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164: David Jonsson Is The New Black Panther · The Bald Brothers Podcast

• 0:00
  Speaker 1: All right, what up? Y'all boy came on stage. This
• 0:03
  Speaker 1: is the Bod Brothers Podcast, New and improved. So me
• 0:07
  Speaker 1: and Tony talked about this. You know, we we want
• 0:10
  Speaker 1: to do uh more movie stuff, movie topics if there's
• 0:15
  Speaker 1: not a big movie because Spider Man came out two
• 0:18
  Speaker 1: weeks ago, the other big releases was like Man stall
• 0:21
  Speaker 1: us out. We're gonna let Spider Man have its uh
• 0:24
  Speaker 1: have its day. It's brand new day. So me and
• 0:29
  Speaker 1: Tony gonna talk about movie news. All right, there's a
• 0:32
  Speaker 1: lot of new movie news talking about we missed this.
• 0:35
  Speaker 1: This happened the weak of Spider Man, but we didn't
• 0:37
  Speaker 1: cover it. Then you got the movie the comedy from that.
• 0:41
  Speaker 1: We was talking off camerabout the Last Good Time. It
• 0:43
  Speaker 1: was a comedy. So I asked Tony, what was the
• 0:44
  Speaker 1: funny movie ninety four?
• 0:46
  Speaker 2: I had. I had random Year because comedies.
• 0:49
  Speaker 1: Used to be so oh, you're Mike Tone just just
• 0:54
  Speaker 1: chopping it up. So we was talking.
• 0:58
  Speaker 2: I was just like, there used to be several big
• 1:00
  Speaker 2: comedies every year when it came to the highest grossing
• 1:03
  Speaker 2: movies of the year, and I just I told him
• 1:05
  Speaker 2: just pick a random year back in the day. And
• 1:08
  Speaker 2: he picked ninety four and in the top twenty highest
• 1:12
  Speaker 2: grossing movies of the year. There are six comedies in there.
• 1:15
  Speaker 2: Grumpy Old Man, hang A'sventur Pet Detective.
• 1:20
  Speaker 1: That's the first one.
• 1:21
  Speaker 2: Now I'm going, I'm going from twenty up.
• 1:23
  Speaker 1: So I mean it's the first.
• 1:25
  Speaker 2: Yes, oh yeah, yeah, my bad A'sventur, Missus Doutfire mask.
• 1:34
  Speaker 2: Uh wait, miss Doutfire came out in ninety three, but
• 1:38
  Speaker 2: it's still slit up in this ninety four list. Grumpy
• 1:41
  Speaker 2: Old Man came out in ninety three too. Hold on,
• 1:43
  Speaker 2: let me do in year releases, Hold on.
• 1:44
  Speaker 1: I pressure cord.
• 1:48
  Speaker 2: It's not recording. Let's see one, two, three, four.
• 2:00
  Speaker 1: Oh shoot, I meant to tell y'all. Got the next clip?
• 2:02
  Speaker 2: Ready?
• 2:04
  Speaker 1: The clip A little same?
• 2:05
  Speaker 2: Okay? So has grow some comedies in ninety four, The
• 2:10
  Speaker 2: Naked Gun, thirty three and the third.
• 2:13
  Speaker 1: I love that movie, The Nigga Gun Leslie Nielsen Man.
• 2:18
  Speaker 1: There's so many funny clips from that serious clips. That
• 2:22
  Speaker 1: money thing when he was give me twenty dollars, I
• 2:25
  Speaker 1: might remember it. Then the dude asked him for the
• 2:27
  Speaker 1: twenty day. What should tell you?
• 2:29
  Speaker 2: Maybe this is a sweeten the deal. I don't know
• 2:34
  Speaker 2: then why you're asking me why should I tell you? Man?
• 2:39
  Speaker 2: He bought it and he ain't it back genius.
• 2:42
  Speaker 1: It's funny because lady Neilson plays it straight.
• 2:45
  Speaker 2: That's that's the.
• 2:46
  Speaker 1: That's yo, what you like. You don't like the already
• 2:48
  Speaker 1: forced comedy he was Lessie Nielsen is never trying to
• 2:51
  Speaker 1: be funny, and that's why it is uh drebbing Drevin.
• 2:55
  Speaker 2: Yeah, Frank Dribbon Drevin.
• 2:57
  Speaker 1: Is dead serious about the case. Man, He's not playing around.
• 3:01
  Speaker 2: You see that clip where he pulled up and he
• 3:04
  Speaker 2: parked but the air bag went off and then he
• 3:06
  Speaker 2: got the car with the car was still in drive,
• 3:08
  Speaker 2: so it was driving crazy. He was like he started
• 3:11
  Speaker 2: shooting at the car. Somebody was just driving wild. He's
• 3:14
  Speaker 2: like the kind a piece together. It was his czer
• 3:21
  Speaker 2: because he was like, did y'all get the license place
• 3:23
  Speaker 2: in that car? Damn it? Damn anyway.
• 3:28
  Speaker 1: So Petron is just the same link, y'all. I just
• 3:30
  Speaker 1: kept the same link. I ain't felt like sending a
• 3:31
  Speaker 1: new link. We recording it like the new link. We
• 3:34
  Speaker 1: already was watching it, y'all, which is just relaxed. It's
• 3:37
  Speaker 1: the same link. But once I know what I'm doing
• 3:40
  Speaker 1: Naked Gun thirty Yeah.
• 3:42
  Speaker 2: Full Weddings in the Funeral, Ace Material, the Mask, Dumb
• 3:50
  Speaker 2: and Dumber, the Flintstones, the Santa Claus.
• 3:54
  Speaker 1: Oh, dang, And that wouldn't be the case. It is
• 3:57
  Speaker 1: ninety four, It's been some years. It would probably be
• 4:00
  Speaker 1: the last five years.
• 4:02
  Speaker 2: Let's look at it.
• 4:03
  Speaker 1: You ain't probably had five comedies in the top ten
• 4:05
  Speaker 1: of the box office in the last five years. Listen,
• 4:08
  Speaker 1: maybe longer.
• 4:09
  Speaker 2: Let's look at twenty twenty five, real quick, bad Joe.
• 4:12
  Speaker 1: I can't even tell you what comedies came out that year.
• 4:15
  Speaker 1: This is nerdy and we're talking about straight theaters, straight theater,
• 4:19
  Speaker 1: straight comedy movie.
• 4:21
  Speaker 2: Last year. Damn, I'm just going through. Is this one?
• 4:28
  Speaker 2: Pull on and make sure in year release? Okay, still
• 4:34
  Speaker 2: looking yeah, still Freaky or.
• 4:40
  Speaker 1: Friday, Freaky Friday, Jamie Lee Curtis, Jamie Lee Curtis. And uh,
• 4:44
  Speaker 1: that was last year.
• 4:45
  Speaker 2: That was last year. This is the twenty third. Dang,
• 4:49
  Speaker 2: it's twenty three on the highest grosses. What are the
• 4:51
  Speaker 2: gross It made ninety four million domestically one hundred and
• 4:56
  Speaker 2: fifty three million worldwide.
• 4:58
  Speaker 1: But you also think about we didn't have this many
• 5:02
  Speaker 1: sequels nor superhero movies in the like in ninety four,
• 5:07
  Speaker 1: you wouldn't have this many superhero movies.
• 5:11
  Speaker 2: Yeah, and then and then and then the comedies that
• 5:14
  Speaker 2: named it wasn't that many sequels.
• 5:16
  Speaker 1: Yeah, it's big.
• 5:17
  Speaker 2: If you do a non sequel comedy last year.
• 5:20
  Speaker 1: Oh god, original comedy is a streaming movie. Now, if
• 5:25
  Speaker 1: it's an original comedy, it's more than likely gonna be
• 5:27
  Speaker 1: a streaming streaming.
• 5:28
  Speaker 2: Movie one of them days. That's probably the only one
• 5:31
  Speaker 2: one of them days. Is the highest grossing original comedy.
• 5:35
  Speaker 1: And what did it gross?
• 5:37
  Speaker 2: It made fifty million domestically, one point eight internationally fifty one.
• 5:44
  Speaker 1: Point eight million. So East of them can say they
• 5:46
  Speaker 1: have the number one original comedy in theaters last year.
• 5:50
  Speaker 2: Yeah, for sure. Wow, because the Naked Gun is they
• 5:54
  Speaker 2: redid that?
• 5:55
  Speaker 1: But sure that was the sequel. Yeah wow. On the low,
• 6:01
  Speaker 1: Tony just sounds fine to me. That's hilarious. Wait what
• 6:05
  Speaker 1: did somebody comment to that? Tony just sound fine to.
• 6:07
  Speaker 2: Me, Brandon?
• 6:12
  Speaker 1: All right, So here's the first thing we want to
• 6:14
  Speaker 1: talk about on the movie tip David Johns is the
• 6:17
  Speaker 1: Black Panther. Yes, caused quite the hell of blue tone.
• 6:21
  Speaker 1: What are your thoughts?
• 6:23
  Speaker 2: Well, for one, I like the fact that they cast
• 6:26
  Speaker 2: somebody that's not already big.
• 6:30
  Speaker 1: You do like that?
• 6:31
  Speaker 2: I do like that.
• 6:32
  Speaker 1: Oh A lot of people don't like that.
• 6:33
  Speaker 2: I like it because I feel like it just gives
• 6:37
  Speaker 2: him more room to establish himself as a Black Panther
• 6:41
  Speaker 2: where we're not comparing him other performances and other works.
• 6:46
  Speaker 2: He's coming there yet. Of course he has stuff on
• 6:48
  Speaker 2: his resume, but it's like Chadwick Boseman. He had other
• 6:52
  Speaker 2: stuff on his resume when he was cast as Black Panther,
• 6:54
  Speaker 2: but it wasn't like Major forty two and then Third
• 7:03
  Speaker 2: Good Marshall. He might even did Third Good after the
• 7:06
  Speaker 2: Black Panther. I can't remember.
• 7:08
  Speaker 1: Remember chad was early career, he was he was always
• 7:10
  Speaker 1: playing somebody else though, BIOI.
• 7:13
  Speaker 2: You know what I'm saying. And so Black Panther is
• 7:16
  Speaker 2: something that he can come into his own with. And
• 7:19
  Speaker 2: I feel like with David Johnson, like a lot of
• 7:21
  Speaker 2: people don't know who he is, a lot of people
• 7:23
  Speaker 2: haven't even seen him, not one movie that he's been.
• 7:26
  Speaker 1: In because he's when The Long Walk, The Long Walk?
• 7:31
  Speaker 2: Did you see that?
• 7:31
  Speaker 1: I ain't see it. I wanted to watch before today,
• 7:33
  Speaker 1: but I didn't get you see Alien Romulus. I've only
• 7:36
  Speaker 1: seen him in Industry. He's great in Industry, Okay, I
• 7:39
  Speaker 1: haven't seen that. Oh yeah, he's fantastic, Okay, okay, But
• 7:43
  Speaker 1: that's why I didn't. I was like, I already knew
• 7:46
  Speaker 1: I liked him, and Industry has a really good cast
• 7:50
  Speaker 1: and he's he's he's good. He holds his own. I
• 7:54
  Speaker 1: wouldn't say he holds his own. He does his thing.
• 7:56
  Speaker 1: I'm gonna watch both of those though, before The Black Panthers.
• 7:58
  Speaker 2: Alien Romulus was the first time I've seen him, and
• 8:01
  Speaker 2: he was good. Yes, he was like the best part
• 8:04
  Speaker 2: of the film to me. And I like, I'm a
• 8:05
  Speaker 2: fan of the franchise, but they be taking ls franchise. Yeah,
• 8:10
  Speaker 2: they be like Prometheus is good, and the Alien Covenant
• 8:14
  Speaker 2: was just like what y'all trying to do? And the
• 8:16
  Speaker 2: Alien Three sucked, and the Alien Resurrections just like and
• 8:19
  Speaker 2: then the Alien Predator movies like what y'all doing?
• 8:22
  Speaker 1: And that's your people, that's your favorite movie?
• 8:25
  Speaker 2: The first two Alien movies.
