Latest / We Got Motion / We Got Motion Podcast With P-Dub & CalWood

Transcript

We Got Motion Podcast With P-Dub & CalWood · We Got Motion

• 0:05
  SPEAKER_02: If you want to close if you're closed out your film, it's almost what you already have to do.
• 0:14
  SPEAKER_02: You already know what you know, maybe what's out of California.
• 0:22
  SPEAKER_02: It's very important for us to add so it's like what we've been here, man.
• 0:27
  SPEAKER_02: We in the west coast, the Midwest Central America, basically.
• 0:32
  SPEAKER_02: We on the on the east in Atlanta.
• 0:34
  SPEAKER_02: You know what I'm saying?
• 0:35
  SPEAKER_02: Shout out to my boys, man.
• 0:36
  SPEAKER_02: Shout out to my niggas, man.
• 0:37
  SPEAKER_02: Kyle Wood, man.
• 0:42
  SPEAKER_10: What up, though?
• 0:42
  SPEAKER_10: Uh one half of We Got Motion, the podcast.
• 0:45
  SPEAKER_10: One half of Frequency99.
• 0:47
  SPEAKER_10: Media, man.
• 0:48
  SPEAKER_10: One of the most dangerous podcasts in the world.
• 0:50
  SPEAKER_10: Follow us on Twitch at Official We Got Motion.
• 0:54
  SPEAKER_10: Also at Kick.
• 0:55
  SPEAKER_10: Official We Got Motion.
• 0:57
  SPEAKER_10: YouTube, we got Motion.
• 0:58
  SPEAKER_10: Man, we got some special guests, man.
• 1:00
  SPEAKER_10: Introduce yourself today.
• 1:03
  SPEAKER_05: Yes, sir.
• 1:03
  SPEAKER_05: My boy.
• 1:04
  SPEAKER_05: Uh, it's your boy DJ Crash Mog, most entertained DJ on the planet.
• 1:09
  SPEAKER_05: It's your boy COZ Joker.
• 1:11
  SPEAKER_05: Best freestyler on the planet.
• 1:14
  SPEAKER_05: Sir, you can um you can follow us at DJ CrashMobb um on uh TikTok and Instagram.
• 1:21
  SPEAKER_07: And then uh follow me on TikTok, uh foolish boy, COZ Joker on ID.
• 1:31
  SPEAKER_02: Okay, look, look, look, check it out, right?
• 1:33
  SPEAKER_02: Check it out, right?
• 1:33
  SPEAKER_02: Look, this this might like look.
• 1:35
  SPEAKER_02: We it's already like y'all, my little bros.
• 1:37
  SPEAKER_02: I just don't even know how it is, right?
• 1:38
  SPEAKER_02: Listen, this like their first time like sliding in, right?
• 1:41
  SPEAKER_02: Just understand that it's live.
• 1:42
  SPEAKER_02: We don't even matter.
• 1:43
  SPEAKER_02: We we unscripted.
• 1:44
  SPEAKER_02: If a ain't no ain't no ain't no ain't no fumbles because we ain't tripping off no do-overs.
• 1:50
  SPEAKER_02: He was like, he was like trapped with your intro.
• 1:53
  SPEAKER_02: He was worried about it.
• 1:56
  SPEAKER_05: Yeah, because I thought you were calling me cowboy because of the hat.
• 2:00
  SPEAKER_02: We don't know.
• 2:01
  SPEAKER_02: But let me tell y'all how I got put up on him.
• 2:03
  SPEAKER_02: First of all, let me show you how I got put up on them uh so that before we get into some background, before we get to some questions.
• 2:08
  SPEAKER_02: I got up on him on Instagram.
• 2:10
  SPEAKER_02: Me, you already know anybody that knows me, though I'm always on deck with anything that got to do with the current event shit like that, right?
• 2:15
  SPEAKER_02: I slid up on them and I just seen some tricky dance ones I'm stuck in from the bank.
• 2:19
  SPEAKER_02: You know, we that's how we give you, we do what we do.
• 2:21
  SPEAKER_02: You know, we dance the stupid stupid dance.
• 2:24
  SPEAKER_02: We love that.
• 2:24
  SPEAKER_02: So just know that's how I got up on them.
• 2:27
  SPEAKER_02: I played a clip so I can show you how I got up on them so we give the people a little bit a little bit of your history so I can see what it does.
• 2:43
  SPEAKER_01: I mean, pull it out, we got it all the scrap.
• 2:49
  SPEAKER_01: We keep a map like a roll of bags.
• 2:51
  SPEAKER_01: Touchdown three baits, ten beds, one play.
• 2:53
  SPEAKER_01: I'm having date like a farmer.
• 2:55
  SPEAKER_01: These niggas lie by the shit they do, but they're the truth to your arm.
• 2:58
  SPEAKER_01: These niggas trippin', dead, and losin they bitch like it don't run up no balls.
• 3:03
  SPEAKER_01: Fuck twelve, we got the switch in the club.
• 3:05
  SPEAKER_01: Don't talk to me like you bitch friends with the blood.
• 3:07
  SPEAKER_01: Don't talk to me like you be slighting on drugs.
• 3:09
  SPEAKER_01: Don't spread for no bottle stuff, take it with those criminals.
• 3:11
  SPEAKER_01: Please don't turn on subliminals.
• 3:13
  SPEAKER_01: Like it with niggas, I know who get rid of you.
• 3:15
  SPEAKER_01: Squag them fast, light them figures.
• 3:17
  SPEAKER_01: We have it real racks, plentiful, 4K.
• 3:19
  SPEAKER_01: We going digital out.
• 3:21
  SPEAKER_01: These niggas motherfuckers Crash, crash, and out though.
• 3:24
  SPEAKER_02: You feel me though?
• 3:24
  SPEAKER_02: Hold on, look at the play, my boy, hold on, we're gonna get it.
• 3:43
  SPEAKER_00: These niggas dying, stop me.
• 4:12
  SPEAKER_00: Stop.
• 4:12
  SPEAKER_02: Stop.
• 4:14
  SPEAKER_02: Let's let's let's let's try.
• 4:16
  SPEAKER_02: I'm talking about this like that.
• 4:17
  SPEAKER_02: I can't lie, I get joked because I I like I'm a nigga that can dance in private, right?
• 4:22
  SPEAKER_02: I myself I got all foods, it's just me.
• 4:32
  SPEAKER_02: That's the LA flavor, man.
• 4:33
  SPEAKER_02: I ain't never did the crap before by myself.
• 4:36
  SPEAKER_02: I had I I felt like I was really in some shit.
• 4:38
  SPEAKER_02: So look, tell us, right?
• 4:40
  SPEAKER_02: I just I want to show the viral clip too, but tell us, man, um, like what inspired y'all?
• 4:46
  SPEAKER_02: How did y'all get here?
• 4:47
  SPEAKER_02: Uh how long y'all been around, man.
• 4:48
  SPEAKER_02: Just like we want to we want to hear, like, you know what I'm saying?
• 4:50
  SPEAKER_02: Well, how this shit I started.
• 4:52
  SPEAKER_02: Oh, no, we gotta hear.
• 4:53
  SPEAKER_07: All right, so we've been around for probably what, 20 plus years.
• 4:57
  SPEAKER_07: We started as a young little crew, met each other, all from different places.
• 5:03
  SPEAKER_07: Uh I was in at first, and then we met Gabe.
• 5:07
  SPEAKER_07: Believe it or not, he couldn't dance at all.
• 5:09
  SPEAKER_07: Not a lick.
• 5:10
  SPEAKER_07: Is that right?
• 5:11
  SPEAKER_07: Yeah, it's crazy.
• 5:12
  SPEAKER_07: It's crazy to believe, but he believed so hard that he wanted to be in this group that he changed himself every single day, and this is how I have to come.
• 5:20
  SPEAKER_07: But that's why I tell people it's our work pays off.
• 5:23
  SPEAKER_07: But that's crazy.
• 5:26
  SPEAKER_02: What year was that?
• 5:27
  SPEAKER_05: That was when was so when I met them, so they got together when you got served.
• 5:32
  SPEAKER_05: Remember how you that movie You Got Served?
• 5:34
  SPEAKER_05: Yeah, that's when they got it like 2003, and then I met them two years later.
• 5:40
  SPEAKER_05: So they they had already been rocking for about two years.
• 5:42
  SPEAKER_05: I came in um when I met Carlos and they they they they came to my school.
• 5:47
  SPEAKER_05: I had it was a mutual friend that I had, this this cheerleader, and she used to go to this club called Wild Bills, and that's where she used to link with them, and they used to go to her church.
• 5:54
  SPEAKER_05: So then she was like, yo, you gotta be you gotta meet my my boys.
• 5:57
  SPEAKER_05: If you're trying to get in the dance, you gotta meet these dudes, and then she introduced me to them.
• 6:01
  SPEAKER_05: I ain't gonna lie, I was I was amazed, bro.
• 6:03
  SPEAKER_05: When I first seen them and the whole crew, I was I was a whole fan.
• 6:07
  SPEAKER_05: I was like, yo, I'm I'm about to follow these dudes around as long as I can until until I figure out how to dance.
• 6:13
  SPEAKER_02: But you was doing this, bro.
• 6:14
  SPEAKER_02: You had a dream to dance before you could dance to dance.
• 6:18
  SPEAKER_05: Oh, for sure, yeah, yeah.
• 6:19
  SPEAKER_05: And I I didn't think I was gonna um, I really, I really wanted to be an architect, but after I seen you guys served, and then after I met them, I was like, yo, all I want to do is dance.
• 6:31
  SPEAKER_05: Like, it's just it kind of was like a it was like I don't know how to explain it, it's something that just catch you, you know what I mean?
• 6:36
  SPEAKER_05: Like when you you have your you have your mind set on something, and then when something else just kind of inspired you, it was just like that's all I I hyper-focused on that.
• 6:44
  SPEAKER_05: I was like, yo, this joint made me feel too good.
• 6:46
  SPEAKER_05: Like I was going through, I was already going through stuff in school, like I was getting bullied, like it was a lot going on in middle school, bro.
• 6:53
  SPEAKER_05: But then like when I got in high school and I met them, I was like, yo, like I think this I found my purpose.
• 6:59
  SPEAKER_05: I was like, I think I'm I think I'm supposed to be dancing.
• 7:02
  SPEAKER_10: Man, that's that's that's that's amazing.
• 7:04
  SPEAKER_10: So who who so besides you got served, like the movie, which was a classic, by the way, who inspired who who other people inspired y'all to dance?
• 7:15
  SPEAKER_07: So I would say for me, uh it's a dancer called Bop and Andre.
• 7:20
  SPEAKER_07: It was one of the first older dudes I seen, but he can hit his body wherever.
• 7:26
  SPEAKER_07: So pretty much I kind of wanted to go towards it.
• 7:30
  SPEAKER_07: I wanted to be able to hit.
• 7:31
  SPEAKER_07: So my thing, I dance like whatever I see, I can recreate pretty much.
• 7:37
  SPEAKER_07: I'm like a duplicate, but just change it up a little bit.
• 7:40
  SPEAKER_07: But after I seen him and watching my group, uh, that's what made me become kind of like one of the best freestylers.
• 7:49
  SPEAKER_07: But all I did was do what they're doing, but my way.
• 7:52
  SPEAKER_02: But I want to know something real quick.
• 7:54
  SPEAKER_02: You just did an air quote for one of the best freestylers.
• 7:56
  SPEAKER_02: I'm saying, is that what they're saying out there?
• 7:58
  SPEAKER_02: They said you're one of the best freestylers.
• 8:00
  SPEAKER_07: I would say so.
• 8:00
  SPEAKER_07: I'm not well right now, it's more like if you go to our dancing out here, it's a younger crowd, and I'm pretty much considered the older crowd.
• 8:11
  SPEAKER_07: Yeah, we the OG, we're OG now.
• 8:14
  SPEAKER_07: Okay, yeah, yeah.
• 8:17
  SPEAKER_02: So 20 years, and plus I don't think that not to cut you off, but a lot of the music y'all use, like bust them, like some of y'all were using some of the classics.
• 8:24
  SPEAKER_02: That's that's what turned me on to y'all shit, too.
• 8:27
  SPEAKER_02: Is that when I was watching, I'm okay.
• 8:28
  SPEAKER_02: There's some new shit in there, but I was seeing some of the old school throwback, not even not like that B2K generation.
• 8:34
  SPEAKER_02: You feel me?
• 8:35
  SPEAKER_02: I'm seeing me.
• 8:37
  SPEAKER_02: Yeah, yeah, you feel me?
• 8:38
  SPEAKER_02: That's what we came up on.
• 8:40
  SPEAKER_09: Right, exactly.
• 8:41
  SPEAKER_02: I'm I'm feeling that.
• 8:42
  SPEAKER_02: I'm really feeling that, right?
• 8:43
  SPEAKER_02: So so what would it where have y'all worked?
• 8:44
  SPEAKER_02: Who have y'all worked for?
• 8:45
  SPEAKER_02: Like where y'all worked at, right?
• 8:47
  SPEAKER_05: Oh man, it's we we didn't work with so many artists.
• 8:49
  SPEAKER_05: So what's crazy is he the one who who actually got picked up first.
• 8:52
  SPEAKER_05: We did this audition for Usher.
• 8:54
  SPEAKER_05: This was when Usher was going through um his divorce, and he had that album that had papers on it.
• 9:01
  SPEAKER_05: I don't know if you remember that album.
• 9:02
  SPEAKER_09: Yeah.
• 9:04
  SPEAKER_05: So um, and it was like a little pop album as well that that he that he was uh that he was doing.
• 9:09
  SPEAKER_05: But basically, we we got to come in and audition for for him.
• 9:13
  SPEAKER_05: Like he was there.
• 9:13
  SPEAKER_05: I it was it was the studio off of uh his studio off of Chamberley Tucker?
