Latest / Crime Night / How a bloody bra identified Reit Jurvetson
Transcript
- 0:00Speaker 1: Imagine you are standing deep inside the Los Angeles Police
- 0:03Speaker 1: Department's archive unit. Oh wow, okay, yeah, picture it. The
- 0:06Speaker 1: year is two thousand and three, and the air in
- 0:09Speaker 1: there is just stagnant, right, smelling faintly of decaying paper
- 0:13Speaker 1: and floor wax.
- 0:14Speaker 2: I can practically smell it. It's that very specific bureaucratic
- 0:17Speaker 2: basement smell exactly.
- 0:19Speaker 1: So you are surrounded by these rows upon rows of
- 0:22Speaker 1: industrial metal shelving and they stretch all the way up
- 0:25Speaker 1: into this harsh fluorescent light, right, and all these cardboard
- 0:28Speaker 1: boxes are just sagging under the weight of decades old
- 0:32Speaker 1: police reports. So there's a veteran homicide detective named Cliff Shepherd,
- 0:36Speaker 1: and he's standing in the middle of this.
- 0:37Speaker 2: Maze, just surrounded by cold cases.
- 0:39Speaker 1: Yeah, he's tasked with digging through cold cases from the
- 0:42Speaker 1: late nineteen sixties. So he reaches up, pulls this mislabeled
- 0:46Speaker 1: yellowing box off a shelf, and he lifts the lid.
- 0:48Speaker 2: Okay, what does he find?
- 0:50Speaker 1: Well, shoved haphazardly among all these typed carbon copy reports,
- 0:54Speaker 1: he finds something that absolutely should not be there. Oh boy,
- 0:57Speaker 1: it's a tan lace bra and it's stiffened and stained
- 1:00Speaker 1: with dark dried blood.
- 1:02Speaker 2: Seriously, yeah, just loose in the box.
- 1:05Speaker 1: Just loose. It isn't sealed in a plastic evidence bag,
- 1:08Speaker 1: it isn't tagged with a case number. It is literally
- 1:11Speaker 1: just sitting there completely unprotected.
- 1:13Speaker 2: I mean, in the rigid world of criminal investigation, finding
- 1:16Speaker 2: unsecured biological evidence like that is well, it's a staggering
- 1:21Speaker 2: breach of protocol, right.
- 1:22Speaker 1: It's basically the worst thing a clerk could do.
- 1:24Speaker 2: Exactly. Chain of custody is everything. If evidence isn't logged,
- 1:28Speaker 2: it essentially ceases to exist in the eyes of the court.
- 1:32Speaker 1: But the crazy thing is this failure, this terrible mistake
- 1:36Speaker 1: by an anonymous clerk decades ago, is actually the catalyst
- 1:39Speaker 1: for the entire story you are about to hear.
- 1:42Speaker 2: It's wild how that works out.
- 1:43Speaker 1: It really is so Welcome to today's deep dive. Our
- 1:46Speaker 1: sources for this one are a stack of investigative reports,
- 1:49Speaker 1: cold case files, and true crime journalism, all centered around
- 1:52Speaker 1: too brutal, unsolved murders in Los Angeles in nineteen sixty nine.
- 1:56Speaker 2: In our mission today is to explore how that forgotten
- 1:58Speaker 2: bloody bra and a random footnote and a famous true
- 2:02Speaker 2: crime book ended up linking two young women's tragic fates.
- 2:06Speaker 1: Yeah, it is a story about the extreme danger of
- 2:09Speaker 1: investigative tunnel vision, the forensic realities of the nineteen sixties,
- 2:13Speaker 1: and just the agonizing lengths it takes to give a
- 2:16Speaker 1: Jane Doe her name back.
- 2:17Speaker 2: Absolutely, So, to grasp the gravity of this investigation, you
- 2:22Speaker 2: really need to transport yourself to November sixteenth, nineteen sixty nine.
- 2:26Speaker 1: Right, set the scene for us.
- 2:27Speaker 2: The location is Mulholland Drive, you know, that winding, iconic
- 2:31Speaker 2: two lane road that traces the ridge line of the
- 2:33Speaker 2: Santa Monica Mountains.
- 2:34Speaker 1: It's beautiful but eerie up there.
- 2:36Speaker 2: Very it is an area defined by sharp contrasts. You
- 2:39Speaker 2: got these stretches of opulent gated homes and they're just
- 2:42Speaker 2: interspersed with stretches of isolated, brush tangled ravines that drops
- 2:46Speaker 2: deeply into the canyons below.
- 2:48Speaker 1: Just pitching off into the darkness exactly.