• 8:26
  Speaker 1: Yeah, cree with a cry. But see, once you go
• 8:28
  Speaker 1: sequel SEQ with McGee man, you you run out of
• 8:31
  Speaker 1: the source material. A lot of times you just you
• 8:34
  Speaker 1: just like, what else can we do with in the franchise? Yeah,
• 8:36
  Speaker 1: so you don't always hit Predator too. They made a
• 8:39
  Speaker 1: lot of Predator movies. The last one was good. You said, yes, Yeah, it.
• 8:44
  Speaker 2: Was like I feel like franchises can work. They just
• 8:48
  Speaker 2: gotta do it right. Man. You don't have to be
• 8:50
  Speaker 2: raggedy in the franchise game. You can have a good friend,
• 8:53
  Speaker 2: like Mission Impossible. Man, there's not a Mission Impossible that sucks.
• 8:57
  Speaker 1: No, I like something more than the others. Sure, but
• 9:00
  Speaker 1: they're all They're solid movies. If anytime I went to
• 9:04
  Speaker 1: the theaters Mission Possible, I've never been like, man, what
• 9:06
  Speaker 1: the hell? I don't like? I don't like the AI
• 9:10
  Speaker 1: and you had the other guy was already good. Just
• 9:12
  Speaker 1: give it all to him. I don't want a faceless villain. Man.
• 9:17
  Speaker 1: The other guy was good, but his whole thing is
• 9:19
  Speaker 1: to get to the AI is the villain in my life.
• 9:24
  Speaker 1: I don't want it. Ain't no face to it, ain't
• 9:26
  Speaker 1: know you gotta have a face.
• 9:27
  Speaker 2: Even though Terminator is technically AI, but he got a
• 9:32
  Speaker 2: face to that skeleton with the red eyes coming.
• 9:35
  Speaker 1: I need the alien person l tron Tron. He's AI,
• 9:39
  Speaker 1: but he's a face. He can physically harm you. He
• 9:43
  Speaker 1: can pull your neck house and people don't like the
• 9:48
  Speaker 1: Ultron movie. I love Old Tron.
• 9:51
  Speaker 2: I didn't love.
• 9:52
  Speaker 1: The movie, but I liked it. But I love James
• 9:55
  Speaker 1: Spader's voice. He's great, so he really liked him. He's
• 9:59
  Speaker 1: so good at Ultron, he's good at Robert California in
• 10:03
  Speaker 1: the office.
• 10:04
  Speaker 2: He just has a good voice. Since the eighties.
• 10:08
  Speaker 1: I was like, yeah, he's great. I watched a Blacklist.
• 10:12
  Speaker 1: It was fantastic. I was like, and I love me
• 10:14
  Speaker 1: a procedural show.
• 10:15
  Speaker 2: He was great in the Boston Legal.
• 10:18
  Speaker 1: I ain't watching.
• 10:21
  Speaker 2: Him and William Shadder had a great chemistry. Yeah, yeah,
• 10:24
  Speaker 2: it was fine.
• 10:25
  Speaker 1: But people wanted Damnson Idris. I wanted it too.
• 10:30
  Speaker 2: I was like, yeah, I don't think, not that it
• 10:33
  Speaker 2: wasn't him.
• 10:33
  Speaker 1: I'm like, all right, cool, but see I don't think
• 10:37
  Speaker 1: I don't I like Damnson right, But I once I
• 10:41
  Speaker 1: saw the Children of Blood and Bone casting months ago,
• 10:44
  Speaker 1: was like, he not gonna be the background. That's too
• 10:46
  Speaker 1: close to each other. I don't imagine he would want
• 10:50
  Speaker 1: to be into fictional African country movies back to back
• 10:57
  Speaker 1: like that. And they're saying girl.
• 10:59
  Speaker 2: That girl did it. The girl that's in the Woman
• 11:02
  Speaker 2: King is in the Blood and Bone Joint.
• 11:04
  Speaker 1: I see. I think that's different though. I think Dampson's
• 11:07
  Speaker 1: gonna have access to more roles. She you're talking about
• 11:10
  Speaker 1: Lahawna Lynch?
• 11:11
  Speaker 2: No, was her too?
• 11:13
  Speaker 1: It's two of them.
• 11:14
  Speaker 2: It's the it's the short lead. Who was Woman King? No,
• 11:17
  Speaker 2: not that one, the main the main girl, not Davis,
• 11:21
  Speaker 2: not Lashawanna Lynch.
• 11:22
  Speaker 1: But the next girl, the main girl she's in.
• 11:27
  Speaker 2: Uh, she's also in the Blood and Bone Joint.
• 11:30
  Speaker 1: She's her too. So she's the main character in the
• 11:34
  Speaker 1: Button Bone.
• 11:35
  Speaker 2: Yeah, so she bagged it back to But see, I.
• 11:38
  Speaker 1: Think Damnson, I think Damnson this is he ain't told
• 11:41
  Speaker 1: me this, He ain't text me in a minute forever.
• 11:44
  Speaker 1: I think Damnson is one of the people who's vying
• 11:47
  Speaker 1: for the next big black movie star. And I think
• 11:52
  Speaker 1: he's probably competing right now only with Michael B.
• 11:55
  Speaker 2: Jordan Michael Michael B.
• 11:58
  Speaker 1: Jordans. I was thinking about this on my talk today
• 12:01
  Speaker 1: as Sidney Poitier was phasing out because he was the
• 12:04
  Speaker 1: black guy actually probably him and James Earl Jones was like,
• 12:08
  Speaker 1: we are the premier roles. Probably Sidney was the guy
• 12:11
  Speaker 1: sure after him, it was like Denzel and Denzel's staying
• 12:15
  Speaker 1: power has been a long time, but Denzel is seventy
• 12:19
  Speaker 1: years old right now. So I feel like it was
• 12:22
  Speaker 1: Michael B. Jordan, it was Jonathan Major's and it was
• 12:27
  Speaker 1: Damson who were like Vine. So your roles, what you
• 12:31
  Speaker 1: pick and how good those things are is going to
• 12:35
  Speaker 1: determine whether people think you are the guy. And I
• 12:38
  Speaker 1: think Michael B. Jordan with that Sinners, that was just
• 12:43
  Speaker 1: Sinners plus the Oscar Win. Right. I feel like Damson
• 12:48
  Speaker 1: Dampson was good in F one. He was really good
• 12:51
  Speaker 1: opposite of Brad. So I feel like Black Panther is good.
• 12:55
  Speaker 1: But I feel like people they take you down or
• 12:59
  Speaker 1: not if you're acting. If you're in a superhero movie,
• 13:04
  Speaker 1: that's that's that's Marvel. Yeah, because it's like Christian Bell
• 13:06
  Speaker 1: and Batman, like that Batman gonna sell even though I
• 13:09
  Speaker 1: think Christian Bell did a great job in Batman, They're
• 13:11
  Speaker 1: not gonna credit you personally, no, But Children of Blood
• 13:14
  Speaker 1: and Bone, if you carry what is to most people,
• 13:18
  Speaker 1: most people I don't imagine didn't read the book. Most
• 13:20
  Speaker 1: people I don't know what's going on. Yeah, I don't.
• 13:23
  Speaker 2: Know what this movie is. I don't know what's happening
• 13:25
  Speaker 2: the children, or the blood or the bone. I don't
• 13:28
  Speaker 2: know the heath of globin. I don't know the platelets.
• 13:32
  Speaker 2: I don't know the calcium and the bones. I don't
• 13:34
  Speaker 2: know if it's our stealsis arthritis. I don't know nothing
• 13:37
  Speaker 2: about nothing. I don't know if it's chicken bones, t bone, steaks.
• 13:40
  Speaker 2: I don't know if it's bone. I don't know if
• 13:42
  Speaker 2: it's busy, lazy, crazy, you know what I'm saying. I
• 13:46
  Speaker 2: don't know if it's fly.
• 13:48
  Speaker 3: Dog.
• 13:49
  Speaker 2: Yeah, I don't know dog.
• 13:51
  Speaker 1: I don't know millball.
• 13:53
  Speaker 2: It could be all kinds, could be anything.
• 13:55
  Speaker 1: We're not against rap. We're not against rappers, but we
• 13:58
  Speaker 1: are against those thugs.
• 13:59
  Speaker 2: I don't know what I'm walking into right most.
• 14:02
  Speaker 1: I don't think what you will do. But I saw
• 14:04
  Speaker 1: black people.
• 14:05
  Speaker 2: I saw black magic. Africa's man.
• 14:08
  Speaker 1: I said, read, dread.
• 14:10
  Speaker 2: Signed up, sign me up.
• 14:13
  Speaker 1: She's the only one with this power.
• 14:15
  Speaker 2: Click, that's it. I'm in else.
• 14:17
  Speaker 1: But I saw I saw Damnson. Uh Damnson is Viola Davis?
• 14:22
  Speaker 1: It yes, La Davis. When they double dipping man, they
• 14:29
  Speaker 1: went from women came up. See woman came on your story,
• 14:32
  Speaker 1: Jenna Price, what directors? Come on, I'm not guy, Come on,
• 14:39
  Speaker 1: I be I'm not a director, but you I'm gonna
• 14:41
  Speaker 1: cast that nigga. I saw that. Christmin Nolan has the
• 14:45
  Speaker 1: same people. Boy, let me make movie. See if Tony
• 14:47
  Speaker 1: to make.
• 14:47
  Speaker 3: Her selm Most star directors, that Scorsese, everybody you can
• 14:56
  Speaker 3: think of that's a that's a director, that's just now
• 14:59
  Speaker 3: their journeyman director.
• 15:00
  Speaker 2: They just be directed whatever. Yeah, if it's a star director.
• 15:05
  Speaker 1: They go back to the well come Tarantino, he he
• 15:09
  Speaker 1: done had Michael Michael Mason.
• 15:12
  Speaker 2: And Sam Jackson is his guy.
• 15:15
  Speaker 1: Sam Jackson's been in, been in the most Man, he
• 15:19
  Speaker 1: been in Tough.
• 15:20
  Speaker 2: He's been in Jackie Brown, Post Fiction, Glorious Bastards, the Hateful.
• 15:24
  Speaker 1: Y Jangle Chain. That's his guy.
• 15:27
  Speaker 2: He keep coming back to Sam.
• 15:28
  Speaker 1: Jacks, Sam Jackson, Nigga Tarantino want to Yeah. They'd be like,
• 15:32
  Speaker 1: I say, I.
• 15:33
  Speaker 2: Like the way you say niggas so hard, this is
• 15:35
  Speaker 2: so hard.
• 15:37
  Speaker 1: Yeah.
• 15:37
  Speaker 2: And then Martin Scorsese, de Niro and the cap and Caprio,
• 15:43
  Speaker 2: and then he had them both let me get you both.
• 15:45
  Speaker 1: Yeah, and and and uh, Christopher Nolan. He doesn't had
• 15:50
  Speaker 1: Anne Hathaway. And for Michael Kaine and Michael Kaine has
• 15:53
  Speaker 1: been in like age.
• 15:55
  Speaker 2: Michael Kaine is his guy.
• 15:56
  Speaker 1: Michael Killy Killian Murphys is second guy. Because Michael kan
• 16:01
  Speaker 1: was in everything, but he was in all Batman.
• 16:04
  Speaker 2: Surprise, wasn't in this latest joint.
• 16:07
  Speaker 1: And honesty he should have been the butler and Marion.
• 16:10
  Speaker 2: Should have been something. Just give Michael Kane and then
• 16:13
  Speaker 2: somehow just hadn't drowned in the Trojan Horse something, maybe
• 16:17
  Speaker 2: he could be Calypso, yeah, he delivered his flowers.
• 16:24
  Speaker 1: But yeah, I didn't have People were like yo. We
• 16:26
  Speaker 1: was talking about this on Instagram. Peoples like, Damnson can't
• 16:29
  Speaker 1: sell no, I mean not Damnson. David can't sell no tickets.
