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One Piece, 619-621 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is Unspoiled, covering
• 0:10
  Speaker 1: one piece episodes six nineteen through six twenty one, Running Wild, Invincible,
• 0:19
  Speaker 1: General Frankie and a Critical Situation Punk, Hazard Explodes, and
• 0:26
  Speaker 1: lastly Capture Caesar General Cannon blasts. In these episodes, it
• 0:36
  Speaker 1: turns out that Trafalgar Law pulled a fast one with
• 0:40
  Speaker 1: Smoker's heart, and normally that would sound almost romantic, but
• 0:47
  Speaker 1: it's just murder, really, which is fine. Frankly, I don't
• 0:52
  Speaker 1: even have a problem with it. Welcome to spoil me.
• 1:16
  Speaker 1: Welcome to the show everyone. I am Natasha. Thank you
• 1:19
  Speaker 1: very much to Michael for commissioning this episode. Michael, if
• 1:23
  Speaker 1: you're listening, thank you very much, sir. Appreciate you a lot.
• 1:29
  Speaker 1: These episodes were wild. I was so unprepared, you guys,
• 1:36
  Speaker 1: for how much Do Flamingo was going to end up
• 1:42
  Speaker 1: being directly involved in things here. I think that I
• 1:45
  Speaker 1: just expected what we were doing was setting up Do
• 1:49
  Speaker 1: Flamingo as eventually going to be involved down the road,
• 1:56
  Speaker 1: so to have him actually flying there by the end
• 2:00
  Speaker 1: of these three episodes, like irritated that he has to
• 2:03
  Speaker 1: take matters into his own hands. I truly did not
• 2:07
  Speaker 1: see that coming, and I like, Okay, I'm gonna get
• 2:16
  Speaker 1: real with you guys for a second. So Sean and
• 2:19
  Speaker 1: I there's there's. She and I have started covering Supernatural,
• 2:25
  Speaker 1: and there is an an episode I think maybe the
• 2:30
  Speaker 1: first actual coverage episode, not the one where she is
• 2:35
  Speaker 1: pitching that we should cover it, where she mentions how
• 2:41
  Speaker 1: often men don't seem to really understand what is a
• 2:45
  Speaker 1: turn on for women, and that a lot of times
• 2:52
  Speaker 1: we are more fucked up than guys really think we
• 2:57
  Speaker 1: are capable of being. Like, there's this sort of stereotype
• 3:03
  Speaker 1: that men are the depraved perverts and that we are
• 3:08
  Speaker 1: the ones who fantasize about being like a princess in
• 3:11
  Speaker 1: a gauzy white gown in the forest, rescued by a
• 3:14
  Speaker 1: handsome prince. And I think recently, as the rising of
• 3:20
  Speaker 1: dark smut has really begun to take over book talk,
• 3:25
  Speaker 1: we're starting to get more of a real picture of
• 3:29
  Speaker 1: what a lot of women, and I'm saying a lot
• 3:31
  Speaker 1: not all of women are into. And I bring all
• 3:38
  Speaker 1: of this up to explain to preface my reaction to
• 3:44
  Speaker 1: something that was deeply, deeply inappropriate. Guys. When dol Flamingo
• 3:55
  Speaker 1: is on the phone so to speak, transponder, snail phone, whatever,
• 3:58
  Speaker 1: same thing with money, and he says, die for me money.
• 4:09
  Speaker 2: It did something to me.
• 4:13
  Speaker 1: I don't know what it was. If it was the voice,
• 4:18
  Speaker 1: if it was the delivery, the way he said it,
• 4:22
  Speaker 1: if it was the gentleness of it. If it was
• 4:27
  Speaker 1: how if you replaced the very first word with the
• 4:33
  Speaker 1: word come, it could be an entirely different scenario. I
• 4:39
  Speaker 1: can't tell you exactly what it was, but I have
• 4:45
  Speaker 1: ever had that reaction to anything on one piece ever,
• 4:49
  Speaker 1: and I kind of hope I never do again. If
• 4:51
  Speaker 1: I'm being honest and do Flamingo has done nothing for me,
• 4:57
  Speaker 1: y'all know that I have been pretty loyal to Smoker Crocodile.
• 5:03
  Speaker 2: You know.
• 5:05
  Speaker 1: Ah, I think I'm trying to have to like back
• 5:08
  Speaker 1: up and like revisit do Flamingo a little bit, y'all.
• 5:12
  Speaker 1: I don't know. I think this might be something we'll
• 5:15
  Speaker 1: have to see, because you guys know that, like when
• 5:18
  Speaker 1: the big announcement was like, oh, Dolf, Flamingo's at the
• 5:20
  Speaker 1: root of this, I was just like, so, who cares?
• 5:23
  Speaker 2: You know?
• 5:24
  Speaker 1: It just did not hit the way that evidently it
• 5:27
  Speaker 1: hit other people. And now I'm sort of like, well,
• 5:33
  Speaker 1: maybe there is room for that to happen after all.
• 5:41
  Speaker 1: Saraphim says that it's kind of funny to hear given
• 5:43
  Speaker 1: another reaction I'm watching is a few doesn'ts ahead of you.
• 5:46
  Speaker 1: And it's also falling hard for Dophie. I can't believe
• 5:50
  Speaker 1: he's called Dofie for sure, but that makes sense in
• 5:52
  Speaker 1: a I know he's evil, but way yeah, And like,
• 5:56
  Speaker 1: this is the thing with dark smut is oftentimes there
• 6:02
  Speaker 1: is a is a bad man. But also you know,
• 6:08
  Speaker 1: there's there's the stereotype that like women go for bad boys,
• 6:12
  Speaker 1: and the thing is women can be turned on by
• 6:16
  Speaker 1: bad boys. That is not the same as we go
• 6:18
  Speaker 1: for bad boys, but it's just, you know, bad boys
• 6:23
  Speaker 1: are like our version of the like men go for
• 6:30
  Speaker 1: bimbo's thing right, where it's like men might be very
• 6:35
  Speaker 1: into a bimbo, like damn, she look fine. You know
• 6:39
  Speaker 1: I would tap that, but like, are they more likely
• 6:44
  Speaker 1: to actually be really into her?
• 6:46
  Speaker 2: Who's to be seen?
• 6:49
  Speaker 1: But bad boys obviously there's different types, there's different levels,
• 6:54
  Speaker 1: there's different everything. So anyway, let's get back to the
• 6:58
  Speaker 1: beginning of these three episodes. So first we have the
• 7:05
  Speaker 1: fight between Baby five, Buffalo and Frankie, and I just
• 7:10
  Speaker 1: want to say that I had totally forgotten the fact
• 7:12
  Speaker 1: that Baby five can just transform into any kind of weapon,
• 7:18
  Speaker 1: which is truly some wild shit. I am very into it. Like,
• 7:22
  Speaker 1: for the record, I love this power. I think this
• 7:26
  Speaker 1: is super fun and I enjoyed. I enjoyed not only
• 7:31
  Speaker 1: the transformations themselves, but also how weirdly they decided to
• 7:37
  Speaker 1: animate them, Like instead of having it be I'm just
• 7:41
  Speaker 1: going to transform her arm into a gun, it often
• 7:45
  Speaker 1: was I am going to transform the upper half of
• 7:48
  Speaker 1: her body into a gun so that she is basically
• 7:51
  Speaker 1: like a barrel on legs, which is a choice, it
• 7:58
  Speaker 1: sure is, But yeah, I remember her being able to
• 8:04
  Speaker 1: do this when she was like coming at Do Flamingo
• 8:07
  Speaker 1: himself by the pool, and I had just like clean
• 8:09
  Speaker 1: forgotten it. So this is pretty dopability. And eventually, like
• 8:14
  Speaker 1: Frankie has to be impressed because she manages to penetrate
• 8:18
  Speaker 1: the armor, although he does compare it to a I
• 8:23
  Speaker 1: think he says something like a praying mantis trying to
• 8:26
  Speaker 1: poke a hole in a battleship, something like that to
• 8:29
  Speaker 1: just give like, you know, a general vibe of how
• 8:35
  Speaker 1: unlikely it is that she succeeded and her and Buffalo Buffalo,
• 8:46
  Speaker 1: I'm not really I kind of like him, to be honest.
