker 1: Like a baby?
• 25:52
  Speaker 2: Like why?
• 25:54
  Speaker 1: Like I don't know if maybe that's the South thing,
• 25:56
  Speaker 1: like yo, that's how we be calling, like okay, cool,
• 26:00
  Speaker 1: I don't like it in the music, Okay, I don't
• 26:02
  Speaker 1: like it. I know everybody has their thing, but that
• 26:04
  Speaker 1: doesn't mean I have to like the thing from everybody,
• 26:08
  Speaker 1: But it doesn't ruin the album for me. But if
• 26:10
  Speaker 1: you don't like BG, you never like BG. Why are
• 26:13
  Speaker 1: you even entertaining the idea of listening to this album
• 26:17
  Speaker 1: unless you're curious?
• 26:18
  Speaker 2: Right?
• 26:19
  Speaker 1: But is what you expect if you're indifferent. I think
• 26:25
  Speaker 1: it's cool given his history and what he's talking about.
• 26:30
  Speaker 1: But I will say this when he does a follow up.
• 26:34
  Speaker 1: I needed to have that same energy from what I
• 26:37
  Speaker 1: was hearing on those freestyles. And I think correct me
• 26:41
  Speaker 1: if I'm wrong, But I think he said something recently
• 26:44
  Speaker 1: on social media that he couldn't really talk that talk
• 26:48
  Speaker 1: on his album because he feels like they're gonna use
• 26:51
  Speaker 1: it against him to say, you know, he's you know,
• 26:56
  Speaker 1: he's still committing crimes and he's rapping about it or whatever,
• 26:59
  Speaker 1: like they're gonna try to use his lyrics against him.
• 27:01
  Speaker 1: So he kind of stayed away from some of that.
• 27:04
  Speaker 1: And we know they've been kind of pressing him because
• 27:07
  Speaker 1: at one point, and he raps about it, they told
• 27:11
  Speaker 1: him that being a rapper was a job he couldn't do.
• 27:16
  Speaker 2: He can do any other job.
• 27:17
  Speaker 1: You go work in McDonald's, you're working all his other places.
• 27:20
  Speaker 1: To call wash wherever you want to work, but you
• 27:23
  Speaker 1: can't go and rap. That's crazy, because this is what
• 27:27
  Speaker 1: he does. This is how he can feed his family,
• 27:30
  Speaker 1: this is how he can be a better part of society.
• 27:35
  Speaker 1: And to me, the way he's talking on his album, yeah,
• 27:38
  Speaker 1: he's given an example.
• 27:39
  Speaker 2: Now.
• 27:40
  Speaker 1: I hope he continues to live it. I have no
• 27:43
  Speaker 1: reason to think he won't. But I think as a whole,
• 27:46
  Speaker 1: as an album, as a guy who's just been released
• 27:50
  Speaker 1: from prison after what I believe is more than a
• 27:53
  Speaker 1: decade if not, damn there too, being locked up and
• 27:59
  Speaker 1: being away from from the game and watching you know,
• 28:02
  Speaker 1: Birdman and many Fresh blow up and Wayne blow up
• 28:06
  Speaker 1: all crazy and you know he can't couldn't really do
• 28:09
  Speaker 1: anything about it from being inside. So it's good to
• 28:12
  Speaker 1: see him out. The album is cool. Will it be
• 28:15
  Speaker 1: one of my best of the year. I doubt it.
• 28:18
  Speaker 1: I wanted more from BG and I understand if lyrically
• 28:23
  Speaker 1: he couldn't do more, or if musically they wanted to
• 28:27
  Speaker 1: recapture a time from Catch Money's Heyday, I get it.
• 28:34
  Speaker 2: I just I just thought it was fine. That's it.
• 28:37
  Speaker 1: And lastly, so first and foremost, I want to give
• 28:42
  Speaker 1: a big shout out to Nick, who has appeared on
• 28:49
  Speaker 1: that Time in Hip Hop with Us.
• 28:52
  Speaker 2: In the past, he's appeared on.
