Latest / I Am All In with Scott Patterson / IAAI Town Meeting: A Date to Remember (Season 2 E3, “Red Light on the Wedding Night”)

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IAAI Town Meeting: A Date to Remember (Season 2 E3, “Red Light on the Wedding Night”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am All in again. Oh that's just you.
• 0:17
  Speaker 2: I Am All in Town meeting with Suzanne French and
• 0:21
  Speaker 2: Tara suit An iHeartRadio podcast.
• 0:24
  Speaker 3: Hey guys, welcome back to another episode of I'm All
• 0:26
  Speaker 3: in Town Meeting with myself, Tara and Suzanne.
• 0:29
  Speaker 4: Hello.
• 0:30
  Speaker 3: Hello, So we are today talking about season two, episode three,
• 0:36
  Speaker 3: Red Light on the Wedding Night, which aired October sixteenth,
• 0:39
  Speaker 3: two thousand and one. And there's something I want to
• 0:43
  Speaker 3: address before we get started, because you know, I feel like,
• 0:47
  Speaker 3: sometimes I'm so into these episodes names Susanna is as well,
• 0:50
  Speaker 3: and when I read the when I read the air dates,
• 0:54
  Speaker 3: I kind of just read them because I'm like, oh,
• 0:55
  Speaker 3: it aired this day. We had mentioned that season to
• 1:00
  Speaker 3: premiere for the first two episodes of season two, they
• 1:04
  Speaker 3: aired on October ninth, Yes, yeah, and they both are
• 1:08
  Speaker 3: on the same day, and we're like, oh, interesting, Like
• 1:10
  Speaker 3: you know they aired on this it was like a
• 1:13
  Speaker 3: double premiere night. Well, obviously we didn't take into consideration
• 1:17
  Speaker 3: that this is right after nine to eleven, and so
• 1:22
  Speaker 3: it someone mentioned that, and thank you for mentioning that. Again.
• 1:25
  Speaker 3: Sometimes we miss things and it happens.
• 1:27
  Speaker 4: Yeah, sometimes we just don't draw the connections.
• 1:30
  Speaker 3: Like, yeah, but you know, Susan and I were talking
• 1:32
  Speaker 3: right before this when I had mentioned it, and she's like,
• 1:34
  Speaker 3: you know, weirdly those two episodes connected and I was like,
• 1:37
  Speaker 3: you're right, like they did connect, so it did seem like,
• 1:41
  Speaker 3: you know, and us watching this back as a binge,
• 1:43
  Speaker 3: like I I mean, I remember nine to eleven very
• 1:48
  Speaker 3: well and like that day specifically. I remember I was
• 1:51
  Speaker 3: in elementary school, but like I don't remember like tuning
• 1:55
  Speaker 3: into Gilmore Girls like right out, you know what I mean,
• 1:57
  Speaker 3: Like I kind of watched sporadically back when it was on,
• 2:02
  Speaker 3: But yeah, I just wanted to address that that it
• 2:04
  Speaker 3: definitely I'm assuming that it was pushed a month because
• 2:07
  Speaker 3: of nine to eleven, so that could be.
• 2:09
  Speaker 4: And I didn't I mean, you were in elementary school,
• 2:12
  Speaker 4: you had a good excuse. I was old, grown adult,
• 2:14
  Speaker 4: and I just like made the connection with nine to
• 2:17
  Speaker 4: eleven in the date, but I just wasn't even thinking.
• 2:19
  Speaker 3: It's one of those things though that when you live it,
• 2:22
  Speaker 3: it's kind of like so in the past, do you
• 2:26
  Speaker 3: know what I mean? Like I don't know how to
• 2:27
  Speaker 3: explain it, but it's just, you know, I can't believe
• 2:30
  Speaker 3: Sometimes people mentioned twenty twelve, and I'm like, oh, it
• 2:33
  Speaker 3: was two years ago. No, that was thirteen years ago.
• 2:36
  Speaker 3: Like it's time flies. All these dates like blend into one.
• 2:39
  Speaker 3: So we apologize for not noting that last week, but
• 2:44
  Speaker 3: I just wanted to call that out now. All right,
• 2:46
  Speaker 3: but let's jump into this one red light on the
• 2:49
  Speaker 3: wedding Nights, which first and foremost I'd like to mention
• 2:53
  Speaker 3: in the opening scene, the angles of when they're taking
• 2:57
  Speaker 3: bites of cake did not line upperly because Rory's picking
• 3:02
  Speaker 3: at the cakes and on her side of the cake,
• 3:03
  Speaker 3: it is completely like like yeah, holes. And then when
• 3:07
  Speaker 3: you look at the what's her name, the woman who
• 3:10
  Speaker 3: work in the bakery, does you have a name? Fran friend. Yeah,
• 3:13
  Speaker 3: So when when it shows an angle from Fran, these
• 3:15
  Speaker 3: cakes have not been touched.
• 3:17
  Speaker 4: Yeah, it was a little Yeah, it was just from
• 3:21
  Speaker 4: the different angles. Whoever like set the shot up turned
• 3:24
  Speaker 4: the cake around so that like it didn't look like
• 3:27
  Speaker 4: she had taken any bites out of it, even though
• 3:29
  Speaker 4: she literally is talking about how good it tastes so well.
• 3:32
  Speaker 3: And then it's like there was one part where it's
• 3:34
  Speaker 3: like she's digging the spoon into the cake mid conversation,
• 3:38
  Speaker 3: and when it switches angles onto Bran, it's like there's
• 3:41
  Speaker 3: there's no touching of the cake. Likes so funny.
• 3:45
  Speaker 4: One other thing I did notice in this scene and
• 3:47
  Speaker 4: now this is this is just I think it's just
• 3:50
  Speaker 4: a coincidence. I really don't think this was intentional, but
• 3:54
  Speaker 4: Lorelei has I can't remember the context of the line,
• 3:58
  Speaker 4: but Loreley says something about it's not Guy Fox Day.
• 4:03
  Speaker 4: That is like, you know, we don't celebrate Guy Fox
• 4:07
  Speaker 4: Day here in the US, but they do in the UK,
• 4:09
  Speaker 4: and it's November fifth.
• 4:11
  Speaker 3: I don't even know what Guy Fox Day is.
• 4:13
  Speaker 4: I know that there's fireworks. I don't somebody's gonna have
• 4:16
  Speaker 4: to tell us in the comments because I forget the
• 4:18
  Speaker 4: exact meaning of the holiday.