• 16:32
  Speaker 1: We both said the same thing. I don't think you
• 16:34
  Speaker 1: you don't have to sell tickets. And Ryan Cougler is
• 16:39
  Speaker 1: a director selling ticket for his life. Now he is
• 16:44
  Speaker 1: an our tour pulling up on Ryan Coogler. Ryan Cougler,
• 16:48
  Speaker 1: if he don't have a stocking Imax, they should give
• 16:52
  Speaker 1: it to him because he's single handedly sold so many
• 16:56
  Speaker 1: IMAX tickets. By calmly explaining just how sure I was like.
• 17:02
  Speaker 2: My folks didn't give a damn about Imax.
• 17:06
  Speaker 1: Right, Cooper make that video?
• 17:07
  Speaker 2: It was like, man, what kind of show start? I
• 17:09
  Speaker 2: don't give about no Max? I Max?
• 17:12
  Speaker 1: Who was that?
• 17:14
  Speaker 2: Max?
• 17:14
  Speaker 1: Well? Misten?
• 17:15
  Speaker 2: I like Maxwell? First out, they give a damn about
• 17:20
  Speaker 2: I Max. Then Ryan Coogan was like all right, sure,
• 17:25
  Speaker 2: and we were just like hell yeah, hell yeah, cause
• 17:28
  Speaker 2: I love movies and I go to Imax and I'd
• 17:30
  Speaker 2: be like, let me get that Imax. I'm with the
• 17:31
  Speaker 2: premium visuals. I still didn't fully know.
• 17:34
  Speaker 1: I didn't either. It worked. I said, so you're telling
• 17:38
  Speaker 1: me I Max go up?
• 17:39
  Speaker 2: Yeah, I got you. I Max go up.
• 17:44
  Speaker 1: Yeah, that's what you had to tell me because I
• 17:46
  Speaker 1: know what I Max is bigger than I thought. It was,
• 17:48
  Speaker 1: big white, big white, loud. All I care about saying,
• 17:52
  Speaker 1: hey y'all, I Max go up?
• 17:55
  Speaker 2: Yeah? I said, say what Ry Ryan the cooler he
• 17:59
  Speaker 2: put us on.
• 18:00
  Speaker 1: He put us on in the calmest way.
• 18:02
  Speaker 2: Now, when when when Christopher Nolan with the full Imax
• 18:07
  Speaker 2: we are we already know when, yes.
• 18:10
  Speaker 1: Because that it's gonna go up. You see, Agamemnon's the
• 18:12
  Speaker 1: whole thing, whole thing. You know, the cameras allowed Agamemnon.
• 18:17
  Speaker 1: You're gonna see his whole hat. Yeah, because it go up.
• 18:20
  Speaker 1: It goes up because they ain't go I think you
• 18:23
  Speaker 1: saw I saw the man. They still.
• 18:30
  Speaker 2: Turn around. This all so.
• 18:32
  Speaker 1: Bro in l A. It was crazy people was having
• 18:36
  Speaker 1: to go three am. I don't care about the full
• 18:38
  Speaker 1: thing that much. I can see regular movie. Get to
• 18:40
  Speaker 1: seven a man, watch and I gona be up. That's right,
• 18:45
  Speaker 1: Like I can't watch the movie at no. Seven man,
• 18:48
  Speaker 1: that's early up though I've been up for two hours.
• 18:52
  Speaker 1: But seven am, it's wrong with it. You can't eat
• 18:55
  Speaker 1: popcorn at seven that's weird. And I can't have no
• 18:59
  Speaker 1: movie without popcorn.
• 19:00
  Speaker 2: I give you that.
• 19:01
  Speaker 1: It's just wind.
• 19:02
  Speaker 2: When you watch a movie that early, you got your
• 19:05
  Speaker 2: whole day.
• 19:06
  Speaker 1: Now that part I like about that part. I do
• 19:09
  Speaker 1: like the Imax still sold out today, the good seats
• 19:13
  Speaker 1: they were still sold I'm like, bro, watch, I'm not
• 19:15
  Speaker 1: going to Universal City either. There's no Imax right right
• 19:19
  Speaker 1: right by my No.
• 19:20
  Speaker 2: No, you got to go to University.
• 19:21
  Speaker 1: I I'm not. Yeah, And it's the parking. And there's
• 19:27
  Speaker 1: two things. If it was far by, parking was good,
• 19:30
  Speaker 1: I go. If it was it was close, but bad parking.
• 19:33
  Speaker 1: I go parking and it's yeah, you're a Universal studio.
• 19:38
  Speaker 2: In the park and goofy oh, man, I'm they got
• 19:42
  Speaker 2: up in there. It's like the little cartoon I'm talked
• 19:46
  Speaker 2: over here wood it wouldna.
• 19:50
  Speaker 1: So, No, I think Black Panther is gonna be fine.
• 19:52
  Speaker 1: I am glad. Are you glad they recast the Black Panther?
• 19:55
  Speaker 1: Sure it was she took the mantle, which they do
• 19:57
  Speaker 1: say she did in the comics.
• 19:59
  Speaker 2: We needed to child Man, like, I get the respect,
• 20:03
  Speaker 2: you know, of losing Chadwick, because it's deeper than just
• 20:08
  Speaker 2: replacing him. But to childa has to live on within
• 20:11
  Speaker 2: the Marvel universe. Now, no actor is bigger than the IP.
• 20:15
  Speaker 1: And here's what I think people are not giving Ryan
• 20:18
  Speaker 1: Coogler credit for. To your point, Chadwick Boseman died like
• 20:24
  Speaker 1: in real life, he was in the script and Chadwick
• 20:28
  Speaker 1: also was a private person, So they are both grieving
• 20:33
  Speaker 1: Chadwick personally because they actually had a personal relationship. I didn't.
• 20:37
  Speaker 1: But there's no public funeral for Chadwick Boseman. So they basically,
• 20:43
  Speaker 1: within the Marvel cinematic universe make a Marvel movie, and
• 20:49
  Speaker 1: what amounts to a public funeral for Chadwick Boseman. I
• 20:55
  Speaker 1: feel like they did it. They did what is the impossible.
• 20:58
  Speaker 2: Given what they were given the hand that was deal Man,
• 21:03
  Speaker 2: fantastic movie. A lot of people be like, what do
• 21:07
  Speaker 2: you expect?
• 21:08
  Speaker 1: What could they do when they just not moving on? Like, oh,
• 21:11
  Speaker 1: let's just recast them Like Chadwick wasn't a real person
• 21:13
  Speaker 1: like bro. That's a very callous approach to somebody who was.
• 21:17
  Speaker 1: They spent years with him. Them movies, Them is a
• 21:20
  Speaker 1: year's long process if you consider how long from shooting
• 21:23
  Speaker 1: to prep I mean to post production and then the marketing.
• 21:29
  Speaker 1: That's their friend in real life. Y'all just wanted to
• 21:32
  Speaker 1: recast them. With anybody else to do that. There's no
• 21:35
  Speaker 1: other franchise where the person died while they were in
• 21:40
  Speaker 1: production or pre production for the movie and they were
• 21:43
  Speaker 1: recast like that. No other film franchise has ever had
• 21:46
  Speaker 1: to have that happened, ever, So they dealt a crazy hand.
• 21:50
  Speaker 1: I feel like they did it amazingly, And it's okay.
• 21:52
  Speaker 1: They didn't recast him in that movie. They had to
• 21:55
  Speaker 1: honor him, So they made a film about grief. I'll
• 21:58
  Speaker 1: never see it again, but has less to do with
• 22:01
  Speaker 1: them and more to do with My brother died when
• 22:03
  Speaker 1: that movie came out, So I can't go. Once Rianna
• 22:06
  Speaker 1: start singing, I'm big tears McGee, all four of us
• 22:09
  Speaker 1: me listening to Bustleman to let me up.
• 22:12
  Speaker 2: It was like, I feel like we was really at
• 22:16
  Speaker 2: the funeral Man.
• 22:17
  Speaker 1: We was in there. I went back, though I doubled it,
• 22:20
  Speaker 1: I couldn't do it.
• 22:21
  Speaker 2: I went back and I got more emotional the second viewer.
• 22:25
  Speaker 2: I was just like, because I was holding together the
• 22:27
  Speaker 2: first time that second time, man, I was just like,
• 22:35
  Speaker 2: it was just man.
• 22:37
  Speaker 1: So it was so much going. It was too much.
• 22:40
  Speaker 2: But I've always said that, but to child, it has.
• 22:44
  Speaker 1: To be recaped, and I always thought they would. I
• 22:47
  Speaker 1: just didn't think they would do it immediately. I feel
• 22:49
  Speaker 1: like they handled it with care. Yeah, and David. I
• 22:51
  Speaker 1: think it's gonna be in good hands with David John's.
• 22:54
  Speaker 1: I think his son raising up. David Johns looks younger
• 22:59
  Speaker 1: than he is. He's like thirty five. He looks young,
• 23:02
  Speaker 1: but I think like they age up toucsant to stamp. Yeah.
• 23:09
  Speaker 1: I don't know how old how they'll do that, but
• 23:11
  Speaker 1: I'll be excited to see it. And I think black
• 23:13
  Speaker 1: Panther guaranteed to get a billion dollars.
• 23:15
  Speaker 2: Here's here's my thing, though, here's what I want for
• 23:18
  Speaker 2: Black Panther. I want good fight choreography less CGI. That's
• 23:24
  Speaker 2: all you say, because that's my only thing. On the
• 23:28
  Speaker 2: Black Panther franchise storyline, they always nail it. They always
• 23:33
  Speaker 2: nail it with cast ensemble. Like even they more was great.
• 23:37
  Speaker 1: It was fantastic, you know what I'm saying.
• 23:39
  Speaker 2: They had a good fight scene with a coyer on
• 23:42
  Speaker 2: the bridge or whatever. But then when you get to
• 23:47
  Speaker 2: the final battle, it's just gooy It's just gooy man.
• 23:52
  Speaker 2: And then the first one, yeah, Black Panther on Black
• 23:55
  Speaker 2: Panther fight it was gooey. It was I'm just like,
• 23:59
  Speaker 2: I want better fight for.
• 24:01
  Speaker 1: I agree, I agree. I got no calls with you there,
• 24:04
  Speaker 1: all right? Moving on, it's rumored Jamie Lawson, who played
• 24:12
  Speaker 1: oh her character's name in Centers Escaping Me.
• 24:15
  Speaker 2: Couchie Eating, she got a couchie ate in sentence, what's
• 24:19
  Speaker 2: her name? She got her hot coochie ate in the
• 24:24
  Speaker 2: summer time South Perle. She walked to the venue and
• 24:29
  Speaker 2: he ate that coucie. That's what her name is. Is
• 24:35
  Speaker 2: her name cheated on her husband, got her coochie ate.
• 24:39
  Speaker 2: She went out that night, cheated on her husband and died.
• 24:43
  Speaker 2: Her husband is at home, like, where's my wife at? Man?
• 24:46
  Speaker 2: Not only did she die that night horribly, she also
• 24:51
  Speaker 2: cheated on you playing and you will never know what happened.
• 24:55
  Speaker 2: All you know is my wife died. She ain't came back.
• 24:58
  Speaker 2: And this is I don't know. I don't know when
• 25:00
  Speaker 2: you're gonna get words that your wife died. This ain't
• 25:04
  Speaker 2: ain't no cnn, ain't gonna be nobody, Yo, you are
• 25:06
  Speaker 2: what happened at the juke joint? Nobody knew, just her
• 25:10
  Speaker 2: preacher for it. She just ain't coming home where my
• 25:12
  Speaker 2: wife goes? He did she run off with somebody where
• 25:15
  Speaker 2: she would have ran off because she got a cootch
• 25:18
  Speaker 2: egg and breach. Your boy might have wrote a song
• 25:20
  Speaker 2: about it.
• 25:21
  Speaker 1: Oh, he was gonna write there so he might be
• 25:22
  Speaker 1: singing and not knowing about his wife.
• 25:25
  Speaker 2: Yep, he like I love this song.
• 25:27
  Speaker 1: Got my coochie hate dude in the Missississippi. He in
• 25:31
  Speaker 1: some hot boxing husband like hot hot boxes my cut
• 25:36
  Speaker 1: number six on the on the set try and used to.