• 28:55
  Speaker 1: Apartment five V podcasts where you can see me appear
• 28:58
  Speaker 1: from time to time, hosted by the Homely Kill right
• 29:02
  Speaker 1: here on YouTube, go look it up. But he had
• 29:07
  Speaker 1: a great idea based off of something I kind of
• 29:11
  Speaker 1: saw happening on the internet about disographies and hip hop
• 29:16
  Speaker 1: and people debating back and forth, you know, who has
• 29:19
  Speaker 1: a flawless desography and who's is better, and blah blah blah,
• 29:23
  Speaker 1: And it's just a reason to go down, you know,
• 29:26
  Speaker 1: memory Lane and rank albums and really see who's really
• 29:31
  Speaker 1: that good, because not as many artists as you think
• 29:36
  Speaker 1: have really good desographies, like Wu Tang as a group
• 29:43
  Speaker 1: they have two, but they have way more albums as
• 29:48
  Speaker 1: a group, not the solo stuff. As a group, they
• 29:52
  Speaker 1: have way more albums than people like to talk about.
• 29:55
  Speaker 1: Right Better Tomorrow eight Diagram Like I kind of like
• 30:00
  Speaker 1: Iron Flag, but I figure some people don't. I'm not
• 30:04
  Speaker 1: the biggest fan of the w some people like it.
• 30:07
  Speaker 1: I think a great group like Wu Ting has more
• 30:12
  Speaker 1: misses than Hiss when it comes to their desography, which
• 30:16
  Speaker 1: seems bananas. But we just say that I don't matter.
• 30:19
  Speaker 1: You know who cares who thank forever and into the
• 30:23
  Speaker 1: thirty six. That's it, So all we care about. But
• 30:26
  Speaker 1: they are artists and groups who have.
• 30:32
  Speaker 2: Like some in some.
• 30:34
  Speaker 1: Cases like three or four classics straight and in like
• 30:37
  Speaker 1: in a row, or just good albums in a row.
• 30:40
  Speaker 1: They probably have like one Wag album or more importantly,
• 30:46
  Speaker 1: more good albums than bad albums. So Nick put in
• 30:52
  Speaker 1: our group chat on WhatsApp that bars, you know, what
• 30:57
  Speaker 1: is a top ten disography in hip hop? And I
• 31:02
  Speaker 1: don't necessarily like to do these lists because I'm never settled, right,
• 31:07
  Speaker 1: I feel like everything I say I'm about to change
• 31:09
  Speaker 1: it anyway.
• 31:10
  Speaker 2: So I decided I made a list of ten, but.
• 31:13
  Speaker 1: I decided to break it down to five and real
• 31:16
  Speaker 1: quickly because we don't want this to be a long podcast.
• 31:18
  Speaker 1: We're going to go over five discographies that if you
• 31:24
  Speaker 1: haven't heard all of their music, it would be a
• 31:28
  Speaker 1: more pleasant trip down memory lane for you to discover
• 31:33
  Speaker 1: artists that you may have known about for years, but
• 31:36
  Speaker 1: you never known them in this way.
• 31:38
  Speaker 2: Right. So in no order, Scarface, ghost.
• 31:44
  Speaker 1: Face, Killer, Gangstar, Outcasts, and EP and D now starting
• 31:54
  Speaker 1: off the top of Scarface. If you don't know, I
• 31:57
  Speaker 1: don't think Scarface has a whack album. He may have
• 32:02
  Speaker 1: albums you like more than others. I just don't think
• 32:06
  Speaker 1: he has an album that I can call whack, even
• 32:08
  Speaker 1: up to his latest album or his last album, which
• 32:12
  Speaker 1: came out a couple of years ago called Emertis.
• 32:16
  Speaker 2: I think that was the.
• 32:17
  Speaker 1: Name of it. Crazy slept on like slept on like crazy.
• 32:24
  Speaker 1: I just didn't see enough talk about it. But Scarface
• 32:29
  Speaker 1: has like his debut soul album is my favorite Scarface album,
• 32:33
  Speaker 1: which is mister Scarface's back. You want to hear pure
• 32:38
  Speaker 1: nineties gangster rap, whether lyrics are so derogatory that you're
• 32:45
  Speaker 1: like people played this in public the stories alone, from
• 32:53
  Speaker 1: height stories to you know, sex tracks that are crazy,
• 32:58
  Speaker 1: like the way he's talking, it's crazy, no filter. And
• 33:03
  Speaker 1: when you look at the cover, there's a gunfight on
• 33:06
  Speaker 1: the cover, right it let's cover Ever, I forget what
• 33:11
  Speaker 1: they call it, like a no offense to anybody's like
• 33:14
  Speaker 1: a Mexican showdown or something like, I.
• 33:16
  Speaker 2: Forget what it's Forget what it's called.