• 9:19
  SPEAKER_05: It was like somewhere in Chamberlain's.
• 9:20
  SPEAKER_05: That's like J J Pat.
• 9:21
  SPEAKER_05: I think it's called J Pat.
• 9:22
  SPEAKER_05: And um we went in there and we were with this this choreographer named Akamon.
• 9:27
  SPEAKER_05: Akamon was a choreographer at the time, it's like a second or third choreographer.
• 9:30
  SPEAKER_05: And he we did our routine.
• 9:32
  SPEAKER_05: It was like it was it was eight of us.
• 9:33
  SPEAKER_05: It was a dude named Sean Bankhead, who he's now choreographed for like Cardi B.
• 9:37
  SPEAKER_05: Um he choreographed for Normani, um, Megan Nastallion.
• 9:42
  SPEAKER_05: He's like, he's like, that's kind of his lane.
• 9:44
  SPEAKER_05: Then my boy Jeremy Jeremy Strong, he's also part of our crew.
• 9:47
  SPEAKER_05: He choreographed for Jason.
• 9:48
  SPEAKER_05: He he he literally Jason DeRullo's right-hand man.
• 9:51
  SPEAKER_05: Anytime you see Jason DeRullo, you're gonna see Jeremy Strong.
• 9:54
  SPEAKER_05: So he's like, he's he was like our team leader.
• 9:56
  SPEAKER_05: And then it was uh our boy X, Xavier Wheelchair.
• 9:59
  SPEAKER_05: He was there, he wasn't with us at the time, and then it was our crew, and we did our we did our routine, we picked up some choreography, but then he was like, Let me see our freestyle.
• 10:07
  SPEAKER_05: So then we all was freestyling, and I ain't gonna lie, Byron was the one, literally, out of everybody, no one got picked except him.
• 10:14
  SPEAKER_05: He literally got to go train Usher.
• 10:15
  SPEAKER_05: Like Usher would invite him out to like five audition, arrival audition.
• 10:19
  SPEAKER_07: That man would call me in like three in the morning.
• 10:21
  SPEAKER_07: I gotta go.
• 10:22
  SPEAKER_02: Yeah, so this shit this shit sounds like it could be like a high school movie all the way up to where you at rapping.
• 10:29
  SPEAKER_02: Yeah, we've been saying that.
• 10:30
  SPEAKER_02: We've been saying that, yeah.
• 10:33
  unknown: That you want to bounce in the dance without even knowing how to dance.
• 10:37
  SPEAKER_10: Yeah, we we had we had a good dance movie in a while.
• 10:42
  SPEAKER_10: When is the last good dance movie?
• 10:44
  SPEAKER_02: When is the last good dance movie?
• 10:47
  SPEAKER_05: It was a step ups for me.
• 10:48
  SPEAKER_05: It was all the step-ups series.
• 10:50
  SPEAKER_05: But what was the last one of them out?
• 10:52
  SPEAKER_02: When was the last one of them came out?
• 10:54
  SPEAKER_05: Years.
• 10:55
  SPEAKER_05: They had a yeah, it's been a while.
• 10:56
  SPEAKER_05: Yeah, the YouTube.
• 10:57
  SPEAKER_05: So I was actually in the YouTube series uh all on uh in 2018-2019.
• 11:02
  SPEAKER_05: 20 like 2017, going into 2018.
• 11:05
  SPEAKER_05: I did season one and two, and then some of some some of some of my young heads, uh, they did season three.
• 11:10
  SPEAKER_05: But I think that one was on, I I forgot what network it was on.
• 11:13
  SPEAKER_05: It was on YouTube Red.
• 11:14
  SPEAKER_05: Yeah, you can still probably find them episodes.
• 11:16
  SPEAKER_02: No, no, I'm gonna I could try to pull that up while we're on two, but I want to ask you something, right?
• 11:21
  SPEAKER_02: And it's like it's on top of all top.
• 11:23
  SPEAKER_02: Look, what's really the life and the grind of a dancer?
• 11:25
  SPEAKER_02: Like, look, me and Carol, we do music, right?
• 11:28
  SPEAKER_02: We both were uh formerly artists.
• 11:30
  SPEAKER_02: We do music marketing right now, like we do, we distribution, we do anything they gotta do and art work, uh uh graphics, producing, uh, engineering.
• 11:37
  SPEAKER_02: We do it all.
• 11:38
  SPEAKER_02: Frequency nine, global market entertainment, we got artists, all that, right?
• 11:41
  SPEAKER_02: I know the daily grind of, you know, starving artists like me like to wear audio victories.
• 11:48
  SPEAKER_02: I'm not saying y'all, but in life, a lot of times with your art, audio victories don't be paid.
• 11:55
  SPEAKER_02: But to really get into the mindset and like to understand, I know what it's like in a music world, and I'm pretty sure because dance segues with music, but if you don't do dance and you only do music, you won't know dance, but dance can know music and so I want to ask you like what's the daily ground?
• 12:09
  SPEAKER_02: Like, how's it been the ups and downs, the monetization of it?
• 12:12
  SPEAKER_02: Like, like take us through some of that.
• 12:15
  SPEAKER_07: So I would say uh if you are solely trying to live off of like your freestyle, your dance stuff, it's probably gonna be the toughest road.
• 12:26
  SPEAKER_07: You're gonna be living off of pretty much noodles, piano stalls, and stuff like that.
• 12:31
  SPEAKER_07: You do have your moments though when you get when you get big bangs.
• 12:34
  SPEAKER_07: You get a big chat.
• 12:35
  SPEAKER_07: You know, you go forge, but you don't surge a lot because you know this is a rare opportunity when you get this much.
• 12:41
  SPEAKER_07: It's not consistent pay.
• 12:42
  SPEAKER_07: It's kind of like you got your own little groups, like me and him.
• 12:45
  SPEAKER_07: We were in a bigger group, but we formed our own smaller group, which it worked for us because you know we can do these big shows, and then when we're not doing big shows, we got us to do whatever we want.
• 12:56
  SPEAKER_07: Yeah, so it's almost like a constant grind every single day.
• 13:00
  SPEAKER_07: That's how we make videos so other people can see us and try to reach out to us and we talk about what we can do for there.
• 13:07
  SPEAKER_05: Yeah, it's like you got two routes you can take as a dancer.
• 13:10
  SPEAKER_05: You could do just the freestyle way, which like you could you could just do solo performances.
• 13:15
  SPEAKER_05: I don't know if y'all seen that that that TV show World of Dance or Um or uh So You Think You Could Dance?
• 13:22
  SPEAKER_05: Yeah, yeah, yeah.
• 13:23
  SPEAKER_05: So like that's that's like the route of like the solo.
• 13:26
  SPEAKER_05: Like, if you want to do be a solo dancer, then you can do.
• 13:29
  SPEAKER_05: I did I did both.
• 13:30
  SPEAKER_05: So I did um I did I was a background dancer.
• 13:33
  SPEAKER_05: So like my first artist that I that I that I went on tour tour with was this artist named Austin Mahomes.
• 13:39
  SPEAKER_05: At the time he was he was on Disney and he was doing like YouTube covers.
• 13:43
  SPEAKER_05: But he um I toured with him for like and he was up under under Cash Money.
• 13:48
  SPEAKER_05: Um y'all remember that label Cash Money?
• 13:49
  SPEAKER_10: Yeah, of course, remember it.
• 13:52
  SPEAKER_05: So yeah, like like they had a crazy question, but like they had Bro some people don't remember them.
• 14:01
  SPEAKER_09: That was way back, bro.
• 14:03
  SPEAKER_05: Like, but um like that artist, he was a pop artist.
• 14:08
  SPEAKER_05: He was more like a like the next, supposed to be the next Justin Bieber.
• 14:11
  SPEAKER_05: And um he he ended up like basically when I when I started dancing for TLC, and I and I let I let that get go, um, that's when I realized um I'm not gonna really get no recognition.
• 14:26
  SPEAKER_05: Like I was like we was working with Usher, we was working with two, we we we got a video with two chains.
• 14:31
  SPEAKER_05: Um we did some stuff with T-Pain, Flowrider, Roscoe Dash, and um no one no one's ever gonna see us because we're in the background.
• 14:39
  SPEAKER_05: So then I was like, like you get paid like like unless you're on tour, like tour, I would say a starting rate is like$1,500 a week.
• 14:48
  SPEAKER_05: But tours are only anywhere between two weeks and like maybe three months max.
• 14:52
  SPEAKER_05: Like I think the longest tour that I've seen is like a Justin B a Justin Bieber Chris Brown tour, which is like a year-long tour.
• 14:58
  SPEAKER_05: But other than that, like maybe only three months out of the year, you're you're gonna be worth like you're gonna you're gonna have consistent income.
• 15:04
  SPEAKER_05: Everything outside of that is basically like side hustles.
• 15:07
  SPEAKER_05: So like like I I teach gymnastics on the side, like I t I teach kids how to flip.
• 15:11
  SPEAKER_05: So that's literally anytime I wasn't working on on a dance job, um, that's all I was doing is just doing private lessons with kids and going to studio.
• 15:20
  SPEAKER_05: And like I didn't have a job.
• 15:22
  SPEAKER_02: So the so the basic thing is that you gotta, if you it's almost what we tell the artists, look, bro, until you pop, don't quit your day job.
• 15:28
  SPEAKER_07: Exactly.
• 15:29
  SPEAKER_07: Exactly.
• 15:30
  SPEAKER_05: Yeah, even the most known dancers, they still they still gotta get a job.
• 15:34
  SPEAKER_05: Yeah, they they not they not really banking like that, man.
• 15:37
  SPEAKER_02: But I want to tell you this though.
• 15:38
  SPEAKER_02: What one thing that's dope about this era is this it's a twofold.
• 15:42
  SPEAKER_02: The AI can kind of throw you off, but the AI also saves you, like in a sense of edits.
• 15:47
  SPEAKER_02: What I like about y'all is y'all edits.
• 15:49
  SPEAKER_02: The camera movement, when y'all throwing a little, like the little music out there.
• 15:55
  SPEAKER_02: The thing about this era versus uh the people carry her is uh the the dancers now can get their own platforms to put themselves to the front to where people like me want to solicit you to come first and choreograph my video or to bounce in my video to where you basically become a star too.
• 16:12
  SPEAKER_02: I got the artist, but we put you to the stage on it.
• 16:16
  SPEAKER_02: You would get recruited to like your background fluff in the back, and we don't even know your name.
• 16:21
  SPEAKER_05: Yeah.
• 16:22
  SPEAKER_02: You know what I'm saying?
• 16:23
  SPEAKER_05: Exactly.
• 16:26
  SPEAKER_10: And also, too, hold on, hold on.
• 16:27
  SPEAKER_10: You were telling this story.
• 16:29
  SPEAKER_10: You this nigga does this.
• 16:30
  SPEAKER_10: He said, Yeah, man, I'll we'll do that for TLC niggas.
• 16:37
  SPEAKER_07: Y'all older, so y'all know those y'all the same.
• 16:41
  SPEAKER_02: Wait a minute, pause, pause for a minute, wait for it.
• 16:45
  SPEAKER_02: I'ma tell you this.
• 16:46
  SPEAKER_02: You store changes.
• 16:48
  SPEAKER_02: TLC don't know about a story left, I guess it was crazy, right?
• 16:51
  SPEAKER_02: Yes, you bought you know the kind of quiet.
• 16:54
  SPEAKER_02: But now that the old d is back.
• 16:57
  SPEAKER_02: If you notice a lot of the old service stuff, the old dy gotta be a favorite.
• 17:04
  SPEAKER_02: I hope age is them a rap.
• 17:06
  SPEAKER_02: I hate ages of a rap, bro.
• 17:09
  SPEAKER_02: Because every other culture and genre, rock and roll, you could be 30 years old if you're still going on.
• 17:18
  SPEAKER_02: You can make new music.
• 17:19
  SPEAKER_02: For some reason, with our people, it's always an expiration date on something that's dope.
• 17:25
  SPEAKER_02: And that's because of Willie Lynn Syndrome.
• 17:27
  SPEAKER_02: It's really because of that, bro.
• 17:28
  SPEAKER_02: We hate on each other for nothing, it don't be for nothing.
• 17:31
  SPEAKER_02: If you if you're 50 and you still can rock, I feel like they're going to do your thing.
• 17:35
  SPEAKER_05: Yeah, and that's what I like when TI started coming back out.
• 17:38
  SPEAKER_05: When I seen that, I was like, yo, we gotta keep going, bro.
• 17:42
  SPEAKER_05: Like his album was incredible.
• 17:44
  SPEAKER_10: Like anybody 39, 40, and not making music, they make your music way better than anybody in their 20s.
• 17:51
  SPEAKER_10: But they're supposed to.
• 17:52
  SPEAKER_10: But the music sounds amazing.
• 17:56
  unknown: Right.
• 17:58
  SPEAKER_02: I mean, we gotta comment.
• 17:59
  SPEAKER_02: I just got I just grind video to get out there and comment.
• 18:01
  SPEAKER_02: Okay, all right.
• 18:02
  SPEAKER_10: No, but but how but back, but this TLC, how did you how did you dance for TLC?
• 18:07
  SPEAKER_05: Oh man, that was so basically.
• 18:09
  SPEAKER_05: So my boy Crown Big, really, he's an influential choreographer too.
• 18:13
  SPEAKER_05: He choreographed Usher's uh Love in this the Love in this Club video.
• 18:16
  SPEAKER_05: Y'all remember that video?
• 18:17
  SPEAKER_05: Oh yeah, Love in the Club.
• 18:18
  SPEAKER_09: Yeah, yeah, yeah.
• 18:19
  SPEAKER_05: So he was dancing, he was rocking out, man.
• 18:22
  SPEAKER_05: He didn't be that's the OG.
• 18:23
  SPEAKER_05: So he was rocking out with TLC for like a handful of years before that, and they wanted to do this, had never been done.