• 25:39
  Speaker 2: Give my lead wife hot box and sold it, and
• 25:43
  Speaker 2: so did he.
• 25:45
  Speaker 1: Let him? Do you know it's about per lead Yeah,
• 25:52
  Speaker 1: and women.
• 25:52
  Speaker 2: And women, y'all just let that ride. You're trifling heat y'all.
• 25:57
  Speaker 2: Was just like, yeah, girl, yeah. Letter had been a
• 26:02
  Speaker 2: two times to do. See that's a problem, man, man,
• 26:06
  Speaker 2: I always no good. She walked up to that venue.
• 26:11
  Speaker 1: Perline was a cold piece. Man.
• 26:14
  Speaker 2: He was like, let me eat theuc I got to
• 26:17
  Speaker 2: see what it taste like. Knowing me, I would have been like,
• 26:20
  Speaker 2: you walked here, let's make up. I would have made it.
• 26:28
  Speaker 1: Out with you, would assess the situation.
• 26:29
  Speaker 2: I would have been how long?
• 26:31
  Speaker 1: How long is the walk? How long is the walk?
• 26:33
  Speaker 1: Would you take? It was in Mississippi cause she was
• 26:35
  Speaker 1: walking mouth for shure, she walked a good three folks.
• 26:37
  Speaker 1: She was in the community.
• 26:38
  Speaker 2: I would say, three mile walk.
• 26:40
  Speaker 1: It's Missippi, right, Mississippi mouth.
• 26:45
  Speaker 2: No no wipe down.
• 26:46
  Speaker 1: Wie down man, Mississippi from the town from the tap,
• 26:51
  Speaker 1: no filter, nothing. How many miles of Mississippi could you
• 26:55
  Speaker 1: take before you say I can't eat it?
• 26:57
  Speaker 2: Blocks?
• 26:58
  Speaker 1: Blocks like you gotta ut the stand back of the day.
• 27:01
  Speaker 1: They don't have many options. Now that couchie right there
• 27:04
  Speaker 1: for the taking. She don't have time to wash up
• 27:07
  Speaker 1: blocks ain't nothing, that ain't nothing.
• 27:09
  Speaker 2: But then she walked miles in the Mississippi heat.
• 27:11
  Speaker 1: She walked. She walked. I'm gonna say she walked about
• 27:13
  Speaker 1: five four five because the juke joint was way out.
• 27:18
  Speaker 2: It was way out us and she walked and she.
• 27:21
  Speaker 1: Was here with it looking at her. She was she
• 27:26
  Speaker 1: was hoffing at booty cheek, switching like you be walking
• 27:28
  Speaker 1: on your walk.
• 27:29
  Speaker 2: And they already dance that night, and they danced. So
• 27:32
  Speaker 2: she walked miles and dance.
• 27:34
  Speaker 1: That thing was simmer.
• 27:41
  Speaker 2: Couchie was singing the blues. Her Coochie had a cigarette dangling,
• 27:50
  Speaker 2: like what you need is to eatnings to hear you.
• 27:53
  Speaker 2: You need to put your lips on n That Cuchie
• 27:56
  Speaker 2: was just schegg. I would have been like, man, let's
• 28:02
  Speaker 2: make it was like, come on, I would have smashed though.
• 28:06
  Speaker 1: Oh you would have spaper, you wouldn't go eat. Yeah,
• 28:09
  Speaker 1: but you ain't give me no mileage.
• 28:11
  Speaker 2: And I've definitely put the pipe somewhere that my mouth
• 28:14
  Speaker 2: wouldn't go.
• 28:14
  Speaker 1: Yeah, for sure, your voice, man, my voice is my livelihood.
• 28:19
  Speaker 2: Man, my mouth, my mouth is my bread.
• 28:23
  Speaker 1: But you're not gonna get sick. It's just gonna be tangy.
• 28:26
  Speaker 2: It's just.
• 28:31
  Speaker 1: Come on, man, come on, man, turn this Mississippi. Man,
• 28:37
  Speaker 1: I just.
• 28:37
  Speaker 2: Can't be giving it. You hang it out, Willy Lilly. Man,
• 28:39
  Speaker 2: you got to be right down there to get the
• 28:41
  Speaker 2: head from me.
• 28:43
  Speaker 1: So in your regular life there is it only post
• 28:46
  Speaker 1: shower right now, or you could be laying around.
• 28:48
  Speaker 2: You ain't do nothing that day. No, it don't have
• 28:50
  Speaker 2: to be fresh out the shower. You can't just be
• 28:52
  Speaker 2: walking in the Mississippi heat for miles and then be
• 28:55
  Speaker 2: like that's gonna be season right there, No rents, let me.
• 29:01
  Speaker 2: I need to wipe down. It's a long walk, man,
• 29:07
  Speaker 2: it's a.
• 29:07
  Speaker 1: Curby enthusiastic episode. Come on, man.
• 29:09
  Speaker 2: I wouldn't expect the woman to just be I'd be like, hey, hey,
• 29:12
  Speaker 2: now I'm walking mines in Mississippi. I't fighting for sure. Hey,
• 29:16
  Speaker 2: that's for sure. I'm not gonna feel comfortable enough.
• 29:19
  Speaker 1: I couldn't do it because I feel like nah nah,
• 29:22
  Speaker 1: hey man, No you don't know where I finished it. Man,
• 29:26
  Speaker 1: put you all it because I don't walk for five miles.
• 29:29
  Speaker 1: I couldn't even do that to you.
• 29:30
  Speaker 2: We can have our salty puts together, but don't bring,
• 29:34
  Speaker 2: don't bring your face.
• 29:35
  Speaker 1: I got this all. You got the vinegar. We can
• 29:37
  Speaker 1: smash it together. Yeah, but you can't go straight to
• 29:40
  Speaker 1: the source. Nah, hell, man, I love you too much.
• 29:44
  Speaker 1: I love you too much.
• 29:45
  Speaker 2: You never get a second chance to make a first impression.
• 29:47
  Speaker 2: This is the debut.
• 29:48
  Speaker 1: But what she was like, I don't care, I don't care.
• 29:49
  Speaker 2: Tone, I'm if you just hop on it.
• 29:54
  Speaker 1: Just ride me.
• 29:55
  Speaker 2: Just ride me here in his bathroom. Just ride me, girl,
• 29:59
  Speaker 2: Just ride me.
• 30:00
  Speaker 1: Need to go.
• 30:02
  Speaker 2: He't neither way, man, Just give me the full ride.
• 30:06
  Speaker 1: Excuse the full right scholarship.
• 30:08
  Speaker 2: Rids got warm books? Come on, man, how on man bookstore?
• 30:14
  Speaker 1: I get a hoodie or two.
• 30:16
  Speaker 2: And they went raw. That's the only way to go.
• 30:19
  Speaker 1: There ain't no prophylactics in Mississippi. With vampires are a foot,
• 30:23
  Speaker 1: you don't have time for no condomns. I don't think they.
• 30:26
  Speaker 1: I don't think they. They have condoms readily available. I
• 30:31
  Speaker 1: don't know when the collumns became readily available, because what
• 30:35
  Speaker 1: the center said early nineteen hundreds, nineteen twenty or something
• 30:40
  Speaker 1: like that.
• 30:42
  Speaker 2: During during the prohibition ere so the teens in the twenties.
• 30:46
  Speaker 1: Yeah, so when the Connums become like I could go
• 30:50
  Speaker 1: into a store of Mississippi and just buy a condom.
• 30:54
  Speaker 2: Connums became widely available in the mid eighteen fifties at
• 30:58
  Speaker 2: the George at the charge that was good Year patting
• 31:01
  Speaker 2: to vulcanized rubber, and the.
• 31:04
  Speaker 1: Same good Year that make tires.
• 31:05
  Speaker 2: I think, so the year was in on the condom
• 31:09
  Speaker 2: good Yeah, it's rubber. It's rubber here and the rubber
• 31:12
  Speaker 2: industry availability. But like further in the nineteen twenties, with
• 31:16
  Speaker 2: the invention of liquid Latex, I saw them cheat, thin
• 31:21
  Speaker 2: and disposable.
• 31:22
  Speaker 1: That's what I'm talking about. When could have the average
• 31:24
  Speaker 1: American go into a store and buy them modern availability.
• 31:28
  Speaker 2: Nineteen thirties Latex manufacturing allowed fast cheat.
• 31:32
  Speaker 1: That makes some mass production.
• 31:34
  Speaker 2: So they was down there, you know what I'm saying,
• 31:36
  Speaker 2: smashing row pretty much. And then commins became in the fifties,
• 31:39
  Speaker 2: they became a primary form of birth control for married couples.
• 31:43
  Speaker 2: And then in the nineteen eighties the HIV AIDS turned
• 31:46
  Speaker 2: condoms into mainstream public health items.
• 31:49
  Speaker 1: And now now we're talking, I want to cover some
• 31:52
  Speaker 1: more stuff. Whether the episode ends, Maherschela Ali yes, he
• 31:57
  Speaker 1: had something to say about Blade. So prior to that,
• 32:00
  Speaker 1: Kevin Foggy was like, yo, one of my biggest like
• 32:03
  Speaker 1: mess ups as the head of mcu IS. I never
• 32:05
  Speaker 1: could figure out the Blade movie. Sound like he was
• 32:07
  Speaker 1: trying to fall on the sword himself. Yeah, they kept
• 32:11
  Speaker 1: asking maherschel about it. Maherscheler came out and said, look, man,
• 32:15
  Speaker 1: it was a very black response. I read the quote.
• 32:19
  Speaker 1: I didn't hear, but he was like, man, they got
• 32:20
  Speaker 1: bills of dollars. Man, they wanted to make blade, they
• 32:23
  Speaker 1: would have made blade. Stop asking me about Blade. I
• 32:26
  Speaker 1: was training. I had the soress. My interpretation, I had
• 32:29
  Speaker 1: the sword trading for over a year because they had
• 32:31
  Speaker 1: tried to put it on Myharscheler like the script he
• 32:33
  Speaker 1: was trying to man. Maharscheld said, who got the billions? Do?
• 32:36
  Speaker 1: I got the bills to do? Marvel got the billion?
• 32:38
  Speaker 2: Right?
• 32:38
  Speaker 1: If they wanted to make blade, they would have made it.
• 32:41
  Speaker 1: And I ain't heard nothing else since.
• 32:45
  Speaker 2: That's all you need to say. This speaks for you.
• 32:47
  Speaker 1: Everybody Black was like, well, I mean, I ain't got
• 32:50
  Speaker 1: the billion.
• 32:51
  Speaker 2: If they wanted to make it, they would have made it.
• 32:52
  Speaker 2: If they wanted to make all this other shit, Ever
• 32:55
  Speaker 2: since they announced Blade, they have made eighty five items
• 32:59
  Speaker 2: and series that sucked.
• 33:02
  Speaker 1: Eight episodes of all kinds of stuff.
• 33:05
  Speaker 2: Shea Huk was absolute garbage. Several episodes Secret Wars not
• 33:12
  Speaker 2: Secret Wars? What's the Captain Falcon?
• 33:15
  Speaker 1: Now?
• 33:15
  Speaker 2: The one with the one would a Fury Nick Fury
• 33:20
  Speaker 2: coming back? It was a series Wars. No, it was
• 33:24
  Speaker 2: a series on Disney Plus.
• 33:25
  Speaker 1: It was like, actually, yeah, I ain't even tap I
• 33:28
  Speaker 1: didn't even know about that even put up on now Invasion,
• 33:32
  Speaker 1: secret Invasion.
• 33:33
  Speaker 2: What was the name of it, Chatworth?
• 33:35
  Speaker 1: Somebody said invasion? Is that was that the name? Though?
• 33:39
  Speaker 2: Secret Invasion? Yeah, secret Invasion episode. My seasons are Loki.
• 33:44
  Speaker 1: I tapped out Moon Tonight, didn't finish.
• 33:48
  Speaker 2: The Little Girl Marvel, Miss Marvel.
• 33:51
  Speaker 1: Didn't finish I was I was out, man.
• 33:54
  Speaker 2: I finished Moonnight, I finished Captain America and Talking in
• 33:59
  Speaker 2: the Winter.
