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The Batman, The Box Office & The Biter · Yeah Buddy! Podcast

0:02
Speaker0: Yeah, buddy! Yeah,
0:06
Speaker0: buddy! Yeah,
0:09
Speaker0: buddy! Yeah, buddy! Yeah, buddy!
0:13
Speaker0: Buddy, let's get it! Yeah,
0:17
Speaker0: buddy!
0:21
Speaker1: All right, cool. Uh, yeah, yeah, yes, yes, what's going on, y'all? This is your
0:25
Speaker1: man Buddy Ramik, and we are back at it with another episode of the Yeah
0:28
Speaker1: Buddy Podcast. You know how we do, like every episode I bring some of my
0:29
Speaker1: friends in the entertainment business. We sit
0:32
Speaker1: down, chop it up, uh, see what we got going on in the entertainment business.
0:36
Speaker1: And this episode is like no other, or the same other, you know what I'm
0:39
Speaker1: saying? Uh, so if this is your first time tuning in, thank you for checking
0:43
Speaker1: out the podcast. We got a dope episode lined up for you today.
0:47
Speaker1: And if you are a returning guest, thank you. You know how we do,
0:49
Speaker1: like every episode we keep it rocking. So thank you for supporting, uh, thank you
0:53
Speaker1: for tuning back in. And you know we can't get this episode popping off without
0:57
Speaker1: introducing first our co-host. Mr. Brandon Larson in the building,
1:02
Speaker1: y'all.
1:01
Speaker0: Hey everybody, how's it going? Sure, how's it going, buddy? How you doing,
1:05
Speaker0: man?
1:05
Speaker1: I've been good, bro. I've been chilling, man.
1:07
Speaker0: Oh good.
1:08
Speaker1: I've been chilling,
1:10
Speaker1: bro. It's been a fucking pretty good, um, eventful week and
1:14
Speaker1: shit like that, man. Um, so let's see here, this past week,
1:19
Speaker1: um, I don't know if I mentioned to you about the, um,
1:23
Speaker1: oh, the stage play that I've been working on, like with Tony Roberts and all
1:25
Speaker1: that stuff. We've been having like the rehearsals and stuff like that. So this past
1:28
Speaker1: week we finally had our, um, a live rehearsal,
1:32
Speaker1: whatever. So we had like people in attendance watching and stuff like that, and we
1:35
Speaker1: ran through the whole entire, um, uh,
1:38
Speaker1: set, skit, I don't know what you want to call it, and stuff like that.
1:41
Speaker1: But it was, it was a dope experience. So what it was, it was we
1:46
Speaker1: had 12— there was like 12 skits that we
1:50
Speaker1: was acting out like as a stage play or whatever. So Tony Roberts, um,
1:54
Speaker1: he's, you know, offside, off offstage or whatever,
1:58
Speaker1: um, doing his stand-up bit or whatever. And then we're
2:02
Speaker1: on, um, like on the stage just
2:06
Speaker1: kind of like acting it out or whatever. Okay. Stuff like that. And then in
2:10
Speaker1: between the skits, we're like doing,
2:13
Speaker1: um, stand-up comedy and stuff like that to keep the people entertained and stuff like
2:16
Speaker1: that.
2:16
Speaker2: Nice. And so did people enjoy it?
2:18
Speaker1: Oh, they said it was dope.
2:18
Speaker1: They said it was dope. They said it was one— yeah, it was dope.
2:20
Speaker1: It was definitely a different, um, a different experience, different take on stuff
2:24
Speaker1: like that. So Um, hopefully we keep that rocking and we'll see where it goes
2:27
Speaker1: from there.
2:28
Speaker2: Cool, man.
2:29
Speaker1: Yeah, yeah, yeah, yeah.
2:30
Speaker2: I had, uh, 5 days on
2:32
Speaker2: set. They were pretty killer, but they were behind the camera this time.
2:35
Speaker2: So I was a 2nd AC or assistant camera.
2:39
Speaker2: So a lot of the job is like slating, you know,
2:43
Speaker2: uh, scene 1 alpha, take 2 marker, you know,
2:46
Speaker2: and then you walk away. But, uh, you do a lot more than just that.
2:50
Speaker2: So I learned a lot about camera. And I think that's good, you know,
2:53
Speaker2: being an actor to like, you know, sometimes step behind the camera and see
2:58
Speaker2: like how they do things. So I think being open to that is going to
3:01
Speaker2: get you more work in the industry. And so that's why I like
3:05
Speaker2: to keep an open mind.
3:06
Speaker1: And what was the, um, what was the film?
3:08
Speaker2: Uh, 7-Day Free Trial. It was shot here locally in
3:12
Speaker2: Sacramento.
3:13
Speaker1: Okay.
3:13
Speaker2: Yeah,
3:14
Speaker1: cool, cool, cool. And who was, um,
3:16
Speaker1: um, What can you say about this film?
3:19
Speaker2: Um, I would say—
3:21
Speaker1: Or what did you do? What did you do on the
3:23
Speaker1: film?
3:23
Speaker2: Yeah, so I was behind the camera mostly and, um,
3:27
Speaker2: you know, supporting camera departments. So if they needed batteries
3:31
Speaker2: or anything, like, I, I did the comms,
3:34
Speaker2: like the headsets for everybody, all the crew members.
3:38
Speaker2: So yeah, just, just being open and available for the crew.
3:43
Speaker2: I thought that was good because I got to meet a lot of the other
3:47
Speaker2: actors, so get to see people coming from different states
3:52
Speaker2: that flew out over here. And so I very much enjoyed
3:56
Speaker2: that. It was hard work though, I'm not gonna lie to you. These are long
3:59
Speaker2: days.
3:59
Speaker1: Yeah, yeah, yeah.
4:00
Speaker2: But I think just being open to
4:03
Speaker2: learning more, because the best way to learn is when you get on set,
4:07
Speaker2: right?
4:08
Speaker1: Yeah.
4:09
Speaker2: You're, you're not gonna— like,
4:11
Speaker2: if you just think you're just only gonna be an actor,
4:14
Speaker2: that's cool. But I think you've gotta like kind of be
4:18
Speaker2: a little bit more open-minded to things. So that's the way I am. Like,
4:21
Speaker2: seize any opportunity that you can get in the industry,
4:25
Speaker2: whether it's a PA. I know you did some PA stuff yourself.
4:29
Speaker1: No. Yeah, yeah, yeah. I've done some PA work.
4:30
Speaker2: And would you say that that's
4:32
Speaker2: like helpful for you just to experience that once?
4:36
Speaker2: if you're an actor, just to get it kind of under your belt, or—
4:40
Speaker1: Yeah,
4:41
Speaker1: no, yeah, I think most definitely, depending on, um,
4:44
Speaker1: like what the, what the type of the project is or whatever it
4:48
Speaker1: might be. Um, it's always good to, um, for networking, of course,
4:52
Speaker1: just being on a film set, um, soaking up that energy.
4:55
Speaker1: And then, um, it also just gives you a good appreciation. Like,
4:59
Speaker1: let's say if the actor, you know, is what you mainly want to do or
5:01
Speaker1: stuff, whatever, just seeing how Um, all the work that their crew puts
5:06
Speaker1: into putting things together. Um, those are things that
5:09
Speaker1: you kind of take in about, oh, okay, yeah, let me, let me make sure
5:12
Speaker1: that when I come to set as an actor, whatever it may be, let me
5:15
Speaker1: just come back, come there.
5:22
Speaker2: For 10, 12 hours a day, you know, and there's
5:26
Speaker2: not a lot of rest. You're, you're constantly hustling.
5:29
Speaker1: Yeah,
5:29
Speaker2: so
5:30
Speaker1: yeah,
5:30
Speaker2: yeah, yeah, but that's what I could say about it.
5:32
Speaker1: No, yeah, it was cool.