• 4:21
  Speaker 3: It's on November fifth, to commemorate the failure of the
• 4:24
  Speaker 3: Gunpowder plot of sixteen oh five. Okay, that's what it
• 4:29
  Speaker 3: is already.
• 4:30
  Speaker 4: No, no, but she mentions in relation to the wedding.
• 4:34
  Speaker 4: She says something like, it's not Guy Fox Day. But
• 4:37
  Speaker 4: then when we get a year in the life and
• 4:39
  Speaker 4: we get the Luke and laurelized actual wedding, the sign
• 4:43
  Speaker 4: says that it's November fifth, so oh, I don't know
• 4:47
  Speaker 4: if they did that on purpose or not. But when
• 4:49
  Speaker 4: they do actually, when she does actually have a wedding, it's.
• 4:53
  Speaker 3: Off November fifth. Yeah, oh, I bet you Amy and
• 4:56
  Speaker 3: Dan not that they had planned that this early on,
• 5:01
  Speaker 3: but once they got to a Day in the Life
• 5:03
  Speaker 3: they referenced it back.
• 5:04
  Speaker 4: Yeah, that it could be and then but then there's
• 5:08
  Speaker 4: also some debate about that because we don't remember the
• 5:12
  Speaker 4: they in a Year in the Life. They get married
• 5:14
  Speaker 4: the night before the wedding, so they may have actually
• 5:17
  Speaker 4: been married on November November fourth, but the big thing
• 5:20
  Speaker 4: was planned for the fifth.
• 5:21
  Speaker 1: Yeah.
• 5:22
  Speaker 3: But I will say, like, this is a pretty big
• 5:24
  Speaker 3: episode where I feel like amiens It wasn't like a
• 5:26
  Speaker 3: throwaway filler episode. It was a pretty big you know,
• 5:30
  Speaker 3: like lorale I calls Christopher, which we'll get to and
• 5:35
  Speaker 3: you know, like this whole realization of should I marry Max?
• 5:38
  Speaker 3: So I'm I'm definitely sure that it was it was planned,
• 5:42
  Speaker 3: but I would have It's so funny because some of
• 5:44
  Speaker 3: the remind you of the reference I caught here was
• 5:46
  Speaker 3: the gay boy band thing, which I was like, hey,
• 5:50
  Speaker 3: I did not catch the guy Fox. It's at the
• 5:52
  Speaker 3: bakery right, Yes, yeah, didn't catch up. But so funny things,
• 5:57
  Speaker 3: things that they put in the script just go right
• 5:59
  Speaker 3: over my head.
• 6:00
  Speaker 1: Yeah, that's why.
• 6:01
  Speaker 4: That's why it's fun to watch it several times, because
• 6:05
  Speaker 4: every single time, as many times as I've seen it,
• 6:08
  Speaker 4: every time I watch it, I hear something new that
• 6:09
  Speaker 4: I didn't even notice before. Yeah, it's just they just crammed.
• 6:14
  Speaker 3: So much see this time around, because last time, when
• 6:18
  Speaker 3: you were on with us and we all did together,
• 6:20
  Speaker 3: you were the one pointing out like the clown pillows
• 6:24
  Speaker 3: and like things like that. Now I find myself playing
• 6:27
  Speaker 3: a game of like what's that game where you like,
• 6:32
  Speaker 3: like you look for like things in the back. I really,
• 6:35
  Speaker 3: you know, I don't watch the actors anymore. I'm looking
• 6:38
  Speaker 3: in the background for things.
• 6:39
  Speaker 4: Yeah. Yeah, It's it's almost like a Where's Waldo.
• 6:42
  Speaker 3: Kind of where's Waldo?
• 6:43
  Speaker 4: There we go, thank you, look for the tiny the tiny.
• 6:46
  Speaker 3: Which speaking of, I know Suzanne has a bunch of
• 6:49
  Speaker 3: stuff for this episode. The only other thing I noticed,
• 6:51
  Speaker 3: which is kind of stupid, it's the scene where Dean
• 6:53
  Speaker 3: and Rory are walking in the town and there was
• 6:57
  Speaker 3: like toilet paper in the tree. Yeah, And at first
• 7:01
  Speaker 3: I was like did someone get teepeed? But it's it's
• 7:04
  Speaker 3: like it's toilet paper or it's like a piece of
• 7:07
  Speaker 3: plastic and it's literally like blowing in the tree as
• 7:10
  Speaker 3: they're walking and I'm just sitting there like some how
• 7:13
  Speaker 3: didn't catch that?
• 7:14
  Speaker 4: You tolerate that?
• 7:15
  Speaker 3: Well? It was it was like two things. I'm like,
• 7:17
  Speaker 3: one is it supposed to be like, Oh, it's just
• 7:19
  Speaker 3: like natural something stuck in the tree in the town.
• 7:21
  Speaker 3: But then the other part of me is like, did
• 7:24
  Speaker 3: no one catch that on set? Like it was accidentally there?
• 7:28
  Speaker 4: Yeah, like maybe they realized it was in the shot
• 7:30
  Speaker 4: or something. That's funny. I didn't even notice, but it's.
• 7:32
  Speaker 3: So obvious that like the director would have had to know.
• 7:35
  Speaker 3: And so that's why I'm thinking, like unless it was
• 7:38
  Speaker 3: just like the hundredths take and it was the best one, yeah,
• 7:41
  Speaker 3: and they were like, well, there's gonna be a piece
• 7:42
  Speaker 3: of plastic or toilet paper on the tree.
• 7:46
  Speaker 4: It almost makes you wonder like was there some something
• 7:49
  Speaker 4: else there that they had to cut for time, Like
• 7:51
  Speaker 4: maybe there was maybe there was some you know, scene
• 7:55
  Speaker 4: where something happened.
• 7:56
  Speaker 3: I wish they would release like all the uncut Like
• 8:00
  Speaker 3: I know, we've seen a couple like cut out scenes,
• 8:02
  Speaker 3: but I wish like per episode we could see whatever.
• 8:06
  Speaker 4: Y yeah, and the bloopers. We need more bloopers, like
• 8:08
  Speaker 4: we have a couple, but.