• 34:00
  Speaker 1: Happed out big time on that one. Isaiah Brady, you
• 34:03
  Speaker 1: don't understand what that shield me to me? Sean, I
• 34:07
  Speaker 1: was like, man, I'm out. Falcon ain't even that important
• 34:11
  Speaker 1: to me. Falcon and Bucky and Man, Man, I don't
• 34:15
  Speaker 1: unless you don't know what I had to do. I said, Man,
• 34:18
  Speaker 1: I'm out, and that's not why I was out. I
• 34:19
  Speaker 1: was just like, I don't care about Falcon and Bucky
• 34:22
  Speaker 1: got going. Man, I don't care what Falcon and Bucky
• 34:26
  Speaker 1: got going. Man. Falcon and Bucky got to be with
• 34:29
  Speaker 1: other niggas. Man. We had Falcon's sister's house in New Orleans.
• 34:32
  Speaker 1: Man turned on the lights. I didn't care about adventures. Man,
• 34:40
  Speaker 1: a lot of stuff to watch to Falcon and Bucky's adventures.
• 34:43
  Speaker 2: I was like, did you did you? Did you watch
• 34:45
  Speaker 2: hawk Man?
• 34:47
  Speaker 1: Hell? Noah? I watched the episode of that. I had
• 34:49
  Speaker 1: the same thought. Hawkeye's daughter is Arrow's girl. I was like,
• 34:53
  Speaker 1: who cares? That's Errow's nigga. Ain't even the nigga. Man,
• 34:57
  Speaker 1: I ain't care about Hawkeye when the real people was
• 34:59
  Speaker 1: in there, y'all want to follow his daughter? I'm out.
• 35:05
  Speaker 1: She was like the quiver. I was like, I was
• 35:07
  Speaker 1: at home, like, man, watch out, y'all follow and the
• 35:12
  Speaker 1: actress was good? Was it Hailey Steinfield? No? No?
• 35:14
  Speaker 2: No?
• 35:15
  Speaker 1: Was it?
• 35:15
  Speaker 2: Yeah?
• 35:16
  Speaker 1: I was just like, I just don't care, man. I
• 35:19
  Speaker 1: just turned the TV off and stayed there for the
• 35:23
  Speaker 1: amount of hour. Moon Night No, I didn't start Moonnight.
• 35:27
  Speaker 2: I just all you watch was vision in scholar.
• 35:29
  Speaker 1: With I like visit. I watched Loki.
• 35:34
  Speaker 2: You completed the first season, not the second second season?
• 35:37
  Speaker 1: King wasn't in it. No, I finished most season Loki. Okay, Yeah,
• 35:41
  Speaker 1: I like Loki and I'm like, oh, Wilson and my
• 35:44
  Speaker 1: girl was in there from Sinners. Yeah, I didn't mind Loki. Uh,
• 35:51
  Speaker 1: that's probably it. I didn't. I didn't finish agathol Along.
• 35:54
  Speaker 2: I never even started.
• 35:56
  Speaker 1: I wasn't cueing him up tone because I just was like,
• 35:59
  Speaker 1: here's here, how it be. If I see a trailer,
• 36:01
  Speaker 1: I'm interested. I'll be like, okay, let me let me
• 36:02
  Speaker 1: tap it out, check it out. And if I don't
• 36:05
  Speaker 1: see a trailer, then people are like, yo, you gotta
• 36:08
  Speaker 1: check it out, like that's ninety seven. I saw that,
• 36:10
  Speaker 1: but I was like, I really, but then you was
• 36:13
  Speaker 1: talking about it. Then everybody was talking about So once
• 36:15
  Speaker 1: I start feeling like I'm missing out, I'm like, well,
• 36:17
  Speaker 1: I'm missing something good. But I never was feeling like that.
• 36:21
  Speaker 1: People who was watching movie, they was like, yeah, it
• 36:23
  Speaker 1: was cool, it was cool, and it's just like it
• 36:25
  Speaker 1: was cool not enough today because there's something else that's good.
• 36:30
  Speaker 1: So it's just too many things. It was just like
• 36:32
  Speaker 1: it was cool, so I wasn't tapping in. But I
• 36:34
  Speaker 1: agree with you. I think that's why they didn't make Blade.
• 36:36
  Speaker 1: I think Marble was all over the place. They was
• 36:39
  Speaker 1: trying to make sure that the Disney Plus subscriptions was justified,
• 36:45
  Speaker 1: and I think they underes overestimated how much they could
• 36:52
  Speaker 1: do with these ancillary characters. And it was like, bro,
• 36:56
  Speaker 1: it's because they was also making the movies, and I
• 36:59
  Speaker 1: was like, I got to see the movie movies and
• 37:00
  Speaker 1: there was a couple of movies that I wasn't feeling too,
• 37:03
  Speaker 1: So the series made even less sense to me. To
• 37:05
  Speaker 1: my Herschel's point, if y'all wanted to make Blade, you could.
• 37:09
  Speaker 2: Man and Blade would have did well.
• 37:11
  Speaker 1: I do feel like that.
• 37:13
  Speaker 2: But I feel like they was gonna Disney this ship up.
• 37:15
  Speaker 2: I wonna mose parts.
• 37:16
  Speaker 1: No, no, no, I agree if they.
• 37:18
  Speaker 2: Wasn't gonna make it raided all Man, get the fuck
• 37:20
  Speaker 2: up bout of here. Man, don't don't give me that
• 37:24
  Speaker 2: Disney horseshit. When he softening his blade is rubber, he
• 37:27
  Speaker 2: gonna be like the Ninja Turtles with Leonardo could never
• 37:30
  Speaker 2: let loose because he got the guitar. Blade so he's
• 37:32
  Speaker 2: just useless on the Yes, they never got to use
• 37:35
  Speaker 2: the web, never action movie and the Turtles.
• 37:38
  Speaker 1: I didn't even know this until much later. The Turtles
• 37:40
  Speaker 1: start off as a graphic novel. They was killing, They
• 37:44
  Speaker 1: was chink, no love, but they was killing killing.
• 37:48
  Speaker 2: You can't have weapons like that and not use them
• 37:50
  Speaker 2: to the fullest. I get down to tell them, Michael Angelow,
• 37:53
  Speaker 2: because they got wood pieces. But like Raphael and Leonardo
• 37:57
  Speaker 2: is killing folks. You don't have a sword that you're
• 38:01
  Speaker 2: not chopping and stabbing. What's the point of the sword play.
• 38:05
  Speaker 1: There's nothing. There's no point. And Shredder got all that
• 38:09
  Speaker 1: stuff too. He got stabbed.
• 38:11
  Speaker 2: You and then he cutting you in the elevator. S Well,
• 38:17
  Speaker 2: oh sorry, y'all. I'll be apologizing to the foot playing
• 38:21
  Speaker 2: all the time. I was shredded. On top of that,
• 38:26
  Speaker 2: he'd cut somebody's throat because he was animated. Because once
• 38:30
  Speaker 2: you say that, on top of that, and then this guy, he's.
• 38:35
  Speaker 1: The iron thrown I tell them, people sitting on the
• 38:37
  Speaker 1: iron throw that be getting cut all of Shredder.
• 38:40
  Speaker 2: Is that Tredder is just a walking watch you out man.
• 38:44
  Speaker 2: You just throw a block of cheese at him. And
• 38:46
  Speaker 2: we got the Taco Cheese ship shredded Yo, shredd is here.
• 38:51
  Speaker 1: Yes, a lot of them. Claws were huge too. He
• 38:54
  Speaker 1: didn't have little stuff.
• 38:55
  Speaker 2: He had big like ridiculous. Though. You can't stand next
• 38:59
  Speaker 2: to nobody getting an elevator. Now, let's ready to go
• 39:01
  Speaker 2: by itself. Come on foot, Clay, come with me.
• 39:04
  Speaker 1: Intter of fact, you need to take the service elevator.
• 39:06
  Speaker 1: You can't even be the one the people I'm not
• 39:08
  Speaker 1: trying to get in there with their suitcases. Now they
• 39:09
  Speaker 1: done hit four and you used for four and you
• 39:11
  Speaker 1: don't cut their arm off.
• 39:13
  Speaker 2: Cut their luggage up. Treder is a hazard. Oh my god.
• 39:19
  Speaker 2: But uh yeah. So so with Blade, I was just
• 39:23
  Speaker 2: worried that was like y'all gonna soften it like Disney
• 39:26
  Speaker 2: owning this ship. Blade needs to be gritty and bloody
• 39:30
  Speaker 2: like it was in the Wesley Snipes. Here, we use vampires. Absolutely,
• 39:35
  Speaker 2: vampires need to come in raid it off for sure.
• 39:38
  Speaker 1: For sure this.
• 39:39
  Speaker 2: Blood and that's why they get raided. You get raided
• 39:42
  Speaker 2: off if you got a lot of bloody. Absolutely, So
• 39:44
  Speaker 2: how you're gonna have vampires and ship Pg. Thirteen.
• 39:47
  Speaker 1: Yes, no, just leave it alone because because Blade at
• 39:50
  Speaker 1: least one and two, and I think Blade was in.
• 39:53
  Speaker 1: Wesley had had the cameo in uh the logan logan
• 39:58
  Speaker 1: versus that. I mean, oh, you you talking about Mahrschal
• 40:01
  Speaker 1: I No, No, I mean Wesley. He at the cameo
• 40:04
  Speaker 1: and did Yeah, he was dep was dead polling local
• 40:07
  Speaker 1: or dead pulling Wolverine. Yea the most recent one. And
• 40:11
  Speaker 1: I was just like that probably means the mahrschal one
• 40:14
  Speaker 1: ain't gonna come out. And I don't know what what
• 40:18
  Speaker 1: what was going on, but I but shout out to
• 40:20
  Speaker 1: Maherscheler for being like bro y'all not gonna put this
• 40:23
  Speaker 1: on me. And he probably got paid something.
• 40:26
  Speaker 2: Yeah, oh yeah. They held him for a long time.
• 40:28
  Speaker 1: They held him for some Bri didn't realize it was
• 40:30
  Speaker 1: like seven years.
• 40:31
  Speaker 2: I didn't realize it was that long either.
• 40:33
  Speaker 1: From the first announcement.
• 40:34
  Speaker 2: We had the little habit about the eternals in the
• 40:36
  Speaker 2: in the extra scene.
• 40:38
  Speaker 1: Yeah, voice was in there.
• 40:40
  Speaker 2: Damn.
• 40:40
  Speaker 1: That was a while ago. Seven years and he's out
• 40:45
  Speaker 1: all right, moving on. Michael B. Jordan, friend of the pod,
• 40:50
  Speaker 1: He's gonna be on here one day. Uh. He was
• 40:54
  Speaker 1: criticized because in the trailer of the Thomas Crown Affair,
• 41:00
  Speaker 1: which is coming out soon. His counterpart was not a
• 41:06
  Speaker 1: black woman. Yeah, todn't tell the people what happened.
• 41:09
  Speaker 2: So initially they had a woman cast. I want to
• 41:13
  Speaker 2: get her name correct before. It's Taylor something and she
• 41:19
  Speaker 2: she was originally supposed to be the lead. Taylor Russell
• 41:22
  Speaker 2: was originally supposed to be in the Thomas Crown Affair,
• 41:24
  Speaker 2: and then she dropped out due to the creative differences.
• 41:27
  Speaker 2: I don't know the official reason why. You know, they
• 41:30
  Speaker 2: couldn't get it to work, but she was the original
• 41:34
  Speaker 2: casting of it, and then they just went elsewhere, so
• 41:37
  Speaker 2: they went the girl that they cast. She was She
• 41:40
  Speaker 2: was rumored to be in talks to be the new
• 41:43
  Speaker 2: Wonder Woman.
• 41:44
  Speaker 1: Oh really yeah.
• 41:45
  Speaker 2: I saw her on the list of like actresses to
• 41:47
  Speaker 2: be like the new Wonder Woman. That's what made me
• 41:50
  Speaker 2: look her up. Even before the Thomas Crown affair. I
• 41:53
  Speaker 2: was just like, who is this they might cast as
• 41:55
  Speaker 2: Wonder Woman because they really need a new woman.
