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ASMRtists Tell All (Quietly) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to artists on, Artists on. Artists and artists
• 0:06
  Speaker 1: get ready to tingle. Today we're talking to the best
• 0:09
  Speaker 1: ASMR artists.
• 0:11
  Speaker 2: ASMR, also known as autonomous sensory meridian response, is the
• 0:17
  Speaker 2: scientific term for the feeling you get when you hear
• 0:20
  Speaker 2: somebody making clicks, clacks, scrapes, and scratches.
• 0:24
  Speaker 3: These artisans, primarily on YouTube and TikTok, have gotten the
• 0:28
  Speaker 3: tingly sound down to an art We talk to them
• 0:31
  Speaker 3: about their process.
• 0:34
  Speaker 4: Let's listen in.
• 0:39
  Speaker 2: Wow, it's so nice to see everybody. Oh my god,
• 0:42
  Speaker 2: it's nice to see everybody here in a nice, quiet,
• 0:45
  Speaker 2: save wonderful space.
• 0:47
  Speaker 1: This is crazy, meaning some of my idols and contemporaries
• 0:53
  Speaker 1: in a single special safe space.
• 1:00
  Speaker 3: To see everybody here in this gorgeous, gorgeous space. And
• 1:05
  Speaker 3: I'm so grateful to be with.
• 1:06
  Speaker 4: All of you today.
• 1:08
  Speaker 5: How are you folks?
• 1:09
  Speaker 1: WHOA wow?
• 1:11
  Speaker 2: Wow?
• 1:12
  Speaker 5: Is it okay that I use this level of velocity?
• 1:16
  Speaker 2: It is, but you actually can get THEE.
• 1:19
  Speaker 5: If I use this level of volume.
• 1:21
  Speaker 2: Oh yeah, And I would actually talk directly on top
• 1:24
  Speaker 2: of the mic.
• 1:24
  Speaker 5: Okay, yeah, please never talk to me about the rotation
• 1:28
  Speaker 5: of my mic.
• 1:29
  Speaker 2: Again, right, And I want to apologize for the Mike
• 1:31
  Speaker 2: explaining I've already done as you.
• 1:33
  Speaker 1: All know, very much displayed Mike's don't get don't get
• 1:37
  Speaker 1: me started on Mike explaining.
• 1:39
  Speaker 5: I know my sound and I know where it needs
• 1:41
  Speaker 5: to fall.
• 1:41
  Speaker 2: It's the nasty side of our industry.
• 1:43
  Speaker 3: Mike explaining my explaining, and it's it's it's also the
• 1:47
  Speaker 3: element of whoever is wearing the headphones house all the power.
• 1:55
  Speaker 2: Truly, but it's all the stress too. I drew the
• 1:57
  Speaker 2: short straw. I'm watching our levels as we do this episode.
• 2:02
  Speaker 1: So why don't we go around and in a special
• 2:06
  Speaker 1: calm way.
• 2:08
  Speaker 5: I'm allowed to do it in whatever way I want
• 2:10
  Speaker 5: to introduce tones. Sorry, I'm a dickhead.
• 2:16
  Speaker 1: Oh yeah, you go first. You introduce yourself. You're the
• 2:18
  Speaker 1: dickhead ASMR artist.
• 2:20
  Speaker 5: Right, Hey guys, I'm Richard Blatt and I've been doing
• 2:25
  Speaker 5: ASMR for a long time and I notoriously have a
• 2:29
  Speaker 5: bad attitude.
• 2:31
  Speaker 1: You do a lot of the ASMR artists stuff where
• 2:34
  Speaker 1: you mimic them being bullied, right.
• 2:37
  Speaker 2: Yeah, you do the sounds of people getting swirlies. You
• 2:40
  Speaker 2: do this ASMR of wet willies.
• 2:43
  Speaker 3: It is almost like an ASMR bdsm It is almost
• 2:50
  Speaker 3: like that, some would say.
• 2:51
  Speaker 5: Yeah, I mean, I want to be clear. Sure, some
• 2:56
  Speaker 5: of my work has some bully elements to it, but
• 2:59
  Speaker 5: a lot of them. All of my work is feathers.
• 3:02
  Speaker 5: I play with feathers and I put feathers on the mic,
• 3:05
  Speaker 5: and I mix those levels. So I just want to
• 3:07
  Speaker 5: be clear that, like, I'm a dickhead in personality, but
• 3:10
  Speaker 5: my ASMR is meant for love, peace and meditation.
• 3:15
  Speaker 2: Yeah, and what is it like being a bad boy
• 3:17
  Speaker 2: in the ASMR community.
• 3:20
  Speaker 5: I'll say it feels always like I don't belong because
• 3:25
  Speaker 5: I though I may be gentle in ASMR, I am
• 3:29
  Speaker 5: not in my personality. And I do believe that like
• 3:34
  Speaker 5: acting like all a SMR artists are gentle is a stereotype.
• 3:40
  Speaker 5: You should see what I can do with the Bologney sandwich.
• 3:43
  Speaker 1: And what do you mean by that?
• 3:46
  Speaker 5: Why don't you wait and see old sport?
• 3:49
  Speaker 3: Okay, Wow, well I does have a dickhead personality.
• 3:53
  Speaker 1: Yeah, I just called a woman old. Didn't love that?
• 3:57
  Speaker 2: Hi?
• 3:57
  Speaker 1: My name is Katie. I do ASMR with Katie. I'm
• 4:03
  Speaker 1: I started this about ten years ago. I'm pretty I
• 4:07
  Speaker 1: got into the industry pretty early and I love nothing
• 4:11
  Speaker 1: more than putting people to sleep.
• 4:15
  Speaker 5: You hit it off pretty big, pretty quick.
• 4:17
  Speaker 1: Yes, that is true. I hit it off pretty big,
• 4:20
  Speaker 1: pretty quick with some of my original sounds. I was
• 4:24
  Speaker 1: the one that came up with the sound.
• 4:27
  Speaker 2: Huge sound, and you copyrighted.
• 4:29
  Speaker 1: It and I copyrighted it. Yeah, that's Katie's Katie's tick.
• 4:34
  Speaker 1: It's called Katie's tick, and if you use Katie's tick,
• 4:38
  Speaker 1: you have to pay me.
• 4:39
  Speaker 3: I accidentally almost used Katie's tick in a video and
• 4:43
  Speaker 3: there was a lawyer at my door within ten minutes,
• 4:45
  Speaker 3: and I hadn't even posted it yet. I simply unmixed
• 4:49
  Speaker 3: in my garage.
• 4:50
  Speaker 5: They call Katie the woman in the drafts. She'll hear
• 4:53
  Speaker 5: your drafts.
• 4:54
  Speaker 3: She could hear the draft So they have a lot.
• 4:56
  Speaker 1: Of fun nicknames for me. They call me the woman
• 5:00
  Speaker 1: the drafts, the witch with the lawyers, they call me
• 5:02
  Speaker 1: all types of.
• 5:04
  Speaker 2: Well. They also call you the asm arsonist because if
• 5:07
  Speaker 2: you don't.
• 5:08
  Speaker 1: So the big thing is I make fire sounds and
• 5:11
  Speaker 1: if you don't listen to me, I set to your
• 5:12
  Speaker 1: house fire.
• 5:14
  Speaker 3: She's she's scary.
• 5:15
  Speaker 1: So it's confirmed you do arson not confirmed, not confirmed.
• 5:19
  Speaker 1: It's just what they call me because of those rumors.
• 5:22
  Speaker 1: Out those fun, silly special rumors.
• 5:28
  Speaker 5: Here's a rumor moving through a room.
• 5:31
  Speaker 1: I can't hear that at all. You might want to
• 5:35
  Speaker 1: take off your.
• 5:35
  Speaker 2: Sound and that that is what the as MR bad
• 5:38
  Speaker 2: Boy does. That's them bad Boy would know the sound
• 5:42
  Speaker 2: of a rumor moving through a room.
• 5:44
  Speaker 5: This is the rumor of someone finding out that there
• 5:46
  Speaker 5: are piece of shit, sort.
• 5:50
  Speaker 3: Of like a cat hitting a ball of yarn.
• 5:52
  Speaker 2: And as the man on the mic, I'll tell you
• 5:54
  Speaker 2: that is good and I can hear it and then
• 5:56
  Speaker 2: it's gonna work. So really nice one man on the mic,
• 6:00
  Speaker 2: It's me. I'm as Mr Mic on the mic, and
• 6:05
  Speaker 2: uh I was a former radio DJ who turned into
• 6:10
  Speaker 2: an as MR artist. So I do a lot of
• 6:14
  Speaker 2: raunchy funny you know, as Mr you are at a
• 6:18
  Speaker 2: wet T shirt contest. As Mr you are at a Hooters.
