Latest / The Bridge by Sammy Chand / May 12, 2026

Transcript

May 12, 2026 · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and culture can be found around the world.
• 0:05
  Speaker 2: We tracked it in the best and it presents it
• 0:08
  Speaker 2: here for.
• 0:08
  Speaker 3: You on RUCUS Radio.
• 0:15
  Speaker 1: Hey, this is cal Ben. You're listening to The Bridge
• 0:17
  Speaker 1: with Sammy John.
• 0:20
  Speaker 4: Hello, this is and you're listening to the bridget but
• 0:25
  Speaker 4: Sammy John on RACHUS seven the.
• 0:30
  Speaker 5: Check Check.
• 0:33
  Speaker 6: Top of the morning. To you all, Thank you very
• 0:35
  Speaker 6: much for tuning in on a Tuesday, May twelfth edition
• 0:38
  Speaker 6: of The Branch. My name is Sammy John, and welcome
• 0:46
  Speaker 6: to the most entertaining hour and all of South Asian music.
• 0:52
  Speaker 5: Man, I've got a great one for you today.
• 0:56
  Speaker 6: We'll be talking to a dear friend of mine and
• 1:00
  Speaker 6: someone that I consider ground zero of Punjabi hip hop.
• 1:03
  Speaker 5: Out there and listen.
• 1:06
  Speaker 6: This is not to throw any shade at people like
• 1:09
  Speaker 6: Bohemia and other people that have, in their own mind
• 1:14
  Speaker 6: felt that they were the beginning of it all, but
• 1:19
  Speaker 6: we have the definitive answer. Today we'll be joined by
• 1:24
  Speaker 6: Kanwar gil aka Khan Weezy, and we'll be talking to
• 1:32
  Speaker 6: Khanwar about the history that he has made and of
• 1:37
  Speaker 6: course we will touch on his brand new song that
• 1:40
  Speaker 6: he has written.
• 1:41
  Speaker 5: But they do can't wait for the conversation.
• 1:46
  Speaker 6: It's our feature for today, and we'll be talking about
• 1:49
  Speaker 6: Bannjabi hip hop and in fact overall just Indian hip
• 1:53
  Speaker 6: hop a great extent. Today, you've picked a great one.
• 2:01
  Speaker 1: We'll be joined today by doctor Roy.
• 2:04
  Speaker 5: We'll be joined by.
• 2:10
  Speaker 1: And today.
• 2:12
  Speaker 6: To honor the whole space of Punjabi and let's just
• 2:16
  Speaker 6: call it Indian hip hop. I'll go through some of
• 2:19
  Speaker 6: my favorites in the space, and we'll begin today by
• 2:24
  Speaker 6: playing one of my favorites from Butte Do and his
• 2:27
  Speaker 6: collaboration with moneylong Gia. Welcome to the bridge, everybody.
• 2:35
  Speaker 7: Howe poor deep level labels.
• 3:01
  Speaker 1: Hurry, they got the cane who never leave.
• 3:04
  Speaker 7: You cannot turn be fib okay, you can't dinner Lord comes.
• 3:10
  Speaker 1: Share who they sold out? Show Bella the.
• 3:13
  Speaker 8: Yard Hallebo, Sorry bro Bellia the yard halle say broad
• 3:19
  Speaker 8: get yalladay up upon even met to part. Sorry god, hey,
• 3:25
  Speaker 8: we had to give cat. Cat came up a page
• 3:28
  Speaker 8: shot the daughter pick up hun the corner and happy
• 3:31
  Speaker 8: the Yarkanda diagnorun you're on the steed than you for.
• 3:36
  Speaker 1: The money.
• 3:39
  Speaker 7: The latter if we pep level labels, hurry, they got
• 3:44
  Speaker 7: the cane who makes leave you cannot turn be fib
• 3:48
  Speaker 7: We came later there get how you pep level labels?
• 3:53
  Speaker 1: Hurry then they can't got the can you leave? Okay?
• 4:00
  Speaker 1: But like the dial Janda by jun that start that's the.
• 4:19
  Speaker 9: D pors.
• 4:21
  Speaker 1: Because and Ghana by start by.
• 4:33
  Speaker 7: Are you paying poor level levels? How the can who
• 4:38
  Speaker 7: cannot turn my viet?
• 4:44
  Speaker 1: Are you paying poor belave levels?
• 4:46
  Speaker 7: How the can who cannot.
• 4:49
  Speaker 1: Turn my.
• 4:52
  Speaker 4: Know?
• 4:52
  Speaker 6: If you were to say that the line segment began
• 4:55
  Speaker 6: at Kenwar Gill, it continues through artists like what they though.
• 5:00
  Speaker 6: Fund is one of my dear friends and of course
• 5:01
  Speaker 6: has collaborated with us here at Ruckus Avenue who's been
• 5:05
  Speaker 6: featured on this show as well, and collaborates with Kenwar
• 5:09
  Speaker 6: Gill on the big song that we're gonna play today
• 5:11
  Speaker 6: called from the Bay You.
• 5:14
  Speaker 10: This his eyes on me, Oh junkie A coma doogie
• 5:20
  Speaker 10: out nap chart man Wa kara lexiad I took the
• 5:26
  Speaker 10: loan of the head. No g donk you punk time past,
• 5:31
  Speaker 10: come West are coming, said Jenny Jaskabe.
• 5:41
  Speaker 1: Come on to Bianna, I don't make you tell a minute,
• 5:48
  Speaker 1: you make it for good.
• 5:50
  Speaker 10: Dare from my no I did gnata we put the
• 5:56
  Speaker 10: Dando take un band said you your berney, don't your hair?
• 6:02
  Speaker 10: They yay with today. They can't getty cow about your
• 6:07
  Speaker 10: bernaydn't they like you know the case that mass By don't.
• 6:12
  Speaker 10: That's not about side for Bunny Cantire, he has time.
• 6:16
  Speaker 10: Brona conly Bro said that cry for Bunny Dama. Oh
• 6:21
  Speaker 10: no turn up Thistas Honday. You tell your cat that
• 6:24
  Speaker 10: means all honey, they shut down. You're talking back to Okay,
• 6:29
  Speaker 10: Oh the gone and get that they got him darling
• 6:33
  Speaker 10: that luck automate you madam three. This sad for India
• 6:38
  Speaker 10: for lu and I'm like, no waitter for fort d
• 6:42
  Speaker 10: baste up becoming any load and then they're back in
• 6:46
  Speaker 10: our party coming by day Polka, the call the cockey
• 6:52
  Speaker 10: the party?
• 6:53
  Speaker 5: Are they covered?
• 6:54
  Speaker 10: After lock up and your hair, Julie, after they get
• 6:57
  Speaker 10: your pep in them?
• 6:58
  Speaker 1: My love a party.
• 7:32
  Speaker 6: A lot of people have a hard time categorizing su
• 7:35
  Speaker 6: as an artist, but to me, certainly on the hip
• 7:37
  Speaker 6: hop side of it. His vocals lend over into the
• 7:40
  Speaker 6: mainstream side, but definitely rooted in hip hop. Another one
• 7:44
  Speaker 6: of my favorite Punjabi hip hop artists is Azad for.
• 7:48
  Speaker 5: Life There.
• 7:57
  Speaker 11: The lad love where Jama Helena jam Bam Rabbajmah Come
• 8:07
  Speaker 11: jump the j Cham come Je Lena, Marie Jung Cheddy Miracle,
• 8:18
  Speaker 11: Lena Sa Suspect bar john Je Lena Marna, Lava bra
• 8:23
  Speaker 11: Hobra Miracle, Lidri and Darras kun Ka r j Marda
• 8:31
  Speaker 11: Gay Money of Mara ge Gary Biko ok Ja man
• 8:35
  Speaker 11: Gey Bikoi Sono Lava do sam Jorda time Marunga Masundi
• 8:40
  Speaker 11: hu Go Briana Right the Parsodaga du Ja Manu love
• 8:45
  Speaker 11: Denu Villa does the current signing.
• 8:49
  Speaker 12: The Bogle Love get siren Je.
• 8:52
  Speaker 5: Parson Ja don the Kena.
• 8:58
  Speaker 11: La loo Kna Dina Jativa children, Yes, Divina Longer than
• 9:11
  Speaker 11: our Dna Da Maria man Mary to Away man Mera
• 9:32
  Speaker 11: Comera ca Da honk honkyng Sean he is honky sandaim
• 9:41
  Speaker 11: Bull Junny.
• 9:45
  Speaker 1: Johnny.
• 9:50
  Speaker 11: That's out for life.
• 9:57
  Speaker 12: Maria, Roses and Blood.