• 42:00
  Speaker 1: I'm so sorry. I try not to be mean. I
• 42:04
  Speaker 1: do not like Gala Gado as Wonder Woman. She don't
• 42:09
  Speaker 1: be acting act Oh no, disrespect I don't mean to
• 42:14
  Speaker 1: be disrespectful. Wonder woman, we have enough to feel denial.
• 42:20
  Speaker 1: I'd be like, man, watch our no, you must get
• 42:29
  Speaker 1: back there. I be like, girl, watched the start, I
• 42:33
  Speaker 1: need to start.
• 42:35
  Speaker 2: Steve Trevor, what's his name, Chris name, Steve Trevor. Y'all.
• 42:43
  Speaker 1: Gado just is beautiful and she kind of looks like
• 42:46
  Speaker 1: Wonder Woman. But when she be acting, I'd be like, man,
• 42:51
  Speaker 1: watch out and I just listen. You want to talk
• 42:57
  Speaker 1: about pretty privilege, y'alla though having an acting career, no
• 43:02
  Speaker 1: adult disrespect.
• 43:04
  Speaker 2: I'd be like, I can't, I can't defend.
• 43:07
  Speaker 1: I be like, man, I can give you nothing ever
• 43:12
  Speaker 1: to give you the.
• 43:13
  Speaker 2: Did you see tone? Nothing? I got nothing? And I
• 43:17
  Speaker 2: like Wonder Woman. I love Wonder Woman as a.
• 43:20
  Speaker 1: Wonder Woman as a character is great. She got the
• 43:22
  Speaker 1: jet going, she got a loss of truth, and I
• 43:25
  Speaker 1: mean like.
• 43:25
  Speaker 2: A woman as a character I had. That was my
• 43:27
  Speaker 2: first crush.
• 43:28
  Speaker 1: Linda something, Linda Carter, Linda Carter Man like girls.
• 43:35
  Speaker 2: That's when I knew I like girls. It was the
• 43:37
  Speaker 2: Wonder Woman TV show. I was like, I like, I
• 43:40
  Speaker 2: don't know what I don't know what it means on
• 43:42
  Speaker 2: what's happening here? But I like, that's when you knew
• 43:44
  Speaker 2: you like girls. It was a wonder woman. It didn't
• 43:48
  Speaker 2: like in the real world. I was like, oh, when
• 43:50
  Speaker 2: that girl touched my hand, I got electrocuted. I was like,
• 43:53
  Speaker 2: I was official. Now I felt electrocuted with a girl.
• 43:59
  Speaker 1: You got shocked for.
• 44:00
  Speaker 2: I felt she shocked. It wasn't like a static. It
• 44:03
  Speaker 2: wasn't like a It was like electricity. Really, it was
• 44:08
  Speaker 2: the weirdest sensation I've ever felt. It was like she
• 44:11
  Speaker 2: we were both reaching for a pencil that feel, and
• 44:13
  Speaker 2: she grabbed she touched my hand like that. I hadn't
• 44:16
  Speaker 2: never been touched by a girl before, you know, outside
• 44:20
  Speaker 2: of you know, the girl touched my hand. I feel like,
• 44:25
  Speaker 2: did she tange me? Like, what the hell just happened?
• 44:27
  Speaker 2: It was just and then she waved to me after that,
• 44:30
  Speaker 2: and I was just like girl girls it is. That
• 44:36
  Speaker 2: was the moment.
• 44:38
  Speaker 1: You got like a movie. That's like a movie. See.
• 44:41
  Speaker 2: It was the weirdest sensation ever. It was just like
• 44:44
  Speaker 2: I was not expected to be touched by a girl.
• 44:47
  Speaker 1: You man, you know what's so funny. We don't have
• 44:49
  Speaker 1: sex now and did the stuff. But if you go
• 44:52
  Speaker 1: way back to when you were young man away from
• 44:56
  Speaker 1: a girl, a smile just a. She gave me the
• 45:01
  Speaker 1: double up.
• 45:01
  Speaker 2: She electrocuted me and waves. I was like, I was
• 45:06
  Speaker 2: lost in the song.
• 45:07
  Speaker 1: Do you remember how much a wave man, man, she
• 45:10
  Speaker 1: waved at me. You know she did it, bro. She
• 45:12
  Speaker 1: weighed a hug compowered me for three weeks. Yeah, and
• 45:16
  Speaker 1: I hugged her.
• 45:16
  Speaker 2: Oh it was man. When we used to hug back
• 45:20
  Speaker 2: in the day.
• 45:21
  Speaker 1: She let me hug her man man, and we wasn't
• 45:25
  Speaker 1: I'm not talking about to wear my hug. No, I'm
• 45:28
  Speaker 1: talking about you ain't gonna get me no hugs.
• 45:30
  Speaker 2: Come on. The hug was just Katrina Wilson Ka treating Wilson.
• 45:38
  Speaker 2: When she used to hug me. Man, you could just
• 45:40
  Speaker 2: hoist me to the heavens right then. And now I'm
• 45:43
  Speaker 2: out of here. Cash down treating wheel Wilson. You were like,
• 45:49
  Speaker 2: oh my god, Doug Wilson eight years old, Coatreta Wilson.
• 45:56
  Speaker 2: Was it for me? Doog? I was in love with
• 46:02
  Speaker 2: mad grade from fifth grade all the way through eighth.
• 46:08
  Speaker 1: Katrina Wilson was it?
• 46:10
  Speaker 2: That was it. I hated that we was never in
• 46:12
  Speaker 2: the same class.
• 46:14
  Speaker 1: So you gotta see her in.
• 46:15
  Speaker 2: The ill, just see her in the halls and after school,
• 46:17
  Speaker 2: you know, what I'm saying.
• 46:18
  Speaker 1: You see when you're that age, you see in the hallway,
• 46:20
  Speaker 1: She's the only one in focused. Man. Everybody else is
• 46:23
  Speaker 1: just passers by, Katrina Wilson doing her little locker thing.
• 46:28
  Speaker 2: You like, Katrina Wilmon, Katrina Wilson. Everything else faded to
• 46:33
  Speaker 2: the side. It was like set pieces. Everybody rolled off
• 46:37
  Speaker 2: the set and I was like staking her hand. Man.
• 46:45
  Speaker 2: I was all in. I was all in though she
• 46:49
  Speaker 2: was one of the darkest girls at the school. She
• 46:53
  Speaker 2: was one of the dark skin yeah yeah, because you
• 46:56
  Speaker 2: know we was all black, yeah yeah. But Katrina Wilson
• 46:59
  Speaker 2: was like, she's one of the darkest ones easily.
• 47:02
  Speaker 1: And I was just like, did you a dater?
• 47:10
  Speaker 2: No? We never, we never, did, you know what I'm.
• 47:13
  Speaker 1: Saying, Oh you just had a four year crud.
• 47:15
  Speaker 2: I was just loving on Contrita Wilson.
• 47:18
  Speaker 1: From Afar, from Afar.
• 47:19
  Speaker 2: I think I eventually got her number, but I was
• 47:21
  Speaker 2: too scared to call, and you really were scared. I
• 47:24
  Speaker 2: was shook, man, you just.
• 47:25
  Speaker 1: Said that in your video yesterday. Then I don't walk
• 47:27
  Speaker 1: up to no woman. I don't know the street. I'm shy,
• 47:29
  Speaker 1: That is it.
• 47:30
  Speaker 2: The shyness is a historical part of it. But I
• 47:33
  Speaker 2: just don't roll up on women I don't know because
• 47:36
  Speaker 2: I don't know them. I don't know what kind of
• 47:38
  Speaker 2: mood they in. I don't know what kind of day
• 47:40
  Speaker 2: they had. I don't know, So I'd rather just not
• 47:43
  Speaker 2: approach you in that fashion. And dudes was just like,
• 47:46
  Speaker 2: dudes just couldn't fathom what I was talking about. This
• 47:49
  Speaker 2: one lady is like, that's a punk ship, and I
• 47:51
  Speaker 2: was like, fuck you. She always got called he I was.
• 47:56
  Speaker 2: I was on the verge. I got your punk right here.
• 48:00
  Speaker 1: You be turning on her to die.
• 48:02
  Speaker 2: Listen, say what you think.
• 48:04
  Speaker 1: I think it's because you like you do stand up
• 48:07
  Speaker 1: you in public. The thought of you being shy or
• 48:10
  Speaker 1: not want to pull up. It's like you don't come
• 48:12
  Speaker 1: across as a shy person.
• 48:14
  Speaker 2: Yeah, but I got like I can't hold court like
• 48:16
  Speaker 2: once once a conversation. Avenue is open, got your good
• 48:21
  Speaker 2: ass time. It's like me coming out of nowhere, like,
• 48:24
  Speaker 2: what's up with you? What's up?
• 48:27
  Speaker 1: Chevrolette?
• 48:29
  Speaker 2: See you out here driving your cavalier. This is what
• 48:32
  Speaker 2: you're driving. I'm rolling up with the supermarket avocados. Huh,
• 48:36
  Speaker 2: that's crazy.
• 48:38
  Speaker 1: Avocado. As soon as you cut them.
• 48:39
  Speaker 2: Man, they be dying off. Man, what's up tonight? I'm
• 48:44
  Speaker 2: not rolling up man, rolling up old women.
• 48:49
  Speaker 1: I do not know what If she's like inviting, like
• 48:53
  Speaker 1: like a smile, it's got to be clear invitation. So
• 48:56
  Speaker 1: she got to be like you come talk to me.
• 48:58
  Speaker 1: It's got to be clear smiling.
• 49:00
  Speaker 2: The smiling too, because a lot of people just polite
• 49:02
  Speaker 2: and I'm polite to people take it like you just
• 49:05
  Speaker 2: be ignoring women. No, I'll be like, how you doing.
• 49:07
  Speaker 2: I'm not gonna be like I'm not awkward. You know,
• 49:12
  Speaker 2: I'm not just gonna pull up on you while you're
• 49:14
  Speaker 2: doing self checkout.
• 49:16
  Speaker 1: So you got a bunch of bananas? Okay?
• 49:19
  Speaker 2: Like I got you got vitamin?
• 49:24
  Speaker 1: Or are you doing like that? It's crazy? You ain't
• 49:27
  Speaker 1: gotta do it?
• 49:28
  Speaker 2: Yeah, yeah, you get like ezek, you crazy.
• 49:37
  Speaker 1: You made it weird so you could still you could
• 49:40
  Speaker 1: have just.
• 49:41
  Speaker 2: Spot you guess, still be your man. You bring your
• 49:45
  Speaker 2: own man you.
• 49:46
  Speaker 1: Yeah, That's why I be so glad. I wouldn't lit
• 49:50
  Speaker 1: because I'm the same. I ain't. No, I can never
• 49:53
  Speaker 1: kick no game, even at forty three, as comment as
• 49:57
  Speaker 1: I am with my life, my skill, my ability. Just
• 50:01
  Speaker 1: like hello, I would like to talk to you like
• 50:06
  Speaker 1: I'm out.
• 50:06
  Speaker 2: It's that roll up man, It's not organic on the
• 50:10
  Speaker 2: conversational two for me, Like if I meet you at
• 50:12
  Speaker 2: somebody's game night, Oh for sure, ass is mine. I
• 50:17
  Speaker 2: got you did the right if we if we meet it,
• 50:20
  Speaker 2: I find you interested. We are the game night.
• 50:23
  Speaker 1: You're done. Yeah, because you already mutually the friends have
• 50:26
  Speaker 1: been invited. You kind of already got at least one
• 50:27
  Speaker 1: factors friend so and so. You already introduced me.
• 50:30
  Speaker 2: Yeah, how you doing? We're playing games?
• 50:32
  Speaker 1: I got you dead, I got your ass, and now
• 50:36
  Speaker 1: Katrina Wilson, it's over. You ran into Katrina Wilson in
• 50:39
  Speaker 1: the street right now. She looked exactly the same. You
• 50:43
  Speaker 1: know what's her sprounded your reeting?
• 50:46
  Speaker 2: Wilson, we meet again.