• 6:23
  Speaker 2: I am the ASM artist for the macho man who
• 6:28
  Speaker 2: is looking to go to sleep but is also looking
• 6:29
  Speaker 2: to have a man's experience.
• 6:31
  Speaker 1: People have described you as the alpha party as M artist.
• 6:36
  Speaker 2: Yeah, funway, Yeah, it's it's been really fun. And and
• 6:39
  Speaker 2: they they did that because I did. Do you are
• 6:43
  Speaker 2: a SMR you are at an element FAO party in
• 6:46
  Speaker 2: the Hills.
• 6:48
  Speaker 5: My favorite of your work is hearing a bud light open.
• 6:53
  Speaker 2: Oh yeah I did. I did as Mr. Different volumes
• 6:57
  Speaker 2: of bud lights opening bud light.
• 6:58
  Speaker 5: The champagne of beers Mill, you did them all?
• 7:01
  Speaker 2: Yeah, yeah, I did them all and it was four
• 7:03
  Speaker 2: and a half hour video.
• 7:04
  Speaker 5: And I go to sleep to that a lot.
• 7:06
  Speaker 2: I'll tell you what. There's nothing like the beginning of
• 7:09
  Speaker 2: a party where a beer bottle or can or even
• 7:13
  Speaker 2: jug opens.
• 7:15
  Speaker 3: Uh.
• 7:15
  Speaker 2: It just means the party has started, exactly. And these rowdy, rowdy,
• 7:22
  Speaker 2: macho men they love to go to sleep too. That's
• 7:24
  Speaker 2: when we don't talk about men like to sleep as well.
• 7:28
  Speaker 1: Finally, someone like so courageous that you admit that, yeah,
• 7:33
  Speaker 1: like to sleep.
• 7:34
  Speaker 2: It's good. It's hard to stay alive in the ASMR
• 7:41
  Speaker 2: community for me. But that's called an overshare, So I
• 7:45
  Speaker 2: won't be doing that quite yet.
• 7:47
  Speaker 3: Of course. Well, I am Denise Flower. I am a
• 7:54
  Speaker 3: as MR Artist or as I like to call as artist.
• 8:01
  Speaker 1: We've all been saying that already.
• 8:05
  Speaker 5: Sweet, you thought you thought of that by yourself.
• 8:07
  Speaker 3: Well, I believe that I'm getting getting a little hot.
• 8:12
  Speaker 3: I'm pretty sure that I came up with that just now.
• 8:17
  Speaker 3: Now what I do is I create office soundscapes. So
• 8:25
  Speaker 3: I create ASMR for corporate email girlies who are out
• 8:31
  Speaker 3: of work. So I imitate the sounds of being at
• 8:35
  Speaker 3: an office, the water cooler, the email shuffleing, you.
• 8:46
  Speaker 5: Know when you shuffle your emails. I like the shuffle
• 8:49
  Speaker 5: of like their cards and concluded.
• 8:52
  Speaker 3: Because then it's like, oh, what's this from twenty seventeen?
• 8:55
  Speaker 3: I forgot to respond to this.
• 8:58
  Speaker 1: So it's the useful so is good.
• 9:00
  Speaker 2: It's a tool, it's great.
• 9:02
  Speaker 3: And I also initiate the the I try to capture
• 9:07
  Speaker 3: the feeling of a warm and welcoming boss. So hey, everybody,
• 9:12
  Speaker 3: thanks for hopping on zoom at nine am. I h
• 9:14
  Speaker 3: house everybody's weekend. Good good, let's hop into it.
• 9:18
  Speaker 2: Yeah. I will say you're a little controversial in the
• 9:21
  Speaker 2: community because of the amount of dialogue you use. You
• 9:24
  Speaker 2: use a lot of dialogue.
• 9:26
  Speaker 1: Dialogue with using dialogue, you know, sometimes if I have
• 9:30
  Speaker 1: to give somebody a haircut, I will be the barber
• 9:33
  Speaker 1: or I will be the salon worker.
• 9:35
  Speaker 5: It's kind of like the auto tune of vocalists where
• 9:38
  Speaker 5: we kind of think you're kind of kind you're kind
• 9:41
  Speaker 5: of shoving it down someone's throat the environment.
• 9:43
  Speaker 3: It's that I resent that some people say that, let's argue.
• 9:48
  Speaker 5: I'm not scared ark.
• 9:49
  Speaker 3: Let's say, and I know you want to argue. I
• 9:51
  Speaker 3: know the bad boy is always looking for I really
• 9:54
  Speaker 3: want to argue. They call me as a mar Oh,
• 9:58
  Speaker 3: like a pirate.
• 9:59
  Speaker 1: Who's calling you that?
• 10:02
  Speaker 5: The Washington Post?
• 10:04
  Speaker 3: Oh wow, you got the Post to review your videos.
• 10:07
  Speaker 3: I've gotten nowhere close to that, So congratulations on that.
• 10:11
  Speaker 5: Thank you.
• 10:11
  Speaker 1: On your side, though, playing a person is fine.
• 10:14
  Speaker 5: It wrote about me because I committed a crime.
• 10:17
  Speaker 2: But it's okay.
• 10:21
  Speaker 3: This actually you committed a pirate crime. You're a pirate.
• 10:24
  Speaker 3: This actually makes more sense.
• 10:27
  Speaker 5: It was maritime law. We'll get into it later.
• 10:29
  Speaker 3: SMR does not get a lot of media coverage.
• 10:32
  Speaker 1: No, it's kind of a niche of a niche. It's
• 10:35
  Speaker 1: kind of if you know what it is, you're special.
• 10:39
  Speaker 1: I deserve all of the rewards you're looking for. Now,
• 10:44
  Speaker 1: how about you sit down and I'll give you a haircut.
• 10:49
  Speaker 1: How does a haircut sound for my big, big, strong boy?
• 10:56
  Speaker 2: You know, I wanted to talk about something that that
• 11:00
  Speaker 2: directly reminded me. People think that this is a fetish.
• 11:03
  Speaker 1: No, they definitely think it's a finish.
• 11:06
  Speaker 5: They all think.
• 11:07
  Speaker 2: It's so frustrating as an artist to be told that
• 11:11
  Speaker 2: my work of art is a fetish. I don't want
• 11:15
  Speaker 2: anyone thinking that what I'm doing is sexual in any way.
• 11:20
  Speaker 3: Well, it's tough because you go to Hooters quite frequently
• 11:23
  Speaker 3: in your work.
• 11:24
  Speaker 2: I've said time and time again, Hooters is not sexual.
• 11:27
  Speaker 2: They have great wings. Hooters has great wings, and it
• 11:30
  Speaker 2: has a great community.
• 11:32
  Speaker 5: People have a lot of sex to Drake's music. He
• 11:35
  Speaker 5: doesn't get sexualized.
• 11:37
  Speaker 1: No, I don't think Drake is ever getting sexualized. That's true.
• 11:40
  Speaker 3: What I mean that is actually true. I think that's true.
• 11:45
  Speaker 1: Not he let me say, is a sex symbol.
• 11:49
  Speaker 5: I think I spoke. I spoke wrong.
• 11:52
  Speaker 1: What's new, Katie and I have?
• 11:57
  Speaker 5: I have definitely done.
• 11:57
  Speaker 2: A couple of interviews. Can we not fight?
• 12:02
  Speaker 3: Sorry, we're cheering a bunch of glasses to this.
• 12:05
  Speaker 5: They're cheering.
• 12:06
  Speaker 3: Shorter's numbers are fantastic.
• 12:08
  Speaker 2: Okay, I'm putting up a stop sign. That's what I'm doing.
• 12:14
  Speaker 3: That was really fast.
• 12:15
  Speaker 1: What I meant is, well, I just drove right through
• 12:22
  Speaker 1: that and you stop signing.
• 12:24
  Speaker 2: Well, here I come.
• 12:26
  Speaker 1: I'm the police, tiny police, Rah rah rah. Rah rah
• 12:32
  Speaker 1: the police.
• 12:33
  Speaker 3: Hello, Hello, Okay, Well I was going to say raw
• 12:37
  Speaker 3: rah rah. I am a protester and I am doing
• 12:40
  Speaker 3: anti police action.
• 12:41
  Speaker 5: Here comes the sounds of a police person hating protesters. Stereotypes.
• 12:48
  Speaker 1: Oh god, the bad boy is so bad. They're just
• 12:51
  Speaker 1: hitting the mic saying weird big.
• 12:53
  Speaker 5: This is the sound of a stereotype.