• 18:29
  SPEAKER_05: They wanted to do an all-boys show.
• 18:31
  SPEAKER_05: And this was in, I think this was in Calgary.
• 18:34
  SPEAKER_05: Um, was it in Jersey?
• 18:36
  SPEAKER_05: It was somewhere in Jersey, but basically it had never been done before.
• 18:39
  SPEAKER_05: They had normally used like like girls and guys, or mostly girls.
• 18:43
  SPEAKER_05: So it was it was me, my boy Kenny, who's also in our crew, my boy Connect, who um he was part of this crew called Amount Boys.
• 18:51
  SPEAKER_05: The Mount Boys was Omarion's background dancers at the time.
• 18:54
  SPEAKER_05: Like anytime you see Omarion, Amount Boys was like, that was the that was like our our our they were like our opposite, but they like they was like our our north our north crew opposite.
• 19:04
  SPEAKER_05: Like a mount it was a Mount Boys that was it that was rocking in New York, and then we we was the crew down south kind of holding it down, but it was Connect and then um Who's the other and Vic Crown Vic?
• 19:15
  SPEAKER_05: And um they had me they had me come in and they they was they they checked me out like like we we learned we learned the routine in like three days.
• 19:24
  SPEAKER_05: We learned scrubs, we learned creep, we had to learn red light special.
• 19:28
  SPEAKER_05: No dudes had ever done red light special.
• 19:30
  SPEAKER_05: So we did we had to learn red light special and um we we flew up to Jersey.
• 19:37
  SPEAKER_05: We hadn't even seen the girls yet.
• 19:38
  SPEAKER_05: So then I don't like like y'all y'all don't know this, but like like Chili, she she if she don't like something, she's gonna she gonna let you know straight up.
• 19:46
  SPEAKER_05: Like, especially if you if you dance feminine, like like in the dance industry, like as guys, like they already look at like they be like, yo, you a dancer, you must be gay.
• 19:55
  SPEAKER_05: Like chili do not, you don't rock with dance at all, bro.
• 19:59
  SPEAKER_05: Like they look at dudes like that, like you a dancer, so you must be gay, and it's like, nah, we some real, we some real niggas, like, trying to give us the edge too as a group.
• 20:06
  SPEAKER_05: Yeah, we were the only straight dudes uh going into auditions, and that that's what they want.
• 20:10
  SPEAKER_05: They they like they used to tell us if they all choreographers, they'd be like, if you gay, don't let us know that you're gay.
• 20:18
  SPEAKER_05: Like, like we want you to dance like a man.
• 20:20
  SPEAKER_02: It's different now because like how listen, on so you think you can dance.
• 20:24
  SPEAKER_02: That's what some of the judges used to say about some of the dudes that was like kind of feminine, but they was doing a dance where they had to be the man to be the leader.
• 20:32
  SPEAKER_02: Like we want you to be, like you gotta be, even if whatever your your your your affiliation with with the sex is, be a man, right?
• 20:39
  SPEAKER_02: I don't know.
• 20:40
  SPEAKER_02: My boy, I and I and people be mad when I say this.
• 20:43
  SPEAKER_02: In the dance world, Mario used to be my favorite when he came up with that touch.
• 20:51
  SPEAKER_02: That's one of my favorite videos to this day when it comes to dancing.
• 20:54
  SPEAKER_02: You know, real dancers be like, oh man, Omaria really can hit that shit.
• 20:58
  SPEAKER_02: I love when Omaria was in that shit.
• 21:01
  SPEAKER_10: I'm gonna Mario was crazy.
• 21:03
  SPEAKER_10: I think now, since he got real spiritual and started going with the earth in the trees, this whole dance should change.
• 21:09
  SPEAKER_10: He oh yeah, it's a little different.
• 21:12
  SPEAKER_10: It's a little different now.
• 21:13
  SPEAKER_10: But he was he was Omarion was fired from what?
• 21:16
  SPEAKER_10: Oh yeah, oh one to like 2015.
• 21:20
  SPEAKER_05: You gotta you gotta almost blame the choreographers too, though, because anybody who who he gets to think about it, he had to do um what's his name?
• 21:28
  SPEAKER_05: Dave Scott.
• 21:29
  SPEAKER_05: Dave, rest in peace, Dave Scott.
• 21:30
  SPEAKER_05: Dave Scott passed away maybe like a handful of years ago, maybe like three, maybe like three or four years ago.
• 21:35
  SPEAKER_05: Um give or take.
• 21:37
  SPEAKER_05: But Dave Scott was in You Got Served.
• 21:39
  SPEAKER_05: Dave Scott was in that last scene.
• 21:41
  SPEAKER_05: I can't remember what crew he was with, but he had on the Adidas.
• 21:44
  SPEAKER_05: It was a black dude.
• 21:45
  SPEAKER_05: If you look up Dave Scott, you're gonna see all his accolades.
• 21:47
  SPEAKER_05: He he quite got it.
• 21:49
  SPEAKER_05: Oh, you know Dave Scott, yeah, bro.
• 21:52
  SPEAKER_05: And that's who Omar had.
• 21:54
  SPEAKER_05: He had Roro and he had Dave Scott.
• 21:56
  SPEAKER_05: Roro's still around, but Roro is also uh he was an affiliate.
• 22:00
  SPEAKER_05: With a mount voice, but um who was and he rolled with also when you got served.
• 22:04
  SPEAKER_05: Like all the choreographers that are that made these artists, your Chris Browns, your Omarions, your your Neo, you know what I mean, your Usher.
• 22:12
  SPEAKER_05: A lot of them choreographers within you got served.
• 22:15
  SPEAKER_05: Like, and me putting that and getting to work with them later on, I was like, yo, like this is crazy.
• 22:20
  SPEAKER_05: And then like, like going back to the TLC thing, like you need, you need number one, you need good choreographers, right?
• 22:29
  SPEAKER_05: TLC had Jamaica.
• 22:30
  SPEAKER_05: Jamaica, um man, she almost like if you know, like if you just look up Jamaica craft, you're gonna see all of her accolades too.
• 22:38
  SPEAKER_05: But Jamaica was the one who brought me in, and Jamaica don't play that either.
• 22:41
  SPEAKER_05: She's like, yo, if you're gonna dance like a man, like sometimes she be dancing like a like a dude.
• 22:46
  SPEAKER_05: Better than the dudes.
• 22:47
  SPEAKER_05: And I was like, yo, I gotta, I gotta hit this.
• 22:49
  SPEAKER_05: So like when she was teaching us the pocket, she was around the left out.
• 22:53
  SPEAKER_05: She danced with TLC.
• 22:54
  SPEAKER_05: The left eye was alive.
• 22:55
  SPEAKER_05: So when they brought us in, I was like, yo, I gotta go hard.
• 22:58
  SPEAKER_05: I mean, I went my hardest.
• 22:59
  SPEAKER_05: And then they they was a hard like out of everybody, right?
• 23:02
  SPEAKER_05: Like it was uh it was four of us, right?
• 23:05
  SPEAKER_05: They they was going on tour because we I was only supposed to do one show.
• 23:09
  SPEAKER_05: And when they was going on tour, they was like, yo, they they asked their manager, uh, who was Ron uh Ronnie at the time.
• 23:15
  SPEAKER_05: And um Ronnie was like, yo, I think uh I think we need to use Gabe or whatever.
• 23:19
  SPEAKER_05: Like, like my my my biggest asset as a background dancer was the fact that I could flip.
• 23:24
  SPEAKER_05: So even if I couldn't pick up the choreography that well, me being able to freestyle and be able to flip and throw that in there, they were like, all right, we could, we could, we could, we could, yeah, we could deal with the fact that he ain't got a you know what I mean?
• 23:37
  SPEAKER_02: So look so even probably for the dance crew that you snuck in and back door, right?
• 23:42
  SPEAKER_02: Did you already know how to flip in?
• 23:44
  SPEAKER_02: You said when?
• 23:46
  SPEAKER_02: When you got in the dance crew, when you were stalking the dance crew.
• 23:48
  SPEAKER_02: Remember when you was a stalker?
• 23:49
  SPEAKER_02: When you was a stalker, is you were stalking the dance crew, nigga.
• 23:57
  SPEAKER_02: We just go.
• 23:59
  SPEAKER_05: I ain't gonna lie.
• 24:00
  SPEAKER_05: I was like, yo, he was everywhere, I was everywhere where they was, bro.
• 24:03
  SPEAKER_05: And I wasn't even supposed to be out, bro.
• 24:05
  SPEAKER_05: I was in a group.
• 24:07
  SPEAKER_02: I got a question for you, and I want I want to blow, I want y'all to be in the middle of the camera.
• 24:11
  SPEAKER_02: Listen when I say it, right?
• 24:12
  SPEAKER_02: Who the best right now?
• 24:13
  SPEAKER_02: I it's two people that got the medals, Chris Brown and Usher.
• 24:16
  SPEAKER_02: Uh uh, as far as I'm concerned, who got the crown right now?
• 24:18
  SPEAKER_02: Who the best right now?
• 24:20
  SPEAKER_07: Who the best is gonna have to be Chris Brown right now.
• 24:22
  SPEAKER_07: Chris Brown.
• 24:24
  SPEAKER_07: Okay, it's a consistency.
• 24:29
  SPEAKER_07: Have y'all ever heard him lie?
• 24:31
  SPEAKER_07: Yeah, I ain't gonna lie, like usher tried to break dance, all this came out.
• 24:40
  SPEAKER_07: Yo, usher trying to break dance is crazy.
• 24:43
  SPEAKER_07: Wait, what you mean?
• 24:44
  SPEAKER_07: Wait, oh, wait, wait.
• 24:45
  SPEAKER_07: You said you said all what came out.
• 24:46
  SPEAKER_07: Let me see it.
• 24:47
  SPEAKER_07: Uh like his shoulder, it popped out.
• 24:49
  SPEAKER_07: It came out of place, it came out of place.
• 24:51
  SPEAKER_07: He got a whole little star right there.
• 24:52
  SPEAKER_07: Yeah, yeah.
• 24:54
  SPEAKER_07: But I mean, he be dedicated though, like he worked hard.
• 24:58
  SPEAKER_02: And he is OG.
• 24:59
  SPEAKER_02: He OG though, too.
• 25:00
  SPEAKER_02: Oh, yeah, yeah, yeah.
• 25:02
  SPEAKER_02: And we can say this, we can say that Michael Jackson influenced everybody, but we can for sure say Usher influenced.
• 25:08
  SPEAKER_02: And also, that's true.
• 25:10
  SPEAKER_10: And also, Michael Jackson had a choreographer, but you know, uh, but look, I gotta, I gotta say, I gotta ask this question.
• 25:17
  SPEAKER_10: We like like we were saying, uh, from music to dance, it's all it's all the same, a lot of similarities, whatever.
• 25:24
  SPEAKER_10: Rap, we had Big In Tupac, Nas and Jay-Z, all these different beefs.
• 25:30
  SPEAKER_10: Is there is there dance beef in the industry?
• 25:33
  SPEAKER_10: Ah, that's a good question.
• 25:35
  SPEAKER_10: That's a good question.
• 25:36
  SPEAKER_10: Is there beef?
• 25:38
  SPEAKER_10: I believe ever beef with somebody.
• 25:41
  SPEAKER_07: Sections of beef.
• 25:42
  SPEAKER_07: It depends.
• 25:43
  SPEAKER_07: Like, there was a time where it used to be we were the bottom, but most of the people that were doing the choreo, the dances, they had their own clique.
• 25:53
  SPEAKER_07: So you wouldn't even get there because this click is going to always be up there.
• 25:58
  SPEAKER_07: Like when we seen certain girls go out, we know this click of girls is about to be the only ones getting in there for Missy Elliott.
• 26:06
  SPEAKER_05: Exactly.
• 26:06
  SPEAKER_05: They had yeah, like like with jobs like like kind of bouncing off what he's saying, like you had you had to you have to be friends with the choreographer.
• 26:16
  SPEAKER_05: That that's that was the thing that that pretty much bothered me about the industry.
• 26:18
  SPEAKER_05: Was like, yo, if you wasn't, if you wasn't um false, you had to be you had to be good, like you had to know.
• 26:26
  SPEAKER_05: You had to be connected, you had to be connected.
• 26:28
  SPEAKER_05: Yeah, and that that used to bother a lot of people because especially me, and that's that's why I started flipping.
• 26:33
  SPEAKER_05: I was like, man, they're gonna they're gonna book me off of something.
• 26:36
  SPEAKER_05: Like, like you know what, bro?
• 26:38
  SPEAKER_02: I'm gonna tell you something, it only bothered you when you ain't in.
• 26:40
  SPEAKER_02: When you win, right?
• 26:41
  SPEAKER_02: If it bothers you when you win, you really a real nigga because you thinking about giving back.
• 26:46
  SPEAKER_02: So think about it.
• 26:47
  SPEAKER_02: You win and you start thinking if it bother you still and you win now, you that's when you reach back, especially as OGs and this shit, because you know dancers are like tennis players.
• 26:56
  SPEAKER_02: Once you turn 28, 29, you damn near old.
• 26:59
  SPEAKER_02: Yeah, yeah.
• 27:00
  SPEAKER_02: Shorter than that now, yeah.
• 27:02
  SPEAKER_02: Okay, bet right.
• 27:03
  SPEAKER_02: I want to know this though.
• 27:04
  SPEAKER_02: This is what I want to know.
• 27:05
  SPEAKER_02: And when it comes to dance beef, just because you know, I this I'm just gonna keep it.
• 27:09
  SPEAKER_02: When it comes, do y'all really rock up like y'all about to get off?
• 27:11
  SPEAKER_02: Like it's about to be some gangster shit, and y'all just put it in the dance mode.
• 27:15
  SPEAKER_07: I would say it's it's two two separate ways of doing that because I would say our way, only because we were the street dancers, we'll pull up at your club.
• 27:25
  SPEAKER_07: Yeah, we'll pull up all the dope.
