Latest / Luke's English Podcast / MC TUTO_ MC JOÃOZINHO VT_ MC VINE7 _ MC KAKO - Podpah _1058

Transcript

MC TUTO_ MC JOÃOZINHO VT_ MC VINE7 _ MC KAKO - Podpah _1058 · Luke's English Podcast

• 0:21
  Speaker 1: Amazon Prime Day, 1 to 7 of July.
• 0:23
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• 0:27
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• 0:30
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  Speaker 1: You'll never understand.
• 0:31
  Speaker 5: Guaraná Antarctica.
• 0:32
  Speaker 3: Being a fan is our thing.
• 0:53
  Speaker 6: Let's do this, let's start the first Podpá of the week.
• 1:02
  Speaker 3: I want to ask for.
• 1:02
  Speaker 6: Applause, because we're.
• 1:05
  Speaker 3: With Platé here today.
• 1:08
  Speaker 7: Fuck!
• 1:09
  Speaker 8: It looks like rain!
• 1:18
  Speaker 1: No, I like it when MC comes and the whole
• 1:19
  Speaker 1: crew comes.
• 1:20
  Speaker 8: It's a bond.
• 1:21
  Speaker 5: That's it, man.
• 1:22
  Speaker 8: Are you okay, my Chiquinho de Osasco?
• 1:24
  Speaker 5: I'm okay, Kid John do Pará.
• 1:25
  Speaker 8: Thank God.
• 1:25
  Speaker 5: Let's start. Our Lord Jesus Christ. The Savior of Heaven
• 1:28
  Speaker 5: and Earth. Because he's with us.
• 1:30
  Speaker 8: He's with us and he's not against us.
• 1:32
  Speaker 5: You know, man. Let's go, young man. Are you okay?
• 1:34
  Speaker 1: Today the table is surrounded by people.
• 1:38
  Speaker 5: Are you okay? I'm okay. What a beautiful jacket.
• 1:41
  Speaker 1: What an elegant look.
• 1:42
  Speaker 5: You're a nice guy today, man.
• 1:43
  Speaker 8: You're also, man.
• 1:44
  Speaker 1: Is it from Brazil down there?
• 1:46
  Speaker 5: No, it's from Jamaica. We were watching Argentina. Messi, son
• 1:51
  Speaker 5: of a bitch.
• 1:51
  Speaker 1: I was so happy because I was going to take
• 1:54
  Speaker 1: the weight off Brazil.
• 1:55
  Speaker 5: Argentina lost too, so fuck it. It's the Lionel, right?
• 1:57
  Speaker 8: The guy is too much.
• 2:05
  Speaker 9: Before we introduce our guests, I need to talk about
• 2:08
  Speaker 9: our sponsors, Mítico Jovem. Let's start with Guaraná Antarctica. The
• 2:11
  Speaker 9: commemorative cans inspired by the champions of our team are
• 2:15
  Speaker 9: in the area. And it's worth asking to collect them all.
• 2:27
  Speaker 9: These cans are also worth the promotion. Guaraná roulette, which
• 2:31
  Speaker 9: I talked about recently here at Podpá. So you put
• 2:34
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• 2:37
  Speaker 5: A round in the roulette.
• 2:38
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  Speaker 9: there's a lot of chance, Mítico Jovem.
• 2:43
  Speaker 5: Look at this PlayStation.
• 2:44
  Speaker 8: Look at this.
• 2:45
  Speaker 5: PlayStation 5 here, brother. This painting there is a mess, huh?
• 2:48
  Speaker 8: Ah, it's just the console, isn't it?
• 2:49
  Speaker 5: No, no, the controller too. It's all here, look. Beautiful.
• 2:51
  Speaker 5: It looks like a... a beehive.
• 2:54
  Speaker 8: Wow, that's true.
• 2:55
  Speaker 5: Or a fly, that flea market fly. You say that
• 2:57
  Speaker 5: in Pará.
• 2:57
  Speaker 8: This is a flea market fly.
• 3:00
  Speaker 5: No, in Osasco they also say that in Osasco. Really?
• 3:03
  Speaker 8: I thought it was only on my land.
• 3:05
  Speaker 5: When my mother sent the flea market fly.
• 3:07
  Speaker 1: Look that GTA is coming there.
• 3:10
  Speaker 5: It's true, there's a lot coming there.
• 3:12
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• 3:13
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• 3:16
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• 3:20
  Speaker 5: And what are you rooting for, Mítico Jovem?
• 3:21
  Speaker 8: It's our thing, my boss. What's your favorite color here?
• 3:24
  Speaker 9: I like blue, because it's the only blue, which is
• 3:27
  Speaker 9: this one. But my favorite is the 94, because it
• 3:31
  Speaker 9: seems to have.
• 3:32
  Speaker 8: A kind of golden color. Kind of golden, but the
• 3:34
  Speaker 8: 2002 is also nostalgic.
• 3:35
  Speaker 5: Ah, they're all cool.
• 3:37
  Speaker 3: Mítico Jovem!
• 3:40
  Speaker 9: Falar do nosso patrocinador Master Mítico Jovem, falar de Amazon
• 3:45
  Speaker 9: é hoje. Aproveite o Amazon Prime Day que te dá
• 3:48
  Speaker 9: até 80% off. Cê é louco, ó. Every day is
• 3:52
  Speaker 9: Amazon Day, bro. Every day is Amazon Day.
• 3:55
  Speaker 5: Exactly, Mítico.
• 3:55
  Speaker 9: There are millions of coupons, free shipping, and it's until today,
• 3:59
  Speaker 9: July 7th, exclusive for Prime members.
• 4:01
  Speaker 5: Enjoy it, guys. Enjoy it.
• 4:03
  Speaker 9: But remembering also that Amazon will come tomorrow and say, promotion,
• 4:07
  Speaker 9: because every time is promotion, the thing is very good,
• 4:08
  Speaker 9: the delivery is fast, normally it's from one day to
• 4:10
  Speaker 9: the other, depending on what you ask.
• 4:12
  Speaker 5: Amazon, who's there, is us.
• 4:13
  Speaker 1: Download the app and there's everything there, bro.
• 4:15
  Speaker 8: It's serious. Until you think you won't.
• 4:18
  Speaker 5: Black to paint... There will.
• 4:19
  Speaker 8: Be everything there.
• 4:20
  Speaker 5: The car, you know... All of it. T-shirts to put
• 4:23
  Speaker 5: on the rearview mirror. All of it.
• 4:26
  Speaker 10: Dolls.
• 4:27
  Speaker 5: Socks for swimming. Socks for shoes. There are also.
• 4:29
  Speaker 1: Seriously, sometimes you're looking for a sock, there's one. Download
• 4:33
  Speaker 1: the app. Use all the coupons there. Let's go, my brother.
• 4:36
  Speaker 1: Amazon is us, you see? Socks for shoes. Amazon is
• 4:39
  Speaker 1: a promotion every day. You guys are awesome. Socks for shoes.
• 4:42
  Speaker 1: Receive with great affection.
• 4:43
  Speaker 3: Make a lot of noise.
• 4:44
  Speaker 5: Drop this studio. Clap your hands for real. Scream. Story Rojões.
• 4:47
  Speaker 5: You can turn it on too.
• 4:49
  Speaker 11: Look.
• 4:52
  Speaker 5: Our guests for today are MC Vini7, Joãozinho VT, MC
• 4:54
  Speaker 5: Tutu and MC Kako! Let's go, let's go, let's go!
• 4:56
  Speaker 3: That's it, that's the energy!
• 4:59
  Speaker 5: That's it! Fuck! Let's go!
• 5:01
  Speaker 3: Let's go! Let's go!
• 5:04
  Speaker 7: Let's go!
• 5:05
  Speaker 5: Let's go! Let's go!
• 5:06
  Speaker 6: Let's go!
• 5:06
  Speaker 7: Let's go!
• 5:07
  Speaker 5: Let's go!
• 5:07
  Speaker 10: Let's go!
• 5:08
  Speaker 11: Let's go!
• 5:08
  Speaker 5: Let's go! Let's go!
• 5:10
  Speaker 3: Let's go!
• 5:10
  Speaker 5: Let's go! Let's go!
• 5:11
  Speaker 11: Let's go!
• 5:11
  Speaker 5: Let's go! Let's go!
• 5:12
  Speaker 8: Let's go! Let's go!
• 5:13
  Speaker 5: Let's go!
• 5:14
  Speaker 8: Let's go!
• 5:14
  Speaker 1: Let's go! Let's go!
• 5:15
  Speaker 5: Let's go!
• 5:22
  Speaker 10: Is it hard to meet you guys or.
• 5:25
  Speaker 8: Is it easy?
• 5:26
  Speaker 1: Or is it only in the studios that you guys.
• 5:30
  Speaker 7: Are fighting each other?
• 5:33
  Speaker 8: Only in the studio, man.
• 5:34
  Speaker 10: What a mess. Each one to one side, to the other.
• 5:37
  Speaker 5: Yeah, I imagine, man.
• 5:38
  Speaker 8: I ask this because of the cork, the trap, right, man?
• 5:40
  Speaker 9: Where each one is, you don't need to say exactly,
• 5:43
  Speaker 9: but are you guys living close by?
• 5:46
  Speaker 5: No, the guys live far from Tuto and Gil. No, Tuto.
• 5:49
  Speaker 7: No, Tuto.
• 5:50
  Speaker 5: Tuto lives where, you know, the eagles rest? There in
• 5:52
  Speaker 5: the mountain, up there. He's alone there, bro. He lives
• 5:56
  Speaker 5: far away. My businessmen also live with me, Johnzinho's father,
• 5:59
  Speaker 5: the guys.
• 5:59
  Speaker 6: Yeah?
• 5:59
  Speaker 12: Is everything there? Yeah, even the condo. He stayed at
• 6:02
  Speaker 12: your house, my brother.
• 6:02
  Speaker 5: Yeah, I stayed there for a while. You lived with
• 6:05
  Speaker 5: Tuto for a while?
• 6:06
  Speaker 10: No, I lived in the same condo as him.
• 6:08
  Speaker 5: I lived there for about four years. Then now.
• 6:15
  Speaker 10: I'm living in Osasco again.
• 6:17
  Speaker 5: Did you miss it, bro?
• 6:18
  Speaker 4: Ah, it's a little closer to work, right, bro? It's
• 6:21
  Speaker 4: a break too, I don't know how.
• 6:23
  Speaker 1: But it's awesome, right? It's far to come to São Paulo.
• 6:26
  Speaker 5: Yeah, it's a little.
• 6:27
  Speaker 8: How long is it, more or less?
• 6:28
  Speaker 10: Ah, it's about 45, right? If you don't get traffic, right?
• 6:31
  Speaker 11: Yeah.
• 6:31
  Speaker 10: 45 minutes, right?
• 6:32
  Speaker 4: If you don't get it. He's calmer now, to take
• 6:35
  Speaker 4: him out of the house is already a bad job, so...
• 6:37
  Speaker 4: I have a studio at home, so I like to
• 6:39
  Speaker 4: stay at home.
• 6:39
  Speaker 10: He even records himself, right?
• 6:41
  Speaker 9: Tuto, I'm like you, brother. If possible, I would never
• 6:44
  Speaker 9: want to leave my house. I like to have fun
• 6:46
  Speaker 9: at my house, I like it when my friends go
• 6:48
  Speaker 9: to my house, and if possible, I would work at
• 6:50
  Speaker 9: my house and not leave there, and I would stay
• 6:53
  Speaker 9: in a private prison, almost.
• 6:54
  Speaker 5: I swear, man, I like to stay at home a lot.
• 6:56
  Speaker 5: I'm like that too. I like to stay at home, calm.
• 6:59
  Speaker 5: And you, man?
• 7:01
  Speaker 7: Because he's 22 years.
• 7:01
  Speaker 5: Old, right? He shouldn't be enjoying staying at home at
• 7:04
  Speaker 5: this moment. We wake up.
• 7:05
  Speaker 10: Wanting to go to the street to work, come back late,
• 7:06
  Speaker 10: it's crazy. We don't have appetite, right? We play all
• 7:10
  Speaker 10: the time, we already.
• 7:12
  Speaker 13: Trick the kids, we go to the studio, we do
• 7:14
  Speaker 13: a lot of things, we can't stay at home, you know?
• 7:16
  Speaker 10: But what is.
• 7:16
  Speaker 9: The frequency that you are going to the studio? Because
• 7:19
  Speaker 9: I see that you have a very high frequency of releases, bro,
• 7:21
  Speaker 9: and songs together too.
• 7:23
  Speaker 13: Bro, the thing is that we don't even have to
• 7:25
  Speaker 13: go to the studio, we go there to sleep and.
• 7:27
  Speaker 10: We end up doing two, three.
• 7:29
  Speaker 5: But how does it start?
• 7:30
  Speaker 9: Ok, so you guys signed up to go to Sonar
• 7:31
  Speaker 9: and maybe get together and eat a barbecue.
• 7:34
  Speaker 5: How come you're playing a beat and you're composing it
• 7:36
  Speaker 5: out of nowhere?
• 7:37
  Speaker 13: Man, it's like, out of nowhere, we go to Sonar
• 7:39
  Speaker 13: without making any compromises or anything. We go to the
• 7:41
  Speaker 13: little house, you know? Because music for us is a
• 7:44
  Speaker 13: lot of energy too, you know? But who is the
• 7:46
  Speaker 13: bad guy, in quotes, who sees you all together and.
• 7:49
  Speaker 3: Out of nowhere, because there's no incentive.
• 7:51
  Speaker 4: No, it's that we stay there, in the review, exchanging
• 7:53
  Speaker 4: a lot of ideas. The idea will go far away,
• 7:55
  Speaker 4: it will go far away. Sooner or later they will say, bro,
• 7:58
  Speaker 4: let's do a pura. Hey, Gu, are you with the
• 7:59
  Speaker 4: beat on your chest? The day you're close, we'll say,
• 8:01
  Speaker 4: let's do a pura?
• 8:02
  Speaker 10: Let's go.
• 8:03
  Speaker 5: Then pull.
• 8:04
  Speaker 4: You can write a part of each song together. And
• 8:06
  Speaker 4: there are days when you guys say, guys, let's not
• 8:08
  Speaker 4: do shit today.
• 8:08
  Speaker 8: Let's just be nice. There are many, right?
• 8:10
  Speaker 5: Yes, right?
• 8:10
  Speaker 1: Because it's also part of it. There are days when
• 8:11
  Speaker 1: creativity doesn't come. No, Caco knows how to talk a lot.
• 8:14
  Speaker 10: He's more calm, right?
• 8:15
  Speaker 5: He takes a little while to write.
• 8:32
  Speaker 1: But how is your rhythm then? Like yesterday, yesterday I
• 8:35
  Speaker 1: was at home too.
• 8:37
  Speaker 14: I took a long time to learn how to record myself.
• 8:38
  Speaker 14: The guys already record themselves.
• 8:40
  Speaker 5: You too, right?
• 8:41
  Speaker 7: You started recording yourself. Yeah, I'm recording myself.
• 8:45
  Speaker 10: And then at home, I feel.
• 8:46
  Speaker 14: That my head is composing, I can unwind better. But
• 8:49
  Speaker 14: I'm always in the studio.
• 8:50
  Speaker 11: Too, man.
• 8:50
  Speaker 7: The guys mainly. You can lose the rhythm, it's good
• 8:54
  Speaker 7: at home, but.
• 8:54
  Speaker 10: It's because I feel very at home on the sonar there, right?
• 8:56
  Speaker 7: So it's time to show that I can do it.
• 9:02
  Speaker 14: There are days when I have an affinity, but it's
• 9:06
  Speaker 14: always slow.
• 9:07
  Speaker 5: This rhythm is very key.
• 9:09
  Speaker 9: To give you an idea, the day I went to
• 9:11
  Speaker 9: Tuto's house, we were watching.
• 9:15
  Speaker 5: The celebrities' jets, the planes. We were watching Cristiano Ronaldo's car,
• 9:19
  Speaker 5: the plane for about 6 minutes.
• 9:21
  Speaker 8: Which was the best jet?
• 9:23
  Speaker 5: Cristiano Ronaldo's. I told you, Tuto. It's the best.
• 9:26
  Speaker 8: Do you regret having a jet?
• 9:28
  Speaker 5: It's a breeze, it's a.
• 9:33
  Speaker 7: Breeze, right?
• 9:33
  Speaker 1: The breeze exists, right?
• 9:35
  Speaker 5: Man, I don't have a breeze, man. I'm afraid.
• 9:38
  Speaker 8: I'm very afraid, but, man, it's because you don't see it.
• 9:40
  Speaker 8: There's the life of.
• 9:41
  Speaker 1: The guys who found it for fuck's sake, a race.
• 9:43
  Speaker 8: So, sometimes, a jet gives a save, but.
• 9:45
  Speaker 4: I'm going to tell you that I prefer even the bus, man,
• 9:47
  Speaker 4: than the plane.
• 9:48
  Speaker 7: I love it, man.
• 9:49
  Speaker 5: It's serious.
• 9:50
  Speaker 10: I love the bus, too, man.
• 9:51
  Speaker 5: Take a ride.
• 9:52
  Speaker 7: Take a rest, you know?
• 9:52
  Speaker 14: Then you're going to make a trip to another state, man.
• 9:55
  Speaker 14: Usually the contractor always gets the ticket.
• 9:57
  Speaker 7: At the first time, right?
• 9:58
  Speaker 15: Yes.
• 9:58
  Speaker 14: I think it's also a bit because of the time. value,
• 10:00
  Speaker 14: imagine 10, 15, 20 people traveling.
• 10:02
  Speaker 5: I think it's also to ensure that you get there, right?
• 10:04
  Speaker 3: Yeah.
• 10:05
  Speaker 7: Then you go to Buzão, bro, take a break in Buzão,
• 10:08
  Speaker 7: have a room, go to.
• 10:08
  Speaker 5: Sleep, rest.
• 10:09
  Speaker 1: It's good because it's good to rest, right, bro?
• 10:11
  Speaker 7: Yeah, you get there rested. Now, damn, bro, the airport... And.
• 10:12
  Speaker 9: Doesn't Buzão cause in the city too? That's cool, like,
• 10:15
  Speaker 9: the guys see, like, I'm arriving in such and such city...
• 10:18
  Speaker 9: MC Kako arrived.
• 10:19
  Speaker 5: It's good that planes and jets give better logistics.
• 10:22
  Speaker 12: So you can do 3 shows at night without getting tired.
• 10:25
  Speaker 12: Tuto is more of a jet. It's not that I'm
• 10:28
  Speaker 12: more of a jet, the thing is.
• 10:30
  Speaker 1: To make the money.
• 10:31
  Speaker 5: It's logistics.
• 10:32
  Speaker 12: Tuto, you come from an absurd moment in Funk.
• 10:42
  Speaker 9: How did you plan and live this moment? Because you
• 10:46
  Speaker 9: must have gone crazy, like, man, I slept little, the airport, show, show, show, show, show.
• 10:51
  Speaker 9: How was this moment and what moment are you in now?
• 10:54
  Speaker 9: Is everything calmer or are you still in that rhythm? Because, man, there,
• 10:58
  Speaker 9: in that Barbie thing, in all the other releases that
• 11:00
  Speaker 9: all worked there, I think it was an absurd moment
• 11:04
  Speaker 9: of yours, and I think you still reap the fruits
• 11:05
  Speaker 9: of that moment.
• 11:06
  Speaker 12: Yes, from that time to now, I think a lot
• 11:09
  Speaker 12: has changed. It was the first time I came here,
• 11:11
  Speaker 12: I think in 2024. And we've been.
• 11:13
  Speaker 5: Working, right? Every year we keep hitting every hit, but always....
• 11:20
  Speaker 12: Then others come and reach the top, because no one
• 11:22
  Speaker 12: stays at the top forever, you know? So we are
• 11:24
  Speaker 12: happy that someone always comes, a partner of ours, and
• 11:28
  Speaker 12: goes there.
• 11:29
  Speaker 9: But what is the importance of taking advantage of this moment?
• 11:31
  Speaker 9: Because I imagine how tired you were.
• 11:34
  Speaker 12: I think that in my best moment I think I
• 11:36
  Speaker 12: caught a lot of things, I did a fit with
• 11:39
  Speaker 12: a lot of different people too.
• 11:41
  Speaker 5: It was awesome. I met new areas, cities.
• 11:45
  Speaker 1: Tell us about a crazy day you had. How many
• 11:47
  Speaker 1: gigs did you have? At the time of Barbe, when
• 11:49
  Speaker 1: everything you were doing was going crazy. How many gigs
• 11:52
  Speaker 1: did you have in one night that you said, Jesus Christ, man,
• 11:54
  Speaker 1: is this for real?
• 11:56
  Speaker 5: Man, it's more or less about four gigs at night.
• 11:59
  Speaker 5: The guy is crazy, man.
• 12:01
  Speaker 1: And it's like, there's no way not to take these opportunities, right, brother?
• 12:06
  Speaker 12: Yeah, so the guy has to be light, because because
• 12:08
  Speaker 12: of the show, the amount of shows, There are many
• 12:11
  Speaker 12: who forget to make music. I think those songs are enough,
• 12:14
  Speaker 12: but I don't think so, right?
• 12:15
  Speaker 5: It was the moment when you made the most music, right?
• 12:18
  Speaker 5: It was, it was.
• 12:18
  Speaker 12: I made a lot of music and I also looked
• 12:21
  Speaker 12: at other areas, you know? To diversify into other styles,
• 12:26
  Speaker 12: you know? And that's what made me get here. To
• 12:29
  Speaker 12: keep differentiating and going there. I met other guys who
• 12:32
  Speaker 12: were coming not only from funk, but also from another
• 12:34
  Speaker 12: musical genre.
• 12:35
  Speaker 5: So it made me leave very strong. The key, man.
• 12:37
  Speaker 5: The moment, right? Opened other doors. Vini.
• 12:40
  Speaker 7: Opa.
• 12:40
  Speaker 9: Tuto came here for the first time. You also tried
• 12:43
  Speaker 9: to be a soccer player, right?
• 12:46
  Speaker 5: Yes, we tried. How old were you? I've never played
• 12:48
  Speaker 5: in a place like that. I've been to a lot
• 12:50
  Speaker 5: of teams.
• 12:50
  Speaker 10: I've traveled to a lot of places. Yeah, but I
• 13:01
  Speaker 10: was around 14, 15 years old. Then I started playing funk.
• 13:03
  Speaker 5: Did you ever do any tests? Yeah, I did a
• 13:06
  Speaker 5: few tests.
• 13:06
  Speaker 10: But nothing too much. I'm being honest.
• 13:08
  Speaker 13: You've seen how much I'm good at it. When you
• 13:10
  Speaker 13: were younger, was it more soccer and funk? What was
• 13:12
  Speaker 13: the balance for you? I think it was more soccer.
• 13:15
  Speaker 13: I think I paid more attention to soccer. I really
• 13:17
  Speaker 13: wanted to be a player, but I didn't. I started
• 13:19
  Speaker 13: to work hard, I started to make rhymes.
• 13:26
  Speaker 9: But how does the funk come into your life, brother?
• 13:28
  Speaker 9: Is it an incentive from someone? Is it something that
• 13:30
  Speaker 9: was already at your disposal to sing?
• 13:33
  Speaker 13: Brother, straight talk, I always liked to sing, it was
• 13:35
  Speaker 13: the same thing, straight talk, like school, school stuff, you know?
• 13:38
  Speaker 8: It was always the same thing. You used to put the.
• 13:39
  Speaker 10: Wheels together and you sang.
• 13:40
  Speaker 13: Then I started, like, rhyming stuff, I started, you know,
• 13:42
  Speaker 13: rhyming at school, joking with the boys, then we went
• 13:45
  Speaker 13: to battles, some battles and others like.
• 13:47
  Speaker 10: That, like Tantan, station stuff. Then I was doing some
• 13:50
  Speaker 10: funk lyrics, I was like, why don't you do some funk, man?
• 13:53
  Speaker 7: I don't know, man.
• 13:54
  Speaker 10: I was making some lyrics or something, making.
• 13:56
  Speaker 5: A video or something.
• 13:58
  Speaker 7: When was that?
• 13:59
  Speaker 5: What was that?
• 13:59
  Speaker 6: 2018, 2019.
• 13:59
  Speaker 13: I was making some videos, you know? It was already rhyming, man.
• 14:03
  Speaker 13: I was already giving some shit or something.
• 14:06
  Speaker 5: Was it already 2007?
• 14:08
  Speaker 10: Yeah, I've always been 27.
• 14:09
  Speaker 5: Why? Because of soccer?
• 14:11
  Speaker 10: Yeah, I've always been number 7.
• 14:12
  Speaker 7: It's always been present in my life.
• 14:13
  Speaker 10: I was a fan of V7, Sonar. I've used V7
• 14:14
  Speaker 10: in everything.
• 14:15
  Speaker 13: How did you get to be seen in funk?
• 14:16
  Speaker 7: How did you start.
• 14:17
  Speaker 10: Talking to the kids?
• 14:18
  Speaker 7: A video of mine.
• 14:19
  Speaker 10: Diego, our businessman, ended up watching it.
• 14:35
  Speaker 13: Through a friend of my mother who had a necklace
• 14:36
  Speaker 13: with him, you know? Then I was saying, I was
• 14:39
  Speaker 13: getting bored, you know? Hey, mom, this friend there, how
• 14:42
  Speaker 13: is it?
• 14:42
  Speaker 10: Is Diego there, man? Did you like it or not?
• 14:44
  Speaker 8: How do you want this video? What did you do?
• 14:46
  Speaker 8: How do you want this video?
• 14:47
  Speaker 5: A medley, really.
• 14:48
  Speaker 10: In the quebrada, sending one, you know? Then, like, he
• 14:51
  Speaker 10: liked it, dad. No, it's cool, dad.
• 14:53
  Speaker 5: Are you from Osasco too?
• 14:54
  Speaker 13: I'm not from Osasco, but today I reside there in Osasco.
• 14:57
  Speaker 10: But it's next to Rio Pequeno.
• 14:58
  Speaker 5: Ah, next to it. Yes.
• 14:59
  Speaker 6: Close.
• 15:00
  Speaker 13: Then it was like that, you know? In the middle,
• 15:02
  Speaker 13: he stopped and liked it. Then I went to Sonar,
• 15:04
  Speaker 13: the guys already got to know.
• 15:05
  Speaker 10: Me, you know?
• 15:05
  Speaker 13: Diegão, the father, already gave me a lot of attention,
• 15:09
  Speaker 13: a lot of assistance, you know?
• 15:11
  Speaker 8: When you got there, were the guys already there?
• 15:13
  Speaker 10: No, in fact, the guys were in the fight.
• 15:14
  Speaker 13: Caco was starting to fight, Tutu was also in Gominha,
• 15:18
  Speaker 13: there's a Gominha here, that we lived there, you know?
• 15:21
  Speaker 13: João was also kind of on the walk for a
• 15:23
  Speaker 13: few days, but he still hadn't hit the cold heart,
• 15:25
  Speaker 13: I think, you know?
• 15:26
  Speaker 7: Damn, that's awesome.
• 15:27
  Speaker 5: So you were like, All together.
• 15:30
  Speaker 13: So the guys lived together already.
• 15:33
  Speaker 10: In the first house. That was in Sonar.
• 15:35
  Speaker 9: How was it for you to see... You four there,
• 15:38
  Speaker 9: all together. Like, the first. That lit up. How was
• 15:42
  Speaker 9: that moment? Who was the first? And who was pulling
• 15:45
  Speaker 9: the others? How was it?
• 15:46
  Speaker 7: I think who was it, man? It was from Sonar.
• 15:48
  Speaker 7: It was Versete, wasn't it?
• 15:49
  Speaker 5: It was Versete. It was Versete.
• 15:51
  Speaker 7: São Paulo was red.
• 15:51
  Speaker 11: Abandoned.
• 15:52
  Speaker 5: Yeah, Abandoned.
• 15:53
  Speaker 10: Gabriel was the first. I think he was the first.
• 15:56
  Speaker 10: From the company, it was him.
• 15:58
  Speaker 5: Then I think Lele came. He went to Sonar, we.
• 16:00
  Speaker 8: Live together too.
• 16:02
  Speaker 1: But between you guys, is there a feeling like, bro,
• 16:05
  Speaker 1: he's going to be the next one, bro, he's almost there, is.
• 16:07
  Speaker 7: There a thing like that?
• 16:08
  Speaker 5: We live together too, bro. You can see by the
• 16:11
  Speaker 5: way he's working.
• 16:12
  Speaker 4: By the way he's working, how he's behaving, you know?
• 16:15
  Speaker 4: Even that we say, bro, he's ready for success.
• 16:16
  Speaker 10: Yeah, I was like that, right?
• 16:17
  Speaker 5: He's unwinded.
• 16:18
  Speaker 10: Of you four here, who started to have a little
• 16:19
  Speaker 10: highlight there.
• 16:20
  Speaker 5: First, let's say so? João.
• 16:22
  Speaker 13: João.
• 16:28
  Speaker 5: It was him and João, right?
• 16:30
  Speaker 10: It was Coração Gelado, bro. It was the first song that...
• 16:32
  Speaker 10: I believe it was the.
• 16:33
  Speaker 5: First one, right, Kako?
• 16:34
  Speaker 13: It was.
• 16:34
  Speaker 7: You also had some Kulele, right?
• 16:36
  Speaker 5: Yeah, there was Magali.
• 16:36
  Speaker 7: Like, it would make some noise in São Paulo.
• 16:39
  Speaker 10: Yeah, there was a song.
• 16:40
  Speaker 3: That in Quebrada.
• 16:41
  Speaker 13: Magali.
• 16:41
  Speaker 5: Yeah, Magali.
• 16:42
  Speaker 10: We used to do some dances.
• 16:44
  Speaker 7: It was Coração Gelado.
• 16:45
  Speaker 10: It was Coração.
• 16:45
  Speaker 4: Gelado and it was the two of us, bro. It
• 16:47
  Speaker 4: started from the beginning of Coração Gelado and.
• 16:50
  Speaker 5: It was awesome, bro. But VT and Kako, you already have.
• 16:53
  Speaker 9: I know VT more because of the proximity of living
• 16:56
  Speaker 9: in Quebrada, but... When Coração Gelado came out, you guys
• 16:59
  Speaker 9: have been trying to be successful in Funk for a
• 17:01
  Speaker 9: long time. And why do you feel that Coração Gelado worked?
• 17:07
  Speaker 9: Because you guys have been working very well. What was
• 17:10
  Speaker 9: the difference in that work specifically?
• 17:12
  Speaker 4: Man, to be honest, I don't know how to explain.
• 17:18
  Speaker 4: Because it's been 8 years since I sang and it
• 17:19
  Speaker 4: didn't happen. When she walked, she started to walk, she
• 17:22
  Speaker 4: already had 4 months of release. It wasn't a song
• 17:25
  Speaker 4: that we said, man, this one is going to explode.
• 17:27
  Speaker 10: It was 8 years trying.
• 17:28
  Speaker 4: How many songs we haven't heard and said this? What
• 17:30
  Speaker 4: I feel, from what you sang there, that was one
• 17:32
  Speaker 4: of the songs that you most put what was.
• 17:34
  Speaker 5: Actually happening at the moment you sang the song. Do
• 17:36
  Speaker 5: you understand?
• 17:37
  Speaker 13: Yes.
• 17:37
  Speaker 5: Like, it gives....
• 17:43
  Speaker 9: Knowing you and knowing about that fight, like, damn, I'm here,
• 17:47
  Speaker 9: I want to get it right. And then you hear
• 17:49
  Speaker 9: what was sung there and you say, it's literally what
• 17:52
  Speaker 9: you were living at that moment.
• 17:54
  Speaker 10: Yes, yes, it was more or less that.