• 12:56
  Speaker 1: And I really love if you stop doing that. It's
• 13:00
  Speaker 1: really loud. Hey, and you're just saying this is the
• 13:03
  Speaker 1: sound of the stereo.
• 13:04
  Speaker 5: This is the sound of a rumor. This is the
• 13:06
  Speaker 5: sound of a stereotype.
• 13:08
  Speaker 1: It's really I don't think you understand how loud.
• 13:10
  Speaker 3: Because it's really loud.
• 13:12
  Speaker 2: I'm a mixer on the artist I know, and I'm
• 13:14
  Speaker 2: the mixer.
• 13:15
  Speaker 3: Do you guys, are you all love? Are you all
• 13:20
  Speaker 3: one stop shops? Or do you have people working under
• 13:23
  Speaker 3: you mixing your sound?
• 13:25
  Speaker 1: And I love this question for me because it kind
• 13:29
  Speaker 1: of gets into the special methodological approach that I take. Yeah,
• 13:36
  Speaker 1: I have a team of forty people that work for
• 13:39
  Speaker 1: me and help me create a soundscape worth falling a
• 13:45
  Speaker 1: sleep too.
• 13:47
  Speaker 5: Oh yeah, can you address that sometimes you like your
• 13:52
  Speaker 5: work tends to be a little provocative.
• 13:56
  Speaker 1: I will address it. Thank you. I'm not trying to
• 13:59
  Speaker 1: be provocative. I've never tried to be provocative. I'm not
• 14:05
  Speaker 1: trying to get you up. I'm trying to put you
• 14:08
  Speaker 1: to sleep. So if you want to get up, prove
• 14:11
  Speaker 1: it you didn't. You know there's to me let me
• 14:18
  Speaker 1: see it. Then huh.
• 14:20
  Speaker 2: If you think you can get up there, that is
• 14:22
  Speaker 2: dispelling nothing.
• 14:24
  Speaker 3: Something about the as m R community that I think
• 14:28
  Speaker 3: people would be surprised by. It's just how antagonistic it is.
• 14:32
  Speaker 1: It's and I will say, terrible choice for us to
• 14:35
  Speaker 1: use the squeakiest most wooden chairs for this episode.
• 14:39
  Speaker 5: I actually like it.
• 14:40
  Speaker 3: I was making that noise.
• 14:42
  Speaker 2: Wait, so every time we hear a squeak, so you're
• 14:50
  Speaker 2: watching our bodies intently, and every time I'm.
• 14:52
  Speaker 3: Watching your bodies and going.
• 14:55
  Speaker 5: For the audio listener. Yep, she stuck her tongue.
• 14:59
  Speaker 3: That was me. No I made a squeaky noise. Don't
• 15:03
  Speaker 3: lie to them. I made a squeaky noise.
• 15:06
  Speaker 2: Well, anyway, it's getting hot in earth.
• 15:09
  Speaker 3: It's getting hot in here.
• 15:11
  Speaker 1: Guys. A question I've been dying to ask a group,
• 15:14
  Speaker 1: but I never surround myself with other artists to ask, so.
• 15:19
  Speaker 5: Of curiosity, please don't got I got you, I got
• 15:26
  Speaker 5: your neck.
• 15:28
  Speaker 1: Please don't do this today.
• 15:31
  Speaker 5: Sorry, I can't blow it all too quick?
• 15:34
  Speaker 2: Okay, bad boy? Please?
• 15:35
  Speaker 1: When do you guys feel like your favorite sounds are?
• 15:40
  Speaker 1: Is there ever a sound you like want to include
• 15:43
  Speaker 1: as much as possible because it makes you happy? Oh
• 15:46
  Speaker 1: for calm or relaxed.
• 15:48
  Speaker 3: I love a Rico copy scanner. It is the most
• 15:52
  Speaker 3: soothing sound in the world.
• 15:54
  Speaker 5: It's an old sound.
• 15:56
  Speaker 3: Yeah, it's an old sound.
• 15:57
  Speaker 2: Can you can you show us the difference between a
• 15:59
  Speaker 2: Rico a brother and a brother and a cannon?
• 16:02
  Speaker 3: Oh a brother? Yeah, well brother h L if you
• 16:04
  Speaker 3: don't mind, right, we're right, okay, so uh well, a
• 16:07
  Speaker 3: Rico sounds like this good, but a brother HL is
• 16:22
  Speaker 3: a little more like this.
• 16:27
  Speaker 1: Pressure. Only the expert would be able to tell those
• 16:34
  Speaker 1: two apart.
• 16:35
  Speaker 3: No, but there's a difference, that's the thing. It's a
• 16:38
  Speaker 3: very subtle difference. I'm not gonna lie and exactly.
• 16:43
  Speaker 2: Feminine and I do just want to give your heads
• 16:45
  Speaker 2: up that that brother is low.
• 16:46
  Speaker 5: On toner and I can and that's good. Ears. Can
• 16:49
  Speaker 5: we talk about that. It's not just a good instrument.
• 16:52
  Speaker 5: A big part of an ASM artist is yours well.
• 16:55
  Speaker 2: We're talking favorite sounds. Is there a favorite sound of
• 16:58
  Speaker 2: years bad?
• 17:00
  Speaker 5: One of my favorite sounds is the sound of stealing.
• 17:02
  Speaker 5: You're stealing of any kind.
• 17:10
  Speaker 1: So what you're saying is you're actually a lot more symbolic.
• 17:13
  Speaker 3: Than you're very esoteric. You just heard.
• 17:17
  Speaker 5: Specifically, I said stealing as like a as a style.
• 17:20
  Speaker 5: But what you just heard just now is someone being pickpocketed.
• 17:24
  Speaker 2: And I did just check my wallet and it is gone.
• 17:27
  Speaker 5: So yes, I do it for real.
• 17:31
  Speaker 1: A lot of your sounds are for real.
• 17:32
  Speaker 3: So you're a method ASMR artist in a way.
• 17:36
  Speaker 5: Sometimes sometimes I'll use I'll use my instrument in my mouth,
• 17:40
  Speaker 5: my tongue, and then other times I'll do the action
• 17:44
  Speaker 5: and if that gets on mic and that's the sound,
• 17:46
  Speaker 5: then Merry Christmas.
• 17:49
  Speaker 1: Sure exactly.
• 17:50
  Speaker 2: Well, just also, let's let's call it like we see it.
• 17:55
  Speaker 2: ASMR is not specifically mouth sounds usually right, it's actually
• 17:58
  Speaker 2: using props and and so what we're doing is, you know,
• 18:02
  Speaker 2: we can we all probably have truckloads of props we
• 18:05
  Speaker 2: wanted to bring, so we're simulating what we can here exactly.
• 18:09
  Speaker 5: We similar to Foley. We can produce it or we
• 18:14
  Speaker 5: can create it. But what it's used for is different
• 18:18
  Speaker 5: than fully, it's not telling a story. It's actually it's
• 18:21
  Speaker 5: it's a meditative statement and creating.
• 18:22
  Speaker 2: And this podcast wouldn't let us do a load in
• 18:25
  Speaker 2: so we couldn't bring any of our stuff, I know.
• 18:26
  Speaker 5: But like we're similar to sound bath artists. My wife
• 18:29
  Speaker 5: is a sound bath artist. Oh cool, and we are
• 18:32
  Speaker 5: we are using sounds to bring someone somewhere right. We
• 18:36
  Speaker 5: are not using sounds to say that Indiana Jones is
• 18:42
  Speaker 5: in a cave.
• 18:43
  Speaker 2: Speak for yourself.
• 18:44
  Speaker 5: Are you doing?
• 18:45
  Speaker 1: Is that one of your favorite?
• 18:46
  Speaker 2: Well? Sometimes I do kind of guy movies, movies that
• 18:49
  Speaker 2: guys like. It's not one of my favorite sounds. But
• 18:51
  Speaker 2: I have done sounds of top gun. I've done sounds
• 18:54
  Speaker 2: of a few good Men.
• 18:55
  Speaker 5: I've done sons of a few good men.
• 18:59
  Speaker 2: Well it's not really uh, it's not really very appropriate.
• 19:05
  Speaker 2: But I do the Code Red and a few good Men,
• 19:09
  Speaker 2: which is of course marines, uh, roughing up another marine
• 19:12
  Speaker 2: until that guy dies.
• 19:15
  Speaker 1: That sounds awesome, cold cold.
• 19:21
  Speaker 2: Then I do boots marching. I do sometimes, uh, some
• 19:25
  Speaker 2: sounds of Cuba in the background I do.
• 19:28
  Speaker 1: How do you capture Cuba in the background? I heard it.