• 27:27
  SPEAKER_07: Yeah, yeah, we'll pull up on you.
• 27:28
  SPEAKER_07: We're gonna try to take care of whatever we need to take care of from Dragon House.
• 27:32
  SPEAKER_05: That I think we we didn't really beat what Dragon House beats with Jim.
• 27:35
  SPEAKER_05: We just have issues with Jim.
• 27:38
  SPEAKER_05: Yeah, yeah.
• 27:38
  SPEAKER_05: Like anytime we've seen them in the club, nonstop.
• 27:41
  SPEAKER_05: And he used to be in our crew, just do non-stop.
• 27:43
  SPEAKER_05: He's like he liked he likes one of the one of the founders of Dragon House.
• 27:46
  SPEAKER_05: Like that's that's like if you if you look up Dragon House, you're gonna see some of the fire, you're gonna see all the viral, most of the viral dances.
• 27:52
  SPEAKER_05: But we used at the time, we used to come into their competitions and win their competitions.
• 27:57
  SPEAKER_05: Like we would we would pull up to all of their dance battles, and we we it was almost we would make it all the way to where it was like me, either me and him or or him and them battling one of them, or me embattling one of them.
• 28:10
  SPEAKER_05: And like the pop we there's some of them that are online actually.
• 28:13
  SPEAKER_05: I'm gonna send you some links.
• 28:15
  SPEAKER_05: I'm gonna send you some links, but like people people used to say, but nothing never actually tried an actual fisticuffs.
• 28:22
  SPEAKER_07: Oh, it did once.
• 28:23
  SPEAKER_07: We got into a fist fight at McDonald's.
• 28:26
  SPEAKER_07: Somebody tried us in a club.
• 28:28
  SPEAKER_07: They tried to attack one of our little homies.
• 28:31
  SPEAKER_07: And when we went outside, we asked them, yo, if y'all want to do something, meet us over there at McDonald's.
• 28:36
  SPEAKER_07: So the moment all of us went up at McDonald's, we already out the car.
• 28:41
  SPEAKER_07: So as soon as they pull up, we was ready.
• 28:43
  SPEAKER_07: And then my cousin tried to break it up, and my other cousin already said before this happened, he was like, yo, we don't book no girls, we go in the fight.
• 28:51
  SPEAKER_07: So immediately a fight broke out.
• 28:53
  SPEAKER_07: We in the middle of the highway, throwing people in the street.
• 28:56
  SPEAKER_07: I accidentally kicked my own homeboy, gave him a black eye.
• 28:59
  SPEAKER_07: But it was a while.
• 29:01
  SPEAKER_10: See, that's the thing.
• 29:02
  SPEAKER_10: I always told, I always told myself, I've been to a lot of fights.
• 29:06
  SPEAKER_10: I always said, Man, I don't never want to fight a dancer, man.
• 29:08
  SPEAKER_10: Them niggas that the agility, like, what if I'm fighting?
• 29:13
  SPEAKER_10: And hit me in my shit.
• 29:14
  SPEAKER_02: Like, bro, and it's like that's like fighting a nigga with cauliflower here.
• 29:17
  SPEAKER_02: That's like you've been in the school work with somebody you got cauliflower.
• 29:20
  SPEAKER_02: Nigga, you've been training.
• 29:21
  SPEAKER_02: Like, you don't leave that dude alone, right?
• 29:25
  SPEAKER_02: I want to take it since we're talking about gang shit because I ain't gonna lie to you, no.
• 29:28
  SPEAKER_02: I'm I did 19 straight years in prison and I did 42 more than a feds.
• 29:32
  SPEAKER_02: When it comes to me and Cal Wood, Cal Wood is a little more harsher than me, I'm a little more crazy.
• 29:37
  SPEAKER_02: I want to ask this question, right?
• 29:39
  SPEAKER_02: When it comes to current, when it comes when it comes to current events and what's going on right now, we're talking about gang shit.
• 29:44
  SPEAKER_02: Where do y'all where y'all at on like, you know, the the Dirk trial?
• 29:47
  SPEAKER_02: Like, where's that with the shit with Kiwine?
• 29:49
  SPEAKER_02: Well you see with Emma with Mo 3 when he got killed.
• 29:51
  SPEAKER_02: Y'all in Atlanta.
• 29:53
  SPEAKER_02: You've seen the shit with the YSL trial.
• 29:54
  SPEAKER_02: Where y'all at in the state of the game right now when it comes to the music, when it comes to like the politics of it and you know, like Dirk and all that?
• 30:00
  SPEAKER_02: Where y'all stand?
• 30:01
  SPEAKER_02: What's your opinion on that?
• 30:02
  SPEAKER_07: So I I haven't really been looking into it too much.
• 30:06
  SPEAKER_07: I have a little bit.
• 30:07
  SPEAKER_07: Yeah, that's it.
• 30:08
  SPEAKER_05: I was gonna say, like, like for me, basically, for me, I feel like, and I'm glad you said Dirk, because I I forgot.
• 30:15
  SPEAKER_05: To me, I think I this is my conspiracy.
• 30:19
  SPEAKER_05: I think because I think all right, King Vaughn, right?
• 30:23
  SPEAKER_05: I think like conspiracy-wise, people who get take taken out, there's something they want somebody else to take that spot.
• 30:32
  SPEAKER_05: So like with with like YSL, right?
• 30:34
  SPEAKER_05: I think Gunner, I think Gunner was the person who was supposed to replace Young Thugs.
• 30:40
  SPEAKER_05: Even even when I heard, like, because I'm I don't know how true it is, but I I think I think he testified.
• 30:46
  SPEAKER_05: I think he might he might have he might have said he might have gave up some information to because he was a part of that.
• 30:51
  SPEAKER_05: He was in jail at one point, and he and now all of a sudden he's out.
• 30:55
  SPEAKER_05: You feel me?
• 30:56
  SPEAKER_05: Before Young Thug, right?
• 30:57
  SPEAKER_05: So I'm thinking, I think like I don't I feel like and I I'm even with young thub, like I don't believe what he was doing at the time was like all bad because he was putting a lot of people on, regardless of how he was doing it, he was putting he was putting a lot of young heads on.
• 31:16
  SPEAKER_07: But these kids also caused a lot of pressure out here too in the street because they were retaliating against other people that they know their dad didn't like or whatever.
• 31:26
  SPEAKER_07: So a whole bunch of stuff was going on in Atlanta, but so it really was gangster shit going on.
• 31:30
  SPEAKER_02: That's what you're trying to say.
• 31:31
  SPEAKER_02: Oh, for sure.
• 31:32
  SPEAKER_02: Oh, for sure, yeah.
• 31:34
  SPEAKER_02: Right.
• 31:34
  SPEAKER_02: So look, going back on what you just saw about that, bro.
• 31:37
  SPEAKER_02: Going back on what you just said, when you think about that, right?
• 31:40
  SPEAKER_02: I love what you just said.
• 31:41
  SPEAKER_02: You don't understand what you just activated for me and Cal Will when it comes to We Got Motion.
• 31:45
  SPEAKER_02: When you just said anything conspiracy, when you dug deeper, I'm gonna tell you something about life, bro.
• 31:50
  SPEAKER_02: Most people that do from Tupac, because we see the Keepy DJ that he just convicted himself.
• 31:55
  SPEAKER_02: Even with the Keepy DJ, Keep D might have been a fall guy.
• 31:59
  SPEAKER_02: It may happen in the car when the trigger was pulled.
• 32:02
  SPEAKER_02: But uh the C I A we when we go back to Malcolm X, we go back to Morton, we go back even before that.
• 32:07
  SPEAKER_02: We know that FBI all that a lot of stuff you could be controlled without knowing that you could be in control.
• 32:14
  SPEAKER_02: So on the street level, niggas in the hood doing what they're doing, killing, selling, dope, doing whatever, not even understanding that it's a mechanism that's putting that out there for them to be able to do that.
• 32:24
  SPEAKER_09: Yeah, yeah.
• 32:25
  SPEAKER_02: So we get I and I can speak for Wood too, and I know he's gonna chime in.
• 32:28
  SPEAKER_02: I would nigga a hundred percent.
• 32:31
  SPEAKER_02: A hundred percent on what you said.
• 32:34
  SPEAKER_02: You feel me about that, right?
• 32:38
  SPEAKER_10: Yeah, so uh I know I know a lot of it was a lot of situations going on, you know, with in Atlanta with all these different trials and everything.
• 32:47
  SPEAKER_10: You know how it always is when when it when something's so publicized, there's always other things this in the background going on at the same time, the people that are looking at you.
• 32:56
  SPEAKER_10: Yeah, right.
• 32:57
  SPEAKER_10: And it's and it's normally people who don't look like us, so you know how they go.
• 33:01
  SPEAKER_05: Right.
• 33:02
  SPEAKER_05: No, facts.
• 33:02
  SPEAKER_05: That's true.
• 33:03
  SPEAKER_05: Now, you know what's crazy?
• 33:04
  SPEAKER_05: I'm not really familiar with the dirt situation.
• 33:06
  SPEAKER_05: What's what's going on?
• 33:07
  SPEAKER_05: He's in court right now.
• 33:09
  SPEAKER_02: Are you serious right now?
• 33:10
  SPEAKER_02: Are you serious, but hold on, real quick?
• 33:11
  SPEAKER_05: Yeah, bro.
• 33:11
  SPEAKER_05: I ain't gonna lie.
• 33:12
  SPEAKER_02: Sometimes I'll be under a rock.
• 33:14
  SPEAKER_02: We're gonna play because you got the cowboy hat on.
• 33:16
  SPEAKER_02: I ain't gonna lie, bro.
• 33:16
  SPEAKER_02: It's because of the cowboy hat.
• 33:18
  SPEAKER_02: That's the cowboy hat.
• 33:23
  unknown: Hold on.
• 33:24
  SPEAKER_02: Let me play a clip.
• 33:25
  SPEAKER_02: Hold on, let me gonna run through a couple of clips so we can know where you at with it.
• 33:28
  SPEAKER_06: What's going on?
• 33:29
  SPEAKER_06: Yeah, I gotta ask, yeah.
• 33:31
  SPEAKER_02: Let's see, hold on.
• 33:33
  SPEAKER_04: Man, hey, I just had to run out here and tell you guys real quick, man.
• 33:36
  SPEAKER_04: Yeah, sent in quarter million dollars.
• 33:39
  SPEAKER_04: Quarter million dollars to Dirk fun health pay for these lawyers.
• 33:42
  SPEAKER_04: You know what I mean?
• 33:42
  SPEAKER_04: Make sure everything is good that Dirk could possibly shake back.
• 33:45
  SPEAKER_04: He showed up in person, quarter million over there.
• 33:48
  SPEAKER_04: Shout out to my man, yeah.
• 33:49
  SPEAKER_04: Real nigga.
• 33:50
  SPEAKER_04: Real nigga.
• 33:51
  SPEAKER_04: You get what I'm saying?
• 33:52
  SPEAKER_04: Chicago's a support Chicago.
• 33:54
  SPEAKER_04: Okay?
• 33:58
  SPEAKER_04: Drizzy Drake.
• 34:00
  SPEAKER_04: I heard Drizzy Drake is paying the bill for whatever steel is gonna charge.
• 34:05
  SPEAKER_04: So whatever that is, whatever that is, they know they added steel on whatever that money is.
• 34:10
  SPEAKER_04: So if it's a million two Drake, Drake holding it down.
• 34:13
  SPEAKER_04: That's what I heard.
• 34:14
  SPEAKER_04: That's what I heard.
• 34:15
  SPEAKER_04: The boy got it.
• 34:17
  SPEAKER_04: Kanye, Drake.
• 34:20
  SPEAKER_04: I ain't gonna lie.
• 34:21
  SPEAKER_04: I heard 21 Savage came through.
• 34:23
  SPEAKER_04: Blessed it.
• 34:24
  SPEAKER_04: Blessed it.
• 34:25
  SPEAKER_04: Yes.
• 34:26
  SPEAKER_04: Don't know how much, but I heard, you know what I mean?
• 34:29
  SPEAKER_04: He's holding.
• 34:31
  SPEAKER_02: So context is this rap niggas, Drake, Lil Baby, 21 Savage, and uh uh Kanye are throwing like brother trial is costing what they say, would a hundred thousand a day.
• 34:45
  SPEAKER_10: 100,000 a day, and they say upward.
• 34:47
  SPEAKER_10: So Dirk, if you know if so, if you don't know why Dirk's in prison currently, you know, it was a situation where you know Quando Rondo had a beef with King Vaughan.
• 34:58
  SPEAKER_10: You know, little Tim killed King Vaughn, and then they were looking for OTF members allegedly was looking for Quando Rondo, saw him in California, shot at him, killed his cousin, and they're blaming it, and they're trying to have this trial saying Dirk had a murder for hire, saying he was involved in it.
• 35:19
  SPEAKER_05: What?
• 35:19
  SPEAKER_05: So, hey, let me ask you a question.
• 35:21
  SPEAKER_05: Go go with the King Von stuff, right?
• 35:24
  SPEAKER_05: I believe this is what I believe.
• 35:25
  SPEAKER_05: I believe Dirk was that I know I don't know how this is all connected with this trial, but I believe Dirk was the was King Vaughn's replacement.
• 35:36
  SPEAKER_05: That's that's what I think because because that they almost got the they almost had the same lane.
• 35:40
  SPEAKER_02: Well, no, I'm gonna tell you something.
• 35:42
  SPEAKER_02: King Von you gotta understand Dirk brought out King Vaughn.
• 35:45
  SPEAKER_02: Yeah, you gotta understand that Dirk Dirk Dirk Dirk was the big dog.
• 35:50
  SPEAKER_02: Yeah, now when it comes to demon time, King Vine was the main demon.
• 35:57
  SPEAKER_09: Yeah, okay.
• 35:58
  SPEAKER_02: You feel me, I'm saying?