• 17:56
  Speaker 4: And it was something I didn't even expect, man, to say, ah,
• 18:00
  Speaker 4: why did Samus burst until today, I don't know how
• 18:02
  Speaker 4: to explain, even because at that time I was already.
• 18:06
  Speaker 10: Giving up singing, because I said, ah, man.
• 18:07
  Speaker 5: And what were you going to do?
• 18:09
  Speaker 10: I don't know what I was going to do.
• 18:11
  Speaker 5: You were already determined.
• 18:12
  Speaker 10: To play the ball.
• 18:13
  Speaker 3: To play the ball.
• 18:14
  Speaker 1: Seriously, but you were talking in the hallways there, saying, man,
• 18:16
  Speaker 1: for me it's already done.
• 18:17
  Speaker 4: No, I already had the clip marked, the stuff, and
• 18:19
  Speaker 4: I said, I'm not going anymore, you can cancel it.
• 18:21
  Speaker 5: Ah, what is that, bro?
• 18:23
  Speaker 13: There was a dance there that, wanting it not to happen,
• 18:25
  Speaker 13: the mess happened.
• 18:26
  Speaker 10: It was, that's why I stopped.
• 18:28
  Speaker 4: I went to do a show, the guys took a
• 18:29
  Speaker 4: look at me. And I had already taken a hidden
• 18:31
  Speaker 4: shot of the old man, of my old man, you know?
• 18:33
  Speaker 10: Wow, was it your father?
• 18:34
  Speaker 3: It was.
• 18:36
  Speaker 10: I said, wow, he's traveling, how am I going to
• 18:38
  Speaker 10: tell him all this now?
• 18:39
  Speaker 4: Then I said, bro, I stopped singing, I have to
• 18:41
  Speaker 4: pay this, I don't even know how I'm going to
• 18:43
  Speaker 4: pay this, he's going to mess up, bro, keep quiet.
• 18:45
  Speaker 4: And there was another show that day. Then the guys
• 18:47
  Speaker 4: told me, no, no, you have to get the other one,
• 18:48
  Speaker 4: the people are waiting, they're waiting. I said, I'm not going,
• 18:50
  Speaker 4: I'm not going.
• 18:51
  Speaker 5: I'm not going, I'm not going, I'm not going, I'm
• 18:52
  Speaker 5: not going.
• 18:53
  Speaker 10: The guys made me go, bro. Before I went up on.
• 18:55
  Speaker 4: Stage, the boy took his magnifying glass and said to
• 18:57
  Speaker 4: me like this, put mine there for you to sing,
• 18:59
  Speaker 4: with that crying face there. I said, no, no, I'm
• 19:01
  Speaker 4: going without. He said, put the magnifying glass. I always
• 19:04
  Speaker 4: have the habit of praying before the show, right, bro? Then,
• 19:06
  Speaker 4: before going to the show, I said, God, if this
• 19:08
  Speaker 4: is not for me, bro, can you give me.
• 19:09
  Speaker 10: A direction now?
• 19:10
  Speaker 4: A warning that I want to accept, because I'm already tired.
• 19:15
  Speaker 5: I said, amen, the other.
• 19:17
  Speaker 10: Came and took the other magnifying glass.
• 19:19
  Speaker 7: It's a lie, bro.
• 19:19
  Speaker 5: On the same day, bro.
• 19:20
  Speaker 10: On the same day, bro.
• 19:22
  Speaker 5: You were with an X on your back.
• 19:23
  Speaker 4: Then I went down crying, I didn't even go up
• 19:25
  Speaker 4: on the stage, I said, bro, this is not for me,
• 19:27
  Speaker 4: I'm tired, I stopped.
• 19:28
  Speaker 5: You didn't sing?
• 19:28
  Speaker 10: No, I didn't sing, I didn't want to sing, I stopped,
• 19:31
  Speaker 10: I stopped, I stopped, I stopped.
• 19:33
  Speaker 5: Then I left.
• 19:34
  Speaker 4: That's when I stopped singing. Coração Gelado had already released it.
• 19:38
  Speaker 8: Damn, bro!
• 19:39
  Speaker 10: What was it?
• 19:40
  Speaker 7: It was a hit after four months. After four months,
• 19:42
  Speaker 7: out of nowhere.
• 19:42
  Speaker 3: I think in October, when it hit the peak of January,
• 19:44
  Speaker 3: it was a million per day.
• 19:45
  Speaker 7: And how were you at that moment?
• 19:46
  Speaker 1: The peak was like this. I think everyone went through that.
• 19:50
  Speaker 7: Was born in December.
• 19:51
  Speaker 5: We released the song in October.
• 19:52
  Speaker 14: My daughter was born in December. Diego is here to
• 19:54
  Speaker 14: keep the lie. I called the guys, the father, Joãozinho' s father.
• 19:58
  Speaker 7: I said, bro, you were in Paraná. My daughter was
• 19:59
  Speaker 7: born here. What am I going to do? I'm going
• 20:01
  Speaker 7: to stop. I don't know what I'm doing. I'm here cheating.
• 20:08
  Speaker 14: When January came, I think Paizão was at the beach,
• 20:11
  Speaker 14: he would send messages to the group, he would call
• 20:12
  Speaker 14: and say, man, this thing is playing a lot, it
• 20:14
  Speaker 14: was a million per day.
• 20:15
  Speaker 5: Wow, but how long have you been.
• 20:16
  Speaker 1: You've already seen here, you've already commented on your career,
• 20:19
  Speaker 1: but let's remember too, how long have you been walking
• 20:22
  Speaker 1: to release this song?
• 20:23
  Speaker 14: Man, so if you see, man, like João was 8
• 20:25
  Speaker 14: years old, for me it was a much more recent thing,
• 20:27
  Speaker 14: I think I started in Paraná around 2016, 17.
• 20:29
  Speaker 7: The song hit in 2020, 2021, right? So it was
• 20:30
  Speaker 7: 4 years. Man, in Paraná you.
• 20:37
  Speaker 14: In São Paulo, I was almost 2 years old.
• 20:39
  Speaker 9: But he was one of those guys who had a daughter, right? No,
• 20:43
  Speaker 9: he was from Paraná, too.
• 20:45
  Speaker 8: I thought I'd stop because of that.
• 20:46
  Speaker 7: And you were pregnant, right? You were pregnant.
• 20:48
  Speaker 10: The process. The process. She got pregnant. My wife got pregnant.
• 20:52
  Speaker 14: I remember he used to say a.
• 20:55
  Speaker 6: Lot, right?
• 20:55
  Speaker 7: If you're born in Vingá.
• 20:56
  Speaker 10: In Vingá, I'll stop. I even say it in the song.
• 20:58
  Speaker 10: If I turn, I'll turn. If I don't turn, I'll
• 21:00
  Speaker 10: do something else.
• 21:05
  Speaker 1: And another thing, in Paraná, how was the funk scene there?
• 21:09
  Speaker 8: Was there a certain scene?
• 21:11
  Speaker 14: Today I'm very happy because it was kind of scarce,
• 21:15
  Speaker 14: even MC. There was more MC for rhymes, MC for rap,
• 21:20
  Speaker 14: boom bap, battle for rhymes. I started more on that,
• 21:22
  Speaker 14: boom bap, until today I like to do rap. And
• 21:24
  Speaker 14: it was more that scenario there. Funk was very little. Businessmen, then,
• 21:29
  Speaker 14: you don't even talk about it. Businessmen there, there was
• 21:31
  Speaker 14: a guy who did an event, Adriano, the guys that
• 21:34
  Speaker 14: my movement was doing with events, but as an entrepreneur
• 21:37
  Speaker 14: and artist, there wasn't, because it was a distant thing.
• 21:40
  Speaker 14: So today I'm very happy because I see, it moves,
• 21:42
  Speaker 14: a partner shows it to me, it's the sound of
• 21:45
  Speaker 14: a kid from there.
• 21:46
  Speaker 5: You know?
• 21:46
  Speaker 14: There's a partner of mine who is a producer there, Pepa,
• 21:49
  Speaker 14: I even send a hug to him, a partner of
• 21:50
  Speaker 14: mine from there, he made my first songs too. And
• 21:52
  Speaker 14: a lot of kids look for him and make a
• 21:54
  Speaker 14: lot of songs with him, today it's more... Today, thank God, it's...
• 21:56
  Speaker 14: And how did you get to dream?
• 21:57
  Speaker 8: It was a door-opening for the kids.
• 21:59
  Speaker 7: From there to see, right? It's nice for the kids
• 22:00
  Speaker 7: to dream from there, right? You can get there, bro.
• 22:02
  Speaker 7: We were talking here before, right, bro?
• 22:03
  Speaker 10: Mentioning Guimê. Guimê is practically on the streets above my house, so.
• 22:06
  Speaker 5: That's crazy, right, bro? You say like this, what is this?
• 22:16
  Speaker 9: It's that guy I saw at the school's door. That
• 22:19
  Speaker 9: was almost a metamorphosis for me.
• 22:21
  Speaker 1: You saw him when he wasn't famous?
• 22:23
  Speaker 5: You're crazy. I saw Guimê de Ibiz pamphleting at my school, man.
• 22:27
  Speaker 5: That's crazy.
• 22:28
  Speaker 1: That's crazy, man.
• 22:29
  Speaker 5: The fanfiction at the Playcenter.
• 22:31
  Speaker 10: The pamphlet at the Playcenter is from Andrezinho dos Moleques.
• 22:33
  Speaker 5: That's right.
• 22:33
  Speaker 1: But at that time, did you see that he was
• 22:36
  Speaker 1: a different kid?
• 22:37
  Speaker 5: Fuck, for me, he was.
• 22:38
  Speaker 10: He was a dreamer, right, man?
• 22:39
  Speaker 5: He was trying something.
• 22:41
  Speaker 1: A lot of people.
• 22:42
  Speaker 9: You know when we tried to be YouTubers? The crazy
• 22:45
  Speaker 9: ones who are recording themselves? They were the crazy ones
• 22:50
  Speaker 9: who are clapping and think they are artists.
• 22:52
  Speaker 7: Everyone looked at the guy like that.
• 22:54
  Speaker 5: I even told you about it.
• 22:55
  Speaker 8: I followed you at.
• 22:56
  Speaker 7: The house of Barco de Plata. I took all your experiences.
• 22:58
  Speaker 5: I followed you from Paraná.
• 23:00
  Speaker 7: That's awesome.
• 23:01
  Speaker 1: Only the crazy ones are on the internet trying to
• 23:02
  Speaker 1: do something different.
• 23:03
  Speaker 8: That's awesome, really.
• 23:04
  Speaker 5: I even agree with this subject.
• 23:07
  Speaker 9: For all of you to talk, I think that Vini
• 23:09
  Speaker 9: is the youngest, but that also, maybe, took less time
• 23:13
  Speaker 9: to happen, but it is also important.
• 23:16
  Speaker 5: To talk about it. What is the importance of you persisting, bro?
• 23:20
  Speaker 9: Like, to keep cheating, even with the results not coming,
• 23:24
  Speaker 9: keep going to the studio, keep going with the frequency, because, like, today,
• 23:27
  Speaker 9: I don't know if you have this thought too, but
• 23:28
  Speaker 9: I see that the kids, the little boys, They want
• 23:31
  Speaker 9: it from today to today, man. And if it doesn't happen,
• 23:33
  Speaker 9: they get angry at the maximum level. And I think
• 23:36
  Speaker 9: it's important to go through the processes, you know?
• 23:39
  Speaker 10: The process is important.
• 23:40
  Speaker 4: I myself say to everyone, of these eight years of fighting,
• 23:44
  Speaker 4: I believe it was very valid in my life. I
• 23:47
  Speaker 4: needed to go through it because it was a lot
• 23:50
  Speaker 4: of learning, man. Today I see a lot of people
• 23:52
  Speaker 4: coming with a lot more ease, with a lot more,
• 23:55
  Speaker 4: how can I say?
• 23:55
  Speaker 6: Resource.
• 23:55
  Speaker 4: A lot more resource than we had. We had to
• 23:58
  Speaker 4: fight a lot more. Today the kids that are coming
• 24:00
  Speaker 4: have a lot more resources than us, and sometimes they
• 24:02
  Speaker 4: end up valuing it because they didn't go through the
• 24:04
  Speaker 4: process that we went through, that many went through before us,
• 24:09
  Speaker 4: you know? I've seen a lot of the fight of Guimê, Rodolfinho.
• 24:12
  Speaker 10: Copecaxeta, Dedê, the guys.
• 24:13
  Speaker 4: So I saw what the guys did for the funk
• 24:17
  Speaker 4: and tried to keep it. So today the kids don't
• 24:20
  Speaker 4: worry much about it, you know?
• 24:21
  Speaker 10: About valuing the story.
• 24:25
  Speaker 4: There's a segment about how the thing went, you know?
• 24:29
  Speaker 4: And they can't even see that the support they have today, bro,
• 24:32
  Speaker 4: we didn't even have, you know? The studio, for us
• 24:35
  Speaker 4: to record the voice, you paid R $ 100 a
• 24:36
  Speaker 4: hour to record the voice on an internet beat for
• 24:38
  Speaker 4: you to send to the DJ, you know? And the
• 24:40
  Speaker 4: DJ did what he wanted. Today you go to the
• 24:42
  Speaker 4: production company, there are 10 DJs for you to produce,
• 24:44
  Speaker 4: you know? I think this stuff you said there, Gondamão.
• 24:47
  Speaker 14: Is expensive sometimes, like not having patience, right, bro? Wanting
• 24:50
  Speaker 14: everything for yesterday. I think this is because everything is
• 24:55
  Speaker 14: a million today. The kid picks up the phone, he
• 24:57
  Speaker 14: sees the MC playing a song, he sees the influencer
• 25:00
  Speaker 14: launching a Ferrari, he sees everything, and the kid is
• 25:03
  Speaker 14: in a trance, saying, damn, my thing won't work, and
• 25:05
  Speaker 14: the kid is there for two months posting some.
• 25:07
  Speaker 7: Previews, you know?
• 25:08
  Speaker 5: But it's important to say that this is not the reality.
• 25:09
  Speaker 14: It's not the reality. But nowadays, man, our reality is awesome, man.
• 25:13
  Speaker 14: The thing is based a lot on curing the lives
• 25:16
  Speaker 14: of others, and that's awesome.
• 25:17
  Speaker 5: It's hard to have a kid who does it for.
• 25:19
  Speaker 12: It's pure love, to do it for art, to do
• 25:22
  Speaker 12: it for the sound, to listen to the sound.
• 25:23
  Speaker 5: Without aiming for anything, right? Without aiming to be rich tomorrow,
• 25:27
  Speaker 5: you know?
• 25:27
  Speaker 7: Take everything out and say, bro, you do this because
• 25:29
  Speaker 7: you like it.
• 25:30
  Speaker 5: Wait for the process, right?
• 25:31
  Speaker 10: That's why it's good to have the process, right?
• 25:34
  Speaker 4: To go through a lot of things, because along the
• 25:36
  Speaker 4: way there will be a lot of people who will
• 25:37
  Speaker 4: say what you want.
• 25:38
  Speaker 5: To hear, right?
• 25:39
  Speaker 9: If you had made a success, I don't know, five
• 25:41
  Speaker 9: years ago, how would you think it would be? For
• 25:43
  Speaker 9: your mind, for you, how would you assimilate that? Would
• 25:45
  Speaker 9: it be something that would escape from your hand more easily?
• 25:49
  Speaker 5: Yes, for sure.
• 25:49
  Speaker 4: I think I wouldn't have the maturity I have today.
• 25:51
  Speaker 4: Because the biggest reason for me to value it was
• 25:55
  Speaker 4: the process I went through, you know? If I didn't
• 25:58
  Speaker 4: have the process, I don't think I would value it.
• 26:01
  Speaker 5: Yeah, because I think that's what you said, right?
• 26:03
  Speaker 9: You would take a good moment and think like, ah,
• 26:06
  Speaker 9: that's it, I'm fine, I don't need to go back
• 26:07
  Speaker 9: to the studio, I don't need to look.
• 26:09
  Speaker 10: For the guys to fix my music.
• 26:12
  Speaker 1: And how is the funk for you today, bro? Because
• 26:14
  Speaker 1: I've also done funk and I remember that, like, bro...
• 26:17
  Speaker 1: They would release a song, the song would hit.
• 26:19
  Speaker 8: It was a year of shows, man.
• 26:20
  Speaker 1: It was a year of living that song.
• 26:22
  Speaker 5: How many shows did you do? Man, it was a
• 26:23
  Speaker 5: lot of shows, man.
• 26:24
  Speaker 8: It was the DJ, man.
• 26:25
  Speaker 1: You opened the agenda.
• 26:27
  Speaker 10: Today it's still going.
• 26:28
  Speaker 7: Man, you're crazy.
• 26:29
  Speaker 1: I did a lot of shows. It was three, four
• 26:32
  Speaker 1: shows there. Because of a song that hit during the
• 26:35
  Speaker 1: whole year. I imagine that today you have to hit, man.
• 26:38
  Speaker 1: It's several songs to always be there. Selling the show,
• 26:42
  Speaker 1: always active. I think it's.
• 26:43
  Speaker 5: Because of the internet, because of.
• 26:46
  Speaker 12: Through social media, through music apps, I think that's.
• 26:50
  Speaker 13: Why, right?
• 26:51
  Speaker 5: Then it has to be more in quantity, right? Than
• 26:53
  Speaker 5: doing what little. You have to.
• 26:57
  Speaker 12: Do it in quantity to see if we get it right.
• 26:59
  Speaker 12: If you do ten, you get one right. And the
• 27:02
  Speaker 12: rhythm has also changed, right, bro?
• 27:03
  Speaker 4: Like we say too, today it's easy to make a song.
• 27:06
  Speaker 4: Not that it's easy to make a song, but with
• 27:07
  Speaker 4: the resources you have, It's easy to make more songs,
• 27:10
  Speaker 4: so we have to deliver more. We got more than
• 27:13
  Speaker 4: a million, it's more MC today, you know? So sometimes
• 27:15
  Speaker 4: there are a lot of worries. Delivering more songs, is
• 27:18
  Speaker 4: it always staying there? Because the kids are releasing songs
• 27:22
  Speaker 4: all the time and we have to release too.
• 27:25
  Speaker 14: Do you like this rhythm? Man, I'm going to speak
• 27:27
  Speaker 14: for myself, you know? Like we were talking here, right?
• 27:30
  Speaker 14: I'm not going to say that I'm lazy, but there's
• 27:32
  Speaker 14: my rhythm there. But, like, thank God, man, I managed... Yeah,
• 27:36
  Speaker 14: I have a lot of people that follow me. But
• 27:39
  Speaker 14: I miss it when I play. I want to follow
• 27:41
  Speaker 14: the music more. But I respect my rhythm. But for me,
• 27:44
  Speaker 14: it's a lot. And it's because of what you said.
• 27:47
  Speaker 14: It's a lot of information. Sometimes I come here and
• 27:49
  Speaker 14: you see high music.
• 27:50
  Speaker 7: Like Tik Tok, these tapes. You see one, and in
• 27:51
  Speaker 7: a little while.
• 27:56
  Speaker 7: After two days there's another one, and after a while
• 27:59
  Speaker 7: there's another one. So, like, you have to.
• 28:01
  Speaker 5: Go up, you know?
• 28:02
  Speaker 9: Okay, I also think that it's on a very fast pace,
• 28:05
  Speaker 9: especially because Funk.
• 28:06
  Speaker 5: Is mainstream, right?
• 28:08
  Speaker 9: Like, if you go to the top of Spotify, Funk
• 28:11
  Speaker 9: dominated everything, and I understand that the majors, the record companies,
• 28:15
  Speaker 9: will put pressure to trap more.
• 28:17
  Speaker 5: There's a whole thing of, like, here's this money, give
• 28:21
  Speaker 5: it to me. But, okay, with this fast pace, how...
• 28:25
  Speaker 5: And that hurts you, artistically. From the bottom of my heart.
• 28:29
  Speaker 9: Because this high tempo doesn't make you release similar things.
• 28:35
  Speaker 5: Or things that.
• 28:35
  Speaker 7: Are more disposable.
• 28:37
  Speaker 5: Yeah, I think that too. That's where the problem is.
• 28:38
  Speaker 7: What's the balance?
• 28:39
  Speaker 5: Do you have to.
• 28:40
  Speaker 9: Deliver volume because you need to survive? and keep everything
• 28:47
  Speaker 9: at home. But also quality.
• 28:49
  Speaker 7: But I also need to do something solid.
• 28:50
  Speaker 9: For my audience to hear today and want another tomorrow.
• 28:53
  Speaker 9: That's where our responsibility is.
• 28:55
  Speaker 4: To be in the studio every day. If we make
• 28:58
  Speaker 4: a song today, next week we'll end up doing the
• 29:00
  Speaker 4: same thing. I always try to do something different. We
• 29:04
  Speaker 4: just released 3 streets, let's do a romantic one now.
• 29:14
  Speaker 4: Let's try to mix. Even with Constance, but diversifying. We
• 29:18
  Speaker 4: released five similar ones here. Let's do a trap now, then.
• 29:22
  Speaker 4: Let's do a reggae. Let's do it like Tuto.
• 29:26
  Speaker 10: Diversify all the time.
• 29:27
  Speaker 4: I'm not a DVD of funk. Now he's going to release.
• 29:31
  Speaker 10: The thing from Stain House in the Forró.
• 29:33
  Speaker 5: Very cool.
• 29:33
  Speaker 10: His constancy is a million, but every time it's one.
• 29:36
  Speaker 9: But he came to Galgão in this space.
• 29:39
  Speaker 5: He went there unpretentiously, but smart, like... Look at me
• 29:42
  Speaker 5: in the Forró there. Look at me singing on Santana.
• 29:45
  Speaker 10: You have to have the malice, right?
• 29:48
  Speaker 5: Reconstructing, right?
• 29:49
  Speaker 12: This one even opened the minds of the partners who
• 29:52
  Speaker 12: were with me, like João. We traveled, we did some...
• 29:55
  Speaker 12: Even mine. When we traveled once, it opened a gap
• 29:59
  Speaker 12: in our minds. We always liked it, right, bro?
• 30:01
  Speaker 10: We saw it right here, right?
• 30:03
  Speaker 5: Yeah, we saw it right here. There was only him
• 30:05
  Speaker 5: on the pod.
• 30:06
  Speaker 12: Then, bro, we recorded so much karaoke. Then we made
• 30:11
  Speaker 12: some videos of millions, millions. I think even for those
• 30:15
  Speaker 12: who are coming now, it opened a gap and said, no,
• 30:17
  Speaker 12: it's not just funk.
• 30:18
  Speaker 5: But what woke this thing up in your head, bro?
• 30:19
  Speaker 1: I always liked to listen, you know?
• 30:20
  Speaker 8: Listen, because my people are.
• 30:26
  Speaker 12: From the north, from the northeast, so I only heard
• 30:28
  Speaker 12: that inside the house, besides the funk on the street, right?
• 30:32
  Speaker 12: Then I listened and after a while I said, man,
• 30:35
  Speaker 12: let's try to record this shit there, bro.
• 30:37
  Speaker 5: You expressed it.
• 30:39
  Speaker 12: Play the voice of this there, then in the first
• 30:41
  Speaker 12: instance I recorded it with a song from Grilo, with
• 30:43
  Speaker 12: the partners there, it was a live, really. It was
• 30:46
  Speaker 12: a live, it was the song that had been released
• 30:48
  Speaker 12: by him, then we released it together.
• 31:05
  Speaker 5: You're an artist, I'm a musician, I'm there.
• 31:08
  Speaker 10: That's where I saw Guimê do a lot of that.
• 31:10
  Speaker 4: He didn't just hold us in that, he went beyond, man.
• 31:14
  Speaker 5: No, Guimê is.
• 31:15
  Speaker 10: He went beyond, I see it all.
• 31:17
  Speaker 4: He went beyond, so there's someone to mirror who goes
• 31:20
  Speaker 4: on different paths.
• 31:21
  Speaker 5: You need the brave ones, right, bro? You have to.
• 31:24
  Speaker 4: He encouraged me a lot, I was already in that phase, like, bro,
• 31:27
  Speaker 4: just come to our street rhythm here, keep it, and
• 31:29
  Speaker 4: that's it.
• 31:30
  Speaker 10: And he already went crazy.
• 31:31
  Speaker 5: I said, what?
• 31:32
  Speaker 1: If I stay looking, I'll stay behind.
• 31:34
  Speaker 10: I have him on my arm, let's go.
• 31:36
  Speaker 9: Still on this topic, we, outside of the podcast, we
• 31:40
  Speaker 9: were talking a lot about Rodolfinho, he's going to release,
• 31:42
  Speaker 9: he's going to relaunch four songs there, which are hymns, talk,
• 31:45
  Speaker 9: funk and such, one with you, one with Tutu, one
• 31:47
  Speaker 9: with Rário, one with Dom Juan.
• 31:48
  Speaker 5: Why do you think.
• 31:50
  Speaker 9: that people are feeling this nostalgia from 10 years ago.
• 31:53
  Speaker 9: Because I'm seeing that it's a lot of people all
• 31:56
  Speaker 9: the time. Wow, do you remember this one from Rodolfinho?
• 31:59
  Speaker 9: Do you remember this one from G15? Do you remember
• 32:02
  Speaker 9: this time? Why do you think people.
• 32:04
  Speaker 10: Are like this?
• 32:05
  Speaker 4: I believe it's because it's back to 130. Because it
• 32:08
  Speaker 4: was very raster, you know? Now it's back to a million.
• 32:12
  Speaker 4: And there's a lot of the same song, bro. And
• 32:15
  Speaker 4: it's reminiscent, BPM is the old songs, Rodolffi and the guys.
• 32:18
  Speaker 4: And people are mixing a lot the old pontil today
• 32:22
  Speaker 4: with the current.
• 32:23
  Speaker 10: Stuff, you know? So it's time for the nostalgia to come.
• 32:27
  Speaker 4: Wow, bro, this one is in the footprint of Rodolffi
• 32:30
  Speaker 4: and everything.
• 32:30
  Speaker 9: Yesterday we were listening to DJ Jorginho and DJ R7, bro.
• 32:34
  Speaker 8: You're going to fuck, Kitinho too.
• 32:37
  Speaker 5: But when DJ Jorginho and DJ R7 came in, I said,
• 32:39
  Speaker 5: let me hear what these guys were doing. Brother, you're crazy.
• 32:41
  Speaker 5: If Jorginho did what he did at that time, he's current.
• 32:44
  Speaker 4: And there are also the new people who were born
• 32:46
  Speaker 4: in 2007, 2008, maybe they didn't know.
• 32:49
  Speaker 5: This era of the guys. They were very young, they
• 32:51
  Speaker 5: don't remember.
• 32:52
  Speaker 12: So I think for them, besides us who are over
• 32:54
  Speaker 12: 25 years old, it would be a novelty for them
• 32:56
  Speaker 12: to hear the music and remember it.
• 33:06
  Speaker 5: An artist that was Rodolfinho, Guimê, those guys were great.
• 33:09
  Speaker 5: They did it to not get here.
• 33:11
  Speaker 9: I'm very happy with these movements because that's it. With
• 33:15
  Speaker 9: the time of funk, every time the time passes, I'm
• 33:19
  Speaker 9: seeing that these people will not be forgotten, you know?
• 33:22
  Speaker 5: Because for me it was very.
• 33:23
  Speaker 9: Sad to see an MC as great as Rodolfinho, that
• 33:26
  Speaker 9: we are seeing here, and not talk about him anymore,
• 33:29
  Speaker 9: you know? I think it's very important to talk about
• 33:32
  Speaker 9: these people because Man, a movement that I remember a
• 33:35
  Speaker 9: lot from that time, which was Da Lesh, Léo da Baixada.
• 33:37
  Speaker 5: Rodolfinho, Guimê... Dede. Dede.
• 33:41
  Speaker 9: Those medley of theirs... Lon, anyway. But those medley of
• 33:44
  Speaker 9: those guys... That whole movement that they were.
• 33:46
  Speaker 5: Doing, I was like.
• 33:48
  Speaker 9: Damn, this was very important for us to be sitting
• 33:50
  Speaker 9: here today, you know?
• 33:51
  Speaker 10: Yes.
• 33:51
  Speaker 4: But what I also think is valid and very important,
• 33:56
  Speaker 4: that I take to my life, is that.
• 34:00
  Speaker 4: My success, the song is that, right, bro? It depends
• 34:03
  Speaker 4: on me, you know, bro? I have to run after it.
• 34:05
  Speaker 4: I think if in 20 years I want to be singing,
• 34:07
  Speaker 4: I have to be, unfortunately or happily, running. And what
• 34:11
  Speaker 4: I admired in Rodolfinho, even for that. in his project
• 34:14
  Speaker 4: that is coming with the current songs. The boy is working,
• 34:17
  Speaker 4: you know? As if it were us.
• 34:19
  Speaker 5: As if it were us.
• 34:20
  Speaker 10: Yeah, he's working in the same way. The boy from Caxeta.
• 34:23
  Speaker 4: Studies until today, takes care of the voice, you know?
• 34:26
  Speaker 10: Always well.
• 34:27
  Speaker 5: He's close to youth.
• 34:28
  Speaker 4: He's close, he's getting updated. He wants it too, you know?
• 34:30
  Speaker 4: So I think that's really cool about the guys. Something
• 34:32
  Speaker 4: that I worry about myself too.
• 34:34
  Speaker 5: I can say.
• 34:36
  Speaker 10: Ah, Balguinho is reviving.
• 34:37
  Speaker 4: The guys are also looking for it. Who is looking
• 34:40
  Speaker 4: for it, we will embrace it. Because we love the
• 34:42
  Speaker 4: thing too. We want to take the story of the
• 34:44
  Speaker 4: thing too.
• 34:44
  Speaker 1: You see these songs that Rodolfino is re-recording. If you
• 34:48
  Speaker 1: stop to listen and analyze, they are quite current too.
• 34:52
  Speaker 1: So you guys are listening to this sound and it's
• 34:53
  Speaker 1: a song that anyone who didn't listen to it at
• 34:55
  Speaker 1: that time will listen to it and say, damn, I'm
• 34:58
  Speaker 1: going to listen to this sound a lot now, you know?
• 34:59
  Speaker 8: So it's a project that he's doing.
• 35:01
  Speaker 1: Since we're talking about Rodolfinho, I wanted to understand.
• 35:05
  Speaker 5: He's going to release an EP?
• 35:06
  Speaker 8: He could come anytime, right?
• 35:08
  Speaker 10: Yeah, Rodolfinho, come here with us, man.
• 35:11
  Speaker 7: It's the day of the operation.
• 35:12
  Speaker 8: I have a little sound with him, it's the key.
• 35:14
  Speaker 8: What is his project?
• 35:15
  Speaker 12: You can talk a lot about it, because he's the
• 35:18
  Speaker 12: one who brought this bond to Rodolfinho.
• 35:20
  Speaker 5: Really?
• 35:20
  Speaker 4: Yeah, I had a fight with him, I was changing ideas,
• 35:23
  Speaker 4: and I said, man, let's get the four sucessful songs,
• 35:26
  Speaker 4: let's record with the four artists that I told us
• 35:29
  Speaker 4: to do what? Let's do each one of each break,
• 35:31
  Speaker 4: one from Z.O., one from the South Zone, one from
• 35:33
  Speaker 4: the North Zone, one from the East Zone. Then his
• 35:35
  Speaker 4: EP will be released now, it's the four corners of
• 35:37
  Speaker 4: the map, you know? There will be remixes of four
• 35:40
  Speaker 4: of his successful releases. There will be Tuto da Zona
• 35:43
  Speaker 4: Leste on Chora Boy.
• 35:44
  Speaker 10: No, on Não Chora, right?