- 2:50Speaker 2: And it was in one of those secluded ravines, about
- 2:52Speaker 2: fifteen feet down a hillside choked with dry California scrub,
- 2:55Speaker 2: that a fifteen year old boy out bird watching made
- 2:58Speaker 2: a horrific discovery.
- 2:59Speaker 1: Oh man, a kid.
- 3:00Speaker 2: Yeah, it was the body of a young white woman
- 3:03Speaker 2: police estimated she was around twenty three years old. And
- 3:05Speaker 2: look the brutality of this crime scene. It defies simple categorization.
- 3:10Speaker 1: It really does. I mean, the reports say she had
- 3:12Speaker 1: been stabbed in the neck over one hundred and fifty times.
- 3:15Speaker 2: Over one hundred and fifty Forensically speaking, that isn't just
- 3:18Speaker 2: a murder, it's well, it's an erasure.
- 3:21Speaker 1: An erasure, that's a good way to put it.
- 3:23Speaker 2: It indicates a deeply personal, intimate partner rage where the
- 3:27Speaker 2: goal is complete destruction. I mean, to inflict that much
- 3:32Speaker 2: damage requires immense physical exertion, and this profound, blinding anger.
- 3:37Speaker 1: It's the furthest thing from a clinical or organized killing exactly.
- 3:42Speaker 2: Investigators determined she was likely lying on her back when
- 3:45Speaker 2: it happened. Her killer probably pinned her down with their
- 3:48Speaker 2: body weight to subdue her.
- 3:49Speaker 1: Because they forced her head to one side, right.
- 3:51Speaker 2: Right, which explains why the vast majority of those punctures
- 3:54Speaker 2: were concentrated on just the side of her neck.
- 3:56Speaker 1: But the thing is, she didn't just passively accept this
- 4:00Speaker 1: defensive wounds on her hands proved she was conscious. She
- 4:03Speaker 1: was actively trying to block the blade, fighting for her
- 4:06Speaker 1: life against overwhelming force.
- 4:08Speaker 2: Which is just heartbreaking.
- 4:10Speaker 1: The thing about Yeah, it really is.
- 4:12Speaker 2: And the environment itself tells another crucial part of the story.
- 4:15Speaker 2: The murder did not happen down.
- 4:17Speaker 1: In that ravine, right because of the drag marks.
- 4:19Speaker 2: Right. Investigators found bloody drag marks smeared across the asphalt
- 4:23Speaker 2: of Mulholland Drive. The killer had parked, dragged her body
- 4:27Speaker 2: across the road, and heaved her over the edge.
- 4:29Speaker 1: And there were faint tire tracks visible in the crime
- 4:31Speaker 1: scene photos too.
- 4:33Speaker 2: Yeah, suggesting a vehicle had pulled over in the quiet
- 4:35Speaker 2: over nine hours to dispose of the body when traffic
- 4:39Speaker 2: was non existent and the canyon was pitch black.
- 4:41Speaker 1: But here's the thing that really gets me. Despite all
- 4:44Speaker 1: these physical clues, and there are a lot of them,
- 4:47Speaker 1: her identity was a total.
- 4:49Speaker 2: Ghost, complete mystery.
- 4:50Speaker 1: She was tagged simply as Jane Doe fifty nine, literally
- 4:54Speaker 1: the fifty ninth unidentified body processed in La County that.
- 4:58Speaker 2: Year alone, which is staggering number for one year.
- 5:01Speaker 1: It's insane, and they had so much to go on.
- 5:04Speaker 1: She was wearing this heavy corduroy jacket, jeans, boots, and
- 5:08Speaker 1: of course that Tanla Spra.
- 5:09Speaker 2: And some of the clothing labels showed they were manufactured
- 5:11Speaker 2: outside the US.
- 5:12Speaker 1: Right exactly. Plus the autopsy revealed she had eaten a
- 5:16Speaker 1: meal just two hours before she died. But every avenue
- 5:20Speaker 1: just closed a total brick wall. Yeah, Interpol queries yielded nothing.
- 5:25Speaker 1: Fingerprint databases turned up empty. They checked missing persons reports
- 5:29Speaker 1: in Canada and nothing.
- 5:30Speaker 2: Well, the investigative landscape of nineteen sixty nine was notoriously limited.
- 5:35Speaker 2: Forensic science was not focused on DNA. Genetic profiling wouldn't
- 5:39Speaker 2: exist as a law enforcement tool.
- 5:40Speaker 1: For decades, so they could only test that bloody bra
- 5:43Speaker 1: for basic blood type.
- 5:45Speaker 2: Right, but there was other evidence initially.