• 50:52
  Speaker 1: When forty nine years old. I ain't gonna let you
• 50:54
  Speaker 1: get away in that grade. I ain't gonna let it
• 50:55
  Speaker 1: happen again.
• 50:56
  Speaker 2: Man, Katrina Wilson, was it alright?
• 50:59
  Speaker 1: Man? We got time for one more thing. I just
• 51:03
  Speaker 1: think it's interesting.
• 51:04
  Speaker 2: It was something, wasn't it something? We said we can
• 51:06
  Speaker 2: talk about that on the It was storm?
• 51:09
  Speaker 1: Oh oh waen.
• 51:11
  Speaker 2: We barely even touched on that. We went off on
• 51:13
  Speaker 2: the town.
• 51:13
  Speaker 1: Remember, we don't need to finish the Storm.
• 51:17
  Speaker 2: But then we went. But let's go back to the
• 51:21
  Speaker 2: to the actress itself.
• 51:22
  Speaker 1: For Jamie Loston for Storm, Yes, okay, I like this.
• 51:25
  Speaker 1: I like this too.
• 51:27
  Speaker 2: It was either her, Jody Turner or uh Wise. Those
• 51:32
  Speaker 2: are my three favorites.
• 51:33
  Speaker 1: Yeah, I love the wander Wise, I love Jody Turner.
• 51:36
  Speaker 1: Isn't Jamie lost in the Mayor in d C. She's
• 51:40
  Speaker 1: in the Batman, she was in Penguin, Yes, she was
• 51:44
  Speaker 1: great in that. But for me, I need Storm to
• 51:47
  Speaker 1: be brown skinned girls.
• 51:49
  Speaker 2: Let's get it.
• 51:49
  Speaker 1: Storm is a deep brown skinned woman. Don't bring me no.
• 51:54
  Speaker 1: I love Tolly Berry and I know why they cast
• 51:57
  Speaker 1: her the cell tickets. Holly Berry was too light to place.
• 52:00
  Speaker 1: No more we had Holly did her thing. I ain't
• 52:03
  Speaker 1: even mad at her.
• 52:04
  Speaker 2: And then what's her name? Alexandra Ship? She was also
• 52:08
  Speaker 2: kind of like light skin too. No more, no more
• 52:11
  Speaker 2: light skinned Storms. I need a brown skinned girl. Who
• 52:15
  Speaker 2: need Katrina Wilson. I need a Fency Beauty, a lady
• 52:20
  Speaker 2: who was happy. Fency Beauty had more shades of foundation.
• 52:24
  Speaker 2: If your Storm didn't need Fency Beauty for foundation, get
• 52:28
  Speaker 2: her out.
• 52:30
  Speaker 1: If she didn't. And when Rihanna introduced Finty and Storm
• 52:33
  Speaker 1: wasn't like, finally, then get her out. We already had
• 52:38
  Speaker 1: the light skin storm Storm historically, stan Lee said, man,
• 52:42
  Speaker 1: brown skin, brown skin, get her a brown skin with
• 52:47
  Speaker 1: and I think Jamie Lawson has an actress's gray and
• 52:50
  Speaker 1: I need Storm to her full potential. I feel like
• 52:53
  Speaker 1: the movies and stuff, Storm would really be out here. Man,
• 53:00
  Speaker 1: she was really out here.
• 53:01
  Speaker 2: Let me tell y'all something about Storm that y'all probably
• 53:04
  Speaker 2: don't know because the movies never do her service. All right,
• 53:07
  Speaker 2: When they first when they first crafted the new X
• 53:09
  Speaker 2: Men team out with the old they the old Ones
• 53:13
  Speaker 2: was captured on that island, and he was like, Professor,
• 53:15
  Speaker 2: I got some new casts coming in. A big Russian
• 53:17
  Speaker 2: that could turn in the middle, a storm goddess, teleporting
• 53:21
  Speaker 2: demon looking dude, a wild dude from Canada with claws,
• 53:25
  Speaker 2: and then there was like a Japanese dude called Sunfire.
• 53:29
  Speaker 2: It was like you could tell. They was like, let's
• 53:31
  Speaker 2: check all racial boxes. We got Thunderbird, he's native American.
• 53:36
  Speaker 2: We got an African girl, we got a German, we
• 53:38
  Speaker 2: got a Russian. Like all right, but it just so
• 53:41
  Speaker 2: happens that they were dope. They killed Thunderbird all pretty
• 53:45
  Speaker 2: quickly after that, and then some sun fire didn't last
• 53:48
  Speaker 2: with that core of like Colossus, Nightcrawler, Wolverine coming in
• 53:53
  Speaker 2: and Storm coming in. It was just like and then
• 53:56
  Speaker 2: they had the Irish dude Banshee. It was just like
• 54:00
  Speaker 2: you can see what they were doing, but the time man,
• 54:04
  Speaker 2: and so you know, as you as you, as you
• 54:06
  Speaker 2: went forward in the storylines, everybody would get there like
• 54:09
  Speaker 2: little Shine, you find out this Storm is claustrophobic. And
• 54:12
  Speaker 2: you know what I'm saying, Like once she panics, it
• 54:15
  Speaker 2: unleashes like the full potential of her power because she's
• 54:19
  Speaker 2: an omega tone. She panics out like, oh she's gone row.
• 54:25
  Speaker 2: I remember it was crazy Storms going.
• 54:28
  Speaker 1: She's Omega level, like Jean Gray, like Professor X. She
• 54:33
  Speaker 1: is omega level. She never gets You never see her
• 54:36
  Speaker 1: o make a level in the.
• 54:37
  Speaker 2: Movie, right never.
• 54:39
  Speaker 1: Now she was saving the day like we need her.
• 54:43
  Speaker 2: It was like, yo, man, the stuff she can do.
• 54:45
  Speaker 2: And like you know, as as time went on, I remember,
• 54:48
  Speaker 2: uh she had lost her powers. Yes, So then she
• 54:52
  Speaker 2: challenged Cyclouds for leadership with the X Man because cy
• 54:56
  Speaker 2: Clouds was fumbling. You couldn't get over the loss of
• 54:58
  Speaker 2: gene or whatever. She's like, Yo, man, I'm gonna fight
• 55:02
  Speaker 2: you for leadership of And she was able to beat
• 55:04
  Speaker 2: the cyclops without the powers. And she was able to
• 55:06
  Speaker 2: challenge Callisto for leadership of the Morlocks in the sewers,
• 55:11
  Speaker 2: I mean, in the subways. I challenged you the fair one.
• 55:14
  Speaker 2: I ain't even gonna use my powers straight Listo. She
• 55:18
  Speaker 2: was the leader of the Moralize. He's like, you could
• 55:20
  Speaker 2: be the leader while I'm gone. But just know this, bitch,
• 55:23
  Speaker 2: I beat your ass fast straight off. This the type
• 55:27
  Speaker 2: of stuff Storm be doing. But they don't give but
• 55:29
  Speaker 2: none of this real estate.
• 55:30
  Speaker 1: When they get her in the holly Beard was spinning.
• 55:32
  Speaker 2: Around like I said, you know what happens to a
• 55:34
  Speaker 2: frog when it gets struck by lightning, the same thing
• 55:37
  Speaker 2: that happens to everything else. Who the fuck wrote that line?
• 55:41
  Speaker 1: Who the fuck.
• 55:45
  Speaker 2: Wrote that line?
• 55:50
  Speaker 1: It was so lame though.
• 55:52
  Speaker 2: She just came in when when blazing it just elexecuted
• 55:56
  Speaker 2: his tongue and then man, get out of here.
• 55:58
  Speaker 1: Man, so bring her back because Jean Gray and brand
• 56:02
  Speaker 1: New Day. She ain't even nowhere near as big as
• 56:06
  Speaker 1: she is. But they let you know there's levels to this.
• 56:08
  Speaker 1: At thirty three feet one enough it became the whole
• 56:12
  Speaker 1: island thousand kilometers. Jean Gray was outside of her Earth
• 56:17
  Speaker 1: when she was in her full Phoenix, she was outside
• 56:20
  Speaker 1: of the planet.
• 56:21
  Speaker 2: Left the left, she left the Solar System, she left
• 56:24
  Speaker 2: the galaxy, and we destroyed one.
• 56:27
  Speaker 1: And so give so so we know y'all trying to
• 56:30
  Speaker 1: show because this is young Jean Gray and the brand
• 56:32
  Speaker 1: new day. So I feel like they're gonna come with
• 56:34
  Speaker 1: the young X men. Let us grow up into them
• 56:36
  Speaker 1: next five six, seven years. Make sure Storm got that
• 56:40
  Speaker 1: same level of respect on her name.
• 56:41
  Speaker 2: Absolutely that you just.
• 56:42
  Speaker 1: Gave drink Jing Gray, who's young, and because Jean Gray
• 56:45
  Speaker 1: never really got control of her powers for real life,
• 56:48
  Speaker 1: she could never get it all the way.
• 56:51
  Speaker 2: It was never they would either tame her up too much,
• 56:55
  Speaker 2: they made her on the phoenix level. I feel like.
• 56:58
  Speaker 1: She never liked Professor Who's like Professor Ax Magneto are
• 57:02
  Speaker 1: in full control of that.
• 57:04
  Speaker 2: Sure even with.
• 57:06
  Speaker 1: Cerebro, Professor X is in control Jim Gray's she would
• 57:10
  Speaker 1: be crying over side Clouds Wolverine.
• 57:12
  Speaker 2: It should be freaked out, always some instability and let
• 57:15
  Speaker 2: her get her cool. Let her, have that control, that confidence,
• 57:19
  Speaker 2: that thing, and I want I want Stone to get
• 57:21
  Speaker 2: busy man like x me in ninety seven. Yeah, the
• 57:25
  Speaker 2: second season, first season, storm rolls up. She turns the
• 57:30
  Speaker 2: sand into glass with the lightning strikes. Yes, she whips
• 57:34
  Speaker 2: up a world wind full of glass and shreds the
• 57:37
  Speaker 2: sentinels up.
• 57:38
  Speaker 1: Now we're talking, now we cook.
• 57:39
  Speaker 2: This is what I want to see. She was just like,
• 57:42
  Speaker 2: I'm coming in with a plan. I'm gonna turn that
• 57:44
  Speaker 2: ship to glass world winning that shred you motherfucker.
• 57:48
  Speaker 1: Yes, this is what I want to see in LA.
• 57:50
  Speaker 1: That's what I want to see in the live action.
• 57:52
  Speaker 1: Y'all got the money that you ain't got no blade money.
• 57:54
  Speaker 1: You some of that left over blade money and make
• 57:56
  Speaker 1: it right. All right, man, we've done with this. I
• 58:00
  Speaker 1: want to say one more thing.
• 58:01
  Speaker 2: This is on here.
• 58:02
  Speaker 1: Jaafar Jackson and Will Smith gonna start in a movie
• 58:05
  Speaker 1: next year called Supermax. The action thriller follows two FBI
• 58:10
  Speaker 1: agents investigating a possible and impossible murder within a maxim
• 58:14
  Speaker 1: security prison. Let me tell you what, Tom, If JAFARV.
• 58:18
  Speaker 1: Jackson wants to have a long career, he gotta get
• 58:21
  Speaker 1: this right.
• 58:22
  Speaker 2: Oh he oh, man, the pressure is on.
• 58:24
  Speaker 1: He had I mean, I don't think he'll have a
• 58:26
  Speaker 1: second The second Michael movie done for sure.
• 58:31
  Speaker 2: If he looks like Michael Jackson in this movie, we're out.
• 58:37
  Speaker 2: If we look at him, see he he's supposed to
• 58:40
  Speaker 2: be undercovering prison.
• 58:43
  Speaker 1: It's like Joseph, I'm taking control of my own life.
• 58:46
  Speaker 1: All right, man, watch out Michael too.
• 58:48
  Speaker 2: You owe the brotherhood fifteen bucks arian interest. Motherfucker.
• 58:55
  Speaker 1: Then we gonna be like, all right, bro all, it's
• 58:57
  Speaker 1: out the bun, y'all, y'all.