• 10:12
  Speaker 5: It's produced by Santhali.
• 10:14
  Speaker 6: Those two guys have a great relationship Azad for life
• 10:17
  Speaker 6: for the song called Roses and Blood and today's episode.
• 10:21
  Speaker 6: As you guys know squarely about the Punjabi hip hop
• 10:25
  Speaker 6: space and just generally the overall Indian hip hop space.
• 10:29
  Speaker 6: And what we'll talk about today is the guy that
• 10:31
  Speaker 6: started the Punjabi space.
• 10:33
  Speaker 5: His name is Kunwar.
• 10:34
  Speaker 6: Gil will be interviewing him very shortly and you may
• 10:37
  Speaker 6: remember him from songs with artists like JAZZYB, Tiger Style
• 10:42
  Speaker 6: and even yours truly. So we'll get into some of
• 10:45
  Speaker 6: that today. Now let's bring in Doctor Roy to the show.
• 10:47
  Speaker 6: How are you Doctor Roy?
• 10:48
  Speaker 13: Hey guys, this is Doctor Roy with Today's Word on
• 10:51
  Speaker 13: the Avenue. In Film and TV News, Dasha Patani is
• 10:54
  Speaker 13: set to make a major international leap with her Hollywood
• 10:57
  Speaker 13: debut in the Porla Force. The project mark another growing
• 11:00
  Speaker 13: crossover moment for the Indian talent making its presence felt
• 11:04
  Speaker 13: on the global entertainment stage. In media news, Ishambani made
• 11:08
  Speaker 13: a striking pre Megala appearance in New York City at
• 11:11
  Speaker 13: Madame Tussaud's, wearing a custom Manish Blotra and Sudieshkawan styled
• 11:16
  Speaker 13: by Anita Shafadajania. The look featured twenty six embroidered panels
• 11:20
  Speaker 13: representing diverse Indian textile traditions, blending coutour with cultural storytelling
• 11:25
  Speaker 13: on a global stage. In event News, Behind the Glamor
• 11:29
  Speaker 13: of luxury fashion houses like Door, Valentino and Versace lies
• 11:33
  Speaker 13: the intricate craftsmanship of Indian artisans nurtured by Vinode Magen
• 11:37
  Speaker 13: Lalshah through Janika International. By preserving centuries old embroidery traditions
• 11:42
  Speaker 13: and training thousands of women artisans, that Adelier has transformed
• 11:46
  Speaker 13: Indian handicraft into a global force. And hope coteur. That's
• 11:50
  Speaker 13: it for today's word on the avenue until next time.
• 11:53
  Speaker 6: Thank you very much, doctor Roy. And let's turn this
• 11:57
  Speaker 6: one over to one of the young artists in our
• 12:00
  Speaker 6: space that is really grabbed my attention. His name is
• 12:04
  Speaker 6: This song is called song the Juddy Pop but.
• 12:08
  Speaker 1: The shatter there.
• 12:11
  Speaker 14: D r They Santa Bar give us all the jar
• 12:17
  Speaker 14: but the shatter there Joan the dr They just Santo Man, give.
• 12:25
  Speaker 15: Us a.
• 12:28
  Speaker 14: Marci Marci, Marci.
• 12:35
  Speaker 16: Marc.
• 12:36
  Speaker 1: They are they pros.
• 12:38
  Speaker 3: Only the player.
• 12:40
  Speaker 14: It's only lad.
• 12:43
  Speaker 1: Car the pas on.
• 12:47
  Speaker 14: The purely very buch you we hope like your boy
• 12:54
  Speaker 14: to those the hens and.
• 12:57
  Speaker 17: He attended a record.
• 13:00
  Speaker 14: Then the offending cards not they extended to the task,
• 13:07
  Speaker 14: the car, the task the masker they become they will
• 13:16
  Speaker 14: track park. We needed a post attack car.
• 13:20
  Speaker 7: Were they the.
• 13:23
  Speaker 14: Follow back, how does when the havelock when in the
• 13:27
  Speaker 14: situationally then you know Jakov liked the log lock he said,
• 13:36
  Speaker 14: nott the cold batter, battery jade bull. So we are
• 13:41
  Speaker 14: then the dim We love a letter, but the cha
• 13:46
  Speaker 14: chack then who's there? Yeah, become a car carr.
• 13:58
  Speaker 1: But they care they like.
• 14:42
  Speaker 6: Song Djdal. I'm not sure what ended up happening with
• 14:46
  Speaker 6: this sample. I think the song may have got taken down,
• 14:50
  Speaker 6: but we've had it for a while here. It's Hotal
• 14:53
  Speaker 6: one of my favorites there from the younger space of
• 14:56
  Speaker 6: artists that are taking over Punjabi hip hop. And now
• 14:59
  Speaker 6: let's bring on our own Niche, somebody that plays a
• 15:02
  Speaker 6: lot of the younger artists on his show, and let's
• 15:05
  Speaker 6: bring Niche to the show. As he previews his Garage
• 15:07
  Speaker 6: Mahal episode, what's up Niche?
• 15:09
  Speaker 1: Yo, what's up Sammy? This is your boy Niche, the host.
• 15:12
  Speaker 18: Of the Garage mah Dacy Drops And that's a show
• 15:14
  Speaker 18: that plays here exclusively on Ruckus Avenue Radio every Tuesday
• 15:18
  Speaker 18: at five pm PST. Now, unlike other shows, I only
• 15:22
  Speaker 18: cover up and coming artists, so artists that you'll be
• 15:24
  Speaker 18: able to say, oh yeah, I knew them before they
• 15:26
  Speaker 18: were cool, and this week's episode is no different. I
• 15:29
  Speaker 18: got my boy Nara Simma, who's a very talented Afro
• 15:32
  Speaker 18: house producer in DJ with his newest single Fanga, which
• 15:36
  Speaker 18: has been signed to Bonobo. I got some punk all
• 15:39
  Speaker 18: rock by Chef's Kiss with her track Honey. I got
• 15:42
  Speaker 18: Wookie with his house track Daydreams. And I got my
• 15:45
  Speaker 18: boy r and B Legend or up and coming legend
• 15:48
  Speaker 18: Murphy with his newest track Caviar. So yeah, y'all, make
• 15:52
  Speaker 18: sure you tune in every single Tuesday at five pm
• 15:55
  Speaker 18: PST here on Ruckus Avenue Radio from my show The
• 15:58
  Speaker 18: Garage mahl Dacy draws back to you, Sammy, Thank you.
• 16:02
  Speaker 5: Everybody. Tune in today at five p m.
• 16:04
  Speaker 6: Pacific time and catch a show called The Garage Mahal
• 16:09
  Speaker 6: Dope Show, one of my favorites here on the air.
• 16:13
  Speaker 5: This song is called ballor Ikey saying Shop.
• 16:17
  Speaker 19: John Jay and Jimmy and Tony Very The Kick Check Again,
• 16:24
  Speaker 19: Upper Tool, Benan and John j and Jimmy and Verry
• 16:31
  Speaker 19: The Kick Check Again, Upper Too, Loan, Benanugad, Charley, how Vadi.
• 16:43
  Speaker 1: Kalady about.
• 16:47
  Speaker 19: Jan and Jelay and jealousy Joy, there's pet Charley repeat.
• 16:56
  Speaker 1: Chelsey, I hate syr chs. They jump and he died?
• 17:00
  Speaker 2: Job there?
• 17:01
  Speaker 19: How did they take their god name? Sharon hair r
• 17:05
  Speaker 19: Jompney Sorry on the on the band said jam and
• 17:12
  Speaker 19: trendous I the check again a Patula leant Hackney.
• 17:32
  Speaker 1: How's are the.
• 17:33
  Speaker 19: Round mcdoc the money a.
• 17:39
  Speaker 1: Girl sho polite boy right on time Peak when Uncle
• 17:52
  Speaker 1: can peak loaded k But where something shot.
• 18:10
  Speaker 18: Again?
• 18:15
  Speaker 9: J Yeah.
• 18:18
  Speaker 5: I think Shub really flies the flag right now for
• 18:21
  Speaker 5: this genre. He really does.
• 18:23
  Speaker 6: And that song Baller certainly grabbed my attention when it
• 18:26
  Speaker 6: came out a few years ago and to me really
• 18:29
  Speaker 6: does demonstrate what the purity of the Indian hip hop space,
• 18:33
  Speaker 6: and specifically the Punjabi hip hop space is all about.
• 18:36
  Speaker 5: This is Kanwar's first song.
• 18:38
  Speaker 20: Called when Jabbi Is.
• 18:45
  Speaker 21: Maida Jami Beggy.