- 5:48Speaker 1: Oh, this part makes me so angry. So a few
- 5:50Speaker 1: days after her body was found, a road worker actually
- 5:53Speaker 1: turned in a pair of men's prescription glasses found near
- 5:56Speaker 1: the drop site, a huge lead massive They were thick
- 5:59Speaker 1: lenses for a very near sighted man, set in relatively
- 6:02Speaker 1: common frames.
- 6:03Speaker 2: And let me guess when Detective Shepherd finds out about
- 6:05Speaker 2: these glasses in two thousand and three, they are.
- 6:07Speaker 1: Gone, vanished from the evidence room without a trace.
- 6:10Speaker 2: Unbelievable.
- 6:11Speaker 1: It's like finding a winning lottery ticket in the trash,
- 6:14Speaker 1: only to realize half of it is torn off, and
- 6:17Speaker 1: to make it worse, nobody bothered to scrape under Jane
- 6:20Speaker 1: of fifty nine fingernails back in nineteen sixty nine.
- 6:22Speaker 2: Even though we know she fought back viciously.
- 6:25Speaker 1: Exactly she almost certainly had her killer's skin cells trapped
- 6:29Speaker 1: under them. So finding that bloody bra in a cardboard
- 6:32Speaker 1: box is a statistical miracle.
- 6:34Speaker 2: It really is, especially because Jane do fifty nine's body
- 6:37Speaker 2: was cremated by the county when she went unclaimed.
- 6:40Speaker 1: Yeah, that unlogged bra was the absolute only physical link
- 6:44Speaker 1: left to her existence on Earth.
- 6:45Speaker 2: When you review cold cases from this era, you are
- 6:48Speaker 2: basically staring at a graveyard of missed opportunities. But finding
- 6:52Speaker 2: the bra gave Shephard a forensic north Star. He immediately
- 6:56Speaker 2: submitted it to the state's Missing Person's DNA program.
- 7:00Speaker 1: Laboratory results they take years to process, so Shephard just
- 7:03Speaker 1: has this file sitting on his desk. Fast forward to
- 7:05Speaker 1: two thousand and five and he casually decides to reread
- 7:08Speaker 1: Helter Skelter.
- 7:09Speaker 2: The famous true crime book by Vincent Bugliosi.
- 7:12Speaker 1: Right the one detailing the Charles Manson murders.
- 7:14Speaker 2: I mean, Boogliosi was the lead prosecutor in the Manson
- 7:17Speaker 2: family trials. His book serves as the definitive account of
- 7:21Speaker 2: that terrifying era in Los Angeles history.
- 7:24Speaker 1: It really documents how that charismatic cult leader convinced his
- 7:27Speaker 1: followers to commit those savage home invasions.
- 7:30Speaker 2: Yeah, so Shephard is reading through this dense material, and
- 7:34Speaker 2: he gets to the epilogue.
- 7:35Speaker 1: And there, buried in a tiny footnote is a mention
- 7:38Speaker 1: of Jane Doe fifty nine.
- 7:40Speaker 2: Just a footnote, just a footnote.
- 7:42Speaker 1: Bugliosi floats the speculative theory. He asks, what if she
- 7:46Speaker 1: was killed by the Manson.
- 7:47Speaker 2: Family because her body was found just a week and
- 7:50Speaker 2: a half after a Manson follower died under highly suspicious circumstances.
- 7:53Speaker 1: Exactly, Bougliosi wondered if Jane Do fifty nine witnessed that
- 7:57Speaker 1: death and was silenced to protect the cult.
- 8:00Speaker 2: I mean, the savagery of one hundred and fifty stab
- 8:03Speaker 2: wounds definitely echoes the overkill scene in the Manson murders.
- 8:06Speaker 2: It is an easy parallel.
- 8:08Speaker 1: To draw, it is, but Bougliosi admits in the text
- 8:10Speaker 1: he has no hard evidence. The Manson connection is merely
- 8:14Speaker 1: a provocative thought, but what actually Hook's detective Shepherd isn't
- 8:17Speaker 1: Manson at all.
- 8:18Speaker 2: No, it's not.
- 8:19Speaker 1: It's another name mentioned in that exact same paragraph, Marina
- 8:22Speaker 1: Hobe Right.
- 8:24Speaker 2: She was a seventeen year old girl who was brutally
- 8:26Speaker 2: stabbed to death ten months before Jane Do.
- 8:29Speaker 1: Fifty nine, and her body was found in a remarkably
- 8:32Speaker 1: similar brush tangled ravine off maulhalland Drive barely two miles
- 8:37Speaker 1: away from our Jane Doe.
- 8:38Speaker 2: That geographical and circumstantial overlap. It forces an investigator to pause.