• 35:59
  SPEAKER_02: So you for sure under a rock when it comes to that.
• 36:02
  SPEAKER_02: So just understand that conspiracy-wise, when it comes to sacrifice and shit that we hear about the music industry and all that, yeah.
• 36:09
  SPEAKER_02: But understand that Dirk was the big dog.
• 36:11
  SPEAKER_02: Dirk's fumble is this.
• 36:13
  SPEAKER_02: And just so we all understand, whenever you the big dog, they putting people under you.
• 36:17
  SPEAKER_02: And the people under you is usually informants or uh FBI agents or CIA motherfucking plants or niggas that got cases that they're trying to explain or expel.
• 36:26
  SPEAKER_02: Right.
• 36:28
  SPEAKER_02: So Dirk is really on display right now because as a big dog, he may have been allegedly doing whatever they was with whatever they was talking about.
• 36:36
  SPEAKER_02: But he also was in the hood dispersing, making disbursements with money and whatever else, right?
• 36:42
  SPEAKER_02: Just like we go to, if we go, if we go to uh Nipsey Hussle, anybody that I may be a I might be a warrior from my tribe, I might be a gang member, whatever.
• 36:51
  SPEAKER_02: I'm all of that.
• 36:52
  SPEAKER_02: But on the back end, everybody in my hood equals.
• 36:56
  SPEAKER_02: Wow, I didn't know that.
• 36:57
  SPEAKER_02: I didn't know that.
• 36:59
  SPEAKER_02: Even if it's whatever you think, if it's good, if it's dope, if it's whatever, nigga, my sex is easy.
• 37:05
  SPEAKER_02: However you want to look at it, whatever, whatever we produce of or whatever you disapprove or approve, if you're a Christian, if you're a Catholic, if you whatever, but this is what I'm doing for my tribe.
• 37:14
  SPEAKER_02: We understand that when it comes to Trump or anything that's illegal.
• 37:19
  SPEAKER_02: Rockefellers, if you go to right, anything is to feed their tribe.
• 37:23
  SPEAKER_07: That's true.
• 37:24
  SPEAKER_02: Everybody's gonna feed their tribe.
• 37:25
  SPEAKER_02: It's just that when you don't have a position of power, right?
• 37:29
  SPEAKER_02: You don't get put like this.
• 37:30
  SPEAKER_02: I take sociology in college right now, right?
• 37:33
  SPEAKER_02: I'm gonna give you some games.
• 37:34
  SPEAKER_02: The studies of people and sociology and of people is always top to the bottom.
• 37:41
  SPEAKER_02: It's always top down.
• 37:42
  SPEAKER_02: There is no study that we do as the broke motherfucker.
• 37:45
  SPEAKER_02: I don't give a fuck how much money we got.
• 37:47
  SPEAKER_02: We the niggas that's under.
• 37:48
  SPEAKER_02: There's never a study of us studying the upper.
• 37:54
  SPEAKER_02: It's never bottom up.
• 37:56
  SPEAKER_02: If we ever, when we do make that study from the Malcolm's, the Malcolm makers of the world, the Marcus Curvey, when we do do that study and we start analyzing the top, you get assassinated, murdered, dispelled, dispensed, whatever.
• 38:07
  SPEAKER_02: I'm just saying that's the that's the game of it.
• 38:10
  SPEAKER_02: That's the game of it.
• 38:11
  SPEAKER_02: So even and I and I I gotta go deep just so you get a dose that we got emotion.
• 38:14
  SPEAKER_02: Well, we really do here, right?
• 38:16
  SPEAKER_02: Just to understand that when you're on to something, I don't get like there is no wrong when you when you got a conspiracy and you think there is no wrong thing, you just gotta know the order of events.
• 38:25
  SPEAKER_02: Because you can ever anybody can think of a conspiracy and say, I don't believe that, and you go, Why?
• 38:30
  SPEAKER_02: And they go, Well, I just don't.
• 38:32
  SPEAKER_02: You gotta have some facts supporting it.
• 38:34
  SPEAKER_10: Yeah, but go ahead, go ahead.
• 38:36
  SPEAKER_10: Well but but we've been lied to about everything.
• 38:38
  SPEAKER_10: I like when people question things, it's all about asking questions.
• 38:42
  SPEAKER_05: I'm always questioning being a free thinker.
• 38:46
  SPEAKER_05: You know what I'm saying?
• 38:46
  SPEAKER_10: Being a free thinker because they they when I when they lie, they lie about everything.
• 38:51
  SPEAKER_10: I mean, even down to small things like the when we was growing up growing up in school in the food pyramid.
• 38:56
  SPEAKER_10: Yeah, everything in that food pyramid was like really bad for us.
• 39:01
  SPEAKER_07: Yeah, that's crazy.
• 39:02
  SPEAKER_07: Yeah.
• 39:03
  SPEAKER_10: So if they lie about the food pyramid, they're gonna lie about who killed who, racism, uh, whatever's going on, they're gonna lie about all the important things because they lied about something so so small as the food pyramid.
• 39:16
  SPEAKER_02: And and would and a piggyback on it, just so we understand.
• 39:19
  SPEAKER_02: They not only lie to us about us, because you know, our history is fake in America, they lie to the people that's supposed to be their brethren.
• 39:26
  SPEAKER_02: Race is fake.
• 39:28
  SPEAKER_02: Race ain't real.
• 39:28
  SPEAKER_02: Race was made up.
• 39:30
  SPEAKER_02: So I'm saying that think about it.
• 39:31
  SPEAKER_02: The elite that look like they white, white is not real.
• 39:33
  SPEAKER_02: White are you European?
• 39:35
  SPEAKER_02: You got to be from some region.
• 39:36
  SPEAKER_02: White, where's where's white from?
• 39:38
  SPEAKER_02: Where's black from?
• 39:39
  SPEAKER_02: Like, right, when you think about just race, but they lied to the white folks.
• 39:43
  SPEAKER_02: The poor white people, the people that's right next to us hate us because of the way we look, but we all poor.
• 39:49
  SPEAKER_02: We don't own nothing.
• 39:49
  SPEAKER_02: Exactly.
• 39:50
  SPEAKER_05: It's only upper class and lower class.
• 39:52
  SPEAKER_05: To me, there's no middle class.
• 39:54
  SPEAKER_05: There is no middle class, there is no middle.
• 39:56
  SPEAKER_02: And there never was a middle.
• 39:58
  SPEAKER_02: So think about it.
• 39:58
  SPEAKER_02: Top down.
• 39:59
  SPEAKER_02: Just think about it.
• 40:00
  SPEAKER_02: Top down, they strong enough to go like, look, we're gonna pit everybody against everybody while the people that's making the rules they never questioning us.
• 40:07
  SPEAKER_02: Anybody that question us, question us too loud, we're gonna figure we're gonna figure it out.
• 40:11
  SPEAKER_02: So go back full circle to where look look what's going on right now.
• 40:15
  SPEAKER_02: And the state of the Epstein files.
• 40:20
  SPEAKER_02: Stuck in major cock paws, right?
• 40:23
  SPEAKER_02: And everything under the sun has fouled.
• 40:27
  SPEAKER_02: We got five trials going, we got MO3 trial that was just going on, KPD.
• 40:32
  SPEAKER_02: All of a sudden now the murder of Tupac is important to what's going on.
• 40:37
  SPEAKER_02: Yeah, man.
• 40:38
  SPEAKER_02: Look, we got we got a little dirt.
• 40:40
  SPEAKER_02: Look, just look at all the distractions that's going on, right?
• 40:43
  SPEAKER_02: Uh, what's the lady's name?
• 40:44
  SPEAKER_02: Her she just got a chance.
• 40:46
  SPEAKER_02: Oh, yeah, yeah.
• 40:48
  SPEAKER_07: If she killed her kids, it's like they're trying to make us focus on something else.
• 40:53
  SPEAKER_02: Because when you focus on that, you gotta understand it's bigger than Nino Brown.
• 40:56
  SPEAKER_02: The program is bigger than all of us.
• 40:58
  SPEAKER_02: But that's why I don't give a fuck through interpretive dance.
• 41:01
  SPEAKER_02: I'm gonna tell you something, bro.
• 41:02
  SPEAKER_02: This shit comes for us.
• 41:03
  SPEAKER_02: You know, interpretive dance, dance moves and shit like that, you know from where we really are from.
• 41:08
  SPEAKER_02: That was the language.
• 41:09
  SPEAKER_07: Yeah, that's true.
• 41:10
  SPEAKER_07: Yeah.
• 41:10
  SPEAKER_07: It speaks to you.
• 41:11
  SPEAKER_02: So even when I'm watching, I told you I'm a nigga by myself.
• 41:14
  SPEAKER_02: I can dance good.
• 41:15
  SPEAKER_02: Good in the bottom.
• 41:16
  SPEAKER_02: But but when I'm looking at when I watch a nigga hit something, I'm on the note, that's why I'll be like, ugh, I'm with it.
• 41:22
  SPEAKER_02: Because it's it's talking to me.
• 41:24
  SPEAKER_07: That's how it's all yeah.
• 41:27
  SPEAKER_10: Not only that, they like back even back in the day, like they were dancing to the the to uh to communicate with each other, how they escape from certain things.
• 41:36
  SPEAKER_10: Exactly.
• 41:40
  SPEAKER_02: It's deep, you know what I'm saying?
• 41:41
  SPEAKER_02: Even on the plantation when they were singing the Negro Spirituals, a lot of that was cold.
• 41:46
  SPEAKER_02: So think about it, bro.
• 41:47
  SPEAKER_02: I I could I could play y'all, I could play a clip of y'all right now, and I could see shoulder lings and parts of the song that y'all know that you done memorized through it, and you could tell when it's hit, that's what you felt.
• 41:58
  SPEAKER_02: So even when I throw back, and all I'm saying that, but but I'm also saying that the algorithm is that like you feel the algorithm is that, bro.
• 42:07
  SPEAKER_02: So right now, think about it.
• 42:09
  SPEAKER_02: The algorithm is so dope now that remember, just think about a year ago.
• 42:13
  SPEAKER_02: So you think about during COVID, you could say something and it will appear on your algorithm.
• 42:17
  SPEAKER_09: Yeah, it's true.
• 42:18
  SPEAKER_02: Now, in your life, think about it for real, though.
• 42:21
  SPEAKER_02: You could really think about something.
• 42:23
  SPEAKER_07: Yo, uh, that's exactly what we've been talking about.
• 42:25
  SPEAKER_07: Because I'm like, uh, I think about something, the next day it is all on my feet.
• 42:30
  SPEAKER_07: Yeah, you don't even have to say it, and I'm like, yo, how is that even possible though?
• 42:34
  SPEAKER_02: But it's possible because the algorithm is more than we think.
• 42:37
  SPEAKER_02: The algorithm, in my opinion, is an entity.
• 42:41
  SPEAKER_02: It's an entity, bro.
• 42:43
  SPEAKER_02: I'm just saying to you, bro, this shit is it'd be so real and so dynamic, and we don't understand the reason why we even talk about slavery.
• 42:50
  SPEAKER_02: We still communicating.
• 42:52
  SPEAKER_02: So think about it.
• 42:53
  SPEAKER_02: I seen you online, you communicate something to me, what whatever somebody look at, it's a hip-hop song, dance, whatever, right?
• 42:58
  SPEAKER_02: To me, I'm like, oh, that shit.
• 43:00
  SPEAKER_02: Them niggas is speaking.
• 43:01
  SPEAKER_02: I don't know nothing about your history.
• 43:03
  SPEAKER_02: It culminated all the way to this moment to this conversation.
• 43:06
  SPEAKER_10: Wow, that's a that's a fact because we we see people who dance all the time, right?
• 43:14
  SPEAKER_10: But y'all do what y'all do, and it was just gravitation.
• 43:18
  SPEAKER_10: I'm saying it was it was like, damn, we need to have that conversation.
• 43:20
  SPEAKER_10: You know what I'm saying?
• 43:21
  SPEAKER_05: I never had wow, that's wow.
• 43:23
  SPEAKER_05: Like hearing you say that's a whole nother because it's it's crazy because like me and him, it was always like in our crew, we almost had like a little beep.
• 43:32
  SPEAKER_05: Like it was the the side that wanted to do the background dancing, the choreography, and it was a freestyle side, and we realized that what made us dope, even we did so we did America's best dance crew.
• 43:43
  SPEAKER_05: Y'all remember that show?
• 43:45
  SPEAKER_05: So we we did we did season seven, right?
• 43:48
  SPEAKER_05: And one of the choreographers said this to us this girl named Shonique.
• 43:51
  SPEAKER_05: Show I'll never forget.
• 43:52
  SPEAKER_05: She was like, she was like, if y'all do the stuff that y'all because we used we used to have these sessions in the hallways before.