• 8:09
  Speaker 3: We yeah, you know. I was watching an interview I think,
• 8:14
  Speaker 3: I think Chad Michael Murray was doing interview for the
• 8:18
  Speaker 3: new season of their show. And then there was the
• 8:22
  Speaker 3: reason why I came up on my YouTube is because
• 8:24
  Speaker 3: it was like the headline was like, oh, Chad Michael
• 8:26
  Speaker 3: Murray talks about like Gilmore Girl. Like it was like,
• 8:27
  Speaker 3: so I clicked on it and he was saying, oh, yeah,
• 8:30
  Speaker 3: if you watched back bloopers whatever. And then I was like,
• 8:34
  Speaker 3: how many bloopers are there from Gilmore Girls? And so
• 8:37
  Speaker 3: then I goo. I went on YouTube and I'm like,
• 8:39
  Speaker 3: there's like three things.
• 8:41
  Speaker 1: Yeah, there's not much.
• 8:42
  Speaker 3: Yeah, unless they got the bloopers, you know. I do
• 8:45
  Speaker 3: have the DVD set and I'm I'm wondering. I think
• 8:50
  Speaker 3: it has it like one per season, like an end
• 8:53
  Speaker 3: of the year thing. I'm like, wow, did no one
• 8:55
  Speaker 3: really like transfer this?
• 8:57
  Speaker 4: Yeah? I know that a lot of those DVD extras
• 9:01
  Speaker 4: made it onto YouTube somehow.
• 9:03
  Speaker 3: I wonder if Warner Brothers took them down.
• 9:05
  Speaker 4: Oh, maybe that could be. I have the DVDs. I'll
• 9:09
  Speaker 4: have to dig them out now.
• 9:10
  Speaker 3: I have the DVDs, don't have a DVD player anymore,
• 9:13
  Speaker 3: but I feel like they're pretty cheap if I wanted
• 9:15
  Speaker 3: to buy one these.
• 9:16
  Speaker 4: Yeah, I feel I can't remember. I don't know, it's
• 9:20
  Speaker 4: been a while since I watched the DVDs. But yeah,
• 9:22
  Speaker 4: I feel like if the bloopers were there, because some
• 9:25
  Speaker 4: of them are.
• 9:25
  Speaker 3: There, some of them. Yeah, but I want more.
• 9:28
  Speaker 4: Yeah, yeah, agreed, agreed. So we had the clown pillow
• 9:32
  Speaker 4: in this episode.
• 9:33
  Speaker 3: Where was it?
• 9:34
  Speaker 4: It was in the It was in the first scene
• 9:36
  Speaker 4: after the opening where Kirk was there and they were
• 9:39
  Speaker 4: talking looking at like the photography, like looking at his pictures.
• 9:42
  Speaker 3: Okay, yeah, yeahographer.
• 9:44
  Speaker 4: It was like Clear's day right behind right behind Laura
• 9:47
  Speaker 4: Lai in the on the by the window.
• 9:49
  Speaker 3: I think I was looking I was looking behind Kirk
• 9:52
  Speaker 3: and I was looking behind Max, and I think I
• 9:54
  Speaker 3: missed it.
• 9:56
  Speaker 4: I was like, yeah, there were there were two different
• 9:58
  Speaker 4: shots you could see it. One it wasn't very good view.
• 10:00
  Speaker 4: But then when after Kirk laughed and Max and Lorlai
• 10:06
  Speaker 4: were standing there and she was telling him not to go,
• 10:08
  Speaker 4: Like when they were standing up you could see.
• 10:10
  Speaker 3: Him really clearly, and oh, okay, so that was good.
• 10:12
  Speaker 4: You know, we kind of missed it at the end
• 10:14
  Speaker 4: of season one, so I'm glad that.
• 10:15
  Speaker 3: We got a last episode too.
• 10:17
  Speaker 4: Yeah. I thought this scene was funny where they were
• 10:28
  Speaker 4: in the kitchen and Max was cooking, putting something in
• 10:32
  Speaker 4: the broiler, and Laura Lai is like, it's on fire.
• 10:36
  Speaker 3: And also when Rory walked in, she's like it smells
• 10:39
  Speaker 3: and like she's like that sounds good. It's just like
• 10:42
  Speaker 3: weird for this hell or sounds weird and like, yeah, literally.
• 10:45
  Speaker 4: Not familiar with cooking at home.
• 10:47
  Speaker 3: I thought that now I will say for they're not
• 10:50
  Speaker 3: the pickiest eaters, so I give them credit like they are,
• 10:52
  Speaker 3: but they're not because they seem like they ate everything
• 10:54
  Speaker 3: Max made vegetables and all.
• 10:57
  Speaker 4: Yeah, yeah in the living room sitting on the floor.
• 11:00
  Speaker 3: Well you have to get something Gilmorey in there. By
• 11:03
  Speaker 3: the way, speaking of the kitchen, in a scene later on,
• 11:08
  Speaker 3: it's after the the bachelorette party, it's like the next
• 11:12
  Speaker 3: morning when Rory's like, oh, Dad called me last night.
• 11:16
  Speaker 3: It took me. I had to rewind because I was like,
• 11:18
  Speaker 3: what angle of the kitchen. Is this We've never really
• 11:20
  Speaker 3: seen that angle with like the shelf behind her, because
• 11:24
  Speaker 3: I was like, oh, well, Rory's door is to the right,
• 11:26
  Speaker 3: and like it left. But it was the way they
• 11:28
  Speaker 3: angled that shot where I was like, where is this?
• 11:30
  Speaker 3: So it took me a second, but I didn't realize.
• 11:33
  Speaker 3: I mean, I'm not surprised they had more crap in
• 11:35
  Speaker 3: the corner, like there's just so much crap in this house,
• 11:38
  Speaker 3: but I was just like, where is this shelf and
• 11:40
  Speaker 3: where is this corner? But it was it was funny,
• 11:43
  Speaker 3: like I don't know, we've we've never seen that angle,
• 11:47
  Speaker 3: at least up until now.
• 11:48
  Speaker 4: Yeah, it was an unusual angle. I noticed it too
• 11:51
  Speaker 4: when they were at the inn and they were all
• 11:54
  Speaker 4: hung over and they were it was an unusual angle
• 11:57
  Speaker 4: there too. Yeah, there was like a desk which I
• 11:59
  Speaker 4: think we made I have seen before maybe once or twice.