5:33
Speaker1: And then with the, um, with the, the whole, the, the, the, the, uh,
5:37
Speaker1: the stage play or whatever. Yeah, so that was
5:41
Speaker1: it. It was, it was cool. It was fun because like I got on board
5:44
Speaker1: maybe about like a month and a half ago, so we've been doing— I've been
5:47
Speaker1: doing rehearsals for like a month and a half or so.
5:49
Speaker2: Oh wow.
5:49
Speaker1: But everybody
5:50
Speaker1: else who's been on it, they've been on it since like March or whatever,
5:53
Speaker1: just kind of
5:54
Speaker2: That's a long time,
5:56
Speaker1: man. Yeah,
5:57
Speaker1: yeah, just grind it, just put it out and stuff. I like that. So,
6:00
Speaker1: um, finally, like, like building it up and stuff, all like that,
6:03
Speaker1: you know, it, it's almost— it came together kind of like how I see it
6:07
Speaker1: is like we— like you put together a joke or whatever. So they had it
6:10
Speaker1: all like together, like, you know, in March, like, you know, okay, you know,
6:14
Speaker1: premise, setup, punchline kind of thing or whatever. But then you kind of working it
6:17
Speaker1: out like you treat like an open mic type of thing. Okay, we're working out
6:19
Speaker1: here, let's work this out. Then now the joke starts to get stretched out And
6:21
Speaker1: that's why, you know, it's kind of like how
6:25
Speaker1: you say like March is a long time or whatever, but like when it first
6:28
Speaker1: started it was maybe like 3 jokes or whatever, but now it's 12.
6:32
Speaker2: Oh, nice, man.
6:32
Speaker1: So you're just building it up.
6:34
Speaker2: I got you.
6:35
Speaker1: Yeah,
6:35
Speaker1: yeah, yeah.
6:35
Speaker2: And then you're getting that crowd reaction to kind of get—
6:39
Speaker2: feel it out and see what works and what doesn't, right?
6:42
Speaker1: Yeah,
6:42
Speaker1: exactly, exactly. Yeah, yeah. So yeah, shout out to Tony Roberts, shout out to Marcus
6:46
Speaker1: Manham for, um, uh, uh, uh, bringing me on board with that. So I'm excited
6:50
Speaker1: to see where, where, where that goes and where that takes us and stuff like
6:54
Speaker1: that. So yeah, I'm excited for you
6:55
Speaker2: too.
6:55
Speaker1: Yeah, I'm excited for that. And then,
6:57
Speaker1: um, this past weekend, um, I did
7:00
Speaker1: some background work for a TV show called— have you heard of The
7:03
Speaker1: Audacity?
7:04
Speaker2: I have.
7:05
Speaker1: Okay, so yeah, they was filming that out of the,
7:07
Speaker1: the, like, the Silicon Valley area
7:11
Speaker1: and stuff like that for like 3 days out here and stuff all like that.
7:14
Speaker1: So I did some background work on that.
7:15
Speaker2: Nice.
7:15
Speaker1: Uh, it was good. That was
7:17
Speaker1: cool. That was fun to see a lot of, um, see a lot of familiar
7:20
Speaker1: faces and stuff like that. See a lot of the Next Gen committee out there.
7:23
Speaker1: Next Gen getting that work, shit. Yeah, shout out to Tina. Shout out to,
7:26
Speaker1: uh, George. And there's somebody else too, but damn, I almost forgot.
7:30
Speaker1: But my bad. But shout out to the Next Gen team.
7:33
Speaker2: Absolutely.
7:33
Speaker1: Yeah, yeah,
7:34
Speaker1: yeah. Um, so that was it, man. Oh, they had some good-ass food too.
7:38
Speaker2: They had some good-ass food.
7:38
Speaker1: That was good. That was
7:41
Speaker1: dope. They had some good-ass food.
7:42
Speaker2: Because like for me, like when we did one
7:44
Speaker2: battle after another, man, that food was so good.
7:48
Speaker2: Like if I could have just been on for the whole shoot
7:53
Speaker2: of the film just to eat the food and be background for, I would have
7:57
Speaker2: loved it, man.
7:57
Speaker1: Yeah.
7:57
Speaker2: Just think of how many grocery bills you would have saved.
8:01
Speaker1: Oh my word. Yeah. That's, that's, that's some of the best. That's what people don't
8:04
Speaker1: understand. Like doing background work, like consistently, like one,
8:08
Speaker1: it's a consistent paycheck. And 2, it's free.
8:11
Speaker1: Not only just a free meal, it's 2 free meals a day.
8:14
Speaker2: So I mean,
8:14
Speaker2: I know actors that bring backpacks, man, and stuff their bags.
8:18
Speaker1: Oh wait, no, we don't
8:22
Speaker1: do that around here.
8:24
Speaker2: This is,
8:26
Speaker2: this is funny.
8:27
Speaker1: I'm just playing for
8:31
Speaker1: sure. But, uh, let's deep— let's dive into this episode,
8:34
Speaker1: man. Let's dive into this episode right now. But before we do,
8:38
Speaker1: We gotta do our shameless plug, y'all, you know what I'm saying? Go to www.yeahbuddyent.com/shop
8:45
Speaker1: to get your Yeah Buddy sweaters today. We got sweaters,
8:49
Speaker1: varsity jackets, we got beanies,
8:52
Speaker1: bucket hats, all that good stuff. So yeah, go on ahead and get your,
8:55
Speaker1: uh, Yeah Buddy, uh, sweaters right now. Perfect for the holiday.
8:59
Speaker1: I need to get one. Yeah, you'll get— we'll get you one.
9:02
Speaker2: I need to
9:03
Speaker2: get one for the Christmas season, man.
9:04
Speaker1: We'll get you one one day. We'll get
9:05
Speaker1: you one. We'll get you one once you hit like your 20th episode. That—
9:07
Speaker2: okay,
9:08
Speaker2: that might be what it might be.
9:08
Speaker1: That's what it might be.
9:10
Speaker2: All right.
9:11
Speaker1: It's funny, the show. But, uh, let me
9:14
Speaker1: see here. Not that one.
9:19
Speaker1: So right now, right now, right now, we got coming to the stage,
9:23
Speaker1: it is— yep, time for some Yeah
9:30
Speaker1: Buddy or Nobody. Sorry for the delay, y'all. It's been, it's been a minute,
9:32
Speaker1: so I'm trying to get the, the kinks worked out. But yeah, it's time for,
9:35
Speaker1: uh, Yeah Buddy or Nobody. You know what that is. That's where we go,
9:38
Speaker1: uh, deep dive into some headlines, articles that
9:42
Speaker1: we've seen, uh, just rummaging through on the internet. Uh, we bring
9:46
Speaker1: it to light and see whether this is a good thing or a bad thing.
9:48
Speaker1: Is this a yeah buddy or is this a nobody situation, you know what I'm
9:52
Speaker1: saying? Um, so kicking off the whole
9:55
Speaker1: yeah buddy or nobody segment of the show,
9:59
Speaker1: in recent news, uh, The Batman Part 2
10:03
Speaker1: starring Robert Pattinson had just recently, um,
10:07
Speaker1: Picked up going into production, but they hit a stall. The director,
10:10
Speaker1: Matt Reeves, he had to, uh, leave, depart the film.
10:13
Speaker1: And now it was just recently announced that Steven Soderbergh,
10:17
Speaker1: uh, was going to step in to finish directing Batman
10:21
Speaker1: Part 2. So, uh, let's take a dive into this,
10:24
Speaker1: man, because it's always very interesting when studios—
10:31
Speaker1: This is where, you know, our you know,
10:35
Speaker1: and corporate kind of collide and stuff like that.
10:38
Speaker1: Because this is somebody's film, Matt Reeves's film, you know what I'm saying? Then,
10:41
Speaker1: you know, because of some, uh, situation that made that happen,
10:45
Speaker1: now he can't really, you know, complete the film on,
10:48
Speaker1: you know, the studio's timeline or whatever. So now they have to step in and
10:52
Speaker1: bring in another director. This is all— this is pretty interesting because DC
10:56
Speaker1: did this before with, um, with the Justice League movie. with,
11:00
Speaker1: um, with, um, Zack Snyder. Yeah, Zack Snyder.