• 33:17
  Speaker 1: When everybody's like aiming guns in each other face like that,
• 33:20
  Speaker 1: whatever that's called. But it's just not the cover. There's
• 33:24
  Speaker 1: just so many dope records on the right. Then you get,
• 33:29
  Speaker 1: you know, albums like the Diary. You know what I'm saying, like, uh,
• 33:35
  Speaker 1: just quite honestly, I'm not even gonna go down the
• 33:38
  Speaker 1: list because again, I don't want to be here forever.
• 33:41
  Speaker 2: But Scarface has so many joints. Right.
• 33:45
  Speaker 1: If you listen to a best of Scarface, it's packed
• 33:49
  Speaker 1: with excellent tracks and it's not even all he has.
• 33:54
  Speaker 1: You can literally go down the line and see how
• 33:59
  Speaker 1: great some of his albums have been, and it's probably
• 34:05
  Speaker 1: maybe one or two for me personally that are the
• 34:09
  Speaker 1: least favorite. But you're talking about almost ten, maybe maybe
• 34:17
  Speaker 1: ten albums. I think he got close to ten somewhere there.
• 34:20
  Speaker 1: But again, the majority of his albums are crazy, ghost Face,
• 34:24
  Speaker 1: kill Him right out the gate, iron Man, Supreme Clientele,
• 34:32
  Speaker 1: Well it proved Wallets, especially the version the butleg I know,
• 34:36
  Speaker 1: we can't count it, but the one that was supposed
• 34:39
  Speaker 1: to come out even still, what was left over was
• 34:43
  Speaker 1: Crazy Fish Scalm.
• 34:45
  Speaker 2: Like we can go on and on and on and on.
• 34:49
  Speaker 1: And with ghost Face in particular, I think it took
• 34:54
  Speaker 1: him a minute to have an album that I was
• 34:57
  Speaker 1: like that one's okay, you know what I'm saying, a
• 35:00
  Speaker 1: minute for that to happen.
• 35:02
  Speaker 2: And his last album wasn't.
• 35:05
  Speaker 1: That good, right, But the one before that, ghost Face Killers,
• 35:10
  Speaker 1: where he kind of came back, that one was good.
• 35:15
  Speaker 1: I think that one did what everybody wanted this new
• 35:18
  Speaker 1: album to do, right. I think it was set the
• 35:20
  Speaker 1: tone that was the name of the new album.
• 35:23
  Speaker 2: But all in all, again, when you look at when you.
• 35:27
  Speaker 1: Get through like ghost face first five solos, you're like, yeah,
• 35:34
  Speaker 1: ghost Face has a serious catalog of music, you know
• 35:39
  Speaker 1: what I'm saying, Even the concept albums he did, even
• 35:43
  Speaker 1: though I didn't necessarily like the first one, the one
• 35:46
  Speaker 1: he did with Adrian Young, I think he did it
• 35:49
  Speaker 1: with I didn't necessarily like that first one, but then
• 35:52
  Speaker 1: the part two was good, and the part three is
• 35:57
  Speaker 1: the best one if you ask me so. Again, and
• 36:00
  Speaker 1: storytelling lyrics beats Wu Tang feeling Wu Tang features some
• 36:05
  Speaker 1: of the greatest verses of all times featured on some
• 36:07
  Speaker 1: of these supreme clientele like ghost Faces Illmatic. Basically that
• 36:15
  Speaker 1: just means his the best of the even though I'm
• 36:19
  Speaker 1: not gonna I'm not gonna talk about that, But again, ghost.
• 36:23
  Speaker 2: Face catalog is crazy. What else?
• 36:26
  Speaker 1: Gangstar don't get Me Stuck? Okay, now, the first album
• 36:29
  Speaker 1: it don't exist. Okay, it does. But when you listen
• 36:33
  Speaker 1: to Gangstar's first album, that's not the group I'm talking about.
• 36:37
  Speaker 1: You may listen and be like, oh, does mass appeal
• 36:41
  Speaker 1: on him? No words that I manifested on it. It
• 36:45
  Speaker 1: was a different time, It was a different Gangstar Premier
• 36:48
  Speaker 1: wasn't the Premier, you know, until step into the arena.
• 36:54
  Speaker 1: Then you start to be like, oh, this is Gangstar
• 36:57
  Speaker 1: just to get a rap then daily O. My favorite
• 37:01
  Speaker 1: Gangstar album is pure perfection. It's grown man rap before
• 37:07
  Speaker 1: grown man rap was a thing.
