Latest / 70 80 / SETTANTAxOTTANTA: Anni 60. Quando Milva la ribelle rossa Pantera di Goro, si faceva chiamare Sabrina e sfidava musicalmente Mina

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SETTANTAxOTTANTA: Anni 60. Quando Milva la ribelle rossa Pantera di Goro, si faceva chiamare Sabrina e sfidava musicalmente Mina · 70 80

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  Tyler Reddick here from 2311 Racing. Victory
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  sometimes uses words? Do you communicate or acquire
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  information with, you know, language? Hey! Us
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  too. So join us on Lexicon Valley to chew over
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  the history, culture, and many mysteries of English,
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  apps where people listen to podcasts. Welcome
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  to 70 per 80, the 7080 .it section that deepens
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  the topics discussed on the portal. I'm with
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  journalist Enzo Mauri, who introduces the current
• 1:03
  topic. Good morning, today I'm talking about
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  a great singer from the past. Until a few decades
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  ago it was difficult, if not impossible, for
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  a disc by Milva, real name Maria Ilva Biolcati,
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  not to complete the domestic collections of every
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  Italian family. Our particular memory, linked
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  to the 45 laps of 1966, Little Man, Piccolo Ragazzo,
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  Lato B, Parigi, Sorride, second single for La
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  Ricordi, after Voi Non Sapete, Lato B, Perché
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  Io. In the second half of the 60s, Milva had
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  in fact left La Fona Etc, a label with which
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  he collaborated since 1960, to move on to La
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  Ricordi, with which he would have remained until
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  the 90s. Lidl Man, testo di Moghol, ovvero Giulio
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  Rapetti, era la version italiana dell 'omonimo
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  brano di Sonny Bono e Cher, che la interpretarono
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  pure nella nostra lingua. La canzone fu ripresa
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  anche da Dalida, divennero quindi tre le versioni
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  italiane del brano presenti sul nostro mercato
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  nello stesso periodo, quella di Milva però prevalse
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  sulle altre. The panther of Goro, the city of
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  the Ferrarese that gives her the Christmas, took
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  the first steps of her artistic career with the
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  name of the art of Sabrina. She was born musically
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  as a rival of Mina, more impulsive and entertaining
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  than the Tiger of Cremona, but less obvious to
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  the spotlight. At the end of the 50s, she won
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  a contest won by the RAI, dedicated to emerging
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  artists, which allowed her to participate in
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  the 1961 Sanremo Festival, at the Canora fair,
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  where she arrived third with the song Il mare
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  nel cassetto in a couple. together with Gino
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  Latilla, Milva made himself known not only for
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  his indisputable canor qualities, but also for
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  his gesture to the winner Betty Curtis, an attitude
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  with which she also distinguished herself at
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  the next year's festival when she was angry with
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  the jury for being excluded from the first positions.
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  Just on that occasion, Milva swore that she would
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  no longer participate in the festival, a promise
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  not kept, as in her career she climbed on the
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  stage of the Ariston for 15 times, plus two more
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  as a guest. It is said that Milva's debut to
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  hide physical and machete Thanks to Enzo Mauri
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  for the modern theme. See you in the next episode
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  of 70 per 80. Tyler Reddick here from 2311 Racing.
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