- 8:44Speaker 1: Absolutely, so Shepherd starts pulling Marina Hayes case files. And
- 8:48Speaker 1: to understand the significance here, you really have to look
- 8:51Speaker 1: at the timeline of Marina's disappearance.
- 8:53Speaker 2: Okay, take us through it.
- 8:55Speaker 1: It is December twenty ninth, nineteen sixty eight. Marina is
- 8:58Speaker 1: a college freshman. She's home for winter break, and she's
- 9:00Speaker 1: staying at her mother's house in this quiet, wealthy neighborhood
- 9:03Speaker 1: right where West Hollywood meets Beverly Hills. Okay, the scene
- 9:07Speaker 1: her mother describes is the stuff of absolute nightmares. It's
- 9:10Speaker 1: three a lesson in the morning. Marina has been out
- 9:12Speaker 1: celebrating in early New Years at a popular music club
- 9:14Speaker 1: called the Troubadour.
- 9:15Speaker 2: Oh, very famous spot, very so.
- 9:17Speaker 1: Her mom is awake, waiting up. She hears the familiar
- 9:20Speaker 1: sound of Marina's small sports car pull into the driveway.
- 9:23Speaker 2: Relief, Right, She's home exactly. But seconds later she hears
- 9:28Speaker 2: the aggressive roar of a loud exhaust like an older
- 9:32Speaker 2: model muscle car.
- 9:33Speaker 1: Oh.
- 9:34Speaker 2: The mom rushes to the window, and in the glow
- 9:37Speaker 2: of the street lights, she sees a young man standing
- 9:40Speaker 2: next to Marina's car and a black sedan idling aggressively
- 9:44Speaker 2: in the driveway. She's sitting there waiting, yeah, and the
- 9:47Speaker 2: abduction happens with terrifying speed and plain sight. The black
- 9:51Speaker 2: sedan throws it in reverse, The young man on the
- 9:53Speaker 2: driveway sprints toward it, yells something that sounds like the
- 9:56Speaker 2: command go, dives into the passenger seat, and the speed
- 10:00Speaker 2: off into the night.
- 10:01Speaker 1: Just like that. Her mom runs outside into the driveway
- 10:04Speaker 1: and Marina is gone, gone.
- 10:06Speaker 2: Her car keys are still dangling in the ignition. Her
- 10:09Speaker 2: driving glasses are missing.
- 10:10Speaker 1: And this detail always gets me. The emergency brake is
- 10:13Speaker 1: yanked up with immense desperate force.
- 10:15Speaker 2: Right so hard that police mechanics later noted it took
- 10:19Speaker 2: more strength than a small seventeen year old girl would physically.
- 10:22Speaker 1: Possess, which means someone else was in that car exactly.
- 10:25Speaker 2: The mechanics of that emergency brake imply someone else was
- 10:29Speaker 2: in the driver's seat wrestling for control, or someone reached
- 10:32Speaker 2: in through the window to stop the car violently while
- 10:35Speaker 2: she was trying to escape.
- 10:36Speaker 1: Oh, it's terrifying. And Marina's body was discovered two days
- 10:40Speaker 1: later on New Year's Day, discarded down another steep embankment.
- 10:44Speaker 2: She had been severely beaten, strangled, and stabbed multiple times
- 10:48Speaker 2: in the neck and torso.
- 10:49Speaker 1: And she also had a deliberate cigarette burn on her skin.
- 10:52Speaker 2: Yeah, but the autopsy is where these two cases really
- 10:56Speaker 2: begin to weave together biologically.
- 10:58Speaker 1: Right, because if you look closely at the biological timeline,
- 11:01Speaker 1: the similarities are impossible to ignore. First, just like Jando
- 11:05Speaker 1: fifty nine, Marina had eaten a meal shortly before her death.
- 11:08Speaker 2: The undigested food in her small intestine narrowed her time
- 11:11Speaker 2: of death down to just a few hours after eating.
- 11:14Speaker 1: But the most disturbing forensic detail involves the post mortem
- 11:17Speaker 1: changes to her body.
- 11:19Speaker 2: When Marina was found on January first, rigor mortis was
- 11:22Speaker 2: still actively setting in and the fresh blood in her
- 11:25Speaker 2: lungs hadn't yet clawted.
- 11:26Speaker 1: Which is crazy because rigor mortis is caused by a
- 11:29Speaker 1: chemical change in the muscles after death, starting within just
- 11:32Speaker 1: a few hours.
- 11:33Speaker 2: Right. Because her muscles were still actively stiffening and her
- 11:37Speaker 2: blood hadn't yet settled and congealed, the coroner knew her
- 11:41Speaker 2: biological clock had just recently stopped ticking.