• 8:51
  Speaker 1: He caught me by surprise because so often the goons,
• 8:57
  Speaker 1: like the sidekick goons.
• 9:00
  Speaker 2: Are really.
• 9:03
  Speaker 1: I don't want to even say boring, because that's not right.
• 9:07
  Speaker 1: They're not boring, but they can be a little bit
• 9:14
  Speaker 1: one note, I suppose is really what I want to
• 9:18
  Speaker 1: say that they will. There's not a huge variety in
• 9:21
  Speaker 1: personality exactly. They seem to be the same sort of
• 9:26
  Speaker 1: level of like posturing toughness and uh, just overall a
• 9:32
  Speaker 1: sense of like, I am gonna talk a lot of shit,
• 9:37
  Speaker 1: I'm loyal to my boss. I have a you know,
• 9:42
  Speaker 1: cold blooded streak that is very like, you know, kind
• 9:46
  Speaker 1: of fucked up. And there's not a lot of surprises
• 9:49
  Speaker 1: packed in. And I can't tell if what I am
• 9:53
  Speaker 1: liking about him is really due to him or if
• 9:58
  Speaker 1: it is due to his interaction with Baby five, because
• 10:01
  Speaker 1: he is so amusingly frustrated with her, Like every time
• 10:07
  Speaker 1: that she brings up a thing and it's somebody, some
• 10:12
  Speaker 1: guy that she got involved with in the past, he
• 10:16
  Speaker 1: is just so irritated on her behalf and just keeps
• 10:19
  Speaker 1: being like that was clearly a scam. And at one
• 10:24
  Speaker 1: point she is remembering a gun that this man offered her,
• 10:29
  Speaker 1: and the guy said something like, anybody who owns this
• 10:33
  Speaker 1: weapon is sure to be a happy life, and if
• 10:36
  Speaker 1: you buy this from me, you will make me a
• 10:39
  Speaker 1: happy man. And she does this sort of thing that
• 10:43
  Speaker 1: Boa does, where she backs into an arch. But when
• 10:48
  Speaker 1: Boa does it, it's because she's literally like looking down
• 10:51
  Speaker 1: her nose at you, And when Baby five does it,
• 10:54
  Speaker 1: apparently it's because she is just feeling so much that
• 10:59
  Speaker 1: she can't stand upright anymore. Is really the way it
• 11:04
  Speaker 1: feels to me. So I guess I can't remember what
• 11:10
  Speaker 1: happens right after that, because I think that she just
• 11:11
  Speaker 1: like imitates the gun that he showed her. I guess
• 11:14
  Speaker 1: she must have body even though she can transform into
• 11:16
  Speaker 1: a gun, which is.
• 11:17
  Speaker 2: Wild shit, girl, get a hold of yourself.
• 11:20
  Speaker 1: But anyway, but yeah, that like memory, it's sort of
• 11:24
  Speaker 1: done in this way where she remembers this, and then
• 11:27
  Speaker 1: when we come out of the memory. The way that
• 11:31
  Speaker 1: Buffalo replies to her, it implies that he saw the
• 11:36
  Speaker 1: memory in her head, which is very funny because he
• 11:39
  Speaker 1: just says out of nowhere that was clearly a scam,
• 11:43
  Speaker 1: but uh yeah, your girl, she doesn't know what a
• 11:47
  Speaker 1: scam means. She is just on one hundred percent sincerity
• 11:53
  Speaker 1: for everybody all the time. And this is the sort
• 11:58
  Speaker 1: of thing that I could definitely see being really tiresome
• 12:02
  Speaker 1: after a point, but I have to admit that right now,
• 12:05
  Speaker 1: I still find it kind of amusing. It's sort of
• 12:09
  Speaker 1: like she is the a female version of Soangy, except
• 12:17
  Speaker 1: instead of it being about sexual attraction, it's about their
• 12:21
  Speaker 1: like flattery of her, like they're convincing her that I
• 12:28
  Speaker 1: need you, you know, that kind of thing, and the
• 12:31
  Speaker 1: fact that that is her weak point is sort of
• 12:34
  Speaker 1: fascinating honestly, Like, I it just this is just a
• 12:40
  Speaker 1: thing that I think is there's a lot of room
• 12:43
  Speaker 1: to do something sort of interesting here, and I'm not
• 12:46
  Speaker 1: sure we will, but I am. I am here for it,
• 12:51
  Speaker 1: just you know, for the record. So anyway, she she
• 12:58
  Speaker 1: sees Frankie and at first she says like, I thought
• 13:02
  Speaker 1: that he was a pacifista, and later on she completely
• 13:07
  Speaker 1: unleashes on him, and when she steps back and sees
• 13:11
  Speaker 1: that he is still okay, She's like, Okay, what the
• 13:14
  Speaker 1: fuck is this guy? Because of Pacifista would have been
• 13:17
  Speaker 1: laid out by that, and he is fine. I literally
• 13:21
  Speaker 1: did not even dent this guy, so I am like,
• 13:25
  Speaker 1: it didn't occur to me that he could be mistaken
• 13:29
  Speaker 1: for Pacifista, and he doesn't really look like one, really,
• 13:32
  Speaker 1: but I could see the comparison, and I was like,
• 13:35
  Speaker 1: I wonder if anybody else is going to make that
• 13:37
  Speaker 1: mistake as well. That comparison makes sense when I stop
• 13:43
  Speaker 1: and think about it. So the two of them are
• 13:48
  Speaker 1: just kind of going nuts on Frankie on the shore,
• 13:50
  Speaker 1: and like I said, nothing really makes much of a
• 13:54
  Speaker 1: impression on him until finally she does. I think it's
• 13:59
  Speaker 1: like a flame thrower thing, and that seems to be
• 14:03
  Speaker 1: the one that really hits, and Buffalo manages to use
• 14:10
  Speaker 1: his fanning power to increase the heat of the flames,
• 14:17
  Speaker 1: and Frankie, you know, he's trapped inside a giant metal suit.
• 14:22
  Speaker 1: So yeah, it definitely is not feeling great in there
• 14:26
  Speaker 1: for him, and I was sort of glad that there
• 14:29
  Speaker 1: was a kryptonite, so to speak. Excuse me, because I
• 14:35
  Speaker 1: do feel like the idea of him being totally impervious
• 14:42
  Speaker 1: to absolutely everything, he's got to have some sort of
• 14:46
  Speaker 1: weak point, you know, and it being heat is actually
• 14:50
  Speaker 1: a little bit more interesting than what I was expecting,
• 14:53
  Speaker 1: because I really did think it was going to come
• 14:55
  Speaker 1: down to a kind of like penetrating weapon, And it
• 14:59
  Speaker 1: turns out when she does like penetrate, it doesn't matter
• 15:02
  Speaker 1: because that doesn't really do anything to him, you know.
• 15:06
  Speaker 1: The heat is really the thing that starts to get
• 15:08
  Speaker 1: to him. But we're going to jump over to the
• 15:15
  Speaker 1: kids and Nami, et cetera. They are all like together
• 15:21
  Speaker 1: realizing that in order to get out of here, there
• 15:25
  Speaker 1: is going to be a lot of obstacles in their way.
• 15:30
  Speaker 1: They have found this like I don't know what the
• 15:34
  Speaker 1: word is for this, the.
• 15:36
  Speaker 2: Uh what is it?
• 15:40
  Speaker 1: The what are those things that you like sit in
• 15:44
  Speaker 1: and they roll along a track like a cart? I guess,
• 15:47
  Speaker 1: but you know what I'm talking about where it's like
• 15:49
  Speaker 1: in a mine and it's sort of like that. But
• 15:52
  Speaker 1: they're all standing around and they're looking at this door
• 15:54
  Speaker 1: that's closing before their eyes while this cart is full
• 15:59
  Speaker 1: of children and also brown beard and everything, and Law
• 16:03
  Speaker 1: is like, what the fuck are you guys standing around for?
• 16:06
  Speaker 1: And Lufy says, we're not all here yet. I'm waiting
• 16:10
  Speaker 1: for the rest of my crew, like Moca's not here,
• 16:14
  Speaker 1: Chopper is not here. And also Tashigi points out that
• 16:19
  Speaker 1: there's some of their marines that are not accounted for either.