• 19:33
  Speaker 2: Yeah, it's the beach island, islands island and courtroom stuff,
• 19:38
  Speaker 2: you know, beep beep. Of of course security all rise,
• 19:43
  Speaker 2: but leaving a.
• 19:44
  Speaker 5: Seat, you bill, So that's why you don't use your mouth.
• 19:52
  Speaker 2: Use what the Lord gave me, which is my butt.
• 19:55
  Speaker 2: And uh yeah, jury gabbl it's a gabble. And I
• 20:04
  Speaker 2: do a lot of stuff, but I gotta say I
• 20:05
  Speaker 2: think my favorite sound is a burger on the grill.
• 20:10
  Speaker 4: Oh oh, it sounds delicious, that's so relaxing.
• 20:16
  Speaker 1: Yeah, gosh, it basically put me to sleep. I wish
• 20:19
  Speaker 1: I was an alpha male. I would be dozing off
• 20:23
  Speaker 1: like a little teddy bear.
• 20:24
  Speaker 2: And who wants ketchup?
• 20:28
  Speaker 3: Ketchup is so much louder than the burger.
• 20:31
  Speaker 2: Yeah yeah. Sometimes sometimes I look at the comments that
• 20:34
  Speaker 2: every one says that no ketchup. I didn't order ketchup.
• 20:37
  Speaker 2: Please don't give me ketchup. I would like to return
• 20:39
  Speaker 2: the burger. Stop putting so much ketchup on this burger.
• 20:45
  Speaker 2: They don't want ketchup, but want it. We don't actually
• 20:48
  Speaker 2: do modifications in my kitchen or a man's kitchen.
• 20:53
  Speaker 1: That's one of my favorite soundscapes is a slippery bathroom,
• 20:59
  Speaker 1: which is I'll just do it for you now.
• 21:02
  Speaker 6: Oh my gosh, this bathroom, it's a lot of dialogue
• 21:12
  Speaker 6: in this is so slippery.
• 21:14
  Speaker 1: Whoa oh oh no no, oh my head, I'm bleeding.
• 21:27
  Speaker 2: That's what.
• 21:34
  Speaker 1: I'll get out.
• 21:34
  Speaker 2: I get out. I'll get out.
• 21:35
  Speaker 1: I can make it.
• 21:37
  Speaker 2: I'll get out.
• 21:37
  Speaker 4: I'll get out of here.
• 21:38
  Speaker 1: It's so slippery. It's so slippery.
• 21:41
  Speaker 4: Oh whoa wow.
• 21:45
  Speaker 2: Stairs, stairs, downstairs.
• 21:48
  Speaker 4: These slippery slairs stairs.
• 21:50
  Speaker 1: Who put stairs in this bathroom?
• 21:51
  Speaker 5: Cellar brains affected? Because you're called stairs slayers?
• 21:55
  Speaker 2: Yep?
• 21:58
  Speaker 1: Oh I did it again?
• 22:03
  Speaker 5: Character, your storyteller.
• 22:06
  Speaker 2: I tell a.
• 22:06
  Speaker 1: Story that's one of my recurring character, A girl who
• 22:09
  Speaker 1: cannot get out of a slippery bathroom with stairs. I
• 22:13
  Speaker 1: like to call them, not because of brain damage, slayes. Guys,
• 22:17
  Speaker 1: there's slippery stairs.
• 22:20
  Speaker 2: Oh, sort of like a cute But you said, but
• 22:23
  Speaker 2: you said slippery before it.
• 22:25
  Speaker 5: He said slippery slays.
• 22:27
  Speaker 6: Okay, okay, okay, okay, And I've heard it, okay heard well.
• 22:35
  Speaker 3: I you know that that sound, which was very elongated,
• 22:40
  Speaker 3: complete when you'd consider that one sound makes me want
• 22:45
  Speaker 3: to know. And I'm pretty familiar with all of your work,
• 22:48
  Speaker 3: but I was wondering if we'd like to go around
• 22:52
  Speaker 3: and humble brag a little bit. Maybe play our most
• 22:55
  Speaker 3: viral video, a false viral video, A little chunk of that.
• 23:00
  Speaker 3: I can say this is hyper ultra realistic office. It
• 23:07
  Speaker 3: got twenty four million views on YouTube and it has
• 23:11
  Speaker 3: done quite well for me, So I'll just go ahead
• 23:14
  Speaker 3: and play that. Hey, thanks for hopping on Zoom everybody.
• 23:21
  Speaker 3: It's nine oh one and I guess we better get started.
• 23:24
  Speaker 3: So thank you guys for joining me. There will be
• 23:29
  Speaker 3: mass layoffs, and if you are on this Zoom, your
• 23:33
  Speaker 3: job will be terminated. You can go to HR for
• 23:38
  Speaker 3: more paperwork and you will be processed. You will be
• 23:41
  Speaker 3: receiving severance depending on your seniority of your position. And wait,
• 23:48
  Speaker 3: you're firing me. I worked here for twenty five years.
• 23:51
  Speaker 3: I have kids, I have a family. Oh my god,
• 23:54
  Speaker 3: how am I going to feed my kids and family? Well,
• 23:57
  Speaker 3: we've had to make some tough choices here. The budget,
• 24:00
  Speaker 3: it's it's just the way it's shaking out. AI is
• 24:03
  Speaker 3: going to unfortunately absorb a lot of this.
• 24:06
  Speaker 4: Ay, I more like, fuck you.
• 24:09
  Speaker 5: I'm gonna kill you right there, Pep.
• 24:13
  Speaker 1: I was dozing off and I've heard this.
• 24:16
  Speaker 5: Video is being adapted into a screenplay.
• 24:18
  Speaker 3: Yeah, Aaron Sorkin is quite interested.
• 24:21
  Speaker 2: So it's being adapted to do a screenplay.
• 24:29
  Speaker 3: No, he just expressed an interest in buying the rights
• 24:35
  Speaker 3: to write a screenplay of it and shelve it and
• 24:39
  Speaker 3: sell it to no one.
• 24:41
  Speaker 1: So that's gonna be really the process of writing so much.
• 24:45
  Speaker 3: He really does it for the craft and the craft alone,
• 24:48
  Speaker 3: which you've got to respect. You don't have many odd tours.
• 24:50
  Speaker 1: During this time, I'll play one of my viral clips.
• 24:56
  Speaker 1: I'm so excited to share with you. This is a
• 24:58
  Speaker 1: little bit of an embarrassing one. This is one of
• 25:02
  Speaker 1: my favorite early ones. It kind of put me on
• 25:04
  Speaker 1: the map. This is called nighttime teddy Bear.
• 25:09
  Speaker 2: Nervous nervous?
• 25:11
  Speaker 1: Oh no, Hi, it's time for your nighttime teddy bear haircut.
• 25:17
  Speaker 1: You're a little teddy bear? Why and I clip some
• 25:19
  Speaker 1: hair off of you? S snip? How does that feel?
• 25:30
  Speaker 4: It's going slow? Does it feel good getting your hair
• 25:33
  Speaker 4: snipped right off of your head?
• 25:34
  Speaker 1: You little teddy bear?
• 25:36
  Speaker 4: You a teddy bear?
• 25:37
  Speaker 1: Good night? Did you stop an good? What the fuck
• 25:42
  Speaker 1: were you doing back there?
• 25:42
  Speaker 2: John? Shut up?
• 25:43
  Speaker 1: When I'm recording, Shut up, shut your fucking mouth.
• 25:46
  Speaker 3: I was just okay, so this is why I went viral.
• 25:50
  Speaker 3: This is why I went viral.
• 25:52
  Speaker 1: Viral because the haircut was so good for the teddy Bear.
• 25:54
  Speaker 3: No, I think it was the blatant interruption and you
• 25:57
  Speaker 3: caught on a hot mic screaming at your.
• 26:00
  Speaker 2: Who's John, Katie?
• 26:01
  Speaker 1: John is nobody anymore?
• 26:03
  Speaker 5: He's okay, So he's your.
• 26:08
  Speaker 1: Ex boy He's nobody, nobody any more, and he doesn't
• 26:13
  Speaker 1: have rights to come over to my house any more.
• 26:16
  Speaker 5: You got a restraining or against your ex boyfriend.
• 26:17
  Speaker 1: I lie to the police. Yes, okay, the police about
• 26:27
  Speaker 1: my boyfriend, and so now he can't come near me anymore.
• 26:31
  Speaker 3: Okay, all right, Well great video, okay, okay, great fantastic single.
• 26:40
  Speaker 2: Yes, great?
• 26:42
  Speaker 3: You mean what do you mean great?
• 26:44
  Speaker 5: Hold on?
• 26:45
  Speaker 2: No, No, I'm just I think it's interesting.