11:03
Speaker1: So they, so they just had something about that studio that they just have no
11:06
Speaker1: problem with, like, you know, replacing directors and stuff like that. But how
11:11
Speaker1: are you feeling about that news?
11:12
Speaker2: I mean, it is kind of disappointing in
11:14
Speaker2: a way because, I mean, I was really looking
11:19
Speaker2: forward to this movie coming out because I'm a big Batman fan. So anytime
11:23
Speaker2: Batman comes to the theaters, like, I'm there, like, you know. So it's just like
11:27
Speaker2: delaying it. Yeah, for me it's like It just— it's
11:31
Speaker2: a nobody for me because it's like,
11:35
Speaker2: maybe it's gonna be better or maybe it might not
11:39
Speaker2: be. So it's kind of like one of those flip of the coins, like if
11:42
Speaker2: I'm Two-Face, you know, and I'm flipping my coin. I feel like that's what
11:46
Speaker2: it's gonna be, is like we don't know, you know, if this is gonna change
11:50
Speaker2: the dynamic for better or for worse. So it's
11:55
Speaker2: really hard to know what's gonna happen with
11:59
Speaker2: this, right? It's like, for me, it's more of just the delaying of
12:04
Speaker2: it is— I don't think it's good to
12:07
Speaker2: delay any movie,
12:10
Speaker2: right? Like, for this type of reason, I can understand.
12:14
Speaker2: But, you know, what are you— you've already done the pre-production
12:19
Speaker2: from that business standpoint, and now you're in production,
12:22
Speaker2: and now— how many months are going to be delayed, or is the director
12:27
Speaker2: going to scrap some things that—
12:28
Speaker1: Well, I think that's why they hired a director,
12:30
Speaker1: so it doesn't delay it,
12:32
Speaker2: right?
12:33
Speaker1: You know, because if they— because
12:35
Speaker1: they don't know when, um, Matt Reeves is going to return,
12:38
Speaker1: so it could have been on an indefinite hold.
12:41
Speaker2: True.
12:41
Speaker1: You know, and then when
12:42
Speaker1: you look at DC Studios and the whole restructuring with James Gunn,
12:46
Speaker1: they have the, uh, The Batman, like James Gunn's Batman,
12:49
Speaker1: coming, coming like out like the year, the year after that.
12:53
Speaker1: So you kind of get those kind of those two things where the studio is
12:56
Speaker1: all like, at this point we're like, we have to get the movie out.
12:59
Speaker1: Yeah, we can't even try
13:02
Speaker1: to push it back, you know. So I think that's just what the situation
13:06
Speaker1: is with bringing in like the other director and, um, just hoping
13:10
Speaker1: things work. But hopefully it doesn't turn out a situation like with the, with the
13:14
Speaker1: Justice League movie, you know.
13:15
Speaker2: That's what I was trying to get at because it
13:18
Speaker2: you know, that whole parallel. Yeah, like what you're saying. And so
13:22
Speaker2: that kind of does make me a little bit nervous in that respect.
13:25
Speaker2: So I'm kind of leaning towards the nobody on this.
13:29
Speaker1: Yeah, I mean, of course, it's never— excuse me— whenever,
13:32
Speaker1: whenever a director gets replaced or something like that, it's never really— or a
13:37
Speaker1: production gets put on hold, and, you know, this is where the conflict of,
13:41
Speaker1: you know, a real-life situation that you can't really you
13:45
Speaker1: can't really— you can't do nothing about it. Something that you can't— that's out of
13:48
Speaker1: your hands, that's out of your control. But now a job is looking at you
13:51
Speaker1: like, well, are you gonna show up or not? And it's like, you know,
13:54
Speaker1: damn. And now you have— now you see somebody else essentially kind of running
13:58
Speaker1: your business that you started, and you're just like, shit, man, don't run this
14:02
Speaker1: into the ground, bro. So yeah, I'm gonna say— I'm gonna give that a— I'm
14:05
Speaker1: gonna give that a, a nobody for me and stuff like that.
14:10
Speaker1: Uh, um, would you almost just see rather than just scrap the movie?
14:13
Speaker2: No, no, I want them to finish the movie, but I just don't
14:16
Speaker2: want like major delay, any further major delays.
14:20
Speaker2: Like we're waiting, like I was looking forward to Blade.
14:24
Speaker1: Okay. Yeah.
14:25
Speaker2: So like, I don't want it to turn into that where it's
14:28
Speaker2: like, now we don't get to experience what was.
14:31
Speaker2: No, I enjoyed the first one. I really liked the first one. And so
14:36
Speaker2: I'm looking forward to the second one.
14:37
Speaker1: No. Yeah, the first one was pretty good.
14:38
Speaker1: I liked the first one. So yeah, Robert Pattinson did a pretty good job as,
14:42
Speaker1: um, Batman. So I'd like to see what he does with the sequel. But like
14:46
Speaker1: I said, after the sequel, that's probably it. That's probably a wrap for him as
14:48
Speaker1: Batman.
14:48
Speaker2: We'll see.
14:49
Speaker1: No, yeah, that's probably right.
14:51
Speaker2: You never know if you throw enough
14:52
Speaker2: money at somebody.
14:53
Speaker1: No, it's a wrap. They already got the— they already got the
14:55
Speaker1: next, uh, they already got the next Batman lined up and all that stuff.
14:57
Speaker1: They gonna see him in, um, the new Superman movie.
14:59
Speaker2: Okay,
15:00
Speaker1: so we'll see about that. And then, um, in other
15:04
Speaker1: news, in other headline news, um, actress Selma Blair— you might have seen her in
15:09
Speaker1: the movie like, um, um, Cruel Intentions and,
15:12
Speaker1: um, Cruel Intentions. That's the
15:15
Speaker1: one. That's the one I know. That's the one she's kissing Sarah Michelle Gellar.
15:19
Speaker1: Uh, but, um, yeah, in this she's using
15:22
Speaker1: her— she's using her mouth for something different this time around and shit. So,
15:25
Speaker1: um, she was, uh, arrested on a flight
15:30
Speaker1: because she had, um, a, a medical emergency and she
15:34
Speaker1: ended up biting one of the flight attendants. Not only
15:37
Speaker1: that, but also was trying to open up the door.
15:41
Speaker2: That's crazy.
15:43
Speaker2: Yeah, it's like you kind of wonder what was going on in that instance.
15:46
Speaker2: Because I don't know too many people that would be in that situation
15:50
Speaker2: to do just that.
15:52
Speaker1: What do you do with that situation?
15:54
Speaker2: Well, I mean, what if
15:55
Speaker1: you're the— what do you do when you're the person
15:57
Speaker1: on the thing and you just all of a sudden, and you just look at
16:00
Speaker1: anybody else, this girl, Selma Blair, just bit somebody. And now she's literally
16:04
Speaker1: trying to kill us all by opening up the damn door and stuff like that.
16:07
Speaker1: And I don't know what it is about flights, man. Something about like, you know,
16:10
Speaker1: airplanes and stuff like that. People, people freak out in the air.
16:13
Speaker2: Well, I think if you know you're gonna do that or have it— I think
16:16
Speaker2: you know that you're gonna do that. So maybe like, I don't think she's sedative
16:21
Speaker2: or—
16:21
Speaker1: I don't think she knew she was gonna do it. I don't think so.
16:24
Speaker1: I think maybe she had a history, maybe like, like mental issues. I don't know.
16:27
Speaker2: Okay.
16:27
Speaker1: I mean, I don't know. I'm not diving into like that area and stuff
16:31
Speaker1: like that, but like, um Um,
16:34
Speaker2: but I just
16:34
Speaker1: think
16:35
Speaker1: it's
16:35
Speaker2: interesting. Like, it's not a typical news report
16:39
Speaker2: that you get, like somebody fighting a flight attendant.
16:41
Speaker1: But you do.