• 35:45
  Speaker 5: Não Chora.
• 35:46
  Speaker 10: Then I Da Zona Oeste on Chora Boy.
• 35:49
  Speaker 5: It's already out, right?
• 35:49
  Speaker 4: It's already out. Then there's the old saying with... No,
• 35:52
  Speaker 4: it's Roda Gigante with Don Juan. And the guys with Ariel.
• 35:57
  Speaker 1: I hope there are other guys too.
• 35:59
  Speaker 8: Dede da Vida.
• 36:00
  Speaker 5: Thanks, man.
• 36:01
  Speaker 12: I saw a lot of comments, even the guys from
• 36:03
  Speaker 12: the old ones. I was happy to see the guys
• 36:04
  Speaker 12: tell me, Dede. And that's it, man.
• 36:06
  Speaker 5: That's it.
• 36:07
  Speaker 1: They come and.
• 36:07
  Speaker 5: Say, let's do it?
• 36:08
  Speaker 4: Let's do it. We're here if you want, we want.
• 36:11
  Speaker 4: Isn't it crazy, Rodolfinho, to hear you?
• 36:13
  Speaker 5: It's awesome.
• 36:14
  Speaker 3: Rodolfinho, what do.
• 36:15
  Speaker 5: You think of doing this? I'm going to do this.
• 36:17
  Speaker 5: You're crazy. It's my dream. It's crazy.
• 36:21
  Speaker 12: I'm also pushing the band with Lon and Chiquinho.
• 36:24
  Speaker 5: Take me away. Burn Ponta 2 too. Take me away.
• 36:27
  Speaker 5: Swear to God. Swear to God. Wow, it involves me
• 36:30
  Speaker 5: in the clip, damn it. I love this song.
• 36:31
  Speaker 1: Do you want to put the step in the clip?
• 36:34
  Speaker 6: Huh?
• 36:34
  Speaker 1: I just want to be close. You want to see
• 36:37
  Speaker 1: the audio happening.
• 36:38
  Speaker 5: You're crazy, man. I was at home, I was at
• 36:39
  Speaker 5: school with a phone and it was just Samsung.
• 36:41
  Speaker 16: Yeah.
• 36:43
  Speaker 10: Wow.
• 36:44
  Speaker 5: I've never done anything wrong in my life. And I
• 36:45
  Speaker 5: was like, let's burn a fucking point.
• 36:46
  Speaker 7: In the past, it was a little heavier.
• 36:49
  Speaker 1: In the past, in the past, in the past. It
• 36:51
  Speaker 1: was neurotic, right?
• 36:51
  Speaker 5: Ah, it's because it was raw, right?
• 36:52
  Speaker 7: Raw, I mean.
• 36:53
  Speaker 5: It was the raw reality. It was.
• 36:54
  Speaker 10: Like.
• 37:00
  Speaker 9: Daleste was singing about smoking marijuana. Daleste was singing about prohibitions.
• 37:06
  Speaker 5: You know the arsenal of all weapons with MC Daleste.
• 37:09
  Speaker 5: So it was a thing that, somehow, I used to
• 37:11
  Speaker 5: mess with....
• 37:15
  Speaker 9: Migo, I can tell you why, and with all the guys,
• 37:18
  Speaker 9: because we are living that reality, we are seeing the
• 37:21
  Speaker 9: dangerous and wrong things, and soon there will be a guy.
• 37:24
  Speaker 3: Who is singing that with rhythm?
• 37:26
  Speaker 5: And really, right?
• 37:26
  Speaker 8: How are you.
• 37:27
  Speaker 9: Not going to end up enjoying it? That reality was
• 37:30
  Speaker 9: already yours. So I know there are people who will criticize,
• 37:32
  Speaker 9: will take this one even to point out, but it's
• 37:35
  Speaker 9: a truth, man.
• 37:35
  Speaker 5: You know? Why does it hit so much? Because the
• 37:37
  Speaker 5: guy is speaking the truth. Identification. For some reason he
• 37:40
  Speaker 5: is speaking the truth.
• 37:41
  Speaker 7: It's not even an apology, right, man? What you're seeing
• 37:43
  Speaker 7: is what you're singing, what you're... That's what you're close to.
• 37:46
  Speaker 5: Our reality is incredible, man. And it's not that it
• 37:48
  Speaker 5: doesn't exist anymore, right?
• 37:49
  Speaker 4: And it's not that it doesn't exist anymore, it's that
• 37:51
  Speaker 4: today it has a weight if it's spoken, if it's shown, right?
• 37:54
  Speaker 12: It went to the mainstream, right?
• 37:57
  Speaker 14: It went to the media, right? It went to the mainstream,
• 37:59
  Speaker 14: then the thing went more.
• 38:01
  Speaker 9: Brother, the importance of, like, the Jacaré program, you know?
• 38:04
  Speaker 9: I see people talking a little about these places, like.
• 38:07
  Speaker 1: Man, the Jacaré, it was a regional program from São Paulo?
• 38:11
  Speaker 9: Man, I have no idea where it is, it seems
• 38:12
  Speaker 9: to be from the beach, it seems to be more coastal.
• 38:15
  Speaker 9: I don't know, I could be talking from the outside,
• 38:17
  Speaker 9: maybe he's from Rio, I don't know. But what I
• 38:20
  Speaker 9: paid for the program of Jacaré is that he does
• 38:23
  Speaker 9: what we do today, you know? To treat the fans
• 38:24
  Speaker 9: with respect and not to stereotype and not to be kidding. Obviously,
• 38:27
  Speaker 9: there was a more cartoonish thing, people dressed up.
• 38:34
  Speaker 5: You know?
• 38:34
  Speaker 8: It was a show, right?
• 38:35
  Speaker 5: But, like, it was a big respect.
• 38:37
  Speaker 1: With you, MC Lon.
• 38:38
  Speaker 9: And MC Lon will sing his song. With you, MC Daleste.
• 38:40
  Speaker 9: There wasn't a thing like this, kind of panicked on TV. Hey, hey,
• 38:43
  Speaker 9: you favela, funk fan.
• 38:45
  Speaker 5: You know? It was a respect thing. So, I looked
• 38:47
  Speaker 5: at it like, fuck, man. Look at Dedê! Dedê is awesome!
• 38:52
  Speaker 5: Look at the doll Dedê is wearing!
• 38:54
  Speaker 1: He's introducing himself!
• 38:56
  Speaker 5: I was looking at a guy I wanted to be.
• 38:59
  Speaker 9: I wanted to dress like those guys. I wanted to
• 39:04
  Speaker 9: have that kind of character. So there was a guy
• 39:07
  Speaker 9: like me, singing. That was crazy to me. But I
• 39:10
  Speaker 9: was very happy. Jacareara's show was very absurd.
• 39:13
  Speaker 1: And since we're talking about this moment of funk, I'm
• 39:16
  Speaker 1: very happy because, besides the mainstream, funk is very professional.
• 39:20
  Speaker 1: It has changed a lot in the last few years.
• 39:24
  Speaker 8: Respect, professionalism, funk and such.
• 39:26
  Speaker 1: Funkers don't accept bribes.
• 39:30
  Speaker 10: The stuff is even competing for Grammy now.
• 39:32
  Speaker 5: Yeah, man, it's not that.
• 39:34
  Speaker 1: Crazy, the producers, the stuff is all very serious.
• 39:37
  Speaker 10: It's all very important.
• 39:37
  Speaker 4: I've seen the stuff being very judged, like, funk is
• 39:39
  Speaker 4: not even a musical genre, you know?
• 39:41
  Speaker 10: I've seen people say that, because.
• 39:42
  Speaker 4: The stuff didn't have harmony, it didn't have... Yeah, we
• 39:45
  Speaker 4: didn't have anything. It used to be like this, a
• 39:47
  Speaker 4: show there, an MPC.
• 39:48
  Speaker 10: And it was already.
• 39:49
  Speaker 11: F * * * ed up, man.
• 39:49
  Speaker 4: But today, how are you going to play on the
• 39:51
  Speaker 4: MPC a guitar that we have in our music?
• 39:53
  Speaker 10: And at the family party, people.
• 39:54
  Speaker 1: Say, no, you're not going to put funk.
• 39:56
  Speaker 3: You're not going to put it, no. Go fuck yourself.
• 39:59
  Speaker 5: My mother played funk here, man. I swear to God, man.
• 40:02
  Speaker 5: But it was.
• 40:03
  Speaker 8: Already a family party.
• 40:05
  Speaker 1: No funk, bro!
• 40:07
  Speaker 8: No funk!
• 40:07
  Speaker 5: Bro, thank God, in my house it was the opposite, bro.
• 40:09
  Speaker 5: Only naughty funkers. Yes. My mom gave me the DVD of, like,
• 40:12
  Speaker 5: Mil Tretas, like, just for you. So for me it
• 40:14
  Speaker 5: was a crazy thing. You're a different person, then. Just
• 40:18
  Speaker 5: more relic, bro.
• 40:18
  Speaker 17: Just more relic.
• 40:19
  Speaker 10: Respect for Patrícia. Just more monologue.
• 40:21
  Speaker 7: It's a monster, bro.
• 40:22
  Speaker 5: I swear to God, my dad came with... Look what
• 40:24
  Speaker 5: I'm going to say. My dad came with a CD
• 40:25
  Speaker 5: at home.
• 40:30
  Speaker 9: I think the second song was, I'll give you a talk,
• 40:33
  Speaker 9: talk about MC Martinho.
• 40:34
  Speaker 5: I said, Jesus, from there, brother, I got to know
• 40:36
  Speaker 5: a lot of things.
• 40:36
  Speaker 8: I got it, I got it.
• 40:38
  Speaker 9: Now it was kind of neurotic at that time, but like,
• 40:40
  Speaker 9: the importance, the importance of being encouraged in a very
• 40:43
  Speaker 9: cool thing, you know? So I think seeing Funk in
• 40:45
  Speaker 9: the place he is today, it's not for nothing.
• 40:48
  Speaker 5: A lot of people fought and died, literally.
• 40:50
  Speaker 8: And who's looking, right, bro?
• 40:51
  Speaker 1: Indicada Grammy, these things are like, bro, look, look, pay
• 40:54
  Speaker 1: attention to this thing, we're seeing it also internationally. I've
• 40:59
  Speaker 1: always been a favela boy, you know?
• 41:18
  Speaker 5: When I was a kid, I learned to know what
• 41:20
  Speaker 5: a Grammy is.
• 41:21
  Speaker 12: Because when I was a kid, I didn't know much.
• 41:24
  Speaker 12: When I was 3 or 4 years old, I didn't
• 41:25
  Speaker 12: know much. And then God wrote it down for me.
• 41:27
  Speaker 12: So when you got a letter, an e-mail, something, when
• 41:29
  Speaker 12: you said, Grammy, is it really?
• 41:31
  Speaker 5: I think I was at a place there, my.
• 41:34
  Speaker 11: Businessman Diego was there, He called me and said he
• 41:45
  Speaker 11: was going to be at the Grammy.
• 41:46
  Speaker 12: I said, damn, he's going to be at the Grammy.
• 41:48
  Speaker 12: I started to research even more what the Grammy was.
• 41:50
  Speaker 5: I said, damn, I saw that it was very important.
• 41:53
  Speaker 12: And I saw that for other friends too, including Ariel,
• 41:57
  Speaker 12: it was his will to always be at the thing.
• 41:59
  Speaker 12: Then I received the news and said, no, let's go.
• 42:01
  Speaker 12: Then there were four songs indicated and we went to
• 42:03
  Speaker 12: the United States.
• 42:04
  Speaker 5: To Las Vegas, it was crazy. Then I stayed there.
• 42:14
  Speaker 12: On the day of the show, I met a lot
• 42:17
  Speaker 12: of people, not to talk, but to see Bad Bunny, Alejandro.
• 42:23
  Speaker 1: Sanz, Raul Alejandro.
• 42:25
  Speaker 8: Raul Alejandro.
• 42:27
  Speaker 12: A lot of guys, monsters, that we follow from the Hagaton.
• 42:30
  Speaker 12: And it was important, it was the first time that
• 42:33
  Speaker 12: funk was present, and the Portuguese language too.
• 42:57
  Speaker 1: Man, and I kept knowing about all the production of
• 43:00
  Speaker 1: this show, all.
• 43:01
  Speaker 8: The stuff, I knew it was great.
• 43:02
  Speaker 5: It had to be canceled, but for you, how is
• 43:04
  Speaker 5: it to get to a place like this, knock on
• 43:08
  Speaker 5: this place, knock on the doors.
• 43:09
  Speaker 7: You know?
• 43:09
  Speaker 14: No, when I saw the news, what came to my
• 43:11
  Speaker 14: mind was already nervousness, that fear, damn, Lollapalooza, and it
• 43:14
  Speaker 14: was the main.
• 43:14
  Speaker 7: Stage, I think it was the stage, I don't remember
• 43:16
  Speaker 7: the name of the stage, man.
• 43:18
  Speaker 14: It must have been like the main stage. Yeah, like that,
• 43:20
  Speaker 14: like the world. Unfortunately, it happened. I remember when it happened.
• 43:26
  Speaker 14: I knew Lollapalooza was an international event. I think it
• 43:30
  Speaker 14: was in Chile, if I'm not mistaken. It was in
• 43:32
  Speaker 14: another country in Latin America.
• 43:33
  Speaker 7: In South America. Someone died because of a lightning.
• 43:41
  Speaker 14: And there's a rule of the event, when you start
• 43:42
  Speaker 14: to have a lot of fans, you have to stop everything.
• 43:45
  Speaker 5: Mano, Rashidi had three shows interrupted because of.
• 43:47
  Speaker 7: Yeah, there was that.
• 43:49
  Speaker 14: At the same time I was on stage, I think
• 43:51
  Speaker 14: it was Jovem Dionísio, which is a band from Curitiba, man.
• 43:54
  Speaker 7: And another DJ too, on other stages, he had to
• 43:56
  Speaker 7: stop everything.
• 43:57
  Speaker 8: How was that?
• 43:58
  Speaker 1: Did you prepare all your show at the time you
• 44:00
  Speaker 1: were already doing the show?
• 44:01
  Speaker 14: It was like this, it was about 20 minutes of show,
• 44:04
  Speaker 14: 25 minutes. And we had prepared a little tribute to
• 44:07
  Speaker 14: Charlie Brown too, who was.
• 44:08
  Speaker 5: Doing the whole thing.
• 44:10
  Speaker 14: It was kind of close to the date of the
• 44:14
  Speaker 14: band's anniversary. And then I said, damn bro, right when
• 44:16
  Speaker 14: it started to play, we were in Zóio de Lula,
• 44:18
  Speaker 14: the guitar started, the guys already spoke in the background.
• 44:22
  Speaker 10: It was really like that, right?
• 44:24
  Speaker 5: But you're going.
• 44:25
  Speaker 10: To participate in this show with him?
• 44:27
  Speaker 14: Really?
• 44:27
  Speaker 10: That's right, the guys are going to participate.
• 44:30
  Speaker 7: The last block was just for fun, you know?
• 44:32
  Speaker 5: Participation. How is it with the event organization? They say
• 44:35
  Speaker 5: you'll have a new opportunity, they don't say anything.
• 44:38
  Speaker 14: They say it's a new date, but you know, we
• 44:41
  Speaker 14: don't tell them about it.
• 44:42
  Speaker 5: Creating expectations to avoid disappointment.
• 44:44
  Speaker 7: But they say it's going to be a new date.
• 44:46
  Speaker 5: What's the phrase?
• 44:47
  Speaker 12: Without creating expectations to avoid disappointment.
• 44:50
  Speaker 1: But how did you end up like this, bro? I
• 44:51
  Speaker 1: wanted to know more about your human side. Because I
• 44:54
  Speaker 1: know you prepare a show, it was a very important.
• 44:57
  Speaker 5: Day, Lola, Pá.
• 44:58
  Speaker 8: How did you feel after that? It must have been hard.
• 45:00
  Speaker 5: It happens.
• 45:01
  Speaker 14: At that time I was really frustrated. It was a
• 45:03
  Speaker 14: calm day, there were clouds in the sky and it
• 45:04
  Speaker 14: started to rain. It was not even rain, it was
• 45:05
  Speaker 14: just lightning. You saw the lightning in the sky, you know?
• 45:08
  Speaker 14: On stage you could see it. There was lightning here,
• 45:11
  Speaker 14: another lightning there. The guys called and said... When I
• 45:13
  Speaker 14: got off the stage, it rained for about 15 minutes.
• 45:16
  Speaker 7: Heavy rain.
• 45:21
  Speaker 14: When the rain stopped, I looked up at the sky
• 45:23
  Speaker 14: and saw Camarim and Bagurá Coelhos. And all the attractions
• 45:26
  Speaker 14: that were there, they hold it for... I think the
• 45:28
  Speaker 14: main one where I was going to sing was Olivia Rodrigo,
• 45:32
  Speaker 14: who is a gringa girl.
• 45:33
  Speaker 7: I don't know if you know. It was the last
• 45:35
  Speaker 7: night's attraction. And he holds everyone.
• 45:37
  Speaker 14: Like, who had after me a show to do for
• 45:39
  Speaker 14: an hour, 40 minutes, the time that he lost, that.
• 45:42
  Speaker 8: He had to stop, he already counts the others.
• 45:44
  Speaker 7: So, it frustrated a lot of people. There are things
• 45:46
  Speaker 7: that are out of our control. It's not your fault.
• 45:49
  Speaker 14: I was robbed, but it's ok. Just because I stepped
• 45:51
  Speaker 14: on it, representing what I do.
• 45:53
  Speaker 9: What I wanted to emphasize is... Opportunity is cool to say,
• 45:58
  Speaker 9: but it's an opportunity, but it's nothing given.
• 46:00
  Speaker 5: You conquered this place, but.
• 46:01
  Speaker 9: The thing of being at an international festival, with funk,
• 46:05
  Speaker 9: you know? So it's a very absurd thing. And I
• 46:09
  Speaker 9: also see all your stuff with bands, it's a thing
• 46:13
  Speaker 9: that fits.
• 46:14
  Speaker 7: A lot, you know?
• 46:14
  Speaker 14: And it was very crazy, because when I received the
• 46:16
  Speaker 14: news that we were going to do, I saw that.
• 46:18
  Speaker 7: Fuck, man, and now? Nervousness, we're going to do a
• 46:20
  Speaker 7: great show, man.
• 46:21
  Speaker 14: And then when it was getting close to the date,
• 46:23
  Speaker 14: I was going to pick up a place, a mall, something,
• 46:24
  Speaker 14: and then you saw, like that, in the elevator of
• 46:26
  Speaker 14: the mall, I saw, people sent me, like, the attractions, right,
• 46:29
  Speaker 14: of Lolo, so, like, I was in every place, my
• 46:31
  Speaker 14: name was there, I was happy.
• 46:32
  Speaker 7: A response, awesome. A response, right?
• 46:35
  Speaker 5: How is your moment, Vinicete? Now, how is it going?
• 46:38
  Speaker 5: It's going great.
• 46:39
  Speaker 7: We're working hard.
• 46:40
  Speaker 5: Thank God. What's your focus right now? Making an album?
• 46:43
  Speaker 10: Making as many shows as possible?
• 46:45
  Speaker 5: What's your direction for your career?
• 46:47
  Speaker 9: I'm looking for an album to release.
• 46:49
  Speaker 5: Ten tracks. I don't have a date yet. How is
• 46:52
  Speaker 5: this album? It's great.
• 46:53
  Speaker 13: A lot of songs are ready. So, ROTINA CAUTICA is
• 47:06
  Speaker 13: a street name, something that we live.
• 47:08
  Speaker 1: ROTINA CAUTICA is a beautiful name.
• 47:10
  Speaker 7: ROTINA CAUTICA is for each person, you know?
• 47:12
  Speaker 13: Each person will listen to a song and identify with
• 47:15
  Speaker 13: the routine that they have.
• 47:16
  Speaker 7: We are this show, finally.
• 47:18
  Speaker 10: The experience that we have, you know?
• 47:20
  Speaker 13: But it's not just street stuff, there's a thing that
• 47:22
  Speaker 13: we call a more patriotic thing, you know?
• 47:24
  Speaker 5: Conscientious.
• 47:25
  Speaker 10: A more patriotic consciousness, including with Harry.
• 47:27
  Speaker 5: What a cool thing.
• 47:27
  Speaker 10: The main thing, ROTINA CAUTICA is the same name, you know?
• 47:30
  Speaker 5: So, we're there.
• 47:31
  Speaker 1: Man, we were watching you with the guys, we saw
• 47:34
  Speaker 1: your growth, it was a construction, you know? But what
• 47:37
  Speaker 1: was your first song that hit? Was it Relíquia dos
• 47:40
  Speaker 1: Dois Tecos? I saw that after that, the thing went crazy,
• 47:44
  Speaker 1: but you were already working there before. How was your
• 47:47
  Speaker 1: growth process? Until you got to the 2T relic.
• 47:50
  Speaker 10: Man, actually, I started.
• 47:51
  Speaker 13: João brought me closer, you know, as a backing vocalist.
• 47:54
  Speaker 10: I started with a partner from... Was that important at
• 47:57
  Speaker 10: the time?
• 47:57
  Speaker 5: Yeah, man.
• 47:58
  Speaker 10: I was playing on the streets, you know, with my people.
• 48:00
  Speaker 13: Then the man... What did you do, bro? I sold
• 48:02
  Speaker 13: acarajé with my mother on the streets, you know?
• 48:05
  Speaker 7: Ah, how crazy, man.
• 48:06
  Speaker 10: My mother is from Nordestina, man. I sold some acarajé
• 48:09
  Speaker 10: on the streets.
• 48:09
  Speaker 5: Where did you sell acarajé?
• 48:10
  Speaker 10: In Rio Pequeno, right there, on my broken street, on Avenidona, man.
• 48:13
  Speaker 7: I sold acarajé.
• 48:14
  Speaker 8: Was it good to sell acarajé, bro?
• 48:16
  Speaker 10: Man, we have the lips, we can do it.
• 48:17
  Speaker 1: We helped Toronjinha.
• 48:18
  Speaker 10: But anyway, one day, João was like, my status.
• 48:21
  Speaker 5: You know?
• 48:22
  Speaker 13: He himself told me about his mouth, this shit, I
• 48:23
  Speaker 13: thought it was a thousand degrees. I was working for
• 48:28
  Speaker 13: 11 hours and he was like, damn, I'm here. I'm
• 48:30
  Speaker 13: here with my family, everything is going well. The kid
• 48:33
  Speaker 13: is in the fight, he didn't take his smile off.
• 48:35
  Speaker 13: The other day he was like, man, do you want
• 48:38
  Speaker 13: to work with me?
• 48:39
  Speaker 10: I need a second voice.
• 48:40
  Speaker 7: I'll pay you. I was like, are you crazy?
• 48:42
  Speaker 5: It was like that.
• 48:43
  Speaker 8: But you've seen him singing, doing these things.
• 48:45
  Speaker 1: I've seen him in the production.
• 48:46
  Speaker 5: I've seen him in the production.
• 48:46
  Speaker 10: I never had a lot of ideas. But I saw
• 48:48
  Speaker 10: a post of him. I was doing some shows. At
• 48:56
  Speaker 10: the time I was doing a lot of shows, 4,
• 48:57
  Speaker 10: 5 shows a day, it was crazy.
• 48:59
  Speaker 4: And I saw a post of him on Sunday, lying
• 49:03
  Speaker 4: with my family, he posted with his mom. Like, cheating,
• 49:06
  Speaker 4: selling his face, he said, no, you will win one
• 49:08
  Speaker 4: day and such, I will improve your life and such,
• 49:11
  Speaker 4: through music. I said, bro, the boy is a dreamer, bro,
• 49:13
  Speaker 4: I'm going to bring him closer, because there are people
• 49:16
  Speaker 4: like that that I need close, dreamers, even that.
• 49:10
  Speaker 10: Man, that's awesome.
• 49:20
  Speaker 5: Not anchors, right?
• 49:20
  Speaker 4: Yeah, and what I do for him, I'm seeing what
• 49:22
  Speaker 4: I'm going to do for his mother, which is his intention,
• 49:24
  Speaker 4: you know?
• 49:25
  Speaker 1: Then I brought a guy with.
• 49:26
  Speaker 10: The same age as me and he always took advantage
• 49:28
  Speaker 10: of it.
• 49:29
  Speaker 1: How were your first shows back vocal?
• 49:31
  Speaker 13: To be honest, we just went to travel. We were
• 49:33
  Speaker 13: on a day like that and he said, let's go,
• 49:35
  Speaker 13: that's it. We didn't even rehearse, we got there on
• 49:38
  Speaker 13: the day, I think it was in Curitiba, something like that,
• 49:41
  Speaker 13: you know?
• 49:41
  Speaker 7: Brother, we went to rehearse.
• 49:43
  Speaker 10: Man, what a bad rehearsal, bro.
• 49:46
  Speaker 7: What a mess. What a mess. I was shocked, bro.
• 49:49
  Speaker 3: What did I do, bro?
• 49:50
  Speaker 10: Why?
• 49:50
  Speaker 5: Because it was so hard, bro.
• 49:50
  Speaker 7: I didn't know what to do, you know?
• 49:52
  Speaker 4: He didn't have to sing, he had to do the
• 49:53
  Speaker 4: second part, like, just playing around, you know? And did
• 49:55
  Speaker 4: he give you an audition? He already said, damn, will
• 49:58
  Speaker 4: it be?
• 49:59
  Speaker 5: I'm sure he did.
• 49:59
  Speaker 13: I'm sure.
• 50:00
  Speaker 5: I'm sure.
• 50:00
  Speaker 3: I'm sure.
• 50:01
  Speaker 10: I'm sure. I'm sure.
• 50:02
  Speaker 5: I'm sure. I'm sure.
• 50:03
  Speaker 8: I'm sure.
• 50:03
  Speaker 1: I'm sure.
• 50:04
  Speaker 7: It was on the day of the show.
• 50:05
  Speaker 8: It's cool to be a good person.
• 50:06
  Speaker 1: I wanted to help.
• 50:08
  Speaker 10: We got to the show and we got beaten up.
• 50:10
  Speaker 3: We got beaten up.
• 50:11
  Speaker 13: The stage was 360 degrees. I was shocked, but it
• 50:13
  Speaker 13: was so light that we didn't get beaten up. From
• 50:15
  Speaker 13: there to there, it was what it was. But that
• 50:18
  Speaker 13: moment was very good for you to.
• 50:20
  Speaker 9: Get rid of that stage anxiety, that fear of the public.
• 50:21
  Speaker 9: Because there's a lot of that, right? I think that
• 50:24
  Speaker 9: was the real preparation, bro. Because I lived a lot of.
• 50:27
  Speaker 10: Things with my partner, taking me to beat some artists.
• 50:33
  Speaker 10: I put it in the studio, you know?
• 50:34
  Speaker 7: It was taking away my shame, my stuff.
• 50:37
  Speaker 5: You know?
• 50:37
  Speaker 1: And what was the first song that you had a highlight?
• 50:40
  Speaker 13: So, Boca Louca. Boca Louca was a song where I
• 50:42
  Speaker 13: pulled the good, I'm the chorus. It was the song
• 50:44
  Speaker 13: that changed everything. I started doing some dances. In the
• 50:47
  Speaker 13: same year I was already doing a show with João.
• 50:49
  Speaker 13: At the end of the year there was.
• 50:51
  Speaker 5: Already a show.
• 50:51
  Speaker 13: It was released in October, around there. At the end
• 50:53
  Speaker 13: of the year, December, I already did my first show,
• 50:55
  Speaker 13: you know? I went to London. I didn't even want
• 50:57
  Speaker 13: to let him go.
• 50:58
  Speaker 3: Why did I want to go?
• 50:59
  Speaker 1: He was working with me for a million.
• 51:00
  Speaker 10: He was working with me for a million. I said, show.
• 51:03
  Speaker 10: Then the guys put a show for him. He worked
• 51:05
  Speaker 10: too hard with me. It was Christmas.
• 51:06
  Speaker 1: It was Christmas for him.
• 51:08
  Speaker 10: That's when I got the hang of it. I said, man,
• 51:09
  Speaker 10: let's stay good.
• 51:10
  Speaker 4: They put a show of him alone. I said, no, man,
• 51:12
  Speaker 4: let the boy rest. The guys were like, no, we
• 51:15
  Speaker 4: have to go to the fight. And then, maturity stopped me.
• 51:17
  Speaker 4: I said, that's it, we have to go.
• 51:19
  Speaker 1: Let the boy fly, let the boy fly.
• 51:21
  Speaker 7: But it went through there.
• 51:21
  Speaker 10: It never came back.
• 51:22
  Speaker 1: It never came back. It's here now.
• 51:24
  Speaker 9: It's because Trump, when he's hot on the street, he
• 51:26
  Speaker 9: has to take advantage of the moment.
• 51:29
  Speaker 5: Like, fuck it. Ah, I'm losing money.
• 51:31
  Speaker 1: I don't want to know, bro.
• 51:32
  Speaker 5: Pretend you're not and go.
• 51:33
  Speaker 1: This show was Christmas, I don't.
• 51:34
  Speaker 13: Know, the first Christmas I wanted to spend with money
• 51:36
  Speaker 13: in my pocket, through funk.
• 51:41
  Speaker 7: And that's how the show started.
• 51:42
  Speaker 9: That's a great thing to talk about, because Caco mentioned it, right?
• 51:46
  Speaker 9: Because people will go on the internet, they'll see someone
• 51:48
  Speaker 9: launching a Ferrari, another one saying that they're earning so
• 51:50
  Speaker 9: much per month, and that ends up frustrating people a lot.
• 51:54
  Speaker 9: But what neuroses can you share that went through while
• 51:58
  Speaker 9: people were thinking that, like, look at Tuto, Golden Thread, Juliet,
• 52:03
  Speaker 9: Tênis Monstro, look at Caco, you're crazy.
• 52:05
  Speaker 5: He's already got a career guaranteed. Look at Joãozinho, he's smooth,
• 52:07
  Speaker 5: he owns Osasco. Look at Vini. And the people don't
• 52:10
  Speaker 5: even know, you know? The B.O. and Casa.
• 52:12
  Speaker 8: The Veneno, right?
• 52:13
  Speaker 5: The Veneno. It was taken twice on the street, you know?
• 52:16
  Speaker 5: It's awesome.
• 52:17
  Speaker 12: One of the neuroses, like he said, in the beginning
• 52:19
  Speaker 12: of 2022, when I went to do the show, I
• 52:20
  Speaker 12: was doing the show from the middle of the year
• 52:22
  Speaker 12: to there. I went to do the show, I don't
• 52:24
  Speaker 12: know where, at Natal, I think it was Minas Gerais.
• 52:27
  Speaker 5: The ball fell.
• 52:29
  Speaker 8: You got there. You had to stay there.
• 52:31
  Speaker 12: At Christmas, you had to stay there without a show.
• 52:36
  Speaker 5: Family at home.
• 52:37
  Speaker 7: It was awesome.
• 52:37
  Speaker 12: He left two bananas and some apples there and said,
• 52:40
  Speaker 12: it's supper.
• 52:42
  Speaker 10: What do you have without another?
• 52:45
  Speaker 3: The guy exploded.
• 52:46
  Speaker 5: The guy exploded. The guy exploded. The guy exploded.
• 52:49
  Speaker 8: The guy exploded.
• 52:53
  Speaker 5: Eat those fruits, man. But it's poisonous, right?
• 52:56
  Speaker 8: Especially in the beginning. But I think what I.
• 52:58
  Speaker 5: Wanted to say is.
• 52:59
  Speaker 9: How many times have you been on stage with your
• 53:01
  Speaker 9: house unstable, or something going wrong, and people believing that
• 53:04
  Speaker 9: you're crazy? Caco is a monster! This is crazy stuff, man.