- 11:44Speaker 1: Meaning she did not die on December twenty ninth when
- 11:46Speaker 1: she was abducted from.
- 11:47Speaker 2: Her driveway exactly. The biology proved she was killed just
- 11:51Speaker 2: eight to twelve hours before she was found on New
- 11:53Speaker 2: Year's Day. She was kept alive for days in an
- 11:57Speaker 2: unknown location.
- 11:58Speaker 1: That is horrifying to think about, it really is.
- 12:02Speaker 2: The coroner also made a critical observation about the trauma itself.
- 12:06Speaker 2: The stab wounds on Marina had completely different shapes.
- 12:09Speaker 1: Oh right. Some incisions had two sharp edges, while others
- 12:12Speaker 1: had one sharp edge and one blunt rounded edge.
- 12:15Speaker 2: Which is the biological signature of multiple weapons and therefore
- 12:19Speaker 2: multiple attackers.
- 12:20Speaker 1: Which perfectly aligns with the mother's eyewitness account of the
- 12:23Speaker 1: two men coordinating the abduction in the driveway exactly.
- 12:26Speaker 2: So you have two brutal stabbings of young women dumped
- 12:30Speaker 2: off Mulhall and drive, both with undigested food in their stomachs,
- 12:34Speaker 2: both involving overkill.
- 12:35Speaker 1: Right, you would think the police would immediately pool their
- 12:38Speaker 1: resources and create a joint task force. I mean, you
- 12:41Speaker 1: have a potential serial operation targeting young women in the
- 12:44Speaker 1: Hollywood Hills.
- 12:45Speaker 2: You would think so.
- 12:46Speaker 1: But when you examine the suspect pool from Marina Habe,
- 12:49Speaker 1: it is incredibly broad. I mean, first, you have a
- 12:52Speaker 1: violent criminal named Kirk Smith known as Spanky, Right.
- 12:55Speaker 2: He later became an armed bank robber and a member
- 12:57Speaker 2: of the Aryan Brotherhood.
- 12:59Speaker 1: Yeah, and police actually found an entire abandoned motorcycle frame
- 13:03Speaker 1: belonging to his associates right at Marina's crime.
- 13:06Speaker 2: Scene, which is a massive clue. But then you also
- 13:09Speaker 2: have this wild international espionage angle.
- 13:12Speaker 1: Wait, really, tell me about that.
- 13:14Speaker 2: Marina's father was a high level operative in the OSS,
- 13:17Speaker 2: the precursor to the CIA during World War Two.
- 13:20Speaker 1: Oh wow.
- 13:21Speaker 2: His specialty was psychological warfare. He interrogated German prisoners of
- 13:25Speaker 2: war for days on end and designed complex Allied propaganda
- 13:29Speaker 2: to demoralize the enemy.
- 13:30Speaker 1: Okay, that is intense.
- 13:31Speaker 2: It is the kind of shadow world background that generates
- 13:35Speaker 2: powerful lifelong enemies, leading some investigators to theorize Marina was
- 13:40Speaker 2: the victim of a targeted revenge kidnapping meant to send
- 13:44Speaker 2: a message.
- 13:44Speaker 1: That sounds like a movie plot, and you cannot ignore
- 13:47Speaker 1: the date she was on. Marina was out that night
- 13:49Speaker 1: with a twenty three year old family friend named John.
- 13:52Speaker 2: They took a rendered limo to the Troubadoura.
- 13:53Speaker 1: Yeah, he claimed he drove her back to her car
- 13:56Speaker 1: at his house around three point fifteen am, which lines
- 14:00Speaker 1: up perfectly with her arriving home at three thirty am.
- 14:02Speaker 1: Seems solid, but investigative reporting decades later confirmed a rumor
- 14:07Speaker 1: swirling at the club that night. John was secretly married
- 14:10Speaker 1: with a child in nineteen sixty seven, divorced shortly after
- 14:13Speaker 1: Marina's murder, remarried his wife, and then divorced again. Wow,
- 14:16Speaker 1: it paints a very deceptive picture of the man she
- 14:18Speaker 1: spent her final hours with.
- 14:20Speaker 2: So you have a violent biker gang, a CIA revenge plot,
- 14:24Speaker 2: and a highly deceptive date.
- 14:26Speaker 1: Yes, these are incredibly specific, distinct, and highly credible motives
- 14:31Speaker 1: for Marina's murder. So my question is why would law
- 14:34Speaker 1: enforcement or an expert like Vincent Buglosi, for that matter,
- 14:38Speaker 1: look past all this mundane, highly plausible domestic violence and
- 14:42Speaker 1: try to lump her in with Jane Doe fifty nine, right, a.