16:43
Speaker1: Maybe just not somebody who's famous, but you'll see it. You see it. You see
16:46
Speaker1: videos all the time on like the internet, like Instagram or TikTok, and just people
16:50
Speaker1: flipping out on air, like going crazy on airplanes.
16:52
Speaker2: People—
16:53
Speaker1: she just happens to be a celebrity, you know what I'm saying?
16:56
Speaker1: But people go crazy on airplanes all the time.
16:58
Speaker2: But biting, the biting aspect
17:01
Speaker2: is just kind of out there to me. It's not like a typical news
17:05
Speaker2: story that I read.
17:07
Speaker1: Mike Tyson. Mike Tyson did it.
17:09
Speaker2: I mean, yeah. I mean, so is this a yeah
17:14
Speaker2: buddy or no buddy?
17:15
Speaker1: I'm all for the biting. I'm a— I'm
17:18
Speaker1: a— as long as she's, um, you know, sane and all that good stuff,
17:21
Speaker1: I'm, I'm all for a good crazy headline every now and then. So I'm down
17:25
Speaker1: for the biting, so I'll give, I'll give that a yeah, buddy, as long as
17:28
Speaker1: she's mentally healthy and stuff like that.
17:30
Speaker2: I'm a nobody if I'm getting
17:32
Speaker2: bitten myself.
17:33
Speaker1: Yeah, but I'll, I'll just sit back like the comedian in
17:36
Speaker1: me would just be sitting back watching. I'm like, yo, this bitch just bit somebody.
17:38
Speaker2: Well, actually, you know, now that I take that back, if I get a lawsuit,
17:43
Speaker2: right, like I get maybe some money.
17:45
Speaker1: Yeah, maybe actually then.
17:46
Speaker1: Yeah, then you can make your, make your next movie and shit.
17:48
Speaker2: All right,
17:50
Speaker1: for sure. And then, um, going on to the next,
17:53
Speaker1: next thing, uh, is some recognition.
17:56
Speaker1: Um, Al Pacino was recently announced as
18:00
Speaker1: the recipient for this year's SAG-AFTRA, aka the Actors Awards,
18:05
Speaker1: Lifetime Achievement Award. So just want to give, um, a quick,
18:09
Speaker1: um, shout out to Al Pacino, the legend in the game.
18:13
Speaker1: He's— you know how many Oscars he was nominated for and lost?
18:27
Speaker2: A lot. Woman. And so maybe not his best
18:31
Speaker2: film, but certainly it was a great performance. So I'm excited
18:35
Speaker2: for him that he's getting acknowledged.
18:37
Speaker1: Yeah. So yeah,
18:38
Speaker1: we'll just highlight that real quick. So we're definitely gonna give it a Yeah
18:42
Speaker1: Buddy. to Al Pacino. Shout out to Al Pacino, uh,
18:46
Speaker1: Lifetime Achievement Award. And let's get
18:49
Speaker1: into, um, in other, in other news, other things going on.
18:54
Speaker1: It was recently announced that The X-Files reboot, uh,
18:57
Speaker1: was officially greenlit, uh, by Ryan— produced
19:01
Speaker1: by Ryan Coogler's Proximity Media, um, going to be released
19:06
Speaker1: on Hulu. Um, so shout out to Ryan Coogler's next
19:10
Speaker1: project coming out right after Sinners. Excited to see, uh,
19:13
Speaker1: what he does with X-Files, man. How you feel about X-Files?
19:16
Speaker2: I'm excited. I'm a
19:17
Speaker2: yeah buddy for this because the biggest thing is I actually enjoyed
19:20
Speaker2: the old one, but I'm excited what Ryan's gonna do
19:24
Speaker2: with this because he's gonna have a new take on it. They're not the same
19:28
Speaker2: characters, so it's gonna be a total new spin. I'm excited
19:33
Speaker2: to see what he's gonna do with it because after seeing Sinners with
19:37
Speaker2: you, man. Like, that was like fantastic,
19:41
Speaker2: right? And so like, that's what's got me so hyped for this because I
19:45
Speaker2: think it's gonna be better than the one in the '90s.
19:48
Speaker1: Yeah.
19:49
Speaker2: And so you've got 2 new actors that I don't—
19:52
Speaker2: I'm not super familiar with. You got Danielle Deadwyler and
19:56
Speaker2: Himesh Patel. Those are the 2 lead actors in this.
20:00
Speaker2: So yeah, I'm excited to see how they work together and what they do.
20:04
Speaker1: No, yeah, I'm excited because Himesh, he was just in, um,
20:08
Speaker1: I thought, wasn't he just in The Odyssey?
20:09
Speaker2: Yes, he was.
20:10
Speaker1: Yeah, he was in
20:11
Speaker1: The Odyssey. And then, uh, and yeah, let me look, we'll see what she was
20:14
Speaker1: up against. But I'm excited just to see, um, it'll be exciting to see what,
20:18
Speaker1: what, what it looks like when, um, when aliens and Black people collide.
20:22
Speaker1: That's what I was excited to see.
20:23
Speaker2: But what's even cool about
20:26
Speaker2: this is that, you know, Coogler wrote it, he's directed it,
20:30
Speaker2: and he's producing it. So he's really putting himself involved
20:34
Speaker2: with this project. And so I'm just excited to see
20:38
Speaker2: what creativity he does with this,
20:41
Speaker2: uh, this series, you know. I'm excited to see it.
20:45
Speaker1: Oh, that's what I remember. I seen her in, um, The Harder They Fall on
20:48
Speaker1: Netflix. That was a good-ass, um, uh, cowboy movie, Western movie.
20:51
Speaker1: So yeah, um, shout out, shout out to, um, them.
20:54
Speaker1: Shout out to Ryan Coogler.
20:56
Speaker2: Absolutely.
20:57
Speaker1: Yeah, I'm excited.
20:58
Speaker1: I'm not really into aliens, but you know, I watch anything that Well, not necessarily
21:02
Speaker1: aliens, but I'm not into— I never watched the original X-Files.
21:03
Speaker2: Okay,
21:04
Speaker1: so,
21:05
Speaker1: um, Ryan Coogler doing it, that's something that'll probably draw me in, which is,
21:10
Speaker1: which is good. He'll draw in a whole, a whole, whole new generation, a whole
21:13
Speaker1: new audience, a whole new generation and stuff like that. And all I have to
21:15
Speaker1: say, all it has to say is from the director and producer of Sinners,
21:18
Speaker1: and people like, oh, we're gonna tune in. I wait to see what that first—
21:22
Speaker1: I look— I wait to see what that first trailer looks like.
21:24
Speaker2: Yes, me too.
21:25
Speaker1: Yeah, we're gonna be on the lookout for that. We're definitely gonna have our Hulu
21:29
Speaker1: subscription update, or at least our neighbors.
21:32
Speaker2: That's a yeah,
21:33
Speaker2: buddy for me. Maybe not for the subscription fee.
21:36
Speaker1: Yeah, no, I'll take it. No, well, for Ryan, we'll do it. Yeah, Ryan will
21:39
Speaker1: do it. So yeah, buddy for that one. And then what we got coming up
21:43
Speaker1: down the pipeline is, is New York the
21:47
Speaker1: new Hollywood? That's what the big question is going on
21:51
Speaker1: right now. A recent article just announced that there's potential for
21:56
Speaker1: New York to take over the—
22:00
Speaker1: be the capital of moviemaking and filmmaking in
22:04
Speaker1: America, United States. I, I personally don't really
22:07
Speaker1: see that happen. I know the numbers are pretty close or whatever, but personally I
22:11
Speaker1: don't really see that happening. But, um,
22:15
Speaker1: shout out to New York
22:18
Speaker2: for sure,
22:18
Speaker2: man. Uh, I would say it's a nobody for me just because,
22:22
Speaker2: you know, we live in California. California. I mean, it's cool for New York
22:26
Speaker2: if you're hustling out there, you know, it's, it's a yeah buddy for you.