• 12:03
  Speaker 4: It was later. I can't remember where we saw it,
• 12:06
  Speaker 4: but it was just kind of an unusual angle. And
• 12:07
  Speaker 4: there's like a refrigerator and Michelle it's like a sliding
• 12:11
  Speaker 4: door and he gets a drink out of the fridge.
• 12:13
  Speaker 4: It was just like, like you said, like it's just
• 12:15
  Speaker 4: we hadn't really like seen that.
• 12:16
  Speaker 3: It's just like too it was just like two notches
• 12:19
  Speaker 3: to the right or two like the same scene. But
• 12:22
  Speaker 3: I'm just it's like you know those memes going wrong
• 12:25
  Speaker 3: right now where it's like I know this place like
• 12:28
  Speaker 3: my home, or it's like I know my way around
• 12:30
  Speaker 3: this place. It's like I clearly know my way around
• 12:32
  Speaker 3: Lorealize has a little too well if I know we're
• 12:35
  Speaker 3: missing an angle.
• 12:36
  Speaker 4: Yeah, exactly. So the scene at Luke's where they all
• 12:43
  Speaker 4: go to breakfast. So this one, this one I see
• 12:49
  Speaker 4: mentioned a lot. Did you notice the cups how they
• 12:53
  Speaker 4: changed color.
• 12:55
  Speaker 3: Mid mid scene?
• 12:57
  Speaker 4: They must have had to like come back a different
• 12:59
  Speaker 4: day and shoot, like reshoot something, because when they first
• 13:05
  Speaker 4: sit down, I can't remember which one is first, but
• 13:07
  Speaker 4: the cups are red and then they're blue. Okay, like
• 13:12
  Speaker 4: there's big, they're big.
• 13:13
  Speaker 3: Oh, but they're both red at first, then they're both.
• 13:16
  Speaker 4: Yeah, there's there's because I think all three of them
• 13:19
  Speaker 4: have coffee. I didn't. I meant to bring my iPad
• 13:21
  Speaker 4: so I could pull it up in front of me,
• 13:22
  Speaker 4: and I forgot, But I think all three of them
• 13:25
  Speaker 4: are having coffee, So there's they all have cups and
• 13:29
  Speaker 4: then when it cuts back to them later in the scene,
• 13:32
  Speaker 4: the cups are all a completely different color. They just
• 13:35
  Speaker 4: reshot at a different day and screaming or somebody wasn't no.
• 13:40
  Speaker 3: But you know the other thing I was thinking about,
• 13:41
  Speaker 3: So you haven't done the full Warner Brothers tour right,
• 13:45
  Speaker 3: like on a normal day, right right. So I've done
• 13:48
  Speaker 3: it a couple of times because I feel like if
• 13:50
  Speaker 3: anyone came into town, I'd be like, sure, I'll go
• 13:52
  Speaker 3: with you, because I'm such a nerd for like behind
• 13:53
  Speaker 3: the scenes, that's like there's always something new to see, Yeah,
• 13:56
  Speaker 3: and for anyone who has done the tour hasn't like
• 14:00
  Speaker 3: every time I go, there's a little bit of something different,
• 14:03
  Speaker 3: which is fun. So one time when I did the tour,
• 14:06
  Speaker 3: and I specifically remember this because it was when Pre
• 14:09
  Speaker 3: Little Liars was filming, and we turned the corner into props,
• 14:13
  Speaker 3: and the guy who played Ezra and I'm blanking on
• 14:17
  Speaker 3: his real name, Tom something. He played Ezra in Pre Liars.
• 14:21
  Speaker 3: He was literally on the corner and like waved all
• 14:23
  Speaker 3: of us, which was kind of fun. But then we
• 14:25
  Speaker 3: got to go through the props and they note when
• 14:29
  Speaker 3: people check out, like prop items and there were stickers,
• 14:35
  Speaker 3: so they were showing us they were stickers. It was
• 14:36
  Speaker 3: like on this desk was pre lit liars on this desk.
• 14:39
  Speaker 3: I'm just making this up. Gilmore Girls friends like right,
• 14:43
  Speaker 3: Like they have little stickers and they have to check
• 14:45
  Speaker 3: it out, like you're checking out like a book from
• 14:47
  Speaker 3: a library. So it makes me think like, was there
• 14:50
  Speaker 3: no book that kept track of like the red cups
• 14:53
  Speaker 3: were checked out for Gilmore Girls on Tuesday and when
• 14:59
  Speaker 3: you come back, like, I don't know. It was just
• 15:02
  Speaker 3: an interesting thing where like I've always thought about this
• 15:05
  Speaker 3: for when people mess up. I'm like, isn't there like
• 15:07
  Speaker 3: a roster or like did another show have the red
• 15:12
  Speaker 3: cups that day and the only option was blue?
• 15:14
  Speaker 4: Yeah? Maybe, but yeah, you think like, especially if they
• 15:17
  Speaker 4: had to.
• 15:18
  Speaker 3: Go back, yeah, come back another day, you think.
• 15:21
  Speaker 4: They would pay extra attention to, you know, what the
• 15:24
  Speaker 4: original setup was.
• 15:25
  Speaker 3: But then again, by season two of this show, they're
• 15:28
  Speaker 3: not thinking that. Twenty years later, twenty five years later,
• 15:33
  Speaker 3: you have people like me and you sitting here and
• 15:35
  Speaker 3: analyzing the cups right right in the scene, you know,
• 15:39
  Speaker 3: like because I didn't even notice it. I'm just talking
• 15:41
  Speaker 3: about it because you told me.
• 15:43
  Speaker 4: Yeah, I think we should we should do a field trip.
• 15:49
  Speaker 4: We should maybe leverage our connections and try to get
• 15:52
  Speaker 4: like get into that prop room because I want to
• 15:55
  Speaker 4: find that pillow and I want to find I want
• 16:00
  Speaker 4: to find that ballerina lamp.
• 16:02
  Speaker 3: What about the monkey lamp?
• 16:04
  Speaker 4: And there's also there's another prop I'm not mentioning it
• 16:07
  Speaker 4: yet because it's gonna come up in another episode, but
• 16:10
  Speaker 4: there's a that I found. It's in both Gilmore and Friends.
• 16:16
  Speaker 3: So oh wait, does it come up this season? Or like,
• 16:18
  Speaker 3: how long do I have to wait until you can't remember?
• 16:20
  Speaker 4: I have to I have to find it again.
• 16:22
  Speaker 3: You're gonna be like it was a year in the life.