• 18:59
  Speaker 1: Jub hoey like.
• 19:02
  Speaker 21: Put along Sak little Kara ma Ya sh then Jack
• 19:10
  Speaker 21: the dubbed the Killing Yahi who yadid.
• 19:18
  Speaker 1: Pan Yas called the Moon got the.
• 19:24
  Speaker 22: The the co called the Moony got there and they
• 19:28
  Speaker 22: have They called them got the.
• 19:34
  Speaker 1: The the the co called the Moon got there and
• 19:38
  Speaker 1: they have the down.
• 19:40
  Speaker 21: There Jetta par Hi Bahi car Yara with Americana Mila
• 19:47
  Speaker 21: and they pass the Karjaja Cardia Victa saying hit the
• 19:54
  Speaker 21: Calvin and Bi di Sipan per Manu the j par
• 19:59
  Speaker 21: Love the heavy Javi Cavena Maria.
• 20:39
  Speaker 6: That is the first recorded Benjabi hip hop song right there,
• 20:42
  Speaker 6: it's called It came out on the Passage to India album.
• 20:47
  Speaker 6: And this is how the story went. Knwar and I
• 20:50
  Speaker 6: were working together. We had just met recently, and he
• 20:54
  Speaker 6: came to my bedroom studio at the time, literally my
• 20:57
  Speaker 6: bedroom studio, and he wrapped that first verse to me,
• 21:02
  Speaker 6: and he had not written down the second verse yet.
• 21:04
  Speaker 6: It was just one verse that he had literally is
• 21:06
  Speaker 6: a novelty and he says, hey, Sammy, I had this
• 21:08
  Speaker 6: one verse. And I remember saying to him, go back
• 21:13
  Speaker 6: and write the second verse and we're gonna record this tomorrow.
• 21:17
  Speaker 6: And he actually did, went back, wrote the second verse,
• 21:22
  Speaker 6: and that right there became the very first song Benjabi
• 21:25
  Speaker 6: hip hop has ever recorded, right there, called.
• 21:32
  Speaker 20: This is just You Go so Jack Randhawa Man and
• 21:35
  Speaker 20: then safe Way.
• 21:38
  Speaker 1: Just make with oh but they take this veg eight
• 21:44
  Speaker 1: days no funny.
• 21:49
  Speaker 3: I don't give a.
• 22:00
  Speaker 1: Look native.
• 22:03
  Speaker 9: Yeah, but.
• 22:05
  Speaker 22: Which you can then again again the name carturnings on
• 22:09
  Speaker 22: again again and made a man press training it on
• 22:13
  Speaker 22: the ona like each other. Car burg Rooney put it
• 22:20
  Speaker 22: down to dust. Ah named my car. Buck Rooney put
• 22:25
  Speaker 22: it down to dusk attack.
• 22:28
  Speaker 16: Yeah, in my car.
• 22:29
  Speaker 1: Burger Rooney put it down to dusk attack.
• 22:31
  Speaker 22: Ah yeah, nimaccar Burgaroney. Could it do to blast, Yeah,
• 22:36
  Speaker 22: nim car Ba Garny put it down to dusk.
• 22:38
  Speaker 23: The release of mind, the Lord Magrind, the door army,
• 22:43
  Speaker 23: So didn't more come a grden sorry, come mad.
• 22:46
  Speaker 15: Like Carl the inside, the totally at the top. But
• 23:01
  Speaker 15: then you rookie the dop this he hold me at top?
• 23:03
  Speaker 15: But then you rookie the dop does he hold me
• 23:05
  Speaker 15: at top?
• 23:05
  Speaker 9: There?
• 23:07
  Speaker 1: Man, then the g on a safe way.
• 23:10
  Speaker 16: We just make ways.
• 23:11
  Speaker 22: Oh the same car they come, but they take this.
• 23:14
  Speaker 22: Then committe week with you eight days, no funny ship
• 23:17
  Speaker 22: ruck straight face milky on the head face passing a
• 23:21
  Speaker 22: pre I don't give a fuck what you said. By
• 23:23
  Speaker 22: got the Camarini data base, got a big Dina Na
• 23:27
  Speaker 22: Coina Coroma had chap t G.
• 23:32
  Speaker 1: They get the new Mahol.
• 23:33
  Speaker 22: After that, any Dicky came and in the bed Mattune.
• 23:37
  Speaker 22: You know the chapange go Jo sleep Matoon, you know
• 23:39
  Speaker 22: the shap sleep Matoon, you know the.
• 23:42
  Speaker 1: Chapa the leap.
• 23:45
  Speaker 9: On a safe Way.
• 23:47
  Speaker 1: We just make ways very till I told walk the
• 23:52
  Speaker 1: walk they come from has a lot to walk.
• 23:55
  Speaker 5: The top.
• 23:56
  Speaker 9: We probably the car for you.
• 24:03
  Speaker 1: You turn on mar David Jarge.
• 24:18
  Speaker 23: Jarge Jarge, David Jargaton.
• 24:25
  Speaker 20: Man safe way.
• 24:29
  Speaker 1: We just make ways, same come but they take base
• 24:32
  Speaker 1: the guitar.
• 24:33
  Speaker 22: Comy Week which eight days no funny get.
• 24:36
  Speaker 3: Drug based.
• 24:38
  Speaker 23: Hate, facenaire, don't give a fuck what you said by
• 24:42
  Speaker 23: Carini data base.
• 24:44
  Speaker 1: Yeah, bring a gum the.
• 24:47
  Speaker 5: Latest from the bay up in Sacramento. Of course, Jesse
• 24:51
  Speaker 5: goes Jack Randa.
• 24:53
  Speaker 6: The song called Safeway a modern representation of what Convar
• 24:57
  Speaker 6: started many years ago. In fact, let us go back
• 25:00
  Speaker 6: to one of the songs that really put Kanwar out there.
• 25:03
  Speaker 6: After he did that song Monday, he did this song
• 25:06
  Speaker 6: called Ramboda yea.
• 25:11
  Speaker 1: You're not gonna about the you know which one?
• 25:15
  Speaker 19: Rambo Amber?
• 25:17
  Speaker 1: Oh yeah, what is it?
• 25:19
  Speaker 5: It's your boy?
• 25:20
  Speaker 1: Can't wez get from the ya area with the Surrey BC.
• 25:24
  Speaker 24: Connection Shotgun with j B on the track and the
• 25:29
  Speaker 24: Treddy Shinda drop that need to go hard for the.
• 25:36
  Speaker 9: Bar.
• 25:38
  Speaker 24: He put a mark on the charts and you don't
• 25:40
  Speaker 24: want it with me. Boy slides alone.
• 25:43
  Speaker 1: I'm bringing him pain.
• 25:44
  Speaker 3: The difference is made.
• 25:46
  Speaker 1: I gotta sing in my name jim My Silver, don't
• 25:50
  Speaker 1: have to sad the pool.
• 25:52
  Speaker 10: Yeah.
• 25:53
  Speaker 20: I was raised on that day, cecil and a loyal
• 25:56
  Speaker 20: to the game.
• 25:56
  Speaker 1: Yet a yeah song jim to my siliber Don't you
• 26:00
  Speaker 1: have to share the poor? Are you better now? Conat
• 26:03
  Speaker 1: give that to get it to life better? Wo they
• 26:05
  Speaker 1: have a sas in the car boot and go.
• 26:15
  Speaker 2: I didn't boat and gon and go.
• 26:21
  Speaker 16: There.
• 26:21
  Speaker 1: Though you're dealing with commandos, I'm a messing around. Puts
• 26:25
  Speaker 1: you own can so po we do some wake. You
• 26:27
  Speaker 1: know you got your heart stone trying to put snow
• 26:29
  Speaker 1: flicks up. Let's king, do you know what? Come and
• 26:31
  Speaker 1: come back in the cala. Don't know what Puny man
• 26:34
  Speaker 1: come up to the clay California.
• 26:36
  Speaker 24: Tea and I'm riding with the top off, but he's
• 26:39
  Speaker 24: got my back just in case something come. What cant
• 26:41
  Speaker 24: you know?
• 26:41
  Speaker 25: Jaman not a knack here and oh no no, ling
• 26:44
  Speaker 25: out of the cala.
• 26:46
  Speaker 1: Sony got to kidnap me out.
• 26:48
  Speaker 26: Okay, I'm a sodius and a card.
• 26:52
  Speaker 2: The car don't bow and boat book, Rambo Rambo and.
• 27:04
  Speaker 24: It just hain't see me in the cameo flows just
• 27:06
  Speaker 24: like the block up, just like ramble What I got
• 27:09
  Speaker 24: handled a lot of ammo? Can it just ain't riding
• 27:11
  Speaker 24: on Cambo's boy, we swing and swinging in the Lambo
• 27:15
  Speaker 24: George White opening the gas drive.