• 53:08
  Speaker 9: This is crazy stuff, you know?
• 53:11
  Speaker 5: It's something like.
• 53:12
  Speaker 7: You have the vision of who the artist is, who.
• 53:19
  Speaker 7: You have an alter ego.
• 53:21
  Speaker 14: I'm not talking about a character, but you have an
• 53:24
  Speaker 14: artist's shell.
• 53:24
  Speaker 7: You have to have that.
• 53:26
  Speaker 9: You have to be empowered at that moment.
• 53:28
  Speaker 7: You have to be strong. But it's like this, bro.
• 53:30
  Speaker 7: You have the CNPJ and the CPF.
• 53:31
  Speaker 14: You have Caco, you have Tuto, you have Joãozinho, you
• 53:35
  Speaker 14: have Vini, you have the artist and you have the CPF.
• 53:38
  Speaker 14: Sometimes you're on the street, whether you like it or not,
• 53:41
  Speaker 14: dealing with a lot of stuff, then you get home
• 53:43
  Speaker 14: and you think, let me take my shoes off, I'm
• 53:45
  Speaker 14: going to go inside the house with my daughters.
• 53:48
  Speaker 7: In my B.O. I'll be Jackson, you know? And sometimes
• 53:49
  Speaker 7: it's hard, man.
• 53:50
  Speaker 14: Because you have a treatment on the street with a
• 53:52
  Speaker 14: place here, you go to another place and you have
• 53:55
  Speaker 14: another treatment. And then you get to your house with
• 53:57
  Speaker 14: your relatives, whether it's a family, your father, your mother,
• 54:00
  Speaker 14: your partner, your spouse.
• 54:01
  Speaker 7: Son, brother.
• 54:02
  Speaker 14: The guy knows you as Igor, you know? You're not
• 54:05
  Speaker 14: the Igor there, you're the Igor.
• 54:06
  Speaker 5: I'm brother, cousin, uncle, family, right? That's what you said, amigo.
• 54:10
  Speaker 7: And then you get to a show, man, with the neuroses...
• 54:13
  Speaker 7: Sometimes it happens, man.
• 54:14
  Speaker 14: And when you get there, you see the audience coming
• 54:16
  Speaker 14: to see you, to listen to your song, right? You say,
• 54:19
  Speaker 14: this song of yours here helps me and such, so
• 54:21
  Speaker 14: it's already a relief. But it's a neurosis that I
• 54:23
  Speaker 14: think everyone goes through, right, man?
• 54:25
  Speaker 7: It's a frustration of.
• 54:26
  Speaker 4: The artist's life, man. And also this thing of behavior.
• 54:30
  Speaker 4: We have to worry. If we're calm at home, we're
• 54:34
  Speaker 4: fine with the family, then you go out on the street.
• 54:36
  Speaker 10: Sometimes the dawn is also great, you know, man?
• 54:38
  Speaker 15: She.
• 54:39
  Speaker 10: There's a lot of attackers, a lot of people who.
• 54:42
  Speaker 5: The energy is dense, right?
• 54:44
  Speaker 10: You have to be armed.
• 54:45
  Speaker 4: Sometimes, you'll get home with your family, with a great atmosphere,
• 54:48
  Speaker 4: and your head is a million, you can't get there
• 54:51
  Speaker 4: and pass, you know, this problem for them. You have
• 54:54
  Speaker 4: to be strong too, to keep this for yourself, and
• 54:55
  Speaker 4: leave the problem of the street on the street when
• 54:58
  Speaker 4: you get home. If you're fine with the family, then
• 55:02
  Speaker 4: you'll leave it in your head a million. Sometimes you're
• 55:04
  Speaker 4: at home, why are you quiet? You don't even want
• 55:07
  Speaker 4: to talk about it, man.
• 55:08
  Speaker 10: You don't even want to talk about the problem, you know?
• 55:10
  Speaker 10: To avoid it.
• 55:10
  Speaker 5: And how do you take care of it?
• 55:12
  Speaker 9: Because I think it's normal for human beings, I think
• 55:14
  Speaker 9: everyone who has an ascension will end up going through it,
• 55:16
  Speaker 9: but you have to be light to cut it, like,
• 55:19
  Speaker 9: to think that.
• 55:20
  Speaker 5: Inside the house, ah, man, I'm MC, I, you know? Like,
• 55:23
  Speaker 5: of that being a certain sober, in quotes, you know?
• 55:26
  Speaker 4: I think it comes from the family base. When I
• 55:28
  Speaker 4: get home, at my parents' house, they say,- You' re an alien.
• 55:31
  Speaker 3: You' re an alien.
• 55:33
  Speaker 1: You' re an alien.- You' re an alien.
• 55:34
  Speaker 8: You' re an alien.
• 55:34
  Speaker 7: You' re an alien.
• 55:35
  Speaker 10: You' re an alien.- You' re an alien.- You' re an alien.
• 55:37
  Speaker 5: You' re an alien.- You' re an alien.- You' re an alien.
• 55:39
  Speaker 10: You' re an alien.
• 55:40
  Speaker 5: You' re an alien.- You' re an alien.
• 55:41
  Speaker 8: You' re an alien.
• 55:41
  Speaker 5: You' re an alien.
• 55:42
  Speaker 1: You' re an alien.
• 55:43
  Speaker 5: You' re an alien.- You' re an alien.- You' re an alien.- You' re
• 55:45
  Speaker 5: an alien.
• 55:45
  Speaker 10: You' re an alien.
• 55:46
  Speaker 7: You' re an alien.
• 55:47
  Speaker 5: You' re an alien.
• 55:47
  Speaker 14: You' re an alien.- You' re an alien.- You' re an alien.- You' re
• 55:50
  Speaker 14: an alien.- You' re an alien.
• 55:51
  Speaker 5: You' re an alien.
• 55:52
  Speaker 7: You' re an alien.- You' re an alien.- You' re It's wonderful.
• 55:55
  Speaker 14: Hey, let's go there with me at the beach house,
• 55:58
  Speaker 14: let's go, I don't know what.
• 55:59
  Speaker 7: So, like, it changes everything.
• 56:00
  Speaker 14: So, the guy has to have a head to go
• 56:02
  Speaker 14: through it and understand that, man, wait a minute. If
• 56:07
  Speaker 14: I was back there, hard, fucked up, how would it be?
• 56:08
  Speaker 14: Would it be the same?
• 56:10
  Speaker 1: You were learning with other generations, with other MCs too.
• 56:13
  Speaker 5: Or if I ramble, right?
• 56:14
  Speaker 9: Or if I ramble, this partner will say hi? Because
• 56:18
  Speaker 9: I want a partner who will say hi to me, bro.
• 56:20
  Speaker 8: Not just saying yes, right?
• 56:21
  Speaker 5: Yeah, because it's dangerous, bro.
• 56:23
  Speaker 13: Like João said, we don't charge a lot. Sometimes we
• 56:26
  Speaker 13: ramble on some shit, posting alone. Some already come, hey,
• 56:29
  Speaker 13: calm down.
• 56:30
  Speaker 7: Yeah, we take care of it.
• 56:31
  Speaker 10: This is the daily, right? The daily of the state. Yeah,
• 56:34
  Speaker 10: we talk about it. The State Diary.
• 56:36
  Speaker 5: Is down there. The State Diary is down there. What
• 56:39
  Speaker 5: do you mean?
• 56:39
  Speaker 10: The guy with the remote is dead.
• 56:41
  Speaker 7: If I'm happy, I'll post it. If I'm angry, I'll
• 56:43
  Speaker 7: post it too.
• 56:44
  Speaker 3: But the guy gets angry all the time. He goes
• 56:46
  Speaker 3: on his WhatsApp and says, if I hit.
• 56:47
  Speaker 5: A judge on the street, I'll kill him. If I
• 56:49
  Speaker 5: hit a judge on the street.
• 56:50
  Speaker 3: It's me for me. It's me for me. Because everyone
• 56:53
  Speaker 3: is fake. But you're like, man, where are you with me?
• 56:55
  Speaker 3: Nobody is there for anyone.
• 56:57
  Speaker 10: Only for me.
• 56:57
  Speaker 7: On the street, it's just crocodiles.
• 57:02
  Speaker 1: Go fuck yourself too!
• 57:02
  Speaker 7: Man, thank God for everything.
• 57:04
  Speaker 10: Then the next day, friends, do you really have one?
• 57:07
  Speaker 5: Then he posted like this.
• 57:09
  Speaker 10: This guy posted like this. No one is friend of no.
• 57:12
  Speaker 7: One, bro.
• 57:13
  Speaker 3: I don't want to know anyone, bro.
• 57:15
  Speaker 5: Fuck everyone.
• 57:15
  Speaker 3: Then he sent a message to me.
• 57:17
  Speaker 10: Oh, let's talk there.
• 57:19
  Speaker 11: But no one, man!
• 57:20
  Speaker 3: Do you want to be alone?
• 57:21
  Speaker 5: It's cool, it's cool.
• 57:22
  Speaker 1: You guys are making fun.
• 57:24
  Speaker 7: Of me here.
• 57:25
  Speaker 3: But we take care of ourselves.
• 57:27
  Speaker 10: But we take care of ourselves.
• 57:28
  Speaker 5: But of the four here, who is the one who
• 57:30
  Speaker 5: will arrive on WhatsApp and say like this? Oh, it's rambling, huh?
• 57:35
  Speaker 5: Who else does that?
• 57:35
  Speaker 7: I'll tell you, I'm already in a zone of João.
• 57:37
  Speaker 7: João is the most annoying, right? Posting some stuff on
• 57:40
  Speaker 7: the internet, revolting.
• 57:41
  Speaker 13: I like to get it personally too, I already speak.
• 57:42
  Speaker 13: I almost don't send messages, but I already speak. I
• 57:44
  Speaker 13: think he's the most annoying to speak.
• 57:45
  Speaker 3: Who is the most annoying?
• 57:48
  Speaker 5: Me and João.
• 57:49
  Speaker 12: I say it myself, fuck it. If you want to
• 57:51
  Speaker 12: get angry, do it. But it's true, they talked a
• 57:53
  Speaker 12: lot to me to get here. If I make a mistake,
• 57:55
  Speaker 12: you can also say it.
• 57:57
  Speaker 1: I think that's it, bro.
• 57:57
  Speaker 5: You don't get hurt? No, I don't get hurt. It depends.
• 57:59
  Speaker 5: You can take me out, right? No, of course, don't
• 58:02
  Speaker 5: take me out. But if you say the truth, you
• 58:04
  Speaker 5: can say it. It depends on how it goes. There
• 58:06
  Speaker 5: are those people who will have a stronger ego, or
• 58:09
  Speaker 5: because they don't assume that it's wrong, they'll... No, take
• 58:12
  Speaker 5: care of yourself, etc.
• 58:13
  Speaker 10: We'll also say, oh, bro, you're full of ego there, bro. Stop, listen,
• 58:18
  Speaker 10: we're talking about your well-being. We're talking straight, we're Portuguese.
• 58:21
  Speaker 10: We love you, bro.
• 58:22
  Speaker 4: We're talking about your well-being. Otherwise, we wouldn't be talking.
• 58:25
  Speaker 5: Shit about you, bro.
• 58:26
  Speaker 7: This thing of us living together, bro, that we had already,
• 58:28
  Speaker 7: of confusion, of background, man. A lot of things, right, bro?
• 58:32
  Speaker 7: It's a lot of trouble.
• 58:34
  Speaker 5: And things like normal, of living together?
• 58:35
  Speaker 7: No, bro, things of conviviality.
• 58:37
  Speaker 3: Leave your eye here, bro.
• 58:38
  Speaker 5: Fuck, this is... This is the worst.
• 58:39
  Speaker 7: Things of conviviality, bro. Do you know what's the worst, bro?
• 58:42
  Speaker 14: When I came to São Paulo, my mother even says,
• 58:43
  Speaker 14: she says, When you moved to São Paulo, did you
• 58:47
  Speaker 14: change a lot? I was a pig when I was
• 58:50
  Speaker 14: a kid, you know? I was a pig, I didn't
• 58:53
  Speaker 14: care much about organization. So when I arrived in São Paulo,
• 58:56
  Speaker 14: I stayed sometimes 3, 4, 5 months without seeing my family.
• 58:59
  Speaker 14: I wanted to project my house in Gominha with the kids.
• 59:03
  Speaker 7: I remembered my house.
• 59:04
  Speaker 14: It was clean, my mom did the things, I had
• 59:08
  Speaker 14: my stuff, so what did I do?
• 59:10
  Speaker 7: I left Gominha organized, you know?
• 59:11
  Speaker 14: And the guys came sometimes at an early morning rhythm,
• 59:14
  Speaker 14: I even said this last time.
• 59:15
  Speaker 7: I was sleeping, bro, someone from.
• 59:17
  Speaker 14: The street came, smoked a lot, took the pressure cooker
• 59:19
  Speaker 14: and was going to.
• 59:21
  Speaker 1: Cook a bean.
• 59:23
  Speaker 5: Early in the morning. And Jackson sleeping. He didn't understand
• 59:27
  Speaker 5: that our early morning life was understanding, right? It was you, right?
• 59:30
  Speaker 10: But every once in a while, everyone would fight.
• 59:33
  Speaker 3: Everyone would make a mess.
• 59:34
  Speaker 5: It's normal, right?
• 59:35
  Speaker 7: It's coexistence. But I was really bored there.
• 59:37
  Speaker 1: But with him I learned a.
• 59:39
  Speaker 14: Lot of things to live alone, you know?
• 59:40
  Speaker 5: Even if we would fight a lot. Like what? Organization? Yeah, man.
• 59:43
  Speaker 5: With my dad too. I always talked about my dad.
• 59:45
  Speaker 5: There's a guy from Paraná, when I was... This is boring, man.
• 59:48
  Speaker 5: But how long did you stay together? A year, two,
• 59:50
  Speaker 5: three years. What did Tutu do that made you angry, bro?
• 1:00:01
  Speaker 5: What is it? The underwear turned upside down? No, bro,
• 1:00:03
  Speaker 5: it's like.
• 1:00:04
  Speaker 10: It.
• 1:00:04
  Speaker 5: Wasn't even from Tutu, bro. My mom would say, like,
• 1:00:06
  Speaker 5: the underwear turned upside down.
• 1:00:08
  Speaker 7: No, not even from Tutu, bro.
• 1:00:09
  Speaker 14: It's because, like, sometimes... We weren't the only ones who
• 1:00:12
  Speaker 14: lived there, bro.
• 1:00:12
  Speaker 7: Sometimes we left it organized.
• 1:00:14
  Speaker 5: There was another guy who played.
• 1:00:16
  Speaker 10: Oh, it was Lele, V7.
• 1:00:17
  Speaker 3: Gordinho.
• 1:00:18
  Speaker 1: JK.
• 1:00:19
  Speaker 10: It's because there were more troops.
• 1:00:21
  Speaker 5: Tobacco, gambling.
• 1:00:22
  Speaker 3: No, Lele, bro.
• 1:00:23
  Speaker 7: Lele is my partner, my brother. You know?
• 1:00:25
  Speaker 3: Lele was more hardworking.
• 1:00:25
  Speaker 5: Lele was hardworking, man.
• 1:00:27
  Speaker 7: Man, I'm going to go to Port Cumbia.
• 1:00:30
  Speaker 5: He couldn't do it. He would shit on the open door.
• 1:00:32
  Speaker 7: With eggs in the frying pan.
• 1:00:34
  Speaker 11: Who shits on the open door is f * *
• 1:00:37
  Speaker 11: * ed.
• 1:00:37
  Speaker 1: A guy who shits on the open door, he hits
• 1:00:40
  Speaker 1: the penalty of the Norwegian goalkeeper and.
• 1:00:42
  Speaker 14: F * * * ed.
• 1:00:42
  Speaker 3: That's f * * * ed.
• 1:00:43
  Speaker 5: He was frying eggs. He would leave the eggs frying.
• 1:00:45
  Speaker 5: And changing ideas. Yeah.
• 1:00:58
  Speaker 14: It's a straight talk, man. Imagine, just kids, man. A
• 1:01:01
  Speaker 14: crazy cohabitation. One is sleeping, the other is making music,
• 1:01:04
  Speaker 14: the other is on.
• 1:01:05
  Speaker 5: The street and... The other is at the restaurant.
• 1:01:07
  Speaker 7: Everyone is doing.
• 1:01:08
  Speaker 5: Something somewhere, man. The guy left a cake in the fridge,
• 1:01:10
  Speaker 5: the cake didn't exist anymore.
• 1:01:12
  Speaker 8: Someone took it.
• 1:01:12
  Speaker 7: Remember Thiago?
• 1:01:13
  Speaker 5: That's a fight, right, man?
• 1:01:13
  Speaker 7: That's a lot of fighting, man.
• 1:01:14
  Speaker 1: Get the food from the other, man. And when I
• 1:01:15
  Speaker 1: was angry, one day Diego bought a jacuzzi thing, like this, Diego.
• 1:01:21
  Speaker 5: Let's see, look.
• 1:01:44
  Speaker 7: Thiago, our partner who passed away there, thank God.
• 1:01:47
  Speaker 5: Yeah, we had a friend's Pilar, you know?
• 1:01:49
  Speaker 14: He would come up to me and say, man, you
• 1:01:50
  Speaker 14: took a few days off, man, bad rhythm of the
• 1:01:52
  Speaker 14: fucking chair, you go to the market, buy some cookies
• 1:01:54
  Speaker 14: and put them under your bed, man.
• 1:01:57
  Speaker 7: You put it under the pillow.
• 1:01:59
  Speaker 3: But it was out, right, man?
• 1:02:01
  Speaker 5: It was out. But the thing was out, he kept
• 1:02:02
  Speaker 5: the milk in the, I don't know, under the bed.
• 1:02:07
  Speaker 10: Sapuã sleeps with the sound of the inhaler, man.
• 1:02:09
  Speaker 5: He's sick. Bad and white, right?
• 1:02:10
  Speaker 3: You get home in the morning.
• 1:02:11
  Speaker 5: But you sleep with the sound of the inhaler. Not
• 1:02:14
  Speaker 5: the sound, just the inhaler.
• 1:02:14
  Speaker 7: It was the inhaler.
• 1:02:15
  Speaker 11: Or you turn on the inhaler. If there was an inhaler,
• 1:02:18
  Speaker 11: it was the inhaler. The inhaler comes and makes the.
• 1:02:20
  Speaker 5: Same noise as.
• 1:02:21
  Speaker 7: But how are you going to sleep?
• 1:02:22
  Speaker 10: Then you get home in the morning and it looks.
• 1:02:24
  Speaker 7: Like someone is painting a gate, man.
• 1:02:29
  Speaker 3: It's a compressor, bro.
• 1:02:31
  Speaker 5: It's a compressor, bro.
• 1:02:46
  Speaker 2: Paper on top of it fezes mixed with something, mishmash
• 1:02:50
  Speaker 2: on the lid mishmash on the lid it's hard to
• 1:02:54
  Speaker 2: live like this just open the lid.
• 1:02:56
  Speaker 1: And mishmash and close it in a moral way these
• 1:02:59
  Speaker 1: are the only things that bothered me the only thing.
• 1:03:02
  Speaker 4: That bothered me the only thing that bothered me the
• 1:03:05
  Speaker 4: only thing that bothered me the only thing that bothered.
• 1:03:07
  Speaker 9: Me I remember when Vinny arrived there, I think I
• 1:03:17
  Speaker 9: was about 3 or 4 years old.
• 1:03:18
  Speaker 5: At that pace. Yeah, at that pace.
• 1:03:20
  Speaker 10: Then I remember that he arrived here, it's funny.
• 1:03:42
  Speaker 12: I smoked a cigarette at the time, you know? Then
• 1:03:45
  Speaker 12: he would come, buy.
• 1:03:46
  Speaker 5: A cigarette, and I would stay for a day, two days.
• 1:03:49
  Speaker 5: He left everything to me.
• 1:03:51
  Speaker 1: He said to DK, man, this Vinny is awesome, right?
• 1:03:53
  Speaker 5: He has to live with us. He has to live
• 1:03:55
  Speaker 5: with us.
• 1:03:56
  Speaker 3: He remembers us.
• 1:03:57
  Speaker 18: He left a lot of cigarettes there. He didn't have
• 1:03:59
  Speaker 18: money to smoke. He asked for money from the guy.
• 1:04:02
  Speaker 18: He asked for 25, 50 cents to buy a cigarette.
• 1:04:04
  Speaker 18: He wanted to buy a candy, you know, Thiago. Let's
• 1:04:06
  Speaker 18: buy a candy there, man, during the day.
• 1:04:15
  Speaker 7: No, bro, I'm going to buy a cigarette, Ertuto.
• 1:04:16
  Speaker 1: I'm going to buy a cigarette.
• 1:04:18
  Speaker 5: Damn, that's awesome. Caca and I were more... To minimize
• 1:04:21
  Speaker 5: the neurosis, right?
• 1:04:23
  Speaker 1: But also, you guys living together, imagine that the creative
• 1:04:26
  Speaker 1: environment to release music, to have the experiences, was also
• 1:04:29
  Speaker 1: very important.
• 1:04:30
  Speaker 5: So, at that time, DJ Boy, you know, he's with
• 1:04:33
  Speaker 5: us there.
• 1:04:34
  Speaker 12: He was also one of the first DJs to give
• 1:04:36
  Speaker 12: his name to Sonar, you know?
• 1:04:38
  Speaker 5: That made us.
• 1:04:39
  Speaker 12: Record a song with him, along with the other MCs.
• 1:04:41
  Speaker 12: And he did, when you're starting to record... He was
• 1:04:43
  Speaker 12: from Gomia too, he was from Gomia.
• 1:04:50
  Speaker 3: And he was with us too.
• 1:04:50
  Speaker 5: But was he annoying or relaxed?
• 1:04:52
  Speaker 10: Ah, he was fucking annoying. He's annoying.
• 1:04:54
  Speaker 5: He's like Kako. But it's the same thing.
• 1:04:55
  Speaker 11: We learn from our partners that we're annoying and then
• 1:04:57
  Speaker 11: we become annoying too.
• 1:04:58
  Speaker 5: You have to have the annoying ones, bro.
• 1:05:00
  Speaker 7: Yeah, otherwise you can't.
• 1:05:01
  Speaker 1: I used to cook really well, bro.
• 1:05:02
  Speaker 7: I remember he used.
• 1:05:03
  Speaker 5: To make beans, bro. But whoever cooks doesn't wash the dishes, right, bro?
• 1:05:05
  Speaker 10: There are the house rules, right?
• 1:05:06
  Speaker 5: Whoever cooks doesn't wash the dishes, bro.
• 1:05:08
  Speaker 1: No, for the love of God, cooking and washing is
• 1:05:09
  Speaker 1: too much bullshit.
• 1:05:10
  Speaker 7: It's crazy.
• 1:05:11
  Speaker 5: You have to thank.
• 1:05:12
  Speaker 1: Those who make food, bro.
• 1:05:13
  Speaker 12: His father's father's sister had a hot dog thing there,
• 1:05:16
  Speaker 12: you know? And you know, the businessmen were always great,
• 1:05:20
  Speaker 12: you know? They didn't let us take this and go there. Like,
• 1:05:22
  Speaker 12: they gave us money and said, bro, we'll give it
• 1:05:25
  Speaker 12: to you and you have to take care of it, bro.
• 1:05:27
  Speaker 12: If you take care of it or not, or if
• 1:05:30
  Speaker 12: you don't eat it and don't leave it for tomorrow,
• 1:05:33
  Speaker 12: the problem is yours, bro.
• 1:05:34
  Speaker 5: You know? That's how it is.
• 1:05:36
  Speaker 12: Then his father's sister had a hot dog thing there
• 1:05:39
  Speaker 12: and every day she closed.
• 1:05:41
  Speaker 5: It and brought the stuff for us, you know? Oh,
• 1:05:43
  Speaker 5: how cool. A sausage, bro. We used to make rice
• 1:05:46
  Speaker 5: and pimpas. We used to strengthen it a lot. What's
• 1:05:48
  Speaker 5: the name of the aunt over there? Aunt Solange. Aunt Solange. Kisses.
• 1:05:52
  Speaker 5: Why did you say Aunt Solange? Aunt Solange.
• 1:05:54
  Speaker 8: She saved us.
• 1:05:55
  Speaker 10: She saved us.
• 1:05:56
  Speaker 12: It was a construction of everything, right? The guys hiding
• 1:05:59
  Speaker 12: in a toilet, the others hiding.
• 1:06:00
  Speaker 5: Here, right? One fighting with the other, took the mattress, then...
• 1:06:08
  Speaker 5: But what was the fight of every day? You say
• 1:06:10
  Speaker 5: like this, no, every day this guy does the same
• 1:06:11
  Speaker 5: thing and I can't take it anymore. JK slept until
• 1:06:13
  Speaker 5: 7 o'clock at night, bro. Fuck!
• 1:06:14
  Speaker 10: No, JK, the guy was wearing clothes, right, bro?
• 1:06:16
  Speaker 1: Because Gordinho, he took the clothes here, look.
• 1:06:20
  Speaker 14: One thing like this, bro, you wear a t-shirt, no,
• 1:06:22
  Speaker 14: this one, who doesn't do this, bro? Papuete, you wear
• 1:06:25
  Speaker 14: a t-shirt here, you didn't even wear... 3 hours of
• 1:06:29
  Speaker 14: your day, you take it and put it in the chair.
• 1:06:31
  Speaker 15: It's clean.
• 1:06:31
  Speaker 5: Not him, bro.
• 1:06:32
  Speaker 14: He used to wear a shirt and put it on
• 1:06:33
  Speaker 14: top of the clean clothes. He wore it the whole
• 1:06:34
  Speaker 14: other day. As soon as he arrived in the room,
• 1:06:35
  Speaker 14: it was a piece of my size of clothes.
• 1:06:36
  Speaker 7: It didn't change anything.
• 1:06:37
  Speaker 5: It's all dirty.
• 1:06:37
  Speaker 7: It didn't change? No, it didn't change.
• 1:06:38
  Speaker 5: It didn't change.
• 1:06:39
  Speaker 10: Let me put it here.
• 1:06:39
  Speaker 5: The guys said you're the same, bro.
• 1:06:40
  Speaker 1: It didn't change. Huh?
• 1:06:42
  Speaker 5: It didn't change. It didn't change.
• 1:06:43
  Speaker 8: It didn't change.
• 1:06:44
  Speaker 7: It didn't change.
• 1:06:45
  Speaker 5: It didn't change. It didn't change. It didn't change.
• 1:06:46
  Speaker 3: It didn't change.
• 1:06:48
  Speaker 5: It didn't change. It didn't change.
• 1:06:53
  Speaker 19: It didn't change.
• 1:06:53
  Speaker 7: It didn't change.
• 1:06:54
  Speaker 5: It didn't change. It didn't change. It didn't change. It
• 1:06:55
  Speaker 5: didn't change. It didn't change. It didn't change.
• 1:06:57
  Speaker 7: It didn't change.
• 1:06:58
  Speaker 5: It didn't change. It didn't change. No, we didn't. Did
• 1:07:00
  Speaker 5: you find him? Where was he?
• 1:07:01
  Speaker 13: He's fine.
• 1:07:01
  Speaker 5: He's there.
• 1:07:02
  Speaker 7: He's showing up on the camera.
• 1:07:04
  Speaker 5: He's showing up.
• 1:07:06
  Speaker 7: He's showing up.
• 1:07:08
  Speaker 5: He's there.
• 1:07:08
  Speaker 8: Sete, I wanted to ask you.
• 1:07:09
  Speaker 3: You showed up on Relíquia do 2T.
• 1:07:11
  Speaker 5: I wanted you to talk about this song.
• 1:07:13
  Speaker 10: It was in the first place. It went on for
• 1:07:16
  Speaker 10: a long time.
• 1:07:17
  Speaker 1: You released the preview on Pó de Par de Verão.
• 1:07:28
  Speaker 5: It really was.
• 1:07:29
  Speaker 8: I was like, man, this.
• 1:07:30
  Speaker 1: Song is fucking awesome. Previa released it there, I hadn't
• 1:07:34
  Speaker 1: even released it.
• 1:07:34
  Speaker 5: That's right.
• 1:07:35
  Speaker 1: Talk about this song, man, because I think this song.
• 1:07:37
  Speaker 5: Is really awesome. This song was... Vini pulled the bond, right, man?
• 1:07:41
  Speaker 5: He pulled the bond, I think it was only me,
• 1:07:43
  Speaker 5: him and FR at the time.
• 1:07:44
  Speaker 12: Then we saw, working already, then something really crazy happened
• 1:07:50
  Speaker 12: with me too, which was a very difficult phase.
• 1:07:52
  Speaker 5: And also... After I left, we continued the project.
• 1:07:56
  Speaker 12: And I was very happy, man, because Relíquia is from 2T.
• 1:08:00
  Speaker 5: It takes your name too. It takes my name and
• 1:08:01
  Speaker 5: that's why I have more respect for it. It was
• 1:08:04
  Speaker 5: right at the beginning of the year, right?
• 1:08:05
  Speaker 1: Why this name?
• 1:08:06
  Speaker 5: Why you?
• 1:08:06
  Speaker 10: Why was it Relíquia from 2T?
• 1:08:07
  Speaker 5: I was in the studio, man, it was very without
• 1:08:10
  Speaker 5: any pretension, you know?
• 1:08:10
  Speaker 13: We made the song, me and Decazin, in the studio
• 1:08:12
  Speaker 13: helping me. I said, it's the relic of 2T because
• 1:08:20
  Speaker 13: of Porsche. I said, put two on the Porsche, it's
• 1:08:22
  Speaker 13: the relic of 2T.
• 1:08:23
  Speaker 7: I got it.
• 1:08:23
  Speaker 10: You know he lends the Porsche to make money, right?
• 1:08:25
  Speaker 13: At the time, to make the video. But it was
• 1:08:27
  Speaker 13: without any pretension, God put his hand. But I think
• 1:08:30
  Speaker 13: this is very beautiful, brother. You are a guy who.
• 1:08:32
  Speaker 5: There are two songs that you exalt a partner of yours...
• 1:08:39
  Speaker 5: It's a genuine happiness to see you.
• 1:08:50
  Speaker 13: We are friends, but they are still our reference. It's
• 1:08:53
  Speaker 13: a genuine happiness to see them all win. And just
• 1:08:54
  Speaker 13: being close, being part of the team, and us adding everyone,
• 1:08:56
  Speaker 13: one worrying about the other.
• 1:08:57
  Speaker 5: It's the greatest satisfaction to be on the team of
• 1:08:59
  Speaker 5: the kids. Seeing the kids winning and us being close.
• 1:09:01
  Speaker 7: We are all on the right track, just for one thing.
• 1:09:16
  Speaker 1: And how was it for you to hear this sound?
• 1:09:18
  Speaker 1: I was so happy, bro.
• 1:09:19
  Speaker 13: I was so happy because I wasn't in a phase
• 1:09:22
  Speaker 13: where the tramps were a million, they were doing a
• 1:09:25
  Speaker 13: lot of shows. I saw it really out of nowhere,
• 1:09:27
  Speaker 13: you know? Anyway, we answered our prayers, because our minds
• 1:09:30
  Speaker 13: are hard. But it came out of nowhere, everything went well,
• 1:09:33
  Speaker 13: everyone got together.
• 1:09:34
  Speaker 7: Even because of what happened with our partner.
• 1:09:36
  Speaker 13: I think it was a time when everything was a little...
• 1:09:38
  Speaker 13: It was a little distant, to be honest. But we
• 1:09:40
  Speaker 13: got together a lot, man. Unfortunately, what happened with our partner,
• 1:09:43
  Speaker 13: when he left, it was natural. It's important to be close, right, brother?