• 16:23
  Speaker 3: You have three more years. I'm not.
• 16:26
  Speaker 4: I don't want to give too much away. I can
• 16:28
  Speaker 4: picture the scene in my head. I just can't remember
• 16:30
  Speaker 4: what episode it was.
• 16:32
  Speaker 3: But you know, I'm probably gonna google it after we
• 16:34
  Speaker 3: get off this call, and then I'm sure.
• 16:36
  Speaker 4: Something is in a season. I think I'm almost positive.
• 16:40
  Speaker 3: Well, there's this one lamp, by the way, There's this
• 16:42
  Speaker 3: one lamp that I literally had when we used to
• 16:45
  Speaker 3: have like an office room when I was a kid,
• 16:47
  Speaker 3: and my parents got it from Ikia. That office lamp
• 16:51
  Speaker 3: was in every show I had ever seen. It was
• 16:54
  Speaker 3: in real Liars. I remember because my mom and I
• 16:56
  Speaker 3: were watching were like, hey, it's a lamp in your room,
• 16:59
  Speaker 3: and so I'm like, you know they're just going to
• 17:00
  Speaker 3: Ikea and buying some furniture.
• 17:02
  Speaker 4: Yeah, yeah, you.
• 17:04
  Speaker 3: Know, like it was like this basic like green lamp,
• 17:07
  Speaker 3: Like the top was green. It has like one of
• 17:09
  Speaker 3: those like like little like levers you pull down, turn
• 17:13
  Speaker 3: it on and off. Okay, like a gold and had
• 17:15
  Speaker 3: like a gold like rim. It's the most basic like
• 17:18
  Speaker 3: office lamp. And everyone had it and I'm like, oh,
• 17:21
  Speaker 3: it's my Ikea lamp.
• 17:22
  Speaker 4: That's funny. Yeah, there's there's an episode where Lorlai uh
• 17:26
  Speaker 4: picks up a clock and looks at it, and I
• 17:28
  Speaker 4: have the same.
• 17:29
  Speaker 3: Clock probably Ikiara Target.
• 17:32
  Speaker 1: It's not.
• 17:32
  Speaker 4: It wasn't for my Kia, but yeah, it's funny. Just
• 17:35
  Speaker 4: how you know, stuff gets popular at the time and
• 17:37
  Speaker 4: then yeah, buy it. Okay, so let's see what else
• 17:49
  Speaker 4: do we have. Okay, what did you think about the
• 17:53
  Speaker 4: scene with where Max was on the porch with Rory
• 17:59
  Speaker 4: and Dean and he's like it's after eleven and then
• 18:03
  Speaker 4: he had kind of the argument with Laureli.
• 18:06
  Speaker 3: Yeah, so I guess let's talk about this all as
• 18:08
  Speaker 3: a whole. I think he has a point. However, I
• 18:12
  Speaker 3: think he has a point about wanting to be in
• 18:14
  Speaker 3: Rory's life because at the end of the day, they're
• 18:16
  Speaker 3: going to be a family. However, I think the approach
• 18:20
  Speaker 3: was terrible, and I think laurel I's response was terrible. Yeah, so,
• 18:26
  Speaker 3: like I think, big picture thinking about it, I'm like, yeah,
• 18:29
  Speaker 3: like I think he does if he's going to be
• 18:31
  Speaker 3: her stepdad, not that he needs to like discipline her,
• 18:34
  Speaker 3: but like he does need to be involved in some way.
• 18:38
  Speaker 3: And like I kind of didn't like how Lorlai was like, well,
• 18:39
  Speaker 3: she's grown, you didn't need to do anything, And it's like, well,
• 18:41
  Speaker 3: that's not the point. Like she's still in high school,
• 18:44
  Speaker 3: and you know, if she gets in trouble, what is
• 18:47
  Speaker 3: Max supposed to say, Like, oh, well, I'm not gonna
• 18:49
  Speaker 3: help you because your mom told me that you're grown.
• 18:51
  Speaker 3: I'm not responsible for you. So I think it just
• 18:54
  Speaker 3: shows Laureli's immaturity. But then I also think, like Max
• 18:57
  Speaker 3: Kiman hot.
• 18:58
  Speaker 4: Yeah, yeah, I can definitely see both sides on that.
• 19:03
  Speaker 4: I don't think I mean, clearly we see that Lorla
• 19:08
  Speaker 4: is avoiding thinking about the future, like she's she's bearded
• 19:13
  Speaker 4: out that there's a man in her bedroom. She's just
• 19:16
  Speaker 4: she's weirded out by the whole thing. And so when
• 19:19
  Speaker 4: she tells Max that, like, oh no, I haven't thought
• 19:23
  Speaker 4: about our future, like, I can totally see hurt by that,
• 19:26
  Speaker 4: like absolutely.
• 19:28
  Speaker 3: And this is days before their wedding.
• 19:30
  Speaker 4: Right, so I totally get why he was upset. But
• 19:35
  Speaker 4: at the same time, I did kind of see her
• 19:36
  Speaker 4: point that you know, you know, Rory's not going to
• 19:40
  Speaker 4: come home drunk one day, that's just not who Rory is.
• 19:44
  Speaker 3: Well, but I do have to argue with that because
• 19:46
  Speaker 3: things change in college. Like I know people who were
• 19:51
  Speaker 3: goodie two shoes in high school and then college came
• 19:53
  Speaker 3: around and it was like who is that person? So
• 19:55
  Speaker 3: I actually personally don't agree with that, but like, I
• 19:59
  Speaker 3: get what you're saying is like, usually you don't see
• 20:03
  Speaker 3: that personality in Rory, So you're like, well, I'm not
• 20:06
  Speaker 3: gonna I'm not gonna worry about that right now.
• 20:08
  Speaker 4: Yeah, And I mean, yeah, people do definitely change, and
• 20:11
  Speaker 4: there's a difference between high school to college. But this
• 20:13
  Speaker 4: is only like the first day of her junior year,
• 20:15
  Speaker 4: so she's not even you know, she's still just this
• 20:19
  Speaker 4: goody two shoes high school kid. So I did kind
• 20:23
  Speaker 4: of see lorealized point.
• 20:24
  Speaker 3: That, you know, yeah, she has a boyfriend. They like
• 20:27
  Speaker 3: the boyfriend be.
• 20:28
  Speaker 4: Max's responsibility to provide any discipline. It would be something
• 20:33
  Speaker 4: that like he and Lorelai would discuss.
