Latest / The KIIS Breakfast Wrap with Chris, Amy & Jack / 🕊️ Mike has written a love poem to his girlfriend...

Transcript

🕊️ Mike has written a love poem to his girlfriend... · The KIIS Breakfast Wrap with Chris, Amy & Jack

• 0:05
  Speaker 1: Whoa.
• 0:06
  Speaker 2: That was a crazy intro.
• 0:08
  Speaker 1: What are you to do? What do you got for me?
• 0:10
  Speaker 2: Because all you knew was it's something you've never done.
• 0:15
  Speaker 2: So here's the thing, Mike, I want to have kind
• 0:16
  Speaker 2: of an intervention with you, because yesterday, Look, I've been
• 0:19
  Speaker 2: getting to know you. I've been loving doing this show
• 0:21
  Speaker 2: with you. Yeah.
• 0:22
  Speaker 1: Me, you.
• 0:23
  Speaker 2: I think you're really I think you're a really lovely guy.
• 0:26
  Speaker 2: It's just that yesterday you said something that deeply concerned me.
• 0:31
  Speaker 2: We finished the show and we were talking about our partners,
• 0:34
  Speaker 2: and I think I was talking about how much I
• 0:36
  Speaker 2: love and miss Adam, and you're talking about your beautiful partner,
• 0:39
  Speaker 2: and you said that you've never gotten her flowers.
• 0:44
  Speaker 1: Nah. No, I haven't bought a flowers. No, Okay.
• 0:46
  Speaker 2: So that deeply worried me because you say she's a lovely,
• 0:51
  Speaker 2: lovely woman and you really like everything's going great, but
• 0:55
  Speaker 2: it feels like you aren't doing much to keep her.
• 0:58
  Speaker 2: And I feel like maybe you think that we don't
• 1:00
  Speaker 2: like flowers or don't want flowers.
• 1:02
  Speaker 1: I think that's what I said. I was like, Oh,
• 1:04
  Speaker 1: they don't actually want flowers, do they?
• 1:06
  Speaker 3: No.
• 1:06
  Speaker 2: See, this is the thing. I think a lot of
• 1:07
  Speaker 2: women when they're younger especially, will be like, oh, I
• 1:11
  Speaker 2: don't care about flowers. I don't want any flowers. They
• 1:13
  Speaker 2: die anyway, as kind of a protective mechanism to pretend
• 1:16
  Speaker 2: that we don't want them. And then when you meet
• 1:18
  Speaker 2: someone like I have with my beautiful Adam, who gets
• 1:21
  Speaker 2: you flowers and does nice things for you, you go, actually,
• 1:24
  Speaker 2: I do really enjoy that.
• 1:25
  Speaker 1: So you're telling me because I thought like my last girlfriend,
• 1:29
  Speaker 1: I don't think I bought flowers either, because she said
• 1:31
  Speaker 1: she didn't like flowers. You're telling me girls actually want flowers.
• 1:35
  Speaker 2: Absolutely, and it worries me that you are genuinely surprised
• 1:39
  Speaker 2: by this. Yeah, okay, concerning So I did think I
• 1:42
  Speaker 2: wanted to do a bit of show and tell for you, Mike,
• 1:45
  Speaker 2: because I understand that flowers aren't for everyone. Maybe you're thinking, oh,
• 1:49
  Speaker 2: it's hard to get. Maybe you're worried about your cat
• 1:51
  Speaker 2: with lilies because cats can die from she's.
• 1:53
  Speaker 1: Not getting lilies. And I know her because we went
• 1:56
  Speaker 1: to some show and we were looking at flowers and
• 1:58
  Speaker 1: she said lilies were a favorite. Well that's not happening.
• 2:01
  Speaker 1: My cab will die.
• 2:01
  Speaker 2: And also because you don't get flowers, never get flowers
• 2:04
  Speaker 2: regard it's funny excuse yeah, okay, right, so if you
• 2:07
  Speaker 2: can't do flowers, I brought in some examples of love
• 2:11
  Speaker 2: that Adam has given to me.
• 2:14
  Speaker 1: Right, not flower, You've got a whole wooden box.
• 2:16
  Speaker 2: I've got a whole wooden box. Adam tends to write
• 2:19
  Speaker 2: me letters and poems. No, exactly, it's actually not hard.
• 2:26
  Speaker 1: Look at can we have a look at this box?
• 2:28
  Speaker 2: It's not full to the brim, It's got some sort
• 2:30
  Speaker 2: of padding in it. But it's just these are the ones.
• 2:33
  Speaker 2: He's a little note set of letters like read you know,
• 2:37
  Speaker 2: there's there's some things here.
• 2:39
  Speaker 1: Am I meant to do that stuff?