• 27:17
  Speaker 1: It I gotta sa Dolly made, might have to go
• 27:19
  Speaker 1: five it too?
• 27:20
  Speaker 3: The chubby boss.
• 27:20
  Speaker 1: Leave me and Chassie both to hide me. How you're
• 27:22
  Speaker 1: gonna yet like me?
• 27:23
  Speaker 25: So if you infinity butlin BADDI put the chip down,
• 27:31
  Speaker 25: the bullet a Ford with the ramble backs popping out
• 27:34
  Speaker 25: the car.
• 27:34
  Speaker 1: Get there they shot out? Can look out of there?
• 27:37
  Speaker 1: Get the finite the look at Teddy Bold Jo Jaman
• 27:43
  Speaker 1: a son in.
• 27:43
  Speaker 26: Ambo Dumbombo Dumbo, Dambo Dumbo, Okay, Rambo Dumbo.
• 27:59
  Speaker 17: Ramble that I.
• 28:26
  Speaker 6: Can war girl, Jassy b the song called Rambo and folks,
• 28:30
  Speaker 6: it's my honor and pleasure to invite into the show.
• 28:34
  Speaker 5: Can war girl? What's up?
• 28:36
  Speaker 1: Can war yo?
• 28:37
  Speaker 16: What it is? Well? That's your boy be come war?
• 28:43
  Speaker 1: Yeah?
• 28:45
  Speaker 6: We are so well I'm gonna say it plainly, We're
• 28:48
  Speaker 6: so honored to have you on for what you've meant
• 28:52
  Speaker 6: to our space and and just in not only Banjabi
• 28:56
  Speaker 6: hip hop, but just our story of telling the diaspora
• 28:59
  Speaker 6: story out here of North American music and so canoir.
• 29:04
  Speaker 5: It's not how to have you on, my man.
• 29:06
  Speaker 16: My guy, thank you, my guy, thank you, thank you.
• 29:12
  Speaker 8: Yeah.
• 29:13
  Speaker 6: Brother, So, I, of course I know a lot about
• 29:16
  Speaker 6: your story. I've I've I've had the fine honor of
• 29:20
  Speaker 6: being a fan from a from a very long time.
• 29:22
  Speaker 6: And you know, I of course people know you as
• 29:26
  Speaker 6: you started off by by the great work you've done
• 29:29
  Speaker 6: with people like Jazzy B and with Tiger Style and
• 29:32
  Speaker 6: so many other artists like that at the time, right
• 29:35
  Speaker 6: and and you know that that impact still to this
• 29:39
  Speaker 6: day lives pretty loud. And anytime I mentioned your name,
• 29:44
  Speaker 6: people right away refer to that work that you did. Uh,
• 29:48
  Speaker 6: Connie man, you you've been in this space for such
• 29:50
  Speaker 6: a long time, you know, and for people to remember
• 29:53
  Speaker 6: that impact in those verses that you put out from
• 29:55
  Speaker 6: from a while back, brother, you know, tell me how
• 29:58
  Speaker 6: does that feel?
• 30:03
  Speaker 16: Overall? It's a great feeling.
• 30:04
  Speaker 9: But as an artist, I'm still looking for closure from
• 30:10
  Speaker 9: certain aspects.
• 30:11
  Speaker 16: In any artist's career, he wants or she wants to
• 30:16
  Speaker 16: be recognized for what they were. You know, what they're.
• 30:19
  Speaker 9: Offering is, and my my story does have some long
• 30:24
  Speaker 9: givity to it, longevity. And then at the same time,
• 30:27
  Speaker 9: as an artist, I gotta be real, I am a
• 30:30
  Speaker 9: late bloomer kind of guy.
• 30:33
  Speaker 16: I've lived.
• 30:34
  Speaker 9: You know. One thing about myself as a fella that
• 30:36
  Speaker 9: makes music is I've actually had some downtime, some great
• 30:41
  Speaker 9: times sometimes when I had to kind of disappear, disappear
• 30:45
  Speaker 9: from the scene for a minute. Yeah, well I I yes,
• 30:50
  Speaker 9: I've been in it. But now it's my time to
• 30:54
  Speaker 9: kind of give it a good consistent effort so that
• 30:59
  Speaker 9: people can have fun and enjoy what I got to
• 31:03
  Speaker 9: bring to the table as far as this music stuff
• 31:06
  Speaker 9: and culture, maybe even a little bit of fashion too.
• 31:09
  Speaker 16: Even though a lot of these guys beat me to.
• 31:10
  Speaker 9: The punt, I still have my own offering, and I
• 31:15
  Speaker 9: just appreciate people lending in here and being excited about
• 31:19
  Speaker 9: me kind of showing myself again and letting people.
• 31:23
  Speaker 6: Hear what I got.
• 31:24
  Speaker 9: I'm very, very grateful for people's support. You and Anjo,
• 31:29
  Speaker 9: you know, all my friends down there in southern California.
• 31:34
  Speaker 16: Up here in the Bay people have been down with
• 31:37
  Speaker 16: me and Rock and with a movement for a long
• 31:39
  Speaker 16: long time.
• 31:40
  Speaker 9: And you know, I'm gonna I'm gonna be mentioning all
• 31:43
  Speaker 9: these people later. But yes, you know, Jazzy, he done
• 31:49
  Speaker 9: so much to my life. I thank him every.
• 31:51
  Speaker 16: Time I see him.
• 31:53
  Speaker 9: It's not every day a big artist like that will
• 31:55
  Speaker 9: give you, give you a chance. And he did Tigers
• 32:00
  Speaker 9: Yourself from me, Low Heat from Neil, all of them guys,
• 32:06
  Speaker 9: you know, all the d days down that way, and
• 32:08
  Speaker 9: I built some great relationship and they're all you know,
• 32:13
  Speaker 9: they're all supporting, and I really I'm really excited, to
• 32:17
  Speaker 9: be honest with you. I got a little bit of
• 32:19
  Speaker 9: jitters and there's some nervousness there, but that you know,
• 32:23
  Speaker 9: that's natural.
• 32:24
  Speaker 16: I've kind of been in and out of this stuff.
• 32:27
  Speaker 16: But I promise you guys, this year, I'm gonna give
• 32:29
  Speaker 16: y'all straight heat. Rock.
• 32:32
  Speaker 6: Well, you're off to a flying start, my man. This
• 32:35
  Speaker 6: brand new single that you've just dropped with of course
• 32:40
  Speaker 6: you know people don't know this, but another Bay native
• 32:43
  Speaker 6: and then you have the two of you guys getting
• 32:45
  Speaker 6: together and the song is called from the Bay. You
• 32:48
  Speaker 6: just dropped it here April twentieth. It's a great collaboration
• 32:51
  Speaker 6: amongst I would say two of the best in our space.
• 32:55
  Speaker 6: How is it working with He's a great dude, by
• 32:58
  Speaker 6: the way, shout out to fate or are homie right there?
• 33:00
  Speaker 16: Well, that's that's kind of why I worked with him. Man,
• 33:04
  Speaker 16: he's a great dude.
• 33:05
  Speaker 5: You said it.
• 33:07
  Speaker 16: The Ombreak is a one, a gentleman and a scholar, and.
• 33:12
  Speaker 9: He deserves to be in the space, and he's a
• 33:14
  Speaker 9: fellow that day in and day out, considers this artistry
• 33:18
  Speaker 9: stuff a full time job.
• 33:22
  Speaker 16: The song was not pressured or rushed or forced.
• 33:27
  Speaker 9: This stuff a lot of the music, I mean, naturally
• 33:31
  Speaker 9: it represents our lives.
• 33:32
  Speaker 16: Me and Butte Cross had to be real with you.
• 33:35
  Speaker 16: I was walking down the street. He's seen me. He
• 33:38
  Speaker 16: waved me down a.
• 33:39
  Speaker 9: Year prior to do the song. He said we should
• 33:42
  Speaker 9: do something, and I said we should do something. We
• 33:44
  Speaker 9: took a picture and that was that.
• 33:46
  Speaker 16: A year later, I had a song that.
• 33:51
  Speaker 9: You know, we're just working on, and I'm like, you know,
• 33:53
  Speaker 9: I could use some accompaniment.
• 33:55
  Speaker 16: As instantly it's.
• 33:56
  Speaker 9: His name popped up and so I I just went
• 34:00
  Speaker 9: with a gut feeling and the rest was history. He
• 34:03
  Speaker 9: delivered an awesome sixteen bars. You might actually even hear
• 34:09
  Speaker 9: me and him more in the future.