• 16:23
  Speaker 1: And Law. You know, I don't dislike Law, but he
• 16:28
  Speaker 1: is certainly a survivor. This is a guy who is
• 16:31
  Speaker 1: going to try and make it himself, and everybody else
• 16:35
  Speaker 1: is just kind of found for themselves. And you know,
• 16:38
  Speaker 1: there are times where I really don't begrudge that. Here
• 16:41
  Speaker 1: is one time where deciding to just fucking run, I
• 16:46
  Speaker 1: would even understand it, but I can't really respect it,
• 16:50
  Speaker 1: you know. Like so I love the fact that he
• 16:53
  Speaker 1: clearly doesn't really know who he's dealing with with Loufy,
• 16:56
  Speaker 1: and when Lufy is just like, what you mean, what
• 17:00
  Speaker 1: am I doing? I'm waiting for my people because I'm
• 17:03
  Speaker 1: not an asshole. It's just such a foregone conclusion to
• 17:07
  Speaker 1: Lufy that you fucking wait for them. And I keep
• 17:12
  Speaker 1: enjoying how Law just is learning over and over again
• 17:19
  Speaker 1: who he's decided to work with. This dude wasn't ready.
• 17:24
  Speaker 1: He really thought, he really thought right, you needed to,
• 17:29
  Speaker 1: like you should have you had two years, you should
• 17:33
  Speaker 1: have wanted around and like asked people about Lufy's personality
• 17:38
  Speaker 1: a little bit and gotten a teensy bit more prepped
• 17:44
  Speaker 1: for who he is, because he was very much expecting
• 17:49
  Speaker 1: a person who is more serious than what he is getting.
• 17:53
  Speaker 2: And I think.
• 17:54
  Speaker 1: That a lot of people have made this mistake. Saraphim says,
• 17:59
  Speaker 1: a mind cart. Is that all that's called?
• 18:01
  Speaker 2: Just a mind card? It probably is. They're probably right.
• 18:05
  Speaker 1: But anyway, so let's jump over to Oosup, who he
• 18:12
  Speaker 1: is with all the guys still in that control room,
• 18:15
  Speaker 1: and he realizes, after sort of like rallying them that
• 18:18
  Speaker 1: he never asked for the sea prism stone what do
• 18:22
  Speaker 1: you call hims? The handcuffs, And it turns out every
• 18:28
  Speaker 1: single one of them gets a pair of these, which
• 18:30
  Speaker 1: is truly bananas. And I actually am kind of hoping
• 18:33
  Speaker 1: that our crew holds onto some of these because they
• 18:35
  Speaker 1: could come in very handy. Eventually there comes later on
• 18:39
  Speaker 1: and I'm just going to jump and talk about it
• 18:42
  Speaker 1: a point where Oosup uses these in one of his
• 18:47
  Speaker 1: like I keep when I say boomerang, what is the
• 18:52
  Speaker 1: thing where you pull it back and you let go?
• 18:55
  Speaker 1: But he's got a bunch of rocks, and of course
• 18:57
  Speaker 1: those just like slingshot, he say, bails than through. I
• 19:02
  Speaker 1: actually really like the way this works, because of course
• 19:05
  Speaker 1: they go through Caesar at first, because Caesar is made
• 19:08
  Speaker 1: of gas, but Caesar, because he is made of gas,
• 19:12
  Speaker 1: and because these things aren't doing anything to him, they
• 19:17
  Speaker 1: lull him into this sense of security so that he
• 19:22
  Speaker 1: is unprepared for something that actually does hit a second later,
• 19:26
  Speaker 1: because it turns out that mixed in with all of
• 19:29
  Speaker 1: that are the sea prism stone handcuffs, which grip around
• 19:35
  Speaker 1: him and take him down. And I was truly unprepared
• 19:40
  Speaker 1: for that, you guys. I really didn't see it coming.
• 19:44
  Speaker 1: And I felt very silly because he has been after
• 19:48
  Speaker 1: these fucking things for like six episodes in a row, now,
• 19:50
  Speaker 1: like longer than that, and I didn't even really I
• 19:54
  Speaker 1: will admit actually that when he stops here in this
• 19:58
  Speaker 1: scene and it's sort of like, oh yeah, right, I
• 20:02
  Speaker 1: forgot to get the sea Prism stone handcuffs, there was
• 20:05
  Speaker 1: very much a voice in my head going, now, like,
• 20:09
  Speaker 1: what's the point of getting them now?
• 20:10
  Speaker 2: I was not with it at all.
• 20:13
  Speaker 1: I was not thinking clearly, because if I had stopped
• 20:16
  Speaker 1: to consider for one moment that we still have Caesar
• 20:19
  Speaker 1: out there running around, then I would have understood why
• 20:21
  Speaker 1: we still fucking need these things. Of course we do,
• 20:24
  Speaker 1: but I was just not like, I wasn't considering everything,
• 20:29
  Speaker 1: and I was like just not thinking through what his
• 20:35
  Speaker 1: skill set is and his being ousops, because my idea
• 20:40
  Speaker 1: was that whoever, like, he's getting these sea prism stone cuffs,
• 20:44
  Speaker 1: but he is getting them on behalf of somebody else
• 20:49
  Speaker 1: for them to use them. And honestly, that's a little
• 20:54
  Speaker 1: disrespectful for me to be like, oh, whatever Usop's getting,
• 20:58
  Speaker 1: Usop's not the one who's gonna do anything with it
• 21:00
  Speaker 1: because Oo stops nothing like low key. That's sort of
• 21:04
  Speaker 1: the way I was moving about this. So when he
• 21:08
  Speaker 1: does that surprise thing and sends them flying and manages
• 21:12
  Speaker 1: to get caeesar with that, I cheered out loud. I
• 21:16
  Speaker 1: was just like, nice one, Okay, yes, this is what
• 21:20
  Speaker 1: I'm talking about. I really enjoyed that little surprise. So anyway,
• 21:24
  Speaker 1: and also here when us Up asks for them, he
• 21:27
  Speaker 1: does it is an afterthought because they're almost about like
• 21:30
  Speaker 1: to leave this room and he just stops and is like, fuck,
• 21:33
  Speaker 1: I forgot to even ask about them. Does anybody buy
• 21:37
  Speaker 1: any chance know where I could find And these dudes
• 21:41
  Speaker 1: all pull out like, oh yeah, yeah, yeah, I have
• 21:43
  Speaker 1: some we all have a pair. And I like this
• 21:45
  Speaker 1: moment a lot where he just stops and goes, well,
• 21:47
  Speaker 1: look at that. May never be afraid to ask for
• 21:51
  Speaker 1: help everybody, which is it's a great lesson, but also
• 21:57
  Speaker 1: oos Up isn't the one who should be teaching it,
• 21:59
  Speaker 1: because that's all he ever does is ask for help.