22:29
Speaker2: But in this instance, um, you know, you got Miami
22:33
Speaker2: Vice filming there, which I think is interesting,
22:36
Speaker2: um, to film that there as opposed to here.
22:40
Speaker2: Uh, so I'm—
22:41
Speaker1: Or Miami.
22:42
Speaker2: That's what I'm saying.
22:43
Speaker2: Like, why not film it in Miami? I don't know, it's just a
22:47
Speaker2: little odd to me. Uh, but I did read more, and the
22:51
Speaker2: biggest thing is that they have uh,
22:53
Speaker2: increased their sound stages since 2020.
22:57
Speaker2: So they've increased, they've grown that number 43%.
23:01
Speaker2: So they're growing that, right? Like, and they're making just
23:05
Speaker2: as much money as California at this time, right now,
23:09
Speaker2: presently. Right now. And they're saying that it's gonna
23:12
Speaker2: overtake California just because it's like growing
23:16
Speaker2: at such a rapid pace. So it's— I
23:20
Speaker2: don't know if it's going to sustain
23:25
Speaker2: because I think that California still has a stronghold
23:29
Speaker2: here. And so I'm not sure if this one article
23:33
Speaker2: is going to sway me either, buddy.
23:35
Speaker1: So no, I mean, we're still number
23:37
Speaker1: 1 on a down year,
23:38
Speaker2: correct?
23:39
Speaker1: You know, so that's
23:40
Speaker1: the most important thing is that we're still number 1 on a down year.
23:43
Speaker1: So if things is looking up, the tax incentives is going to start to change
23:47
Speaker1: things. Now maybe work in LA will maybe start to dry up because of the
23:50
Speaker1: merger, things are like that, but I don't see as far as like California
23:54
Speaker1: as a whole— like, California is a big-ass state,
23:56
Speaker2: correct?
23:56
Speaker1: You know, it's— we're a
23:58
Speaker1: big-ass state to just say we can't film anywhere
24:02
Speaker1: outside of LA. So, um, I,
24:05
Speaker1: I'll give it a nobody. Like, I don't think that's really gonna
24:09
Speaker1: happen. So no, we, we're not gonna really trip off of that. Um,
24:14
Speaker1: but, um, and last thing, last thing of the Yeah Buddy, Nobody segment,
24:17
Speaker1: just something that we want to just touch on real quickly. We'll bring it up
24:20
Speaker1: more as we get more information about it. Um, but talk about
24:24
Speaker1: this new coalition, or I don't know what you want to call it, but it's
24:26
Speaker1: the, uh, American Entertainment Alliance, which is basically a lot
24:30
Speaker1: of the top agencies in LA are forming together
24:34
Speaker1: to try to force the streaming companies to um,
24:39
Speaker1: allocate 50% of their budget to independent distributions,
24:43
Speaker1: independent productions, and stuff like that. And this is all kind
24:47
Speaker1: of in retaliation to the merger and
24:52
Speaker1: just basically everything that's been going on in LA, really, when you look at just
24:55
Speaker1: how streaming has really taken a stronghold of everything, you know.
24:59
Speaker2: And it's really just a promise, right? Like, nothing's solidified yet.
25:03
Speaker2: Like, this is all promises that,
25:07
Speaker2: you know, we're gonna do 4 movies a year and guarantee
25:11
Speaker2: that for, you know,
25:15
Speaker2: independent filmmakers. And, and so it's
25:20
Speaker2: still— we still don't know, like, this. Yeah. We don't know how this is
25:23
Speaker2: gonna unfold. But it'll be interesting to see how— what
25:28
Speaker2: comes of this, I think.
25:29
Speaker1: Yeah, I think it's definitely a sign
25:32
Speaker1: of seeing just how many people in the industry
25:36
Speaker1: were really against the merger,
25:40
Speaker1: but it was just a lot of, you know, billionaires and they just said,
25:45
Speaker1: we don't care, we're gonna do, do what we want to do. But yeah,
25:47
Speaker1: I think this is really telling for just how people in
25:50
Speaker1: the industry are, you know, now, uh, retaliating against
25:54
Speaker1: the whole merger and what they're doing about that. So it's interesting.
25:59
Speaker1: We'll see how that goes along. We'll, we'll follow that. We don't really have a
26:02
Speaker1: yeah, buddy. Well, I'll give it a yeah, buddy just for them doing it,
26:04
Speaker1: just for them doing that. We'll give that a yeah, buddy and stuff like that.
26:08
Speaker1: And then so, uh, for the next segment we got coming up,
26:12
Speaker1: it is now time for, uh, the box office or
26:16
Speaker1: bombs. This is where we go through and we break down
26:20
Speaker1: the box office, see who was number 1, 2, 3, 4,
26:23
Speaker1: 5. And then we make our predictions to see who's
26:27
Speaker1: going to come out on top this upcoming weekend at the box office. And this
26:31
Speaker1: big— this, this past weekend we had, uh, the newcomer Street Fighter
26:35
Speaker1: debuted at number 1, uh, debut to— was
26:39
Speaker1: about $31 million. $31 million. $31 million, yep, US.
26:42
Speaker1: $51 million, uh, worldwide. Uh, the surprising
26:46
Speaker1: one that came in at number 2 was that the
26:50
Speaker1: documentary about— I think it was like Elizabeth Holmes. uh,
26:54
Speaker1: $15 million.
26:55
Speaker2: Yeah,
26:55
Speaker1: yeah. What was the name of it again? I gotta go back
26:57
Speaker1: and see the name. Let me Google it right now. I got
27:01
Speaker2: it.
27:01
Speaker2: But yeah, no, it's—
27:02
Speaker1: oh yeah, that's right, You Can See Everything. So yeah,
27:04
Speaker1: so Street Fighter came in at number 1. You Can See Everything,
27:07
Speaker1: the documentary about Elizabeth Holmes, came in at number 2 with $15 million.
27:12
Speaker1: Uh, The Other Mommy dropped from number 1 to number
27:16
Speaker1: 3 with $8.3 million. And then the one that was, I guess you
27:19
Speaker1: consider the flop, or the, the, the bomb this past weekend
27:24
Speaker1: was Whalefall, the movie about the dude who gets swallowed by the whale. That movie
27:27
Speaker1: only debuted to $8 million. Another
27:31
Speaker2: Digger.
27:32
Speaker1: Another Digger. That's what I would, um—
27:35
Speaker2: well, yeah, it was about
27:37
Speaker2: the same money.
27:37
Speaker1: It was— yeah, it's about— it's, it's, it's interesting how much,
27:41
Speaker1: like, when these original films come out
27:45
Speaker1: Like, we don't really support them, but they don't really do well.
27:49
Speaker1: But then we get mad, like, talk about original content, original content. Maybe they just
27:52
Speaker1: need to leave original content up to independent creators,
27:56
Speaker1: right? And then they could just worry about the big IPs and, and all
28:00
Speaker1: that jazz. Just let us have the original content. I don't know, but I think
28:03
Speaker1: it's just about, like, knowing how to market it. But that's not really what it's
28:06
Speaker1: about. Street Fighter, it's all about Street Fighter. We don't, we don't care about number
28:10
Speaker1: 5. If you're not first, you're last. Exactly.
28:13
Speaker1: So
28:13
Speaker2: Ricky Bobby,
28:14
Speaker1: Ricky Bobby, baby. So Street Fighter.
28:25
Speaker2: Yeah, I want to check it out because I grew up with the
28:29
Speaker2: video game as a kid. So it's cool that they're
28:32
Speaker2: doing a lot. I've noticed now with, you know,
28:36
Speaker2: Resident Evil and now Street Fighter, they're you know,
28:39
Speaker2: making video games now into movies. And they've been
28:42
Speaker2: doing that for a while, but, uh, this definitely has
28:46
Speaker2: me excited to want to see it.
28:47
Speaker1: Yeah.
28:48
Speaker2: And I think it's going to continue.
28:50
Speaker1: What?
28:51
Speaker2: I think Street Fighter is going to continue to do well in the
28:55
Speaker2: box office.