• 37:10
  Speaker 2: How about that?
• 37:12
  Speaker 1: Then Hard to Earn is probably their best album. Beats
• 37:18
  Speaker 1: songs it is. It is their best album.
• 37:23
  Speaker 2: What was after that?
• 37:24
  Speaker 1: They took some time off and what was the joint
• 37:27
  Speaker 1: that got above the clouds on it? I cannot remember now,
• 37:30
  Speaker 1: I can't remember, you know what I'm talking about? The
• 37:32
  Speaker 1: one where they ain't court or whatever on the cover.
• 37:35
  Speaker 1: That album was crazy. Then the one they had after that,
• 37:39
  Speaker 1: and even even the posthumous album after Guru had passed
• 37:44
  Speaker 1: that came out a couple of years ago. That premiere
• 37:46
  Speaker 1: put together featured the song with Jacob. That album was good.
• 37:50
  Speaker 1: Gangstar's catalog or discography is damn near flawless except for
• 37:59
  Speaker 1: that debut. That's the only thing. But that's to be
• 38:03
  Speaker 1: understood considering they changed as a group after that album.
• 38:09
  Speaker 1: Had they been doing that from day one, I don't
• 38:11
  Speaker 1: think they would have a whack album at all. So
• 38:15
  Speaker 1: Outcasts this is a note bringer when you start to
• 38:19
  Speaker 1: run down the different albums from Outcasts. First and foremost,
• 38:22
  Speaker 1: none of them sound the same. Excuse me, which is crazy.
• 38:25
  Speaker 1: None of them sound the same at all. Southern Playlistic
• 38:29
  Speaker 1: is different from at Aliens, which is different from Quemini
• 38:33
  Speaker 1: and Stink onea Speaker Box Love Below. They're all different,
• 38:37
  Speaker 1: and they're all great in their own right. I even
• 38:41
  Speaker 1: like Idlewi. I watched the movie. The movie wasn't that great.
• 38:46
  Speaker 1: You know, there's you know, it has a meme that
• 38:50
  Speaker 1: goes around with big Boy, like I know they remember
• 38:54
  Speaker 1: when it happened in the movie. I thought it's funny.
• 38:56
  Speaker 1: Then I know that and who I think it is? Like,
• 39:00
  Speaker 1: that's the best part of that movie. The movie's garbage, okay,
• 39:04
  Speaker 1: but I like the soundtrack, and again it's different. It's
• 39:08
  Speaker 1: Outcasts has always been different. So if you're into what
• 39:12
  Speaker 1: Outcasts is and you're not married to one version or
• 39:17
  Speaker 1: another of them, I mean, go ahead and treat yourself.
• 39:24
  Speaker 2: Go down that rabbit hole. Keep in context the time.
• 39:27
  Speaker 1: Look at the year when you're listening to these albums,
• 39:30
  Speaker 1: because a lot of times people just listen to albums
• 39:32
  Speaker 1: and they're not looking at the year to say, oh,
• 39:36
  Speaker 1: that was ninety four and in your mind you're thinking
• 39:39
  Speaker 1: about all everything that came out, or if you're too young,
• 39:42
  Speaker 1: like I don't know what came out in ninety four,
• 39:44
  Speaker 1: just go look up albums from nineteen ninety four and
• 39:46
  Speaker 1: then you can listen to that within the context of
• 39:49
  Speaker 1: the time, right.
• 39:50
  Speaker 2: That helped And last epm D.
• 39:53
  Speaker 1: Yeah, for a long time, EPMD was my favorite group,
• 39:56
  Speaker 1: hands down, until the breakup.
• 39:59
  Speaker 2: Because when it came I was kind of like, it's
• 40:01
  Speaker 2: not the same. I moved on and it hadn't been
• 40:04
  Speaker 2: the same.
• 40:05
  Speaker 1: But I believe EPMD may have like seven seven albums,
• 40:10
  Speaker 1: seven and eight maybe, but.
• 40:14
  Speaker 2: The first four.
• 40:17
  Speaker 1: Are so impactful and dope and really have maybe one
• 40:23
  Speaker 1: or two skips out, you know, like I mean, granted,
• 40:27
  Speaker 1: as soon as you may or may not like, but
• 40:30
  Speaker 1: you know, and you know what's one I'm talking about.