• 22:01
  Speaker 1: Because this boy, well bless him, but he does not
• 22:06
  Speaker 1: do a whole lot without asking somebody else to do
• 22:09
  Speaker 1: it first, if I'm being honest. So okay, we are
• 22:16
  Speaker 1: still with the majority of the straw Hack crew spends
• 22:22
  Speaker 1: a lot of this episode standing stock still and watching
• 22:26
  Speaker 1: the doorways close and worrying because the ceiling seems to
• 22:30
  Speaker 1: be caving in, And we finally get a moment when
• 22:35
  Speaker 1: it's almost closed where we hear Chopper shouting Lufy's name
• 22:40
  Speaker 1: and you see like the shadow of them coming out
• 22:43
  Speaker 1: of the the smoke and the fog of this poison
• 22:48
  Speaker 1: gas is behind them, and they manage to get through
• 22:54
  Speaker 1: just barely before the door closes. So now it's time
• 23:00
  Speaker 1: to get up on this cart and I say a
• 23:04
  Speaker 1: mining cart, but those are traditionally meant to only carry
• 23:06
  Speaker 1: like two people and this thing carries like seventy five
• 23:09
  Speaker 1: two hundred people, so we are dealing with a very
• 23:14
  Speaker 1: different thing. So this is when we get the phone
• 23:20
  Speaker 1: call from Monet to do Flamingo and she is explaining
• 23:27
  Speaker 1: to him about how everything has gone to shit. He
• 23:32
  Speaker 1: tells her that we've got baby five out there on
• 23:35
  Speaker 1: the job and that they should probably be able to
• 23:38
  Speaker 1: pick up oh my god, Caesar, and despite everything having
• 23:46
  Speaker 1: gone left, but also that Virgo has been defeated, so like,
• 23:50
  Speaker 1: you know, things have just kind of fallen apart, but
• 23:52
  Speaker 1: there is the bright spot of still having Caesar and
• 23:57
  Speaker 1: she is clearly in bad shape. Is like, well, that's
• 24:01
  Speaker 1: good to hear. And I really I was so confused,
• 24:07
  Speaker 1: you guys, and I knew that it couldn't be what
• 24:09
  Speaker 1: it looked like. But Caesar during this episode is just
• 24:17
  Speaker 1: starting to wake up from having been passed out when
• 24:21
  Speaker 1: Lofy kicked him to the edge of the doc I
• 24:28
  Speaker 1: guess is what it's called. And the way in which
• 24:36
  Speaker 1: this happened, like he pulls out the heart and I
• 24:42
  Speaker 1: genuinely do not remember this moment, so please forgive me, guys,
• 24:49
  Speaker 1: but I'm sure that we saw it and I just
• 24:52
  Speaker 1: don't remember it, But we get a flashback a little
• 24:56
  Speaker 1: bit later on from Law's perspective of the moment when
• 25:01
  Speaker 1: he gives the heart to Caesar after allegedly cutting it
• 25:08
  Speaker 1: out of well, I say, allegedly he did cut it
• 25:11
  Speaker 1: out of Smoker's chest, but he lets Caesar believe that
• 25:16
  Speaker 1: that is Smoker's heart, and he pulls a fast one
• 25:20
  Speaker 1: and actually gives him the heart of Monet, because remember,
• 25:24
  Speaker 1: he exchanged his heart with Monet's heart as the like
• 25:30
  Speaker 1: insurance for staying loyal to Caesar, and I didn't remember
• 25:36
  Speaker 1: him handing over Smoker's heart at all. So I'm watching
• 25:42
  Speaker 1: Caesar like holding the knife over this heart, and I
• 25:48
  Speaker 1: genuinely wasn't sure what to think because I knew it
• 25:53
  Speaker 1: was unlikely that Caesar was going to die, or not Caesar,
• 25:59
  Speaker 1: that Smoker was going to die. Honestly, nobody ever really dies.
• 26:05
  Speaker 1: But it does seem like maybe Monette actually died, so
• 26:10
  Speaker 1: I don't know how much to believe that. But she
• 26:14
  Speaker 1: is in that room with that button, and she's talking
• 26:19
  Speaker 1: to do Flamingo about how if he is willing to
• 26:24
  Speaker 1: lose one tanker full of sad, if he's willing to
• 26:31
  Speaker 1: sacrifice it, that she will push this button, and she
• 26:37
  Speaker 1: just wanted to check with him first, basically, and this
• 26:44
  Speaker 1: is when he says, die for me, Monette, and take
• 26:47
  Speaker 1: all of them with you. And I was watching this
• 26:55
  Speaker 1: and I was like, all right, here's two things that
• 26:58
  Speaker 1: I genuinely don't know how how we're gonna get out
• 27:00
  Speaker 1: of her with this button. There's nobody in the building.
• 27:05
  Speaker 1: We just saw all of our friends fucking bail. The
• 27:09
  Speaker 1: only way that I could see her being stopped was that, well,
• 27:14
  Speaker 1: they're still in the building, but they're they're leaving, like
• 27:16
  Speaker 1: nobody's in her vicinity. The only thing I could consider
• 27:20
  Speaker 1: was maybe Virgo somehow, like he is still in the building,
• 27:23
  Speaker 1: I'm assuming, and perhaps if he is nearby and seeing
• 27:27
  Speaker 1: that she is about to take this whole fucking place down,
• 27:29
  Speaker 1: he decides to like put his foot down and put
• 27:31
  Speaker 1: a stop to it. I don't know, Like that's the
• 27:36
  Speaker 1: only thing that I could really conceive of stopping this.
• 27:41
  Speaker 1: And then Caesar with that heart, So we had two
• 27:46
  Speaker 1: things that I was truly like, oh shit, what is this?
• 27:51
  Speaker 2: What do we do now?
• 27:52
  Speaker 1: Like I was so floored by it, and I couldn't
• 27:57
  Speaker 1: find a way out. And you know the way that
• 28:02
  Speaker 1: this show works inevitably, her pressing this button gets drawn
• 28:08
  Speaker 1: the fuck out so bad. We have her slowly opening
• 28:14
  Speaker 1: this thing and then lifting her wings and closing her
• 28:17
  Speaker 1: eyes and taking this deep breath, and then she pulls
• 28:21
  Speaker 1: like the snow out of the air, and it's like
• 28:25
  Speaker 1: her bending back, letting the snow cover her, and then
• 28:28
  Speaker 1: we cut from her to uh, oh, my God, to Caesar,
• 28:37
  Speaker 1: who is like talking about how he can't wait to
• 28:40
  Speaker 1: stab Smoker's heart, and he's imagining the way that everybody
• 28:45
  Speaker 1: is going to react when they realize that Smoker is
• 28:48
  Speaker 1: starting to die for like out of nowhere, that they're
• 28:50
  Speaker 1: all going to be so frightened and unsure. And so,
• 28:57
  Speaker 1: you know, we're really chewing the scenery here. We've got
• 29:01
  Speaker 1: a lot, and I'm starting to be like, okay, guys,
• 29:05
  Speaker 1: let's get this on the road, because I also, like
• 29:08
  Speaker 1: I said, I didn't have a good explanation for how
• 29:12
  Speaker 1: this was working, how we were going to get out
• 29:14
  Speaker 1: of it. So it was also just deeply curious and
• 29:17
  Speaker 1: starting to get pretty impatient. And we cut briefly over
• 29:24
  Speaker 1: to as Caesar is saying, let's see where is it.
• 29:29
  Speaker 1: I think it's Caesar saying I'll get my revenge on you, smoker.
• 29:33
  Speaker 1: We cut over to Virgo, who is still like his
• 29:37
  Speaker 1: head is in two halves, and they almost seemed to
• 29:42
  Speaker 1: be like his parts all seemed to be stuck on
• 29:46
  Speaker 1: the railing in the room that they had been fighting in. Now,
• 29:52
  Speaker 1: I didn't remember them being positioned like this. And what
• 29:57
  Speaker 1: I'm trying to figure out is whether or not this
• 30:00
  Speaker 1: this is something that happened because of law, or if
• 30:03
  Speaker 1: this is something that law, Like, he dropped his parts
• 30:07
  Speaker 1: all over and this dude is just beginning to pull
• 30:11
  Speaker 1: them together because he is, you know, he doesn't have
• 30:17
  Speaker 1: a lot of means to manipulate his body parts when
• 30:21
  Speaker 1: they're all split up, so he's using the railing to
• 30:25
  Speaker 1: draw his pieces together potentially.
• 30:29
  Speaker 2: I don't know.
• 30:30
  Speaker 1: I'm like, I know that that sounds weird. I'm trying
• 30:32
  Speaker 1: to find a way to explain this, but I feel
• 30:35
  Speaker 1: like that's I feel like I said it.
• 30:39
  Speaker 2: But yeah, I.
• 30:41
  Speaker 1: The railing thing just kind of caught me off guard.
• 30:44
  Speaker 1: And it's not like he's moving in that scene. We
• 30:49
  Speaker 1: are just seeing his pieces of his face. Oh wait,
• 30:52
  Speaker 1: he does smile just for a moment when he hears
• 30:58
  Speaker 1: do Flamingo say thank you, old friend. I'm sorry it
• 31:01
  Speaker 1: had to end this way. Thank you for all those
• 31:03
  Speaker 1: years of service. So that's interesting that Virgo smiles when
• 31:07
  Speaker 1: he hears this, because he doesn't seem worried at all
• 31:11
  Speaker 1: that he's going to die, so he must not be
• 31:14
  Speaker 1: gonna die, or he knows that Caesar has the wrong
• 31:19
  Speaker 1: heart or something. I don't know, but suffice to say,
• 31:28
  Speaker 1: she's still you guys, I you know put I have
• 31:32
  Speaker 1: the episode playing in the background when I record, so
• 31:34
  Speaker 1: that I can see things and read the dialogue verbatim
• 31:37
  Speaker 1: and everything like that. And this bitch is still here
• 31:41
  Speaker 1: in this like backbend with her eyes closed, like she's
• 31:45
  Speaker 1: having an orgasm, about to press this button, Like this
• 31:48
  Speaker 1: has just been going on for so very long. So
• 31:52
  Speaker 1: finally she says, farewell, young master, though I won't be
• 31:56
  Speaker 1: around to see it, I know you'll become of the pirates.