• 34:12
  Speaker 16: We really get along.
• 34:13
  Speaker 4: You know.
• 34:13
  Speaker 16: There's a gentleman between me and him. You know, there's
• 34:16
  Speaker 16: a there's some guys called bold friend Job. They his manager, Nicky.
• 34:21
  Speaker 16: You know it's I love to.
• 34:22
  Speaker 9: Give people back backstage passes to the music and what's happening,
• 34:27
  Speaker 9: because a lot of the stuff that I purpose you know,
• 34:31
  Speaker 9: not purposefully. You know, God has control over everything that's happening,
• 34:35
  Speaker 9: but for some odd reason. And then the stuff that
• 34:38
  Speaker 9: I'm involved in making, it's a team effort.
• 34:41
  Speaker 16: I've never done anything alone.
• 34:43
  Speaker 9: In fact, these last ten fifteen years, twenty years, almost
• 34:48
  Speaker 9: about seven, I's been working with a gentleman we call
• 34:51
  Speaker 9: up here in the Bay Area.
• 34:52
  Speaker 16: His name is Tone Capone. He's helped develop my style.
• 34:56
  Speaker 16: I owe a lot Dan.
• 34:57
  Speaker 9: So what I'm saying Sammy Woods today is that it
• 35:00
  Speaker 9: was a quite organic experience. It wasn't It wasn't no
• 35:05
  Speaker 9: you know, something that was forced. They came out naturally.
• 35:08
  Speaker 9: He deserves to be on that song. He is from
• 35:11
  Speaker 9: the Bay Area. You know, it's the music, most of
• 35:15
  Speaker 9: music that I'd like to work on, it's got to
• 35:19
  Speaker 9: have a message at this point in my life. Otherwise
• 35:22
  Speaker 9: I feel like my offering there's nothing to it now.
• 35:25
  Speaker 9: Some some of the songs, they are going to have
• 35:27
  Speaker 9: some stinky feel to it where you're like, what does
• 35:29
  Speaker 9: he even mean that song? But this one, I'm just
• 35:31
  Speaker 9: being straight out. I'm tired of waiting.
• 35:33
  Speaker 16: I'm from the Bay.
• 35:34
  Speaker 9: Area, I'm I'm gay oriented, I'm I'm fully ambitious even
• 35:40
  Speaker 9: at this age, and uh, you know, whatever gatekeepers there are,
• 35:45
  Speaker 9: you know, politely, please step out of the way. Let
• 35:48
  Speaker 9: me at least get off a little something. Let me,
• 35:52
  Speaker 9: you know, let me let y'all see what a little
• 35:54
  Speaker 9: before it's.
• 35:55
  Speaker 16: Uh, you know, the window of opportunity closes. It's the
• 35:58
  Speaker 16: right time right now.
• 35:59
  Speaker 9: I'm a lamer. It takes different people, different times, different
• 36:04
  Speaker 9: strokes for different folks, different I would love to be
• 36:07
  Speaker 9: that this next couple of years, I give y'all what
• 36:10
  Speaker 9: you deserve to hear, and then the.
• 36:13
  Speaker 16: Rest will be history, you know. I just yeah, what
• 36:16
  Speaker 16: everybody else is doing.
• 36:17
  Speaker 9: I just would love to kind of see what you
• 36:21
  Speaker 9: guys think about what I'm experimenting.
• 36:24
  Speaker 6: Beautiful Connie. You know I'm going to make now is
• 36:28
  Speaker 6: where I'm going to make my statement to you, and
• 36:32
  Speaker 6: I'm gonna i'd love to hear your feedback on the
• 36:35
  Speaker 6: following statement.
• 36:37
  Speaker 5: And my thought is.
• 36:41
  Speaker 6: Based on the fact that I was there in this
• 36:45
  Speaker 6: window of time when a lot of this stuff was
• 36:49
  Speaker 6: taking place here in the US, and specifically here in
• 36:52
  Speaker 6: the Bay Area along the West coast of the US,
• 36:55
  Speaker 6: and over here what was bubbling up was this confluence
• 36:59
  Speaker 6: of cultures, let's just call it, where hip hop culture
• 37:02
  Speaker 6: and our Punjabi culture were really starting to kind.
• 37:05
  Speaker 5: Of conjoin and become one.
• 37:07
  Speaker 6: And I'm, you know, here to tell you that the
• 37:11
  Speaker 6: very first person to actually start this genre and to
• 37:16
  Speaker 6: actually start doing this. Many people may not know this,
• 37:21
  Speaker 6: but the fact of the matter is it's the gentleman
• 37:23
  Speaker 6: on the line with me right now, kunwir Gil. And
• 37:27
  Speaker 6: so my statement and my question to you is this,
• 37:30
  Speaker 6: my statement is your ground zero for Punjabi hip hop
• 37:33
  Speaker 6: and it should be remembered as that going forward forever,
• 37:36
  Speaker 6: and whatever we can do to clarify the matter should
• 37:39
  Speaker 6: be done. But uh Kanwa, you've you've you've seen this
• 37:42
  Speaker 6: genre explode and become chart topping in what it is now?
• 37:50
  Speaker 6: What are your thoughts on your view of how the
• 37:53
  Speaker 6: genre has progressed and how it's evolved right in front
• 37:56
  Speaker 6: of you as being as I called it, ground zero
• 37:59
  Speaker 6: and I know that you're humbly put it as one
• 38:01
  Speaker 6: of the pioneers that you know, But what what what
• 38:05
  Speaker 6: is your observation on this progression of the space.
• 38:09
  Speaker 16: Well, I gotta be all the way honest.
• 38:15
  Speaker 9: The genre and the art from the culture is only
• 38:19
  Speaker 9: going to go as forward as a living artist can
• 38:23
  Speaker 9: take it forward. It's it's produced or the days. I
• 38:26
  Speaker 9: never leave out the DJ, it's the artist, it's the
• 38:30
  Speaker 9: men and women.
• 38:31
  Speaker 16: Involved in hip hop and hip hop as a whole.
• 38:34
  Speaker 16: But I will say, I gotta be real about this.
• 38:36
  Speaker 9: I just came back from a visit from India and
• 38:39
  Speaker 9: I'm visited to house and and you know, if he
• 38:45
  Speaker 9: was still alive, I'd say, I'm very excited about when
• 38:49
  Speaker 9: jab be hip hop and where it's going. But with
• 38:54
  Speaker 9: his pasting, it's I'm not. I'm just I'm I'm excited
• 39:00
  Speaker 9: about what he left us with and the material that
• 39:03
  Speaker 9: he left us with. But we got to really start
• 39:06
  Speaker 9: honoring our fellow artists a little bit more and start respecting.
• 39:10
  Speaker 9: And then the other artists themselves got also respect the
• 39:13
  Speaker 9: game a little bit too. But I miss what that
• 39:16
  Speaker 9: young brother was bringing to the game. Uh, there's a
• 39:21
  Speaker 9: there's an empty spot left now and now it's I'll
• 39:25
  Speaker 9: tell you a game. This this wrapping stuff, it's a sport.
• 39:31
  Speaker 16: Okay.
• 39:31
  Speaker 9: I want to say, whoever's listening, I want you all.
• 39:34
  Speaker 16: To know, is that what I look at this kid as.
• 39:36
  Speaker 9: It's a fun sport to.
• 39:37
  Speaker 16: Me without no trophy really, and the only reward a
• 39:41
  Speaker 16: lot of these brothers will get, whether it's Tucac or
• 39:44
  Speaker 16: Simon Lucia, Notorious b I G. Mac dra Jack. The
• 39:50
  Speaker 16: list goes on, stack bundles, nippy hustle. The only trophy
• 39:53
  Speaker 16: you get in this rap music stuff usually is a
• 39:56
  Speaker 16: hot bullet and then and then you become a leg.
• 40:00
  Speaker 16: And I'm just one of the type of people that
• 40:02
  Speaker 16: Bible and dabbled with it.
• 40:04
  Speaker 9: I haven't left such a strong mark yet. God willing
• 40:07
  Speaker 9: something happens. But yes, I'm depressed like everybody else.
• 40:12
  Speaker 16: As far as where it was going. That boy was
• 40:16
  Speaker 16: going to take it.
• 40:16
  Speaker 9: That man yet young man was going to take it,
• 40:19
  Speaker 9: and he had taken it to a whole other level,
• 40:22
  Speaker 9: and we as listeners and fellow artists got robbed of
• 40:26
  Speaker 9: some beautiful arts now without him being in the space.
• 40:31
  Speaker 9: The one thing I got to say about Punjabi people
• 40:34
  Speaker 9: and the human race as a whole is we're.