• 26:48
  Speaker 5: Are you available?
• 26:50
  Speaker 2: No? I think it's great because I'm scared for any
• 26:52
  Speaker 2: man who would date you.
• 26:53
  Speaker 1: Okay that I'll take it, and I'll turn that in
• 26:57
  Speaker 1: to a flower, as I do with everything in my life.
• 27:01
  Speaker 1: What's your most viral sound?
• 27:03
  Speaker 2: Well, I go viral for this every few months. It's
• 27:07
  Speaker 2: as Mr You're waiting for a table at the hard
• 27:10
  Speaker 2: Rock Cafe. So so more than a oh our tables ready. Wow.
• 27:27
  Speaker 3: Wow, It's like I'm there.
• 27:31
  Speaker 5: Yeah, I can't. I think I was trying to play
• 27:33
  Speaker 5: it cool. I'm such a fan of your work. Thank you,
• 27:36
  Speaker 5: bad boy, thank you.
• 27:39
  Speaker 2: You've been so mean to me and you have me
• 27:41
  Speaker 2: hostage to the microphone and the head.
• 27:45
  Speaker 5: That's how I express love.
• 27:46
  Speaker 2: And guess what. I saw that and I know that
• 27:48
  Speaker 2: because that's exactly how I express love. You probably know
• 27:53
  Speaker 2: that based on my A S m R video. You're
• 27:55
  Speaker 2: rough housing with the boys after a couple of beers.
• 27:59
  Speaker 5: Please please of course, sorry, sorry.
• 28:12
  Speaker 2: I could fight you, but I could fight you. I
• 28:15
  Speaker 2: could fight you right now. I could fight you right now.
• 28:20
  Speaker 1: That great choice for that last friend.
• 28:25
  Speaker 3: This video is quite personal for me, and I'm tearing
• 28:28
  Speaker 3: up a little bit here in it because I played
• 28:30
  Speaker 3: this for my father and it was the first time
• 28:33
  Speaker 3: he said I love you after that video.
• 28:37
  Speaker 2: Somatic responses, right, we haven't talked quite about that. The
• 28:40
  Speaker 2: science of ASMR. It connects to something that is almost
• 28:44
  Speaker 2: primitive in the brain, and it brings out feelings, physical sensations,
• 28:47
  Speaker 2: and emotions that people don't know they have. So I've
• 28:51
  Speaker 2: heard that a lot that these sounds actually cause men
• 28:53
  Speaker 2: to say I love you to whoever they're near.
• 28:56
  Speaker 3: Oh so you think it doesn't You don't think he
• 28:58
  Speaker 3: loves me.
• 28:59
  Speaker 2: Oh, I don't know. I don't know. I don't know.
• 29:02
  Speaker 3: No, you just said it's kind of random.
• 29:03
  Speaker 2: Well, no, I just I just know. Men always comment
• 29:06
  Speaker 2: I saw this video and said, I love you to
• 29:08
  Speaker 2: the person sitting next to me. So, but it could
• 29:10
  Speaker 2: be it's always there. It's always their wife, it's always
• 29:12
  Speaker 2: their son, it's always it's one person said I saw
• 29:15
  Speaker 2: this video and said I love you to the person
• 29:17
  Speaker 2: you know, meet or maid who was giving me a ticket.
• 29:19
  Speaker 5: And I would never say I love you in one
• 29:21
  Speaker 5: of those bitches.
• 29:22
  Speaker 1: Oh wow, oh wow wow.
• 29:24
  Speaker 3: Hostile.
• 29:25
  Speaker 2: That is crazy.
• 29:26
  Speaker 1: What's one of your favorites sounds that you've gone by
• 29:28
  Speaker 1: speaking of?
• 29:28
  Speaker 5: It's hostile. I don't know why it went viral, but
• 29:30
  Speaker 5: here it is.
• 29:31
  Speaker 2: Can you also, Can you please stop doing the noise?
• 29:33
  Speaker 2: Is what I sait back.
• 29:33
  Speaker 3: No, I can't stop doing it. I can't.
• 29:37
  Speaker 5: It's making this studio that was perfect for podcasts really inconvenience.
• 29:41
  Speaker 3: I can't stop doing my art. It's the sound of
• 29:44
  Speaker 3: a corporate chair moving and.
• 29:47
  Speaker 2: Now you're screaming, and now you're screaming.
• 29:49
  Speaker 3: I'm not screaming, Okay, I'm being emphatic. Go ahead, I
• 29:55
  Speaker 3: want to hear.
• 29:55
  Speaker 2: The clip, bad boy. Let's hear your your most viral clip.
• 30:00
  Speaker 5: Actually, James Rod mind, I'm gonna play one of my
• 30:02
  Speaker 5: feather sounds.
• 30:03
  Speaker 1: So these feathers sounds, to be clear, aren't viral at all,
• 30:06
  Speaker 1: but you want to play them anyway?
• 30:08
  Speaker 2: Yeah, going raw dog in the mic?
• 30:15
  Speaker 5: Do you hear that in your ears?
• 30:16
  Speaker 2: Do?
• 30:17
  Speaker 5: This is a sound of a feather.
• 30:21
  Speaker 2: Against them mic.
• 30:26
  Speaker 1: It feels disrespectful when you whenever you tryspect feels really mean.
• 30:33
  Speaker 1: And now that's gotta be making a sounds.
• 30:35
  Speaker 5: You're trying to put this thing, yes, sound to be
• 30:37
  Speaker 5: putting the condom on the mic? Oh, Jesus, who am
• 30:41
  Speaker 5: I disrespecting? Who are the ASMR gods? Let's talk about it.
• 30:44
  Speaker 5: Who are the people who have come before us? Because
• 30:47
  Speaker 5: I am doing ASMR in the way I want to
• 30:49
  Speaker 5: do it. I want like if one was maybe I
• 30:52
  Speaker 5: don't know, like saying a text that someone wrote wrong,
• 30:56
  Speaker 5: you would say they are disrespecting the original intent of
• 30:59
  Speaker 5: the text. But the original intent of ASMR can be
• 31:02
  Speaker 5: whatever the artist's intents.
• 31:04
  Speaker 1: Okay, A real Jackson Pollock of ASMR.
• 31:08
  Speaker 5: I'm just confused, like, do you guys have mentors.
• 31:11
  Speaker 1: Or the difference between ASMR and making random sounds into
• 31:15
  Speaker 1: a microphone?
• 31:17
  Speaker 5: And I think the difference is the artist's intent.
• 31:19
  Speaker 2: This is going to go viral for how nasty are being.
• 31:22
  Speaker 3: This is going to go viral.
• 31:23
  Speaker 2: We're screaming. I want to know.
• 31:27
  Speaker 1: My voice at you, but I will here I go.
• 31:30
  Speaker 1: You better cut it out, you better.
• 31:33
  Speaker 2: Oh no, it's an AMR brawl.
• 31:36
  Speaker 1: You better cut.
• 31:40
  Speaker 5: Sets me punching you. Here's my ego being hurt.
• 31:44
  Speaker 2: Please please, please stop, not only for my headphones, but
• 31:50
  Speaker 2: for whoever is listening.
• 31:53
  Speaker 5: Please, And I will do what I do at the
• 31:54
  Speaker 5: end of all my videos. I will apologize to people
• 31:57
  Speaker 5: on bad headphones.
• 32:01
  Speaker 3: That is actually a very noble thing to do because
• 32:07
  Speaker 3: as MR is quite rough on people with bad headphones,
• 32:11
  Speaker 3: the people who are using the free headphones they give
• 32:14
  Speaker 3: out on the airlines.
• 32:16
  Speaker 1: You know who's holding onto those.
• 32:18
  Speaker 5: But I want to I want to know, do you
• 32:20
  Speaker 5: guys have mentors or do you believe there's a founding
• 32:22
  Speaker 5: father or founding mother of ASMR.
• 32:25
  Speaker 1: I feel like there is, and it's called outside experience.
• 32:30
  Speaker 1: That's where other nature mother nature ya ya, And.
• 32:34
  Speaker 2: For me it's the Industrial Revolution. So many noises came
• 32:38
  Speaker 2: out about there.
• 32:39
  Speaker 3: You know, we wouldn't be anywhere without the Industrial Revolution.
• 32:43
  Speaker 2: One of my favorite guys on as Mr YouTube is uh,
• 32:49
  Speaker 2: professor Professor Tingles, and he does, he does, you know, Pov,
• 32:53
  Speaker 2: you are getting blood let in the in the Middle Ages, you.
• 32:59
  Speaker 5: Were you have the skill of fever in your walking.