• 32:02
  Speaker 1: And she says this her eyes finally open. Her wing
• 32:06
  Speaker 1: goes over to press the button, and we see her
• 32:11
  Speaker 1: wing actually seem to touch it, and as she's like
• 32:17
  Speaker 1: pressing it, we get a quick flash of all the
• 32:21
  Speaker 1: characters and all of their faces, and then there is
• 32:26
  Speaker 1: this huge explosion. But apparently not. I'm confused by this.
• 32:36
  Speaker 1: Is this supposed to be like it was only a
• 32:40
  Speaker 1: partial explosion? Like, exactly how is this so? Anyway, what
• 32:45
  Speaker 1: we find out is that when Caesar stabbed the heart
• 32:50
  Speaker 1: that he thought was smokers, he actually stabbed Monet's heart.
• 32:54
  Speaker 1: So when we start the second episode, she still has
• 32:59
  Speaker 1: not yet pressed the button. We have to back it
• 33:01
  Speaker 1: up again, right, Oh my god, so much of this,
• 33:06
  Speaker 1: so much of this. Oh and I forgot to meant
• 33:10
  Speaker 1: that Mama Nosuke has found his dad and is very
• 33:14
  Speaker 1: very upset because he has turned a stone and is
• 33:16
  Speaker 1: crying over him. He'll be fine, I have no doubt
• 33:19
  Speaker 1: we will find a way to fix this.
• 33:23
  Speaker 2: So let's see you, guys.
• 33:28
  Speaker 1: I'm seven minutes into the second episode and she still
• 33:32
  Speaker 1: hasn't pressed the button. We still have her in a
• 33:35
  Speaker 1: backbend here. Ah, she starts enumerting everyone and even you,
• 33:43
  Speaker 1: poor children, this is where you will die here with me.
• 33:48
  Speaker 1: Oh my god, girl, get to the point. So she
• 33:54
  Speaker 1: pushes the button, and we have again this flash of
• 34:01
  Speaker 1: the fire that would be following everybody down the corridor
• 34:05
  Speaker 1: as they are fleeing because they're on this.
• 34:08
  Speaker 2: What do you call it?
• 34:10
  Speaker 1: Cart thing? We go to her and the like huge
• 34:15
  Speaker 1: flash of bright white light and her shaking and trembling
• 34:20
  Speaker 1: as the whole place caves in around her, and then
• 34:23
  Speaker 1: all of a sudden it cuts. Her eyes are wide,
• 34:28
  Speaker 1: she is sweating, she's staring at the button, and her
• 34:32
  Speaker 1: like wingtip is shaking poised over the button, and she
• 34:37
  Speaker 1: puts a hand to her chest and collapses without having
• 34:43
  Speaker 1: pressed it. And I will tell you what, kids, I
• 34:48
  Speaker 1: felt like such a ding dong because I didn't realize
• 34:52
  Speaker 1: what was happening here. I genuinely didn't get it, like
• 34:57
  Speaker 1: I had to have it spoon fed to me. So
• 35:03
  Speaker 1: then we go to Law, who very calmly says, oh,
• 35:09
  Speaker 1: that must have come from Building D. That's the sad
• 35:12
  Speaker 1: manufacturing room. And he seems unbothered by this. She's still there,
• 35:23
  Speaker 1: audio smoker, see you in hal a Caesar clown like
• 35:27
  Speaker 1: pushes that weird stone knife into the heart that is
• 35:32
  Speaker 1: in front of him, and then we cut back to Monet,
• 35:35
  Speaker 1: and that was when I started to finally realize, oh
• 35:38
  Speaker 1: my god, he has the wrong heart.
• 35:41
  Speaker 2: What a goober, And.
• 35:44
  Speaker 1: She whispers, I'm sorry, but the transponder snail does not
• 35:47
  Speaker 1: pick it up, so we have got do Flamingo for
• 35:50
  Speaker 1: a while, sitting there not knowing what is going on.
• 35:53
  Speaker 1: At first, he thinks that she's just not answering him,
• 35:55
  Speaker 1: and you know, eventually it becomes clear that she did
• 35:58
  Speaker 1: not go according to play Land, but it takes a
• 36:02
  Speaker 1: while before he can really be sure that things haven't happened.
• 36:08
  Speaker 1: So then we get the moment with Law explaining to
• 36:12
  Speaker 1: Smoker and giving Smoker his He had already given Smoker
• 36:16
  Speaker 1: his heart back. That's part of the thing, is like
• 36:18
  Speaker 1: when you see that that Caesar is about to stab
• 36:22
  Speaker 1: the heart. When we cut to Smoker at one point,
• 36:27
  Speaker 1: we get a zero in on his chest and you
• 36:30
  Speaker 1: can see that it is complete, that heart isn't missing.
• 36:35
  Speaker 1: So it was very much a kind of moment, you know,
• 36:39
  Speaker 1: and then you quickly figure out like, oh then what
• 36:43
  Speaker 1: does that mean? But uh, you know, not as not
• 36:47
  Speaker 1: as quickly as you might have expected to figure it out.
• 36:53
  Speaker 2: Not as quickly.
• 36:54
  Speaker 1: That's all I'm saying, is I'm not smart. Uh. Seraphim says, Yeah,
• 37:08
  Speaker 1: this is the point where the anime really started patting
• 37:10
  Speaker 1: scenes out.
• 37:11
  Speaker 2: Yeah, this bitch took forever.
• 37:13
  Speaker 1: It's meant to be her imagining what the explosion would
• 37:16
  Speaker 1: be like, or something for the sake of drama, not
• 37:18
  Speaker 1: even sure if this was in the manga or if
• 37:20
  Speaker 1: it was just the anime being the anime. Yeah, it's
• 37:23
  Speaker 1: really confusing. It was really confusing to me, you guys,
• 37:27
  Speaker 1: because like the thing about showing somebody imagining something versus
• 37:33
  Speaker 1: the thing actually happening is there is usually a lot
• 37:40
  Speaker 1: more of an indicator when something turns out to have
• 37:45
  Speaker 1: been a dream or a day dream or this is
• 37:52
  Speaker 1: what was about to happen if somebody didn't step in,
• 37:55
  Speaker 1: you know, Like that sort of thing always has a
• 38:00
  Speaker 1: look to it when it's on film, where it's either
• 38:06
  Speaker 1: filmed in such a color scale or in some way
• 38:09
  Speaker 1: that sort of makes it seem like something is off here,
• 38:13
  Speaker 1: or you just have a like an undoing that is
• 38:19
  Speaker 1: really really obvious to sort of point out with no
• 38:25
  Speaker 1: ambiguity at all. Oh no, that didn't happen, Lol, we
• 38:31
  Speaker 1: got you. You know, there's often that sort of feeling
• 38:34
  Speaker 1: to it of like haha, you fell for it, and
• 38:37
  Speaker 1: the way that we cut back to reality is almost
• 38:42
  Speaker 1: exaggerated to really let us know that did not happen
• 38:46
  Speaker 1: to you, Dodo Bird, and we don't get that kind
• 38:52
  Speaker 1: of like sort of vibe to her imaginings here, the
• 39:00
  Speaker 1: way that she is thinking about it feels like the
• 39:03
  Speaker 1: camera is pulling away and showing us what's going on.
• 39:07
  Speaker 1: The color scheme doesn't change. Everybody looks like they normally look.