• 2:41
  Speaker 2: Well? Yes, And isn't that hard? So he'll just if
• 2:43
  Speaker 2: For example, Adam will get up at four in the morning,
• 2:46
  Speaker 2: as we know, go to gym, and if I'm still
• 2:49
  Speaker 2: asleep or if I have something big on during the day,
• 2:51
  Speaker 2: he'll write a note saying I love watching you sleep,
• 2:54
  Speaker 2: I love you X and leave it on the bed
• 2:56
  Speaker 2: next sleep. That's beautiful?
• 3:00
  Speaker 1: Is that not creepy? Okay? I want you to other poems. Yeah,
• 3:03
  Speaker 1: we got you've got your favorite one here.
• 3:05
  Speaker 2: I've got two favorites ones about chocolate. The one's about leaves.
• 3:08
  Speaker 1: Okay, so let's hear well. I'm enjoying that. We have
• 3:12
  Speaker 1: your big box in here.
• 3:14
  Speaker 2: Yep, me too, in the studio.
• 3:17
  Speaker 1: Of love notes. Let's get let's set the scene, let's
• 3:20
  Speaker 1: get some music. Lovely here we go, right, go for it, Abby,
• 3:24
  Speaker 1: what's your leaves poem?
• 3:26
  Speaker 2: This is the leaf poem? Because Adam calls me a bug.
• 3:29
  Speaker 2: I'm his bug, right, So this is it's.
• 3:31
  Speaker 1: Not eats, roots and leaves, that old joke.
• 3:35
  Speaker 2: Okay, Yes, be serious for a moment, Mike. You're more
• 3:40
  Speaker 2: than a leaf. You're a leaf shining with dew and
• 3:43
  Speaker 2: smiling at the tree. You are more than a tree.
• 3:46
  Speaker 2: You're a million branches, all seeing and watching with care,
• 3:49
  Speaker 2: intent and protection. You're more than protection. You're the army, soldiers,
• 3:54
  Speaker 2: champagne and machine guns and tanks and rockets, all made
• 3:58
  Speaker 2: of you. You are more than you. You are love,
• 4:01
  Speaker 2: you are loved. I love you for you. I'm here forever.
• 4:05
  Speaker 1: Oh my god, he actually wrote that.
• 4:07
  Speaker 4: Do you think he's actually writing that from his brain
• 4:10
  Speaker 4: or chat? GBT, Babe.
• 4:12
  Speaker 2: He's a musician.
• 4:13
  Speaker 1: He writes a music.
• 4:14
  Speaker 2: He writes poetry most all day every day. He writes
• 4:17
  Speaker 2: music every day.
• 4:18
  Speaker 1: Another one.
• 4:20
  Speaker 2: Here's a chocolate. Onen't believe this was just while I
• 4:23
  Speaker 2: was eating chocolate next to him. He was sitting at
• 4:25
  Speaker 2: the table on his typewriter. Did you ever find it?
• 4:29
  Speaker 2: Every little worrying doubt, there's nothing wrong. Every pantry needs
• 4:33
  Speaker 2: a chocolate. Every chocolate needs a little angel with a
• 4:36
  Speaker 2: hunger for it. And we all deserve a treat of
• 4:39
  Speaker 2: life and a treat in life. Life is a treat,
• 4:42
  Speaker 2: especially with you, for you are the angel and I
• 4:45
  Speaker 2: am the chocolate. I will wait in the pantry until
• 4:48
  Speaker 2: your hungry, hungry heart opens the door for a piece
• 4:50
  Speaker 2: of me. And when you are full and my sweetness
• 4:53
  Speaker 2: is dry, I will live inside you forever.
• 4:56
  Speaker 4: Oh that's really sweet, isn't it.
• 4:58
  Speaker 1: I feel nothing, You feel nothing, You feel nothing.
• 5:02
  Speaker 2: It's not even his nieces write me poems acrostic poems
• 5:06
  Speaker 2: I got from his nieces.
• 5:07
  Speaker 1: I can do acrostic.
• 5:09
  Speaker 2: Okay, yeah, so this is obviously a high level. He
• 5:11
  Speaker 2: is a musician.
• 5:12
  Speaker 1: He is.
• 5:12
  Speaker 2: It's hard for living, it is. I understand that everyone
• 5:15
  Speaker 2: can do that, right you.
• 5:16
  Speaker 4: I'm going to do across acoustic just where you have
• 5:18
  Speaker 4: the first letter.
• 5:20
  Speaker 1: Do that. So her name is Alana, should I do one?
• 5:22
  Speaker 2: I think you should do one now, Mike, And I
• 5:24
  Speaker 2: think I just I just think that you should try
• 5:26
  Speaker 2: and make it genuine because I know that you're there there,
• 5:30
  Speaker 2: my hey, but I think that maybe you should be
• 5:36
  Speaker 2: like whoa, whoa, whoa. It's like, hey, I really care
• 5:40
  Speaker 2: about you.