• 33:01
  Speaker 2: Yeah, it's a lot of asmr of history. And he does, Uh,
• 33:05
  Speaker 2: as Mr Pov, you are building the bridges in Pittsburgh
• 33:10
  Speaker 2: for Andrew Carnegie, and it is so incredible. It is
• 33:14
  Speaker 2: so beautiful. Brick by brick, steel by steel, you're melting
• 33:17
  Speaker 2: the steel.
• 33:18
  Speaker 1: He's he does some incredible doing that one for what
• 33:22
  Speaker 1: thirty hours?
• 33:23
  Speaker 2: Yeah, I think he's got thirty hours on it. He's
• 33:25
  Speaker 2: he's trying in real time to do as many videos
• 33:28
  Speaker 2: as it took for them to build the bridge.
• 33:31
  Speaker 3: In a way. He's, yeah, he's building that bridge in
• 33:34
  Speaker 3: all of our minds and hearts.
• 33:35
  Speaker 2: Yeah. He got the bridge foreman's call sheet, the real
• 33:41
  Speaker 2: call sheet from when they were actually making that bridge, the.
• 33:44
  Speaker 3: Call sheet for the construction workers.
• 33:47
  Speaker 5: For never really thought like how construction workers know where
• 33:50
  Speaker 5: and when to show much hospital.
• 33:53
  Speaker 3: I guess they do just have a call sheet.
• 33:55
  Speaker 2: Much the director number one on the call sheet, because
• 33:59
  Speaker 2: he showed it number one of the calls. She was
• 34:00
  Speaker 2: Andrew Carnegie, of course, and then it was the foreman
• 34:03
  Speaker 2: number two.
• 34:04
  Speaker 5: And yeah, different call times had ins and outs.
• 34:07
  Speaker 2: Yeah, yeah, yeah. So if you were melting the steel,
• 34:09
  Speaker 2: you were coming in early. If you were using the
• 34:13
  Speaker 2: steel to other pieces of steel, you were coming in
• 34:15
  Speaker 2: a little bit later. And if you're polishing the steel,
• 34:16
  Speaker 2: you're coming in last.
• 34:17
  Speaker 1: And are those all start work finished or are they
• 34:19
  Speaker 1: kind of picked up for recurring.
• 34:20
  Speaker 2: Yeah, first lunch, second lunch, start work finish. Yeah. Amazing,
• 34:24
  Speaker 2: amazing progressive stuff in the early nineteen hundreds from Andrew
• 34:27
  Speaker 2: Carnegie in Pittsburgh. Wow.
• 34:29
  Speaker 3: Yeah, Andrew Carnegie really like famously. Yeah, yea, yeah, that's amazing.
• 34:33
  Speaker 5: Were some of your guys mentors?
• 34:34
  Speaker 1: Well, I'll go ahead, no I said gaya, mother.
• 34:38
  Speaker 3: You did say guya? I have a mentor who was?
• 34:41
  Speaker 3: She kind of was a sealing shatterer in the corporate
• 34:45
  Speaker 3: ASMR space. Her name was Paper one Word, and she
• 34:51
  Speaker 3: she did the famous video you've probably seen it, Women
• 34:56
  Speaker 3: gossiping outside of the Water cooler about the company, and
• 35:02
  Speaker 3: I'll just play it. You probably know it.
• 35:06
  Speaker 4: Did you hear there's layoffs?
• 35:07
  Speaker 1: I didn't, did you?
• 35:10
  Speaker 2: Wait?
• 35:10
  Speaker 3: No, because like Alice was here and then all of
• 35:13
  Speaker 3: a sudden she was like.
• 35:14
  Speaker 4: Packing up her stuff.
• 35:15
  Speaker 1: My god, wait they fired her.
• 35:22
  Speaker 4: Thanks for the water.
• 35:24
  Speaker 3: And so I just don't know if I should, like,
• 35:28
  Speaker 3: if I should put in my two weeks or if
• 35:30
  Speaker 3: I should check the schedule.
• 35:32
  Speaker 4: Thanks for the water.
• 35:33
  Speaker 2: What's up? Girls working harder, hardly working.
• 35:38
  Speaker 1: So anyway, what I was thinking is maybe what we
• 35:40
  Speaker 1: do is we kind of talked to the box first
• 35:43
  Speaker 1: about it. Figure it out.
• 35:45
  Speaker 3: Yeah, I mean, maybe we can. Thanks for the water.
• 35:51
  Speaker 2: Sorry, I've made fish. Sorry, I brat fish.
• 35:54
  Speaker 1: It's stinky.
• 35:55
  Speaker 2: Wow.
• 35:58
  Speaker 5: Workvironment in the background, talk work environment in the background.
• 36:02
  Speaker 3: Oh my god, I got fired. I lived and died
• 36:06
  Speaker 3: by this company. I gave it everything. And I am
• 36:10
  Speaker 3: a kid. I am a kid, I have a kid.
• 36:15
  Speaker 2: Wow.
• 36:15
  Speaker 1: That was such a prolific sound.
• 36:17
  Speaker 2: It's great the paper made that.
• 36:18
  Speaker 5: Someone by the name of paper.
• 36:20
  Speaker 3: Paper made that. She made all those sounds with her
• 36:22
  Speaker 3: mouth at the same time.
• 36:23
  Speaker 2: I remember she caused a huge uproar because she used
• 36:25
  Speaker 2: a rights free horn sound effect.
• 36:31
  Speaker 1: Yeah, she downloaded it MB three styles, she looked up
• 36:36
  Speaker 1: smelly sound effect.
• 36:38
  Speaker 2: Everything else was so realistic, and people said, is there
• 36:40
  Speaker 2: a place for ASM artists to have commentary in their work?
• 36:43
  Speaker 3: And it unleashed a whole uproar of are we allowed
• 36:49
  Speaker 3: to add MP threes? Does it take you out of it?
• 36:52
  Speaker 3: Can you use royalty free stuff?
• 36:54
  Speaker 2: Like?
• 36:54
  Speaker 1: I started getting meta comedy ASMR and that was just
• 36:59
  Speaker 1: that is okay of one of my least favorite meta
• 37:02
  Speaker 1: comedy a SMR cliffs by the name of Dougie six
• 37:05
  Speaker 1: nine six twenty x x x.
• 37:08
  Speaker 2: I this guy and this is him.
• 37:10
  Speaker 5: I know this guy too. He's a tool coming from me.
• 37:13
  Speaker 5: That's a lot.
• 37:13
  Speaker 2: He's kind of the Anakin skywalker of our field. As
• 37:16
  Speaker 2: he was the chosen one. We thought he was going
• 37:18
  Speaker 2: to do it, Okay, thought he was going to do
• 37:21
  Speaker 2: he was going to do it. We thought he was
• 37:24
  Speaker 2: going to do We thought he was going to really
• 37:25
  Speaker 2: do it. We dream thought he was going to be
• 37:30
  Speaker 2: the one getting, the one that chose he was the
• 37:32
  Speaker 2: one to do it.
• 37:33
  Speaker 3: What is he going to.
• 37:36
  Speaker 2: The one that the prophecies have told us about?
• 37:39
  Speaker 1: Okay, anyway, here's the clip that he released. This is
• 37:43
  Speaker 1: called men's locker room.
• 37:47
  Speaker 2: I'm a big old man. I'm a big old man. Oh.
• 37:51
  Speaker 2: I guess chilling before a workout was a bad idea.
• 37:55
  Speaker 2: Here comes my privilege.
• 37:59
  Speaker 3: Towel?
• 38:00
  Speaker 2: What what?
• 38:02
  Speaker 3: Oh nerd nice dick, Let's dance.
• 38:08
  Speaker 1: Okay, I'm like, hey, do you guys want to see
• 38:15
  Speaker 1: my thoughts?
• 38:18
  Speaker 5: I've never seen her part before Target. We thought he
• 38:26
  Speaker 5: was the guy.
• 38:27
  Speaker 2: It's so crazy and and and honestly, all of it
• 38:30
  Speaker 2: was great. And then the fact that he stole Target
• 38:34
  Speaker 2: Lady from christ was the reason he went down. Yeah,
• 38:40
  Speaker 2: he got sued by Lord Michael Music.
• 38:42
  Speaker 5: He took the worst character to take. It was so
• 38:44
  Speaker 5: beloved by.
• 38:45
  Speaker 3: So many, It was so one of the clearest, standout characters.
• 38:50
  Speaker 2: And not so long not only owned by Christen Wig
• 38:53
  Speaker 2: and Lord Michael's and NBC, but also co owned by Target,
• 38:58
  Speaker 2: so multiple corporations came in.
• 39:00
  Speaker 5: I think that was what a what a mess? All awesome?