• 44:00
  SPEAKER_02: we were going to rehearsal she was like if y'all do the stuff that y'all do in the hallway and y'all routine y'all could win she said that and i feel like the reason why we got kicked off the show was because we we were we were we were at each other when it came to freestyle right right and it was just like we really could have won i still believe on that show it was kind of rare so on the show every it was like when we were there every top crew was there i ain't gonna lie one of the best moments because you know i want to see who freestyled yeah but at the same time when we had practice every day everybody had a top person in him like right one of the best dancers you ever known is in their room but we never had none of those we didn't even know about it yeah we were just in here arguing with each other the whole night but you know that even in sports we find out the NFL was rigged we finding out boxing and basketball so we know you you correct that's another thing bro see look see look when you look at look first of all i want you i want i want you to i want to double back on so look at this comment look this what i'm telling you bro the algorithm feeds you what you supposed to have right yeah but but if you a negative nigga and you want an algorithm and you watching all fights and murder and bullshit your algorithm won't do that because the algorithm wants to poison you see the algorithm ain't not very good nigga he ain't no good dude you feel me he ain't a fly bitch right you know what I'm saying or like whatever the algorithm but you can control your algorithm when you put that cowboy hat on right and you make the algorithm do what you want it to do you feel me when you make it do what you want to do you you you steer that mother you fear it bro look at this coming look look at this coming look look to the panel this real eyes real lies real eyes real eyes real eyes real lies that's the bar that's a bar that's her name I don't even know what this is that's a bar that is wild it's a at the panel at the panel I hope all is well in in inside the real black law dictionary when you classify yourself as black you are considered dead cubans come from Cuba Puerto Ricans come from Puerto Rico etc oh wow that's true that's crazy that's that's true that's that's true so look the algorithm go go ahead go ahead oh no let look let me say wait real real fast still on dance i i got i got a question i gotta i want to know this question because i don't know about double i need to know this question because y'all still y'all y'all y'all dance but y'all still got your big crew right yeah yeah okay don't we talk about this about y'all big crew y'all versus the jabber walking's nigga who winning nigga who y'all win the jabber walkies nigga yeah I know that I mean it depends I would I think I think if we had to do crew crew jabber walking jabberwalk they will win because they they have more um their togetherness is like it's more it's more than chemistry because you do we we all have chemistry our crew has chemistry but when it comes to when it comes to like oh we have too much ego our crew somebody has to shine yeah with jabberwockies they got the mask don't nobody have to shine do nothing different that's dope listen the cowboy hat speaks again nigga don't never not wear that motherfucking cowboy hat nigga if you get on the show and I see you anywhere without that cowboy matter of fact your next dance thing better had a cowboy hat I saw the video today I got and I got the hat the David Walkie to win if it's the whole group it's the whole group individually in the individually individually no about the ego hold on let's talk to the crew real quick nigga how y'all got ego in it how did you are you identifying ego can you let's hold on let me put y'all center stage real quick talk to the crew let's talk to the ego of the crew real quick because I heard you I ain't missed that I ain't missed that part that you just said let's talk to the ego of the crew what's going on with the crew all right so basically and I I I this is this this used to bother me because we we was been supposed to have a documentary and a movie out we was been supposed to have that right so with our crew so you had you had it's like it's like three main things with ego that that that kind of broke us apart because we together like as a as a brotherhood but we're not still working together right so like I'm kind of I'm gonna kinda I'm gonna kind of sideline on on a on a couple things so you got Jeremy right so my boy Jeremy look I love all my brothers so Jeremy's dancing with Jerusalem like he's doing Jerusalem right you got josh josh is dancing he's uh he's choreographing for Chris Brown right then you have like every like every all of all of everybody else is doing other things like my boy Dizzy Dizzy was with Dragon House as well but he was he was with us as well Dizzy's doing photography everybody's doing their own thing right no one could find a way to bring it all together like we all had to like it was like everybody's ideas were so important that we never was like you know what I'm gonna I'm gonna play the back lead like we wouldn't let different people take the lead it was always like I like I'm gonna put this out there most of the time and it it was Jeremy like we was following Jeremy like Jeremy kind of took the lead with everything because Jeremy was the one who was like the he was like that like almost like knew what he wanted he knew what he wanted and he he was gonna get it regardless if it was with us or not.
• 49:26
  SPEAKER_05: You know what I mean like it was like like with Jeremy he was he knew he was gonna be successful either with us or or without us and it was like nobody would move unless Jeremy would set it up.
• 49:38
  SPEAKER_05: Does that like you know what I mean like you know you know we clipping his tools so we I would say I would say it's because he learned more the industry so as we got bigger as a group it was like we would only wait because he knew already them people in here and what was he was in the door first he he was the one who brought us into the door like he was the the the the like the the guy who got in the door and then he just opened it up for for all of us to come in but the main caveat was he was like y'all gotta do choreography.
• 50:14
  SPEAKER_05: Yeah that's the thing and it was almost like it was almost like if it wasn't if he if he wasn't doing the choreography he was open to doing it but it was like a part of being a choreographer you you gotta know how to do the formations you got to know how to clean it you got to know um what's what's the other thing you gotta know um those I guess the basic things like which he did and and be able to highlight the moment and Jeremy was very good at that but when we when we when we started developing our own um our own process of how we could do it like it took it took a minute for him to play to play the but he had to know that that you could get it done otherwise if he felt like you you wasn't gonna get it done he was gonna take over and like that was kind of hindering people from taking the front seat like when he left though I'm not gonna lie like a lot of the a lot of the pressure I felt like I had to take it off because he he had moved to Cali and I the first time I was able to to do background dancing and go dance for an artist Austin Mahomes my first artist I turned it down the first time because we we had just bought a studio our managers at the time uh johnny uh john loft in and china and china and china loft in they're both married they got us the studio and at the time we still needed to build on it we still needed to put up mirrors floors he was like johnny was the one doing all the work and I was like I was like everybody like we had just got off of ABDC and everybody was getting booked on all these America was American crew yeah we we had just got off that show and everybody was getting booked for different things it was like we was almost getting split up so it was like that was a moment where I believe we all should have kind of came together that's what the Jabbawockies did.
• 52:04
  SPEAKER_02: Like the reason why Jabbawockies is a million dollar crew they never took no other gigs outside of the Jabberwockies does that make sense like they didn't want to listen listen bro it makes perfect sense but I'm gonna take what makes more sense y'all was dumb that like your ego ego is the enemy is the enemy bro think about it the the what you said something to me that I'm an OG I don't really get a lot of game from young younger niggas than me right when you said the mask made them have no ego that means that when I'm looking because Kyod got all ego you see the chain he got on right I ain't I'm Kyle Wood is the ego of the crew right you feel me rather look good and lose than look bad and win.
• 52:53
  SPEAKER_02: That's Kyle Wood's on the court right you feel me so look so look my thing is when you said that though it's like with the mask even though I'm looking at this one nigga with the mask oh that nigga popping it he the dopest I don't know who he just a jabba walkie exactly yeah I don't I don't know I don't know none of their names that's what I'm saying all I know is the mask yeah that's a Java that's a jabber walking and look think about it but as a as a because y'all y'all OGs y'all y'all dinosaurs in the dance game right now right no it was still relevant to me I'm gonna say to me right but think about if you could talk to a crew right now as an OG and you starting a dance crew and you can instill in them the same way Christopher Clemens got instilled in us and and and that he installed us FC and then he discovered America but we know now that ain't true.
• 53:41
  SPEAKER_02: All the history we learned if you could talk to that school and go hey if none of y'all care about nothing but the crew the same way niggas killing in Chirac and Oakland California and Atlanta and zone six nigga in Detroit nigga all over like you know what I'm saying right and if if if niggas could go hey fuck everything else except the crew we could be one mind one sound one whatever and we could split a million dollars fireway.
• 54:07
  SPEAKER_02: Oh yeah oh yeah that's the walkie oh yeah that's the walkie you you on the music end you know who I felt like was like that and they he went to school with them the Migos yeah the Migos yeah they they like so it was just it was some crazy stuff going on it's like when before they got big I felt like that was a way better moment but you know as you get into the industry you know you don't do your own stuff most of the time but they still was popping so hard over they stayed together school never away from each other but then when they got big everything started messing because we know that was the enemy that made them that that fucked everything up but what you mean it was big you you said you felt like you respected the movement before we knew them yes oh yeah because I mean we was in school with them they went to school with them I see them every day I go in the neighborhoods every day they fighting in the neighborhood but as they got more popular away from like the people they was usually with it started crumbling like we got problems with each other never happened before but now that we in the industry we got beef it's stupid yeah but it happened so fast like dang I'm like yo y'all just got there yeah right and that yeah yeah so so money so once that it's just a prime example one like basically money money money money money money and women and women money and women definitely women yeah women for sure hey what hey look hey look fuck with that what money and women women fuck everything up listen bro we know we know right look we know bro that's what I want to say to y'all look I want to extend this right first of all we on Twitch and kid first of all we are you too I'm looking at the stats right now the interaction is dope I'm gonna tell y'all something listen we are architects of the internet right now but we at the ground level even though we got a little elevation and shit like that talking to y'all backstage kind of know we see where y'all at listen bro I'm gonna tell you something I'm gonna put a challenge out there but I'm also gonna put an Holly branch out there we should do this once a week because culturally just culturally right at least once a week we should tap in because we talking about to me hip hop started on dance and graffiti oh yeah oh yeah yeah oh yeah I understand you you know there was once upon a time that the DJ became came before the rapper that is that is true yep it got documentaries I was about facts the beat the DJ whatever he was on the rapper was more like complimentary to the DJ yeah DJ was was doing the um well it was every scratching yeah scratch mixing and scratching mixing they were doing the break beats right so so so when you think about it but they was doing that really for the dancers because everything was interpretive because hip hop started interpreters like and then when a nigga somebody grabbed a mic it came with that uh with that these are the breaks right yes sir i started right you know right so what i'm saying this to you bro is that like like we got emotions when people see y'all new to it and like we cultivating it we love hip hop over here hip hop is really our bread and butter but the culture and we ain't just talking about the hip hop culture the culture is really what counts because we like that when I when we we first got on you was talking about how thirsty you was to get in the crew that you was talking right once you got to count what you say right look I just try to get right I'll just say once you got here bro we the culture is what we try to represent on a positive level man woman and child yeah and because the streaming shit is what it is and you know controversy sells right I don't I don't necessarily I'd rather not sell like that don't mean that we don't do some controversy because you talked about Josh and them you did josh and they might be tripping you guys might have to answer to the crew because you did talk speak on Josh you spoke on some niggas but they might the crew you might get a phone call after this crew might double back on you niggas they're gonna uh they're gonna agree with me too because we're we we all still talk to each other right now we all but ain't nobody nobody got a business together except me and him that's what I said we're supposed to come back to a big business that's why we all supposed to know different things you might have to tap in with us for that I'm just letting you know you might you never know like I'm telling you to start out as this and the algorithm bring you something else well all we do is business that's all we do because we ain't gotta worry about yeah I'm just letting you know so you never know we might have to have a sidebar here and there but to bring something together for the culture especially and I'm telling you y'all OGs in the dance world from hip hop to whatever right the OGs are back 2026 been nice and love to the OGs even a young the Willie Lynch syndrome you can break it if you don't know what Willie Willie Lynch is.
• 59:05
  SPEAKER_05: Oh yeah yeah right so understand young the old light skin to dark skin to good her to bad hair whatever that means understand bro we've empted against each other and it's a social construct it's about to yeah yeah that's true that's about right right so oh we got motion man look well what I want y'all to do it's a question we ask all the guests you might have to ponder on it for a minute right but ask the cowboy hat when in doubt right we want to know who got motion to y'all whether it's this week this year this month it could be you it could be your people it could be somebody in the in the industry but whatever who you think got motion who do you feel we're talking to both of y'all both y'all answer this question who got motion right now in the game to you I me personally which who you think got motion to me who got motion in the game as far as what I've been watching entertainment I would say us I mean we we started booming again but as far as watching I would say I'm leaning towards the rappers that we don't hear I see a lot of that everywhere the new and upcoming rappers yeah like oh okay uh the that the Texas scene to me it's a lot of people yeah I feel like they're they're about to they're about to sleep the music industry your big exes uh I just found out about infamous uh I don't know if Trap I don't know if Trap Dickey is from Texas so many the Mexicans oh yeah yeah him too yep yep yep and then like if you're thinking like the main like for me mainstream is always gonna be it's always for me it's gonna be Chris Brown.
• 1:00:42
  SPEAKER_07: Like like we have our mainstream that's gonna stick.
• 1:00:45
  SPEAKER_07: Yeah that's why we're trying to look for like the lower artists so we can bring them some more boom just in case because people we I got on my followers they know I love RB.
• 1:00:55
  SPEAKER_02: So most of them are going to come for like when I do them slow tones but when I do rap or something more people come watch none of my followers watch it but the non-followers always hit every time on Instagram right so I just that's in life so who got motion right now to y'all is y'all saying basically shout out to the Texas and a cyborg on Texas Texas is one of the it is I think the fastest growing state in the when it comes oh wow and they use Texas yeah when it comes to Houston uh uh uh certain parts of Texas you gotta understand I'm from California the tech world uh uh uh elon musk and all everybody's moving they corporations to Texas oh wow for tax I'm not speaking that would know a lot about that when it comes to taxes when it comes to your corporations when it comes to like even if you form your LLCs and shit like that we're talking about business Texas is the greatest like to start off on when it comes to the median incomes in California a uh a a regular house is around 800 to 900 to a million dollars and Texas like half that 400 000 300 you can get a lot for a little in Texas I love it yeah you getting four by four five bedroom homes five six acres for 400,000 right and and with you wearing that motherfucking cowboy hat you already ahead of the game I got one too I got I got I got a fly cowboy hat I'm gonna show it that's fly that's who got motion to me my nigga Josh shout out to Josh for having a motion nigga and the motherfucking cowboy that's who got motion that's who got motion that's who got motion to me who got motion to you man this week man you make nigga we got motion and we on Twitch and follow us man official we got motion on kick official we got motion we streaming and we try to listen every day so we try to keep the tweak alive so just know that bruh whatever motherfuckers gonna tap in on it we're gonna tap in on and also understand that uh we are I'm just speaking for me and Cal Wood I'm from a place where your niggas hate on you even when you're successful until the other niggas love you then you they nigga yeah hey that's that's kind of like that's kind of like it is on our side too you know when you're from you feel like nigga ain't they love each other in Atlanta nigga they blessing each other well we we feel like it's always hey I think everybody feels the same everywhere we feel that it's like it's just different from the how they speak about the whole Atlanta like right Atlanta I feel like it's grimy I ain't gonna lie to you yeah it's a it's a bunch of it's a facade everybody everybody swear they got it and everybody broke yeah like they make it look good but it's like they they really don't and they're not gonna support you like they'll support you but you have to be popping.
• 1:03:48
  SPEAKER_05: You gotta either have a following or you gotta have money.