28:56
Speaker1: I saw it. I thought it was— I thought it was so good.
28:58
Speaker1: I thought it was a good popcorn movie. Story-wise, it was— there's a lot of—
29:01
Speaker1: not actually a lot of problems, but they were just trying to do like too
29:04
Speaker1: much in that movie. They was just trying to put Too many, too many characters,
29:08
Speaker1: too many different storylines, and then to try to like make them all connect
29:13
Speaker1: like in the third act and stuff like that, it was, um, it was a
29:16
Speaker1: lot to jumble around. I was just all like— but it was, it was action-wise,
29:21
Speaker1: it wasn't as— it didn't— the action scenes, the fight scenes were not
29:25
Speaker1: as good as Mortal Kombat.
29:27
Speaker2: Oh wow.
29:27
Speaker1: But that's because Mortal Kombat
29:28
Speaker1: tends to like— is, is R-rated, so they could do all that type of stuff.
29:32
Speaker1: Um, story— storyline-wise,
29:37
Speaker1: said they had a lot of problems. If they was able to kind of,
29:40
Speaker1: um, pick one storyline, because a lot— all the storylines was pretty interesting,
29:43
Speaker1: but if they was able to just hone in on one, maybe two,
29:47
Speaker1: um, that probably would have made it easier to
29:51
Speaker1: watch. Because yeah, the fight scenes weren't that really, um,
29:54
Speaker1: weren't really that exciting compared to like a Mortal Kombat.
29:59
Speaker1: But, um, yeah, no, so yeah, Mortal Kombat was, um, at, at $51
30:04
Speaker1: million this upcoming, this upcoming weekend. It's, uh, this is like
30:08
Speaker1: the big weekend before Halloween weekend, so you know, it's horror movies, horror movies,
30:11
Speaker1: horror movies. The big movie coming out this weekend
30:15
Speaker1: is the new DC movie Clayface.
30:19
Speaker1: Um, it's a horror super—
30:24
Speaker1: not superhero, but it takes, it takes place in the whole Batman universe
30:29
Speaker1: and stuff like that. So if people's not familiar with Clayface, he's a Batman villain,
30:32
Speaker1: um, and this just basically gives his backstory, how he becomes
30:36
Speaker1: a villain. And I don't know, how you feeling about
30:40
Speaker1: this movie?
30:40
Speaker2: I was gonna ask you about it too, because I mean,
30:43
Speaker2: it could go either way, right?
30:45
Speaker1: It could go either way.
30:46
Speaker2: It is Halloween,
30:47
Speaker2: so you're coming out with the horror movie, so you have that aspect
30:52
Speaker2: of it. But then the other thing is, is that going to draw
30:56
Speaker2: enough people, Clayface alone?
30:58
Speaker1: Yeah, yeah. So it
31:00
Speaker1: doesn't matter whether it's a good movie or not. It's just, it's like what,
31:04
Speaker1: what Sony does with Spider-Man,
31:07
Speaker2: right?
31:07
Speaker1: Whenever they,
31:08
Speaker1: they have all those, those, those, those movies that come out that
31:13
Speaker1: take place in the Spider-Man universe with these Spider-Man villains, and but there's no Spider-Man
31:16
Speaker1: to be seen. Like, I was in Venom,
31:20
Speaker1: but Venom was bad. That, you know, say that the character
31:25
Speaker1: Venom was cool, but the movies weren't that good,
31:26
Speaker2: right?
31:26
Speaker1: It's hard to tell a
31:28
Speaker1: Venom storyline without Spider-Man for— to a main audience, you know.
31:32
Speaker1: Of course Venom has his own comic book, his own comic book lore, but to—
31:36
Speaker1: for a wide audience and stuff like that, you can't tell
31:39
Speaker1: Venom without Spider-Man. Hey, we're not even gonna get into Morbius.
31:43
Speaker2: Well, Joker did without Batman. The first Joker was good,
31:47
Speaker2: but Joker's
31:48
Speaker1: different.
31:49
Speaker2: It is different.
31:49
Speaker1: Joker's different.
31:50
Speaker1: Joker's the only villain, only one. The Joker is the only villain
31:54
Speaker1: who's on par, who's just as like
31:57
Speaker1: the yin and yang with Batman and stuff.
32:00
Speaker2: And that's why I brought that up.
32:01
Speaker2: Yeah, because I feel like that's about the only instance where— and
32:06
Speaker2: so this has got me a little skeptical. What do you think? You think this
32:08
Speaker2: is going to be a box office or bomb?
32:10
Speaker1: I think that it's going to
32:12
Speaker1: be a— I think
32:16
Speaker1: it's going to be, uh, I'll say a box office— I
32:20
Speaker1: think it would be box office. We're talking about like debuting at number 1 because
32:25
Speaker1: I don't think it has that much competition or whatever. So I would say,
32:27
Speaker1: I'll say it'd be box office. I'll say it probably debut at about— let's
32:31
Speaker1: see here, uh, I would say Probably
32:36
Speaker1: about like $20 million.
32:37
Speaker2: Okay, so then that's going to be less than their budget
32:40
Speaker2: because their budget was about $30 to $40 million.
32:42
Speaker1: Oh yeah.
32:43
Speaker2: So ideally,
32:43
Speaker2: you'd want to make your money back in that weekend.
32:47
Speaker1: They'll make, they'll make it back, but not in that weekend though.
32:49
Speaker2: I
32:49
Speaker1: think,
32:50
Speaker1: I think they'll do about $20 million.
32:51
Speaker2: Okay.
32:52
Speaker1: I think they're about $20 million.
32:53
Speaker2: I'm gonna go that this is gonna be a bomb. Yeah, I think this is
32:56
Speaker2: gonna tank.
32:57
Speaker1: Okay.
32:57
Speaker2: Yeah, I think we're gonna be looking around $15
33:03
Speaker2: million? Yeah.
33:03
Speaker1: Okay.
33:04
Speaker2: I don't think they're even— I like, they might get
33:06
Speaker2: half their budget back. I just don't know that Clayface is going
33:10
Speaker2: to be enough. The horror aspect is there, that's got
33:14
Speaker2: its potential, but I'm thinking this is going to be a bomb,
33:17
Speaker2: buddy.
33:18
Speaker1: I think the only thing that's going to save it,
33:21
Speaker1: if we're talking about like DC— well, I mean, what might help it is if
33:24
Speaker1: we're just talking about like DC. Like DC has like a lot of good— like
33:29
Speaker1: a lot of attention on it right now. because of what Lanterns just did,
33:32
Speaker1: even though it's not— even though it's not, you know, it's Batman and Green Lantern,
33:36
Speaker1: it's 2 different things, but it's still, you know, the DC world
33:40
Speaker1: or whatever, the whole DC world building type of thing. But then,
33:44
Speaker1: uh, Supergirl— Supergirl bombed. So, so, so we'll see
33:48
Speaker1: how that goes. Um, but yeah, that's how
33:52
Speaker1: I think it's gonna go. I think it's gonna go about $20 million, about $20
33:54
Speaker1: million. That's, that's where I'm going with that. So we'll check back, we'll check back
33:58
Speaker1: with that. Um, We'll check back with that
34:01
Speaker1: one next week and stuff all like that. So we'll see how that goes.
34:04
Speaker1: We'll see how that goes. And then, so that was it, y'all. That was it
34:08
Speaker1: for the Box Office or Bomb. So before we
34:12
Speaker1: do get into the next segment, I do want to make sure and tell y'all
34:15
Speaker1: one more time, go to this, uh,
34:17
Speaker1: yeahbuddyent.com shop to get your Yeah Buddy sweaters,
34:21
Speaker1: hoodies, and all that good jazz, y'all. So now we,
34:24
Speaker1: uh, we're gonna get into what we— I guess this is Um, our favorite part
34:28
Speaker1: of the show. This is
34:31
Speaker1: what we call the, uh, the Mount Rushmore, y'all. This is where we
34:35
Speaker1: just play a game where we just kind of pick a category,
34:39
Speaker1: select 8 topics in that category, and we break down which
34:43
Speaker1: ones we want to be on our Mount Rushmore.