• 1:09:46
  Speaker 5: I felt that, it was something that brought us together again.
• 1:09:48
  Speaker 10: Our company, our family, has always been very close.
• 1:09:50
  Speaker 7: But at that time.
• 1:09:56
  Speaker 10: We were together, you know?
• 1:09:57
  Speaker 3: In 2024, it was Unidão.
• 1:09:58
  Speaker 10: Then in 2025, it seems that everyone... Everyone went to
• 1:10:00
  Speaker 10: get yours. Everyone went to get yours, and we saw
• 1:10:03
  Speaker 10: that if.
• 1:10:03
  Speaker 4: We didn't go to get yours, everyone was together, and
• 1:10:06
  Speaker 4: we didn't have to change the rules.
• 1:10:07
  Speaker 10: We are the strongest together, right? That's what I saw,
• 1:10:09
  Speaker 10: you know?
• 1:10:10
  Speaker 5: Sometimes one or.
• 1:10:11
  Speaker 7: The other says hello, right? They say, man, we're far away, let's... Yeah,
• 1:10:14
  Speaker 7: let's try it, bro. Let's make music for us.
• 1:10:17
  Speaker 5: It's important, right?
• 1:10:19
  Speaker 7: Even to create, like you said.
• 1:10:21
  Speaker 9: So, I thought it was cool what Joãozinho said, that
• 1:10:22
  Speaker 9: you don't have the ego of... No, Tuto is writing,
• 1:10:25
  Speaker 9: but calm down, let's all help him to be even cooler.
• 1:10:28
  Speaker 9: Because I see that sometimes people have a lot of this, like.
• 1:10:30
  Speaker 5: No, nobody likes my art. And I think it's the thing,
• 1:10:34
  Speaker 5: you know? I think everyone is changing the juta there,
• 1:10:36
  Speaker 5: it's going to be cooler.
• 1:10:38
  Speaker 10: We can't even do it, we're just doing it like
• 1:10:39
  Speaker 10: this now, Piquinho.
• 1:10:40
  Speaker 3: Let's do a project here, let's go.
• 1:10:41
  Speaker 13: Tuto is there, then we're going to start palpitating on
• 1:10:44
  Speaker 13: his breeze.
• 1:10:45
  Speaker 10: Tuto is going to pull here, we already know what
• 1:10:47
  Speaker 10: it is.
• 1:10:48
  Speaker 7: Without vanity, bro.
• 1:10:48
  Speaker 4: Let's put something to pull, let's do a Zambala chorus here,
• 1:10:52
  Speaker 4: everyone together.
• 1:10:53
  Speaker 9: And bro, count on us, bro. Really, just like we
• 1:10:55
  Speaker 9: always did. You recorded my Eter Romário here at Podpá,
• 1:10:57
  Speaker 9: some scenes. You must be doing a lot of things there.
• 1:11:01
  Speaker 5: Call me, man. I like to be near you.
• 1:11:03
  Speaker 1: You can record it in the studios. Feel free to
• 1:11:07
  Speaker 1: do it.
• 1:11:08
  Speaker 5: You can go to Records now, right? Oh, bro. You
• 1:11:10
  Speaker 5: have to release it there. Do whatever you want, Tuto.
• 1:11:13
  Speaker 5: You're my brother, my partner. I'm going to sell her, then.
• 1:11:17
  Speaker 8: What are you talking about, guys?
• 1:11:19
  Speaker 5: Bye for the relationship.
• 1:11:21
  Speaker 3: Oh, it's true.
• 1:11:22
  Speaker 9: Bro, the day we were watching the Jato by Cristiano Ronaldo,
• 1:11:25
  Speaker 9: a song came out.
• 1:11:26
  Speaker 5: But we went there to play video games. Even your
• 1:11:28
  Speaker 5: partner liked Richard Hughes. That's true. World Cup and shit.
• 1:11:31
  Speaker 5: Richard Hughes with Lombiano.
• 1:11:33
  Speaker 9: At the time I couldn't say that he was giving
• 1:11:36
  Speaker 9: Miguel to see us there.
• 1:11:36
  Speaker 5: But now he can. Did you release this song?
• 1:11:38
  Speaker 7: No.
• 1:11:43
  Speaker 12: There are people who ask me until today on the
• 1:11:45
  Speaker 12: live broadcast.
• 1:11:46
  Speaker 9: Bro, you were at a crazy pace that day, because
• 1:11:49
  Speaker 9: you came from the show, went to record, so you
• 1:11:51
  Speaker 9: were really cheating, man.
• 1:11:53
  Speaker 5: Remember? It was really. Turned around, he touched.
• 1:11:56
  Speaker 10: I arrived from a trip, everything, the guy is here,
• 1:11:58
  Speaker 10: he's coming.
• 1:11:58
  Speaker 5: I said, I'm going, I can't go.
• 1:12:00
  Speaker 9: Man, I thought that was very crazy, because if he
• 1:12:03
  Speaker 9: said like this, bro, I'm tired, I would say, it's smooth, bro,
• 1:12:06
  Speaker 9: for the love of God.
• 1:12:07
  Speaker 5: Bro, he arrived like a panda, like this, look. Hey, guys.
• 1:12:10
  Speaker 5: I swear I'm serious. He picked up the mic and...
• 1:12:14
  Speaker 5: I said, fuck it, man. I'm leaving because I'm tired, okay, guys?
• 1:12:17
  Speaker 5: Thank you, I love you guys. He did his thing.
• 1:12:19
  Speaker 9: No, he did his thing very well and left. I
• 1:12:21
  Speaker 9: looked at him and said, fuck, man. He came, did
• 1:12:25
  Speaker 9: the trap, left. It's a question, right? It's a firm point, like,
• 1:12:28
  Speaker 9: the trap, because... Ah, man, several times we've seen, like,
• 1:12:30
  Speaker 9: the guys... You have to dream, bro.
• 1:12:33
  Speaker 8: Let's mark it.
• 1:12:33
  Speaker 9: If I'm not an MC and the guys already called
• 1:12:35
  Speaker 9: me to their studio and I went there and the
• 1:12:37
  Speaker 9: guy wasn't there, imagine how many times the guys.
• 1:12:39
  Speaker 5: Went through this, you know? It's true, it's true.
• 1:12:41
  Speaker 1: No, I'm going to record you today.
• 1:12:42
  Speaker 5: No, but where's the guy? I think he's not coming.
• 1:12:45
  Speaker 5: I said, yeah, but he... No, no, stay there, I'll
• 1:12:48
  Speaker 5: record you soon. Then I said, fuck, it's good. It's
• 1:12:50
  Speaker 5: really fucked up. I waited eight hours.
• 1:12:54
  Speaker 8: No, I got tired of it.
• 1:12:55
  Speaker 5: I said, you're a monster, man.
• 1:12:59
  Speaker 1: But you're also recording at your house. You have a
• 1:13:01
  Speaker 1: national studio. How is it today in relation to recording?
• 1:13:04
  Speaker 5: I have a studio at home, you know? I usually
• 1:13:06
  Speaker 5: record more at home.
• 1:13:07
  Speaker 12: The guys make the songs there and send it to me,
• 1:13:10
  Speaker 12: the DJ, because the guys record. And I also do
• 1:13:13
  Speaker 12: it at Sonata, because sometimes I go there and make
• 1:13:15
  Speaker 12: several partners.
• 1:13:17
  Speaker 4: Yeah, at least once a week you have to go
• 1:13:18
  Speaker 4: there to record at home. But we're there straight away.
• 1:13:22
  Speaker 4: But I got used to it like him. I got
• 1:13:24
  Speaker 4: into his style. I'm recording at home.
• 1:13:26
  Speaker 5: But isn't it a great comfort? It's better.
• 1:13:28
  Speaker 4: It's better to feel more confident, to make the melodies
• 1:13:30
  Speaker 4: at will. Hello, no one can see.
• 1:13:32
  Speaker 5: Tutu's house is really cool. The pool, the aquarium, the dogs.
• 1:13:35
  Speaker 5: It's all there, you know? I understand him. Who's going
• 1:13:38
  Speaker 5: to be at home? Yeah, man. You know?
• 1:13:41
  Speaker 8: And how's your show routine, man?
• 1:13:43
  Speaker 5: Ah, it's that way.
• 1:13:45
  Speaker 12: I think I have about 16 shows a month.
• 1:13:49
  Speaker 5: Very cool. Against the cup, it also helped us, right?
• 1:13:51
  Speaker 5: Cresceu o show, né?
• 1:13:52
  Speaker 19: Ah, tá.
• 1:13:53
  Speaker 5: Pensei que tinha dado uma amenizada.
• 1:13:55
  Speaker 10: Cresceu o show.
• 1:13:55
  Speaker 1: Cresceu.
• 1:13:56
  Speaker 5: Salve, povo do Brasil. Vai lá e dá uma melada
• 1:13:58
  Speaker 5: com nós. It's true. I thought that in.
• 1:14:00
  Speaker 8: The cup, the shows would decrease. It's nothing, man.
• 1:14:03
  Speaker 5: Brazil lost, it was crazy. But it was also a farewell, right?
• 1:14:06
  Speaker 5: It was a farewell. Did you get sad, man? I
• 1:14:08
  Speaker 5: was outraged.
• 1:14:08
  Speaker 1: You were a child again.
• 1:14:10
  Speaker 5: I was hoping to be a champion, man.
• 1:14:12
  Speaker 7: That's what's cool.
• 1:14:12
  Speaker 5: We were going to have a barbecue.
• 1:14:14
  Speaker 4: We were going to have a barbecue. We were going
• 1:14:17
  Speaker 4: to have a barbecue.
• 1:14:18
  Speaker 5: It was nothing.
• 1:14:18
  Speaker 1: I was lying down.
• 1:14:19
  Speaker 5: I was destroyed, Mítico. I'm sad, bro.
• 1:14:29
  Speaker 8: You sent me 7 times.
• 1:14:30
  Speaker 7: I'm sad.
• 1:14:31
  Speaker 8: I said yes.
• 1:14:31
  Speaker 1: It's going to rain, bro.
• 1:14:33
  Speaker 7: I'm lying down.
• 1:14:33
  Speaker 5: We play a lot of soccer.
• 1:14:34
  Speaker 10: I don't want to say anything, bro.
• 1:14:36
  Speaker 5: What should have been different, Vinicius?
• 1:14:38
  Speaker 8: You were supposed to be a player.
• 1:14:39
  Speaker 10: Vinicius had to have hit the penalty.
• 1:14:41
  Speaker 5: Vinicius Jr. 's 7. Right, Vini?
• 1:14:43
  Speaker 3: My partner.
• 1:14:44
  Speaker 13: Bagui had to have charged this penalty. He was the
• 1:14:48
  Speaker 13: one who was at the time, the gunner of Bagui.
• 1:14:51
  Speaker 5: He had to have done it. In France, who hits?
• 1:14:53
  Speaker 10: In France?
• 1:14:54
  Speaker 5: Mbappé. The man. In Argentina? In Argentina. Goat. Leonel.
• 1:14:59
  Speaker 1: In Brazil, it's the steering wheel.
• 1:15:01
  Speaker 7: But if Ney was there from the beginning, then it
• 1:15:04
  Speaker 7: wouldn't work.
• 1:15:07
  Speaker 5: Neymar broke the player's ribs. You saw it at the end.
• 1:15:09
  Speaker 1: He won't play anymore. He won't play anymore.
• 1:15:11
  Speaker 5: He broke it. The mistake was Neymar not being at
• 1:15:14
  Speaker 5: the beginning. Our team is Aurea.
• 1:15:16
  Speaker 10: Our team is Aurea. If he was there, he would be.
• 1:15:19
  Speaker 4: The only one who cried. The only one who felt
• 1:15:21
  Speaker 4: the loss.
• 1:15:22
  Speaker 5: In his skin.
• 1:15:30
  Speaker 9: What killed me was the cowardice, but the guys were marking,
• 1:15:33
  Speaker 9: it looked like they were playing Inter-Escola.
• 1:15:36
  Speaker 5: No, Inter-Escola gave life, man.
• 1:15:37
  Speaker 10: No, but in Brazil, every game was like that. It
• 1:15:39
  Speaker 10: didn't work.
• 1:15:40
  Speaker 5: It didn't play well, it didn't play well, it didn't
• 1:15:41
  Speaker 5: play well. Tell us, Tuto. What did you think? Like
• 1:15:45
  Speaker 5: Spain in 2010. They controlled the game. Touch, touch, touch
• 1:15:47
  Speaker 5: over there, touch over there. No one scores right. Neymar
• 1:15:49
  Speaker 5: took the yellow.
• 1:15:50
  Speaker 12: The guys wanted to put Brazil on the wheel.
• 1:15:53
  Speaker 10: Neymar, from the beginning of the game, is an old guy.
• 1:15:55
  Speaker 5: But he's an experienced player. And he's a star. A
• 1:15:58
  Speaker 5: star has to be a gift. Before the first goal,
• 1:16:00
  Speaker 5: Norway was.
• 1:16:10
  Speaker 9: The ball is six minutes away. Without Brazil catching the ball.
• 1:16:12
  Speaker 9: Six minutes playing the ball and Brazil.
• 1:16:14
  Speaker 8: Is like this.
• 1:16:14
  Speaker 5: Just waiting to contract. Look at Cristiano Ronaldo in reserve.
• 1:16:18
  Speaker 5: With 41. And why is Neymar with 36 in reserve? Ah,
• 1:16:21
  Speaker 5: he's going to split.
• 1:16:22
  Speaker 1: What did you think of the game, Caco?
• 1:16:25
  Speaker 7: Tell us more.
• 1:16:26
  Speaker 5: Straight talk, man.
• 1:16:27
  Speaker 7: Straight talk.
• 1:16:28
  Speaker 5: Frustrating, man.
• 1:16:28
  Speaker 3: Straight talk.
• 1:16:30
  Speaker 7: But you know, man.
• 1:16:30
  Speaker 5: The best friends of Caco are good, man.
• 1:16:33
  Speaker 7: I was hoping for that.
• 1:16:34
  Speaker 5: I was hoping for that.
• 1:16:35
  Speaker 1: I was hoping for that.
• 1:16:37
  Speaker 5: I'm sad.
• 1:16:37
  Speaker 7: Because we're Brazilians and we're rooting for this.
• 1:16:40
  Speaker 14: But I don't know, this game... For me, it was
• 1:16:41
  Speaker 14: like losing that penalty. Yeah, it was sad. I think
• 1:16:44
  Speaker 14: it was like, you lost a penalty.
• 1:16:46
  Speaker 7: It was intense.
• 1:16:47
  Speaker 8: And to be honest, Alan is a monster.
• 1:16:49
  Speaker 7: You can't take credit for that guy.
• 1:16:51
  Speaker 5: He said it. He said it.
• 1:16:59
  Speaker 12: He said it, he said it, and he did it.
• 1:17:02
  Speaker 12: He's a monster, man. That's why I'm saying, a crack
• 1:17:04
  Speaker 12: on the starter, it gives weight, man. The guy takes
• 1:17:06
  Speaker 12: it and boom.
• 1:17:07
  Speaker 5: He scored two goals. He scored two goals. The second one,
• 1:17:10
  Speaker 5: he was walking.
• 1:17:11
  Speaker 8: He killed me.
• 1:17:16
  Speaker 9: Once again, it's cowardice, man. Norway doesn't have 70% of
• 1:17:19
  Speaker 9: the ball. It doesn't exist, man. Ah, Igor, you have
• 1:17:23
  Speaker 9: to respect Norway. You don't respect Norway, it's a fucking house.
• 1:17:25
  Speaker 9: Respect Haaland, respect Haaland, that's it.
• 1:17:27
  Speaker 5: Norway, Norway.
• 1:17:28
  Speaker 1: It's in the middle of Brazil right now.
• 1:17:30
  Speaker 5: The guys already have IDH, basic training, education. Yeah, we
• 1:17:34
  Speaker 5: don't have it. Magalhões, Magalhões, bro. Magalhões. Magalhões.
• 1:17:37
  Speaker 10: Various cuts marking the guy, stopping the guy.
• 1:17:40
  Speaker 1: Ah, it's going to stop.
• 1:17:45
  Speaker 5: That was a great goal.
• 1:17:46
  Speaker 1: That was a great goal.
• 1:17:49
  Speaker 5: And the second goal.
• 1:17:50
  Speaker 19: He stopped.
• 1:17:51
  Speaker 5: He got it right.
• 1:17:51
  Speaker 10: He had time to look.
• 1:17:53
  Speaker 5: He made a goal. He made a goal.
• 1:17:54
  Speaker 10: That first goal, Haaland's head, he was watching because Magalhães.
• 1:17:57
  Speaker 5: Was on the ball.
• 1:17:58
  Speaker 14: He took care of the ball.
• 1:17:59
  Speaker 5: He was watching.
• 1:18:00
  Speaker 7: He entered with a half-back.
• 1:18:07
  Speaker 10: Didn't he?
• 1:18:08
  Speaker 5: What?
• 1:18:08
  Speaker 10: He played with Martinelli. He played well, bro.
• 1:18:10
  Speaker 5: He was the one.
• 1:18:11
  Speaker 12: Who found Matheus Cunha. He was going to kill the penalty.
• 1:18:14
  Speaker 5: He was going to put pressure on the first penalty.
• 1:18:16
  Speaker 10: And the one that he missed.
• 1:18:17
  Speaker 4: I think that Antelotti plays where he puts Henrik to
• 1:18:20
  Speaker 4: be the stopper.
• 1:18:20
  Speaker 7: Then he puts Neymar.
• 1:18:31
  Speaker 5: To be the midfielder. Then, he plays Wendrick to the
• 1:18:32
  Speaker 5: side and I think he fucked it all up. Either
• 1:18:35
  Speaker 5: it was Wendrick or it was Neymar. Yeah. He had
• 1:18:37
  Speaker 5: to be marking more, right? Yeah, because if not, he
• 1:18:38
  Speaker 5: takes two guys to mark, to fight.
• 1:18:40
  Speaker 12: I thought that too. I needed more marking, man. Because
• 1:18:43
  Speaker 12: I was watching the guys roll. When we took... Man,
• 1:18:45
  Speaker 12: watching the fucking game of Argentina- I didn't feel that
• 1:18:41
  Speaker 12: the Brazilian team said like this.
• 1:19:07
  Speaker 5: Man, it's the game of my life.
• 1:19:08
  Speaker 14: I'm going to give it my all. That's what I'm
• 1:19:10
  Speaker 14: talking about, bro. With all due respect, bro. You keep
• 1:19:13
  Speaker 14: seeing on the internet, there are several comments, a page
• 1:19:15
  Speaker 14: of us talking about Neymar. Usually it's a comment from
• 1:19:18
  Speaker 14: a future-free guy, bro. Saying, yeah, he wanted to fix
• 1:19:22
  Speaker 14: the mess, wanted to cover it up. Bro, straight talk,
• 1:19:24
  Speaker 14: he's the one who's left, with all due respect to
• 1:19:26
  Speaker 14: the other players, but he's the one who's left in
• 1:19:28
  Speaker 14: the root player, bro.
• 1:19:29
  Speaker 7: Who has that vagabond football.
• 1:19:31
  Speaker 14: He got to the penalty area and said, let's see
• 1:19:32
  Speaker 14: if he catches it. He did it and then he
• 1:19:34
  Speaker 14: caught it.
• 1:19:34
  Speaker 7: He was losing.
• 1:19:35
  Speaker 5: It was to show what it is.
• 1:19:36
  Speaker 7: He didn't shake when he lost. What annoys me is
• 1:19:38
  Speaker 7: no one giving a kick, a boot to someone, putting.
• 1:19:40
  Speaker 10: Their hand on their face.
• 1:19:47
  Speaker 5: Did you see Paraguay playing against France? Mbappé didn't understand.
• 1:19:51
  Speaker 5: What is this? The guy is pulling me, throwing me out.
• 1:19:54
  Speaker 5: I'm not French. Fuck it. I want you to fuck yourself.
• 1:19:56
  Speaker 6: I want you to fuck yourself, man.
• 1:19:58
  Speaker 13: Argentina was giving me a car in the air to
• 1:20:01
  Speaker 13: get the ball.
• 1:20:01
  Speaker 3: And Cabo Verde, man.
• 1:20:03
  Speaker 9: I swear to God, I was more excited with Cabo
• 1:20:05
  Speaker 9: Verde than with Brazil.
• 1:20:07
  Speaker 3: It's taking the ass.
• 1:20:08
  Speaker 5: And if they were here, we would be happy.
• 1:20:10
  Speaker 10: That's because they play in Europe and.
• 1:20:12
  Speaker 8: Think they don't have to prove anything.
• 1:20:14
  Speaker 5: They have to prove it. What do you think of soccer?
• 1:20:17
  Speaker 5: Because soccer is.
• 1:20:25
  Speaker 7: I don't know, man. It's like Nutella. Play your criticism, Caco.
• 1:20:29
  Speaker 7: I don't know, man. This thing about pauses for hydration... Brother, everything.
• 1:20:34
  Speaker 9: Is more important than football. Propaganda is more important than football.
• 1:20:37
  Speaker 9: The goalkeeper is.
• 1:20:38
  Speaker 7: More important than football. I saw Maradona talking about it.
• 1:20:41
  Speaker 14: Back then, when the United States was going to play
• 1:20:44
  Speaker 14: a cup, they were.
• 1:20:44
  Speaker 7: Going to play four times in 25 minutes. Maradona said that,
• 1:20:47
  Speaker 7: did you see?
• 1:20:47
  Speaker 5: He missed?
• 1:20:47
  Speaker 8: A long time ago.
• 1:20:48
  Speaker 7: A long time ago.
• 1:20:49
  Speaker 14: He said that the day the United States played a cup,
• 1:20:51
  Speaker 14: they were going to play a four-time game in 25
• 1:20:53
  Speaker 14: minutes because of advertising, man.
• 1:20:55
  Speaker 1: It's crazy, right?
• 1:20:57
  Speaker 7: It's like a showcase. Even the players.
• 1:20:58
  Speaker 14: Sometimes the sponsor of a brand has to have a
• 1:21:01
  Speaker 14: time of performance.
• 1:21:02
  Speaker 5: On the field because of the brand. But it is, bro!
• 1:21:03
  Speaker 1: The other one who is.
• 1:21:04
  Speaker 14: Not from this brand, it's already like... It's awesome.
• 1:21:07
  Speaker 12: Bro, this thing. So it's written because of... It's explained,
• 1:21:10
  Speaker 12: the thing of the hydration pause.
• 1:21:12
  Speaker 7: Yeah, bro. Brother, it's for advertising, bro.
• 1:21:15
  Speaker 5: Or for the player to stay with the bottle there, or.
• 1:21:18
  Speaker 8: The shooter, or lift the shirt and show something.
• 1:21:20
  Speaker 5: The pink shirt. The way the guys enter the field
• 1:21:26
  Speaker 5: is for the sponsor. Did you see that thing from Olize?
• 1:21:28
  Speaker 7: I was looking at it. I saw his profile.
• 1:21:30
  Speaker 14: The strangest pictures of the World Cup. I saw that
• 1:21:36
  Speaker 14: his photographer wasn't allowed to enter the stadiums, so he
• 1:21:38
  Speaker 14: kept posting his photos, but she took the photos from
• 1:21:41
  Speaker 14: the TV.
• 1:21:42
  Speaker 5: Very cool. He created an aesthetic.
• 1:21:43
  Speaker 7: Real Madrid wants to get him, 200 million.
• 1:22:16
  Speaker 5: Man, I'm outraged.
• 1:22:17
  Speaker 7: I play in the World Cup and.
• 1:22:18
  Speaker 5: I watch it.
• 1:22:19
  Speaker 7: Now imagine, I'm a Santos fan, pure suffering.
• 1:22:21
  Speaker 1: It was a moment of joy for you, right?
• 1:22:24
  Speaker 10: I suffered more than in the World Cup.
• 1:22:27
  Speaker 1: In the World Cup, he had to be happy, at least.
• 1:22:29
  Speaker 5: But that's it, Mítico.
• 1:22:30
  Speaker 9: Everything else is much more important than the football played.
• 1:22:34
  Speaker 9: And then the player, for playing in Europe, and they
• 1:22:36
  Speaker 9: are players from Real Madrid, Barcelona, Arsenal, whatever it is,
• 1:22:39
  Speaker 9: he thinks that when he wears the national team shirt,
• 1:22:42
  Speaker 9: he is.
• 1:22:43
  Speaker 5: Toquinho de lado, de boa, não vou dar a vida.
• 1:22:45
  Speaker 5: Você é louco? Juro por Deus, façam esse exercício.
• 1:22:48
  Speaker 9: Tem um vídeo na internet remasterizado da final da Copa
• 1:22:52
  Speaker 9: de 2002 com os melhores momentos.
• 1:22:54
  Speaker 5: Watch it. Watch it. Make this cut, and then put
• 1:22:57
  Speaker 5: it in the comments.
• 1:22:58
  Speaker 9: Look at Ronaldinho Gaúcho, with 20-something years of age, giving
• 1:23:03
  Speaker 9: everything he can.
• 1:23:04
  Speaker 5: Look at Ronaldo, like a.
• 1:23:05
  Speaker 1: Madman, with his knee exploded, running after the goal.
• 1:23:07
  Speaker 7: Ronaldo, in the final, scored two goals.
• 1:23:09
  Speaker 5: Rivaldo, giving everything he can. Everyone is giving everything they can.
• 1:23:11
  Speaker 5: Everyone is playing to the million.
• 1:23:13
  Speaker 8: It's not like.
• 1:23:16
  Speaker 5: I couldn't get it. Do you remember this?
• 1:23:18
  Speaker 7: I think I was 4 or 5 years old. I
• 1:23:19
  Speaker 7: remember some flashes. My dad waking me up in the morning.
• 1:23:21
  Speaker 7: I remember the mess on the final day, but I
• 1:23:24
  Speaker 7: don't remember it.
• 1:23:24
  Speaker 5: I don't remember. In my time, Ronaldo is French. Pelé
• 1:23:34
  Speaker 5: is Argentinian. Neymar is in the bench.
• 1:23:37
  Speaker 1: The sky is red. Neymar is in the bench.
• 1:23:39
  Speaker 5: In my time, it's all the other way around.
• 1:23:41
  Speaker 8: I know I got pissed.
• 1:23:42
  Speaker 7: I had to abduct. When you lost, I said, come here.
• 1:23:44
  Speaker 7: Take it. Take it. Take it.
• 1:23:53
  Speaker 3: Oh, the guy who took the red one there?
• 1:23:54
  Speaker 5: He's the one who wanted to put this, son of
• 1:23:56
  Speaker 5: a bitch, bro.
• 1:23:56
  Speaker 10: She said, she said.
• 1:23:59
  Speaker 1: He's an alien from Arquituriano.
• 1:24:00
  Speaker 3: She said on TV that he's an alien. I was
• 1:24:01
  Speaker 3: watching the POVs, right, of Haaland.
• 1:24:03
  Speaker 5: There's a time when he's marking Vinicius Jr.
• 1:24:05
  Speaker 3: Like this.
• 1:24:05
  Speaker 5: Brother....
• 1:24:12
  Speaker 9: He was going like this, blind, to score to Vinícius Júlio.
• 1:24:16
  Speaker 5: Then Vinícius Júlio hits the ball.
• 1:24:17
  Speaker 9: He laughs all by himself and then he throws the Martini.
• 1:24:20
  Speaker 5: Vinícius Júlio knocks everyone down.
• 1:24:22
  Speaker 7: He's crazy.
• 1:24:23
  Speaker 5: He's hallucinating. Brazil is like this.
• 1:24:27
  Speaker 7: The guys wanted to win.
• 1:24:29
  Speaker 8: He was screaming.
• 1:24:29
  Speaker 7: About losing the ball. But imagine how he got this game.
• 1:24:32
  Speaker 7: So many memes that the guys were sending to him, showing.
• 1:24:35
  Speaker 7: He was going to take off his shirt. He was
• 1:24:38
  Speaker 7: going to take off his chest. He was going to
• 1:24:39
  Speaker 7: take off his chest.
• 1:24:41
  Speaker 9: And this football is fucking expensive. Distance the real fan
• 1:24:45
  Speaker 9: of the thing that will be in the... That no
• 1:24:47
  Speaker 9: one gives in the field and.
• 1:24:48
  Speaker 3: No one gives in the bench.
• 1:24:49
  Speaker 5: If you look at the bench... Olê, olê, olê, my dick, fuck!
• 1:24:50
  Speaker 3: It's true.
• 1:24:52
  Speaker 5: It's indignation of the Brazilian fan. This song is shit!
• 1:24:55
  Speaker 5: Look at the indignation of the Brazilian fan. The guy
• 1:24:58
  Speaker 5: is mad. No, no, you are.
• 1:24:58
  Speaker 1: It's what the Brazilian is feeling, brother. The shit that
• 1:25:01
  Speaker 1: is in the Brazilian Cup is shit, everything is shit.
• 1:25:04
  Speaker 5: Influencers.
• 1:25:05
  Speaker 6: Fuck!
• 1:25:11
  Speaker 12: And also the income 15,000 all there and send them
• 1:25:13
  Speaker 12: all there I saw.
• 1:25:14
  Speaker 5: The guy talking about it because he doesn't.
• 1:25:16
  Speaker 2: Take the Flamengo team, take it, bro, send it, it's organized, bro,
• 1:25:19
  Speaker 2: for the love of God, but don't send those guys
• 1:25:21
  Speaker 2: who are there, bro, it's true.
• 1:25:22
  Speaker 5: Take it in the ass, whatever it is, it starts
• 1:25:25
  Speaker 5: to go I'm already crazy here, bro.
• 1:25:33
  Speaker 8: No, it's right. Your indignation is right.
• 1:25:35
  Speaker 5: Deception.
• 1:25:36
  Speaker 8: And this is the talk of the fans. And another
• 1:25:39
  Speaker 8: is the talk of Dayá. This is the talk of Dayá.
• 1:25:42
  Speaker 8: But you also participated in another cup, it was from Podpá. Oh,
• 1:25:45
  Speaker 8: and you play ball, right, man?
• 1:25:46
  Speaker 7: What was that case, man?
• 1:25:47
  Speaker 1: There was a video of yours that viralized the world.
• 1:25:50
  Speaker 1: It was you who was holding the ball.
• 1:25:52
  Speaker 5: I missed you.
• 1:25:52
  Speaker 7: If I were in Brazil, it.
• 1:25:53
  Speaker 3: Would be like this, man.
• 1:25:55
  Speaker 5: That's it.
• 1:25:57
  Speaker 10: What happened to your head, man?
• 1:26:00
  Speaker 5: I laughed a lot.
• 1:26:01
  Speaker 1: The Copa Potiphar was better than the game in Norway?
• 1:26:03
  Speaker 10: It was much better.
• 1:26:04
  Speaker 1: What happened to my.
• 1:26:07
  Speaker 5: Mind at that time was to take the ball. The
• 1:26:08
  Speaker 5: guys were holding it there.
• 1:26:16
  Speaker 7: Excuse me, everyone.
• 1:26:17
  Speaker 12: On camera, it doesn't look like Michel over there, but it's...
• 1:26:21
  Speaker 12: Where are you sitting?
• 1:26:23
  Speaker 3: I'm just holding it, and you're already.
• 1:26:25
  Speaker 10: I'm.
• 1:26:25
  Speaker 19: Just like this, right, brother?
• 1:26:26
  Speaker 3: I'm alone. They killed me here when they killed Tuto.
• 1:26:28
  Speaker 5: Man, it's something I laughed at. I was very funny, man.
• 1:26:31
  Speaker 9: I was outraged, I said, man, they killed me here.
• 1:26:33
  Speaker 8: Fuck, Tuto did a fucking great job, brother.
• 1:26:35
  Speaker 10: I think he deserved a Puskas.