• 1:03:51
  SPEAKER_05: They're not just going just off the trip now the dance scene I will say this the dancing they support each other they're gonna come to every every event that's one thing I I will say about the dancing but like as a whole like the content creators like I think you you gotta you gotta have a you gotta have motion you if you don't have no motion like they're not talking with you.
• 1:04:12
  SPEAKER_02: Right right look and that's what I'm saying to y'all right and I extend this because everything we just done right now was organic what you should know backstage full disclosure Wood just woke up we was how we did an episode yesterday he took an edible when you take the edible you can't tell you if that nigga tell you but one o'clock we own but he and he gets you 10 minutes to edible don't trip one o'clock I'm gonna see you that means five o'clock that means six o'clock at six o'clock he's gonna talk to you like it's still one o'clock that's a fact no listen listen listen we we did our episode yesterday on ever already but then you three hours later I'm like fuck oh it's in my back to you is just that I'm I'm extending this to y'all because y'all on a basically inaugural week of our twitch and tape I un plus we was talking about your twitch in the background before we got on whenever you want to bounce on if you text me we are we we we tap in if y'all about to do something you want to just have it live streamed on all the platforms we got or whatever let's do it my thing is bro about on each other up on when you got on you said that even the crew you talk about from the Jabbawalkies to y'all with people not being cohesive we about cohesion right yeah we about cohesion if we can make something happen grassroots level and make it a business and and free a couple of slaves along the way pluck a couple of souls out the garden right yeah let's do it right and I'm I'm I'm go ahead go ahew oh yeah and and and what we do is like the dance world we do we we we organize and we do the choreography and we also freestyle it so y'all gonna be y'all y'all good yeah actually I like to freestyle right so we we tap in right we tapped in on whatever and like from here on out I'm extending this to y'all right Whatever you need from me, whatever you need from Wood, whatever we own, right?
• 1:06:04
  SPEAKER_02: If you want to just bounce on because y'all got something coming on, you want to promo that.
• 1:06:07
  SPEAKER_02: If you pull up and you're like, Abraham, connect my shit.
• 1:06:09
  SPEAKER_02: Y'all connect.
• 1:06:10
  SPEAKER_02: We might just do the show while whatever.
• 1:06:11
  SPEAKER_02: You ain't even got a talk.
• 1:06:12
  SPEAKER_09: Let's set up your camera.
• 1:06:14
  SPEAKER_02: Yeah, whatever you want.
• 1:06:15
  SPEAKER_02: Set up your camera, right?
• 1:06:16
  SPEAKER_02: And we'll do that.
• 1:06:17
  SPEAKER_02: You might have to mute it or whatever, however, you figure it out.
• 1:06:19
  SPEAKER_02: Set it up.
• 1:06:19
  SPEAKER_02: We got y'all on the background.
• 1:06:20
  SPEAKER_02: We're gonna do what it do.
• 1:06:21
  SPEAKER_02: Any clips.
• 1:06:22
  SPEAKER_02: If y'all got something new, we're gonna do it.
• 1:06:23
  SPEAKER_02: And look at this quote, right?
• 1:06:24
  SPEAKER_02: Look at this quote.
• 1:06:26
  SPEAKER_09: Look at this comment.
• 1:06:27
  SPEAKER_02: I pray you all stay independent.
• 1:06:29
  SPEAKER_02: Let's read her, let's read her shit again.
• 1:06:30
  SPEAKER_02: Let's go follow wherever you at.
• 1:06:32
  SPEAKER_02: We're gonna go subscribe to your shit.
• 1:06:34
  SPEAKER_02: Real eyes, realize, real lies.
• 1:06:36
  SPEAKER_02: That's dope.
• 1:06:37
  SPEAKER_02: We got we're gonna we're gonna subscribe to you, right?
• 1:06:39
  SPEAKER_02: I pray, I pray you all stay independent as much as you can.
• 1:06:42
  SPEAKER_02: This industry has become too wicked.
• 1:06:45
  SPEAKER_02: You want to own your music and masters.
• 1:06:48
  SPEAKER_05: Yeah, that's what the Migos bounce on that.
• 1:06:50
  SPEAKER_05: I ain't gonna I ain't gonna I ain't gonna uh talk enough about this, but meanwhile, while I love the Migos, like that's all I used to dance to was was Migos songs.
• 1:06:58
  SPEAKER_05: They had no label.
• 1:06:59
  SPEAKER_05: They had a one, two, and three, no label.
• 1:07:02
  SPEAKER_05: And they kept they kept saying that.
• 1:07:03
  SPEAKER_05: Like they was not signing for no less for no label.
• 1:07:06
  SPEAKER_05: And I think that's kind of what boosted them up to up to that certain point.
• 1:07:10
  SPEAKER_05: I think it was until they got with quality control.
• 1:07:13
  SPEAKER_05: Um things started.
• 1:07:15
  SPEAKER_02: QC everything changed.
• 1:07:18
  SPEAKER_02: And shout out to QC for whatever they done, but you know, everything always got other background noise.
• 1:07:23
  SPEAKER_02: Also, I got we got some work.
• 1:07:25
  SPEAKER_02: I sent y'all a couple of songs.
• 1:07:26
  SPEAKER_02: I sent Crash Mile a couple of songs that like on some work shit.
• 1:07:31
  SPEAKER_02: A nigga need that.
• 1:07:32
  SPEAKER_02: Like you know what I'm saying?
• 1:07:33
  SPEAKER_05: Yeah, let me know.
• 1:07:34
  SPEAKER_05: Definitely let me know.
• 1:07:35
  SPEAKER_02: I I sent y'all some songs, but I'm gonna resend them to you again just because I want you to, I want to be organic because that shit, the vibe y'all on, especially from coast to coast, we need that out here because where I'm from in Cali, like Detroit niggas, the niggas wear buffs and and and Cubans, right?
• 1:07:50
  SPEAKER_02: Where I'm from, we really dance with like you know what I'm saying.
• 1:07:53
  SPEAKER_02: I fuck with the Bay.
• 1:07:54
  SPEAKER_05: I I did a show in the Bay Area with Austin, that shit was so lit.
• 1:07:58
  SPEAKER_05: Phase the Gemini.
• 1:07:59
  SPEAKER_05: Yeah, you know about phase the Gemini?
• 1:08:01
  SPEAKER_02: Off top, bro.
• 1:08:02
  SPEAKER_02: We really vibe on it.
• 1:08:03
  SPEAKER_02: Look, we we we really the our little pocket of society is you might die, but you gotta be sad.
• 1:08:11
  SPEAKER_05: You feel me?
• 1:08:13
  SPEAKER_05: Bay Area is straight like Atlanta, bro.
• 1:08:15
  SPEAKER_02: Bro, if you hitting that shit, nigga, real thugs, the bitches, everybody feel your shit.
• 1:08:22
  SPEAKER_02: You get that support if you hitting it.
• 1:08:24
  SPEAKER_02: So I'm saying, bro, we got some shit we should connect to.
• 1:08:26
  SPEAKER_02: We got we got real commercial with no cousin.
• 1:08:29
  SPEAKER_02: We could commercialize it all, and we got real joints out here.
• 1:08:32
  SPEAKER_02: We got joints out here.
• 1:08:33
  SPEAKER_10: Hey, hey Dub, you s you sent him no face, no, uh was no face.
• 1:08:37
  SPEAKER_02: I sent him no face, no case first Friday, and where you at?
• 1:08:40
  SPEAKER_05: Okay, for sure.
• 1:08:40
  SPEAKER_05: Hey, you said you send it to my phone or or or my email?
• 1:08:43
  SPEAKER_02: I'm gonna resend it.
• 1:08:44
  SPEAKER_02: We're gonna reset because I know niggas be I I sent it to your DM, but I'm gonna resend it to you.
• 1:08:49
  SPEAKER_07: Oh, okay, okay, okay.
• 1:08:50
  SPEAKER_07: I appreciate it.
• 1:08:50
  SPEAKER_02: I'm I'm I'm gonna send it to the text because now we on a personal level.
• 1:08:53
  SPEAKER_07: Yeah, yeah, yeah.
• 1:08:54
  SPEAKER_02: We're in a personal now.
• 1:08:55
  SPEAKER_02: If I ask you something, you say no.
• 1:08:56
  SPEAKER_02: I ain't mad because nigga, at this point we all bros.
• 1:09:01
  SPEAKER_02: It just know that how we built, bro.
• 1:09:03
  SPEAKER_02: If you want, especially Cal Wood, if you want something and niggas ain't no niggas, nah nah I ain't on that.
• 1:09:08
  SPEAKER_02: We don't take that shit personal.
• 1:09:11
  SPEAKER_02: I'd rather you do that than it go, I just ain't gonna even respond to that nigga.
• 1:09:14
  SPEAKER_10: Yeah, we did that spinning shit.
• 1:09:16
  SPEAKER_10: Yeah, bro.
• 1:09:17
  SPEAKER_10: I hate niggas and yeah, bro.
• 1:09:19
  SPEAKER_02: We we we in a gayest generation, yeah.
• 1:09:22
  SPEAKER_02: And shout out to the fags.
• 1:09:23
  SPEAKER_02: I'm sorry about that.
• 1:09:24
  SPEAKER_02: Shout out to the gay people of the world, bro.
• 1:09:26
  SPEAKER_02: Whatever y'all own, y'all own.
• 1:09:28
  SPEAKER_02: But I'm saying that as a man, I'd rather go down, bro.
• 1:09:31
  SPEAKER_02: I don't fuck with you on.
• 1:09:32
  SPEAKER_07: Um I like the straight faith, yeah.
• 1:09:36
  SPEAKER_07: Fuck what you want.
• 1:09:36
  SPEAKER_02: If you I love you though, bro.
• 1:09:38
  SPEAKER_02: Let's go eat.
• 1:09:38
  SPEAKER_07: But that builds a better relationship.
• 1:09:43
  SPEAKER_02: And to make you be able to do that.
• 1:09:45
  SPEAKER_02: Think about how many times your life you want to go, like, bro, fuck you.
• 1:09:47
  SPEAKER_07: Yeah, I'm not with it.
• 1:09:48
  SPEAKER_07: I can't do that to my dad.
• 1:09:51
  SPEAKER_07: I just not I'm just not with what you want.
• 1:09:57
  SPEAKER_07: Just not at the moment.
• 1:09:58
  SPEAKER_07: Just not at the moment.
• 1:09:59
  SPEAKER_02: Not right now.
• 1:09:59
  SPEAKER_02: Like when I I told a waitress the other day, whatever you look, I ain't gonna lie to you that shit that your attitude and your demeanor.
• 1:10:05
  SPEAKER_02: I'm not leaving you no tip.
• 1:10:06
  SPEAKER_02: The food was good, but you wasn't like you don't mind.
• 1:10:09
  SPEAKER_02: But next time, this is the game.
• 1:10:11
  SPEAKER_02: The tip is this, this the game.
• 1:10:12
  SPEAKER_02: Take this with you so you're not you might be going through some of your life.
• 1:10:15
  SPEAKER_02: You live off tips.
• 1:10:16
  SPEAKER_02: Fuck your life, fuck your feelings.
• 1:10:18
  SPEAKER_02: Come serve.
• 1:10:19
  SPEAKER_02: Get your money so your life will be a little better.
• 1:10:22
  SPEAKER_06: Yeah, that's exactly what my friends need to say.
• 1:10:25
  SPEAKER_02: Come get it, bro.
• 1:10:26
  SPEAKER_02: If you come get when you serve me like that, for like I look at you like, man, what this nigga, this bitch ass nigga just say, I'm gonna go.
• 1:10:33
  SPEAKER_02: That nigga, he gave me service.
• 1:10:35
  SPEAKER_02: He gave me service.
• 1:10:36
  SPEAKER_02: Because if you tell me where y'all from, the song might be dope.
• 1:10:39
  SPEAKER_02: But but but my what I interpret is as I don't feel like I'm gonna dance today.
• 1:10:43
  SPEAKER_02: Okay, bet.
• 1:10:44
  SPEAKER_02: What's the next one?
• 1:10:45
  SPEAKER_02: We have 113 songs.
• 1:10:47
  SPEAKER_02: Let's go to the next one.
• 1:10:50
  SPEAKER_07: You got options.
• 1:10:51
  SPEAKER_07: I'm like, you might feel a different way about it tomorrow.
• 1:10:56
  SPEAKER_07: You never know.
• 1:10:57
  SPEAKER_02: Right.
• 1:10:58
  SPEAKER_07: And I learned that from Wood.
• 1:10:59
  SPEAKER_02: He's gonna serve his friends the same way he served his business compatriots.
• 1:11:02
  SPEAKER_02: Right.
• 1:11:04
  SPEAKER_02: He's gonna serve look, we're gonna do this, right?
• 1:11:06
  SPEAKER_02: Uh, we we're gonna sign off, but I wanna play people after we sign off.
• 1:11:10
  SPEAKER_02: I'm gonna play y'all viral video, our first viral one, and another one just so we can end with that.
• 1:11:14
  SPEAKER_02: For people that stay, they can get a dose of it so you can see where y'all came and where y'all at.
• 1:11:18
  SPEAKER_02: The shit y'all sent me, and then after that we're gonna wrap it up.
• 1:11:20
  SPEAKER_02: So we're gonna end this PWGME, East Oakland, California.
• 1:11:23
  SPEAKER_02: We got New Brothers on, you know what I'm saying?
• 1:11:25
  SPEAKER_02: We got my niggas, we got my niggas on, my nigga Calwood, Detroit to the O.
• 1:11:29
  SPEAKER_02: It's all love.
• 1:11:30
  SPEAKER_02: We got motion, got twitch and kick.
• 1:11:32
  SPEAKER_02: Like, subscribe, follow, drop donations, do whatever you're gonna do to make it sustainable uh sustainable.
• 1:11:38
  SPEAKER_02: We're gonna rock it anyway.
• 1:11:40
  SPEAKER_02: It's all love, man.