• 20:36
  Speaker 3: Well, that's the thing. It should be a discussion, like
• 20:38
  Speaker 3: the fact that he's like, why I should discipline her?
• 20:40
  Speaker 3: However he worded it, I was just like whoa whoah,
• 20:43
  Speaker 3: Like let's.
• 20:43
  Speaker 4: Yeah, he's like, what am I what do I do?
• 20:45
  Speaker 4: And she's like, you do nothing?
• 20:47
  Speaker 3: That part, yes, that part I you do nothing should
• 20:51
  Speaker 3: have been followed by you do nothing, you come back
• 20:55
  Speaker 3: to me, we have a talk together. Then we talked
• 20:57
  Speaker 3: to her together.
• 20:58
  Speaker 4: Right, exactly exactly.
• 20:59
  Speaker 3: I also, I'm glad. I also was thinking, like take
• 21:03
  Speaker 3: Christopher out of it, But you would also be like, well,
• 21:04
  Speaker 3: her dad would also need to be involved in the conversation.
• 21:07
  Speaker 3: But with the Christopher, we know he's not involved, so
• 21:10
  Speaker 3: really would just be Laura I right, But if it
• 21:13
  Speaker 3: was a marriage or sorry, if it was a divorce,
• 21:16
  Speaker 3: that both parties were fully involved one hundred percent of
• 21:20
  Speaker 3: the time, it would be a conversation between the three of.
• 21:22
  Speaker 4: Them, right right for sure?
• 21:24
  Speaker 3: Which, now, can we jump over to Christopher while we're here?
• 21:27
  Speaker 1: Yes, I literally.
• 21:29
  Speaker 3: You know it's funny because I'm like this. By the way,
• 21:32
  Speaker 3: this episode came up a lot quicker in this season
• 21:34
  Speaker 3: than I expected. I was like, wow, episode three, we're already,
• 21:37
  Speaker 3: We're already here. The second they were in line for
• 21:40
  Speaker 3: that club, I was like, oh, this is when she
• 21:42
  Speaker 3: calls Christopher when I knew it was coming. And also
• 21:46
  Speaker 3: like it was the first time where I was like,
• 21:50
  Speaker 3: I'm really proud of Emily. Yeah, it was like Emily
• 21:53
  Speaker 3: was I mean, she was definitely Emily saying like, oh
• 21:55
  Speaker 3: you're late, blah blah. But she came, she had a cocktail.
• 21:59
  Speaker 4: Nice for her to come.
• 22:00
  Speaker 1: I thought it was cute.
• 22:01
  Speaker 3: Yeah, and there was Actually it was kind of nice
• 22:03
  Speaker 3: that there was no arguing between the two of them. Yes, yes,
• 22:06
  Speaker 3: And I thought the story with Richard was very like,
• 22:09
  Speaker 3: you know, very sweet, like's how he met but like
• 22:12
  Speaker 3: LORELEI like, you really were thinking of Christopher when Rory's
• 22:17
  Speaker 3: texting Dean and yeah, miss Patty's texting her eighth husband
• 22:21
  Speaker 3: or no, she does wasn't texting. It was Suki. He
• 22:23
  Speaker 3: was texting Jackson. Where did Christopher come from? Like, I
• 22:27
  Speaker 3: understand the storyline needed to be like jumbled up a bit,
• 22:30
  Speaker 3: but it was like, what, Yeah, here at your bachelorette
• 22:34
  Speaker 3: to Mary the wedding. You're going to Mary, Max and
• 22:39
  Speaker 3: you call Rory's dad.
• 22:42
  Speaker 4: Yeah. I My husband was watching you with me last
• 22:45
  Speaker 4: night and he said the same thing. He's like, why
• 22:47
  Speaker 4: is she calling Chris?
• 22:48
  Speaker 3: It was just so left field.
• 22:50
  Speaker 4: Yeah. The only thing I can think of is really
• 22:53
  Speaker 4: that they were just trying to show how she is.
• 22:59
  Speaker 4: She's having second thoughts, like deep down, she's feeling like
• 23:02
  Speaker 4: this isn't quite right. And I feel like she almost
• 23:06
  Speaker 4: called Christopher because she asked him. She's like, you can
• 23:08
  Speaker 4: picture me married, right, Like she's looking for some kind
• 23:11
  Speaker 4: of external reassurance that this is the right thing. I
• 23:16
  Speaker 4: don't know why she thought Christopher would provide that.
• 23:19
  Speaker 3: Also the fact that Christopher didn't even know Max, like, yeah,
• 23:23
  Speaker 3: he didn't know anything. Oh you're engaged. When did that happen?
• 23:26
  Speaker 3: And then but you know, we did need that part
• 23:29
  Speaker 3: for her to be like, oh, well we were dating
• 23:31
  Speaker 3: and then we broke up. Then we got back together
• 23:33
  Speaker 3: and suddenly we were engaged, and it was like when
• 23:34
  Speaker 3: you put in that timeline, you're like, yeah, she really
• 23:38
  Speaker 3: needed she needed that moment to say it out loud,
• 23:40
  Speaker 3: to actually realize, right, you jumped into this very quickly.
• 23:45
  Speaker 4: Yeah.
• 23:46
  Speaker 3: And it's still summer, by the way, like right, like
• 23:49
  Speaker 3: summer is about to end.
• 23:50
  Speaker 4: It's it's ending. Because that scene we were just talking
• 23:53
  Speaker 4: about in the kitchen with the weird angle, Rory says
• 23:56
  Speaker 4: something about it being the first day of school.
• 23:59
  Speaker 3: Well, no, it was about to be the first day
• 24:00
  Speaker 3: of school, right, She's not missing the first day of
• 24:03
  Speaker 3: school to go on this road trip with Laura La.
• 24:05
  Speaker 3: It's like a couple of days away. Oh maybe maybe, yeah,
• 24:08
  Speaker 3: I think it's about to be the first day of school. Yeah, yeah,
• 24:11
  Speaker 3: because yeah, because then she was like okay, well where
• 24:13
  Speaker 3: are we going and how long? And yeah, which isn't
• 24:17
  Speaker 3: that Sorry I'm jumping around, But the scene at the
• 24:22
  Speaker 3: traffic light when they're looking isn't that from one of
• 24:24
  Speaker 3: the show opens. Oh I think you're right, Yeah it was.