• 1:26:36
  Speaker 3: Puskas from Podpá, right?
• 1:26:37
  Speaker 5: No, no, from FIFA itself.
• 1:26:46
  Speaker 3: Yeah, bro.
• 1:26:47
  Speaker 9: The goalkeeper comes and takes the pen. Then the goalkeeper
• 1:26:50
  Speaker 9: goes out and he gives a kick. Then I said,
• 1:26:52
  Speaker 9: I save or leave.
• 1:26:54
  Speaker 5: The goal, it's more beautiful. I left it more beautiful.
• 1:26:56
  Speaker 5: He hit the ball and I entered with the ball
• 1:26:57
  Speaker 5: and everything. Then he's naughty, right? You're naughty, Tuto. Why?
• 1:27:00
  Speaker 9: Because the Copa das gravou, one day, and I was
• 1:27:03
  Speaker 9: going to post it, I don't know, in a month.
• 1:27:07
  Speaker 9: Then he, this goal here, can I post it? I said,
• 1:27:09
  Speaker 9: wait a little, right, bro? It's going to be in
• 1:27:11
  Speaker 9: two weeks. Then he said, no, it's closed.
• 1:27:14
  Speaker 5: No, but.
• 1:27:14
  Speaker 1: He posted it. I was going to tell you.
• 1:27:18
  Speaker 5: It was going to be on one day, but it
• 1:27:21
  Speaker 5: was on the other. That's why I thought, it's going
• 1:27:24
  Speaker 5: to be on today. It was good to announce. It's
• 1:27:26
  Speaker 5: good for the guys. You played the ball, right?
• 1:27:27
  Speaker 7: I said, what?
• 1:27:28
  Speaker 5: The guys have to see, right?
• 1:27:30
  Speaker 7: I looked and said, play, man.
• 1:27:31
  Speaker 1: Play, man.
• 1:27:32
  Speaker 5: Play, man.
• 1:27:32
  Speaker 8: You were playing.
• 1:27:33
  Speaker 1: It was cool, right?
• 1:27:34
  Speaker 8: We just lost in some moments. It's also very tiring, right, man?
• 1:27:36
  Speaker 10: The ball doesn't come out, right, man?
• 1:27:38
  Speaker 7: Yeah. It was very different, right? No, it wasn't.
• 1:27:43
  Speaker 1: Your team didn't have a referee.
• 1:27:45
  Speaker 5: It was yours. It was the referee. It was the referee.
• 1:27:47
  Speaker 1: When I looked at the referee there, I said, fuck,
• 1:27:50
  Speaker 1: are you going.
• 1:27:50
  Speaker 5: To hurt me? You have to help me.
• 1:27:58
  Speaker 1: Come on, come on.
• 1:28:00
  Speaker 8: Do you play soccer?
• 1:28:01
  Speaker 7: I play, but I'm... No.
• 1:28:03
  Speaker 2: But I don't... For a football like this, you don't stick?
• 1:28:06
  Speaker 5: I stick, man.
• 1:28:07
  Speaker 6: No, but.
• 1:28:07
  Speaker 5: No, but... No, but... No, but.
• 1:28:14
  Speaker 5: You have to have a double goal in the cup. What?
• 1:28:17
  Speaker 8: Red ball.
• 1:28:17
  Speaker 5: Press the button.
• 1:28:18
  Speaker 10: Press the button.
• 1:28:18
  Speaker 5: Why did you say that, Caco?
• 1:28:20
  Speaker 1: Do this cup again.
• 1:28:21
  Speaker 3: Do it again.
• 1:28:22
  Speaker 8: Do it again.
• 1:28:23
  Speaker 3: Do you play ball, Caco?
• 1:28:25
  Speaker 10: I don't play, but I'm tough.
• 1:28:26
  Speaker 5: It's more basketball. We wanted... To be honest, the cup
• 1:28:27
  Speaker 5: can be for us.
• 1:28:30
  Speaker 10: Do it again, do it again, yeah.
• 1:28:31
  Speaker 5: Do you play soccer, Caco?
• 1:28:33
  Speaker 7: I don't play soccer, but I'm tough, you know?
• 1:28:36
  Speaker 5: But it's more basketball, right? We wanted.
• 1:28:38
  Speaker 9: Look, to be honest, the Copa Pai told us, like,
• 1:28:40
  Speaker 9: let's make that Rock and Go energy more entertaining than competition.
• 1:28:44
  Speaker 5: But then, bro, there's no such thing for Brazilians.
• 1:28:47
  Speaker 7: And a soccer ball. There's no such thing.
• 1:28:49
  Speaker 3: There was a time when you even stopped our game, right?
• 1:28:51
  Speaker 10: No, bro, there was a time.
• 1:28:52
  Speaker 9: When I was looking there and I said, someone is
• 1:28:54
  Speaker 9: going to get hurt. Someone is going to break the tournament.
• 1:28:56
  Speaker 5: And it's like this.
• 1:28:58
  Speaker 9: At that time, they weren't playing. But after they broke
• 1:29:00
  Speaker 9: the ankle, they had to do a show with it.
• 1:29:02
  Speaker 9: They give life, right, Vianna?
• 1:29:03
  Speaker 7: A lot, Vianna.
• 1:29:04
  Speaker 8: So I said, guys, you all have shows.
• 1:29:05
  Speaker 5: Others work with other things. No one plays ball. Be careful.
• 1:29:14
  Speaker 5: ok ok brother game followed got worse.
• 1:29:17
  Speaker 10: There with Michel even got angry.
• 1:29:19
  Speaker 13: With me bro that I went out but it's already
• 1:29:22
  Speaker 13: without wanting brother he.
• 1:29:24
  Speaker 5: Said what's this bro brother I.
• 1:29:26
  Speaker 13: Didn't have football football football let's go let's go we had.
• 1:29:29
  Speaker 1: Time to make the judge be careful bro the guys
• 1:29:32
  Speaker 1: are I was scared of getting hurt.
• 1:29:35
  Speaker 5: That's the last thing I want. The rhythm didn't stop.
• 1:29:37
  Speaker 5: We put the guys in a cage.
• 1:29:39
  Speaker 1: They let go of the ball.
• 1:29:42
  Speaker 5: And said, go. Did you play?
• 1:29:44
  Speaker 7: No, I'm just like you.
• 1:29:45
  Speaker 1: I played because the guys forced me to.
• 1:29:48
  Speaker 11: You play well too.
• 1:29:49
  Speaker 5: You play well.
• 1:29:50
  Speaker 10: It's true.
• 1:29:50
  Speaker 5: No, no, no. It's the same. Mine is from the
• 1:30:01
  Speaker 5: game I gave to Dino.
• 1:30:02
  Speaker 10: Your team was from.
• 1:30:04
  Speaker 5: Jamaica.
• 1:30:04
  Speaker 1: Which one was yours?
• 1:30:06
  Speaker 5: Kizidani. Kizidani.
• 1:30:08
  Speaker 1: Watch Copa Podipá, bro. You'll see a very cool tournament.
• 1:30:11
  Speaker 1: A lot of fights. And a lot of beautiful goals.
• 1:30:14
  Speaker 1: There were no sides, no corners, no outs.
• 1:30:16
  Speaker 10: The game doesn't stop.
• 1:30:18
  Speaker 8: That's what I'm talking about.
• 1:30:19
  Speaker 10: We had to do a.
• 1:30:20
  Speaker 5: We had to do a... I want to do one
• 1:30:22
  Speaker 5: more review. Like, I was saying, for the guys from Podpá,
• 1:30:32
  Speaker 5: it's cool to have the Podpá Cup, which is in Gaiola,
• 1:30:34
  Speaker 5: but it's also cool for us to do a championship
• 1:30:36
  Speaker 5: on our website, because.
• 1:30:37
  Speaker 7: Then it's going to be, like.
• 1:30:38
  Speaker 5: It's going to be fun. It's going to be funny, like,
• 1:30:41
  Speaker 5: when a hole is funny.
• 1:30:42
  Speaker 3: Yeah, yeah.
• 1:30:42
  Speaker 5: Mark badly, put some bad goalkeepers. It's more fun.
• 1:30:45
  Speaker 1: It's like me, I'm bad, man, I'll tell you.
• 1:30:46
  Speaker 4: But you want to play, you want to participate. I
• 1:30:49
  Speaker 4: want to play, but my hands run a lot, man.
• 1:30:50
  Speaker 4: You say, I go out all the time, I'll breathe.
• 1:30:53
  Speaker 3: How old are you, brother?
• 1:30:53
  Speaker 14: 25.
• 1:30:54
  Speaker 10: It's cheap, huh?
• 1:30:54
  Speaker 5: Yeah.
• 1:30:58
  Speaker 11: Then Castanhari came in.
• 1:31:01
  Speaker 5: Castanhari played.
• 1:31:03
  Speaker 1: Castanhari played.
• 1:31:06
  Speaker 5: But Castanhari is stupid. In the team of the fans,
• 1:31:07
  Speaker 5: he was.
• 1:31:08
  Speaker 1: I'm a nerd in conjunction with the fans.
• 1:31:10
  Speaker 5: The fans said, Castanhari, calm down. He played, bro. No,
• 1:31:13
  Speaker 5: but he helped. Helping is not losing. Helped, helped, man.
• 1:31:18
  Speaker 5: What position did you choose? Eliminated in the fan group.
• 1:31:28
  Speaker 10: It's because of his team.
• 1:31:30
  Speaker 5: The first one. Bro, it was a different goal. It
• 1:31:33
  Speaker 5: was in the yellow ball.
• 1:31:35
  Speaker 10: It was 5x5 in the last goal. But it was cool.
• 1:31:37
  Speaker 5: It was cool.
• 1:31:38
  Speaker 8: No, there has to be the next one.
• 1:31:40
  Speaker 5: I was sad to play the last game with them.
• 1:31:42
  Speaker 10: Because I was like, it's us or they're leaving. The
• 1:31:44
  Speaker 10: guys sent our crack to the doctor, right?
• 1:31:46
  Speaker 5: It was, man. The kid Joe.
• 1:31:48
  Speaker 10: The kid Joe's knee.
• 1:31:49
  Speaker 5: The kid Joe deserves it. That was awesome. Where's Vini?
• 1:31:54
  Speaker 5: Do you want to sing a song? Everyone is here.
• 1:31:56
  Speaker 5: There's a lot of people. Talking about music, today is
• 1:32:07
  Speaker 5: the 7th.
• 1:32:07
  Speaker 12: I think it's been... How many years since Daleste died?
• 1:32:10
  Speaker 12: I think it's the day of Funk. He died in 2013,
• 1:32:12
  Speaker 12: if I'm not mistaken.
• 1:32:13
  Speaker 5: 2013. So it's been 10 years. 10 years since Daleste left.
• 1:32:15
  Speaker 5: 13 years. 13 years. A very important guy.
• 1:32:17
  Speaker 7: For our movement that left.
• 1:32:18
  Speaker 5: It was today, bro. No one knows what it was.
• 1:32:19
  Speaker 5: It was the 7th.
• 1:32:20
  Speaker 12: Even his album will be released, I don't think... Man,
• 1:32:22
  Speaker 12: if I'm not mistaken, it was today. I have a
• 1:32:25
  Speaker 12: song too. You're on the album?
• 1:32:27
  Speaker 6: Yeah.
• 1:32:34
  Speaker 5: It's a great song, so I want to send a
• 1:32:35
  Speaker 5: big hug to.
• 1:32:36
  Speaker 12: The Dalest family. They made a big difference in our movement.
• 1:32:39
  Speaker 12: It's really cool to talk about Dalest.
• 1:32:41
  Speaker 5: I'm from the east. I've already told this to Mítico.
• 1:32:43
  Speaker 5: I feel that the MC who overcame barriers.
• 1:32:44
  Speaker 12: And commanded an era for a long time, and who
• 1:32:46
  Speaker 12: was doing something different from everyone, was Dalest.
• 1:32:59
  Speaker 9: I feel that there were several icons, several specific moments,
• 1:33:02
  Speaker 9: but I feel that what Dalash did is very similar
• 1:33:06
  Speaker 9: to what Kevin did.
• 1:33:06
  Speaker 5: But it was before, right? Dalash used the internet.
• 1:33:10
  Speaker 9: He already knew how to play with Twitter, with fans, fan.
• 1:33:14
  Speaker 5: Club, to have.
• 1:33:15
  Speaker 9: Charisma, not to be afraid, to play, to make videos.
• 1:33:20
  Speaker 5: So he was already an artist.
• 1:33:22
  Speaker 9: And besides that voice, the very melodic songs, Mina de Vermelho,
• 1:33:27
  Speaker 9: I think it's... Maybe the new generation of funk is
• 1:33:31
  Speaker 9: the song that surpassed barriers, right?
• 1:33:34
  Speaker 1: And even today it is very current, this.
• 1:33:36
  Speaker 5: One too, right?
• 1:33:36
  Speaker 11: Yeah, man.
• 1:33:37
  Speaker 5: He sang in some re-recordings, you know?
• 1:33:38
  Speaker 7: He sang in the dance and that's it.
• 1:33:39
  Speaker 17: True.
• 1:33:40
  Speaker 5: Wow, that's it, man. You can expect the general to sing, bro.
• 1:33:43
  Speaker 4: True.
• 1:33:43
  Speaker 5: Did you get there at the Dalesh show? No, no,
• 1:33:45
  Speaker 5: it was very new. When he died I was 13
• 1:33:47
  Speaker 5: years old, imagine. Fuck.
• 1:33:48
  Speaker 12: When he made a success, even in 2011, 2012, I
• 1:33:51
  Speaker 12: was a kid, I only had.
• 1:33:52
  Speaker 5: I was a kid too. I only had YouTube on
• 1:33:57
  Speaker 5: the computer. Did you get there, Caco? Or were you
• 1:34:00
  Speaker 5: in Paraná?
• 1:34:00
  Speaker 10: No, we listened to what we got there.
• 1:34:03
  Speaker 14: And it's crazy, because a song that became a hit
• 1:34:05
  Speaker 14: here in São Paulo, Rio de Janeiro, would get there
• 1:34:09
  Speaker 14: a little later. The success would come later.
• 1:34:11
  Speaker 5: But we listened to it a lot.
• 1:34:13
  Speaker 1: The one that plays in São Paulo, after two months,
• 1:34:16
  Speaker 1: will play in another state.
• 1:34:17
  Speaker 5: Not now, bro.
• 1:34:17
  Speaker 7: Now it's on the internet.
• 1:34:20
  Speaker 5: But it's crazy too, because you said it's from the north,
• 1:34:23
  Speaker 5: Caco is from the south. But the one that plays in...
• 1:34:27
  Speaker 5: In your region, it's very... It's.
• 1:34:28
  Speaker 9: From there too, so it doesn't reach us. And I
• 1:34:34
  Speaker 9: think São Paulo loses a plurality in that, you know? Like,
• 1:34:39
  Speaker 9: not knowing the techno melody, the stuff from the north.
• 1:34:44
  Speaker 9: The rap, which is very strong in the south, you know?
• 1:34:47
  Speaker 9: I think we are also very bad here, you know?
• 1:34:50
  Speaker 9: We have to look for more, we have to be
• 1:34:51
  Speaker 9: more enthusiastic about the stuff. I always like to talk
• 1:34:55
  Speaker 9: about Pará because I feel that Pará is almost a
• 1:34:58
  Speaker 9: Brazil within Brazil.
• 1:35:00
  Speaker 5: That's right.
• 1:35:00
  Speaker 8: It's another reality, another culture, other songs.
• 1:35:03
  Speaker 1: Another way of dressing.
• 1:35:04
  Speaker 5: I think it's very important.
• 1:35:06
  Speaker 9: I think you came from a state that is richer
• 1:35:08
  Speaker 9: in culture.
• 1:35:10
  Speaker 5: It's us, Pará. We're different. Look, by the way.
• 1:35:17
  Speaker 9: I don't know what day it is, but soon, me
• 1:35:19
  Speaker 9: and Mítico Jovem will be in Belém do Pará.
• 1:35:22
  Speaker 1: It's true, with Unicef.
• 1:35:23
  Speaker 5: Right, Mítico Jovem? I want to cause it in this city.
• 1:35:25
  Speaker 8: It was Unicef that made us go to Pará now, bro.
• 1:35:28
  Speaker 8: I've never been to Pará, bro.
• 1:35:29
  Speaker 1: We always talk about you going, and now it's the
• 1:35:31
  Speaker 1: right moment, and it's going to be really cool this
• 1:35:33
  Speaker 1: tour that we're going to do there.
• 1:35:36
  Speaker 5: I'm looking forward to it. People from Belém do Pará,
• 1:35:39
  Speaker 5: I'm coming.
• 1:35:40
  Speaker 9: Please prepare the equipment and the techno melody, because I
• 1:35:44
  Speaker 9: want to get there singing.
• 1:35:45
  Speaker 5: People from Crocodilo, Búfalo, Super Pop. Wait for us.
• 1:35:48
  Speaker 8: What about you, your fans?
• 1:35:50
  Speaker 1: Are you going to throw some for us? Let's throw
• 1:35:54
  Speaker 1: some for you.
• 1:35:55
  Speaker 5: I want to see. With you and for you, live music.
• 1:36:00
  Speaker 5: You can't go wrong with Jovem. That's it.
• 1:36:02
  Speaker 7: Hold on.
• 1:36:03
  Speaker 3: Let's go!
• 1:36:04
  Speaker 1: DJ Boy!
• 1:36:16
  Speaker 5: Thank you. Thank you.
• 1:36:34
  Speaker 14: Yeah!
• 1:37:04
  Speaker 4: Bem falado nesse movimento. Acho que agora chegou meu momento.
• 1:37:08
  Speaker 4: Neguinho do shopping que te patrocina. Te deixa top com
• 1:37:12
  Speaker 4: o valsho lá em cima. Hoje eu quero você e
• 1:37:14
  Speaker 4: sua amiga. Coisa gostosa, é certo se balinhar. Balena deixa
• 1:37:18
  Speaker 4: as bebê nas alturas.
• 1:37:19
  Speaker 3: Ela gosta que na cama chama de puta.
• 1:37:21
  Speaker 4: Sou pouca suta, eu não quero problema.
• 1:37:23
  Speaker 3: Mas se quiser, toma outra sua.
• 1:37:25
  Speaker 7: Adiós.
• 1:37:26
  Speaker 3: I don't know. I don't know. Give it up, guys!
• 1:37:45
  Speaker 3: Let's go! Sorry. No, do it again.
• 1:38:13
  Speaker 9: So but she's from this project that throwing chairs up high,
• 1:38:21
  Speaker 9: it's getting crazy there.
• 1:38:23
  Speaker 8: Causing, messing with rap. This song is awesome.
• 1:38:26
  Speaker 10: Bebeto Romário.
• 1:38:27
  Speaker 9: So, but it's from this project that was very good
• 1:38:31
  Speaker 9: and you released it.
• 1:38:32
  Speaker 10: This song that happened, can I say this one or
• 1:38:34
  Speaker 10: this one?
• 1:38:35
  Speaker 5: As you want.
• 1:38:35
  Speaker 4: This song was a project that we did there in
• 1:38:38
  Speaker 4: the Gordinho site, there was a lot of people in
• 1:38:41
  Speaker 4: the song, Aaron, Riham, me, Marques, Vini, several partners there,
• 1:38:47
  Speaker 4: I released the preview of my part and I saw
• 1:38:48
  Speaker 4: that it was a song that... I wasn't putting the
• 1:38:50
  Speaker 4: project ahead of anyone, right? I said, I'm going to
• 1:38:53
  Speaker 4: put my part here to record her clip.
• 1:38:55
  Speaker 5: Very cool. Then I recorded it.
• 1:38:57
  Speaker 4: Then Vini did his part alone and it was good.
• 1:38:59
  Speaker 4: Then there's Marques' solo that was good. Then there's Rihanna's
• 1:39:03
  Speaker 4: solo too. I don't think people even noticed. It's the
• 1:39:06
  Speaker 4: same beat in all the songs, but it's a different song.
• 1:39:08
  Speaker 5: Very cool. It's the first solo that was good.
• 1:39:10
  Speaker 19: Yeah?
• 1:39:10
  Speaker 5: So let's go! Let's go. You can invite him here.
• 1:39:17
  Speaker 5: You can do it if you want.
• 1:39:19
  Speaker 7: DJ Boy.
• 1:39:19
  Speaker 5: DJ Boy. Applause for DJ Boy. Let's go. He who
• 1:39:22
  Speaker 5: usually passes the vision. Go, man.
• 1:39:23
  Speaker 19: Damn, they even accelerated the ships.
• 1:39:25
  Speaker 5: They accelerated it. Everyone stands still. Fuck it.
• 1:39:27
  Speaker 8: Call the guys.
• 1:39:28
  Speaker 5: JK, are you awake?
• 1:39:30
  Speaker 1: Come here.
• 1:39:30
  Speaker 15: Come here.
• 1:39:30
  Speaker 5: Come here. Come here.
• 1:39:32
  Speaker 7: Come here.
• 1:39:41
  Speaker 9: Dude, you've never made a barbecue with brie cheese, man.
• 1:39:48
  Speaker 3: You want to throw the chairs over there?
• 1:39:50
  Speaker 1: Throw the chairs over there.
• 1:39:53
  Speaker 5: DJ Boy!
• 1:39:54
  Speaker 11: Diversify the model of all colors Update it between brands
• 1:40:00
  Speaker 11: and flavors Unprecedented, I'm never there Now it's easy, you
• 1:40:04
  Speaker 11: call me love Because if you want to be fast,
• 1:40:07
  Speaker 11: you'll have Adventure mix with a little THC The basis
• 1:40:11
  Speaker 11: of the routine is transparency with.
• 1:40:13
  Speaker 3: My trutas I always have it in my mouth.
• 1:40:15
  Speaker 11: Let's do it like this, let's do it like this
• 1:40:18
  Speaker 11: One day at a time A brilliant roll to celebrate
• 1:40:22
  Speaker 11: What do you mean, what do you mean?
• 1:40:40
  Speaker 5: I don't know.
• 1:40:41
  Speaker 1: I don't know.
• 1:41:02
  Speaker 3: We'll see you next time.
• 1:41:23
  Speaker 11: We'll see you next time. Nosso cavalo tá correndo de
• 1:41:40
  Speaker 11: vez a lançar, cantando pra invejação não passar.
• 1:41:44
  Speaker 3: Se diz meu nome, cara, eu vim pra lá buscar.
• 1:41:48
  Speaker 3: Sete do DJ, boy, cara, me linda na quebrada.
• 1:41:51
  Speaker 11: Parece mentira, eu mesmo não acreditava.
• 1:41:54
  Speaker 5: Let's go, 2K!
• 1:42:10
  Speaker 16: Yeah! Yeah!
• 1:42:10
  Speaker 14: Yeah!
• 1:42:11
  Speaker 7: Yeah!
• 1:42:32
  Speaker 6: It's the Terror Troops of the Federal Receipt. The vagabond
• 1:42:36
  Speaker 6: jumps high, but here it's normal. Even the grandfathers of
• 1:42:39
  Speaker 6: all will know that it's money. Even this girl next
• 1:42:41
  Speaker 6: to me has a tax card. But I'm still alone.
• 1:42:45
  Speaker 6: It was more complicated back in the time of Gozinho.
• 1:42:48
  Speaker 6: I'm the one who made it complicated, so I prefer
• 1:42:49
  Speaker 6: to go alone. A salute to those who close, to
• 1:42:51
  Speaker 6: those who enter the path. Bye!
• 1:42:55
  Speaker 10: I love you.
• 1:43:15
  Speaker 5: Hey!
• 1:43:30
  Speaker 6: Yeah!
• 1:43:31
  Speaker 5: Yeah!
• 1:43:53
  Speaker 11: Hey, Rus!
• 1:43:55
  Speaker 3: What's up, man? What's up, man?
• 1:43:56
  Speaker 5: What's up, man?
• 1:43:56
  Speaker 3: What's up, man?
• 1:43:57
  Speaker 10: What's up, man?
• 1:43:58
  Speaker 5: What's up, man?
• 1:44:19
  Speaker 3: .
• 1:44:50
  Speaker 6: How many Instagrams did you lose?
• 1:44:52
  Speaker 19: How many Instagrams did you lose?
• 1:44:54
  Speaker 16: 29 Instagrams.
• 1:45:10
  Speaker 5: 29 Instagrams?
• 1:45:11
  Speaker 1: Thank you for the opportunity.
• 1:45:12
  Speaker 5: Good night. Good night. Good night. Good night, guys. Good night, guys. Fonfon,
• 1:45:24
  Speaker 5: how is it?
• 1:45:24
  Speaker 11: Say it again.
• 1:45:25
  Speaker 8: Fonfon?
• 1:45:25
  Speaker 7: Sequinha.
• 1:45:25
  Speaker 13: Sequinha.
• 1:45:26
  Speaker 5: Fonfon Sequinha.
• 1:45:28
  Speaker 1: Fonfon Sequinha.
• 1:45:29
  Speaker 5: Fonfon Sequinha. Fonfon Sequinha. Fonfon Sequinha. Fonfon Sequinha. Fonfon Sequinha.
• 1:45:33
  Speaker 5: Fonfon Sequinha.
• 1:45:34
  Speaker 3: Fonfon Sequinha.
• 1:45:35
  Speaker 15: Fonfon Sequinha.
• 1:45:35
  Speaker 10: Fonfon Sequinha.
• 1:45:36
  Speaker 3: Fonfon Sequinha. Fonfon Sequinha.
• 1:45:37
  Speaker 1: Fonfon Sequinha.
• 1:45:37
  Speaker 3: Fonfon Sequinha.
• 1:45:39
  Speaker 11: Fonfon Sequinha.
• 1:45:39
  Speaker 5: Fonfon Sequinha. Fonfon Sequinha.
• 1:45:41
  Speaker 13: Fonfon Sequinha.
• 1:45:42
  Speaker 5: Fonfon Sequinha.
• 1:45:42
  Speaker 3: Fonfon Sequinha. Fonfon Sequinha.
• 1:45:46
  Speaker 5: Fonfon Sequinha.
• 1:45:47
  Speaker 3: Fonfon Sequinha.
• 1:45:48
  Speaker 5: Fonfon Sequinha. Fonfon Sequinha. Fonfon Sequinha. Fonfon Sequinha. Fonfon Se.
• 1:45:54
  Speaker 3: Ask for one.
• 1:45:56
  Speaker 5: Ask for one.
• 1:45:56
  Speaker 3: Ask for one.
• 1:45:57
  Speaker 11: Ask for.
• 1:45:57
  Speaker 5: Troppa do 5K.
• 1:45:58
  Speaker 9: I doubt you'll ask for this one.
• 1:46:01
  Speaker 5: Troppa 5K. DJ Russo, one more for us.
• 1:46:02
  Speaker 3: Which one? Troppa 5K.
• 1:46:06
  Speaker 5: Hold it.
• 1:46:19
  Speaker 3: Yeah, they won!
• 1:46:38
  Speaker 5: Yeah!
• 1:46:39
  Speaker 3: Yeah! Yeah!
• 1:47:07
  Speaker 6: Acelera a nave que hoje tem baile do lado das
• 1:47:09
  Speaker 6: partes de SPC Ultimamente eu não ligo pra nada e
• 1:47:13
  Speaker 6: se vir trocar o papo é meu proceder Que nós
• 1:47:15
  Speaker 6: é o papo, e não tem ideia Padricinha vem do lado,
• 1:47:21
  Speaker 6: que me desce aos maloca Sabe que minha vida é
• 1:47:24
  Speaker 6: louca e nós não vai parar por nada Hoje procedimento We'll.
• 1:47:29
  Speaker 5: See you next time.
• 1:47:47
  Speaker 7: I just break the famous ones, go play.
• 1:47:50
  Speaker 11: For a friend I'm Evoque now, because I don't want
• 1:47:54
  Speaker 11: a flash with the lady I'm here with you and
• 1:47:57
  Speaker 11: just sumo, bye Have a good day with the two
• 1:47:59
  Speaker 11: there in the pool, the smoke and a lot of
• 1:48:01
  Speaker 11: noise The earth is when you die, the desire of
• 1:48:04
  Speaker 11: the bandits It's us who leave the power, appreciate the
• 1:48:08
  Speaker 11: fine cream Let's go.
• 1:48:10
  Speaker 5: Thank you. Thank you.
• 1:48:25
  Speaker 3: We'll see you next time.
• 1:48:50
  Speaker 11: Dia de baile, finalizei cedo Já deu onze horas, vou
• 1:48:53
  Speaker 11: pro meu destino Louca ligando, querendo um abanço Engajando um Insta,
• 1:48:57
  Speaker 11: vivi com os menino Ela tá louca, querendo me dar
• 1:49:00
  Speaker 11: Eu muito louco, querendo comer Mas não.
• 1:49:02
  Speaker 5: Vou só, vou pegar o celular Liga o vinho.
• 1:49:05
  Speaker 11: Dozinho, vê se tá tomada a pista Que se foda
• 1:49:08
  Speaker 11: essa mídia Tô louco na piscina Vai se fazendo neblina
• 1:49:14
  Speaker 11: Todo dia se vivenciar Ninguém sabe porque eu tomo off Mas.
• 1:49:18
  Speaker 5: Se ela ligar e me avisar.
• 1:49:20
  Speaker 11: Posso você caboclar O pop é a tropa do CKT
• 1:49:23
  Speaker 11: Dia que não é trampa de noite Não vive na
• 1:49:26
  Speaker 11: checa e bota T.O. Os moleque avançado e não tem
• 1:49:29
  Speaker 11: nem capa Ela é o licor Sabor de chocolate, morango
• 1:49:33
  Speaker 11: e banilha Ela senta com o popo Essa mina me
• 1:49:37
  Speaker 11: alucina É a tropa do CKT Chama.
• 1:49:40
  Speaker 10: Chama.
• 1:49:40
  Speaker 5: Number one.
• 1:50:03
  Speaker 17: Hey.
• 1:50:03
  Speaker 5: Hey.
• 1:50:03
  Speaker 15: Hey.
• 1:50:23
  Speaker 5: We'll be right back.
• 1:50:49
  Speaker 6: She wants to charge 50k, but it's not worth a real.
• 1:50:52
  Speaker 6: I'm going to eat, but I'm not going to pay
• 1:50:55
  Speaker 6: here today. Thank you, but it's salt. Rapazidos, papapá. You
• 1:50:59
  Speaker 6: have money, you have to draw.
• 1:51:02
  Speaker 11: Go, white, naked.
• 1:51:03
  Speaker 5: Black, full of.
• 1:51:03
  Speaker 6: I'm going to try not to be too chuguesa, because
• 1:51:07
  Speaker 6: the butt is sentimental. I promise to be affectionate, but
• 1:51:11
  Speaker 6: just until I hit you in the mouth. I have
• 1:51:14
  Speaker 6: to wear this dress soon, nothing will hide.
• 1:51:17
  Speaker 11: This piranha that's inside you. Come and sell it, ugly
• 1:51:51
  Speaker 11: mania Tell me how you can have a whore paying
• 1:51:55
  Speaker 11: for Santas Who says it's Santa, I dropped it on
• 1:51:58
  Speaker 11: the job You can't, but will you go for 50k?
• 1:52:00
  Speaker 11: You know the price, but I won't pay Come all
• 1:52:03
  Speaker 11: the way, but it doesn't hurt You're not worth a real,
• 1:52:05
  Speaker 11: go without a shirt on the morrão With the Glock
• 1:52:09
  Speaker 11: in the soup, the troop parades at the ballroom Mania feia,
• 1:52:16
  Speaker 11: diz como é que pode Tem puta pagando de santas
• 1:52:19
  Speaker 11: Que diz que é santa, trobei no job Não pode
• 1:52:22
  Speaker 11: Mania feia, diz como é que pode Tem puta pagando
• 1:52:26
  Speaker 11: de santas Que diz que é santa, trobei no job
• 1:52:28
  Speaker 11: Que ela quer cobrar 50k, mas não vale o real
• 1:52:33
  Speaker 11: Vou comer, não vou pagar.