• 1:11:40
  SPEAKER_02: From the town from East Ogden, California, PWG and me Wood.
• 1:11:43
  SPEAKER_02: What you got for 'em?
• 1:11:44
  SPEAKER_10: Yo, look, I just gotta say one thing, man.
• 1:11:46
  SPEAKER_10: 2027, man.
• 1:11:47
  SPEAKER_10: I got 5k Jabber Walkers.
• 1:11:48
  SPEAKER_10: Y'all getting fucked up by my niggas, they're gonna fuck y'all niggas up, nigga.
• 1:11:51
  SPEAKER_10: 5K on the niggas.
• 1:11:54
  SPEAKER_07: We ready.
• 1:11:56
  SPEAKER_02: Oh, tough.
• 1:11:56
  SPEAKER_02: Go ahead, y'all son.
• 1:11:57
  SPEAKER_02: Let's let us know, y'all.
• 1:11:58
  SPEAKER_02: Drop your handles, whatever y'all got going on next.
• 1:12:00
  SPEAKER_02: Yeah, I'm saying let them know what to do.
• 1:12:02
  SPEAKER_02: We're gonna drop these clips, we're gonna get up out there.
• 1:12:03
  SPEAKER_02: We got motion podcasts.
• 1:12:05
  SPEAKER_07: All right, COV Joker on IG.
• 1:12:08
  SPEAKER_07: If you're trying to follow our group thing, Foolish ENT Crash Mob.
• 1:12:13
  SPEAKER_07: DJ Crash Mob right here.
• 1:12:15
  SPEAKER_05: Yeah, all of all of all of my socials we got.
• 1:12:17
  SPEAKER_05: We got uh we got TikTok DJ Crash Mob.
• 1:12:20
  SPEAKER_05: We got at work COV Blakely, um on TikTok IG we got DJ Crash Mob at CLZ Joker.
• 1:12:26
  SPEAKER_05: On Twitch, we got DJ Crash Mob, we got Foolish Boy Gaming, and then on YouTube, of course, you already got my YouTube Crash Mob LLC.
• 1:12:36
  SPEAKER_05: And then uh my SoundCloud as well.
• 1:12:38
  SPEAKER_05: I got a lot of original mixes.
• 1:12:40
  SPEAKER_05: I'm gonna start promoting those.
• 1:12:41
  SPEAKER_05: Um DJ Crash Mob on SoundCloud.
• 1:12:43
  SPEAKER_05: And I'm gonna leave, I'm gonna leave it.
• 1:12:45
  SPEAKER_05: Whoever these are videos, please do not compare it to the last ones.
• 1:12:50
  SPEAKER_05: Please don't compare it to the last ones.
• 1:12:51
  SPEAKER_05: We do our own things.
• 1:12:52
  SPEAKER_05: We know that we got our own vibe.
• 1:12:54
  SPEAKER_05: They are great at what they do, but we do what we do.
• 1:12:57
  SPEAKER_02: Right.
• 1:12:58
  SPEAKER_02: And I'm gonna tell y'all right now, to me, I and I not even know you know that you know, pause, right?
• 1:13:03
  SPEAKER_02: I ain't swinging from the nuts like that, but I but it's good.
• 1:13:05
  SPEAKER_02: You my brothers, I I with y'all on, even from not just the choreography, bro, and just understand, remember this.
• 1:13:12
  SPEAKER_02: The elements that y'all using with the camera shift.
• 1:13:15
  SPEAKER_07: Oh, yeah, that's what I've been trying to tell y'all.
• 1:13:18
  SPEAKER_02: With the edits, because because for TikTok's sake, and for any social sake, yeah, when y'all on stage and y'all live, y'all ain't got none of that.
• 1:13:27
  SPEAKER_02: Y'all still can pop it.
• 1:13:28
  SPEAKER_02: But for the sake of who's doing that, right?
• 1:13:32
  SPEAKER_02: When other people copy that, right?
• 1:13:34
  SPEAKER_02: That's dope.
• 1:13:35
  SPEAKER_02: Yeah, let's make it a business though.
• 1:13:39
  SPEAKER_02: I'm telling you, bro.
• 1:13:40
  SPEAKER_02: Let's make it a business.
• 1:13:42
  SPEAKER_02: Let's make it a business, bro.
• 1:13:44
  SPEAKER_02: My nigga ain't just got the myriad in the chain on.
• 1:13:46
  SPEAKER_02: He ain't just got the myriad in a chain by by default.
• 1:13:48
  SPEAKER_02: He ain't just got that shit on, bro.
• 1:13:50
  SPEAKER_02: We really market it, we really pushing shit, and not only that, AI is your friend for those that hate it.
• 1:13:55
  SPEAKER_02: Niggas bro, this shit is here, nigga.
• 1:13:57
  SPEAKER_02: This shit is here.
• 1:13:58
  SPEAKER_02: Yeah, we ain't going nowhere.
• 1:14:00
  SPEAKER_02: And we got it.
• 1:14:02
  SPEAKER_02: Right, and we got it, bro.
• 1:14:03
  SPEAKER_02: We producing all that, and a special shout out to y'all because we went an hour and 14 minutes.
• 1:14:08
  SPEAKER_02: We only be going, we try to stay within a structure, an hour less.
• 1:14:12
  SPEAKER_02: That means y'all was dope.
• 1:14:13
  SPEAKER_02: Yeah, that mean y'all was dope, bruh.
• 1:14:15
  SPEAKER_02: We're gonna drop the clips on y'all.
• 1:14:17
  SPEAKER_02: I'm gonna drop two clips.
• 1:14:18
  SPEAKER_02: You stay if you want to, you should.
• 1:14:20
  SPEAKER_02: I'm gonna show y'all the hits and we're gonna get up out of here.
• 1:14:21
  SPEAKER_02: It's all love, man.
• 1:14:22
  SPEAKER_02: We got motion podcasts.
• 1:14:23
  SPEAKER_02: You already know, man.
• 1:14:24
  SPEAKER_02: It's talking about G and me.
• 1:14:26
  SPEAKER_02: Throw it up, man.
• 1:14:26
  SPEAKER_02: We a mob, we not a gang, but we pay our taxes.
• 1:14:30
  SPEAKER_02: Yeah, that's what we do.
• 1:14:32
  SPEAKER_02: Drop it on your own.
• 1:14:38
  SPEAKER_03: I'm blowing money back.
• 1:14:41
  SPEAKER_03: I'm only hitting back.
• 1:14:48
  SPEAKER_03: I ain't never scared.
• 1:14:52
  SPEAKER_03: No bit we did.
• 1:14:54
  SPEAKER_03: Put the weird bed, better give me respect as a mo 11.
• 1:14:58
  SPEAKER_03: I was selling grab, rabbit, number.
• 1:15:03
  SPEAKER_03: Like, what's the name we can dive?
• 1:15:49
  SPEAKER_03: I've been so nice as I got no kinds of problems like I still got a pocket full of crap.
• 1:15:54
  SPEAKER_03: How they do it, fight up a steel make it play with How we go with the free stick, good look you, bitch.
• 1:16:04
  SPEAKER_03: She forever mad till I let her go.
• 1:16:18
  SPEAKER_03: She but a pull.
• 1:16:23
  SPEAKER_09: Hey.
• 1:16:26
  unknown: Let them know, nigga.
• 1:16:28
  SPEAKER_02: Listen, we're gonna let you with the last clip and wanna let y'all go viral.
• 1:16:30
  SPEAKER_02: I don't be wanting to cut off no dance because them last little hits be the ones that might have been your hit when you clicked it at right.
• 1:16:38
  SPEAKER_02: Make sure y'all make sure y'all stay on when I end the live after this last clip that made y'all go viral so we can holler backstage because we got some other business to attend to.
• 1:16:45
  SPEAKER_02: You feel me?
• 1:16:46
  SPEAKER_02: Yeah, I'm saying, but it's the clip, man, that's send them out.
• 1:16:48
  SPEAKER_02: It's the one that made them viral, y'all.
• 1:16:50
  SPEAKER_02: You know what I'm saying?
• 1:16:50
  SPEAKER_02: Even though I ain't gonna lie to you, fuck with y'all on.
• 1:16:52
  SPEAKER_02: DLC made you viral, Chris Brown made you viral.
• 1:16:56
  SPEAKER_02: All them niggas that you really fucked with an injury make made you viral.
• 1:16:59
  SPEAKER_02: But shout out to my niggas that didn't have to take digging the booty or worship Satan or another God in order to keep the integrity to be able to show up on a show like this.
• 1:17:11
  SPEAKER_02: I'm just saying, I'm just saying.
• 1:17:22
  SPEAKER_02: Yeah, you wouldn't you wouldn't be able to.
• 1:17:24
  SPEAKER_02: Shout out, man.
• 1:17:24
  SPEAKER_02: This is the post that made him go viral, man.
• 1:17:26
  SPEAKER_02: Follow him.
• 1:17:27
  SPEAKER_02: DJ Crash Mob, my nigga, uh C O Z Joker.
• 1:17:31
  SPEAKER_02: Yeah, I'm saying my nigga be hitting it like he in the military.
• 1:17:33
  SPEAKER_02: Now that we know the origin, that's why.
• 1:17:35
  SPEAKER_02: Because he would be the best freestyler, and we might who know my nigga was a stalker of the dance group with the cowboy hat on from day one.
• 1:17:41
  SPEAKER_02: Shout out, man.
• 1:17:42
  SPEAKER_02: We got motion podcast.
• 1:17:43
  SPEAKER_02: We up out of here, man.
• 1:17:44
  SPEAKER_02: We're gonna enjoy this.
• 1:18:04
  SPEAKER_08: Baby, tummy you tiny feel.
• 1:18:08
  SPEAKER_08: Come on, step up the time, we cross them to bug a map and give it to you, make it you feel fine.
• 1:18:13
  SPEAKER_08: We gonna shine.
• 1:18:13
  SPEAKER_08: Make your body mind, baby.
• 1:18:16
  SPEAKER_08: Like you lick in the dance floor.
• 1:18:18
  SPEAKER_08: Let's step to the fitness and hand of your topic.
• 1:18:21
  SPEAKER_08: When the topic, you know the fall.
• 1:18:24
  SPEAKER_08: What you say?
• 1:18:24
  SPEAKER_08: When the white film in the fall, okay, but we can be bad in the floor.
• 1:18:35
  SPEAKER_03: That's what we do when you know we're gonna be able to get it.
• 1:19:13
  SPEAKER_08: Come on, give me the chip and then make it flipper.
• 1:19:15
  SPEAKER_08: While I'm living the chip in the kitchen, but in the flipper, always have skin that we never listen to hanging.
• 1:19:19
  SPEAKER_08: I'm always doing my thing and my music always be playing.
• 1:19:21
  SPEAKER_08: So check it, and we be always moving the crowd.
• 1:19:24
  SPEAKER_08: Clip a flippin' that make you wanna go play your mouth.
• 1:19:31
  SPEAKER_08: Whatever you want to fall.
• 1:19:35
  SPEAKER_08: Take in the picture, we're putting up pick up for people.
• 1:19:37
  SPEAKER_08: You know what we put your lip.
• 1:19:38
  SPEAKER_08: We blowin' the ticking over the planet, full plastic and we bust the brown, and you know where they gonna be.
• 1:19:46
  SPEAKER_08: When I make your body wet, yeah.
• 1:19:50
  SPEAKER_08: When I make it scream out, yeah, yeah.
• 1:19:54
  SPEAKER_08: Make it think of you.
• 1:20:04
  SPEAKER_02: We gotta get the fans they shit.
• 1:20:05
  SPEAKER_02: Look at the comments.
• 1:20:06
  SPEAKER_02: I seen these, I first seen these guys, those guys' dance videos when they did the dance to the TI song that dropped a while back.
• 1:20:13
  SPEAKER_02: Them cats don't play the radio.
• 1:20:14
  SPEAKER_02: Don't play.
• 1:20:18
  SPEAKER_02: Uh and I give credit.
• 1:20:20
  SPEAKER_02: Hold on, there's somebody else.
• 1:20:21
  SPEAKER_02: Hold on.
• 1:20:24
  SPEAKER_02: There's somebody here in the comments.
• 1:20:25
  SPEAKER_02: They talking next to the chat.
• 1:20:26
  SPEAKER_02: Bill Withers working at an airport and starting towards his head, and we created his own music studio and the base on his own.
• 1:20:32
  SPEAKER_02: He said it was sell out tickets, sell out season, but you don't sell out all the time.
• 1:20:39
  SPEAKER_07: Wow.
• 1:20:40
  SPEAKER_02: What's up, what's up, y'all?
• 1:20:42
  SPEAKER_02: Just I just like to stream and subscribe.
• 1:20:44
  SPEAKER_10: I recommend it being that.
• 1:20:51
  SPEAKER_09: You want to stay independent as much as you can.
• 1:20:53
  unknown: We already know that.
• 1:20:54
  SPEAKER_02: I'm too wicked.
• 1:20:55
  SPEAKER_02: Hold on.
• 1:20:58
  SPEAKER_02: Let me see.
• 1:21:02
  SPEAKER_02: What is your thoughts on my outlet?
• 1:21:03
  SPEAKER_02: All these new corny country railways.
• 1:21:06
  SPEAKER_02: We got you on the next one.
• 1:21:08
  SPEAKER_02: I don't know if we're gonna show up.
• 1:21:12
  SPEAKER_09: We got everything, right?
• 1:21:14
  unknown: So look, we're gonna get about it.
• 1:21:15
  SPEAKER_02: We gotta most of y'all stay backstage, man.
• 1:21:17
  SPEAKER_02: We appreciate y'all, it's all love.
• 1:21:20
  SPEAKER_02: Like subscribe.
• 1:21:24
  SPEAKER_02: We accept an order, we ain't begging, man.
• 1:21:26
  SPEAKER_02: But we show it's weighing, this is what we do.