• 40:37
  Speaker 16: Strong people and the art is love and love never die.
• 40:43
  Speaker 9: You can kill you can kill us, but we're always
• 40:46
  Speaker 9: going to multiply. So yes, the young brother, he left
• 40:51
  Speaker 9: us with what he left us, and he did push
• 40:56
  Speaker 9: the art so much forward where now it's so good
• 40:59
  Speaker 9: that really if another artist it's a baton somewhat. The
• 41:07
  Speaker 9: spirit see this music stuff is magic.
• 41:10
  Speaker 16: Man. It's not just there is something you could see.
• 41:12
  Speaker 16: It's the emotion, it's a feeling.
• 41:16
  Speaker 3: You know.
• 41:17
  Speaker 9: We're hopeful people, man. The human race altogether is the
• 41:21
  Speaker 9: hopeful people. But Punjabi people were so proud, and sometimes
• 41:25
  Speaker 9: ask my of why are we so proud? Why do
• 41:27
  Speaker 9: we always raise our fists and say I'm Punjabi? So
• 41:31
  Speaker 9: I think it's because, you know, we're just hopeful people.
• 41:33
  Speaker 5: Man.
• 41:34
  Speaker 9: We made something out of messing man. I mean, we've
• 41:36
  Speaker 9: got a lot of rich people out here. As far
• 41:38
  Speaker 9: as Punjabi people, we touched a lot of different molks,
• 41:41
  Speaker 9: but if we chase our roots back. Most of us
• 41:44
  Speaker 9: come from just rice and lentiels Man very like deep struggles,
• 41:51
  Speaker 9: you know what I mean.
• 41:52
  Speaker 3: And so.
• 41:54
  Speaker 9: As a feed grows and turns into a plant, and
• 41:58
  Speaker 9: the plants leaves, you know, spread and do it sing
• 42:01
  Speaker 9: And when every culture has I mean, look at the
• 42:04
  Speaker 9: the look at that knowledge that these guys, God bless them,
• 42:07
  Speaker 9: they're doing great things. But let's not forget people like Sintina.
• 42:12
  Speaker 9: Let's not forget Srinder, Sinda, Let's lef for.
• 42:15
  Speaker 16: It, forget Cindersinda.
• 42:18
  Speaker 9: You know, the big the small artists on Moon Waters,
• 42:21
  Speaker 9: Bendra Kia, Tony Fabla, the.
• 42:23
  Speaker 16: List goes on.
• 42:24
  Speaker 27: You know what I mean.
• 42:26
  Speaker 16: We owe a lot of these guys.
• 42:27
  Speaker 9: And so when I'm doing the music or living the music,
• 42:31
  Speaker 9: I try my best to honor everybody in this because
• 42:36
  Speaker 9: it's no one man in this job.
• 42:38
  Speaker 16: We're all in it together.
• 42:40
  Speaker 9: And hey, let's all, you know, stay in a celebratory
• 42:43
  Speaker 9: mood and keep it pushing forward.
• 42:45
  Speaker 16: But yes, I'm overall, I'm very excited. I'm very excited
• 42:50
  Speaker 16: where music is going right now.
• 42:53
  Speaker 5: Thank you for that.
• 42:53
  Speaker 6: By the way, that was dope, very very cool. Can
• 42:56
  Speaker 6: can you do us the honor of introducing your track
• 43:01
  Speaker 6: from the Bay. Right now, we're about to play this thing,
• 43:03
  Speaker 6: and before we press play on this thing, and you,
• 43:05
  Speaker 6: you know you eat the stage here to introduce it
• 43:08
  Speaker 6: for us. My man, thank you for what you've done
• 43:11
  Speaker 6: for the culture. You know, as I said to you,
• 43:14
  Speaker 6: your ground zero and and here's to the next phase
• 43:20
  Speaker 6: of your career and to all the great things ahead.
• 43:22
  Speaker 5: My man, thank you very much.
• 43:23
  Speaker 16: Comar cheers my brother cheers.
• 43:26
  Speaker 9: Yes on forward and forward Summer twenty twenty six. Everybody,
• 43:30
  Speaker 9: keep looking out Conuis He's bringing you something new, some
• 43:35
  Speaker 9: freshman fully live.
• 43:37
  Speaker 16: So here's the song, new song, full blame great.
• 43:41
  Speaker 9: Blapper Slapper, the Beard Slapper.
• 43:47
  Speaker 27: Hey, It's called from the Bay with my man Arounto
• 43:52
  Speaker 27: to the Bay Bay b Thiry BC Connection fusy O
• 43:57
  Speaker 27: Win Win Situation produced by Rubbie Thumble.
• 44:00
  Speaker 16: Your Boycot week with the song from the Fake hell
• 44:04
  Speaker 16: Out Move You BC.
• 44:06
  Speaker 1: I'm busting a move. I'm fast and furious just like Luda.
• 44:10
  Speaker 1: Don't be rude. I'll send you off in an uber.
• 44:12
  Speaker 1: I'm a little be humble. You messing my mood up.
• 44:14
  Speaker 1: I ride hype for.
• 44:15
  Speaker 17: God handles like Michael after Dead fish ninjonos wrapped around
• 44:18
  Speaker 17: the light pole.
• 44:19
  Speaker 1: Last minute decisions leading leading conditions. Other than that, then
• 44:22
  Speaker 1: to handle your business, cutting.
• 44:24
  Speaker 17: Out of show up at the side show first FRIDAYE
• 44:26
  Speaker 17: telling BC it's my way, cut of the five eighty highway.
• 44:29
  Speaker 1: My pipes up a little safe highway.
• 44:31
  Speaker 28: When I hit her with that face city my tape deal, maddick,
• 44:34
  Speaker 28: I'm still at it like Princes.
• 44:35
  Speaker 1: I seen him. I got skills.
• 44:37
  Speaker 24: Dammit, y'all don't want to see me in my four
• 44:39
  Speaker 24: point six leaders so sick baby.
• 44:41
  Speaker 17: You saw the hell of my way. I'm from the pain,
• 44:43
  Speaker 17: did get the hell of my way? I'm from the
• 44:45
  Speaker 17: Babe bit Hey, get the hell of my way. I'm
• 44:47
  Speaker 17: from the pay did get the hell on my way?
• 44:49
  Speaker 17: I'm from the Baye. Did get the hell on my way?
• 44:51
  Speaker 1: I'm from the Baye Dish, get the hell on my way.
• 44:53
  Speaker 1: I'm from the Lape. They get the hell of my way.
• 44:55
  Speaker 1: I'm from the pay Did they get the hell on
• 44:57
  Speaker 1: my way?
• 44:58
  Speaker 13: I'm from the Baye?
• 44:59
  Speaker 1: Who made this? Beating the shit?
• 45:00
  Speaker 29: Lightweight slapping bro with some killers. Gotta be looking for action.
• 45:03
  Speaker 29: YEA stole my steeds. That's lightweight jacket. Moon walking to
• 45:06
  Speaker 29: the bank. Then I do to myke.
• 45:08
  Speaker 1: Jackson chucking and driving me and shot. He was vibing
• 45:10
  Speaker 1: in the black of the phantom. But a ghost is driving.
• 45:12
  Speaker 29: If I'm the man some from the whole coast slide
• 45:14
  Speaker 29: and wish lonely do I put on I'm so divided.
• 45:17
  Speaker 1: I'm at the thing. That's when I'm at dre my Ninja,
• 45:19
  Speaker 1: going dumb in a lundy like Rebokas, when.
• 45:21
  Speaker 29: I ain't worried by my hotspenny faking and splendor, itty
• 45:24
  Speaker 29: bitty city by the water. Ultimately, and we got the
• 45:26
  Speaker 29: place jumping like a fucking pogo stick playing Nilo. Give
• 45:29
  Speaker 29: a fuck about the whole bitch, And I'm always with
• 45:31
  Speaker 29: a bend. But I'm solo trick Weaversit gotta standing on
• 45:34
  Speaker 29: some polo shit.
• 45:35
  Speaker 1: Get the hell on my way. I'm from the paint Dig.
• 45:37
  Speaker 17: Get the hell out of my way. I'm from the
• 45:38
  Speaker 17: Bathe bit Hey, get the hell of my way. I'm
• 45:40
  Speaker 17: from the paint did get the hellu my way. I'm
• 45:43
  Speaker 17: from the Bay.
• 45:43
  Speaker 1: Did get the hell ou my way. I'm from the
• 45:45
  Speaker 1: paint Dig. Get the hell out my way.