• 1:52:35
  Speaker 19: Hoje a lesma é sal.
• 1:52:39
  Speaker 5: Yeah!
• 1:52:39
  Speaker 7: Yeah!
• 1:52:57
  Speaker 5: But how do you know who I am?
• 1:52:59
  Speaker 3: I'm already a teacher, now I'm an auditor.
• 1:53:01
  Speaker 5: Men don't like to be bullied, they don't.
• 1:53:03
  Speaker 3: Like to be bullied.
• 1:53:05
  Speaker 11: And when they want to charge a lot on their
• 1:53:07
  Speaker 11: cell phones, I call them. I'm another one who came
• 1:53:10
  Speaker 11: from far away to see me.
• 1:53:12
  Speaker 5: And what?
• 1:53:12
  Speaker 11: Let the men not pay to have the pleasure. The
• 1:53:16
  Speaker 11: more fame, the more money, the more contact increase.
• 1:53:19
  Speaker 6: Talk like you fall in love, if she wants to
• 1:53:23
  Speaker 6: charge 50k.
• 1:53:29
  Speaker 3: What do you have here?
• 1:53:31
  Speaker 14: Look.
• 1:53:52
  Speaker 5: It's a lot of lyrics.
• 1:54:02
  Speaker 6: We'll see you next time. I don't remember the lyrics.
• 1:54:24
  Speaker 6: I don't remember the lyrics at all.
• 1:54:26
  Speaker 7: Send it.
• 1:54:27
  Speaker 3: Send it.
• 1:54:27
  Speaker 5: I don't want to stop.
• 1:54:50
  Speaker 3: Hey, hey, hey!
• 1:54:51
  Speaker 5: Hey, hey, hey!
• 1:54:53
  Speaker 3: Hey, hey, hey! Hey, hey, hey!
• 1:54:55
  Speaker 19: Hey, hey, hey!
• 1:55:03
  Speaker 5: Watch it.
• 1:55:03
  Speaker 8: Watch it.
• 1:55:04
  Speaker 5: Watch it. I wonder why I spend it all on
• 1:55:23
  Speaker 5: rubies They ask why I cut it so heavy One
• 1:55:25
  Speaker 5: kilo of gold.
• 1:55:25
  Speaker 3: On my chest It's the smallest of all I see
• 1:55:27
  Speaker 3: Just a wheel.
• 1:55:28
  Speaker 11: On the highway That turns, accelerates, cuts It's the boys
• 1:55:31
  Speaker 11: that look different Original of a Zan She's playing, she
• 1:55:33
  Speaker 11: can't stop me.
• 1:55:34
  Speaker 5: She's with a crazy guy, I'm already stuck with this
• 1:55:37
  Speaker 5: guy Rich, I see, I don't hear, I'm going to dance.
• 1:55:46
  Speaker 20: Pega nóis, não pega não, porque os moleque tem o
• 1:55:50
  Speaker 20: dom De moldar todas as invada, de ver se fica
• 1:55:53
  Speaker 20: refrão Nós tá com a senha do cintron, nós conta
• 1:55:57
  Speaker 20: e faz a clicação.
• 1:55:58
  Speaker 3: Tá todo sapa na favela, deixa a.
• 1:56:01
  Speaker 11: Bilo e Vitão Vai, vai, vai, vai, vai, vai Uma
• 1:56:06
  Speaker 11: pá de fita pra fazer.
• 1:56:08
  Speaker 3: E ela pedindo mais Vai, vai, vai, vai Go, go.
• 1:56:14
  Speaker 3: Get out of the way.
• 1:56:15
  Speaker 5: Say, bro, 2K. Excuse me.
• 1:56:16
  Speaker 11: Good, good.
• 1:56:17
  Speaker 3: How is it on this side? Another money. Same revolt.
• 1:56:21
  Speaker 6: I didn't look pretty, I'm just not angry. Say to
• 1:56:24
  Speaker 6: the party that I don't want an idea. Just a
• 1:56:27
  Speaker 6: slap in the face and a glass of water.
• 1:56:29
  Speaker 3: Turning the game's ass.
• 1:56:34
  Speaker 6: Pica na cara da amiga, ficando rico relatando o fato.
• 1:56:38
  Speaker 3: Dá um alô naquela sua amiga, eu não gosto de foda,
• 1:56:40
  Speaker 3: sou um cara chato. Noite caindo, mas já vai planejando.
• 1:56:44
  Speaker 3: O cheiroso, algo cheiroso no bolso.
• 1:56:46
  Speaker 6: Atualiza, olha quem tá passando. Já toquei de carreira, também aguço.
• 1:56:49
  Speaker 6: Olha o dinheiro mudando de mão. I know this shit
• 1:56:53
  Speaker 6: bothers you. Record another one, throw it on the net.
• 1:56:55
  Speaker 6: If it's from the Senarão, it's not even for fashion.
• 1:56:58
  Speaker 3: Look at the money changing hands, right? You know how
• 1:57:01
  Speaker 3: it is. In the peak of V & E.
• 1:57:03
  Speaker 6: Eat quiet and don't stand up.
• 1:57:06
  Speaker 3: Always to not pass. Do you want to know? We fit.
• 1:57:10
  Speaker 3: Essa grandona se acha Põe tudo.
• 1:57:12
  Speaker 6: Verde pra ela na que faz a vibe Ela senta
• 1:57:15
  Speaker 6: e relaxa Tem um mentinho na caixa Fica aposentadoria O
• 1:57:20
  Speaker 6: nome respeitado na praça Milionário de periferia Vai, vai, vai, vai, vai, vai.
• 1:57:27
  Speaker 11: Uma par de filha dá pra fazer E ela pedindo
• 1:57:31
  Speaker 11: mais Vai, vai, vai, vai, vai, vai Sai da frente
• 1:57:36
  Speaker 11: é culamento Onde tu se encontrava And that's it.
• 1:57:41
  Speaker 3: That's it.
• 1:58:00
  Speaker 11: Joga pro vovó que ele tá rico Só toma champanhe,
• 1:58:05
  Speaker 11: canção de uísque E já é, cê se eu tô
• 1:58:09
  Speaker 11: no pique Fim de semana, transporto o corpo de saga
• 1:58:13
  Speaker 11: Tá aí, night show com JK Nova BBC TV Na pista, pistela, dança,
• 1:58:19
  Speaker 11: meu foco dela é descer Ah, ui, que maravilha, que
• 1:58:24
  Speaker 11: cê tá paro Barbie, quer gozar na party Tá com
• 1:58:28
  Speaker 11: um montão.
• 1:58:29
  Speaker 5: De amiga linda querendo.
• 1:58:32
  Speaker 11: Dar conta Sabe que isso não é que é drag,
• 1:58:35
  Speaker 11: não é bigode não Puxa a ficha limpa vê que
• 1:58:39
  Speaker 11: nóis não é rabia Mais uma manhã eu tô em
• 1:58:43
  Speaker 11: outra cidade Quando a curtinha que eu achava que era
• 1:58:48
  Speaker 11: fã Quando a lindinha que senta até de manhã That's it.
• 1:58:54
  Speaker 5: That's it. Thank you.
• 1:59:46
  Speaker 11: And you can smell it on the track, cutting the wind.
• 1:59:49
  Speaker 11: Brisa no talent, it's all in there. She's a friend,
• 1:59:55
  Speaker 11: the streets.
• 1:59:56
  Speaker 5: Are on fire. I'm not committed, but I'm very happy.
• 2:00:00
  Speaker 3: In fact, I am.
• 2:00:02
  Speaker 11: And let's go to the chorus of our partner Lelê J.P.S.
• 2:00:28
  Speaker 11: Que se foda amor, o amor não paga as costas.
• 2:00:31
  Speaker 11: Se mostra a fera, telas deita, elas monta. Que porra
• 2:00:36
  Speaker 11: de amiga, tudo amiga da onça. Me deu na escondida
• 2:00:41
  Speaker 11: pra poder pagar de santo o quê? Que se foda amor,
• 2:00:44
  Speaker 11: o amor não paga as costas.
• 2:00:47
  Speaker 3: If you show your faith, they'll kill you.
• 2:00:50
  Speaker 11: What a bunch of friends, all friends of honor. You
• 2:00:55
  Speaker 11: gave me the right amount to pay for a santa.
• 2:00:59
  Speaker 5: Fuck. You guys are amazing. All fat, all fat. All fat,
• 2:01:05
  Speaker 5: all fat. All fat, all fat.
• 2:01:16
  Speaker 12: Oh, my God.
• 2:01:17
  Speaker 3: Oh, my God. Oh, my God.
• 2:01:28
  Speaker 4: Rona demais e não é isso tudo pra bater de
• 2:01:31
  Speaker 4: frente com os mente pensante Calmaria que não veio do pouco,
• 2:01:34
  Speaker 4: firmando que a mente do menor avante Chamam bando de cachorro,
• 2:01:38
  Speaker 4: no caninho vai ter siliconado Onde do conta e gasta
• 2:01:41
  Speaker 4: pra porração aos poderes caralho Fuma esse aqui que cê
• 2:01:44
  Speaker 4: vê que é o mel, tiro puro domado Meu copo
• 2:01:46
  Speaker 4: e mora é o beijo No final vai ser quarto escuro,
• 2:01:48
  Speaker 4: tesão do cara aí não é louco, fudeco At dawn
• 2:01:51
  Speaker 4: I look for myself, several lovers of my money. I
• 2:01:54
  Speaker 4: hit the face of the bitch with a golden crown,
• 2:01:56
  Speaker 4: then I don't ask, go, go, go. I've been through
• 2:01:59
  Speaker 4: several times, if you don't come here, I'll call you.
• 2:02:02
  Speaker 4: Sit down, baby, say your name, I gave you everything,
• 2:02:05
  Speaker 4: horse or horse, go.
• 2:02:07
  Speaker 6: I'm chic, smelly, beautiful, I'm already here all day, LB.
• 2:02:10
  Speaker 6: Several wanting to VT, want to give, I'll eat, I'll eat.
• 2:02:14
  Speaker 4: Boy ta querendo ser nóis, até o slow quer fazer igual.
• 2:02:18
  Speaker 11: Pega o carrinho de pipoca porque nóis é natal e
• 2:02:20
  Speaker 11: original Sabe nóis é diferente dos que o esconde e
• 2:02:24
  Speaker 11: ainda paga um pau Pega a chapada dos neve que
• 2:02:27
  Speaker 11: paga o sanduíche fora do normal Tá difícil de pegar
• 2:02:30
  Speaker 11: os menor que corre atrás De dia.
• 2:02:33
  Speaker 3: Nóis vai no foco, a noite nóis é voraz.
• 2:02:35
  Speaker 11: Ta querendo nos parar But it never stops, because it
• 2:02:40
  Speaker 11: takes you to the front, and.
• 2:02:41
  Speaker 5: Then instead it goes back.
• 2:02:43
  Speaker 11: Catch me with money in my strength, I want to
• 2:02:45
  Speaker 11: visit a Gucci store.
• 2:02:46
  Speaker 5: I think I'm making a lot of money. It's different
• 2:02:48
  Speaker 5: than when the speed is on the track.
• 2:02:50
  Speaker 11: You can't stop here, it won't stop, just on the track.
• 2:02:52
  Speaker 11: For the roads, a single destination, there I want to
• 2:02:54
  Speaker 11: see the world go down.
• 2:02:56
  Speaker 5: I'm different than before, look at the little boy who arrived.
• 2:03:02
  Speaker 11: Only knows how to sing with the Institute This is
• 2:03:06
  Speaker 11: the new climate of assault She wants to have us.
• 2:03:10
  Speaker 5: And they want to be fooled Take this cap from
• 2:03:13
  Speaker 5: the leader of the championship.
• 2:03:17
  Speaker 19: Hey, DJ Russo.
• 2:03:18
  Speaker 5: Calm down, playboy.
• 2:03:45
  Speaker 3: You're wrong, you're depressed. We'll see you next time.
• 2:04:18
  Speaker 19: This is sensational.
• 2:04:20
  Speaker 3: The voice is very low. The voice is very low.
• 2:04:48
  Speaker 10: Are you going to send this one?
• 2:04:49
  Speaker 7: A cold heart? A2, A2.
• 2:04:50
  Speaker 10: Without the voice, right?
• 2:04:51
  Speaker 3: Let's do this.
• 2:04:52
  Speaker 16: It's A2, A1, A2, A1.
• 2:04:53
  Speaker 5: It's A2, right?
• 2:04:54
  Speaker 7: It's A2.
• 2:04:54
  Speaker 4: So let's go like this. Que aqui é só jogador caro,
• 2:05:06
  Speaker 4: coração gelado Chave de enquadro e um imã de mulher
• 2:05:10
  Speaker 4: Solteiro é mais fácil, nunca apaixonado No meu coração só
• 2:05:14
  Speaker 4: espaço pro jacaré Sabe que os menor é pra quê?
• 2:05:21
  Speaker 3: Thank you, DJ Boy! Monster!
• 2:05:40
  Speaker 14: Hey!
• 2:05:40
  Speaker 4: I'm from Maloqueiro, so I can confirm it!
• 2:05:42
  Speaker 5: What's up, 2K? What's up, 2K?
• 2:06:02
  Speaker 6: But what are you looking at?
• 2:06:06
  Speaker 3: And what didn't work out for you?
• 2:06:08
  Speaker 6: You already looked at me from above and below and
• 2:06:11
  Speaker 6: I still can't understand.
• 2:06:13
  Speaker 3: How can I love you? I'm better than you.
• 2:06:15
  Speaker 6: But I thought if I had stopped. When the chair
• 2:06:18
  Speaker 6: was signed you didn't give me.
• 2:06:20
  Speaker 3: But if I.
• 2:06:21
  Speaker 6: Had you there in the store, getting rich and selling
• 2:06:26
  Speaker 6: drugs to your son, look at the face of my
• 2:06:29
  Speaker 6: hand that you didn't deserve. Today, look at the ship
• 2:06:31
  Speaker 6: that the pit bus is piloting. We conquered everything that
• 2:06:34
  Speaker 6: your father gave you.
• 2:06:35
  Speaker 3: And the pedigree, the pedigree is calling me. He saw
• 2:06:37
  Speaker 3: us in the flash, he didn't understand, it was nothing.
• 2:06:40
  Speaker 3: I don't know. Sabe que com nós arrumar não arruma não.
• 2:06:55
  Speaker 6: Coração gelado e a carteira quadrada Um milhão na cota
• 2:06:59
  Speaker 6: e um milhão de levada É que nós é quebrar
• 2:07:04
  Speaker 6: Sabe que com nós arrumar não arruma não Coração gelado.
• 2:07:08
  Speaker 3: E a carteira quadrada Vai.
• 2:07:10
  Speaker 6: Como seria se eu não tivesse nada Se eu não
• 2:07:13
  Speaker 6: tivesse nada A toast to our lives!
• 2:07:17
  Speaker 3: A toast to our health! A toast to Podpá! Let's go,
• 2:07:24
  Speaker 3: let's go!
• 2:07:24
  Speaker 6: DJs, I know João asked.
• 2:07:25
  Speaker 3: For two, but I want to hear one too. It's
• 2:07:27
  Speaker 3: Funk Day.
• 2:07:44
  Speaker 5: DJ Boy!
• 2:07:44
  Speaker 3: DJ Boy!
• 2:07:44
  Speaker 5: DJ Boy!
• 2:07:45
  Speaker 15: DJ Boy!
• 2:07:45
  Speaker 5: DJ Boy! DJ Boy!
• 2:07:46
  Speaker 3: DJ Boy!
• 2:07:53
  Speaker 7: DJ Boy.
• 2:07:53
  Speaker 3: DJ Boy. DJ Boy. DJ Boy.
• 2:08:02
  Speaker 6: My team that we hold firm the perverts are from
• 2:08:05
  Speaker 6: here the perverts are from there they know that the
• 2:08:08
  Speaker 6: end is sad it's not a mess, it's a mess
• 2:08:11
  Speaker 6: be aware, heart, I won't come back they know that
• 2:08:16
  Speaker 6: the dracs have a cold heart activity has become a
• 2:08:21
  Speaker 6: longing for love they know that the dracs Pah! E
• 2:08:48
  Speaker 6: quem não olha de cima e embaixo nunca vai entender.
• 2:08:51
  Speaker 3: Fica louco porque eu sou que cê.
• 2:08:52
  Speaker 6: Gostaria de ser Sei que cê se pergunta, né, filha
• 2:08:56
  Speaker 6: da puta Como eu tirei tudo da lama, cê precisa
• 2:08:59
  Speaker 6: de você Nós de barriga cheia, os bico se incomoda
• 2:09:03
  Speaker 6: Dia rico é muito choro, eu só vou rir depois
• 2:09:05
  Speaker 6: Maloca de mente pensante, o sistema é foda Eu vou
• 2:09:09
  Speaker 6: levar lá pra jantar, mas vou comer depois Mas talvez
• 2:09:13
  Speaker 6: se eu fosse aquele cara louco Que bota o ferro
• 2:09:15
  Speaker 6: quente na cara desse boy bobo Ou se eu fosse
• 2:09:18
  Speaker 6: o menor zanado sinal Queria.
• 2:09:21
  Speaker 17: Um bala legal pra poder juntar o troco Mas se
• 2:09:24
  Speaker 17: eu tivesse uma goma daquela Ou se eu lançasse uma
• 2:09:28
  Speaker 17: na Vida Hora Dinheiro na mão de favela da moguela
• 2:09:32
  Speaker 17: Mas sei que.
• 2:09:33
  Speaker 3: Uma hora vai chegar a hora.
• 2:09:35
  Speaker 5: E será.
• 2:09:37
  Speaker 3: DJ Boy!
• 2:10:10
  Speaker 5: Pass the vision.
• 2:10:13
  Speaker 11: Hey, boy.
• 2:10:14
  Speaker 1: This is Cuboy, huh?
• 2:10:16
  Speaker 3: Satisfaction, huh, boy?
• 2:10:17
  Speaker 10: Let's go.
• 2:10:18
  Speaker 11: DJ Boy.
• 2:10:19
  Speaker 7: Pass the vision.
• 2:10:33
  Speaker 3: We'll be right back.
• 2:10:48
  Speaker 6: I'll put you in the carona Today it's a grip
• 2:10:51
  Speaker 6: bath in his body and mine Nice, strong hug, this
• 2:10:54
  Speaker 6: one runs more than yours Fleeing from the holofotes, I
• 2:10:56
  Speaker 6: wanted food on the table Debride came, fan, but model, magazine,
• 2:11:01
  Speaker 6: see If it were for money, my good, I wouldn't
• 2:11:03
  Speaker 6: be here Too much before counting life, teaching to divide
• 2:11:06
  Speaker 6: 20 kilos of maciz, fucker, the boladão Missing those who left,
• 2:11:10
  Speaker 6: won't put a hand 20 and a few years, I
• 2:11:12
  Speaker 6: don't carry in the RG More than 20 and a
• 2:11:14
  Speaker 6: few years, the skik is in the opão O fé,
• 2:11:19
  Speaker 6: cê vai falar que é sorte, pra não falar.
• 2:11:21
  Speaker 3: Que eu tô forte, abençoado, iluminado demais.
• 2:11:25
  Speaker 6: O fé, cê sabe bem como é, quanto mais cê tem,
• 2:11:28
  Speaker 6: cê quer, eu tô querendo mais. O fé, cê vai
• 2:11:31
  Speaker 6: falar que é sorte, pra não falar que eu tô forte, abençoado,
• 2:11:34
  Speaker 6: iluminado demais. O fé, cê sabe bem como é, quanto
• 2:11:39
  Speaker 6: mais cê tem, cê quer, eu tô querendo mais.
• 2:11:42
  Speaker 3: O fé, cê sempre quer mais.
• 2:11:48
  Speaker 10: This episode will never end.
• 2:11:51
  Speaker 3: No, keep warning, it will never end.
• 2:11:54
  Speaker 5: This episode will never end. It will never end.
• 2:11:57
  Speaker 6: You see?
• 2:11:57
  Speaker 5: It will never end.
• 2:11:58
  Speaker 3: What is this?
• 2:12:00
  Speaker 5: No, no, put another version.
• 2:12:01
  Speaker 3: This is acoustic.
• 2:12:03
  Speaker 7: No, no, no.
• 2:12:05
  Speaker 5: So send another one, send another one. I'm André Amado.
• 2:12:21
  Speaker 5: I'm André Amado.
• 2:12:22
  Speaker 3: I'm André Amado.
• 2:12:23
  Speaker 7: I'm André Amado.
• 2:12:45
  Speaker 3: Today I sing and in the sequence I count The
• 2:12:47
  Speaker 3: finger of the hand without a judge If it's on
• 2:12:49
  Speaker 3: the trigger, he.
• 2:12:50
  Speaker 6: Gets no break If I say that I'm going to
• 2:12:52
  Speaker 6: shoot in the head If the arrow is in the eyes,
• 2:12:54
  Speaker 6: I cry of anger because I made a mistake Remedio
• 2:12:56
  Speaker 6: to speak pain Tecna in the chin, if it comes,
• 2:12:58
  Speaker 6: I'm going to break in the middle I was a
• 2:13:00
  Speaker 6: poor poor man, if I was exalted Claims to run,
• 2:13:02
  Speaker 6: can't keep it The mouth closed, I chew what speaks
• 2:13:04
  Speaker 6: The tongue is turning into a gum Take these guys
• 2:13:07
  Speaker 6: out of the net I'm going to be crying, I'm
• 2:13:09
  Speaker 6: spreading bad He's a different person, he's a different person.
• 2:13:13
  Speaker 3: If I had to use photos with so many.
• 2:13:15
  Speaker 6: Filters, my Instagram would be so bad. My shoes are dirty,
• 2:13:18
  Speaker 6: my watch is expensive.
• 2:13:20
  Speaker 3: I ride with my dirty tires. Sofia is my reality,
• 2:13:23
  Speaker 3: but what I have on the account I don't say.
• 2:13:24
  Speaker 3: This is here, but it's in the interior. I just
• 2:13:27
  Speaker 3: want to know the interior.
• 2:13:28
  Speaker 6: Tell me where you're going, and for sure it's over
• 2:13:31
  Speaker 6: there that I'll go.
• 2:13:32
  Speaker 3: We are Matuto, Bicho do Mato.
• 2:13:36
  Speaker 6: Cabreiro contudo, noi te falo errado, bê Nós é chucro,
• 2:13:42
  Speaker 6: anda jogado, mas É desse jeito e o bolso mal rotado,
• 2:13:47
  Speaker 6: mas Nós é matuto, bicho do mato Cabreiro contudo, noi
• 2:13:53
  Speaker 6: te falo errado, bê Nós é chucro.
• 2:13:57
  Speaker 5: I'm with my life Let's go.
• 2:14:47
  Speaker 11: She doesn't worry because she knows that time is king.
• 2:14:51
  Speaker 11: Without makeup, landing with the.
• 2:14:54
  Speaker 10: Ship that I launched.
• 2:14:55
  Speaker 5: The end is sad, of course, I already know.
• 2:14:57
  Speaker 11: One kill for the beast, come general, come.
• 2:15:00
  Speaker 5: If we're broken, flying one.
• 2:15:01
  Speaker 7: Chill there in the face of zero one.
• 2:15:04
  Speaker 10: She asks me. Tap consistency, it won't be.
• 2:15:08
  Speaker 5: Just to confirm, it was like this.
• 2:15:10
  Speaker 10: Who knows, sing.
• 2:15:11
  Speaker 5: I'm with life. Preciso de alguém pra dar uma mudada. Amor, não.
• 2:15:18
  Speaker 3: Dança pra ela, Fonfão.
• 2:15:19
  Speaker 5: Dança pra ela.
• 2:15:21
  Speaker 3: Um boca louca.
• 2:15:22
  Speaker 11: Tô com a vida meio bagunçada. Preciso de alguém pra
• 2:15:27
  Speaker 11: dar uma machada. Vamos que vamos, caralho.
• 2:15:31
  Speaker 17: EP.
• 2:15:31
  Speaker 10: Vamos andar.
• 2:15:33
  Speaker 5: Foda, man.
• 2:15:34
  Speaker 18: Yeah!
• 2:15:35
  Speaker 5: Whoa!
• 2:15:50
  Speaker 7: I'm here for my dream, but also for the bad guy.
• 2:15:53
  Speaker 21: Follow me, run, and then don't say it's luck. It's
• 2:15:54
  Speaker 21: going to be like this. You're going to get to
• 2:15:57
  Speaker 21: the store, call the manager. Choose what you want, send
• 2:16:00
  Speaker 21: it to the gift. Don't buy money, see my contents.
• 2:16:02
  Speaker 21: If it was in the poison, it will have to
• 2:16:05
  Speaker 21: be in the.
• 2:16:09
  Speaker 21: You remember, how much stupid discussion, my nigga Almost can't
• 2:16:14
  Speaker 21: stand my crazy routine I don't stop at home, but
• 2:16:17
  Speaker 21: I'm not for nothing For our.
• 2:16:19
  Speaker 7: Betterment, I know it's a bad response Bad response I'm.
• 2:16:26
  Speaker 3: In the hunt for the jaguars.
• 2:16:29
  Speaker 5: Bad response.
• 2:16:32
  Speaker 11: CKB da unha e esse tempo passa Dia tá bonito, bom.
• 2:16:37
  Speaker 22: De se ver O que era ruim deu uma melhorada
• 2:16:41
  Speaker 22: Hoje é nó no giro, cansei de sofrer Quantos falam não, né?
• 2:16:45
  Speaker 22: Me dá sua mão Quer ficar comigo até o mundo
• 2:16:49
  Speaker 22: acabar Quer retocar meu bichão E comigo num peão Sorriso.
• 2:16:53
  Speaker 5: Perfeito, difícil de encontrar Sigo.
• 2:16:56
  Speaker 11: O caminho, foco com as noções Tava comigo no nada
• 2:17:01
  Speaker 11: Hoje nos trilhos me pego pensativo Desde o início da
• 2:17:06
  Speaker 11: vida Vou me chamar de amor Seja onde for Sava
• 2:17:13
  Speaker 11: contigo eu estou Mas cravado na sua mente Vou me chamar.
• 2:17:19
  Speaker 3: De amor Seja onde for.
• 2:17:22
  Speaker 11: Sava contigo eu estou Mas cravado na sua mente.
• 2:17:30
  Speaker 3: Hey, hey, hey, hey, hey, hey, boy.
• 2:17:40
  Speaker 11: I'm going to see if I hear a crazy mouth,
• 2:17:43
  Speaker 11: I'm going to take a nap.
• 2:17:44
  Speaker 7: I'm with my life a little messy.
• 2:17:47
  Speaker 5: I need someone to change it. Love, I don't.
• 2:17:48
  Speaker 11: Trust this thing.
• 2:17:50
  Speaker 10: I'm going to see if I hear a crazy mouth.
• 2:17:55
  Speaker 5: I love this song.
• 2:18:18
  Speaker 6: Deixa que eu levo a janta, que eu canto sem
• 2:18:20
  Speaker 6: banda Pra você eu trago o show pra casa Fique serenata,
• 2:18:25
  Speaker 6: voz e violão Bota a cara pra fora que eu
• 2:18:28
  Speaker 6: quero te ver Nós dois não tem medo de nada,
• 2:18:31
  Speaker 6: pique boladão Que se for do mundão, hoje é eu
• 2:18:34
  Speaker 6: e você Nós foi do norte, é baratinho, passei cá
• 2:18:37
  Speaker 6: no mês Nós já foi amante louco, quanta vez nós
• 2:18:40
  Speaker 6: virou ex Bota a chave pra girar, que se pá
• 2:18:43
  Speaker 6: chegou a nossa vez Tipo o Santos na Belmiro, tipo.
• 2:18:46
  Speaker 3: O vinho de Thank you for watching!
• 2:19:12
  Speaker 11: I'm with my life a little messed up. I need
• 2:19:13
  Speaker 11: someone to make a change.
• 2:19:15
  Speaker 3: Love, I don't trust this thing.
• 2:19:18
  Speaker 19: I'm going to.
• 2:19:18
  Speaker 11: See if I hear a crazy mouth and make a smile.
• 2:19:23
  Speaker 7: I'm with my life.
• 2:19:24
  Speaker 5: A little messed up.
• 2:19:25
  Speaker 11: I need someone to make a change.
• 2:19:29
  Speaker 5: Amor, eu não confio em nem vou.
• 2:19:34
  Speaker 4: Melhor eu ir, tudo bem vai ser melhor só Tinha
• 2:19:41
  Speaker 4: que ser assim até que demorei pra terminar Vai ser
• 2:19:45
  Speaker 4: melhor só se caso eu ver seu story Meu ciúme sobe,
• 2:19:49
  Speaker 4: meu semblante muda, minha cara fecha Pra ser sincero, ainda
• 2:19:54
  Speaker 4: te espero Mas no fundo eu espero que não aconteça
• 2:19:59
  Speaker 4: Vou bem, espero que você siga bem também Encontre alguém
• 2:20:04
  Speaker 4: que te faça bem Do jeito que sempre quis, eu
• 2:20:08
  Speaker 4: só peço pra Deus que você seja mais Fofão!
• 2:20:11
  Speaker 11: Fofão!
• 2:20:38
  Speaker 10: Yeah, I won't make.
• 2:20:40
  Speaker 4: Any more excuses I'm tired, love.
• 2:20:46
  Speaker 6: Is not for me Let's go, this is Big Boca Luka, G-Boy,
• 2:20:50
  Speaker 6: only success.
• 2:20:55
  Speaker 5: This is the song on the album, right, brother?
• 2:20:59
  Speaker 10: The main track, Alohari, my brother Pass the vision.
• 2:21:05
  Speaker 11: O passe é caro do bonde, mas sem se emocionar
• 2:21:09
  Speaker 11: Esse é o lema da firma, conto pra poder comprar
• 2:21:13
  Speaker 11: Sem ter que ver o horário, difícil é tu me
• 2:21:16
  Speaker 11: pegar Gata não viveu o drama, então sem chance, oh
• 2:21:20
  Speaker 11: Confiança é algo que eu não sou muito de ver
• 2:21:22
  Speaker 11: por aí.
• 2:21:23
  Speaker 5: Entre fases da vida, umas que me iludiram.
• 2:21:25
  Speaker 7: Fizeram com que nós se tornasse.
• 2:21:26
  Speaker 5: Assim A fase boa passa de.
• 2:21:28
  Speaker 11: Sua, sempre é um pilantra Comédia que me apresentou That
• 2:21:31
  Speaker 11: if one day we fight, it will be easy to
• 2:21:32
  Speaker 11: have us on the side of the trenches calling for love.
• 2:21:35
  Speaker 5: But it's cool, I stay quiet in my corner, it
• 2:21:38
  Speaker 5: doesn't hurt.
• 2:21:39
  Speaker 11: That in my faith I guarantee that I am alone,
• 2:21:41
  Speaker 11: but I am radical.
• 2:21:42
  Speaker 10: I turn like a horse, since those who want to
• 2:21:44
  Speaker 10: fight in the hood, I.
• 2:21:45
  Speaker 3: Send them to the security guard.
• 2:21:47
  Speaker 11: That the three of them know the truth, but it's
• 2:21:49
  Speaker 11: De La Fla who doesn't touch the command. Fica facinho
• 2:21:53
  Speaker 11: de fazer a grana Render porque nós é mais de
• 2:21:57
  Speaker 11: dinheiro Não tem problema se tu é piranha Nós tá
• 2:22:02
  Speaker 11: na rua, sabe que esse é o procedimento Vai, vai
• 2:22:06
  Speaker 11: Fica facinho de fazer a grana.