- 14:45Speaker 2: Woman who was stabbed one hundred and fifty times by
- 14:48Speaker 2: someone who seemed entirely focused on her.
- 14:50Speaker 1: Exactly why connect them?
- 14:51Speaker 2: Well, the answer lies in the psychological grip of Los
- 14:54Speaker 2: Angeles in nineteen sixty nine. You really have to understand
- 14:57Speaker 2: the mechanics of the Manson panic. The panic. Yeah, in
- 15:00Speaker 2: August of that year, the Tate Labian commerders absolutely terrified
- 15:04Speaker 2: the city. The sheer randomness and savagery of the Manson
- 15:07Speaker 2: family crimes broke the public's sense of security, but he
- 15:10Speaker 2: felt safe nobody because the killers weren't immediately caught. This creeping,
- 15:15Speaker 2: pervasive paranoia set in completely, rewriting standard homicide protocol.
- 15:19Speaker 1: So instead of looking at statistically likely suspects like a
- 15:23Speaker 1: jealous partner or a violent criminal, detectives were suddenly hunting
- 15:26Speaker 1: ghosts in the hills.
- 15:27Speaker 2: Exactly. Bureaucracy institutionalized this panic. The state sent out internal
- 15:32Speaker 2: memos commanding local departments to look for Manson connections in
- 15:35Speaker 2: their cult cases. Oh I see Suddenly every unsolved violent
- 15:40Speaker 2: stabbing involving young people was viewed exclusively through the lens
- 15:44Speaker 2: of Charles Manson. Detectives abandoned fundamental investigative work, ignoring strong
- 15:50Speaker 2: domestic motives in favor of elaborate satanic cult theories.
- 15:54Speaker 1: And because the jurisdictional walls were so thick, the police
- 15:57Speaker 1: were never going to solve this anyway. The LAPD had
- 16:00Speaker 1: jurisdiction over Jane fifty nine. The Los Angeles County Sheriff's
- 16:04Speaker 1: Department had jurisdiction over Marina.
- 16:05Speaker 2: Habe, and they weren't sharing files.
- 16:08Speaker 1: No Detective Shepherd couldn't even walk over and demand to
- 16:11Speaker 1: see Marina's file because he lacked the authority.
- 16:14Speaker 2: It's like two people working on the exact same jigsaw puzzle,
- 16:17Speaker 2: but they're in completely different buildings and one of them
- 16:19Speaker 2: just let a pipe burst over all.
- 16:20Speaker 1: Their pieces, which actually happened.
- 16:22Speaker 2: It did because of that silient information, physical evidence literally rotted.
- 16:28Speaker 2: We know Marina was sexually assaulted, and a physical kit
- 16:31Speaker 2: was likely collected during the autopsy.
- 16:33Speaker 1: But decades later, nobody knows where it is.
- 16:36Speaker 2: Right. There are documented reports of a pipe bursting in
- 16:39Speaker 2: a county storage facility meaning critical DNA evidence that could
- 16:42Speaker 2: identify her multiple attackers was destroyed by water damage while
- 16:47Speaker 2: the two departments were busy not talking to each other.
- 16:49Speaker 1: It is so incredibly frustrating. Ultimately, it took an outsider,
- 16:53Speaker 1: a woman with a laptop and a blog, to bypass
- 16:56Speaker 1: the LAPD entirely.
- 16:57Speaker 2: Yes. Fast forward to twenty fifth fifteen.
- 17:00Speaker 1: Jane Doe fifty nine doesn't get her name back through
- 17:03Speaker 1: a brilliant police interrogation or a courtroom confession. She gets
- 17:06Speaker 1: it back because of Michelle McNamara.
- 17:08Speaker 2: The incredible true crime journalist who later wrote I'll Be
- 17:11Speaker 2: Gone in the Dark right.
- 17:13Speaker 1: McNamara took an intense interest in Jane Doe fifty nine's
- 17:16Speaker 1: cold case and posted a post mortem autopsy photo on
- 17:20Speaker 1: her website, hoping to crowdsource leads.
- 17:22Speaker 2: And it worked.
- 17:22Speaker 1: It did. Up in Canada, a woman is scrolling through
- 17:25Speaker 1: her computer screen and her heart stops. She sees that
- 17:28Speaker 1: autopsy photo and instantly recognizes her sister.
- 17:31Speaker 2: Wow.
- 17:31Speaker 1: Yeah. But when the sister contacted the LAPD, the cold
- 17:34Speaker 1: case detective asked for identifying unreleased details before even discussing
- 17:39Speaker 1: a DNA.
- 17:39Speaker 2: Swab, which is standard. You have to verify, right.