• 24:30
  Speaker 3: It was Rory's head tilt that got me. Maybe not now,
• 24:34
  Speaker 3: maybe like seasons down from.
• 24:35
  Speaker 4: Yeah, maybe later because I think the season one one
• 24:38
  Speaker 4: was from when they pulled up to Chilton.
• 24:41
  Speaker 3: Oh, but it was kind of the same if you
• 24:42
  Speaker 3: think about it was kind of like the same.
• 24:44
  Speaker 4: Yeah, it's kind of a repeat because they both were
• 24:46
  Speaker 4: leaning like out.
• 24:47
  Speaker 3: There, which, wait, maybe this is this is a stretch,
• 24:52
  Speaker 3: but hear me out, could that be like a like
• 24:56
  Speaker 3: sign of like that moment when she was looking out
• 24:58
  Speaker 3: and looking at Chilton kind of like her future and
• 25:01
  Speaker 3: then now it's kind of like the future of Loralai.
• 25:03
  Speaker 3: Oh maybe I don't know, this is a real stretch,
• 25:06
  Speaker 3: but trying to because it really was like the same way,
• 25:12
  Speaker 3: like the same. It was the same angle for sure. Yeah,
• 25:16
  Speaker 3: and then the way that Rory like tilts her head,
• 25:19
  Speaker 3: it was kind of the same.
• 25:20
  Speaker 4: Yeah, yeah, it could be who knows. Going back the
• 25:24
  Speaker 4: scene before they go to the club where they're standing
• 25:27
  Speaker 4: outside Luke's and the whole town is there and they're
• 25:31
  Speaker 4: doing the whole stoplight thing with the little lady crossing
• 25:34
  Speaker 4: the street. This is another one that I always laugh
• 25:40
  Speaker 4: when I see this. When they show when the camera
• 25:43
  Speaker 4: is facing Lauren, it's about I don't know, maybe halfway
• 25:47
  Speaker 4: into the scene. It's pretty far into the scene.
• 25:50
  Speaker 1: There are there are.
• 25:51
  Speaker 4: Shots where you can see the sound guy in the shot.
• 25:56
  Speaker 4: He's like kneeling on the ground in the crowd. Yeah,
• 25:59
  Speaker 4: Like they show Lauren and then to her to our right,
• 26:04
  Speaker 4: Lauren's left. Okay, there's a guy kneeling on the ground
• 26:07
  Speaker 4: that he's got like the headphones on, and you can
• 26:10
  Speaker 4: tell that he's like the sound guy.
• 26:12
  Speaker 3: Poor guy, he was just trying to hide.
• 26:14
  Speaker 4: I know, So how did nobody notice that he was
• 26:18
  Speaker 4: in the shot?
• 26:19
  Speaker 3: Honestly, if if I were that guy, that would be
• 26:21
  Speaker 3: like my profile picture on Instagram, Like it would be
• 26:25
  Speaker 3: like in my description, like I was the guy I
• 26:27
  Speaker 3: kneeled down Season two, episode three of Gilmore Girls. Honestly,
• 26:32
  Speaker 3: it's kind of iconic. Yeah, And why I did you
• 26:35
  Speaker 3: feel bad? Because most of the time those people, like
• 26:37
  Speaker 3: I've seen people with like the boom mics, like moving
• 26:39
  Speaker 3: of other shows and stuff. I'm like, man, they're just
• 26:41
  Speaker 3: trying to do their job and they actually get caught
• 26:43
  Speaker 3: into this frame.
• 26:45
  Speaker 4: Yeah.
• 26:45
  Speaker 3: Yeah, it's also not really their fault because they're not
• 26:49
  Speaker 3: the one looking at the right the playback monitor, so
• 26:55
  Speaker 3: it's someone else who has to tell them, but no
• 26:56
  Speaker 3: one did so yeah.
• 26:58
  Speaker 4: Exactly, Like I don't know how they didn't. How could
• 27:00
  Speaker 4: they have been looking at the monitor and not see
• 27:02
  Speaker 4: the guy, like, because he's you could see like in
• 27:05
  Speaker 4: plain video. It's not even like part of him, it's
• 27:07
  Speaker 4: like his the whole side of his face.
• 27:10
  Speaker 3: I mean, as someone who didn't recognize it, I guess
• 27:13
  Speaker 3: the people on set. But it's probably like a long
• 27:17
  Speaker 3: day of shooting. Oh and again, also, it could come
• 27:19
  Speaker 3: back to that was the best scene and unfortunately he
• 27:23
  Speaker 3: was in it, and they were like, well, we're gonna
• 27:24
  Speaker 3: go with this, with this.
• 27:25
  Speaker 4: Yeah, they're like, probably no one in the lotus. It's fine.
• 27:28
  Speaker 3: Again twenty five years later, they never thought you and
• 27:30
  Speaker 3: I'd be sitting here talking about this poor man. I
• 27:32
  Speaker 3: wonder where he is.
• 27:33
  Speaker 4: We were coming.
• 27:34
  Speaker 3: Yeah, we should look up. This is a stretch again,
• 27:38
  Speaker 3: we should look up like the Sorry, was he a
• 27:41
  Speaker 3: sound guy?
• 27:42
  Speaker 4: I think so?
• 27:42
  Speaker 1: Yeah.
• 27:43
  Speaker 3: On IMDb, sound people are always listed. Oh yeah, I
• 27:47
  Speaker 3: wonder if I can find him, just because I want
• 27:49
  Speaker 3: to know what else he's working or Scott might know. True,
• 27:53
  Speaker 3: we do have a source and he was in the scene.
• 27:56
  Speaker 3: Scott's like, oh that's Bob, you know.
• 27:58
  Speaker 4: Yeah.
• 28:00
  Speaker 3: Scott's like I talked to them all the time, but no,
• 28:04
  Speaker 3: like it's always I always wonder, like what other show.
• 28:07
  Speaker 3: That's the thing is, like I'm such a nerd for
• 28:09
  Speaker 3: these things. I'm always like, what other show did you
• 28:10
  Speaker 3: work on? Because a lot of times these people have
• 28:12
  Speaker 3: worked on like hundreds of sets, oh with like the
• 28:15
  Speaker 3: coolest actors, and like you'll probably find out they worked
• 28:19
  Speaker 3: on some crazy movie like that is a classic, now,
• 28:22
  Speaker 3: you know.
• 28:23
  Speaker 1: Right right? Yeah.