• 2:22:10
  Speaker 5: Let's go.
• 2:22:11
  Speaker 3: Let's go.
• 2:22:11
  Speaker 5: Let's go.
• 2:22:12
  Speaker 3: Let's go. Let's go.
• 2:22:14
  Speaker 10: Let's go.
• 2:22:15
  Speaker 19: Let's go.
• 2:22:30
  Speaker 5: What's up? DJ Gu. Number one.
• 2:22:34
  Speaker 3: Ask who sleeps.
• 2:22:36
  Speaker 11: In the afternoon, wakes up in the afternoon and has money.
• 2:22:42
  Speaker 11: It's my birthday in Bali.
• 2:22:43
  Speaker 19: I live abroad.
• 2:22:44
  Speaker 5: I spit on.
• 2:22:45
  Speaker 11: Barb's lullaby, your body is very full.
• 2:22:48
  Speaker 3: It's in the interstate, you're here like a madman.
• 2:22:51
  Speaker 11: I'm going to throw another one to mess with the psychologist.
• 2:22:55
  Speaker 3: If she wants to give me... It's Lodge, it's O.
• 2:23:00
  Speaker 11: Florinha do Sul, Natura Zinha, VKR. If you come to
• 2:23:05
  Speaker 11: charge me, don't run away, don't run away. Twenty-five duplo
• 2:23:09
  Speaker 11: de lança, molha, calcinha nessa velha.
• 2:23:11
  Speaker 3: O twinkie de uma dança faz ela querer o papel.
• 2:23:14
  Speaker 3: Bafora a transa que não.
• 2:23:16
  Speaker 11: Para de pedir pra para cá.
• 2:23:18
  Speaker 3: Cê gosta do prazer, malandro. Cê vai gostar que eu
• 2:23:21
  Speaker 3: te volto.
• 2:23:25
  Speaker 11: You sit down, I'll give you the smallest euros. You'll
• 2:23:29
  Speaker 11: like it when I put you down.
• 2:23:32
  Speaker 5: You sit down, I'll give you.
• 2:23:35
  Speaker 3: The smallest euros. Half a life, a million in the account.
• 2:23:39
  Speaker 3: A beautiful party, a possibility. We'll be right back.
• 2:24:00
  Speaker 13: Hey!
• 2:24:00
  Speaker 14: Hey!
• 2:24:20
  Speaker 11: If you like it, I'll give you a hundred for
• 2:24:25
  Speaker 11: the little ones. If you like it, I'll give you
• 2:24:29
  Speaker 11: a hundred for the little ones.
• 2:24:33
  Speaker 4: É que já virou mania De eu ter várias no
• 2:24:39
  Speaker 4: pet Troca a cara igual camisa Faz fiel, brinca com
• 2:24:43
  Speaker 4: a peste Joga as duas no quadrado E deixa o
• 2:24:46
  Speaker 4: molho azedar Brinca de fiel e amante Pra ver qual
• 2:24:50
  Speaker 4: que vai me dar Sai pra rua, come puta Que
• 2:24:53
  Speaker 4: puta não tem afeto Afunda o dedo no.
• 2:24:56
  Speaker 6: MD E morde a balinha, calete Rebola a bunda gostosa
• 2:25:00
  Speaker 6: Fazendo o agachamento Deixa seu cardio comigo Que eu te
• 2:25:04
  Speaker 6: boto o talento Agir fora vem sabendo que nós é
• 2:25:08
  Speaker 6: o terror paulista. Entrouzer com a carioca, mas tá tendo
• 2:25:12
  Speaker 6: a gauchinha.
• 2:25:14
  Speaker 11: Que eu te boto senta pra ti pros menor. Que
• 2:25:19
  Speaker 11: eu te boto senta pra ti pros menor.
• 2:25:26
  Speaker 5: Só paz e adão, festa só pra convidar. Só putas
• 2:25:30
  Speaker 5: é povo e não, cada um no seu quadrado.
• 2:25:33
  Speaker 11: E foi na festa da escola tudo começou. Levei ela
• 2:25:38
  Speaker 11: pro cantinho e ela me mandou.
• 2:25:41
  Speaker 3: You don't have shame in your face.
• 2:25:42
  Speaker 11: You're a jerk, you ask and you don't stop, you
• 2:25:45
  Speaker 11: don't stop, we put on the key, you like to diminish,
• 2:25:48
  Speaker 11: the story goes like this, but when there's an interval,
• 2:25:52
  Speaker 11: you tromp me on the ladder, if you go to class,
• 2:25:55
  Speaker 11: you'll pay at least one bar, but when there's an interval,
• 2:25:59
  Speaker 11: you tromp me on the ladder, if you go to class,
• 2:26:02
  Speaker 11: you'll hit the signal, you'll like it when I put
• 2:26:08
  Speaker 11: you in, you're strong for the little ones, You'll like
• 2:26:11
  Speaker 11: it when I put you down. You sit down, I'll
• 2:26:16
  Speaker 11: put you down for you. And two peace locked in
• 2:26:20
  Speaker 11: a room, party poca eating loose. Twenty-five wick of lances,
• 2:26:24
  Speaker 11: squeezing life. Good, good, good, ball, lady, ball, the back of.
• 2:26:28
  Speaker 3: The ice cream.
• 2:26:29
  Speaker 20: You're piranha, you're.
• 2:26:31
  Speaker 3: Dog, and who's on our side?
• 2:26:33
  Speaker 10: Bandit.
• 2:26:35
  Speaker 3: I'm going to make you fall in the corner. You see, the.
• 2:26:38
  Speaker 5: Whores eat me.
• 2:26:39
  Speaker 3: They try, try, try to put an.
• 2:26:41
  Speaker 5: Alliance on the trap.
• 2:26:43
  Speaker 3: Bandido doesn't date.
• 2:26:45
  Speaker 19: They try, try, try to.
• 2:26:47
  Speaker 11: Put an alliance on the trap. Bandido doesn't date. Que
• 2:26:58
  Speaker 11: eu te boto, senta, pote pros menor, neuró. Se faz gostar.
• 2:27:05
  Speaker 11: Que eu te boto, senta, pote pros menor, neuró.
• 2:27:11
  Speaker 3: Menor mal, puta cara.
• 2:27:13
  Speaker 11: And I brought the gauchos with the flowers.
• 2:27:19
  Speaker 3: New, naughty, sarra on the pole.
• 2:27:21
  Speaker 11: Artist calls his friend to fight, to give you a kiss.
• 2:27:25
  Speaker 11: You're eating the neurosis and the fart.
• 2:27:29
  Speaker 3: The fart is full of luck. Comedy is comedy, but.
• 2:27:32
  Speaker 11: It's a father and you're a son. You're in a
• 2:27:34
  Speaker 11: little town, but it's not from Chaves. You did the
• 2:27:37
  Speaker 11: lip on the belly, laughing in the nose, activated the
• 2:27:39
  Speaker 11: mood attack. Comédia, comédia, nós é paizão e vocês filha.
• 2:27:33
  Speaker 11: Senta nem bicherecão de fetinha da vila, mas não é
• 2:27:35
  Speaker 11: do Chaves. Fez a lipo na barriga e no nariz
• 2:27:38
  Speaker 11: ativou o modo ataque. Senta nem bicherecão de fetinha da vila,
• 2:27:42
  Speaker 11: mas não.
• 2:27:43
  Speaker 5: É do Chaves.
• 2:27:44
  Speaker 6: Aí, dois, três.
• 2:27:44
  Speaker 3: Só pra confirmar, meu irmão.
• 2:27:47
  Speaker 11: Se vai gostar que eu te boto, senta forte pros
• 2:27:53
  Speaker 11: menor de ouro.
• 2:27:55
  Speaker 1: This is my partner, DJ Gu.
• 2:27:56
  Speaker 5: He's a tough guy. Give it up.
• 2:27:58
  Speaker 13: For DJ Gu.
• 2:27:59
  Speaker 3: I love you, man.
• 2:28:00
  Speaker 8: Always.
• 2:28:00
  Speaker 7: What's the.
• 2:28:01
  Speaker 11: The second one is already on, it's already on, it's on.
• 2:28:25
  Speaker 3: No barra, choppy, gossip, tattoos, no pot.
• 2:28:27
  Speaker 5: Don't be.
• 2:28:28
  Speaker 3: Deixa ela fazer fumaça. A supressor.
• 2:28:32
  Speaker 11: Pela gente imagina. Toque aos meninos do topo. Se me tromba,
• 2:28:36
  Speaker 11: não olha na cara. Tô cansado de pé com o bobo.
• 2:28:40
  Speaker 11: A doutrina atiza as cavalas. Se predomina de novo.
• 2:28:44
  Speaker 5: Fala que não se imagina. Ela sente golpe, mas na.
• 2:28:47
  Speaker 3: Cama de quatro ela sabe. A chama da localiza.
• 2:28:49
  Speaker 5: Ela vem na pista que sobe o morro.
• 2:28:52
  Speaker 11: Bico verde, espiá pro alto, lixa que nós conduz o balão.
• 2:28:56
  Speaker 11: Os acessos a comunicado, riqueza de gata no refrão. Vou lá,
• 2:29:01
  Speaker 11: vou lá, Mercedes, abre o tempo do navão. Será que
• 2:29:06
  Speaker 11: hoje não bato pra casa? Não, vou lá, onde tem
• 2:29:10
  Speaker 11: puta na gata, cifrão. Seja vindo, breca não.
• 2:29:15
  Speaker 3: Vou lá, vou lá, Mercedes....
• 2:29:19
  Speaker 5: I don't know.
• 2:29:49
  Speaker 3: Jogada no piano.
• 2:30:08
  Speaker 6: Bye.
• 2:30:08
  Speaker 11: Bye.
• 2:30:35
  Speaker 4: Let someone say it, go. Keep me in place, go, go.
• 2:30:38
  Speaker 4: Say that I'm your desire, don't say your price.
• 2:30:40
  Speaker 3: My time is running fast. When I stop and think,
• 2:30:42
  Speaker 3: what a beautiful moment. Because the R.J.
• 2:30:44
  Speaker 4: 's asses say they don't have feelings. Heart froze, you
• 2:30:47
  Speaker 4: were on the ground. Living the best moment.
• 2:30:49
  Speaker 3: Hit the gold on this face.
• 2:30:55
  Speaker 6: Faz marca na loja e morena gostosa Que lá na
• 2:31:00
  Speaker 6: favela ela sabe a melhor Gosto de te ver quando
• 2:31:04
  Speaker 6: o set rebota Cê sabe meu jeito Então pra confirmar
• 2:31:10
  Speaker 6: Vou lá.
• 2:31:11
  Speaker 11: Vou lá Mercedes, abre o teto do Navão Será que
• 2:31:16
  Speaker 11: hoje não bato pra casa não?
• 2:31:19
  Speaker 3: Vou lá, onde tempo.
• 2:31:21
  Speaker 6: Tá na gasta cifrão.
• 2:31:23
  Speaker 19: Cê já viu, não é calão Vou lá, vou lá Mercedes,
• 2:31:29
  Speaker 19: abre o teto do Navão Será que hoje não bato
• 2:31:33
  Speaker 19: pra casa não?
• 2:31:34
  Speaker 3: This is all live, it's Pod Paz! Pre-channel, pre-channel!
• 2:31:39
  Speaker 19: Let's go! Hold this one, hold this one.
• 2:31:43
  Speaker 3: Is this one from the DVD?
• 2:31:44
  Speaker 5: Should I send it?
• 2:31:44
  Speaker 3: This one is from.
• 2:31:49
  Speaker 3: If you miss it, it's live, guys.
• 2:31:51
  Speaker 5: If you miss it, it's live.
• 2:31:52
  Speaker 10: This is the song from my DVD that will be
• 2:31:55
  Speaker 10: released soon for you.
• 2:31:57
  Speaker 5: And if you get it right?
• 2:31:58
  Speaker 10: It's live too? It's live too, yeah.
• 2:32:04
  Speaker 5: That's it. Amen.
• 2:32:06
  Speaker 10: That's it, man.
• 2:32:07
  Speaker 5: I'm going to ask for my part, Diego. For the
• 2:32:10
  Speaker 5: love of God, I love you guys.
• 2:32:12
  Speaker 12: The name of this is Amigo Joãozinho VT and M Instituto.
• 2:32:17
  Speaker 3: Let's go. What's up, 2T? The fight is hard, but.
• 2:32:23
  Speaker 10: This DVD is exclusive, huh?
• 2:32:26
  Speaker 5: 2T and VT. What do you mean?
• 2:32:30
  Speaker 4: Tu lembra do tempinho do passado Da gente quando o
• 2:32:35
  Speaker 4: cabo lava a aula Cantar melodia em cima da palma
• 2:32:39
  Speaker 4: Saber que ia chegar a.
• 2:32:41
  Speaker 3: Nossa hora Tu lembra.
• 2:32:43
  Speaker 6: Do tempinho do passado Da gente quando o cabo lava
• 2:32:47
  Speaker 6: a aula Cantar melodia em cima da palma Saber que
• 2:32:52
  Speaker 6: ia chegar a nossa hora O tempo foi perfeito Pra
• 2:32:56
  Speaker 6: uns era defeito de nós Sing on the stage without
• 2:32:59
  Speaker 6: making anyone say no Today for us to have everything
• 2:33:02
  Speaker 6: is the same as not having anything, no Simplicity, respect, friend,
• 2:33:08
  Speaker 6: mirror Sometimes the same defect But I kill in the
• 2:33:13
  Speaker 6: chest and say it's us But I understand that life
• 2:33:20
  Speaker 6: is like this. Tem muita coisa ainda pra mudar Que
• 2:33:37
  Speaker 6: a lealdade permaneça contra tudo e todos, irmão Cê tava
• 2:33:41
  Speaker 6: lá quando era sonho Cê me viu chorando, pensando no
• 2:33:44
  Speaker 6: plano Versando, errando pra poder acertar Nem tudo é como
• 2:33:49
  Speaker 6: planejamos Mas um desejo insano de portar uma nave pra
• 2:33:53
  Speaker 6: lá E quando eu tive chorando naquele lugar Pensei que
• 2:33:56
  Speaker 6: não ia ter forças pra continuar Mas Deus abençoou onde
• 2:34:01
  Speaker 6: nós tá And today it's just victory.
• 2:34:06
  Speaker 5: I remember how hard it was, but I was seeing.
• 2:34:10
  Speaker 11: All the battle, all the suffering To come to victory
• 2:34:13
  Speaker 11: was a matter of time Showed that I was there
• 2:34:18
  Speaker 11: and I wasn't I cried just to remember that it
• 2:34:22
  Speaker 11: was a fault Of you, my comrade, my boss.
• 2:34:25
  Speaker 3: Falling from the top, I thought it was a debate
• 2:34:29
  Speaker 3: Let's do it, guys.
• 2:34:53
  Speaker 6: Tu lembra do tempinho do passado Da gente quando o
• 2:34:57
  Speaker 6: cabo lava a aula Cantar melodia em cima da palma
• 2:35:01
  Speaker 6: Saber que ia chegar a nossa hora Tu lembra do
• 2:35:06
  Speaker 6: tempinho do passado Da gente quando o cabo lava a
• 2:35:10
  Speaker 6: aula Cantar melodia em cima da palma Saber que ia
• 2:35:15
  Speaker 6: chegar a nossa hora E o tempo foi perfeito Tempo
• 2:35:19
  Speaker 6: de Deus, tudo é maravilhoso, tudo acontece Thanks to all
• 2:35:23
  Speaker 6: the partners!
• 2:35:23
  Speaker 3: Thank you God! When is the last Super VG? You
• 2:35:25
  Speaker 3: don't know?
• 2:35:25
  Speaker 5: I don't know the date yet.
• 2:35:26
  Speaker 3: But it's soon. Soon, in a month or two months.
• 2:35:30
  Speaker 3: So it's smooth.
• 2:35:30
  Speaker 5: Is that what you were recording on the skate track? Yes, yes.
• 2:35:33
  Speaker 5: Very beautiful, my brother. Congratulations on the sound, okay? Congratulations.
• 2:35:37
  Speaker 7: Let's go.
• 2:35:37
  Speaker 5: Can I send one of the albums too?
• 2:35:38
  Speaker 10: Can I send one of the albums?
• 2:35:41
  Speaker 8: No.
• 2:35:41
  Speaker 7: Oh! Hey, hold it there.
• 2:35:42
  Speaker 6: The album Saideira, look, we even called it Saideira.
• 2:35:47
  Speaker 7: I don't know, sometimes my partner is.
• 2:35:50
  Speaker 14: Hey, hey, Papo Reto, I want to give a shout
• 2:35:55
  Speaker 14: out to Jota 9, who is in this song with me,
• 2:35:57
  Speaker 14: who just released a new album. Very cool, I met
• 2:36:01
  Speaker 14: Jota 9 in Rio Grande do Sul a few years ago,
• 2:36:02
  Speaker 14: you know?
• 2:36:03
  Speaker 7: A lot of years ago.
• 2:36:03
  Speaker 5: He's from Rio Grande do Sul? This guy is crazy.
• 2:36:05
  Speaker 7: I met him a lot of years.
• 2:36:06
  Speaker 14: Ago at a show, I didn't even imagine, I exchanged
• 2:36:07
  Speaker 14: ideas with him in a dressing room a long time
• 2:36:09
  Speaker 14: ago when we made a song, the guy.
• 2:36:10
  Speaker 5: Is in his fight back there.
• 2:36:11
  Speaker 7: The name of the song is Atrás da Glória, let's go.
• 2:36:15
  Speaker 5: Let's go.
• 2:36:15
  Speaker 13: Let's go.
• 2:36:30
  Speaker 6: Diversas situações passei pra tentar chegar onde Sempre disseram ser
• 2:36:36
  Speaker 6: possível de chegar Se o sonho é teu, não é
• 2:36:40
  Speaker 6: de ninguém, cê vai pro fronte Que hora dessa vitória tá?
• 2:36:44
  Speaker 6: A vida não é sobre ter, é sobre ser e
• 2:36:47
  Speaker 6: não querer Conquistar só pra mostrar, e se não pudesse
• 2:36:51
  Speaker 6: postar Será que cê ia querer isso tudo, essas putas
• 2:36:54
  Speaker 6: jogando na casa Dinheiro tem até pra rasgar, mas se
• 2:36:57
  Speaker 6: não tá no story não vale de nada Bate a
• 2:37:00
  Speaker 6: querendo um pedaço do império que pra construir foi chorando
• 2:37:03
  Speaker 6: Me pede sorrindo, eu quase não lembro que ela vai
• 2:37:05
  Speaker 6: se movimentando O erro do homem depois de vencer, de
• 2:37:09
  Speaker 6: subir sozinho na vida É sentar numa mesa onde todas
• 2:37:12
  Speaker 6: elas são mulheres desconhecidas Seu.
• 2:37:15
  Speaker 10: Dinheiro é um lixo, eu que fiz meu luxo, ninguém deu.
• 2:37:17
  Speaker 3: Nada pra mim Ela é rica, ela já tem de tudo,
• 2:37:20
  Speaker 3: então vai tomando até depois do fim.
• 2:37:22
  Speaker 6: Tudo em excesso na vida é ruim, então fica sem
• 2:37:25
  Speaker 6: pato ver Eu só não posso perder.
• 2:37:27
  Speaker 3: Pra mim Como é que eu vou.
• 2:37:28
  Speaker 6: Perder pra você Também já me vi menorzão Pensando num plano,
• 2:37:32
  Speaker 6: pensando em vencer Nunca passei necessidade Só que vontade eu
• 2:37:36
  Speaker 6: não posso mais ter Uma das naves de milho, os boot.
• 2:37:38
  Speaker 17: De mil Elas vem que nem refil Até o tempo
• 2:37:41
  Speaker 17: que a inveja não fere Inimigo tentou, mas caiu.
• 2:37:45
  Speaker 6: Atrás da glória, até cansado Tô disposto Making my story
• 2:37:50
  Speaker 6: so I don't tell the others Inspired until I'm disturbed
• 2:37:54
  Speaker 6: Victory is for those who want it, for those who
• 2:37:58
  Speaker 6: stay still Behind the glory, even if I'm tired, I'm willing.
• 2:38:03
  Speaker 3: Making my story so I don't.
• 2:38:05
  Speaker 6: Tell the others Inspired until I'm disturbed Victory is for
• 2:38:09
  Speaker 6: those who want it, for those who stay still.
• 2:38:14
  Speaker 3: Oh, Tuto, everyone has released an exclusive.
• 2:38:16
  Speaker 5: You said you have one with MC Da Leste.
• 2:38:18
  Speaker 3: Today is the day, unfortunately, of.
• 2:38:20
  Speaker 5: The death of our monster. Are you going to show
• 2:38:21
  Speaker 5: it or not? I'm going to show it.
• 2:38:25
  Speaker 10: What?
• 2:38:25
  Speaker 5: I'm going to show it.
• 2:38:27
  Speaker 6: Tuto.
• 2:38:41
  Speaker 5: Da Leste vive!
• 2:38:55
  Speaker 15: Estava no meu quarto pensando em você Que me virou
• 2:38:59
  Speaker 15: as costas sem deixar me esclarecer Me sinto sem destino
• 2:39:04
  Speaker 15: com a falta desse amor Sua foto no meu quarto
• 2:39:07
  Speaker 15: foi tudo que estou Recordação tão linda que não dá
• 2:39:12
  Speaker 15: pra esquecer Até mesmo quando a menina eu me lembro
• 2:39:16
  Speaker 15: de você E quando estou sozinho me pego a pensar
• 2:39:20
  Speaker 15: I don't know. Falta forças pra lutar Uma doença impurável
• 2:39:44
  Speaker 15: se instalou no seu lugar A saudade bate forte, machuca
• 2:39:48
  Speaker 15: seu coração E quando vai a noite, vem de novo
• 2:39:52
  Speaker 15: a solidão O tom.
• 2:39:54
  Speaker 11: Da minha voz vai te fazer lembrar Você parou, me
• 2:39:58
  Speaker 11: perdi quando perdi você Ando na solidão, difícil acreditar Que
• 2:40:05
  Speaker 11: a nossa relação fez só nós dois sofrer Caminhos mudados.
• 2:40:10
  Speaker 3: Um coração quebrador.
• 2:40:12
  Speaker 5: O tempo passando sem.
• 2:40:14
  Speaker 11: Você do lado Juntei todos caracol, lembrei do passado E
• 2:40:20
  Speaker 11: a nossa foto não deixa esquecer Chega dói imaginar o
• 2:40:25
  Speaker 11: futuro com a sua ausência O seu jeito de olhar,
• 2:40:28
  Speaker 11: o seu cheiro que ainda lembra Tento até disfarçar, mas
• 2:40:32
  Speaker 11: me perco nessa doença E é difícil curar e não
• 2:40:36
  Speaker 11: ter mais sua presença Eu me encontro perdido, sinto a
• 2:40:42
  Speaker 11: solidão Chega perto de mim, fica aqui comigo Não sei
• 2:40:49
  Speaker 11: como vai ser.
• 2:40:51
  Speaker 3: Costuma com o fim.
• 2:40:55
  Speaker 5: MC of Aleste, MC Tutu, from Aleste Viva.
• 2:40:57
  Speaker 7: At all times.
• 2:40:57
  Speaker 5: Very cool, very cool. To end with a golden key.
• 2:41:00
  Speaker 3: On the 15th, release this one. On the 15th now?
• 2:41:02
  Speaker 7: Yes.
• 2:41:02
  Speaker 3: Aleste MC Tutu.
• 2:41:03
  Speaker 7: Very cool.
• 2:41:03
  Speaker 5: Just to keep the tradition. And calm down too. Sorry.
• 2:41:07
  Speaker 5: Just one, just one. No, you send it here. Day
• 2:41:10
  Speaker 5: 9 is my birthday. And the launch of my VP too,
• 2:41:11
  Speaker 5: my Vulgar 2T.
• 2:41:12
  Speaker 12: So guys, for you who follow the MC Tutu, it's light.
• 2:41:23
  Speaker 12: It's a new EP with a lot of participation from
• 2:41:25
  Speaker 12: a lot of friends.
• 2:41:26
  Speaker 5: And you know.
• 2:41:26
  Speaker 12: There's going to be a party. There's going to be
• 2:41:28
  Speaker 12: a party. I'm not even going to show the frack.
• 2:41:31
  Speaker 12: It's not going to do anything.
• 2:41:32
  Speaker 5: Day 9. Mirante, wait. You're invited here, right? I'm waiting
• 2:41:36
  Speaker 5: for this moment to invite you. A special invitation. Is
• 2:41:38
  Speaker 5: that right?
• 2:41:39
  Speaker 17: Cancer?
• 2:41:39
  Speaker 5: Cancer.
• 2:41:39
  Speaker 3: You killed the note. Us three!
• 2:41:43
  Speaker 5: You'll like it, it's on July 9th, I'll send you
• 2:41:46
  Speaker 5: the right voice. After tomorrow. Let's go, to finish, thank you.
• 2:41:50
  Speaker 10: Thank you, you can go.
• 2:41:50
  Speaker 5: Hold it! I need to do the... I need to
• 2:41:52
  Speaker 5: say that it's awesome every time the guys come here,
• 2:41:54
  Speaker 5: calm down, thank you, Nathan. Every time the guys come here,
• 2:41:58
  Speaker 5: they have the song of the moment. Then what can
• 2:42:00
  Speaker 5: I do? So take it again, it's another song, okay?
• 2:42:02
  Speaker 10: But.
• 2:42:09
  Speaker 5: It's the top one.
• 2:42:10
  Speaker 3: Not from now, but it's been a long time.
• 2:42:11
  Speaker 5: No, are you crazy?
• 2:42:12
  Speaker 3: I took it from you.
• 2:42:14
  Speaker 5: It's corcunda already, right? Cocadas!
• 2:42:16
  Speaker 10: Let's go, man!
• 2:42:17
  Speaker 16: There!
• 2:42:40
  Speaker 5: Estival, caralho!
• 2:43:01
  Speaker 11: Hey, with Barça' s jersey, no plug, just the DJ. Passing
• 2:43:06
  Speaker 11: in the.
• 2:43:06
  Speaker 5: Break of the nap, I look for the cold, I
• 2:43:08
  Speaker 5: don't know.
• 2:43:09
  Speaker 10: Hey, you who are at home, no worries, no one
• 2:43:10
  Speaker 10: sings with us like that, thanks.
• 2:43:12
  Speaker 5: It's that I'm without worries. Throw two in the pot.
• 2:43:14
  Speaker 11: É que eu tô sem preocupação Querendo só o lazer que.
• 2:43:25
  Speaker 3: Vem Deixando a viver para ele que é do.
• 2:43:29
  Speaker 11: Doido E tu pode deixar pro pai Nós subir, dominar As.
• 2:43:34
  Speaker 5: Putas vêm e.
• 2:43:35
  Speaker 11: Me assombram Vem vencer o show, parece que é me
• 2:43:38
  Speaker 11: dar Sentar, então deixa ela jogar Tanto tem sentimentos, meu mano,
• 2:43:44
  Speaker 11: quero morar Onde nós passa chama a atenção de todas
• 2:43:49
  Speaker 11: as garras Menazin ta na.
• 2:43:51
  Speaker 3: Mídia, acabou de sacar da nao.
• 2:43:54
  Speaker 11: Já batemo a meta, então vou brotar na quebrada.
• 2:43:58
  Speaker 3: Se tá solta, te trague, se não tá boa, você
• 2:44:01
  Speaker 3: é plá.
• 2:44:02
  Speaker 11: Deixa falar, você é caô. Para as quedas, mas é
• 2:44:08
  Speaker 11: o terror, então bota pra serê. Puxi na pista e
• 2:44:13
  Speaker 11: ela não quer parar De sentar lá, é que eu
• 2:44:18
  Speaker 11: tô sem preocupação Querendo só o lazer, jogar duas no
• 2:44:23
  Speaker 11: paixão É que.
• 2:44:23
  Speaker 3: Eu tô sem preocupação.
• 2:44:28
  Speaker 11: Querendo só um lazer, DT Deixa nós viver.
• 2:44:31
  Speaker 6: Em paz Por aqui no gueto Onde passa ela sura
• 2:44:35
  Speaker 6: a lupa A calcinha fica molhada Pela postura que nós
• 2:44:38
  Speaker 6: tem na rua O maquinário do Richard Tava lendo o
• 2:44:42
  Speaker 6: preço desse veloz Falar da minha vida, me igualar com
• 2:44:45
  Speaker 6: o crime Não sou envolvido, mas quem dá é nóis,
• 2:44:47
  Speaker 6: é nóis Como que.
• 2:44:48
  Speaker 3: Te deixa tonto? O conto é quanto?
• 2:44:50
  Speaker 6: Eu tenho na conta Aponta pro amigo que cata e
• 2:44:53
  Speaker 6: corta Se eu desejo piranha Ultimamente eu asso sem afeto
• 2:44:58
  Speaker 6: She likes to show off her tits on the roof,
• 2:45:01
  Speaker 6: on the cup car.
• 2:45:01
  Speaker 3: Let us live, without worries.
• 2:45:04
  Speaker 6: Several comedians want to be us, but it's not possible.
• 2:45:09
  Speaker 3: So let us live, without worries.
• 2:45:11
  Speaker 6: All the fire is for the tasty, ask for the
• 2:45:15
  Speaker 6: chef's fork.
• 2:45:16
  Speaker 4: In the elevator of the VT. It's that I'm without worries.
• 2:45:19
  Speaker 4: That I'm... Hey!
• 2:45:26
  Speaker 5: Hey!
• 2:45:55
  Speaker 11: Mó paz, mó fim da mái, luxo mái, fama mái,
• 2:45:57
  Speaker 11: puto é terrível, puro esmero a cortar, GMT, ô tenera, desentoco,
• 2:46:02
  Speaker 11: soltando a mão dos pesos, na relíquia do 2T, eu
• 2:46:05
  Speaker 11: e o Vini corta SP, FR tá cochilo.
• 2:46:08
  Speaker 19: Fode-lá-lá, é só no VT, é que eu.
• 2:46:11
  Speaker 3: Tô sem preocupação, e o quê?
• 2:46:13
  Speaker 11: Tenero só o lazer, joga duas no paixão.
• 2:46:19
  Speaker 3: Thank you, God.
• 2:46:34
  Speaker 5: If you liked it, leave a like, subscribe to the channel,
• 2:46:37
  Speaker 5: follow Joãozinho VT on social media, follow Vini7 on social media,
• 2:46:40
  Speaker 5: MC Tuto on social media, MC Caco on social media,
• 2:46:43
  Speaker 5: wait for the releases, there will be a release of
• 2:46:46
  Speaker 5: all of them, right? Or am I wrong?
• 2:46:48
  Speaker 9: There's VT's DVD, there's Vini's album, there's your project that
• 2:46:53
  Speaker 9: you announced now on your birthday, Caco is also coming
• 2:46:55
  Speaker 9: with a wonderful DVD, what do you think?
• 2:47:03
  Speaker 3: Yeah, yeah, yeah, yeah.
• 2:47:11
  Speaker 5: Yeah, yeah, yeah.
• 2:47:11
  Speaker 3: Oh, yeah, yeah, yeah.
• 2:47:10
  Speaker 5: Like Subscribe to.
• 2:47:11
  Speaker 7: The channel.
• 2:47:29
  Speaker 5: Hey, it's the song from the soap opera, right?
• 2:47:33
  Speaker 3: It's the song from the soap opera!
• 2:48:02
  Speaker 1: Amazon Prime Day, 1 to 7 of July.
• 2:48:04
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• 2:48:08
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• 2:48:11
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• 2:48:14
  Speaker 3: The feeling of cheering is ours.