• 40:33
  Speaker 1: It's time to party. I'm talking about that as far
• 40:37
  Speaker 1: as skipping on unfinished business, but the whole play on
• 40:42
  Speaker 1: the business stuff strictly business, unfinished business, business, never personal.
• 40:48
  Speaker 1: You know what I'm saying, business as usual, back in business.
• 40:53
  Speaker 1: You know what I'm saying. Like they just EPMD was
• 40:56
  Speaker 1: just so dope. The funk beats, which was the main
• 41:00
  Speaker 1: reason why I like them, because it's a lot I
• 41:01
  Speaker 1: love funk music in general from the older artists, and
• 41:05
  Speaker 1: that's why I liked a lot of early West Coast
• 41:08
  Speaker 1: hip hop because they use a lot of funk beats.
• 41:10
  Speaker 2: And that's why, like you hear people like MC eight
• 41:14
  Speaker 2: say they.
• 41:15
  Speaker 1: Was really rocking with EPMD because of their production, you know,
• 41:19
  Speaker 1: which was a lot of funk beats.
• 41:21
  Speaker 2: You know.
• 41:22
  Speaker 1: So epm D you get the bars, you get the
• 41:25
  Speaker 1: crazy beats again, you get the introductions of like Redman,
• 41:30
  Speaker 1: you get stuff like Headbanger PASTI cut like you. You
• 41:35
  Speaker 1: get all of these dope records. You get some samples
• 41:38
  Speaker 1: that you may have heard other artists use that were
• 41:42
  Speaker 1: used by epm D. First, you get one of the
• 41:47
  Speaker 1: illest guest speatures of all time with ll COOLJ on
• 41:51
  Speaker 1: Rampage like EPMD's catalog is pretty dope. And again when
• 41:57
  Speaker 1: you're going back like this, like when I do the
• 41:59
  Speaker 1: tear of albums, I always look at the year if
• 42:05
  Speaker 1: I never heard an album during the time it came out,
• 42:09
  Speaker 1: and I'm looking at like, oh, this was ninety one,
• 42:12
  Speaker 1: and I'm trying to think of what was I doing
• 42:14
  Speaker 1: that I missed it or decided not to in some cases,
• 42:17
  Speaker 1: was like I can't.
• 42:18
  Speaker 2: I can't buy everything. Dog y'all was rich. Kids, y'all
• 42:21
  Speaker 2: was rich.
• 42:22
  Speaker 1: I was not, okay, So it was my mother's like
• 42:25
  Speaker 1: like remember Doctor Strange and Infinity Woyd or in gaming
• 42:30
  Speaker 1: like one that was my mother.
• 42:32
  Speaker 2: You get one album that So I had to choose.
• 42:38
  Speaker 1: What I thought would be what you know that would
• 42:41
  Speaker 1: satisfy me the most as a hip hop had at
• 42:44
  Speaker 1: the time, because if I had my choice, I just
• 42:46
  Speaker 1: would have bought everything.
• 42:47
  Speaker 2: You know what I'm saying. So there you have it.
• 42:50
  Speaker 1: What are five disciographies that you think are elite in
• 42:54
  Speaker 1: hip hop? Or even because I was going to do this,
• 42:57
  Speaker 1: or even slept on? Leave your comment some common section below.
• 43:01
  Speaker 1: This podcast is available wherever you get your podcast doesn't
• 43:04
  Speaker 1: matter if it's podcast or Apple podcasts, lock in, subscribe, review,
• 43:11
  Speaker 1: and all that good stuff.
• 43:12
  Speaker 2: And also right here.
• 43:13
  Speaker 1: On the channel, we are on the road to ten
• 43:16
  Speaker 1: thousand subscribers by the end of the year.
• 43:20
  Speaker 2: It's possible to get there on over we get there,
• 43:23
  Speaker 2: but we want to try.
• 43:24
  Speaker 1: And so if you loved what you heard and watched,
• 43:27
  Speaker 1: subscribe to the podcast here on YouTube with the like
• 43:31
  Speaker 1: button on the video.
• 43:32
  Speaker 2: It helps you mother out for more.
• 43:33
  Speaker 1: Important than share this with people you know enjoy this
• 43:37
  Speaker 1: kind of content.
• 43:38
  Speaker 2: Until next time. I'm not a critic, I'm a fan.
• 43:42
  Speaker 2: B