34:46
Speaker1: And we'll just— we just have fun with it. We just have fun with it,
34:49
Speaker1: y'all. So let's get into this right now with the Mount Rushmore game,
34:52
Speaker1: y'all. So, um, See here, let me go first.
34:56
Speaker1: Here's one. So I got right here just because it is Halloween
35:00
Speaker1: season. So this one right here, we're gonna go with, um,
35:04
Speaker1: horror icons. Okay, right here.
35:08
Speaker1: So right now, so for your Mount Rushmore of horror icons,
35:12
Speaker1: we have up first Freddy Krueger.
35:16
Speaker2: Oof. Yeah, it's a powerhouse there.
35:20
Speaker2: A lot of Nightmare on Elm Streets. I was just watching those,
35:23
Speaker2: uh, gonna say I don't
35:27
Speaker2: want that on my Mount Rushmore.
35:29
Speaker1: Okay.
35:31
Speaker1: So next one up, we have Jason Voorhees.
35:37
Speaker1: They just had the Crystal Lake with, um, what's her face,
35:40
Speaker2: right?
35:40
Speaker1: Shout out to
35:41
Speaker1: Linda Cardellini.
35:44
Speaker2: I don't
35:45
Speaker2: want that on my—
35:46
Speaker1: okay.
35:48
Speaker2: Mount Rushmore,
35:49
Speaker2: buddy.
35:49
Speaker1: All right, cool. Next one up we have is Pennywise.
35:54
Speaker2: I'm gonna— I would like that on my Mount Rushmore. I think
35:59
Speaker2: I like It. So yeah,
36:03
Speaker2: I'm gonna keep that.
36:04
Speaker1: Okay.
36:07
Speaker1: Next one up we have Chucky the doll.
36:10
Speaker2: Oh, I gotta have
36:11
Speaker2: that on my Mount Rushmore. Child's Play. Come on.
36:14
Speaker1: All right, for sure.
36:17
Speaker1: On there. Next one up, we have Carrie. They just had
36:21
Speaker1: the reboot on Amazon right now.
36:24
Speaker2: I don't
36:25
Speaker2: think I want Carrie on my mountain.
36:27
Speaker1: You don't like Carrie?
36:28
Speaker2: I mean,
36:28
Speaker2: it's not that I don't like Carrie. I like Stephen King, but not
36:32
Speaker2: enough. I would probably go with Freddy over Carrie.
36:36
Speaker1: Okay, so you have, um, you pick 2,
36:40
Speaker1: pick 2, you got 2 more with 3 choices.
36:42
Speaker2: Okay,
36:43
Speaker1: so next
36:44
Speaker1: one up, we got Michael Myers.
36:45
Speaker2: Absolutely on my Mount Rushmore.
36:48
Speaker2: That's, that's 100%. Yeah,
36:54
Speaker1: 100%. All right, next one up, we got the, the many different faces
36:58
Speaker1: but one face, Mr. Ghostface from
37:02
Speaker1: Scream.
37:03
Speaker2: Um,
37:06
Speaker2: I'm gonna risk it, and I'm gonna say I don't want
37:09
Speaker2: that on my Mount Rushmore. I'm gonna go with the last one.
37:12
Speaker1: Okay, so the ones you choose to keep off
37:16
Speaker1: your Mount Rushmore is Freddy Krueger, Jason Voorhees,
37:20
Speaker1: Carrie, and Ghostface. And so your Mount
37:23
Speaker1: Rushmore of horror icons are Pennywise
37:27
Speaker1: the Clown, Chucky the doll,
37:31
Speaker1: Michael Myers from Halloween, and Leatherface from
37:35
Speaker1: Texas Chainsaw Massacre.
37:36
Speaker2: Not bad. I probably would—
37:38
Speaker2: yeah, I might have changed a little bit, but, uh, not too bad.
37:42
Speaker1: Yeah,
37:42
Speaker1: that's not bad. That's not bad.
37:44
Speaker2: All right, well, I've got some
37:46
Speaker2: for you, buddy.
37:47
Speaker1: Okay.
37:47
Speaker2: Uh, it's gonna be the Mount— we were talking about Batman
37:51
Speaker2: earlier, so this is going to be the Mount Rushmore of Batman films.
37:55
Speaker1: Okay.
37:56
Speaker2: First up, we've got The Batman with Robert Pattinson.
38:01
Speaker1: Uh, nah, we keep that one off.
38:02
Speaker2: All right, next one is
38:04
Speaker2: Batman and Robin, George Clooney.
38:10
Speaker1: You know what, just for good nature, I'm gonna put that one on.
38:12
Speaker2: Oh wow.
38:12
Speaker1: Just for good nature, I'm gonna put that one on there. Just for good nature.
38:15
Speaker1: Yeah, just, just for the fuck of it.
38:17
Speaker2: Okay.
38:17
Speaker1: I'll put that on there.
38:18
Speaker2: Next one up, I grew up with this as a kid, Batman Forever.
38:22
Speaker1: Batman Forever with Val Kilmer? No, no,
38:25
Speaker1: no.
38:26
Speaker2: Okay. Uh, for your Mount Rushmore, uh,
38:29
Speaker2: Batman v Superman, Ben Affleck.
38:32
Speaker1: Batman v Superman.
38:36
Speaker1: Um, yeah,
38:39
Speaker1: yeah, yeah, yeah, yeah, I'll put that on my Mount Rushmore.
38:42
Speaker2: Oh, wow.
38:43
Speaker2: Uh, then we got Lego Batman Movie, Will Arnett voiced
38:47
Speaker2: it.
38:49
Speaker1: Um, I like that one. That was a good
38:50
Speaker1: movie, but I'll pass.
38:51
Speaker2: All right. Uh, so, so far you've kept 2
38:55
Speaker2: on your Mount Rushmore. You've got Batman Begins,
38:58
Speaker2: Christian Bale. Um,
39:01
Speaker1: I'll pass.
39:05
Speaker2: Okay.
39:06
Speaker2: Uh,
39:06
Speaker1: how many more, Doc?
39:07
Speaker2: You got 2 more. So actually, you've got
39:10
Speaker2: to keep these next 2. So your Mount Rushmore right
39:14
Speaker2: now is you got Batman and Robin, You've got
39:19
Speaker2: Batman and Superman, and you're,
39:22
Speaker2: you're gonna have Batman, the original 1989
39:26
Speaker2: Michael Keaton.
39:27
Speaker1: Okay.
39:28
Speaker2: And The Dark Knight.
39:29
Speaker1: Yeah, that's not bad at all.
39:30
Speaker2: So I'll take that. What? That's fantastic.
39:32
Speaker1: That's good. You get a little bit of everything.
39:34
Speaker2: You did well with the final
39:36
Speaker2: 2.
39:36
Speaker1: Yeah, I'll take it. No, Batman, Batman and Robin is underrated. So,
39:39
Speaker1: okay. All right, cool. So this next one we have
39:43
Speaker1: up This one is— I call this, this is the Mount
39:46
Speaker1: Rushmore of what could have been. And this is basically actors that
39:50
Speaker1: turned down famous roles.
39:52
Speaker2: Oh wow, cool. So interesting
39:54
Speaker2: one.
39:54
Speaker1: This is gonna be an interesting one. So the first one up is actually
39:58
Speaker1: a double header. Um, it's Will Smith, and he did— and
40:02
Speaker1: he turned down Django and Neo in The Matrix.
40:07
Speaker1: Would you like to see him as— play one of those 2?
40:11
Speaker2: No,
40:11
Speaker1: no, you'll take them
40:13
Speaker2: off? No,
40:14
Speaker2: I don't want to see that. I'm sorry, buddy.
40:17
Speaker2: It's all good, no
40:19
Speaker1: worries.