- 17:42Speaker 1: So the sister described a highly unique piece of custom jewelry.
- 17:46Speaker 1: Their father had taken an old pair of his own
- 17:48Speaker 1: cuff links and had a jeweler fashioned them into two
- 17:50Speaker 1: distinct rings, one for each daughter. And let me guess,
- 17:54Speaker 1: the police had that exact cufflink ring sitting in evidence.
- 17:58Speaker 2: Chills. Yeah.
- 18:00Speaker 1: Forty six years the DNA from the bloody bra finally
- 18:03Speaker 1: confirmed it. Jane Doe fifty nine was right.
- 18:07Speaker 2: Jervetsen right, Dervetsen. Giving a name to the victim completely
- 18:11Speaker 2: upends the investigation, providing the context that was missing for decades.
- 18:16Speaker 1: Who was she?
- 18:17Speaker 2: Wright was a nineteen year old free spirit from Montreal.
- 18:19Speaker 2: Her family was prominent. Her great uncle had actually been
- 18:22Speaker 2: the last president of Estonia before the Soviet occupation, and
- 18:25Speaker 2: the family had fled to Canada as refugees.
- 18:28Speaker 1: Wow, so a lot of history there.
- 18:29Speaker 2: Yeah. Right was artistic. She spoke three languages and worked
- 18:32Speaker 2: a steady job at a post office in Toronto.
- 18:34Speaker 1: But then she met a French Canadian man in a
- 18:36Speaker 1: cafe and in the late summer of nineteen sixty nine,
- 18:38Speaker 1: she packed up and followed him to Los Angeles.
- 18:41Speaker 2: And this is where the sheer coincidence of the names
- 18:43Speaker 2: is maddening.
- 18:44Speaker 1: It makes my head spin. Right's boyfriend was named Jehan,
- 18:48Speaker 1: which translates to John in English. When she got to La,
- 18:52Speaker 1: they supposedly stayed in an apartment with his roommate, who
- 18:55Speaker 1: was also named Gene. All Right, and Marina Habbey was
- 18:58Speaker 1: out with a guy named John. So Rit Jervetsen moved
- 19:02Speaker 1: across the continent for a guy named Jean and lived
- 19:04Speaker 1: with another guy named Jean.
- 19:05Speaker 2: I mean it forces you to question if a phantom
- 19:08Speaker 2: John connects these two.
- 19:09Speaker 1: Women, doesn't it? Does it prove they are connected?
- 19:12Speaker 2: Well, you have to look at the physical descriptions the
- 19:14Speaker 2: police compiled. Marina's John was clean cut with lighter hair,
- 19:18Speaker 2: fitting into that upscale Beverly Hill scene.
- 19:21Speaker 1: Okay, very polished.
- 19:22Speaker 2: Right Rate's boyfriend, Jean was described as tall with dark
- 19:26Speaker 2: eyes and long feathered rocker hair.
- 19:28Speaker 1: Total opposite exactly.
- 19:30Speaker 2: And the roommate, Jane, was short, about five foot six,
- 19:33Speaker 2: with short black hair and piercing blue eyes.
- 19:36Speaker 1: So they are three completely distinct individuals.
- 19:39Speaker 2: They are as tempting as it is to tie a
- 19:41Speaker 2: neat bow around both tragedies. The physical descriptions dismantled the
- 19:45Speaker 2: theory of a single shared predator.
- 19:48Speaker 1: Okay, that makes sense, So Rate is in La. She
- 19:52Speaker 1: sends a cheerful postcard home to her family on Halloween nineteen.
- 19:56Speaker 2: Sixty nine, Right, saying she's happy.
- 19:58Speaker 1: Yeah. She writes that she's going to the the people
- 20:00Speaker 1: are welcoming, and then absolute silence. Sixteen days later, the
- 20:05Speaker 1: boy bird watching finds her body in the ravine. But
- 20:09Speaker 1: here's what people don't get. Her family never filed a
- 20:13Speaker 1: missing person's.
- 20:13Speaker 2: Report, which sounds suspicious today, but you have to understand
- 20:16Speaker 2: the family dynamics and the mechanics of missing persons cases
- 20:19Speaker 2: in that era. Her family was quite strict and deeply religious.
- 20:23Speaker 2: Rite was fiercely independent and rebellious. When the letters abruptly stopped,
- 20:28Speaker 2: they assumed she was intentionally cutting ties to live her
- 20:30Speaker 2: own life in the counterculture.
- 20:32Speaker 1: Which was so common in the late sixties.
- 20:34Speaker 2: Exactly, They did send a family friend to physically check
- 20:37Speaker 2: the address written on her postcard, but a building caretaker
- 20:40Speaker 2: said Right had moved out and left no forwarding address.