• 45:47
  Speaker 17: I'm from the lane, bitch. They get the hell on
• 45:49
  Speaker 17: my way. I'm from the paint bitch, get the hell
• 45:51
  Speaker 17: on my way? How from the Baby?
• 45:52
  Speaker 1: How special was that?
• 45:54
  Speaker 6: Canwar and I go back? Really do the late nineties?
• 46:00
  Speaker 6: And a dear friend and a brother. I'm so proud
• 46:02
  Speaker 6: of what he's done in his career. Really now, let's
• 46:04
  Speaker 6: bringing Dorita to the show. How are you Doita?
• 46:06
  Speaker 1: Thanks Sammy?
• 46:07
  Speaker 4: Hi everyone, this is Dada, your Ukasavne radio music correspondent
• 46:11
  Speaker 4: back with some fun facts about your favorite artists born
• 46:15
  Speaker 4: I is hear this sing and hoshiar purpun Job Yoyo
• 46:17
  Speaker 4: Honey Singh took the music world by storm with his
• 46:20
  Speaker 4: electrifying beats and unforgettable hooks. From studying music at the
• 46:23
  Speaker 4: Trinity School in the UK to becoming one of Bollywood's
• 46:26
  Speaker 4: highest paid music producers, Honeysingh's journey is nothing short of legendary.
• 46:31
  Speaker 4: Let's talk hits, because this guy does not miss. Tracks
• 46:34
  Speaker 4: like Disi Kolakar, Blue Eyes and the epic Linka Dance
• 46:37
  Speaker 4: Remember that one from Chen Express have become anthems for millions,
• 46:40
  Speaker 4: and with recent hits like Sayanji Kantalaga and Designer with
• 46:43
  Speaker 4: Gururundawa that went straight to trending number one YouTube's world charts.
• 46:47
  Speaker 1: This guy knows how to keep us grooving.
• 46:50
  Speaker 4: Yo Yo Honeysingh's incredible journey, including the highest, the Lowest,
• 46:53
  Speaker 4: and his epic comeback, has been captured in a Netflix
• 46:55
  Speaker 4: documentary called Famous. It's a raw, intimate look at his
• 46:59
  Speaker 4: life has challenged us and his resilience and our own
• 47:02
  Speaker 4: Sami Chand is also featured in the documentary, so make
• 47:05
  Speaker 4: sure to watch it if you guys haven't yet, Well,
• 47:07
  Speaker 4: that's off of me, not that tea, Sammy.
• 47:10
  Speaker 5: Yeah, how about that?
• 47:11
  Speaker 6: Ended up being in Yo Yo Honey Singh's documentary there
• 47:14
  Speaker 6: on Netflix, and if you've missed it, go check it out.
• 47:17
  Speaker 6: I'm one of the last people to speak on the video.
• 47:20
  Speaker 6: Pretty cool. Here's a song called.
• 47:23
  Speaker 1: Fun Alerday Dog. Then a customer by the.
• 47:35
  Speaker 30: Alerta do the customer return the naked babe to go lucky?
• 47:52
  Speaker 1: To leave beef?
• 47:58
  Speaker 9: Do you beef?
• 48:00
  Speaker 1: Heg? You think leg your g lay?
• 48:04
  Speaker 31: Why lay you think?
• 48:06
  Speaker 1: Do you beg? You think leg your God?
• 48:10
  Speaker 9: Lay?
• 48:12
  Speaker 10: Tuck Tuck tuck dat it tuck Tuck Tuck Tuck Tuck tuck,
• 48:24
  Speaker 10: dat it.
• 48:24
  Speaker 23: Tuck by Lisa ysgol glady Kaya Convit read by mangledy
• 48:35
  Speaker 23: can you convic ready by the sie your mango.
• 48:42
  Speaker 1: Sgody Miladi Ganuaggy melody gan Uggy you go.
• 48:51
  Speaker 31: Why lay you tink?
• 48:53
  Speaker 1: Do do you beak heg you think? Leg your god lay?
• 48:58
  Speaker 31: Why lay you tak t you peg you.
• 49:03
  Speaker 32: Think reggae k So Maria fram Khanya see Rajania la
• 49:13
  Speaker 32: Vodomania by lisiari Gari but the Laeman Kumari, the keire
• 49:23
  Speaker 32: there Tiki swar there in sed the sawari kadi u
• 49:28
  Speaker 32: la par there a Kabar damage Kabru superstar damage cam
• 49:35
  Speaker 32: full sak are they are mc k john there k
• 49:40
  Speaker 32: no are they are mc k jar there.
• 49:45
  Speaker 31: By lead till you tek you think, by lead thine
• 49:55
  Speaker 31: to till you tell you think.
• 49:59
  Speaker 6: Reg Yo Yo Honey Sing certainly one of the artists
• 50:10
  Speaker 6: that has endured in the hip hop space through the years,
• 50:14
  Speaker 6: and as I mentioned to you, very proud to be
• 50:16
  Speaker 6: a part of his documentary and his story right there.
• 50:21
  Speaker 6: This next song I'm about to play for you is
• 50:23
  Speaker 6: a pretty iconic song when it comes to Indian hip hop.
• 50:26
  Speaker 6: I think it really set the bench for what the
• 50:28
  Speaker 6: sound ended up becoming. This particular song is with my
• 50:32
  Speaker 6: group Karmacy. I produced the song and came up with
• 50:35
  Speaker 6: it with my buddy Nemo, and still to this day
• 50:40
  Speaker 6: we get recognized for it, specifically for what it did
• 50:43
  Speaker 6: for the Gujarati community.
• 50:45
  Speaker 5: A millionaire.
• 51:00
  Speaker 3: Sup for balls and mommy throw lert say it's going.
• 51:03
  Speaker 3: He's not there but done to alert say in my
• 51:04
  Speaker 3: suit because it Joe too many you know too, I've
• 51:08
  Speaker 3: eated them. But then the guy there, we'll got that
• 51:12
  Speaker 3: gate a medica. Ever, don't nobody not get change their money,
• 51:15
  Speaker 3: y'all name for they don't be name got He's nothing
• 51:18
  Speaker 3: but a fuge.
• 51:19
  Speaker 1: Check the by make a double blaney to job, but
• 51:22
  Speaker 1: that's the job.
• 51:23
  Speaker 3: Mighta real my heart, Madam Bloy, my blood from the
• 51:26
  Speaker 3: start right No, my family drew apart.
• 51:28
  Speaker 1: How do I move on playing if.
• 51:30
  Speaker 3: It is the jake? Because no matter where I go,
• 51:32
  Speaker 3: my soul was in the same money mills, my heart,
• 51:34
  Speaker 3: model boyd my blood from the start money not my family.
• 51:37
  Speaker 27: To the part.
• 51:38
  Speaker 1: How do I move on? Play if the jake because
• 51:40
  Speaker 1: no matter where right o, my soul was in the
• 51:42
  Speaker 1: same place.
• 51:43
  Speaker 3: Here, Bro, it's been a long time since we talked,
• 51:45
  Speaker 3: four years since I stepped on the plane house Mam
• 51:47
  Speaker 3: and pops.
• 51:47
  Speaker 5: That's from me.
• 51:48
  Speaker 1: I'm working hard, learning the ropes of the game.
• 51:50
  Speaker 3: I went from a nobody to lots of fortune and
• 51:52
  Speaker 3: some fame in my own eyes, I think I'm doing
• 51:54
  Speaker 3: really well.
• 51:54
  Speaker 1: I got lots of money, so tell nobody to worries
• 51:56
  Speaker 1: out my wealth.
• 51:57
  Speaker 20: That's go.
• 51:57
  Speaker 1: My health, well it could be a little better, but
• 51:59
  Speaker 1: take k ye, love your brow.
• 52:01
  Speaker 3: I'm gonna do this was I don't mind you one
• 52:02
  Speaker 3: and I get chicket done it both five saddle kV
• 52:06
  Speaker 3: like get you mon yeah, the other chicken bully kill
• 52:09
  Speaker 3: and the bucket hit you didn't do the job, buddy,
• 52:11
  Speaker 3: your hondy kill. I think you have a che kit.
• 52:14
  Speaker 3: Just siddle the model bike side of my doom model
• 52:16
  Speaker 3: dyke true Dot Moto bite Loop do motto sending my
• 52:20
  Speaker 3: dad yo, try to veil my heart, model loid, my
• 52:23
  Speaker 3: blood from the star mining, no family, Two.
• 52:25
  Speaker 1: Worlds a bar, How do I move on? Play gave
• 52:27
  Speaker 1: you the jay because no matter where I go, muscle
• 52:30
  Speaker 1: is in the same plan.
• 52:31
  Speaker 3: Feel my heart, my boy, my blood from the start,
• 52:33
  Speaker 3: money knock my family, two worlds of bart.