40:23
Speaker1: Next one up we have— this is funny— Amy
40:27
Speaker1: Schumer as Barbie.
40:30
Speaker2: That's a no.
40:31
Speaker1: No,
40:31
Speaker2: that's a no.
40:31
Speaker1: You don't want to? You don't want to? She was originally—
40:33
Speaker1: she was originally going to play Barbie, but they gave it to Margot Robbie.
40:35
Speaker2: Yeah, I think that was a better— okay.
40:38
Speaker1: Yeah. All right,
40:40
Speaker1: uh, next, what could have been, um, Halle Berry in Speed.
40:43
Speaker2: Okay, now we're talking.
40:44
Speaker1: She was supposed to play Sandra Bullock's character.
40:46
Speaker2: Now we're talking.
40:47
Speaker2: Let's put Halle Berry on my Mount Rushmore.
40:49
Speaker1: You got her up there for what
40:50
Speaker1: could have been?
40:51
Speaker2: We want to see. That's— that's— I feel great about that
40:54
Speaker2: selection.
40:54
Speaker1: We want to see— we wanted to see Halle driving the bus. Yeah,
40:57
Speaker1: that's what we want to see. Yeah, yeah. Next one up, we have Matt Damon
41:06
Speaker1: Did you ever see Jason Bourne as Jake Sully?
41:07
Speaker2: No,
41:08
Speaker1: no,
41:09
Speaker2: no, no,
41:10
Speaker2: no.
41:11
Speaker1: All
41:11
Speaker2: right, that's a no, buddy.
41:12
Speaker1: All right, so that means
41:14
Speaker1: you got to keep these next ones.
41:15
Speaker2: I gotta keep— so I got one.
41:18
Speaker1: Oh, that's right, because I did— because Will Smith was 2. That's right, I forgot.
41:21
Speaker1: Yeah,
41:25
Speaker1: that's right, because I did— Will Smith was 2. So you— so you cut both
41:28
Speaker1: of those.
41:29
Speaker2: Oh,
41:29
Speaker1: that's what I meant.
41:30
Speaker2: Oh yeah, whoops.
41:32
Speaker1: Yeah,
41:32
Speaker2: that's all right.
41:33
Speaker1: Yeah, but you was gonna cut both of them anyways.
41:35
Speaker2: I was.
41:35
Speaker1: So yeah, so then you keep these next 3.
41:38
Speaker2: Okay. All
41:38
Speaker1: right, so, so once you tell us to, uh,
41:42
Speaker1: keep popping Mount Rushmore was Will Smith as Django and Will Smith
41:45
Speaker1: as Leo.
41:45
Speaker2: Correct.
41:46
Speaker1: Amy Schumer as Barbie, Matt Damon as,
41:49
Speaker1: um, Avatar. And your Mount Rushmore
41:53
Speaker1: of what could have been is Halle Berry in Speed,
41:56
Speaker1: Al Pacino as Han Solo.
41:58
Speaker2: Okay.
41:59
Speaker1: Michael Jackson
42:00
Speaker1: as Spider-Man. And Denzel Washington in Seven.
42:04
Speaker1: He's supposed to— I think he's supposed to be Brad Pitt's character.
42:06
Speaker2: I feel good
42:07
Speaker2: about Denzel, but I'm not sure about Michael Jackson.
42:10
Speaker1: He was trying to
42:11
Speaker1: buy— he was trying to buy— he was trying to play— he was trying to
42:13
Speaker1: buy Marvel so he could play Spider-Man.
42:20
Speaker2: I wonder if it would have been a musical.
42:21
Speaker1: It would have been, it would
42:22
Speaker1: have been, it would have been funny to see.
42:25
Speaker2: For sure. For sure.
42:28
Speaker2: Being that it's Halloween, I also have Halloween for you.
42:32
Speaker2: And the best Halloween movies for your
42:36
Speaker2: Mount Rushmore. First up, we've got Beetlejuice.
42:41
Speaker1: Oh, no, that's okay. I'll pass.
42:42
Speaker2: You're gonna pass on that?
42:43
Speaker1: Yeah.
42:44
Speaker2: Next one, we got Candyman with the newer one.
42:48
Speaker2: Uh, the original, but the, the newer one. Yeah, came out about
42:52
Speaker2: 20—
42:52
Speaker1: Yeah, I saw it. I saw that. Um, it's just about like if this
42:55
Speaker1: original, man— I mean, if it's the reboot, you always kind of want to go
42:58
Speaker1: with the original, but, uh, it's a
43:00
Speaker2: reboot.
43:00
Speaker1: I'm gonna go— I, I, you know,
43:02
Speaker1: I'll keep that. I'll put that— I'll put that on my Mount Rushmore.
43:04
Speaker2: Okay.
43:05
Speaker2: Uh, next up for your Mount Rushmore, we got The Corpse Bride.
43:09
Speaker1: The Corpse— I don't even remember watching that. I know what it is, but I
43:12
Speaker1: don't even think I ever watched that one. No, I could— no, I could do
43:15
Speaker1: without it.
43:15
Speaker2: All right, then we got next up is the newer It.
43:19
Speaker1: The newer It?
43:20
Speaker2: Yes. Uh,
43:21
Speaker1: I'm not really much a fan of clowns,
43:27
Speaker1: but I'll put up— I'll put that up there
43:30
Speaker1: on my Mount Rushmore.
43:31
Speaker2: Okay, next up, this is kind of old school. See if
43:34
Speaker2: you remember this one, The Craft.
43:36
Speaker1: Oh yeah, I remember The Craft.
43:37
Speaker2: Okay.
43:39
Speaker1: Uh, no, I'll pass. No.
43:40
Speaker2: All right, next one up,
43:42
Speaker2: one of my favorites, uh, The Addams Family.
43:46
Speaker1: Original Addams Family.
43:48
Speaker2: Yes, back in the '90s.
43:51
Speaker1: Um, I'll pass.
43:52
Speaker2: Oh, all right,
43:54
Speaker2: so you've got to keep these next 2. Sorry.
43:57
Speaker2: Mount Rushmore is— you got Candyman,
44:02
Speaker2: you've got, uh, It. You've got
44:06
Speaker2: Scream, the original.
44:07
Speaker1: I'll take Scream.
44:07
Speaker2: And Get Out.
44:08
Speaker1: Oh yeah, no, that's good.
44:10
Speaker2: I'm winning.
44:10
Speaker1: Good, I'm winning. Yeah, that's good.
44:11
Speaker2: There you go.
44:12
Speaker1: That's winning. Nice job,
44:13
Speaker1: buddy. All right, all right, all right. For sure. Cool. All righty
44:18
Speaker1: then, y'all, that was it, man. This was this episode of the Yeah Buddy Podcast.
44:21
Speaker1: I hope y'all had a great episode, uh, tuning in. We had a lot of
44:24
Speaker1: hot topics going on. We had a great game of Mount Rushmore. We'll soon—
44:28
Speaker1: we'll tune in next time, see how we did with the box office bomb.
44:31
Speaker1: We'll see how, um, Clayface, um,
44:34
Speaker1: measures up or whatever, you know what I'm saying? Is it going to need some
44:36
Speaker1: plastic surgery afterwards? We'll see, we'll see how it goes or whatever.
44:40
Speaker1: But, um, like I said, man, thank y'all for tuning in. Hope to catch y'all
44:43
Speaker1: into the next episode, man. My name's been Buddy Ramming. You can follow me,
44:46
Speaker1: follow me at yeahbuddyent.com
44:50
Speaker1: and @yeahbuddyent on all social media handles.
44:54
Speaker1: Uh, Brandon, show the people, tell the people where they can follow you at.
44:56
Speaker2: Hey everybody, uh, Brandon Larson. You can follow me on Instagram
45:00
Speaker2: @brandolarsen. All right, thanks guys.
45:02
Speaker1: Yep, yep,
45:04
Speaker1: sure, man. That's like I say, y'all, it's been the episode. I've been Buddy,
45:07
Speaker1: man. I'll catch y'all next time, y'all.