• 59:00
  Speaker 2: Can we gonna be gotta have a gritty haircut and
• 59:03
  Speaker 2: baldfar Jackson gotta be bald in this movie tone because
• 59:09
  Speaker 2: you know, black folks, we already only put you in
• 59:12
  Speaker 2: whatever we saw you.
• 59:14
  Speaker 1: So he needs to.
• 59:15
  Speaker 2: Just always be Michael to me, that always, but.
• 59:20
  Speaker 1: For real because the Michael row is tough. But you
• 59:25
  Speaker 1: I mean, I'm so sorry, brother Jackson. You gotta nail it,
• 59:30
  Speaker 1: and I hope he does. I thought he was amazing
• 59:32
  Speaker 1: and Michael.
• 59:33
  Speaker 2: I want him to go far with his acting career
• 59:35
  Speaker 2: because he was amazing.
• 59:36
  Speaker 1: He was amazing in Michael. But brother, if we if
• 59:39
  Speaker 1: there's a hint of the letter m in that movie.
• 59:43
  Speaker 2: You're done.
• 59:44
  Speaker 1: You're gonna be on lifetime movies forever. Zeus the pressures.
• 59:51
  Speaker 2: You may not even smile in this movie.
• 59:53
  Speaker 1: Can't smile. He can't. He needs to come in his voice,
• 59:57
  Speaker 1: gotta be deep. He gotta be killing, stabbing, because he's
• 1:00:02
  Speaker 1: an FBI show. He's like, freeze, yeah, if he do,
• 1:00:06
  Speaker 1: I'm out. He checked to send me the script.
• 1:00:09
  Speaker 2: He gotta be in smooth criminal mode. But not but not,
• 1:00:16
  Speaker 2: hey man, smooth criminal. Michael had swag he did in
• 1:00:20
  Speaker 2: Smooth Crimpal.
• 1:00:21
  Speaker 1: But I don't feel like Michael. You would ever been
• 1:00:23
  Speaker 1: afraid of Michael Jackson. I don't know, man, he shot
• 1:00:26
  Speaker 1: somebody in Smooth Criminals. Didn't even look at the person
• 1:00:28
  Speaker 1: he shot, but he did this.
• 1:00:30
  Speaker 2: Yeah, but he's just like he was in that woman's face,
• 1:00:34
  Speaker 2: that dude, just because he came up with the knife,
• 1:00:37
  Speaker 2: and he was like because that, that, to me is
• 1:00:41
  Speaker 2: the toughest Mike, smooth Criminal, not bad dad. I was
• 1:00:45
  Speaker 2: just like, man, watch.
• 1:00:46
  Speaker 1: That man, watch out the Smooth Criminals with criminal. I
• 1:00:49
  Speaker 1: was with him now. I was like, all right, yeah, yeah,
• 1:00:52
  Speaker 1: freeze FBI. He's gonna flip his bash there, like, hey man,
• 1:00:58
  Speaker 1: stop doing the Michael stuff.
• 1:01:00
  Speaker 2: Will can take it there for sure, to be sure.
• 1:01:03
  Speaker 1: Will is covered. I think they have given him the
• 1:01:06
  Speaker 1: best chance ever for sure by pairing him with Will.
• 1:01:11
  Speaker 1: But if he's like, you're under arrest, all right, man,
• 1:01:16
  Speaker 1: and I know he won't do that, But we're coming
• 1:01:18
  Speaker 1: in with Michael O's because that means that Michael and
• 1:01:21
  Speaker 1: Michael too and Supermax is gonna come out, possibly the
• 1:01:25
  Speaker 1: same year.
• 1:01:25
  Speaker 2: They come out the same year. He does nail it.
• 1:01:28
  Speaker 1: Now you get doing it, beautiful thing. Now he can
• 1:01:31
  Speaker 1: do anything.
• 1:01:32
  Speaker 2: Yeah, I wonder where they're gonna take it to Michael.
• 1:01:35
  Speaker 1: Too, man. And they legally they can't do the there's
• 1:01:40
  Speaker 1: certain things they can't cover with the allegations. And to
• 1:01:45
  Speaker 1: me it was already like, man, it's just celebrate Mike.
• 1:01:51
  Speaker 1: So if you're not gonna cover the allegations, then just
• 1:01:54
  Speaker 1: then just scoop by, because to do that time period
• 1:01:59
  Speaker 1: post ninety with no allegation talk, it's gonna be like
• 1:02:03
  Speaker 1: now it's a biopick. Now, Like I don't know where
• 1:02:06
  Speaker 1: else you going. If you're gonna avoid the allegation, get
• 1:02:09
  Speaker 1: them allegations up in there. And if you ain't talking
• 1:02:11
  Speaker 1: about the one kid, I think Jordan's name. If you
• 1:02:13
  Speaker 1: don't talk about him, then you gotta come on.
• 1:02:15
  Speaker 2: Brother, Yeah, you gotta talk about it, because that's gonna
• 1:02:18
  Speaker 2: be the dramatic.
• 1:02:20
  Speaker 1: That's the part that makes a biof. That's gonna be the.
• 1:02:22
  Speaker 2: Dramatic real estate. Yes, everything that Michael was going through
• 1:02:26
  Speaker 2: because of these allegations take us thick.
• 1:02:28
  Speaker 1: Because that's in the music too. They don't care about me.
• 1:02:32
  Speaker 1: All that stuff is scream scream. That's all based on
• 1:02:35
  Speaker 1: how they was.
• 1:02:36
  Speaker 2: You know, productions.
• 1:02:37
  Speaker 1: You people still DM me like I'll be culling up
• 1:02:39
  Speaker 1: scream y'all didn't.
• 1:02:42
  Speaker 2: Here's what we did. We was like, man, y'all, like, hey,
• 1:02:47
  Speaker 2: you ain't listening to screen in forty years. You wasn't
• 1:02:53
  Speaker 2: culling that. Even when you had your little Michael Jackson
• 1:02:55
  Speaker 2: before we say that, he was like, man, Michael Jackson,
• 1:02:58
  Speaker 2: you was listening to thriller off the Wall. You know
• 1:03:00
  Speaker 2: what I'm saying. You You would get some some some
• 1:03:03
  Speaker 2: hits every now and then queue and scream up.
• 1:03:08
  Speaker 1: You wasn't he bab I'm shooting the podcast of course
• 1:03:13
  Speaker 1: this Melissa, Yeah, yeah, remember we should Melissa be doing
• 1:03:19
  Speaker 1: this on purpose? Yoah, we're doing it tomorrow too, but
• 1:03:22
  Speaker 1: we actually might not because we just shot that episode now.
• 1:03:24
  Speaker 1: So we're just gonna do it all today and then
• 1:03:25
  Speaker 1: I'm just gonna come with you tomorrow and be done.
• 1:03:28
  Speaker 2: Where y'all going tomorrow?
• 1:03:29
  Speaker 1: Yeah, I love you.
• 1:03:34
  Speaker 2: So she just called just to talk, So y'all be
• 1:03:36
  Speaker 2: on the phone just regularly.
• 1:03:38
  Speaker 1: If we're stepping from each other when I'm on the road,
• 1:03:42
  Speaker 1: we be talking tough.
• 1:03:43
  Speaker 2: That's great.
• 1:03:44
  Speaker 1: That's why I could never achieved because I don't have
• 1:03:46
  Speaker 1: the energy to have another conversation. It's as simple as that.
• 1:03:49
  Speaker 2: Cheat you do, get ahead of that conversation.
• 1:03:52
  Speaker 1: I'm not even joking you, I get I almost come
• 1:03:56
  Speaker 1: to the Hives thinking about I got to talk to
• 1:03:59
  Speaker 1: List for real after the show? You want me to
• 1:04:01
  Speaker 1: make another phone call after that? And I have talked
• 1:04:04
  Speaker 1: to List sometimes you do the show. I have talked
• 1:04:07
  Speaker 1: to her for another hour, which is fine. I love it.
• 1:04:11
  Speaker 1: But after that I get any Hey, Tasha, yeah, yeah, shows,
• 1:04:16
  Speaker 1: and I gotta say the same stuff. Oh my gosh, man,
• 1:04:23
  Speaker 1: you would you do to night?
• 1:04:25
  Speaker 2: That was your name? Man? Most multiple? How was your nights?
• 1:04:31
  Speaker 1: I couldn't even do it? That was your name? Man,
• 1:04:33
  Speaker 1: I'd be like man, I just I'm not nope, I
• 1:04:36
  Speaker 1: just am happily marriede y'all. I'm just the thought of
• 1:04:40
  Speaker 1: answering the phone again or calling you call me and listen,
• 1:04:47
  Speaker 1: be knowing. Like if I'm on the phone with list
• 1:04:49
  Speaker 1: and I get distracted in the scroll Instagram or something,
• 1:04:52
  Speaker 1: she'd be like, what else are you doing? I'd be like,
• 1:04:55
  Speaker 1: what what I'm talking with?
• 1:04:56
  Speaker 2: Somebody's checked out?
• 1:04:57
  Speaker 1: She's like, keV, I know when you and just let
• 1:04:59
  Speaker 1: me go, right, So I can't. So I really got
• 1:05:04
  Speaker 1: to be fully because sometime you talk for hour, I zone,
• 1:05:07
  Speaker 1: she'd be talking. I'll be you know whatever, I come back,
• 1:05:10
  Speaker 1: You're right, you're right. I used to lie, but I'd
• 1:05:11
  Speaker 1: be like, hey, she caught me. Every time. I'd be like,
• 1:05:13
  Speaker 1: you're right, I'm tripping.
• 1:05:15
  Speaker 2: You can tell what you can tell with somebody. Yeah, yeah,
• 1:05:17
  Speaker 2: right up. That's crazy. That's crazy.
• 1:05:19
  Speaker 1: So so I'm giving her my full attention. So even
• 1:05:24
  Speaker 1: if I was checked out of the second conversation, I
• 1:05:26
  Speaker 1: don't got it. Leave me alone. Just and even if
• 1:05:32
  Speaker 1: I wasn't with me listens at the thought of having
• 1:05:34
  Speaker 1: to tell three people how the show was, because the
• 1:05:37
  Speaker 1: show was already one thing. So I don't want to
• 1:05:40
  Speaker 1: repeat it. So we got to all talk on three
• 1:05:43
  Speaker 1: with good.
• 1:05:44
  Speaker 2: The second show ill you? Hey? Yeah was the second show?
• 1:05:51
  Speaker 1: That was first show?
• 1:05:52
  Speaker 2: That is the second show? Yeah, you know the first
• 1:05:57
  Speaker 2: shows just leave feel lot back the bag tall.
• 1:06:06
  Speaker 1: Literally that was your n that was hey, man, I
• 1:06:11
  Speaker 1: put it on my put it on my threads. First
• 1:06:14
  Speaker 1: show was energy was up. Yeah, it was great, man,
• 1:06:17
  Speaker 1: second show was a little light. The energy was Okay,
• 1:06:22
  Speaker 1: you go you checked my threads and see how the
• 1:06:23
  Speaker 1: show was.
• 1:06:24
  Speaker 2: I want you to tell it. Oh my god.
• 1:06:28
  Speaker 1: And even if that was something good, like oh, man,
• 1:06:31
  Speaker 1: the second show was actually good for a for a
• 1:06:33
  Speaker 1: Friday late. Man, I went on a little tangent. Man,
• 1:06:36
  Speaker 1: it was great, all right. The second show was actually
• 1:06:39
  Speaker 1: good for for a Friday late. I went on a tangent.
• 1:06:43
  Speaker 1: By the third time, I was like, man, the second
• 1:06:44
  Speaker 1: show was bad. Second show was bad.
• 1:06:49
  Speaker 2: I don't even want to second show. I don't know, man,
• 1:06:53
  Speaker 2: what's up?
• 1:06:54
  Speaker 1: I don't even want to talk about it. I don't
• 1:06:57
  Speaker 1: want to talk about either show.
• 1:07:00
  Speaker 2: Did you that much?
• 1:07:01
  Speaker 1: Yeah, he's a bothered you.
• 1:07:03
  Speaker 2: But now you just don't say from the repetition.
• 1:07:08
  Speaker 1: Lord, all right, man, we're done with this