• 39:03
  Speaker 2: Yeah, I actually thought he was gonna do I thought
• 39:05
  Speaker 2: he was gonna do it. We thought he was going
• 39:07
  Speaker 2: to put another clip from it.
• 39:08
  Speaker 3: Let's play another clip, play another clip.
• 39:11
  Speaker 2: This man is canceled. We do not need to listen
• 39:14
  Speaker 2: to to clips.
• 39:15
  Speaker 5: We can listen to paper.
• 39:19
  Speaker 1: No wed this listening to Dougie six Nights six four
• 39:23
  Speaker 1: twenty x x x. He makes boys sleep Away Camp.
• 39:26
  Speaker 5: You can hear potential in this.
• 39:28
  Speaker 1: Here's boys sleep Away Camp and play.
• 39:32
  Speaker 2: I don't want to go.
• 39:34
  Speaker 3: To sleep a wee camp. I'm so tired and I
• 39:37
  Speaker 3: want to sleep in my own bed.
• 39:40
  Speaker 2: We leave roll Jane.
• 39:48
  Speaker 1: I'm the Juggernaut bitch.
• 39:50
  Speaker 3: I think we're gonna need more cow bell, Somebodio.
• 39:57
  Speaker 2: Wing, Lamborghini Mercy.
• 40:00
  Speaker 1: It's either Hallo Bear or Hallelujah.
• 40:04
  Speaker 5: Where's my stove?
• 40:05
  Speaker 2: For what to do with? You? Guys want to see
• 40:08
  Speaker 2: my ass? You guys want to see my ash?
• 40:12
  Speaker 3: Nice dick.
• 40:16
  Speaker 1: Me?
• 40:18
  Speaker 5: Yeah, please turn it off, turn it off.
• 40:23
  Speaker 2: I'm so sorry.
• 40:24
  Speaker 1: I have one more clip.
• 40:27
  Speaker 2: Man, it hurts, k Katie. We work in YouTube. This
• 40:34
  Speaker 2: is literally someone who works in YouTube's biggest nightmare to
• 40:37
  Speaker 2: be held hostage to watch multiple videos you don't like.
• 40:40
  Speaker 1: I'm sorry, I don't. I just have to show it
• 40:42
  Speaker 1: the clip of how bad it was.
• 40:49
  Speaker 2: You you're hurting clip. You're hurting us how more? Because Yeah,
• 40:54
  Speaker 2: he was gonna be the one.
• 40:56
  Speaker 5: He was gonna do what we always dreamed.
• 41:01
  Speaker 1: I'm sorry. We don't have to listen to it, but
• 41:02
  Speaker 1: I'm gonna play it anyway.
• 41:03
  Speaker 5: Here's a dream here it is.
• 41:06
  Speaker 2: We literally, we literally were ready to change the world.
• 41:12
  Speaker 2: He just needed to get in place he needed He
• 41:16
  Speaker 2: was the final puzzle piece and he threw it away.
• 41:19
  Speaker 2: Let's listen to it. Oh you're you pulled up quef party.
• 41:22
  Speaker 1: Here's quef party play.
• 41:26
  Speaker 3: I'm a big old lady and I just ate a
• 41:29
  Speaker 3: bunch of beans and.
• 41:33
  Speaker 1: I don't know if I can do it.
• 41:44
  Speaker 3: Oh my god, all these beans are gonna make me
• 41:47
  Speaker 3: fart out of my pussy.
• 41:49
  Speaker 2: Huh huh?
• 41:53
  Speaker 1: Who lives in that.
• 41:56
  Speaker 2: Queen?
• 41:57
  Speaker 5: Pussy?
• 41:57
  Speaker 2: Far queen?
• 41:58
  Speaker 1: We're talking to me? Are you talking to her?
• 42:01
  Speaker 5: You could be talking her?
• 42:03
  Speaker 2: Did somebody see my name?
• 42:05
  Speaker 1: Three times?
• 42:06
  Speaker 2: I'm beetlejuice. This is a cry for help.
• 42:10
  Speaker 3: No van down by the river.
• 42:13
  Speaker 5: I'm luster halt.
• 42:19
  Speaker 1: My Katie.
• 42:20
  Speaker 2: I can't.
• 42:21
  Speaker 5: I can't, Katie.
• 42:23
  Speaker 1: I leave the room.
• 42:24
  Speaker 3: I can't someone who's not in the room. I just
• 42:31
  Speaker 3: want to think about that for a second, because I
• 42:33
  Speaker 3: think we just spent twenty percent of this podcast.
• 42:37
  Speaker 2: Katie, no disrespect, but they could do this at Guantanamo.
• 42:40
  Speaker 2: This is cruel and unusual punishment. This is so awful
• 42:46
  Speaker 2: because you almost had it, You just almost. It's it's
• 42:49
  Speaker 2: like showing a clip over and over and over of
• 42:52
  Speaker 2: somebody three inches away from catching the fly ball that
• 42:55
  Speaker 2: would have ended in a Super Bowl you worked for.
• 42:59
  Speaker 1: I hated it. I hate it, But that third time
• 43:01
  Speaker 1: got me. I don't know, there's something transcendent about it.
• 43:04
  Speaker 1: It's commentary. It's commentary. And now I see how he
• 43:07
  Speaker 1: could have been the one. Now I definitely see how
• 43:09
  Speaker 1: he could.
• 43:09
  Speaker 2: Part part of me thinks he was just switching the
• 43:11
  Speaker 2: channel on his TV just.
• 43:20
  Speaker 1: I went from the River to and I'm.
• 43:24
  Speaker 3: Yeah, I think that was he was going from NBC
• 43:28
  Speaker 3: to MSNBC.
• 43:29
  Speaker 2: I think so. I think the channels are back down.
• 43:34
  Speaker 3: The channels are back down. What do you guys say
• 43:37
  Speaker 3: about now that we're on the subject about cheaters in
• 43:40
  Speaker 3: the asm R industry? Because technically, what's to stop any
• 43:45
  Speaker 3: of us from just putting on somebody else's sound.
• 43:50
  Speaker 2: It's difficult. I think that's why a lot of people
• 43:52
  Speaker 2: are going homemade. That's where they're using video to show
• 43:56
  Speaker 2: their hands doing something, you know, to show their mouths
• 44:00
  Speaker 2: doing something.
• 44:00
  Speaker 1: I also add a producer tag. Now every one of
• 44:04
  Speaker 1: my videos, you know, like conds like rappers or oh
• 44:08
  Speaker 1: you do you writing music? Do every about thirty seconds?
• 44:11
  Speaker 2: I had every thirty second.
• 44:15
  Speaker 1: That's what you gotta do.
• 44:18
  Speaker 2: Has that effected?
• 44:20
  Speaker 5: So they're different each time.
• 44:22
  Speaker 2: Because you can't replicate them.
• 44:24
  Speaker 3: You got a few some rappers change.
• 44:26
  Speaker 2: It's like a signal scrambler eat Katie on.
• 44:29
  Speaker 5: This record, It's like a smoke signal may have made
• 44:32
  Speaker 5: of fairy dust.
• 44:34
  Speaker 1: Yeah, so yeah, that's how I because nobody can use it.
• 44:37
  Speaker 5: Well, that's why I think ASMR is turning into a
• 44:39
  Speaker 5: video medium, because you need the integrity of the artist.
• 44:42
  Speaker 3: You need the proof. You need the proof.
• 44:44
  Speaker 5: How dirty garage bands getting these days?
• 44:47
  Speaker 3: Disgusting, disgusting applications.
• 44:50
  Speaker 2: Nasty, It's like a Cabo canteena. It's disgusting.
• 44:54
  Speaker 3: The graphics they're old. I feel like I'm running around
• 44:57
  Speaker 3: in two thousand fucking eight. Whoa.
• 45:02
  Speaker 5: It feels like everyone's got a little bad.
• 45:04
  Speaker 3: Sorry, come on, I'm sorry. I'm so loyal to Adobe
• 45:08
  Speaker 3: Premiere Pro and Adobe Audition. I will defend the Adobe
• 45:11
  Speaker 3: Sweet until the day I die. When I think about
• 45:14
  Speaker 3: Apple and their bogus apps, I get so pissed off
• 45:19
  Speaker 3: and my my blood pressure just pounds. That's the sound
• 45:22
  Speaker 3: of do you hear that?
• 45:25
  Speaker 1: We definitely hear that.
• 45:27
  Speaker 2: I like that. Actually, are you saying that's bad? That's
• 45:29
  Speaker 2: a good noise to me.
• 45:30
  Speaker 3: That's a good noise about this noise because they seem
• 45:37
  Speaker 3: all the same.