• 5:40
  Speaker 1: Give me that, give me that music. Okay, what if
• 5:44
  Speaker 1: you got okay, so a l A n A yeah, yeah,
• 5:47
  Speaker 1: well I guess you. Let's go, A is hot?
• 5:55
  Speaker 2: No no no no no no no no no no
• 5:56
  Speaker 2: no no no no no no no no no no no.
• 5:59
  Speaker 4: So what do you a woman like to hear that? Still?
• 6:02
  Speaker 1: Okay?
• 6:03
  Speaker 2: I think if no, I think, I just think that
• 6:05
  Speaker 2: if we're doing a pom so, the point of this
• 6:07
  Speaker 2: is a show that you care about her right person, So.
• 6:10
  Speaker 1: Don't talk about her arts, I think, can I say it?
• 6:13
  Speaker 1: Once you have one?
• 6:14
  Speaker 2: It is nice to know that your ass is appreciated.
• 6:17
  Speaker 1: But okay, so let's go, oh we got it up
• 6:19
  Speaker 1: on the big screen. Okay, A ass is hot? Yes, ell,
• 6:22
  Speaker 1: I'm going to change that to loves dressing up and
• 6:25
  Speaker 1: looking pretty. Yes, she loves doing that.
• 6:29
  Speaker 2: It's still kind of a bit that's describing what she does.
• 6:34
  Speaker 4: How do you feel?
• 6:34
  Speaker 2: How do you feel about it?
• 6:35
  Speaker 1: It loves dressing up, So we got that one. A
• 6:38
  Speaker 1: always on social media?
• 6:40
  Speaker 4: No, no, no, that.
• 6:41
  Speaker 2: She does for a living, Like I said, job, Okay,
• 6:44
  Speaker 2: can we get some can we get some callers to
• 6:46
  Speaker 2: help with this at all? Or should we just keep
• 6:48
  Speaker 2: trying to workshop this? I actually feel like.
• 6:50
  Speaker 1: I'm getting there. I'm getting there. And not a fan
• 6:54
  Speaker 1: of only fans girls. She doesn't like those.
• 6:57
  Speaker 2: Okay, okay, but see this is just again you being
• 7:01
  Speaker 2: like this is who you are as a person. I
• 7:03
  Speaker 2: guess I think we need more of how you feel
• 7:06
  Speaker 2: about her.
• 7:07
  Speaker 1: Ah, so with an a though, because that's what we're
• 7:09
  Speaker 1: up to now. Always up for a fun time. I
• 7:13
  Speaker 1: enjoy hanging out with you.
• 7:16
  Speaker 4: This could be the best it's going to get.
• 7:19
  Speaker 1: But I actually, Mike.
• 7:21
  Speaker 2: I actually don't think it could. No, I need to
• 7:23
  Speaker 2: help I need not. I need not to help me.
• 7:25
  Speaker 3: I'm I genuinely preferred when the poem was going down
• 7:30
  Speaker 3: the ass route like either you lost me when you
• 7:34
  Speaker 3: started going last dressing up And.
• 7:37
  Speaker 1: Now I got another idea, Okay, I should do an
• 7:39
  Speaker 1: acrostic poem for Abby Chatfield.
• 7:41
  Speaker 2: Okay, Okay, here we go, let's go okay, all right,
• 7:45
  Speaker 2: it's not gone to plan.
• 7:47
  Speaker 4: Okay again. If it's not, she's going to.
• 7:53
  Speaker 1: Be okay as is hot, be beautiful blue eyes.
• 7:58
  Speaker 2: See that feels more intimate than what you've done for.
• 8:01
  Speaker 1: Doesn't have a B.
• 8:03
  Speaker 4: You can't beautiful poem more heartfelt than your own girlfriends.
• 8:08
  Speaker 1: Yeah, I gotcha B because it's double B. Yes, A
• 8:11
  Speaker 1: big fan of peaking duck.
• 8:13
  Speaker 2: Yes, true, true, I am a big fan of peaking duck.
• 8:17
  Speaker 2: I intelligent, thank you see again.
• 8:21
  Speaker 4: I feel getting better than your own girlfriends.
• 8:24
  Speaker 1: Oh e, excellent posture.
• 8:28
  Speaker 2: I'm hunched over the microphone right now. He's taking the piss.
• 8:33
  Speaker 2: We go, Mikey, I got an idea. I really wanted
• 8:36
  Speaker 2: you to have some sort of emotional account.
• 8:39
  Speaker 1: I want to do better for her, and I want.
• 8:40
  Speaker 2: To be serious. I understand that you are well, and
• 8:44
  Speaker 2: I understand no, you know how like you know in Showbes,
• 8:48
  Speaker 2: let's be real for a second, MI, Like you know
• 8:49
  Speaker 2: in show Bees, people have this facade. I have a facade.