- 20:43Speaker 1: So the family hired a private investigator. But because they
- 20:46Speaker 1: assumed she was just hiding out and avoiding them, they
- 20:49Speaker 1: never engaged law enforcement.
- 20:50Speaker 2: Right, and the police sketches of Jane Doe fifty nine
- 20:53Speaker 2: that circulated in the local California media looked absolutely nothing
- 20:58Speaker 2: like Right.
- 20:58Speaker 1: I've seen them. The artists rendering and her real photograph
- 21:01Speaker 1: look like entirely different human beings, and.
- 21:03Speaker 2: The family in Montreal never saw it anyway.
- 21:05Speaker 1: True, So synthesizing all the forensic data and suspect files,
- 21:10Speaker 1: modern detectives have reached a final assessment.
- 21:13Speaker 2: Yes, Despite the overlapping geography of Moholland Drive and the
- 21:17Speaker 2: tight time frame, these are fundamentally separate tragedies. The psychology
- 21:21Speaker 2: of the crime scenes points in entirely different directions Because.
- 21:24Speaker 1: Right Jervetsen's murder with those one hundred and fifty stab
- 21:27Speaker 1: wounds is an act of intimate partner rage. It is personal,
- 21:30Speaker 1: sustained and furious.
- 21:32Speaker 2: Whereas Marina habes murder is mechanical. By comparison, the abduction
- 21:36Speaker 2: was swift and organized, the loud car, the getaway driver's
- 21:39Speaker 2: shouting commands, the yanked emergency break.
- 21:42Speaker 1: It was either a highly targeted abduction, perhaps related to
- 21:44Speaker 1: her date or her father's espionage background, or it was
- 21:48Speaker 1: a sexually motivated crime of opportunity committed by multiple predators
- 21:52Speaker 1: roaming the area.
- 21:53Speaker 2: Exactly, and sadly, both of these cases are technically still open.
- 21:58Speaker 1: Yeah, Marina's entire chance at justice relies on a clerk
- 22:02Speaker 1: someday digging through a county warehouse and miraculously finding an
- 22:05Speaker 1: intact water damage sexual assault.
- 22:08Speaker 2: Kit, while Read's case hinges on finding two French Canadian
- 22:11Speaker 2: men named Jane who were in La in late nineteen
- 22:14Speaker 2: sixty nine, men who would be in their late seventies today.
- 22:17Speaker 1: It just emphasizes the devastating human cost of disorganized evidence
- 22:21Speaker 1: rooms and investigative tunnel vision. When jurisdictions refuse to talk
- 22:26Speaker 1: and when evidence isn't logged correctly, you lose decades of momentum.
- 22:29Speaker 2: It really does, but I will say it also highlights
- 22:32Speaker 2: the monumental shift brought about by modern citizens, louthing and
- 22:35Speaker 2: DNA technology. Michelle McNamara. Bypassing the bureaucracy entirely is a
- 22:40Speaker 2: testament to the power of the public.
- 22:42Speaker 1: Which leaves you with a deeply unsettling modern paradox to
- 22:45Speaker 1: think about. Oh with that, Well, we focus so much
- 22:48Speaker 1: on the miracle of Rate's sisters seeing that blog post
- 22:51Speaker 1: and connecting the DNA, but think about the sheer mechanics
- 22:54Speaker 1: of genetic genealogy. Today, millions of people have voluntarily uploaded
- 22:58Speaker 1: their DNA to commercial ancestry databases. Law enforcement now routinely
- 23:02Speaker 1: uses these open source databases to solve decades old cold
- 23:06Speaker 1: cases in a matter of hours, entirely bypassing the broken
- 23:10Speaker 1: police archive systems that plagued cases like Rights and Marinas.
- 23:13Speaker 2: It effectively crowdsources the detective work it does.
- 23:17Speaker 1: But it also means that right now, sitting in leaky
- 23:19Speaker 1: county warehouses and mislabeled cardboard boxes across the country, there
- 23:23Speaker 1: are thousands of other accidental time capsules.
- 23:26Speaker 2: Wow. Unlike blood samples forgotten.
- 23:29Speaker 1: The sell kids, misplaced clothing, the DNA required to solve
- 23:33Speaker 1: them already exists on a server somewhere, legally volunteered by
- 23:36Speaker 1: a distant cousin trying to build a family tree. The
- 23:39Speaker 1: only thing standing between a Jane Doe and her real
- 23:41Speaker 1: name isn't a lack of science, and it isn't a
- 23:43Speaker 1: criminal mastermind. It's just a warehouse clerk waiting to open
- 23:46Speaker 1: the right cardboard box.