• 39:13
  Speaker 1: The whole thing is just really similar, and it's like
• 39:19
  Speaker 1: you can't really differentiate it from anything else. So it
• 39:24
  Speaker 1: just to me, I kept getting really confused, and then
• 39:27
  Speaker 1: like to top it off, it's not even it seems
• 39:31
  Speaker 1: like that the whole thing was just her imagination. It
• 39:35
  Speaker 1: seems like there was a small explosion, right, because that's
• 39:43
  Speaker 1: what law says that must have come from building D.
• 39:47
  Speaker 1: So I'm not sure how she managed to like cause
• 39:53
  Speaker 1: a small explosion, but not the whole facility explosion, like
• 39:57
  Speaker 1: what it was that she did that made it go off,
• 40:02
  Speaker 1: like but only part way. So it was just like
• 40:06
  Speaker 1: mixed together. It just really felt like we're getting a
• 40:13
  Speaker 1: mix of something that's real with something that is not.
• 40:17
  Speaker 1: And the acknowledgement of the thing that I thought was
• 40:21
  Speaker 1: also fake by a character that is, you know, telling
• 40:25
  Speaker 1: me no, no, that did really happen. So the whole
• 40:29
  Speaker 1: thing felt it was a bit of a shame actually,
• 40:33
  Speaker 1: because I felt like the idea of her choosing to
• 40:37
  Speaker 1: die on behalf of do Flamingo and sacrifice herself in
• 40:41
  Speaker 1: order to do this, like take to make this massive
• 40:46
  Speaker 1: statement and sacrifice. I kind of liked this actually in concept,
• 40:54
  Speaker 1: and it just got so muddled after it all was
• 40:59
  Speaker 1: said and done that I didn't really I felt like
• 41:05
  Speaker 1: the fact that the giant explosion doesn't seem to quite
• 41:10
  Speaker 1: happen the way that it did. It was almost confusing
• 41:13
  Speaker 1: the fact that her heart had been stabbed, and whether
• 41:15
  Speaker 1: it was what I thought it was either, Like it
• 41:19
  Speaker 1: just started to make everything sort of blend together in
• 41:22
  Speaker 1: a wait, well, wait, which part of.
• 41:24
  Speaker 2: This is real then? If that makes sense?
• 41:29
  Speaker 1: So yeah, I like I liked what we were doing here,
• 41:33
  Speaker 1: but I felt like we could have done a lot
• 41:36
  Speaker 1: more and made it a lot more clear, even with
• 41:40
  Speaker 1: the padding, you know, I think that there is a
• 41:42
  Speaker 1: way to pull this off. It's just kind of interesting
• 41:46
  Speaker 1: to me, with the way that the anime works, and
• 41:49
  Speaker 1: evidently the way a lot of anime works, it's interesting
• 41:53
  Speaker 1: to me how much of the time I feel like
• 41:57
  Speaker 1: a thing being padded. It isn't exactly the problem, it's
• 42:03
  Speaker 1: just that they pad it in the laziest way. Imaginable,
• 42:08
  Speaker 1: and I have to imagine it's purely due to budgeting, right,
• 42:13
  Speaker 1: because the padding that I am thinking up when I'm
• 42:17
  Speaker 1: talking to you guys, it involves more script being written,
• 42:22
  Speaker 1: It involves different animation being thrown into things to like,
• 42:26
  Speaker 1: you know, whatever, explain or dialogue or whatever. And I
• 42:32
  Speaker 1: guess that's really what the problem is, is that when
• 42:35
  Speaker 1: you're padding, you're trying to just reuse footage, and that
• 42:42
  Speaker 1: is by its nature, going to be much more difficult
• 42:46
  Speaker 1: to make seem like a distinct event. So unless like
• 42:52
  Speaker 1: it just seems though so often this show is like
• 42:57
  Speaker 1: a voiceover of somebody recounting a thing in the past
• 43:00
  Speaker 1: over footage that we have already seen. As much as
• 43:06
  Speaker 1: I am over here trying to like explain away why
• 43:09
  Speaker 1: the kinds of padding I would prefer aren't as possible
• 43:15
  Speaker 1: as I'm saying it, I'm really kind of feeling like no,
• 43:18
  Speaker 1: but it is still possible, though, you would just all
• 43:21
  Speaker 1: you would have to do is write it in to
• 43:26
  Speaker 1: a voice over over some of the reused footage, and
• 43:31
  Speaker 1: you could still have there be more of an explanation
• 43:35
  Speaker 1: on another thing, and maybe it wouldn't be as satisfying
• 43:38
  Speaker 1: as seeing that thing they're explaining actually animated, But it
• 43:43
  Speaker 1: would certainly be more interesting than just watching like music
• 43:49
  Speaker 1: and repeat footage over and over again, right, I think?
• 43:55
  Speaker 1: So Anyway, all that to say, this sequence was almost good,
• 44:00
  Speaker 1: but it just missed because I found that to be
• 44:03
  Speaker 1: very muddled. So this is when the cart is like
• 44:09
  Speaker 1: heading out and we see that there's all of this
• 44:12
  Speaker 1: gas ahead. I really like the moment where Zoro is
• 44:16
  Speaker 1: looking at it and is like, uh so should I
• 44:19
  Speaker 1: like cut it or And I couldn't remember. I know
• 44:25
  Speaker 1: that there is something that happens when it's still smiley,
• 44:28
  Speaker 1: and he's like trying to cut the gas when it's
• 44:32
  Speaker 1: just smiley, and it does something else. I can't remember
• 44:35
  Speaker 1: what happens though, And Law this is very funny to me.
• 44:41
  Speaker 1: He says something like does anybody have wind powers here?
• 44:48
  Speaker 1: Because we could just push the gas out of our
• 44:51
  Speaker 1: way as we come out and then we would be fine,
• 44:55
  Speaker 1: And everybody around him is like, do you really think
• 44:58
  Speaker 1: that we just have somebody that has those powers like
• 45:03
  Speaker 1: with us by coincidence? And then Nammy raises her hand
• 45:07
  Speaker 1: and is like, oh win power, Yeah, I can do that,
• 45:10
  Speaker 1: and everybody is like, are you serious? That was funny.
• 45:13
  Speaker 1: I did really really like that. Also, you guys know
• 45:17
  Speaker 1: that I am into any time Namy gets to use
• 45:21
  Speaker 1: her ability. I really wish we utilized this a little
• 45:24
  Speaker 1: bit more. And the whole way that she manages to
• 45:29
  Speaker 1: like work this is quite fun. So let's see, I'm
• 45:36
  Speaker 1: trying to Okay, Yeah, here's the part at the very
• 45:39
  Speaker 1: end of the second episode is when the little girl
• 45:41
  Speaker 1: is trying to find Do Flamingo and he has taken off,
• 45:46
  Speaker 1: apparently without telling anybody on his own crew that's what
• 45:49
  Speaker 1: he's done. So he has left and just flown off
• 45:53
  Speaker 1: on his own. And I love that he is still
• 45:58
  Speaker 1: in contact with Buffalo and uh and Baby five, and
• 46:05
  Speaker 1: he says, this is so funny to me because the
• 46:07
  Speaker 1: way he says this, it's like, obviously the two of
• 46:12
  Speaker 1: them are quite distracted right now, right, so I understand
• 46:16
  Speaker 1: that this wouldn't quite hit But he is like, so
• 46:23
  Speaker 1: you guys are safe, and they're like, yeah, we are.
• 46:27
  Speaker 1: And of course they take him asking if they're safe
• 46:30
  Speaker 1: as like, hey, guys, I'm worried about you, which I
• 46:33
  Speaker 1: don't blame them for taking it that way. Usually when
• 46:36
  Speaker 1: somebody says are you say, that's what they mean, but
• 46:40
  Speaker 1: then he follows it up with like, so the island
• 46:43
  Speaker 1: isn't just a pile of like smoking rubble, And it's
• 46:47
  Speaker 1: very clear from his tone of voice that he is disappointed.
• 46:50
  Speaker 1: And also the camera is on his face and he
• 46:52
  Speaker 1: is frowning, and I was just like giggling to myself
• 46:57
  Speaker 1: because again they're distracted, so they don't notice. But basically
• 47:02
  Speaker 1: what he is saying is, it's a bummer. You guys
• 47:05
  Speaker 1: are still alive, but they don't notice. They do not notice.