• 8:52
  Speaker 2: You have a you have a facade. Sorry. I got
• 8:55
  Speaker 2: nervous even emitting it, and I think that maybe you
• 8:57
  Speaker 2: should break through it a little bit and talk about
• 9:00
  Speaker 2: your actual emotions.
• 9:01
  Speaker 1: So you want me to do better across the.
• 9:03
  Speaker 3: I think what we should do is work with work
• 9:06
  Speaker 3: with Abby in this ad break now and when we
• 9:09
  Speaker 3: come back. You guys have written a little poem for
• 9:11
  Speaker 3: your girlfriend that you can fender and you'll reveal it
• 9:13
  Speaker 3: on it.
• 9:14
  Speaker 1: Thank you, okay, mummy, Yeah, you're on Kiss Breakfast, Mikey, Brooklyn,
• 9:21
  Speaker 1: Abby Chadfield. Oh, you have just set me a task, Abbey,
• 9:25
  Speaker 1: because you've got all these love notes in here, in
• 9:27
  Speaker 1: this big wooden box that your partner Adam has done
• 9:30
  Speaker 1: for you. It's it's lovely, it is lovely. And then
• 9:33
  Speaker 1: you want me to write a poem for my girlfriend Alana. Yes,
• 9:36
  Speaker 1: and it wasn't good what I wrote before, wasn't.
• 9:38
  Speaker 2: It wasn't good, A littlistic things legs love to be
• 9:42
  Speaker 2: on social media.
• 9:43
  Speaker 1: I didn't like that. So I was set a challenge,
• 9:46
  Speaker 1: right yep. And I had to come up with a nice.
• 9:51
  Speaker 2: A nice poem that's from your heart, that isn't new
• 9:54
  Speaker 2: having a laugh at something and breaking through the facade
• 9:56
  Speaker 2: of Mikey. You know.
• 9:58
  Speaker 1: So I had the ad break in Brooklyn's I'm ready
• 10:01
  Speaker 1: to do it, Okay, so this is what you've written. Yeah,
• 10:03
  Speaker 1: I've got it up on the missus screen here.
• 10:05
  Speaker 4: I'm serious this time, yep.
• 10:07
  Speaker 1: Okay, So it is to put on your sappy music,
• 10:10
  Speaker 1: you better be.
• 10:11
  Speaker 4: I want to cry here, I don't.
• 10:13
  Speaker 1: Cry, so just to paint a picture. I love the
• 10:17
  Speaker 1: ocean and I love seafood, and she has come swimming
• 10:19
  Speaker 1: with me even though it's cold. So I appreciate that, right.
• 10:23
  Speaker 1: So nice. When I think of the beautiful flowing ocean
• 10:26
  Speaker 1: that we enjoy together, I think of you and how
• 10:30
  Speaker 1: your love flows through me.
• 10:32
  Speaker 4: Oh that's nice.
• 10:33
  Speaker 1: Yeah, next line context, We met like ten years ago,
• 10:37
  Speaker 1: dated a little bit, but didn't actually get together until now.
• 10:40
  Speaker 1: So it took ten years. The currents brought us together,
• 10:45
  Speaker 1: but we will continue to swim through upstream, through whatever
• 10:50
  Speaker 1: comes our way. You really wrote this, I did write it.
• 10:54
  Speaker 1: I did you like? That?
• 10:55
  Speaker 4: Was anyone watching? If he had his phone? Chat?
• 10:58
  Speaker 1: Gee?
• 10:59
  Speaker 2: I didn't chat, didn't I wouldn't allow that a manteah.
• 11:02
  Speaker 1: Okay. The way I feel after a morning swim, sunlight
• 11:06
  Speaker 1: on my salty skin is how I'll forever feel with you.
• 11:12
  Speaker 1: Is that good?
• 11:13
  Speaker 4: It's all right?
• 11:14
  Speaker 1: Okay? One more life, one more little Corny, it's a poem.
• 11:18
  Speaker 1: I'll never regret a swim, and I'll never regret you.
• 11:25
  Speaker 2: Yeah, how do you feel?
• 11:30
  Speaker 1: I feel like I did something good. That's good.
• 11:33
  Speaker 2: Now you've got to send it to her with no context,
• 11:35
  Speaker 2: and I want to see.
• 11:36
  Speaker 4: What can be written down.
• 11:38
  Speaker 1: You move out of the way. I'll be able to
• 11:41
  Speaker 1: take a photo. There we go, shoot that to her.
• 11:44
  Speaker 1: Problem done, No problem done.
• 11:47
  Speaker 2: He's fast, said, look, Mikey, well done. I'm proud of you.
• 11:50
  Speaker 1: Savvy