• 45:40
  Speaker 2: I was so upset by that. You blew the ass
• 45:42
  Speaker 2: off my stop.
• 45:45
  Speaker 3: That's a tired man.
• 45:50
  Speaker 5: Do you ever star stove?
• 45:52
  Speaker 1: So okay, let's stop. I wass thinking would be nice
• 45:56
  Speaker 1: maybe for our listeners for a one time only move.
• 46:02
  Speaker 1: We can combine all of our different skills to make
• 46:05
  Speaker 1: a special soundscape for our listeners.
• 46:10
  Speaker 3: Yes, let's you know they there. I have so much
• 46:13
  Speaker 3: gratitude to them for listening to this whole thing that
• 46:17
  Speaker 3: I think it would be nice and an act of
• 46:19
  Speaker 3: goodwill for us to now help them drift off to sleep.
• 46:23
  Speaker 5: I actually think as a as a beautiful like thank
• 46:26
  Speaker 5: you for listening. Because here's the thing. You don't need
• 46:29
  Speaker 5: to hear the story of ASMR artists, right, like it's
• 46:33
  Speaker 5: fun to hear Eddie Redmain talk about his process in
• 46:37
  Speaker 5: the theory of everything. You don't need to.
• 46:39
  Speaker 3: Talk to us, And ultimately we ran out of time
• 46:41
  Speaker 3: to do that.
• 46:42
  Speaker 5: So no but because we were listening so much to
• 46:46
  Speaker 5: the grief party. But I will say that, like I
• 46:50
  Speaker 5: appreciate that we're finally in the place with ASMR that
• 46:55
  Speaker 5: we are letting the artists come forward and speak for
• 46:58
  Speaker 5: their works.
• 47:00
  Speaker 2: Thank you.
• 47:00
  Speaker 5: I do think we should put the listener to sleep
• 47:02
  Speaker 5: using all of our talents together.
• 47:03
  Speaker 3: All right, so let's let's get up on the mic.
• 47:06
  Speaker 3: I'm gonna press record. Sorry, I added a few little
• 47:10
  Speaker 3: squeaky sounds the.
• 47:11
  Speaker 2: Last And how are you doing that while you're talking?
• 47:14
  Speaker 3: I have ventriloquist training. A lot of stuff I could
• 47:17
  Speaker 3: have talked about if we had the time, but we
• 47:20
  Speaker 3: won't get into it.
• 47:21
  Speaker 2: We really squandered our out. But he had it all.
• 47:28
  Speaker 2: But he could have done it. He could have done
• 47:31
  Speaker 2: He could have been the one he could and record.
• 47:39
  Speaker 1: Hello, it's time to go, naughty boy, chug. Do listen
• 47:51
  Speaker 1: to that soft ocean noise because we're about to take
• 47:57
  Speaker 1: your hop in your motorcycle.
• 48:09
  Speaker 2: What's this?
• 48:10
  Speaker 1: We're now in a kitchen.
• 48:12
  Speaker 3: She was best machine. Thanks for hopping on to the
• 48:15
  Speaker 3: zoom everybody, it is eight oh five. I appreciate you
• 48:19
  Speaker 3: hopping on before work hours. As you may have heard
• 48:23
  Speaker 3: by the slack notification. Your jobs are eliminated.
• 48:28
  Speaker 5: Here's a feather in the room. Here's a feather in
• 48:31
  Speaker 5: the room.
• 48:31
  Speaker 1: You just got five feather. Time to go, maybe on
• 48:34
  Speaker 1: a mountain hike?
• 48:41
  Speaker 2: What oh fish arm biting today? Huh?
• 48:47
  Speaker 5: Darryl coming side, Darryl coming side.
• 48:51
  Speaker 3: I'll come inside when I damn well, I won't.
• 48:52
  Speaker 5: To Darryl put the gun down.
• 48:54
  Speaker 3: I don't lie. I'm put I'm keeping the gun here
• 48:56
  Speaker 3: because it makes me feel sight.
• 48:58
  Speaker 2: You shouldn't fish anymore here, it's too trashy.
• 49:01
  Speaker 4: I And now we go to a gun range.
• 49:06
  Speaker 3: Boo boo.
• 49:11
  Speaker 2: Boo.
• 49:12
  Speaker 5: Last is the registration place.
• 49:15
  Speaker 3: Boo.
• 49:16
  Speaker 4: You don't have it time to jump all the way
• 49:19
  Speaker 4: to an ice creaming shop.
• 49:24
  Speaker 3: School, waffle coat or cup depends?
• 49:29
  Speaker 2: Is that ice cream? Or is it sorbet?
• 49:32
  Speaker 3: It's sorbet?
• 49:34
  Speaker 2: Nah, I'm an American.
• 49:38
  Speaker 5: Oh, I hit the mic machine accidentally hit quiff party
• 49:41
  Speaker 5: part two.
• 49:46
  Speaker 3: There's a van down.
• 49:47
  Speaker 2: By the river.
• 49:55
  Speaker 1: You lit lick. I'm farting, mister Worldwide, Mister President, mister President,
• 50:18
  Speaker 1: mister President, mister President.
• 50:22
  Speaker 2: There's a soccer in my mouth, there's a snake in
• 50:26
  Speaker 2: my boots, and there's beans in my Bossy.
• 50:32
  Speaker 1: Four score and seven years ago, our country came together
• 50:40
  Speaker 1: and are your own yard.
• 50:41
  Speaker 5: Listen the refrigerator wo man, only.
• 50:56
  Speaker 2: You can't have it, amngo. And what a one.
• 51:08
  Speaker 5: Adult doesn't adult doesn't just be a mistake.
• 51:13
  Speaker 3: The best picture is moonlight. Best picture is moonlight.
• 51:16
  Speaker 2: Doubt.
• 51:16
  Speaker 1: They've taken the Hobbits to Eis and gone. They're taking
• 51:19
  Speaker 1: the Hobbits to Isis and gold.
• 51:21
  Speaker 5: The dress is yellow, and you say the dress is blue.
• 51:24
  Speaker 2: Snap snake, Dumbledore.
• 51:27
  Speaker 3: Thatcher, Batcher, Butcher, Patrick, mushroom, mushroom, battery, Batcher, Batcher, Butcher,
• 51:32
  Speaker 3: mushrooms room. Ask not what your country can do for you,
• 51:40
  Speaker 3: ask what you can do your country.
• 51:44
  Speaker 2: Get her done.
• 51:47
  Speaker 1: Hey, guys, this is Dougie six twenty x X. Unfortunately
• 51:53
  Speaker 1: the quef Party is going to be my last a
• 51:55
  Speaker 1: SMR recording, So I just want to say all the fans,
• 51:59
  Speaker 1: I love you, guys. I'm going to jail.
• 52:02
  Speaker 5: Come with me.
• 52:05
  Speaker 3: I told you no more asm R before you go
• 52:08
  Speaker 3: to jail.
• 52:08
  Speaker 2: Hikma.
• 52:11
  Speaker 5: This has been artists on artists on artists and artists
• 52:13
  Speaker 5: answering the question. Now, that's why they call it show business.
• 52:16
  Speaker 5: Good night, goodnight. Hey, if you guys want more. We
• 52:24
  Speaker 5: have a Patreon.
• 52:25
  Speaker 2: It's Artists on Artists on, Artists on Artists on Patreon.
• 52:28
  Speaker 2: Our tears are very low and we have a lot
• 52:30
  Speaker 2: of fun. There's after shows. There's pre cuts of what
• 52:34
  Speaker 2: happens right before we shoot the episode, and some behind
• 52:37
  Speaker 2: the scenes, some fun and games. We hope to see
• 52:39
  Speaker 2: you over there, so come join us link.
• 52:41
  Speaker 1: And bio h soon.
• 52:42
  Speaker 7: Artists Artists on Artists on Artists on Artists is an
• 52:45
  Speaker 7: improvised Hollywood round table podcast created and performed and produced
• 52:49
  Speaker 7: by Kylie Brakman, Jeremy Colhayne, Angela Jeratana, and Patrick McDonald.
• 52:53
  Speaker 5: Music is by Gabriel Ponton.
• 52:55
  Speaker 7: The opinions expressed on this podcast do not reflect the
• 52:57
  Speaker 7: opinions of anyone who works on it, not even the performers,
• 53:00
  Speaker 7: because this is an improvised podcast and we're stupid. Full
• 53:03
  Speaker 7: video versions of A O A O A O A
• 53:05
  Speaker 7: are available on YouTube, so please like and subscribe and
• 53:08
  Speaker 7: leave us a five star review wherever you get your podcasts.
• 53:10
  Speaker 3: Good Night, Hollywood.