• 47:17
  Speaker 1: I just found that very funny because this dude is
• 47:22
  Speaker 1: so obvious about how disposable they are, and you know what,
• 47:27
  Speaker 1: these guys are still blonkers that I can't even tell
• 47:29
  Speaker 1: if it would bother them, because it's not like with Caesar.
• 47:36
  Speaker 1: He pretended that he cared about his people in a
• 47:40
  Speaker 1: real way, so that it was a true shock to
• 47:43
  Speaker 1: them when it turned out he didn't give a fuck
• 47:47
  Speaker 1: and saw them as test subjects.
• 47:49
  Speaker 2: Right, And.
• 47:53
  Speaker 1: I don't know if Dol Flamingo has made his people
• 47:56
  Speaker 1: feel like they are super valuable or if they understand
• 48:03
  Speaker 1: that they're just sort of like pieces in this puzzle
• 48:06
  Speaker 1: and that he will sacrifice them at any point, because
• 48:10
  Speaker 1: sometimes you would think people would not be okay with that,
• 48:14
  Speaker 1: but it will turn out that they very much are, actually,
• 48:18
  Speaker 1: because there's like a cult of personality going on. And
• 48:22
  Speaker 1: I think that's the part that I'm I'm like expecting
• 48:25
  Speaker 1: for them to feel a bit of a way about
• 48:29
  Speaker 1: him just saying that they are disposable. And I don't
• 48:32
  Speaker 1: know the situation. Maybe they know they are already and
• 48:35
  Speaker 1: it doesn't matter to hear it.
• 48:37
  Speaker 2: Actually I don't know.
• 48:38
  Speaker 1: I don't know anyway. So see, Oh god, I forgot
• 48:48
  Speaker 1: about this bit with Soanjy because there's let's see, before
• 48:57
  Speaker 1: we get outside, even if we do, there's a guest
• 48:59
  Speaker 1: can ear can you seriously conjure up wind? And Sanji
• 49:03
  Speaker 1: just yells if you doubt Nami, I got one thing
• 49:07
  Speaker 1: to say, get off right now? Well anyone maybe you,
• 49:12
  Speaker 1: And one of the dudes just says, bro chill out.
• 49:20
  Speaker 1: Oh this is a Sanji. I prefer when he is
• 49:24
  Speaker 1: fiercely like defensive of them rather than just being like
• 49:28
  Speaker 1: a creep with a bloody nose. This is the Sonjy
• 49:30
  Speaker 1: I'm interested in. So yeah, we are hurtling towards the exit,
• 49:38
  Speaker 1: and I love Lufy turning to her and saying we
• 49:43
  Speaker 1: know you got this, goos Up contributing you're pretty much
• 49:46
  Speaker 1: our only hope at this point, and then we get
• 49:49
  Speaker 1: the camera shot from below of Nami, who is, by
• 49:53
  Speaker 1: the way, still in a bikini top, and it's just titties, titties,
• 49:56
  Speaker 1: titties all God damn day long Christ's sake. So see,
• 50:07
  Speaker 1: I'm trying to find the spot. Oh yeah, Frankie. In
• 50:11
  Speaker 1: the meantime, I'm gonna give you a taste of the
• 50:13
  Speaker 1: ultimate secret weapon. Don't tell anybody else though, because it's secret.
• 50:18
  Speaker 1: And he calls it the land based Portable gam Canon.
• 50:25
  Speaker 1: It's ga n I can't remember how he pronounces it,
• 50:29
  Speaker 1: but it's like these two things come out of his
• 50:31
  Speaker 1: hands and he puts his hands together to get it working,
• 50:36
  Speaker 1: and he says the working title is and he starts
• 50:42
  Speaker 1: to create this like lightning stream before it focuses into
• 50:47
  Speaker 1: more of I don't want to say a laser because
• 50:49
  Speaker 1: it's not that focused. But he says general Canon, which
• 50:57
  Speaker 1: is just not really a good name. I'm gonna say it.
• 51:01
  Speaker 1: I think it's supposed to sound good because general in
• 51:05
  Speaker 1: an army is somebody that's like higher in rank, but
• 51:09
  Speaker 1: general also can mean sort of like basic all purpose
• 51:15
  Speaker 1: as well, and it felt very much like he was saying,
• 51:19
  Speaker 1: you know, this is your basic canon here. You know,
• 51:22
  Speaker 1: the canon's kind of you know, it does what a
• 51:24
  Speaker 1: canon does, no bells and whistles, You're getting what you expect.
• 51:30
  Speaker 1: It just felt like, after all that builds up, when
• 51:33
  Speaker 1: he says what the name is, I was like, that's it, really,
• 51:36
  Speaker 1: But it does send the two of them absolutely flying,
• 51:40
  Speaker 1: and then when our friends go out through this like
• 51:45
  Speaker 1: cloud of gas, finally Nami manages to use her lightning
• 51:51
  Speaker 1: power on these dudes. And it's so funny because when
• 51:55
  Speaker 1: they come out, evidently maybe five Buffalo both think that
• 52:04
  Speaker 1: Law is still on their side. Now, I'm gonna be
• 52:09
  Speaker 1: honest and admit something I thought, as I said last episode,
• 52:17
  Speaker 1: that it had to be Law that she was involved with,
• 52:21
  Speaker 1: that she was yelling at Do Flamingo for ruining another
• 52:28
  Speaker 1: love of hers because he was saying that, yeah, we
• 52:32
  Speaker 1: have to take Law out since he's getting in the
• 52:34
  Speaker 1: way of our plans. And so the fact that she
• 52:38
  Speaker 1: and Buffalo are both surprised at the fact that Law
• 52:43
  Speaker 1: is no longer on their side, I was like, have
• 52:47
  Speaker 1: you guys been listening to you why do you think
• 52:52
  Speaker 1: he wanted to kill Law? Like I guess maybe this
• 52:58
  Speaker 1: does point to all of them be disposable, that him
• 53:02
  Speaker 1: killing Law was just kind of like, I don't know,
• 53:04
  Speaker 1: he wanted to kill him for some reason.
• 53:05
  Speaker 2: It's not a big deal, but.
• 53:07
  Speaker 1: It's just funny because evidently, he, like Do Flamingo, did
• 53:14
  Speaker 1: not share with them or confide to them that this
• 53:19
  Speaker 1: guy has gone off and done his own thing actually
• 53:22
  Speaker 1: for a while now, and we only just became aware
• 53:25
  Speaker 1: of it. So the two of them aren't prepared for
• 53:29
  Speaker 1: Law to be against them, which could have really worked
• 53:33
  Speaker 1: in their favor if things had Like, honestly, even in
• 53:37
  Speaker 1: this moment when they turn around and they're like, Law,
• 53:40
  Speaker 1: what are you doing with them? You're our friend? You know,
• 53:44
  Speaker 1: what he should have done was been like, yeah, you're right, guys,
• 53:46
  Speaker 1: I'm totally with you, and gotten really close and then
• 53:49
  Speaker 1: attacked them when they had their guards down. But instead
• 53:53
  Speaker 1: he hangs back and tells everybody like no, no, no,
• 53:57
  Speaker 1: I'm they're my enemies, and he really just makes it clear,
• 54:02
  Speaker 1: and again these two are just completely taken off guard
• 54:05
  Speaker 1: by it, which Do Flamingo, you need to get your
• 54:08
  Speaker 1: communication a little bit more right.
• 54:11
  Speaker 2: Here.
• 54:14
  Speaker 1: So, yeah, this is when Nami says, you think you're
• 54:17
  Speaker 1: getting away, think again, cowards and a turn oosop, and
• 54:22
  Speaker 1: Usup even says their backs are to us and they're wounded,
• 54:26
  Speaker 1: which I feel like it's supposed to be. It doesn't
• 54:36
  Speaker 1: sound as bad ass when you say it like that,
• 54:40
  Speaker 1: us Up. It just sounds like you're pointing out that
• 54:44
  Speaker 1: you fight really dirty. And I don't actually believe this.
• 54:49
  Speaker 1: Just for the record, I think that this is how
• 54:51
  Speaker 1: you should approach it. If people are trying to kill
• 54:55
  Speaker 1: you and then they are injured and they have their
• 54:57
  Speaker 1: backs to you, yeah, definitely go ahead and shoot them
• 55:04
  Speaker 1: in the back. But it doesn't sound noble, and maybe
• 55:09
  Speaker 1: that's the point. Maybe I kind of just miss that.