• 52:35
  Speaker 1: How do I move on?
• 52:36
  Speaker 3: But gave it Di the Jase because no matter where
• 52:38
  Speaker 3: I call, muscle is in the same Hello, my brother,
• 52:41
  Speaker 3: how are you bike him?
• 52:42
  Speaker 1: You lacked my new suit?
• 52:43
  Speaker 3: Just gott it tailored, said Jill Velenebody even me and
• 52:46
  Speaker 3: I pretty baby?
• 52:47
  Speaker 10: She money.
• 52:47
  Speaker 3: Let's see John got John not still get Bunny. Here's
• 52:50
  Speaker 3: a gift for your wife, a baby tall for your girl.
• 52:52
  Speaker 3: I can't wait till let's my turn to bringing new
• 52:54
  Speaker 3: life into this world. But a gun Gattic cut the streets.
• 52:57
  Speaker 3: There's no time for all that and that refused to
• 52:59
  Speaker 3: do a bio day family. Leave Joey at chip and
• 53:01
  Speaker 3: I get chicken money. You're doing it out of place.
• 53:03
  Speaker 3: Side take let it go, let it flow. Already know
• 53:06
  Speaker 3: where I stand. What I have, my two hands, my
• 53:08
  Speaker 3: one life, and my family. If I cut each get
• 53:10
  Speaker 3: through Khalil, I do you keep on asking me this?
• 53:13
  Speaker 1: You know that you know it's true. I guess that's it.
• 53:15
  Speaker 3: Oh a medica, Joe Jo, I would never let you
• 53:18
  Speaker 3: go what I've gone through, my deal, my heart, model, loy,
• 53:30
  Speaker 3: my blood from the star, money, now family, two worlds apart.
• 53:33
  Speaker 1: How do I move on? Play the jay, because no
• 53:36
  Speaker 1: matter where I go, my soul is in the same place.
• 53:38
  Speaker 3: I don't read my heart, Model Loy my blood from
• 53:40
  Speaker 3: the Star, money not the family, two worlds apart?
• 53:43
  Speaker 5: How do I move on?
• 53:44
  Speaker 1: Blay really the Jase because no matter where I'm going,
• 53:46
  Speaker 1: my soul is in the same place.
• 53:47
  Speaker 3: Monel, Deal my heart, Monel Lloyd, my blood from the Start,
• 53:50
  Speaker 3: money not my family, two worlds apart? How do I
• 53:53
  Speaker 3: move on Blay eat the Chase because no matter where
• 53:55
  Speaker 3: I go, my soul is in the same place. Deal
• 53:57
  Speaker 3: my heart, my blood from the Star money not for
• 54:00
  Speaker 3: family tools apart?
• 54:02
  Speaker 1: How do move on?
• 54:03
  Speaker 5: Play David?
• 54:04
  Speaker 1: Because no man away Sol is in the same family
• 54:10
  Speaker 1: tools apart? How do I move on play?
• 54:14
  Speaker 3: No matter away?
• 54:14
  Speaker 6: I remember that it's a great studio session right there.
• 54:18
  Speaker 6: I loved working with Nimo on that track. The song
• 54:21
  Speaker 6: is called Blood Brothers iconic karmacy song. We used to
• 54:24
  Speaker 6: love performing it too. It's one of our big kind
• 54:28
  Speaker 6: of closing tracks of the day. Whenever we did perform
• 54:31
  Speaker 6: it was great and shout out to all the Gudrati
• 54:34
  Speaker 6: folks that were inspired by it. This song is by
• 54:38
  Speaker 6: Divine and really helped put Divine out there and with
• 54:42
  Speaker 6: it really established Hindi hip hop. It's produced by Says
• 54:47
  Speaker 6: on the Beat The song is called Jungle Ship my
• 54:50
  Speaker 6: school my st.
• 54:56
  Speaker 1: Who's you know.
• 54:58
  Speaker 28: Made maik my in bayam make here I is in
• 55:06
  Speaker 28: the ketola Joe best I keep a tad to marry
• 55:10
  Speaker 28: Picker is yeah either yeah, Wali.
• 55:14
  Speaker 1: Da job dicta star.
• 55:18
  Speaker 28: Laik jomi klas just pocus on under messic under jaduta
• 55:25
  Speaker 28: under said say may.
• 55:27
  Speaker 14: Not even that or toys, but people taken.
• 55:33
  Speaker 1: That humplag younger kick em age youngly d the speech.
• 55:44
  Speaker 28: Even Emily Head.
• 55:53
  Speaker 1: The speakeep. It's an email.
• 55:59
  Speaker 5: La verge.
• 56:02
  Speaker 1: Taker ta ta, I'm seek cheap.
• 56:07
  Speaker 10: Said okay.
• 56:10
  Speaker 1: Please the best pee.
• 56:14
  Speaker 28: Camp ki into t kill the boo.
• 56:20
  Speaker 3: DC.
• 56:20
  Speaker 28: These are yoky much jokuba menomen.
• 56:26
  Speaker 1: Can't give give make its about a.
• 56:35
  Speaker 28: Giant for that so much care how much say what come?
• 56:38
  Speaker 1: We can say my head.
• 56:43
  Speaker 33: Us three jungle in a Kilardi may age gap kilary
• 56:49
  Speaker 33: man a clary man divine. I was stunned when I
• 56:55
  Speaker 33: first heard this song.
• 56:56
  Speaker 9: I really was.
• 56:57
  Speaker 5: I was like, oh my god, Indian hip hop is coming.
• 57:03
  Speaker 9: Yeah.
• 57:04
  Speaker 5: Shout out to Kunwar for joining me today. And if
• 57:07
  Speaker 5: there's anything I want you to take.
• 57:08
  Speaker 6: Away from this episode, it's this the history of Punjabi
• 57:12
  Speaker 6: hip hop as we've been told it for the last
• 57:14
  Speaker 6: twenty years or so, twenty five years or so, skip's
• 57:17
  Speaker 6: a step. We start the story with Bohemia in the
• 57:21
  Speaker 6: early two thousands, and we treat that as ground zero.
• 57:25
  Speaker 6: But the music doesn't lie, the dates don't lie. And
• 57:28
  Speaker 6: the artist who was rapping in Punjabi in California, recording it,
• 57:31
  Speaker 6: releasing it, building an audience for it before any of
• 57:35
  Speaker 6: the names we now call legends had ever stepped to
• 57:37
  Speaker 6: a mic, was sitting in that interview chair today.
• 57:41
  Speaker 5: His name is Kunwar Gill.
• 57:43
  Speaker 6: I'm not asking you to take Bohemia's place in the
• 57:46
  Speaker 6: cannon away from this at all, or trying to shade
• 57:50
  Speaker 6: Bohemia's contribution to the space. I'm asking you to make
• 57:55
  Speaker 6: room next to him for the man who walked first.
• 57:58
  Speaker 6: That's how genres work, That's how every American art form
• 58:02
  Speaker 6: got told, jazz, hip hop, rock, whatever. You can go
• 58:06
  Speaker 6: back and you can find the artist who is there
• 58:08
  Speaker 6: before the artist everybody knows, and you say their name
• 58:11
  Speaker 6: out loud. So when somebody asks you where Punjabi hip
• 58:15
  Speaker 6: hop started, and they will, you give them two names. Bohemia, yes,
• 58:20
  Speaker 6: but also Kannowar Gil because the Timeline says, so tomorrow
• 58:25
  Speaker 6: will get into the wider field of Indian hip hop.
• 58:28
  Speaker 5: So make sure you join me tomorrow morning at nine
• 58:30
  Speaker 5: am for that show. I've had a great time hanging
• 58:33
  Speaker 5: out with you guys. Folks. I'll leave you with this
• 58:35
  Speaker 5: song right here. It's another one of Kanwar's first songs.
• 58:39
  Speaker 20: It's called Ashiki.
• 58:40
  Speaker 5: It's featuring Benita.
• 58:42
  Speaker 20: Have a great day, everybody, Pa and pardild yam SI's.
• 58:57
  Speaker 21: Hard Lunky junkis Karli, Nagni Maria Jouja.
• 59:04
  Speaker 20: K jokis a hum and niam.
• 59:07
  Speaker 21: Lukis the we are mohakah Jungi Jabri kitten to oh
• 59:34
  Speaker 21: he tony do oh. He asked Ned sark So a
• 59:43
  Speaker 21: band anji U to hell long here in Ganjama only
• 59:50
  Speaker 21: in the valet. Then you play ka Armavale Karma Vale
• 59:55
  Speaker 21: Hill Sharma a mar jand