• 28:24
  Speaker 4: I think I can't remember if I've mentioned it on
• 28:26
  Speaker 4: the podcast before or not, but my grandmother worked for
• 28:30
  Speaker 4: Warner Brothers back in the thirties and she did hair
• 28:34
  Speaker 4: and makeup, and so she knew everybody. And so those
• 28:38
  Speaker 4: those like behind the scenes people, like they they never
• 28:42
  Speaker 4: get recognition because they're not on camera and they're not
• 28:45
  Speaker 4: the big stars, but they know everyone.
• 28:48
  Speaker 3: That's It's funny, like I think people don't realize like
• 28:52
  Speaker 3: Hollywood is and I say Hollywood meaning like the entertainment
• 28:56
  Speaker 3: industry is very small. Yeah, Like I've run into people
• 29:00
  Speaker 3: who I'm like, oh, I've met you through this person
• 29:03
  Speaker 3: and this job, and like, mind you the talent, you
• 29:07
  Speaker 3: rarely will remember you or or they meet so many
• 29:10
  Speaker 3: people you work with someone even if it's like an email,
• 29:13
  Speaker 3: like I remember I met someone recently who I introduced
• 29:17
  Speaker 3: myself and she introduced herself and we both look at
• 29:19
  Speaker 3: each other were like, is this the first time we're
• 29:21
  Speaker 3: meeting what We've been on emails with each other since
• 29:23
  Speaker 3: like twenty nineteen, And she's like, oh my god, yeah,
• 29:25
  Speaker 3: and like but you know, she's like a normal name,
• 29:27
  Speaker 3: so it could be anyone, right, So but it's funny,
• 29:30
  Speaker 3: yuck like you you're right, like all these people behind
• 29:33
  Speaker 3: the scenes, like they all know each other, but yeah,
• 29:36
  Speaker 3: the actors are who is recognized on on screen.
• 29:40
  Speaker 4: Right, right? So I know we're we're running a little
• 29:43
  Speaker 4: long here, but I want.
• 29:43
  Speaker 3: To sorry, we're being chatty Kathy's today.
• 29:47
  Speaker 4: Two more things. One, Luke bringing the hoopah, oh yeah,
• 29:52
  Speaker 4: cu'te a scene.
• 29:53
  Speaker 3: I just the detail on that thing. I was like,
• 29:56
  Speaker 3: good job, Luke.
• 29:57
  Speaker 4: Yeah, I mean it's just clear. Well, and you saw
• 30:00
  Speaker 4: in the scene at the diner when he was kind
• 30:03
  Speaker 4: of being snotty about the pancakes. You can see like
• 30:06
  Speaker 4: he's this isn't sitting well with him, like he's not
• 30:09
  Speaker 4: really excited about this marriage, but he's still he still
• 30:12
  Speaker 4: wants to support her, and so he goes to the
• 30:16
  Speaker 4: time to carve this.
• 30:18
  Speaker 3: When he was like, what was it? What wasn't in
• 30:21
  Speaker 3: the pictures? Like, oh, I made it anyway. It was
• 30:22
  Speaker 3: like a dove or something. Goat goa there we go.
• 30:26
  Speaker 3: I was like he said something, and I'm like the
• 30:29
  Speaker 3: detail on this thing.
• 30:31
  Speaker 4: Yeah, cute scene. And then the obviously the way that
• 30:35
  Speaker 4: it frames the very end of that scene where the
• 30:37
  Speaker 4: two of them are standing together under like, obviously we're
• 30:41
  Speaker 4: supposed to take note of that. But yeah. And then
• 30:44
  Speaker 4: the only other thing I noticed the very very very
• 30:47
  Speaker 4: end of the episode, literally the last shot there when
• 30:52
  Speaker 4: they're in the car and they're going and there's that
• 30:55
  Speaker 4: crane shot where you they're stopped at the stop light
• 30:58
  Speaker 4: and they're like waiting for the stoplight to turn. Yeah,
• 31:00
  Speaker 4: the door of Luke's Diner is wide open.
• 31:04
  Speaker 3: I did notice that actually, because I was trying to
• 31:06
  Speaker 3: look at the angle and I saw like the hardwork
• 31:08
  Speaker 3: store and I'm like, wait, the door's open.
• 31:09
  Speaker 4: Yeah, and it's supposed to be like they talk about
• 31:12
  Speaker 4: how there's nobody in town, like it's supposed to be
• 31:14
  Speaker 4: it's like five day. Yeah, it's not like it's open
• 31:17
  Speaker 4: because people are going in and out. Maybe it was
• 31:20
  Speaker 4: already opened I know he opens early, but I don't know.
• 31:23
  Speaker 4: Maybe it was Maybe it was symbolic.
• 31:27
  Speaker 3: I like to think, so we can say that, or
• 31:28
  Speaker 3: it was just someone who forgot to close the door.
• 31:30
  Speaker 4: Or someone forgot to close the door.
• 31:31
  Speaker 3: I don't know. Either way, we'll go with symbolic. Yeah,
• 31:36
  Speaker 3: doors open to Luke's always if you got to run away,
• 31:38
  Speaker 3: you gotta run to Luke. His heart's always open for
• 31:42
  Speaker 3: a Laura. I'm telling you, oh Man, Well, I mean basically,
• 31:47
  Speaker 3: this is a pretty good episode. We're off to a
• 31:49
  Speaker 3: good start season two. Yeah, and I know this next
• 31:52
  Speaker 3: episode very well. It's actually one of my favorites season
• 31:56
  Speaker 3: two episode four, the road Trip to Harvard. Yeah, I
• 31:59
  Speaker 3: was really realize that uh Rory is growing up.
• 32:03
  Speaker 4: Yeah, I like I like this, both of these episodes.
• 32:06
  Speaker 2: I like.
• 32:06
  Speaker 3: Yeah, they're great.
• 32:07
  Speaker 4: Red Light on the Wedding Night and road Trip to
• 32:09
  Speaker 4: Harvard this is great too.
• 32:10
  Speaker 3: Yeah, they're great. All right, we will see you next week.
• 32:13
  Speaker 1: Meeting adjourned, Everybody Insult Forget.
• 32:44
  Speaker 2: Follow us on Instagram at I Am all In podcast,
• 32:48
  Speaker 2: and email us at Gilmore at iHeartRadio dot com.
• 33:00
  Speaker 3: Eh