• 55:11
  Speaker 1: This is meant to be a little bit more of
• 55:12
  Speaker 1: a joke about him trying to be like a tough guy,
• 55:16
  Speaker 1: but it is really him confessing that he's a bit
• 55:20
  Speaker 1: of a cheap shot. But anyway, Yeah, so this is
• 55:25
  Speaker 1: the point where Nami uses her lightning thing and she
• 55:29
  Speaker 1: fries them, and then Buffalo hasn't been quite taken down
• 55:35
  Speaker 1: by that. I think Baby five that that does her
• 55:38
  Speaker 1: and she's like completely out. There's smoke streaming out of
• 55:41
  Speaker 1: her mouth and stuff. But oos Up follows it up
• 55:45
  Speaker 1: with the rocks and that finishes off Buffalo and then
• 55:53
  Speaker 1: we have the sea prism stone cuffs that come out
• 55:57
  Speaker 1: of nowhere and take down Caesar. Now Caesar, he just
• 56:06
  Speaker 1: plummets to the earth. Is he over the water? I'm
• 56:10
  Speaker 1: trying to remember where he even lands. I forgot about
• 56:15
  Speaker 1: Lufy just going, yeah, he goes to the water. They
• 56:17
  Speaker 1: all land in the water. That's right, okay, But Lufy
• 56:21
  Speaker 1: talking to Law and just saying, told you pretty strong,
• 56:24
  Speaker 1: aren't they. So after after they all land, we have
• 56:33
  Speaker 1: this brief moment of like a weird I was looking
• 56:37
  Speaker 1: at this like what is happening here? It looks like
• 56:40
  Speaker 1: fur or something that's waving in the wind. And then
• 56:47
  Speaker 1: we see this.
• 56:48
  Speaker 2: Like a.
• 56:51
  Speaker 1: Group of birds, and then Do Flamingo. So I'm not
• 56:55
  Speaker 1: supposed to I'm not sure if Do Flamingo is meant
• 56:57
  Speaker 1: to be. It's clearly like his furry jacket that what
• 57:02
  Speaker 1: we were zeroed in on. But I think it's supposed
• 57:04
  Speaker 1: to be that he's like out pacing the birds in
• 57:07
  Speaker 1: his flight or something like that, and he just says
• 57:10
  Speaker 1: see you soon. I thought that would be the end
• 57:13
  Speaker 1: of the episode, but it is not. It fades out
• 57:17
  Speaker 1: and then we cut back to a kegee who is
• 57:24
  Speaker 1: fucking out here like on the ocean, and he had
• 57:29
  Speaker 1: been asleep. I guess he looks around him and he
• 57:34
  Speaker 1: is on this giant bird in the middle of the water.
• 57:37
  Speaker 1: I don't know if this is a boat or a creature.
• 57:40
  Speaker 1: And he just says, I fell asleep.
• 57:42
  Speaker 2: Oh, no big deal.
• 57:43
  Speaker 1: Which way's punk hazard And that's the end of the episode.
• 57:47
  Speaker 1: So now we're gonna be throwing a okigee in the
• 57:49
  Speaker 1: mixhit is about to get wild, truly wild. Oh sarahim
• 57:58
  Speaker 1: is in the chest says it's a penguin, okay, because
• 58:00
  Speaker 1: they the animation was super weird right there. Uh, Gail
• 58:08
  Speaker 1: Canon is Oda loving him some pun slash on a
• 58:11
  Speaker 1: monopea since it's the Sunny's main weapon that comes from
• 58:14
  Speaker 1: the figurehead's mouth. And Gao gao gaol is the Japanese
• 58:19
  Speaker 1: on amanopea for a lion's roar, So a lion's roar Canon, Oh,
• 58:25
  Speaker 1: that's fun. The general canon is a translation thing. The
• 58:29
  Speaker 1: actual name of the mech is the Frankie Showgun, but
• 58:32
  Speaker 1: it gets translated to General Frankie instead since there really
• 58:36
  Speaker 1: isn't an English equivalent to the title of showgun. Gotcha? Interesting, huh,
• 58:44
  Speaker 1: I'd like something like Maverick. Maybe I'm just sort of
• 58:48
  Speaker 1: trying to think of, like, you know what I mean,
• 58:50
  Speaker 1: that's it clearly isn't. The word doesn't mean the same thing.
• 58:53
  Speaker 1: But I'm just trying to think of something that's sort
• 58:55
  Speaker 1: of a bit of a badass vibe. But yeah, all right,
• 59:01
  Speaker 1: I appreciate you, Sarah. I'm giving me all this info.
• 59:04
  Speaker 1: It's very helpful, so thank you for coming to these. Also,
• 59:09
  Speaker 1: I can't remember I think I mentioned this in the
• 59:11
  Speaker 1: last episode, but just in case, starting in January, I
• 59:19
  Speaker 1: am going to be or is it well, I think
• 59:24
  Speaker 1: the last couple of episodes I record before my break
• 59:29
  Speaker 1: at Christmas are the first two weeks of December, so
• 59:31
  Speaker 1: technically it'll start then. I'm going to be moving up
• 59:34
  Speaker 1: the recording times for my spoil mees, so I will
• 59:39
  Speaker 1: no longer be starting at four pm Central Time. I
• 59:41
  Speaker 1: will be starting at two thirty pm. Because Florian is
• 59:47
  Speaker 1: the one who commissions the most episodes, but his time
• 59:50
  Speaker 1: zone it makes it really hard for him to come
• 59:53
  Speaker 1: if they're not in the very first lot of the day.
• 59:56
  Speaker 1: And I also am getting to a point where I
• 1:00:00
  Speaker 1: would like to end earlier in the day, so I
• 1:00:04
  Speaker 1: asked him about whether this would be easier and he
• 1:00:06
  Speaker 1: said yes, So I am moving things up starting the
• 1:00:09
  Speaker 1: first week of December. I have to wait three months
• 1:00:13
  Speaker 1: before I can make big changes in my schedule like
• 1:00:15
  Speaker 1: that because of the way the website I use for
• 1:00:18
  Speaker 1: booking works, So I just want to give you all
• 1:00:21
  Speaker 1: heads up on that it'll be earlier. So maybe it's
• 1:00:24
  Speaker 1: a seraphim has started coming. For a while, it was
• 1:00:27
  Speaker 1: only Florian and it's so strange because, like, I had
• 1:00:30
  Speaker 1: a lot a larger crowd for Spoil for Spoiltes for
• 1:00:34
  Speaker 1: one piece for a minute, and then everybody sort of vanished,
• 1:00:38
  Speaker 1: And I think part of that is because I had
• 1:00:41
  Speaker 1: to change up the session I was using when crowdcast
• 1:00:44
  Speaker 1: updated their whole to version two, and I had to
• 1:00:50
  Speaker 1: make a new event, and it seems like doing that
• 1:00:53
  Speaker 1: really like made it like difficult for some people. So
• 1:00:59
  Speaker 1: I'm hoping maybe changing up the time slots will make
• 1:01:01
  Speaker 1: things easier and I'll be able to see some of
• 1:01:04
  Speaker 1: y'all again, because there's some faces I haven't seen around
• 1:01:06
  Speaker 1: in a while, and I miss y'all. I really do Gabriella,
• 1:01:12
  Speaker 1: where are you at girl?
• 1:01:12
  Speaker 2: How you doing?
• 1:01:14
  Speaker 1: Brendadette? I see you in the discord, but not here often.
• 1:01:18
  Speaker 1: So yeah, Sarah, I'm the saying yeah. It took me
• 1:01:21
  Speaker 1: a while to get things sorted after the update exactly,
• 1:01:24
  Speaker 1: so yeah, I really do miss you guys, and I
• 1:01:28
  Speaker 1: hope that we'all are able to make it back at
• 1:01:30
  Speaker 1: some point. Okay, I'm gonna rap. Thank you again, everybody,
• 1:01:34
  Speaker 1: and until next time to the Loo.
• 1:01:36
  Speaker 2: Motherfuckers.
• 1:02:07
  Speaker 1: That was an Unspoiled Network podcast.